WEBVTT - #144 - G Perico, JayNari & Dupri

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<v Speaker 1>Yeah, what's up, y'all. Welcome to the Bootleg cav Podcast.

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<v Speaker 1>Special guests on the show today the homie g Perico

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<v Speaker 1>making a return to the podcast. Now Geeperico somebody who

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<v Speaker 1>we always can have fun conversations with. He brought Jnari

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<v Speaker 1>and Dupre on the show. To incredible producers. We chopped

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<v Speaker 1>it up. It was a good time, so be on

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<v Speaker 1>the listen for that. In a few seconds, we got

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<v Speaker 1>one thousand dollars. All right, let's get into the episode

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<v Speaker 1>with gp Rico, Dupre and J Nari. It's the bulet

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<v Speaker 1>Cat Podcast. Let's get it bulet Cat Podcast. Special guests

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<v Speaker 1>in here. G Perico, Yeah, yeah, yeah, Dupre, Jnari Yes, sir, okay,

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<v Speaker 1>well Prico, you were just on the show. Yeah, so

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<v Speaker 1>you gotta tell me what is going on? So I

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<v Speaker 1>just I wanted to bring the click with me. Okay,

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<v Speaker 1>p you know what I'm saying. You hurting woo woo woo. Legendary.

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<v Speaker 1>First of all, you guys are some legends in the

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<v Speaker 1>city man on some on some producer ship. Like I

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<v Speaker 1>feel like you guys, ah don't get enough credit the

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<v Speaker 1>League of Stars in general, just as a unit, it

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<v Speaker 1>was very much synonymous with the West Coast sound that

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<v Speaker 1>was popping nationally in facts. So salu to y'all appreciated

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<v Speaker 1>people who don't know who you guys are what you

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<v Speaker 1>guys have made. You guys have made some amazing songs

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<v Speaker 1>that we all know. Just kind of give us a rundown,

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<v Speaker 1>you know. Uh yeah, So so mine goes start and

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<v Speaker 1>from like tie me Down. I did a time Me Down.

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<v Speaker 1>Shout out to Ray Jna time the New Boys. What

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<v Speaker 1>happened to the New Boys? Man, that was a great record. Man,

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<v Speaker 1>It's unfortunate, but yeah, like they had a cool run.

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<v Speaker 1>One of them was fucking t Nase before anyone who

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<v Speaker 1>to Nash was I liked to Nash, I remember we

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<v Speaker 1>were too Look we had a concert. I think it

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<v Speaker 1>was like I don't want ninety one of them big

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<v Speaker 1>concerts at one of them amphitheaters and yeah, I'm like

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<v Speaker 1>I told Earl when I was with rock Nation, I'm like,

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<v Speaker 1>take me to meet right quick. You know what I'm saying.

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<v Speaker 1>Took me come out? What's up? You know what I mean? Nice?

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<v Speaker 1>Tie me down? Yeah? So I did, tie me down.

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<v Speaker 1>I did, like well for Problem, I did, like why why?

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<v Speaker 1>Yeah I did. I don't want to for Eric Bellinger,

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<v Speaker 1>don't want to. Yeah, thought for Game I remember the

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<v Speaker 1>Thought record. Yeah. Yeah. Then you know, just a bunch

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<v Speaker 1>of a bunch of other random ship like I did

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<v Speaker 1>high right now for Tyler yahweh's part of that. Shout

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<v Speaker 1>out to Tyler, shout wait there was a remix to

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<v Speaker 1>that too, right with with Whiz. Yeah, Tyler looks like

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<v Speaker 1>Whizz's doppelganger or his legitimate child. That was the perfect

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<v Speaker 1>person to get on that. But yeah, you know, and

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<v Speaker 1>then recently I just been doing you know, I did

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<v Speaker 1>to play the Win. Executive produced it nice. You know

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<v Speaker 1>there it is played the Win. I was on the

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<v Speaker 1>five Free Wing and the bench Fast Gang did a

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<v Speaker 1>gang all right, what about you man? God damn. The

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<v Speaker 1>free bro Ship produced the walk through for Richond mcquinner. Problem.

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<v Speaker 1>It's a big record, produced down for Easy shout out too,

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<v Speaker 1>and uh ship a lotto, yeah big, a lot of

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<v Speaker 1>my bad lot of but uh and then I produced

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<v Speaker 1>l summers for like the four Project, and then we

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<v Speaker 1>got Tango that's about to drop next Friday. She got

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<v Speaker 1>more ship than that. I mean that's just I'm a man,

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<v Speaker 1>you know. And then some ship that I got coming

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<v Speaker 1>uh next week, I got we got Tango. Then I

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<v Speaker 1>got a record with Ruby Rose dropping next Friday. Have

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<v Speaker 1>you only got with Ruby Roads? I haven't yet. She

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<v Speaker 1>finds the motherfucker. It's cool, though, I mean, I'm just

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<v Speaker 1>good on the production with HER's all good, you know. Yeah,

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<v Speaker 1>I'm just wondering, like I've been contemplating, like I've never

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<v Speaker 1>signed up for an Only Fans account, but I know

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<v Speaker 1>she has one, So I was just wondering if you

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<v Speaker 1>guys have seen it, because I'm like not even know.

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<v Speaker 1>I wasn't where she Well, they do got reddit right

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<v Speaker 1>where you could just get ready, Yeah, everything is free already.

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<v Speaker 1>What'd you say she should feature me on our Only

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<v Speaker 1>Fans featuring Prico? I mean, you know, I did do

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<v Speaker 1>the bio pick with the Porno Store, but y'all got

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<v Speaker 1>that record coming. That's co produced with my boy Extendo

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<v Speaker 1>and Mike Crook Shot I e we, I just saw

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<v Speaker 1>two you posted. Your first plaque was with Tiger first

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<v Speaker 1>platinum plaque. Yeah, I produced four records on the legendary

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<v Speaker 1>Well on his last album he dropped and that was

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<v Speaker 1>the album. Was that the that's the one we had

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<v Speaker 1>taste on it? Oh yeah, I mean yeah, that's the one. Yeah,

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<v Speaker 1>thank god I was a part of that. So yeah,

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<v Speaker 1>I went that was like come back album. Platinum. That

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<v Speaker 1>was the comeback album right there. Yeah, we thought Tiger

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<v Speaker 1>was dead. They said nope, peers didn't. We actually got

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<v Speaker 1>some come actually for his next ship. So Tiger's a beast. Yeah,

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<v Speaker 1>you know he always come with that one or two.

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<v Speaker 1>That's how you know, don't get it. You can't give

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<v Speaker 1>this ship up, you can, you can't give up. I

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<v Speaker 1>always tell everybody's always a hit away. We were just

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<v Speaker 1>talking about riche on m Kwan, right. Rich On m

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<v Speaker 1>Kwan was like that motherfucker. He got into a shitty

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<v Speaker 1>label situation. His label wasn't letting him release music and

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<v Speaker 1>then like I don't know, just just shi it was.

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<v Speaker 1>It just ain't what it was, but he had it though,

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<v Speaker 1>and he could get it back. He still is one

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<v Speaker 1>record away. Like think about it. T Pain last year

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<v Speaker 1>had the top twenty or top ten song of radio.

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<v Speaker 1>He really did this song Withny that was his record. Yeah,

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<v Speaker 1>he sampled himself that I need to sample walk through then.

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<v Speaker 1>So it's like you're just one record away, man, everyone's

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<v Speaker 1>always one record away. John was one record away about that.

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<v Speaker 1>He came all the way back. You ain't lying making

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<v Speaker 1>cloud he did. He didn't come all the way back,

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<v Speaker 1>but he came back back yet. But I mean, yeah,

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<v Speaker 1>you can't. You can't really count people out because you

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<v Speaker 1>never know. Bouck. I really, I think it's a consistency.

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<v Speaker 1>Like if you keep dropping dropping, they keep hearing you eventually.

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<v Speaker 1>That's what honestly, Loki, That's what Tiger was doing. He

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<v Speaker 1>just kept dropping ship and then something especially caught on,

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<v Speaker 1>Like you know, there's a lot of that ship, wasn't it?

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<v Speaker 1>You know what I'm saying. But it's hard to beat

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<v Speaker 1>the motherfucker that don't quit, man. That's the truth. That

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<v Speaker 1>the truth. The one that don't quit always reaped through

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<v Speaker 1>the rewards. Though, who probably isn't one record away? Is

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<v Speaker 1>there anybody that's just not going to be able to

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<v Speaker 1>come back, even with the fire record. I feel it

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<v Speaker 1>could be anybody, anybody, honestly, especially with like TikTok and

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<v Speaker 1>like like even if it's funny, you know, like you know,

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<v Speaker 1>like ships, they got a good beat and the hard hook.

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<v Speaker 1>Anybody can come back. I'm sorry, I don't know Vanilla

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<v Speaker 1>Ice got going you taking. I was thinking I got,

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<v Speaker 1>but I'm like, man thirty years kame with a hard

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<v Speaker 1>ass metro booming beat. I think you could get that though.

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<v Speaker 1>I got on that hurt that new Yeah, I don't

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<v Speaker 1>know Vanilla Ice got it in them, not even with

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<v Speaker 1>it was hard. I listened to that ship the other

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<v Speaker 1>night that hey, that whole backstory on that crazy didn't

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<v Speaker 1>you take that record? Somehow he got hung off of

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<v Speaker 1>a balcony in l A. Yeah, and that's what some

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<v Speaker 1>nice golden urine peeing the cup and making me drink

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<v Speaker 1>it though, like I never heard of drink. Is this

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<v Speaker 1>exclusive information they made? They may be drink piss sugar.

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<v Speaker 1>I don't know, bro night pissed and allegedly a new

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<v Speaker 1>alleged information this coming soon, but that this guy was

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<v Speaker 1>out here drinking that goddamn that Anheuser. Fucking that Anheuser

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<v Speaker 1>bush for real? You know what, Jesus, that's terrible. Well, okay,

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<v Speaker 1>so your new project. You guys are just talking off

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<v Speaker 1>the record, So you're these guys are handling all the

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<v Speaker 1>production for the most part, Yeah, like ninety per saying everything,

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<v Speaker 1>why not make it one hundred percent one hundred percent? Yeah,

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<v Speaker 1>because I mean that would make Snori touch everything that

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<v Speaker 1>I do. You know what I'm saying. Make sure we

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<v Speaker 1>planned it. Were planning the Pause game. Pause, Yeah, hit

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<v Speaker 1>all the records and ship everywhere, come in, put de

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<v Speaker 1>finishing touches on the on the record. Yeah. So you're like,

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<v Speaker 1>you're like, you're the architect. You are the everything's got

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<v Speaker 1>to He's the over You's got to go through your

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<v Speaker 1>hands before it gets to the approval. Touch everything me

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<v Speaker 1>and do pre due project. He got songs on everything

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<v Speaker 1>that I did for like the last few years. But yeah,

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<v Speaker 1>I forgot the fucking question. Man, we did the Pause game.

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<v Speaker 1>But yeah, now we were pretty much doing doing the

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<v Speaker 1>production on everything from you know, the end of I say,

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<v Speaker 1>the twenty one flood to the hurricane. Yeah, I mean

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<v Speaker 1>we talked about this a bit. Obviously, you're you love

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<v Speaker 1>me and you were talking about this in the gym.

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<v Speaker 1>We talked about on the podcast a few months ago.

0:11:14.280 --> 0:11:17.599
<v Speaker 1>Just your new situation. You could just do whatever the

0:11:17.679 --> 0:11:21.600
<v Speaker 1>fuck you want, whatever the fuck you want. Yeah right,

0:11:21.720 --> 0:11:23.760
<v Speaker 1>and it's and it's gonna make sense for me in

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<v Speaker 1>the you know, in the long run. And like up front,

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<v Speaker 1>like you know what I'm saying, Like we feel good

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<v Speaker 1>about something, we drop, it ain't gotta go explaining and

0:11:33.920 --> 0:11:37.880
<v Speaker 1>getting a zillion people behind it and differences of opinions

0:11:37.960 --> 0:11:41.600
<v Speaker 1>and all that shit make you just hate doing music. Now,

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<v Speaker 1>we just ay do pre We got to do pre

0:11:44.200 --> 0:11:46.480
<v Speaker 1>be on me, you know what I'm saying, No rules,

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<v Speaker 1>no r Like what is we doing this? Nigga sent

0:11:51.120 --> 0:11:54.240
<v Speaker 1>me so much music every day, Like we got like

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<v Speaker 1>a shipload of a shipload of records, you know what

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<v Speaker 1>I mean. And I feel like what we're doing right

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<v Speaker 1>now was just like cultivating a new scene in Los

0:12:04.679 --> 0:12:07.400
<v Speaker 1>Angeles or I mean it's the same scene, but just

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<v Speaker 1>a new ethic and a new outlook and a new

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<v Speaker 1>a new way to approach it because like on some

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<v Speaker 1>real shit, they've been getting boring as fuck out here. Motherfucker.

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<v Speaker 1>Drop one thing and then play the high celebrities. Shit,

0:12:19.720 --> 0:12:22.079
<v Speaker 1>ain't nobody getting dirty. We don't see niggas in the

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<v Speaker 1>streets driving none of that shit, pulling up out dropping records,

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<v Speaker 1>doing like nothing, you know what I mean. It's just

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<v Speaker 1>you know, all internet shit. So you know, we're getting

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<v Speaker 1>busy with the flood, you know what I mean, just

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<v Speaker 1>to click and you know, we just opening doors for

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<v Speaker 1>the I feel like the independent, the independent error, the

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<v Speaker 1>independent market for this streaming era is untouched, untapped and

0:12:49.800 --> 0:12:53.280
<v Speaker 1>stream Yeah. Yeah, I love the streaming. So it's untapped

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<v Speaker 1>and untouched in LA and it's kind of like still

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<v Speaker 1>foreign to a lot of people, you know what I mean.

