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Speaker 1: Blending Vice's signature dynamic storytelling with the high octane world

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Speaker 1: of sports, Vice Sports brings an exciting and diverse range

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Speaker 1: live events to gripping behind the scenes documentaries, to hard

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Speaker 1: hitting investigative pieces and in depth profiles of athletes, coaches, teams.

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Speaker 1: Vice Sports captures the raw energy, drama, and passion that

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Speaker 1: makes sports truly unforgettable. Catch live events and other exclusive

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Speaker 1: sports programs only on Vice TV. Go to vicetv dot

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Speaker 1: com to find your cable channel.

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Speaker 2: The volume.

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Speaker 3: Alright, Rory, we are back with a new episode of

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Speaker 3: Don't Know Ball. This is actually a special, yes, special

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Speaker 3: episode of Don't Know Ball. Today we are joined by

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Speaker 3: two guys who are doing some really really dope things

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Speaker 3: in the independent movie space, one of them being the

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Speaker 3: legendary O G absolutely out of New York City and

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Speaker 3: one of them being the wildest niggas ever out of

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Speaker 3: New York.

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Speaker 4: I thought I was the legendary o g.

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Speaker 3: A right, definitely legend But we get to We're joined

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Speaker 3: by Chris Gotti and so far to talk about the

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Speaker 3: new movie Balling available now on to be how y'all feeling, gentlemen.

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Speaker 4: Man, thank you for having us number one. Listen.

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Speaker 3: I came into that I wasn't expecting. I knew god

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Speaker 3: he was coming out. Well, I didn't know so far

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Speaker 3: was coming until I got down. That was the best

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Speaker 3: surprise so far as I was, like, I want before

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Speaker 3: I say, Safari, who opened the door?

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Speaker 4: See my got so far as.

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Speaker 5: Trying to surprise you with Lance too. Yeah, but he's

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Speaker 5: work as three. You know, he's over there with after

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Speaker 5: that one one.

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Speaker 3: C Fish, the cunttwe him and the White But that's

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Speaker 3: part of the game though.

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Speaker 4: That he's busy working.

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Speaker 3: But shout out to land with him sometimes. So you

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Speaker 3: know how you're feeling, man, what's going on?

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Speaker 4: And everything's great?

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Speaker 5: Man, have I've you know, first time for you know

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Speaker 5: this first for everything and here we have a first

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Speaker 5: number one movie and on tube right now for new

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Speaker 5: black films and uh balling, you know, shout out rich

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Speaker 5: rich Walker. He's the one who wrote the script and

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Speaker 5: is my partner as well. But we got it rich Black,

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Speaker 5: I said, rich Walker.

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Speaker 4: Rich Walker credit said business. Yeah, you know what I mean.

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Speaker 6: We talk so much music on the spot.

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Speaker 2: I think our fan base is probably more music driven

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Speaker 2: than they are film driven.

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Speaker 5: You know, we have a soundtrack for this, and I

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Speaker 5: want to talk about it because the soundtrack came from

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Speaker 5: the spirit of the essence of us filming and the

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Speaker 5: energy that was on the set with all the people

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Speaker 5: in Lance. I took him into the big studio for

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Speaker 5: the first time. He's never been in a big studios

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Speaker 5: till I brought him in and we went to Circle

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Speaker 5: House out Miami. We filmed out there, and Lance is

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Speaker 5: a real on the fire artist. I don't know if

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Speaker 5: people understand that the dude is real, Like I was

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Speaker 5: going to see what he's about, you know, just to

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Speaker 5: see his chops inside.

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Speaker 4: Of the studio.

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Speaker 6: What do you think going in?

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Speaker 4: I had no opinion.

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Speaker 5: I deal with a lot of rappers that are basketball

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Speaker 5: players or basketball players that want to rap whatever you

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Speaker 5: want doing. I mean Baron David, shout out Baron. I

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Speaker 5: did hundreds of records with Baron. He's another free stylist.

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Speaker 5: Like if he took his series, he could really rap,

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Speaker 5: like I know the difference from someone that's fake and

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Speaker 5: not like these dudes have real rapping capability.

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Speaker 4: And he went in there with all ideas he's singing.

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Speaker 5: I called him the black Drake, he's singing and rapping

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Speaker 5: Drake is yeah, no black.

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Speaker 4: But at the end of the.

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Speaker 5: Day, he really had those that capabilly coming up with

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Speaker 5: hooks and rhythms and melodies. That part is the hardest

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Speaker 5: part to anyone could just rap, but to come up

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Speaker 5: to make songs.

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Speaker 4: He could make songs. To me, that there's a difference.

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Speaker 5: And I felt if people really listen to what he's

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Speaker 5: singing in the songs itself, it would have real lady like.

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Speaker 3: Yeah, look we challenged I challenged it.

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Speaker 5: We see what you just said. Cool pick a rapper

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Speaker 5: and put his songs up and you understand. That's how

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Speaker 5: strong I stand on it, Like I'm cool with that,

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Speaker 5: Like he's really rap.

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Speaker 2: Well, our seven don't know ball. For our pod, we

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Speaker 2: usually talk to athletes that are rappers, like we had

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Speaker 2: pac Man on to talk about his music. Yes, like

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Speaker 2: you know, that's kind of been a lot of the

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Speaker 2: themes so but it's.

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Speaker 3: Always went hand in hand after rap hip hop from

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Speaker 3: from the same neighborhoods as all that.

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Speaker 7: I ain't gonna lie that this ship is this ship

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Speaker 7: is fire. The soundtrack is like the song Like when

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Speaker 7: I was hearing him, I was like, I was like,

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Speaker 7: damn sh a nigga was telling me come to the studio.

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Speaker 4: Yeah, I never went.

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Speaker 6: One night he was at the Vibe Scars to show

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Speaker 6: you can go so talk to.

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Speaker 3: Us about ball and how did it come? Like, how

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Speaker 3: did it come to fruition? How did this started? I

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Speaker 3: know obviously started an idea, who sat down? Who thought

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Speaker 3: about it?

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Speaker 4: Again?

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Speaker 5: I give all the credit to Rich Rich Blackwalker, my partner.

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Speaker 4: He had this script for a minute.

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Speaker 5: He had different casts, and he kept pitching it to me,

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Speaker 5: telling me, let's do this movelest.

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Speaker 4: I'm like, I'm busy.

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Speaker 5: You know, Timing for any business is the number one

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Speaker 5: reason you you're successful. Absolutely the right time and it

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Speaker 5: was the right time, and I said, listen. I called

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Speaker 5: him up. I said, let's do it. I got the budget,

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Speaker 5: let's put it together. He sent me where he thought

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Speaker 5: the budget was going to be. I greenlited right away,

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Speaker 5: but I said the money, I said, I said right away.

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Speaker 4: The cast is wrong though.

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Speaker 5: If I'm going to do it, he had all no

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Speaker 5: names again not saying like we have all these big stars,

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Speaker 5: but I used influencer based to make the movie. He

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Speaker 5: had just people that don't even they have acting chops

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Speaker 5: so prior, like to b type movies that they're in,

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Speaker 5: but no one knows them.

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Speaker 4: What good is that?

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Speaker 6: So what came first?

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Speaker 2: Was it the script and the idea or you had

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Speaker 2: a deal in place already then.

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Speaker 5: The idea was absolutely first. I read the script, said

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Speaker 5: let's do it. I liked it.

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Speaker 4: It's a twist. I don't know if you know Alfred Hitchcock.

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Speaker 4: I'm going back. I'm dating myself.

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Speaker 5: There's a movie he made called dial m for Murder

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Speaker 5: with that plot twist. All we did was take that

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Speaker 5: same concept of the movie and put it to urban,

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Speaker 5: to put it to black, to our culture.

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Speaker 4: That's what we did. So it was really a dial

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Speaker 4: in for murder.

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Speaker 5: Balling is dialand for murder, but with all plot twist

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Speaker 5: for our culture today.

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Speaker 2: When you wanted to switch up the cast, did you

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Speaker 2: have people like Safarian Lance already?

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Speaker 4: Mind? Or yes? Right away?

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Speaker 6: Okay?

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Speaker 5: Was that right away first and foremost. I'm gonna say

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Speaker 5: Safari he's gonna speak in a second, but Lance right

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Speaker 5: away is balling. I need a basketball player. Yeah, I

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Speaker 5: was running through a bunch of names. You know, Lance

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Speaker 5: is like my nephew, Like you know, right away, I

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Speaker 5: was like, do you want to act?

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Speaker 4: I was with him.

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Speaker 5: We're doing Coney Island, The Park and Cony Island. You

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Speaker 5: want to act? He said, Hell yeah, And that's I

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Speaker 5: have a formula. Like for these newbies actors, if they

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Speaker 5: don't have that passion and commitment, I don't want them.

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Speaker 5: I don't care who they are, how many follows they got,

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Speaker 5: I don't care. It's not going to be believable on

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Speaker 5: the screen he got.

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Speaker 6: He's so much charisma too, Like I feel like you.

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Speaker 5: Know you really everyone that the cast I know Lance

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Speaker 5: like I know him not as the basketball player, I

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Speaker 5: know Lance the person. Like if you don't get a

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Speaker 5: chance to be around him, I'm sure Safari never knew

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Speaker 5: he was, like the way he is just totally opposite,

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Speaker 5: like such a good dude, fun loving, laughing, joking, making

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Speaker 5: everyone laughing, Joe generous with everybody. I mean, takes care

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Speaker 5: of it, like everything. If he could do it, he

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Speaker 5: does it. It's he's just a person that off camera

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Speaker 5: it was just a pleasure to be around and his

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Speaker 5: commitment to being as good as he can be. That's

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Speaker 5: part of why he made it to the league. Yeah,

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Speaker 5: you know, it's that work ethic that he had. He

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Speaker 5: put it right into music, and he put it right

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Speaker 5: in and acting. It was amazing to watch.

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Speaker 3: Now we're shooting a movie and and and you know,

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Speaker 3: putting it to tow B versus other platforms.

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Speaker 4: What are some of the the pros and cons of it?

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Speaker 3: What are some of the experiences that you know, independent

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Speaker 3: filmmakers can kind of expect when they're writing and producing

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Speaker 3: and directing these films with tubing them to to be.

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Speaker 5: One of the again, you have to go through an aggregator.

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Speaker 5: That is a very hard process. That means you're giving

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Speaker 5: up equity to your film to this aggregating company for nothing,

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Speaker 5: just because they could get it onto I didn't know that.

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Speaker 7: Yeah, that's a problem. It's business. I'm a business dude.

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Speaker 7: Like that's one of the anament. It's like a management.

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Speaker 7: It's like a management broken for a movie.

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Speaker 5: Basically like let's le' use music, okay, Disctroky, United Masters.

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Speaker 5: They all have a fee you have to pay to

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Speaker 5: get your on all the DSPs. I have a distribution

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Speaker 5: Comical Adventure Music. I take a percentage to get you

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Speaker 5: on all the DSPs and including what's uh, you know,

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Speaker 5: all those platforms. I'm on every platform. So at the

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Speaker 5: end of the day, it's part of the cost of

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Speaker 5: doing business. I get it for now, and unless you

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Speaker 5: could do it directly yourself and they don't accept it

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Speaker 5: from them companies directly. Now, if you wait directly, that

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Speaker 5: means they bought it from you, okay, and it'll be you.

