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Speaker 1: All right, So Sabrina, Yes, we got a biggie today.

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Speaker 2: We do.

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Speaker 3: We got like a legit big movie for the channel today.

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Speaker 3: And this is one where fans are hugely like when

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Speaker 3: it's not just fan, its fanatical about this movie and

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Speaker 3: this whole, this whole what's the word I'm looking for, franchise?

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Speaker 3: Thank you? Like this is big. Yeah.

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Speaker 2: And here's the thing too, I feel like, although we

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Speaker 2: had Brink and Smart House and all of that, because

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Speaker 2: it was a franchise, I want to say this was

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Speaker 2: like the first like mega fans.

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Speaker 3: Yeah, of a d com yep. And it was the

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Speaker 3: first for a lot of other things too, which we'll

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Speaker 3: get into. We well, I'll tell you when we get there.

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Speaker 3: But first of all, welcome back to Magical Rewind, the

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Speaker 3: show that makes you want to grab your friends, your

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Speaker 3: pjs and your popcorn. Go back to a time when

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Speaker 3: all the houses were smart.

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Speaker 1: The waves, tsunamis, and the high School's musical. I'm Wilford Dell.

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Speaker 2: And I'm Sabrina Bryan.

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Speaker 1: Well, this week we returned to Sequel Town, but this

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Speaker 1: time it's Zequel Town.

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Speaker 3: Yes, people, As we tackle the two thousand and one

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Speaker 3: return to Space d com Xenon the Zequel, only out

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Speaker 3: done years later when the Chipmunks released their squeak Wal,

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Speaker 3: a word I never thought I'd say ever in my life.

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Speaker 3: I think so. Yes, this might just be the pioneer

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Speaker 3: when it comes to creative wordplay for a second film.

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Speaker 3: Yes the zequal The movie debut on January twelve, two

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Speaker 3: thousand and one, and set up the premiere of another

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Speaker 3: iconic Disney property, the first episode of Lizzie McGuire. Yes,

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Speaker 3: it aired directly after Xenon the Zequeal and would go

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Speaker 3: on to become one of the biggest shows of that year.

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Speaker 3: Quite a big day on the channel. Lizzie McGuire obviously

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Speaker 3: a show about a girl who is a singer who

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Speaker 3: turns out Nope, not that at all. That just became

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Speaker 3: the movie all of a sudden, out of nowhere. Thank

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Speaker 3: you very much. Send all of your hate emails right

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Speaker 3: to me.

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Speaker 1: I wrap myself in them at night and get a

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Speaker 1: great night sleep.

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Speaker 3: This also marked the first zequel under the dcom banner Yes,

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Speaker 3: Belee it or not, following Xenon Girl of the Twenty

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Speaker 3: first Century from two years earlier. Now, usually Disney is

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Speaker 3: ironclad with those sequel contracts, but maybe because it was

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Speaker 3: a zequel and not a sequel, they let it kind

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Speaker 3: of fall by the rayside because, yeah, Raven Simone did

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Speaker 3: not return to play Nebula. She was reportedly busy shooting

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Speaker 3: Doctor Doolittle too. This time it's personal, so she was replaced,

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Speaker 3: which is not very common in these movies that we review.

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Speaker 3: But as somebody I'm friends with knows very well, this

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Speaker 3: was not the first time Raven has dipped out.

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Speaker 1: Of a franchise.

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Speaker 3: WHOA, I'm just saying. I wasn't referring to you at all,

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Speaker 3: but hey, I haven't seen the third one. How how okay,

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Speaker 3: maybe I'm wrong. How was Raven in the third Cheetah

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Speaker 3: Girls movie?

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Speaker 2: She was great? No, no, she wasn't in it. But hey, listen,

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Speaker 2: when the when the jobs come at the same time.

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Speaker 4: I get it.

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Speaker 2: Gotta make a choice at some point, I get.

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Speaker 3: And I think, obviously, for something like this, if you're

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Speaker 3: doing the sequel another sequel to an Eddie Murphy movie,

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Speaker 3: you go when you do that, I completely and totally understand.

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Speaker 3: But we'll talk about Cheater Girls when we get the

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Speaker 3: Cheeta Girls, because I haven't even seen it yet, but

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Speaker 3: I want all the tea and yes, and although we

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Speaker 3: haven't gotten there yet this time Xenon, like I said,

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Speaker 3: is a trilogy. A third movie, Xenon Z three, would

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Speaker 3: be released just three years later. Do you think they

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Speaker 3: should reboot Xenon? Do you think the kids want to

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Speaker 3: see it under wrap style, like a like a whole new.

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Speaker 2: Version of x like do the same movie with the.

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Speaker 3: New Sure you got all the technology and all the

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Speaker 3: stuff going on now, I mean, do you think this

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Speaker 3: is something that kids would want to see or is

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Speaker 3: this is Xenon in space not a thing that kids

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Speaker 3: are into anymore?

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Speaker 2: I mean, we saw portion of it with what was it,

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Speaker 2: the third movie of Zombies, and the kids loved it

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Speaker 2: with the aliens, and I mean we didn't even get

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Speaker 2: going and dancing.

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Speaker 3: Would they have to add singing and dancing the Xenon? Maybe?

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Speaker 3: Do they make the musical?

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Speaker 2: I think what I what I When I think about

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Speaker 2: Descendants and Zombies, those franchises, I think that the kids

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Speaker 2: really love to find a micro world and totally just

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Speaker 2: embrace a new micro world. And there has not been

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Speaker 2: a lot of like space type stuff on the channel yet,

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Speaker 2: so I think there's definitely a place for it. I agree,

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Speaker 2: and I think the fans will embrace it one hundred percent.

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Speaker 3: I agree with you, And I.

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Speaker 2: Don't think it needs to be a musical.

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Speaker 3: I know, I think actually could be exactly what we

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Speaker 3: just watched. Yes, And I think actually they don't It

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Speaker 3: shouldn't be a musical because now then everything's a musical,

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Speaker 3: And I think they need some movies that are big

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Speaker 3: tent pole franchises that are not musicals.

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Speaker 2: Yes, and I think, but I do, I will say

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Speaker 2: I don't think it would should be the first one.

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Speaker 2: I think it would need to be the second one.

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Speaker 2: Take us out of the normal everyday life, take us

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Speaker 2: to space. That's what I think it would need to be.

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Speaker 2: Not but I mean it was enough in space.

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Speaker 3: Don't you think you have to introduce it again to

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Speaker 3: a whole new generation? So like you'd have to start

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Speaker 3: with the first scene in space and then see the

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Speaker 3: high school a little bit, it's like, and then go back, maybe.

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Speaker 2: Go back, I mean, if you're talking to yeah, I

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Speaker 2: don't know, I don't know, I do not know. Can

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Speaker 2: we do that in ninety minutes? Well that's the.

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Speaker 3: Question, I know exactly or eighty nine? Well, who will

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Speaker 3: get into that? Hilariously because this was released in two

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Speaker 3: thousand and one, this was the first dcom ever to

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Speaker 3: have its own website, and one thing that was on

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Speaker 3: the site was a contest for fans asking them to

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Speaker 3: find hidden z's inside the movie, which might absolutely made

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Speaker 3: people go crazy. I did not even know about this

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Speaker 3: before I watch it, and I'm glad I didn't, because

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Speaker 3: that's all I would have been looking for is hidden z's.

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Speaker 2: Absolutely, and I there there were a couple. Now that

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Speaker 2: i'm there's an of them, I'm sure, yes, And that

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Speaker 2: such a great idea for Disney.

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Speaker 3: Yeah, well, it's like finding these here's the thing. Now

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Speaker 3: I'm going back and I'm wondering, like where I missed

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Speaker 3: them in places where like, for instance, when she's walking

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Speaker 3: through the big spider Web, was there a Z in

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Speaker 3: the spider Web?

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Speaker 1: Like I want to know, Yes, I want to know

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Speaker 1: all that stuff.

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Speaker 3: There is also a small Mandela effect when it comes

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Speaker 3: to Xenon. There's an entire generation that thinks it was

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Speaker 3: Xenon with an X, not a Z, but they're quickly

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Speaker 3: made to feel stupid when they're reminded it's a zequel,

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Speaker 3: and that clearly plays off the Z. Silly, silly, people,

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Speaker 3: And yes, Xenon two is available to stream right now

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Speaker 3: Disney Plus. You can watch it before listening to our breakdown,

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Speaker 3: or watch it later after we've tainted your opinion. Ha

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Speaker 3: I said taped anyway, Okay, were you excited? We obviously

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Speaker 3: knew there was a there was a c well, because

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Speaker 3: we watched the first one, and we knew there was

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Speaker 3: the second one? But were you excited to see it?

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Speaker 3: Had you seen it before? No?

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Speaker 2: This That's why I was so excited, because I obviously

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Speaker 2: loved that the first one, you know, had seen that,

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Speaker 2: you know, several times, never had seen the second one,

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Speaker 2: being that it was in two thousand and one, You're

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Speaker 2: talking like my junior year of high school. So I'm

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Speaker 2: really you know, I'm working. I am watching the channel

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Speaker 2: for some things, but not like invested in any kind

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Speaker 2: of franchise at that point.

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Speaker 3: With two thousand and one, was your junior year in

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Speaker 3: high school?

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Speaker 2: Yes? Oh, for the love of God, yes, And it's

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Speaker 2: really honestly not that young anymore.

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Speaker 3: It was in we just got I was in first grade.

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Speaker 2: Oh, first see made He's just.

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Speaker 3: Jeez, two thousand and one, Boy Meets World has already done.

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Speaker 3: I was twenty five.

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Speaker 2: Oh yeah, yeah, Boy Meets World was done. I was

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Speaker 2: your prime demo for Boy.

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Speaker 3: Yeah, well because we're awesome. Yes, okay, So now everybody

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Speaker 3: pop in your Protozoa set single, which it's not even

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Speaker 3: that it should be poping your one little disc type

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Speaker 3: thing that they give you in the thing.

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Speaker 1: I don't know if it's called. It's time for the synopsis.

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Speaker 3: Teenager xenon cars space Station is being taken over and

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Speaker 3: dismantled by the military. She receives a mysterious signal. It

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Speaker 3: must convince everyone it's from aliens who've appeared to help them.

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Speaker 1: Sabrina early thoughts on zenone two.

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Speaker 2: So the only thing I knew we haven't. We didn't

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Speaker 2: really talk normally. The question is did you know anything

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Speaker 2: about it? The only thing I knew about, and is

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Speaker 2: from our interview with Stu, is that the second one

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Speaker 2: was going to be set in space on their ship.

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Speaker 2: We knew that he had told us in our interview that.

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Speaker 3: So the first one was set in space.

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Speaker 2: Remember we talked about it. It's really not on the

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Speaker 2: spaceship that much.

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Speaker 3: Well, it's on the spaces mainly kicked out and then

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Speaker 3: she's back on Earth, right, But you at least get to,

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Speaker 3: you know, the spaceship Abit.

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Speaker 2: Yeah, it was recognizable for sure, But I remember saying

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Speaker 2: in the first one, like I wish we had been

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Speaker 2: in that set environment way more than just being down

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Speaker 2: on Earth. So this one, I was really excited to

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Speaker 2: know that the predominant amount of it was going to

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Speaker 2: be on this spaceship. And I was so excited and

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Speaker 2: I was never once disappointed throughout this movie.

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Speaker 3: So you loved it, loved it.

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Speaker 2: I loved, love, love this Okay, and Monroe liked it too?

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Speaker 3: Oh good? What I thought popped.

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Speaker 2: In and out? I'm no, I feel like we're gonna

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Speaker 2: breeze by it, because you're making me nervous with your eyes,

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Speaker 2: your Google eyes are making me a little nervous about

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Speaker 2: how you thought about Xenon. What did you think?

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Speaker 3: Okay, If I'm honest, I loved this movie. Oh good?

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Speaker 3: I did absolutely this movie flew by. It was so fast,

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Speaker 3: actually engaging. It looked great.

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Speaker 1: I was like, this movie looks like it cost fifty

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Speaker 1: million dollars.

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Speaker 2: Yes, it looked so good.

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Speaker 3: It was so good.

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Speaker 2: And one of the first things that pops up, I'm like, oh,

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Speaker 2: I'm hoping this just like gets will right on is

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Speaker 2: like the Star Wars. The retelling so that which made

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Speaker 2: it great because I felt this movie you don't really

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Speaker 2: have to see the first one to see the second one.

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Speaker 3: No, you don't have to. They recap it well.

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Speaker 2: The recap that they do in the front is so good,

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Speaker 2: and it was such a fun way to do it.

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Speaker 2: Four kids. It still looked like it was four kids.

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Speaker 2: Wasn't too old, you know, like Star Wars feeling old?

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Speaker 3: No, great, I thought it was great. I did too.

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Speaker 3: It was directed by writer director Manny Coto, who did

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Speaker 3: not direct the original that was Kenneth Johnson. On the

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Speaker 3: directing side, Manny helmed and wrote the cult horror movie

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Speaker 3: Doctor Giggles in nineteen ninety two and Star Kid in

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Speaker 3: nineteen ninety seven, but we know him as the director

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Speaker 3: of the Andy Lawrence Clone dcom The Other Me. On

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Speaker 3: the writing side, Manny was well accomplished with credits on

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Speaker 3: TV shows like Star Trek, Enterprise, Dexter, American Horror Story,

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Speaker 3: and twenty four Which you want an Emmy four. Sadly,

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Speaker 3: zen On two was his last directing job, passed away

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Speaker 3: in twenty twenty three from pancreatic cancer. The Star xenon herself.

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Speaker 3: Kirsten Storms is back. We all remember her from the

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Speaker 3: First movie, obviously, which was her first acting job. Ever,

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Speaker 3: you may also remember her from Johnny Tsunami, making her

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Speaker 3: a bit of a dcom legend around these parts, and

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Speaker 3: in adulthood she conquered another niche, becoming a massive soap

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Speaker 3: opera star. On Days of Our Lives in General Hospital

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Speaker 3: for over two decades Insane. As mentioned, Raven Simone was

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Speaker 3: replaced as Nebula Wade. Now we have a Shaddya Simmons,

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Speaker 3: a very familiar face to Rewinders. She played Piper in

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Speaker 3: what is likely best dcom nominee, The Color of Friendship.

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Speaker 3: Oh man, we love that movie, and she was in Quints,

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Speaker 3: which we didn't like as much. She was also on

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Speaker 3: the Canadian show Life with Derek, which apparently is just

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Speaker 3: a bunch of people apologizing, which aired on Disney Channel

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Speaker 3: and in the US.

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Speaker 1: I'm kidding, it's Canadian, so that's what's the job.

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Speaker 3: Forget it. Canadians are awesome people. They're just they're very

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Speaker 3: apologetic people. They're wonderful. Philip Reese is back as pro Tozoa.

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Speaker 3: He became an always working actor on shows like twenty four,

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Speaker 3: Niptuck and Glee, and he's our guest this week on

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Speaker 3: the Magical rewind Feed, ready to talk all about Xenon.

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Speaker 3: Very exciting. Everybody here was freaking out. Never be in

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Speaker 3: a text chain with fourteen people who want to meet

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Speaker 3: pro Tozoa. That's all I have to say.

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Speaker 2: Oh so good.

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Speaker 3: The very recognizable Stuart Pankin also returns as Commander Edward

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Speaker 3: plank He was in classic movies like Congo, Fatal Attraction,

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Speaker 3: and Arachnophobia, but Big HBO fans might recognize him from

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Speaker 3: not Necessarily The News, Great Show and New for the

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Speaker 3: zequal Another just stellar character, actor John Getz is General Hammond.

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Speaker 3: By the way, for everybody out there who's a Mash fan,

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Speaker 3: I swear to God that's who they named after, General Hammond.

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Speaker 3: This guy's IMDb is a murderer's row of good projects.

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Speaker 3: He's been in movies like Blood Simple, The Social Network,

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Speaker 3: The Fly, Zodiac, Don't Tell Mom, The Babysitters Dead, and

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Speaker 3: TV shows like The West Wing, mad Men, Homeland, and Bosh.

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Speaker 3: I mean, this is the dude.

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Speaker 2: Yes, so recognizable, he's got that fantas.

