WEBVTT - Chapter X, Ending B - The Lost Child

0:00:00.760 --> 0:00:03.000
<v Speaker 1>Maxie Miles is a production of a typical artists and

0:00:03.040 --> 0:00:08.200
<v Speaker 1>I heart radio. What is running through your head right now?

0:00:08.440 --> 0:00:12.239
<v Speaker 1>Whoever took Riley, whoever he's running from, it might all

0:00:12.280 --> 0:00:15.400
<v Speaker 1>be over tonight. If it has something to do with

0:00:15.440 --> 0:00:17.400
<v Speaker 1>the mine, then it'll be too late for him to

0:00:17.400 --> 0:00:20.000
<v Speaker 1>do any damage after the demolition and will have lost

0:00:20.040 --> 0:00:22.360
<v Speaker 1>our chance to catch someone in the act. If it's

0:00:22.440 --> 0:00:25.920
<v Speaker 1>Mr Beatie, whatever he was doing has a deadline of tonight,

0:00:26.440 --> 0:00:29.240
<v Speaker 1>and I'm supposed to be tracking Ransom's files down, He's

0:00:29.240 --> 0:00:32.680
<v Speaker 1>going to be tracking me down soon enough. Okay, So

0:00:33.320 --> 0:00:36.000
<v Speaker 1>are you saying we should split up? Both take a

0:00:36.000 --> 0:00:39.479
<v Speaker 1>different person on ross. There's still the mine. If the

0:00:39.479 --> 0:00:42.159
<v Speaker 1>old mines get collapsed tonight, that means the project is

0:00:42.200 --> 0:00:44.720
<v Speaker 1>moving forward. And if it really is as dangerous as

0:00:44.800 --> 0:00:46.880
<v Speaker 1>Riley thought, we need to stop it, which is why

0:00:46.920 --> 0:00:48.760
<v Speaker 1>you need to go to city Hall and try to

0:00:48.800 --> 0:00:52.080
<v Speaker 1>find that environmental survey report. And what are you going

0:00:52.120 --> 0:00:56.440
<v Speaker 1>to do? I'm going to go find Riley? How I

0:00:56.520 --> 0:00:58.640
<v Speaker 1>need to go back to Mr Beatie's cabin, Max. I

0:00:58.680 --> 0:01:01.320
<v Speaker 1>don't think that's a good idea. Either Mr Beaty will

0:01:01.360 --> 0:01:03.560
<v Speaker 1>be there and I can just talk to him, or

0:01:03.600 --> 0:01:06.600
<v Speaker 1>I can dig around more either way. I think Riley

0:01:06.800 --> 0:01:08.800
<v Speaker 1>was there at one point. If he was, that means

0:01:08.880 --> 0:01:12.360
<v Speaker 1>Mr Beatie is dangerous. Yeah, except you know exactly where

0:01:12.360 --> 0:01:15.240
<v Speaker 1>I'm going. If something goes wrong, Mr Beati won't get

0:01:15.240 --> 0:01:19.080
<v Speaker 1>away with it. That is not comforting. Okay, you go

0:01:19.160 --> 0:01:21.520
<v Speaker 1>to city Hall, get the report, and then meet me

0:01:21.640 --> 0:01:24.720
<v Speaker 1>at the demolition. Max, just please let me come with you.

0:01:24.760 --> 0:01:30.279
<v Speaker 1>I can't be in two places at once. Ross. Please fine.

0:01:30.920 --> 0:01:32.680
<v Speaker 1>If I don't see you in half an hour, I'm

0:01:32.680 --> 0:01:38.840
<v Speaker 1>calling in the cavalry. I'll agree to that. Max. Take this.

0:01:39.840 --> 0:01:44.920
<v Speaker 1>Are you expecting me to stab Mr Beatty if you

0:01:44.959 --> 0:01:47.319
<v Speaker 1>were going out into the woods alone to track down

0:01:47.319 --> 0:01:50.560
<v Speaker 1>a creepy old man, A pocket knife is the minimum?