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<v Speaker 1>So what we're doing is bring in that to the

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<v Speaker 1>forefront and letting motherfuckers know, like, if you got some

0:13:03.559 --> 0:13:08.480
<v Speaker 1>good you need to O D go in. Yeah, I

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<v Speaker 1>gotta ask you because problems Like what was like a moment,

0:13:12.800 --> 0:13:15.640
<v Speaker 1>a big moment for the city. Man, Like that was

0:13:15.760 --> 0:13:19.839
<v Speaker 1>like that was fucking crazy. I just remember that record

0:13:19.920 --> 0:13:22.720
<v Speaker 1>and like how it cut through just I was living

0:13:22.760 --> 0:13:25.079
<v Speaker 1>in no I was living in Phoenix at the time,

0:13:26.200 --> 0:13:29.319
<v Speaker 1>but that song was such a that song changed a

0:13:29.360 --> 0:13:32.800
<v Speaker 1>lot of people's lives. Yes, how did it, Like, like

0:13:33.040 --> 0:13:35.559
<v Speaker 1>tell me about that song. It just that, you know,

0:13:35.800 --> 0:13:39.360
<v Speaker 1>I love that that run Problem was on the Mollywood Runs,

0:13:39.480 --> 0:13:44.319
<v Speaker 1>Like I mean, you know, I feel like he had

0:13:44.360 --> 0:13:46.400
<v Speaker 1>it for like, you know, cool three years. I feel

0:13:46.440 --> 0:13:48.640
<v Speaker 1>like like when I thought of LA I thought a problem,

0:13:48.679 --> 0:13:50.439
<v Speaker 1>you know what I'm saying. And he's still doing this

0:13:50.520 --> 0:13:54.440
<v Speaker 1>thing obviously, but that specific record changed a lot. Yeah.

0:13:54.559 --> 0:13:58.360
<v Speaker 1>So with that record, like that was the last record

0:13:58.400 --> 0:14:01.959
<v Speaker 1>that we did on you know that that project and

0:14:02.960 --> 0:14:07.760
<v Speaker 1>Problem produces hisself and you know, he had the ideal

0:14:08.160 --> 0:14:10.880
<v Speaker 1>for it and everything, and you know, he just brought

0:14:10.920 --> 0:14:14.120
<v Speaker 1>it to me and I just kind of put my

0:14:14.480 --> 0:14:17.199
<v Speaker 1>my mix on it and you know, my drums and

0:14:17.679 --> 0:14:20.080
<v Speaker 1>and just turned it around like you know, changed the

0:14:20.200 --> 0:14:24.000
<v Speaker 1>main lead and you know it just went crazy. Yeah.

0:14:24.080 --> 0:14:26.760
<v Speaker 1>That for a while, you guys had you guys had

0:14:26.800 --> 0:14:28.440
<v Speaker 1>the same manager, so he just kind of had the

0:14:28.480 --> 0:14:30.440
<v Speaker 1>pick of the litter of the League of Stars beats

0:14:30.480 --> 0:14:32.640
<v Speaker 1>for a while there. Yeah, But that was like at

0:14:32.680 --> 0:14:34.480
<v Speaker 1>that that was early right, Yeah, at that point, so

0:14:34.600 --> 0:14:37.640
<v Speaker 1>we was coming out of the Jerk era, and you know,

0:14:37.800 --> 0:14:40.320
<v Speaker 1>like I had a bunch of records in the Jerk era.

0:14:40.400 --> 0:14:43.720
<v Speaker 1>I was like popping, you know, and then it died out,

0:14:43.880 --> 0:14:46.440
<v Speaker 1>which records is you have, so like from the Jerk

0:14:46.480 --> 0:14:49.200
<v Speaker 1>era of course tied me down. I did Shia Model

0:14:49.280 --> 0:14:52.880
<v Speaker 1>for YG and just a bunch of like just random

0:14:52.920 --> 0:14:56.560
<v Speaker 1>stuff like like everybody that was pretty much popping, and

0:14:58.440 --> 0:15:00.520
<v Speaker 1>like it started to die out. My name started to

0:15:00.720 --> 0:15:02.560
<v Speaker 1>you know, kind of fizzle out with it as well,

0:15:03.040 --> 0:15:05.200
<v Speaker 1>and I started seeing like the pre De Nice, which

0:15:05.320 --> 0:15:08.720
<v Speaker 1>who are my homies you know from way back, they

0:15:08.800 --> 0:15:10.880
<v Speaker 1>were starting to come up. So you know, like I

0:15:11.040 --> 0:15:14.400
<v Speaker 1>joined Legue Stars and like that was like really my

0:15:14.560 --> 0:15:18.000
<v Speaker 1>turnaround record because I was just trying to put something out,

0:15:18.120 --> 0:15:22.440
<v Speaker 1>you know, I didn't have no records out that was tring. Yeah,

0:15:22.520 --> 0:15:24.760
<v Speaker 1>so at that time, that just that just kind of

0:15:24.840 --> 0:15:27.120
<v Speaker 1>turned everything around for me and you know like just

0:15:27.240 --> 0:15:31.480
<v Speaker 1>re you know, introducing myself back into the scene, you know,

0:15:32.280 --> 0:15:35.320
<v Speaker 1>from going from that fad to you know like, hey,

0:15:35.800 --> 0:15:38.280
<v Speaker 1>I just saw did the New Boys just release a

0:15:38.320 --> 0:15:41.400
<v Speaker 1>new Jerking song? Nah? It just went well, I don't

0:15:41.400 --> 0:15:44.240
<v Speaker 1>know if they released. I know that it went ReViral,

0:15:44.320 --> 0:15:47.360
<v Speaker 1>but I heard someone yesterday told me it's randomly because

0:15:47.360 --> 0:15:50.440
<v Speaker 1>I was just talking about the New Boys yesterday, someone

0:15:50.560 --> 0:15:52.600
<v Speaker 1>was like, yeah, they just put a new version. Oh,

0:15:53.120 --> 0:15:55.920
<v Speaker 1>I mean yeah, they wouldn't be surprised. Yeah, I wouldn't

0:15:55.920 --> 0:15:58.280
<v Speaker 1>be surprised. I mean it's going up, so it'd be

0:15:58.360 --> 0:16:01.840
<v Speaker 1>small take advantage, take advo that ship time me down. Wow,

0:16:02.840 --> 0:16:06.640
<v Speaker 1>I was a joint manah what was their names? Legacy

0:16:06.760 --> 0:16:11.240
<v Speaker 1>and ben J. Yeah. I was doing so much illegal

0:16:11.280 --> 0:16:14.640
<v Speaker 1>shipping around that time. Man ended up getting tied down

0:16:14.720 --> 0:16:22.080
<v Speaker 1>by the state of Calier literally literally littleco La County

0:16:23.720 --> 0:16:26.840
<v Speaker 1>over Now, So when you guys are working on G ship,

0:16:27.080 --> 0:16:30.000
<v Speaker 1>like what is the you know, do you guys collaborate

0:16:30.080 --> 0:16:33.520
<v Speaker 1>on stuff like for sure? Yeah, Like we we've been

0:16:33.600 --> 0:16:37.760
<v Speaker 1>collaborating for like almost ten years now, right, so you

0:16:37.840 --> 0:16:40.520
<v Speaker 1>know with G stuff, like we both bring a certain

0:16:40.600 --> 0:16:43.320
<v Speaker 1>sound to G and then you know, now we're just

0:16:43.360 --> 0:16:47.880
<v Speaker 1>putting it together and kind of like adding our flavors together.

0:16:47.960 --> 0:16:49.880
<v Speaker 1>So like if you you heard the song, the interview

0:16:50.520 --> 0:16:52.320
<v Speaker 1>produced the first half of the song, I produced the

0:16:52.320 --> 0:16:56.160
<v Speaker 1>second half of Oh Dope. See. I like the cohesive,

0:16:56.760 --> 0:16:58.600
<v Speaker 1>Like that's why I love what hip boys doing with

0:16:58.760 --> 0:17:01.080
<v Speaker 1>like Benny the butcher Nas. It's like we were just

0:17:01.160 --> 0:17:04.480
<v Speaker 1>talking about that, just talking about it's very cohesive. You know,

0:17:04.640 --> 0:17:07.000
<v Speaker 1>Jam sport J's in there too doing this thing. But

0:17:07.160 --> 0:17:10.159
<v Speaker 1>like just it's just I feel like right now in

0:17:10.280 --> 0:17:12.240
<v Speaker 1>hip hop, like you know, Freddie Gibbs, just the whole

0:17:12.520 --> 0:17:17.199
<v Speaker 1>Alfredo got nominated for a Grammy fully produced by alchemists,

0:17:17.720 --> 0:17:21.760
<v Speaker 1>but just that cohesive like sound for a project to

0:17:21.840 --> 0:17:24.680
<v Speaker 1>me is so like I think it's like clutch. Yeah,

0:17:24.760 --> 0:17:27.359
<v Speaker 1>for a producer, I think that's important too though, like

0:17:27.960 --> 0:17:31.879
<v Speaker 1>because like we get so trapped in to chasing placements

0:17:32.160 --> 0:17:34.320
<v Speaker 1>and you know, just trying to work with like the

0:17:34.520 --> 0:17:36.800
<v Speaker 1>artists that's hot when you and you will get a

0:17:36.880 --> 0:17:39.240
<v Speaker 1>hot record and the artists won't even work with you

0:17:39.359 --> 0:17:41.879
<v Speaker 1>after that. So it's like it's kind of cool to have,

0:17:42.359 --> 0:17:45.520
<v Speaker 1>you know, like ownership you know, and just build you know,

0:17:46.000 --> 0:17:48.240
<v Speaker 1>And I think a lot of producers are are kind

0:17:48.280 --> 0:17:51.200
<v Speaker 1>of like looking past that. It's another way to make money,

0:17:51.240 --> 0:17:54.760
<v Speaker 1>build your catalog and really build your legacy too. Yeah,

0:17:54.880 --> 0:17:57.440
<v Speaker 1>well talk to me about tags because you I don't

0:17:57.440 --> 0:18:01.200
<v Speaker 1>even what's your tag? God damn it, depreek, goddamnit dupree.

0:18:01.800 --> 0:18:06.040
<v Speaker 1>I know, sorry, but like the tag shit is so important,

0:18:06.160 --> 0:18:07.520
<v Speaker 1>and like I feel like there was a lot of

0:18:07.560 --> 0:18:09.840
<v Speaker 1>producers hit boys. One of them I had a conversation

0:18:09.920 --> 0:18:11.639
<v Speaker 1>with him or he was like man for the forever,

0:18:11.720 --> 0:18:15.359
<v Speaker 1>I would never use with tag. And meanwhile, you know,

0:18:15.480 --> 0:18:18.800
<v Speaker 1>some of my peers would be fucking so brandable because

0:18:18.800 --> 0:18:21.560
<v Speaker 1>their tag was so you know. And so now hit

0:18:21.640 --> 0:18:23.359
<v Speaker 1>Boy's got a fucking tag on every He's got like

0:18:23.400 --> 0:18:26.080
<v Speaker 1>three different ones he uses. But like it's so important.

0:18:26.119 --> 0:18:28.560
<v Speaker 1>How important is like the tag for a producer, because

0:18:28.560 --> 0:18:31.320
<v Speaker 1>I do feel like there were there's a lot of

0:18:31.320 --> 0:18:33.840
<v Speaker 1>producers who don't use tag still, but like for like

0:18:34.040 --> 0:18:37.200
<v Speaker 1>branding and just for like recognition, Like if someone says,

0:18:37.320 --> 0:18:41.760
<v Speaker 1>like you're Jnari and if they've heard a certain they're like, oh, yeah, shit,

0:18:41.840 --> 0:18:43.040
<v Speaker 1>I know your ship, you know what I mean? Like,

0:18:43.080 --> 0:18:45.960
<v Speaker 1>how important is the tag? Especially in the beginning, it's

0:18:46.600 --> 0:18:50.240
<v Speaker 1>like detrimental because that's I mean, that's that's you, that's

0:18:50.320 --> 0:18:52.920
<v Speaker 1>your stamp, that's your name, you know, Like that's how

0:18:52.960 --> 0:18:56.639
<v Speaker 1>people can you know, like I ain't never seen you,

0:18:56.840 --> 0:18:58.800
<v Speaker 1>I ain't never heard of you, but you know I

0:18:58.920 --> 0:19:01.280
<v Speaker 1>heard that tag, you know. So it's important to have

0:19:01.359 --> 0:19:03.399
<v Speaker 1>a tag and to have a catchy one at that,

0:19:04.080 --> 0:19:06.720
<v Speaker 1>you know what I'm saying. Like, I think it's very

0:19:06.760 --> 0:19:10.040
<v Speaker 1>important though in the in the beginning for show these

0:19:10.080 --> 0:19:14.800
<v Speaker 1>fucking gummies as strong as how many did you did

0:19:14.840 --> 0:19:19.040
<v Speaker 1>you just see one? Two? You had another one? You

0:19:19.119 --> 0:19:22.080
<v Speaker 1>had three of them. Yeah, it's not a micro dose anymore.

0:19:22.640 --> 0:19:27.080
<v Speaker 1>Look at the back of the back, but is a bit.

0:19:27.320 --> 0:19:30.520
<v Speaker 1>You're currently in the touch of reality phase. If you

0:19:30.560 --> 0:19:33.119
<v Speaker 1>look at the back of the tops back, this is

0:19:33.240 --> 0:19:36.840
<v Speaker 1>touch of reality. Which one we enter you guys are

0:19:36.880 --> 0:19:39.640
<v Speaker 1>in the morning micro doves face, you guys had one.

0:19:39.800 --> 0:19:45.879
<v Speaker 1>Definitely somewhere perfect. I'm definitely feeling realistic right now. You

0:19:45.920 --> 0:19:47.960
<v Speaker 1>know what I'm saying. I feel good though I'm saying.