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Speaker 3: Oh man, this pops on that guy.

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Speaker 2: Yeah, yes, that guy.

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Speaker 3: Yes, I would say, while he's probably not to the

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Speaker 3: level that we we need for a Dabney Reynolds share, yeah,

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Speaker 3: because that's really but we should come up with a

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Speaker 3: new chair of like killer character actors. Maybe it's a

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Speaker 3: stool character actor stool because yeah, it's he's in everything.

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Speaker 3: But enough about those bozos. How about the thing we

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Speaker 3: really care about, And that's the running time. Yes, xenon too,

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Speaker 3: the zequal clocks in it eighty nine minutes. Yes, the

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Speaker 3: time we're seeing more and more one off target, but

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Speaker 3: still on the right side of history. So for me,

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Speaker 3: that's like a win. Much like my dating profile requirements,

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Speaker 3: I like to keep it under ninety.

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Speaker 2: It also flew by, as we've already said it was

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Speaker 2: it didn't even feel like an hour and a half.

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Speaker 3: Like it didn't, and it felt so nice. It just was.

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Speaker 3: I wasn't looking at my phone, I wasn't watching it,

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Speaker 3: and I actually, did you watch this on an airplane?

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Speaker 2: Oh?

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Speaker 3: Yeah I did. I had I downloaded it and I watched it.

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Speaker 3: I had a long flight from Boston. I was like, oh,

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Speaker 3: watch it, this will at least kill the time.

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Speaker 1: And it finished and I was like, that's it.

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Speaker 3: Yeah, like that was that was fast?

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Speaker 2: Yes, Yeah, I honestly didn't even have like a bunch

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Speaker 2: of Sabrina seas because I normally have lists and lists

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Speaker 2: of stuff that I'm saying, not I to have like

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Speaker 2: six things that I'm like, yeah, these are thoughts.

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Speaker 3: Yeah, because it's it was crazy, really fluid and writing wise,

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Speaker 3: We've got Marilyn Sadler and Roger Bowlin. They are the

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Speaker 3: original writing team behind the book these movies are based on.

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Speaker 3: They made a book out of that kidding, and they'd

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Speaker 3: go on to create one of the bigger kids shows

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Speaker 3: in the past two decades, running from two thousand and

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Speaker 3: six to twenty eleven, with an unfortunate name that makes

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Speaker 3: Rider Strong giggle every time we say it. They made

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Speaker 3: Handy Manny and just leaving it at that, go back

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Speaker 3: to the Podmeats World Feed to hear all of Ryder

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Speaker 3: Strong's thoughts on Handy Manny, and the teleplay is credit

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Speaker 3: to the one and only the dcom daddy himself, Stu Krieger,

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Speaker 3: who wrote not only the original but the other Channel

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Speaker 3: classics like Smart House, Going to the Mat, Got to

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Speaker 3: Kick It Up, cow Bells, and our recently reviewed Phantom

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Speaker 3: of the Megaplex.

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Speaker 1: Apparently dcom Daddy Steu was.

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Speaker 3: Not happy with our review a film. Sure, sorry, Stu

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Speaker 3: wasn't her favorite. Let's not waste another minute, though, Let's

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Speaker 3: zoom zoom zoom our way into a shuttle, find these aliens,

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Speaker 3: and get right into Xenon too. The zequel. We start

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Speaker 3: with a reference to Star Wars, like Sabrina was saying

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Speaker 3: as a zappad. The communicator tablet from the first movie

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Speaker 3: spins through space, eventually landing so we can read a

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Speaker 3: preface about chapter two of Xenon on its screen. The

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Speaker 3: text rolls from the bottom up, reminding us that fifteen

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Speaker 3: year old Xenon car saved her space station from evil

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Speaker 3: in the last movie. It's now a year later, and

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Speaker 3: Xenon is on top of her game, able to do

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Speaker 3: whatever she wants in the space station, seen as a

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Speaker 3: bit of a local hero, but now everything in her

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Speaker 3: life is about to change. We are thrown directly into

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Speaker 3: the busy space station. Nebula and Xenon are walking the halls.

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Speaker 3: Nebula nervous about what they're about to do. Xenon knows

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Speaker 3: she's seen as too much of a hero to get

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Speaker 3: into any trouble and then they run right into Commander Plank,

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Speaker 3: who seems stern at first, but Xenon was right. He

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Speaker 3: just joyfully lets them go about their way. Xenon then

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Speaker 3: takes neb to a restricted communication zone, using a card

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Speaker 3: to enter.

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Speaker 1: Now slang why Sabrina.

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Speaker 3: Xenon has already told Nebula not to be ice when

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Speaker 3: she's being on cool, and now this control center they

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Speaker 3: enter is Thermo.

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Speaker 1: If I had one criticism.

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Speaker 3: Of this movie, it was that they really pushed the

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Speaker 3: slang in this Yeah. She must have said see this

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Speaker 3: lapidus forty two times, like you couldn't make this a

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Speaker 3: drinking game, you'd be dead.

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Speaker 2: Yeah.

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Speaker 3: So, and again it's a small criticism because I get

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Speaker 3: what they're doing, but it was a little much.

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Speaker 2: When we when we get a little bit later on,

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Speaker 2: I'm going to tell you why it felt too much.

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Speaker 3: Too okay, Yeah, because it was just a little much,

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Speaker 3: this little little too many reference after reference after reference

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Speaker 3: in this world.

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Speaker 2: Yes, yeah, but I will say, Kusten, it's like it

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Speaker 2: just rolled off the tongue. I think would stumble on

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Speaker 2: these words, Oh, you'd get them. I mean I feel

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Speaker 2: like i'd stumble.

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Speaker 3: You'd get them, you know, you would hearing kids talk

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Speaker 3: nowadays with the words they say, I don't know what

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Speaker 3: any of this mid, And I'm like what, I just

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Speaker 3: assume you're calling me an idiot, and they're probably right. Well,

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00:17:19,000 --> 00:17:21,240
Speaker 3: the room they go into looks important, but Sena says

359
00:17:21,280 --> 00:17:23,399
Speaker 3: she's found an interesting monitor and turned it into a

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Speaker 3: new game. She's transformed this very important CPU into a

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Speaker 3: video game, like a Rachnoid or Pong. Frankly, it seems innocent,

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Speaker 3: but we see they're playing. Has opened a door and

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Speaker 3: Commander Plank's office and now all of his belongings.

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Speaker 1: And furniture are being sucked out into space.

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Speaker 3: Now. I was worried here because if she's done this before,

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Speaker 3: how has all of this stuff not been sucked out

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Speaker 3: in a space already?

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Speaker 2: I did too, I went, okay, wait a minute. But

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Speaker 2: then my brain was so determined already to love this movie.

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Speaker 3: I was the same way. I was like, let go.

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Speaker 2: I was thinking, like, it probably happened somewhere else his room.

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Speaker 3: Great, that's also.

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Speaker 2: It happens somewhere else in this space shuttle.

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Speaker 1: And in an unknown little closet she was opening and closing.

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Speaker 3: Perfect. Great, I'm with you. And so when Plank returns.

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Speaker 3: He shocked to see his things floating outside, and then

377
00:18:13,160 --> 00:18:15,560
Speaker 3: he's almost sucked out the window himself. He holds on

378
00:18:15,600 --> 00:18:17,280
Speaker 3: for dear life while the girls giggle and play what

379
00:18:17,280 --> 00:18:19,040
Speaker 3: they think is an innocent ArKade game on the other

380
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Speaker 3: side of the ship, and as he's being pulled, Plank

381
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Speaker 3: somehow knows who's behind this and yells z it on.

382
00:18:24,760 --> 00:18:26,520
Speaker 3: Zena is now back in her room, talking in her

383
00:18:26,600 --> 00:18:30,240
Speaker 3: zappad wishing somewhat a nice life. She tells Nebula that Greg,

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Speaker 3: her Earth boyfriend from the first movie, has dumped her

385
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Speaker 3: and a turn has been written out of the zequel.

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00:18:35,200 --> 00:18:38,960
Speaker 3: I hope that didn't affect his sag insurance. She kn't.

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Speaker 3: That's got to be the worst. He's got to be like,

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Speaker 3: oh my god, this is great. They're doing a sequel.

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Speaker 3: Oh I can't.

390
00:18:43,520 --> 00:18:47,280
Speaker 2: Oh no, seriously, how that happens?

391
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Speaker 3: Oh god, Well, because they basically I was gonna say, oh,

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Speaker 3: they're gonna keep the entire thing on the space station,

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Speaker 3: but then they go to Earth. They easily could have

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Speaker 3: put him in the movie, but they didn't.

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Speaker 2: Yeah.

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Speaker 3: She, by the way, cannot believe that he dumped her

397
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Speaker 3: and thinks that the Margie girlquote unquote had something to

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Speaker 3: do with it. And even worse, Plank has revoked her

399
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Speaker 3: roaming pass after her little stunt today and sent her

400
00:19:05,920 --> 00:19:08,880
Speaker 3: to the Alien Patrol Lab to work it off. One

401
00:19:08,920 --> 00:19:11,520
Speaker 3: month of three hour shifts and six hours on Saturday.

402
00:19:11,800 --> 00:19:14,120
Speaker 3: She'll be side by side with Oriyan, who's been working

403
00:19:14,119 --> 00:19:16,560
Speaker 3: there for five full years and is very quirky. He's

404
00:19:16,600 --> 00:19:18,320
Speaker 3: never picked up a signal, but still gives her a

405
00:19:18,400 --> 00:19:20,800
Speaker 3: tour of what to do just in case that happens.

406
00:19:21,359 --> 00:19:23,879
Speaker 3: And during their first night shift, she's already fallen asleep

407
00:19:23,880 --> 00:19:25,679
Speaker 3: on the job, only to be woken up by an alarm.

408
00:19:25,840 --> 00:19:28,280
Speaker 3: She's ready to alert everyone of an alien signal, but

409
00:19:28,320 --> 00:19:31,119
Speaker 3: it's just O'Ryan with an alarm clock and so the

410
00:19:31,119 --> 00:19:33,359
Speaker 3: next day, Xenon is already complaining about the punishment to

411
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Speaker 3: her mom and breaking the news about Greg and just

412
00:19:35,840 --> 00:19:38,520
Speaker 3: when she thinks things can't get any worse, a breaking

413
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Speaker 3: news bullet and cuts into their TV feed. Her favorite

414
00:19:41,359 --> 00:19:45,600
Speaker 3: pop star, Protozoa, is missing. Since his triumphant concert in Space,

415
00:19:45,680 --> 00:19:48,280
Speaker 3: he has yet to be seen. There are rumors he's retired,

416
00:19:48,320 --> 00:19:51,800
Speaker 3: and Xenon is devastated, and then the entire Space station

417
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Speaker 3: is alerted to meet in the mess hall for an

418
00:19:53,600 --> 00:19:58,080
Speaker 3: emergency briefing. At the meeting, Plank announces someone has stepped

419
00:19:58,080 --> 00:20:00,000
Speaker 3: in to fill the management void left behind by the

420
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Speaker 3: of obviously the first movie's villain, and it's uh oh,

421
00:20:03,920 --> 00:20:06,880
Speaker 3: the US military. They're sending up troops to assess each

422
00:20:06,960 --> 00:20:10,080
Speaker 3: module and decide who is important and who is expendable.

423
00:20:10,400 --> 00:20:12,320
Speaker 3: This means a lot of the Shuttle's families could be

424
00:20:12,320 --> 00:20:15,920
Speaker 3: reassigned to Earth. The new leader, General Hammond again great

425
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Speaker 3: mash reference will arrive soon and explain everything in greater detail.

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Speaker 1: Xenon is stressed and lets Plank know it.

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Speaker 3: She can't believe these military guys will be making such

428
00:20:24,080 --> 00:20:27,120
Speaker 3: important decisions, and Plank explains he has no control over

429
00:20:27,160 --> 00:20:29,240
Speaker 3: who will stay and who will go. And once this

430
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Speaker 3: Hammond arrives with troops, he surprisingly wants to see Xenon immediately.

431
00:20:34,240 --> 00:20:36,639
Speaker 3: The high ranking military official says he's always looking for

432
00:20:36,680 --> 00:20:39,280
Speaker 3: the best and brightest permissions and everyone says that Xenon

433
00:20:39,400 --> 00:20:41,679
Speaker 3: is the best he could find. She's down for whatever

434
00:20:41,680 --> 00:20:44,680
Speaker 3: his dangerous instructions are, but instead he just asks her

435
00:20:44,720 --> 00:20:49,120
Speaker 3: to supervise his daughter. And his daughter is Margie. The Brad,

436
00:20:49,160 --> 00:20:51,639
Speaker 3: who may have stolen Xenon's boyfriend. She arrives on the

437
00:20:51,680 --> 00:20:53,880
Speaker 3: shuttle looking like she just walked out of the movie Couless.

438
00:20:54,000 --> 00:20:56,040
Speaker 3: Hammond orders his daughter to get some rest, but as

439
00:20:56,080 --> 00:20:58,920
Speaker 3: soon as she starts fake crying and clearly manipulates him,

440
00:20:59,040 --> 00:21:02,240
Speaker 3: he gives in and lets her stay awake. She was

441
00:21:02,240 --> 00:21:02,960
Speaker 3: in the first one.

442
00:21:02,840 --> 00:21:05,480
Speaker 2: Right, Yes, okay, we liked her in the first one.

443
00:21:05,560 --> 00:21:05,960
Speaker 3: We did.

444
00:21:06,119 --> 00:21:09,280
Speaker 2: We liked her as a She was a good villain.

445
00:21:09,600 --> 00:21:11,320
Speaker 2: She was a good villain in the first one. She

446
00:21:11,760 --> 00:21:12,680
Speaker 2: did it really well.

447
00:21:12,960 --> 00:21:15,560
Speaker 3: But you'd also, I'd have to imagine if she came

448
00:21:15,640 --> 00:21:17,960
Speaker 3: up to the space station and you think she stole

449
00:21:17,960 --> 00:21:20,360
Speaker 3: your boyfriend, you'd rather have her where you can see

450
00:21:20,400 --> 00:21:23,640
Speaker 3: her than down on Earth with your boyfriend. Right. Ok

451
00:21:24,680 --> 00:21:27,119
Speaker 3: So there about that.

452
00:21:27,400 --> 00:21:29,440
Speaker 2: You've picked up some good girl talk.

453
00:21:29,520 --> 00:21:33,480
Speaker 3: Right, I'm trying to, hey, trying to After this many dcoms,

454
00:21:33,520 --> 00:21:37,280
Speaker 3: it's hard not to. Now. In Xenon's room, Margie starts

455
00:21:37,320 --> 00:21:39,720
Speaker 3: rubbing Gregory in her face. The two girls already start

456
00:21:39,720 --> 00:21:42,320
Speaker 3: to butt heads about who's turf they're on, and Margie

457
00:21:42,400 --> 00:21:45,720
Speaker 3: quickly threatens Xenon if she's not nice to her, she'll

458
00:21:45,720 --> 00:21:50,040
Speaker 3: have her family removed from the station Cetus Lapidis. Now

459
00:21:50,080 --> 00:21:52,200
Speaker 3: in the dining room, a visibly peeve Xenon has become

460
00:21:52,240 --> 00:21:54,640
Speaker 3: Margie's servant, even cutting her meat for her. And that's

461
00:21:54,640 --> 00:21:57,679
Speaker 3: not all. Xenon also finds herself doing her arch Nemesis

462
00:21:57,760 --> 00:22:01,520
Speaker 3: homework and forfeiting the last of cake to her, and

463
00:22:01,600 --> 00:22:04,320
Speaker 3: later Xenon complains about the situation of Nebula. She even

464
00:22:04,400 --> 00:22:07,320
Speaker 3: has to paint her nails later, but for now, Xenon

465
00:22:07,359 --> 00:22:09,080
Speaker 3: will go along with it to keep her family safe,

466
00:22:09,080 --> 00:22:12,280
Speaker 3: but she doesn't plan on rolling over and playing dead. Later,

467
00:22:12,400 --> 00:22:15,240
Speaker 3: during the pedicure, Xenon gets a little mischievous and includes

468
00:22:15,240 --> 00:22:17,600
Speaker 3: glue with a nail polish, so later when Margie goes

469
00:22:17,640 --> 00:22:19,399
Speaker 3: to take her socks off, they're stuck to her nails.