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Speaker 4: You could basically.

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Speaker 5: License it to them for X amount of time two years,

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Speaker 5: three years, and that's how much money they'll pay you.

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Speaker 4: Gosh, it's business.

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Speaker 5: It's simple. It's not hard. It's very simple. If you're

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Speaker 5: inside of this, you to understand it clearly. But we

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Speaker 5: had to go through an aggregator. They didn't take us.

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Speaker 5: I tried to shop it directly. So the pros and

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Speaker 5: cons or the cons.

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Speaker 4: Let's say.

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Speaker 5: We found out very quickly that to be has a

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Speaker 5: tendency of releasing your movie without letting you know. Your

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Speaker 5: movies has to go through quality control, right, so you

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Speaker 5: got to follow the system quality control meeting. They got

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Speaker 5: to see what kind of sex is in it, you

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Speaker 5: know what I'm saying, ship.

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Speaker 6: Like that specifically, Yeah.

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Speaker 5: You know what I mean, because that changes the Our

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Speaker 5: rating was a mature audience, so it's a good rating.

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Speaker 5: I didn't want to make it r and I didn't

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Speaker 5: want to go further than that because I own it

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Speaker 5: and if I, well we own it, me and my partners,

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Speaker 5: we own it, and I don't want to go I

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Speaker 5: want to still have the opportunity to put it on

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Speaker 5: the bigger platforms and not just.

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Speaker 7: You need to let them see like one of the one.

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Speaker 5: You want to see it now, crazy scenes where we

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Speaker 5: was like, yo, bro, it was day one for me.

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Speaker 5: It was my first day. Imagine that this is what

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Speaker 5: I walk into and I tell you it's it's pawn,

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Speaker 5: Like there's no way I thought it was really going on.

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Speaker 6: So we're just gonna.

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Speaker 4: I'm like, oh, Rich, what the fuck?

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Speaker 7: This isn't in the script this is Lance's first day acting,

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Speaker 7: first day, Like imagine you sitting there, it's your first time,

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Speaker 7: like in the first scene in the movie, because you

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Speaker 7: know we're not shooting it in order, and.

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Speaker 4: He's like, I gotta do this and there's cameras and

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Speaker 4: everybody in the lights and then it's like action.

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Speaker 3: So Lance got to get right to it like that's well,

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Speaker 3: it wasn't Lance.

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Speaker 5: It was another scene. It was Rebecca other stars. She's

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Speaker 5: the detective on the case. You know, if I said

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Speaker 5: the stars, you have Lance Safari, Trey, Trey Change, shout

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Speaker 5: out trade. You know, his son just had that old

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Speaker 5: him and his son was in a tornado in the

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Speaker 5: house and he's in I c U and getting better.

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Speaker 5: So God bless you. And Rebecca. That's the five leads

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Speaker 5: in our movie. And Rebecca big following two million plus

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Speaker 5: followers on a gram and everything. And that's the first

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Speaker 5: scene she's has a sex scene with some of her

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Speaker 5: boyfriend in the movie.

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Speaker 6: Intensive is that on set?

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Speaker 4: Like just that?

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Speaker 5: Well, you know, we try to protect everything, especially the

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Speaker 5: female whatever they're comfortable with. Yeah, but we have cameras

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Speaker 5: or screens watching everything, so even though they're not in

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Speaker 5: the room, they're seeing everything.

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Speaker 4: That video the setup.

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Speaker 7: Though, and when you watch it though, and then like

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Speaker 7: you're there and it's happening, the setup makes it be like,

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Speaker 7: all right, this is not real. It doesn't feel like yo,

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Speaker 7: this is awkward. It's like if you was really doing it,

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Speaker 7: and like people trying to you're going to feel like

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Speaker 7: it's a little all.

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Speaker 4: They show you, guys.

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Speaker 5: Since we're talking about I'm not sure remember day one.

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Speaker 5: It's on my worst side, but it's day one. But

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Speaker 5: at the end of the day. You know, we tried

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Speaker 5: to be I was not. I didn't try. I was

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Speaker 5: very complying with each female that had to protected all

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Speaker 5: the girls. I got five sisters. I got a thought,

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Speaker 5: I'm not playing with women. And again, but if you

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Speaker 5: want to do it, you're an adult.

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Speaker 4: I get it.

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Speaker 5: You know what I'm saying. And that's what we did.

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Speaker 5: I make sure you know our lead. She's a Nebie,

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Speaker 5: She's a Brenda Paulino. You know, shout out Brenda. She

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Speaker 5: just had another baby too. But her scenes she pulled.

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Speaker 5: She was so nervous and I said, Brenda, you get

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Speaker 5: in the shower. I can't have you in the shower

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Speaker 5: with the bra it's not real, right. And any sex

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Speaker 5: scenes we did very tasteful, like again classic, very clean

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Speaker 5: and classy, like this movie opens with you and her

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Speaker 5: class at the end of the day, very clean, classy,

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Speaker 5: you know, And we made her relaxed and she was

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Speaker 5: able to pull it off. But it was a very

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Speaker 5: big deal because if you ever go on to be

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Speaker 5: most of these two be movies a soft pawn.

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Speaker 4: Oh yeah, yeah, so.

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Speaker 2: It is.

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Speaker 5: You don't see people, you don't see that soft punk.

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Speaker 2: Yeah, you know, that's what would you be more uncomfortable

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Speaker 2: with on a set, being vulnerable on camera or having

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Speaker 2: sex on camera? Having sex on I'm thinking you're never

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Speaker 2: vulnerable though, I'm always like.

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Speaker 3: Crying having sex on you deal with Lane because he

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Speaker 3: was like, looky, yeahs you shared your feelings.

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Speaker 4: Would be terrified.

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Speaker 3: Having sex on cameras. Wow, Like you look up and

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Speaker 3: it's just like this, like you're just sitting and wrestling.

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Speaker 6: That was the most awkward.

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Speaker 3: Shit, That's what I'm saying, Like, what the fuck? That's

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Speaker 3: how about that cut? You got to do it to

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Speaker 3: get it again? Yeah, wasn't your expression wasn't You don't

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Speaker 3: look like you're enjoying.

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Speaker 4: That really did happen. It happened multiple times, Like it

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Speaker 4: was like you think I'm.

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Speaker 6: Good turn regular. That was cool.

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Speaker 4: It's like done, Like you know what's crazy.

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Speaker 5: When Lance started shooting, he pulled me to the side

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Speaker 5: and I told him something. I said, Lance, I'll never

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Speaker 5: let you do a wax scene if you don't deliver.

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Speaker 5: I'm going to make sure you know to get it right.

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Speaker 5: So every shot he's like, and I'm filming it like

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Speaker 5: on my phone and pull him to the side and say, look,

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Speaker 5: you good like he was. You know, that was the

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Speaker 5: apprehension in the beginning. As the movie went on, he

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Speaker 5: was way more comfortably understood what acting's really about, the

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Speaker 5: little nuances that you have to have.

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Speaker 4: To keep the scenes.

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Speaker 5: And if we was to watch the movie right now,

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Speaker 5: I could show you this is day one, like you

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Speaker 5: could see the difference. It's visible how much he progressed

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Speaker 5: in seventeen days of shooting.

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Speaker 3: So before we got on camera and we were talking

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Speaker 3: about the mishaps business on the business end of the movie, Yeah, released,

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Speaker 3: you didn't know it was out yet.

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Speaker 5: Yeah, they released our movie without telling us, which was

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Speaker 5: obscene because I'm like, if you're our partner. They again,

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Speaker 5: Tooby takes fifty five percent of every dollar off the muscle.

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Speaker 5: That's a real rape and pillage. You talk about music business, call,

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Speaker 5: I ain't about it. No fifty five percent, bro, every

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Speaker 5: movie you see they're taking fifty five percent.

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Speaker 4: Now, so fifty five percent off funding the full They

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Speaker 4: didn't fund nothing, fund Hell no, if.

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Speaker 5: They worse than this is That's what I'm trying to

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Speaker 5: tell you. No one speaks about it. That's why I

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Speaker 5: wanted to speak.

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Speaker 2: About distribution, licensing fees. I take fifty five percent off.

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Speaker 5: Every dollar, Yes, off the muscle, and you made that

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Speaker 5: film in the same you're getting forty five cents off

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Speaker 5: of every dollar.

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Speaker 4: So now when you go through the aggregator that they

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Speaker 4: force you to go through, typically eighty twenty your way,

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Speaker 4: So it's another twenty cents that's coming out for the aggregator. Now,

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Speaker 4: mind you, I have the friends, so we got a

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Speaker 4: better deal.

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Speaker 5: But still they're getting a piece of that forty five

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Speaker 5: cents for being able to allowing me to put the

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Speaker 5: movie out. And we'll be on other networks. We're going

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Speaker 5: to be on Peacock, We're gonna be on Amazon Prime.

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Speaker 4: So but the reality is Tooby still is the number

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Speaker 4: one place to make the money for black film. That's

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Speaker 4: just the facts.

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Speaker 5: So even though I go on these other bigger platforms,

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Speaker 5: Amazon Prime, my audience is not.

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Speaker 4: Over there watching it. They're on to be watching it.

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Speaker 4: That's the reality.

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Speaker 5: Now, I'm gonna take every penny I get from every

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Speaker 5: plight place. You know, Dame, I'm coming America New take it.

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Speaker 5: Oh man, my fault take it.

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Speaker 4: You know what I'm saying. All good? You know, Nikki,

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Speaker 4: I'm coming.

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Speaker 5: You know, Vicky, she has a platform called n g TV,

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Speaker 5: which is next Generation. She owns it all, daming her

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Speaker 5: are the absolute places we should be. Yeah, but we

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Speaker 5: have to build their audience. They don't have enough people

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Speaker 5: on their platform, you know, to get a lot of eyeballs.

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Speaker 5: But that's what we should be pushing because then we

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Speaker 5: could get the right deals. When Dame sits there and

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Speaker 5: goes on these rants, I get it, I overstand it.

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Speaker 5: The raping pillage is real and that's just the facts.

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Speaker 4: Yeah.

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Speaker 2: Actually, that's actually more comparable to the podcast word. I

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Speaker 2: feel like because we talk a lot with other podcasts

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Speaker 2: about YouTube.

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Speaker 4: YouTube.

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Speaker 2: YouTube is not a secret. Isn't the most fair splits?

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Speaker 4: What is it? What is it on YouTube?

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Speaker 2: It depends it's there's not like one strict formula no

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Speaker 2: matter what.

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Speaker 4: It depends who you are.

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Speaker 2: Yeah, things things shift a bit, but no matter what,

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Speaker 2: it's not the fairest thing of all.

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Speaker 6: But it's where the community is.

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Speaker 2: So it's like, people like, why don't you take your

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Speaker 2: ship off YouTube because forit p I'm like, no, we're

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Speaker 2: making more money based off the community that YouTube has

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Speaker 2: or what we can leverage, and that's why they do it.

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Speaker 2: So yeah, and that's why yeah, I get why YouTube

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Speaker 2: is like, now you're only getting this much though we

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Speaker 2: have the community, we want to upload your video that easily,

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Speaker 2: we're going to take most of the fucking profit.

