WEBVTT - Lucy Walker Asks Hard Questions About Wildfires

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from My Heart Radio. British documentary filmmaker Lucy Walker

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<v Speaker 1>has been compared to legendary director and Here's the Thing

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<v Speaker 1>guest Errol Morris. She's made five feature films and been

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<v Speaker 1>nominated for an Academy Award twice, first for Waste Land,

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<v Speaker 1>about an artist who works with materials found in landfills

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<v Speaker 1>in Brazil, and the second time for a short doc

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<v Speaker 1>called The Tsunami and the Cherry Blossom, about the two

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<v Speaker 1>thousand eleven Japanese earthquake and nuclear disaster. Her critically acclaimed

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<v Speaker 1>two thousand thirteen film The Crash Wheel followed snowboarder Kevin

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<v Speaker 1>Pierce after he suffered a traumatic brain injury while training

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<v Speaker 1>for the Winter Olympics. Lucy Walker's latest film is Bring

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<v Speaker 1>your Own Brigade, a reference to wealthy residents who hire

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<v Speaker 1>their own but firefighters to protect property during forest fires.

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<v Speaker 1>The film focuses on two two thousand eighteen California wildfires,

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<v Speaker 1>the camp Fire, which nearly destroyed the town of Paradise

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<v Speaker 1>and killed people, and the Woolsey Fire, which erupted on

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<v Speaker 1>the same day, and destroyed large parts of Malibu. Bring

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<v Speaker 1>your Own Brigade attempts to answer an urgent question, why

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<v Speaker 1>are there more catastrophic wildfires, not just in California but

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<v Speaker 1>around the world, and what can we do to mitigate

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<v Speaker 1>their destruction. Walker's film says these fires can be blamed

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<v Speaker 1>on more than just climate change. When she started her reporting,

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<v Speaker 1>she followed several firefighters and learned a great deal about

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<v Speaker 1>their work, including how these fires get named. You know,

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<v Speaker 1>when a fire breaks out, the operating commands just pick

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<v Speaker 1>a name quite quickly, and it's not a great deal

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<v Speaker 1>of thought that goes into it. They just instantly need

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<v Speaker 1>names for incidents, especially because with California often with the

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<v Speaker 1>wind events driving multiple incidents all at once. You just

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<v Speaker 1>need to know that the Dixie fire isn't the Wolsey fire,

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<v Speaker 1>isn't the campfire. And they'll often name them for the

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<v Speaker 1>road that they break out on or a facility nearby.

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<v Speaker 1>For example, Camp the Campfire came from Camp Creek Road,

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<v Speaker 1>which was where the fire was first spotted. So it's

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<v Speaker 1>kind of a loose improvisation that they come up with

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<v Speaker 1>these names. And then, in the case of the campfire,

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<v Speaker 1>which became later on the most deadly in history. It

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<v Speaker 1>was obviously achieved a great sort of notoriety that name,

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<v Speaker 1>but that their their coin very quickly. You first became

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<v Speaker 1>aware of this story when were you living in southern California. Then, Yeah,

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<v Speaker 1>I'm originally from England. And the Great Fire of London,

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<v Speaker 1>which actually followed the plague and kind of put out

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<v Speaker 1>the plague, so to speak, because it killed all the rats,

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<v Speaker 1>was in sixteen sixty six, and you think of fire

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<v Speaker 1>as a medieval problem in London. And then I moved

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<v Speaker 1>to New York house in film school and grad school

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<v Speaker 1>in New York, and again you think of urban fires,

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<v Speaker 1>but you think of it as a problem that we've

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<v Speaker 1>come together to solve. And then I moved to California,

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<v Speaker 1>and I was confused because the hillside was on fire

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<v Speaker 1>and people were driving down the freeway as if this

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<v Speaker 1>was just business as usual, and I was scared. I

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<v Speaker 1>just knew there was a thread that if you tugged

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<v Speaker 1>on it, there was a cognitive dissonance. I didn't know

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<v Speaker 1>what was wrong, but I knew that I had a

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<v Speaker 1>feeling that fire shouldn't be burning and there must be

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<v Speaker 1>a problem because houses were burning and people were dying,

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<v Speaker 1>and this fire problem, actually since I moved here in

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<v Speaker 1>the two thousands, kept getting worse and worse and worse.

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<v Speaker 1>The fires seemed to be getting bigger and I wasn't

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<v Speaker 1>imagining it. And finally there was the biggest fire ever

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<v Speaker 1>in California at the time, that Thomas Fire, and I

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<v Speaker 1>had some friends that were caught up in it, both

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<v Speaker 1>on the resident side and the firefighter side. I have.

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<v Speaker 1>That was all around Santa Barbara, Oh, High Ventura, sort

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<v Speaker 1>of just north of Los Angeles. It began in December

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<v Speaker 1>twenty seventeen, so very late, at the time when the

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<v Speaker 1>rains would normally have come. And you start to learn

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<v Speaker 1>about the climate in southern California and that the real

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<v Speaker 1>danger zone in southern California is when the winds kick up,

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<v Speaker 1>the seasonal winds kick up, but the rains have not

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<v Speaker 1>yet arrived. And what's been happening increasingly with climate change

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<v Speaker 1>is that the winds are arriving, but the fuels are

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<v Speaker 1>still dry, and there's only a few rain events in

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<v Speaker 1>southern California. I think on average about five times you

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<v Speaker 1>get these big rains, but it will only rain about

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<v Speaker 1>a few times a year. And obviously there's normally a

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<v Speaker 1>variability in that because statistically it's there's always going to

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<v Speaker 1>be a variance. It's not always five a year, it's

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<v Speaker 1>never been that. It's has been on average that. But

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<v Speaker 1>with climate change mixing things up more and more and

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<v Speaker 1>the ongoing drought that we've had, there's less and less rain,

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<v Speaker 1>and the winds are actually more because the temperature gradients

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<v Speaker 1>actually tend to push up and make stronger wind events

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<v Speaker 1>that are really drive these really out of control. Big

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<v Speaker 1>fires always have a huge wind event at their back.

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<v Speaker 1>They don't just happen on an ordinary day. They'll happen

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<v Speaker 1>when the wind conditions are at their worst. And so

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<v Speaker 1>you start to learn that the full season in southern

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<v Speaker 1>California is the worst. It's a little different in other

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<v Speaker 1>states where you get far as earlier in the season.

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<v Speaker 1>You'll get winds earlier in Arizona and northern California, in

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<v Speaker 1>Oregon and Washington, the western United States, it's not necessarily

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<v Speaker 1>quite so late in southern California, where the rains come

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<v Speaker 1>really quite late. That's how the season moves. My brother

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<v Speaker 1>lives in Santa Barbara, and he has moved and kind

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<v Speaker 1>of hopped between Monte Cedar, when Santa Barbara itself and

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<v Speaker 1>the in that area. He's been there for many, many years.

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<v Speaker 1>The mud slides were the next act after that. That's

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<v Speaker 1>exactly right, the mudslides that came pouring through and crushed

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<v Speaker 1>many homes and killed a couple, killed twenty two rain

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<v Speaker 1>mud slide exactly, and I had friends in Montecito, and

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<v Speaker 1>that was exactly what made me get up and stopped

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<v Speaker 1>being a spectator and start to say, where is the

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<v Speaker 1>documentary film about this? Because for me, documentary films are

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<v Speaker 1>the best, single, best way I have as a viewer

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<v Speaker 1>to understand a complex issue. When I see a great

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<v Speaker 1>documentary made by one of my colleagues, I really feel

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<v Speaker 1>like I know the story inside out. If the reporting

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<v Speaker 1>is good, if the story and the characters really get

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<v Speaker 1>me in there, I feel like I get my arms

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<v Speaker 1>around the issue. I really understand in three sixty what's

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<v Speaker 1>really going on. And there are so many complicated issues

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<v Speaker 1>that I've really understood for the first time because of

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<v Speaker 1>a great documentary film, and there wasn't one about fires,

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<v Speaker 1>And finally I thought, my gosh, if there isn't one,

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<v Speaker 1>I'm going to have to do it. Because when that

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<v Speaker 1>mud slide. The debrief flow happened. It was the end

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<v Speaker 1>of that same fire I was talking about, and started

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<v Speaker 1>in December seventeen and then January. This like just greight train,

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<v Speaker 1>but you know, you can't even describe that, Like the

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<v Speaker 1>hillside came with boulders embedded inside. Exactly, there were boulders

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<v Speaker 1>inside the mass. That was horrifying, Yes, exactly. Sort of

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<v Speaker 1>this gigantic, epic, tragic sliding down of the beautiful mountain

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<v Speaker 1>side because after the fire, the all the roots had

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<v Speaker 1>been um the trees have been burned, and you get

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<v Speaker 1>all this slickness, and when the rain comes down, you're

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<v Speaker 1>a great risk of the mud slides because there's nothing

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<v Speaker 1>to stick the earth the side of the mountain, and

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<v Speaker 1>it all comes down and kind of cannonballs and snowballs

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<v Speaker 1>and and builds up such momentum that houses, you know,

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<v Speaker 1>were actually lost into the ocean and never found. I mean,

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<v Speaker 1>just such momentum. And over twenty people were killed in

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<v Speaker 1>the most horrifying way. I mean, I've been in many

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<v Speaker 1>traumatic disaster zones and I've never been quite so shocked

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<v Speaker 1>and stunned as what I saw in Montecito. And I'm

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<v Speaker 1>so sorry your brother was affected because that whole community

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<v Speaker 1>was just so kids at the school, yeah, devastating, and

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<v Speaker 1>I thought, my goodness, what is going on? And I

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<v Speaker 1>had friends who are both firefighters and residents, and I thought,

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<v Speaker 1>somebody has to tell this story. Somebody has to I

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<v Speaker 1>couldn't understand that even as close as Los Angeles and

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<v Speaker 1>with all the filmmakers in California, that no one was

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<v Speaker 1>really describing the awful, intense tragedy that these people were

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<v Speaker 1>going through. And I thought, Okay, well, I'll step up.

