WEBVTT - DJ Qualls

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<v Speaker 1>The Craig Ferguson Pants on Fire Tour is on sale now.

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<v Speaker 1>It's a new show, it's new material, but I'm afraid

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<v Speaker 1>it's still only me, Craig Ferguson on my own, standing

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<v Speaker 1>on a stage telling comedy words. Come and see me,

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<v Speaker 1>buy tickets, bring your loved ones, or don't come and

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<v Speaker 1>see me. Don't buy tickets and don't bring your loved ones.

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<v Speaker 1>I'm not your dad. You come or don't come, but

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<v Speaker 1>you should at least know what's happening, and it is.

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<v Speaker 1>The tour kicks off late September and goes through the

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<v Speaker 1>end of the year and beyond. Tickets are available at

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<v Speaker 1>the Craig Ferguson Show dot Com slash tour. They're available

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<v Speaker 1>at the Craig Ferguson Show dot com slash tour or

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<v Speaker 1>at your local outlet in your region. My name is

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<v Speaker 1>Craig Ferguson. The name of this podcast is joy. I

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<v Speaker 1>talk to interest in people about what brings them happiness.

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<v Speaker 1>When I was doing late night television, one of my

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<v Speaker 1>favorite guests was a gentleman that he was a kid

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<v Speaker 1>at the time. His name is DJ Qualls. His name

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<v Speaker 1>is still DJ Qualls. He's not a kid anymore. He's

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<v Speaker 1>growing up to be one of the most impressive, lovely

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<v Speaker 1>men I've talked to in a while.

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<v Speaker 2>Please enjoy this. Hello, Hello, Hey dude, how are you?

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<v Speaker 2>I am so happy to see you. I can't tell

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<v Speaker 2>you I'm to see you.

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<v Speaker 1>This is great. It's very happy for me. I haven't

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<v Speaker 1>talked you know. I was just trying to figure out

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<v Speaker 1>I haven't talked to you properly. I think in about

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<v Speaker 1>ten years.

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<v Speaker 3>It's been ten years since I saw you.

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<v Speaker 4>Oh my god, you were lovely when I came out

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<v Speaker 4>in two twenty twenty. Messaged me and we chatted. But

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<v Speaker 4>I haven't seen you in forever. Yeah, I remember that.

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<v Speaker 4>It was funny.

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<v Speaker 1>I remember because you were like you were taking a

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<v Speaker 1>little hate for becoming for coming out. This is like,

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<v Speaker 1>I'm like, what is this nineteen six? Because these are

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<v Speaker 1>something in this correct, That's the thing.

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<v Speaker 4>The thing is, it's not surprising though, because I you know,

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<v Speaker 4>I'm from the South, I understand, I understand the world.

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<v Speaker 4>But it also was a point in my life where nothing,

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<v Speaker 4>none of that felt like anything. It just after a

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<v Speaker 4>while you're like, it doesn't matter to me, none of

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<v Speaker 4>this really matters, And and a lot of that spilled

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<v Speaker 4>over into how I feel about my career, my relationship

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<v Speaker 4>to Hollywood, Like it really was this time of my life,

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<v Speaker 4>and I'm like, I think a lot of this is

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<v Speaker 4>the source of my unhappiness, and I don't want to

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<v Speaker 4>do this anymore.

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<v Speaker 1>I did the same thing, same for me. Yeah, dude, I.

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<v Speaker 3>Thought about you during this. You were like, what's the

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<v Speaker 3>goal of this?

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<v Speaker 4>To come and be miserable like a lot of people

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<v Speaker 4>in this industry are, And I'm like.

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<v Speaker 3>I don't.

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<v Speaker 4>But the thing is, I'm not good with transitions, like

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<v Speaker 4>and change is hard for me, Like I still have

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<v Speaker 4>a Hotmail account and so like I it's very hard

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<v Speaker 4>for me, Like I now have I replaced my twenty

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<v Speaker 4>two year old car this last week because it was dying.

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<v Speaker 4>And but and now I have a car that I'm

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<v Speaker 4>afraid of, Like it's there are no buttons on it,

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<v Speaker 4>it's all computer screen.

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<v Speaker 3>But it's really it's not. It's the change of things.

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<v Speaker 4>Like I get really nostalgic and overly connected to things.

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<v Speaker 4>And I think what I was really dragging behind me

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<v Speaker 4>was this childhood idea of what Hollywood would be like

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<v Speaker 4>and people loving me, And you get addicted to that

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<v Speaker 4>until one day I realized I was like the people

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<v Speaker 4>making these choices whether or not to validate me or

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<v Speaker 4>fulfill my dreams or really provide me with. What I

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<v Speaker 4>was attaching myself worth to was we're nbas from Harvard,

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<v Speaker 4>like these people think they're creatives. And then I really

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<v Speaker 4>started seeing things. And here's the thing. It's not that

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<v Speaker 4>I'm never going to do this again. I'm still doing it,

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<v Speaker 4>but I don't have the same emotional connection to it.

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<v Speaker 4>I show up every day like it's my opus and

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<v Speaker 4>I'm still doing it. But I don't care if you

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<v Speaker 4>don't want me to do your project, and I'm not

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<v Speaker 4>going to jump through a thousand hoops for you because

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<v Speaker 4>I've proven myself.

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<v Speaker 1>Right, I go. I was talking to Tom Lennon about

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<v Speaker 1>this really recently because I got asked to do a

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<v Speaker 1>chemistry read on some kind of thing that Hulu were making,

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<v Speaker 1>and I'm like, no, what do you mean? No? Is

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<v Speaker 1>that it's not a chemistry read? You want to audition me?

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<v Speaker 1>It's a purpley. I'm not doing that's right and uh

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<v Speaker 1>And they said, well if you don't, if you don't

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<v Speaker 1>do the chemistry read, they're not going to offer you

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<v Speaker 1>the part, and I'm like, okay, that's okay, you don't

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<v Speaker 1>have to offer me the part. I'll be all right,

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<v Speaker 1>you'll be all right, you should be great. I'm just

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<v Speaker 1>not I'm not going to do that for you. I'm

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<v Speaker 1>not going to create a power dynamic which allows you

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<v Speaker 1>to treat me like that. It's not it's not gonna happen. No,

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<v Speaker 1>And I get that sometimes you have to do that.

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<v Speaker 1>And there's a lot of people would do a chemistry

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<v Speaker 1>read but Tom in facts and good for them. Yeah, fine,

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<v Speaker 1>but you have to do was write for you? I

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<v Speaker 1>really do.

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<v Speaker 3>I mean I I feel that as well.

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<v Speaker 1>I remember talking to you back in the day and

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<v Speaker 1>we've talked backstage a little bit too, and we didn't

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<v Speaker 1>talk anything about you coming out. I don't remember having

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<v Speaker 1>any conversations about you worrying about coming out. We talked

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<v Speaker 1>about unhappiness and about it squirming in Hollywood and not

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<v Speaker 1>quite knowing how to make it because look, I don't

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<v Speaker 1>come from show business people either. I don't come from

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<v Speaker 1>that world. And I had an idea about it too,

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<v Speaker 1>that when you see behind the curtain, it's a little different.

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<v Speaker 3>It is, and then you realize that their aspects. Here's

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<v Speaker 3>the thing.

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<v Speaker 4>It's given me so much like my love home, but

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<v Speaker 4>it's been over the world. And being famous is fucking awesome.

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<v Speaker 4>I love it because people are happy that you're there.

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<v Speaker 4>What a great gift to you, and so so many

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<v Speaker 4>beautiful things. But the thing is, after you play it

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<v Speaker 4>for a while, the person who doesn't get absorbed by

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<v Speaker 4>it or into it. For me, knows when to get

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<v Speaker 4>the hell out and not doing this anymore and getting

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<v Speaker 4>myself worth caught up minute, and that was a big

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<v Speaker 4>thing to me. And so by the time I worked

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<v Speaker 4>around coming out like I'd worked so easily for twenty

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<v Speaker 4>for almost twenty years, and then it got hard. All

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<v Speaker 4>of a sudden, things that I would be offered I

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<v Speaker 4>was asking to read for and I'm like, well, I'm

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<v Speaker 4>not doing that because I've already done that. But then

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<v Speaker 4>it it's And then I looked around and realized that

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<v Speaker 4>I was not in a relationship. I don't know many

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<v Speaker 4>people because I just moved back from Canada. I've been shooting.

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<v Speaker 4>I was on a man in the high Castle there

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<v Speaker 4>and la is so transient and this is where I lived.

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<v Speaker 4>I was like, I don't know anybody, and I'm like,

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<v Speaker 4>so I've given away all of that, and yes, I've

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<v Speaker 4>gotten so much from it, but the fundamentals, like going

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<v Speaker 4>to they're not going to be here. I'm clearly not

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<v Speaker 4>going to be here when I need them. Or it's

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<v Speaker 4>so easy for the system to turn its back on you.

