WEBVTT - Zenon: The Zequel

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<v Speaker 1>All right, So Sabrina, Yes, we got a biggie today.

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<v Speaker 2>We do.

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<v Speaker 3>We got like a legit big movie for the channel today.

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<v Speaker 3>And this is one where fans are hugely like when

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<v Speaker 3>it's not just fan, its fanatical about this movie and

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<v Speaker 3>this whole, this whole what's the word I'm looking for, franchise?

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<v Speaker 3>Thank you? Like this is big. Yeah.

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<v Speaker 2>And here's the thing too, I feel like, although we

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<v Speaker 2>had Brink and Smart House and all of that, because

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<v Speaker 2>it was a franchise, I want to say this was

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<v Speaker 2>like the first like mega fans.

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<v Speaker 3>Yeah, of a d com yep. And it was the

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<v Speaker 3>first for a lot of other things too, which we'll

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<v Speaker 3>get into. We well, I'll tell you when we get there.

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<v Speaker 3>But first of all, welcome back to Magical Rewind, the

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<v Speaker 3>show that makes you want to grab your friends, your

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<v Speaker 3>pjs and your popcorn. Go back to a time when

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<v Speaker 3>all the houses were smart.

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<v Speaker 1>The waves, tsunamis, and the high School's musical. I'm Wilford Dell.

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<v Speaker 2>And I'm Sabrina Bryan.

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<v Speaker 1>Well, this week we returned to Sequel Town, but this

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<v Speaker 1>time it's Zequel Town.

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<v Speaker 3>Yes, people, As we tackle the two thousand and one

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<v Speaker 3>return to Space d com Xenon the Zequel, only out

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<v Speaker 3>done years later when the Chipmunks released their squeak Wal,

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<v Speaker 3>a word I never thought I'd say ever in my life.

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<v Speaker 3>I think so. Yes, this might just be the pioneer

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<v Speaker 3>when it comes to creative wordplay for a second film.

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<v Speaker 3>Yes the zequal The movie debut on January twelve, two

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<v Speaker 3>thousand and one, and set up the premiere of another

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<v Speaker 3>iconic Disney property, the first episode of Lizzie McGuire. Yes,

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<v Speaker 3>it aired directly after Xenon the Zequeal and would go

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<v Speaker 3>on to become one of the biggest shows of that year.

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<v Speaker 3>Quite a big day on the channel. Lizzie McGuire obviously

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<v Speaker 3>a show about a girl who is a singer who

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<v Speaker 3>turns out Nope, not that at all. That just became

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<v Speaker 3>the movie all of a sudden, out of nowhere. Thank

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<v Speaker 3>you very much. Send all of your hate emails right

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<v Speaker 3>to me.

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<v Speaker 1>I wrap myself in them at night and get a

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<v Speaker 1>great night sleep.

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<v Speaker 3>This also marked the first zequel under the dcom banner Yes,

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<v Speaker 3>Belee it or not, following Xenon Girl of the Twenty

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<v Speaker 3>first Century from two years earlier. Now, usually Disney is

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<v Speaker 3>ironclad with those sequel contracts, but maybe because it was

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<v Speaker 3>a zequel and not a sequel, they let it kind

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<v Speaker 3>of fall by the rayside because, yeah, Raven Simone did

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<v Speaker 3>not return to play Nebula. She was reportedly busy shooting

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<v Speaker 3>Doctor Doolittle too. This time it's personal, so she was replaced,

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<v Speaker 3>which is not very common in these movies that we review.

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<v Speaker 3>But as somebody I'm friends with knows very well, this

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<v Speaker 3>was not the first time Raven has dipped out.

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<v Speaker 1>Of a franchise.

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<v Speaker 3>WHOA, I'm just saying. I wasn't referring to you at all,

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<v Speaker 3>but hey, I haven't seen the third one. How how okay,

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<v Speaker 3>maybe I'm wrong. How was Raven in the third Cheetah

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<v Speaker 3>Girls movie?

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<v Speaker 2>She was great? No, no, she wasn't in it. But hey, listen,

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<v Speaker 2>when the when the jobs come at the same time.

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<v Speaker 4>I get it.

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<v Speaker 2>Gotta make a choice at some point, I get.

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<v Speaker 3>And I think, obviously, for something like this, if you're

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<v Speaker 3>doing the sequel another sequel to an Eddie Murphy movie,

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<v Speaker 3>you go when you do that, I completely and totally understand.

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<v Speaker 3>But we'll talk about Cheater Girls when we get the

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<v Speaker 3>Cheeta Girls, because I haven't even seen it yet, but

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<v Speaker 3>I want all the tea and yes, and although we

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<v Speaker 3>haven't gotten there yet this time Xenon, like I said,

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<v Speaker 3>is a trilogy. A third movie, Xenon Z three, would

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<v Speaker 3>be released just three years later. Do you think they

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<v Speaker 3>should reboot Xenon? Do you think the kids want to

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<v Speaker 3>see it under wrap style, like a like a whole new.

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<v Speaker 2>Version of x like do the same movie with the.

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<v Speaker 3>New Sure you got all the technology and all the

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<v Speaker 3>stuff going on now, I mean, do you think this

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<v Speaker 3>is something that kids would want to see or is

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<v Speaker 3>this is Xenon in space not a thing that kids

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<v Speaker 3>are into anymore?

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<v Speaker 2>I mean, we saw portion of it with what was it,

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<v Speaker 2>the third movie of Zombies, and the kids loved it

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<v Speaker 2>with the aliens, and I mean we didn't even get

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<v Speaker 2>going and dancing.

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<v Speaker 3>Would they have to add singing and dancing the Xenon? Maybe?

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<v Speaker 3>Do they make the musical?

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<v Speaker 2>I think what I what I When I think about

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<v Speaker 2>Descendants and Zombies, those franchises, I think that the kids

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<v Speaker 2>really love to find a micro world and totally just

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<v Speaker 2>embrace a new micro world. And there has not been

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<v Speaker 2>a lot of like space type stuff on the channel yet,

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<v Speaker 2>so I think there's definitely a place for it. I agree,

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<v Speaker 2>and I think the fans will embrace it one hundred percent.

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<v Speaker 3>I agree with you, And I.

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<v Speaker 2>Don't think it needs to be a musical.

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<v Speaker 3>I know, I think actually could be exactly what we

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<v Speaker 3>just watched. Yes, And I think actually they don't It

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<v Speaker 3>shouldn't be a musical because now then everything's a musical,

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<v Speaker 3>And I think they need some movies that are big

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<v Speaker 3>tent pole franchises that are not musicals.

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<v Speaker 2>Yes, and I think, but I do, I will say

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<v Speaker 2>I don't think it would should be the first one.

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<v Speaker 2>I think it would need to be the second one.

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<v Speaker 2>Take us out of the normal everyday life, take us

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<v Speaker 2>to space. That's what I think it would need to be.

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<v Speaker 2>Not but I mean it was enough in space.

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<v Speaker 3>Don't you think you have to introduce it again to

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<v Speaker 3>a whole new generation? So like you'd have to start

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<v Speaker 3>with the first scene in space and then see the

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<v Speaker 3>high school a little bit, it's like, and then go back, maybe.

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<v Speaker 2>Go back, I mean, if you're talking to yeah, I

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<v Speaker 2>don't know, I don't know, I do not know. Can

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<v Speaker 2>we do that in ninety minutes? Well that's the.

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<v Speaker 3>Question, I know exactly or eighty nine? Well, who will

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<v Speaker 3>get into that? Hilariously because this was released in two

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<v Speaker 3>thousand and one, this was the first dcom ever to

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<v Speaker 3>have its own website, and one thing that was on

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<v Speaker 3>the site was a contest for fans asking them to

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<v Speaker 3>find hidden z's inside the movie, which might absolutely made

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<v Speaker 3>people go crazy. I did not even know about this

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<v Speaker 3>before I watch it, and I'm glad I didn't, because

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<v Speaker 3>that's all I would have been looking for is hidden z's.

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<v Speaker 2>Absolutely, and I there there were a couple. Now that

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<v Speaker 2>i'm there's an of them, I'm sure, yes, And that

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<v Speaker 2>such a great idea for Disney.

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<v Speaker 3>Yeah, well, it's like finding these here's the thing. Now

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<v Speaker 3>I'm going back and I'm wondering, like where I missed

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<v Speaker 3>them in places where like, for instance, when she's walking

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<v Speaker 3>through the big spider Web, was there a Z in

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<v Speaker 3>the spider Web?

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<v Speaker 1>Like I want to know, Yes, I want to know

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<v Speaker 1>all that stuff.

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<v Speaker 3>There is also a small Mandela effect when it comes

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<v Speaker 3>to Xenon. There's an entire generation that thinks it was

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<v Speaker 3>Xenon with an X, not a Z, but they're quickly

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<v Speaker 3>made to feel stupid when they're reminded it's a zequel,

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<v Speaker 3>and that clearly plays off the Z. Silly, silly, people,

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<v Speaker 3>And yes, Xenon two is available to stream right now

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<v Speaker 3>Disney Plus. You can watch it before listening to our breakdown,

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<v Speaker 3>or watch it later after we've tainted your opinion. Ha

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<v Speaker 3>I said taped anyway, Okay, were you excited? We obviously

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<v Speaker 3>knew there was a there was a c well, because

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<v Speaker 3>we watched the first one, and we knew there was

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<v Speaker 3>the second one? But were you excited to see it?

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<v Speaker 3>Had you seen it before? No?

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<v Speaker 2>This That's why I was so excited, because I obviously

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<v Speaker 2>loved that the first one, you know, had seen that,

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<v Speaker 2>you know, several times, never had seen the second one,

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<v Speaker 2>being that it was in two thousand and one, You're

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<v Speaker 2>talking like my junior year of high school. So I'm

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<v Speaker 2>really you know, I'm working. I am watching the channel

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<v Speaker 2>for some things, but not like invested in any kind

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<v Speaker 2>of franchise at that point.

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<v Speaker 3>With two thousand and one, was your junior year in

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<v Speaker 3>high school?

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<v Speaker 2>Yes? Oh, for the love of God, yes, And it's

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<v Speaker 2>really honestly not that young anymore.

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<v Speaker 3>It was in we just got I was in first grade.

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<v Speaker 2>Oh, first see made He's just.

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<v Speaker 3>Jeez, two thousand and one, Boy Meets World has already done.

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<v Speaker 3>I was twenty five.

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<v Speaker 2>Oh yeah, yeah, Boy Meets World was done. I was

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<v Speaker 2>your prime demo for Boy.

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<v Speaker 3>Yeah, well because we're awesome. Yes, okay, So now everybody

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<v Speaker 3>pop in your Protozoa set single, which it's not even

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<v Speaker 3>that it should be poping your one little disc type

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<v Speaker 3>thing that they give you in the thing.

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<v Speaker 1>I don't know if it's called. It's time for the synopsis.

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<v Speaker 3>Teenager xenon cars space Station is being taken over and

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<v Speaker 3>dismantled by the military. She receives a mysterious signal. It

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<v Speaker 3>must convince everyone it's from aliens who've appeared to help them.

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<v Speaker 1>Sabrina early thoughts on zenone two.

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<v Speaker 2>So the only thing I knew we haven't. We didn't

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<v Speaker 2>really talk normally. The question is did you know anything

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<v Speaker 2>about it? The only thing I knew about, and is

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<v Speaker 2>from our interview with Stu, is that the second one

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<v Speaker 2>was going to be set in space on their ship.

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<v Speaker 2>We knew that he had told us in our interview that.

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<v Speaker 3>So the first one was set in space.

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<v Speaker 2>Remember we talked about it. It's really not on the

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<v Speaker 2>spaceship that much.

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<v Speaker 3>Well, it's on the spaces mainly kicked out and then

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<v Speaker 3>she's back on Earth, right, But you at least get to,

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<v Speaker 3>you know, the spaceship Abit.

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<v Speaker 2>Yeah, it was recognizable for sure, But I remember saying

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<v Speaker 2>in the first one, like I wish we had been

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<v Speaker 2>in that set environment way more than just being down

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<v Speaker 2>on Earth. So this one, I was really excited to

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<v Speaker 2>know that the predominant amount of it was going to

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<v Speaker 2>be on this spaceship. And I was so excited and

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<v Speaker 2>I was never once disappointed throughout this movie.

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<v Speaker 3>So you loved it, loved it.

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<v Speaker 2>I loved, love, love this Okay, and Monroe liked it too?

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<v Speaker 3>Oh good? What I thought popped.

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<v Speaker 2>In and out? I'm no, I feel like we're gonna

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<v Speaker 2>breeze by it, because you're making me nervous with your eyes,

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<v Speaker 2>your Google eyes are making me a little nervous about

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<v Speaker 2>how you thought about Xenon. What did you think?

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<v Speaker 3>Okay, If I'm honest, I loved this movie. Oh good?

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<v Speaker 3>I did absolutely this movie flew by. It was so fast,

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<v Speaker 3>actually engaging. It looked great.

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<v Speaker 1>I was like, this movie looks like it cost fifty

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<v Speaker 1>million dollars.

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<v Speaker 2>Yes, it looked so good.

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<v Speaker 3>It was so good.

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<v Speaker 2>And one of the first things that pops up, I'm like, oh,

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<v Speaker 2>I'm hoping this just like gets will right on is

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<v Speaker 2>like the Star Wars. The retelling so that which made

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<v Speaker 2>it great because I felt this movie you don't really

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<v Speaker 2>have to see the first one to see the second one.

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<v Speaker 3>No, you don't have to. They recap it well.

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<v Speaker 2>The recap that they do in the front is so good,

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<v Speaker 2>and it was such a fun way to do it.

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<v Speaker 2>Four kids. It still looked like it was four kids.

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<v Speaker 2>Wasn't too old, you know, like Star Wars feeling old?

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<v Speaker 3>No, great, I thought it was great. I did too.

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<v Speaker 3>It was directed by writer director Manny Coto, who did

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<v Speaker 3>not direct the original that was Kenneth Johnson. On the

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<v Speaker 3>directing side, Manny helmed and wrote the cult horror movie

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<v Speaker 3>Doctor Giggles in nineteen ninety two and Star Kid in

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<v Speaker 3>nineteen ninety seven, but we know him as the director

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<v Speaker 3>of the Andy Lawrence Clone dcom The Other Me. On

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<v Speaker 3>the writing side, Manny was well accomplished with credits on

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<v Speaker 3>TV shows like Star Trek, Enterprise, Dexter, American Horror Story,

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<v Speaker 3>and twenty four Which you want an Emmy four. Sadly,

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<v Speaker 3>zen On two was his last directing job, passed away

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<v Speaker 3>in twenty twenty three from pancreatic cancer. The Star xenon herself.

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<v Speaker 3>Kirsten Storms is back. We all remember her from the

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<v Speaker 3>First movie, obviously, which was her first acting job. Ever,

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<v Speaker 3>you may also remember her from Johnny Tsunami, making her

0:11:14.160 --> 0:11:16.400
<v Speaker 3>a bit of a dcom legend around these parts, and

0:11:16.440 --> 0:11:19.880
<v Speaker 3>in adulthood she conquered another niche, becoming a massive soap

0:11:19.920 --> 0:11:22.120
<v Speaker 3>opera star. On Days of Our Lives in General Hospital

0:11:22.400 --> 0:11:28.199
<v Speaker 3>for over two decades Insane. As mentioned, Raven Simone was

0:11:28.200 --> 0:11:31.640
<v Speaker 3>replaced as Nebula Wade. Now we have a Shaddya Simmons,

0:11:31.640 --> 0:11:34.680
<v Speaker 3>a very familiar face to Rewinders. She played Piper in

0:11:35.160 --> 0:11:38.480
<v Speaker 3>what is likely best dcom nominee, The Color of Friendship.

0:11:38.520 --> 0:11:40.840
<v Speaker 3>Oh man, we love that movie, and she was in Quints,

0:11:41.000 --> 0:11:44.240
<v Speaker 3>which we didn't like as much. She was also on

0:11:44.280 --> 0:11:47.000
<v Speaker 3>the Canadian show Life with Derek, which apparently is just

0:11:47.000 --> 0:11:49.800
<v Speaker 3>a bunch of people apologizing, which aired on Disney Channel

0:11:49.840 --> 0:11:50.720
<v Speaker 3>and in the US.

0:11:50.800 --> 0:11:53.920
<v Speaker 1>I'm kidding, it's Canadian, so that's what's the job.

0:11:53.960 --> 0:11:56.600
<v Speaker 3>Forget it. Canadians are awesome people. They're just they're very

0:11:56.600 --> 0:12:00.680
<v Speaker 3>apologetic people. They're wonderful. Philip Reese is back as pro Tozoa.

0:12:00.760 --> 0:12:03.559
<v Speaker 3>He became an always working actor on shows like twenty four,

0:12:03.679 --> 0:12:07.800
<v Speaker 3>Niptuck and Glee, and he's our guest this week on

0:12:07.880 --> 0:12:11.040
<v Speaker 3>the Magical rewind Feed, ready to talk all about Xenon.

0:12:11.200 --> 0:12:14.880
<v Speaker 3>Very exciting. Everybody here was freaking out. Never be in

0:12:14.920 --> 0:12:17.520
<v Speaker 3>a text chain with fourteen people who want to meet

0:12:17.520 --> 0:12:19.520
<v Speaker 3>pro Tozoa. That's all I have to say.