0:01:50.600 --> 0:01:55.040
<v Speaker 1>Thank you, Ross. Just bring it back to me, okay,

0:01:55.080 --> 0:02:09.840
<v Speaker 1>I will, I promise thirty minutes yeh from a typical

0:02:09.919 --> 0:02:13.000
<v Speaker 1>artists and I heart radio. You're listening to MAXI Miles.

0:02:36.880 --> 0:02:48.079
<v Speaker 1>You've chosen ending b the Lost Child? Riley Riley? Are

0:02:48.080 --> 0:03:02.119
<v Speaker 1>you here? Mr Beatie? Riley? The Deffel is gone? Why

0:03:02.240 --> 0:03:17.680
<v Speaker 1>is the defel gone? Okay? Think think the trunk. Come on,

0:03:21.440 --> 0:03:27.280
<v Speaker 1>there's got to be a key around here somewhere. Oh,

0:03:30.000 --> 0:03:33.760
<v Speaker 1>what do you have to lose. You need to get

0:03:33.760 --> 0:03:36.480
<v Speaker 1>down here right now. I fixed your miss, but I

0:03:36.520 --> 0:03:39.040
<v Speaker 1>need you to make sure that nothing else happens. We

0:03:39.200 --> 0:03:47.200
<v Speaker 1>can't have this be ruined Patrick. Are you there? Mayor

0:03:47.240 --> 0:03:53.240
<v Speaker 1>how Always? What are you? What? Mess? What did Mr

0:03:53.280 --> 0:04:00.280
<v Speaker 1>Beady do? Maxine? My? What are you doing? Where's pet I?

0:04:00.960 --> 0:04:04.120
<v Speaker 1>I don't know what's going on. Mayorhow Oh, you need

0:04:04.200 --> 0:04:06.600
<v Speaker 1>to go home and forget. We have a spoke young

0:04:06.720 --> 0:04:15.680
<v Speaker 1>lady right now. Hello Mayor? How are you there? What

0:04:15.840 --> 0:04:39.160
<v Speaker 1>in the world? Come on, Max, you have to do

0:04:39.240 --> 0:04:52.080
<v Speaker 1>this for Riley. You can do this. Mr Beatie. Whoa, whoa, whoa,

0:04:52.160 --> 0:04:57.080
<v Speaker 1>It's Max Maxine Miles. Maxine, Look, I'm sorry to just

0:04:57.320 --> 0:05:00.160
<v Speaker 1>barge in here. What are you doing here? What? How

0:05:00.160 --> 0:05:04.720
<v Speaker 1>are you here? Where's Riley Stevens? What? Just please tell

0:05:04.760 --> 0:05:10.599
<v Speaker 1>me he's okay. I'm not Please don't Max, I'm not

0:05:10.960 --> 0:05:14.520
<v Speaker 1>going to hurt you. Then, then why are you holding that?

0:05:15.960 --> 0:05:17.880
<v Speaker 1>It's what I'm here for. Why do you need a

0:05:17.920 --> 0:05:20.919
<v Speaker 1>pick axe? Because there's something I need to fix. Doesn't

0:05:20.920 --> 0:05:22.960
<v Speaker 1>have something to do with may Or? How How do you?

0:05:23.640 --> 0:05:26.080
<v Speaker 1>What are you doing here? Maxine Ross? And I found

0:05:26.120 --> 0:05:29.120
<v Speaker 1>your duffel bag with all the Charleston shoes. What did

0:05:29.200 --> 0:05:36.280
<v Speaker 1>you do with Riley? You? Is he okay? Just tell

0:05:36.360 --> 0:05:39.440
<v Speaker 1>me he's okay. I don't know. What do you mean

0:05:39.480 --> 0:05:45.320
<v Speaker 1>you don't know? Didn't you? I mean you took him,

0:05:45.480 --> 0:05:50.480
<v Speaker 1>didn't you? Is that what you think? Well? Am I wrong?