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<v Speaker 1>I want to understand what is happening with these fires

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<v Speaker 1>and then the debris flows that can sometimes be they're

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<v Speaker 1>kind of kicking the tail, and let's really get to

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<v Speaker 1>the bottom of this and understand what the residents and

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<v Speaker 1>the responders are going through because it's getting worse and

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<v Speaker 1>I don't like it, and are we safe here? And

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<v Speaker 1>let's find out is there anything that we can do

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<v Speaker 1>about it? And my initial assumption had been that it

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<v Speaker 1>was all climate change, because it really made sense, right,

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<v Speaker 1>we have the worst fires ever and we have the

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<v Speaker 1>hottest summers ever, and the climate change that I follow,

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<v Speaker 1>the science on these trends really point to that, and

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<v Speaker 1>initially I thought that was the only thing driving these fires,

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<v Speaker 1>and so I thought that the cause wasn't going to

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<v Speaker 1>be too hard to pin down. But actually, while climate

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<v Speaker 1>change is happening and climate change is exacerbating the problem,

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<v Speaker 1>for sure, there are other factors. And that's actually great

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<v Speaker 1>because there are some things that we could do now.

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<v Speaker 1>Whether or not we do do them is something that

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<v Speaker 1>you've touched on. And the film really blew my mind

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<v Speaker 1>as I was making it, understanding how things actually happen.

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<v Speaker 1>Even when you can fix things, it's not true that

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<v Speaker 1>they do get fixed. And so I sort of went

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<v Speaker 1>on a whole journey filmmaker Lucy Walker. If you enjoy

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<v Speaker 1>conversations about the challenges of making documentary films, check out

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<v Speaker 1>my episode with the directors of Making a Murderer. The

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<v Speaker 1>controversial series explored the case of Stephen Avery, Wisconsin, man

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<v Speaker 1>who was wrongly convicted of rape, released after two decades

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<v Speaker 1>in prison, and then convicted of murder. The series was

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<v Speaker 1>written and directed by Laura Richardi and Moira Dimas. It

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<v Speaker 1>just seemed like, you know, he was this incredible window

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<v Speaker 1>through which to look at our system. You know, if

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<v Speaker 1>we followed this man's story, we would go from one

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<v Speaker 1>extreme of the system to the other. So as I

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<v Speaker 1>was saying, you know, we had no money, but what

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<v Speaker 1>we what we could put into it with time, which

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<v Speaker 1>is actually an incredibly valuable asset. And after doing a

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<v Speaker 1>preliminary week of shooting in December, realized this was something

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<v Speaker 1>we wanted to pursue, and we sublet our apartment in

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<v Speaker 1>New York. We've got an apartment in Mantuak and we

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<v Speaker 1>lived there, you know, more on than off, for close

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<v Speaker 1>to two years. To hear more of my conversation with

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<v Speaker 1>the filmmakers behind Making a Murderer, go to Here's the

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<v Speaker 1>Thing dot org. After the break, Lucy Walker explains why

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<v Speaker 1>some California residents resist taking even basic steps to prevent

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<v Speaker 1>forest fires. I'm Alec Baldwin, and you were listening to

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<v Speaker 1>Here's the Thing. Lucy Walker is originally from the UK.

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<v Speaker 1>She moved to Los Angeles and two thousand eight and

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<v Speaker 1>quickly began exploring what was causing the huge fires around California.

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<v Speaker 1>I've been observing these fires and wondering and and been frightened.

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<v Speaker 1>But that fire, the largest ever far in California, the

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<v Speaker 1>Thomas Fire, with the terrible debris law in Montecito in

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<v Speaker 1>I thought, oh my goodness, I'm going to have to

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<v Speaker 1>make a film about this, and I began to make

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<v Speaker 1>the film. Then the film actually features fires that happened

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<v Speaker 1>later in Malibu and Paradise. But I've already been working

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<v Speaker 1>on the film for a year at that point when

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<v Speaker 1>those fires came along. Now, you were, I don't know

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<v Speaker 1>if this is the word, monitoring the fire situation in

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<v Speaker 1>southern California. So when Paradise happens, when Malibu happens, you're

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<v Speaker 1>you're already there monitoring those that kind of activity. Curry exactly.

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<v Speaker 1>And I've already been filming a great deal and already

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<v Speaker 1>made friends with these incredible firefighters, actually the incredible firefighters

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<v Speaker 1>in the Montecito Fire Department, and been embedded with them

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<v Speaker 1>on various fires and cools and knew just who to

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<v Speaker 1>cool up. And when the as far as broke out

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<v Speaker 1>in Malibu and Paradise, actually I saw it on Twitter

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<v Speaker 1>early that morning, and I instantly was able to cool

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<v Speaker 1>out the firefighter zone that I knew actually in Montecito

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<v Speaker 1>and hopping with them as they were being deployed down

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<v Speaker 1>to the fire in Malibu, and we knew the fire command,

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<v Speaker 1>and we were able to really film within those incidents

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<v Speaker 1>immediately and know what we're looking at and know how

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<v Speaker 1>to film it because we've been doing a lot of

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<v Speaker 1>preparation and filming by that stage. The film obviously has

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<v Speaker 1>some ghastly optics there. You you lay audio tracks of

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<v Speaker 1>people calling, or there's some kind of recorded voice you

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<v Speaker 1>have of someone screaming this blood curdling scream as they're

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<v Speaker 1>being engulfed in. The visual might not be you know,

0:13:55.240 --> 0:13:58.560
<v Speaker 1>their visual, but you lay that track against a car

0:13:58.720 --> 0:14:02.000
<v Speaker 1>proceeding down the tunnel of flames. Everyone's trying to leave.

0:14:02.720 --> 0:14:05.400
<v Speaker 1>I want to make sure our listeners understand that up

0:14:05.400 --> 0:14:09.360
<v Speaker 1>in Paradise the campfire, everyone tries to leave at the

0:14:09.360 --> 0:14:13.240
<v Speaker 1>same time. Yeah, I mean something that we get into

0:14:13.280 --> 0:14:15.719
<v Speaker 1>because we start with the fires, and you're so right.

0:14:15.760 --> 0:14:19.880
<v Speaker 1>It's the most horrifying and hellish scenes and people were

0:14:19.920 --> 0:14:25.240
<v Speaker 1>killed in Paradise and the most hellish, terrifying way imaginable,

0:14:25.280 --> 0:14:27.840
<v Speaker 1>And we were able to gather so much material, including

0:14:27.840 --> 0:14:31.320
<v Speaker 1>the nine and one calls and the radio traffic, so

0:14:31.360 --> 0:14:33.520
<v Speaker 1>that you really get a sense of what that's like.

0:14:33.960 --> 0:14:36.600
<v Speaker 1>We meet a girl who couldn't persuade her mom to

0:14:36.640 --> 0:14:39.880
<v Speaker 1>evacuate because she hadn't had an evacuation warning and she

0:14:39.960 --> 0:14:43.080
<v Speaker 1>has to leave because she's so scared, and unfortunately her

0:14:43.120 --> 0:14:46.400
<v Speaker 1>mom did succumb to the fire. And all these terrifying

0:14:46.480 --> 0:14:48.360
<v Speaker 1>stories of a woman who just had had a C

0:14:48.480 --> 0:14:51.880
<v Speaker 1>section and she is in the car but she can't

0:14:52.080 --> 0:14:55.360
<v Speaker 1>somebody's giving her right out to escape, but she can't

0:14:55.520 --> 0:14:58.240
<v Speaker 1>feel her legs. She's just had an eperdural, and she

0:14:58.320 --> 0:15:01.600
<v Speaker 1>has this newborn baby who's just been born by hours

0:15:01.640 --> 0:15:03.920
<v Speaker 1>earlier by c section, and she has to say to

0:15:03.960 --> 0:15:06.440
<v Speaker 1>the driver of the car, who she's never met, if

0:15:06.480 --> 0:15:08.960
<v Speaker 1>it comes to it, just take my baby and run,

0:15:09.040 --> 0:15:11.360
<v Speaker 1>because I can't move and I'm going to die, but

0:15:11.440 --> 0:15:13.240
<v Speaker 1>I want my baby to have a chance to take

0:15:13.280 --> 0:15:15.880
<v Speaker 1>the baby and run. I mean, these scenes, you can't

0:15:16.360 --> 0:15:21.200
<v Speaker 1>imagine how traumatic they are. And then we sort of

0:15:21.480 --> 0:15:23.920
<v Speaker 1>don't stop there. Though it wasn't enough to me to

0:15:24.040 --> 0:15:27.680
<v Speaker 1>just show the horror. I wanted to understand what happens next?

0:15:27.840 --> 0:15:29.960
<v Speaker 1>How do we stop this happening again? Because I learned

0:15:29.960 --> 0:15:34.040
<v Speaker 1>that these communities burned over and over again, actually this

0:15:34.160 --> 0:15:38.080
<v Speaker 1>summer already with the Dixie Fire. That fire began right

0:15:38.240 --> 0:15:41.520
<v Speaker 1>where the campfire began, as well and burned right up

0:15:41.520 --> 0:15:44.480
<v Speaker 1>into the same community of having, causing our characters to

0:15:44.520 --> 0:15:47.480
<v Speaker 1>all be evacuated again. There was another far last year

0:15:47.480 --> 0:15:50.080
<v Speaker 1>that killed another twenty two people that was right next door.