0:19:48.080 --> 0:19:59.639
<v Speaker 1>But yeah, hey, look, oh my god, no, look when

0:19:59.680 --> 0:20:02.000
<v Speaker 1>he was the tags, I wanted to say something about

0:20:02.080 --> 0:20:05.280
<v Speaker 1>producers with the tags, right, Yeah, a lot of niggas

0:20:06.000 --> 0:20:08.920
<v Speaker 1>don't even worry about the beat and just they tag

0:20:09.080 --> 0:20:11.680
<v Speaker 1>be more important than the beat. Like niggas be having

0:20:12.400 --> 0:20:16.800
<v Speaker 1>these crappy as beats. True, but I think like with them,

0:20:16.800 --> 0:20:18.639
<v Speaker 1>I don't really want to speak for them, but like

0:20:18.840 --> 0:20:20.879
<v Speaker 1>just with it. Like a lot of good producers, like

0:20:21.040 --> 0:20:23.800
<v Speaker 1>I think that's the last thing I watch. Motherfuckers just

0:20:23.880 --> 0:20:27.359
<v Speaker 1>put so much emphasis on the tag instead of making

0:20:27.440 --> 0:20:30.040
<v Speaker 1>sure that a nigga could rap on this beat and

0:20:30.160 --> 0:20:33.000
<v Speaker 1>make a dope song. It's like a lot of producers

0:20:33.119 --> 0:20:36.320
<v Speaker 1>just me speaking from an artist's standpoint. A lot of

0:20:36.359 --> 0:20:39.800
<v Speaker 1>producers or beat makers, they make beats that's just the groove,

0:20:41.560 --> 0:20:43.440
<v Speaker 1>you know what I'm saying. It's a banging ass beat,

0:20:43.520 --> 0:20:45.680
<v Speaker 1>but it's like, damn where I rap at, you know

0:20:45.720 --> 0:20:48.760
<v Speaker 1>what I'm saying. So it's like it's just like a

0:20:48.840 --> 0:20:52.840
<v Speaker 1>special art to having some shit that that knock and

0:20:53.119 --> 0:20:55.720
<v Speaker 1>somewhere where you could rap at. That's why I think

0:20:55.760 --> 0:20:58.200
<v Speaker 1>a lot of like these simple beats that niggas shit on.

0:20:58.440 --> 0:21:02.120
<v Speaker 1>They go because it's somewhere for the artist to wrap

0:21:02.240 --> 0:21:05.000
<v Speaker 1>on this something. It getting busy and they go. You

0:21:05.040 --> 0:21:07.760
<v Speaker 1>know what I mean. A lot of people do great music,

0:21:07.880 --> 0:21:13.920
<v Speaker 1>but it's like the cohesiveness of the vocals and then hey,

0:21:13.960 --> 0:21:16.280
<v Speaker 1>we know, we gotta stop the podcast real quick. Shout

0:21:16.320 --> 0:21:18.160
<v Speaker 1>out to my bookie. Man. Listen, if you know anything

0:21:18.160 --> 0:21:21.120
<v Speaker 1>about me, you know I like to gamble on sports

0:21:21.480 --> 0:21:23.440
<v Speaker 1>and I've been using my bookie for so long. Go

0:21:23.520 --> 0:21:25.560
<v Speaker 1>to my bookie dot ag. Check it out. They're doing

0:21:25.600 --> 0:21:29.840
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0:21:30.720 --> 0:21:33.000
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0:21:33.080 --> 0:21:36.520
<v Speaker 1>promo code Bootleg, and you're gonna get double your money

0:21:36.560 --> 0:21:38.960
<v Speaker 1>They're gonna match your deposit up to one thousand dollars.

0:21:39.000 --> 0:21:42.000
<v Speaker 1>There's so much action right now to the NBA season's

0:21:42.080 --> 0:21:44.840
<v Speaker 1>going crazy. Maybe you could do a future right Who

0:21:44.880 --> 0:21:46.440
<v Speaker 1>you think is gonna win the MVP? I don't know.

0:21:46.600 --> 0:21:48.439
<v Speaker 1>Is it gonna be honest? Is it gonna be Devin Booker?

0:21:48.640 --> 0:21:52.240
<v Speaker 1>Is it gonna be Yokic? Certainly ain't gonna be motherfucking

0:21:52.280 --> 0:21:56.280
<v Speaker 1>Russell Westbrook. Crazy odds that ain't gonna happen. That's just

0:21:56.320 --> 0:21:58.960
<v Speaker 1>burning money. But that being said, there's so many different

0:21:58.960 --> 0:22:01.000
<v Speaker 1>ways you can bet. You could on your daily games.

0:22:01.040 --> 0:22:03.200
<v Speaker 1>You could do the parlay. I like doing moneyline parlays.

0:22:03.240 --> 0:22:05.439
<v Speaker 1>I like to just do three or four heavy favorites

0:22:05.480 --> 0:22:07.639
<v Speaker 1>on that NBA schedule, throw them all on one ticket

0:22:08.000 --> 0:22:09.760
<v Speaker 1>and just try to hit. You know what I'm saying.

0:22:09.800 --> 0:22:13.240
<v Speaker 1>Whatever you're into my bookie, you could bet on it anything.

0:22:13.560 --> 0:22:15.720
<v Speaker 1>Go to MyBookie dot ag. They got the double deposit

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0:22:18.760 --> 0:22:21.520
<v Speaker 1>make a deposit and they will match your deposit, double

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0:22:24.440 --> 0:22:26.639
<v Speaker 1>free money. So what are you doing? Use the promo

0:22:26.760 --> 0:22:29.879
<v Speaker 1>code Bootleg when you sign up and you can double

0:22:29.960 --> 0:22:32.760
<v Speaker 1>your money get in on some of this NBA action. Man,

0:22:33.160 --> 0:22:36.760
<v Speaker 1>it's NBA season All Star Games this weekend so much.

0:22:37.119 --> 0:22:38.880
<v Speaker 1>I mean, you could bet on the three point contest,

0:22:39.000 --> 0:22:42.200
<v Speaker 1>the motherfucking dunk contest, whatever the fuck is going on.

0:22:42.800 --> 0:22:44.840
<v Speaker 1>Who's gonna be the MVP of the All Star Game.

0:22:45.160 --> 0:22:46.760
<v Speaker 1>I don't know, but you could bet on it. You

0:22:46.800 --> 0:22:48.840
<v Speaker 1>could bet on anything. So make sure one more time,

0:22:49.080 --> 0:22:52.240
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0:22:52.280 --> 0:22:55.480
<v Speaker 1>dollars using that promo code Bootleg place your bets. What

0:22:55.600 --> 0:22:59.640
<v Speaker 1>are we doing bet on anything anytime anywhere with my bookie, motherfucker,

0:22:59.680 --> 0:23:02.240
<v Speaker 1>let's go. Oh, don't mess well, you know that is real.

0:23:02.320 --> 0:23:06.800
<v Speaker 1>There's so many tags with uh eight weight Mafia or

0:23:07.080 --> 0:23:09.119
<v Speaker 1>beats that I just always I don't know how many

0:23:09.160 --> 0:23:10.920
<v Speaker 1>people are in the away Mafia, but I feel like

0:23:11.040 --> 0:23:13.720
<v Speaker 1>every random mass rapper who's a nobody that I know

0:23:14.400 --> 0:23:17.400
<v Speaker 1>has an eight A weight Mafia fucking like they're like, yeah,

0:23:17.400 --> 0:23:19.280
<v Speaker 1>I got I got I got stuff with eight owight Mafia.

0:23:19.320 --> 0:23:21.320
<v Speaker 1>I'm like, yeah, you in fucking ninety eight others? Are

0:23:21.359 --> 0:23:24.120
<v Speaker 1>we sure these are mafia beats? Or someone just take

0:23:24.160 --> 0:23:26.359
<v Speaker 1>the tag and put them on their shitty beats and

0:23:26.520 --> 0:23:31.040
<v Speaker 1>upsell you. Is that a thing you think? Yeah, definitely, definitely,

0:23:31.600 --> 0:23:35.480
<v Speaker 1>like almost like bootleg beats loky Like, Yeah, definitely because

0:23:35.520 --> 0:23:37.639
<v Speaker 1>out to herd some beats with my tag on what

0:23:37.720 --> 0:23:43.639
<v Speaker 1>the fucking really do nothing? Swear what Nigga's still in

0:23:43.720 --> 0:23:47.399
<v Speaker 1>bro tag getting on this. You know he's selling them

0:23:47.440 --> 0:23:49.440
<v Speaker 1>on the line there, you know, like you you leasing

0:23:49.480 --> 0:23:51.840
<v Speaker 1>them or whatever? You know they getting paid? Do you

0:23:51.880 --> 0:23:55.320
<v Speaker 1>guys do the online least game because there's good money.

0:23:56.280 --> 0:24:01.440
<v Speaker 1>So so I'm I'm gonna get onto it out. I'm

0:24:01.520 --> 0:24:03.160
<v Speaker 1>just not used to it, you know what I'm saying,

0:24:03.240 --> 0:24:06.560
<v Speaker 1>Like and I it was me kind of being Hollywood

0:24:06.760 --> 0:24:08.560
<v Speaker 1>for a second, but I have to really think about it,

0:24:08.680 --> 0:24:10.879
<v Speaker 1>like how much money you leaving on the table on

0:24:10.960 --> 0:24:13.080
<v Speaker 1>the table, you know what I'm saying, like being Hollywood, Like, oh,

0:24:13.119 --> 0:24:16.119
<v Speaker 1>I get this much beat, but then there's somebody that

0:24:16.280 --> 0:24:20.320
<v Speaker 1>got you know, their beats up and you know one

0:24:20.440 --> 0:24:22.680
<v Speaker 1>hundred and fifty people bought this beat, you know what

0:24:22.720 --> 0:24:26.639
<v Speaker 1>I'm saying, Yeah, like it adds up. So yeah, I

0:24:26.760 --> 0:24:31.159
<v Speaker 1>definitely I got a homiehoes making like five figures of

0:24:31.240 --> 0:24:34.840
<v Speaker 1>months who you wouldn't even know just off of fucking

0:24:34.880 --> 0:24:37.719
<v Speaker 1>because he's his YouTube channels doing this thing, and then

0:24:37.760 --> 0:24:41.000
<v Speaker 1>people like the type beat game, you know, like putting

0:24:41.080 --> 0:24:43.679
<v Speaker 1>up the Roddy Rich type beat on YouTube and then

0:24:44.000 --> 0:24:45.879
<v Speaker 1>the link to Lisa It or whatever. You know what

0:24:45.920 --> 0:24:49.639
<v Speaker 1>I'm saying, Like, yeah, lod of Great showed me. He

0:24:49.800 --> 0:24:52.480
<v Speaker 1>was showing me, you know, like what he was doing it,

0:24:53.240 --> 0:24:56.280
<v Speaker 1>and you know it made complete sense. But yeah, like

0:24:56.440 --> 0:24:58.440
<v Speaker 1>I just think like as a producer, like you said,

0:24:58.520 --> 0:25:01.720
<v Speaker 1>like you know, I manage a couple of producers, and

0:25:01.800 --> 0:25:05.520
<v Speaker 1>I know that, like the it's just important to monetize

0:25:05.560 --> 0:25:09.200
<v Speaker 1>everything because if you're always chasing placements, you're gonna be

0:25:09.280 --> 0:25:11.760
<v Speaker 1>fucking stressed out. It's gonna suck. You're gonna be in

0:25:11.800 --> 0:25:14.159
<v Speaker 1>a fucking studio session someone like cuts your beads and

0:25:14.200 --> 0:25:16.160
<v Speaker 1>then you're fucking sitting on your hands waiting to see

0:25:16.160 --> 0:25:18.200
<v Speaker 1>if you could if you could have if it, is

0:25:18.240 --> 0:25:20.440
<v Speaker 1>it ever gonna come out or not? You know, I

0:25:20.520 --> 0:25:24.040
<v Speaker 1>bet you that's probably happening, y'all. Chasing placements had me

0:25:24.240 --> 0:25:29.760
<v Speaker 1>like not making beats for like six months. Remember there

0:25:29.960 --> 0:25:32.160
<v Speaker 1>used to call me like, man, what's up what you're doing?

0:25:32.320 --> 0:25:35.119
<v Speaker 1>Like where you've been at? Like type ship, but you

0:25:35.200 --> 0:25:37.600
<v Speaker 1>know until really g is like really what got me

0:25:37.680 --> 0:25:39.480
<v Speaker 1>back on it? Because like I was, I was in

0:25:39.560 --> 0:25:43.399
<v Speaker 1>studio sessions, like just uncomfortable, just like hanging out in

0:25:43.520 --> 0:25:48.960
<v Speaker 1>studio sessions waiting for your chance to play bids and others. Yeah, yeah,

0:25:49.040 --> 0:25:52.359
<v Speaker 1>especially if there's other producers there. It's like you would rather, yo,

0:25:52.440 --> 0:25:54.160
<v Speaker 1>let's get in the studio, let's start on the same

0:25:54.840 --> 0:25:57.560
<v Speaker 1>you know, everything's Hollywood now too, so you know, like

0:25:58.000 --> 0:26:00.840
<v Speaker 1>I see it, bro, I see it. I would recommend

0:26:00.920 --> 0:26:04.800
<v Speaker 1>producers to just find every other way of you know,

0:26:05.040 --> 0:26:07.760
<v Speaker 1>like making money or you know, like you don't have

0:26:07.920 --> 0:26:10.920
<v Speaker 1>to just go for like the Drakes and like all

0:26:10.960 --> 0:26:13.960
<v Speaker 1>of them, like it's cool, do that too. But because ways,

0:26:14.000 --> 0:26:16.160
<v Speaker 1>if you focus on only that, you're gonna be hanging

0:26:16.160 --> 0:26:21.520
<v Speaker 1>out in studio sessions all fucking nd fucking with postmated

0:26:21.600 --> 0:26:23.920
<v Speaker 1>Boston Nova, waiting for your chance to play your beads

0:26:23.960 --> 0:26:25.919
<v Speaker 1>and then maybe someone cuts to your bead and then

0:26:25.920 --> 0:26:28.639
<v Speaker 1>you're gonna be like, all right, cool, is it ever

0:26:28.680 --> 0:26:33.600
<v Speaker 1>gonna come in here from now? Maybe? Maybe not, Like yeah,

0:26:33.720 --> 0:26:37.760
<v Speaker 1>it's it's it's it's a man. I commend y'all, because

0:26:37.760 --> 0:26:41.280
<v Speaker 1>the producer game is a tough one, man, you gotta

0:26:41.320 --> 0:26:44.119
<v Speaker 1>make it fun. Y'all really gotta love it. That's like

0:26:44.160 --> 0:26:47.240
<v Speaker 1>people who do photography and do graphic designs and do

0:26:47.359 --> 0:26:49.680
<v Speaker 1>all this ship. I'm like, man, y'all really gotta love

0:26:49.760 --> 0:26:53.680
<v Speaker 1>this ship because I don't feel you don't have to

0:26:53.720 --> 0:27:05.120
<v Speaker 1>stand on the damn chick all man. That is our

0:27:05.200 --> 0:27:10.560
<v Speaker 1>bino penis env That is the strain no penis envy. Yeah, yeah,

0:27:10.920 --> 0:27:17.040
<v Speaker 1>it's a popular strain which camera as strong as a

0:27:17.160 --> 0:27:22.479
<v Speaker 1>motherfucker this ship. Try just to see another fee. I'm good.