0:05:52.839 --> 0:06:02.200
<v Speaker 1>M I've made a lot of mistakes like kidnapped Riley? No? Fine, yes,

0:06:03.640 --> 0:06:08.240
<v Speaker 1>I guess I did. Why two to try and bring

0:06:08.279 --> 0:06:11.880
<v Speaker 1>back your son? What? No, that's not How do you

0:06:11.920 --> 0:06:17.640
<v Speaker 1>even know about that? Miss Honeywell told me, yes, Lena,

0:06:19.040 --> 0:06:22.719
<v Speaker 1>she's a kind woman. I thought it was pronounced Almana,

0:06:23.320 --> 0:06:27.560
<v Speaker 1>right right, that's the name she's going by. Now, what

0:06:27.600 --> 0:06:31.240
<v Speaker 1>do you mean you are? Miss Honeywell didn't always go

0:06:31.279 --> 0:06:35.120
<v Speaker 1>by that name. What are you talking about? That's her

0:06:35.200 --> 0:06:39.240
<v Speaker 1>business to tell, not mine. I'm the only one who

0:06:39.320 --> 0:06:42.039
<v Speaker 1>remembered her from way back, and I'm not about to

0:06:42.040 --> 0:06:45.440
<v Speaker 1>go betraying or trust. I know what it's like to

0:06:45.839 --> 0:06:50.599
<v Speaker 1>want to move on from your past, your family. There

0:06:50.680 --> 0:06:56.320
<v Speaker 1>was a climbing accident. John loved climbing. I'm sorry. That

0:06:56.440 --> 0:06:59.159
<v Speaker 1>was a long time ago. That doesn't mean it doesn't

0:06:59.160 --> 0:07:05.160
<v Speaker 1>still well. I'd imagine you're still sad about it. I

0:07:08.040 --> 0:07:13.000
<v Speaker 1>think most people would understand why you'd want to to

0:07:13.080 --> 0:07:16.520
<v Speaker 1>try and get him back in some way. It doesn't

0:07:16.520 --> 0:07:20.680
<v Speaker 1>make it okay, but people will understand. But you have

0:07:20.840 --> 0:07:23.520
<v Speaker 1>to tell us where he is now. I didn't take

0:07:23.560 --> 0:07:25.840
<v Speaker 1>the Stevens boy because you reminded me of my son.

0:07:26.600 --> 0:07:30.680
<v Speaker 1>I let him go because he reminded me of my son. Okay,

0:07:31.360 --> 0:07:35.559
<v Speaker 1>then was it because of the Archers who owns this cabin?

0:07:36.360 --> 0:07:42.760
<v Speaker 1>I do so, Warren Archer and his muscle didn't pay

0:07:42.800 --> 0:07:46.680
<v Speaker 1>you to keep Riley quiet about his parentage. What are

0:07:46.720 --> 0:07:51.200
<v Speaker 1>you on about? I have pretty solid proof that Riley's

0:07:51.280 --> 0:07:55.160
<v Speaker 1>actually an Archer, which means he's set to inherit quite

0:07:55.160 --> 0:07:57.280
<v Speaker 1>a lot if he wanted to make a claim, and

0:07:57.360 --> 0:08:00.720
<v Speaker 1>you've got a stack of money in your bedroom. Slow

0:08:00.760 --> 0:08:03.720
<v Speaker 1>down there, young lady. How do you know about that?

0:08:05.200 --> 0:08:09.840
<v Speaker 1>Was it? Mr? Archer? No? It wasn't. Then why do it?

0:08:09.960 --> 0:08:12.800
<v Speaker 1>And where is hate? I don't know why he didn't

0:08:12.800 --> 0:08:14.560
<v Speaker 1>go running home right away when I let him go.