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<v Speaker 4>And so I was like, well, I want to build

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<v Speaker 4>something for myself. And I started when I started thinking

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<v Speaker 4>like that, it the shock of not being chosen were

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<v Speaker 4>off pretty quick. Yeah, But then I started saying little

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<v Speaker 4>insidious things like I was up for a job.

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<v Speaker 1>Girl.

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<v Speaker 4>Mordatorio did this Netflix thing, this cabinet of curiosities, and

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<v Speaker 4>he told them to offer it to me and they

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<v Speaker 4>asked me to read for it, and I said no,

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<v Speaker 4>But they did it to get me cheaper, to make

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<v Speaker 4>me think.

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<v Speaker 1>There was a bunch of other people in the mix.

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<v Speaker 1>That is so gross. Yeah, but you know a lot

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<v Speaker 1>of stuff now is difficult. Look, things change. I don't

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<v Speaker 1>know if it's better or worse. But there was a time,

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<v Speaker 1>I think in Hollywood where no, these executives have always

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<v Speaker 1>been there. There's always been the soulless money people executive,

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<v Speaker 1>but smattered amongst them were executives who really cared who

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<v Speaker 1>really people that really gave a shit about it and

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<v Speaker 1>really wanted to be involved and wanted to make good

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<v Speaker 1>stuff and really gave They would never use the word

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<v Speaker 1>product about what they were making. They would and and

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<v Speaker 1>I think they probably still exist, but there's a lot

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<v Speaker 1>less of them in the mix now, and I think

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<v Speaker 1>it shows on what work is around and what and

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<v Speaker 1>what is getting made as well. I mean even just

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<v Speaker 1>as a consumer of entertainment, I'm like, we got I

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<v Speaker 1>got five hundred channels of fuck you, you know.

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<v Speaker 4>I mean, people can feel it, People can really feel

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<v Speaker 4>it because I am a fan first and foremost, Like

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<v Speaker 4>I love the magic of this and I don't find

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<v Speaker 4>a lot of magic anymore. And I don't think it's

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<v Speaker 4>because I'm so jaded, because I worked very hard to

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<v Speaker 4>still have clear eyes about things.

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<v Speaker 1>I think I was worked with a cinematographer called Join

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<v Speaker 1>the Boorman. He's a great cinematographer, and we were taking

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<v Speaker 1>a shot on a film that we were doing, and

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<v Speaker 1>we got this show. It was like, it's a bit

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<v Speaker 1>of a kind of like running into the ocean thing,

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<v Speaker 1>and it was okay. It was an okay shot, and

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<v Speaker 1>it was getting the late in the day and everyone

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<v Speaker 1>was a bit worried about time. And I said, did

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<v Speaker 1>we get it?

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<v Speaker 2>John?

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<v Speaker 1>And he said, yeah, we got it. It's okay. And

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<v Speaker 1>I went, what are you saying? And he went, it's okay.

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<v Speaker 1>I said, he said, but is okay? I said, well

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<v Speaker 1>anybody notice? He said, well we don't. No, it's only

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<v Speaker 1>we could have done better, and and he fail. And

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<v Speaker 1>I feel this too that if you don't do your

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<v Speaker 1>I mean, you can get away with it. You can

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<v Speaker 1>make fucking Emily in Paris and everybody will be fine.

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<v Speaker 1>But it's awful.

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<v Speaker 3>It's it's awful.

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<v Speaker 1>It's soulless, and you should make find a way to

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<v Speaker 1>you don't have to make pride and prejudice again. But

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<v Speaker 1>somebody can write something.

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<v Speaker 4>But what makes it worse is when you beat your

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<v Speaker 4>brains out begging people for the right to make okay.

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<v Speaker 4>And that's when I was like, what am I doing?

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<v Speaker 4>Like I was in hustle, and followed I've gotten to

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<v Speaker 4>do so many amazing things and they came easily because

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<v Speaker 4>I was trusted and I was trusted by other artists,

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<v Speaker 4>and so then I started, I mean, it was this

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<v Speaker 4>took two years. It took two years of grieving sort

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<v Speaker 4>of like not knowing I was grieving because my life

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<v Speaker 4>was changing.

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<v Speaker 3>How I identified was not there anymore.

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<v Speaker 1>Did you ever think you were straight? No? No, no,

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<v Speaker 1>no no, no, I know that right, so you weren't really,

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<v Speaker 1>I mean you knew you were, right, I mean, it

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<v Speaker 1>wasn't like you were.

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<v Speaker 4>No. Here's but here's I knew that I was gay

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<v Speaker 4>since I was nineteen years old. And they're only related

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<v Speaker 4>in the fact that when I realized that I'd been

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<v Speaker 4>given my life to something that couldn't love me back,

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<v Speaker 4>when I really realized that in the sort of tangible terms,

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<v Speaker 4>that's when I realized, well, I've also sold this away,

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<v Speaker 4>this part, this part of myself away or I mean,

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<v Speaker 4>I don't think I necessarily misled anybody. But here's the thing.

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<v Speaker 4>At my very first press junket, the executive producer who

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<v Speaker 4>was a massive director from the eighties, told another actor

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<v Speaker 4>he almost didn't hire him because he thought he was

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<v Speaker 4>a faggot. And those and that taught me in the

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<v Speaker 4>year two thousand, everything I needed to know about Hollywood

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<v Speaker 4>and if I wanted this, shut my mouth. And that

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<v Speaker 4>is the truth, and that that existed until a few

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<v Speaker 4>years ago.

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<v Speaker 3>This is New Wow.

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<v Speaker 1>I mean I've fared. I've heared slurs like that used

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<v Speaker 1>around as well. But it the idea that you would

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<v Speaker 1>say I wouldn't hire someone because I mean, that's but

0:11:04.320 --> 0:11:06.760
<v Speaker 1>it's the old school boys boys club, right, You're so

0:11:06.920 --> 0:11:08.760
<v Speaker 1>used to being able to do whatever the hell you want,

0:11:09.040 --> 0:11:11.880
<v Speaker 1>and he was such a huge guy entertainment.

0:11:12.120 --> 0:11:14.880
<v Speaker 4>But it really just taught me that if I want this,

0:11:15.080 --> 0:11:16.959
<v Speaker 4>if this dream that I had since I was a child,

0:11:17.000 --> 0:11:20.440
<v Speaker 4>I wanted to go after I had to. There's certain

0:11:20.480 --> 0:11:22.319
<v Speaker 4>things that I just couldn't do, Like I couldn't take

0:11:22.320 --> 0:11:24.599
<v Speaker 4>my boyfriend to the premiere the New Guy, Like it

0:11:24.720 --> 0:11:25.679
<v Speaker 4>just wasn't going to happen.

0:11:26.120 --> 0:11:28.200
<v Speaker 3>And then you get used to that. And I don't think.

0:11:28.280 --> 0:11:31.800
<v Speaker 4>I don't think that I have any sort of damage

0:11:31.800 --> 0:11:34.360
<v Speaker 4>from it, other than the fact that those were the

0:11:34.440 --> 0:11:37.080
<v Speaker 4>choices that I made. I made them willingly. I stay

0:11:37.080 --> 0:11:39.559
<v Speaker 4>behind every choice I've ever made because I made them.

0:11:39.960 --> 0:11:42.800
<v Speaker 4>But the system was fucked. It was very odd. I

0:11:42.840 --> 0:11:47.040
<v Speaker 4>made a movie in nineteen ninety nine. I love this movie.

0:11:47.040 --> 0:11:49.680
<v Speaker 1>It totally flopped, but it was a movie called The

0:11:49.720 --> 0:11:53.679
<v Speaker 1>Big Teas and the Big Te's. It was about competitive

0:11:53.720 --> 0:11:57.760
<v Speaker 1>hairdressing and it was about a hairdresser from Scotland that

0:11:58.080 --> 0:12:00.679
<v Speaker 1>came to La seeking this fame and for it basically

0:12:00.679 --> 0:12:03.680
<v Speaker 1>and hijinks and SIU And I'm very proud of the movie.

0:12:03.679 --> 0:12:06.760
<v Speaker 1>It's a very affectionate movie. It's a very sweet movie.

0:12:06.920 --> 0:12:12.840
<v Speaker 1>And it got rated R because the lead character I

0:12:12.880 --> 0:12:15.600
<v Speaker 1>played a gay man. Now, there were no gay sex

0:12:15.640 --> 0:12:17.120
<v Speaker 1>scenes in it. There were no sex scenes in it.

0:12:17.160 --> 0:12:20.640
<v Speaker 1>There was no there was no there was no violence

0:12:20.720 --> 0:12:23.560
<v Speaker 1>or there was no hard language, there was nothing. It

0:12:23.640 --> 0:12:28.439
<v Speaker 1>was just that the main character was unequivocally a gay

0:12:28.480 --> 0:12:31.040
<v Speaker 1>man who was in a relationship with another man and

0:12:31.200 --> 0:12:33.640
<v Speaker 1>they talked to each other and they had a sweet relationship,

0:12:33.640 --> 0:12:35.800
<v Speaker 1>and there was It wasn't really part of the story.