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Speaker 4: And that's the movie. So that's really the downside for

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Speaker 4: tub man. They don't pay. If they do pay, like

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Speaker 4: you was asking, they'll pay.

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Speaker 5: They'll put up money for movies, but then it go

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Speaker 5: they own controlling for X amount of time.

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Speaker 4: It's not for life.

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Speaker 5: You just cut the length of time you want or

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Speaker 5: you know, that's based on how much they'll give you.

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Speaker 4: And then they'll be what they.

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Speaker 5: Call it to be original and marketing promoted through their platform,

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Speaker 5: which is incredible. So that's why I said for independent

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Speaker 5: black film, we are number one right now for the

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Speaker 5: first two weeks. Because I'm not talking about two the originals.

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Speaker 5: I'm talking about guys that just get their movies, you

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Speaker 5: know what I'm saying. That's the difference. And we are

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Speaker 5: number one for that and we over three million streams

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Speaker 5: and counting in less than two weeks.

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Speaker 2: So you mentioned CPMs as well, off, Mike, how does

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Speaker 2: that work within Okay, that's in our world.

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Speaker 5: See, and again this is the con they don't have

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Speaker 5: a form, and they tell you when you move up

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Speaker 5: to the next tier of CPM, they start you on

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Speaker 5: their low form basically a million dollars. A million reviews

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Speaker 5: is about seven thousand bucks basically, and.

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Speaker 6: For those don't CPM is dow loads per thousand clicks.

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Speaker 5: Yeah, I'm just giving you the manute because we have

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Speaker 5: about six commercials inside of our hour and twenty minute film, okay.

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Speaker 4: And that's definitely more than six commercials. No six. If

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Speaker 4: they add more, that's because we're doing well. Brother.

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Speaker 7: Oh yeah, all right, I'm because I'm watching it. That

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Speaker 7: is not six commercials.

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Speaker 5: The more commercials that we put in there, the better

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Speaker 5: at this moment. But they should raise us up our CPM,

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Speaker 5: and they didn't give me the formula when that happens,

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Speaker 5: So that's to me a negative. I like transparency just

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Speaker 5: to put me in a fight. Let me know what

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Speaker 5: I'm fighting, and that's it. Whoever I'm fighting, let's go,

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Speaker 5: and that's it. I know what I'm dealing with. I

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Speaker 5: tell independent artists the same thing. Contracts not forever. I

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Speaker 5: have no contract with them, so I could take my

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Speaker 5: movie put it anywhere. But the reality is my audience

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Speaker 5: is there. That's where I'm going to get the biggest

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Speaker 5: bang for our buck even with the rape and pillage.

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Speaker 4: How about that? Yeah? I feel how about that?

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Speaker 2: Community is better than perception. As far as if this

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Speaker 2: went on Netflix, it's probably a cooler press release, like, look,

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Speaker 2: we're on Netflix type shit, But is that really the

441
00:20:44,000 --> 00:20:45,840
Speaker 2: best move based off the community you're trying to see?

442
00:20:45,880 --> 00:20:48,879
Speaker 5: Listen, Netflix came through our premier, Amazon Primes at a

443
00:20:48,920 --> 00:20:51,639
Speaker 5: premier that Netflix was talking to me about taking on

444
00:20:51,680 --> 00:20:52,040
Speaker 5: the film.

445
00:20:52,080 --> 00:20:53,760
Speaker 4: They this is exactly what we're doing.

446
00:20:53,800 --> 00:20:57,280
Speaker 5: Why they just started a black division for Netflix? Why

447
00:20:57,280 --> 00:20:59,359
Speaker 5: are they doing that? Because they see what Toobi's doing

448
00:21:00,160 --> 00:21:02,280
Speaker 5: right and the money they're generating. So they said, we

449
00:21:02,359 --> 00:21:05,240
Speaker 5: need to started a black division for these films, and

450
00:21:05,280 --> 00:21:05,840
Speaker 5: they said.

451
00:21:05,680 --> 00:21:06,479
Speaker 4: This would be perfect.

452
00:21:06,560 --> 00:21:09,360
Speaker 5: So you know, we're in negotiation now, and if they

453
00:21:09,400 --> 00:21:11,600
Speaker 5: take it, guess what, it'll have to come down on

454
00:21:11,680 --> 00:21:14,119
Speaker 5: everywhere else and be lived only on things. But I

455
00:21:14,160 --> 00:21:17,080
Speaker 5: already made my money, right, it's no longer I got

456
00:21:17,080 --> 00:21:19,200
Speaker 5: to see how much streams I get. I would have

457
00:21:19,280 --> 00:21:23,240
Speaker 5: made money where I'm a profitable movie for X amount

458
00:21:23,240 --> 00:21:24,760
Speaker 5: of years and when it comes down, I could take

459
00:21:24,760 --> 00:21:27,040
Speaker 5: it and then put it back out on every platform.

460
00:21:27,600 --> 00:21:30,080
Speaker 2: Why do we think hip hop hasn't been leaning in

461
00:21:30,080 --> 00:21:32,520
Speaker 2: to the two B model the way you know your

462
00:21:32,520 --> 00:21:37,000
Speaker 2: brother did with Rock Feller films. If this system existed,

463
00:21:37,080 --> 00:21:41,399
Speaker 2: then we'd be on Paper Soldiers thirteen by now. I

464
00:21:41,440 --> 00:21:43,320
Speaker 2: think that meaning because they're being made for cheap and

465
00:21:43,320 --> 00:21:45,840
Speaker 2: they're profitable. Absolutely, and anyone can act in it the

466
00:21:45,840 --> 00:21:46,840
Speaker 2: same way Paper Soldiers.

467
00:21:46,880 --> 00:21:46,960
Speaker 4: Like.

468
00:21:47,440 --> 00:21:49,600
Speaker 2: We didn't think Beans was the greatest actor ever. It

469
00:21:49,640 --> 00:21:51,520
Speaker 2: was just great to watch Beans act like.

470
00:21:52,640 --> 00:21:54,160
Speaker 4: I have his tea queued up.

471
00:21:54,520 --> 00:21:59,920
Speaker 8: Oh my day one, this way get on the big screen.

472
00:22:01,480 --> 00:22:04,000
Speaker 8: It's not in the movie, so you know when I

473
00:22:04,160 --> 00:22:04,640
Speaker 8: see it.

474
00:22:05,000 --> 00:22:07,560
Speaker 4: When I seen this, I stopped production.

475
00:22:08,119 --> 00:22:09,400
Speaker 6: I pulled my over.

476
00:22:10,000 --> 00:22:13,879
Speaker 4: I pulled my over and say, no, this is not

477
00:22:14,080 --> 00:22:16,160
Speaker 4: what I'm doing here. Yo. You know what I'm saying.

478
00:22:16,200 --> 00:22:19,760
Speaker 4: This is not production. Yes, everybody stop duction. Yeah.

479
00:22:20,240 --> 00:22:22,000
Speaker 7: I wasn't filming that day. I showed up, but when

480
00:22:22,000 --> 00:22:24,600
Speaker 7: he showed me this, I said, let me see.

481
00:22:28,320 --> 00:22:32,600
Speaker 4: Oh yeah that's and this was just the beginning. They

482
00:22:32,640 --> 00:22:34,960
Speaker 4: had more scenes to go, and.

483
00:22:34,920 --> 00:22:38,560
Speaker 6: She what's what was the Chloe Balley movie.

484
00:22:39,960 --> 00:22:42,960
Speaker 2: Swarm Swarm which they marketed the whole entire movie off

485
00:22:43,160 --> 00:22:46,760
Speaker 2: Chloe Bailly backshots. Yes, I saw that with the right

486
00:22:46,800 --> 00:22:49,000
Speaker 2: camera angle would still be tasteful. Like that wasn't as

487
00:22:49,040 --> 00:22:49,960
Speaker 2: crazy as I thought you was.

488
00:22:50,160 --> 00:22:51,000
Speaker 4: Okay, Yeah, the.

489
00:22:51,040 --> 00:22:53,239
Speaker 5: Only thing you don't see in this is penetration. But

490
00:22:53,280 --> 00:22:55,199
Speaker 5: that's what that's what I walked in. And when you

491
00:22:55,320 --> 00:23:02,919
Speaker 5: first walked in, who likes I'm like, wait a minute,

492
00:23:04,080 --> 00:23:07,040
Speaker 5: this is real magic. This is real movie magic going

493
00:23:07,080 --> 00:23:12,159
Speaker 5: on here. If he's not, there's so many scenes, and

494
00:23:12,680 --> 00:23:15,640
Speaker 5: there's a lot of scenes. We had to be edit

495
00:23:15,760 --> 00:23:18,560
Speaker 5: the scenes because I said, yo, you you horny basket.

496
00:23:18,680 --> 00:23:21,320
Speaker 4: I said, you gotta tony down. I ain't gonna lie.

497
00:23:21,520 --> 00:23:23,480
Speaker 7: When I got the script, I said, bro, I want

498
00:23:23,640 --> 00:23:24,600
Speaker 7: ten sex scenes.

499
00:23:24,680 --> 00:23:27,360
Speaker 4: Yes, he just wanted the old deal.

500
00:23:30,440 --> 00:23:32,720
Speaker 3: In this conversation ball and it started to taking on

501
00:23:32,760 --> 00:23:33,600
Speaker 3: a whole different meaning.

502
00:23:33,640 --> 00:23:38,639
Speaker 6: Now I heard a basketball.

503
00:23:39,760 --> 00:23:42,879
Speaker 5: Is my coach and shout out continuo shut off the

504
00:23:42,920 --> 00:23:44,760
Speaker 5: cat Cat came in and killed it.

505
00:23:45,240 --> 00:23:48,760
Speaker 4: He's Lancey's coach in the movie. Yeah, shout out cat.

506
00:23:54,440 --> 00:23:56,840
Speaker 3: So far you thought about because obviously you're you're a writer,

507
00:23:56,960 --> 00:24:00,159
Speaker 3: you thought about getting into that world writing scripts in

508
00:24:00,400 --> 00:24:00,800
Speaker 3: the film.

509
00:24:01,880 --> 00:24:04,840
Speaker 7: Yeah, I thought about it. I just didn't do it.

510
00:24:05,160 --> 00:24:10,439
Speaker 7: But I feel like that's that would be so easy

511
00:24:10,480 --> 00:24:13,879
Speaker 7: for me is that, because like the ship that I

512
00:24:13,880 --> 00:24:17,240
Speaker 7: think of is just pretty just weird, funny, psychotic, and

513
00:24:17,280 --> 00:24:19,399
Speaker 7: it just would be ill shit to just say a

514
00:24:19,640 --> 00:24:22,359
Speaker 7: cool write this down. And I did it with something

515
00:24:22,359 --> 00:24:26,720
Speaker 7: and I just saying, I just sain' like make it

516
00:24:26,760 --> 00:24:28,879
Speaker 7: a movie. But I was with this guy and this

517
00:24:28,920 --> 00:24:30,600
Speaker 7: girl and I just was talking and I was like, yo,

518
00:24:30,720 --> 00:24:33,480
Speaker 7: just write down everything I'm talking about. And they did it,

519
00:24:33,520 --> 00:24:35,119
Speaker 7: and then they made like a script out of it

520
00:24:36,320 --> 00:24:40,600
Speaker 7: and it's something called Snatched, and it's like a kind

521
00:24:40,600 --> 00:24:44,320
Speaker 7: of kidnapping ransom kind of movie with like a crazy twist.