0:08:15.080 --> 0:08:17.640
<v Speaker 1>I told him to lay low, and I didn't think.

0:08:18.360 --> 0:08:20.680
<v Speaker 1>I thought he'd at least tell his parents he was okay,

0:08:20.920 --> 0:08:25.480
<v Speaker 1>Mr Beatie, what happened? There's something wrong with the mine,

0:08:26.160 --> 0:08:29.960
<v Speaker 1>something that could take down the entire project. Of course

0:08:30.000 --> 0:08:33.760
<v Speaker 1>you do. And Riley knew too. That was the problem

0:08:34.559 --> 0:08:36.960
<v Speaker 1>half found out. Riley was digging for evidence that the

0:08:37.000 --> 0:08:41.600
<v Speaker 1>mind was dangerous and he couldn't have that. Hastings entire

0:08:41.800 --> 0:08:45.160
<v Speaker 1>livelihood is counting on this project moving forward. That can't

0:08:45.160 --> 0:08:48.679
<v Speaker 1>possibly be true. It's just a new mine. Hastings has

0:08:48.720 --> 0:08:51.080
<v Speaker 1>been fine since the old one shut down. There's a

0:08:51.240 --> 0:08:55.480
<v Speaker 1>lot you don't know about this town, Maxine. I refuse

0:08:55.600 --> 0:08:58.520
<v Speaker 1>to believe that some environment poisoning pit in the middle

0:08:58.559 --> 0:09:01.880
<v Speaker 1>of the woods is important enough to justify kidnapping someone.

0:09:02.160 --> 0:09:08.800
<v Speaker 1>To certain people, anything is justifiable. I was going to

0:09:09.000 --> 0:09:14.320
<v Speaker 1>lose my house, max this one too, and there they're

0:09:14.360 --> 0:09:16.360
<v Speaker 1>the only things I have left of him. But what

0:09:16.440 --> 0:09:18.760
<v Speaker 1>does that have to do? Was the one who asked

0:09:18.760 --> 0:09:22.480
<v Speaker 1>me to do it? Not the Archers. I haven't paid

0:09:22.480 --> 0:09:25.880
<v Speaker 1>my property taxes in years. I haven't able to afford to.

0:09:26.679 --> 0:09:30.679
<v Speaker 1>But how is he cares? You know about the people

0:09:30.679 --> 0:09:35.120
<v Speaker 1>in this town. So we made a deal? What kind

0:09:35.120 --> 0:09:37.520
<v Speaker 1>of deal? When he needs something done that he can't

0:09:37.520 --> 0:09:42.800
<v Speaker 1>do himself, he calls me that muscle you mentioned earlier. Well,

0:09:43.640 --> 0:09:46.600
<v Speaker 1>Warren has a similar man, two men in fact, in

0:09:46.679 --> 0:09:50.479
<v Speaker 1>his employee. But hell doesn't like relying on Warren for everything.

0:09:50.640 --> 0:09:55.280
<v Speaker 1>So that's where I come in. And he just needed

0:09:55.360 --> 0:09:58.680
<v Speaker 1>Riley to stay quiet, just for a little while. So

0:09:58.840 --> 0:10:02.280
<v Speaker 1>you did kick that that night when Riley went missing.

0:10:02.840 --> 0:10:05.520
<v Speaker 1>You went out that night and you you took him.

0:10:05.720 --> 0:10:09.600
<v Speaker 1>I took him here, told him to stay quiet, stay

0:10:09.640 --> 0:10:12.160
<v Speaker 1>put until all the contracts were signed and the old

0:10:12.160 --> 0:10:14.680
<v Speaker 1>mine was demoed. What was the shovel in tarp four?

0:10:15.120 --> 0:10:17.480
<v Speaker 1>I needed to get his bike out of you somehow.

0:10:18.960 --> 0:10:22.280
<v Speaker 1>It was evidence. I couldn't just have it lying around.