0:12:19.960 --> 0:12:21.000
<v Speaker 2>Oh so good.

0:12:21.480 --> 0:12:24.920
<v Speaker 3>The very recognizable Stuart Pankin also returns as Commander Edward

0:12:24.920 --> 0:12:27.640
<v Speaker 3>plank He was in classic movies like Congo, Fatal Attraction,

0:12:27.720 --> 0:12:31.520
<v Speaker 3>and Arachnophobia, but Big HBO fans might recognize him from

0:12:31.679 --> 0:12:34.920
<v Speaker 3>not Necessarily The News, Great Show and New for the

0:12:35.000 --> 0:12:39.160
<v Speaker 3>zequal Another just stellar character, actor John Getz is General Hammond.

0:12:39.160 --> 0:12:40.959
<v Speaker 3>By the way, for everybody out there who's a Mash fan,

0:12:41.000 --> 0:12:43.079
<v Speaker 3>I swear to God that's who they named after, General Hammond.

0:12:43.320 --> 0:12:46.480
<v Speaker 3>This guy's IMDb is a murderer's row of good projects.

0:12:46.520 --> 0:12:49.120
<v Speaker 3>He's been in movies like Blood Simple, The Social Network,

0:12:49.160 --> 0:12:52.240
<v Speaker 3>The Fly, Zodiac, Don't Tell Mom, The Babysitters Dead, and

0:12:52.360 --> 0:12:55.560
<v Speaker 3>TV shows like The West Wing, mad Men, Homeland, and Bosh.

0:12:55.600 --> 0:12:56.960
<v Speaker 3>I mean, this is the dude.

0:12:57.160 --> 0:12:59.880
<v Speaker 2>Yes, so recognizable, he's got that fantas.

0:13:00.160 --> 0:13:02.040
<v Speaker 3>Oh man, this pops on that guy.

0:13:02.200 --> 0:13:03.360
<v Speaker 2>Yeah, yes, that guy.

0:13:03.480 --> 0:13:07.360
<v Speaker 3>Yes, I would say, while he's probably not to the

0:13:07.480 --> 0:13:12.679
<v Speaker 3>level that we we need for a Dabney Reynolds share, yeah,

0:13:12.720 --> 0:13:14.920
<v Speaker 3>because that's really but we should come up with a

0:13:14.960 --> 0:13:18.800
<v Speaker 3>new chair of like killer character actors. Maybe it's a

0:13:18.840 --> 0:13:24.400
<v Speaker 3>stool character actor stool because yeah, it's he's in everything.

0:13:25.320 --> 0:13:27.480
<v Speaker 3>But enough about those bozos. How about the thing we

0:13:27.679 --> 0:13:31.720
<v Speaker 3>really care about, And that's the running time. Yes, xenon too,

0:13:31.720 --> 0:13:36.800
<v Speaker 3>the zequal clocks in it eighty nine minutes. Yes, the

0:13:36.880 --> 0:13:39.000
<v Speaker 3>time we're seeing more and more one off target, but

0:13:39.040 --> 0:13:41.120
<v Speaker 3>still on the right side of history. So for me,

0:13:41.200 --> 0:13:44.359
<v Speaker 3>that's like a win. Much like my dating profile requirements,

0:13:44.400 --> 0:13:45.720
<v Speaker 3>I like to keep it under ninety.

0:13:47.559 --> 0:13:50.760
<v Speaker 2>It also flew by, as we've already said it was

0:13:51.520 --> 0:13:54.239
<v Speaker 2>it didn't even feel like an hour and a half.

0:13:54.120 --> 0:13:56.760
<v Speaker 3>Like it didn't, and it felt so nice. It just was.

0:13:57.080 --> 0:13:59.440
<v Speaker 3>I wasn't looking at my phone, I wasn't watching it,

0:13:59.440 --> 0:14:01.520
<v Speaker 3>and I actually, did you watch this on an airplane?

0:14:02.200 --> 0:14:02.320
<v Speaker 2>Oh?

0:14:02.440 --> 0:14:04.680
<v Speaker 3>Yeah I did. I had I downloaded it and I watched it.

0:14:04.679 --> 0:14:06.480
<v Speaker 3>I had a long flight from Boston. I was like, oh,

0:14:06.559 --> 0:14:07.959
<v Speaker 3>watch it, this will at least kill the time.

0:14:08.000 --> 0:14:10.280
<v Speaker 1>And it finished and I was like, that's it.

0:14:10.840 --> 0:14:12.680
<v Speaker 3>Yeah, like that was that was fast?

0:14:13.000 --> 0:14:16.520
<v Speaker 2>Yes, Yeah, I honestly didn't even have like a bunch

0:14:16.520 --> 0:14:19.400
<v Speaker 2>of Sabrina seas because I normally have lists and lists

0:14:19.440 --> 0:14:21.920
<v Speaker 2>of stuff that I'm saying, not I to have like

0:14:22.160 --> 0:14:24.960
<v Speaker 2>six things that I'm like, yeah, these are thoughts.

0:14:25.240 --> 0:14:29.600
<v Speaker 3>Yeah, because it's it was crazy, really fluid and writing wise,

0:14:29.640 --> 0:14:32.400
<v Speaker 3>We've got Marilyn Sadler and Roger Bowlin. They are the

0:14:32.440 --> 0:14:35.040
<v Speaker 3>original writing team behind the book these movies are based on.

0:14:35.160 --> 0:14:37.440
<v Speaker 3>They made a book out of that kidding, and they'd

0:14:37.440 --> 0:14:39.080
<v Speaker 3>go on to create one of the bigger kids shows

0:14:39.080 --> 0:14:40.960
<v Speaker 3>in the past two decades, running from two thousand and

0:14:41.000 --> 0:14:43.920
<v Speaker 3>six to twenty eleven, with an unfortunate name that makes

0:14:44.000 --> 0:14:46.360
<v Speaker 3>Rider Strong giggle every time we say it. They made

0:14:46.720 --> 0:14:50.640
<v Speaker 3>Handy Manny and just leaving it at that, go back

0:14:50.640 --> 0:14:52.560
<v Speaker 3>to the Podmeats World Feed to hear all of Ryder

0:14:52.640 --> 0:14:56.080
<v Speaker 3>Strong's thoughts on Handy Manny, and the teleplay is credit

0:14:56.120 --> 0:14:59.440
<v Speaker 3>to the one and only the dcom daddy himself, Stu Krieger,

0:14:59.560 --> 0:15:01.720
<v Speaker 3>who wrote not only the original but the other Channel

0:15:01.760 --> 0:15:03.640
<v Speaker 3>classics like Smart House, Going to the Mat, Got to

0:15:03.680 --> 0:15:05.800
<v Speaker 3>Kick It Up, cow Bells, and our recently reviewed Phantom

0:15:05.840 --> 0:15:06.600
<v Speaker 3>of the Megaplex.

0:15:07.040 --> 0:15:09.080
<v Speaker 1>Apparently dcom Daddy Steu was.

0:15:09.040 --> 0:15:13.760
<v Speaker 3>Not happy with our review a film. Sure, sorry, Stu

0:15:14.160 --> 0:15:23.480
<v Speaker 3>wasn't her favorite. Let's not waste another minute, though, Let's

0:15:23.800 --> 0:15:27.040
<v Speaker 3>zoom zoom zoom our way into a shuttle, find these aliens,

0:15:27.080 --> 0:15:31.280
<v Speaker 3>and get right into Xenon too. The zequel. We start

0:15:31.280 --> 0:15:33.320
<v Speaker 3>with a reference to Star Wars, like Sabrina was saying

0:15:33.320 --> 0:15:35.960
<v Speaker 3>as a zappad. The communicator tablet from the first movie

0:15:36.040 --> 0:15:38.600
<v Speaker 3>spins through space, eventually landing so we can read a

0:15:38.640 --> 0:15:41.880
<v Speaker 3>preface about chapter two of Xenon on its screen. The

0:15:41.960 --> 0:15:44.480
<v Speaker 3>text rolls from the bottom up, reminding us that fifteen

0:15:44.560 --> 0:15:47.400
<v Speaker 3>year old Xenon car saved her space station from evil

0:15:47.440 --> 0:15:49.520
<v Speaker 3>in the last movie. It's now a year later, and

0:15:49.600 --> 0:15:51.400
<v Speaker 3>Xenon is on top of her game, able to do

0:15:51.440 --> 0:15:53.680
<v Speaker 3>whatever she wants in the space station, seen as a

0:15:53.680 --> 0:15:56.000
<v Speaker 3>bit of a local hero, but now everything in her

0:15:56.040 --> 0:15:59.040
<v Speaker 3>life is about to change. We are thrown directly into

0:15:59.040 --> 0:16:02.000
<v Speaker 3>the busy space station. Nebula and Xenon are walking the halls.

0:16:02.200 --> 0:16:04.680
<v Speaker 3>Nebula nervous about what they're about to do. Xenon knows

0:16:04.680 --> 0:16:06.560
<v Speaker 3>she's seen as too much of a hero to get

0:16:06.560 --> 0:16:09.480
<v Speaker 3>into any trouble and then they run right into Commander Plank,

0:16:09.520 --> 0:16:11.600
<v Speaker 3>who seems stern at first, but Xenon was right. He

0:16:11.720 --> 0:16:14.560
<v Speaker 3>just joyfully lets them go about their way. Xenon then

0:16:14.600 --> 0:16:17.320
<v Speaker 3>takes neb to a restricted communication zone, using a card

0:16:17.320 --> 0:16:17.720
<v Speaker 3>to enter.

0:16:18.400 --> 0:16:19.640
<v Speaker 1>Now slang why Sabrina.

0:16:19.680 --> 0:16:22.280
<v Speaker 3>Xenon has already told Nebula not to be ice when

0:16:22.280 --> 0:16:24.640
<v Speaker 3>she's being on cool, and now this control center they

0:16:24.760 --> 0:16:25.880
<v Speaker 3>enter is Thermo.

0:16:26.400 --> 0:16:28.360
<v Speaker 1>If I had one criticism.

0:16:27.840 --> 0:16:32.240
<v Speaker 3>Of this movie, it was that they really pushed the

0:16:32.320 --> 0:16:34.480
<v Speaker 3>slang in this Yeah. She must have said see this

0:16:34.560 --> 0:16:36.680
<v Speaker 3>lapidus forty two times, like you couldn't make this a

0:16:36.760 --> 0:16:37.800
<v Speaker 3>drinking game, you'd be dead.

0:16:38.080 --> 0:16:39.440
<v Speaker 2>Yeah.

0:16:39.560 --> 0:16:42.240
<v Speaker 3>So, and again it's a small criticism because I get

0:16:42.240 --> 0:16:44.440
<v Speaker 3>what they're doing, but it was a little much.

0:16:44.480 --> 0:16:47.120
<v Speaker 2>When we when we get a little bit later on,

0:16:47.200 --> 0:16:49.600
<v Speaker 2>I'm going to tell you why it felt too much.

0:16:49.760 --> 0:16:52.520
<v Speaker 3>Too okay, Yeah, because it was just a little much,

0:16:52.520 --> 0:16:56.120
<v Speaker 3>this little little too many reference after reference after reference

0:16:56.160 --> 0:16:56.520
<v Speaker 3>in this world.

0:16:56.640 --> 0:17:00.320
<v Speaker 2>Yes, yeah, but I will say, Kusten, it's like it

0:17:00.440 --> 0:17:03.560
<v Speaker 2>just rolled off the tongue. I think would stumble on

0:17:03.640 --> 0:17:06.600
<v Speaker 2>these words, Oh, you'd get them. I mean I feel

0:17:06.600 --> 0:17:07.960
<v Speaker 2>like i'd stumble.

0:17:07.960 --> 0:17:10.560
<v Speaker 3>You'd get them, you know, you would hearing kids talk

0:17:10.600 --> 0:17:12.080
<v Speaker 3>nowadays with the words they say, I don't know what

0:17:12.119 --> 0:17:14.199
<v Speaker 3>any of this mid, And I'm like what, I just

0:17:14.240 --> 0:17:18.880
<v Speaker 3>assume you're calling me an idiot, and they're probably right. Well,

0:17:19.000 --> 0:17:21.240
<v Speaker 3>the room they go into looks important, but Sena says

0:17:21.280 --> 0:17:23.399
<v Speaker 3>she's found an interesting monitor and turned it into a

0:17:23.440 --> 0:17:26.840
<v Speaker 3>new game. She's transformed this very important CPU into a

0:17:26.920 --> 0:17:31.320
<v Speaker 3>video game, like a Rachnoid or Pong. Frankly, it seems innocent,

0:17:31.359 --> 0:17:33.480
<v Speaker 3>but we see they're playing. Has opened a door and

0:17:33.520 --> 0:17:36.280
<v Speaker 3>Commander Plank's office and now all of his belongings.

0:17:35.840 --> 0:17:37.440
<v Speaker 1>And furniture are being sucked out into space.

0:17:37.520 --> 0:17:42.840
<v Speaker 3>Now. I was worried here because if she's done this before,

0:17:43.680 --> 0:17:45.679
<v Speaker 3>how has all of this stuff not been sucked out

0:17:45.680 --> 0:17:46.560
<v Speaker 3>in a space already?

0:17:46.680 --> 0:17:49.760
<v Speaker 2>I did too, I went, okay, wait a minute. But

0:17:50.000 --> 0:17:53.760
<v Speaker 2>then my brain was so determined already to love this movie.

0:17:53.920 --> 0:17:56.119
<v Speaker 3>I was the same way. I was like, let go.

0:17:56.440 --> 0:18:00.920
<v Speaker 2>I was thinking, like, it probably happened somewhere else his room.

0:18:01.200 --> 0:18:02.360
<v Speaker 3>Great, that's also.

0:18:02.280 --> 0:18:05.200
<v Speaker 2>It happens somewhere else in this space shuttle.

0:18:04.880 --> 0:18:07.800
<v Speaker 1>And in an unknown little closet she was opening and closing.

0:18:07.840 --> 0:18:10.919
<v Speaker 3>Perfect. Great, I'm with you. And so when Plank returns.

0:18:10.960 --> 0:18:13.159
<v Speaker 3>He shocked to see his things floating outside, and then

0:18:13.160 --> 0:18:15.560
<v Speaker 3>he's almost sucked out the window himself. He holds on

0:18:15.600 --> 0:18:17.280
<v Speaker 3>for dear life while the girls giggle and play what

0:18:17.280 --> 0:18:19.040
<v Speaker 3>they think is an innocent ArKade game on the other

0:18:19.080 --> 0:18:21.320
<v Speaker 3>side of the ship, and as he's being pulled, Plank

0:18:21.400 --> 0:18:23.520
<v Speaker 3>somehow knows who's behind this and yells z it on.

0:18:24.760 --> 0:18:26.520
<v Speaker 3>Zena is now back in her room, talking in her

0:18:26.600 --> 0:18:30.240
<v Speaker 3>zappad wishing somewhat a nice life. She tells Nebula that Greg,

0:18:30.400 --> 0:18:33.040
<v Speaker 3>her Earth boyfriend from the first movie, has dumped her

0:18:33.359 --> 0:18:35.160
<v Speaker 3>and a turn has been written out of the zequel.

0:18:35.200 --> 0:18:38.960
<v Speaker 3>I hope that didn't affect his sag insurance. She kn't.

0:18:39.040 --> 0:18:40.440
<v Speaker 3>That's got to be the worst. He's got to be like,

0:18:40.480 --> 0:18:42.880
<v Speaker 3>oh my god, this is great. They're doing a sequel.

0:18:42.920 --> 0:18:43.520
<v Speaker 3>Oh I can't.

0:18:43.520 --> 0:18:47.280
<v Speaker 2>Oh no, seriously, how that happens?

0:18:47.400 --> 0:18:49.919
<v Speaker 3>Oh god, Well, because they basically I was gonna say, oh,

0:18:49.920 --> 0:18:51.560
<v Speaker 3>they're gonna keep the entire thing on the space station,

0:18:51.640 --> 0:18:53.240
<v Speaker 3>but then they go to Earth. They easily could have

0:18:53.240 --> 0:18:54.679
<v Speaker 3>put him in the movie, but they didn't.

0:18:55.160 --> 0:18:55.440
<v Speaker 2>Yeah.

0:18:55.560 --> 0:18:57.920
<v Speaker 3>She, by the way, cannot believe that he dumped her

0:18:58.040 --> 0:19:01.040
<v Speaker 3>and thinks that the Margie girlquote unquote had something to

0:19:01.080 --> 0:19:03.439
<v Speaker 3>do with it. And even worse, Plank has revoked her

0:19:03.520 --> 0:19:05.920
<v Speaker 3>roaming pass after her little stunt today and sent her

0:19:05.920 --> 0:19:08.880
<v Speaker 3>to the Alien Patrol Lab to work it off. One

0:19:08.920 --> 0:19:11.520
<v Speaker 3>month of three hour shifts and six hours on Saturday.

0:19:11.800 --> 0:19:14.120
<v Speaker 3>She'll be side by side with Oriyan, who's been working

0:19:14.119 --> 0:19:16.560
<v Speaker 3>there for five full years and is very quirky. He's

0:19:16.600 --> 0:19:18.320
<v Speaker 3>never picked up a signal, but still gives her a

0:19:18.400 --> 0:19:20.800
<v Speaker 3>tour of what to do just in case that happens.