0:15:50.240 --> 0:15:52.360
<v Speaker 1>And so what I wanted to understand is, well, how

0:15:52.360 --> 0:15:55.160
<v Speaker 1>are we stopping it or why are we having this problem?

0:15:55.600 --> 0:15:58.080
<v Speaker 1>And why are people living in these areas and building

0:15:58.120 --> 0:16:01.400
<v Speaker 1>these houses that burn over and over and over again.

0:16:01.440 --> 0:16:05.200
<v Speaker 1>Could we do better? And you start to understand it's

0:16:05.240 --> 0:16:07.960
<v Speaker 1>not sensible. When you figure out what should be happening

0:16:08.200 --> 0:16:11.400
<v Speaker 1>and you figure out what's actually happening, it's not the

0:16:11.440 --> 0:16:14.880
<v Speaker 1>same thing. So you would think that when people look

0:16:14.920 --> 0:16:18.240
<v Speaker 1>at developing an area for housing, they would think about

0:16:19.240 --> 0:16:22.240
<v Speaker 1>is fire safety and the cost to the homeowner and

0:16:22.280 --> 0:16:26.400
<v Speaker 1>also to the state a nation of these risks that

0:16:26.440 --> 0:16:30.240
<v Speaker 1>people are having. But in fact, there's an incentive locally

0:16:30.280 --> 0:16:33.080
<v Speaker 1>to approve all the building because a town wants more

0:16:33.160 --> 0:16:35.360
<v Speaker 1>residents because then they're going to have more tax revenue.

0:16:35.920 --> 0:16:39.080
<v Speaker 1>But nobody's actually thinking about what are they going to

0:16:39.080 --> 0:16:41.320
<v Speaker 1>be able to ensure these homes and who's going to

0:16:41.400 --> 0:16:44.360
<v Speaker 1>pay if these homes burned down. There's all these kind

0:16:44.400 --> 0:16:48.400
<v Speaker 1>of mismatched incentives and what's actually happening now to poor

0:16:48.440 --> 0:16:51.200
<v Speaker 1>homeowners is in the in the in these areas unexpectedly

0:16:51.200 --> 0:16:54.040
<v Speaker 1>now the insurance companies are cutting them off, and California

0:16:54.040 --> 0:16:58.640
<v Speaker 1>actually putting moratorium on insurance companies dropping their customers because

0:16:59.120 --> 0:17:01.960
<v Speaker 1>it was so sudden and so dire. But in future,

0:17:02.200 --> 0:17:04.960
<v Speaker 1>the truth with climate change and with this problem which

0:17:05.000 --> 0:17:07.800
<v Speaker 1>is not just caused by climate change but is escalating,

0:17:08.480 --> 0:17:11.720
<v Speaker 1>is if these homes are uninsurable, what's going to happen

0:17:12.000 --> 0:17:15.280
<v Speaker 1>to the residents if they burned down and a lot

0:17:15.280 --> 0:17:16.600
<v Speaker 1>of them are not going to be able to ensure

0:17:17.240 --> 0:17:20.760
<v Speaker 1>afford that, and there's going to be a huger burden,

0:17:20.920 --> 0:17:23.480
<v Speaker 1>and and we're seeing these problems sort of pile up.

0:17:23.720 --> 0:17:26.840
<v Speaker 1>It's the inability to get together and solve these complicated problems.

0:17:27.480 --> 0:17:30.040
<v Speaker 1>It really is just like it is with climate change,

0:17:30.280 --> 0:17:32.600
<v Speaker 1>that we have a complex problem on our hands, and

0:17:33.280 --> 0:17:35.800
<v Speaker 1>so we all need to really get together and have

0:17:36.080 --> 0:17:40.600
<v Speaker 1>sensible discussions about what we can all do to solve this.

0:17:41.040 --> 0:17:46.679
<v Speaker 1>It's not easy, but you really capture in the film

0:17:46.720 --> 0:17:51.440
<v Speaker 1>exactly where the problems are happening, exactly which conversations are

0:17:51.480 --> 0:17:56.760
<v Speaker 1>not happening, exactly where officials can't get voted out by

0:17:56.840 --> 0:18:00.520
<v Speaker 1>doing anything unpopular, and the town don't want to be

0:18:00.560 --> 0:18:03.240
<v Speaker 1>told what to do. So you see this town where

0:18:03.760 --> 0:18:06.760
<v Speaker 1>people were killed and eighteen thousand buildings were burned down.

0:18:07.480 --> 0:18:13.639
<v Speaker 1>Less than a year later, eighteen eighteen thousand structures lost,

0:18:14.040 --> 0:18:15.920
<v Speaker 1>not all of them homes. Some of them were buildings

0:18:15.920 --> 0:18:19.680
<v Speaker 1>that weren't homes, businesses, or or other structures, but eighteen

0:18:19.840 --> 0:18:23.280
<v Speaker 1>thousand structures lost. It was the most expensive disaster of

0:18:23.280 --> 0:18:26.400
<v Speaker 1>that year in the world. Less than a year later,

0:18:27.160 --> 0:18:32.880
<v Speaker 1>the town doesn't just vote against these measures, they eviscerate

0:18:33.040 --> 0:18:37.679
<v Speaker 1>their seven town council members for daring to suggest these measures,

0:18:37.720 --> 0:18:39.560
<v Speaker 1>many of which have no cost. A few of them,

0:18:39.640 --> 0:18:43.280
<v Speaker 1>like sprinklers, do have a cost associated but some like

0:18:43.359 --> 0:18:46.000
<v Speaker 1>actually changing the way that that you can have gutters,

0:18:46.000 --> 0:18:50.480
<v Speaker 1>so changing the rules around gutters that's free, and people

0:18:50.560 --> 0:18:52.439
<v Speaker 1>like their gutters. People don't want to be told what

0:18:52.520 --> 0:18:57.600
<v Speaker 1>to do about gutters. Even though the fire chief and

0:18:57.640 --> 0:19:01.200
<v Speaker 1>all the people that know how fire works begging them

0:19:01.240 --> 0:19:04.640
<v Speaker 1>to reconsider this, still this feeling that like, we don't

0:19:04.640 --> 0:19:06.240
<v Speaker 1>want to be told what to do. This is a

0:19:06.280 --> 0:19:10.320
<v Speaker 1>town where we do our own thing, and not being

0:19:10.320 --> 0:19:12.880
<v Speaker 1>able to have that complicated discussion with people about well,

0:19:12.960 --> 0:19:19.120
<v Speaker 1>that's great, but the unfortunate reality is that when your

0:19:19.119 --> 0:19:21.919
<v Speaker 1>home catches fire because you have this gutter with the

0:19:22.000 --> 0:19:25.359
<v Speaker 1>leaves stuck up there, you're also gonna catch fire to

0:19:25.440 --> 0:19:27.840
<v Speaker 1>your neighbor's homes, and then all the roads are going

0:19:27.880 --> 0:19:31.680
<v Speaker 1>to clog up, and it's a domino escalating problem. It's

0:19:31.760 --> 0:19:35.080
<v Speaker 1>similar to get the vaccination, not just for yourself but

0:19:35.200 --> 0:19:38.280
<v Speaker 1>for everybody else, exactly right, And you actually learn that

0:19:38.359 --> 0:19:41.199
<v Speaker 1>it's actually a really good analogy because that idea of

0:19:41.280 --> 0:19:45.320
<v Speaker 1>social distancing is exactly like there's a concept in fire

0:19:45.359 --> 0:19:48.160
<v Speaker 1>safety where you have this five ft defensible space they

0:19:48.200 --> 0:19:50.680
<v Speaker 1>call it, so you don't have anything flammable within five

0:19:50.720 --> 0:19:54.200
<v Speaker 1>ft of your house, and that's sort of like social distancing.

0:19:54.720 --> 0:19:58.320
<v Speaker 1>Then the aerosol dispersion is like the embers when you

0:19:58.359 --> 0:20:01.760
<v Speaker 1>have the virus that little particles that will come out

0:20:01.800 --> 0:20:04.480
<v Speaker 1>and infect people. That's actually the same as the embers.

0:20:04.520 --> 0:20:08.200
<v Speaker 1>That actually how far start is these ember storms get

0:20:08.280 --> 0:20:10.600
<v Speaker 1>carried by the wind and actually will catch So it's

0:20:10.600 --> 0:20:15.840
<v Speaker 1>a really eerily perfect analogy with the pandemic. So that

0:20:15.920 --> 0:20:18.760
<v Speaker 1>really got me thinking. Of course, another interesting thing about

0:20:18.760 --> 0:20:21.159
<v Speaker 1>the film is that in looking at these two fires

0:20:21.160 --> 0:20:24.440
<v Speaker 1>that were kicked off by the same wind event in Paradise.

0:20:24.960 --> 0:20:26.640
<v Speaker 1>They called it a red hill in a blue state.

0:20:26.720 --> 0:20:30.879
<v Speaker 1>So even though California is mostly Democratic state, this area

0:20:30.880 --> 0:20:33.800
<v Speaker 1>of Paradise in the foothills of the Sierra Nevada is

0:20:33.840 --> 0:20:39.120
<v Speaker 1>a much more moderate or even conservative area, lots of guns,

0:20:39.840 --> 0:20:44.879
<v Speaker 1>lots of Republicans, and much more rural sort of mindset.

0:20:45.440 --> 0:20:51.120
<v Speaker 1>And Malibu it's a much more democratic place and much

0:20:51.160 --> 0:20:54.240
<v Speaker 1>more well to do as well. So the socioeconomic disparity

0:20:54.359 --> 0:20:57.360
<v Speaker 1>was astonishing than Malibu. The average home price was over

0:20:57.400 --> 0:21:00.680
<v Speaker 1>ten times more than the average home price in Paradise

0:21:00.720 --> 0:21:04.040
<v Speaker 1>that burned. So it's really interesting, So describe what happened

0:21:04.080 --> 0:21:07.760
<v Speaker 1>in Malibu. The fire was aware, the fire was everywhere.