0:10:22.960 --> 0:10:27.200
<v Speaker 1>Oh my god, wait, how do you know about that? Anyway?

0:10:29.320 --> 0:10:34.600
<v Speaker 1>Ross Teller, I knew that kid was spying on me. Well,

0:10:34.640 --> 0:10:37.840
<v Speaker 1>I guess he was right to you. You're a kidnapper,

0:10:37.880 --> 0:10:41.600
<v Speaker 1>and yet here you are standing in an empty cabin

0:10:41.920 --> 0:10:43.559
<v Speaker 1>in the middle of the woods at night with me,

0:10:44.480 --> 0:10:46.600
<v Speaker 1>and you don't seem scared of me at all. I'm not,

0:10:47.679 --> 0:10:54.840
<v Speaker 1>And why is that? I don't know. I just never

0:10:54.880 --> 0:10:57.760
<v Speaker 1>have been. I'm glad to hear it. Most of the

0:10:57.800 --> 0:11:00.760
<v Speaker 1>other neighborhood kids run the other way when they see

0:11:00.760 --> 0:11:04.800
<v Speaker 1>me coming. I know that. But you're I don't think

0:11:04.800 --> 0:11:09.760
<v Speaker 1>you'd ever actually hurt anyone. Mr Beatty, Am I wrong?

0:11:10.120 --> 0:11:13.160
<v Speaker 1>You're in no danger from me, Max, But that doesn't

0:11:13.160 --> 0:11:15.960
<v Speaker 1>mean I haven't hurt people. Maybe not in the way

0:11:16.000 --> 0:11:20.480
<v Speaker 1>you're talking about, but I've I've made a lot of mistakes.

0:11:20.800 --> 0:11:24.600
<v Speaker 1>I think they're actually called crimes in this case. That's fair.

0:11:25.840 --> 0:11:28.480
<v Speaker 1>But Riley was safe as houses the entire time he

0:11:28.559 --> 0:11:32.160
<v Speaker 1>was here. Yeah, except where is he? I don't know?

0:11:32.679 --> 0:11:38.320
<v Speaker 1>Come on, no, really, Max, I don't know. I let

0:11:38.400 --> 0:11:42.439
<v Speaker 1>him go almost a week ago, and since then, I

0:11:42.440 --> 0:11:47.640
<v Speaker 1>don't know where he's been. Okay, okay, so let me

0:11:47.679 --> 0:11:50.920
<v Speaker 1>walk through this. You're in the mayor's pocket because you

0:11:50.960 --> 0:11:54.160
<v Speaker 1>want to hold onto your house, so you kidnap Riley

0:11:54.200 --> 0:11:56.560
<v Speaker 1>Stevens off the street to keep him quiet about the

0:11:56.559 --> 0:11:59.480
<v Speaker 1>New Mind being dangerous. You keep him here and you're

0:11:59.559 --> 0:12:03.680
<v Speaker 1>creepy pick axe cabin. But then let him go, telling

0:12:03.720 --> 0:12:05.680
<v Speaker 1>him to stay out of the way and keep quiet

0:12:05.679 --> 0:12:07.360
<v Speaker 1>about the fact that the New Mind is going to

0:12:07.440 --> 0:12:11.600
<v Speaker 1>kill us all. It's really not as serious as it sounds.

0:12:12.080 --> 0:12:16.079
<v Speaker 1>I'm not done. And instead of going home, Riley goes

0:12:16.120 --> 0:12:18.440
<v Speaker 1>to hide out in the empty inn, where he runs

0:12:18.440 --> 0:12:22.880
<v Speaker 1>away the moment he sees me. For some reason. Wait,

0:12:24.360 --> 0:12:28.679
<v Speaker 1>unless he wasn't running away from me but from Allana

0:12:29.280 --> 0:12:33.800
<v Speaker 1>Elena whoever she is. Maybe Riley didn't put those files

0:12:33.800 --> 0:12:36.439
<v Speaker 1>in the ceiling at all. Maybe it was miss Honeywell,

0:12:37.360 --> 0:12:41.560
<v Speaker 1>what files? What are you talking about? It? It's not

0:12:41.640 --> 0:12:46.160
<v Speaker 1>important right now, I don't think, not until we find Riley.