470
00:22:19,440 --> 00:22:21,480
Speaker 3: And this, of course makes no sense, as anybody's ever

471
00:22:21,560 --> 00:22:23,560
Speaker 3: been around a woman knows the second you get your

472
00:22:23,640 --> 00:22:26,919
Speaker 3: nails painted, they don't put socks on. No even I

473
00:22:26,960 --> 00:22:29,119
Speaker 3: know that. I mean, if I said to my wife

474
00:22:29,119 --> 00:22:30,919
Speaker 3: as she's like, she just paints her nails, and I'm like, hey,

475
00:22:30,960 --> 00:22:32,520
Speaker 3: let's throw on a pair of socks. Come on, we

476
00:22:32,600 --> 00:22:36,240
Speaker 3: know that's not how it works, right. Meanwhile, Xenon is

477
00:22:36,240 --> 00:22:38,520
Speaker 3: back in her alien lab, bored and waiting for any

478
00:22:38,560 --> 00:22:40,760
Speaker 3: sort of life for them. When it happens again, she's

479
00:22:40,800 --> 00:22:43,360
Speaker 3: getting little wavelengths on the monitor, so she reaches out

480
00:22:43,359 --> 00:22:45,840
Speaker 3: to Commander Plank, who rushes to see the action, but

481
00:22:45,880 --> 00:22:48,080
Speaker 3: he's not impressed. It's a small spike and could be

482
00:22:48,240 --> 00:22:51,080
Speaker 3: hundreds of different things, and although they'd love to believe

483
00:22:51,080 --> 00:22:53,040
Speaker 3: it's something alien, they chalk it up to being nothing

484
00:22:53,080 --> 00:22:56,359
Speaker 3: at all. Okay, this is supposed to be in the future,

485
00:22:56,400 --> 00:22:59,080
Speaker 3: and it's supposed to be very high tech equipment that

486
00:22:59,119 --> 00:23:02,760
Speaker 3: she's watching, and it seems like maybe they just shot

487
00:23:02,760 --> 00:23:05,120
Speaker 3: it in a weird way where she's getting these spikes

488
00:23:05,880 --> 00:23:09,200
Speaker 3: that are clearly something, and then other people are. She's

489
00:23:09,200 --> 00:23:12,120
Speaker 3: bringing other people in instantly, she's not keeping it to herself,

490
00:23:13,240 --> 00:23:16,840
Speaker 3: and then it's like they don't see the spikes. Wouldn't

491
00:23:16,840 --> 00:23:19,960
Speaker 3: she be wouldn't the equipment be recording so that she

492
00:23:20,040 --> 00:23:22,040
Speaker 3: can go back and be like, look what happened?

493
00:23:22,520 --> 00:23:23,040
Speaker 2: Yeah?

494
00:23:23,240 --> 00:23:24,240
Speaker 3: I found that weird.

495
00:23:24,560 --> 00:23:27,000
Speaker 2: Yeah, well I thought they were looking back at it

496
00:23:27,040 --> 00:23:27,680
Speaker 2: and going.

497
00:23:27,560 --> 00:23:29,760
Speaker 3: So, so that was my question. Maybe I just missed it.

498
00:23:29,840 --> 00:23:33,800
Speaker 3: There they're seeing what she's seeing. They just don't believe

499
00:23:33,840 --> 00:23:34,720
Speaker 3: it's anything right.

500
00:23:34,880 --> 00:23:37,199
Speaker 2: That's how I took it, okay.

501
00:23:37,480 --> 00:23:39,800
Speaker 3: When I first saw it, I thought it okay.

502
00:23:39,680 --> 00:23:43,560
Speaker 2: Yeah, because I felt like orian he was like, as

503
00:23:43,600 --> 00:23:45,800
Speaker 2: much as I want to believe it is, it was

504
00:23:45,800 --> 00:23:48,080
Speaker 2: almost like he's already seen that kind of stuff before,

505
00:23:48,480 --> 00:23:49,560
Speaker 2: turned out to be nothing.

506
00:23:49,680 --> 00:23:52,120
Speaker 3: That's okay. I think I must have missed that because

507
00:23:52,160 --> 00:23:53,520
Speaker 3: I thought it was like they were it was like

508
00:23:53,560 --> 00:23:56,040
Speaker 3: the frog who was like, hello, my baby, Hello ma honey,

509
00:23:56,080 --> 00:23:57,360
Speaker 3: and then you bring it over and then the frog

510
00:23:57,440 --> 00:24:00,439
Speaker 3: ribbit like that's what I thought it was. No, okay,

511
00:24:00,720 --> 00:24:01,320
Speaker 3: I felt.

512
00:24:01,119 --> 00:24:04,280
Speaker 2: Like it was like it was yeah, because there are

513
00:24:04,400 --> 00:24:06,119
Speaker 2: they are in space and like he was saying, like

514
00:24:06,160 --> 00:24:09,120
Speaker 2: he's like sometimes that we just don't know that there's

515
00:24:09,119 --> 00:24:13,320
Speaker 2: like another country that like sent like satellites, and so

516
00:24:13,359 --> 00:24:15,720
Speaker 2: he's like he's like, I missed it.

517
00:24:16,040 --> 00:24:18,640
Speaker 3: Yeah, Yeah, I figured I missed it. Okay. We're back

518
00:24:18,640 --> 00:24:20,639
Speaker 3: with her parents. She pleads with them to believe her,

519
00:24:20,640 --> 00:24:22,639
Speaker 3: but they aren't sold. Her dad even thinks she's just

520
00:24:22,720 --> 00:24:25,120
Speaker 3: reeling from the last few days of disappointment, the breakup,

521
00:24:25,119 --> 00:24:28,320
Speaker 3: Protozoa disappearing, and Margie showing up. He wonders if she's

522
00:24:28,400 --> 00:24:30,760
Speaker 3: just saying this to get back into the spotlight, and

523
00:24:30,880 --> 00:24:33,040
Speaker 3: just like that, do we have a new member of

524
00:24:33,080 --> 00:24:35,240
Speaker 3: the bad dcom Dad Hall of Fame. I don't know this.

525
00:24:36,040 --> 00:24:38,000
Speaker 3: I'll let it slide because he was good in the

526
00:24:38,000 --> 00:24:39,720
Speaker 3: rest of the movie. But it's like he's instantly not

527
00:24:39,720 --> 00:24:41,680
Speaker 3: believing her and then saying maybe she's making the whole

528
00:24:41,680 --> 00:24:45,160
Speaker 3: thing up. I was like, ooh, not good, Dad, not good.

529
00:24:46,040 --> 00:24:48,119
Speaker 3: And now she's even being bullied at school about her

530
00:24:48,119 --> 00:24:51,359
Speaker 3: alleged alien encounter, but she's staying confident in what she saw.

531
00:24:51,600 --> 00:24:54,600
Speaker 3: All the while, Margie's becoming increasingly popular on the space station,

532
00:24:55,080 --> 00:24:58,000
Speaker 3: even with Nebula, and there's absolutely nothing she can do

533
00:24:58,040 --> 00:25:00,960
Speaker 3: about it. And that night in the lab, while she's

534
00:25:00,960 --> 00:25:03,560
Speaker 3: feeling bad about herself, it all happens again. She hears

535
00:25:03,600 --> 00:25:06,359
Speaker 3: the zoom or zum as because we don't want to

536
00:25:06,359 --> 00:25:08,200
Speaker 3: give it away, so she calls it the zum from

537
00:25:08,240 --> 00:25:10,879
Speaker 3: the satellites and notices the spikes on the radar, and

538
00:25:10,920 --> 00:25:13,040
Speaker 3: when she goes to tell somebody, she bumps right into

539
00:25:13,119 --> 00:25:15,919
Speaker 3: Commander Plank and he doesn't believe her again, but this

540
00:25:16,000 --> 00:25:18,960
Speaker 3: time General Hammond joins them and wondered if these zums

541
00:25:19,000 --> 00:25:21,240
Speaker 3: are a signed that the Lab's machines are too old

542
00:25:21,480 --> 00:25:24,840
Speaker 3: and the entire department needs to be deactivated. Xenon fights back.

543
00:25:24,920 --> 00:25:27,160
Speaker 3: She knows what she heard, so as a result, Commander

544
00:25:27,160 --> 00:25:29,199
Speaker 3: plank Were leaves her of her duties and bans her

545
00:25:29,240 --> 00:25:31,840
Speaker 3: from the lab. The following morning, it's the big day

546
00:25:31,840 --> 00:25:34,439
Speaker 3: where Section seven will be detached from the station. Everyone

547
00:25:34,440 --> 00:25:36,720
Speaker 3: seems affected by the separation and are warned of a

548
00:25:36,800 --> 00:25:39,680
Speaker 3: large jolt at the moment of release. Xenon just doesn't

549
00:25:39,680 --> 00:25:41,920
Speaker 3: get why their station is being chopped up. Her dad

550
00:25:41,920 --> 00:25:44,240
Speaker 3: explains that without these changes, they could crash into Earth,

551
00:25:44,240 --> 00:25:46,520
Speaker 3: but Xenon doesn't believe that. She thinks someone needs to

552
00:25:46,520 --> 00:25:48,600
Speaker 3: stand up and that person could be her. And here's

553
00:25:48,640 --> 00:25:52,320
Speaker 3: where once again I wanted to point out how for

554
00:25:52,440 --> 00:25:56,640
Speaker 3: the budget and for the time, it all looked great. Yeah,

555
00:25:56,720 --> 00:25:59,480
Speaker 3: when they were separating the modules they're doing, it all

556
00:25:59,520 --> 00:26:02,000
Speaker 3: looked really good. I was super impressed.

557
00:26:02,320 --> 00:26:06,000
Speaker 2: I again, like I was like excited to see this movie,

558
00:26:06,040 --> 00:26:08,800
Speaker 2: but also a little worried. We're talking two thousand and

559
00:26:08,840 --> 00:26:12,679
Speaker 2: one on the Disney Channel creating a space shuttle that

560
00:26:12,680 --> 00:26:15,840
Speaker 2: they're going to be like, you know, doing these special

561
00:26:15,920 --> 00:26:16,880
Speaker 2: effects and stuff.

562
00:26:17,040 --> 00:26:19,399
Speaker 3: Yeah, well, I think didn't Stu tell us that they

563
00:26:19,400 --> 00:26:22,040
Speaker 3: were going to make it into a show, but they

564
00:26:22,080 --> 00:26:24,320
Speaker 3: wanted to then put the show on Earth.

565
00:26:24,920 --> 00:26:25,960
Speaker 1: Yeah, and it's kind.

566
00:26:25,760 --> 00:26:28,399
Speaker 3: Of like why the whole point is to be in

567
00:26:28,400 --> 00:26:31,080
Speaker 3: space and maybe it's just way too expensive to do

568
00:26:31,119 --> 00:26:34,639
Speaker 3: a space show. I don't know, but it seems because this,

569
00:26:34,760 --> 00:26:38,960
Speaker 3: to me, I was fully impressed with basically how everything

570
00:26:39,000 --> 00:26:41,199
Speaker 3: look it was. There wasn't a moment even where I

571
00:26:41,240 --> 00:26:44,600
Speaker 3: was like, oh, that looks terrible. Yes, yeah, it didn't

572
00:26:44,600 --> 00:26:45,119
Speaker 3: look bad.

573
00:26:45,560 --> 00:26:48,879
Speaker 2: No it didn't. It really didn't. And it made me

574
00:26:49,000 --> 00:26:52,000
Speaker 2: kind of go, like, I wonder what because I don't

575
00:26:52,000 --> 00:26:54,399
Speaker 2: ever remember hearing and it wasn't in any of our

576
00:26:54,440 --> 00:26:57,960
Speaker 2: stuff that this was like a huge budget for the

577
00:26:58,040 --> 00:27:01,720
Speaker 2: channel at the time, right either. So No, it's they

578
00:27:01,960 --> 00:27:05,280
Speaker 2: just did it, like they just nail worked.

579
00:27:05,400 --> 00:27:06,480
Speaker 3: It worked. It really did.

580
00:27:06,680 --> 00:27:07,679
Speaker 2: They really did.

581
00:27:07,840 --> 00:27:10,399
Speaker 3: I thought I thought it looked great. Commander Plank now

582
00:27:10,400 --> 00:27:12,640
Speaker 3: has his own issues, though his office has been taken

583
00:27:12,680 --> 00:27:14,560
Speaker 3: over by Hammond and he's been moved into the small

584
00:27:14,600 --> 00:27:17,280
Speaker 3: supply closet. Xenon tries to get him riled up to

585
00:27:17,280 --> 00:27:19,760
Speaker 3: fight back, but Plank seems defeated and overwhelmed with the

586
00:27:19,800 --> 00:27:22,920
Speaker 3: responsibilities of living on the space station. He wonders if

587
00:27:22,920 --> 00:27:25,680
Speaker 3: Earth is just easier and is quick to blame Xenon's

588
00:27:25,680 --> 00:27:27,720
Speaker 3: alien fantasies. Everyone's blaming Xenon.

589
00:27:28,040 --> 00:27:29,359
Speaker 2: Seriously, come on, and.

590
00:27:29,400 --> 00:27:31,960
Speaker 3: The poor kid. She just saved you all in the

591
00:27:32,000 --> 00:27:34,120
Speaker 3: last movie, for God's sakes, and brought a rock star,

592
00:27:34,160 --> 00:27:36,680
Speaker 3: international rock star up to see you. Maybe a little

593
00:27:36,720 --> 00:27:40,000
Speaker 3: something anyway, and the whole station. Now, that's the other

594
00:27:40,000 --> 00:27:42,960
Speaker 3: thing I wanted to mention. It's been I think two

595
00:27:43,080 --> 00:27:44,840
Speaker 3: years since the last movie came out. It was night

596
00:27:44,880 --> 00:27:46,560
Speaker 3: I think ninety nine, and then two thousand and one

597
00:27:48,080 --> 00:27:53,679
Speaker 3: that she Kirsten definitely looks older. Oh yeah, like she definitly.

598
00:27:53,680 --> 00:27:55,840
Speaker 3: I mean you could really see a change in her.

599
00:27:55,960 --> 00:27:57,679
Speaker 3: When I saw I was like, oh wow, okay to

600
00:27:57,720 --> 00:27:59,480
Speaker 3: the point where when I first saw her, I was like, Oh,

601
00:27:59,560 --> 00:28:01,680
Speaker 3: is she gonna be like working on the space station.

602
00:28:01,800 --> 00:28:03,440
Speaker 1: And then I realized, oh no, they probably still have

603
00:28:03,480 --> 00:28:04,200
Speaker 1: her in high school.

604
00:28:04,720 --> 00:28:07,680
Speaker 2: Yeah, and they actually I noticed when we were doing

605
00:28:07,720 --> 00:28:10,240
Speaker 2: the callback, they actually made it a big point of

606
00:28:10,600 --> 00:28:12,959
Speaker 2: And now Xenon's fifteen.

607
00:28:15,320 --> 00:28:20,840
Speaker 3: She is not thirty one, nor is she twelve or

608
00:28:20,880 --> 00:28:22,000
Speaker 3: thirteen anymore.

609
00:28:22,200 --> 00:28:25,280
Speaker 2: She looks different kids.

610
00:28:25,119 --> 00:28:27,000
Speaker 3: Yeah, because she did. She definitely looked older.

611
00:28:27,320 --> 00:28:29,480
Speaker 2: Yeah she did. She's such a pretty girl.

612
00:28:30,040 --> 00:28:33,199
Speaker 3: She is, and the whole station now sees Xenon as

613
00:28:33,240 --> 00:28:35,960
Speaker 3: the girl who cried alien throwing in. Let's throw in

614
00:28:35,960 --> 00:28:38,320
Speaker 3: the fact that Nebula is getting even closer to Margie

615
00:28:38,320 --> 00:28:42,080
Speaker 3: and even using her slang word fabula. What that's a

616
00:28:42,120 --> 00:28:44,160
Speaker 3: big stab in the back. This is a disaster.

617
00:28:45,120 --> 00:28:47,520
Speaker 1: I was like, oh, dude, your friend's bailing on YouTube.