0:12:35.840 --> 0:12:38.840
<v Speaker 1>It was just who he was and they it was

0:12:38.880 --> 0:12:40.680
<v Speaker 1>an R. If you look at this thing, it wouldn't

0:12:40.679 --> 0:12:43.520
<v Speaker 1>even make PG. Thirteen today. And that's what he That's

0:12:43.559 --> 0:12:47.920
<v Speaker 1>twenty five years ago. And that is not that hung ago,

0:12:48.480 --> 0:12:48.640
<v Speaker 1>I know.

0:12:49.600 --> 0:12:53.440
<v Speaker 4>And the thing is, I'm fully cognizant of like how

0:12:53.640 --> 0:12:56.520
<v Speaker 4>things are so much easier now, but Craig after like

0:12:56.920 --> 0:12:59.800
<v Speaker 4>in twenty twenty one, everything I was being offered was

0:12:59.840 --> 0:13:02.240
<v Speaker 4>a who falls apart because he left his moisturizer at

0:13:02.240 --> 0:13:02.760
<v Speaker 4>home and.

0:13:02.720 --> 0:13:03.920
<v Speaker 3>I'm like, I'm not doing that.

0:13:04.160 --> 0:13:09.280
<v Speaker 5>I'm not going to do that, and so that's so

0:13:09.480 --> 0:13:10.240
<v Speaker 5>fucking lame.

0:13:13.000 --> 0:13:13.680
<v Speaker 1>That's great.

0:13:14.120 --> 0:13:18.800
<v Speaker 4>But here's the But also I completely like I also realized,

0:13:18.840 --> 0:13:21.720
<v Speaker 4>like I knew something told me when I first got here,

0:13:21.760 --> 0:13:25.440
<v Speaker 4>Like I was in young Hollywood. Young Hollywood was very small.

0:13:25.480 --> 0:13:27.280
<v Speaker 4>It was you know, we got jobs from going out.

0:13:27.320 --> 0:13:29.959
<v Speaker 4>It was one bar one night. My friend got a

0:13:30.040 --> 0:13:32.439
<v Speaker 4>gap campaign with Joni Mitchell from going to hide one night.

0:13:32.480 --> 0:13:35.760
<v Speaker 4>That's what you did. But I saw people blowing through money,

0:13:35.880 --> 0:13:38.160
<v Speaker 4>and I was like, this cannot sustain itself.

0:13:38.160 --> 0:13:39.280
<v Speaker 3>This won't sustain itself.

0:13:39.280 --> 0:13:43.440
<v Speaker 4>So I started putting like during during note like after

0:13:43.520 --> 0:13:46.880
<v Speaker 4>nine to eleven, I spent three months chainsmoking on Ebaye

0:13:46.880 --> 0:13:49.920
<v Speaker 4>buying gold bullion between two fifty and three fifty an ounce.

0:13:52.120 --> 0:13:56.040
<v Speaker 4>We are from a very similar place. I know I

0:13:56.080 --> 0:13:57.760
<v Speaker 4>spoke anymore, but I still have the gold.

0:13:58.120 --> 0:13:59.040
<v Speaker 3>Oh my god.

0:13:59.320 --> 0:14:03.720
<v Speaker 1>I'm honestly, I'm a survivalist. I bought an airstream trailer

0:14:03.840 --> 0:14:09.600
<v Speaker 1>on Facebook Marketplace. It's in my house and I'm like like,

0:14:09.720 --> 0:14:11.959
<v Speaker 1>so it's at my house and I have it and

0:14:11.960 --> 0:14:14.360
<v Speaker 1>I'm ready, and I'm like stalking it with things my

0:14:14.440 --> 0:14:16.960
<v Speaker 1>wife's like, what are we stalking this form? Like you know,

0:14:17.040 --> 0:14:18.520
<v Speaker 1>you never know, you never know.

0:14:19.360 --> 0:14:21.080
<v Speaker 4>I think part of it also is that I don't

0:14:21.160 --> 0:14:23.640
<v Speaker 4>be caught out, you know what I mean. And also,

0:14:23.720 --> 0:14:26.400
<v Speaker 4>once you've been poor and you've been in a situation

0:14:26.440 --> 0:14:29.240
<v Speaker 4>where you're no longer poor, you would think that you

0:14:29.240 --> 0:14:32.160
<v Speaker 4>would feel relief, but you feel fear this is going

0:14:32.200 --> 0:14:33.880
<v Speaker 4>to go wait for me and be taken for me.

0:14:33.960 --> 0:14:36.120
<v Speaker 4>And then I saw so many of my peers lose

0:14:36.160 --> 0:14:40.240
<v Speaker 4>it all by doing crazy stuff because there's no governance,

0:14:40.280 --> 0:14:41.239
<v Speaker 4>there's no mentoring.

0:14:41.400 --> 0:14:51.800
<v Speaker 1>Right well, when you get given you know, large sums

0:14:51.800 --> 0:14:54.320
<v Speaker 1>of money and success and privilege when you're very young.

0:14:54.400 --> 0:14:56.600
<v Speaker 1>Now that it honestly didn't really happen to me like that.

0:14:56.640 --> 0:15:00.080
<v Speaker 1>It was kind of a slow burn. And but the

0:15:00.400 --> 0:15:03.040
<v Speaker 1>but I saw it. I saw it a lot in Hollywood.

0:15:03.080 --> 0:15:05.280
<v Speaker 1>I saw it with euro Peers. I saw it when

0:15:05.760 --> 0:15:07.640
<v Speaker 1>there would be people that would come through when it's

0:15:07.680 --> 0:15:09.880
<v Speaker 1>what I was doing late night, there'd be people coming

0:15:09.920 --> 0:15:13.120
<v Speaker 1>through and you would go, oh, man, you've got to

0:15:13.160 --> 0:15:15.000
<v Speaker 1>try and get better people around you. This is going

0:15:15.080 --> 0:15:18.440
<v Speaker 1>to go bad fast, and yeah, you saw it all. Yeah,

0:15:18.440 --> 0:15:20.160
<v Speaker 1>and some of them dead and some of them didn't

0:15:20.200 --> 0:15:21.600
<v Speaker 1>you know. And some of them made it, some of

0:15:21.640 --> 0:15:26.720
<v Speaker 1>them are dead. I mean, it's crazy. It's unsupervised in

0:15:26.760 --> 0:15:28.960
<v Speaker 1>any way. There's no real structure to it. But at

0:15:29.000 --> 0:15:33.920
<v Speaker 1>the same time I wonder because the you know, I

0:15:33.960 --> 0:15:37.280
<v Speaker 1>look at the kind of freedom and the openness about

0:15:37.320 --> 0:15:40.840
<v Speaker 1>certain areas of life now, and there are other parts

0:15:40.880 --> 0:15:43.720
<v Speaker 1>of it where I kind of go, is this good?

0:15:44.360 --> 0:15:48.680
<v Speaker 1>Like the amount of bit Middler said a thing years

0:15:48.720 --> 0:15:50.680
<v Speaker 1>ago that I always kind of hung on to, which

0:15:50.760 --> 0:15:55.720
<v Speaker 1>was she said, the saddest thing about success is finding

0:15:55.800 --> 0:16:00.120
<v Speaker 1>out that not everyone is happy for you. And when

0:16:00.120 --> 0:16:02.760
<v Speaker 1>that happens, and you find out when the and when

0:16:02.800 --> 0:16:04.920
<v Speaker 1>social media came along, you find all of the people

0:16:04.960 --> 0:16:09.440
<v Speaker 1>that are not happy for you are right the click. Yeah,

0:16:08.960 --> 0:16:12.920
<v Speaker 1>they're there and they're there to let you know. And

0:16:13.000 --> 0:16:17.000
<v Speaker 1>I kind of I understand that. I feel shot in freud. Sometimes.

0:16:17.040 --> 0:16:19.800
<v Speaker 1>I sometimes see people that I don't like do well

0:16:19.840 --> 0:16:22.640
<v Speaker 1>and I'm like, oh, come on, I feel that. Do

0:16:22.680 --> 0:16:23.440
<v Speaker 1>you soon feel it?

0:16:24.040 --> 0:16:24.240
<v Speaker 4>Yeah?

0:16:24.280 --> 0:16:24.920
<v Speaker 3>Occasionally?

0:16:24.960 --> 0:16:28.200
<v Speaker 4>But I fight it though, because me too, Yeah, because

0:16:28.440 --> 0:16:31.480
<v Speaker 4>the difference is now, like I understand where it comes from,

0:16:31.920 --> 0:16:34.000
<v Speaker 4>and I really do fight it, but of course I

0:16:34.000 --> 0:16:35.440
<v Speaker 4>feel it. I said something the other day on my

0:16:35.480 --> 0:16:37.960
<v Speaker 4>podcast that after I said it, I was like, that's

0:16:38.000 --> 0:16:39.040
<v Speaker 4>not who you are at all.