0:27:23.320 --> 0:27:26.119
<v Speaker 1>I'm good on the level of my mom. Bro. Let's go,

0:27:26.280 --> 0:27:32.760
<v Speaker 1>halpen you gotta stand up tripping. You know, I'm finna trip. Yeah,

0:27:32.840 --> 0:27:36.960
<v Speaker 1>like I'm mature outside. You know what clip of our

0:27:37.000 --> 0:27:39.680
<v Speaker 1>interview with the most crazy was the Clipper you saying

0:27:39.760 --> 0:27:42.280
<v Speaker 1>how you eating an edible saved your life? Bro? I

0:27:42.400 --> 0:27:45.520
<v Speaker 1>think I might be into some today. It might be

0:27:45.640 --> 0:27:48.000
<v Speaker 1>some ship on the horizon and I need to avoid

0:27:48.040 --> 0:27:51.680
<v Speaker 1>because I'm going to lay down after that. This ship.

0:27:55.760 --> 0:27:58.960
<v Speaker 1>I'm going to lay down after this for sure. Oh

0:27:59.000 --> 0:28:04.440
<v Speaker 1>my god, he you tripping bro this first time. This

0:28:04.520 --> 0:28:08.360
<v Speaker 1>is about to be a cold car ride back. Pray

0:28:08.480 --> 0:28:13.879
<v Speaker 1>for me, all. I got a blunts. The clothes doing awesome, bro,

0:28:14.359 --> 0:28:17.120
<v Speaker 1>Like super just showed me some cool designs, a little

0:28:17.160 --> 0:28:20.080
<v Speaker 1>shroom design. Bro, I'm mad that I didn't bring you

0:28:20.200 --> 0:28:23.919
<v Speaker 1>something and you definitely getting the whole run and them shirts.

0:28:23.920 --> 0:28:26.359
<v Speaker 1>I'm gonna make sure you on deck after this got you.

0:28:26.680 --> 0:28:29.920
<v Speaker 1>You rightfully deserved to be the face of that T shirt.

0:28:30.400 --> 0:28:36.240
<v Speaker 1>But yeah, the clothes doing great. Bro. It's ships just

0:28:36.320 --> 0:28:39.240
<v Speaker 1>been opened me up, man, Like It's crazy how music

0:28:39.360 --> 0:28:41.160
<v Speaker 1>brings so much ship to you, you know what I'm saying,

0:28:42.120 --> 0:28:46.360
<v Speaker 1>Like I'm doing I'm doing a drop with a with

0:28:46.560 --> 0:28:50.760
<v Speaker 1>network that works dope. Yeah, so I bought some stuff

0:28:50.800 --> 0:28:52.920
<v Speaker 1>off of there and then resold it right and they

0:28:53.040 --> 0:28:55.560
<v Speaker 1>called me to uh to work with them, but not

0:28:55.720 --> 0:28:59.080
<v Speaker 1>as an artist, as a clothing designer, you know what

0:28:59.080 --> 0:29:01.760
<v Speaker 1>I'm saying. You almost rather that, So that was like

0:29:02.000 --> 0:29:04.120
<v Speaker 1>super dope, you know what I mean, Like, Okay, my

0:29:04.280 --> 0:29:08.640
<v Speaker 1>brand got me, like getting other looks that music normally

0:29:08.960 --> 0:29:12.160
<v Speaker 1>just just only music wouldn't normally get me. So I mean,

0:29:12.240 --> 0:29:14.800
<v Speaker 1>it's doing great, bro. It's people calling we're still in

0:29:16.040 --> 0:29:27.480
<v Speaker 1>and fucking I'm fucking high as a motherfucker, but we're

0:29:27.480 --> 0:29:34.320
<v Speaker 1>still in. Fucking uh Damn. I can't say it. I

0:29:34.480 --> 0:29:38.680
<v Speaker 1>really think where are you still in? The closing line

0:29:38.760 --> 0:29:42.600
<v Speaker 1>is still in the Is it a store? Yes? Which store?

0:29:43.200 --> 0:29:51.600
<v Speaker 1>Let's oh fuck bro. So anyway, the clothing line is

0:29:51.640 --> 0:29:53.600
<v Speaker 1>in a gang of different department stores. It's in a

0:29:53.680 --> 0:29:56.760
<v Speaker 1>gang of different retails. We're not a gang of different retails,

0:29:57.160 --> 0:30:03.000
<v Speaker 1>one specific retail. We mainly online and it's doing great, man,

0:30:03.040 --> 0:30:06.320
<v Speaker 1>you know what I'm saying. And it it's just showing

0:30:06.360 --> 0:30:10.320
<v Speaker 1>me how to operate, you know, as a businessman that

0:30:10.480 --> 0:30:13.760
<v Speaker 1>I need to just have structure around that in order

0:30:13.840 --> 0:30:16.360
<v Speaker 1>for it to keep going. Because like as an artist,

0:30:16.440 --> 0:30:20.160
<v Speaker 1>you could get lucky dropping something one time. Oh this

0:30:20.320 --> 0:30:23.320
<v Speaker 1>is a dope, ass idea, everybody buy it, fuck with it.

0:30:23.880 --> 0:30:25.920
<v Speaker 1>But the catch is being able to get them to

0:30:26.440 --> 0:30:29.880
<v Speaker 1>fuck with it, you know, continuously make it a piece

0:30:29.880 --> 0:30:32.200
<v Speaker 1>of their lifestyle. You know what I'm saying, make it.

0:30:32.360 --> 0:30:35.360
<v Speaker 1>You know what I'm saying. You know beyond lifestyle. They

0:30:35.480 --> 0:30:38.920
<v Speaker 1>light well life is lifestyle. So you know, just make

0:30:38.960 --> 0:30:40.880
<v Speaker 1>it it day to day for them, you know what

0:30:40.880 --> 0:30:44.360
<v Speaker 1>I'm saying, Meaning that every time you drop something, whether

0:30:44.440 --> 0:30:49.400
<v Speaker 1>it be a hat, ash tray, whatever it is, they

0:30:49.520 --> 0:30:51.520
<v Speaker 1>with the movement of the brand. You know what I'm saying,

0:30:51.720 --> 0:30:54.840
<v Speaker 1>And do you like going like fucking when you like,

0:30:54.880 --> 0:30:56.880
<v Speaker 1>because obviously we're in LA, there's a garment district. You

0:30:56.960 --> 0:30:59.000
<v Speaker 1>go pick like the pieces you want to put shit

0:30:59.080 --> 0:31:02.040
<v Speaker 1>on yourself, or you have other people handle all that ship. Yeah, yeah, yeah,

0:31:02.080 --> 0:31:05.720
<v Speaker 1>I'm real hands on if the quality of everything is high.

0:31:06.120 --> 0:31:08.440
<v Speaker 1>So it's like I even like I just packed like

0:31:08.680 --> 0:31:12.160
<v Speaker 1>five hundred orders like myself the other night, you know

0:31:12.200 --> 0:31:15.600
<v Speaker 1>what I mean, just like fuck it, I'm about to

0:31:15.720 --> 0:31:18.160
<v Speaker 1>just do this ship, you know what I'm saying, Like

0:31:19.840 --> 0:31:21.680
<v Speaker 1>like some of the ship though, like some of the

0:31:21.720 --> 0:31:24.480
<v Speaker 1>ship I signed and did some extra ship for people,

0:31:24.600 --> 0:31:27.840
<v Speaker 1>but like if they spent like yo, these these fulls,

0:31:28.000 --> 0:31:30.960
<v Speaker 1>drop the bag, let me throw something in here right right.

0:31:31.240 --> 0:31:33.600
<v Speaker 1>So you'll catch a rare moment where I pack orders.

0:31:33.640 --> 0:31:35.520
<v Speaker 1>But for most of the time I just pay somebody

0:31:35.600 --> 0:31:38.240
<v Speaker 1>to do that. But like I like to be hands

0:31:38.280 --> 0:31:41.720
<v Speaker 1>on with as much as possible, so I know, just

0:31:42.080 --> 0:31:44.040
<v Speaker 1>you know, everything they got to do with the business.

0:31:44.240 --> 0:31:46.240
<v Speaker 1>Just in case somebody like, man, we can't do this,

0:31:46.400 --> 0:31:49.040
<v Speaker 1>we can't hold up. I know how to. It's not

0:31:49.200 --> 0:31:51.040
<v Speaker 1>that hard, you know what I'm saying. Kickback, I can

0:31:51.080 --> 0:31:52.800
<v Speaker 1>handle it, you know, I mean have you linked up

0:31:52.800 --> 0:31:56.000
<v Speaker 1>with a David Sebastian yet, David Sebastian, Yeah, yeah, yeah,

0:31:56.080 --> 0:31:58.400
<v Speaker 1>David Sebastian dope. Man. I remember when I got up

0:31:58.480 --> 0:32:03.080
<v Speaker 1>on him was a June teenth. He performed like in

0:32:03.160 --> 0:32:07.000
<v Speaker 1>front of my shop on Renondo and Ship and I'm like,

0:32:07.120 --> 0:32:10.880
<v Speaker 1>this dude, dope, Like he commanded the whole He commanded

0:32:10.960 --> 0:32:13.120
<v Speaker 1>the whole block when he got there and made it

0:32:13.160 --> 0:32:14.680
<v Speaker 1>a vibe, you know what I'm saying. So I've been

0:32:14.720 --> 0:32:17.800
<v Speaker 1>on him since then, but we yet to his clothing

0:32:17.920 --> 0:32:20.680
<v Speaker 1>line is you know he's doing like the like the

0:32:20.760 --> 0:32:22.200
<v Speaker 1>I don't know if you saw the Kanye is like

0:32:22.360 --> 0:32:25.280
<v Speaker 1>having homeless people model his clothes. Yeah, that's all through

0:32:25.880 --> 0:32:29.960
<v Speaker 1>a collab with David Sebastian's clothing line, skared Row. So

0:32:30.160 --> 0:32:31.840
<v Speaker 1>I'm up, I should do it. Y'all should do the

0:32:32.080 --> 0:32:36.080
<v Speaker 1>little you know, a little Blue Tea skied Row collab. Man,

0:32:36.120 --> 0:32:38.320
<v Speaker 1>it's a no brainer. We gotta do it. And you

0:32:38.360 --> 0:32:40.520
<v Speaker 1>guys can eat rooms together because he is a troom guy.

0:32:41.400 --> 0:32:45.280
<v Speaker 1>Super room. Not the gummies. Now, the gummies are it, bro?

0:32:45.720 --> 0:32:51.200
<v Speaker 1>Natural natural ones. You don't know what natural sign app.

0:32:52.000 --> 0:32:53.840
<v Speaker 1>You gotta stuff them in like a peanut butter sandwich

0:32:53.920 --> 0:32:56.280
<v Speaker 1>or something. If I ever get to that point. Yeah,

0:32:56.680 --> 0:32:58.800
<v Speaker 1>now that's why you made. That's why you eat these,

0:32:58.960 --> 0:33:01.440
<v Speaker 1>because these at least you know there's some sort of

0:33:01.560 --> 0:33:04.800
<v Speaker 1>like guide. When you eat the natural ship, you might

0:33:04.840 --> 0:33:07.560
<v Speaker 1>get a cap that's fucking ill, you know what I'm saying.

0:33:09.040 --> 0:33:11.400
<v Speaker 1>I had that. I had that a couple of months.

0:33:11.400 --> 0:33:14.560
<v Speaker 1>You had experience with the wrong No, no, the capsule

0:33:14.680 --> 0:33:16.560
<v Speaker 1>it was you had a battery micro dose? Yeah? What

0:33:16.720 --> 0:33:24.280
<v Speaker 1>was it from one of his friends? Bro? Damn? What

0:33:24.480 --> 0:33:27.840
<v Speaker 1>is the bat tript? What was your Like? I was

0:33:27.960 --> 0:33:31.080
<v Speaker 1>just tripping, like I just was feeling like real weird,

0:33:31.160 --> 0:33:33.840
<v Speaker 1>Like my head was spinning, like I was sweating a lot,

0:33:33.920 --> 0:33:37.120
<v Speaker 1>and made me stop taking strooms around that time. Yeah,

0:33:37.240 --> 0:33:39.600
<v Speaker 1>Like when I laid down, it felt like I was falling,

0:33:39.640 --> 0:33:42.640
<v Speaker 1>so I kept getting up ship like yeah, and it

0:33:43.000 --> 0:33:45.760
<v Speaker 1>was it lasted for like two hours. Did you have

0:33:45.920 --> 0:33:48.240
<v Speaker 1>did you hallucinate? Like did you see anything? No? No,

0:33:48.360 --> 0:33:52.680
<v Speaker 1>I didn't hallucinate. I did that off edible, like hallucinated

0:33:52.760 --> 0:33:56.719
<v Speaker 1>off of an edible. I'm not the devil. That's why

0:33:56.760 --> 0:33:58.520
<v Speaker 1>I was scared of this, because like I tripped on

0:33:58.560 --> 0:34:00.480
<v Speaker 1>the edible, bro, So I'm like, yeah, I mean you

0:34:00.560 --> 0:34:03.640
<v Speaker 1>had is strong. You had two pieces. You had two pieces,

0:34:03.720 --> 0:34:06.080
<v Speaker 1>but but if you ate that whole bag, you might

0:34:06.520 --> 0:34:09.040
<v Speaker 1>three of the pieces. But if you ate the whole bag,

0:34:09.080 --> 0:34:11.400
<v Speaker 1>you might have, like, you know, a conversation with Jesus.