618
00:28:47,560 --> 00:28:47,760
Speaker 3: Poor.

619
00:28:48,600 --> 00:28:50,400
Speaker 1: Yeah, so that night Xenon.

620
00:28:50,160 --> 00:28:58,000
Speaker 2: Is doing it, was like, Raven would never do that.

621
00:28:55,480 --> 00:28:58,200
Speaker 3: Right, exactly, where's Raven?

622
00:28:58,320 --> 00:29:02,840
Speaker 2: Where get Raven? She'd never do this, She never.

623
00:29:03,800 --> 00:29:09,120
Speaker 3: Nice. That night, Zenon is doing what every kid and

624
00:29:09,280 --> 00:29:12,960
Speaker 3: every kid thing, whether it's Disney, Nickelodeon or whatever, talking

625
00:29:13,000 --> 00:29:15,720
Speaker 3: to herself in bed. It's just the old kid stand

626
00:29:15,760 --> 00:29:18,880
Speaker 3: by when we were kids growing up on a television show,

627
00:29:18,920 --> 00:29:21,000
Speaker 3: you always had scenes where you're just talking to yourself.

628
00:29:21,560 --> 00:29:23,400
Speaker 1: And that's when her zappad beeps.

629
00:29:23,640 --> 00:29:26,680
Speaker 3: It magically downloaded the Alien Lab radar software and is

630
00:29:26,720 --> 00:29:29,920
Speaker 3: spiking again, but this time she recognizes the sound. It's

631
00:29:30,640 --> 00:29:33,920
Speaker 3: zoom zoom zoom from Protozoa. She fetches her old Lab

632
00:29:33,960 --> 00:29:37,080
Speaker 3: coworker Oryan and compares the zooms from the Radar to

633
00:29:37,200 --> 00:29:39,880
Speaker 3: Protozoa song Zoom Zoom zoom, and they are the same.

634
00:29:40,360 --> 00:29:42,880
Speaker 3: She quickly deduces that the aliens want to meet the

635
00:29:42,920 --> 00:29:45,080
Speaker 3: pop star, which seemed like a big jump for me.

636
00:29:46,840 --> 00:29:48,640
Speaker 3: It's like, that's where you went because the first thing

637
00:29:48,680 --> 00:29:50,280
Speaker 3: that went through by I was like, wow that okay,

638
00:29:50,440 --> 00:29:53,480
Speaker 3: got there quick. Yeah, I thought it was gonna be that.

639
00:29:53,760 --> 00:29:56,360
Speaker 3: It turned out that it was because they said that

640
00:29:56,400 --> 00:29:59,880
Speaker 3: Protozoa had disappeared and now she's getting these I thought

641
00:30:00,000 --> 00:30:02,000
Speaker 3: they were going where he's reaching out to her.

642
00:30:02,080 --> 00:30:06,560
Speaker 2: He's me too, That's exactly where I was going.

643
00:30:07,120 --> 00:30:07,560
Speaker 4: Yeah.

644
00:30:07,680 --> 00:30:09,000
Speaker 3: Same with my head.

645
00:30:09,040 --> 00:30:11,760
Speaker 2: I'm like, oh, she's gonna go save.

646
00:30:11,600 --> 00:30:16,920
Speaker 3: Him say it, thought the same exact thing. Yep, I

647
00:30:17,080 --> 00:30:19,480
Speaker 3: thought the same thing. It's like it's gotta be Protoza.

648
00:30:20,200 --> 00:30:21,920
Speaker 3: But yeah, that seemed like a big jump where she's

649
00:30:21,920 --> 00:30:24,920
Speaker 3: like zoom zoom zoom zoom zoom, aliens want to meet him,

650
00:30:24,920 --> 00:30:27,960
Speaker 3: Like wait what But hey, I'm still I'm still loving

651
00:30:28,080 --> 00:30:29,680
Speaker 3: them all in But that was a little bit of it.

652
00:30:29,800 --> 00:30:31,400
Speaker 2: Oh yes, that's where it got true.

653
00:30:31,680 --> 00:30:34,560
Speaker 3: Yeah yeah. O. Ryan of course buys the story and

654
00:30:34,680 --> 00:30:37,320
Speaker 3: knows how huge this is. He wants to tell Plank,

655
00:30:37,400 --> 00:30:40,360
Speaker 3: but Xenon knows he or Hammond won't believe them. And

656
00:30:40,400 --> 00:30:43,560
Speaker 3: then it's time to say goodbye to Section seven. Everyone

657
00:30:43,640 --> 00:30:45,920
Speaker 3: must report to their safe zones for the moment of release.

658
00:30:46,080 --> 00:30:49,280
Speaker 3: We get some again great special effects of space shots

659
00:30:49,280 --> 00:30:51,160
Speaker 3: of the pieces being removed from the station, and then

660
00:30:51,280 --> 00:30:53,760
Speaker 3: it's gone. Now we're in the dining room and Xenon

661
00:30:53,840 --> 00:30:57,080
Speaker 3: finds Nebula, who's obviously bothered by something. Xenon assumes it's

662
00:30:57,120 --> 00:30:59,880
Speaker 3: their earlier squabble over Margie, but it's because her fan

663
00:31:00,320 --> 00:31:03,160
Speaker 3: section is being sent back to Earth tomorrow afternoon. They're

664
00:31:03,160 --> 00:31:05,160
Speaker 3: not even getting time to say goodbye to people. They're

665
00:31:05,200 --> 00:31:07,640
Speaker 3: just ready. We're leaving at one Like wait, what.

666
00:31:07,840 --> 00:31:11,520
Speaker 2: Yes, you must pack all your belongings and go.

667
00:31:11,800 --> 00:31:15,000
Speaker 3: It's like this is her home. My god. Xenon, of

668
00:31:15,040 --> 00:31:18,040
Speaker 3: course cannot believe it. This is crisis mode extreme. She's

669
00:31:18,080 --> 00:31:20,680
Speaker 3: not gonna let General Hammond get away with this. Then

670
00:31:20,800 --> 00:31:23,360
Speaker 3: Xenon helps Nebula haul her big moving box into the

671
00:31:23,360 --> 00:31:26,280
Speaker 3: waiting area for her sections departure to Earth, and surprisingly,

672
00:31:26,480 --> 00:31:28,040
Speaker 3: Margie is hiding in the room.

673
00:31:28,080 --> 00:31:30,240
Speaker 1: And here's the best friend saying goodbye to each other.

674
00:31:30,920 --> 00:31:33,080
Speaker 3: It's now the big day Xenon's parents are saying goodbye

675
00:31:33,120 --> 00:31:35,480
Speaker 3: to Nebula and her mom, but Xenon is just too

676
00:31:35,520 --> 00:31:41,880
Speaker 3: sad to join them. We cut to Earth, where section

677
00:31:42,000 --> 00:31:44,640
Speaker 3: twelve is landing and the luggage is deplaning, and we

678
00:31:44,760 --> 00:31:48,040
Speaker 3: learn that Xenon was in Nebula's big box. Please don't

679
00:31:48,080 --> 00:31:52,200
Speaker 3: ever make me say that sentence again. She eventually escapes

680
00:31:52,240 --> 00:31:55,680
Speaker 3: the luggage, but once she's out, she's welcomed by Margie,

681
00:31:55,760 --> 00:31:57,840
Speaker 3: who was also hiding in a box for the trip

682
00:31:57,960 --> 00:32:00,440
Speaker 3: and wants to accompany Xenon on our adventure to prove

683
00:32:00,480 --> 00:32:03,880
Speaker 3: these aliens do in fact exist. Xenon can't believe what's

684
00:32:03,880 --> 00:32:06,480
Speaker 3: going on, but she gives it in Their first stop

685
00:32:06,520 --> 00:32:08,920
Speaker 3: is her Aunt Judy's place, who's just as kooky as

686
00:32:08,960 --> 00:32:11,480
Speaker 3: she was last time, and kookie enough to believe that

687
00:32:11,560 --> 00:32:14,320
Speaker 3: the alien story is true and willing to help. So

688
00:32:14,400 --> 00:32:17,800
Speaker 3: now Aunt Judy, Xenon, and Margie powow and Margie wonders

689
00:32:17,840 --> 00:32:21,920
Speaker 3: if Protozoa was actually alien napped, but Xenon isn't hearing it.

690
00:32:21,960 --> 00:32:24,600
Speaker 3: She knows the singer is justin hiding somehow, which, again

691
00:32:24,640 --> 00:32:27,920
Speaker 3: alien naps seems more logical yeah, but she decides to

692
00:32:27,960 --> 00:32:30,120
Speaker 3: study his lyrics to look for clues about where he is,

693
00:32:30,520 --> 00:32:33,320
Speaker 3: and Margie mentions a Linda who is referenced in a

694
00:32:33,320 --> 00:32:36,520
Speaker 3: lot of the songs. Aunt Judy mentions that Linda means

695
00:32:36,680 --> 00:32:41,160
Speaker 3: beautiful in Spanish, and boom, the Zeppad magically has a result.

696
00:32:41,200 --> 00:32:43,200
Speaker 3: It's a cliff side home. Not sure how beautiful and

697
00:32:43,200 --> 00:32:47,120
Speaker 3: Spanish got them there, but I did. It's like, wait

698
00:32:47,160 --> 00:32:49,720
Speaker 3: a second, he said the word blue. He was in vane,

699
00:32:49,960 --> 00:32:54,520
Speaker 3: like wait, what will you do?

700
00:32:54,600 --> 00:33:02,440
Speaker 2: I rewound this part. Then I was like, no, that's

701
00:33:02,960 --> 00:33:03,840
Speaker 2: that's all they gave us.

702
00:33:04,360 --> 00:33:04,760
Speaker 3: That was it.

703
00:33:04,880 --> 00:33:07,280
Speaker 2: But I'm telling you, I didn't care. I was like,

704
00:33:07,840 --> 00:33:10,760
Speaker 2: we gotta finds, I know, but they how do.

705
00:33:10,760 --> 00:33:12,800
Speaker 3: They not do something where it's like it's Linda and

706
00:33:12,880 --> 00:33:15,320
Speaker 3: then it's like, you know, his famous lyric, it's a

707
00:33:15,320 --> 00:33:17,520
Speaker 3: house on a hill, like something they give But they didn't.

708
00:33:17,560 --> 00:33:23,080
Speaker 3: They were just they said Linda and.

709
00:33:20,720 --> 00:33:23,800
Speaker 2: He and then they got the zillow exactly.

710
00:33:25,000 --> 00:33:28,000
Speaker 3: He's currently on sale for six point five megaquat ludes.

711
00:33:28,280 --> 00:33:32,040
Speaker 3: Yes uh, and there's an open house tomorrow, so we

712
00:33:32,120 --> 00:33:34,520
Speaker 3: now see inside the cliff side home they found by

713
00:33:34,560 --> 00:33:37,719
Speaker 3: just learning one word in Spanish, and it is Protozoa.

714
00:33:37,760 --> 00:33:39,880
Speaker 3: He's pacing and talking to his manager about what to

715
00:33:39,920 --> 00:33:42,680
Speaker 3: do next after already being the first rock star in space.

716
00:33:42,720 --> 00:33:44,479
Speaker 3: He can't be president of the Pope, so he might

717
00:33:44,520 --> 00:33:46,719
Speaker 3: as well just retire and hide in this house. I mean,

718
00:33:46,760 --> 00:33:48,680
Speaker 3: I feel like there are a whole bunch of other options,

719
00:33:48,680 --> 00:33:50,560
Speaker 3: but hey, who am I to get into an artist way?

720
00:33:50,680 --> 00:33:54,040
Speaker 2: But you gotta pause because this is the first time

721
00:33:54,360 --> 00:34:01,320
Speaker 2: we are actually getting a look into Protozoa's like personality. Yeah,

722
00:34:01,360 --> 00:34:08,040
Speaker 2: and the character, and I am all in. It was like,

723
00:34:08,200 --> 00:34:13,120
Speaker 2: he's funny, he's got this great accent. Yep, oh my god.

724
00:34:13,040 --> 00:34:14,760
Speaker 3: The hair is still on point.

725
00:34:14,760 --> 00:34:17,200
Speaker 2: The hair is still there. I mean, but we got

726
00:34:17,239 --> 00:34:19,920
Speaker 2: to see and I'm like, this guy's a great actor.

727
00:34:20,040 --> 00:34:23,200
Speaker 2: I feel like we didn't really get to see much

728
00:34:23,239 --> 00:34:25,160
Speaker 2: of him, and this is amazing.

729
00:34:25,480 --> 00:34:28,000
Speaker 3: And so yeah, I'm really glad that he's become one

730
00:34:28,000 --> 00:34:30,279
Speaker 3: of the main characters because he does add to the film.

731
00:34:30,280 --> 00:34:31,239
Speaker 3: He really does. It's great.

732
00:34:31,280 --> 00:34:35,640
Speaker 2: He adds so almost steals it. Yeah, at some point of.

733
00:34:35,600 --> 00:34:45,480
Speaker 3: It, I agree. I agree. So now on Judy is

734
00:34:45,520 --> 00:34:48,680
Speaker 3: dropping off Zene on Emergie into basically the jungle to

735
00:34:48,840 --> 00:34:53,680
Speaker 3: hype again. If you're flying did she drive though? They drove, right,

736
00:34:53,719 --> 00:34:54,560
Speaker 3: I don't they drove?

737
00:34:54,640 --> 00:34:54,839
Speaker 2: Yeah?

738
00:34:54,840 --> 00:34:58,520
Speaker 3: Okay, but yeah, they have to now hike to Protozos hideaway.

739
00:34:58,680 --> 00:35:01,120
Speaker 3: They immediately find a green screen waterfall, which it was,

740
00:35:01,160 --> 00:35:03,759
Speaker 3: and Margie is already tired and annoyed, even falling into

741
00:35:03,800 --> 00:35:06,279
Speaker 3: a puddle of mud and coming up to face a

742
00:35:06,480 --> 00:35:09,480
Speaker 3: very big spider, but she gets through it. But now

743
00:35:09,480 --> 00:35:11,440
Speaker 3: we're back on the space station. General Hammond finds a

744
00:35:11,440 --> 00:35:13,799
Speaker 3: message from Margie telling him that she went to Earth

745
00:35:13,840 --> 00:35:16,880
Speaker 3: with Xenon and lies, saying she was forced to go

746
00:35:16,920 --> 00:35:17,360
Speaker 3: with threats.

747
00:35:17,360 --> 00:35:20,520
Speaker 2: I was like, oh, I know, just when I was

748
00:35:20,600 --> 00:35:23,320
Speaker 2: kind of kind of starting to warm up to Marge.

749
00:35:23,760 --> 00:35:27,240
Speaker 2: I was like, oh no, oh no, Marge.

750
00:35:26,760 --> 00:35:30,480
Speaker 1: How dare you Margie? Yep, So that was not cool.

751
00:35:30,480 --> 00:35:32,719
Speaker 3: But he rushes down to see Xenon's parents and they

752
00:35:32,760 --> 00:35:35,120
Speaker 3: all quickly realize Xenon is not in her bedroom like

753
00:35:35,120 --> 00:35:37,279
Speaker 3: they thought. She does the full Ferris Bueller thing with

754
00:35:37,360 --> 00:35:38,920
Speaker 3: the like you knock on the door and she's like,

755
00:35:38,920 --> 00:35:41,440
Speaker 3: oh wait, it turns out to be a recording.

756
00:35:41,840 --> 00:35:42,040
Speaker 2: Yeah.

757
00:35:42,040 --> 00:35:44,320
Speaker 3: They call Aunt Judy and they get the whole story.

758
00:35:44,760 --> 00:35:47,480
Speaker 3: At the same time, Zenon and Margie have found Protozoa's house,

759
00:35:47,520 --> 00:35:50,359
Speaker 3: but they hit a force field that, when activated, tickles them.