0:12:46.360 --> 0:12:48.480
<v Speaker 1>You said he was staying at the inn. That's good,

0:12:48.920 --> 0:12:52.360
<v Speaker 1>that's safe, except he's not there anymore. And if I

0:12:52.400 --> 0:12:55.640
<v Speaker 1>know Riley, he hasn't been lying low. He's probably been

0:12:55.640 --> 0:12:58.200
<v Speaker 1>trying to put together more evidence about the mine. That's

0:12:58.240 --> 0:13:01.480
<v Speaker 1>what I'm afraid of. So maybe he's on his way

0:13:01.480 --> 0:13:04.600
<v Speaker 1>to the demolition to try and stop it. I hope

0:13:04.640 --> 0:13:07.439
<v Speaker 1>that's true. I thought you wanted the mind to go forward.

0:13:07.920 --> 0:13:10.840
<v Speaker 1>I want Riley to be okay. And if he makes

0:13:10.840 --> 0:13:13.840
<v Speaker 1>a big scene at the demolition, AL won't try to silence.

0:13:13.960 --> 0:13:17.560
<v Speaker 1>Do you realize how insane this all is, doing this

0:13:17.720 --> 0:13:21.240
<v Speaker 1>much for some stupid money grubbing mine. That's not why

0:13:21.240 --> 0:13:23.720
<v Speaker 1>I did it. I just wanted to keep my home.

0:13:23.840 --> 0:13:26.120
<v Speaker 1>And you think that makes you any different from how

0:13:26.720 --> 0:13:29.160
<v Speaker 1>you're both trying to hold on so tightly to what's

0:13:29.200 --> 0:13:32.480
<v Speaker 1>always been that you can't see what could be. You

0:13:32.800 --> 0:13:36.240
<v Speaker 1>love Hastings just as much as us, Max. I know

0:13:36.360 --> 0:13:39.400
<v Speaker 1>you do. I've seen it your whole life. You've loved

0:13:39.400 --> 0:13:42.640
<v Speaker 1>this place. Loving something doesn't mean never wanting it to change,

0:13:43.160 --> 0:13:46.880
<v Speaker 1>and love love isn't love when it hurts other people.

0:13:47.880 --> 0:13:51.160
<v Speaker 1>So let's go down to the demolition. If we hurry,

0:13:51.280 --> 0:13:54.360
<v Speaker 1>maybe we can stop it. Ross should be there by now, anyway.

0:13:54.440 --> 0:13:56.480
<v Speaker 1>I know he'll do everything he can to stop it.

0:13:56.720 --> 0:13:58.720
<v Speaker 1>Ross Teller has been helping you out with this. He

0:13:58.760 --> 0:14:00.880
<v Speaker 1>wasn't just spying on you for on and he was

0:14:00.920 --> 0:14:03.559
<v Speaker 1>supposed to meet you at the ceremony. Yeah, he was

0:14:03.600 --> 0:14:05.360
<v Speaker 1>going to city Hall first to get proof of the

0:14:05.360 --> 0:14:09.120
<v Speaker 1>new Mind being dangerous. But I I saw him biking

0:14:09.160 --> 0:14:12.720
<v Speaker 1>the opposite direction on my way here. What Yeah, nearly

0:14:12.800 --> 0:14:14.880
<v Speaker 1>ran him over too, had to stop and yell at

0:14:14.920 --> 0:14:17.120
<v Speaker 1>him for a minute, not that I ever mind doing that.