0:34:11.520 --> 0:34:14.120
<v Speaker 1>Or I would never eat the whole bag. Bro, Just

0:34:14.239 --> 0:34:17.200
<v Speaker 1>imagine having a conversation with Jesus, like you could never

0:34:17.280 --> 0:34:21.640
<v Speaker 1>come back. Like, man, you're gonna change. I do want

0:34:21.680 --> 0:34:23.600
<v Speaker 1>to talk to him, but just not at this moment.

0:34:25.360 --> 0:34:29.759
<v Speaker 1>Your whole ship gonna change your whole life Outlook how

0:34:29.840 --> 0:34:32.080
<v Speaker 1>you approach it? Yeah, why wouldn't you eat the whole bag?

0:34:33.400 --> 0:34:35.520
<v Speaker 1>You don't want to talk to Jesus, right Bro, that's

0:34:35.560 --> 0:34:39.200
<v Speaker 1>why we talk. What would you ask Jesus if you

0:34:39.360 --> 0:34:41.839
<v Speaker 1>if what would you ask Jesus though? Why they ain't

0:34:41.840 --> 0:34:46.200
<v Speaker 1>hating on me? J I don't know, Like why am

0:34:46.239 --> 0:34:49.200
<v Speaker 1>I up here talking to you right now? I'd be like, man,

0:34:49.280 --> 0:34:51.600
<v Speaker 1>this whole time, I thought no, I thought you wasn't real. Bro,

0:34:52.920 --> 0:34:58.680
<v Speaker 1>I'm gonna telling everybody stopping fool ship. I'd be like Jesus, look, man,

0:34:58.800 --> 0:35:01.319
<v Speaker 1>let's make a deal, you know what I mean kind

0:35:01.320 --> 0:35:03.600
<v Speaker 1>of deal with let me give you, let me give

0:35:03.640 --> 0:35:08.640
<v Speaker 1>you a he take yourself into to the Lord. You said, well,

0:35:08.680 --> 0:35:10.279
<v Speaker 1>you're gonna sell your soul to the Lord. Yeah, I

0:35:10.360 --> 0:35:13.520
<v Speaker 1>already gave my you know, confess before the Lord and

0:35:13.560 --> 0:35:16.840
<v Speaker 1>everything already did his law. Amen, I'm saved. Could you

0:35:16.920 --> 0:35:19.040
<v Speaker 1>sell your souldiers to the Lord? I've never heard of

0:35:20.960 --> 0:35:25.600
<v Speaker 1>except when you accept Jesus as your lord said. I

0:35:25.719 --> 0:35:27.800
<v Speaker 1>never heard it like that said. Because you go to

0:35:27.920 --> 0:35:30.000
<v Speaker 1>the devil and you're telling them, let's make a deal. Right,

0:35:30.120 --> 0:35:32.080
<v Speaker 1>why don't we just all become scientiflog go to the

0:35:32.120 --> 0:35:36.239
<v Speaker 1>Lord and said let's make a deal. Yeah, get real money. Hey,

0:35:37.400 --> 0:35:41.880
<v Speaker 1>I've seen a commercial for Simon Gibson the crazy people,

0:35:41.920 --> 0:35:47.520
<v Speaker 1>man Looney, Really yo them, Scientologist, fools, you always have money.

0:35:47.719 --> 0:35:50.880
<v Speaker 1>That's a realized cult. That's that's a wild ship. I

0:35:50.960 --> 0:35:53.040
<v Speaker 1>mean most religion is kind of cult. That's right. But

0:35:53.200 --> 0:35:57.360
<v Speaker 1>like for sure, Scientologist, when you're thinking about it, you

0:35:57.440 --> 0:35:59.680
<v Speaker 1>got to believe in some ship you've never seen before,

0:35:59.880 --> 0:36:03.239
<v Speaker 1>I've never really touched you, and believe that it's helping

0:36:03.320 --> 0:36:05.000
<v Speaker 1>you and changing your life. You know what I'm saying,

0:36:05.160 --> 0:36:08.520
<v Speaker 1>Which you know, everybody gotta believe in something, right, this

0:36:08.920 --> 0:36:10.840
<v Speaker 1>this is true. I believe. I just believe in my

0:36:11.080 --> 0:36:14.440
<v Speaker 1>enterprise clique. You know what I mean. I believe in

0:36:14.640 --> 0:36:17.480
<v Speaker 1>you know, I believe in enterprise. Click over Jesus, because

0:36:17.800 --> 0:36:24.000
<v Speaker 1>you're here in front of me. Enterprise. You heard them. Well,

0:36:24.000 --> 0:36:27.360
<v Speaker 1>I am extremely I'm very anti religious, so you know,

0:36:27.440 --> 0:36:29.200
<v Speaker 1>I think a lot of it is all man made.

0:36:29.280 --> 0:36:31.560
<v Speaker 1>And you know, my thing is just belonging to a

0:36:32.160 --> 0:36:36.080
<v Speaker 1>specific religion. It's like joining the gang. You're like agnostic.

0:36:36.200 --> 0:36:38.000
<v Speaker 1>You believe in high powered, believe in God. But there's

0:36:38.000 --> 0:36:43.359
<v Speaker 1>just that's for sure belong to. I believe I belong

0:36:43.400 --> 0:36:52.600
<v Speaker 1>to Broadway Game, but allegedly, well not because I'm a businessman.

0:36:52.719 --> 0:36:54.800
<v Speaker 1>I'm much more than that. But you know, for a

0:36:54.880 --> 0:36:56.800
<v Speaker 1>long part of my life I belong to that. But

0:36:57.120 --> 0:36:59.960
<v Speaker 1>you know right now I belong to this enterprise Click

0:37:00.080 --> 0:37:02.920
<v Speaker 1>the ship that giant beg tattoo. How painful was that?

0:37:03.440 --> 0:37:06.200
<v Speaker 1>It didn't hurt? It didn't hurt. You know that ship hurt? Bro?

0:37:06.280 --> 0:37:09.640
<v Speaker 1>You're calling me like bro, all shading it was from?

0:37:10.920 --> 0:37:15.640
<v Speaker 1>So was it worse than the removal removed? Don't really

0:37:16.040 --> 0:37:19.279
<v Speaker 1>looks like it's hurt. Like they only go over it

0:37:19.400 --> 0:37:21.279
<v Speaker 1>one time. I'm getting he come into the house after this.

0:37:21.400 --> 0:37:23.640
<v Speaker 1>You're getting some ship removed what do you get remove

0:37:23.680 --> 0:37:26.839
<v Speaker 1>my tat on my neck. I'm cleaning up my whole

0:37:26.960 --> 0:37:29.400
<v Speaker 1>little I don't know what side it's on, but I

0:37:29.480 --> 0:37:32.000
<v Speaker 1>gotta ta right here. I ain't gonna lie you. You

0:37:32.120 --> 0:37:34.080
<v Speaker 1>look like you was trying to look comfortable, but you

0:37:34.160 --> 0:37:39.640
<v Speaker 1>look like you just it's just once. Yeah, they go

0:37:39.719 --> 0:37:43.399
<v Speaker 1>over it pop or a tye one time and then back.

0:37:43.480 --> 0:37:47.400
<v Speaker 1>It's like ten minutes and it's gone, and then creation

0:37:47.640 --> 0:37:50.000
<v Speaker 1>is over. Oh, because it's a bunch of different treatments, right,

0:37:50.040 --> 0:37:52.759
<v Speaker 1>it's about it's gonna take about like twelve sessions they

0:37:52.840 --> 0:37:55.800
<v Speaker 1>said for it to go away. Damn, you smell that

0:37:56.200 --> 0:37:58.879
<v Speaker 1>dark as a motherfucker, like smell it smell, and then

0:37:58.960 --> 0:38:02.680
<v Speaker 1>it's like part of my throat, so I could taste

0:38:02.719 --> 0:38:05.600
<v Speaker 1>it coming through my throat. You could talk when it's come.

0:38:05.640 --> 0:38:10.280
<v Speaker 1>I'm like, damn, it's this ship even like safe because

0:38:10.320 --> 0:38:13.640
<v Speaker 1>I need my you know what I'm saying. Yeah, I'm

0:38:13.640 --> 0:38:18.960
<v Speaker 1>around end up like fucking goddamn yeah the dl C. Yeah,

0:38:19.320 --> 0:38:21.359
<v Speaker 1>oh yeah, you need my vocals, you know what I'm saying.

0:38:21.440 --> 0:38:23.560
<v Speaker 1>I thought about that ship too, like damn if I

0:38:23.640 --> 0:38:30.839
<v Speaker 1>ever lose my voice, like me being able to talk,

0:38:30.960 --> 0:38:33.840
<v Speaker 1>you know what I'm saying to like, from the beginning

0:38:33.880 --> 0:38:37.560
<v Speaker 1>of time, whatever it was, I was selling dope, pimping.

0:38:37.960 --> 0:38:41.120
<v Speaker 1>You know what I'm saying. I never was a jacker,

0:38:41.200 --> 0:38:44.719
<v Speaker 1>you know what I mean? Music, these companies walking in

0:38:44.800 --> 0:38:49.200
<v Speaker 1>these offices, it's like, I need my I need my vocals. Man,

0:38:49.840 --> 0:38:52.120
<v Speaker 1>motherfucker can't talk, you know what I'm saying. Talk my

0:38:52.200 --> 0:38:56.240
<v Speaker 1>way into some bags like over ms set a nigga

0:38:56.280 --> 0:39:01.839
<v Speaker 1>in blue. You know throughout life that's a lot of money. Yeah,

0:39:02.800 --> 0:39:05.799
<v Speaker 1>you're I spend money Like It's like I thought about

0:39:05.800 --> 0:39:08.839
<v Speaker 1>it the other day. I said, damn, how I can't

0:39:08.880 --> 0:39:11.120
<v Speaker 1>even tell you, Like if I was to put my

0:39:11.239 --> 0:39:13.320
<v Speaker 1>finger on something like, how did this nigga? How do

0:39:13.440 --> 0:39:17.120
<v Speaker 1>I make money? Man? I can't just do it. I

0:39:17.200 --> 0:39:19.600
<v Speaker 1>am people be like, I can't tell you. I just

0:39:19.680 --> 0:39:22.959
<v Speaker 1>got ship. I think about, like, well, not ten years

0:39:22.960 --> 0:39:27.200
<v Speaker 1>ago I was balling into but like, man, times you

0:39:27.320 --> 0:39:29.400
<v Speaker 1>had times in between. The last time I saw you,

0:39:29.520 --> 0:39:31.560
<v Speaker 1>you're showing me your new fucking was it an Impala?

0:39:31.719 --> 0:39:34.359
<v Speaker 1>Were money Carlo? It was a money Carlo. Yeah yeah,

0:39:34.600 --> 0:39:37.120
<v Speaker 1>you have a serious car issue. Yeah yeah, yeah. I'm

0:39:37.160 --> 0:39:39.440
<v Speaker 1>on the opposite side of myrole. The keys to that

0:39:39.680 --> 0:39:42.719
<v Speaker 1>vehicle and car my car's paid off. It's also two

0:39:42.760 --> 0:39:44.759
<v Speaker 1>thousand and seven Sequoia, but it's paid off, you know

0:39:44.800 --> 0:39:51.080
<v Speaker 1>what car. But it's like i' just be thinking about evolution,

0:39:51.239 --> 0:39:53.560
<v Speaker 1>Like I was driving up. I stayed on Magnolia on

0:39:53.640 --> 0:39:55.600
<v Speaker 1>the other end of Magnoia when I first got out

0:39:55.640 --> 0:39:58.040
<v Speaker 1>of jail and ship the valley. Yeah, and the rent

0:39:58.160 --> 0:40:00.480
<v Speaker 1>was like twelve hundred a month, thirteen under the month,

0:40:00.520 --> 0:40:02.840
<v Speaker 1>and it's like, man, I couldn't I never live in

0:40:02.920 --> 0:40:05.240
<v Speaker 1>no spot like this. And then the home you remember

0:40:05.280 --> 0:40:08.640
<v Speaker 1>when I said that last night and he's like, oh

0:40:08.719 --> 0:40:10.800
<v Speaker 1>you boogie, And it's like when I think about it,

0:40:10.880 --> 0:40:16.359
<v Speaker 1>it's like damn, like think, yeah, for real, when did

0:40:16.400 --> 0:40:19.600
<v Speaker 1>you get out of the valley? My daughter, my daughter

0:40:19.719 --> 0:40:23.799
<v Speaker 1>mom moved to l A so just to be able

0:40:23.880 --> 0:40:27.319
<v Speaker 1>to uh stay for she could be close to her

0:40:27.400 --> 0:40:30.080
<v Speaker 1>mom and go to a night school. I just moved

0:40:30.120 --> 0:40:32.280
<v Speaker 1>in there. I feel like, you know, so many artists

0:40:32.320 --> 0:40:34.000
<v Speaker 1>like will leave LA to go to the valley just

0:40:34.160 --> 0:40:38.000
<v Speaker 1>to get away from the hood. But do you feel

0:40:38.040 --> 0:40:41.120
<v Speaker 1>like so many people have moved to the valley now

0:40:41.200 --> 0:40:43.000
<v Speaker 1>that it's like still something like you might go to

0:40:43.120 --> 0:40:46.840
<v Speaker 1>the corner store and running this story because valley is

0:40:46.960 --> 0:40:49.359
<v Speaker 1>kind of active. Now. We were saying that to look