0:16:39.080 --> 0:16:40.280
<v Speaker 3>But I was caught up in this.

0:16:40.240 --> 0:16:42.200
<v Speaker 4>Thing and there was a little thing still in my

0:16:42.280 --> 0:16:46.920
<v Speaker 4>memory from another time ago, and I was like, oh man,

0:16:47.280 --> 0:16:49.440
<v Speaker 4>and is disappointing when I do it. But also the

0:16:49.480 --> 0:16:53.400
<v Speaker 4>thing is I realize that I am I'm not who

0:16:53.400 --> 0:16:56.280
<v Speaker 4>I'm going to be, but I'm better than who I was,

0:16:56.520 --> 0:16:59.320
<v Speaker 4>and so I do give myself. But also I'm an

0:16:59.320 --> 0:17:03.080
<v Speaker 4>easy apologie. It's really easy you apologize, Yeah.

0:17:02.960 --> 0:17:05.479
<v Speaker 1>I think. I think once you start doing it agains easier.

0:17:05.520 --> 0:17:07.560
<v Speaker 1>I go into a bed during late night. I have

0:17:07.600 --> 0:17:10.240
<v Speaker 1>to apologize for stuff every night, and then I was like,

0:17:10.720 --> 0:17:13.520
<v Speaker 1>you know what, Okay, I find I'm sorry, And at

0:17:13.520 --> 0:17:15.000
<v Speaker 1>first I meant it and then it didn't mean it

0:17:15.040 --> 0:17:15.360
<v Speaker 1>at all.

0:17:15.440 --> 0:17:17.680
<v Speaker 3>And then I can't apologize for stuff I don't mean.

0:17:18.320 --> 0:17:20.800
<v Speaker 1>I apologize for stuff. I do mean stuff I don't mean.

0:17:20.840 --> 0:17:22.680
<v Speaker 1>I could run for I could run for office. I

0:17:22.680 --> 0:17:25.920
<v Speaker 1>could apologize for ending. I can say, I can say, no,

0:17:26.000 --> 0:17:28.760
<v Speaker 1>it wasn't me I was I wasn't me at all.

0:17:28.840 --> 0:17:33.760
<v Speaker 1>I wasn't there. But the truth is that when I

0:17:33.840 --> 0:17:36.560
<v Speaker 1>it's kind of like that thing when I really apologize.

0:17:36.600 --> 0:17:38.920
<v Speaker 1>I know, and you know, and you can tell what

0:17:39.040 --> 0:17:44.120
<v Speaker 1>I mean it and it's it's uh. But saying something

0:17:44.320 --> 0:17:47.000
<v Speaker 1>that is kind of awkward or weird, it's just a

0:17:47.119 --> 0:17:50.479
<v Speaker 1>human thing. It's not like, of course, you know, to

0:17:50.480 --> 0:17:53.440
<v Speaker 1>be judged on one thing you say is a little

0:17:53.600 --> 0:17:56.399
<v Speaker 1>it's a pretty odd standard to hold anyone to.

0:17:57.160 --> 0:18:00.600
<v Speaker 4>Late night is a scary world because you can say

0:18:00.600 --> 0:18:03.760
<v Speaker 4>something and like I remember early like you were the

0:18:03.800 --> 0:18:07.359
<v Speaker 4>first ever late night hosts who didn't pre interview me.

0:18:08.280 --> 0:18:10.080
<v Speaker 4>You did it once and we had such a good

0:18:10.200 --> 0:18:13.720
<v Speaker 4>chat and we went so far off the scripted cards

0:18:13.800 --> 0:18:15.119
<v Speaker 4>or whatever. You were like, we don't have to do

0:18:15.119 --> 0:18:18.320
<v Speaker 4>this anymore. And then you go on and you feel

0:18:18.400 --> 0:18:20.920
<v Speaker 4>safe and you feel like if you get into something,

0:18:20.920 --> 0:18:24.400
<v Speaker 4>you'll be guided out of. As opposed to this thing

0:18:24.520 --> 0:18:26.399
<v Speaker 4>you have to get back to these stories and you're like,

0:18:26.400 --> 0:18:28.080
<v Speaker 4>oh my god, I'm so far away from IM supposed

0:18:28.080 --> 0:18:29.919
<v Speaker 4>to be, so you're never truly yourself.

0:18:30.480 --> 0:18:31.919
<v Speaker 3>Yeah, and that's what I loved.

0:18:32.040 --> 0:18:34.560
<v Speaker 4>But I couldn't imagine if I was on every night,

0:18:34.720 --> 0:18:36.960
<v Speaker 4>the kind of stuff that would just randomly come out

0:18:36.960 --> 0:18:37.440
<v Speaker 4>of my mouth.

0:18:37.480 --> 0:18:39.119
<v Speaker 3>I'd probably be held responsible for.

0:18:39.800 --> 0:18:41.880
<v Speaker 1>Yeah, I mean I took a few hits, no doubt

0:18:41.880 --> 0:18:45.800
<v Speaker 1>about it. But the truth is, though, I think the

0:18:45.840 --> 0:18:50.000
<v Speaker 1>atmosphere of them was a little less frantic because it

0:18:50.119 --> 0:18:54.600
<v Speaker 1>wasn't about filling the space. You know, you didn't have

0:18:54.680 --> 0:18:57.400
<v Speaker 1>to fill every website. You didn't have to post every

0:18:57.440 --> 0:19:00.919
<v Speaker 1>ten seconds about some kind of outrage. So you know,

0:19:01.000 --> 0:19:04.800
<v Speaker 1>if I say the wrong thing about something in twenty ten,

0:19:05.359 --> 0:19:08.119
<v Speaker 1>there wasn't enough of a social media appetite for someone

0:19:08.119 --> 0:19:11.840
<v Speaker 1>to go looking for it. But if it's no I mean, look,

0:19:11.920 --> 0:19:13.680
<v Speaker 1>we could say this the wrong thing. You can say

0:19:13.680 --> 0:19:16.160
<v Speaker 1>the wrong thing on a podcast right now and it's

0:19:16.200 --> 0:19:20.160
<v Speaker 1>like be tabloid bang and then. But it's also gone

0:19:20.960 --> 0:19:25.080
<v Speaker 1>like that, but then it's always available to be found digitally.

0:19:25.119 --> 0:19:28.560
<v Speaker 1>No one has to go through and find the microfiche

0:19:28.760 --> 0:19:30.760
<v Speaker 1>from you know. All they have to do just put

0:19:30.760 --> 0:19:32.639
<v Speaker 1>your name out and then put it by date and

0:19:32.680 --> 0:19:33.480
<v Speaker 1>it all comes up.

0:19:33.600 --> 0:19:36.520
<v Speaker 4>But I do feel though, like on social media when

0:19:36.560 --> 0:19:40.240
<v Speaker 4>people say things like I feel lucky that we came

0:19:40.320 --> 0:19:42.560
<v Speaker 4>up in a time when somebody said something bad about us.

0:19:42.560 --> 0:19:43.639
<v Speaker 1>It was in the New York Times.

0:19:44.160 --> 0:19:49.959
<v Speaker 4>Yeah, that really hurt because that was official the New

0:19:50.000 --> 0:19:50.400
<v Speaker 4>York Times.

0:19:50.520 --> 0:19:53.840
<v Speaker 3>One said about me human bookmark. DJ Quall shines.

0:19:55.720 --> 0:19:59.120
<v Speaker 1>I go, you know what, when I go on when

0:19:59.160 --> 0:20:01.960
<v Speaker 1>I first start The New York Post said, when I

0:20:02.000 --> 0:20:05.840
<v Speaker 1>first started Late Night, he said, he's awful and it.

0:20:05.760 --> 0:20:07.600
<v Speaker 3>Looks like he's wearing a wig.

0:20:07.840 --> 0:20:10.720
<v Speaker 1>And I'm like, there's one thing I know about me,

0:20:10.800 --> 0:20:13.040
<v Speaker 1>the only thing I know about me. I've got great

0:20:13.080 --> 0:20:16.240
<v Speaker 1>fucking hair. That's the only thing I know about me.

0:20:17.800 --> 0:20:20.600
<v Speaker 1>It looks like he's read. It's funny the things you go.

0:20:20.800 --> 0:20:24.760
<v Speaker 1>I that really got to be like, fuck you. Yeah.

0:20:24.920 --> 0:20:26.560
<v Speaker 1>I think when The New York Times says something bad

0:20:26.600 --> 0:20:29.000
<v Speaker 1>about you, it's like when your parents go, I'm not angry,

0:20:29.040 --> 0:20:36.040
<v Speaker 1>I'm disappointed. That's why he's like, ah.

