1 00:00:03,560 --> 00:00:08,280 Speaker 1: Welcome back to another episode ab Altomys COVID nine edition. 2 00:00:08,720 --> 00:00:11,720 Speaker 1: I am your host, Kevin Pollo Kiss. That's Kevin poll 3 00:00:12,800 --> 00:00:16,160 Speaker 1: Do I like you? Sure? I mean why wouldn't mean? 4 00:00:17,040 --> 00:00:22,160 Speaker 1: It's like have you done any into? I mean, look 5 00:00:22,200 --> 00:00:26,239 Speaker 1: out behind you, sucker, But I digress. Let's mean, alchemist, 6 00:00:26,239 --> 00:00:27,920 Speaker 1: shall we no particular order? Sell you? Lord of Chris 7 00:00:27,960 --> 00:00:34,000 Speaker 1: Alvarado Rods and Bob's What is the one activity you 8 00:00:34,159 --> 00:00:41,200 Speaker 1: still yearn to try? Well? Growing up in southern California 9 00:00:42,400 --> 00:00:47,000 Speaker 1: and also working in Hawaii for eight months, I've surfed 10 00:00:47,159 --> 00:00:52,440 Speaker 1: a bunch, but never actually really served. Yeah, I mean 11 00:00:53,159 --> 00:00:55,680 Speaker 1: one here or there, But it just seems like all 12 00:00:55,760 --> 00:00:57,640 Speaker 1: the time I've spent in the water trying to surf, 13 00:00:58,040 --> 00:01:00,560 Speaker 1: I would love to give it one more go before 14 00:01:00,600 --> 00:01:02,800 Speaker 1: him too old to stand up. So if any of 15 00:01:02,800 --> 00:01:06,160 Speaker 1: our listeners out there are surf instructors, please write to 16 00:01:06,200 --> 00:01:08,000 Speaker 1: the podcast at your name here at alcimy this dot 17 00:01:08,040 --> 00:01:09,920 Speaker 1: com and we'll put you guys in touch because it 18 00:01:09,920 --> 00:01:12,560 Speaker 1: would be great. And I think maybe a little instruction 19 00:01:12,680 --> 00:01:15,679 Speaker 1: is the only thing uh currently surfing between you and 20 00:01:15,680 --> 00:01:23,320 Speaker 1: getting up Perhaps UH say hello too, well, let's say 21 00:01:23,560 --> 00:01:30,160 Speaker 1: James Heeney Jimmy two cents, best advice you've received. Um, 22 00:01:30,840 --> 00:01:34,440 Speaker 1: the only person you need to be happy with is 23 00:01:34,480 --> 00:01:37,000 Speaker 1: the person that you look in the mirror at. And 24 00:01:37,040 --> 00:01:40,360 Speaker 1: as long as you're happy with that person, then your 25 00:01:40,440 --> 00:01:43,280 Speaker 1: life will be full of joy. Am I the only 26 00:01:43,280 --> 00:01:45,600 Speaker 1: one who when they look in the mirror doesn't see 27 00:01:46,040 --> 00:01:49,760 Speaker 1: the devil? I see the devil? Yeah, when I look 28 00:01:49,760 --> 00:01:55,760 Speaker 1: at you? Right, how would you mentions? I don't know. 29 00:01:57,920 --> 00:02:00,440 Speaker 1: I don't think you You got it right? It's fine, fine, 30 00:02:00,600 --> 00:02:06,000 Speaker 1: look out, it's Caroline Cartter cater Oh favorite store to pooping? 31 00:02:06,360 --> 00:02:11,320 Speaker 1: And why you've got to have a favorite? Everyone does? Um? Well, 32 00:02:11,320 --> 00:02:13,880 Speaker 1: it used to be afraid of toilets until I was 33 00:02:14,040 --> 00:02:18,200 Speaker 1: like older, like this sound they made when they were flushing, 34 00:02:18,760 --> 00:02:25,680 Speaker 1: until what age? Probably? Yes, that is such a great 35 00:02:25,840 --> 00:02:28,799 Speaker 1: comical answer. So once I got over that, I can 36 00:02:28,880 --> 00:02:31,880 Speaker 1: kind of drop one anywhere. Um, So you don't have 37 00:02:31,880 --> 00:02:35,839 Speaker 1: a favorite the mall? Like for me, it's nostrums for sure. Um, 38 00:02:36,520 --> 00:02:39,200 Speaker 1: I think any not at the mall, but anywhere where 39 00:02:39,200 --> 00:02:41,960 Speaker 1: I'm getting paid, you know what I mean? Nope, Like 40 00:02:42,000 --> 00:02:44,079 Speaker 1: if it's like I'm working and I had to ship, 41 00:02:44,240 --> 00:02:46,560 Speaker 1: I like to do that because I'm on the clock. 42 00:02:47,760 --> 00:02:50,680 Speaker 1: You know what I mean, pop on the clock? Yeah, sure, 43 00:02:50,960 --> 00:02:52,760 Speaker 1: I think we can all appreciate pooping on the clock. 44 00:02:53,400 --> 00:03:01,080 Speaker 1: Speaking of which, everybody, it's cold. Stratton realized, Yeah, I 45 00:03:01,120 --> 00:03:02,880 Speaker 1: had a segue and there's only one of you left 46 00:03:02,919 --> 00:03:05,120 Speaker 1: before we got to the usual Joey position, which I 47 00:03:05,160 --> 00:03:09,480 Speaker 1: think you all know is asked backwards. Um, I don't 48 00:03:09,560 --> 00:03:13,320 Speaker 1: understand any of that. Yep, South and or North Cole 49 00:03:14,040 --> 00:03:22,280 Speaker 1: weirdest vacation, Oh man, Um, yeah, I mean maybe just okay. 50 00:03:22,360 --> 00:03:24,680 Speaker 1: One time years ago, we were supposed to go to 51 00:03:24,840 --> 00:03:28,359 Speaker 1: Vegas and it was so cold the flight got canceled 52 00:03:29,040 --> 00:03:32,040 Speaker 1: last second, and then I know, it's bizarre, and so 53 00:03:32,080 --> 00:03:35,000 Speaker 1: then after sitting in the airport for several hours, they 54 00:03:35,040 --> 00:03:37,280 Speaker 1: finally like are putting people's in hotels and they're like, no, 55 00:03:37,400 --> 00:03:39,280 Speaker 1: we live here. So we just got a credit and 56 00:03:39,320 --> 00:03:42,360 Speaker 1: just had a staycation for two days instead of going there. 57 00:03:42,960 --> 00:03:46,440 Speaker 1: That's a winner in anyone's book as strange vacations. And last, 58 00:03:47,120 --> 00:03:49,560 Speaker 1: but may his tennis balls bounce off your thighs if 59 00:03:49,560 --> 00:03:53,320 Speaker 1: you think him least it's Joey Greer creep show. What 60 00:03:53,680 --> 00:03:58,400 Speaker 1: do you like to do in the off season? Oh man? Well, 61 00:03:58,720 --> 00:04:01,839 Speaker 1: number one, there is no off season. Uh so you're 62 00:04:01,920 --> 00:04:07,160 Speaker 1: I'm training year round? Uh that either you mean it's go, 63 00:04:07,160 --> 00:04:08,840 Speaker 1: go go. But when I do have an opportunity to 64 00:04:08,920 --> 00:04:11,360 Speaker 1: rest and and my medical team it's like, hey, you 65 00:04:11,360 --> 00:04:14,600 Speaker 1: need to take some time off. I think that I 66 00:04:14,640 --> 00:04:19,520 Speaker 1: recommend this to everybody. You make a stone tomb and 67 00:04:19,560 --> 00:04:23,320 Speaker 1: then you crawl inside and there's small blocks in there 68 00:04:23,360 --> 00:04:25,520 Speaker 1: that you can ship me up past your shoulders, and 69 00:04:25,720 --> 00:04:28,520 Speaker 1: I think we'll know where this is going. And uh, 70 00:04:29,160 --> 00:04:32,279 Speaker 1: you just you just meditate, you're, you're, you're, you're in there, 71 00:04:32,279 --> 00:04:34,839 Speaker 1: and you'd be surprised how long you can survive. I 72 00:04:34,839 --> 00:04:36,960 Speaker 1: think we would. We would be surprised. And back to 73 00:04:36,960 --> 00:04:40,480 Speaker 1: your medical team for just a second. Just the four, Yeah, 74 00:04:40,480 --> 00:04:44,360 Speaker 1: still just the four. So just the four All all 75 00:04:44,400 --> 00:04:46,280 Speaker 1: of them used to work with Land's Armstrong, so they're 76 00:04:46,320 --> 00:04:51,000 Speaker 1: just like they're great. Juice, juice and more juice. All right, 77 00:04:51,080 --> 00:04:53,159 Speaker 1: let's do a damn show. Almost all of our scene 78 00:04:53,160 --> 00:04:55,799 Speaker 1: suggestions to gather from our listener emails. Please submit yours 79 00:04:55,800 --> 00:04:58,400 Speaker 1: by writing the podcast that your name here at all 80 00:04:58,440 --> 00:05:05,320 Speaker 1: communi dot com. That's your name here. See Number one 81 00:05:05,400 --> 00:05:08,720 Speaker 1: comes from super fan Tim, who wrote High Alchemists. I 82 00:05:08,720 --> 00:05:11,520 Speaker 1: hope you're all doing well and staying safe. I'm a 83 00:05:11,560 --> 00:05:15,000 Speaker 1: longtime listener and big fan of the podcast James Stop Reading. 84 00:05:15,440 --> 00:05:19,159 Speaker 1: I recently watched an episode of Drunk History about Agatha Christie. 85 00:05:19,520 --> 00:05:21,920 Speaker 1: Shout out to Craig, who was wonderful in the series 86 00:05:21,960 --> 00:05:24,919 Speaker 1: and whose microphone broken is not with us today? Wow? 87 00:05:24,920 --> 00:05:27,919 Speaker 1: How did the person know that? And would love to 88 00:05:27,920 --> 00:05:32,200 Speaker 1: see the Alchemists play out a murder mystery. Allah, get 89 00:05:32,240 --> 00:05:36,080 Speaker 1: the Christie. I don't care how you do the scene, 90 00:05:36,320 --> 00:05:39,240 Speaker 1: but I envisioned Joey playing a Southern woman like in 91 00:05:39,279 --> 00:05:46,400 Speaker 1: the Seance episode. You're all the best, Tim Gilmore, thank you. Tim. Now, 92 00:05:46,440 --> 00:05:50,440 Speaker 1: I'm sorry, but I did request a larger cabin. Now, 93 00:05:50,600 --> 00:05:54,320 Speaker 1: I understand things might be differently you and Charlie. Oh 94 00:05:54,360 --> 00:05:59,720 Speaker 1: you know. But what I'm from it, Louisiana, we treat 95 00:05:59,720 --> 00:06:03,760 Speaker 1: a will right right, which is why you have this 96 00:06:03,839 --> 00:06:06,480 Speaker 1: particular cabin, ma'am. It was all set up ahead of side, 97 00:06:06,760 --> 00:06:09,880 Speaker 1: so you just need to register if you'd like a 98 00:06:09,920 --> 00:06:15,280 Speaker 1: different cabin. Re register on a train that's moving already. Son, 99 00:06:15,320 --> 00:06:18,000 Speaker 1: I don't think you understand it. I need a bigger cabin. 100 00:06:18,720 --> 00:06:21,360 Speaker 1: Yeah alright, Well, so when you say bigger, what are 101 00:06:21,360 --> 00:06:24,000 Speaker 1: we talking about here exactly twice as I want a 102 00:06:24,040 --> 00:06:27,279 Speaker 1: cabin the size of a house. So you want a toilet? 103 00:06:28,800 --> 00:06:34,800 Speaker 1: What you like toilet in your cabin? Well, yeah, yes 104 00:06:34,880 --> 00:06:38,680 Speaker 1: I want to I thought you meant the size. Give 105 00:06:38,880 --> 00:06:43,400 Speaker 1: the lady what she wants. Oh my, oh my part. 106 00:06:44,600 --> 00:06:55,520 Speaker 1: This is money I'm holding here. That's for you. No, ma'am, 107 00:06:55,600 --> 00:07:04,000 Speaker 1: not you, ma'am. You here you go. Oh my, what 108 00:07:04,040 --> 00:07:10,320 Speaker 1: a gentleman harassing people that are below your stage. Help me? 109 00:07:12,840 --> 00:07:15,400 Speaker 1: Don't don't pay that, No, don't pay that, no mind, 110 00:07:15,480 --> 00:07:20,840 Speaker 1: pay that, no mind. What's your name, ma'am? What's your name? Man? Someone? 