0:40:51.239 --> 0:40:54.279
<v Speaker 1>and see see a nigga. I'm like the just the

0:40:54.400 --> 0:40:56.560
<v Speaker 1>street and me was ready to bust to you. And

0:40:59.280 --> 0:41:01.239
<v Speaker 1>but it's like in the valley, bro, you know what

0:41:01.280 --> 0:41:04.040
<v Speaker 1>I'm saying, Like, I'm like, I'm driving this is this

0:41:04.200 --> 0:41:06.440
<v Speaker 1>is over a year ago, so it doesn't matter. But

0:41:06.520 --> 0:41:09.600
<v Speaker 1>I'm like fucking driving down Lankership over here on Magnolia

0:41:10.320 --> 0:41:13.000
<v Speaker 1>and just Mazzi's crossing the street, you know, like to

0:41:13.080 --> 0:41:15.280
<v Speaker 1>go by himself to go to Hot Dave's Hot Chicken

0:41:15.920 --> 0:41:18.880
<v Speaker 1>over twelve months ago. But I was like, yo, and

0:41:18.960 --> 0:41:26.239
<v Speaker 1>I was like, you know, everybody who's a rapper and

0:41:26.320 --> 0:41:29.120
<v Speaker 1>they all live like right here, they all record like

0:41:29.640 --> 0:41:33.319
<v Speaker 1>right here, Like the valley is like I ain't gonna

0:41:33.360 --> 0:41:35.080
<v Speaker 1>lie miss me in in the valley, within the same

0:41:35.160 --> 0:41:38.600
<v Speaker 1>couple of blocks. Everybody got everybody, everybody got a fucking

0:41:38.680 --> 0:41:43.439
<v Speaker 1>studio over here. It's it's crazy and it only makes sense,

0:41:43.640 --> 0:41:47.160
<v Speaker 1>like all right, you got the rapper district, you got

0:41:47.200 --> 0:41:49.759
<v Speaker 1>the fashion district, you got this, you got that. You

0:41:49.800 --> 0:41:52.200
<v Speaker 1>know what I'm saying, Like there was a very popular

0:41:52.320 --> 0:41:57.400
<v Speaker 1>rapper who was on my show yesterday who probably you know,

0:41:57.680 --> 0:42:01.239
<v Speaker 1>there's some perceived smoke going on with this guy and

0:42:01.320 --> 0:42:05.960
<v Speaker 1>we're just standing on a corner and I'm just like, yo, man,

0:42:06.160 --> 0:42:09.000
<v Speaker 1>like yeah, but like we're on the corner of Magnolia

0:42:09.320 --> 0:42:12.680
<v Speaker 1>and Kuwayne to just hanging out the hood though it's

0:42:12.840 --> 0:42:16.440
<v Speaker 1>not so it's good. But it's like this, look when

0:42:16.440 --> 0:42:19.920
<v Speaker 1>you outside of the ghetto. Because it's the thing about

0:42:20.320 --> 0:42:25.600
<v Speaker 1>La right every area is it's like it's an army

0:42:25.719 --> 0:42:28.480
<v Speaker 1>around that motherfucker. So if you caught on any of

0:42:28.560 --> 0:42:31.000
<v Speaker 1>these blocks, niggas could get online. You know, it's niggas

0:42:31.040 --> 0:42:34.360
<v Speaker 1>coming out of spots like ship like this. If I

0:42:34.480 --> 0:42:37.000
<v Speaker 1>bump into somebody that I may have a problem with,

0:42:37.360 --> 0:42:41.920
<v Speaker 1>you know what I'm saying, We have the same disadvantage

0:42:42.040 --> 0:42:46.359
<v Speaker 1>and becossible advantage. You're not on your home area. Yeah,

0:42:46.440 --> 0:42:49.080
<v Speaker 1>we fishes out of water. So if some crack I

0:42:49.160 --> 0:42:53.600
<v Speaker 1>still got to get to safety after everything transpire, you

0:42:53.640 --> 0:42:56.920
<v Speaker 1>know what I'm saying, Or you know, however it might in,

0:42:57.080 --> 0:42:59.840
<v Speaker 1>motherfuckers still got to get somewhere low. So you know,

0:43:00.560 --> 0:43:04.560
<v Speaker 1>out here it's all even playing field. How but we

0:43:04.680 --> 0:43:06.560
<v Speaker 1>ain't looking for that. We're getting money now. I was

0:43:06.560 --> 0:43:08.560
<v Speaker 1>gonna say, how like when it comes to like some

0:43:08.680 --> 0:43:12.239
<v Speaker 1>of your younger homies were from where you're from. How

0:43:13.360 --> 0:43:14.920
<v Speaker 1>like do you try to give them advice? Do you

0:43:15.000 --> 0:43:17.600
<v Speaker 1>try to make sure that they're Yeah, like anybody that

0:43:17.719 --> 0:43:20.279
<v Speaker 1>are listened. But like when I was growing up, I

0:43:20.320 --> 0:43:24.120
<v Speaker 1>wouldn't like I was a little different though. It's like

0:43:24.239 --> 0:43:26.279
<v Speaker 1>sometimes I didn't want to hear that shit, but I'll

0:43:26.320 --> 0:43:28.040
<v Speaker 1>be really hearing that shit. You know what I'm saying.

0:43:28.080 --> 0:43:29.880
<v Speaker 1>I'll be acting like I ain't trying to hear that,

0:43:30.080 --> 0:43:34.160
<v Speaker 1>but you know what I said, So you know, I'll

0:43:34.280 --> 0:43:37.080
<v Speaker 1>just be whoever want to listen and whoever I see

0:43:37.120 --> 0:43:40.000
<v Speaker 1>potential in, you know what I'm saying. And when whenever

0:43:40.120 --> 0:43:42.480
<v Speaker 1>one of the young homies is ready to listen, I

0:43:42.600 --> 0:43:46.160
<v Speaker 1>know they're gonna come to me. Cause it in the ghetto.

0:43:46.280 --> 0:43:50.600
<v Speaker 1>Bro's so much like them ass pride like Nigga be

0:43:50.800 --> 0:43:56.439
<v Speaker 1>so prideful for no fucking apparent reason besides nigga whoop whoop.

0:43:56.760 --> 0:44:00.360
<v Speaker 1>Don't need no nigga and woo whoop the bullshit that

0:44:00.800 --> 0:44:02.600
<v Speaker 1>niggas get fed. You know what I'm saying, I don't

0:44:02.600 --> 0:44:05.919
<v Speaker 1>need nobody. I'm tougher than everybody, this, that, and the other.

0:44:06.239 --> 0:44:08.359
<v Speaker 1>I ain't finna be listening to no nigga, no nigga,

0:44:08.400 --> 0:44:13.480
<v Speaker 1>finna have no over, but not realizing that in this world, like,

0:44:13.960 --> 0:44:16.239
<v Speaker 1>it's full of people for a reason. People make this

0:44:16.320 --> 0:44:19.560
<v Speaker 1>shit go around. So you need people, You need relationships,

0:44:20.000 --> 0:44:22.680
<v Speaker 1>You need somebody that you could get gained from and

0:44:22.800 --> 0:44:24.839
<v Speaker 1>guide you in the right direction. You know what I'm saying,

0:44:24.920 --> 0:44:28.440
<v Speaker 1>Ain't nothing wrong with that. So yeah, like, whoever, whoever

0:44:28.480 --> 0:44:31.480
<v Speaker 1>you want to listen, like, I'm open to like fucking with,

0:44:32.120 --> 0:44:34.799
<v Speaker 1>give me niggas all the game that I got for sure. Hey,

0:44:35.040 --> 0:44:37.759
<v Speaker 1>we gotta stuff a podcast, man, real quick. Appreciate y'all

0:44:37.800 --> 0:44:42.080
<v Speaker 1>for watching, really mean it. Subscribe like eve a comment,

0:44:42.160 --> 0:44:44.080
<v Speaker 1>even if you're one of those dickheads wh leaves the comment.

0:44:44.120 --> 0:44:47.200
<v Speaker 1>You're always interrupting the guests because it's my fucking podcast.

0:44:47.560 --> 0:44:53.399
<v Speaker 1>I don't know I like to talk to anyway. Hey,

0:44:53.480 --> 0:44:55.760
<v Speaker 1>shout out to odd Socks man, they've been our sponsor

0:44:55.840 --> 0:44:58.799
<v Speaker 1>from day one. We go hard for odd socks always, man,

0:44:59.400 --> 0:45:01.399
<v Speaker 1>Literally go hard for my wife and I go hard

0:45:01.480 --> 0:45:05.120
<v Speaker 1>for odd socks in different and same kinds of ways.

0:45:05.600 --> 0:45:07.239
<v Speaker 1>You know what I'm saying, Because sometimes I go hard

0:45:07.360 --> 0:45:15.480
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0:45:15.600 --> 0:45:17.959
<v Speaker 1>They got the ill licenses, they got the Breaking Bad,

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<v Speaker 1>fucking Swedish fish, fucking kool aid pez you know, Cheech

0:45:28.280 --> 0:45:31.200
<v Speaker 1>and Chong. What are you into? The odd socks? Basics

0:45:31.239 --> 0:45:32.840
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0:45:32.960 --> 0:45:36.760
<v Speaker 1>get yourself a nice pair of just basics. They're comfy.

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<v Speaker 1>It's like walking on clouds. All right, So you could

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<v Speaker 1>Soxofficial dot com. Go show us some love and let's

0:45:53.520 --> 0:45:56.800
<v Speaker 1>get back to the interview. What would be some producer

0:45:56.840 --> 0:45:58.720
<v Speaker 1>advice you guys would give to up and coming producers.

0:45:58.760 --> 0:46:00.279
<v Speaker 1>I know a lot of producers these days are getting

0:46:00.320 --> 0:46:02.800
<v Speaker 1>on with like just setting out loops, you know, certain

0:46:02.840 --> 0:46:04.719
<v Speaker 1>shit like that. Like, what would be some advice you

0:46:04.760 --> 0:46:07.360
<v Speaker 1>guys would give? So, Like, my biggest advice that I

0:46:07.440 --> 0:46:10.840
<v Speaker 1>give to new producers is like, first of all, conquer

0:46:10.920 --> 0:46:13.440
<v Speaker 1>your city. If you can get your city behind you,

0:46:14.200 --> 0:46:16.480
<v Speaker 1>you know you can expand. And that's kind of like

0:46:17.280 --> 0:46:20.840
<v Speaker 1>how I did it. And I will also say just

0:46:20.920 --> 0:46:26.279
<v Speaker 1>be original, Like there's always like rules to produce and

0:46:26.400 --> 0:46:29.080
<v Speaker 1>like you need you know, your kicks go here, your

0:46:29.080 --> 0:46:31.520
<v Speaker 1>claps go here. But you know, like when you're doing

0:46:31.640 --> 0:46:34.279
<v Speaker 1>melodies and like stuff like that, you always think out

0:46:34.320 --> 0:46:36.440
<v Speaker 1>the box because if you can make that dope, like,

0:46:36.800 --> 0:46:39.480
<v Speaker 1>you got a better chance of starting what's new rather

0:46:39.560 --> 0:46:42.479
<v Speaker 1>than following what's you know everybody else is doing because

0:46:42.560 --> 0:46:44.239
<v Speaker 1>only a couple of people are going to get on

0:46:44.960 --> 0:46:48.160
<v Speaker 1>doing that certain thing. And you know it's always somebody

0:46:48.239 --> 0:46:51.800
<v Speaker 1>that comes and changes the landscape and that's you know,

0:46:52.000 --> 0:46:54.839
<v Speaker 1>those are the ones that usually you know, we remember, right,

0:46:55.200 --> 0:46:58.000
<v Speaker 1>that's real. What about you? Oh, what I would say

0:46:58.040 --> 0:47:00.520
<v Speaker 1>to up, like to up and cooming producer, say say

0:47:00.640 --> 0:47:03.880
<v Speaker 1>like like stay consistent and lock in with an artist

0:47:03.960 --> 0:47:06.720
<v Speaker 1>that like fits your sound because trying I think that's important,

0:47:06.800 --> 0:47:09.160
<v Speaker 1>trying to chase like you know, superstars. If you walk

0:47:09.200 --> 0:47:11.799
<v Speaker 1>in with one guy, maybebe with that one. They're dope,

0:47:11.880 --> 0:47:13.400
<v Speaker 1>they're on the come up, or they're just someone you

0:47:13.520 --> 0:47:15.359
<v Speaker 1>believe in and you do a whole project with them

0:47:15.400 --> 0:47:17.520
<v Speaker 1>and you lock and develop a sound with them. That

0:47:17.640 --> 0:47:19.840
<v Speaker 1>shit to me is super important. That's like most important,

0:47:19.880 --> 0:47:21.880
<v Speaker 1>Like that's like a gym. And I would like I

0:47:21.880 --> 0:47:24.440
<v Speaker 1>would say, like Bill, I would say, like build that,

0:47:24.560 --> 0:47:26.800
<v Speaker 1>you know what I mean, like like like build relationships,

0:47:26.880 --> 0:47:29.040
<v Speaker 1>Like don't worry about like that quick check. Yeah, you

0:47:29.080 --> 0:47:31.399
<v Speaker 1>built the relationships. You built the catalog. I didn't build

0:47:31.400 --> 0:47:34.080
<v Speaker 1>relationships with like g Tiger, Like, so I'm always gonna

0:47:34.080 --> 0:47:36.520
<v Speaker 1>be on like they projects. Yeah, Like nowadays, if you're

0:47:36.640 --> 0:47:38.799
<v Speaker 1>independent and let's say you're a producer and you're fucking

0:47:38.840 --> 0:47:40.680
<v Speaker 1>with an artist and y'all do an album dropping on

0:47:40.760 --> 0:47:42.759
<v Speaker 1>disco kid and just set up the splits and you

0:47:43.280 --> 0:47:44.960
<v Speaker 1>you know what I'm saying, You're getting paid off of