0:21:07.760 --> 0:21:11.560
<v Speaker 1>It was a huge fire. And you're right, Malibu is

0:21:11.560 --> 0:21:15.159
<v Speaker 1>such a gorgeous, gorgeous place just outside of Los Angeles

0:21:15.200 --> 0:21:20.320
<v Speaker 1>and just spectacular, spectacular countryside, spectacular scenery over the ocean.

0:21:21.080 --> 0:21:23.919
<v Speaker 1>But with those hills and canyons that give you these

0:21:23.920 --> 0:21:28.679
<v Speaker 1>spectacular views, you have a lot of vegetation and you

0:21:28.720 --> 0:21:31.679
<v Speaker 1>have a lot of wind, and when those winds just

0:21:31.800 --> 0:21:35.720
<v Speaker 1>line up just right, you get these terrible fires. And

0:21:35.800 --> 0:21:39.159
<v Speaker 1>on that day it was a monster and it was

0:21:39.200 --> 0:21:41.440
<v Speaker 1>in so many canyons and it was all going off

0:21:41.440 --> 0:21:45.440
<v Speaker 1>at once in this gigantic incident. It did. It burned

0:21:45.520 --> 0:21:47.879
<v Speaker 1>right into Point Doom, and everyone said, oh, the Point

0:21:48.000 --> 0:21:52.040
<v Speaker 1>never burns, and it did. And I'm sure you you too.

0:21:52.080 --> 0:21:54.720
<v Speaker 1>You know, I have friends that lost their homes there

0:21:55.359 --> 0:21:58.000
<v Speaker 1>and was able to film with them as they went

0:21:58.000 --> 0:21:59.480
<v Speaker 1>through that, and we were able to film with the

0:21:59.520 --> 0:22:03.000
<v Speaker 1>fire depart as they're driving around trying to fight this fire.

0:22:03.080 --> 0:22:06.280
<v Speaker 1>But it's huge, and the public didn't quite get it.

0:22:06.320 --> 0:22:08.480
<v Speaker 1>The public didn't quite understand that it wasn't sort of

0:22:08.520 --> 0:22:12.439
<v Speaker 1>the firefighter's fault for doing a bad job, whereas, in fact,

0:22:12.520 --> 0:22:17.400
<v Speaker 1>as fire was so humongous, and every firefighter was out

0:22:17.400 --> 0:22:22.359
<v Speaker 1>working without sleep for days on end, and yet you

0:22:22.480 --> 0:22:27.240
<v Speaker 1>just can't fight afar that big. And what was extraordinary

0:22:27.280 --> 0:22:29.800
<v Speaker 1>given the scale was that not more people died. At

0:22:29.880 --> 0:22:33.280
<v Speaker 1>least three people did die, and I forget how many

0:22:33.320 --> 0:22:37.000
<v Speaker 1>thousands of structures, but thousands and thousands and thousands of

0:22:37.160 --> 0:22:41.720
<v Speaker 1>incredible homes were lost, and it was devastating, and most

0:22:41.760 --> 0:22:43.800
<v Speaker 1>of those were not not in the Point, but up

0:22:43.800 --> 0:22:45.640
<v Speaker 1>in the hills on the other on the land side

0:22:45.680 --> 0:22:51.840
<v Speaker 1>of the highway. Yeah, exactly, like that exactly exactly, loads

0:22:51.840 --> 0:22:55.359
<v Speaker 1>of those canyons up there. You can just drive up there,

0:22:55.359 --> 0:22:58.879
<v Speaker 1>and it looked like, you know, instead of the normal vegetation,

0:22:58.920 --> 0:23:01.439
<v Speaker 1>it looked like a kind of like a kind of

0:23:01.720 --> 0:23:04.480
<v Speaker 1>singed pig hide or something. I can't describe this landscape,

0:23:04.480 --> 0:23:07.000
<v Speaker 1>but just looked everything was just burned and black, and

0:23:07.080 --> 0:23:11.240
<v Speaker 1>the houses, the footprints of the houses looked like ashtrays.

0:23:11.320 --> 0:23:15.840
<v Speaker 1>You can see that imprint of where the house would be, yes,

0:23:16.280 --> 0:23:19.399
<v Speaker 1>a different different colored material exactly. And then once in

0:23:19.440 --> 0:23:23.640
<v Speaker 1>a while just a strange building that you know, strangely

0:23:23.680 --> 0:23:26.840
<v Speaker 1>wouldn't have burned, or actually not so strangely, because some

0:23:26.840 --> 0:23:28.720
<v Speaker 1>of those buildings were actually designed not to burn, and

0:23:28.760 --> 0:23:32.280
<v Speaker 1>we did have the proper defensible space and there are

0:23:32.359 --> 0:23:34.440
<v Speaker 1>ways I learned that you could protect them. But it

0:23:34.480 --> 0:23:36.840
<v Speaker 1>was very surreal because you'd see some of the structures

0:23:36.920 --> 0:23:40.000
<v Speaker 1>did survive, but some areas that were whole canyons or

0:23:40.040 --> 0:23:42.720
<v Speaker 1>whole streets where all the structures were burned, and it

0:23:42.800 --> 0:23:47.639
<v Speaker 1>was absolutely devastating. And also, you have, it gave rise

0:23:47.680 --> 0:23:49.840
<v Speaker 1>to a lot of conspiracy theories, as with the pandemic.

0:23:49.960 --> 0:23:53.520
<v Speaker 1>You know, people would say to me and perfectly sensible

0:23:53.520 --> 0:23:57.600
<v Speaker 1>looking people that would start out, you know, seeming very smart.

0:23:57.680 --> 0:24:00.640
<v Speaker 1>We'd be having this conversation and certainly they'd start talking

0:24:00.640 --> 0:24:03.399
<v Speaker 1>about how it must be laser pointers because it was

0:24:03.440 --> 0:24:05.480
<v Speaker 1>so hard to account for the fact that some structures

0:24:05.480 --> 0:24:08.880
<v Speaker 1>had survived. But I learned about this, and I learned

0:24:08.880 --> 0:24:11.960
<v Speaker 1>that actually there are ways you can build homes that

0:24:12.040 --> 0:24:14.680
<v Speaker 1>mean that they do survive when the fire burns through,

0:24:14.760 --> 0:24:18.160
<v Speaker 1>as they burn through really often. Because I learned with Malibu,

0:24:18.440 --> 0:24:21.159
<v Speaker 1>these fires happened all the time, has happened over and

0:24:21.200 --> 0:24:23.080
<v Speaker 1>over again. I found all these films, and we show

0:24:23.560 --> 0:24:25.919
<v Speaker 1>in the movie, this extraordinary film about the bell Air

0:24:26.000 --> 0:24:30.879
<v Speaker 1>fire in the sixties, and there's this wonderful presenter, you know,

0:24:30.960 --> 0:24:34.280
<v Speaker 1>in three saying, I wonder if this was a one

0:24:34.280 --> 0:24:36.800
<v Speaker 1>in a million chance, or could this ever happen again?

0:24:37.600 --> 0:24:40.520
<v Speaker 1>And it's happened dozens of times since he asked that question.

0:24:40.560 --> 0:24:43.160
<v Speaker 1>These fires come through all the time. There was another

0:24:43.200 --> 0:24:46.480
<v Speaker 1>fire in Sonoma, in the beautiful wine country in northern California,

0:24:47.480 --> 0:24:50.000
<v Speaker 1>the Tubs fire, and that killed it over twenty people.

0:24:50.480 --> 0:24:54.080
<v Speaker 1>And remember driving on the four oh five through the

0:24:54.080 --> 0:24:57.119
<v Speaker 1>suppul oft to pass or actually my friend was and

0:24:57.200 --> 0:25:00.840
<v Speaker 1>he filmed like out of an epic film, you know,

0:25:00.880 --> 0:25:05.160
<v Speaker 1>like a Cecil B. Demill film the flames just because,

0:25:05.280 --> 0:25:08.080
<v Speaker 1>as you know, all those grasses when they draw out

0:25:08.080 --> 0:25:11.560
<v Speaker 1>ore a golden color to like a golden wheat color,

0:25:12.080 --> 0:25:15.000
<v Speaker 1>and you'd see, like you said, like a singed pigs high.

0:25:15.119 --> 0:25:17.520
<v Speaker 1>That was a funny reference. And then in the middle

0:25:17.520 --> 0:25:22.320
<v Speaker 1>of that of the burned yellow fields is the debris

0:25:22.440 --> 0:25:25.080
<v Speaker 1>from the house that burned down. And you'd see in

0:25:25.080 --> 0:25:29.199
<v Speaker 1>your film those box shaped the building envelope where the

0:25:29.200 --> 0:25:32.280
<v Speaker 1>house burned down. And he sent me the film of

0:25:32.320 --> 0:25:36.760
<v Speaker 1>the flames just roaring over the Supulvitan Pass near the

0:25:36.760 --> 0:25:39.880
<v Speaker 1>Getty Center, you know, and the flame just roaring as

0:25:39.960 --> 0:25:42.919
<v Speaker 1>people just drove through like it was another day in

0:25:43.080 --> 0:25:46.000
<v Speaker 1>l A. I want to ask you though, regarding the

0:25:46.040 --> 0:25:49.520
<v Speaker 1>campfire people in Paradise, and you said that after the

0:25:49.560 --> 0:25:55.119
<v Speaker 1>campfire they had other fires that were similar and came

0:25:55.760 --> 0:25:58.440
<v Speaker 1>right up to their door or whatever. Did they raise

0:25:58.520 --> 0:26:04.199
<v Speaker 1>their taxes to some kind of greater fire protection system

0:26:04.200 --> 0:26:07.679
<v Speaker 1>in place? No, because half the tax base was gone.