760
00:35:50,600 --> 00:35:53,320
Speaker 3: Their incessant laugh leads Protozoa right to them, but luckily

761
00:35:53,360 --> 00:35:56,759
Speaker 3: he recognizes his old pal Xenon immediately in the house,

762
00:35:56,880 --> 00:35:59,279
Speaker 3: Xenon breaks down the entire alien story for him while

763
00:35:59,280 --> 00:36:03,160
Speaker 3: Margie is stars. He also hears the similar zoom zoom zoom,

764
00:36:03,200 --> 00:36:05,040
Speaker 3: but isn't ready to go to space again. He wants

765
00:36:05,080 --> 00:36:08,279
Speaker 3: a new challenge, so Xenon entices him by explaining he'd

766
00:36:08,280 --> 00:36:11,319
Speaker 3: be the first musician to ever play for aliens, and

767
00:36:11,400 --> 00:36:14,000
Speaker 3: then he's in So what an easy cell that was.

768
00:36:15,440 --> 00:36:17,919
Speaker 3: Back with Xenon's parents, they are furious with their daughter

769
00:36:17,960 --> 00:36:20,200
Speaker 3: and aunt Judy. General Hammond is now more likely to

770
00:36:20,239 --> 00:36:22,840
Speaker 3: send everyone to Earth, which is Xenon's mom's biggest nightmare,

771
00:36:23,120 --> 00:36:25,719
Speaker 3: and to add insult to injury, General Hammond has placed

772
00:36:25,840 --> 00:36:29,399
Speaker 3: Xenon's parents under house arrest until she returns. He arrests them,

773
00:36:30,120 --> 00:36:32,479
Speaker 3: but only we know. The girls are at Protozoa's pad,

774
00:36:32,480 --> 00:36:34,160
Speaker 3: who has finally made it out of his fonk at

775
00:36:34,160 --> 00:36:36,520
Speaker 3: his writing music again, but he wonders why if the

776
00:36:36,520 --> 00:36:38,840
Speaker 3: aliens want him so badly, why haven't they just beamed

777
00:36:38,880 --> 00:36:41,360
Speaker 3: him down and picked him up. Margie suggests that the

778
00:36:41,400 --> 00:36:45,000
Speaker 3: aliens saw et and they're afraid they'll get probed. Meeting

779
00:36:45,160 --> 00:36:49,239
Speaker 3: in space would be much safer. Yeah, okay, I'm going

780
00:36:49,280 --> 00:36:52,200
Speaker 3: to leave that, leave that exactly where it is. And

781
00:36:52,640 --> 00:36:55,040
Speaker 3: as you're wondering what I would say here, like everybody

782
00:36:55,080 --> 00:36:57,799
Speaker 3: to quickly rewind everything they've heard and just go back.

783
00:36:57,840 --> 00:36:59,759
Speaker 1: Please to Sabrina saying taint.

784
00:37:01,120 --> 00:37:05,080
Speaker 3: But Protozoa is not sold. Since space is huge, how

785
00:37:05,080 --> 00:37:07,319
Speaker 3: would they even know where to meet up. Xenon logs

786
00:37:07,320 --> 00:37:10,000
Speaker 3: into her zappad and finds access to a map. She

787
00:37:10,120 --> 00:37:12,160
Speaker 3: enlists the help of Oriyan to figure out what it means,

788
00:37:12,200 --> 00:37:14,560
Speaker 3: and asks Margie to call her dad for a shuttle.

789
00:37:14,920 --> 00:37:17,080
Speaker 3: She's hesitant to engage with her dad, especially since she

790
00:37:17,120 --> 00:37:20,160
Speaker 3: told him she was kidnapped by Xenon, but Xenon knows

791
00:37:20,160 --> 00:37:22,839
Speaker 3: finding aliens will save their space station, So I don't

792
00:37:22,880 --> 00:37:25,640
Speaker 3: know how she knows that, but she does so. Margie

793
00:37:25,640 --> 00:37:27,759
Speaker 3: eventually agrees to do it, but when she calls him,

794
00:37:27,800 --> 00:37:30,480
Speaker 3: it accidentally taps into a meeting where he's announcing his

795
00:37:30,520 --> 00:37:33,480
Speaker 3: secret plan to send all residents back to Earth and

796
00:37:33,560 --> 00:37:36,120
Speaker 3: destroy the space station once and for all because it's

797
00:37:36,120 --> 00:37:38,480
Speaker 3: on the verge of crashing from the intense damage that

798
00:37:38,480 --> 00:37:39,400
Speaker 3: occurred over the years.

799
00:37:40,080 --> 00:37:42,520
Speaker 1: Okay, so I have to ask because this is interesting.

800
00:37:44,000 --> 00:37:48,320
Speaker 3: He's saving everybody's life like it wasn't He's not bad,

801
00:37:48,480 --> 00:37:50,399
Speaker 3: you know what I mean, he's a bad guy, right.

802
00:37:50,480 --> 00:37:52,080
Speaker 3: It's not like I'm selling it off or this is

803
00:37:52,120 --> 00:37:55,760
Speaker 3: going to become a military space station. It's he's literally.

804
00:37:55,360 --> 00:37:57,760
Speaker 1: Saving everyone and doesn't want to kick people off.

805
00:37:58,040 --> 00:38:02,960
Speaker 2: Right, But they're not interested. They want to die on

806
00:38:03,000 --> 00:38:04,040
Speaker 2: the sh I know.

807
00:38:04,120 --> 00:38:06,160
Speaker 3: But it's one of those things though, where if you

808
00:38:06,320 --> 00:38:10,959
Speaker 3: think about it, nobody's really.

809
00:38:10,680 --> 00:38:12,880
Speaker 1: Bad in this movie. There's not a villain.

810
00:38:14,520 --> 00:38:16,279
Speaker 2: No, that's right.

811
00:38:16,520 --> 00:38:21,080
Speaker 3: You know, Margie is not the greatest, but they're traveling together,

812
00:38:21,760 --> 00:38:25,480
Speaker 3: her dad is trying to save everybody's life. Really, there

813
00:38:25,600 --> 00:38:27,760
Speaker 3: isn't a villain like there was in the first one.

814
00:38:28,160 --> 00:38:31,320
Speaker 3: That's so true, which I thought was interesting. Yeah. I figured,

815
00:38:31,360 --> 00:38:33,360
Speaker 3: obviously this guy's going to have where it's like, oh

816
00:38:33,400 --> 00:38:35,799
Speaker 3: they tapped into a secret meeting, what's really going on?

817
00:38:36,440 --> 00:38:37,520
Speaker 2: Right, And it.

818
00:38:37,480 --> 00:38:40,719
Speaker 3: Was that he's really trying to save everybody's life.

819
00:38:41,040 --> 00:38:43,319
Speaker 1: I'm trying to make sure that you don't all die. Yeah,

820
00:38:43,400 --> 00:38:44,480
Speaker 1: that's my evilness.

821
00:38:45,520 --> 00:38:48,200
Speaker 2: I'd like to, you know, offer you a future.

822
00:38:48,520 --> 00:38:53,200
Speaker 3: Yeah, exactly. This place is literally going to crash into

823
00:38:53,239 --> 00:38:55,239
Speaker 3: Earth and be destroyed in the next month, So I'm

824
00:38:55,280 --> 00:38:58,520
Speaker 3: getting everyone off and saving it. There's no villain, no

825
00:38:58,960 --> 00:39:01,360
Speaker 3: So now with this in though, Aunt Judy calls Plank

826
00:39:01,440 --> 00:39:02,600
Speaker 3: and tells him the bad news.

827
00:39:02,640 --> 00:39:04,360
Speaker 1: She demands a shuttle for the girls to find.

828
00:39:04,239 --> 00:39:07,240
Speaker 3: The aliens, and more importantly, Oriyan has figured out the map.

829
00:39:07,480 --> 00:39:10,160
Speaker 3: He shows Plank the exact location of the signal and

830
00:39:10,440 --> 00:39:12,439
Speaker 3: is sure that if you travel there, you'll come face

831
00:39:12,440 --> 00:39:15,680
Speaker 3: to face with aliens. Back with Xenon and Margie, they're

832
00:39:15,680 --> 00:39:18,319
Speaker 3: finally working out their issues. Margie blames her own sarcasm

833
00:39:18,320 --> 00:39:20,319
Speaker 3: and a surprise people listen to her at all. She's

834
00:39:20,320 --> 00:39:22,239
Speaker 3: had a rough upbringing, moving from place to place with

835
00:39:22,320 --> 00:39:24,840
Speaker 3: her dad and just wants to fit in. She's envious

836
00:39:24,840 --> 00:39:27,000
Speaker 3: that Xenon can just be popular with no effort, but

837
00:39:27,120 --> 00:39:29,840
Speaker 3: Xenon explains that everyone has pressures in their life. She

838
00:39:29,920 --> 00:39:32,480
Speaker 3: must see outside of herself and be a good person anyway.

839
00:39:32,520 --> 00:39:34,520
Speaker 3: It was a very nice message. Then we jump over

840
00:39:34,560 --> 00:39:36,520
Speaker 3: to Nebula's house on Earth. She's complaining to her mom

841
00:39:36,520 --> 00:39:39,160
Speaker 3: about their new surroundings. The house is small, the airs polluted,

842
00:39:39,160 --> 00:39:41,480
Speaker 3: and she misses the space station and that's when the

843
00:39:41,600 --> 00:39:45,279
Speaker 3: US Intergalactic Patrol, dispatched by General Hammond, arrives at her

844
00:39:45,280 --> 00:39:47,920
Speaker 3: front door. They want to interview Nebula to find out

845
00:39:47,920 --> 00:39:51,239
Speaker 3: where Xenon is, but our girl stays strong. She knows

846
00:39:51,280 --> 00:39:54,960
Speaker 3: that snitches end up in ditches, and back at the

847
00:39:56,040 --> 00:39:59,680
Speaker 3: that's true. And back in the station, Plank meets a

848
00:39:59,719 --> 00:40:03,160
Speaker 3: general him and he says Aunt Judy his girlfriend, which

849
00:40:03,200 --> 00:40:05,120
Speaker 3: I think was a detail I completely and totally forgot

850
00:40:05,120 --> 00:40:05,680
Speaker 3: from the first movie.

851
00:40:05,719 --> 00:40:08,080
Speaker 2: Did you remember until they said it? But then I remembered, Yeah,

852
00:40:08,080 --> 00:40:09,760
Speaker 2: they met like at the very end.

853
00:40:09,880 --> 00:40:12,840
Speaker 3: Right, but I had i'd's based on that too. Yeah,

854
00:40:12,880 --> 00:40:15,360
Speaker 3: but is begging him for a visit. He asked for

855
00:40:15,360 --> 00:40:16,960
Speaker 3: permission to take a shuttle to see her for twenty

856
00:40:16,960 --> 00:40:19,560
Speaker 3: four hours, and is quickly, of course granted said permission.

857
00:40:20,040 --> 00:40:22,480
Speaker 3: So Aunt Judy immediately let's see No. No, Plank will

858
00:40:22,480 --> 00:40:24,200
Speaker 3: be coming with the shuttle landing at the beach and

859
00:40:24,200 --> 00:40:26,799
Speaker 3: we'll pilot them to go see the aliens. But they

860
00:40:26,800 --> 00:40:29,920
Speaker 3: have to stay safe because the Intergalactic Patrol is roaming

861
00:40:29,960 --> 00:40:32,560
Speaker 3: the area to find them, and even worse, While Plank

862
00:40:32,600 --> 00:40:35,640
Speaker 3: is talking to Oriyan about the upcoming alien mission, Hammond's

863
00:40:35,640 --> 00:40:38,960
Speaker 3: overhears everything and places Plank under house arrest too. It

864
00:40:38,960 --> 00:40:40,799
Speaker 3: seems like if you're going to be discussing breaking all

865
00:40:40,800 --> 00:40:42,840
Speaker 3: the rules, maybe just a quick look over your shoulder

866
00:40:42,920 --> 00:40:44,719
Speaker 3: to make sure the guy you're trying to discuss isn't

867
00:40:44,760 --> 00:40:45,600
Speaker 3: right behind you.

868
00:40:45,560 --> 00:40:48,760
Speaker 2: Exactly, like or maybe not even be like walking around

869
00:40:48,760 --> 00:40:52,080
Speaker 2: doing it, like let's think a secret area or like

870
00:40:52,160 --> 00:40:54,560
Speaker 2: secure area that's like secured.

871
00:40:54,760 --> 00:40:58,520
Speaker 3: Or at least whisper. It was like, you know, it's

872
00:40:58,560 --> 00:41:01,360
Speaker 3: like what are you doing? But the girls and Protozo

873
00:41:01,400 --> 00:41:03,440
Speaker 3: are clueless to this and ready for the shuttle. It's

874
00:41:03,520 --> 00:41:05,919
Speaker 3: also worth pointing out that Xenon's parents are still locked

875
00:41:05,920 --> 00:41:08,440
Speaker 3: in the room, only to finally be broken out by Orion,

876
00:41:08,840 --> 00:41:10,719
Speaker 3: and Aunt Judy had made a break from her house

877
00:41:10,760 --> 00:41:13,680
Speaker 3: as well, with officers at her door, and they've all

878
00:41:13,719 --> 00:41:15,800
Speaker 3: shown up at Nebula's house at her house, so they're looking,

879
00:41:15,840 --> 00:41:18,799
Speaker 3: they're looking all over, and they're all on ATVs, which

880
00:41:18,880 --> 00:41:22,120
Speaker 3: I find strange, but hey, strange, no one's in a car.

881
00:41:22,400 --> 00:41:24,840
Speaker 3: They're like a weird ATV gang.

882
00:41:26,000 --> 00:41:29,719
Speaker 2: Yeah, like you and your buddies back it's right.

883
00:41:29,880 --> 00:41:31,520
Speaker 1: Yeah, they're the Heck's Angels.

884
00:41:33,200 --> 00:41:35,840
Speaker 3: Xenon's parents calls Xenon to encourage her to surrender and

885
00:41:35,880 --> 00:41:38,040
Speaker 3: come home, but she can't give up on the Aliens.

886
00:41:38,360 --> 00:41:40,720
Speaker 3: With Plank gone, she wants her parents to fly the shuttle,

887
00:41:40,760 --> 00:41:42,560
Speaker 3: but her mom is just too afraid to fly and

888
00:41:42,600 --> 00:41:45,560
Speaker 3: apparently has convinced herself she hates Earth, but for her daughter,

889
00:41:45,640 --> 00:41:48,000
Speaker 3: she's got to try. Orion leads her through the pipes

890
00:41:48,040 --> 00:41:49,719
Speaker 3: to get to the shuttle, but says things are too

891
00:41:49,719 --> 00:41:51,840
Speaker 3: hot to leave in the obvious rocket. She'll need to

892
00:41:51,880 --> 00:41:55,480
Speaker 3: use the smaller and dumpier waste management transport. It's obviously

893
00:41:55,520 --> 00:42:00,319
Speaker 3: not ideal. But this part of the film to me

894
00:42:00,760 --> 00:42:04,560
Speaker 3: was so like struck a chord because, as somebody who

895
00:42:04,600 --> 00:42:08,200
Speaker 3: deals with anxiety, there are times where you're you're you're

896
00:42:08,239 --> 00:42:10,600
Speaker 3: scared and you just have to do it anyway. And

897
00:42:10,680 --> 00:42:12,960
Speaker 3: so they really wrote her where she basically has a

898
00:42:13,000 --> 00:42:15,719
Speaker 3: mental illness. I mean, she's like she's too scared to

899
00:42:15,800 --> 00:42:17,759
Speaker 3: leave the shuttle. She's not going back to Earth. She

900
00:42:17,880 --> 00:42:20,560
Speaker 3: hasn't flown, she hasn't done any of this, and it's like,

901
00:42:20,600 --> 00:42:22,200
Speaker 3: my daughter needs me. I need to get over my

902
00:42:22,239 --> 00:42:24,040
Speaker 3: panic and that's what it was. This was a woman

903
00:42:24,080 --> 00:42:26,840
Speaker 3: in full panic attack ye who's like I gotta I

904
00:42:26,880 --> 00:42:28,640
Speaker 3: gotta feel the fear and do it anyway. I gotta go.

905
00:42:28,719 --> 00:42:30,480
Speaker 3: And so it was like, all right, good for you,

906
00:42:30,600 --> 00:42:31,600
Speaker 3: like I got you.

907
00:42:32,280 --> 00:42:36,120
Speaker 2: I loved it the messaging, and that I don't want

908
00:42:36,160 --> 00:42:38,280
Speaker 2: to do it until it's like literally only.