0:20:31.920 --> 0:20:35.720
<v Speaker 4>Yes, but really, I mean, can you after you've been

0:20:35.840 --> 0:20:38.760
<v Speaker 4>dragged through the mainstream press when it was in print,

0:20:39.000 --> 0:20:41.680
<v Speaker 4>can the Internet really hurt that that unless they're coming

0:20:41.720 --> 0:20:45.400
<v Speaker 4>for your belongings or your family or your your reputation.

0:20:46.040 --> 0:20:50.160
<v Speaker 1>I always felt like Hollywood and the Internet were very

0:20:50.359 --> 0:20:52.920
<v Speaker 1>could be treated in the same way. Then Late Night

0:20:52.960 --> 0:20:55.679
<v Speaker 1>told me that, I said, demystified me for me the

0:20:55.720 --> 0:21:00.600
<v Speaker 1>following way. It's only dangerous if you take it. See,

0:21:01.080 --> 0:21:03.639
<v Speaker 1>if you don't take it seriously, it's not really there,

0:21:04.280 --> 0:21:06.639
<v Speaker 1>and it's kind of like it's that Nietzschean thing. If

0:21:06.680 --> 0:21:09.720
<v Speaker 1>you look into the void, fine, but remember the void

0:21:09.760 --> 0:21:12.680
<v Speaker 1>looks into you. But if you don't look into the void,

0:21:13.240 --> 0:21:16.679
<v Speaker 1>you can avoid it. And that's kind of how I

0:21:16.720 --> 0:21:24.080
<v Speaker 1>feel about it. I refuse to participate in any interaction

0:21:24.240 --> 0:21:29.240
<v Speaker 1>with media beyond what I think is acceptable for me.

0:21:29.520 --> 0:21:32.040
<v Speaker 1>Like you were saying, like right at the beginning when

0:21:32.040 --> 0:21:35.879
<v Speaker 1>you were talking about no, I still do it. I

0:21:35.920 --> 0:21:38.000
<v Speaker 1>still love it. When I show up, I'll give you

0:21:38.040 --> 0:21:40.720
<v Speaker 1>my best. But I'm not showing up unless I'm going

0:21:40.800 --> 0:21:44.879
<v Speaker 1>to do that right. And I think it's it's funny

0:21:44.880 --> 0:21:50.440
<v Speaker 1>now because I feel like that's part of the growing

0:21:50.520 --> 0:21:53.200
<v Speaker 1>up process. And like even talking to you now, because

0:21:53.400 --> 0:21:55.000
<v Speaker 1>when I met you, you're a young man. You were

0:21:55.040 --> 0:21:58.280
<v Speaker 1>like in your in your mid twenties, you really were.

0:21:58.359 --> 0:22:02.200
<v Speaker 6>You were a kid, and and it's like to see

0:22:02.200 --> 0:22:06.960
<v Speaker 6>someone it's appropriate for someone to go from their mid

0:22:07.000 --> 0:22:09.480
<v Speaker 6>twenties to the mid forties and to change their mind,

0:22:10.080 --> 0:22:10.639
<v Speaker 6>you know, and go No.

0:22:10.800 --> 0:22:13.000
<v Speaker 1>I feel differently about that now. I don't. I'm not

0:22:13.040 --> 0:22:16.280
<v Speaker 1>a kid anymore. I'm not gonna And what I think

0:22:16.359 --> 0:22:19.320
<v Speaker 1>happens is, especially if you get success when you're young,

0:22:20.080 --> 0:22:24.040
<v Speaker 1>is that some people perhaps who are not as emotionally

0:22:24.080 --> 0:22:28.600
<v Speaker 1>gifted as you, are emotionally diligent as you. They get stuck.

0:22:29.560 --> 0:22:32.680
<v Speaker 1>You get stuck in what worked for you at that time,

0:22:32.760 --> 0:22:34.879
<v Speaker 1>and you try and keep in that time, do you know,

0:22:34.960 --> 0:22:37.399
<v Speaker 1>I mean, try and stay in the same place. But

0:22:37.440 --> 0:22:39.720
<v Speaker 1>you can't. It's against the law of nature. You can't

0:22:39.760 --> 0:22:40.119
<v Speaker 1>stay in the.

0:22:40.119 --> 0:22:42.160
<v Speaker 3>Same Change is coming, and it's coming for you.

0:22:42.640 --> 0:22:45.800
<v Speaker 1>Yeah, all the time changes the law of God's mind,

0:22:46.040 --> 0:22:48.720
<v Speaker 1>and the resistance to it is the source of all pain.

0:22:49.600 --> 0:22:50.920
<v Speaker 1>I love that.

0:22:50.920 --> 0:22:52.439
<v Speaker 3>That's awesome. I'm going to remember that.

0:22:52.840 --> 0:22:57.000
<v Speaker 1>Yeah, I like it too. So so let me ask

0:22:57.000 --> 0:23:01.720
<v Speaker 1>you this, Was there any kind of because I've always

0:23:01.720 --> 0:23:03.640
<v Speaker 1>thought of you as someone who has quite a kind

0:23:03.640 --> 0:23:07.360
<v Speaker 1>of searching personality. You're quite a seeker. You're you look

0:23:07.400 --> 0:23:10.800
<v Speaker 1>for reasons, you look for that you analyze both yourself

0:23:10.880 --> 0:23:14.359
<v Speaker 1>and the situation around you. Right, I think that, I

0:23:14.359 --> 0:23:17.720
<v Speaker 1>mean that's my impression of you. Was there some kind

0:23:17.760 --> 0:23:25.760
<v Speaker 1>of spiritual or emotional switch that flipped when I'm not

0:23:25.800 --> 0:23:28.200
<v Speaker 1>talking necessarily about coming out, but I'm talking about the

0:23:28.320 --> 0:23:32.440
<v Speaker 1>change of attitude that you that you're talking about. I think.

0:23:34.320 --> 0:23:38.359
<v Speaker 4>I think something happened to me where my my grandfather

0:23:38.400 --> 0:23:40.480
<v Speaker 4>always told me this, when you don't know what to do,

0:23:40.480 --> 0:23:43.080
<v Speaker 4>don't do anything until that doesn't work for you anymore,

0:23:43.080 --> 0:23:46.520
<v Speaker 4>and you will know. And all of a sudden, just

0:23:46.560 --> 0:23:48.640
<v Speaker 4>my heart how I felt about things, how I felt

0:23:48.640 --> 0:23:51.919
<v Speaker 4>about myself. Also during the same time, I have problems

0:23:51.920 --> 0:23:54.200
<v Speaker 4>looking in the mirror, and like some days I would

0:23:54.200 --> 0:23:56.199
<v Speaker 4>have to, you know, brush my teeth with the medicine

0:23:56.240 --> 0:23:58.359
<v Speaker 4>cabinet open. Just I had some days where I just

0:23:58.359 --> 0:24:04.520
<v Speaker 4>couldn't with myself, and then it stopped happening, and just

0:24:04.680 --> 0:24:08.120
<v Speaker 4>there were these gradual changes and where you released the care.

0:24:08.240 --> 0:24:11.040
<v Speaker 4>And I had this really pivotal moment in the shower

0:24:12.160 --> 0:24:15.640
<v Speaker 4>where I know where I do all my thinking in there.

0:24:15.680 --> 0:24:18.440
<v Speaker 4>And so I got asked to grand marshall the Christmas

0:24:18.440 --> 0:24:21.840
<v Speaker 4>preade in my little town where I was horrifically bullied,

0:24:21.880 --> 0:24:25.800
<v Speaker 4>and this was not that long ago, and I had this,

0:24:25.920 --> 0:24:28.920
<v Speaker 4>I played this little drama out in my head where

0:24:28.960 --> 0:24:31.680
<v Speaker 4>I was like, you know what, I'll tell them the

0:24:31.720 --> 0:24:35.000
<v Speaker 4>fuck off and this, this and this, and then I

0:24:35.040 --> 0:24:37.520
<v Speaker 4>was like, what are you doing. You're holding sixteen year

0:24:37.520 --> 0:24:40.600
<v Speaker 4>olds responsible for their behavior. You are a grown up.

0:24:40.920 --> 0:24:43.439
<v Speaker 4>You've been carrying this your whole life and I'm pretty

0:24:43.440 --> 0:24:48.080
<v Speaker 4>sure it's dictated a lot of your choices and behavior and.

0:24:48.119 --> 0:24:49.160
<v Speaker 3>What that happened.

0:24:49.760 --> 0:24:54.840
<v Speaker 4>You know, every and every sort of every thought, every

0:24:54.880 --> 0:24:56.960
<v Speaker 4>mistake has been made before you by other people who

0:24:56.960 --> 0:24:58.800
<v Speaker 4>are older than you, are on a different path. But

0:24:58.840 --> 0:25:02.080
<v Speaker 4>you can never really in turn anything until it applies

0:25:02.160 --> 0:25:05.320
<v Speaker 4>directly to you. And in that moment, I was like,

0:25:06.560 --> 0:25:09.000
<v Speaker 4>this is I don't want to do this. And I

0:25:09.160 --> 0:25:11.879
<v Speaker 4>released it, and I'd never released anything before, and I

0:25:11.960 --> 0:25:14.679
<v Speaker 4>remember exactly how I felt. I felt so light, I

0:25:14.680 --> 0:25:17.080
<v Speaker 4>could float out of that shower. And I don't feel

0:25:17.119 --> 0:25:19.880
<v Speaker 4>it anymore. It's so crazy.