0:14:17.320 --> 0:14:19.480
<v Speaker 1>Did he say where he was going? Well, we didn't

0:14:19.480 --> 0:14:22.280
<v Speaker 1>exactly chat, but he certainly wasn't headed to the demo

0:14:22.400 --> 0:14:24.720
<v Speaker 1>unless he was taken the long way around? Which way

0:14:24.760 --> 0:14:27.040
<v Speaker 1>was he headed the same direction as me? But he

0:14:27.120 --> 0:14:30.200
<v Speaker 1>cut into the woods earlier. I don't get it. Why

0:14:30.200 --> 0:14:33.080
<v Speaker 1>would he do that? You know you're here? Of course,

0:14:33.520 --> 0:14:37.040
<v Speaker 1>maybe he came to tell you something. Then where is he?

0:14:38.040 --> 0:14:40.800
<v Speaker 1>I guess we got two kids? To find. Now, come

0:14:40.800 --> 0:14:43.040
<v Speaker 1>on the demos only a mile and a half from here.

0:14:43.080 --> 0:14:44.720
<v Speaker 1>If we want to cut up over the ridge, we'll

0:14:44.760 --> 0:14:47.119
<v Speaker 1>see if we could spot him on our way. Okay,

0:14:47.200 --> 0:14:52.120
<v Speaker 1>but what is the axe for? Well, I thought maybe

0:14:52.120 --> 0:14:55.960
<v Speaker 1>I might have to do some some rescuing. Rescuing. I

0:14:56.000 --> 0:14:59.040
<v Speaker 1>started to think, if Riley's free but didn't go back

0:14:59.080 --> 0:15:02.880
<v Speaker 1>to his parents, maybe he got snatched again, and maybe

0:15:03.720 --> 0:15:06.080
<v Speaker 1>maybe he'd be trapped somewhere, and you would need a

0:15:06.120 --> 0:15:10.840
<v Speaker 1>pick axe, because, oh god, you think he's trapped in

0:15:10.880 --> 0:15:13.160
<v Speaker 1>the old mines. It's where How said I should keep him.

0:15:13.200 --> 0:15:15.920
<v Speaker 1>The first time around, I put my foot down so fast.

0:15:15.960 --> 0:15:17.600
<v Speaker 1>I think How was worried I was going to step

0:15:17.640 --> 0:15:20.880
<v Speaker 1>on him. But if you say Riley's been in the inn,

0:15:21.480 --> 0:15:24.720
<v Speaker 1>then hopefully we don't have to worry about that. Wait,

0:15:24.800 --> 0:15:27.840
<v Speaker 1>but if that's what How wanted in the first place,

0:15:28.720 --> 0:15:32.960
<v Speaker 1>he called before you got here. What, Yeah, he called,

0:15:33.040 --> 0:15:36.360
<v Speaker 1>and he said that he'd cleaned up your mess. No, No,

0:15:36.440 --> 0:15:39.360
<v Speaker 1>that's not good. Why if Hal has cleaned it up

0:15:39.440 --> 0:15:42.160
<v Speaker 1>without me, that means he's turned to his last resort.

0:15:43.280 --> 0:15:45.800
<v Speaker 1>He would have called Warren and his scary looking men,

0:15:46.200 --> 0:15:49.280
<v Speaker 1>not just scary looking Max. Why don't you tell me

0:15:49.320 --> 0:15:51.680
<v Speaker 1>that how it called. I was a little focused on

0:15:51.720 --> 0:15:54.240
<v Speaker 1>the fact that you were confessing to kidnapping Riley. Do

0:15:54.280 --> 0:15:57.720
<v Speaker 1>you know where he called from? No, but I'm assuming

0:15:57.760 --> 0:16:00.400
<v Speaker 1>he's at the demolition right now, So damn it. If

0:16:00.400 --> 0:16:02.760
<v Speaker 1>he said Warren's Lackey's on Riley, He's in a lot

0:16:02.800 --> 0:16:05.360
<v Speaker 1>more danger than he was before. We've got to move,