0:26:08.359 --> 0:26:10.920
<v Speaker 1>When I was filming, I was filming one incredible guy

0:26:11.000 --> 0:26:14.080
<v Speaker 1>who had an incredible blind mom, and they he was

0:26:14.119 --> 0:26:16.439
<v Speaker 1>the one person that managed to stay and defend his

0:26:16.480 --> 0:26:20.120
<v Speaker 1>home and successfully and live and I got to know him,

0:26:20.160 --> 0:26:22.720
<v Speaker 1>but he was one of seven people who were still

0:26:22.800 --> 0:26:25.159
<v Speaker 1>collecting their mail. And so you can understand that the

0:26:25.200 --> 0:26:29.320
<v Speaker 1>fire department, who I made friends with and fall in

0:26:29.320 --> 0:26:32.800
<v Speaker 1>love with, all these incredible firefighters in Paradise, half of

0:26:32.840 --> 0:26:36.040
<v Speaker 1>them were laid off after the fire because there was

0:26:36.080 --> 0:26:40.080
<v Speaker 1>no more tax dollars to pay for them and not

0:26:40.200 --> 0:26:42.040
<v Speaker 1>many people living in the town. And so you had

0:26:42.040 --> 0:26:44.840
<v Speaker 1>these poor, depressed firefighters with not much work to do

0:26:45.000 --> 0:26:48.159
<v Speaker 1>and having had half their colleagues lose their jobs. The

0:26:48.240 --> 0:26:52.600
<v Speaker 1>month after the campfire was absolutely brutal, but no, I mean,

0:26:52.720 --> 0:26:57.479
<v Speaker 1>FEMA stepped in with great resources for people. And it

0:26:57.560 --> 0:26:59.600
<v Speaker 1>was ironic to me because a lot of the people

0:27:00.400 --> 0:27:02.720
<v Speaker 1>in Paradise will tell me that they hate big government.

0:27:02.760 --> 0:27:05.159
<v Speaker 1>They don't know where their taxes go. But they're the

0:27:05.200 --> 0:27:08.600
<v Speaker 1>people who were able to buy, you know, trailers, or

0:27:08.800 --> 0:27:12.400
<v Speaker 1>get money from the female, which is the government, which

0:27:12.440 --> 0:27:15.960
<v Speaker 1>is what go our tax dollars go on right precisely

0:27:16.000 --> 0:27:18.399
<v Speaker 1>because there was female to pick up the pieces and

0:27:18.440 --> 0:27:21.760
<v Speaker 1>support people and buy a lot of people trailers and

0:27:22.359 --> 0:27:24.399
<v Speaker 1>or get people into new homes. And then you have

0:27:24.480 --> 0:27:27.199
<v Speaker 1>the economics, which is strange, but the home prices go

0:27:27.320 --> 0:27:30.040
<v Speaker 1>way up because you have a lot of people looking

0:27:30.080 --> 0:27:33.399
<v Speaker 1>for homes. And that's the sort of bizarre cycle that

0:27:33.560 --> 0:27:37.040
<v Speaker 1>we're in. A in a high fire zone like Paradise

0:27:37.119 --> 0:27:39.800
<v Speaker 1>or Malibu, that home cost goes up and up and up,

0:27:40.800 --> 0:27:43.520
<v Speaker 1>and same thing Montecito. And these home prices go up

0:27:43.520 --> 0:27:45.400
<v Speaker 1>and up, not because you have so many people desperate

0:27:45.400 --> 0:27:47.040
<v Speaker 1>for homes. They want to keep the kids in the school,

0:27:47.040 --> 0:27:49.400
<v Speaker 1>they want to stay in these beautiful communities, but there's

0:27:49.480 --> 0:27:54.480
<v Speaker 1>less housing and and so you see the cycle. And

0:27:54.720 --> 0:27:57.080
<v Speaker 1>in an immediate aftermath of a fire, there's actually less

0:27:57.160 --> 0:27:59.160
<v Speaker 1>risk of fire because you've kind of burned off all

0:27:59.200 --> 0:28:02.160
<v Speaker 1>that fuel. And so I think you get lulled into

0:28:02.200 --> 0:28:04.960
<v Speaker 1>a full sense of security because immediately there's no risk

0:28:05.000 --> 0:28:06.720
<v Speaker 1>of fire. You just want the continuity. You want to

0:28:06.720 --> 0:28:09.040
<v Speaker 1>move back. You want to have your life, you know,

0:28:09.200 --> 0:28:12.720
<v Speaker 1>back as quickly as possible. Naturally and understandably, people just

0:28:12.800 --> 0:28:14.800
<v Speaker 1>want to get back home. They want to rebuild or

0:28:14.800 --> 0:28:17.320
<v Speaker 1>have a new home or there's you know, get back

0:28:17.320 --> 0:28:22.120
<v Speaker 1>on track as quickly as possible. And then as the

0:28:22.200 --> 0:28:24.960
<v Speaker 1>years tit by and the fuel piles up, when the

0:28:25.040 --> 0:28:27.200
<v Speaker 1>risk of fire comes back, people kind of get a

0:28:27.240 --> 0:28:29.480
<v Speaker 1>little complacable that hasn't been a fire for a while,

0:28:29.560 --> 0:28:32.240
<v Speaker 1>so it'll probably be okay, But actually the risk is

0:28:32.280 --> 0:28:34.760
<v Speaker 1>building and as soon as the wind and the weather

0:28:34.880 --> 0:28:37.760
<v Speaker 1>lines up again, that fuel and the wind is just

0:28:37.800 --> 0:28:40.959
<v Speaker 1>going to be a recipe for disaster again. And so

0:28:40.960 --> 0:28:43.560
<v Speaker 1>you can kind of see how this problem keeps compounding

0:28:44.280 --> 0:28:47.840
<v Speaker 1>until we do something differently. What did you find that

0:28:48.080 --> 0:28:52.640
<v Speaker 1>in the way that the film shows that stubborn, entitled,

0:28:53.120 --> 0:28:57.880
<v Speaker 1>privileged Americans, independence Americans who just don't want to be

0:28:57.960 --> 0:29:00.840
<v Speaker 1>told what to do. Let me come of that decision

0:29:00.920 --> 0:29:04.600
<v Speaker 1>in my own way and in my own timing. I

0:29:04.680 --> 0:29:07.720
<v Speaker 1>have a complicated relationship with this question. It's a great question.

0:29:08.240 --> 0:29:11.760
<v Speaker 1>I'm from the UK, originally in Europe, and there is

0:29:11.840 --> 0:29:16.400
<v Speaker 1>more of a sense of the society coming together, and

0:29:16.440 --> 0:29:19.080
<v Speaker 1>we have a national health service. That's a really wonderful

0:29:19.400 --> 0:29:22.240
<v Speaker 1>gift that you always have free healthcare, and it's a

0:29:22.240 --> 0:29:24.920
<v Speaker 1>feeling that the state has your back and will protect you.

0:29:25.800 --> 0:29:29.959
<v Speaker 1>And yet I immigrated to the US, I have an

0:29:29.960 --> 0:29:35.360
<v Speaker 1>American passport. I personally you made that voyage myself because

0:29:35.360 --> 0:29:37.600
<v Speaker 1>it is exciting to stride out on your own and

0:29:38.120 --> 0:29:42.400
<v Speaker 1>try your luck and go west. Young woman right, And

0:29:42.720 --> 0:29:49.000
<v Speaker 1>I personally really relate to this desire for independence and individuality.

0:29:49.120 --> 0:29:52.880
<v Speaker 1>And and that's me. I'm a filmmaker and a creative

0:29:53.600 --> 0:29:57.280
<v Speaker 1>asked this person and a woman who wants to, you know,

0:29:57.480 --> 0:29:59.400
<v Speaker 1>use the voice and make the world a better place.

0:29:59.560 --> 0:30:03.280
<v Speaker 1>Personal I left my family behind, and I think about

0:30:04.040 --> 0:30:10.680
<v Speaker 1>these wonderful American immigrants whose footsteps I'm in, and the

0:30:10.720 --> 0:30:14.040
<v Speaker 1>people in these areas are often descended from gold miners,

0:30:14.280 --> 0:30:17.840
<v Speaker 1>and is the gold Rush and California was these rushes

0:30:17.880 --> 0:30:20.160
<v Speaker 1>of even today we have the Silicon Valley kind of rush,

0:30:20.240 --> 0:30:22.280
<v Speaker 1>but we've had aerospace, we've got wine, we've had a

0:30:22.280 --> 0:30:24.760
<v Speaker 1>punk rock, we've got the movies. I mean, the people

0:30:24.760 --> 0:30:27.440
<v Speaker 1>that recent people come to California are often to you know,

0:30:28.160 --> 0:30:31.680
<v Speaker 1>stride out on their own right. And and we have

0:30:31.760 --> 0:30:34.640
<v Speaker 1>that kind of community almost in our genes. And it's

0:30:34.640 --> 0:30:39.800
<v Speaker 1>exciting and it's entrepreneurial and it's driving the world's exciting economy. Right.

0:30:40.440 --> 0:30:44.560
<v Speaker 1>And at the same time, we have this challenge, which

0:30:44.640 --> 0:30:47.640
<v Speaker 1>is if we don't come together, we can't solve these

0:30:47.680 --> 0:30:51.080
<v Speaker 1>big problems. And we're literally burning alive, like literally when

0:30:51.160 --> 0:30:54.080
<v Speaker 1>the Christian imagination will be come up with the idea

0:30:54.120 --> 0:30:57.320
<v Speaker 1>of hell. It's burning fire pits, and this is actually

0:30:57.320 --> 0:30:59.440
<v Speaker 1>what we're creating for ourselves. Those scenes you see in

0:30:59.520 --> 0:31:03.200
<v Speaker 1>Paradise in Malibu with people try and escape through the

0:31:03.240 --> 0:31:06.280
<v Speaker 1>flames or even succumbing as eighty five people didn't paradise,

0:31:07.760 --> 0:31:11.360
<v Speaker 1>this is actually sort of our worst thing that we

0:31:11.360 --> 0:31:15.200
<v Speaker 1>can imagine. It's literally hell, and that's what we're doing.