111 00:07:21,000 --> 00:07:23,800 Speaker 1: I think someone tapped my my name. Someone might be 112 00:07:24,280 --> 00:07:30,280 Speaker 1: My name is Marjorie marjorin. Pleasure to meet you, pleasure 113 00:07:30,320 --> 00:07:34,040 Speaker 1: to meet you? My name? Are you familiar with majorin? Oh? Yes, 114 00:07:34,240 --> 00:07:37,280 Speaker 1: you own a lot of the estates down south. Now 115 00:07:37,320 --> 00:07:38,880 Speaker 1: you might know me. You might have hurt me. Sure, 116 00:07:39,080 --> 00:07:41,440 Speaker 1: I mean you probably recognize me. I won't even introduce 117 00:07:41,480 --> 00:07:44,000 Speaker 1: myself if you recognize me. Do you recognize me? Of 118 00:07:44,040 --> 00:07:52,800 Speaker 1: course I recognize you. The famous movie star Jean Chano Beijing. 119 00:07:55,960 --> 00:08:01,400 Speaker 1: My father was Frank Chime, obviously American. Oh, I'm so 120 00:08:01,440 --> 00:08:04,080 Speaker 1: sorry you've caught me while I'm cleaning my hands up. 121 00:08:05,280 --> 00:08:07,600 Speaker 1: There's no way that we can get a bigger cabin. 122 00:08:08,560 --> 00:08:11,040 Speaker 1: If it were any bigger, our train wouldn't go through 123 00:08:11,080 --> 00:08:15,600 Speaker 1: the tunnels. They've created the maximum sized cabin for a train. 124 00:08:17,760 --> 00:08:20,280 Speaker 1: It just makes sense to you. And it doesn't matter 125 00:08:20,360 --> 00:08:22,800 Speaker 1: how much money there is. This is as big as 126 00:08:22,800 --> 00:08:25,360 Speaker 1: the cabin can get. I explained that to the lady 127 00:08:25,520 --> 00:08:29,280 Speaker 1: and she just actually wanted three bathrooms in her cabin. 128 00:08:29,800 --> 00:08:33,160 Speaker 1: What am I to do? It is just not possible. 129 00:08:33,440 --> 00:08:36,080 Speaker 1: It is just not possible to get three bathrooms in 130 00:08:36,080 --> 00:08:40,040 Speaker 1: a cabin. Ask you a question. We've not worked together 131 00:08:40,160 --> 00:08:43,040 Speaker 1: before on a train. Are you new to the business 132 00:08:43,080 --> 00:08:47,719 Speaker 1: in general? I'm not new to the business, but I'm 133 00:08:47,800 --> 00:08:52,200 Speaker 1: very familiar. There's only so long a train cab can be, 134 00:08:52,240 --> 00:08:55,240 Speaker 1: and only so wide. If it's too long, it won't 135 00:08:55,280 --> 00:08:58,680 Speaker 1: take curves. If it's too wide, it won't go through tunnels. 136 00:08:58,840 --> 00:09:02,160 Speaker 1: Speaking of what we're speaking of, won't take curves. Where 137 00:09:02,160 --> 00:09:14,520 Speaker 1: are you from? Originally, let me close the store all 138 00:09:14,600 --> 00:09:20,240 Speaker 1: the way, I haet to wash these hands off. I 139 00:09:20,280 --> 00:09:27,440 Speaker 1: was looking on the fuz bathroom. Yes, fantastic, Yes, I 140 00:09:27,480 --> 00:09:31,000 Speaker 1: am leaving a small hamlet in England. I was so 141 00:09:31,160 --> 00:09:36,120 Speaker 1: living a crime. Yes, I mean I'm hooking. I think 142 00:09:36,160 --> 00:09:39,559 Speaker 1: you know everyone knows how I don't need that. Did 143 00:09:39,559 --> 00:09:41,559 Speaker 1: you want to get on the train. No, I mean 144 00:09:41,600 --> 00:09:44,360 Speaker 1: I'm on the train, am I not? Don't train? I 145 00:09:44,520 --> 00:09:54,120 Speaker 1: was on the hooking about this fan and fan You 146 00:09:54,679 --> 00:10:00,080 Speaker 1: please to introduce my safe Joan b people that you 147 00:10:00,080 --> 00:10:02,120 Speaker 1: see if there's a whole zesuit of a lot. My 148 00:10:02,280 --> 00:10:06,480 Speaker 1: son's act is just saying, of course, I know obviously 149 00:10:05,880 --> 00:10:10,680 Speaker 1: as the Englishman, you're asking for attention to one. Uh 150 00:10:10,800 --> 00:10:15,440 Speaker 1: did you either of you wish to go to your cabin? Ah? Yes, yes, 151 00:10:15,760 --> 00:10:22,320 Speaker 1: covin as well. Wow, people keep trying to stab me. 152 00:10:22,640 --> 00:10:26,040 Speaker 1: I keep thinking I'm dying, but here I am waking 153 00:10:26,160 --> 00:10:35,000 Speaker 1: up alive as a day I was born. Yeah, we 154 00:10:35,040 --> 00:10:37,880 Speaker 1: should go to our cabin and then maybe a nightcap 155 00:10:38,040 --> 00:10:41,240 Speaker 1: drink or another. If you care to investigate these screams 156 00:10:41,240 --> 00:10:46,120 Speaker 1: and hollars. It's coming from the coach train cars, so 157 00:10:46,320 --> 00:10:51,920 Speaker 1: you know, not what important to us I would investigate. 158 00:10:52,280 --> 00:10:55,280 Speaker 1: I'm on vacation, but it seems that they'll wake up 159 00:10:57,400 --> 00:11:01,679 Speaker 1: is never done. Pay no attention to those screams, Mrs Marjorie. 160 00:11:03,120 --> 00:11:08,600 Speaker 1: They're coming from the coach cabin. Oh my feet they hurt. 161 00:11:08,720 --> 00:11:11,439 Speaker 1: So when I was a young girl and I broken 162 00:11:11,480 --> 00:11:15,360 Speaker 1: by kicking trees and now my feed roll broken up, 163 00:11:15,520 --> 00:11:17,480 Speaker 1: and it's kind of hard for me to fit into 164 00:11:17,520 --> 00:11:20,800 Speaker 1: my heels, but I I stuff them in. You should do? 165 00:11:21,000 --> 00:11:23,520 Speaker 1: Should do you stucked into those? Yes? How you have 166 00:11:23,559 --> 00:11:27,080 Speaker 1: a seat? Have a seat, Charlie, Charlie, come in here. 167 00:11:27,520 --> 00:11:34,000 Speaker 1: Why this is my son? Charlie? Rub this woman's feet? Oh? Dad, come, 168 00:11:34,520 --> 00:11:37,720 Speaker 1: this is nasty. Do wish if you want your allowance. 169 00:11:38,160 --> 00:11:40,240 Speaker 1: I don't want my allowance. I want a new dad. 170 00:11:40,720 --> 00:11:42,240 Speaker 1: And I don't want to go to take your son 171 00:11:42,320 --> 00:11:45,200 Speaker 1: to work day every freaking day. Ma'am, you have bark 172 00:11:45,280 --> 00:11:50,000 Speaker 1: stuck to your feet. I know. Why do I mind 173 00:11:50,160 --> 00:11:53,520 Speaker 1: me at home? Here's the jar of Marjorie? Why don't 174 00:11:53,520 --> 00:11:57,120 Speaker 1: you rub that on my face? What the hell, Marjorie? 175 00:11:57,320 --> 00:11:59,920 Speaker 1: Just do it with my brand of marjarine. It's called 176 00:12:00,040 --> 00:12:08,880 Speaker 1: Marjorie that this is so gross? Oh? What is that? 177 00:12:10,040 --> 00:12:15,720 Speaker 1: Someone someone screaming? Okay, don't be as smart as Anthony. 178 00:12:15,760 --> 00:12:18,240 Speaker 1: She asked, you asked what was that? Don't say my name? 179 00:12:18,360 --> 00:12:21,000 Speaker 1: You don't. You're supposed call me Anthony anymore? You supposed 180 00:12:21,000 --> 00:12:24,760 Speaker 1: to call me a boy. That's my nickname. This this 181 00:12:24,800 --> 00:12:28,199 Speaker 1: little fucker. Watch Ladybird one dime and I watch Engage 182 00:12:28,240 --> 00:12:32,720 Speaker 1: his name. Maybe I should go to another it's a 183 00:12:32,760 --> 00:12:40,840 Speaker 1: great film. Yeah, hello John, Hello, Hello, Hello, my grandson, 184 00:12:41,280 --> 00:12:44,800 Speaker 1: Charlie Anthony. It is so nice to see you. Oh 185 00:12:44,840 --> 00:12:51,120 Speaker 1: my gosh, how do you do sir? Thank you? Yes, son, 186 00:12:51,240 --> 00:12:54,160 Speaker 1: I know that we are not normally on speaking terms, 187 00:12:54,200 --> 00:12:56,839 Speaker 1: but I heard you are on this train car. So 188 00:12:56,880 --> 00:13:02,000 Speaker 1: I had to come here to try to patch up sheep. 189 00:13:05,440 --> 00:13:08,280 Speaker 1: Not interesting? So should I just go to my cabin 190 00:13:09,320 --> 00:13:13,760 Speaker 1: there's a lot of family. Okay, up, we'll leave it 191 00:13:13,800 --> 00:13:16,080 Speaker 1: in there. It's all right, it's meld in my bounds. 192 00:13:16,120 --> 00:13:19,160 Speaker 1: At its point, all the lights just turned off. Oh 193 00:13:19,200 --> 00:13:23,920 Speaker 1: my god. Switch when someone was trying to kill me, 194 00:13:24,640 --> 00:13:27,640 Speaker 1: I had a switch, I had the lights. Anybody would 195 00:13:27,679 --> 00:13:30,800 Speaker 1: calm down. Somebody hit a switch. I don't know who 196 00:13:30,920 --> 00:13:39,240 Speaker 1: it was me it was Angelica Hanson, not that one. Oh, 197 00:13:39,600 --> 00:13:42,160 Speaker 1: just so that everyone knows, this is a one way 198 00:13:42,240 --> 00:13:46,079 Speaker 1: microphone that goes to your cabins. There's been a series 199 00:13:46,120 --> 00:13:50,600 Speaker 1: of stabbing. Fortunately, what is going on? Which way does 200 00:13:50,640 --> 00:13:55,920 Speaker 1: the mic go? It just goes spot in case anybody's 201 00:13:55,960 --> 00:14:01,600 Speaker 1: wondering it just goes one way. Microphones don't sell sound 202 00:14:01,679 --> 00:14:05,560 Speaker 1: back out, what the hell the speaker over it to 203 00:14:05,640 --> 00:14:07,480 Speaker 1: be a speaker? Who the hell was on? You are 204 00:14:07,840 --> 00:14:11,559 Speaker 1: so smart? You're so smart? Yeah, well, I feel like this. 205 00:14:11,720 --> 00:14:13,400 Speaker 1: I feel like other people in the train might have 206 00:14:13,520 --> 00:14:15,640 Speaker 1: had the same thought of like, what do you mean 207 00:14:15,760 --> 00:14:22,160 Speaker 1: one way to my room? Please ask your ask your grandfather? 208 00:14:22,800 --> 00:14:25,040 Speaker 1: Why the hell am I asking him? He hasn't better 209 00:14:25,080 --> 00:14:29,640 Speaker 1: in our life? And yeah, nothing ever happens on these trains. 210 00:14:29,960 --> 00:14:32,760 Speaker 1: You just let people go to the seats, go over cabins. 