522
00:24:44,440 --> 00:24:46,960
Speaker 7: And it just was all based off of me talking.

523
00:24:47,119 --> 00:24:49,480
Speaker 7: So if I could talk and somebody else write down

524
00:24:49,480 --> 00:24:52,000
Speaker 7: what I'm talking about, and it happened because me and myself,

525
00:24:52,040 --> 00:24:53,480
Speaker 7: I can't sit there and like I.

526
00:24:53,440 --> 00:24:55,880
Speaker 6: Can't about to say your front.

527
00:24:56,160 --> 00:24:58,720
Speaker 4: I just found out about chat GBT a month ago.

528
00:24:59,280 --> 00:24:59,639
Speaker 4: When did it?

529
00:25:00,400 --> 00:25:03,040
Speaker 3: How did you just find out about I've heard about.

530
00:25:02,800 --> 00:25:05,040
Speaker 4: It, but I never knew it, like cave what it was.

531
00:25:05,720 --> 00:25:06,240
Speaker 4: So then.

532
00:25:07,760 --> 00:25:09,639
Speaker 7: My gym trainer was talking about He's like, man, this

533
00:25:09,800 --> 00:25:12,800
Speaker 7: chat GBTT got us all losing our jobs. I was

534
00:25:12,840 --> 00:25:15,159
Speaker 7: like how, And then he explained it to me. I

535
00:25:15,160 --> 00:25:18,280
Speaker 7: said word. Then I started using it for the training ship.

536
00:25:18,280 --> 00:25:19,880
Speaker 7: I'm like, oh, I ain't paying this nigga no more.

537
00:25:23,720 --> 00:25:26,200
Speaker 2: One of our co hosts and marriage had a trainer

538
00:25:26,240 --> 00:25:28,760
Speaker 2: before she did a chat GBT ship lost eight pounds

539
00:25:28,800 --> 00:25:29,280
Speaker 2: in like a week.

540
00:25:29,520 --> 00:25:33,000
Speaker 4: Yo, I just found out. I'm mad. I just found

541
00:25:33,040 --> 00:25:35,320
Speaker 4: out about it. Though I could tell you how to.

542
00:25:35,240 --> 00:25:38,800
Speaker 7: Like like clear up a lie and and and make

543
00:25:38,840 --> 00:25:40,520
Speaker 7: sure sound believable.

544
00:25:44,840 --> 00:25:46,960
Speaker 2: To get out of how to get out of this

545
00:25:48,160 --> 00:25:50,399
Speaker 2: too deep in that Like I'll use it for like

546
00:25:50,600 --> 00:25:53,760
Speaker 2: admin work stuff. But I know people that got rid

547
00:25:53,760 --> 00:25:55,719
Speaker 2: of the therapist And now I'm like, yo, is that

548
00:25:56,040 --> 00:25:57,360
Speaker 2: is that your like significant other?

549
00:25:57,440 --> 00:25:57,600
Speaker 4: Now?

550
00:25:58,119 --> 00:25:59,560
Speaker 6: Like they talked to them on a whole.

551
00:25:59,800 --> 00:26:02,200
Speaker 4: That's always set up. It's set up to be a therapist.

552
00:26:04,320 --> 00:26:08,000
Speaker 5: My partner Denio told me years ago that everyone is

553
00:26:08,040 --> 00:26:12,960
Speaker 5: going to get assigned an avatar, and I believe it

554
00:26:13,040 --> 00:26:15,320
Speaker 5: now once I've seen chat GPT. You're going to get

555
00:26:15,320 --> 00:26:17,560
Speaker 5: an avatar that you talk to. It's going to control

556
00:26:17,640 --> 00:26:20,400
Speaker 5: everything you do and take care of everything you're doing.

557
00:26:20,880 --> 00:26:22,040
Speaker 4: So anything you want to do.

558
00:26:22,080 --> 00:26:25,240
Speaker 5: If you have psychology problems and issues, just talk to it.

559
00:26:25,920 --> 00:26:31,439
Speaker 2: Just create more more and controls crazy.

560
00:26:31,760 --> 00:26:35,280
Speaker 7: If GPT you could do something that like where we say, hey,

561
00:26:35,359 --> 00:26:38,080
Speaker 7: where can I find or have a throat goat and

562
00:26:38,119 --> 00:26:42,960
Speaker 7: it really happened on the spot.

563
00:26:43,640 --> 00:26:45,679
Speaker 6: Want to be like, this is not how things need

564
00:26:45,720 --> 00:26:46,320
Speaker 6: to be rung.

565
00:26:47,920 --> 00:26:53,800
Speaker 7: Bro Like, that's what I'll now, But I go they said,

566
00:26:54,160 --> 00:26:54,480
Speaker 7: you know.

567
00:26:54,920 --> 00:26:59,240
Speaker 5: Like again my grandkids, I'll say, they said, we'll have

568
00:27:00,119 --> 00:27:01,840
Speaker 5: a robot as a wife.

569
00:27:02,240 --> 00:27:04,760
Speaker 4: I can see it as a wife, as a wife

570
00:27:05,320 --> 00:27:06,359
Speaker 4: significant other.

571
00:27:07,280 --> 00:27:10,440
Speaker 5: No, and again you could still have a human being,

572
00:27:10,600 --> 00:27:12,800
Speaker 5: but you're gonna have that robot that that's you fucking

573
00:27:13,600 --> 00:27:16,440
Speaker 5: That's what they're basically saying. That's gonna be your companion

574
00:27:16,680 --> 00:27:18,720
Speaker 5: in any walk, shape, form of life.

575
00:27:18,840 --> 00:27:20,840
Speaker 3: Listen, Rocky For is one of my favorite movies. Uncle

576
00:27:20,840 --> 00:27:23,639
Speaker 3: Pauli had a robot Rocky For. I thought that was

577
00:27:23,680 --> 00:27:26,040
Speaker 3: the greatest shit ever. But I didn't think Uncle Pauly's the.

578
00:27:26,040 --> 00:27:29,119
Speaker 2: Way they we were arguing on whatever episode was, I

579
00:27:29,160 --> 00:27:30,879
Speaker 2: was trying to tell everyone that the younger kids are

580
00:27:30,920 --> 00:27:31,639
Speaker 2: having less sex.

581
00:27:31,760 --> 00:27:33,520
Speaker 6: I could totally see they just set in their basement

582
00:27:33,560 --> 00:27:34,040
Speaker 6: and beat off.

583
00:27:34,240 --> 00:27:35,320
Speaker 4: Yes, you give them a robe.

584
00:27:35,560 --> 00:27:37,600
Speaker 5: You know when people when first they said that to me,

585
00:27:37,720 --> 00:27:39,600
Speaker 5: they said, no, one's gonna be with the robe. But

586
00:27:39,680 --> 00:27:41,760
Speaker 5: I said niggas is fucking blow up dogs. What are

587
00:27:41,760 --> 00:27:44,280
Speaker 5: you talking about? What are you saying?

588
00:27:44,320 --> 00:27:49,400
Speaker 4: They're gonna fuck this robot. They're gonna make it robot.

589
00:27:50,359 --> 00:27:52,600
Speaker 5: I was in Vegas and seen strippers that were robots,

590
00:27:52,640 --> 00:27:56,679
Speaker 5: and for see, was that ces the technology things that

591
00:27:56,720 --> 00:27:59,800
Speaker 5: they have out that convention they had strippers that was robots.

592
00:28:00,400 --> 00:28:03,000
Speaker 4: What's next? They don't have him? Second and fucking he's coming?

593
00:28:03,359 --> 00:28:03,679
Speaker 4: How much?

594
00:28:04,000 --> 00:28:04,400
Speaker 7: How much.

595
00:28:06,800 --> 00:28:11,080
Speaker 4: Is no problems? Bro five?

596
00:28:11,800 --> 00:28:13,600
Speaker 2: In my twenties there was plenty of women. I shouldn't

597
00:28:13,600 --> 00:28:15,560
Speaker 2: have fun if I knew that, let me just go home.

598
00:28:15,560 --> 00:28:18,120
Speaker 2: And this robot man may have been a safe for twenty.

599
00:28:17,920 --> 00:28:19,159
Speaker 4: They have been a safe for twenties.

600
00:28:19,400 --> 00:28:22,200
Speaker 3: Yeah, I just don't know if I'm going down that road, fellas.

601
00:28:22,680 --> 00:28:24,359
Speaker 6: I'm not kids like.

602
00:28:26,560 --> 00:28:34,800
Speaker 3: Just real hell nah man, I just the New Toby

603
00:28:34,880 --> 00:28:36,040
Speaker 3: movies on a robot.

604
00:28:36,080 --> 00:28:44,080
Speaker 9: No, we're playing swimming. Yes, that's a fire. I look

605
00:28:44,320 --> 00:28:46,320
Speaker 9: better now doing that.

606
00:28:47,640 --> 00:28:50,360
Speaker 7: A guy who falls in love with leaves his girl

607
00:28:50,400 --> 00:28:51,880
Speaker 7: and falls in love with a robot.

608
00:28:52,080 --> 00:28:55,160
Speaker 6: Yes, I feel you seen her before the movie her. Yeah,

609
00:28:55,360 --> 00:28:56,960
Speaker 6: it's not a real robot. He's just talking to like

610
00:28:57,000 --> 00:29:00,880
Speaker 6: a woman, like over the speakers and lovely but.

611
00:29:00,880 --> 00:29:04,880
Speaker 5: That's what's what happened. I'm just saying I understand it.

612
00:29:05,520 --> 00:29:07,240
Speaker 5: I understand it. When they told me I'm talking my

613
00:29:07,360 --> 00:29:09,440
Speaker 5: real tech guys that I was talking to them.

614
00:29:09,440 --> 00:29:17,240
Speaker 7: I'm excited it's coming. I'm excited and inspired. Are you

615
00:29:17,320 --> 00:29:18,440
Speaker 7: excited about the movie?

616
00:29:18,880 --> 00:29:23,800
Speaker 4: Yeah? Balling now on to be that's right. Is this

617
00:29:23,880 --> 00:29:29,200
Speaker 4: thing on? Is this recording us? It was not me.

618
00:29:30,560 --> 00:29:34,000
Speaker 2: He was already flirting with the machines. Speaking of AI,

619
00:29:34,960 --> 00:29:37,680
Speaker 2: when you guys were dominating the music business, do you

620
00:29:37,720 --> 00:29:40,240
Speaker 2: think you would have incorporated some of the AI stuff?

621
00:29:41,480 --> 00:29:45,200
Speaker 5: Would have never, would have never. He's not a tech

622
00:29:45,280 --> 00:29:50,120
Speaker 5: guy in the sense of trying to change, so I

623
00:29:50,160 --> 00:29:52,960
Speaker 5: don't believe he would have ever incorporated. It would had

624
00:29:53,040 --> 00:29:58,280
Speaker 5: to show him something phenomenal, not just recreating a voice.