0:31:15.560 --> 0:31:18.200
<v Speaker 1>And so how can we come together with the pandemic

0:31:18.280 --> 0:31:21.040
<v Speaker 1>with climate change? Because there are things that we can do,

0:31:21.240 --> 0:31:25.800
<v Speaker 1>but it does require us having difficult conversations with people

0:31:25.880 --> 0:31:28.240
<v Speaker 1>that might be in crisis, that may have just had

0:31:28.240 --> 0:31:31.480
<v Speaker 1>their homes burned down. But rather than just saying, sure,

0:31:32.320 --> 0:31:36.320
<v Speaker 1>build the same flammable home right there without having to

0:31:36.320 --> 0:31:38.440
<v Speaker 1>be told that you can't have your rose bush within

0:31:38.520 --> 0:31:41.800
<v Speaker 1>five ft of the front door, maybe we really need

0:31:41.840 --> 0:31:44.280
<v Speaker 1>to have these difficult conversations. Maybe we really need to

0:31:44.360 --> 0:31:48.160
<v Speaker 1>have difficult conversations about vaccination and the responsibility we have

0:31:48.280 --> 0:31:51.120
<v Speaker 1>to our other people as well as to ourselves, and

0:31:51.160 --> 0:31:54.760
<v Speaker 1>how we need to lean into the system of knowledge

0:31:54.760 --> 0:31:59.400
<v Speaker 1>called science, whether it's fire science or virology, to understand

0:31:59.440 --> 0:32:01.640
<v Speaker 1>the world, because it is the best system of knowledge

0:32:01.680 --> 0:32:03.680
<v Speaker 1>that we have, and if we ignore it, we ignore

0:32:03.720 --> 0:32:06.440
<v Speaker 1>it our at our peril and that we are dying

0:32:06.440 --> 0:32:11.360
<v Speaker 1>and suffering more. And as the world becomes terrifyingly more

0:32:11.440 --> 0:32:15.160
<v Speaker 1>challenging with climate change, are we going to put our

0:32:15.200 --> 0:32:21.320
<v Speaker 1>best minds on trying to mitigate these effects? Several firefighters,

0:32:21.320 --> 0:32:25.040
<v Speaker 1>I believe it was in either Paradise or or maybe

0:32:25.040 --> 0:32:27.560
<v Speaker 1>it was in Santa Barbara, they committed suicide. Cric they

0:32:27.560 --> 0:32:30.440
<v Speaker 1>had a suicide epidemic there. Yeah, you know, firefighters everywhere,

0:32:30.440 --> 0:32:34.680
<v Speaker 1>first responders everywhere, suffering from post traumatic stress. And really

0:32:34.760 --> 0:32:40.960
<v Speaker 1>the suicides, the suffering, the divorces, the depression, I mean,

0:32:41.040 --> 0:32:45.240
<v Speaker 1>lives are being really affected and the first responses are

0:32:45.280 --> 0:32:47.280
<v Speaker 1>at the sharp end of this. We're asking them to

0:32:47.360 --> 0:32:50.960
<v Speaker 1>do so so much, and the toll it takes is

0:32:51.080 --> 0:32:54.000
<v Speaker 1>actually too much for the human psyche to bear. And

0:32:54.040 --> 0:32:56.440
<v Speaker 1>I think we're just starting to learn about the toll

0:32:56.520 --> 0:33:00.200
<v Speaker 1>that it's taking. And I think the firefighters are really

0:33:00.760 --> 0:33:06.000
<v Speaker 1>trying to get better at supporting firefighters mental health. But

0:33:06.160 --> 0:33:09.640
<v Speaker 1>we are really learning. And it was so moving to

0:33:09.680 --> 0:33:14.200
<v Speaker 1>see fire she's breaking down in tears about the colleagues

0:33:14.200 --> 0:33:18.160
<v Speaker 1>that they've lost and couldn't save and to hear our

0:33:18.520 --> 0:33:21.000
<v Speaker 1>wonderful firefighters. We're following want to see to talk about

0:33:21.040 --> 0:33:23.719
<v Speaker 1>the toll on it's taken on her family and her life.

0:33:24.520 --> 0:33:27.440
<v Speaker 1>It was just it's just heartbreaking, you know, and it's

0:33:27.480 --> 0:33:30.840
<v Speaker 1>it's not okay. I wanted people to understand that what's

0:33:30.880 --> 0:33:35.280
<v Speaker 1>going on is not okay. People are suffering. We can't

0:33:35.400 --> 0:33:39.320
<v Speaker 1>just keep doing this without really hurting people. We can

0:33:39.360 --> 0:33:42.840
<v Speaker 1>do a better job taking better care of our residents

0:33:42.920 --> 0:33:50.080
<v Speaker 1>and our responders. Filmmaker Lucy Walker. If you're enjoying this conversation,

0:33:50.280 --> 0:33:52.880
<v Speaker 1>tell a friend and be sure to follow Here's the

0:33:52.920 --> 0:33:56.600
<v Speaker 1>Thing on the I Heart app, Spotify or wherever you

0:33:56.680 --> 0:34:00.760
<v Speaker 1>get your podcasts. When we come back, Lucy talks about

0:34:00.760 --> 0:34:14.520
<v Speaker 1>her transition from loving theater to making documentary films. I'm

0:34:14.560 --> 0:34:18.440
<v Speaker 1>Alec Baldwin and you're listening to Here's the Thing. Lucy

0:34:18.560 --> 0:34:22.600
<v Speaker 1>Walker went to Oxford and graduated with top honors in literature.

0:34:23.200 --> 0:34:26.000
<v Speaker 1>She got involved with theater at school, but soon became

0:34:26.040 --> 0:34:30.080
<v Speaker 1>curious about making movies. I was very lucky in the

0:34:30.200 --> 0:34:33.120
<v Speaker 1>UK again, this wonderful. I grew up in the UK.

0:34:33.200 --> 0:34:36.400
<v Speaker 1>It had a fantastic free systems, had a fantastic education,

0:34:37.120 --> 0:34:39.400
<v Speaker 1>and then I was very lucky because I want a

0:34:39.400 --> 0:34:41.880
<v Speaker 1>fulbright scholarship to go to n y U for graduate

0:34:41.920 --> 0:34:44.840
<v Speaker 1>film school, which was a real golden ticket for me

0:34:45.040 --> 0:34:48.400
<v Speaker 1>to come to New York City and study with incredible

0:34:48.400 --> 0:34:52.120
<v Speaker 1>teachers all around the world, including some Russian teachers that

0:34:52.120 --> 0:34:54.680
<v Speaker 1>at all in the collapse of communism. Come and we're

0:34:54.680 --> 0:34:58.799
<v Speaker 1>in New York teaching you were just geniuses and monin

0:34:58.840 --> 0:35:02.359
<v Speaker 1>school Sasi in Spightly in all these incredible alumni and

0:35:02.440 --> 0:35:05.160
<v Speaker 1>female filmmakers there were just you know, women directors, which

0:35:05.160 --> 0:35:06.399
<v Speaker 1>I was. When I was growing up in the UK,

0:35:06.520 --> 0:35:08.400
<v Speaker 1>there hadn't been any role models for me as a

0:35:08.440 --> 0:35:11.520
<v Speaker 1>female director. So it's really really exciting to come to

0:35:11.760 --> 0:35:14.719
<v Speaker 1>New York and and being affected with that kind of

0:35:14.760 --> 0:35:19.000
<v Speaker 1>independent filmmaking spirit. And at the time actually documentaries weren't

0:35:19.120 --> 0:35:22.280
<v Speaker 1>very big, but then in the nineties there were these

0:35:22.680 --> 0:35:26.560
<v Speaker 1>new exciting digital cameras came out and suddenly you could

0:35:26.560 --> 0:35:29.040
<v Speaker 1>afford to get your hands on a camera and even

0:35:29.080 --> 0:35:31.560
<v Speaker 1>without a script, to start shooting stuff. And then of

0:35:31.560 --> 0:35:34.759
<v Speaker 1>course Avid's and these nonlinear editing systems came out, and

0:35:34.800 --> 0:35:40.040
<v Speaker 1>that for documentary was huge transformation because before, as you know,

0:35:40.160 --> 0:35:42.399
<v Speaker 1>you need a script and you need actors to tell

0:35:42.440 --> 0:35:45.800
<v Speaker 1>a story because real life is kind of difficult to

0:35:45.880 --> 0:35:50.880
<v Speaker 1>make interesting. But when you had your cheaper, fantastic cameras

0:35:50.920 --> 0:35:53.719
<v Speaker 1>that you could still blow up the video to see

0:35:53.719 --> 0:35:55.920
<v Speaker 1>on a big screen, and it still started to look good.