211 00:14:32,800 --> 00:14:35,040 Speaker 1: And I said that nothing happens. It's one of the 212 00:14:35,080 --> 00:14:38,040 Speaker 1: most chill jobs. You can take a ship the entire 213 00:14:38,320 --> 00:14:41,400 Speaker 1: rode and you're telling your job. The fact that they 214 00:14:41,400 --> 00:14:43,640 Speaker 1: got on is it is half of your job. And 215 00:14:43,640 --> 00:14:49,280 Speaker 1: then when the train stops, there's nothing to porto. May 216 00:14:49,320 --> 00:14:52,840 Speaker 1: I trouble you to not suggest that all the employers 217 00:14:52,880 --> 00:14:57,080 Speaker 1: take a ship. I mean it's not now. There's not 218 00:14:57,200 --> 00:15:00,280 Speaker 1: enough toilets for everyone at the same time, could you 219 00:15:00,320 --> 00:15:03,880 Speaker 1: mention that in your little diet tribe please next time? Yeah, 220 00:15:04,160 --> 00:15:08,120 Speaker 1: all right, have you ship yet today? By the way, 221 00:15:09,400 --> 00:15:14,120 Speaker 1: I'm actually fairly irregular. I am I squeeze it out 222 00:15:14,120 --> 00:15:17,800 Speaker 1: probably once a week. It's gonna upping your fiber. Yeah. 223 00:15:17,800 --> 00:15:19,680 Speaker 1: I tried that. I tried it. It didn't really work. 224 00:15:22,240 --> 00:15:24,080 Speaker 1: Could you check on that please. It seems like my 225 00:15:24,200 --> 00:15:30,640 Speaker 1: passengers are dying than usual. Strange. Yeah, let make go chat. Yeah, 226 00:15:31,160 --> 00:15:33,400 Speaker 1: maybe take the car out of your face before you go. 227 00:15:33,440 --> 00:15:37,560 Speaker 1: All right? All right, all right, what's the meaning of this? 228 00:15:37,680 --> 00:15:39,960 Speaker 1: Why are you putting us all in the same room together? 229 00:15:42,040 --> 00:15:48,320 Speaker 1: Have to see which fan of you is possibly tequila? Hm? Well, 230 00:15:48,360 --> 00:15:53,680 Speaker 1: I was with miss Marjorie. Yeah, and I was. That's 231 00:15:53,720 --> 00:15:57,640 Speaker 1: not true. That's not true. What he wasn't with me 232 00:15:57,680 --> 00:15:59,760 Speaker 1: the whole time. That seems to be some conflicting that 233 00:16:01,920 --> 00:16:05,440 Speaker 1: that it is not me because I am also a funge. 234 00:16:05,560 --> 00:16:08,680 Speaker 1: And you know this goes as as saying, you know 235 00:16:09,320 --> 00:16:11,480 Speaker 1: that I would be in this sent In fact, I 236 00:16:11,520 --> 00:16:14,760 Speaker 1: would help you, I would shadow you. Indeed, I do 237 00:16:14,880 --> 00:16:18,680 Speaker 1: want to say that my mother, his wife, died under 238 00:16:18,840 --> 00:16:21,840 Speaker 1: unusual circumstances, So I don't think he should be put 239 00:16:21,880 --> 00:16:26,520 Speaker 1: me off the table. She was killed by a horse 240 00:16:28,160 --> 00:16:34,560 Speaker 1: unusually noticed to you're familiar with this mounts wine. That 241 00:16:34,640 --> 00:16:38,600 Speaker 1: was okay, So there's a little confusion and maybe I'm 242 00:16:38,640 --> 00:16:42,120 Speaker 1: the only one is confused, you know, but I am. 243 00:16:42,360 --> 00:16:47,000 Speaker 1: Let's go with that, suspect one. Okay for doing that, 244 00:16:47,040 --> 00:16:51,320 Speaker 1: You're suspect one, Okay, so busy least. I think it's 245 00:16:51,360 --> 00:16:54,680 Speaker 1: it's it's very I think it's very unusual that the 246 00:16:54,720 --> 00:16:59,760 Speaker 1: train conductor did that whole microphone thing. That seems like, 247 00:17:00,240 --> 00:17:03,000 Speaker 1: you know, I think that was well. Botomy thinks that 248 00:17:03,160 --> 00:17:05,719 Speaker 1: was a guest. Botom thinks that was the trained conductor. 249 00:17:05,720 --> 00:17:09,480 Speaker 1: I once they weren't in the round. I don't know 250 00:17:09,520 --> 00:17:12,080 Speaker 1: where they were, but I do have several pieces of 251 00:17:12,080 --> 00:17:14,359 Speaker 1: evidence which I want to bring forth right now. But 252 00:17:14,400 --> 00:17:17,800 Speaker 1: you're still one of those suspects. You're still number one. Okay. 253 00:17:18,119 --> 00:17:21,000 Speaker 1: If you look, you and everything else was unusual. So 254 00:17:21,080 --> 00:17:24,720 Speaker 1: does that make me the primes you speak to? Prime 255 00:17:24,920 --> 00:17:29,520 Speaker 1: Suspect number one? Is there actually a body? We keep 256 00:17:29,520 --> 00:17:33,200 Speaker 1: here on screams? But there's never been a body discovered. 257 00:17:33,280 --> 00:17:36,879 Speaker 1: It's far as I know. Well, there's things that can 258 00:17:36,960 --> 00:17:42,159 Speaker 1: we discover that you think you all Body number one, 259 00:17:43,560 --> 00:17:48,240 Speaker 1: don't do what you said. No, I'm going to wrap 260 00:17:48,280 --> 00:17:52,439 Speaker 1: it up. I have it figured out, but nobody seems 261 00:17:52,400 --> 00:17:54,600 Speaker 1: to want to hear it. Didn't know what fuck it. 262 00:17:54,600 --> 00:17:59,360 Speaker 1: Who can seriously who I'm on vacation? You know? Probably 263 00:17:59,400 --> 00:18:03,280 Speaker 1: that little did it boy here. I'm not thank you 264 00:18:03,320 --> 00:18:05,320 Speaker 1: for calling me by my name. First of all, I 265 00:18:05,440 --> 00:18:10,040 Speaker 1: probably did it. Okay, it's probably people and coach that 266 00:18:10,160 --> 00:18:13,080 Speaker 1: did it to each other. I am not going back there. 267 00:18:13,720 --> 00:18:16,440 Speaker 1: I had to figure it out. If one would love 268 00:18:16,520 --> 00:18:20,160 Speaker 1: to hear you recap the entirety of this playing ride 269 00:18:20,640 --> 00:18:23,400 Speaker 1: and shout how you deducted everyway thing. Don't leave any 270 00:18:23,440 --> 00:18:27,320 Speaker 1: details out none, shall it be you. It's the first 271 00:18:27,359 --> 00:18:29,399 Speaker 1: thing that made me suspicious was when I entered the 272 00:18:29,440 --> 00:18:33,879 Speaker 1: train and the British ticket man had dust over his eyes. 273 00:18:34,359 --> 00:18:36,720 Speaker 1: I thought to me, would say, why is that? Maybe 274 00:18:36,760 --> 00:18:39,000 Speaker 1: he first sneezed in all over the place, but on 275 00:18:39,040 --> 00:18:41,959 Speaker 1: the first inspection he was sleeping underneath a man who 276 00:18:42,040 --> 00:18:45,000 Speaker 1: has very dry shits, and that is in fact the 277 00:18:45,160 --> 00:18:50,480 Speaker 1: fical matter of another patron on trying. Secondly, I came 278 00:18:50,520 --> 00:18:55,920 Speaker 1: across the family. I need subtitles for what he's saying. 279 00:18:55,960 --> 00:19:02,119 Speaker 1: I don't understand. Apologious down and grandfathers are all booted 280 00:19:02,160 --> 00:19:05,240 Speaker 1: to train. So the grandfather was a know notice a 281 00:19:05,280 --> 00:19:08,240 Speaker 1: far town crownd song. He boughted the train to show 282 00:19:08,320 --> 00:19:12,800 Speaker 1: them that he wanted to reckinnew the love of a family, Hey, boys, 283 00:19:12,880 --> 00:19:15,119 Speaker 1: or rejects that because he wants to have a career 284 00:19:15,119 --> 00:19:21,119 Speaker 1: in new music. Jean, you don't accept that lifestyle. And 285 00:19:21,200 --> 00:19:25,440 Speaker 1: even so he might be violent in tone, he's a 286 00:19:25,600 --> 00:19:32,240 Speaker 1: very patient man. So it leads me to Marjorie marjor 287 00:19:32,359 --> 00:19:40,240 Speaker 1: Ron me yes SAMs hell from a louisianail. No one 288 00:19:40,280 --> 00:19:43,639 Speaker 1: would expect such a beautiful woman coming from such a 289 00:19:43,640 --> 00:19:48,800 Speaker 1: faraway place to look at beautifully England. That's just a vacation. 290 00:19:50,680 --> 00:19:54,840 Speaker 1: Why would somebody leave such temporary cremate to come to 291 00:19:54,920 --> 00:19:58,800 Speaker 1: such a true deer place. I wanted to say the world, 292 00:19:59,119 --> 00:20:04,000 Speaker 1: maybe maybe you're running away from your murders. Isn't it 293 00:20:04,080 --> 00:20:07,080 Speaker 1: true that you were looking for a bigger cabin. Yes, 294 00:20:07,560 --> 00:20:10,240 Speaker 1: the truth is that's one confronted that your cabin could 295 00:20:10,240 --> 00:20:14,080 Speaker 1: be the size of the train. Conductor, I wanted to 296 00:20:14,160 --> 00:20:17,600 Speaker 1: let you know that there's been a series of violence 297 00:20:17,600 --> 00:20:20,040 Speaker 1: and murder, and coach that we're going to detach the 298 00:20:20,119 --> 00:20:22,960 Speaker 1: last I'd say, anyone first class to come up towards 299 00:20:23,000 --> 00:20:26,359 Speaker 1: the front of the train. It's going to be detaching 300 00:20:26,600 --> 00:20:29,880 Speaker 1: in thirty seconds. Okay, well, let's let's hurdly yup before 301 00:20:30,080 --> 00:20:31,879 Speaker 1: let's finish it up when we get up there. So 302 00:20:32,000 --> 00:20:34,880 Speaker 1: let's just what you're going to detach the other train 303 00:20:35,160 --> 00:20:45,160 Speaker 1: cards from the train who you're talking the conductor again, 304 00:20:45,400 --> 00:20:53,119 Speaker 1: it's one way microphone. Unfortunately, put microphone in the man 305 00:20:53,400 --> 00:20:56,080 Speaker 1: so many people in this room. I just thought he 306 00:20:56,160 --> 00:20:57,920 Speaker 1: was one of the people in this room. I didn't 307 00:20:57,920 --> 00:21:00,400 Speaker 1: realize it was coming through the sounds and one goes 308 00:21:00,480 --> 00:21:03,320 Speaker 1: one way. So he does have a delightful podcast that 309 00:21:03,400 --> 00:21:07,919 Speaker 1: he does over the train as it goes. So okay, 310 00:21:08,040 --> 00:21:12,160 Speaker 1: some things I would like to hear anyway, A long 311 00:21:12,440 --> 00:21:19,360 Speaker 1: study shot. Oh. I was looking around the area where 312 00:21:19,400 --> 00:21:22,800 Speaker 1: I first held the screams of someone being adult and 313 00:21:23,160 --> 00:21:26,359 Speaker 1: on my inspection I found a small piece of bark. 314 00:21:28,000 --> 00:21:31,400 Speaker 1: Would you mind sharing yourself for nake? Let me get 315 00:21:31,440 --> 00:21:35,159 Speaker 1: to the front, as this man not forgive me. I 316 00:21:35,200 --> 00:21:38,760 Speaker 1: am inspect the clues and I have questions for you 317 00:21:39,840 --> 00:21:44,680 Speaker 1: for me, Yes, what is your I think everyone on 318 00:21:44,800 --> 00:21:51,040 Speaker 1: the train knows you do not buy a ticket. Sometimes 319 00:21:51,119 --> 00:21:53,520 Speaker 1: gifts are given, and the ticket is a gift. One 320 00:21:54,880 --> 00:21:57,000 Speaker 1: I could be talked by the way as you don't 321 00:21:57,280 --> 00:22:00,800 Speaker 1: gold the li to me I knew of the stop. 322 00:22:02,520 --> 00:22:05,879 Speaker 1: Does anyone know what they're saying, because I haven't understood 323 00:22:05,880 --> 00:22:09,399 Speaker 1: a damn word in the past two hours. I had 324 00:22:09,480 --> 00:22:11,399 Speaker 1: the sent it total. But what you must know is 325 00:22:11,440 --> 00:22:15,800 Speaker 1: this is a delightful mashup. I am very happy, so 326 00:22:16,160 --> 00:22:18,280 Speaker 1: just