625
00:29:59,160 --> 00:30:02,920
Speaker 5: So I we will say this. He was, you know early.

626
00:30:03,120 --> 00:30:04,720
Speaker 5: I mean, people don't know all the things he was

627
00:30:04,760 --> 00:30:06,840
Speaker 5: trying to do. That Bob Maley.

628
00:30:06,640 --> 00:30:08,360
Speaker 6: Movie of Redemption.

629
00:30:08,520 --> 00:30:10,560
Speaker 4: We talked to. His name is.

630
00:30:10,480 --> 00:30:12,800
Speaker 5: Blackwell, the guy who owns all the rights to the

631
00:30:12,840 --> 00:30:17,040
Speaker 5: Malli music. We sat with him, spoke to him and

632
00:30:17,080 --> 00:30:19,960
Speaker 5: he said, I will never let this happen. That's what

633
00:30:20,040 --> 00:30:22,880
Speaker 5: he said, And we was like, but we're not telling

634
00:30:22,920 --> 00:30:25,720
Speaker 5: you where they're going to have an actor playing Bob Molly,

635
00:30:25,720 --> 00:30:27,560
Speaker 5: because that's why he said he would never do it.

636
00:30:28,280 --> 00:30:31,080
Speaker 4: We was going to use the hologram. Remember they have

637
00:30:31,160 --> 00:30:31,920
Speaker 4: the hologram for.

638
00:30:31,880 --> 00:30:35,000
Speaker 5: All of the concerts, and we would have like an

639
00:30:35,040 --> 00:30:38,760
Speaker 5: image of Bob for the movie, but when his concerts,

640
00:30:38,800 --> 00:30:41,120
Speaker 5: it's really Bob Molly, but it's the hologram of Bob

641
00:30:41,160 --> 00:30:46,120
Speaker 5: Marley from the actual concerts to from real footage. And

642
00:30:46,160 --> 00:30:49,320
Speaker 5: he was intrigued with that. Was like, I wouldn't put

643
00:30:49,320 --> 00:30:51,960
Speaker 5: an actor's the great Bob Molly. We won't want to

644
00:30:52,160 --> 00:30:54,840
Speaker 5: never miss it, but we will use the actual footage.

645
00:30:55,160 --> 00:30:57,360
Speaker 5: And he was very intrigued with that, but he still

646
00:30:57,400 --> 00:31:00,160
Speaker 5: said no, and then he allowed an actor to play

647
00:31:00,200 --> 00:31:04,000
Speaker 5: Bob Maly and the movie. So it was something when

648
00:31:04,040 --> 00:31:09,160
Speaker 5: I say technologies, Erv was on that for the greats.

649
00:31:08,800 --> 00:31:09,840
Speaker 4: That are no longer here.

650
00:31:10,160 --> 00:31:14,480
Speaker 5: Yeah, to use that technology for that purpose, like a Biggie,

651
00:31:14,800 --> 00:31:18,440
Speaker 5: a Tupac Earth Love Tupac, you know, in Bob Maly.

652
00:31:18,440 --> 00:31:20,680
Speaker 5: It was those three artists that he was definitely like,

653
00:31:20,720 --> 00:31:24,360
Speaker 5: we should do something with the hologram that they have

654
00:31:24,480 --> 00:31:26,520
Speaker 5: that technology to use it. So when you think of

655
00:31:26,600 --> 00:31:31,200
Speaker 5: Ai is technology. But in what capacity are you talking

656
00:31:31,240 --> 00:31:34,960
Speaker 5: for AI? Because you're talking and mixing a record? Maybe yeah,

657
00:31:35,000 --> 00:31:36,840
Speaker 5: are you're talking about making a record?

658
00:31:36,840 --> 00:31:37,520
Speaker 6: Making a record?

659
00:31:37,800 --> 00:31:38,720
Speaker 4: Never? Yes?

660
00:31:38,880 --> 00:31:41,800
Speaker 6: I mean it's interesting because I'm anti AI all the way.

661
00:31:42,080 --> 00:31:44,880
Speaker 2: But if I was born twenty years after now, I

662
00:31:44,920 --> 00:31:47,240
Speaker 2: feel like some of the greatest new producers now are

663
00:31:47,400 --> 00:31:49,480
Speaker 2: more tech people than they are music people. Yes, it

664
00:31:49,600 --> 00:31:52,000
Speaker 2: may have just happened like that, just maybe the only

665
00:31:52,040 --> 00:31:53,320
Speaker 2: way you know at that point, you.

666
00:31:53,280 --> 00:31:55,760
Speaker 5: Know AI, you could I could become a producer tomorrow.

667
00:31:55,760 --> 00:31:59,680
Speaker 5: I could go to a thousand vas and tweak each

668
00:31:59,800 --> 00:32:01,560
Speaker 5: b to get it to what I like exactly how

669
00:32:01,960 --> 00:32:04,480
Speaker 5: you can still have tastes a Yes, So to me,

670
00:32:04,960 --> 00:32:09,160
Speaker 5: I've told my producers that are real producers, to you

671
00:32:09,280 --> 00:32:12,240
Speaker 5: start using AI to enhance what they're doing, to find

672
00:32:12,280 --> 00:32:13,560
Speaker 5: new sounds, new music.

673
00:32:14,120 --> 00:32:16,920
Speaker 4: You know, it's all creative. It's all about an idea.

674
00:32:17,600 --> 00:32:19,280
Speaker 5: Like we just said, with the movie, that's all It

675
00:32:19,320 --> 00:32:21,880
Speaker 5: takes that idea and it could spawn into that movie, right,

676
00:32:22,000 --> 00:32:25,240
Speaker 5: just like that same with music, that idea, that sound,

677
00:32:25,800 --> 00:32:28,640
Speaker 5: and it spawns into a record with the right artists,

678
00:32:28,640 --> 00:32:32,520
Speaker 5: and that can you know that creativeness. I watched it

679
00:32:32,560 --> 00:32:34,959
Speaker 5: all the time I watched it all the time with

680
00:32:35,000 --> 00:32:37,640
Speaker 5: my brother, like he was amazing with that. So that

681
00:32:37,720 --> 00:32:41,200
Speaker 5: kind of replaces him and his input in certain aspects.

682
00:32:41,240 --> 00:32:43,360
Speaker 5: And I don't know if he would do it, but

683
00:32:43,440 --> 00:32:46,000
Speaker 5: you know, I feel he if he was smart like

684
00:32:46,120 --> 00:32:48,200
Speaker 5: to do that, it wouldn't be the bad thing.

685
00:32:48,520 --> 00:32:49,760
Speaker 4: It's only going to make him better.

686
00:32:50,080 --> 00:32:54,240
Speaker 3: Speaking of your brother the Great Rest in Peace. Some

687
00:32:54,440 --> 00:32:58,320
Speaker 3: of jam is coming up, Yes, and there's a tribute

688
00:32:58,480 --> 00:32:59,320
Speaker 3: FORRV this year.

689
00:32:59,400 --> 00:33:01,080
Speaker 4: Can I talk out the pros and cons?

690
00:33:01,160 --> 00:33:01,560
Speaker 6: For sure?

691
00:33:03,560 --> 00:33:04,800
Speaker 3: I mean I want, I want to hear about it.

692
00:33:04,880 --> 00:33:07,240
Speaker 3: I want to hear what the family has planned or obviously.

693
00:33:06,880 --> 00:33:10,320
Speaker 5: Bringing this up at a really crazy time because they

694
00:33:10,400 --> 00:33:13,000
Speaker 5: literally just got approved today.

695
00:33:13,600 --> 00:33:16,240
Speaker 4: Really, while I was in the car sitting waiting out front.

696
00:33:16,520 --> 00:33:21,040
Speaker 5: Literally my sister called me, yeah, it's on, because we

697
00:33:21,040 --> 00:33:23,040
Speaker 5: was pulling out because the way they handle it, Hot

698
00:33:23,120 --> 00:33:26,360
Speaker 5: ninety seven was doing a shitty fucking job. Really, you

699
00:33:26,400 --> 00:33:30,120
Speaker 5: can't have I have no tickets, no passes, and it's

700
00:33:30,120 --> 00:33:32,760
Speaker 5: a tribute to my brother John. Can't get it. They

701
00:33:32,800 --> 00:33:36,760
Speaker 5: told hold on, they told Joe Rule is performing, he

702
00:33:36,800 --> 00:33:40,280
Speaker 5: can't have but only this many people, which is like

703
00:33:40,320 --> 00:33:44,400
Speaker 5: his in the counting artists. They're not counting like his entourage.

704
00:33:44,480 --> 00:33:48,200
Speaker 5: Let's say even security is that we have security. I

705
00:33:48,280 --> 00:33:51,360
Speaker 5: never heard this before. I never even thought about it.

706
00:33:51,400 --> 00:33:54,920
Speaker 5: So there's only one reason I felt that could be

707
00:33:54,920 --> 00:33:58,080
Speaker 5: being handled like this. I don't want to talk about

708
00:33:58,080 --> 00:34:00,920
Speaker 5: it on air, but there's only one thing that it

709
00:34:00,960 --> 00:34:03,160
Speaker 5: could be in my opinion, that they're doing this to

710
00:34:03,240 --> 00:34:05,840
Speaker 5: him and they attributing. Then they cut it down from

711
00:34:05,840 --> 00:34:08,040
Speaker 5: a forty five minute show to twenty five minutes.

712
00:34:08,400 --> 00:34:10,520
Speaker 4: The fuck I'm doing with twenty five minutes, even.

713
00:34:10,360 --> 00:34:12,279
Speaker 6: With the amount of things did fuck out of here?

714
00:34:13,280 --> 00:34:18,640
Speaker 5: So Rul yesterday said I'm not doing it. We literally

715
00:34:18,760 --> 00:34:21,560
Speaker 5: was off yesterday. Cleared it up literally at about twelve

716
00:34:21,880 --> 00:34:23,000
Speaker 5: eleven o'clock today.

717
00:34:23,880 --> 00:34:24,320
Speaker 4: Crazy.

718
00:34:24,360 --> 00:34:26,640
Speaker 6: How you do a tribute to somebody without their family being.

719
00:34:26,520 --> 00:34:31,959
Speaker 3: There exactly, I said, even ninety seven even come close

720
00:34:32,000 --> 00:34:33,600
Speaker 3: to fumbling that like they know what ever?

721
00:34:33,719 --> 00:34:36,040
Speaker 5: Na that shit is corny, man, It doesn't even matter.

722
00:34:36,080 --> 00:34:39,040
Speaker 5: It's the fact it's so corny. Me personally, I don't

723
00:34:39,040 --> 00:34:41,359
Speaker 5: even want to show up because then it's like I

724
00:34:41,400 --> 00:34:44,360
Speaker 5: condone and agreed with what's going on, and I don't.

725
00:34:45,200 --> 00:34:47,319
Speaker 5: And that's just the realness. But Rule wants me to

726
00:34:47,360 --> 00:34:50,960
Speaker 5: be there, but I'm like, fuck nigga, fuck them, I

727
00:34:51,000 --> 00:34:56,520
Speaker 5: don't care no more. Radio is irrelevant to me. It's nothing.