0:47:45.000 --> 0:47:46.719
<v Speaker 1>the fucking streams. You know what I'm saying, Like you

0:47:46.800 --> 0:47:49.000
<v Speaker 1>might not sell ten beats to that artist, but you

0:47:49.080 --> 0:47:51.560
<v Speaker 1>guys can be partners on the on the project, you know. Yeah,

0:47:51.800 --> 0:47:54.839
<v Speaker 1>And that's advice for producers who've been doing this shit

0:47:54.880 --> 0:47:58.720
<v Speaker 1>for ten years and you know, like are just learning

0:47:58.840 --> 0:48:02.520
<v Speaker 1>the importance of walking in with the artists versus trying

0:48:02.560 --> 0:48:05.200
<v Speaker 1>to send out beats and you know, and then just

0:48:05.480 --> 0:48:07.439
<v Speaker 1>speaking on like sending the beats, I would just add

0:48:07.480 --> 0:48:10.680
<v Speaker 1>on to just saying like don't get discouraged, like if

0:48:10.719 --> 0:48:12.640
<v Speaker 1>you send a beat like today, and like the artists

0:48:12.640 --> 0:48:14.239
<v Speaker 1>don't say nothing or even if they read it, you

0:48:14.280 --> 0:48:15.680
<v Speaker 1>know what I mean, like wait the next day or

0:48:15.719 --> 0:48:17.919
<v Speaker 1>next day, like use that as motivation because I didn't

0:48:17.920 --> 0:48:20.440
<v Speaker 1>have certain artists. Even with this guy, I send him

0:48:20.480 --> 0:48:22.759
<v Speaker 1>a beat on Tuesday, he won't get back to me

0:48:22.920 --> 0:48:24.520
<v Speaker 1>like till next Saturday. You know what I'm saying. But

0:48:24.560 --> 0:48:27.759
<v Speaker 1>I'm still sending them ship within that process when someone's like, yo,

0:48:27.920 --> 0:48:30.759
<v Speaker 1>send me a pack, what what would you guys suggest like,

0:48:30.840 --> 0:48:34.360
<v Speaker 1>because sometimes it's like it's over It's an overkill, right,

0:48:34.400 --> 0:48:36.880
<v Speaker 1>somebody will send your paint. I'm saying I'm a texture

0:48:36.880 --> 0:48:38.799
<v Speaker 1>to beats man because that packs you can get caught

0:48:38.840 --> 0:48:41.120
<v Speaker 1>up in the loop with then I mean that was

0:48:41.160 --> 0:48:44.040
<v Speaker 1>another producer. I mean like nowadays, for me, I like

0:48:44.120 --> 0:48:46.800
<v Speaker 1>to go in and create more than the packs. Like

0:48:46.840 --> 0:48:49.759
<v Speaker 1>I'll send a couple, but like it's better for me

0:48:49.840 --> 0:48:52.160
<v Speaker 1>to to actually get in and make something new from

0:48:52.200 --> 0:48:54.719
<v Speaker 1>scratch with the artists. So that way, yeah, that's real

0:48:54.960 --> 0:48:57.200
<v Speaker 1>or just vibee. If I'm not making something from scratch,

0:48:57.280 --> 0:48:59.000
<v Speaker 1>it'll be good to get in with the artists so

0:48:59.080 --> 0:49:01.239
<v Speaker 1>we could just vibe up. I didn't got placements just

0:49:01.320 --> 0:49:03.719
<v Speaker 1>selling the beat. It could be regular, but me just

0:49:04.239 --> 0:49:05.840
<v Speaker 1>I'm a cool dude, so I'm a vibe with you

0:49:05.880 --> 0:49:07.560
<v Speaker 1>know what I'm saying. They get that vibe and it's

0:49:07.640 --> 0:49:10.279
<v Speaker 1>like we got a record so that I ain't gonna lie.

0:49:10.360 --> 0:49:13.960
<v Speaker 1>I don't even listen to beat packs like niggas and

0:49:14.080 --> 0:49:18.760
<v Speaker 1>I look at all that. It been so many times

0:49:18.800 --> 0:49:21.200
<v Speaker 1>where a motherfucking plays some ship for me, like even

0:49:21.360 --> 0:49:23.680
<v Speaker 1>these niggas like and it's like I've been senting you

0:49:23.800 --> 0:49:27.160
<v Speaker 1>this ship. It's like I never checked that email yeah

0:49:27.880 --> 0:49:30.799
<v Speaker 1>for you as a fucking beat packs, because when I did,

0:49:30.960 --> 0:49:33.520
<v Speaker 1>it'd be like, all right, this part of the beat

0:49:33.640 --> 0:49:37.839
<v Speaker 1>is tight, especially if it's not my producers. This part

0:49:37.880 --> 0:49:40.400
<v Speaker 1>of the beat is tight. But like I said earlier,

0:49:40.520 --> 0:49:43.680
<v Speaker 1>where do I fit in on this? Motherfucker? They forget

0:49:43.719 --> 0:49:46.000
<v Speaker 1>that and we can't rego in on it and redo

0:49:46.120 --> 0:49:49.319
<v Speaker 1>it like I'm not even fucking Yeah. The cool thing

0:49:49.360 --> 0:49:52.000
<v Speaker 1>about g is with he got a vision, so he'll

0:49:52.040 --> 0:49:54.880
<v Speaker 1>hear something and I might have produced it, and he

0:49:55.000 --> 0:49:56.840
<v Speaker 1>might hear something that he wants the pre to do

0:49:56.960 --> 0:49:58.640
<v Speaker 1>on it, so he might be like take this out

0:49:58.880 --> 0:50:01.719
<v Speaker 1>or you know this year, you know, like you got

0:50:01.760 --> 0:50:04.040
<v Speaker 1>that luxury right because if it's just some random producer

0:50:04.080 --> 0:50:05.680
<v Speaker 1>from Atlanta and they send you a beat, you like,

0:50:05.719 --> 0:50:07.719
<v Speaker 1>I might like this, but where are you at the send? Like,

0:50:07.800 --> 0:50:10.200
<v Speaker 1>let's stand this bitch out listen. Yeah, bro, And it's

0:50:10.320 --> 0:50:12.239
<v Speaker 1>rare that I find the beat where I just like

0:50:12.440 --> 0:50:15.040
<v Speaker 1>rap over the whole shit and I don't need nothing change.

0:50:15.360 --> 0:50:17.440
<v Speaker 1>It's like, all right, it's too heavy right here. My

0:50:17.560 --> 0:50:20.000
<v Speaker 1>voice is clashing with this ship. I don't you know

0:50:20.040 --> 0:50:22.279
<v Speaker 1>what I'm saying, Like I used to do that ship,

0:50:22.360 --> 0:50:24.839
<v Speaker 1>but now it's like, I don't know. We're just making

0:50:24.960 --> 0:50:29.200
<v Speaker 1>music and having fun. So that pack shit to listen,

0:50:29.360 --> 0:50:31.320
<v Speaker 1>You've been dropping a bunch of shit. But what's what's like?

0:50:31.480 --> 0:50:35.560
<v Speaker 1>What's what's this all leading up to South Central the album,

0:50:36.080 --> 0:50:39.360
<v Speaker 1>like the album album South Central and then Hot Shot

0:50:39.480 --> 0:50:43.200
<v Speaker 1>the album, So two albums this year, like you know.

0:50:43.560 --> 0:50:46.360
<v Speaker 1>And then it's just a gang of projects Tango steal G,

0:50:46.560 --> 0:50:49.399
<v Speaker 1>slim Me and j nor w ain't put a name

0:50:49.480 --> 0:50:52.600
<v Speaker 1>on our project, me and loder Grade. It's a lot

0:50:52.640 --> 0:50:54.880
<v Speaker 1>of projects coming on the way and a lot of

0:50:55.000 --> 0:50:58.520
<v Speaker 1>leaks l A Summers too. Oh yeah, I forgot about that.

0:50:59.120 --> 0:51:00.880
<v Speaker 1>It's just a lot of projects in a lot of

0:51:01.000 --> 0:51:04.719
<v Speaker 1>leaks that we got coming, cause it's just like I said, Bro,

0:51:04.920 --> 0:51:09.400
<v Speaker 1>we fucking we're paving a way for this new error. Bro,

0:51:09.600 --> 0:51:13.400
<v Speaker 1>it's a streaming era. It's a new underground era. And

0:51:13.520 --> 0:51:16.680
<v Speaker 1>the market and the scene is untapped in La. Everybody

0:51:16.800 --> 0:51:19.560
<v Speaker 1>want to do shit and get signed and fake look

0:51:19.640 --> 0:51:22.080
<v Speaker 1>good and fake me rich. You know what I'm saying, Like,

0:51:22.239 --> 0:51:26.600
<v Speaker 1>we really getting to it and you're gonna like this summer,

0:51:26.640 --> 0:51:29.239
<v Speaker 1>We're gonna funck shuit up because I you know, be

0:51:29.360 --> 0:51:33.440
<v Speaker 1>out here that money Carlo put together? Care about me

0:51:33.640 --> 0:51:36.920
<v Speaker 1>pounding them South Central blocks? Yeah, this guy did get

0:51:36.960 --> 0:51:41.359
<v Speaker 1>a new money Carlo. Yeah. That the bubble back window. Yeah,

0:51:41.480 --> 0:51:44.080
<v Speaker 1>the bubble back window. Look fly and you got a

0:51:44.120 --> 0:51:47.279
<v Speaker 1>deal on it. You're telling me you came up. Yeah. Yeah.

0:51:47.360 --> 0:51:51.080
<v Speaker 1>When I told oh boy, I'm like yeah, Bro. Like

0:51:51.200 --> 0:51:52.880
<v Speaker 1>the bank that I'm with, they don't really give out.

0:51:52.880 --> 0:51:55.120
<v Speaker 1>I got an order to cash, so it's like, Bro,

0:51:55.320 --> 0:51:59.239
<v Speaker 1>I ain't finna be able to Can I give you

0:51:59.320 --> 0:52:02.640
<v Speaker 1>a cash here check? And he like, uh man, you

0:52:02.840 --> 0:52:04.360
<v Speaker 1>I gotta go to the bank with you for that.

0:52:04.560 --> 0:52:07.560
<v Speaker 1>I'm like, listen, bro, my name is Parka. Wait wait

0:52:07.600 --> 0:52:12.640
<v Speaker 1>waitko everything what pen you was in? And wooty woo

0:52:12.640 --> 0:52:16.040
<v Speaker 1>woo whoop. I'm like the lain of like nigga this

0:52:16.080 --> 0:52:19.400
<v Speaker 1>this It was one of my pottoners. I was in

0:52:19.480 --> 0:52:22.480
<v Speaker 1>the pen with and ship. Oh ship, it worked out.

0:52:23.040 --> 0:52:26.160
<v Speaker 1>It worked out, like I got that ship. So when

0:52:26.160 --> 0:52:27.839
<v Speaker 1>you get a new car, do you sell a car

0:52:28.200 --> 0:52:30.319
<v Speaker 1>or do you just keep them all? Yeah? I don't.

0:52:30.360 --> 0:52:33.040
<v Speaker 1>I never sold a car on my life. You know,

0:52:33.360 --> 0:52:35.640
<v Speaker 1>if you were to sell a car, never, now is

0:52:35.680 --> 0:52:40.080
<v Speaker 1>the time. Either give sh away. You're giving cars away, ship,

0:52:40.200 --> 0:52:45.120
<v Speaker 1>get fucking totaled out. Uh it go to the impound.

0:52:45.200 --> 0:52:46.960
<v Speaker 1>If I ain't got no license, I didn't go get

0:52:47.000 --> 0:52:50.040
<v Speaker 1>it like this or I yeah you had you had

0:52:50.080 --> 0:52:52.080
<v Speaker 1>a carget this, You had a car you impounded and

0:52:52.160 --> 0:52:55.759
<v Speaker 1>you just left it. Yeah, hell yeah, plenty times a

0:52:55.960 --> 0:52:59.319
<v Speaker 1>lit when I didn't have no license. That's terrible. I'm

0:52:59.400 --> 0:53:02.000
<v Speaker 1>never so want a carver, Well, you know, just give

0:53:02.040 --> 0:53:04.240
<v Speaker 1>it to somebody. There's a chip. There's a chip shortage

0:53:04.280 --> 0:53:06.279
<v Speaker 1>right now. So if you wanted to sell, that'd be

0:53:06.320 --> 0:53:08.680
<v Speaker 1>the time because cars are fucking I know my truck

0:53:08.800 --> 0:53:10.640
<v Speaker 1>like thirty thousand more than what I got it for

0:53:10.840 --> 0:53:13.879
<v Speaker 1>right now, sell it. But it's like I don't even

0:53:14.239 --> 0:53:17.440
<v Speaker 1>care to sell it. Might as well, extra, get that

0:53:17.560 --> 0:53:23.759
<v Speaker 1>extra thirty. Let me get another car. See with me

0:53:23.880 --> 0:53:26.360
<v Speaker 1>and cars, it's a different convo. It's like, I just

0:53:26.560 --> 0:53:28.880
<v Speaker 1>like having the motherfuckers, So it's like it's like a

0:53:28.960 --> 0:53:32.680
<v Speaker 1>real bond. It seems like like some wraps and some

0:53:32.880 --> 0:53:36.120
<v Speaker 1>T shirts and you can't let go the extra thirty

0:53:36.880 --> 0:53:40.840
<v Speaker 1>other ship. But it's like, I just like cars, bro,

0:53:41.040 --> 0:53:44.360
<v Speaker 1>are you because you're obviously I'm gonna get a warehouse

0:53:44.440 --> 0:53:46.719
<v Speaker 1>soon and just go up the same way speer. Dude,

0:53:46.719 --> 0:53:50.480
<v Speaker 1>it's gonna be like fucking garage. Jaylen will be right

0:53:50.560 --> 0:53:52.520
<v Speaker 1>around Burbank all the time in the most wild ass

0:53:52.560 --> 0:53:58.640
<v Speaker 1>car should That's really where my uh my passion at

0:53:58.680 --> 0:54:00.480
<v Speaker 1>in my life. Like you're just gonna see me in

0:54:00.600 --> 0:54:03.680
<v Speaker 1>vehicles like moving. I figured it out. That's what I'm

0:54:03.719 --> 0:54:08.040
<v Speaker 1>doing outside of his music ship, but you know, spend

0:54:08.080 --> 0:54:11.560
<v Speaker 1>all my money on that. I feel like like, when

0:54:11.560 --> 0:54:16.520
<v Speaker 1>you're on rock Nation, you know, this guy's got fucking

0:54:16.560 --> 0:54:20.399
<v Speaker 1>his his thing ringing over there. No, when you're when

0:54:20.400 --> 0:54:22.440
<v Speaker 1>you're on rock Nation, I feel like, you know, I

0:54:22.520 --> 0:54:25.000
<v Speaker 1>feel like you have your core fan base and you

0:54:25.360 --> 0:54:28.759
<v Speaker 1>you're really really you're I don't want to call you,

0:54:30.400 --> 0:54:32.439
<v Speaker 1>but I'm saying I think about it trying to find

0:54:32.480 --> 0:54:39.080
<v Speaker 1>a single, like you are historically a West Coast sonic sonically,

0:54:39.320 --> 0:54:42.160
<v Speaker 1>that's where your base is, right, that's the music you make, right.