let it play out. You'll know about when someone 327 00:22:18,400 --> 00:22:28,600 Speaker 1: is in the handcoffs one C two const Patroon vmpd 328 00:22:28,920 --> 00:22:31,600 Speaker 1: Von who wrote high Kevin, I was thrilled to hear 329 00:22:31,960 --> 00:22:34,240 Speaker 1: you do My last scene suggestion, the one where I 330 00:22:34,240 --> 00:22:36,800 Speaker 1: took my wife, who does not like improv, to one 331 00:22:36,840 --> 00:22:39,480 Speaker 1: of your shows and she was called on stage, which 332 00:22:39,560 --> 00:22:41,960 Speaker 1: was based on me actually taking her to your San 333 00:22:42,000 --> 00:22:45,240 Speaker 1: Francisco Sketch Fest live show. I listened to it with 334 00:22:45,280 --> 00:22:47,160 Speaker 1: her and she wanted me to make sure to tell 335 00:22:47,200 --> 00:22:50,560 Speaker 1: you all she did, in fact enjoy the live show. 336 00:22:50,920 --> 00:22:54,440 Speaker 1: My next scene suggestion a group of people making a 337 00:22:54,480 --> 00:22:57,639 Speaker 1: hoax crop circle run into aliens who are in the 338 00:22:57,680 --> 00:23:00,280 Speaker 1: process of making a real crop circle. Thanks for all 339 00:23:00,280 --> 00:23:04,159 Speaker 1: the last Devon. After listening to the most recent episode, 340 00:23:04,560 --> 00:23:07,680 Speaker 1: I realized aliens are kind of a cliche in improv, 341 00:23:07,760 --> 00:23:11,320 Speaker 1: and you probably don't want any more suggestions involving aliens, 342 00:23:11,680 --> 00:23:14,520 Speaker 1: So instead, how about the premier of an all new 343 00:23:14,560 --> 00:23:21,000 Speaker 1: whacking Major League Sports. Thanks again? Alright, so what has done? Yeah, 344 00:23:21,080 --> 00:23:25,679 Speaker 1: that's two emails smashed into one, and he corrected himself 345 00:23:25,680 --> 00:23:28,720 Speaker 1: after listening to the show and realized we had had 346 00:23:28,760 --> 00:23:32,360 Speaker 1: too many aliens suggestions. I personally liked the crop duct 347 00:23:32,400 --> 00:23:35,199 Speaker 1: Churchill mishappen, So let's go with that one, Devon. I 348 00:23:35,200 --> 00:23:37,240 Speaker 1: just wanted to read all that you wrote and thank 349 00:23:37,240 --> 00:23:40,400 Speaker 1: you for writing in um to us. We appreciate their 350 00:23:41,320 --> 00:23:46,280 Speaker 1: Jimmy June, Jimmy Jane, what would you please not you? 351 00:23:46,440 --> 00:23:49,800 Speaker 1: John and jim and June Jimmy June, Jimmy June, would 352 00:23:49,800 --> 00:23:52,520 Speaker 1: you would you get me that lighter fluid again? Because 353 00:23:52,560 --> 00:23:56,640 Speaker 1: I need to make this patch a little wider here 354 00:23:56,680 --> 00:24:01,160 Speaker 1: you go, appreciate that ship. When are we gonna get 355 00:24:01,160 --> 00:24:03,320 Speaker 1: a break? The Sun's gonna be up soon. I don't know. 356 00:24:03,400 --> 00:24:06,360 Speaker 1: We've been doing this for like the whole damn night. 357 00:24:06,520 --> 00:24:09,639 Speaker 1: I told my wife I'd be home for dinner. Now 358 00:24:09,640 --> 00:24:12,439 Speaker 1: I'm I'm gonna be home for breakfast. I don't remember 359 00:24:12,480 --> 00:24:15,840 Speaker 1: a time we weren't doing this, y'all. Y'all two are 360 00:24:15,880 --> 00:24:19,440 Speaker 1: losing sight of how funny this is gonna be. Yeah, 361 00:24:19,480 --> 00:24:21,600 Speaker 1: but funny to who people in an airplane. I mean, 362 00:24:21,600 --> 00:24:23,520 Speaker 1: can they even see what the hell we're doing from 363 00:24:23,520 --> 00:24:28,240 Speaker 1: the ground? Sure, ken think about that. The best kind 364 00:24:28,240 --> 00:24:30,600 Speaker 1: of comedy is the ones where you don't hear the laughter, 365 00:24:31,560 --> 00:24:36,520 Speaker 1: stop talking, and start burning. Okay, that's some sort of 366 00:24:37,760 --> 00:24:41,399 Speaker 1: third level. I just don't understand. He's not he's not 367 00:24:41,480 --> 00:24:45,280 Speaker 1: home for dinner, he's not home for breakfast. I just, 368 00:24:45,880 --> 00:24:48,600 Speaker 1: I mean, my mind goes crazy and it's you know, 369 00:24:48,680 --> 00:24:51,440 Speaker 1: I start thinking of different things that he could be doing, 370 00:24:51,480 --> 00:24:53,000 Speaker 1: and I just don't want to believe it because I 371 00:24:53,000 --> 00:24:54,800 Speaker 1: know it's not true. I know he's a good man. 372 00:24:55,800 --> 00:25:02,040 Speaker 1: He's a good man. Okay, Well for listening to my statue, U, 373 00:25:03,640 --> 00:25:05,560 Speaker 1: I'm so kind to listen to me every time I 374 00:25:05,680 --> 00:25:08,760 Speaker 1: come buy a town square? Who is here? So I'll 375 00:25:08,800 --> 00:25:14,280 Speaker 1: just put a coin next to your foot? And all right, 376 00:25:15,280 --> 00:25:17,520 Speaker 1: so you see, I don't like to have to explain 377 00:25:17,600 --> 00:25:19,800 Speaker 1: the goddamn joke to you, but to get it now, 378 00:25:19,920 --> 00:25:23,159 Speaker 1: isn't that funny? It's so funny. It's a funny, but 379 00:25:23,240 --> 00:25:26,320 Speaker 1: it's a thinker where I don't laugh, which is kind 380 00:25:26,359 --> 00:25:29,520 Speaker 1: of the best kind, right, because who the hell wants 381 00:25:29,640 --> 00:25:32,879 Speaker 1: it's easy to laugh? Right? Sure, I'm sure we do 382 00:25:33,000 --> 00:25:35,160 Speaker 1: this kind of thing when I knock it off, knock 383 00:25:35,200 --> 00:25:37,560 Speaker 1: it off. I ain't asking you for your artistic interpretation 384 00:25:37,720 --> 00:25:39,920 Speaker 1: of my joke. What I am asking you is to 385 00:25:40,000 --> 00:25:47,879 Speaker 1: finish burning this crop circle. So that so that what 386 00:25:47,920 --> 00:25:51,399 Speaker 1: the hell is that? What the hell? What is happening, 387 00:25:51,560 --> 00:25:55,320 Speaker 1: Jimmy John June June? Is that your stomach? Yeah, I'm hungry, 388 00:25:55,359 --> 00:25:57,760 Speaker 1: but I don't know if that's what's making it too. 389 00:25:58,040 --> 00:26:02,240 Speaker 1: It sounds like a horse. Oh, there's something over yonder there. 390 00:26:02,280 --> 00:26:06,960 Speaker 1: Take a look, look you go, there's there's Look, go 391 00:26:07,160 --> 00:26:10,800 Speaker 1: look what I'm looking. I'm going. I'm going, I'm going 392 00:26:12,440 --> 00:26:23,560 Speaker 1: get off me stop probing my anle? Oh my god? 393 00:26:23,600 --> 00:26:27,560 Speaker 1: Should I go? Look? I think that's okay. I'm gonna 394 00:26:27,600 --> 00:26:30,960 Speaker 1: go over there. All right, okay, all right back, I'll 395 00:26:31,000 --> 00:26:41,200 Speaker 1: be right back. Hello, what you're telling me? You went 396 00:26:41,320 --> 00:26:46,560 Speaker 1: down to Jack roaches farm, he started burning up his 397 00:26:46,640 --> 00:26:51,440 Speaker 1: crops to make a crop circle, and in doing so, 398 00:26:52,320 --> 00:26:55,879 Speaker 1: you're two dumbass friends got abducted by Ellen. Now you 399 00:26:55,880 --> 00:26:58,000 Speaker 1: want me to believe that? Yes, sir, Yes, I know, 400 00:26:58,240 --> 00:27:00,760 Speaker 1: I know it sounds hard to believe. Hell, I don't 401 00:27:00,760 --> 00:27:02,040 Speaker 1: know if you could tell that I was setting of 402 00:27:02,119 --> 00:27:06,240 Speaker 1: a joke, you know what I mean? What what was 403 00:27:06,280 --> 00:27:08,359 Speaker 1: the joke when you setting went up, when you came in. 404 00:27:08,400 --> 00:27:11,879 Speaker 1: What are you talking about? Well, the whole idea is 405 00:27:11,920 --> 00:27:13,840 Speaker 1: that it was going to be a fake crop circle, 406 00:27:14,240 --> 00:27:17,280 Speaker 1: and then people would think it's a real crop Circle's fake. 407 00:27:17,359 --> 00:27:19,720 Speaker 1: And first off, you're burning crops, you understand. You do 408 00:27:19,760 --> 00:27:22,520 Speaker 1: it with a board and string to bend the crops 409 00:27:22,520 --> 00:27:26,720 Speaker 1: so they don't snap in a real burning fields. Right. Well, listen, 410 00:27:26,800 --> 00:27:29,239 Speaker 1: that's not a here nor there sheriff. The point is 411 00:27:29,720 --> 00:27:33,639 Speaker 1: I lost two of my best boys, all right, So 412 00:27:33,720 --> 00:27:36,520 Speaker 1: you want to start a missing person's case and I 413 00:27:36,560 --> 00:27:40,000 Speaker 1: want to, and I want the authority to do citizens 414 00:27:40,080 --> 00:27:44,119 Speaker 1: arrests if you can. I want you to knight me 415 00:27:44,200 --> 00:27:46,719 Speaker 1: or whatever it takes. I want the authority that when 416 00:27:46,760 --> 00:27:49,280 Speaker 1: I get out of Son, I ain't gonna deputize it 417 00:27:49,320 --> 00:27:51,440 Speaker 1: just because you come in here smelling a goddamn lighter 418 00:27:51,440 --> 00:27:53,159 Speaker 1: fluid things that I'm gonna give you a gun and 419 00:27:53,200 --> 00:27:56,840 Speaker 1: a badge to do the lord's work. No know, it's done, 420 00:27:57,720 --> 00:28:05,159 Speaker 1: do you understand? Yeah? Global translator on, I have brought 421 00:28:05,240 --> 00:28:11,399 Speaker 1: two up to this ship. I've got a good Sorry, 422 00:28:11,440 --> 00:28:15,240 Speaker 1: I don't I gotta get home. To my wife. I 423 00:28:15,280 --> 00:28:16,840 Speaker 1: haven't been home in a couple of days. She's a 424 00:28:16,880 --> 00:28:21,200 Speaker 1: little old cuckoo. So if I don't get home, she's well, 425 00:28:21,200 --> 00:28:23,920 Speaker 1: they couldn't help, but notice that you guys were prairie 426 00:28:24,000 --> 00:28:30,280 Speaker 1: pairing a ring ball court team playing a game of 427 00:28:30,480 --> 00:28:33,320 Speaker 1: ring ball. Hey, why don't we start by you taking 428 00:28:33,320 --> 00:28:35,520 Speaker 1: these things out of our animal canales and then we 429 00:28:35,560 --> 00:28:38,120 Speaker 1: can have a proper conversation. How about that you can 430 00:28:38,200 --> 00:28:42,760 Speaker 1: keep to test for performance enhancing drugs seep Jimmie June's 431 00:28:42,840 --> 00:28:46,760 Speaker 1: And that's fine, but my concentration is being thrown by 432 00:28:46,840 --> 00:28:50,800 Speaker 1: this activity in my butt. Well, we promise you that 433 00:28:50,880 --> 00:28:53,440 Speaker 1: when you are ready to play a sport against us, 434 00:28:53,520 --> 00:28:56,480 Speaker 1: that we will remove the anal proofs. Can I ask 435 00:28:56,480 --> 00:28:59,400 Speaker 1: a real quick question please? I mean, I've never been 436 00:28:59,400 --> 00:29:03,440 Speaker 1: in a space it before, so kudos, it's bitching, But 437 00:29:04,240 --> 00:29:06,720 Speaker 1: is there something that's turning your regular voice into a 438 00:29:06,800 --> 00:29:09,120 Speaker 1: voice we can understand? And if that's true, is there 439 00:29:09,200 --> 00:29:11,880 Speaker 1: some sort of dial that we can adjust so it 440 00:29:11,920 --> 00:29:16,240 Speaker 1: doesn't sound so whiny and puny? I do not believe. 