0:19:21.359 --> 0:19:23.879
<v Speaker 3>And during their first night shift, she's already fallen asleep

0:19:23.880 --> 0:19:25.679
<v Speaker 3>on the job, only to be woken up by an alarm.

0:19:25.840 --> 0:19:28.280
<v Speaker 3>She's ready to alert everyone of an alien signal, but

0:19:28.320 --> 0:19:31.119
<v Speaker 3>it's just O'Ryan with an alarm clock and so the

0:19:31.119 --> 0:19:33.359
<v Speaker 3>next day, Xenon is already complaining about the punishment to

0:19:33.400 --> 0:19:35.800
<v Speaker 3>her mom and breaking the news about Greg and just

0:19:35.840 --> 0:19:38.520
<v Speaker 3>when she thinks things can't get any worse, a breaking

0:19:38.560 --> 0:19:41.320
<v Speaker 3>news bullet and cuts into their TV feed. Her favorite

0:19:41.359 --> 0:19:45.600
<v Speaker 3>pop star, Protozoa, is missing. Since his triumphant concert in Space,

0:19:45.680 --> 0:19:48.280
<v Speaker 3>he has yet to be seen. There are rumors he's retired,

0:19:48.320 --> 0:19:51.800
<v Speaker 3>and Xenon is devastated, and then the entire Space station

0:19:51.880 --> 0:19:53.560
<v Speaker 3>is alerted to meet in the mess hall for an

0:19:53.600 --> 0:19:58.080
<v Speaker 3>emergency briefing. At the meeting, Plank announces someone has stepped

0:19:58.080 --> 0:20:00.000
<v Speaker 3>in to fill the management void left behind by the

0:20:00.080 --> 0:20:03.840
<v Speaker 3>of obviously the first movie's villain, and it's uh oh,

0:20:03.920 --> 0:20:06.880
<v Speaker 3>the US military. They're sending up troops to assess each

0:20:06.960 --> 0:20:10.080
<v Speaker 3>module and decide who is important and who is expendable.

0:20:10.400 --> 0:20:12.320
<v Speaker 3>This means a lot of the Shuttle's families could be

0:20:12.320 --> 0:20:15.920
<v Speaker 3>reassigned to Earth. The new leader, General Hammond again great

0:20:15.960 --> 0:20:19.440
<v Speaker 3>mash reference will arrive soon and explain everything in greater detail.

0:20:20.080 --> 0:20:21.919
<v Speaker 1>Xenon is stressed and lets Plank know it.

0:20:22.000 --> 0:20:24.080
<v Speaker 3>She can't believe these military guys will be making such

0:20:24.080 --> 0:20:27.120
<v Speaker 3>important decisions, and Plank explains he has no control over

0:20:27.160 --> 0:20:29.240
<v Speaker 3>who will stay and who will go. And once this

0:20:29.280 --> 0:20:33.760
<v Speaker 3>Hammond arrives with troops, he surprisingly wants to see Xenon immediately.

0:20:34.240 --> 0:20:36.639
<v Speaker 3>The high ranking military official says he's always looking for

0:20:36.680 --> 0:20:39.280
<v Speaker 3>the best and brightest permissions and everyone says that Xenon

0:20:39.400 --> 0:20:41.679
<v Speaker 3>is the best he could find. She's down for whatever

0:20:41.680 --> 0:20:44.680
<v Speaker 3>his dangerous instructions are, but instead he just asks her

0:20:44.720 --> 0:20:49.120
<v Speaker 3>to supervise his daughter. And his daughter is Margie. The Brad,

0:20:49.160 --> 0:20:51.639
<v Speaker 3>who may have stolen Xenon's boyfriend. She arrives on the

0:20:51.680 --> 0:20:53.880
<v Speaker 3>shuttle looking like she just walked out of the movie Couless.

0:20:54.000 --> 0:20:56.040
<v Speaker 3>Hammond orders his daughter to get some rest, but as

0:20:56.080 --> 0:20:58.920
<v Speaker 3>soon as she starts fake crying and clearly manipulates him,

0:20:59.040 --> 0:21:02.240
<v Speaker 3>he gives in and lets her stay awake. She was

0:21:02.240 --> 0:21:02.960
<v Speaker 3>in the first one.

0:21:02.840 --> 0:21:05.480
<v Speaker 2>Right, Yes, okay, we liked her in the first one.

0:21:05.560 --> 0:21:05.960
<v Speaker 3>We did.

0:21:06.119 --> 0:21:09.280
<v Speaker 2>We liked her as a She was a good villain.

0:21:09.600 --> 0:21:11.320
<v Speaker 2>She was a good villain in the first one. She

0:21:11.760 --> 0:21:12.680
<v Speaker 2>did it really well.

0:21:12.960 --> 0:21:15.560
<v Speaker 3>But you'd also, I'd have to imagine if she came

0:21:15.640 --> 0:21:17.960
<v Speaker 3>up to the space station and you think she stole

0:21:17.960 --> 0:21:20.360
<v Speaker 3>your boyfriend, you'd rather have her where you can see

0:21:20.400 --> 0:21:23.640
<v Speaker 3>her than down on Earth with your boyfriend. Right. Ok

0:21:24.680 --> 0:21:27.119
<v Speaker 3>So there about that.

0:21:27.400 --> 0:21:29.440
<v Speaker 2>You've picked up some good girl talk.

0:21:29.520 --> 0:21:33.480
<v Speaker 3>Right, I'm trying to, hey, trying to After this many dcoms,

0:21:33.520 --> 0:21:37.280
<v Speaker 3>it's hard not to. Now. In Xenon's room, Margie starts

0:21:37.320 --> 0:21:39.720
<v Speaker 3>rubbing Gregory in her face. The two girls already start

0:21:39.720 --> 0:21:42.320
<v Speaker 3>to butt heads about who's turf they're on, and Margie

0:21:42.400 --> 0:21:45.720
<v Speaker 3>quickly threatens Xenon if she's not nice to her, she'll

0:21:45.720 --> 0:21:50.040
<v Speaker 3>have her family removed from the station Cetus Lapidis. Now

0:21:50.080 --> 0:21:52.200
<v Speaker 3>in the dining room, a visibly peeve Xenon has become

0:21:52.240 --> 0:21:54.640
<v Speaker 3>Margie's servant, even cutting her meat for her. And that's

0:21:54.640 --> 0:21:57.679
<v Speaker 3>not all. Xenon also finds herself doing her arch Nemesis

0:21:57.760 --> 0:22:01.520
<v Speaker 3>homework and forfeiting the last of cake to her, and

0:22:01.600 --> 0:22:04.320
<v Speaker 3>later Xenon complains about the situation of Nebula. She even

0:22:04.400 --> 0:22:07.320
<v Speaker 3>has to paint her nails later, but for now, Xenon

0:22:07.359 --> 0:22:09.080
<v Speaker 3>will go along with it to keep her family safe,

0:22:09.080 --> 0:22:12.280
<v Speaker 3>but she doesn't plan on rolling over and playing dead. Later,

0:22:12.400 --> 0:22:15.240
<v Speaker 3>during the pedicure, Xenon gets a little mischievous and includes

0:22:15.240 --> 0:22:17.600
<v Speaker 3>glue with a nail polish, so later when Margie goes

0:22:17.640 --> 0:22:19.399
<v Speaker 3>to take her socks off, they're stuck to her nails.

0:22:19.440 --> 0:22:21.480
<v Speaker 3>And this, of course makes no sense, as anybody's ever

0:22:21.560 --> 0:22:23.560
<v Speaker 3>been around a woman knows the second you get your

0:22:23.640 --> 0:22:26.919
<v Speaker 3>nails painted, they don't put socks on. No even I

0:22:26.960 --> 0:22:29.119
<v Speaker 3>know that. I mean, if I said to my wife

0:22:29.119 --> 0:22:30.919
<v Speaker 3>as she's like, she just paints her nails, and I'm like, hey,

0:22:30.960 --> 0:22:32.520
<v Speaker 3>let's throw on a pair of socks. Come on, we

0:22:32.600 --> 0:22:36.240
<v Speaker 3>know that's not how it works, right. Meanwhile, Xenon is

0:22:36.240 --> 0:22:38.520
<v Speaker 3>back in her alien lab, bored and waiting for any

0:22:38.560 --> 0:22:40.760
<v Speaker 3>sort of life for them. When it happens again, she's

0:22:40.800 --> 0:22:43.360
<v Speaker 3>getting little wavelengths on the monitor, so she reaches out

0:22:43.359 --> 0:22:45.840
<v Speaker 3>to Commander Plank, who rushes to see the action, but

0:22:45.880 --> 0:22:48.080
<v Speaker 3>he's not impressed. It's a small spike and could be

0:22:48.240 --> 0:22:51.080
<v Speaker 3>hundreds of different things, and although they'd love to believe

0:22:51.080 --> 0:22:53.040
<v Speaker 3>it's something alien, they chalk it up to being nothing

0:22:53.080 --> 0:22:56.359
<v Speaker 3>at all. Okay, this is supposed to be in the future,

0:22:56.400 --> 0:22:59.080
<v Speaker 3>and it's supposed to be very high tech equipment that

0:22:59.119 --> 0:23:02.760
<v Speaker 3>she's watching, and it seems like maybe they just shot

0:23:02.760 --> 0:23:05.120
<v Speaker 3>it in a weird way where she's getting these spikes

0:23:05.880 --> 0:23:09.200
<v Speaker 3>that are clearly something, and then other people are. She's

0:23:09.200 --> 0:23:12.120
<v Speaker 3>bringing other people in instantly, she's not keeping it to herself,

0:23:13.240 --> 0:23:16.840
<v Speaker 3>and then it's like they don't see the spikes. Wouldn't

0:23:16.840 --> 0:23:19.960
<v Speaker 3>she be wouldn't the equipment be recording so that she

0:23:20.040 --> 0:23:22.040
<v Speaker 3>can go back and be like, look what happened?

0:23:22.520 --> 0:23:23.040
<v Speaker 2>Yeah?

0:23:23.240 --> 0:23:24.240
<v Speaker 3>I found that weird.

0:23:24.560 --> 0:23:27.000
<v Speaker 2>Yeah, well I thought they were looking back at it

0:23:27.040 --> 0:23:27.680
<v Speaker 2>and going.

0:23:27.560 --> 0:23:29.760
<v Speaker 3>So, so that was my question. Maybe I just missed it.

0:23:29.840 --> 0:23:33.800
<v Speaker 3>There they're seeing what she's seeing. They just don't believe

0:23:33.840 --> 0:23:34.720
<v Speaker 3>it's anything right.

0:23:34.880 --> 0:23:37.199
<v Speaker 2>That's how I took it, okay.

0:23:37.480 --> 0:23:39.800
<v Speaker 3>When I first saw it, I thought it okay.

0:23:39.680 --> 0:23:43.560
<v Speaker 2>Yeah, because I felt like orian he was like, as

0:23:43.600 --> 0:23:45.800
<v Speaker 2>much as I want to believe it is, it was

0:23:45.800 --> 0:23:48.080
<v Speaker 2>almost like he's already seen that kind of stuff before,

0:23:48.480 --> 0:23:49.560
<v Speaker 2>turned out to be nothing.

0:23:49.680 --> 0:23:52.120
<v Speaker 3>That's okay. I think I must have missed that because

0:23:52.160 --> 0:23:53.520
<v Speaker 3>I thought it was like they were it was like

0:23:53.560 --> 0:23:56.040
<v Speaker 3>the frog who was like, hello, my baby, Hello ma honey,

0:23:56.080 --> 0:23:57.360
<v Speaker 3>and then you bring it over and then the frog

0:23:57.440 --> 0:24:00.439
<v Speaker 3>ribbit like that's what I thought it was. No, okay,

0:24:00.720 --> 0:24:01.320
<v Speaker 3>I felt.

0:24:01.119 --> 0:24:04.280
<v Speaker 2>Like it was like it was yeah, because there are

0:24:04.400 --> 0:24:06.119
<v Speaker 2>they are in space and like he was saying, like

0:24:06.160 --> 0:24:09.120
<v Speaker 2>he's like sometimes that we just don't know that there's

0:24:09.119 --> 0:24:13.320
<v Speaker 2>like another country that like sent like satellites, and so

0:24:13.359 --> 0:24:15.720
<v Speaker 2>he's like he's like, I missed it.

0:24:16.040 --> 0:24:18.640
<v Speaker 3>Yeah, Yeah, I figured I missed it. Okay. We're back

0:24:18.640 --> 0:24:20.639
<v Speaker 3>with her parents. She pleads with them to believe her,

0:24:20.640 --> 0:24:22.639
<v Speaker 3>but they aren't sold. Her dad even thinks she's just

0:24:22.720 --> 0:24:25.120
<v Speaker 3>reeling from the last few days of disappointment, the breakup,

0:24:25.119 --> 0:24:28.320
<v Speaker 3>Protozoa disappearing, and Margie showing up. He wonders if she's

0:24:28.400 --> 0:24:30.760
<v Speaker 3>just saying this to get back into the spotlight, and

0:24:30.880 --> 0:24:33.040
<v Speaker 3>just like that, do we have a new member of

0:24:33.080 --> 0:24:35.240
<v Speaker 3>the bad dcom Dad Hall of Fame. I don't know this.

0:24:36.040 --> 0:24:38.000
<v Speaker 3>I'll let it slide because he was good in the

0:24:38.000 --> 0:24:39.720
<v Speaker 3>rest of the movie. But it's like he's instantly not

0:24:39.720 --> 0:24:41.680
<v Speaker 3>believing her and then saying maybe she's making the whole

0:24:41.680 --> 0:24:45.160
<v Speaker 3>thing up. I was like, ooh, not good, Dad, not good.

0:24:46.040 --> 0:24:48.119
<v Speaker 3>And now she's even being bullied at school about her

0:24:48.119 --> 0:24:51.359
<v Speaker 3>alleged alien encounter, but she's staying confident in what she saw.

0:24:51.600 --> 0:24:54.600
<v Speaker 3>All the while, Margie's becoming increasingly popular on the space station,

0:24:55.080 --> 0:24:58.000
<v Speaker 3>even with Nebula, and there's absolutely nothing she can do

0:24:58.040 --> 0:25:00.960
<v Speaker 3>about it. And that night in the lab, while she's

0:25:00.960 --> 0:25:03.560
<v Speaker 3>feeling bad about herself, it all happens again. She hears

0:25:03.600 --> 0:25:06.359
<v Speaker 3>the zoom or zum as because we don't want to

0:25:06.359 --> 0:25:08.200
<v Speaker 3>give it away, so she calls it the zum from

0:25:08.240 --> 0:25:10.879
<v Speaker 3>the satellites and notices the spikes on the radar, and

0:25:10.920 --> 0:25:13.040
<v Speaker 3>when she goes to tell somebody, she bumps right into

0:25:13.119 --> 0:25:15.919
<v Speaker 3>Commander Plank and he doesn't believe her again, but this

0:25:16.000 --> 0:25:18.960
<v Speaker 3>time General Hammond joins them and wondered if these zums

0:25:19.000 --> 0:25:21.240
<v Speaker 3>are a signed that the Lab's machines are too old

0:25:21.480 --> 0:25:24.840
<v Speaker 3>and the entire department needs to be deactivated. Xenon fights back.

0:25:24.920 --> 0:25:27.160
<v Speaker 3>She knows what she heard, so as a result, Commander

0:25:27.160 --> 0:25:29.199
<v Speaker 3>plank Were leaves her of her duties and bans her

0:25:29.240 --> 0:25:31.840
<v Speaker 3>from the lab. The following morning, it's the big day

0:25:31.840 --> 0:25:34.439
<v Speaker 3>where Section seven will be detached from the station. Everyone

0:25:34.440 --> 0:25:36.720
<v Speaker 3>seems affected by the separation and are warned of a

0:25:36.800 --> 0:25:39.680
<v Speaker 3>large jolt at the moment of release. Xenon just doesn't

0:25:39.680 --> 0:25:41.920
<v Speaker 3>get why their station is being chopped up. Her dad

0:25:41.920 --> 0:25:44.240
<v Speaker 3>explains that without these changes, they could crash into Earth,

0:25:44.240 --> 0:25:46.520
<v Speaker 3>but Xenon doesn't believe that. She thinks someone needs to

0:25:46.520 --> 0:25:48.600
<v Speaker 3>stand up and that person could be her. And here's

0:25:48.640 --> 0:25:52.320
<v Speaker 3>where once again I wanted to point out how for

0:25:52.440 --> 0:25:56.640
<v Speaker 3>the budget and for the time, it all looked great. Yeah,

0:25:56.720 --> 0:25:59.480
<v Speaker 3>when they were separating the modules they're doing, it all

0:25:59.520 --> 0:26:02.000
<v Speaker 3>looked really good. I was super impressed.

0:26:02.320 --> 0:26:06.000
<v Speaker 2>I again, like I was like excited to see this movie,

0:26:06.040 --> 0:26:08.800
<v Speaker 2>but also a little worried. We're talking two thousand and

0:26:08.840 --> 0:26:12.679
<v Speaker 2>one on the Disney Channel creating a space shuttle that

0:26:12.680 --> 0:26:15.840
<v Speaker 2>they're going to be like, you know, doing these special

0:26:15.920 --> 0:26:16.880
<v Speaker 2>effects and stuff.