0:35:56.280 --> 0:35:58.719
<v Speaker 1>By two thousand, we were having sort of digital video

0:35:58.760 --> 0:36:01.920
<v Speaker 1>that look decent, and we're also having these editing systems

0:36:01.920 --> 0:36:04.600
<v Speaker 1>that meant that you could actually really edit, fine tune

0:36:04.600 --> 0:36:06.080
<v Speaker 1>with a whole bunch of stuff. You could take a

0:36:06.080 --> 0:36:09.279
<v Speaker 1>big haystack and make a really finely crafted story out

0:36:09.320 --> 0:36:11.799
<v Speaker 1>of it without losing your mind. Because before you had,

0:36:11.840 --> 0:36:13.880
<v Speaker 1>like when you were cutting on film that was so

0:36:13.960 --> 0:36:16.960
<v Speaker 1>laborious to edit before, and suddenly it was just computer

0:36:17.080 --> 0:36:19.280
<v Speaker 1>editing and you could click a button and compare different

0:36:19.360 --> 0:36:23.880
<v Speaker 1>versions or make music videos and all this just amazingly fun, beautiful,

0:36:24.080 --> 0:36:26.759
<v Speaker 1>dynamic stuff. And so that was this moment suddenly where

0:36:26.800 --> 0:36:30.440
<v Speaker 1>documentaries became really exciting, and I thought you could actually

0:36:30.480 --> 0:36:37.239
<v Speaker 1>make real life into a really exciting, watchable story documentary

0:36:37.280 --> 0:36:39.480
<v Speaker 1>because actually I was loved working with actors and wanted

0:36:39.480 --> 0:36:43.000
<v Speaker 1>to do scripted stuff. What's what's stopping you? Oh, it's

0:36:43.040 --> 0:36:45.760
<v Speaker 1>been tough. No, I'm always trying to make fiction films,

0:36:45.760 --> 0:36:49.040
<v Speaker 1>and honestly, it's tough for any director, and maybe even

0:36:49.120 --> 0:36:51.440
<v Speaker 1>tougher as a female. I'm not sure, but now I

0:36:51.480 --> 0:36:54.920
<v Speaker 1>grew up in England actually directing theater. That was my

0:36:55.000 --> 0:36:57.839
<v Speaker 1>big love, and at Oxford I was every term I

0:36:57.880 --> 0:37:00.960
<v Speaker 1>directed different play and there was so much young talent

0:37:01.080 --> 0:37:04.839
<v Speaker 1>at Oxford University and I realized at a young age

0:37:04.840 --> 0:37:06.719
<v Speaker 1>that I was not a very good actor. But if

0:37:06.719 --> 0:37:09.360
<v Speaker 1>you did this thing called directing, you've got to be

0:37:09.400 --> 0:37:12.719
<v Speaker 1>around the actors and around the plays and to put

0:37:12.719 --> 0:37:15.120
<v Speaker 1>on a fantastic show and for the actress to have

0:37:15.160 --> 0:37:17.719
<v Speaker 1>all that they needed to do their incredible performances. But

0:37:17.760 --> 0:37:20.120
<v Speaker 1>I didn't have to get on the stage myself. So

0:37:20.200 --> 0:37:23.279
<v Speaker 1>that's how I became a director. And then I realized, oh,

0:37:23.280 --> 0:37:27.320
<v Speaker 1>but wait, but film is even cooler because then you

0:37:27.360 --> 0:37:29.720
<v Speaker 1>can do the cool shots and you can do close ups.

0:37:30.200 --> 0:37:33.240
<v Speaker 1>And I loved actually watching movies more than I loved

0:37:33.280 --> 0:37:35.480
<v Speaker 1>watching theater. And I thought, okay, well, I could I

0:37:35.520 --> 0:37:38.239
<v Speaker 1>even be a director of movies. And that's when I

0:37:38.239 --> 0:37:40.919
<v Speaker 1>applied to n YU and was lucky enough to get

0:37:40.960 --> 0:37:43.640
<v Speaker 1>in and learn how to direct movies. But it was

0:37:43.680 --> 0:37:46.640
<v Speaker 1>only later on that I thought, oh, these documentaries are

0:37:46.680 --> 0:37:50.920
<v Speaker 1>pretty cool because now I can make movies out of

0:37:51.080 --> 0:37:55.440
<v Speaker 1>real people's lives. And so that's been really really incredible

0:37:55.560 --> 0:37:58.720
<v Speaker 1>privilege of a career. And I've loved exploring the world

0:37:58.880 --> 0:38:02.000
<v Speaker 1>and meeting so many people and telling, you know, the

0:38:02.400 --> 0:38:06.680
<v Speaker 1>stories of the courage and heroism of everyday people. And

0:38:06.719 --> 0:38:10.280
<v Speaker 1>I've loved this, but I have to confess it is tough.

0:38:10.480 --> 0:38:15.280
<v Speaker 1>Give me actors and a script, and that is the

0:38:15.360 --> 0:38:19.920
<v Speaker 1>fun way to tell a story. You've been recognized multiple

0:38:20.040 --> 0:38:24.160
<v Speaker 1>times for these films. You were shortlisted for five Oscars,

0:38:24.200 --> 0:38:27.680
<v Speaker 1>of which you were nominated for two. Waste Land was

0:38:27.719 --> 0:38:31.080
<v Speaker 1>that about the favelas? And that's exactly right. Yeah, it's

0:38:31.480 --> 0:38:35.120
<v Speaker 1>setting the favela in the largest garbage dump in the world,

0:38:35.520 --> 0:38:38.359
<v Speaker 1>an incredible artist as an incredible project with the people

0:38:38.400 --> 0:38:40.920
<v Speaker 1>that live in the favela in Rio, That's right. And

0:38:40.920 --> 0:38:44.160
<v Speaker 1>then the tsunami and the cherry blossom, And are we

0:38:44.200 --> 0:38:47.400
<v Speaker 1>talking about the tsunami that was the Fukushima event exactly,

0:38:47.400 --> 0:38:50.520
<v Speaker 1>the one in Japan. Exactly, that's right. And were you

0:38:50.560 --> 0:38:52.920
<v Speaker 1>able to get anywhere near Fukushima? I would imagine no,

0:38:53.400 --> 0:38:55.919
<v Speaker 1>I was close as you'd want to be, that's right,

0:38:56.000 --> 0:38:58.400
<v Speaker 1>with a Geiga counter making sure I wasn't too close

0:38:58.520 --> 0:39:01.279
<v Speaker 1>for too long and getting too radioactive. But yeah, no,

0:39:01.600 --> 0:39:04.400
<v Speaker 1>it was that was fascinating. That was I was actually

0:39:04.440 --> 0:39:08.360
<v Speaker 1>originally supposed to be making a little film about cherry blossom,

0:39:08.360 --> 0:39:11.800
<v Speaker 1>which I love, and this beautiful In Japan, they're obsessed

0:39:11.840 --> 0:39:14.960
<v Speaker 1>with the cherry blossom and this is beautiful season. When

0:39:14.960 --> 0:39:17.640
<v Speaker 1>the cherry bossom comes out, they celebrate spring and they

0:39:17.640 --> 0:39:20.200
<v Speaker 1>sit under the trees and and sort of party with

0:39:20.239 --> 0:39:22.400
<v Speaker 1>the cherry blossom and write poetry. And this was always

0:39:22.400 --> 0:39:24.920
<v Speaker 1>a sort of dream I I had, And so I

0:39:25.000 --> 0:39:28.160
<v Speaker 1>was all set to go and make a little film

0:39:28.280 --> 0:39:35.640
<v Speaker 1>when the terrible tsunami earthquake disaster happened, and I thought

0:39:35.640 --> 0:39:39.719
<v Speaker 1>about running away and not making the film, and I thought, gosh, well,

0:39:39.760 --> 0:39:41.800
<v Speaker 1>if the cherry blossom season is going to mean anything,

0:39:42.880 --> 0:39:44.919
<v Speaker 1>it's going to mean the most this year when people

0:39:44.960 --> 0:39:48.560
<v Speaker 1>are really suffering. And so I sort of was the

0:39:48.600 --> 0:39:52.360
<v Speaker 1>only person flying into Japan that day along with my cinematographer,

0:39:52.719 --> 0:39:56.400
<v Speaker 1>and we made this film with the Japanese survivors of

0:39:56.480 --> 0:40:01.000
<v Speaker 1>the earthquake, tsunami, radiation disaster, and we kind of begin

0:40:01.080 --> 0:40:03.600
<v Speaker 1>the film with the tsunami and end with the cherry

0:40:03.600 --> 0:40:07.400
<v Speaker 1>blossom coming and the relationship with the cherry bosoms of

0:40:07.400 --> 0:40:10.200
<v Speaker 1>comforts everyone and lifts them into spring and new life

0:40:10.200 --> 0:40:12.719
<v Speaker 1>and new growth. That it was really an exquisite film,

0:40:12.719 --> 0:40:14.560
<v Speaker 1>and it was amazing that it was nominative for the

0:40:14.600 --> 0:40:18.120
<v Speaker 1>Oscars as well as Emmys and stuff. So yeah, I've

0:40:18.120 --> 0:40:20.959
<v Speaker 1>been really lucky that my films have been recognized, these

0:40:21.000 --> 0:40:25.319
<v Speaker 1>two films, the tsunami film and also the fire film.

0:40:25.400 --> 0:40:28.799
<v Speaker 1>I think that's actually why I thought, Okay, I can

0:40:28.840 --> 0:40:31.239
<v Speaker 1>make this film about the fires, because I had made

0:40:31.239 --> 0:40:33.160
<v Speaker 1>that film about the tsunami, and I thought, I have

0:40:33.320 --> 0:40:37.440
<v Speaker 1>made films about the courage and grace and resiliency of

0:40:37.480 --> 0:40:43.200
<v Speaker 1>the amazing people that you can see in these disaster situations.

0:40:43.239 --> 0:40:46.480
<v Speaker 1>When you see human beings rise to the challenges that

0:40:46.840 --> 0:40:52.719
<v Speaker 1>the most horrifying, it's very captivating and you learn a lot.