0:54:42.960 --> 0:54:45.640
<v Speaker 1>And I feel like sometimes when you have a fucking

0:54:45.719 --> 0:54:49.720
<v Speaker 1>hardcore fan base the way you do, it's it's easy

0:54:49.840 --> 0:54:55.680
<v Speaker 1>to start chasing Atlanta or Toronto or New York or

0:54:55.760 --> 0:54:57.959
<v Speaker 1>all this ship. And when you do that, you start

0:54:58.120 --> 0:55:03.040
<v Speaker 1>fucking souring people who keep the lights on exactly. I

0:55:03.120 --> 0:55:05.080
<v Speaker 1>fell into that ship. How you want it, how you

0:55:05.200 --> 0:55:10.880
<v Speaker 1>feel I hate that fucking record, fucking um big stacks,

0:55:11.080 --> 0:55:14.840
<v Speaker 1>big stacks, just like chasing the fucking family, like supposed

0:55:14.840 --> 0:55:16.920
<v Speaker 1>to just trying to get a single right, and it's

0:55:17.000 --> 0:55:19.360
<v Speaker 1>like the ship that we do and just throw it

0:55:19.440 --> 0:55:21.560
<v Speaker 1>out as stream warning all that shit, you know what

0:55:21.600 --> 0:55:25.399
<v Speaker 1>I'm saying, with no money put into it. So it's like, yeah,

0:55:25.400 --> 0:55:28.279
<v Speaker 1>I gotta just stick to the core because asn't say,

0:55:28.280 --> 0:55:30.560
<v Speaker 1>are you worried about like like does that even concern

0:55:30.600 --> 0:55:32.680
<v Speaker 1>you to ever even try? Like, because I feel like

0:55:33.360 --> 0:55:35.080
<v Speaker 1>you just keep doing what you're doing and like that

0:55:35.160 --> 0:55:37.800
<v Speaker 1>shit will just come on its own exactly, like the

0:55:37.880 --> 0:55:39.560
<v Speaker 1>world will come to you as opposed to you trying

0:55:39.600 --> 0:55:42.200
<v Speaker 1>to force your way into like getting played a Magic

0:55:42.320 --> 0:55:44.640
<v Speaker 1>City or some shit, you know, right, Yeah, I told

0:55:44.680 --> 0:55:47.279
<v Speaker 1>myself this, I said, with the with the amount of

0:55:47.360 --> 0:55:49.680
<v Speaker 1>work that we're putting in and just all the different

0:55:49.719 --> 0:55:52.040
<v Speaker 1>ship that we bring into the culture, you know what

0:55:52.080 --> 0:55:55.919
<v Speaker 1>I mean, And we're making it noticeable instead of doing

0:55:56.000 --> 0:56:01.000
<v Speaker 1>it you know, in a uh like in a passive way.

0:56:01.040 --> 0:56:02.879
<v Speaker 1>You know what I'm saying. We like letting our nuts

0:56:02.920 --> 0:56:07.000
<v Speaker 1>hang right about get credit to give yourself credit exactly

0:56:07.000 --> 0:56:09.360
<v Speaker 1>because it's like, would you rather just be like a

0:56:09.440 --> 0:56:15.280
<v Speaker 1>nigga that's overrated or underrated? But anyway, I've been telling myself,

0:56:15.400 --> 0:56:19.040
<v Speaker 1>like I know, I'm an influencer entire generation, whether it's

0:56:19.160 --> 0:56:23.040
<v Speaker 1>now or it might happen after my time. You know

0:56:23.080 --> 0:56:25.360
<v Speaker 1>what I'm saying, I might be long going, and I

0:56:25.520 --> 0:56:28.560
<v Speaker 1>just influenced a whole entire all these niggas sampling me

0:56:28.680 --> 0:56:31.319
<v Speaker 1>and what was g thinking and you know what I'm saying,

0:56:31.480 --> 0:56:34.279
<v Speaker 1>So that's what I'll be thinking about. Like I know that,

0:56:35.080 --> 0:56:37.480
<v Speaker 1>like it's gonna be a gang of motherfucker's inspired by

0:56:37.560 --> 0:56:39.400
<v Speaker 1>what I do, how I think, and the ship that

0:56:39.480 --> 0:56:42.840
<v Speaker 1>I'm saying, you know what I'm saying. So that's my

0:56:43.000 --> 0:56:46.000
<v Speaker 1>whole like that's my driving force behind it, Like it's

0:56:46.040 --> 0:56:48.560
<v Speaker 1>bigger than it just a quick song, because like I

0:56:48.680 --> 0:56:50.920
<v Speaker 1>know how to get on, how to get money, Like

0:56:51.120 --> 0:56:55.480
<v Speaker 1>you know what I'm saying. Yeah, we've established It's like

0:56:55.719 --> 0:56:57.160
<v Speaker 1>I be thinking, like what do I be doing it?

0:56:57.200 --> 0:57:02.400
<v Speaker 1>I'll just be getting money. I don't even but some

0:57:02.600 --> 0:57:06.319
<v Speaker 1>reason I always got money with my boy Mike. Say

0:57:06.800 --> 0:57:10.960
<v Speaker 1>ship like that, shout out to Mike Apps, Indianapolis's finest

0:57:11.080 --> 0:57:15.879
<v Speaker 1>right there, We'll ship. So what's what's next for more

0:57:16.040 --> 0:57:19.960
<v Speaker 1>these motherfuckers right here? You know what I'm saying. We're

0:57:20.000 --> 0:57:22.240
<v Speaker 1>finna get high as ship the rest of the day,

0:57:22.880 --> 0:57:24.640
<v Speaker 1>you know what I mean, And fuck the day off

0:57:25.560 --> 0:57:29.840
<v Speaker 1>and get back to it tomorrow. There is what's up?

0:57:29.880 --> 0:57:33.320
<v Speaker 1>What's up with you guys? Got some what's any placements

0:57:33.320 --> 0:57:37.000
<v Speaker 1>coming down the pipeline? Yeah, I got a couple of stuff.

0:57:37.040 --> 0:57:39.080
<v Speaker 1>Like I'm I'm really trying to get my stuff off

0:57:39.120 --> 0:57:41.760
<v Speaker 1>the ground, like working on getting a little situation with

0:57:41.880 --> 0:57:45.320
<v Speaker 1>the Empire and then like just putting out stuff with

0:57:45.480 --> 0:57:48.840
<v Speaker 1>my you know, like artists I would work with, you know. Yeah,

0:57:48.840 --> 0:57:52.160
<v Speaker 1>I feel like you you guys shrooms making the light

0:57:52.240 --> 0:57:54.920
<v Speaker 1>brighter or something. I feel like there's no, like like, like,

0:57:55.920 --> 0:57:58.280
<v Speaker 1>you know, the approach I've been taking with my producer,

0:57:58.280 --> 0:58:00.040
<v Speaker 1>I work with Tony Chalkers, Like, I'm like, bro, So

0:58:01.320 --> 0:58:03.000
<v Speaker 1>you know, we did a whole album with the artist

0:58:03.080 --> 0:58:05.160
<v Speaker 1>named Caski who used to be signing cash Money white

0:58:05.200 --> 0:58:07.200
<v Speaker 1>Boy chatted a fire as fuck, but he's got a

0:58:07.280 --> 0:58:10.080
<v Speaker 1>crazy following, right, So we did the whole album and

0:58:10.160 --> 0:58:11.680
<v Speaker 1>I was like, look, we'll just do it just he

0:58:11.800 --> 0:58:14.040
<v Speaker 1>got to be primary artists on there with you. So

0:58:14.200 --> 0:58:17.240
<v Speaker 1>like on Spotify, if you go to my producer's profile,

0:58:17.440 --> 0:58:19.120
<v Speaker 1>it is lit as fuck, like he got like one

0:58:19.200 --> 0:58:22.400
<v Speaker 1>hundred and fifty thousand monthly listeners, and so now we

0:58:22.480 --> 0:58:24.640
<v Speaker 1>can start charging for least, now you got a beats.

0:58:25.360 --> 0:58:27.560
<v Speaker 1>And so we did a whole album with Demrick, who's

0:58:27.560 --> 0:58:30.640
<v Speaker 1>from La you know, and he's primary artist on the album.

0:58:30.720 --> 0:58:33.360
<v Speaker 1>It's like, you know, but you gotta do y'all gotta

0:58:33.400 --> 0:58:35.680
<v Speaker 1>do the same shit, you know what I'm saying, Like

0:58:35.880 --> 0:58:39.520
<v Speaker 1>start building up that artist that that's those Spotify profiles,

0:58:39.520 --> 0:58:42.280
<v Speaker 1>because if people go and see j Nari's profile and

0:58:42.320 --> 0:58:44.600
<v Speaker 1>you got two hundred and fifty thousand monthly listeners, they're like,

0:58:44.640 --> 0:58:47.840
<v Speaker 1>oh shit, what's going on here? I be looking at

0:58:48.000 --> 0:58:50.680
<v Speaker 1>yeah like Jane got shited cracking and look up with

0:58:51.080 --> 0:58:54.760
<v Speaker 1>million monthly right, eight hundred monthly listeners. And then that

0:58:54.880 --> 0:58:57.640
<v Speaker 1>gives you the opportunity that if you're leasing beats, you're

0:58:57.680 --> 0:58:59.320
<v Speaker 1>doing whatever you'd be like, yo, man, like I got

0:58:59.400 --> 0:59:02.480
<v Speaker 1>I got cattle law too, Like outside of my placements,

0:59:02.520 --> 0:59:05.920
<v Speaker 1>I got catalog as like a real collaborative artist on

0:59:06.000 --> 0:59:08.720
<v Speaker 1>this ship. You know what I'm saying, So get on him.

0:59:08.840 --> 0:59:12.320
<v Speaker 1>So when y'all drop these records, y'all are primary artists

0:59:12.360 --> 0:59:13.760
<v Speaker 1>on the joints. You know what I'm saying, It's all

0:59:13.840 --> 0:59:21.480
<v Speaker 1>on him. It's him by right that being said, I

0:59:21.560 --> 0:59:24.560
<v Speaker 1>gotta take a piss take one of these rooms. Dog,

0:59:24.720 --> 0:59:27.560
<v Speaker 1>we should be I gotta draft this whole interview. We

0:59:27.600 --> 0:59:30.480
<v Speaker 1>gotta damn near restart this ship. I gotta drift to

0:59:30.520 --> 0:59:33.400
<v Speaker 1>take some shrooms. Brod the Phoenix right now, I take one.

0:59:33.440 --> 0:59:37.520
<v Speaker 1>You gotta drive the Phoenix. Yeah, my nieces Kencineida is

0:59:37.520 --> 0:59:41.760
<v Speaker 1>going there. It ain't even Frida sweet sixteen. I know

0:59:41.840 --> 0:59:45.280
<v Speaker 1>about the all. Huh. You know I love Hispanic girls.

0:59:45.720 --> 0:59:48.040
<v Speaker 1>Hey man, shout out to my one of these things,

0:59:48.080 --> 0:59:51.160
<v Speaker 1>you Parico came from like shot to my wife. My Hispanic.

0:59:52.560 --> 0:59:54.920
<v Speaker 1>Well not even that wasn't my girlfriend, just somebody I

0:59:55.080 --> 0:59:57.600
<v Speaker 1>was boning back in the day. She called you Perico.

0:59:58.360 --> 1:00:00.800
<v Speaker 1>She she told me how to spell it. I used

1:00:00.800 --> 1:00:02.640
<v Speaker 1>to spell it wrong, damn you know what I mean.

1:00:03.440 --> 1:00:06.160
<v Speaker 1>She's like, oh, I had it on headbands and wristbands

1:00:06.360 --> 1:00:09.080
<v Speaker 1>this when I was like a teenager and ship. She's like,

1:00:09.200 --> 1:00:12.200
<v Speaker 1>are you spelling it wrong? How you spell it? I'm like, okay,

1:00:12.640 --> 1:00:15.160
<v Speaker 1>I spelled it with a D. I see O P

1:00:15.360 --> 1:00:20.240
<v Speaker 1>I D what I forgot? It was like I was

1:00:20.400 --> 1:00:24.160
<v Speaker 1>niggat I was. And she's like, nah, you spell it

1:00:24.320 --> 1:00:27.920
<v Speaker 1>like this. You know what I'm saying. And yeah, but

1:00:28.400 --> 1:00:30.200
<v Speaker 1>I have nothing to say about your statement you just

1:00:30.320 --> 1:00:35.640
<v Speaker 1>made because I don't know what that means. The Blue

1:00:35.680 --> 1:00:38.360
<v Speaker 1>leg Head Podcast. Go follow these guys, Go buy a

1:00:38.360 --> 1:00:41.960
<v Speaker 1>blue T shirt. Sit down, stop baby, collect