0:26:17.040 --> 0:26:19.399
<v Speaker 3>Yeah, well, I think didn't Stu tell us that they

0:26:19.400 --> 0:26:22.040
<v Speaker 3>were going to make it into a show, but they

0:26:22.080 --> 0:26:24.320
<v Speaker 3>wanted to then put the show on Earth.

0:26:24.920 --> 0:26:25.960
<v Speaker 1>Yeah, and it's kind.

0:26:25.760 --> 0:26:28.399
<v Speaker 3>Of like why the whole point is to be in

0:26:28.400 --> 0:26:31.080
<v Speaker 3>space and maybe it's just way too expensive to do

0:26:31.119 --> 0:26:34.639
<v Speaker 3>a space show. I don't know, but it seems because this,

0:26:34.760 --> 0:26:38.960
<v Speaker 3>to me, I was fully impressed with basically how everything

0:26:39.000 --> 0:26:41.199
<v Speaker 3>look it was. There wasn't a moment even where I

0:26:41.240 --> 0:26:44.600
<v Speaker 3>was like, oh, that looks terrible. Yes, yeah, it didn't

0:26:44.600 --> 0:26:45.119
<v Speaker 3>look bad.

0:26:45.560 --> 0:26:48.879
<v Speaker 2>No it didn't. It really didn't. And it made me

0:26:49.000 --> 0:26:52.000
<v Speaker 2>kind of go, like, I wonder what because I don't

0:26:52.000 --> 0:26:54.399
<v Speaker 2>ever remember hearing and it wasn't in any of our

0:26:54.440 --> 0:26:57.960
<v Speaker 2>stuff that this was like a huge budget for the

0:26:58.040 --> 0:27:01.720
<v Speaker 2>channel at the time, right either. So No, it's they

0:27:01.960 --> 0:27:05.280
<v Speaker 2>just did it, like they just nail worked.

0:27:05.400 --> 0:27:06.480
<v Speaker 3>It worked. It really did.

0:27:06.680 --> 0:27:07.679
<v Speaker 2>They really did.

0:27:07.840 --> 0:27:10.399
<v Speaker 3>I thought I thought it looked great. Commander Plank now

0:27:10.400 --> 0:27:12.640
<v Speaker 3>has his own issues, though his office has been taken

0:27:12.680 --> 0:27:14.560
<v Speaker 3>over by Hammond and he's been moved into the small

0:27:14.600 --> 0:27:17.280
<v Speaker 3>supply closet. Xenon tries to get him riled up to

0:27:17.280 --> 0:27:19.760
<v Speaker 3>fight back, but Plank seems defeated and overwhelmed with the

0:27:19.800 --> 0:27:22.920
<v Speaker 3>responsibilities of living on the space station. He wonders if

0:27:22.920 --> 0:27:25.680
<v Speaker 3>Earth is just easier and is quick to blame Xenon's

0:27:25.680 --> 0:27:27.720
<v Speaker 3>alien fantasies. Everyone's blaming Xenon.

0:27:28.040 --> 0:27:29.359
<v Speaker 2>Seriously, come on, and.

0:27:29.400 --> 0:27:31.960
<v Speaker 3>The poor kid. She just saved you all in the

0:27:32.000 --> 0:27:34.120
<v Speaker 3>last movie, for God's sakes, and brought a rock star,

0:27:34.160 --> 0:27:36.680
<v Speaker 3>international rock star up to see you. Maybe a little

0:27:36.720 --> 0:27:40.000
<v Speaker 3>something anyway, and the whole station. Now, that's the other

0:27:40.000 --> 0:27:42.960
<v Speaker 3>thing I wanted to mention. It's been I think two

0:27:43.080 --> 0:27:44.840
<v Speaker 3>years since the last movie came out. It was night

0:27:44.880 --> 0:27:46.560
<v Speaker 3>I think ninety nine, and then two thousand and one

0:27:48.080 --> 0:27:53.679
<v Speaker 3>that she Kirsten definitely looks older. Oh yeah, like she definitly.

0:27:53.680 --> 0:27:55.840
<v Speaker 3>I mean you could really see a change in her.

0:27:55.960 --> 0:27:57.679
<v Speaker 3>When I saw I was like, oh wow, okay to

0:27:57.720 --> 0:27:59.480
<v Speaker 3>the point where when I first saw her, I was like, Oh,

0:27:59.560 --> 0:28:01.680
<v Speaker 3>is she gonna be like working on the space station.

0:28:01.800 --> 0:28:03.440
<v Speaker 1>And then I realized, oh no, they probably still have

0:28:03.480 --> 0:28:04.200
<v Speaker 1>her in high school.

0:28:04.720 --> 0:28:07.680
<v Speaker 2>Yeah, and they actually I noticed when we were doing

0:28:07.720 --> 0:28:10.240
<v Speaker 2>the callback, they actually made it a big point of

0:28:10.600 --> 0:28:12.959
<v Speaker 2>And now Xenon's fifteen.

0:28:15.320 --> 0:28:20.840
<v Speaker 3>She is not thirty one, nor is she twelve or

0:28:20.880 --> 0:28:22.000
<v Speaker 3>thirteen anymore.

0:28:22.200 --> 0:28:25.280
<v Speaker 2>She looks different kids.

0:28:25.119 --> 0:28:27.000
<v Speaker 3>Yeah, because she did. She definitely looked older.

0:28:27.320 --> 0:28:29.480
<v Speaker 2>Yeah she did. She's such a pretty girl.

0:28:30.040 --> 0:28:33.199
<v Speaker 3>She is, and the whole station now sees Xenon as

0:28:33.240 --> 0:28:35.960
<v Speaker 3>the girl who cried alien throwing in. Let's throw in

0:28:35.960 --> 0:28:38.320
<v Speaker 3>the fact that Nebula is getting even closer to Margie

0:28:38.320 --> 0:28:42.080
<v Speaker 3>and even using her slang word fabula. What that's a

0:28:42.120 --> 0:28:44.160
<v Speaker 3>big stab in the back. This is a disaster.

0:28:45.120 --> 0:28:47.520
<v Speaker 1>I was like, oh, dude, your friend's bailing on YouTube.

0:28:47.560 --> 0:28:47.760
<v Speaker 3>Poor.

0:28:48.600 --> 0:28:50.400
<v Speaker 1>Yeah, so that night Xenon.

0:28:50.160 --> 0:28:58.000
<v Speaker 2>Is doing it, was like, Raven would never do that.

0:28:55.480 --> 0:28:58.200
<v Speaker 3>Right, exactly, where's Raven?

0:28:58.320 --> 0:29:02.840
<v Speaker 2>Where get Raven? She'd never do this, She never.

0:29:03.800 --> 0:29:09.120
<v Speaker 3>Nice. That night, Zenon is doing what every kid and

0:29:09.280 --> 0:29:12.960
<v Speaker 3>every kid thing, whether it's Disney, Nickelodeon or whatever, talking

0:29:13.000 --> 0:29:15.720
<v Speaker 3>to herself in bed. It's just the old kid stand

0:29:15.760 --> 0:29:18.880
<v Speaker 3>by when we were kids growing up on a television show,

0:29:18.920 --> 0:29:21.000
<v Speaker 3>you always had scenes where you're just talking to yourself.

0:29:21.560 --> 0:29:23.400
<v Speaker 1>And that's when her zappad beeps.

0:29:23.640 --> 0:29:26.680
<v Speaker 3>It magically downloaded the Alien Lab radar software and is

0:29:26.720 --> 0:29:29.920
<v Speaker 3>spiking again, but this time she recognizes the sound. It's

0:29:30.640 --> 0:29:33.920
<v Speaker 3>zoom zoom zoom from Protozoa. She fetches her old Lab

0:29:33.960 --> 0:29:37.080
<v Speaker 3>coworker Oryan and compares the zooms from the Radar to

0:29:37.200 --> 0:29:39.880
<v Speaker 3>Protozoa song Zoom Zoom zoom, and they are the same.

0:29:40.360 --> 0:29:42.880
<v Speaker 3>She quickly deduces that the aliens want to meet the

0:29:42.920 --> 0:29:45.080
<v Speaker 3>pop star, which seemed like a big jump for me.

0:29:46.840 --> 0:29:48.640
<v Speaker 3>It's like, that's where you went because the first thing

0:29:48.680 --> 0:29:50.280
<v Speaker 3>that went through by I was like, wow that okay,

0:29:50.440 --> 0:29:53.480
<v Speaker 3>got there quick. Yeah, I thought it was gonna be that.

0:29:53.760 --> 0:29:56.360
<v Speaker 3>It turned out that it was because they said that

0:29:56.400 --> 0:29:59.880
<v Speaker 3>Protozoa had disappeared and now she's getting these I thought

0:30:00.000 --> 0:30:02.000
<v Speaker 3>they were going where he's reaching out to her.

0:30:02.080 --> 0:30:06.560
<v Speaker 2>He's me too, That's exactly where I was going.

0:30:07.120 --> 0:30:07.560
<v Speaker 4>Yeah.

0:30:07.680 --> 0:30:09.000
<v Speaker 3>Same with my head.

0:30:09.040 --> 0:30:11.760
<v Speaker 2>I'm like, oh, she's gonna go save.

0:30:11.600 --> 0:30:16.920
<v Speaker 3>Him say it, thought the same exact thing. Yep, I

0:30:17.080 --> 0:30:19.480
<v Speaker 3>thought the same thing. It's like it's gotta be Protoza.

0:30:20.200 --> 0:30:21.920
<v Speaker 3>But yeah, that seemed like a big jump where she's

0:30:21.920 --> 0:30:24.920
<v Speaker 3>like zoom zoom zoom zoom zoom, aliens want to meet him,

0:30:24.920 --> 0:30:27.960
<v Speaker 3>Like wait what But hey, I'm still I'm still loving

0:30:28.080 --> 0:30:29.680
<v Speaker 3>them all in But that was a little bit of it.

0:30:29.800 --> 0:30:31.400
<v Speaker 2>Oh yes, that's where it got true.

0:30:31.680 --> 0:30:34.560
<v Speaker 3>Yeah yeah. O. Ryan of course buys the story and

0:30:34.680 --> 0:30:37.320
<v Speaker 3>knows how huge this is. He wants to tell Plank,

0:30:37.400 --> 0:30:40.360
<v Speaker 3>but Xenon knows he or Hammond won't believe them. And

0:30:40.400 --> 0:30:43.560
<v Speaker 3>then it's time to say goodbye to Section seven. Everyone

0:30:43.640 --> 0:30:45.920
<v Speaker 3>must report to their safe zones for the moment of release.

0:30:46.080 --> 0:30:49.280
<v Speaker 3>We get some again great special effects of space shots

0:30:49.280 --> 0:30:51.160
<v Speaker 3>of the pieces being removed from the station, and then

0:30:51.280 --> 0:30:53.760
<v Speaker 3>it's gone. Now we're in the dining room and Xenon

0:30:53.840 --> 0:30:57.080
<v Speaker 3>finds Nebula, who's obviously bothered by something. Xenon assumes it's

0:30:57.120 --> 0:30:59.880
<v Speaker 3>their earlier squabble over Margie, but it's because her fan

0:31:00.320 --> 0:31:03.160
<v Speaker 3>section is being sent back to Earth tomorrow afternoon. They're

0:31:03.160 --> 0:31:05.160
<v Speaker 3>not even getting time to say goodbye to people. They're

0:31:05.200 --> 0:31:07.640
<v Speaker 3>just ready. We're leaving at one Like wait, what.

0:31:07.840 --> 0:31:11.520
<v Speaker 2>Yes, you must pack all your belongings and go.

0:31:11.800 --> 0:31:15.000
<v Speaker 3>It's like this is her home. My god. Xenon, of

0:31:15.040 --> 0:31:18.040
<v Speaker 3>course cannot believe it. This is crisis mode extreme. She's

0:31:18.080 --> 0:31:20.680
<v Speaker 3>not gonna let General Hammond get away with this. Then

0:31:20.800 --> 0:31:23.360
<v Speaker 3>Xenon helps Nebula haul her big moving box into the

0:31:23.360 --> 0:31:26.280
<v Speaker 3>waiting area for her sections departure to Earth, and surprisingly,

0:31:26.480 --> 0:31:28.040
<v Speaker 3>Margie is hiding in the room.

0:31:28.080 --> 0:31:30.240
<v Speaker 1>And here's the best friend saying goodbye to each other.

0:31:30.920 --> 0:31:33.080
<v Speaker 3>It's now the big day Xenon's parents are saying goodbye

0:31:33.120 --> 0:31:35.480
<v Speaker 3>to Nebula and her mom, but Xenon is just too

0:31:35.520 --> 0:31:41.880
<v Speaker 3>sad to join them. We cut to Earth, where section

0:31:42.000 --> 0:31:44.640
<v Speaker 3>twelve is landing and the luggage is deplaning, and we

0:31:44.760 --> 0:31:48.040
<v Speaker 3>learn that Xenon was in Nebula's big box. Please don't

0:31:48.080 --> 0:31:52.200
<v Speaker 3>ever make me say that sentence again. She eventually escapes

0:31:52.240 --> 0:31:55.680
<v Speaker 3>the luggage, but once she's out, she's welcomed by Margie,

0:31:55.760 --> 0:31:57.840
<v Speaker 3>who was also hiding in a box for the trip

0:31:57.960 --> 0:32:00.440
<v Speaker 3>and wants to accompany Xenon on our adventure to prove

0:32:00.480 --> 0:32:03.880
<v Speaker 3>these aliens do in fact exist. Xenon can't believe what's

0:32:03.880 --> 0:32:06.480
<v Speaker 3>going on, but she gives it in Their first stop

0:32:06.520 --> 0:32:08.920
<v Speaker 3>is her Aunt Judy's place, who's just as kooky as

0:32:08.960 --> 0:32:11.480
<v Speaker 3>she was last time, and kookie enough to believe that

0:32:11.560 --> 0:32:14.320
<v Speaker 3>the alien story is true and willing to help. So

0:32:14.400 --> 0:32:17.800
<v Speaker 3>now Aunt Judy, Xenon, and Margie powow and Margie wonders

0:32:17.840 --> 0:32:21.920
<v Speaker 3>if Protozoa was actually alien napped, but Xenon isn't hearing it.

0:32:21.960 --> 0:32:24.600
<v Speaker 3>She knows the singer is justin hiding somehow, which, again

0:32:24.640 --> 0:32:27.920
<v Speaker 3>alien naps seems more logical yeah, but she decides to

0:32:27.960 --> 0:32:30.120
<v Speaker 3>study his lyrics to look for clues about where he is,

0:32:30.520 --> 0:32:33.320
<v Speaker 3>and Margie mentions a Linda who is referenced in a

0:32:33.320 --> 0:32:36.520
<v Speaker 3>lot of the songs. Aunt Judy mentions that Linda means

0:32:36.680 --> 0:32:41.160
<v Speaker 3>beautiful in Spanish, and boom, the Zeppad magically has a result.

0:32:41.200 --> 0:32:43.200
<v Speaker 3>It's a cliff side home. Not sure how beautiful and

0:32:43.200 --> 0:32:47.120
<v Speaker 3>Spanish got them there, but I did. It's like, wait

0:32:47.160 --> 0:32:49.720
<v Speaker 3>a second, he said the word blue. He was in vane,

0:32:49.960 --> 0:32:54.520
<v Speaker 3>like wait, what will you do?

0:32:54.600 --> 0:33:02.440
<v Speaker 2>I rewound this part. Then I was like, no, that's

0:33:02.960 --> 0:33:03.840
<v Speaker 2>that's all they gave us.

0:33:04.360 --> 0:33:04.760
<v Speaker 3>That was it.

0:33:04.880 --> 0:33:07.280
<v Speaker 2>But I'm telling you, I didn't care. I was like,

0:33:07.840 --> 0:33:10.760
<v Speaker 2>we gotta finds, I know, but they how do.

0:33:10.760 --> 0:33:12.800
<v Speaker 3>They not do something where it's like it's Linda and

0:33:12.880 --> 0:33:15.320
<v Speaker 3>then it's like, you know, his famous lyric, it's a

0:33:15.320 --> 0:33:17.520
<v Speaker 3>house on a hill, like something they give But they didn't.

0:33:17.560 --> 0:33:23.080
<v Speaker 3>They were just they said Linda and.

0:33:20.720 --> 0:33:23.800
<v Speaker 2>He and then they got the zillow exactly.

0:33:25.000 --> 0:33:28.000
<v Speaker 3>He's currently on sale for six point five megaquat ludes.

0:33:28.280 --> 0:33:32.040
<v Speaker 3>Yes uh, and there's an open house tomorrow, so we

0:33:32.120 --> 0:33:34.520
<v Speaker 3>now see inside the cliff side home they found by

0:33:34.560 --> 0:33:37.719
<v Speaker 3>just learning one word in Spanish, and it is Protozoa.

0:33:37.760 --> 0:33:39.880
<v Speaker 3>He's pacing and talking to his manager about what to

0:33:39.920 --> 0:33:42.680
<v Speaker 3>do next after already being the first rock star in space.