441 00:29:16,320 --> 00:29:20,360 Speaker 1: So it is a global translator? Where'd you get it from? 442 00:29:20,440 --> 00:29:23,440 Speaker 1: Radio shock? Because we have a local store down here 443 00:29:23,520 --> 00:29:26,280 Speaker 1: that's a lot better than that. Maybe you might want 444 00:29:26,280 --> 00:29:29,840 Speaker 1: to Yeah, well, I mean right now, I got a 445 00:29:29,840 --> 00:29:31,760 Speaker 1: twelve pack of Dursels I can give you for about 446 00:29:32,800 --> 00:29:34,600 Speaker 1: I'm he's twenty bucks, but I mean it's a tel 447 00:29:34,640 --> 00:29:38,920 Speaker 1: plack of Dursels, so it's it's pretty good. And those 448 00:29:38,920 --> 00:29:40,560 Speaker 1: are c cars over there right by the front door. 449 00:29:40,600 --> 00:29:44,320 Speaker 1: Those things are pretty day all lass. The full charge 450 00:29:44,360 --> 00:29:48,000 Speaker 1: will get you made about twenty minutes one way. Thank you, statue. 451 00:29:48,000 --> 00:29:51,280 Speaker 1: I'm glad to talk to you. No, I understand you, 452 00:29:51,280 --> 00:29:55,120 Speaker 1: I understand you. Oh ship, my bad. Alright, thought I 453 00:29:55,160 --> 00:29:56,760 Speaker 1: was talking to that statue. I talked to you every 454 00:29:56,800 --> 00:30:10,720 Speaker 1: day before the show. Hey you you're familiar with global warming? Yeah, 455 00:30:11,040 --> 00:30:13,360 Speaker 1: all right, look knock it off here, listen, I'm trying. 456 00:30:13,400 --> 00:30:15,520 Speaker 1: I'm trying to say about two friends. My two friends 457 00:30:15,520 --> 00:30:18,680 Speaker 1: got taken up up. Man. What I'm doing? Man? I 458 00:30:18,800 --> 00:30:22,680 Speaker 1: need I need every electronic welded together so I can 459 00:30:22,680 --> 00:30:25,960 Speaker 1: get on board of spaceships to help my friends. What 460 00:30:26,120 --> 00:30:29,080 Speaker 1: is this? What the hell is a prairie parry with them? 461 00:30:29,560 --> 00:30:37,120 Speaker 1: It's a prairie parent. Look, you know what you're under arrest. 462 00:30:37,200 --> 00:30:40,160 Speaker 1: You're under arrest. What the hell I'll make goddamn sure, 463 00:30:40,200 --> 00:30:43,560 Speaker 1: but I'm making the citizen's arrest and that's okay man 464 00:30:45,080 --> 00:30:48,480 Speaker 1: being a dick. You know, I got a ship that 465 00:30:48,800 --> 00:30:51,960 Speaker 1: radio shock. I'm the only one who works radio shocking. 466 00:30:52,160 --> 00:30:54,720 Speaker 1: Goddamn you West right now, So I gotta I need you. 467 00:30:55,160 --> 00:30:56,920 Speaker 1: I need your help, all right? Are you gonna help 468 00:30:56,920 --> 00:31:01,000 Speaker 1: me or not? You're insane, man, crazy is hell, But 469 00:31:01,040 --> 00:31:03,040 Speaker 1: you did right. I'm gonna help you. Look, you're asking 470 00:31:03,040 --> 00:31:05,040 Speaker 1: me to build you a spaceship to shoot you up 471 00:31:05,040 --> 00:31:06,920 Speaker 1: into space and find your friends. Maybe, is that what 472 00:31:06,960 --> 00:31:10,440 Speaker 1: I'm guessing. Yeah, that's exactly it. Alright, Look, if you're 473 00:31:10,440 --> 00:31:12,360 Speaker 1: asking me to do that with the rcy cars I 474 00:31:12,400 --> 00:31:14,360 Speaker 1: got in the twelve pack of ourselves, I mean I 475 00:31:14,440 --> 00:31:16,920 Speaker 1: might be able to fix something up in thirty minutes. 476 00:31:17,400 --> 00:31:19,360 Speaker 1: All right, I'm gonna use this time to go visit 477 00:31:19,360 --> 00:31:22,520 Speaker 1: missing you know, Jimmy June's wife. I was that that 478 00:31:22,560 --> 00:31:25,840 Speaker 1: woman who keept wailing around the city center on that 479 00:31:26,200 --> 00:31:29,200 Speaker 1: ringing her hands and all like theatrical like, yeah, that 480 00:31:29,240 --> 00:31:40,440 Speaker 1: woman was distressed removing an No come on, but you've 481 00:31:40,440 --> 00:31:43,080 Speaker 1: been pleading with us for the last hour to that 482 00:31:44,040 --> 00:31:48,520 Speaker 1: was my friend Ralph. I like it. Oh, this is 483 00:31:48,640 --> 00:31:55,040 Speaker 1: unprecedented for us. This is never happened. Um, okay, look 484 00:31:55,080 --> 00:32:02,840 Speaker 1: look we'll put his in yours as well. Wow, oh 485 00:32:03,040 --> 00:32:06,280 Speaker 1: my god. Hey, now hey, now, how's that for you? 486 00:32:06,360 --> 00:32:08,920 Speaker 1: Is that working out all right? You know, once it 487 00:32:08,960 --> 00:32:11,520 Speaker 1: gets in there, it feels just a home. You know 488 00:32:13,360 --> 00:32:17,600 Speaker 1: who I've been to college. We feel like we know you. 489 00:32:17,880 --> 00:32:21,440 Speaker 1: We have been studying you. Our statue has been doing 490 00:32:21,480 --> 00:32:26,760 Speaker 1: recon for years. A little great dude, here's a question 491 00:32:26,760 --> 00:32:30,520 Speaker 1: for you're regarding the statue. My my hat's off to you. 492 00:32:30,640 --> 00:32:33,560 Speaker 1: That's brilliant. People standing from it confess all kind of ship. 493 00:32:33,960 --> 00:32:37,480 Speaker 1: But in terms of the probe and how exactly are 494 00:32:37,520 --> 00:32:41,800 Speaker 1: you extracting information about our our human race through our 495 00:32:41,840 --> 00:32:46,239 Speaker 1: anal canal. You've heard of your redwood trees. How you 496 00:32:46,360 --> 00:32:49,920 Speaker 1: count the rings to know more about them and the age? 497 00:32:50,640 --> 00:32:53,480 Speaker 1: It is similar. We can learn so much about you 498 00:32:53,800 --> 00:32:59,520 Speaker 1: by the ridges and canals in your anal area. So 499 00:32:59,640 --> 00:33:06,360 Speaker 1: you coming through the Colonel Canal region. Yes, you're telling 500 00:33:06,400 --> 00:33:10,960 Speaker 1: me tree in my asshole. Yes, that's what he's telling you. 501 00:33:12,560 --> 00:33:17,320 Speaker 1: Oh god, hey, missy, Oh my god, ho, how are you? 502 00:33:17,600 --> 00:33:21,360 Speaker 1: Heymeric me give me Oh, it's good to see you. 503 00:33:21,720 --> 00:33:24,080 Speaker 1: Oh my gosh, listen, listen. I got a couple of 504 00:33:24,120 --> 00:33:26,600 Speaker 1: things I gotta tell you. Do you know where Jim 505 00:33:26,680 --> 00:33:32,280 Speaker 1: John is? Yeah? I do where. I'm not sure about that. 506 00:33:33,320 --> 00:33:36,600 Speaker 1: He's in space or at least up in the sky. 507 00:33:38,040 --> 00:33:41,920 Speaker 1: Have you ever seen the movie arm again? Bruce willis Yeah, 508 00:33:42,840 --> 00:33:54,400 Speaker 1: seeing that? No close, baby, want to miss things? Navy, 509 00:33:57,840 --> 00:34:02,720 Speaker 1: you want to go, Christie. I don't know the rest 510 00:34:02,760 --> 00:34:10,399 Speaker 1: of it, but about and then that one part where 511 00:34:10,400 --> 00:34:13,360 Speaker 1: they got Steve and he's just like, I've no taxes 512 00:34:13,480 --> 00:34:17,719 Speaker 1: or whatever. Owen Wilson is in there too. He dies 513 00:34:17,800 --> 00:34:20,239 Speaker 1: in that. Owen Wilson is right. I didn't remember him 514 00:34:20,239 --> 00:34:24,920 Speaker 1: in there. Owen Wilson is in there too. Oh and 515 00:34:25,080 --> 00:34:28,440 Speaker 1: there is the part where they put animal crackers on 516 00:34:28,719 --> 00:34:36,640 Speaker 1: her chest. It is funny. We love that film. Okay, yeah, listen. Uh. 517 00:34:37,239 --> 00:34:41,520 Speaker 1: Follow up question, tell me if you thought Michael Clark 518 00:34:41,600 --> 00:34:46,040 Speaker 1: Duncan's work in that picture was okay? We enjoy Mr 519 00:34:46,320 --> 00:34:51,120 Speaker 1: Clark Duncan and Steve Bush emmy right. Can you explain, 520 00:34:51,200 --> 00:34:55,160 Speaker 1: even from an alien position that fails teeth to me, 521 00:34:56,400 --> 00:35:02,839 Speaker 1: what's going on there? That's my bad? We need Did 522 00:35:02,920 --> 00:35:06,640 Speaker 1: you make him? We did? We created him based on 523 00:35:07,160 --> 00:35:10,960 Speaker 1: what we thought would be attractive features to humans. We 524 00:35:11,080 --> 00:35:16,440 Speaker 1: were rugged. You gave him British teeth. We did from 525 00:35:16,520 --> 00:35:21,200 Speaker 1: like the fourteenth century, yeah, like pre dental work. All right, 526 00:35:21,480 --> 00:35:26,600 Speaker 1: you got the contraption I do? Yeah? Hey, um, this 527 00:35:26,760 --> 00:35:32,680 Speaker 1: is weird. Do you have a VHS of Armageddon? Yeah? 528 00:35:32,840 --> 00:35:34,839 Speaker 1: Why is that like the last missing component you need 529 00:35:34,920 --> 00:35:37,600 Speaker 1: to get this thing fired up or what? Yes, it is, 530 00:35:38,360 --> 00:35:43,480 Speaker 1: holy sh it. I actually got two copies. Yeah, I 531 00:35:43,560 --> 00:35:47,040 Speaker 1: just need one, but so I had I had one right, 532 00:35:47,600 --> 00:35:52,719 Speaker 1: And then you know Missy Jimmy June's wife. Yes, yeah, 533 00:35:52,800 --> 00:35:55,279 Speaker 1: don't you know the lady we described earlier. Yeah, he 534 00:35:55,520 --> 00:35:58,840 Speaker 1: was distressed. She's going through a lot right now. So 535 00:35:59,320 --> 00:36:02,680 Speaker 1: she also the copy right, but it wasn't like it 536 00:36:02,800 --> 00:36:04,719 Speaker 1: wasn't in a recently copy. I mean it was, but 537 00:36:04,800 --> 00:36:06,719 Speaker 1: it was from a video rental store to she and 538 00:36:06,800 --> 00:36:09,840 Speaker 1: never return. So as a memento of me going on 539 00:36:09,880 --> 00:36:12,239 Speaker 1: this mission, she gave me her copy right. So I 540 00:36:12,320 --> 00:36:15,280 Speaker 1: got one here with the original movie jacket on it. Awesome. 