728
00:34:56,600 --> 00:34:58,879
Speaker 5: It's like, and then you're not doing nothing in any

729
00:34:59,000 --> 00:35:02,799
Speaker 5: treat you. They offered that show up, they wanted us

730
00:35:02,800 --> 00:35:05,239
Speaker 5: to do it, and then to do that to me

731
00:35:05,400 --> 00:35:06,920
Speaker 5: is like, what is that? There's got to be a

732
00:35:07,000 --> 00:35:09,960
Speaker 5: subplot that we don't know. And that's why I said

733
00:35:10,000 --> 00:35:12,920
Speaker 5: this might be one thing that might be going there.

734
00:35:12,960 --> 00:35:15,240
Speaker 5: I just don't feel like talking about on this show, right.

735
00:35:15,120 --> 00:35:16,359
Speaker 6: Respect, Yeah, I get that.

736
00:35:16,840 --> 00:35:19,319
Speaker 2: How do you feel about the current state of deaf

737
00:35:19,400 --> 00:35:20,800
Speaker 2: jam and this universal in general?

738
00:35:22,800 --> 00:35:26,080
Speaker 4: You know, music is in trouble in my opinion, the

739
00:35:26,600 --> 00:35:27,359
Speaker 4: business of it.

740
00:35:28,560 --> 00:35:30,640
Speaker 5: They just you know, they cut a deal with AI

741
00:35:31,560 --> 00:35:34,640
Speaker 5: to give your lightness, right, so if they signed you,

742
00:35:34,640 --> 00:35:37,000
Speaker 5: you know, the reality is it's very hard to tell

743
00:35:37,000 --> 00:35:41,479
Speaker 5: an artist, especially a new artist, not to take the money.

744
00:35:41,520 --> 00:35:44,680
Speaker 5: It's just hard, man. It come from nothing. Nigga puts

745
00:35:44,719 --> 00:35:47,400
Speaker 5: a check in front of you. Dance, Nigga.

746
00:35:47,560 --> 00:35:50,480
Speaker 4: You knows to you to dance or not, but it's

747
00:35:50,560 --> 00:35:50,959
Speaker 4: very hard.

748
00:35:51,000 --> 00:35:53,840
Speaker 5: I tell everyone, if you are in that position, you

749
00:35:53,960 --> 00:35:57,080
Speaker 5: did something right to get them to offer you that.

750
00:35:57,080 --> 00:36:00,440
Speaker 5: That doesn't happen to everybody. Second party is nothing forever.

751
00:36:00,640 --> 00:36:03,800
Speaker 5: Just make sure you have an exit plan. Take the money,

752
00:36:04,320 --> 00:36:07,560
Speaker 5: figure out what you're going to do. I honor your deal.

753
00:36:08,960 --> 00:36:09,800
Speaker 5: Honor your deal.

754
00:36:10,400 --> 00:36:11,239
Speaker 4: That's what men do.

755
00:36:12,120 --> 00:36:15,240
Speaker 5: Honor that shit, yo. Don't come in and start crying.

756
00:36:15,280 --> 00:36:19,239
Speaker 5: If you get bigger and better, change your deal, negotiate.

757
00:36:19,360 --> 00:36:22,399
Speaker 4: It's business. Don't sit back and be like, I want

758
00:36:22,400 --> 00:36:23,880
Speaker 4: my masters and that's.

759
00:36:23,960 --> 00:36:27,080
Speaker 5: It's so bullshit to me because when you signed that deal,

760
00:36:27,120 --> 00:36:29,719
Speaker 5: you didn't say that because you would have never signed it.

761
00:36:29,800 --> 00:36:32,480
Speaker 5: Don't sign that take the money and then just flip flop,

762
00:36:32,920 --> 00:36:34,520
Speaker 5: and you have to have a reason why you want

763
00:36:34,520 --> 00:36:35,000
Speaker 5: it all back.

764
00:36:35,000 --> 00:36:39,759
Speaker 4: You should see your trajectory that way, not here. Don't

765
00:36:39,760 --> 00:36:40,399
Speaker 4: expect much.

766
00:36:40,440 --> 00:36:44,800
Speaker 5: If you've just maintained, you know, and they didn't drop you,

767
00:36:44,800 --> 00:36:46,520
Speaker 5: you was good enough not to be dropped.

768
00:36:48,000 --> 00:36:48,200
Speaker 1: You know.

769
00:36:48,280 --> 00:36:48,840
Speaker 4: It's business.

770
00:36:49,320 --> 00:36:53,000
Speaker 5: Also, independent artists, like I said, I got a platform

771
00:36:53,040 --> 00:36:56,160
Speaker 5: for it. I got thousands of artists, you know, you know,

772
00:36:56,360 --> 00:36:59,799
Speaker 5: even you know United Masters. I'm for all in thee

773
00:37:00,040 --> 00:37:03,640
Speaker 5: in it artists. People say you had a label, I said,

774
00:37:03,640 --> 00:37:05,280
Speaker 5: I understand the game is different.

775
00:37:06,840 --> 00:37:08,480
Speaker 4: Oh my artists. You didn't hear not one of them

776
00:37:08,480 --> 00:37:10,719
Speaker 4: complaining because we took care of them. We gave them

777
00:37:10,760 --> 00:37:13,160
Speaker 4: the best deals they could get under what we had.

778
00:37:13,920 --> 00:37:16,359
Speaker 4: As simple as that. It's just business. It's like take it,

779
00:37:16,400 --> 00:37:18,200
Speaker 4: I don't care. Let's keep going.

780
00:37:19,040 --> 00:37:20,840
Speaker 3: Hear that so far, we's sow with you man, no

781
00:37:20,920 --> 00:37:24,239
Speaker 3: more writing, man, you know honest, it's a lot of

782
00:37:24,360 --> 00:37:27,400
Speaker 3: like you were early on the writing.

783
00:37:27,120 --> 00:37:29,359
Speaker 4: When music was fun, when music was fun.

784
00:37:29,680 --> 00:37:33,080
Speaker 3: But now there's been a boom of female mcs, female artists.

785
00:37:33,719 --> 00:37:37,839
Speaker 3: Your pen obviously is legendary. With a female artist, we

786
00:37:37,880 --> 00:37:41,200
Speaker 3: won't you know, get into that, but read all right,

787
00:37:45,120 --> 00:37:49,400
Speaker 3: but now with the way yeah, now you're a chat GBT.

788
00:37:49,560 --> 00:37:51,359
Speaker 3: So now with the way of female artists coming in,

789
00:37:51,880 --> 00:37:53,480
Speaker 3: you don't get the urge to be like, yo, I'm

790
00:37:53,680 --> 00:37:56,280
Speaker 3: I'm gonna get behind one of these these female season

791
00:37:56,360 --> 00:37:59,120
Speaker 3: and get some hits. Because once you're a writer, you're

792
00:37:59,120 --> 00:38:00,480
Speaker 3: always a writer. You never lose that.

793
00:38:00,640 --> 00:38:04,080
Speaker 7: Yeah, it's you know, the music ship for me right now,

794
00:38:04,360 --> 00:38:09,320
Speaker 7: it's just it's just such a circus. It's just so much.

795
00:38:09,719 --> 00:38:13,920
Speaker 7: It's just such a facade. And I don't even.

796
00:38:14,120 --> 00:38:17,799
Speaker 3: You have someone to do with that. A lot of

797
00:38:17,840 --> 00:38:19,160
Speaker 3: your a lot of your a lot of things you

798
00:38:19,160 --> 00:38:21,680
Speaker 3: wrote have have caused that that that boom.

799
00:38:22,480 --> 00:38:25,759
Speaker 5: You don't take responsibility, brother, Nah, But I'm saying like

800
00:38:25,960 --> 00:38:29,040
Speaker 5: I feel like this this new era like nothing lasts anymore.

801
00:38:30,200 --> 00:38:33,560
Speaker 5: Like like every like no matter how illen had, some

802
00:38:33,560 --> 00:38:36,279
Speaker 5: some something or someone is you could put something up,

803
00:38:36,440 --> 00:38:36,879
Speaker 5: it's gone.

804
00:38:37,120 --> 00:38:38,200
Speaker 4: How long are we talking about it?

805
00:38:38,239 --> 00:38:41,440
Speaker 7: If a new hot song come out three days, four

806
00:38:41,520 --> 00:38:44,680
Speaker 7: days a week sitting, then it's like the gratification ain't

807
00:38:44,719 --> 00:38:46,040
Speaker 7: even there, like how it used to be.

808
00:38:46,080 --> 00:38:47,279
Speaker 4: Like before we do.

809
00:38:47,360 --> 00:38:52,560
Speaker 7: Something, that ship is killing the whole year and crushing

810
00:38:53,040 --> 00:38:55,960
Speaker 7: somebody else while it's happening, and it's like, damn, that

811
00:38:56,000 --> 00:38:56,839
Speaker 7: ship is kind of dope.

812
00:38:56,960 --> 00:38:58,879
Speaker 4: We got to saw that happen for an entire year.

813
00:38:59,440 --> 00:39:00,000
Speaker 4: You know what I'm saying.

814
00:39:00,000 --> 00:39:02,399
Speaker 6: I need to take accountability on that too.

815
00:39:02,400 --> 00:39:04,279
Speaker 2: We're all in the content game as far as how

816
00:39:04,280 --> 00:39:06,919
Speaker 2: many movies do we put out a month a lot,

817
00:39:07,040 --> 00:39:08,680
Speaker 2: how many apps do we have, how many options of

818
00:39:08,680 --> 00:39:10,960
Speaker 2: ship can we watch? How many music apps do we have?

819
00:39:11,000 --> 00:39:13,560
Speaker 2: How many artists can just upload shit to YouTube? Yeah,

820
00:39:14,239 --> 00:39:16,520
Speaker 2: it doesn't stay because every day when you hit refresh,

821
00:39:16,920 --> 00:39:18,000
Speaker 2: it's something, it's something new.

822
00:39:18,080 --> 00:39:22,120
Speaker 6: You scroll, take one thumb move and you're onto something else.

823
00:39:22,480 --> 00:39:25,000
Speaker 5: In the content era, Yeah, that's so much of it

824
00:39:25,040 --> 00:39:25,560
Speaker 5: is crazy.

825
00:39:25,600 --> 00:39:29,560
Speaker 7: That's why now, like I'm really like in the more

826
00:39:29,600 --> 00:39:33,160
Speaker 7: of the invest in and dealing with sh that has

827
00:39:33,239 --> 00:39:36,200
Speaker 7: nothing to do with entertainment. Like I'm in the health

828
00:39:36,239 --> 00:39:38,920
Speaker 7: insurance business. Even nobody knows. I found that out in

829
00:39:38,920 --> 00:39:41,760
Speaker 7: the movie nobody knows. You can you need health insurance.

830
00:39:42,239 --> 00:39:43,080
Speaker 7: I got your hold.

831
00:39:43,520 --> 00:39:45,239
Speaker 6: My daughter's EpiPen, so I gotta talk.

832
00:39:46,160 --> 00:39:49,239
Speaker 7: But you in New York, right, Yeah. New York's structure

833
00:39:49,320 --> 00:39:52,080
Speaker 7: is horrible for health insurance. Absolutely, they try to work.