909
00:42:38,160 --> 00:42:39,920
Speaker 3: Superret okay, we'll do it. Then, we'll do it then.

910
00:42:40,920 --> 00:42:45,359
Speaker 2: But so good. Such a great thing, especially for what

911
00:42:45,400 --> 00:42:48,400
Speaker 2: we're dealing with, which is a kid's show, Like even

912
00:42:48,560 --> 00:42:53,600
Speaker 2: parents get these big feelings and these and can be scared.

913
00:42:53,680 --> 00:42:57,200
Speaker 2: But yet here we go. This is this is the message,

914
00:42:57,280 --> 00:42:59,080
Speaker 2: this is the you know, the learning.

915
00:42:59,400 --> 00:43:02,480
Speaker 3: I think so too. On the beach now, Aunt Judy

916
00:43:02,520 --> 00:43:05,560
Speaker 3: and Nebula arrive to help and reunite with Xenon, Margie

917
00:43:05,600 --> 00:43:08,600
Speaker 3: and Protozoa. Judy is devastated to hear Plank won't be

918
00:43:08,640 --> 00:43:10,560
Speaker 3: manning the shuttle, and when we cut to Xenon's mom

919
00:43:10,560 --> 00:43:13,799
Speaker 3: and Orion flying the trashmobile, it seems pretty touch and go.

920
00:43:14,000 --> 00:43:16,680
Speaker 3: She's freaking out and very scared of the landing, but

921
00:43:16,960 --> 00:43:19,239
Speaker 3: Xenon's mom makes it happen, finding the courage and the

922
00:43:19,280 --> 00:43:21,440
Speaker 3: love for her daughter and abruptly landing on the beach

923
00:43:21,600 --> 00:43:25,440
Speaker 3: just as Hammond's troops arrive on their stupid ATVs. The

924
00:43:25,520 --> 00:43:29,280
Speaker 3: now full group Xenon, Xenon's mom, Aunt Judy, Protozoa, Margie,

925
00:43:29,360 --> 00:43:31,680
Speaker 3: and Nebula take off in the shuttle, just escaping the

926
00:43:31,680 --> 00:43:34,640
Speaker 3: bad guys. Hammon is of course furious and ready to

927
00:43:34,640 --> 00:43:37,160
Speaker 3: take it out on Xenon's dad and Plank, but since

928
00:43:37,200 --> 00:43:39,759
Speaker 3: his daughter Margie's on the shuttle too, they suggest he

929
00:43:39,760 --> 00:43:43,120
Speaker 3: helps get them home safely. On the shuttle, everyone butt,

930
00:43:43,239 --> 00:43:45,000
Speaker 3: Xenon and her mom are asleep and they can't find

931
00:43:45,000 --> 00:43:47,840
Speaker 3: the aliens anywhere. The calculations don't appear to be precise.

932
00:43:48,120 --> 00:43:50,440
Speaker 3: Xenon is still optimistic and her mom is so thankful

933
00:43:50,480 --> 00:43:52,160
Speaker 3: to be backflying and pushing herself.

934
00:43:52,200 --> 00:43:53,440
Speaker 1: She is so proud of Xenon.

935
00:43:53,520 --> 00:43:56,040
Speaker 3: But their gas tanks are now empty, and Orion didn't

936
00:43:56,040 --> 00:43:57,160
Speaker 3: fill up the backup tanks.

937
00:43:57,200 --> 00:43:59,560
Speaker 1: Way to go dummy like one job.

938
00:44:00,120 --> 00:44:01,840
Speaker 3: They can't get in touch with the space station and

939
00:44:01,880 --> 00:44:04,120
Speaker 3: they're close to being sucked up into the gravitational pull

940
00:44:04,160 --> 00:44:07,520
Speaker 3: of the Moon and thrown through space to death. Also,

941
00:44:07,600 --> 00:44:10,880
Speaker 3: Aunt Judy is so annoying when she thinks she's dying

942
00:44:11,120 --> 00:44:14,919
Speaker 3: and she won't stop yapping. And then the moon does

943
00:44:15,000 --> 00:44:17,200
Speaker 3: pull the shuttle in, but it's not going to crash.

944
00:44:17,360 --> 00:44:20,000
Speaker 3: It's to meet the aliens. They've arrived for the rendezvous,

945
00:44:20,000 --> 00:44:22,400
Speaker 3: and their UFO looks like a beautiful laser bird. It

946
00:44:22,560 --> 00:44:24,520
Speaker 3: full on reminded me of the Abyss. I don't know

947
00:44:24,560 --> 00:44:27,120
Speaker 3: if you ever saw the Abyss, but no, straight out,

948
00:44:27,200 --> 00:44:28,400
Speaker 3: you've never seen the Abyss.

949
00:44:29,320 --> 00:44:32,279
Speaker 1: You've kind of seen James Cameron's the Abyss. It's great,

950
00:44:32,360 --> 00:44:33,840
Speaker 1: and it kind of this is what it reminded me of.

951
00:44:33,880 --> 00:44:36,560
Speaker 3: But it was beautiful. And that's when an alien beams

952
00:44:36,560 --> 00:44:38,879
Speaker 3: into their shuttle, but not to meet Protozoa. It's because

953
00:44:39,000 --> 00:44:42,480
Speaker 3: Xenon can surprisingly read the alien's minds. She finds out

954
00:44:42,480 --> 00:44:44,719
Speaker 3: that they've been lost in space for years, unable to

955
00:44:44,719 --> 00:44:47,279
Speaker 3: return home. If they can borrow a map in some charts,

956
00:44:47,320 --> 00:44:49,759
Speaker 3: they'll get the crew back into their space station then

957
00:44:49,880 --> 00:44:52,640
Speaker 3: return home. They needed permission to use the computers, though,

958
00:44:52,760 --> 00:44:57,040
Speaker 3: because they wanted to be polite, which is very funny. Yeah,

959
00:44:57,080 --> 00:44:59,480
Speaker 3: and now the alien led plane controlled by the laser

960
00:44:59,520 --> 00:45:02,120
Speaker 3: Bird return into the space Shuttle, completely shocking Hammond and

961
00:45:02,160 --> 00:45:02,760
Speaker 3: his officials.

962
00:45:02,840 --> 00:45:04,359
Speaker 1: The crew reunites with their families, but.

963
00:45:04,320 --> 00:45:06,799
Speaker 3: Without any actual proof of the aliens, They're still all

964
00:45:06,840 --> 00:45:09,400
Speaker 3: in trouble and the space station is still gonna be deactivated.

965
00:45:09,400 --> 00:45:12,080
Speaker 3: And I was like, what more proof do you need

966
00:45:12,360 --> 00:45:14,000
Speaker 3: than matching what you just saw?

967
00:45:14,400 --> 00:45:18,480
Speaker 2: Yes? Like, was someone supposed to take a picture of it?

968
00:45:18,600 --> 00:45:18,719
Speaker 3: Like?

969
00:45:18,800 --> 00:45:21,120
Speaker 2: What? What was it?

970
00:45:21,719 --> 00:45:25,160
Speaker 3: The mom is a scientist? Yes? Do you think she's

971
00:45:25,200 --> 00:45:27,640
Speaker 3: gonna go back and be like aliens have no No,

972
00:45:27,760 --> 00:45:30,719
Speaker 3: like she's gonna lie about it? Come on, it's like

973
00:45:30,760 --> 00:45:32,000
Speaker 3: what I was like, Wait a minute. I was like

974
00:45:32,040 --> 00:45:33,799
Speaker 3: literally yelling at the screen in the plane at that bot.

975
00:45:33,760 --> 00:45:36,600
Speaker 3: I was like, what else do you need to know? Uh?

976
00:45:37,360 --> 00:45:39,480
Speaker 2: Seriously, sorry, man, I'm just.

977
00:45:41,480 --> 00:45:42,440
Speaker 3: Watching the zequeal.

978
00:45:43,400 --> 00:45:45,839
Speaker 2: Sorry, it's a heated debate right now.

979
00:45:45,840 --> 00:45:49,160
Speaker 3: It was three C was pretty mad at me, and

980
00:45:49,400 --> 00:45:52,239
Speaker 3: just as Hammond becomes more insulting, Margie finally speaks up.

981
00:45:52,239 --> 00:45:54,600
Speaker 3: She insists they did find aliens and everything about their

982
00:45:54,640 --> 00:45:56,880
Speaker 3: adventure is true, but her dad needs proof.

983
00:45:57,160 --> 00:45:59,799
Speaker 1: And then the ship starts shaking. They're being put back

984
00:45:59,840 --> 00:46:00,399
Speaker 1: in orbit.

985
00:46:00,480 --> 00:46:03,360
Speaker 3: It's the aliens that are helping, and they're also reattaching

986
00:46:03,600 --> 00:46:06,480
Speaker 3: the previously removed pieces of the ship. The laser bird

987
00:46:06,520 --> 00:46:09,040
Speaker 3: waves goodbye and Xenon finally proved she was right. The

988
00:46:09,120 --> 00:46:12,200
Speaker 3: now intact space station is back on track, and to celebrate,

989
00:46:12,280 --> 00:46:15,360
Speaker 3: Protozoa performs for the ship. He explained, Xenon is the

990
00:46:15,360 --> 00:46:17,839
Speaker 3: true hero. The Aliens didn't even really want to meet him,

991
00:46:17,840 --> 00:46:20,719
Speaker 3: but being humbled has creatively woken him back up. He's

992
00:46:20,719 --> 00:46:24,080
Speaker 3: even performing weddings now, and that's where we realize. We're

993
00:46:24,080 --> 00:46:27,279
Speaker 3: at Commander Plank and Aunt Judy's nuptials. He wishes them

994
00:46:27,320 --> 00:46:29,440
Speaker 3: the best and dedicates a song to Xenon. It's called

995
00:46:29,480 --> 00:46:31,799
Speaker 3: the Galaxy as Ours and it's not the best song

996
00:46:32,560 --> 00:46:33,280
Speaker 3: in the film.

997
00:46:34,320 --> 00:46:36,839
Speaker 2: It's not zoom zoom.

998
00:46:37,320 --> 00:46:42,600
Speaker 3: You know, it's not tough. This your sophomore album is

999
00:46:42,600 --> 00:46:44,319
Speaker 3: always difficult. Everyone knows that.

1000
00:46:45,239 --> 00:46:49,000
Speaker 2: But not only that, think about it. Not not to

1001
00:46:49,200 --> 00:46:53,120
Speaker 2: like ruffle my shoulders and pump them up, but like

1002
00:46:53,200 --> 00:46:58,200
Speaker 2: this was before the world of musicals in the channel too.

1003
00:46:58,280 --> 00:47:01,480
Speaker 3: Yeah, no, it's true, it's right. I hadn't up yet.

1004
00:47:01,480 --> 00:47:04,040
Speaker 3: This is yeah yeah, and this is me PCG pre

1005
00:47:04,160 --> 00:47:05,680
Speaker 3: Cheetah Girls, right, And.

1006
00:47:05,719 --> 00:47:08,800
Speaker 2: Although I know Cheetah Girls fans love the first movie,

1007
00:47:08,880 --> 00:47:13,400
Speaker 2: the second movies music is a beefed up version, you

1008
00:47:13,400 --> 00:47:15,560
Speaker 2: know what I mean? So It's like, this is really

1009
00:47:16,040 --> 00:47:19,080
Speaker 2: before Disney was doing music, so I.

1010
00:47:19,040 --> 00:47:21,359
Speaker 3: Did, well, we know they had to RecA. We know

1011
00:47:21,520 --> 00:47:24,000
Speaker 3: Protozoa is in the third one, so maybe there's a

1012
00:47:24,040 --> 00:47:26,080
Speaker 3: new song in the third one that's that's kicked up.

1013
00:47:26,120 --> 00:47:26,520
Speaker 3: Who knows.

1014
00:47:26,560 --> 00:47:27,960
Speaker 1: But yeah, I gave I gave him a past.

1015
00:47:28,080 --> 00:47:32,000
Speaker 2: Yeah yeah, because by then they were in the wheelhouse

1016
00:47:32,040 --> 00:47:33,279
Speaker 2: of music. Yeah.

1017
00:47:33,560 --> 00:47:36,080
Speaker 3: I agree, Yeah, But who cares? We don't care. Things

1018
00:47:36,080 --> 00:47:39,120
Speaker 3: are good. I don't know. Margie has even returned to

1019
00:47:39,160 --> 00:47:41,400
Speaker 3: the Space Station and convinced her dad to let her stay.

1020
00:47:41,560 --> 00:47:44,120
Speaker 3: She wants to get to know Xenon better. Xenon pretends

1021
00:47:44,160 --> 00:47:46,319
Speaker 3: to be bummed at first, but they hug as the

1022
00:47:46,360 --> 00:47:49,480
Speaker 3: sucky song continues to play. Also, it looks like maybe

1023
00:47:49,600 --> 00:47:52,120
Speaker 3: Xenon and Orion have developed a little bit of crushes

1024
00:47:52,160 --> 00:47:52,680
Speaker 3: on each other.

1025
00:47:54,920 --> 00:47:58,080
Speaker 1: Together, and Plank and Hammond have even made up.

1026
00:47:58,160 --> 00:48:03,560
Speaker 3: Everything is turning up Space Station, and that is our movie.

1027
00:48:09,760 --> 00:48:12,759
Speaker 3: Let's do some real reviews. I have the five star

1028
00:48:12,880 --> 00:48:15,360
Speaker 3: review this week. I love how both of our reviews

1029
00:48:15,360 --> 00:48:18,160
Speaker 3: are very short. This week our five star reviews from

1030
00:48:18,200 --> 00:48:21,160
Speaker 3: our old friend who nom Nomen is back, And here

1031
00:48:21,239 --> 00:48:21,840
Speaker 3: is this review.

1032
00:48:22,480 --> 00:48:25,680
Speaker 1: I've seen every movie and this one is good.

1033
00:48:26,000 --> 00:48:27,920
Speaker 3: Five stars. Ok, thank you ver.

1034
00:48:27,960 --> 00:48:30,200
Speaker 2: What do you got stars? I've got the one star.

1035
00:48:31,600 --> 00:48:42,640
Speaker 2: This is from Augusto forty. Yeah, this sequel sucks.

1036
00:48:44,640 --> 00:48:45,120
Speaker 3: One star.

1037
00:48:45,239 --> 00:48:46,160
Speaker 2: I thought that was right.

1038
00:48:46,400 --> 00:48:49,520
Speaker 3: I guess sequel sucks. We are now, of course, to

1039
00:48:49,880 --> 00:48:52,600
Speaker 3: Sabrina's favorite part of the program.

1040
00:48:52,840 --> 00:48:54,160
Speaker 2: Is warming up to me a little bit.

1041
00:48:54,280 --> 00:48:56,800
Speaker 3: I haven't been doing you know why, because.

1042
00:48:57,840 --> 00:49:01,920
Speaker 2: Here to make me feel like a complete So there you.

1043
00:49:01,960 --> 00:49:05,360
Speaker 3: Go, no Jensen, and the feature becomes a lot easier,

1044
00:49:05,400 --> 00:49:09,600
Speaker 3: doesn't it. So our feature this week is called Alien Concepts.

1045
00:49:09,920 --> 00:49:12,000
Speaker 3: To honor, Zenon and her new alien friends, will be

1046
00:49:12,000 --> 00:49:14,520
Speaker 3: given a description of a movie that includes aliens. Oh,

1047
00:49:14,560 --> 00:49:16,239
Speaker 3: I should be good at this. We have to guess

1048
00:49:16,280 --> 00:49:18,320
Speaker 3: the title of the movie from a little multiple choice

1049
00:49:18,320 --> 00:49:19,880
Speaker 3: option three out of five wins.

1050
00:49:20,360 --> 00:49:22,080
Speaker 1: Who is playing with us today?

1051
00:49:22,719 --> 00:49:23,080
Speaker 3: All right?

1052
00:49:23,120 --> 00:49:27,160
Speaker 2: Here we wait before Lisa. Are you you are one

1053
00:49:27,200 --> 00:49:31,520
Speaker 2: of our just brainiacs of the of the producing staff?