541 00:36:16,239 --> 00:36:18,120 Speaker 1: I don't wanted a clear case from a video rental 542 00:36:18,160 --> 00:36:21,160 Speaker 1: store store and as long as they play armor, getting 543 00:36:21,200 --> 00:36:23,080 Speaker 1: that's either one. So I just everyone you think will 544 00:36:23,120 --> 00:36:25,200 Speaker 1: be the true you know to send me up in 545 00:36:25,239 --> 00:36:27,120 Speaker 1: the you tell me man like. As long as they 546 00:36:27,200 --> 00:36:30,160 Speaker 1: both work, I'm going right, I should tell you this 547 00:36:30,320 --> 00:36:33,719 Speaker 1: is my journey after all. That's right. I'm going with 548 00:36:33,800 --> 00:36:38,719 Speaker 1: the one Missy gave me. All right, all right, let's 549 00:36:38,760 --> 00:36:42,799 Speaker 1: see and put it in. And you're sucking smart, oh ship, 550 00:36:42,920 --> 00:36:45,600 Speaker 1: this is a problem. This movie was not rewound. Okay, 551 00:36:45,640 --> 00:36:51,000 Speaker 1: we're about three furs into the film. All right, we 552 00:36:51,080 --> 00:36:52,920 Speaker 1: only got one shot at this. Maybe are you ready? 553 00:36:58,719 --> 00:37:11,240 Speaker 1: And that's into today comes us from batter that's b. A. D. R. Better, 554 00:37:11,960 --> 00:37:14,800 Speaker 1: who wrote High Alchemists love the show very much, perhaps 555 00:37:14,920 --> 00:37:19,640 Speaker 1: too much. My suggestion is one of you is hypnotized 556 00:37:19,680 --> 00:37:22,000 Speaker 1: to talk in a different accent every time he hears 557 00:37:22,040 --> 00:37:24,520 Speaker 1: the trigger word. The problem is that he doesn't know 558 00:37:25,080 --> 00:37:30,160 Speaker 1: what the trigger word is. Have fun, better, Larry, can 559 00:37:30,239 --> 00:37:33,680 Speaker 1: we get the reports back from Scottsdale when you get 560 00:37:33,719 --> 00:37:35,959 Speaker 1: a mental please? Yeah? You want that for the Iron Works? 561 00:37:36,160 --> 00:37:40,680 Speaker 1: I do? I do, of course. Tina, you had something 562 00:37:40,840 --> 00:37:43,480 Speaker 1: from Phoenix that we were going to take a look 563 00:37:43,520 --> 00:37:47,880 Speaker 1: at it. Do you need the overhead projector for that? Yes? Please? 564 00:37:48,560 --> 00:37:50,720 Speaker 1: All right, Steve, can you set up the overhead projector? 565 00:37:50,760 --> 00:37:53,480 Speaker 1: Please be set it up to I know how to 566 00:37:53,520 --> 00:37:56,879 Speaker 1: do it. I'm just afraid of it. Please, now, come 567 00:37:56,920 --> 00:38:01,120 Speaker 1: on this I'm happy to do saying I can't do it. 568 00:38:01,160 --> 00:38:03,680 Speaker 1: I am just afraid of it. Yeah, well, if you're 569 00:38:03,680 --> 00:38:05,000 Speaker 1: scared of it, you don't have to do it. That's 570 00:38:05,040 --> 00:38:08,880 Speaker 1: like when I thought you were only afraid of it 571 00:38:08,960 --> 00:38:10,640 Speaker 1: till you were about twenty years old, and then everything 572 00:38:10,760 --> 00:38:13,160 Speaker 1: was fine again. Yeah, twenty one. So it's very new, 573 00:38:13,280 --> 00:38:20,239 Speaker 1: it's very recent, you know what I mean. Well, I'm 574 00:38:20,239 --> 00:38:21,920 Speaker 1: not allowed to do it. I'm just saying I can't 575 00:38:21,920 --> 00:38:27,320 Speaker 1: do it. Okay, again, it's ready to go. Okay, Okay, 576 00:38:27,480 --> 00:38:31,480 Speaker 1: take her away? About the lights? Yeah, hit the lights, 577 00:38:31,600 --> 00:38:35,120 Speaker 1: hit the light phoenix. Okay. So actually we don't need 578 00:38:35,160 --> 00:38:37,160 Speaker 1: the overhead projector for this. I just wanted to see 579 00:38:37,160 --> 00:38:38,840 Speaker 1: if it would work. So is this just kind of 580 00:38:38,880 --> 00:38:44,080 Speaker 1: more of an oral presentation? Um? Basically, yeah, you can 581 00:38:44,120 --> 00:38:49,160 Speaker 1: do the lights on. Just unplug the projector. Okay. Um, so, 582 00:38:49,280 --> 00:38:53,680 Speaker 1: as you can see from the numbers, I just stop 583 00:38:53,840 --> 00:38:57,719 Speaker 1: my tel wieling this stupid projector away. Okay. Um, so 584 00:38:58,120 --> 00:39:04,880 Speaker 1: let me see that hold on, that's that's a bone. Well, 585 00:39:04,960 --> 00:39:06,840 Speaker 1: can I get the lights on? Trying to fix this bone? 586 00:39:07,080 --> 00:39:11,160 Speaker 1: Lights on? Okay, well this is bad. You can keep going. 587 00:39:11,239 --> 00:39:14,239 Speaker 1: I just sorry, I just okay. So the numbers from Phoenix, um, 588 00:39:14,239 --> 00:39:17,920 Speaker 1: everyone should be getting a piece of paper. And you 589 00:39:18,000 --> 00:39:20,960 Speaker 1: can see that the numbers are odd, and so there 590 00:39:21,000 --> 00:39:26,120 Speaker 1: are some even numbers in there as well. Hurt. Yes, 591 00:39:26,719 --> 00:39:30,680 Speaker 1: And basically we found that the more we talked to people, 592 00:39:31,719 --> 00:39:35,839 Speaker 1: the more data we get. All right, thanks very much 593 00:39:35,960 --> 00:39:40,279 Speaker 1: data for that report. Appreciate You're welcome. And she was 594 00:39:40,320 --> 00:39:43,279 Speaker 1: gonna come to Scottsdale for us. I wasn't quite sure 595 00:39:43,280 --> 00:39:50,120 Speaker 1: about a Scottsdale was going to be reported on as well. 596 00:39:50,280 --> 00:39:52,640 Speaker 1: Can I get it someone? I think I might have 597 00:39:52,719 --> 00:39:54,520 Speaker 1: been the one that was supposed to do that, but 598 00:39:54,680 --> 00:39:59,880 Speaker 1: I actually wasn't prepared to speak today on it. Uh, Sean. 599 00:40:00,040 --> 00:40:02,880 Speaker 1: We asked everyone to be able to report today in 600 00:40:03,000 --> 00:40:07,239 Speaker 1: Scott's Dale was your area? So if you could just 601 00:40:07,320 --> 00:40:09,759 Speaker 1: snuck up a little quicker than I expected, a fine. 602 00:40:10,080 --> 00:40:13,239 Speaker 1: Anyone want to give us Tempe Tempe? Actually I'll do 603 00:40:13,320 --> 00:40:15,279 Speaker 1: Tempe in scotts if you don't mind. Uh. I don't 604 00:40:15,320 --> 00:40:17,280 Speaker 1: mean to jump in shot, but I don't think anyone. 605 00:40:17,960 --> 00:40:20,120 Speaker 1: We just want to get you know what, Sean? You 606 00:40:20,239 --> 00:40:24,640 Speaker 1: had your shot. We scared the pooch dumped dumped to come, 607 00:40:24,800 --> 00:40:28,800 Speaker 1: let's let it go? Yes? Is that English turn of phrase? 608 00:40:28,880 --> 00:40:31,920 Speaker 1: So what we have here and Scott's Dale and Tempe, 609 00:40:32,000 --> 00:40:35,520 Speaker 1: we actually got parallel numbers, which is fantastic. Okay, so 610 00:40:35,560 --> 00:40:38,040 Speaker 1: we're seeing growth in in all the sectors that we're doing, 611 00:40:38,120 --> 00:40:41,200 Speaker 1: so just put pressure on it, pression. So for Scott's 612 00:40:41,200 --> 00:40:44,240 Speaker 1: so right now we got about seven of the island 613 00:40:44,320 --> 00:40:49,360 Speaker 1: that we have at our own storehouses or rown through Tempy. 614 00:40:49,600 --> 00:40:52,040 Speaker 1: I would say we're on the same thing. It's about percent, 615 00:40:52,640 --> 00:40:54,239 Speaker 1: so there's to be growth that we had there. But 616 00:40:54,400 --> 00:40:55,920 Speaker 1: we all know that Temple is going to be our 617 00:40:55,960 --> 00:40:59,200 Speaker 1: proxy site, so it's not our main sellers, right, So 618 00:40:59,440 --> 00:41:01,440 Speaker 1: that's that's it's really good news knowing that we got 619 00:41:01,480 --> 00:41:03,920 Speaker 1: the numbers flowing back. So I don't think they can 620 00:41:04,400 --> 00:41:10,319 Speaker 1: should hear you at all, Sean Sean, you're done, dude. 621 00:41:12,120 --> 00:41:15,360 Speaker 1: Thanks for the coffee. Sean, Uh, I didn't really appreciate 622 00:41:15,400 --> 00:41:17,000 Speaker 1: you stepping on my time in there, man, that was 623 00:41:17,120 --> 00:41:21,360 Speaker 1: a little appropriate. Well, first of all, I've been working 624 00:41:21,440 --> 00:41:23,560 Speaker 1: on the Scottsdale stuff for a long time. I just 625 00:41:23,680 --> 00:41:26,000 Speaker 1: needed to get some power porn slides finished up, and 626 00:41:26,040 --> 00:41:28,440 Speaker 1: you kind of marched on my stuff. And secondly, you 627 00:41:28,520 --> 00:41:32,239 Speaker 1: weren't even using your microphone. It's a one way piece, man, 628 00:41:33,480 --> 00:41:36,839 Speaker 1: it's a speaker, so it doesn't matter. Everybody couldn't hear 629 00:41:36,880 --> 00:41:40,040 Speaker 1: anything you were saying. Well, that's not my problem, Okay, Sean, 630 00:41:40,160 --> 00:41:42,440 Speaker 1: I wasn't supposed to be talking about Scottsdale, but I 631 00:41:42,520 --> 00:41:44,680 Speaker 1: did anyway. All right, and look let me tell something now, 632 00:41:44,680 --> 00:41:47,839 Speaker 1: I want to take your job. Okay, you're gonna take 633 00:41:47,920 --> 00:41:50,560 Speaker 1: my job, damn right. I just didn't that fucking boardroom, 634 00:41:50,640 --> 00:41:52,239 Speaker 1: and I'm gonna do it on in the sales room too. 635 00:41:52,280 --> 00:41:55,080 Speaker 1: All right, you're slipping up, my man. You didn't know 636 00:41:55,120 --> 00:41:57,640 Speaker 1: you're supposed to present today. That fucking meeting was on 637 00:41:57,719 --> 00:42:03,320 Speaker 1: the billboard outside everybody's meeting when I just figured with 638 00:42:03,400 --> 00:42:05,680 Speaker 1: the letter S it would take a long time to 639 00:42:05,719 --> 00:42:08,200 Speaker 1: get to me. But I didn't think it was gonna 640 00:42:08,200 --> 00:42:11,040 Speaker 1: happen today. If we're going in alphabetical order, what are 641 00:42:11,040 --> 00:42:14,520 Speaker 1: they said we were, Sean, who the hell said we were? Well? 642 00:42:14,719 --> 00:42:16,400 Speaker 1: What kind of order were you thinking we'd go in? 643 00:42:17,320 --> 00:42:19,160 Speaker 1: There's six of us. I think it would just go 644 00:42:19,280 --> 00:42:22,640 Speaker 1: whoever was seated around they point to us to speak. Well, 645 00:42:22,800 --> 00:42:26,399 Speaker 1: that's not. That wasn't clear to me. You know, hey, 646 00:42:26,440 --> 00:42:31,880 Speaker 1: Sean John, I'm coming Sean. Um what dude, you're you 647 00:42:31,960 --> 00:42:43,080 Speaker 1: went viral? What what? I have a coffee, per Sehan, 648 00:42:44,520 --> 00:42:47,359 Speaker 1: I have a coffee. Oh my god, that's me. Oh 649 00:42:47,600 --> 00:42:49,759 Speaker 1: my god, Marie, it's that fucking Oh my god, dude, 650 00:42:49,760 --> 00:42:52,400 Speaker 1: that fucking viral guy. You're the guy who could like 651 00:42:52,680 --> 00:42:57,400 Speaker 1: ship the bed during his board business. Okay, show me 652 00:42:57,520 --> 00:43:01,440 Speaker 1: this video. I have kind it in corporate America. Oh 653 00:43:01,520 --> 00:43:12,839 Speaker 1: my fucking what are you talking about, man, Marie? Oh 654 00:43:12,920 --> 00:43:18,120 Speaker 1: my god, look who it is. Viral dude you are 655 00:43:18,320 --> 00:43:21,280 Speaker 1: Oh my god. I saw you because my mom showed 656 00:43:21,320 --> 00:43:23,560 Speaker 1: me the viral video and she doesn't even understand how 657 00:43:23,600 --> 00:43:27,319 Speaker 1: the internet works. Oh my god. She's in hospital. She's 658 00:43:27,360 --> 00:43:31,440 Speaker 1: in hospice. She's in hospice because she didn't get the internet. 