0:25:20.160 --> 0:25:22.920
<v Speaker 1>It's great though, it's freedom. I always think the best

0:25:22.960 --> 0:25:26.640
<v Speaker 1>revenge is no longer want revenge. That's the best revenge.

0:25:26.800 --> 0:25:28.879
<v Speaker 1>You know, say revenge is a Dutch chef cold to know.

0:25:29.040 --> 0:25:31.639
<v Speaker 1>The best revenge is no revenge at all. It's like,

0:25:31.640 --> 0:25:33.720
<v Speaker 1>I don't want to revenge. I forgive you, you said

0:25:33.800 --> 0:25:34.600
<v Speaker 1>up a bench, goodbye.

0:25:34.720 --> 0:25:34.920
<v Speaker 3>Yeah.

0:25:35.040 --> 0:25:37.639
<v Speaker 4>But it also makes it intellectually makes no sense because

0:25:37.720 --> 0:25:40.800
<v Speaker 4>I know for a fact that when you get successful,

0:25:40.880 --> 0:25:43.520
<v Speaker 4>the people in your past misremember your dynamic.

0:25:43.960 --> 0:25:46.040
<v Speaker 3>Yeah and so, and I know this, and I know.

0:25:46.080 --> 0:25:48.119
<v Speaker 4>This at the same time when I'm thinking all of

0:25:48.160 --> 0:25:49.920
<v Speaker 4>these things about being put upon.

0:25:50.520 --> 0:25:53.560
<v Speaker 1>And that's very true. Then it just.

0:25:53.600 --> 0:25:56.760
<v Speaker 4>Changed for me and it was all these things just

0:25:56.760 --> 0:25:59.640
<v Speaker 4>started occurring to me, like and the cool thing about

0:25:59.640 --> 0:26:01.720
<v Speaker 4>it was one of it was angry. None of it

0:26:01.840 --> 0:26:03.919
<v Speaker 4>was like I've been used and whatever. Like, No, all

0:26:03.960 --> 0:26:06.560
<v Speaker 4>the decisions were mine. I've done all these things, and

0:26:06.600 --> 0:26:09.040
<v Speaker 4>I've certainly profited and had a great life from it.

0:26:09.640 --> 0:26:12.560
<v Speaker 4>But I don't want to do this anymore in this way.

0:26:13.440 --> 0:26:15.320
<v Speaker 4>And that's the thing. I know that I can do

0:26:15.359 --> 0:26:17.120
<v Speaker 4>what I want to do, but just in the way

0:26:17.119 --> 0:26:18.560
<v Speaker 4>that I want to do it, and if I don't,

0:26:18.640 --> 0:26:19.560
<v Speaker 4>if I can't, then I won't.

0:26:20.480 --> 0:26:21.560
<v Speaker 3>It's really that simple.

0:26:21.840 --> 0:26:23.840
<v Speaker 1>It's really funny, is I had a thing happened to

0:26:23.840 --> 0:26:26.800
<v Speaker 1>be in a similar nature right before my mom died.

0:26:26.840 --> 0:26:28.800
<v Speaker 1>She was in a care home. She's very ill for

0:26:28.840 --> 0:26:31.640
<v Speaker 1>a while and she was in this care home in Scotland,

0:26:31.720 --> 0:26:33.159
<v Speaker 1>and when I got there, I was talking to her.

0:26:33.200 --> 0:26:35.800
<v Speaker 1>She was cognitively she was fine, but she was physically,

0:26:36.160 --> 0:26:38.680
<v Speaker 1>you know, falling to pieces and needed round the cloud care.

0:26:39.640 --> 0:26:41.879
<v Speaker 1>And I was in this went to visitor in the

0:26:41.920 --> 0:26:44.720
<v Speaker 1>care home and she said, let's change her name. Actually

0:26:45.000 --> 0:26:47.840
<v Speaker 1>I'll edit this out. See missus lady who was mean

0:26:47.880 --> 0:26:49.280
<v Speaker 1>to me when I was a kid is in here.

0:26:49.560 --> 0:26:53.240
<v Speaker 1>And the lady the teacher who had beat me horrifically

0:26:53.560 --> 0:26:57.359
<v Speaker 1>when I was a child, and that I like a

0:26:57.480 --> 0:27:00.120
<v Speaker 1>lot of you know, stuff i'd come out of. It

0:27:00.640 --> 0:27:05.879
<v Speaker 1>was in the care home and she was and she

0:27:06.000 --> 0:27:09.480
<v Speaker 1>was suffering from Alzheimer's and she had very bad Alzheimer's.

0:27:09.600 --> 0:27:12.639
<v Speaker 1>And my mom said, you should go in and see her, like,

0:27:13.119 --> 0:27:16.000
<v Speaker 1>I don't think so, man. I think I think whatever

0:27:16.119 --> 0:27:19.679
<v Speaker 1>that was, it's gone, and I don't want to go

0:27:19.720 --> 0:27:22.400
<v Speaker 1>in and lord it over this poor woman.

0:27:22.520 --> 0:27:27.440
<v Speaker 3>Who is you get it from that pushed it down

0:27:27.440 --> 0:27:28.080
<v Speaker 3>the stairs?

0:27:28.359 --> 0:27:31.520
<v Speaker 1>Yea, the very definition of it, as well as Look,

0:27:31.640 --> 0:27:33.159
<v Speaker 1>I don't I'm not a doctor. I don't know a

0:27:33.240 --> 0:27:35.400
<v Speaker 1>law about Alzheimer's, but I know if I won't get there,

0:27:35.440 --> 0:27:38.000
<v Speaker 1>she's going to have no fucking clue I have. So

0:27:38.840 --> 0:27:42.320
<v Speaker 1>it's like, what the hell? But it's funny. My mom

0:27:42.440 --> 0:27:45.080
<v Speaker 1>was like, no, you you you should go and give

0:27:45.119 --> 0:27:46.800
<v Speaker 1>it a piece of your mind. I'm like, I don't

0:27:46.840 --> 0:27:50.800
<v Speaker 1>think so, man, I think it's all right. It's an

0:27:50.880 --> 0:27:57.439
<v Speaker 1>odd thing. It's the idea of holding on resentments. I

0:27:57.520 --> 0:27:59.200
<v Speaker 1>used to think it was a kind of a Pollyanna

0:27:59.280 --> 0:28:01.920
<v Speaker 1>thing to try and free yourself from that. But it's no,

0:28:02.040 --> 0:28:04.640
<v Speaker 1>it's mental health, it really is. It's like, no, I'm

0:28:04.640 --> 0:28:07.159
<v Speaker 1>not gonna hold on it to make you feel more comfortable,

0:28:07.280 --> 0:28:09.800
<v Speaker 1>or because I was mad ten years ago. I'm not

0:28:09.840 --> 0:28:12.440
<v Speaker 1>mad now. I mean, I can get to it, but

0:28:12.560 --> 0:28:14.080
<v Speaker 1>I can release it, let it go.

0:28:14.680 --> 0:28:17.560
<v Speaker 4>But we also do it from behavioral modeling too, because

0:28:17.560 --> 0:28:20.280
<v Speaker 4>it's what people that came before us do, and we're

0:28:20.320 --> 0:28:23.640
<v Speaker 4>told to always get the last word in get your

0:28:23.640 --> 0:28:27.800
<v Speaker 4>own back. We're taught that, and it takes I think

0:28:27.840 --> 0:28:31.480
<v Speaker 4>maybe if I didn't leave my community, then maybe I'm

0:28:31.520 --> 0:28:34.760
<v Speaker 4>from a small town and I feel like being exposed

0:28:34.800 --> 0:28:37.240
<v Speaker 4>to the rest of the world without sort of the

0:28:37.400 --> 0:28:42.200
<v Speaker 4>net that reinforced that kind of behavior. Yeah, I think

0:28:42.240 --> 0:28:44.200
<v Speaker 4>that helped me sort of get to where I am

0:28:44.360 --> 0:28:45.080
<v Speaker 4>or where I'm going.

0:28:45.560 --> 0:28:48.240
<v Speaker 1>Do we ever tempted to move back? Never?

0:28:49.760 --> 0:28:53.000
<v Speaker 3>What's so great about not belonging is that you leave and.

0:28:52.960 --> 0:28:55.800
<v Speaker 4>You don't have to go back because there was nothing

0:28:55.840 --> 0:28:58.240
<v Speaker 4>there for me. My high school farms into the casket

0:28:58.240 --> 0:29:01.360
<v Speaker 4>factory and the pajamas factory, and pajamas closed down.