0:33:42.720 --> 0:33:44.479
<v Speaker 3>He can't be president of the Pope, so he might

0:33:44.520 --> 0:33:46.719
<v Speaker 3>as well just retire and hide in this house. I mean,

0:33:46.760 --> 0:33:48.680
<v Speaker 3>I feel like there are a whole bunch of other options,

0:33:48.680 --> 0:33:50.560
<v Speaker 3>but hey, who am I to get into an artist way?

0:33:50.680 --> 0:33:54.040
<v Speaker 2>But you gotta pause because this is the first time

0:33:54.360 --> 0:34:01.320
<v Speaker 2>we are actually getting a look into Protozoa's like personality. Yeah,

0:34:01.360 --> 0:34:08.040
<v Speaker 2>and the character, and I am all in. It was like,

0:34:08.200 --> 0:34:13.120
<v Speaker 2>he's funny, he's got this great accent. Yep, oh my god.

0:34:13.040 --> 0:34:14.760
<v Speaker 3>The hair is still on point.

0:34:14.760 --> 0:34:17.200
<v Speaker 2>The hair is still there. I mean, but we got

0:34:17.239 --> 0:34:19.920
<v Speaker 2>to see and I'm like, this guy's a great actor.

0:34:20.040 --> 0:34:23.200
<v Speaker 2>I feel like we didn't really get to see much

0:34:23.239 --> 0:34:25.160
<v Speaker 2>of him, and this is amazing.

0:34:25.480 --> 0:34:28.000
<v Speaker 3>And so yeah, I'm really glad that he's become one

0:34:28.000 --> 0:34:30.279
<v Speaker 3>of the main characters because he does add to the film.

0:34:30.280 --> 0:34:31.239
<v Speaker 3>He really does. It's great.

0:34:31.280 --> 0:34:35.640
<v Speaker 2>He adds so almost steals it. Yeah, at some point of.

0:34:35.600 --> 0:34:45.480
<v Speaker 3>It, I agree. I agree. So now on Judy is

0:34:45.520 --> 0:34:48.680
<v Speaker 3>dropping off Zene on Emergie into basically the jungle to

0:34:48.840 --> 0:34:53.680
<v Speaker 3>hype again. If you're flying did she drive though? They drove, right,

0:34:53.719 --> 0:34:54.560
<v Speaker 3>I don't they drove?

0:34:54.640 --> 0:34:54.839
<v Speaker 2>Yeah?

0:34:54.840 --> 0:34:58.520
<v Speaker 3>Okay, but yeah, they have to now hike to Protozos hideaway.

0:34:58.680 --> 0:35:01.120
<v Speaker 3>They immediately find a green screen waterfall, which it was,

0:35:01.160 --> 0:35:03.759
<v Speaker 3>and Margie is already tired and annoyed, even falling into

0:35:03.800 --> 0:35:06.279
<v Speaker 3>a puddle of mud and coming up to face a

0:35:06.480 --> 0:35:09.480
<v Speaker 3>very big spider, but she gets through it. But now

0:35:09.480 --> 0:35:11.440
<v Speaker 3>we're back on the space station. General Hammond finds a

0:35:11.440 --> 0:35:13.799
<v Speaker 3>message from Margie telling him that she went to Earth

0:35:13.840 --> 0:35:16.880
<v Speaker 3>with Xenon and lies, saying she was forced to go

0:35:16.920 --> 0:35:17.360
<v Speaker 3>with threats.

0:35:17.360 --> 0:35:20.520
<v Speaker 2>I was like, oh, I know, just when I was

0:35:20.600 --> 0:35:23.320
<v Speaker 2>kind of kind of starting to warm up to Marge.

0:35:23.760 --> 0:35:27.240
<v Speaker 2>I was like, oh no, oh no, Marge.

0:35:26.760 --> 0:35:30.480
<v Speaker 1>How dare you Margie? Yep, So that was not cool.

0:35:30.480 --> 0:35:32.719
<v Speaker 3>But he rushes down to see Xenon's parents and they

0:35:32.760 --> 0:35:35.120
<v Speaker 3>all quickly realize Xenon is not in her bedroom like

0:35:35.120 --> 0:35:37.279
<v Speaker 3>they thought. She does the full Ferris Bueller thing with

0:35:37.360 --> 0:35:38.920
<v Speaker 3>the like you knock on the door and she's like,

0:35:38.920 --> 0:35:41.440
<v Speaker 3>oh wait, it turns out to be a recording.

0:35:41.840 --> 0:35:42.040
<v Speaker 2>Yeah.

0:35:42.040 --> 0:35:44.320
<v Speaker 3>They call Aunt Judy and they get the whole story.

0:35:44.760 --> 0:35:47.480
<v Speaker 3>At the same time, Zenon and Margie have found Protozoa's house,

0:35:47.520 --> 0:35:50.359
<v Speaker 3>but they hit a force field that, when activated, tickles them.

0:35:50.600 --> 0:35:53.320
<v Speaker 3>Their incessant laugh leads Protozoa right to them, but luckily

0:35:53.360 --> 0:35:56.759
<v Speaker 3>he recognizes his old pal Xenon immediately in the house,

0:35:56.880 --> 0:35:59.279
<v Speaker 3>Xenon breaks down the entire alien story for him while

0:35:59.280 --> 0:36:03.160
<v Speaker 3>Margie is stars. He also hears the similar zoom zoom zoom,

0:36:03.200 --> 0:36:05.040
<v Speaker 3>but isn't ready to go to space again. He wants

0:36:05.080 --> 0:36:08.279
<v Speaker 3>a new challenge, so Xenon entices him by explaining he'd

0:36:08.280 --> 0:36:11.319
<v Speaker 3>be the first musician to ever play for aliens, and

0:36:11.400 --> 0:36:14.000
<v Speaker 3>then he's in So what an easy cell that was.

0:36:15.440 --> 0:36:17.919
<v Speaker 3>Back with Xenon's parents, they are furious with their daughter

0:36:17.960 --> 0:36:20.200
<v Speaker 3>and aunt Judy. General Hammond is now more likely to

0:36:20.239 --> 0:36:22.840
<v Speaker 3>send everyone to Earth, which is Xenon's mom's biggest nightmare,

0:36:23.120 --> 0:36:25.719
<v Speaker 3>and to add insult to injury, General Hammond has placed

0:36:25.840 --> 0:36:29.399
<v Speaker 3>Xenon's parents under house arrest until she returns. He arrests them,

0:36:30.120 --> 0:36:32.479
<v Speaker 3>but only we know. The girls are at Protozoa's pad,

0:36:32.480 --> 0:36:34.160
<v Speaker 3>who has finally made it out of his fonk at

0:36:34.160 --> 0:36:36.520
<v Speaker 3>his writing music again, but he wonders why if the

0:36:36.520 --> 0:36:38.840
<v Speaker 3>aliens want him so badly, why haven't they just beamed

0:36:38.880 --> 0:36:41.360
<v Speaker 3>him down and picked him up. Margie suggests that the

0:36:41.400 --> 0:36:45.000
<v Speaker 3>aliens saw et and they're afraid they'll get probed. Meeting

0:36:45.160 --> 0:36:49.239
<v Speaker 3>in space would be much safer. Yeah, okay, I'm going

0:36:49.280 --> 0:36:52.200
<v Speaker 3>to leave that, leave that exactly where it is. And

0:36:52.640 --> 0:36:55.040
<v Speaker 3>as you're wondering what I would say here, like everybody

0:36:55.080 --> 0:36:57.799
<v Speaker 3>to quickly rewind everything they've heard and just go back.

0:36:57.840 --> 0:36:59.759
<v Speaker 1>Please to Sabrina saying taint.

0:37:01.120 --> 0:37:05.080
<v Speaker 3>But Protozoa is not sold. Since space is huge, how

0:37:05.080 --> 0:37:07.319
<v Speaker 3>would they even know where to meet up. Xenon logs

0:37:07.320 --> 0:37:10.000
<v Speaker 3>into her zappad and finds access to a map. She

0:37:10.120 --> 0:37:12.160
<v Speaker 3>enlists the help of Oriyan to figure out what it means,

0:37:12.200 --> 0:37:14.560
<v Speaker 3>and asks Margie to call her dad for a shuttle.

0:37:14.920 --> 0:37:17.080
<v Speaker 3>She's hesitant to engage with her dad, especially since she

0:37:17.120 --> 0:37:20.160
<v Speaker 3>told him she was kidnapped by Xenon, but Xenon knows

0:37:20.160 --> 0:37:22.839
<v Speaker 3>finding aliens will save their space station, So I don't

0:37:22.880 --> 0:37:25.640
<v Speaker 3>know how she knows that, but she does so. Margie

0:37:25.640 --> 0:37:27.759
<v Speaker 3>eventually agrees to do it, but when she calls him,

0:37:27.800 --> 0:37:30.480
<v Speaker 3>it accidentally taps into a meeting where he's announcing his

0:37:30.520 --> 0:37:33.480
<v Speaker 3>secret plan to send all residents back to Earth and

0:37:33.560 --> 0:37:36.120
<v Speaker 3>destroy the space station once and for all because it's

0:37:36.120 --> 0:37:38.480
<v Speaker 3>on the verge of crashing from the intense damage that

0:37:38.480 --> 0:37:39.400
<v Speaker 3>occurred over the years.

0:37:40.080 --> 0:37:42.520
<v Speaker 1>Okay, so I have to ask because this is interesting.

0:37:44.000 --> 0:37:48.320
<v Speaker 3>He's saving everybody's life like it wasn't He's not bad,

0:37:48.480 --> 0:37:50.399
<v Speaker 3>you know what I mean, he's a bad guy, right.

0:37:50.480 --> 0:37:52.080
<v Speaker 3>It's not like I'm selling it off or this is

0:37:52.120 --> 0:37:55.760
<v Speaker 3>going to become a military space station. It's he's literally.

0:37:55.360 --> 0:37:57.760
<v Speaker 1>Saving everyone and doesn't want to kick people off.

0:37:58.040 --> 0:38:02.960
<v Speaker 2>Right, But they're not interested. They want to die on

0:38:03.000 --> 0:38:04.040
<v Speaker 2>the sh I know.

0:38:04.120 --> 0:38:06.160
<v Speaker 3>But it's one of those things though, where if you

0:38:06.320 --> 0:38:10.959
<v Speaker 3>think about it, nobody's really.

0:38:10.680 --> 0:38:12.880
<v Speaker 1>Bad in this movie. There's not a villain.

0:38:14.520 --> 0:38:16.279
<v Speaker 2>No, that's right.

0:38:16.520 --> 0:38:21.080
<v Speaker 3>You know, Margie is not the greatest, but they're traveling together,

0:38:21.760 --> 0:38:25.480
<v Speaker 3>her dad is trying to save everybody's life. Really, there

0:38:25.600 --> 0:38:27.760
<v Speaker 3>isn't a villain like there was in the first one.

0:38:28.160 --> 0:38:31.320
<v Speaker 3>That's so true, which I thought was interesting. Yeah. I figured,

0:38:31.360 --> 0:38:33.360
<v Speaker 3>obviously this guy's going to have where it's like, oh

0:38:33.400 --> 0:38:35.799
<v Speaker 3>they tapped into a secret meeting, what's really going on?

0:38:36.440 --> 0:38:37.520
<v Speaker 2>Right, And it.

0:38:37.480 --> 0:38:40.719
<v Speaker 3>Was that he's really trying to save everybody's life.

0:38:41.040 --> 0:38:43.319
<v Speaker 1>I'm trying to make sure that you don't all die. Yeah,

0:38:43.400 --> 0:38:44.480
<v Speaker 1>that's my evilness.

0:38:45.520 --> 0:38:48.200
<v Speaker 2>I'd like to, you know, offer you a future.

0:38:48.520 --> 0:38:53.200
<v Speaker 3>Yeah, exactly. This place is literally going to crash into

0:38:53.239 --> 0:38:55.239
<v Speaker 3>Earth and be destroyed in the next month, So I'm

0:38:55.280 --> 0:38:58.520
<v Speaker 3>getting everyone off and saving it. There's no villain, no

0:38:58.960 --> 0:39:01.360
<v Speaker 3>So now with this in though, Aunt Judy calls Plank

0:39:01.440 --> 0:39:02.600
<v Speaker 3>and tells him the bad news.

0:39:02.640 --> 0:39:04.360
<v Speaker 1>She demands a shuttle for the girls to find.

0:39:04.239 --> 0:39:07.240
<v Speaker 3>The aliens, and more importantly, Oriyan has figured out the map.

0:39:07.480 --> 0:39:10.160
<v Speaker 3>He shows Plank the exact location of the signal and

0:39:10.440 --> 0:39:12.439
<v Speaker 3>is sure that if you travel there, you'll come face

0:39:12.440 --> 0:39:15.680
<v Speaker 3>to face with aliens. Back with Xenon and Margie, they're

0:39:15.680 --> 0:39:18.319
<v Speaker 3>finally working out their issues. Margie blames her own sarcasm

0:39:18.320 --> 0:39:20.319
<v Speaker 3>and a surprise people listen to her at all. She's

0:39:20.320 --> 0:39:22.239
<v Speaker 3>had a rough upbringing, moving from place to place with

0:39:22.320 --> 0:39:24.840
<v Speaker 3>her dad and just wants to fit in. She's envious

0:39:24.840 --> 0:39:27.000
<v Speaker 3>that Xenon can just be popular with no effort, but

0:39:27.120 --> 0:39:29.840
<v Speaker 3>Xenon explains that everyone has pressures in their life. She

0:39:29.920 --> 0:39:32.480
<v Speaker 3>must see outside of herself and be a good person anyway.

0:39:32.520 --> 0:39:34.520
<v Speaker 3>It was a very nice message. Then we jump over

0:39:34.560 --> 0:39:36.520
<v Speaker 3>to Nebula's house on Earth. She's complaining to her mom

0:39:36.520 --> 0:39:39.160
<v Speaker 3>about their new surroundings. The house is small, the airs polluted,

0:39:39.160 --> 0:39:41.480
<v Speaker 3>and she misses the space station and that's when the

0:39:41.600 --> 0:39:45.279
<v Speaker 3>US Intergalactic Patrol, dispatched by General Hammond, arrives at her

0:39:45.280 --> 0:39:47.920
<v Speaker 3>front door. They want to interview Nebula to find out

0:39:47.920 --> 0:39:51.239
<v Speaker 3>where Xenon is, but our girl stays strong. She knows

0:39:51.280 --> 0:39:54.960
<v Speaker 3>that snitches end up in ditches, and back at the

0:39:56.040 --> 0:39:59.680
<v Speaker 3>that's true. And back in the station, Plank meets a

0:39:59.719 --> 0:40:03.160
<v Speaker 3>general him and he says Aunt Judy his girlfriend, which

0:40:03.200 --> 0:40:05.120
<v Speaker 3>I think was a detail I completely and totally forgot

0:40:05.120 --> 0:40:05.680
<v Speaker 3>from the first movie.

0:40:05.719 --> 0:40:08.080
<v Speaker 2>Did you remember until they said it? But then I remembered, Yeah,

0:40:08.080 --> 0:40:09.760
<v Speaker 2>they met like at the very end.

0:40:09.880 --> 0:40:12.840
<v Speaker 3>Right, but I had i'd's based on that too. Yeah,

0:40:12.880 --> 0:40:15.360
<v Speaker 3>but is begging him for a visit. He asked for

0:40:15.360 --> 0:40:16.960
<v Speaker 3>permission to take a shuttle to see her for twenty

0:40:16.960 --> 0:40:19.560
<v Speaker 3>four hours, and is quickly, of course granted said permission.

0:40:20.040 --> 0:40:22.480
<v Speaker 3>So Aunt Judy immediately let's see No. No, Plank will

0:40:22.480 --> 0:40:24.200
<v Speaker 3>be coming with the shuttle landing at the beach and

0:40:24.200 --> 0:40:26.799
<v Speaker 3>we'll pilot them to go see the aliens. But they

0:40:26.800 --> 0:40:29.920
<v Speaker 3>have to stay safe because the Intergalactic Patrol is roaming

0:40:29.960 --> 0:40:32.560
<v Speaker 3>the area to find them, and even worse, While Plank

0:40:32.600 --> 0:40:35.640
<v Speaker 3>is talking to Oriyan about the upcoming alien mission, Hammond's

0:40:35.640 --> 0:40:38.960
<v Speaker 3>overhears everything and places Plank under house arrest too. It

0:40:38.960 --> 0:40:40.799
<v Speaker 3>seems like if you're going to be discussing breaking all

0:40:40.800 --> 0:40:42.840
<v Speaker 3>the rules, maybe just a quick look over your shoulder

0:40:42.920 --> 0:40:44.719
<v Speaker 3>to make sure the guy you're trying to discuss isn't

0:40:44.760 --> 0:40:45.600
<v Speaker 3>right behind you.

0:40:45.560 --> 0:40:48.760
<v Speaker 2>Exactly, like or maybe not even be like walking around

0:40:48.760 --> 0:40:52.080
<v Speaker 2>doing it, like let's think a secret area or like

0:40:52.160 --> 0:40:54.560
<v Speaker 2>secure area that's like secured.