659 00:43:32,239 --> 00:43:37,760 Speaker 1: Oh fuck, this is weird. I mean, all right, nobody 660 00:43:37,920 --> 00:43:45,120 Speaker 1: leaves the conference room. Sean's buddy was discovered completely. Oh 661 00:43:45,200 --> 00:43:51,200 Speaker 1: my god, wait, who are you overjective? I need a 662 00:43:51,239 --> 00:43:57,240 Speaker 1: bigger chair. I need a bigger chair up please. Mostly 663 00:43:58,880 --> 00:44:05,080 Speaker 1: I was just been handed a temperate account, but previously 664 00:44:05,320 --> 00:44:11,160 Speaker 1: I was is it detective in training in the funds anyways, 665 00:44:11,640 --> 00:44:14,560 Speaker 1: one of you is the suspect, obviously because you are 666 00:44:15,200 --> 00:44:18,200 Speaker 1: envied Sean once he went, well, I think it was 667 00:44:18,360 --> 00:44:22,920 Speaker 1: him because he's because during the East did you did 668 00:44:22,960 --> 00:44:26,359 Speaker 1: you see the video that went viral? Yes? If him 669 00:44:26,440 --> 00:44:30,120 Speaker 1: failing is the presentage? Hello, yes, yeah, but like but 670 00:44:30,280 --> 00:44:32,840 Speaker 1: he's the one that stepped on his toes and speaking 671 00:44:32,880 --> 00:44:35,840 Speaker 1: of toes, I had injured my toe. There was no 672 00:44:35,920 --> 00:44:37,600 Speaker 1: way I was doing any killing, you know what I mean. 673 00:44:37,680 --> 00:44:43,600 Speaker 1: But it's probably him, is Roger with the toe issue, 674 00:44:43,680 --> 00:44:45,440 Speaker 1: Although Roger, I gotta tell you, when we're on the 675 00:44:45,560 --> 00:44:48,399 Speaker 1: zone and you stopped pointing, we don't know who you're 676 00:44:48,480 --> 00:44:52,680 Speaker 1: pointing it. We've got different positions, each one of us 677 00:44:52,800 --> 00:44:56,840 Speaker 1: within our own zooms, and you're pointing like for of 678 00:44:56,880 --> 00:45:00,400 Speaker 1: your appointing at Tina. Could he was accusing all of 679 00:45:00,560 --> 00:45:04,120 Speaker 1: us we all killed Sean in all ways? Well, he's 680 00:45:04,120 --> 00:45:07,120 Speaker 1: probably not like using you because we don't really know you, 681 00:45:07,360 --> 00:45:08,600 Speaker 1: you know what I mean, Like you kind of just 682 00:45:08,680 --> 00:45:12,640 Speaker 1: showed up as an outside person today, no offense. So 683 00:45:13,560 --> 00:45:16,440 Speaker 1: maybe he was, yeah, like blaming the rest of us, 684 00:45:16,520 --> 00:45:21,040 Speaker 1: though you can attest me. Yeah, I don't know. There's 685 00:45:21,080 --> 00:45:24,239 Speaker 1: no way to know. There's really no way to know. No, ma'am, 686 00:45:24,239 --> 00:45:26,839 Speaker 1: I'm sorry there. I mean, there are no royalties from 687 00:45:26,920 --> 00:45:29,080 Speaker 1: a viral video. I don't know what to tell you. 688 00:45:29,400 --> 00:45:31,839 Speaker 1: I am sorry about your husband's loss, but there, I mean, 689 00:45:32,520 --> 00:45:36,320 Speaker 1: there's no money to be gained. But this is YouTube 690 00:45:36,520 --> 00:45:39,680 Speaker 1: dot com. Am I right that that is correct? So 691 00:45:39,800 --> 00:45:42,879 Speaker 1: you think you owe me a check? Ma'm I don't 692 00:45:42,880 --> 00:45:45,640 Speaker 1: owe you anything that I mean, what do you want 693 00:45:45,680 --> 00:45:49,279 Speaker 1: me to say? I mean, there's somebody else what you know? 694 00:45:49,360 --> 00:45:51,759 Speaker 1: What when I snapped my fingers and from the rest 695 00:45:51,800 --> 00:45:53,520 Speaker 1: of your life, every time you hear a snap, you're 696 00:45:53,520 --> 00:45:58,120 Speaker 1: gonna switch accents? Goodbye? What the hell? What the hell? 697 00:45:58,920 --> 00:46:05,319 Speaker 1: Oh my god? Hi, Sorry, I came into YouTube dot com. 698 00:46:05,400 --> 00:46:07,960 Speaker 1: I have a question. I'm trying to find a video. Um, 699 00:46:08,080 --> 00:46:11,840 Speaker 1: it's a video of a monkey kind of like climbing 700 00:46:11,920 --> 00:46:14,600 Speaker 1: around and he smells another monkey's butt hole and then 701 00:46:14,640 --> 00:46:16,279 Speaker 1: he kind of falls over. Where do I find that 702 00:46:16,360 --> 00:46:21,960 Speaker 1: on YouTube dot com? Just search monkey sniffs buttle passes out. Um, 703 00:46:22,440 --> 00:46:28,839 Speaker 1: I got it? Thank you so much? Come what you wheel? Come? 704 00:46:29,239 --> 00:46:35,240 Speaker 1: Are you making fun of my speech impediment? Not? Okay? 705 00:46:35,280 --> 00:46:37,319 Speaker 1: Well I will be writing a very bad YELP review 706 00:46:37,360 --> 00:46:43,520 Speaker 1: about it. Just why is everyone coming to kissing a 707 00:46:43,600 --> 00:46:49,719 Speaker 1: service in person. That's wondering where I find Rano Tan 708 00:46:50,520 --> 00:46:54,880 Speaker 1: cleans arm picked with his shovel. I'm not familiar with 709 00:46:54,960 --> 00:46:57,400 Speaker 1: it one, And what's up with all these these primi 710 00:46:57,600 --> 00:47:02,400 Speaker 1: videos on you just sitch it? How you sitched it? 711 00:47:02,719 --> 00:47:08,759 Speaker 1: Have you looked the promise? Look, I'm just look at 712 00:47:08,800 --> 00:47:10,960 Speaker 1: my computer screen. Yeah do you mean do I go 713 00:47:11,040 --> 00:47:14,120 Speaker 1: outside and then just look around for it? Oh my god, 714 00:47:14,200 --> 00:47:17,640 Speaker 1: I fucking hate my job. I don't look my look 715 00:47:17,719 --> 00:47:20,719 Speaker 1: look at my screen here. Yeah, I'm gonna type in. 716 00:47:21,120 --> 00:47:22,920 Speaker 1: How do I think? What do you mean? How do 717 00:47:22,960 --> 00:47:26,480 Speaker 1: you look at it? When the fund is this Jesus Christ, 718 00:47:26,719 --> 00:47:28,840 Speaker 1: I'm talking into the phone and you're asking me to 719 00:47:28,880 --> 00:47:32,480 Speaker 1: look into your computer. Get off the phone, get all 720 00:47:32,560 --> 00:47:35,680 Speaker 1: the look at me. So step away from the phone. 721 00:47:36,840 --> 00:47:38,880 Speaker 1: Just place, for the love of God, please help me. 722 00:47:39,120 --> 00:47:43,000 Speaker 1: There's a long line behind you. There's a long line. 723 00:47:43,680 --> 00:47:46,440 Speaker 1: I need you to put the fine down and listen 724 00:47:46,560 --> 00:47:49,680 Speaker 1: to me. Right, but this is the wronging thing. Cleans 725 00:47:49,719 --> 00:47:52,279 Speaker 1: his arm, pretoy shovel. It's the funniest fucking thing you 726 00:47:52,320 --> 00:47:56,520 Speaker 1: ever see. My I believe you, I've ever seen it. Look, 727 00:47:56,560 --> 00:47:58,360 Speaker 1: we're gonna have to let you go man, this accent 728 00:47:58,440 --> 00:48:03,160 Speaker 1: ship is disturbing, weird, and frankly not entertaining. So what 729 00:48:03,280 --> 00:48:06,600 Speaker 1: do you mean this is what we're talking about? You 730 00:48:07,280 --> 00:48:10,440 Speaker 1: worked for three years, yeah, and at the sound good like, 731 00:48:12,560 --> 00:48:15,560 Speaker 1: we just don't understand what happened to you. Again, I 732 00:48:15,719 --> 00:48:19,360 Speaker 1: was cursed by a woman. She snapped her fingers instead 733 00:48:19,440 --> 00:48:22,800 Speaker 1: every time I snap my fingers, or actually, anytime, what 734 00:48:22,920 --> 00:48:24,920 Speaker 1: the hell you say? Look, anytime I hear snap my 735 00:48:25,080 --> 00:48:29,040 Speaker 1: voice change. That's pretty this is true. Let's see. So 736 00:48:29,239 --> 00:48:32,000 Speaker 1: you go ahead and just tell me a story. Right, 737 00:48:32,360 --> 00:48:34,560 Speaker 1: I'm gonna tell you a story. Uh, there was a 738 00:48:35,840 --> 00:48:39,080 Speaker 1: tiny little guy outside of New York City and he 739 00:48:39,160 --> 00:48:42,160 Speaker 1: wanted to, uh always do the thing that I don't. 740 00:48:42,320 --> 00:48:46,520 Speaker 1: But the only problem is that, and that is exactly 741 00:48:46,640 --> 00:48:49,200 Speaker 1: why Why does my story change when I'm staying a 742 00:48:49,239 --> 00:48:57,319 Speaker 1: different action? Why I can't the same story? Maybe you're 743 00:48:57,400 --> 00:49:02,239 Speaker 1: channeling individuals people who was good that you're still fired? 744 00:49:02,280 --> 00:49:08,120 Speaker 1: But that was that was good? Just like that. Hey man, 745 00:49:08,600 --> 00:49:11,960 Speaker 1: I really and I heard your stories and they're fantastic. 746 00:49:12,160 --> 00:49:14,200 Speaker 1: I think you've got a real one man show quality. 747 00:49:14,320 --> 00:49:18,960 Speaker 1: So I'd love to produce your show man. Yeah, yep, 748 00:49:19,080 --> 00:49:21,840 Speaker 1: I sheer wood. You know I don't. I got a 749 00:49:21,880 --> 00:49:23,840 Speaker 1: lot of money laying around, so let me, let me, 750 00:49:23,960 --> 00:49:28,480 Speaker 1: let me fund you Sure this is sound shanty at all? 751 00:49:28,800 --> 00:49:31,200 Speaker 1: You got it. I'm a shitty I'm Steve Bushemy man. 752 00:49:31,400 --> 00:49:34,080 Speaker 1: You know I'm I'm I'm I'm full of a character, 753 00:49:34,160 --> 00:49:43,160 Speaker 1: actor created by aliens. Oh you're an actor? Yeah, I 754 00:49:43,239 --> 00:49:47,080 Speaker 1: think I'm known. Anyways, I got an empty feeted down 755 00:49:47,320 --> 00:49:51,399 Speaker 1: in Tempy right now, were in a deep impact? Fuck 756 00:49:51,440 --> 00:49:55,480 Speaker 1: you man, that's in the other one. I got space dementia. 757 00:49:57,560 --> 00:49:59,640 Speaker 1: I gotta stage here, Tempy. If we can set up 758 00:49:59,640 --> 00:50:01,319 Speaker 1: a run of your show, you can work shopping here 759 00:50:01,320 --> 00:50:03,839 Speaker 1: and then take it on Broadway. All right, all right? 