0:40:53.120 --> 0:40:55.919
<v Speaker 1>And I think I had the confidence to begin Bring

0:40:55.920 --> 0:40:58.360
<v Speaker 1>your Own Brigade, which is a really difficult film to

0:40:58.440 --> 0:41:01.759
<v Speaker 1>make actually, because far is a really overwhelming problem and

0:41:01.800 --> 0:41:04.040
<v Speaker 1>it's much easy to pretend it's not happening and just

0:41:04.160 --> 0:41:07.640
<v Speaker 1>drive on past that fire and hope for the best, right,

0:41:08.120 --> 0:41:10.200
<v Speaker 1>but to really dig in and understand it like I

0:41:10.239 --> 0:41:12.200
<v Speaker 1>wanted to that I think I had the confidence because

0:41:12.200 --> 0:41:16.160
<v Speaker 1>I had done that previous film about disaster. Now, documentary

0:41:16.200 --> 0:41:20.120
<v Speaker 1>film has exploded in the last twenty years. Everybody's buying

0:41:20.160 --> 0:41:24.560
<v Speaker 1>documentary films and wanting to program documentary films During your career,

0:41:25.200 --> 0:41:28.160
<v Speaker 1>have you noticed that as well? Yeah, absolutely, Well I

0:41:28.160 --> 0:41:31.320
<v Speaker 1>feel like we do have thanks to this amazing technological

0:41:31.520 --> 0:41:34.920
<v Speaker 1>revolution of fantastic cameras where you can afford to shoot

0:41:34.920 --> 0:41:38.640
<v Speaker 1>a bunch of stuff, and fantastic editing computers where you

0:41:38.680 --> 0:41:44.759
<v Speaker 1>can really arrange that stuff to perfection without losing your mind,

0:41:44.760 --> 0:41:47.960
<v Speaker 1>that you can really craft real life, and that we've

0:41:48.120 --> 0:41:51.920
<v Speaker 1>really got these windows into these worlds now that we

0:41:51.960 --> 0:41:55.880
<v Speaker 1>can make incredible films that really kind of magical instruments,

0:41:55.880 --> 0:41:58.920
<v Speaker 1>you know, as the microscope helps us peer into tiny cells,

0:41:59.040 --> 0:42:02.080
<v Speaker 1>or the telescope help peer far away into stars. I

0:42:02.080 --> 0:42:05.520
<v Speaker 1>feel like the documentary films can actually be a machine

0:42:05.600 --> 0:42:08.600
<v Speaker 1>to glimpse how life happens. You know, when you see

0:42:08.600 --> 0:42:13.040
<v Speaker 1>a wonderful documentary, you kind of get this perspective of

0:42:13.200 --> 0:42:17.160
<v Speaker 1>how life actually unfolds, or how something works in the

0:42:17.200 --> 0:42:21.239
<v Speaker 1>world or story that for me, it's just fascinating glimpses

0:42:21.280 --> 0:42:24.480
<v Speaker 1>into the kind of mechanics and machinery of how things

0:42:24.600 --> 0:42:29.000
<v Speaker 1>actually are, and that's just an incredible new thing that

0:42:29.040 --> 0:42:33.600
<v Speaker 1>the technology has afforded us that does give wonderful actors

0:42:33.600 --> 0:42:35.919
<v Speaker 1>and scripts and run for their money. So I think

0:42:35.960 --> 0:42:39.759
<v Speaker 1>now that documentaries are fascinating to people, and I think

0:42:39.800 --> 0:42:42.840
<v Speaker 1>that there's room for both now, which is really really exciting.

0:42:42.880 --> 0:42:47.279
<v Speaker 1>So everyone loves watching, you know, fantastic movies where the

0:42:47.320 --> 0:42:50.080
<v Speaker 1>story is written to perfection and performed to perfection by

0:42:50.120 --> 0:42:52.919
<v Speaker 1>the best actors in the best locations and the best

0:42:52.960 --> 0:42:55.719
<v Speaker 1>costumes and all that glorious production value that we love.

0:42:56.360 --> 0:42:59.719
<v Speaker 1>Yet there's something about the reality and that these are

0:42:59.760 --> 0:43:02.200
<v Speaker 1>real people, this is a real situation, this is a

0:43:02.280 --> 0:43:06.040
<v Speaker 1>real story that's also really fascinating powerful, that's right. So

0:43:06.120 --> 0:43:08.080
<v Speaker 1>I love the fact that right now in the world

0:43:08.320 --> 0:43:10.320
<v Speaker 1>that we have both. And I think also with the

0:43:10.400 --> 0:43:14.400
<v Speaker 1>streamers and these new platforms, people that the streamers know

0:43:14.560 --> 0:43:16.960
<v Speaker 1>that see the numbers and they see that audiences are

0:43:16.960 --> 0:43:20.840
<v Speaker 1>really loving unscripted and nonfiction, and that's given them the

0:43:20.920 --> 0:43:25.040
<v Speaker 1>confidence and the ability to commission more of it. And

0:43:25.040 --> 0:43:27.560
<v Speaker 1>so I feel like there's room for everything. And we're

0:43:27.600 --> 0:43:31.200
<v Speaker 1>finding these different audiences and serving these different audiences and

0:43:31.239 --> 0:43:34.799
<v Speaker 1>different curiosities, and I think that's really terrific. What are

0:43:34.800 --> 0:43:38.120
<v Speaker 1>you working on now? Oh, good question. I can say

0:43:38.160 --> 0:43:42.560
<v Speaker 1>I'm very fascinated with psychedelic science and the incredible science

0:43:42.600 --> 0:43:46.400
<v Speaker 1>that's coming in that shows that psychedelic molecules are actually

0:43:46.640 --> 0:43:51.080
<v Speaker 1>incredibly full of promise to treat the hardest to treat

0:43:51.560 --> 0:43:56.960
<v Speaker 1>conditions that we have, depression, anxiety, o c D, PTSD,

0:43:57.239 --> 0:44:00.880
<v Speaker 1>eating disorders, the kind of anguish you have if you're

0:44:00.880 --> 0:44:05.160
<v Speaker 1>confronting a terminal diagnosis. These are things that are current

0:44:05.360 --> 0:44:08.839
<v Speaker 1>medicines have nothing for addictions, alcoholism, and these are really

0:44:08.880 --> 0:44:11.680
<v Speaker 1>really hard to treat conditions causing huge, huge suffering around

0:44:11.680 --> 0:44:14.480
<v Speaker 1>the world. And it turns out that these psychedelic molecules

0:44:14.760 --> 0:44:17.719
<v Speaker 1>are actually showing incredible promise. I'm really excited about that,

0:44:17.760 --> 0:44:19.880
<v Speaker 1>and I have a couple of projects that will hopefully

0:44:19.920 --> 0:44:22.799
<v Speaker 1>be coming out soon. As my friend once said, he

0:44:22.880 --> 0:44:26.280
<v Speaker 1>said he would take acid when he was young because

0:44:26.280 --> 0:44:30.000
<v Speaker 1>he wanted to tear down walls, the walls of perception

0:44:30.600 --> 0:44:33.719
<v Speaker 1>that blocked him from seeing things in the best way

0:44:33.719 --> 0:44:36.400
<v Speaker 1>possible or the most open minded way possible. And that

0:44:36.480 --> 0:44:38.520
<v Speaker 1>was when he was young, and then he got older

0:44:38.560 --> 0:44:40.280
<v Speaker 1>and he said, it took me so long to build

0:44:40.280 --> 0:44:43.240
<v Speaker 1>those walls back up again. I can't bear the idea

0:44:43.239 --> 0:44:45.719
<v Speaker 1>of tearing them down again. Told me he was not

0:44:45.760 --> 0:44:48.280
<v Speaker 1>going to be dropping acid in his fifties and sixties,

0:44:48.280 --> 0:44:50.760
<v Speaker 1>and well, he might be a lucky and happy person

0:44:50.840 --> 0:44:52.800
<v Speaker 1>in his fifties. I think there's a lot of older

0:44:52.840 --> 0:44:56.399
<v Speaker 1>people though, that kind of get stuck in the wrong rut, right,

0:44:56.440 --> 0:44:59.520
<v Speaker 1>And as we get older, it gets it can get harder,

0:44:59.520 --> 0:45:03.960
<v Speaker 1>and people and get stuck in maladaptive defense mechanisms for example,

0:45:04.040 --> 0:45:06.800
<v Speaker 1>that might have outlived their usefulness that actually might be

0:45:06.840 --> 0:45:09.640
<v Speaker 1>getting in your own way. And for some people, actually,

0:45:10.239 --> 0:45:12.920
<v Speaker 1>for some people, tearing down those wolves can be a

0:45:13.280 --> 0:45:17.839
<v Speaker 1>real gift as an intervention life. Well, listen, I want

0:45:17.840 --> 0:45:20.200
<v Speaker 1>to say I'm a great fan of yours. I'm a

0:45:20.200 --> 0:45:23.560
<v Speaker 1>great admirer of your films. Thank you very much. Stay

0:45:23.600 --> 0:45:25.200
<v Speaker 1>safe out there, and we'll talk to you down the road,

0:45:25.200 --> 0:45:31.080
<v Speaker 1>I hope. Okay, what a treat. Thank you, Lucy Walker.

0:45:31.719 --> 0:45:35.960
<v Speaker 1>Her documentary about the California wildfires, Bring Your Own Brigade,

0:45:36.360 --> 0:45:41.000
<v Speaker 1>is streaming on Paramount Plus. This episode was produced by

0:45:41.120 --> 0:45:46.480
<v Speaker 1>Carrie Donohue, Zach McNeice, and Kathleen Russo. Our engineer is

0:45:46.480 --> 0:45:49.359
<v Speaker 1>Frank Imperial, here's the thing. Is brought to you by

0:45:49.400 --> 0:46:06.760
<v Speaker 1>iHeart Radio, complete thing to be the way into