0:40:54.760 --> 0:40:58.520
<v Speaker 3>Or at least whisper. It was like, you know, it's

0:40:58.560 --> 0:41:01.360
<v Speaker 3>like what are you doing? But the girls and Protozo

0:41:01.400 --> 0:41:03.440
<v Speaker 3>are clueless to this and ready for the shuttle. It's

0:41:03.520 --> 0:41:05.919
<v Speaker 3>also worth pointing out that Xenon's parents are still locked

0:41:05.920 --> 0:41:08.440
<v Speaker 3>in the room, only to finally be broken out by Orion,

0:41:08.840 --> 0:41:10.719
<v Speaker 3>and Aunt Judy had made a break from her house

0:41:10.760 --> 0:41:13.680
<v Speaker 3>as well, with officers at her door, and they've all

0:41:13.719 --> 0:41:15.800
<v Speaker 3>shown up at Nebula's house at her house, so they're looking,

0:41:15.840 --> 0:41:18.799
<v Speaker 3>they're looking all over, and they're all on ATVs, which

0:41:18.880 --> 0:41:22.120
<v Speaker 3>I find strange, but hey, strange, no one's in a car.

0:41:22.400 --> 0:41:24.840
<v Speaker 3>They're like a weird ATV gang.

0:41:26.000 --> 0:41:29.719
<v Speaker 2>Yeah, like you and your buddies back it's right.

0:41:29.880 --> 0:41:31.520
<v Speaker 1>Yeah, they're the Heck's Angels.

0:41:33.200 --> 0:41:35.840
<v Speaker 3>Xenon's parents calls Xenon to encourage her to surrender and

0:41:35.880 --> 0:41:38.040
<v Speaker 3>come home, but she can't give up on the Aliens.

0:41:38.360 --> 0:41:40.720
<v Speaker 3>With Plank gone, she wants her parents to fly the shuttle,

0:41:40.760 --> 0:41:42.560
<v Speaker 3>but her mom is just too afraid to fly and

0:41:42.600 --> 0:41:45.560
<v Speaker 3>apparently has convinced herself she hates Earth, but for her daughter,

0:41:45.640 --> 0:41:48.000
<v Speaker 3>she's got to try. Orion leads her through the pipes

0:41:48.040 --> 0:41:49.719
<v Speaker 3>to get to the shuttle, but says things are too

0:41:49.719 --> 0:41:51.840
<v Speaker 3>hot to leave in the obvious rocket. She'll need to

0:41:51.880 --> 0:41:55.480
<v Speaker 3>use the smaller and dumpier waste management transport. It's obviously

0:41:55.520 --> 0:42:00.319
<v Speaker 3>not ideal. But this part of the film to me

0:42:00.760 --> 0:42:04.560
<v Speaker 3>was so like struck a chord because, as somebody who

0:42:04.600 --> 0:42:08.200
<v Speaker 3>deals with anxiety, there are times where you're you're you're

0:42:08.239 --> 0:42:10.600
<v Speaker 3>scared and you just have to do it anyway. And

0:42:10.680 --> 0:42:12.960
<v Speaker 3>so they really wrote her where she basically has a

0:42:13.000 --> 0:42:15.719
<v Speaker 3>mental illness. I mean, she's like she's too scared to

0:42:15.800 --> 0:42:17.759
<v Speaker 3>leave the shuttle. She's not going back to Earth. She

0:42:17.880 --> 0:42:20.560
<v Speaker 3>hasn't flown, she hasn't done any of this, and it's like,

0:42:20.600 --> 0:42:22.200
<v Speaker 3>my daughter needs me. I need to get over my

0:42:22.239 --> 0:42:24.040
<v Speaker 3>panic and that's what it was. This was a woman

0:42:24.080 --> 0:42:26.840
<v Speaker 3>in full panic attack ye who's like I gotta I

0:42:26.880 --> 0:42:28.640
<v Speaker 3>gotta feel the fear and do it anyway. I gotta go.

0:42:28.719 --> 0:42:30.480
<v Speaker 3>And so it was like, all right, good for you,

0:42:30.600 --> 0:42:31.600
<v Speaker 3>like I got you.

0:42:32.280 --> 0:42:36.120
<v Speaker 2>I loved it the messaging, and that I don't want

0:42:36.160 --> 0:42:38.280
<v Speaker 2>to do it until it's like literally only.

0:42:38.160 --> 0:42:39.920
<v Speaker 3>Superret okay, we'll do it. Then, we'll do it then.

0:42:40.920 --> 0:42:45.359
<v Speaker 2>But so good. Such a great thing, especially for what

0:42:45.400 --> 0:42:48.400
<v Speaker 2>we're dealing with, which is a kid's show, Like even

0:42:48.560 --> 0:42:53.600
<v Speaker 2>parents get these big feelings and these and can be scared.

0:42:53.680 --> 0:42:57.200
<v Speaker 2>But yet here we go. This is this is the message,

0:42:57.280 --> 0:42:59.080
<v Speaker 2>this is the you know, the learning.

0:42:59.400 --> 0:43:02.480
<v Speaker 3>I think so too. On the beach now, Aunt Judy

0:43:02.520 --> 0:43:05.560
<v Speaker 3>and Nebula arrive to help and reunite with Xenon, Margie

0:43:05.600 --> 0:43:08.600
<v Speaker 3>and Protozoa. Judy is devastated to hear Plank won't be

0:43:08.640 --> 0:43:10.560
<v Speaker 3>manning the shuttle, and when we cut to Xenon's mom

0:43:10.560 --> 0:43:13.799
<v Speaker 3>and Orion flying the trashmobile, it seems pretty touch and go.

0:43:14.000 --> 0:43:16.680
<v Speaker 3>She's freaking out and very scared of the landing, but

0:43:16.960 --> 0:43:19.239
<v Speaker 3>Xenon's mom makes it happen, finding the courage and the

0:43:19.280 --> 0:43:21.440
<v Speaker 3>love for her daughter and abruptly landing on the beach

0:43:21.600 --> 0:43:25.440
<v Speaker 3>just as Hammond's troops arrive on their stupid ATVs. The

0:43:25.520 --> 0:43:29.280
<v Speaker 3>now full group Xenon, Xenon's mom, Aunt Judy, Protozoa, Margie,

0:43:29.360 --> 0:43:31.680
<v Speaker 3>and Nebula take off in the shuttle, just escaping the

0:43:31.680 --> 0:43:34.640
<v Speaker 3>bad guys. Hammon is of course furious and ready to

0:43:34.640 --> 0:43:37.160
<v Speaker 3>take it out on Xenon's dad and Plank, but since

0:43:37.200 --> 0:43:39.759
<v Speaker 3>his daughter Margie's on the shuttle too, they suggest he

0:43:39.760 --> 0:43:43.120
<v Speaker 3>helps get them home safely. On the shuttle, everyone butt,

0:43:43.239 --> 0:43:45.000
<v Speaker 3>Xenon and her mom are asleep and they can't find

0:43:45.000 --> 0:43:47.840
<v Speaker 3>the aliens anywhere. The calculations don't appear to be precise.

0:43:48.120 --> 0:43:50.440
<v Speaker 3>Xenon is still optimistic and her mom is so thankful

0:43:50.480 --> 0:43:52.160
<v Speaker 3>to be backflying and pushing herself.

0:43:52.200 --> 0:43:53.440
<v Speaker 1>She is so proud of Xenon.

0:43:53.520 --> 0:43:56.040
<v Speaker 3>But their gas tanks are now empty, and Orion didn't

0:43:56.040 --> 0:43:57.160
<v Speaker 3>fill up the backup tanks.

0:43:57.200 --> 0:43:59.560
<v Speaker 1>Way to go dummy like one job.

0:44:00.120 --> 0:44:01.840
<v Speaker 3>They can't get in touch with the space station and

0:44:01.880 --> 0:44:04.120
<v Speaker 3>they're close to being sucked up into the gravitational pull

0:44:04.160 --> 0:44:07.520
<v Speaker 3>of the Moon and thrown through space to death. Also,

0:44:07.600 --> 0:44:10.880
<v Speaker 3>Aunt Judy is so annoying when she thinks she's dying

0:44:11.120 --> 0:44:14.919
<v Speaker 3>and she won't stop yapping. And then the moon does

0:44:15.000 --> 0:44:17.200
<v Speaker 3>pull the shuttle in, but it's not going to crash.

0:44:17.360 --> 0:44:20.000
<v Speaker 3>It's to meet the aliens. They've arrived for the rendezvous,

0:44:20.000 --> 0:44:22.400
<v Speaker 3>and their UFO looks like a beautiful laser bird. It

0:44:22.560 --> 0:44:24.520
<v Speaker 3>full on reminded me of the Abyss. I don't know

0:44:24.560 --> 0:44:27.120
<v Speaker 3>if you ever saw the Abyss, but no, straight out,

0:44:27.200 --> 0:44:28.400
<v Speaker 3>you've never seen the Abyss.

0:44:29.320 --> 0:44:32.279
<v Speaker 1>You've kind of seen James Cameron's the Abyss. It's great,

0:44:32.360 --> 0:44:33.840
<v Speaker 1>and it kind of this is what it reminded me of.

0:44:33.880 --> 0:44:36.560
<v Speaker 3>But it was beautiful. And that's when an alien beams

0:44:36.560 --> 0:44:38.879
<v Speaker 3>into their shuttle, but not to meet Protozoa. It's because

0:44:39.000 --> 0:44:42.480
<v Speaker 3>Xenon can surprisingly read the alien's minds. She finds out

0:44:42.480 --> 0:44:44.719
<v Speaker 3>that they've been lost in space for years, unable to

0:44:44.719 --> 0:44:47.279
<v Speaker 3>return home. If they can borrow a map in some charts,

0:44:47.320 --> 0:44:49.759
<v Speaker 3>they'll get the crew back into their space station then

0:44:49.880 --> 0:44:52.640
<v Speaker 3>return home. They needed permission to use the computers, though,

0:44:52.760 --> 0:44:57.040
<v Speaker 3>because they wanted to be polite, which is very funny. Yeah,

0:44:57.080 --> 0:44:59.480
<v Speaker 3>and now the alien led plane controlled by the laser

0:44:59.520 --> 0:45:02.120
<v Speaker 3>Bird return into the space Shuttle, completely shocking Hammond and

0:45:02.160 --> 0:45:02.760
<v Speaker 3>his officials.

0:45:02.840 --> 0:45:04.359
<v Speaker 1>The crew reunites with their families, but.

0:45:04.320 --> 0:45:06.799
<v Speaker 3>Without any actual proof of the aliens, They're still all

0:45:06.840 --> 0:45:09.400
<v Speaker 3>in trouble and the space station is still gonna be deactivated.

0:45:09.400 --> 0:45:12.080
<v Speaker 3>And I was like, what more proof do you need

0:45:12.360 --> 0:45:14.000
<v Speaker 3>than matching what you just saw?

0:45:14.400 --> 0:45:18.480
<v Speaker 2>Yes? Like, was someone supposed to take a picture of it?

0:45:18.600 --> 0:45:18.719
<v Speaker 3>Like?

0:45:18.800 --> 0:45:21.120
<v Speaker 2>What? What was it?

0:45:21.719 --> 0:45:25.160
<v Speaker 3>The mom is a scientist? Yes? Do you think she's

0:45:25.200 --> 0:45:27.640
<v Speaker 3>gonna go back and be like aliens have no No,

0:45:27.760 --> 0:45:30.719
<v Speaker 3>like she's gonna lie about it? Come on, it's like

0:45:30.760 --> 0:45:32.000
<v Speaker 3>what I was like, Wait a minute. I was like

0:45:32.040 --> 0:45:33.799
<v Speaker 3>literally yelling at the screen in the plane at that bot.

0:45:33.760 --> 0:45:36.600
<v Speaker 3>I was like, what else do you need to know? Uh?

0:45:37.360 --> 0:45:39.480
<v Speaker 2>Seriously, sorry, man, I'm just.

0:45:41.480 --> 0:45:42.440
<v Speaker 3>Watching the zequeal.

0:45:43.400 --> 0:45:45.839
<v Speaker 2>Sorry, it's a heated debate right now.

0:45:45.840 --> 0:45:49.160
<v Speaker 3>It was three C was pretty mad at me, and

0:45:49.400 --> 0:45:52.239
<v Speaker 3>just as Hammond becomes more insulting, Margie finally speaks up.

0:45:52.239 --> 0:45:54.600
<v Speaker 3>She insists they did find aliens and everything about their

0:45:54.640 --> 0:45:56.880
<v Speaker 3>adventure is true, but her dad needs proof.

0:45:57.160 --> 0:45:59.799
<v Speaker 1>And then the ship starts shaking. They're being put back

0:45:59.840 --> 0:46:00.399
<v Speaker 1>in orbit.

0:46:00.480 --> 0:46:03.360
<v Speaker 3>It's the aliens that are helping, and they're also reattaching

0:46:03.600 --> 0:46:06.480
<v Speaker 3>the previously removed pieces of the ship. The laser bird

0:46:06.520 --> 0:46:09.040
<v Speaker 3>waves goodbye and Xenon finally proved she was right. The

0:46:09.120 --> 0:46:12.200
<v Speaker 3>now intact space station is back on track, and to celebrate,

0:46:12.280 --> 0:46:15.360
<v Speaker 3>Protozoa performs for the ship. He explained, Xenon is the

0:46:15.360 --> 0:46:17.839
<v Speaker 3>true hero. The Aliens didn't even really want to meet him,

0:46:17.840 --> 0:46:20.719
<v Speaker 3>but being humbled has creatively woken him back up. He's

0:46:20.719 --> 0:46:24.080
<v Speaker 3>even performing weddings now, and that's where we realize. We're

0:46:24.080 --> 0:46:27.279
<v Speaker 3>at Commander Plank and Aunt Judy's nuptials. He wishes them

0:46:27.320 --> 0:46:29.440
<v Speaker 3>the best and dedicates a song to Xenon. It's called

0:46:29.480 --> 0:46:31.799
<v Speaker 3>the Galaxy as Ours and it's not the best song

0:46:32.560 --> 0:46:33.280
<v Speaker 3>in the film.

0:46:34.320 --> 0:46:36.839
<v Speaker 2>It's not zoom zoom.

0:46:37.320 --> 0:46:42.600
<v Speaker 3>You know, it's not tough. This your sophomore album is

0:46:42.600 --> 0:46:44.319
<v Speaker 3>always difficult. Everyone knows that.

0:46:45.239 --> 0:46:49.000
<v Speaker 2>But not only that, think about it. Not not to

0:46:49.200 --> 0:46:53.120
<v Speaker 2>like ruffle my shoulders and pump them up, but like

0:46:53.200 --> 0:46:58.200
<v Speaker 2>this was before the world of musicals in the channel too.

0:46:58.280 --> 0:47:01.480
<v Speaker 3>Yeah, no, it's true, it's right. I hadn't up yet.

0:47:01.480 --> 0:47:04.040
<v Speaker 3>This is yeah yeah, and this is me PCG pre

0:47:04.160 --> 0:47:05.680
<v Speaker 3>Cheetah Girls, right, And.

0:47:05.719 --> 0:47:08.800
<v Speaker 2>Although I know Cheetah Girls fans love the first movie,

0:47:08.880 --> 0:47:13.400
<v Speaker 2>the second movies music is a beefed up version, you

0:47:13.400 --> 0:47:15.560
<v Speaker 2>know what I mean? So It's like, this is really

0:47:16.040 --> 0:47:19.080
<v Speaker 2>before Disney was doing music, so I.

0:47:19.040 --> 0:47:21.359
<v Speaker 3>Did, well, we know they had to RecA. We know

0:47:21.520 --> 0:47:24.000
<v Speaker 3>Protozoa is in the third one, so maybe there's a

0:47:24.040 --> 0:47:26.080
<v Speaker 3>new song in the third one that's that's kicked up.

0:47:26.120 --> 0:47:26.520
<v Speaker 3>Who knows.

0:47:26.560 --> 0:47:27.960
<v Speaker 1>But yeah, I gave I gave him a past.

0:47:28.080 --> 0:47:32.000
<v Speaker 2>Yeah yeah, because by then they were in the wheelhouse

0:47:32.040 --> 0:47:33.279
<v Speaker 2>of music. Yeah.

0:47:33.560 --> 0:47:36.080
<v Speaker 3>I agree, Yeah, But who cares? We don't care. Things

0:47:36.080 --> 0:47:39.120
<v Speaker 3>are good. I don't know. Margie has even returned to

0:47:39.160 --> 0:47:41.400
<v Speaker 3>the Space Station and convinced her dad to let her stay.

0:47:41.560 --> 0:47:44.120
<v Speaker 3>She wants to get to know Xenon better. Xenon pretends

0:47:44.160 --> 0:47:46.319
<v Speaker 3>to be bummed at first, but they hug as the

0:47:46.360 --> 0:47:49.480
<v Speaker 3>sucky song continues to play. Also, it looks like maybe

0:47:49.600 --> 0:47:52.120
<v Speaker 3>Xenon and Orion have developed a little bit of crushes

0:47:52.160 --> 0:47:52.680
<v Speaker 3>on each other.

0:47:54.920 --> 0:47:58.080
<v Speaker 1>Together, and Plank and Hammond have even made up.

0:47:58.160 --> 0:48:03.560
<v Speaker 3>Everything is turning up Space Station, and that is our movie.