1054
00:49:32,280 --> 00:49:34,720
Speaker 2: Are you a like alien movie fan?

1055
00:49:34,880 --> 00:49:37,520
Speaker 3: Oh? She's gonna know all these backwards for I don't

1056
00:49:37,520 --> 00:49:38,000
Speaker 3: even know what.

1057
00:49:37,960 --> 00:49:41,480
Speaker 2: The questions are. I only have the answers. Oh, okay,

1058
00:49:43,040 --> 00:49:43,600
Speaker 2: the alien.

1059
00:49:46,320 --> 00:49:50,040
Speaker 3: Here we go. Number one. After witnessing a UFO, an

1060
00:49:50,200 --> 00:49:53,200
Speaker 3: ordinary man becomes obsessed with the mysterious visions that lead

1061
00:49:53,239 --> 00:49:56,480
Speaker 3: him to a remote site in hopes to make first contact.

1062
00:49:56,800 --> 00:50:01,200
Speaker 3: Is that a fire in the sky? B Mars needs moms,

1063
00:50:01,680 --> 00:50:05,080
Speaker 3: see Close Encounters of the Third Kind or D super eight?

1064
00:50:05,520 --> 00:50:07,200
Speaker 3: What do you got, Sabrina?

1065
00:50:09,800 --> 00:50:13,200
Speaker 2: My eyes are going to cross this game. I'm gonna

1066
00:50:13,200 --> 00:50:15,359
Speaker 2: go with see Close Encounters of the Third Kind?

1067
00:50:15,520 --> 00:50:18,160
Speaker 3: It is C Close Encounters for the third time? Am

1068
00:50:18,160 --> 00:50:20,120
Speaker 3: I right? You don't even need me?

1069
00:50:20,200 --> 00:50:20,920
Speaker 2: Will I don't?

1070
00:50:21,000 --> 00:50:22,520
Speaker 3: I don't to be honest with you, but I love

1071
00:50:22,560 --> 00:50:25,799
Speaker 3: having you here and hearing your dulcet tones. So that's right.

1072
00:50:25,840 --> 00:50:27,000
Speaker 3: We're one for one. Number two?

1073
00:50:27,200 --> 00:50:29,920
Speaker 2: Wow, you guys, I feel like I want already.

1074
00:50:29,960 --> 00:50:33,960
Speaker 3: She's stepping away. I'm done. I just had my one

1075
00:50:34,000 --> 00:50:37,200
Speaker 3: good golf shot. I never have to play again. Yes, yeah,

1076
00:50:37,320 --> 00:50:40,239
Speaker 3: Number two. Aliens launch a massive attack on Earth, and

1077
00:50:40,280 --> 00:50:42,799
Speaker 3: a group of survivors, including a pilot, a scientist, and

1078
00:50:42,840 --> 00:50:45,680
Speaker 3: the US President unite to fight back. Is it a

1079
00:50:45,920 --> 00:50:50,440
Speaker 3: Independence Day? B Mars attacks, CE Deep Impact or d Armageddon?

1080
00:50:50,680 --> 00:50:52,080
Speaker 3: What do you got, Sabrina?

1081
00:50:52,520 --> 00:50:53,959
Speaker 2: A independence day?

1082
00:50:54,000 --> 00:50:57,120
Speaker 3: It is a independence day? Two for two, Sabrina, Am

1083
00:50:57,160 --> 00:50:57,920
Speaker 3: I correct.

1084
00:50:57,840 --> 00:50:59,920
Speaker 2: Like aliens more than you think? I think a pair.

1085
00:51:00,719 --> 00:51:06,160
Speaker 2: I listen, No, the next one? Yeah.

1086
00:51:06,480 --> 00:51:09,360
Speaker 3: Number three, a young boy befriends a stranded alien and

1087
00:51:09,360 --> 00:51:12,080
Speaker 3: helps him reunite with his family while evading government agents

1088
00:51:12,120 --> 00:51:16,239
Speaker 3: and enjoying McDonald's. Is it a E T B Big

1089
00:51:16,280 --> 00:51:19,520
Speaker 3: Hero six see Gods and Monsters? Or D mac and

1090
00:51:19,600 --> 00:51:21,000
Speaker 3: Me Sabrina, What do you got.

1091
00:51:22,560 --> 00:51:24,759
Speaker 2: A E T Ooh?

1092
00:51:25,000 --> 00:51:29,760
Speaker 3: This is where producer Jensen really gets because he added enjoying.

1093
00:51:29,600 --> 00:51:33,600
Speaker 2: McDonald That's when I went, I don't remember McDonald's and ET,

1094
00:51:33,800 --> 00:51:36,400
Speaker 2: but it wasn't. It was so close to it.

1095
00:51:36,560 --> 00:51:39,680
Speaker 3: Basically a commercial rip off. It was a rip off

1096
00:51:39,680 --> 00:51:43,160
Speaker 3: of ET called mac and Me McIver.

1097
00:51:44,440 --> 00:51:45,960
Speaker 2: The mac Oh damn it.

1098
00:51:46,080 --> 00:51:49,440
Speaker 3: There's literally like in the middle, there's like a McDonald's commercial. Essentially,

1099
00:51:49,800 --> 00:51:52,480
Speaker 3: you need to go look up every Paul Rudd appearance

1100
00:51:52,800 --> 00:51:53,920
Speaker 3: on Conan O'Brien.

1101
00:51:54,000 --> 00:51:55,440
Speaker 2: I think it is he just.

1102
00:51:58,080 --> 00:52:00,640
Speaker 3: Okay? Number four, a man claiming to be from another

1103
00:52:00,680 --> 00:52:03,000
Speaker 3: planet is sent to a mental hospital, where his calm,

1104
00:52:03,040 --> 00:52:06,000
Speaker 3: wisdom and mysterious knowledge make everyone question if he's actually

1105
00:52:06,000 --> 00:52:09,879
Speaker 3: telling the truth. Is it a Lawnmore Man b K

1106
00:52:09,960 --> 00:52:12,840
Speaker 3: pax C Galaxy Quest or D Home.

1107
00:52:14,440 --> 00:52:17,240
Speaker 2: I don't know, I'm gonna go b K Pax.

1108
00:52:18,280 --> 00:52:20,640
Speaker 3: It's definitely not Galaxy Quest. I've never heard of Home.

1109
00:52:20,719 --> 00:52:23,640
Speaker 3: I think lawnmore Man is a horror movie. So I'm

1110
00:52:23,640 --> 00:52:28,479
Speaker 3: gonna say b K Pax it is b I won.

1111
00:52:28,920 --> 00:52:31,160
Speaker 1: I think we won. And so the fifth one just

1112
00:52:31,160 --> 00:52:34,680
Speaker 1: for I did number five.

1113
00:52:34,880 --> 00:52:37,279
Speaker 3: An alien couple crash land on Earth and try to

1114
00:52:37,280 --> 00:52:39,600
Speaker 3: blend in with humans using fake identities and end up

1115
00:52:39,640 --> 00:52:43,040
Speaker 3: living an oddly normal suburban life a Earth to Echo

1116
00:52:43,320 --> 00:52:47,480
Speaker 3: B Paul c Arrival or D coneads.

1117
00:52:49,080 --> 00:52:49,400
Speaker 2: Heads.

1118
00:52:49,880 --> 00:52:51,360
Speaker 3: Yes it's d co Heads.

1119
00:52:51,800 --> 00:52:57,040
Speaker 2: Yes, it's back in me and I have never seen that.

1120
00:52:57,120 --> 00:52:57,880
Speaker 2: I don't even know.

1121
00:52:58,200 --> 00:52:59,960
Speaker 3: You should watch it. It's worth it. It's funny, as

1122
00:53:00,200 --> 00:53:02,400
Speaker 3: is it funny? It's yes, because.

1123
00:53:02,120 --> 00:53:04,799
Speaker 2: It's so it's supposed to be funny. It's like a comic.

1124
00:53:04,800 --> 00:53:07,239
Speaker 3: It was supposed to be eat, and it's just not eat.

1125
00:53:07,520 --> 00:53:08,040
Speaker 2: It's just not.

1126
00:53:08,239 --> 00:53:09,759
Speaker 3: Yeah. Okay, it's got a.

1127
00:53:09,920 --> 00:53:11,480
Speaker 1: It's got a great cult following.

1128
00:53:11,480 --> 00:53:14,520
Speaker 3: It really does. Really Yeah, it's all right. Well, thank

1129
00:53:14,560 --> 00:53:17,520
Speaker 3: you so much, Lisa. I appreciate it. And now do

1130
00:53:17,640 --> 00:53:20,960
Speaker 3: some Sabrina sees.

1131
00:53:23,920 --> 00:53:29,160
Speaker 2: Yes, okay, so I have to. I just have to

1132
00:53:29,239 --> 00:53:31,719
Speaker 2: hit it because we sort of sort of talked about

1133
00:53:31,760 --> 00:53:35,200
Speaker 2: it at first, and as soon as I pop it

1134
00:53:35,320 --> 00:53:38,680
Speaker 2: up to push play on Disney Plus, I realized that

1135
00:53:38,760 --> 00:53:42,480
Speaker 2: it wasn't Raven on it, and I was like, I

1136
00:53:42,600 --> 00:53:44,480
Speaker 2: thought Raven wasn't in the third one.

1137
00:53:44,960 --> 00:53:45,640
Speaker 1: Yeah, I.

1138
00:53:49,600 --> 00:53:52,920
Speaker 2: Thought I was expecting Raven and I just didn't realize

1139
00:53:52,960 --> 00:53:54,759
Speaker 2: I thought she wasn't in the third one. I thought

1140
00:53:54,800 --> 00:53:56,480
Speaker 2: she was in the first two. So I was kind

1141
00:53:56,480 --> 00:54:00,239
Speaker 2: of like, oh, but then I was like, oh, wait, no,

1142
00:54:00,400 --> 00:54:04,240
Speaker 2: that's from the Color of She's from the Color of Friendship.

1143
00:54:04,239 --> 00:54:06,000
Speaker 3: Oh she killed it, and she killed it.

1144
00:54:06,040 --> 00:54:08,120
Speaker 2: She did a great job. So anyways, it was kind

1145
00:54:08,120 --> 00:54:09,480
Speaker 2: of I did have a little bit of an emotional

1146
00:54:09,600 --> 00:54:14,520
Speaker 2: rollercoaster even before person play. And then did you notice

1147
00:54:14,520 --> 00:54:16,880
Speaker 2: that Stu is not just a writer, he's a producer

1148
00:54:16,920 --> 00:54:17,120
Speaker 2: on this?

1149
00:54:17,239 --> 00:54:18,200
Speaker 3: Yes, there's a couple.

1150
00:54:18,239 --> 00:54:20,040
Speaker 1: Now we've seen that he's a producer.

1151
00:54:20,120 --> 00:54:24,040
Speaker 2: Yeah, yes, I think that's amazing. Next next hit was

1152
00:54:24,400 --> 00:54:26,279
Speaker 2: and I get what they were looking for when we

1153
00:54:26,320 --> 00:54:30,600
Speaker 2: first see Margie for the first time again, you know

1154
00:54:30,680 --> 00:54:33,000
Speaker 2: she's back, and we see that she's in the second movie,

1155
00:54:33,280 --> 00:54:36,400
Speaker 2: and they do it. They're a little clueless. Those shoes

1156
00:54:36,440 --> 00:54:41,080
Speaker 2: were so horrid. I oh my gosh, they were so awful.

1157
00:54:41,080 --> 00:54:43,600
Speaker 2: I felt terrible. That was just terrible, terrible.

1158
00:54:44,320 --> 00:54:46,560
Speaker 3: I love you see things and it's like I'll never

1159
00:54:46,680 --> 00:54:48,240
Speaker 3: ever see anybody's shoes.

1160
00:54:48,680 --> 00:54:51,680
Speaker 2: Yeah, I would die if I had it. Makes it

1161
00:54:51,719 --> 00:54:54,399
Speaker 2: when I watched these movies because it's like, really, when

1162
00:54:54,400 --> 00:54:57,040
Speaker 2: I was doing so much acting, was at this age

1163
00:54:57,880 --> 00:54:59,560
Speaker 2: is thinking like, oh, if I had to do that,

1164
00:54:59,640 --> 00:55:02,200
Speaker 2: if they told me I had to paint and touch

1165
00:55:02,239 --> 00:55:06,160
Speaker 2: someone else's toes, I don't know how I would have

1166
00:55:06,160 --> 00:55:07,080
Speaker 2: gotten through the scene.

1167
00:55:07,239 --> 00:55:10,040
Speaker 3: Why are you Are you that creeped out by feet?

1168
00:55:10,600 --> 00:55:12,600
Speaker 2: Yeah? Like if it was, I mean imagine like it's

1169
00:55:12,640 --> 00:55:15,839
Speaker 2: not even like somebody who's like you're like really your friend, Like.

1170
00:55:17,400 --> 00:55:20,320
Speaker 3: Girls don't paint each other's toenails when they're like thirteen fourteen.

1171
00:55:21,320 --> 00:55:23,239
Speaker 2: Yeah, I think so, But I don't think. I don't

1172
00:55:23,280 --> 00:55:24,120
Speaker 2: remember doing.

1173
00:55:24,320 --> 00:55:24,680
Speaker 3: I don't know.

1174
00:55:24,680 --> 00:55:27,520
Speaker 2: I don't My weirdness of feet came like later on

1175
00:55:27,560 --> 00:55:30,600
Speaker 2: in life and especially now, like I could chomp on

1176
00:55:30,680 --> 00:55:33,439
Speaker 2: my kid's feet. I love my kid's feet. I'm good

1177
00:55:33,440 --> 00:55:36,719
Speaker 2: with Jordan's feet. If anyone else touched me with their

1178
00:55:36,719 --> 00:55:40,120
Speaker 2: foot like that, let alone asked me to paint their nails,

1179
00:55:40,160 --> 00:55:44,360
Speaker 2: I would I would probab just throw up all over them.

1180
00:55:44,480 --> 00:55:48,680
Speaker 3: I know I'm going to ask you for my fiftieth birthday.

1181
00:55:51,680 --> 00:55:56,400
Speaker 2: No, no, no, no. One of the things that I

1182
00:55:56,520 --> 00:55:59,600
Speaker 2: just had to write it down. The mom with her

1183
00:55:59,640 --> 00:56:01,239
Speaker 2: helmet before, like, when was.

1184
00:56:01,280 --> 00:56:03,560
Speaker 3: She an anxiety helmet? I want one? Wait?

1185
00:56:03,680 --> 00:56:04,839
Speaker 2: Was that an anxiety helmet?

1186
00:56:04,960 --> 00:56:07,600
Speaker 3: Is? She says she's playing that. Yes, they do. They

1187
00:56:07,600 --> 00:56:09,960
Speaker 3: explain she's got she's wearing her her stress helmet, her

1188
00:56:09,960 --> 00:56:11,759
Speaker 3: anxiety helmet. I was like, oh my god, I want

1189
00:56:11,840 --> 00:56:12,200
Speaker 3: one of those.

1190
00:56:12,560 --> 00:56:14,680
Speaker 2: I was dying at it. I didn't realize that that's

1191
00:56:14,680 --> 00:56:16,600
Speaker 2: what it was. I thought that was the helmet she

1192
00:56:16,680 --> 00:56:19,440
Speaker 2: was gonna be wearing too. Why And I'm like, that

1193
00:56:19,600 --> 00:56:24,279
Speaker 2: is the most rid It is funny. It was a

1194
00:56:24,680 --> 00:56:27,680
Speaker 2: funny little like fun prop for a Disney movie. I

1195
00:56:27,719 --> 00:56:31,120
Speaker 2: loved it. This was when I like almost started getting

1196
00:56:31,120 --> 00:56:33,239
Speaker 2: a little choked up. Is I'm like, I put oh

1197
00:56:33,880 --> 00:56:37,080
Speaker 2: Stu and his wisdom, and we're going back to what

1198
00:56:37,120 --> 00:56:41,319
Speaker 2: I was talking before. It says one of it was, obviously,

1199
00:56:41,560 --> 00:56:44,840
Speaker 2: you know, the the idea of the mom really like

1200
00:56:44,960 --> 00:56:47,200
Speaker 2: we already talked about. But the second part of it

1201
00:56:47,280 --> 00:56:49,520
Speaker 2: was their chat that they have together as a mom

1202
00:56:49,560 --> 00:56:52,319
Speaker 2: and a daughter. And she talks about you had a

1203
00:56:52,440 --> 00:56:55,759
Speaker 2: kid and kids make the stakes change. When she's talking

1204
00:56:55,800 --> 00:56:57,040
Speaker 2: about her anxiety, She's.