834
00:39:52,080 --> 00:39:53,680
Speaker 7: That's why you popped home me downtown. That's why you

835
00:39:53,760 --> 00:39:57,319
Speaker 7: ran down on me the United Healthcare joint. Yeah, and

836
00:39:58,000 --> 00:40:00,000
Speaker 7: I got a contract with United Healthcare. So when that happened,

837
00:40:00,000 --> 00:40:02,120
Speaker 7: I'm like, damn, I hope that don't affect nothing, but

838
00:40:02,320 --> 00:40:05,479
Speaker 7: it in fact, nothing goes to show that. It's like, cool,

839
00:40:05,520 --> 00:40:07,719
Speaker 7: you were here for the moment. You're going somebody who

840
00:40:08,160 --> 00:40:11,680
Speaker 7: take your position and that's it. But I just I

841
00:40:11,719 --> 00:40:14,600
Speaker 7: really like to make money not doing nothing. I like

842
00:40:14,640 --> 00:40:16,399
Speaker 7: to sleep as long as I want. I just want

843
00:40:16,440 --> 00:40:20,160
Speaker 7: to go to the gym, take care of my kids.

844
00:40:20,760 --> 00:40:25,120
Speaker 7: I really love the acting shitting out the movie shit Like, yeah,

845
00:40:25,560 --> 00:40:28,480
Speaker 7: I really like after seeing how this came out because

846
00:40:28,480 --> 00:40:30,799
Speaker 7: when we did it, I was enjoying myself, but then

847
00:40:30,800 --> 00:40:32,920
Speaker 7: seeing it come together, I was like, damn. And when

848
00:40:32,920 --> 00:40:35,160
Speaker 7: we did the premiere, that was like my first like

849
00:40:35,320 --> 00:40:37,440
Speaker 7: movie premiere or something I'm a part of. It was

850
00:40:37,480 --> 00:40:40,279
Speaker 7: a dope feeling and experience and watching the movie with

851
00:40:40,680 --> 00:40:44,520
Speaker 7: a theater full of people. And then I was like

852
00:40:44,600 --> 00:40:47,560
Speaker 7: kind of like the favorite because I'm like the I

853
00:40:47,680 --> 00:40:50,520
Speaker 7: was to escape for the woman who was being treated bad,

854
00:40:50,600 --> 00:40:51,600
Speaker 7: and I was like, yo, I like that.

855
00:40:51,680 --> 00:40:56,680
Speaker 4: I like this role. Yeah, you know so.

856
00:40:55,480 --> 00:40:59,320
Speaker 5: In the comedy, Yeah, you have people laughing and everything

857
00:40:59,360 --> 00:40:59,880
Speaker 5: in the movie.

858
00:41:00,080 --> 00:41:01,640
Speaker 7: You're gonna watch it when you're gonna watch it. I'm

859
00:41:01,680 --> 00:41:03,440
Speaker 7: gonna watch it tonight, when you're gonna watch it.

860
00:41:03,680 --> 00:41:05,080
Speaker 2: I would have watched it if I would have got

861
00:41:05,120 --> 00:41:07,880
Speaker 2: the link before. You guys didn't even know it was,

862
00:41:07,080 --> 00:41:14,640
Speaker 2: how know you know, honestly thought y'all were come here

863
00:41:14,680 --> 00:41:15,839
Speaker 2: to plug it and we were gonna be like, yo,

864
00:41:15,840 --> 00:41:18,360
Speaker 2: it's out on this specific date in the episode was

865
00:41:18,360 --> 00:41:19,359
Speaker 2: gonna come out with the movie.

866
00:41:21,600 --> 00:41:26,239
Speaker 5: That's what That's what we wanted to do to.

867
00:41:24,880 --> 00:41:26,239
Speaker 4: Be from us bro.

868
00:41:26,360 --> 00:41:29,319
Speaker 5: It was from I'm looking at my Instagram and like

869
00:41:29,400 --> 00:41:31,719
Speaker 5: the fans day, like posting ship and they're like, yo,

870
00:41:31,800 --> 00:41:32,960
Speaker 5: old Ship's a quite a good child.

871
00:41:33,000 --> 00:41:35,359
Speaker 7: I'm like what I hit them in the I said, yo,

872
00:41:35,600 --> 00:41:38,080
Speaker 7: the movies out? I said, not hold on, I haven't on.

873
00:41:38,520 --> 00:41:41,400
Speaker 7: We typed it in. I said, oh, ships out And

874
00:41:41,440 --> 00:41:44,560
Speaker 7: it was the wrong version, which is your house?

875
00:41:44,680 --> 00:41:47,239
Speaker 4: Crazy? That there was? My name is spelled wrong? In

876
00:41:48,360 --> 00:41:50,160
Speaker 4: his name spelled name?

877
00:41:53,640 --> 00:41:54,680
Speaker 3: How do you miss spelled Chris?

878
00:41:54,680 --> 00:41:56,399
Speaker 4: God? How do you not spell that right?

879
00:41:56,520 --> 00:41:56,680
Speaker 2: Man?

880
00:41:56,719 --> 00:41:59,640
Speaker 4: I don't even want to tell you what? How do

881
00:41:59,680 --> 00:42:00,000
Speaker 4: you miss?

882
00:42:00,040 --> 00:42:03,359
Speaker 5: Felt that crazy? At the end of the day, I

883
00:42:03,440 --> 00:42:06,719
Speaker 5: was furious. And then you heard niggas saying cut and action.

884
00:42:09,680 --> 00:42:11,640
Speaker 3: I think to be does that on purpose. I think

885
00:42:11,680 --> 00:42:13,480
Speaker 3: they do like that because they know those those are

886
00:42:13,520 --> 00:42:16,640
Speaker 3: going viral. Maybe yeah, I think they do that type of.

887
00:42:18,800 --> 00:42:19,080
Speaker 4: People.

888
00:42:19,520 --> 00:42:22,360
Speaker 5: The movie that they was watching, someone who got shot

889
00:42:22,440 --> 00:42:25,160
Speaker 5: laid on the floor and he's like, is it okay yet?

890
00:42:26,920 --> 00:42:33,960
Speaker 4: Talking go viral? That clip would go viral? Movie had yeah, yeah,

891
00:42:34,080 --> 00:42:35,400
Speaker 4: like yeah, they're doing that.

892
00:42:35,440 --> 00:42:37,600
Speaker 2: Ship Love and hip Hop did that with ray J's hat. Yeah,

893
00:42:37,880 --> 00:42:42,920
Speaker 2: that's viral year that lasted. So the right version is onto.

894
00:42:43,760 --> 00:42:48,280
Speaker 5: The right version they corrected. The fast quality is everything.

895
00:42:48,480 --> 00:42:49,279
Speaker 4: I'm gonna watch it to night.

896
00:42:49,320 --> 00:42:51,200
Speaker 3: I matter didn't watch it before we got here today,

897
00:42:51,200 --> 00:42:53,080
Speaker 3: I would I would have watched the last night had

898
00:42:53,080 --> 00:42:55,040
Speaker 3: I known it was out, and watch it tonight so

899
00:42:55,080 --> 00:42:57,040
Speaker 3: we could definitely talk about this morning show. I'm looking

900
00:42:57,080 --> 00:43:00,560
Speaker 3: forward to it. Congrats on you part two and part

901
00:43:00,560 --> 00:43:03,879
Speaker 3: three already. Yes, so Fari, congrats on everything you're doing

902
00:43:03,920 --> 00:43:06,839
Speaker 3: healthcare major. Yeah, so I know you're going to If

903
00:43:06,880 --> 00:43:08,440
Speaker 3: I see another dirt bike, I already.

904
00:43:08,200 --> 00:43:10,640
Speaker 4: Know what that means. You ran the back. Yeah. I

905
00:43:10,640 --> 00:43:13,800
Speaker 4: don't even touch the bikes normal. Since you got in

906
00:43:13,840 --> 00:43:14,600
Speaker 4: the healthcare, you can't.

907
00:43:14,600 --> 00:43:15,560
Speaker 3: I'm getting rich your help.

908
00:43:15,719 --> 00:43:17,680
Speaker 7: I feel like dad and like having the kids now,

909
00:43:17,760 --> 00:43:20,440
Speaker 7: it's like like let me now, Yeah, now, I love

910
00:43:20,520 --> 00:43:22,400
Speaker 7: my I really love my kids, you know what I'm saying.

911
00:43:22,600 --> 00:43:25,120
Speaker 7: Like at first, I was like, you know, no, I'm

912
00:43:25,160 --> 00:43:25,640
Speaker 7: just kidding.

913
00:43:28,440 --> 00:43:33,160
Speaker 3: This nigga is crazy. I was like, I was like

914
00:43:33,200 --> 00:43:34,640
Speaker 3: at first, I was like, I don't know about these

915
00:43:34,680 --> 00:43:35,240
Speaker 3: little niggas.

916
00:43:35,239 --> 00:43:38,920
Speaker 7: And even last night in my hotel room and I

917
00:43:38,920 --> 00:43:40,400
Speaker 7: was looking at my phone and a picture popped up

918
00:43:40,400 --> 00:43:42,399
Speaker 7: and I'm like, damn, I missed my kids right now

919
00:43:42,719 --> 00:43:43,120
Speaker 7: mm hmm.

920
00:43:43,800 --> 00:43:47,319
Speaker 4: And that's part of this game. Yeah, you have to

921
00:43:47,360 --> 00:43:47,839
Speaker 4: deal with.

922
00:43:47,760 --> 00:43:51,319
Speaker 2: That, with with acting now Asfari, I feel like there's

923
00:43:51,320 --> 00:43:55,080
Speaker 2: not enough films centered around dance hall mm hmm.

924
00:43:56,560 --> 00:43:57,919
Speaker 4: To dance move.

925
00:43:57,960 --> 00:44:00,319
Speaker 7: We definitely spoke about that. That was one of the

926
00:44:00,320 --> 00:44:02,840
Speaker 7: scripts that they was talking about. And I'm like, all right, cool.

927
00:44:03,040 --> 00:44:07,520
Speaker 4: Rich my part and he's making okay, he understands could

928
00:44:08,600 --> 00:44:09,720
Speaker 4: but like no something.

929
00:44:11,080 --> 00:44:13,400
Speaker 2: His class, but what could be cool? Someone's going to

930
00:44:13,440 --> 00:44:16,520
Speaker 2: get really to game, try to make it.

931
00:44:16,520 --> 00:44:17,000
Speaker 4: They made it.

932
00:44:17,320 --> 00:44:18,239
Speaker 6: Oh then it came out.

933
00:44:18,440 --> 00:44:25,040
Speaker 5: Hold on, that's my first film, Chris, He's about to

934
00:44:25,080 --> 00:44:25,479
Speaker 5: talk ship.

935
00:44:26,280 --> 00:44:28,040
Speaker 6: When I saw a game, I was like, wait.

936
00:44:28,000 --> 00:44:33,960
Speaker 7: So the new the shots tool, it's shot. I'm in it. Okay,

937
00:44:34,200 --> 00:44:36,319
Speaker 7: thank god, big shots to Kei Mini Malia. So I'm

938
00:44:36,360 --> 00:44:40,759
Speaker 7: in that. But it's called Bendetta. It didn't come out yet.