0:48:09.760 --> 0:48:12.759
<v Speaker 3>Let's do some real reviews. I have the five star

0:48:12.880 --> 0:48:15.360
<v Speaker 3>review this week. I love how both of our reviews

0:48:15.360 --> 0:48:18.160
<v Speaker 3>are very short. This week our five star reviews from

0:48:18.200 --> 0:48:21.160
<v Speaker 3>our old friend who nom Nomen is back, And here

0:48:21.239 --> 0:48:21.840
<v Speaker 3>is this review.

0:48:22.480 --> 0:48:25.680
<v Speaker 1>I've seen every movie and this one is good.

0:48:26.000 --> 0:48:27.920
<v Speaker 3>Five stars. Ok, thank you ver.

0:48:27.960 --> 0:48:30.200
<v Speaker 2>What do you got stars? I've got the one star.

0:48:31.600 --> 0:48:42.640
<v Speaker 2>This is from Augusto forty. Yeah, this sequel sucks.

0:48:44.640 --> 0:48:45.120
<v Speaker 3>One star.

0:48:45.239 --> 0:48:46.160
<v Speaker 2>I thought that was right.

0:48:46.400 --> 0:48:49.520
<v Speaker 3>I guess sequel sucks. We are now, of course, to

0:48:49.880 --> 0:48:52.600
<v Speaker 3>Sabrina's favorite part of the program.

0:48:52.840 --> 0:48:54.160
<v Speaker 2>Is warming up to me a little bit.

0:48:54.280 --> 0:48:56.800
<v Speaker 3>I haven't been doing you know why, because.

0:48:57.840 --> 0:49:01.920
<v Speaker 2>Here to make me feel like a complete So there you.

0:49:01.960 --> 0:49:05.360
<v Speaker 3>Go, no Jensen, and the feature becomes a lot easier,

0:49:05.400 --> 0:49:09.600
<v Speaker 3>doesn't it. So our feature this week is called Alien Concepts.

0:49:09.920 --> 0:49:12.000
<v Speaker 3>To honor, Zenon and her new alien friends, will be

0:49:12.000 --> 0:49:14.520
<v Speaker 3>given a description of a movie that includes aliens. Oh,

0:49:14.560 --> 0:49:16.239
<v Speaker 3>I should be good at this. We have to guess

0:49:16.280 --> 0:49:18.320
<v Speaker 3>the title of the movie from a little multiple choice

0:49:18.320 --> 0:49:19.880
<v Speaker 3>option three out of five wins.

0:49:20.360 --> 0:49:22.080
<v Speaker 1>Who is playing with us today?

0:49:22.719 --> 0:49:23.080
<v Speaker 3>All right?

0:49:23.120 --> 0:49:27.160
<v Speaker 2>Here we wait before Lisa. Are you you are one

0:49:27.200 --> 0:49:31.520
<v Speaker 2>of our just brainiacs of the of the producing staff?

0:49:32.280 --> 0:49:34.720
<v Speaker 2>Are you a like alien movie fan?

0:49:34.880 --> 0:49:37.520
<v Speaker 3>Oh? She's gonna know all these backwards for I don't

0:49:37.520 --> 0:49:38.000
<v Speaker 3>even know what.

0:49:37.960 --> 0:49:41.480
<v Speaker 2>The questions are. I only have the answers. Oh, okay,

0:49:43.040 --> 0:49:43.600
<v Speaker 2>the alien.

0:49:46.320 --> 0:49:50.040
<v Speaker 3>Here we go. Number one. After witnessing a UFO, an

0:49:50.200 --> 0:49:53.200
<v Speaker 3>ordinary man becomes obsessed with the mysterious visions that lead

0:49:53.239 --> 0:49:56.480
<v Speaker 3>him to a remote site in hopes to make first contact.

0:49:56.800 --> 0:50:01.200
<v Speaker 3>Is that a fire in the sky? B Mars needs moms,

0:50:01.680 --> 0:50:05.080
<v Speaker 3>see Close Encounters of the Third Kind or D super eight?

0:50:05.520 --> 0:50:07.200
<v Speaker 3>What do you got, Sabrina?

0:50:09.800 --> 0:50:13.200
<v Speaker 2>My eyes are going to cross this game. I'm gonna

0:50:13.200 --> 0:50:15.359
<v Speaker 2>go with see Close Encounters of the Third Kind?

0:50:15.520 --> 0:50:18.160
<v Speaker 3>It is C Close Encounters for the third time? Am

0:50:18.160 --> 0:50:20.120
<v Speaker 3>I right? You don't even need me?

0:50:20.200 --> 0:50:20.920
<v Speaker 2>Will I don't?

0:50:21.000 --> 0:50:22.520
<v Speaker 3>I don't to be honest with you, but I love

0:50:22.560 --> 0:50:25.799
<v Speaker 3>having you here and hearing your dulcet tones. So that's right.

0:50:25.840 --> 0:50:27.000
<v Speaker 3>We're one for one. Number two?

0:50:27.200 --> 0:50:29.920
<v Speaker 2>Wow, you guys, I feel like I want already.

0:50:29.960 --> 0:50:33.960
<v Speaker 3>She's stepping away. I'm done. I just had my one

0:50:34.000 --> 0:50:37.200
<v Speaker 3>good golf shot. I never have to play again. Yes, yeah,

0:50:37.320 --> 0:50:40.239
<v Speaker 3>Number two. Aliens launch a massive attack on Earth, and

0:50:40.280 --> 0:50:42.799
<v Speaker 3>a group of survivors, including a pilot, a scientist, and

0:50:42.840 --> 0:50:45.680
<v Speaker 3>the US President unite to fight back. Is it a

0:50:45.920 --> 0:50:50.440
<v Speaker 3>Independence Day? B Mars attacks, CE Deep Impact or d Armageddon?

0:50:50.680 --> 0:50:52.080
<v Speaker 3>What do you got, Sabrina?

0:50:52.520 --> 0:50:53.959
<v Speaker 2>A independence day?

0:50:54.000 --> 0:50:57.120
<v Speaker 3>It is a independence day? Two for two, Sabrina, Am

0:50:57.160 --> 0:50:57.920
<v Speaker 3>I correct.

0:50:57.840 --> 0:50:59.920
<v Speaker 2>Like aliens more than you think? I think a pair.

0:51:00.719 --> 0:51:06.160
<v Speaker 2>I listen, No, the next one? Yeah.

0:51:06.480 --> 0:51:09.360
<v Speaker 3>Number three, a young boy befriends a stranded alien and

0:51:09.360 --> 0:51:12.080
<v Speaker 3>helps him reunite with his family while evading government agents

0:51:12.120 --> 0:51:16.239
<v Speaker 3>and enjoying McDonald's. Is it a E T B Big

0:51:16.280 --> 0:51:19.520
<v Speaker 3>Hero six see Gods and Monsters? Or D mac and

0:51:19.600 --> 0:51:21.000
<v Speaker 3>Me Sabrina, What do you got.

0:51:22.560 --> 0:51:24.759
<v Speaker 2>A E T Ooh?

0:51:25.000 --> 0:51:29.760
<v Speaker 3>This is where producer Jensen really gets because he added enjoying.

0:51:29.600 --> 0:51:33.600
<v Speaker 2>McDonald That's when I went, I don't remember McDonald's and ET,

0:51:33.800 --> 0:51:36.400
<v Speaker 2>but it wasn't. It was so close to it.

0:51:36.560 --> 0:51:39.680
<v Speaker 3>Basically a commercial rip off. It was a rip off

0:51:39.680 --> 0:51:43.160
<v Speaker 3>of ET called mac and Me McIver.

0:51:44.440 --> 0:51:45.960
<v Speaker 2>The mac Oh damn it.

0:51:46.080 --> 0:51:49.440
<v Speaker 3>There's literally like in the middle, there's like a McDonald's commercial. Essentially,

0:51:49.800 --> 0:51:52.480
<v Speaker 3>you need to go look up every Paul Rudd appearance

0:51:52.800 --> 0:51:53.920
<v Speaker 3>on Conan O'Brien.

0:51:54.000 --> 0:51:55.440
<v Speaker 2>I think it is he just.

0:51:58.080 --> 0:52:00.640
<v Speaker 3>Okay? Number four, a man claiming to be from another

0:52:00.680 --> 0:52:03.000
<v Speaker 3>planet is sent to a mental hospital, where his calm,

0:52:03.040 --> 0:52:06.000
<v Speaker 3>wisdom and mysterious knowledge make everyone question if he's actually

0:52:06.000 --> 0:52:09.879
<v Speaker 3>telling the truth. Is it a Lawnmore Man b K

0:52:09.960 --> 0:52:12.840
<v Speaker 3>pax C Galaxy Quest or D Home.

0:52:14.440 --> 0:52:17.240
<v Speaker 2>I don't know, I'm gonna go b K Pax.

0:52:18.280 --> 0:52:20.640
<v Speaker 3>It's definitely not Galaxy Quest. I've never heard of Home.

0:52:20.719 --> 0:52:23.640
<v Speaker 3>I think lawnmore Man is a horror movie. So I'm

0:52:23.640 --> 0:52:28.479
<v Speaker 3>gonna say b K Pax it is b I won.

0:52:28.920 --> 0:52:31.160
<v Speaker 1>I think we won. And so the fifth one just

0:52:31.160 --> 0:52:34.680
<v Speaker 1>for I did number five.

0:52:34.880 --> 0:52:37.279
<v Speaker 3>An alien couple crash land on Earth and try to

0:52:37.280 --> 0:52:39.600
<v Speaker 3>blend in with humans using fake identities and end up

0:52:39.640 --> 0:52:43.040
<v Speaker 3>living an oddly normal suburban life a Earth to Echo

0:52:43.320 --> 0:52:47.480
<v Speaker 3>B Paul c Arrival or D coneads.

0:52:49.080 --> 0:52:49.400
<v Speaker 2>Heads.

0:52:49.880 --> 0:52:51.360
<v Speaker 3>Yes it's d co Heads.

0:52:51.800 --> 0:52:57.040
<v Speaker 2>Yes, it's back in me and I have never seen that.

0:52:57.120 --> 0:52:57.880
<v Speaker 2>I don't even know.

0:52:58.200 --> 0:52:59.960
<v Speaker 3>You should watch it. It's worth it. It's funny, as

0:53:00.200 --> 0:53:02.400
<v Speaker 3>is it funny? It's yes, because.

0:53:02.120 --> 0:53:04.799
<v Speaker 2>It's so it's supposed to be funny. It's like a comic.

0:53:04.800 --> 0:53:07.239
<v Speaker 3>It was supposed to be eat, and it's just not eat.

0:53:07.520 --> 0:53:08.040
<v Speaker 2>It's just not.

0:53:08.239 --> 0:53:09.759
<v Speaker 3>Yeah. Okay, it's got a.

0:53:09.920 --> 0:53:11.480
<v Speaker 1>It's got a great cult following.

0:53:11.480 --> 0:53:14.520
<v Speaker 3>It really does. Really Yeah, it's all right. Well, thank

0:53:14.560 --> 0:53:17.520
<v Speaker 3>you so much, Lisa. I appreciate it. And now do

0:53:17.640 --> 0:53:20.960
<v Speaker 3>some Sabrina sees.

0:53:23.920 --> 0:53:29.160
<v Speaker 2>Yes, okay, so I have to. I just have to

0:53:29.239 --> 0:53:31.719
<v Speaker 2>hit it because we sort of sort of talked about

0:53:31.760 --> 0:53:35.200
<v Speaker 2>it at first, and as soon as I pop it

0:53:35.320 --> 0:53:38.680
<v Speaker 2>up to push play on Disney Plus, I realized that

0:53:38.760 --> 0:53:42.480
<v Speaker 2>it wasn't Raven on it, and I was like, I

0:53:42.600 --> 0:53:44.480
<v Speaker 2>thought Raven wasn't in the third one.

0:53:44.960 --> 0:53:45.640
<v Speaker 1>Yeah, I.

0:53:49.600 --> 0:53:52.920
<v Speaker 2>Thought I was expecting Raven and I just didn't realize

0:53:52.960 --> 0:53:54.759
<v Speaker 2>I thought she wasn't in the third one. I thought

0:53:54.800 --> 0:53:56.480
<v Speaker 2>she was in the first two. So I was kind

0:53:56.480 --> 0:54:00.239
<v Speaker 2>of like, oh, but then I was like, oh, wait, no,

0:54:00.400 --> 0:54:04.240
<v Speaker 2>that's from the Color of She's from the Color of Friendship.

0:54:04.239 --> 0:54:06.000
<v Speaker 3>Oh she killed it, and she killed it.

0:54:06.040 --> 0:54:08.120
<v Speaker 2>She did a great job. So anyways, it was kind

0:54:08.120 --> 0:54:09.480
<v Speaker 2>of I did have a little bit of an emotional

0:54:09.600 --> 0:54:14.520
<v Speaker 2>rollercoaster even before person play. And then did you notice

0:54:14.520 --> 0:54:16.880
<v Speaker 2>that Stu is not just a writer, he's a producer

0:54:16.920 --> 0:54:17.120
<v Speaker 2>on this?

0:54:17.239 --> 0:54:18.200
<v Speaker 3>Yes, there's a couple.

0:54:18.239 --> 0:54:20.040
<v Speaker 1>Now we've seen that he's a producer.

0:54:20.120 --> 0:54:24.040
<v Speaker 2>Yeah, yes, I think that's amazing. Next next hit was

0:54:24.400 --> 0:54:26.279
<v Speaker 2>and I get what they were looking for when we

0:54:26.320 --> 0:54:30.600
<v Speaker 2>first see Margie for the first time again, you know

0:54:30.680 --> 0:54:33.000
<v Speaker 2>she's back, and we see that she's in the second movie,

0:54:33.280 --> 0:54:36.400
<v Speaker 2>and they do it. They're a little clueless. Those shoes

0:54:36.440 --> 0:54:41.080
<v Speaker 2>were so horrid. I oh my gosh, they were so awful.

0:54:41.080 --> 0:54:43.600
<v Speaker 2>I felt terrible. That was just terrible, terrible.

0:54:44.320 --> 0:54:46.560
<v Speaker 3>I love you see things and it's like I'll never

0:54:46.680 --> 0:54:48.240
<v Speaker 3>ever see anybody's shoes.

0:54:48.680 --> 0:54:51.680
<v Speaker 2>Yeah, I would die if I had it. Makes it

0:54:51.719 --> 0:54:54.399
<v Speaker 2>when I watched these movies because it's like, really, when

0:54:54.400 --> 0:54:57.040
<v Speaker 2>I was doing so much acting, was at this age

0:54:57.880 --> 0:54:59.560
<v Speaker 2>is thinking like, oh, if I had to do that,

0:54:59.640 --> 0:55:02.200
<v Speaker 2>if they told me I had to paint and touch

0:55:02.239 --> 0:55:06.160
<v Speaker 2>someone else's toes, I don't know how I would have

0:55:06.160 --> 0:55:07.080
<v Speaker 2>gotten through the scene.

0:55:07.239 --> 0:55:10.040
<v Speaker 3>Why are you Are you that creeped out by feet?

0:55:10.600 --> 0:55:12.600
<v Speaker 2>Yeah? Like if it was, I mean imagine like it's

0:55:12.640 --> 0:55:15.839
<v Speaker 2>not even like somebody who's like you're like really your friend, Like.

0:55:17.400 --> 0:55:20.320
<v Speaker 3>Girls don't paint each other's toenails when they're like thirteen fourteen.

0:55:21.320 --> 0:55:23.239
<v Speaker 2>Yeah, I think so, But I don't think. I don't

0:55:23.280 --> 0:55:24.120
<v Speaker 2>remember doing.

0:55:24.320 --> 0:55:24.680
<v Speaker 3>I don't know.

0:55:24.680 --> 0:55:27.520
<v Speaker 2>I don't My weirdness of feet came like later on

0:55:27.560 --> 0:55:30.600
<v Speaker 2>in life and especially now, like I could chomp on

0:55:30.680 --> 0:55:33.439
<v Speaker 2>my kid's feet. I love my kid's feet. I'm good

0:55:33.440 --> 0:55:36.719
<v Speaker 2>with Jordan's feet. If anyone else touched me with their

0:55:36.719 --> 0:55:40.120
<v Speaker 2>foot like that, let alone asked me to paint their nails,

0:55:40.160 --> 0:55:44.360
<v Speaker 2>I would I would probab just throw up all over them.

0:55:44.480 --> 0:55:48.680
<v Speaker 3>I know I'm going to ask you for my fiftieth birthday.

0:55:51.680 --> 0:55:56.400
<v Speaker 2>No, no, no, no. One of the things that I

0:55:56.520 --> 0:55:59.600
<v Speaker 2>just had to write it down. The mom with her

0:55:59.640 --> 0:56:01.239
<v Speaker 2>helmet before, like, when was.

0:56:01.280 --> 0:56:03.560
<v Speaker 3>She an anxiety helmet? I want one? Wait?

0:56:03.680 --> 0:56:04.839
<v Speaker 2>Was that an anxiety helmet?