1205
00:56:56,840 --> 00:56:57,879
Speaker 3: Like, what's wrong with me?

1206
00:56:57,960 --> 00:57:00,200
Speaker 2: And it's so true? And I was like, oh, is

1207
00:57:00,200 --> 00:57:02,759
Speaker 2: it's so so true. And then it goes through her

1208
00:57:02,880 --> 00:57:06,920
Speaker 2: second one where she says, you never realize how like

1209
00:57:07,160 --> 00:57:09,440
Speaker 2: you're You never realize how much your kids are gonna

1210
00:57:10,040 --> 00:57:14,200
Speaker 2: teach you, and I just I'm like, I weld up

1211
00:57:14,320 --> 00:57:18,120
Speaker 2: twice because of Stu and I feel like you've done

1212
00:57:18,120 --> 00:57:19,760
Speaker 2: that to me before.

1213
00:57:19,400 --> 00:57:22,920
Speaker 3: He's he's great with the messages, so good. Yes.

1214
00:57:23,760 --> 00:57:26,280
Speaker 2: And then my last and final thing, and it's a

1215
00:57:26,280 --> 00:57:29,600
Speaker 2: little bit more of a discussion because we both knew

1216
00:57:29,600 --> 00:57:32,320
Speaker 2: this was from from Stu. I think is who told

1217
00:57:32,360 --> 00:57:35,240
Speaker 2: us that, uh, or we just had it from our

1218
00:57:35,240 --> 00:57:39,800
Speaker 2: producers that this shot in New Zealand. Did you feel

1219
00:57:40,040 --> 00:57:42,800
Speaker 2: I felt like there were several times that we were

1220
00:57:42,800 --> 00:57:50,040
Speaker 2: on the set of Zombies, specifically when she's overlooking and

1221
00:57:50,040 --> 00:57:53,920
Speaker 2: and then on the beach, the beach area, I swear

1222
00:57:54,000 --> 00:57:57,360
Speaker 2: there was a shot and I'm like, there saw the

1223
00:57:57,480 --> 00:58:03,360
Speaker 2: night Walkers and the day walk Yeah, there dance. There

1224
00:58:03,480 --> 00:58:05,920
Speaker 2: was a section on the beach where I'm like, I

1225
00:58:06,040 --> 00:58:08,720
Speaker 2: swear Paul took them there, and that's where they did

1226
00:58:09,080 --> 00:58:12,280
Speaker 2: it was just so exactly like it, I'm sure. And

1227
00:58:12,800 --> 00:58:15,360
Speaker 2: there was a lot of different areas in the movie

1228
00:58:15,400 --> 00:58:20,160
Speaker 2: when they're outside, mainly by Protozoa's house, where when they're

1229
00:58:20,200 --> 00:58:24,840
Speaker 2: actually outside in New Zealand that I'm going this is there.

1230
00:58:24,880 --> 00:58:27,240
Speaker 2: They've got to be shooting somewhere where they're like around

1231
00:58:27,240 --> 00:58:28,600
Speaker 2: the area that they shot zombies.

1232
00:58:28,760 --> 00:58:31,200
Speaker 3: I'm sure. Yeah, I think it's kind of a pretty

1233
00:58:31,440 --> 00:58:33,280
Speaker 3: famous place for a ton of movies, is right here.

1234
00:58:33,400 --> 00:58:37,120
Speaker 2: Yes, So that was something that I really loved because

1235
00:58:37,160 --> 00:58:40,800
Speaker 2: we're here twenty years later seeing some of the watching

1236
00:58:40,840 --> 00:58:43,360
Speaker 2: the kind things, and it was pretty cool. I thought

1237
00:58:43,360 --> 00:58:45,280
Speaker 2: that was awesome. I felt like that. I felt like

1238
00:58:45,280 --> 00:58:46,920
Speaker 2: it was like kind of like an Easter egg. It

1239
00:58:47,000 --> 00:58:47,439
Speaker 2: is sense.

1240
00:58:47,920 --> 00:58:49,400
Speaker 3: All, Well, now I have to watch the movie again

1241
00:58:49,440 --> 00:58:51,040
Speaker 3: and try to find those z's because now it's going

1242
00:58:51,120 --> 00:58:51,240
Speaker 3: to go.

1243
00:58:51,400 --> 00:58:53,360
Speaker 2: I know. I think I'm gonna have to. Because Monroe

1244
00:58:53,400 --> 00:58:56,240
Speaker 2: came in at the end and she's like, wait, they

1245
00:58:56,280 --> 00:58:59,280
Speaker 2: live in space. Oh yeah, that's cool, and so she

1246
00:58:59,400 --> 00:59:01,720
Speaker 2: watched the of it while they were, you know, on

1247
00:59:01,800 --> 00:59:04,200
Speaker 2: the space thing, and so she I think, I'm going

1248
00:59:04,280 --> 00:59:06,320
Speaker 2: to have her watch the full thing, and oh yeah,

1249
00:59:06,800 --> 00:59:07,720
Speaker 2: I'm looking for it.

1250
00:59:07,880 --> 00:59:10,640
Speaker 3: All right, Well, thank you so much, And I think

1251
00:59:10,680 --> 00:59:13,680
Speaker 3: it's time for us to rate our film our options

1252
00:59:13,720 --> 00:59:16,000
Speaker 3: this week. I thought as I was watching this, I

1253
00:59:16,200 --> 00:59:17,640
Speaker 3: was like, okay, we're going to switch it up this week.

1254
00:59:17,640 --> 00:59:19,800
Speaker 3: We're going to do one out of ten, okay, and

1255
00:59:19,840 --> 00:59:23,640
Speaker 3: we're going to make ten the best one okay.

1256
00:59:23,800 --> 00:59:27,320
Speaker 1: So here are options. One out of ten, sag insurance.

1257
00:59:26,880 --> 00:59:31,680
Speaker 3: Cards, cut pieces of meat, one out of ten, glued

1258
00:59:31,760 --> 00:59:36,080
Speaker 3: socks one out of ten, zums, one atten, Spanish words

1259
00:59:36,080 --> 00:59:42,360
Speaker 3: for beautiful green screen waterfalls, horribly yapping aunt Judy's one

1260
00:59:42,400 --> 00:59:44,560
Speaker 3: out of ten, beautiful laser birds, or one out of

1261
00:59:44,560 --> 00:59:46,920
Speaker 3: ten Protozoa's horrible songs. What would you like?

1262
00:59:47,040 --> 00:59:49,560
Speaker 2: Oh? I like Spanish words.

1263
00:59:50,160 --> 00:59:52,840
Speaker 3: I do too. I think it's great. So I think

1264
00:59:52,880 --> 00:59:55,560
Speaker 3: I went first last time. So I think it's your

1265
00:59:55,600 --> 00:59:58,120
Speaker 3: two two? Did I show?

1266
00:59:59,160 --> 01:00:00,000
Speaker 2: What was it you?

1267
01:00:01,080 --> 01:00:04,320
Speaker 3: Our last movie? Was?

1268
01:00:04,320 --> 01:00:04,600
Speaker 2: Was it?

1269
01:00:05,400 --> 01:00:05,840
Speaker 3: Underwround?

1270
01:00:06,080 --> 01:00:07,120
Speaker 1: They?

1271
01:00:07,440 --> 01:00:08,560
Speaker 3: Did? I go on? Did you go first?

1272
01:00:08,640 --> 01:00:09,120
Speaker 2: I went first?

1273
01:00:09,160 --> 01:00:10,760
Speaker 3: All right, I'll go first. I'll throw it out there.

1274
01:00:11,240 --> 01:00:14,360
Speaker 3: So I really liked it. I did. I really liked

1275
01:00:14,400 --> 01:00:18,400
Speaker 3: this movie. I it went by quickly. It was engaging,

1276
01:00:18,440 --> 01:00:21,520
Speaker 3: there was a good message, the acting was good. It

1277
01:00:21,560 --> 01:00:23,880
Speaker 3: really kind of hit all the boxes that you're supposed

1278
01:00:23,880 --> 01:00:25,800
Speaker 3: to hit for a d com. I'm giving this a

1279
01:00:25,960 --> 01:00:29,520
Speaker 3: solid eight point five space and it could be a nine.

1280
01:00:29,800 --> 01:00:31,280
Speaker 3: It really could be a nine. But I'm going to

1281
01:00:31,320 --> 01:00:34,800
Speaker 3: give it eight point five Spanish words for beautiful, because

1282
01:00:34,840 --> 01:00:35,400
Speaker 3: I really did.

1283
01:00:35,400 --> 01:00:36,800
Speaker 1: I had a lot of fun and enjoyed this movie

1284
01:00:36,840 --> 01:00:37,240
Speaker 1: quite a bit.

1285
01:00:38,800 --> 01:00:44,440
Speaker 2: I am right there. I loved watching this movie, I thought,

1286
01:00:44,560 --> 01:00:47,120
Speaker 2: I again. I loved the micro world. I loved how

1287
01:00:47,200 --> 01:00:49,160
Speaker 2: much we were in space. I loved that we got

1288
01:00:49,160 --> 01:00:52,520
Speaker 2: to go on like, I think, like a better spaceship,

1289
01:00:53,000 --> 01:00:56,440
Speaker 2: like the traveling the one that the mom drives. Yeah,

1290
01:00:56,560 --> 01:00:58,560
Speaker 2: but it's cooler than the what we went on the

1291
01:00:58,640 --> 01:01:00,280
Speaker 2: last one. The last one looked kind of just like

1292
01:01:00,280 --> 01:01:04,160
Speaker 2: an airplane. This one was like a cool looking spaceship.

1293
01:01:04,680 --> 01:01:08,120
Speaker 2: I love even building off of that. All of the

1294
01:01:08,160 --> 01:01:14,160
Speaker 2: special effects were so surprisingly amazing. I agree, yes, and

1295
01:01:14,360 --> 01:01:17,160
Speaker 2: you know, obviously these kids, actually the kids are great.

1296
01:01:17,240 --> 01:01:22,000
Speaker 2: I love seeing Protozoa's his character being like built so much.

1297
01:01:22,080 --> 01:01:25,080
Speaker 2: I felt like we got so much more from this

1298
01:01:25,160 --> 01:01:28,040
Speaker 2: first the second movie, and I loved the first movie,

1299
01:01:28,080 --> 01:01:29,960
Speaker 2: so this is just it was awesome. It was a

1300
01:01:30,000 --> 01:01:34,600
Speaker 2: great sequel to an already awesome movie. And I'm giving

1301
01:01:34,640 --> 01:01:39,840
Speaker 2: this nine Spanish words for beautiful. I'm pushing it. I

1302
01:01:39,880 --> 01:01:42,240
Speaker 2: love it and I would again. I think I'm gonna

1303
01:01:42,240 --> 01:01:43,440
Speaker 2: watch it soon.

1304
01:01:44,360 --> 01:01:47,640
Speaker 3: No, I don't. I don't disagree. This was this was good.

1305
01:01:47,800 --> 01:01:51,120
Speaker 3: This was very very good. Okay, so well, thank you

1306
01:01:51,200 --> 01:01:55,160
Speaker 3: everybody so much for joining us in space, because that's

1307
01:01:55,160 --> 01:01:57,000
Speaker 3: where we were. Our next movie. This is a really

1308
01:01:57,040 --> 01:02:00,000
Speaker 3: big one, everybody, and we're we're switching it up a little.

1309
01:02:00,240 --> 01:02:02,160
Speaker 3: We still have plenty of dcoms to go, and plenty

1310
01:02:02,200 --> 01:02:03,959
Speaker 3: of wonderful World of Disneys to go. But we've now

1311
01:02:04,240 --> 01:02:06,760
Speaker 3: talked about this movie so many times and I haven't

1312
01:02:06,760 --> 01:02:08,640
Speaker 3: seen it yet. And I think Sabrina, if she could

1313
01:02:08,680 --> 01:02:11,760
Speaker 3: reach through the zoom and smack me, she would. So

1314
01:02:11,920 --> 01:02:14,560
Speaker 3: it's a theatrical release from Disney, and one that has

1315
01:02:14,560 --> 01:02:17,080
Speaker 3: withstood the test of time. For my first time ever,

1316
01:02:17,280 --> 01:02:20,840
Speaker 3: we are watching the nineteen ninety three classic. I think

1317
01:02:20,880 --> 01:02:23,800
Speaker 3: I'm pronouncing this right, hocus Pocus. I'm saying that right,

1318
01:02:23,920 --> 01:02:27,400
Speaker 3: hocus Pocus. Yes, I mean, it's available basically everywhere, but

1319
01:02:27,440 --> 01:02:29,440
Speaker 3: most notably on Disney Plus. So check it out and

1320
01:02:29,480 --> 01:02:33,880
Speaker 3: get ready for a monumental magical rewind and yet before

1321
01:02:33,880 --> 01:02:35,880
Speaker 3: we dig into that. This week on our dedicated magical

1322
01:02:35,920 --> 01:02:37,840
Speaker 3: rewind Feed, we talked about this. We've got a Park

1323
01:02:37,840 --> 01:02:41,280
Speaker 3: Copper episode for the Ages. Oh, we're gonna zoom zoom

1324
01:02:41,360 --> 01:02:44,320
Speaker 3: zoom over there because we talked to Protozoa himself, the

1325
01:02:44,360 --> 01:02:47,520
Speaker 3: incredible Philip Reese. That's right. We somehow convinced him to

1326
01:02:47,520 --> 01:02:50,680
Speaker 3: come on here and talk about Xenon despite his dozens

1327
01:02:50,720 --> 01:02:52,800
Speaker 3: of other accomplishments in the field, and we love him

1328
01:02:52,840 --> 01:02:53,040
Speaker 3: for that.

1329
01:02:53,400 --> 01:02:55,520
Speaker 1: Check out a little snippet of what you'll hear.

1330
01:02:57,040 --> 01:02:58,720
Speaker 3: So that was you. That was your idea? Then to

1331
01:02:58,760 --> 01:03:01,200
Speaker 3: do the hair? Yeah, actually tell the truth.

1332
01:03:01,240 --> 01:03:04,000
Speaker 4: It was from a previous role I did maybe a

1333
01:03:04,040 --> 01:03:07,480
Speaker 4: month prior with with Luke Wilson. I did a comedy

1334
01:03:07,480 --> 01:03:10,520
Speaker 4: with Luke Wilson, and I had the peroxide blonde hair

1335
01:03:10,560 --> 01:03:13,720
Speaker 4: bit like Johnny Boy in Train Spotting if you're Bill Miller.

1336
01:03:14,760 --> 01:03:17,480
Speaker 4: So I did that peroxide and then that audition came

1337
01:03:17,520 --> 01:03:20,680
Speaker 4: so I went in with kind of blondie hair. They

1338
01:03:20,880 --> 01:03:23,280
Speaker 4: like that, and then they came up with the let's

1339
01:03:23,280 --> 01:03:24,400
Speaker 4: make it all spiky.

1340
01:03:26,200 --> 01:03:26,640
Speaker 3: We love it.

1341
01:03:26,640 --> 01:03:28,440
Speaker 1: It was so much fun, a dream come true to

1342
01:03:28,480 --> 01:03:29,280
Speaker 1: have Philip on the show.

1343
01:03:29,480 --> 01:03:32,080
Speaker 3: Don't forget to subscribe to our dedicated Magical Rewind feed

1344
01:03:32,120 --> 01:03:34,400
Speaker 3: and catch up with all the popular decomcast and crew

1345
01:03:34,400 --> 01:03:37,080
Speaker 3: members we've interviewed so far. You can also follow us

1346
01:03:37,120 --> 01:03:42,000
Speaker 3: at Magical rewind Pod on the Instagram machine. Now, thanks everybody,

1347
01:03:42,320 --> 01:03:54,680
Speaker 3: Bye bye,