939
00:44:40,920 --> 00:44:44,240
Speaker 7: We shot this movie like I ain't gonna lie Min's

940
00:44:44,280 --> 00:44:46,320
Speaker 7: been he's a perfectionist.

941
00:44:46,360 --> 00:44:48,000
Speaker 4: Oh yeah. And then a big part.

942
00:44:47,920 --> 00:44:50,200
Speaker 7: Of shot to us and just you know all the

943
00:44:50,280 --> 00:44:53,720
Speaker 7: movies is the scoring, which is the music that's playing

944
00:44:54,160 --> 00:44:57,480
Speaker 7: under certain stuff. And the way he's scoring this movie. Yo,

945
00:44:57,600 --> 00:44:59,279
Speaker 7: he's been in this, he's been in the studio for

946
00:44:59,280 --> 00:45:02,600
Speaker 7: like a year. It's like watching it and just getting

947
00:45:02,640 --> 00:45:06,359
Speaker 7: it right with the sounds, watching it in theaters by himself, Like,

948
00:45:06,880 --> 00:45:11,560
Speaker 7: when this comes out, it's it's.

949
00:45:10,400 --> 00:45:12,400
Speaker 4: Like that movie.

950
00:45:12,160 --> 00:45:13,880
Speaker 7: I ain't gonna I forgot to did that until you

951
00:45:13,920 --> 00:45:15,360
Speaker 7: said that because they didn't come out to you and

952
00:45:15,360 --> 00:45:17,320
Speaker 7: I shot it so long ago. But I'm excited. I

953
00:45:17,320 --> 00:45:18,799
Speaker 7: can't wait for that one to come out to That's

954
00:45:18,800 --> 00:45:19,319
Speaker 7: gonna be dope.

955
00:45:19,360 --> 00:45:21,799
Speaker 3: Well, I'm definitely watching Balling tonight to shout out the

956
00:45:21,840 --> 00:45:28,680
Speaker 3: lance his acting debut. Yeah, shout out to Chris Gotti,

957
00:45:28,920 --> 00:45:29,480
Speaker 3: the legendary.

958
00:45:30,840 --> 00:45:35,320
Speaker 4: Yes, ninety seven, do better. You gotta do better. Man,

959
00:45:34,440 --> 00:45:38,480
Speaker 4: you can't. You can't. You can't. You can't mess that up. Notary,

960
00:45:38,520 --> 00:45:38,880
Speaker 4: don't do that.

961
00:45:39,000 --> 00:45:42,000
Speaker 2: Don't do it, And you know, gonna haunt that stage.

962
00:45:41,200 --> 00:45:46,439
Speaker 4: I was going out, I was going out like, whose

963
00:45:46,480 --> 00:45:47,000
Speaker 4: idea was it?

964
00:45:47,080 --> 00:45:49,960
Speaker 5: Who was like, Yo, ninety seven said they want on Earth, okay,

965
00:45:50,000 --> 00:45:54,120
Speaker 5: job performing and do a murder inc irv Gotti. So

966
00:45:54,120 --> 00:45:56,320
Speaker 5: they brought it to us and then they don't handle

967
00:45:56,320 --> 00:45:56,960
Speaker 5: it right.

968
00:45:57,239 --> 00:46:00,320
Speaker 4: Yeah, that doesn't matter. I'm not surprised though, But you know,

969
00:46:00,560 --> 00:46:03,640
Speaker 4: I was gonna say that because we have some more

970
00:46:03,719 --> 00:46:05,359
Speaker 4: projects that again we're putting out.

971
00:46:05,360 --> 00:46:08,359
Speaker 5: That'll be great. That's gonna be great to see too.

972
00:46:09,719 --> 00:46:12,480
Speaker 5: You know, Prince is right here. Shout out Prince. You

973
00:46:12,520 --> 00:46:17,280
Speaker 5: know prem and The Mundane Truth a documentary on prem

974
00:46:17,880 --> 00:46:18,880
Speaker 5: that's gonna be crazy.

975
00:46:18,920 --> 00:46:21,239
Speaker 4: I'm looking forward to that. Yeah, I'm in that. And

976
00:46:21,600 --> 00:46:22,640
Speaker 4: just you from Queen's.

977
00:46:22,800 --> 00:46:26,160
Speaker 7: I'm from uptown where you're from Queens Queen's Okay, And

978
00:46:26,200 --> 00:46:28,800
Speaker 7: then we have again night Shift.

979
00:46:29,520 --> 00:46:32,439
Speaker 5: We did a horror film in the Strip Club. That's

980
00:46:32,480 --> 00:46:34,120
Speaker 5: the next movie that we got coming down.

981
00:46:34,200 --> 00:46:38,799
Speaker 3: That's the horror film and film Strip Clubs, which one

982
00:46:38,840 --> 00:46:40,200
Speaker 3: of these bitches of the vampire.

983
00:46:41,120 --> 00:46:42,400
Speaker 6: I've been in Starlett's in the wrong night.

984
00:46:42,640 --> 00:46:46,719
Speaker 4: Yeah, the horror when the brims walking starlets and.

985
00:46:48,800 --> 00:46:50,520
Speaker 6: Parking lot and you can't even back out.

986
00:46:50,440 --> 00:46:53,680
Speaker 5: Here in the way production right now for because two

987
00:46:53,719 --> 00:46:55,600
Speaker 5: because one was the first one that was about a

988
00:46:55,600 --> 00:46:57,880
Speaker 5: guy that came home from jail barber I mean and

989
00:46:58,080 --> 00:46:58,760
Speaker 5: started cooking.

990
00:46:59,360 --> 00:47:01,719
Speaker 4: And we because of two in the production right now.

991
00:47:01,840 --> 00:47:04,919
Speaker 5: So shooting right now again, just working, trying to stay

992
00:47:05,000 --> 00:47:10,640
Speaker 5: busy in the film industry, looking into AI films coming okay,

993
00:47:10,760 --> 00:47:13,480
Speaker 5: telling you you mentioned AI that's that's going to be

994
00:47:13,520 --> 00:47:16,120
Speaker 5: the next But you know, I just wanted to keep

995
00:47:16,200 --> 00:47:18,439
Speaker 5: everything moving and just to keep pushing.

996
00:47:18,120 --> 00:47:20,800
Speaker 3: And absolutely thank you again for having us on this platform.

997
00:47:21,160 --> 00:47:23,040
Speaker 3: Thank y'all for coming. Man, it was it's a pleasure

998
00:47:23,239 --> 00:47:24,560
Speaker 3: getting to sit here and talk to y'all.

999
00:47:24,600 --> 00:47:28,640
Speaker 7: Were looking at congra Thank you. I've been doing you'all

1000
00:47:28,680 --> 00:47:29,719
Speaker 7: thing for a fact.

1001
00:47:29,800 --> 00:47:30,040
Speaker 4: Thank you.

1002
00:47:30,160 --> 00:47:30,279
Speaker 7: Man.

1003
00:47:30,880 --> 00:47:33,640
Speaker 4: We got together a while ago to dinner and it

1004
00:47:33,719 --> 00:47:36,440
Speaker 4: was a fun. So it's glad we got to finally

1005
00:47:36,520 --> 00:47:36,719
Speaker 4: do it.

1006
00:47:36,840 --> 00:47:38,240
Speaker 6: Yeah, I still come October.

1007
00:47:38,280 --> 00:47:40,680
Speaker 2: I want to do the Rule three thirty six, twenty

1008
00:47:40,719 --> 00:47:44,200
Speaker 2: five anniversary podcast episode. We did it with Guru and

1009
00:47:44,280 --> 00:47:47,200
Speaker 2: his brother from Black album, like just the episode dedicated

1010
00:47:47,239 --> 00:47:48,240
Speaker 2: to anniversary of album.

1011
00:47:48,239 --> 00:47:50,040
Speaker 6: So I would love you to sit down in October

1012
00:47:50,080 --> 00:47:51,440
Speaker 6: with us to tell y'all.

1013
00:47:51,480 --> 00:47:53,200
Speaker 3: I gotta tell y'all about the time I went to

1014
00:47:53,320 --> 00:47:56,319
Speaker 3: his bachelor party. Okay, oh man, be careful. That was yeah,

1015
00:47:56,360 --> 00:47:58,359
Speaker 3: that was that was like everything right now.

1016
00:47:58,360 --> 00:47:59,680
Speaker 4: No, no, no, no, no, no, no, it was.

1017
00:48:00,040 --> 00:48:00,839
Speaker 6: It was a great time.

1018
00:48:00,920 --> 00:48:02,840
Speaker 3: But I was I was like the youngest. I was

1019
00:48:02,880 --> 00:48:05,840
Speaker 3: the youngest one there. I went with Jay Biggs. We

1020
00:48:05,880 --> 00:48:09,040
Speaker 3: all went. I was like nineteen or twenty at the time,

1021
00:48:09,520 --> 00:48:11,400
Speaker 3: and I walked in and I was just looking around,

1022
00:48:11,480 --> 00:48:12,920
Speaker 3: like and then John came up to me. Gave me

1023
00:48:12,920 --> 00:48:15,359
Speaker 3: about five thousand singles. He was like, you have fun, man, yeah,

1024
00:48:15,600 --> 00:48:17,080
Speaker 3: and that was the greatest night of my life. I

1025
00:48:17,200 --> 00:48:19,200
Speaker 3: was like, Yo, this is what these rapping niggas.

1026
00:48:20,080 --> 00:48:23,360
Speaker 6: Right me at nineteen would have put that five right

1027
00:48:23,360 --> 00:48:23,880
Speaker 6: in my pocket.

1028
00:48:23,960 --> 00:48:24,600
Speaker 4: I thought about it.

1029
00:48:24,719 --> 00:48:28,040
Speaker 3: I thought I've done it.

1030
00:48:28,920 --> 00:48:29,640
Speaker 7: I do it now.

1031
00:48:31,480 --> 00:48:33,759
Speaker 6: I'm lying, I'm saying ninety thirty five and I'd be

1032
00:48:33,840 --> 00:48:34,640
Speaker 6: like ya, thanks.

1033
00:48:35,280 --> 00:48:36,640
Speaker 7: I remember one time I was with the Game of

1034
00:48:36,680 --> 00:48:38,520
Speaker 7: the Strip Club. He had a whole we was like

1035
00:48:38,600 --> 00:48:44,919
Speaker 7: your whole time. I'm like, yo, good look, Yeah that's terrible. Man,

1036
00:48:45,280 --> 00:48:45,920
Speaker 7: is terrible.

1037
00:48:46,040 --> 00:48:49,279
Speaker 3: That's Chris Gotti Safari. Thank y'all, fellas for stopping by

1038
00:48:49,440 --> 00:48:52,600
Speaker 3: Balling available now on to be stream it supported.

1039
00:48:52,800 --> 00:48:56,640
Speaker 4: Yes, black independent films not stopping. Thank y'all, gentlemen, Thank

1040
00:48:56,719 --> 00:48:56,759
Speaker 4: you

1041
00:49:00,080 --> 00:49:00,120
Speaker 2: Y