0:56:04.960 --> 0:56:07.600
<v Speaker 3>Is? She says she's playing that. Yes, they do. They

0:56:07.600 --> 0:56:09.960
<v Speaker 3>explain she's got she's wearing her her stress helmet, her

0:56:09.960 --> 0:56:11.759
<v Speaker 3>anxiety helmet. I was like, oh my god, I want

0:56:11.840 --> 0:56:12.200
<v Speaker 3>one of those.

0:56:12.560 --> 0:56:14.680
<v Speaker 2>I was dying at it. I didn't realize that that's

0:56:14.680 --> 0:56:16.600
<v Speaker 2>what it was. I thought that was the helmet she

0:56:16.680 --> 0:56:19.440
<v Speaker 2>was gonna be wearing too. Why And I'm like, that

0:56:19.600 --> 0:56:24.279
<v Speaker 2>is the most rid It is funny. It was a

0:56:24.680 --> 0:56:27.680
<v Speaker 2>funny little like fun prop for a Disney movie. I

0:56:27.719 --> 0:56:31.120
<v Speaker 2>loved it. This was when I like almost started getting

0:56:31.120 --> 0:56:33.239
<v Speaker 2>a little choked up. Is I'm like, I put oh

0:56:33.880 --> 0:56:37.080
<v Speaker 2>Stu and his wisdom, and we're going back to what

0:56:37.120 --> 0:56:41.319
<v Speaker 2>I was talking before. It says one of it was, obviously,

0:56:41.560 --> 0:56:44.840
<v Speaker 2>you know, the the idea of the mom really like

0:56:44.960 --> 0:56:47.200
<v Speaker 2>we already talked about. But the second part of it

0:56:47.280 --> 0:56:49.520
<v Speaker 2>was their chat that they have together as a mom

0:56:49.560 --> 0:56:52.319
<v Speaker 2>and a daughter. And she talks about you had a

0:56:52.440 --> 0:56:55.759
<v Speaker 2>kid and kids make the stakes change. When she's talking

0:56:55.800 --> 0:56:57.040
<v Speaker 2>about her anxiety, She's.

0:56:56.840 --> 0:56:57.879
<v Speaker 3>Like, what's wrong with me?

0:56:57.960 --> 0:57:00.200
<v Speaker 2>And it's so true? And I was like, oh, is

0:57:00.200 --> 0:57:02.759
<v Speaker 2>it's so so true. And then it goes through her

0:57:02.880 --> 0:57:06.920
<v Speaker 2>second one where she says, you never realize how like

0:57:07.160 --> 0:57:09.440
<v Speaker 2>you're You never realize how much your kids are gonna

0:57:10.040 --> 0:57:14.200
<v Speaker 2>teach you, and I just I'm like, I weld up

0:57:14.320 --> 0:57:18.120
<v Speaker 2>twice because of Stu and I feel like you've done

0:57:18.120 --> 0:57:19.760
<v Speaker 2>that to me before.

0:57:19.400 --> 0:57:22.920
<v Speaker 3>He's he's great with the messages, so good. Yes.

0:57:23.760 --> 0:57:26.280
<v Speaker 2>And then my last and final thing, and it's a

0:57:26.280 --> 0:57:29.600
<v Speaker 2>little bit more of a discussion because we both knew

0:57:29.600 --> 0:57:32.320
<v Speaker 2>this was from from Stu. I think is who told

0:57:32.360 --> 0:57:35.240
<v Speaker 2>us that, uh, or we just had it from our

0:57:35.240 --> 0:57:39.800
<v Speaker 2>producers that this shot in New Zealand. Did you feel

0:57:40.040 --> 0:57:42.800
<v Speaker 2>I felt like there were several times that we were

0:57:42.800 --> 0:57:50.040
<v Speaker 2>on the set of Zombies, specifically when she's overlooking and

0:57:50.040 --> 0:57:53.920
<v Speaker 2>and then on the beach, the beach area, I swear

0:57:54.000 --> 0:57:57.360
<v Speaker 2>there was a shot and I'm like, there saw the

0:57:57.480 --> 0:58:03.360
<v Speaker 2>night Walkers and the day walk Yeah, there dance. There

0:58:03.480 --> 0:58:05.920
<v Speaker 2>was a section on the beach where I'm like, I

0:58:06.040 --> 0:58:08.720
<v Speaker 2>swear Paul took them there, and that's where they did

0:58:09.080 --> 0:58:12.280
<v Speaker 2>it was just so exactly like it, I'm sure. And

0:58:12.800 --> 0:58:15.360
<v Speaker 2>there was a lot of different areas in the movie

0:58:15.400 --> 0:58:20.160
<v Speaker 2>when they're outside, mainly by Protozoa's house, where when they're

0:58:20.200 --> 0:58:24.840
<v Speaker 2>actually outside in New Zealand that I'm going this is there.

0:58:24.880 --> 0:58:27.240
<v Speaker 2>They've got to be shooting somewhere where they're like around

0:58:27.240 --> 0:58:28.600
<v Speaker 2>the area that they shot zombies.

0:58:28.760 --> 0:58:31.200
<v Speaker 3>I'm sure. Yeah, I think it's kind of a pretty

0:58:31.440 --> 0:58:33.280
<v Speaker 3>famous place for a ton of movies, is right here.

0:58:33.400 --> 0:58:37.120
<v Speaker 2>Yes, So that was something that I really loved because

0:58:37.160 --> 0:58:40.800
<v Speaker 2>we're here twenty years later seeing some of the watching

0:58:40.840 --> 0:58:43.360
<v Speaker 2>the kind things, and it was pretty cool. I thought

0:58:43.360 --> 0:58:45.280
<v Speaker 2>that was awesome. I felt like that. I felt like

0:58:45.280 --> 0:58:46.920
<v Speaker 2>it was like kind of like an Easter egg. It

0:58:47.000 --> 0:58:47.439
<v Speaker 2>is sense.

0:58:47.920 --> 0:58:49.400
<v Speaker 3>All, Well, now I have to watch the movie again

0:58:49.440 --> 0:58:51.040
<v Speaker 3>and try to find those z's because now it's going

0:58:51.120 --> 0:58:51.240
<v Speaker 3>to go.

0:58:51.400 --> 0:58:53.360
<v Speaker 2>I know. I think I'm gonna have to. Because Monroe

0:58:53.400 --> 0:58:56.240
<v Speaker 2>came in at the end and she's like, wait, they

0:58:56.280 --> 0:58:59.280
<v Speaker 2>live in space. Oh yeah, that's cool, and so she

0:58:59.400 --> 0:59:01.720
<v Speaker 2>watched the of it while they were, you know, on

0:59:01.800 --> 0:59:04.200
<v Speaker 2>the space thing, and so she I think, I'm going

0:59:04.280 --> 0:59:06.320
<v Speaker 2>to have her watch the full thing, and oh yeah,

0:59:06.800 --> 0:59:07.720
<v Speaker 2>I'm looking for it.

0:59:07.880 --> 0:59:10.640
<v Speaker 3>All right, Well, thank you so much, And I think

0:59:10.680 --> 0:59:13.680
<v Speaker 3>it's time for us to rate our film our options

0:59:13.720 --> 0:59:16.000
<v Speaker 3>this week. I thought as I was watching this, I

0:59:16.200 --> 0:59:17.640
<v Speaker 3>was like, okay, we're going to switch it up this week.

0:59:17.640 --> 0:59:19.800
<v Speaker 3>We're going to do one out of ten, okay, and

0:59:19.840 --> 0:59:23.640
<v Speaker 3>we're going to make ten the best one okay.

0:59:23.800 --> 0:59:27.320
<v Speaker 1>So here are options. One out of ten, sag insurance.

0:59:26.880 --> 0:59:31.680
<v Speaker 3>Cards, cut pieces of meat, one out of ten, glued

0:59:31.760 --> 0:59:36.080
<v Speaker 3>socks one out of ten, zums, one atten, Spanish words

0:59:36.080 --> 0:59:42.360
<v Speaker 3>for beautiful green screen waterfalls, horribly yapping aunt Judy's one

0:59:42.400 --> 0:59:44.560
<v Speaker 3>out of ten, beautiful laser birds, or one out of

0:59:44.560 --> 0:59:46.920
<v Speaker 3>ten Protozoa's horrible songs. What would you like?

0:59:47.040 --> 0:59:49.560
<v Speaker 2>Oh? I like Spanish words.

0:59:50.160 --> 0:59:52.840
<v Speaker 3>I do too. I think it's great. So I think

0:59:52.880 --> 0:59:55.560
<v Speaker 3>I went first last time. So I think it's your

0:59:55.600 --> 0:59:58.120
<v Speaker 3>two two? Did I show?

0:59:59.160 --> 1:00:00.000
<v Speaker 2>What was it you?

1:00:01.080 --> 1:00:04.320
<v Speaker 3>Our last movie? Was?

1:00:04.320 --> 1:00:04.600
<v Speaker 2>Was it?

1:00:05.400 --> 1:00:05.840
<v Speaker 3>Underwround?

1:00:06.080 --> 1:00:07.120
<v Speaker 1>They?

1:00:07.440 --> 1:00:08.560
<v Speaker 3>Did? I go on? Did you go first?

1:00:08.640 --> 1:00:09.120
<v Speaker 2>I went first?

1:00:09.160 --> 1:00:10.760
<v Speaker 3>All right, I'll go first. I'll throw it out there.

1:00:11.240 --> 1:00:14.360
<v Speaker 3>So I really liked it. I did. I really liked

1:00:14.400 --> 1:00:18.400
<v Speaker 3>this movie. I it went by quickly. It was engaging,

1:00:18.440 --> 1:00:21.520
<v Speaker 3>there was a good message, the acting was good. It

1:00:21.560 --> 1:00:23.880
<v Speaker 3>really kind of hit all the boxes that you're supposed

1:00:23.880 --> 1:00:25.800
<v Speaker 3>to hit for a d com. I'm giving this a

1:00:25.960 --> 1:00:29.520
<v Speaker 3>solid eight point five space and it could be a nine.

1:00:29.800 --> 1:00:31.280
<v Speaker 3>It really could be a nine. But I'm going to

1:00:31.320 --> 1:00:34.800
<v Speaker 3>give it eight point five Spanish words for beautiful, because

1:00:34.840 --> 1:00:35.400
<v Speaker 3>I really did.

1:00:35.400 --> 1:00:36.800
<v Speaker 1>I had a lot of fun and enjoyed this movie

1:00:36.840 --> 1:00:37.240
<v Speaker 1>quite a bit.

1:00:38.800 --> 1:00:44.440
<v Speaker 2>I am right there. I loved watching this movie, I thought,

1:00:44.560 --> 1:00:47.120
<v Speaker 2>I again. I loved the micro world. I loved how

1:00:47.200 --> 1:00:49.160
<v Speaker 2>much we were in space. I loved that we got

1:00:49.160 --> 1:00:52.520
<v Speaker 2>to go on like, I think, like a better spaceship,

1:00:53.000 --> 1:00:56.440
<v Speaker 2>like the traveling the one that the mom drives. Yeah,

1:00:56.560 --> 1:00:58.560
<v Speaker 2>but it's cooler than the what we went on the

1:00:58.640 --> 1:01:00.280
<v Speaker 2>last one. The last one looked kind of just like

1:01:00.280 --> 1:01:04.160
<v Speaker 2>an airplane. This one was like a cool looking spaceship.

1:01:04.680 --> 1:01:08.120
<v Speaker 2>I love even building off of that. All of the

1:01:08.160 --> 1:01:14.160
<v Speaker 2>special effects were so surprisingly amazing. I agree, yes, and

1:01:14.360 --> 1:01:17.160
<v Speaker 2>you know, obviously these kids, actually the kids are great.

1:01:17.240 --> 1:01:22.000
<v Speaker 2>I love seeing Protozoa's his character being like built so much.

1:01:22.080 --> 1:01:25.080
<v Speaker 2>I felt like we got so much more from this

1:01:25.160 --> 1:01:28.040
<v Speaker 2>first the second movie, and I loved the first movie,

1:01:28.080 --> 1:01:29.960
<v Speaker 2>so this is just it was awesome. It was a

1:01:30.000 --> 1:01:34.600
<v Speaker 2>great sequel to an already awesome movie. And I'm giving

1:01:34.640 --> 1:01:39.840
<v Speaker 2>this nine Spanish words for beautiful. I'm pushing it. I

1:01:39.880 --> 1:01:42.240
<v Speaker 2>love it and I would again. I think I'm gonna

1:01:42.240 --> 1:01:43.440
<v Speaker 2>watch it soon.

1:01:44.360 --> 1:01:47.640
<v Speaker 3>No, I don't. I don't disagree. This was this was good.

1:01:47.800 --> 1:01:51.120
<v Speaker 3>This was very very good. Okay, so well, thank you

1:01:51.200 --> 1:01:55.160
<v Speaker 3>everybody so much for joining us in space, because that's

1:01:55.160 --> 1:01:57.000
<v Speaker 3>where we were. Our next movie. This is a really

1:01:57.040 --> 1:02:00.000
<v Speaker 3>big one, everybody, and we're we're switching it up a little.

1:02:00.240 --> 1:02:02.160
<v Speaker 3>We still have plenty of dcoms to go, and plenty

1:02:02.200 --> 1:02:03.959
<v Speaker 3>of wonderful World of Disneys to go. But we've now

1:02:04.240 --> 1:02:06.760
<v Speaker 3>talked about this movie so many times and I haven't

1:02:06.760 --> 1:02:08.640
<v Speaker 3>seen it yet. And I think Sabrina, if she could

1:02:08.680 --> 1:02:11.760
<v Speaker 3>reach through the zoom and smack me, she would. So

1:02:11.920 --> 1:02:14.560
<v Speaker 3>it's a theatrical release from Disney, and one that has

1:02:14.560 --> 1:02:17.080
<v Speaker 3>withstood the test of time. For my first time ever,

1:02:17.280 --> 1:02:20.840
<v Speaker 3>we are watching the nineteen ninety three classic. I think

1:02:20.880 --> 1:02:23.800
<v Speaker 3>I'm pronouncing this right, hocus Pocus. I'm saying that right,

1:02:23.920 --> 1:02:27.400
<v Speaker 3>hocus Pocus. Yes, I mean, it's available basically everywhere, but

1:02:27.440 --> 1:02:29.440
<v Speaker 3>most notably on Disney Plus. So check it out and

1:02:29.480 --> 1:02:33.880
<v Speaker 3>get ready for a monumental magical rewind and yet before

1:02:33.880 --> 1:02:35.880
<v Speaker 3>we dig into that. This week on our dedicated magical

1:02:35.920 --> 1:02:37.840
<v Speaker 3>rewind Feed, we talked about this. We've got a Park

1:02:37.840 --> 1:02:41.280
<v Speaker 3>Copper episode for the Ages. Oh, we're gonna zoom zoom

1:02:41.360 --> 1:02:44.320
<v Speaker 3>zoom over there because we talked to Protozoa himself, the

1:02:44.360 --> 1:02:47.520
<v Speaker 3>incredible Philip Reese. That's right. We somehow convinced him to

1:02:47.520 --> 1:02:50.680
<v Speaker 3>come on here and talk about Xenon despite his dozens

1:02:50.720 --> 1:02:52.800
<v Speaker 3>of other accomplishments in the field, and we love him

1:02:52.840 --> 1:02:53.040
<v Speaker 3>for that.

1:02:53.400 --> 1:02:55.520
<v Speaker 1>Check out a little snippet of what you'll hear.

1:02:57.040 --> 1:02:58.720
<v Speaker 3>So that was you. That was your idea? Then to

1:02:58.760 --> 1:03:01.200
<v Speaker 3>do the hair? Yeah, actually tell the truth.

1:03:01.240 --> 1:03:04.000
<v Speaker 4>It was from a previous role I did maybe a

1:03:04.040 --> 1:03:07.480
<v Speaker 4>month prior with with Luke Wilson. I did a comedy

1:03:07.480 --> 1:03:10.520
<v Speaker 4>with Luke Wilson, and I had the peroxide blonde hair

1:03:10.560 --> 1:03:13.720
<v Speaker 4>bit like Johnny Boy in Train Spotting if you're Bill Miller.

1:03:14.760 --> 1:03:17.480
<v Speaker 4>So I did that peroxide and then that audition came

1:03:17.520 --> 1:03:20.680
<v Speaker 4>so I went in with kind of blondie hair. They

1:03:20.880 --> 1:03:23.280
<v Speaker 4>like that, and then they came up with the let's

1:03:23.280 --> 1:03:24.400
<v Speaker 4>make it all spiky.

1:03:26.200 --> 1:03:26.640
<v Speaker 3>We love it.

1:03:26.640 --> 1:03:28.440
<v Speaker 1>It was so much fun, a dream come true to

1:03:28.480 --> 1:03:29.280
<v Speaker 1>have Philip on the show.

1:03:29.480 --> 1:03:32.080
<v Speaker 3>Don't forget to subscribe to our dedicated Magical Rewind feed

1:03:32.120 --> 1:03:34.400
<v Speaker 3>and catch up with all the popular decomcast and crew

1:03:34.400 --> 1:03:37.080
<v Speaker 3>members we've interviewed so far. You can also follow us

1:03:37.120 --> 1:03:42.000
<v Speaker 3>at Magical rewind Pod on the Instagram machine. Now, thanks everybody,

1:03:42.320 --> 1:03:54.680
<v Speaker 3>Bye bye,