760 00:50:05,239 --> 00:50:10,279 Speaker 1: Deep back then movie? Okay, I didn't see it. Man, 761 00:50:12,920 --> 00:50:16,520 Speaker 1: you can see you on a movie that I wasn't in. 762 00:50:16,719 --> 00:50:20,720 Speaker 1: You know, I'm starting to regret funding this. Hey, James, 763 00:50:21,040 --> 00:50:25,319 Speaker 1: thanks for meeting me for lunch. Um, so what did 764 00:50:25,360 --> 00:50:28,800 Speaker 1: you wanna talk to me about it? And you know, 765 00:50:29,120 --> 00:50:32,640 Speaker 1: feel free to speak openly. It's it's it's just you 766 00:50:32,760 --> 00:50:35,320 Speaker 1: and me and um, if there's something else going on, 767 00:50:36,160 --> 00:50:38,319 Speaker 1: you know, let me know, let me know what's what's 768 00:50:38,320 --> 00:50:41,680 Speaker 1: in your mind. I mean, honestly, it's a lot that's 769 00:50:41,680 --> 00:50:45,040 Speaker 1: been going on. I feel kind of disconnected from my 770 00:50:45,440 --> 00:50:48,400 Speaker 1: friend and family, right. I just feel like you called 771 00:50:48,480 --> 00:50:51,360 Speaker 1: this sit down for a reason. Yeah, I definitely. I 772 00:50:51,440 --> 00:50:54,640 Speaker 1: just want you to feel you know, you're you're you're 773 00:50:54,680 --> 00:50:57,880 Speaker 1: with friends, you can speak up speak you know. I 774 00:50:57,960 --> 00:51:00,279 Speaker 1: appreciate that. You know you're always been a shoulder. I well, 775 00:51:00,320 --> 00:51:03,560 Speaker 1: you've been older, and uh, it's just crazy, you know, 776 00:51:03,719 --> 00:51:06,240 Speaker 1: since I've been cursed, and since I've seen wild success 777 00:51:06,320 --> 00:51:10,080 Speaker 1: for my one man show, in my live albums and movies. 778 00:51:10,239 --> 00:51:15,160 Speaker 1: And let's talk about the word you're using here. Cursed. Yeah, 779 00:51:15,600 --> 00:51:18,400 Speaker 1: do you think that's what it is? You cursed? You 780 00:51:18,520 --> 00:51:21,520 Speaker 1: really believe you were cursed? And it's not something people. Yeah, 781 00:51:21,560 --> 00:51:24,480 Speaker 1: a woman cursed me. She snapped her finger and she 782 00:51:24,560 --> 00:51:27,520 Speaker 1: said a curse. I was an incantation. I'm I'm fucked. 783 00:51:28,160 --> 00:51:31,840 Speaker 1: Some woman just snapped her finger and you were fucked? 784 00:51:31,960 --> 00:51:35,600 Speaker 1: Is that what? Yeah? And then I just right doing 785 00:51:35,680 --> 00:51:37,799 Speaker 1: this ship. What do you mean? What do you mean? 786 00:51:37,840 --> 00:51:41,120 Speaker 1: What do they mean? Right? She snapped her fingers and 787 00:51:41,160 --> 00:51:46,800 Speaker 1: you were cursed? Yes? Okay, yes, and you see what 788 00:51:46,840 --> 00:51:49,880 Speaker 1: I'm saying, James, Oh my god, I don't have to 789 00:51:50,000 --> 00:51:54,200 Speaker 1: do what she said. No, you don't curse. It's no curse. 790 00:51:55,360 --> 00:51:58,000 Speaker 1: She gave you a suggestion and you yes and yourself 791 00:51:58,040 --> 00:52:02,440 Speaker 1: into a fucking bucket. My god, right, I'm sick. Oh 792 00:52:02,520 --> 00:52:04,759 Speaker 1: my god. If you're sick, what kind of sick? Like 793 00:52:04,840 --> 00:52:07,400 Speaker 1: a sweet sweetheart? Pull up your phone. This guy's about 794 00:52:07,400 --> 00:52:10,480 Speaker 1: to throw up. Oh my god, this is so funny. 795 00:52:10,680 --> 00:52:20,800 Speaker 1: This is so funny. I'm gonna ship do this YouTube 796 00:52:20,880 --> 00:52:26,759 Speaker 1: video of this guy joking. Look, fuck, And that's our 797 00:52:26,800 --> 00:52:32,320 Speaker 1: show for today. Yeah, let's nank your alchemists. And this 798 00:52:32,719 --> 00:52:35,960 Speaker 1: particular order, James, which number cup coffee? Do you suppose 799 00:52:36,040 --> 00:52:39,320 Speaker 1: that is for today? It is just like two or 800 00:52:39,840 --> 00:52:45,479 Speaker 1: east by jug? It's second jug. The containers are getting 801 00:52:45,560 --> 00:52:50,040 Speaker 1: bigger and more obscure. Which one is that? This is 802 00:52:50,080 --> 00:52:53,480 Speaker 1: a thirty two ounce growler. So I got sixty four 803 00:52:53,560 --> 00:52:55,759 Speaker 1: ounces of coffee and you put your you make your 804 00:52:55,800 --> 00:52:58,960 Speaker 1: own coffee and put it in there, or you buy that. Yeah, no, 805 00:52:59,480 --> 00:53:01,880 Speaker 1: I make my own coffee and put it in there. Okay. 806 00:53:02,040 --> 00:53:05,319 Speaker 1: And if folks wanted to, uh, say, sign you up 807 00:53:05,360 --> 00:53:09,120 Speaker 1: to cameo where you made videos and they paid you 808 00:53:09,440 --> 00:53:11,680 Speaker 1: of you making this coffee and drinking it, was that 809 00:53:11,800 --> 00:53:14,120 Speaker 1: something you'd be open to? Yeah? I could do it 810 00:53:14,440 --> 00:53:19,719 Speaker 1: twice a day. Okay, cool? Well, thanks very much for 811 00:53:19,800 --> 00:53:24,200 Speaker 1: being with us today. Appreciate that, Caroline Connor, and thank 812 00:53:24,280 --> 00:53:27,759 Speaker 1: you as well. You're welcome. Uh and thanks again for 813 00:53:27,800 --> 00:53:29,440 Speaker 1: the invite for all of us to come to your 814 00:53:29,480 --> 00:53:32,680 Speaker 1: place to do the show next Wednesday. Very excited about that. Yeah, 815 00:53:32,760 --> 00:53:35,440 Speaker 1: whenever you want. It's small and I have a crazy bunny. 816 00:53:35,600 --> 00:53:42,239 Speaker 1: So is the bunny Okay? Oh so when you say no, 817 00:53:42,600 --> 00:53:46,120 Speaker 1: you actually mean not dead, but still not as fun 818 00:53:46,160 --> 00:53:49,320 Speaker 1: as I'd like and acting kind of weird. So I 819 00:53:49,400 --> 00:53:53,000 Speaker 1: think not as fun as the important part. Yeah, because 820 00:53:53,040 --> 00:53:54,440 Speaker 1: I mean, what is the point of a bunny if 821 00:53:54,520 --> 00:53:58,680 Speaker 1: not to be fun? Is the Is the bundy moving 822 00:53:58,840 --> 00:54:02,719 Speaker 1: one ft one paw? No, he's kind of flopped down, 823 00:54:02,960 --> 00:54:07,200 Speaker 1: like on his side, you know what I mean? James? 824 00:54:07,280 --> 00:54:09,560 Speaker 1: Can you look up real quick? Bunny on its side 825 00:54:10,360 --> 00:54:15,680 Speaker 1: or flopped I got sight of bunny. Yeah, it's gonna 826 00:54:15,680 --> 00:54:22,120 Speaker 1: be a little different, uh, James, thank you? Please call Stratton. Yeah, 827 00:54:22,520 --> 00:54:26,920 Speaker 1: thanks for having me again. Um, guys, we need to 828 00:54:26,960 --> 00:54:29,200 Speaker 1: get to the bottom of Sean's killer. We never solved 829 00:54:29,239 --> 00:54:32,319 Speaker 1: as murders, so people want to write in with their 830 00:54:32,600 --> 00:54:35,000 Speaker 1: fan theories. Maybe we can get to the bottom of it. 831 00:54:35,640 --> 00:54:38,000 Speaker 1: Please write your fan theories your name here and talk 832 00:54:38,400 --> 00:54:40,640 Speaker 1: dot com. We would love to hear your fan theories. 833 00:54:40,719 --> 00:54:43,360 Speaker 1: Thank you for that. There you go and look up 834 00:54:43,560 --> 00:54:47,279 Speaker 1: sketch Fest on the Instagram for shows, previous shows to 835 00:54:47,320 --> 00:54:50,120 Speaker 1: watch and to donate. Yeah, thanks, definitely do that please. 836 00:54:51,000 --> 00:54:54,120 Speaker 1: Christoph Varado, so nice to have you back. It's nice 837 00:54:54,160 --> 00:54:56,799 Speaker 1: to be here. I'm I don't know who killed Sean, 838 00:54:56,880 --> 00:54:59,680 Speaker 1: but I know what's gonna kill James, and that's sixty 839 00:54:59,760 --> 00:55:03,960 Speaker 1: fo ounces a fucking cat of coffee. Dude, that's I 840 00:55:04,000 --> 00:55:05,640 Speaker 1: just want to ask, do you do you know that's 841 00:55:05,640 --> 00:55:14,560 Speaker 1: a lot of coffee? Um, you know, all right, well 842 00:55:14,600 --> 00:55:18,759 Speaker 1: this is not the intervention, but it's coming. Four ounces okay, Yeah, 843 00:55:18,880 --> 00:55:26,000 Speaker 1: let's Carolina, you googling six couldnapen? Now, that's throughout the 844 00:55:26,040 --> 00:55:30,600 Speaker 1: course of the day. That's not in It shouldn't It 845 00:55:30,640 --> 00:55:32,759 Speaker 1: shouldn't be sixty four ounces still the course of a week. 846 00:55:33,880 --> 00:55:36,759 Speaker 1: It should be like a cup, maybe two cups max. Yeah, 847 00:55:36,880 --> 00:55:40,919 Speaker 1: it's like a bonus fourth scene. Study studies some death 848 00:55:41,040 --> 00:55:44,399 Speaker 1: drinking four more cups of coffee per day could significantly 849 00:55:44,520 --> 00:55:51,399 Speaker 1: raise your risk of dying. Well, sorry, everybody, tales people 850 00:55:51,480 --> 00:55:56,279 Speaker 1: get sixty four ounces of coffee a day. Just truck drivers, uh, 851 00:55:57,600 --> 00:56:00,719 Speaker 1: Joey gret anything to add before parting? Oh man, I 852 00:56:00,800 --> 00:56:04,120 Speaker 1: just I just want the best for James, like everyone does, 853 00:56:04,400 --> 00:56:06,560 Speaker 1: crazy and anyone else who's like doing the same thing 854 00:56:06,680 --> 00:56:09,080 Speaker 1: to look how happy he is, though, Don't you want 855 00:56:09,080 --> 00:56:11,319 Speaker 1: to be that happy right before you die. I've seen 856 00:56:11,360 --> 00:56:13,400 Speaker 1: people yak out of her mind, look that happy, but 857 00:56:13,480 --> 00:56:16,520 Speaker 1: inside they're screaming. All right, it's not now. What's on 858 00:56:16,600 --> 00:56:21,600 Speaker 1: the outside that's I start to sweat all over my body. 859 00:56:21,680 --> 00:56:25,160 Speaker 1: It's weird. You don't talk about it. It isn't us 860 00:56:25,200 --> 00:56:28,080 Speaker 1: talking about it. It's the anxiety that's being induced by 861 00:56:28,080 --> 00:56:31,400 Speaker 1: the amount of caffeine that's pumping through your body. James's 862 00:56:31,480 --> 00:56:37,759 Speaker 1: last show. Everybody right to save James at Save James 863 00:56:37,880 --> 00:56:41,279 Speaker 1: dot com. Let's thank Doug Baym, Engineering producer to the Star. 864 00:56:44,320 --> 00:56:50,440 Speaker 1: I heart media. I'm your host, reminding you to please 865 00:56:50,520 --> 00:56:53,160 Speaker 1: wear a mask every time you leave your home and 866 00:56:53,680 --> 00:56:56,680 Speaker 1: look out for each other. If we don't watch each 867 00:56:56,680 --> 00:57:01,399 Speaker 1: other's back, what is the point? Damn it? Until next time? 868 00:57:06,200 --> 00:57:08,359 Speaker 1: All right, what's your show without? He's fine