0:29:02.960 --> 0:29:08.600
<v Speaker 5>In a fucking country song, crack so fucking bleak. It's fantastic.

0:29:09.520 --> 0:29:14.400
<v Speaker 5>I love yeah, but it's great. It's such a gothic picture.

0:29:14.560 --> 0:29:15.880
<v Speaker 5>It's fabulous.

0:29:16.640 --> 0:29:21.160
<v Speaker 1>I think that. I think also the freedom that comes

0:29:21.200 --> 0:29:24.760
<v Speaker 1>from it's really it feels to me very therapeutic to

0:29:24.880 --> 0:29:27.600
<v Speaker 1>laugh at at stuff like that as well. It kind

0:29:27.640 --> 0:29:30.720
<v Speaker 1>of it doesn't I think. I'm sure that's why I

0:29:30.800 --> 0:29:34.320
<v Speaker 1>ended up getting into working mostly in humor, because it's

0:29:34.360 --> 0:29:39.000
<v Speaker 1>such a fabulous weapon to free yourself. Like you know,

0:29:39.200 --> 0:29:42.480
<v Speaker 1>it's why I'm sure you know, whenever like the Hitler's

0:29:42.560 --> 0:29:46.600
<v Speaker 1>or the Stalons or the demagogues come along, they always

0:29:46.600 --> 0:29:52.120
<v Speaker 1>go after the humorists first. It's always you can't make

0:29:52.200 --> 0:29:56.960
<v Speaker 1>jokes about that? And you go, well why not? You know, it's, uh,

0:29:57.040 --> 0:29:59.400
<v Speaker 1>you can't. You can make jokes about that, and when

0:29:59.640 --> 0:30:01.800
<v Speaker 1>when you But if you make jokes about things, you

0:30:02.320 --> 0:30:04.479
<v Speaker 1>kind of emasculate it a little bit. You make it

0:30:04.840 --> 0:30:07.200
<v Speaker 1>a figure of derision, do you know, a figure of fun.

0:30:07.600 --> 0:30:08.880
<v Speaker 1>And you can do that. I think you can do

0:30:08.880 --> 0:30:10.400
<v Speaker 1>it with your own history. When you laugh at your

0:30:10.440 --> 0:30:13.360
<v Speaker 1>own history, it becomes less threatening somehow, do you know

0:30:13.400 --> 0:30:13.760
<v Speaker 1>what I mean?

0:30:14.320 --> 0:30:16.360
<v Speaker 4>I mean, that was my I think that was my

0:30:16.440 --> 0:30:18.920
<v Speaker 4>security blanket or my armor when I moved out here

0:30:18.920 --> 0:30:19.800
<v Speaker 4>and started doing work.

0:30:19.840 --> 0:30:20.440
<v Speaker 3>He's an actor.

0:30:20.560 --> 0:30:22.080
<v Speaker 4>It's like, I'm going to say all the things before

0:30:22.120 --> 0:30:25.280
<v Speaker 4>you say them. You don't think I know what the

0:30:25.320 --> 0:30:27.600
<v Speaker 4>merchandise I'm trying to move looks like you don't think

0:30:27.640 --> 0:30:31.240
<v Speaker 4>I don't know myself. And I did it, and I

0:30:31.280 --> 0:30:33.480
<v Speaker 4>did it, but I did it at a defense and

0:30:33.520 --> 0:30:36.440
<v Speaker 4>now I'm able to do it with it. We're like, Yep,

0:30:37.480 --> 0:30:39.440
<v Speaker 4>this is exactly what happened. This is what's going on.

0:30:39.600 --> 0:30:42.680
<v Speaker 4>Like it seems different. The motives are different, right, because

0:30:42.680 --> 0:30:43.880
<v Speaker 4>it's not scorn of pain?

0:30:44.520 --> 0:30:47.120
<v Speaker 1>Do you do you feel that you know, like the

0:30:47.520 --> 0:30:49.520
<v Speaker 1>movies that you were doing early in your career is

0:30:49.880 --> 0:30:54.040
<v Speaker 1>hilarious movies, funny performances, and in these like kind of

0:30:54.080 --> 0:30:57.080
<v Speaker 1>they're not slapstick movies, were quite broad humor movies, and

0:30:57.240 --> 0:31:02.440
<v Speaker 1>people who people who love those movies sometimes, I think,

0:31:04.280 --> 0:31:06.400
<v Speaker 1>not necessarily for you, but just for anyone. If you

0:31:06.440 --> 0:31:08.080
<v Speaker 1>do a joke and somebody likes it and then they

0:31:08.120 --> 0:31:10.800
<v Speaker 1>find out later that you're not like the joke you did,

0:31:11.320 --> 0:31:13.640
<v Speaker 1>they feel a little betrayed by it.

0:31:13.640 --> 0:31:16.240
<v Speaker 4>It is so crazy that you're saying that, because that's

0:31:16.240 --> 0:31:19.160
<v Speaker 4>what I got as I've gone forward in my life.

0:31:19.160 --> 0:31:21.719
<v Speaker 4>People meet me in public way before coming out, and

0:31:21.720 --> 0:31:23.960
<v Speaker 4>people meet me and find out that I'm not that,

0:31:24.440 --> 0:31:26.640
<v Speaker 4>and I try to explain to them, no, no, no, no no.

0:31:26.760 --> 0:31:30.080
<v Speaker 4>I made you think that on purpose because it's funny

0:31:30.360 --> 0:31:34.320
<v Speaker 4>and it's for the movie. But I was I was

0:31:34.360 --> 0:31:36.480
<v Speaker 4>the reason why you thought that was funny. But it's

0:31:36.480 --> 0:31:40.040
<v Speaker 4>not who I am. And so many times people are like,

0:31:40.280 --> 0:31:43.040
<v Speaker 4>after Hustle and Flow, everybody thought that I could make music.

0:31:43.200 --> 0:31:46.880
<v Speaker 4>And it's kind of a little bit flattering that people

0:31:46.960 --> 0:31:49.320
<v Speaker 4>think that I am the person that I play. But

0:31:49.520 --> 0:31:51.400
<v Speaker 4>here's what I wanted to say to people. I played

0:31:51.440 --> 0:31:54.440
<v Speaker 4>a virgin like twenty seven times. I've been famous like

0:31:54.800 --> 0:31:57.280
<v Speaker 4>for like seven years at this point. You don't think

0:31:57.320 --> 0:32:05.000
<v Speaker 4>I'm one person would have sex with me. I'm on television. Yeah,

0:32:05.080 --> 0:32:05.400
<v Speaker 4>it's a.

0:32:05.480 --> 0:32:07.720
<v Speaker 1>Very It's a very odd thing, though, because I think

0:32:07.760 --> 0:32:10.200
<v Speaker 1>that people do get attached to it in a way.

0:32:10.240 --> 0:32:14.160
<v Speaker 1>With John, I always thought, Look, the example is fairly recently,

0:32:14.360 --> 0:32:18.360
<v Speaker 1>was what happened to Ellen DeGeneres that you know it's like, oh,

0:32:18.400 --> 0:32:20.800
<v Speaker 1>she's not very nice. I don't know Ellen DeGeneres at all.

0:32:20.800 --> 0:32:22.440
<v Speaker 1>I was on a show once or twice, I think,

0:32:22.440 --> 0:32:24.960
<v Speaker 1>But you don't know someone because that you're on their show,

0:32:25.040 --> 0:32:27.920
<v Speaker 1>you know that you're going to show you league. And

0:32:28.040 --> 0:32:30.880
<v Speaker 1>she was perfectly nice. And then it turns out apparently

0:32:31.040 --> 0:32:35.160
<v Speaker 1>she wasn't as nice backstage as she was on the show.

0:32:35.200 --> 0:32:41.160
<v Speaker 1>And I'm like, uh, yeah, it's because she's doing her job. Yeah,

0:32:41.360 --> 0:32:43.840
<v Speaker 1>you know, she's pretended to be nice.

0:32:44.400 --> 0:32:47.880
<v Speaker 3>Yeah, like everybody else in the Hollywood, you have to

0:32:47.920 --> 0:32:49.040
<v Speaker 3>be also her job.

0:32:49.400 --> 0:32:50.000
<v Speaker 1>You can't.

0:32:50.600 --> 0:32:52.880
<v Speaker 4>You can't go on a daytime talk show and bitch

0:32:53.240 --> 0:32:55.280
<v Speaker 4>or talk about things that are going wrong.

0:32:55.520 --> 0:32:56.840
<v Speaker 3>People don't want to see that.

0:32:57.800 --> 0:33:00.720
<v Speaker 4>And and the thing is they also don't like I

0:33:01.400 --> 0:33:04.920
<v Speaker 4>knew when I did Road Trip, my first movie, Todd Phillips,

0:33:04.960 --> 0:33:06.320
<v Speaker 4>you know, he went on to direct The Hangover and

0:33:06.360 --> 0:33:06.760
<v Speaker 4>The Joker.