0:16:23.560 --> 0:16:27.240
<v Speaker 1>all right, one of the higher elevation mine entrances. It's

0:16:27.320 --> 0:16:30.440
<v Speaker 1>just up through these trees here. Do you really think

0:16:30.480 --> 0:16:33.040
<v Speaker 1>that Warren would have had his men put Riley in

0:16:33.080 --> 0:16:36.360
<v Speaker 1>a mind that's about to be collapsed? Do you know

0:16:36.400 --> 0:16:39.920
<v Speaker 1>what this mining project means to the Archers? Minotaur Mining

0:16:40.040 --> 0:16:43.040
<v Speaker 1>is set on getting their claws into this whole region.

0:16:43.680 --> 0:16:46.720
<v Speaker 1>If the Archers have a staken that, they'll be richer

0:16:46.720 --> 0:16:54.720
<v Speaker 1>than God. Wait a second, this is this is Ross's bike?

0:16:55.200 --> 0:17:07.200
<v Speaker 1>What are you sure? Ross? Ross? Are you here? Ross? Ross? Wait?

0:17:08.000 --> 0:17:16.920
<v Speaker 1>Is that? Where are you? It's not Ross? This way, Riley,

0:17:18.680 --> 0:17:29.200
<v Speaker 1>It's coming from up there where the entrances. Riley, We're coming. Why.

0:17:39.200 --> 0:17:41.399
<v Speaker 1>Thank you for listening to season one of Maxie Miles

0:17:41.440 --> 0:17:44.080
<v Speaker 1>and for being a part of the investigation. As we

0:17:44.080 --> 0:17:46.280
<v Speaker 1>wait for season two. Feel free to listen to the

0:17:46.320 --> 0:17:48.600
<v Speaker 1>other two endings and see where another choice would have lead.

0:17:48.600 --> 0:17:51.119
<v Speaker 1>You also be sure to follow us on Twitter at

0:17:51.119 --> 0:17:53.439
<v Speaker 1>a Typical Artist for updates about the show and to

0:17:53.440 --> 0:17:56.119
<v Speaker 1>see which ending was chosen most by our listeners. The

0:17:56.200 --> 0:17:58.720
<v Speaker 1>most popular choice become the starting point for our next season,

0:17:58.920 --> 0:18:03.359
<v Speaker 1>including any concept and says. The ending contained Maxie Miles

0:18:03.359 --> 0:18:05.119
<v Speaker 1>was created by Lauren Shippen and as a production of

0:18:05.119 --> 0:18:08.000
<v Speaker 1>a Shipal Artists and I Heart Radio. This episode was

0:18:08.040 --> 0:18:11.240
<v Speaker 1>written and directed by Lauren Shippen Dilla editing in samdasign

0:18:11.280 --> 0:18:14.399
<v Speaker 1>Membersynwing of Hemil Creek Productions, with editing assistance from Lauren

0:18:14.520 --> 0:18:18.160
<v Speaker 1>Davis and wlis Aponds. It featured Jordan Cobb as Maxie Miles,

0:18:18.160 --> 0:18:20.719
<v Speaker 1>Max to Follow as Ross Teller, Native for It as

0:18:20.800 --> 0:18:24.480
<v Speaker 1>Mr Beatie, and brigand Snow as Riley Stevens. Original artwork

0:18:24.520 --> 0:18:27.600
<v Speaker 1>by Shane McCallan. Maxie Miles was executive produced by Laura

0:18:27.640 --> 0:18:29.919
<v Speaker 1>Shippen and I Heart Radio and For more podcast from

0:18:29.920 --> 0:18:32.879
<v Speaker 1>my Heart Radio, visit the iHeart Radio app, Apple Podcasts,

0:18:32.960 --> 0:18:35.040
<v Speaker 1>or wherever you listen to your favorite shows. Thank you

0:18:35.119 --> 0:18:36.919
<v Speaker 1>for listening and keep curious