0:33:06.840 --> 0:33:07.960
<v Speaker 3>It was his first movie too.

0:33:08.760 --> 0:33:11.960
<v Speaker 4>I realized that if I allowed myself to be the

0:33:12.000 --> 0:33:14.000
<v Speaker 4>butt of the joke, my whole career was over. There's

0:33:14.040 --> 0:33:15.840
<v Speaker 4>a kid from American Pie who was the butt of

0:33:15.880 --> 0:33:19.400
<v Speaker 4>the joke and didn't work much beyond that. I knew,

0:33:20.040 --> 0:33:22.040
<v Speaker 4>and also knew that we lost the movie. So I

0:33:22.120 --> 0:33:24.040
<v Speaker 4>was like, there's a way to do this where I'm

0:33:24.040 --> 0:33:26.760
<v Speaker 4>not being shot upon, that I'm being celebrated. And I

0:33:26.760 --> 0:33:28.320
<v Speaker 4>still get to do all these things that you want

0:33:28.360 --> 0:33:30.800
<v Speaker 4>me to do. I was really really aware of this,

0:33:31.120 --> 0:33:35.400
<v Speaker 4>and as I as my career came along, I started

0:33:35.400 --> 0:33:37.880
<v Speaker 4>to see, like, there's a role I could take that's enough,

0:33:38.040 --> 0:33:39.720
<v Speaker 4>like that it's going to pay me this big amount

0:33:39.760 --> 0:33:42.360
<v Speaker 4>of money so that I can go away and do

0:33:43.000 --> 0:33:46.040
<v Speaker 4>something else. So I was a I think part of

0:33:46.280 --> 0:33:48.960
<v Speaker 4>I think I've sort of benefited a lot from insecurity

0:33:49.080 --> 0:33:51.560
<v Speaker 4>and from being sort of made fun of and all

0:33:51.560 --> 0:33:54.200
<v Speaker 4>these things that were going on in my head because

0:33:54.280 --> 0:33:57.400
<v Speaker 4>it allowed me to to first of all, insulate myself

0:33:57.400 --> 0:33:59.960
<v Speaker 4>from my career, but also to be a good storyteller.

0:34:00.360 --> 0:34:02.760
<v Speaker 4>I'm like, going for the joke and making fun of

0:34:02.800 --> 0:34:05.080
<v Speaker 4>myself is first of all, not good for me in

0:34:05.080 --> 0:34:06.880
<v Speaker 4>the long term, but also that's not what we're doing.

0:34:07.280 --> 0:34:11.200
<v Speaker 4>We're telling we're telling hero stories and redemption stories, and it's.

0:34:11.080 --> 0:34:13.120
<v Speaker 3>Not that, and it's too easy to go for that.

0:34:14.719 --> 0:34:17.320
<v Speaker 4>And so I I think that I made some wise

0:34:17.400 --> 0:34:19.960
<v Speaker 4>choices and knew one to take the money. The only

0:34:20.000 --> 0:34:22.400
<v Speaker 4>time I didn't, I got offered Scary Movie two for

0:34:22.440 --> 0:34:24.839
<v Speaker 4>two million dollars. I've never made that before or since,

0:34:24.840 --> 0:34:26.759
<v Speaker 4>it's never been offered that. But my character had to

0:34:26.800 --> 0:34:28.680
<v Speaker 4>suck his own dick. And my manager says, you're not

0:34:28.680 --> 0:34:30.080
<v Speaker 4>the kind of guy that could do that and walk

0:34:30.120 --> 0:34:33.160
<v Speaker 4>away from it. And he was right, I am not

0:34:33.400 --> 0:34:36.719
<v Speaker 4>the vessel that can tell that story and recover from it,

0:34:36.880 --> 0:34:37.200
<v Speaker 4>all right.

0:34:37.239 --> 0:34:39.480
<v Speaker 1>That look just as go to say can you can

0:34:39.600 --> 0:34:40.080
<v Speaker 1>you do that?

0:34:40.320 --> 0:34:45.280
<v Speaker 4>Because nobody I tried, without try, every every man alive

0:34:45.320 --> 0:34:45.880
<v Speaker 4>has tried.

0:34:46.000 --> 0:34:46.600
<v Speaker 1>Yeah.

0:34:46.800 --> 0:34:49.120
<v Speaker 4>It blew my mind the offer though, and and but

0:34:49.160 --> 0:34:52.080
<v Speaker 4>then it was explained to me there are certain things

0:34:52.080 --> 0:34:52.920
<v Speaker 4>that you have.

0:34:53.120 --> 0:34:54.440
<v Speaker 3>You haven't set that up for yourself.

0:34:54.480 --> 0:34:57.359
<v Speaker 4>You've not You've said you've gone the opposite route in

0:34:57.480 --> 0:35:00.160
<v Speaker 4>like not being being the butt of it, and you're

0:35:00.200 --> 0:35:03.560
<v Speaker 4>not the physical shell or the personality that you created

0:35:03.719 --> 0:35:09.399
<v Speaker 4>that can endure that. And he was right, and so yeah,

0:35:09.400 --> 0:35:11.960
<v Speaker 4>he yes, Brian Doggins, he's my manager. So when I

0:35:12.000 --> 0:35:15.359
<v Speaker 4>first came out here, everybody tried to like Brad Gray.

0:35:15.440 --> 0:35:16.799
<v Speaker 4>I met with him when he was at burl Stein

0:35:16.840 --> 0:35:18.440
<v Speaker 4>Gray and they were like, we'll get you the young

0:35:18.480 --> 0:35:20.839
<v Speaker 4>Hollywood cover of Vanity Fair and I'm like, how could

0:35:20.840 --> 0:35:25.880
<v Speaker 4>you promise me that? And Brian he now runs artists. First,

0:35:26.760 --> 0:35:29.239
<v Speaker 4>he had a handful of clients, him and Paul Young,

0:35:29.400 --> 0:35:30.920
<v Speaker 4>and he was like I don't know.

0:35:31.000 --> 0:35:32.239
<v Speaker 3>I can't get you that, but I think you're going

0:35:32.280 --> 0:35:32.600
<v Speaker 3>to work.

0:35:32.680 --> 0:35:34.719
<v Speaker 4>And I believed him because he wasn't lying to me,

0:35:35.320 --> 0:35:37.880
<v Speaker 4>and he's been my only manager in my whole career.

0:35:38.239 --> 0:35:40.239
<v Speaker 4>And so instead I did hustle and flow, which is

0:35:40.280 --> 0:35:42.640
<v Speaker 4>a career highlight, and I'm.

0:35:42.520 --> 0:35:43.759
<v Speaker 3>So happy that I did that.

0:35:44.320 --> 0:35:47.279
<v Speaker 4>But I couldn't see around it because the money was

0:35:47.440 --> 0:35:52.240
<v Speaker 4>my redneck mine was blown. I didn't realize that agent, manager,

0:35:52.280 --> 0:35:54.800
<v Speaker 4>business manager, publicist, accountant, everybody. I didn't realize, you know,

0:35:54.840 --> 0:35:56.680
<v Speaker 4>the half of it I didn't think about. That didn't

0:35:56.680 --> 0:36:00.359
<v Speaker 4>occur to me because the number was so huge. And

0:36:01.239 --> 0:36:03.960
<v Speaker 4>but and then something interesting happened as a result of that.

0:36:04.000 --> 0:36:07.560
<v Speaker 4>My father found out and called me lazy, and we

0:36:07.600 --> 0:36:08.799
<v Speaker 4>got into a massive fact.

0:36:08.840 --> 0:36:09.840
<v Speaker 3>My father was the welder.

0:36:09.880 --> 0:36:12.120
<v Speaker 4>It was a welder in that casket factory for forty

0:36:12.239 --> 0:36:13.279
<v Speaker 4>years he was.

0:36:14.080 --> 0:36:15.560
<v Speaker 3>And so you found this out.

0:36:18.480 --> 0:36:20.640
<v Speaker 1>But look, if you're a welder in a casket factory,

0:36:20.640 --> 0:36:22.640
<v Speaker 1>your kid gets off for two million dollars to suck

0:36:22.800 --> 0:36:24.960
<v Speaker 1>on deck, and you know he's tried to do it anyway,

0:36:25.360 --> 0:36:30.239
<v Speaker 1>kind of like, why what are you doing? Why would

0:36:30.400 --> 0:36:31.120
<v Speaker 1>you do that?

0:36:31.480 --> 0:36:32.240
<v Speaker 3>You're crazy?

0:36:40.239 --> 0:36:44.000
<v Speaker 1>So given that you have I mean very clearly, you know,

0:36:44.560 --> 0:36:47.960
<v Speaker 1>matured and and I'm very happy for you. You seem

0:36:48.320 --> 0:36:51.000
<v Speaker 1>so much more inside your own skin as when we

0:36:51.040 --> 0:36:54.759
<v Speaker 1>first met. Is that what what are you looking for?

0:36:54.800 --> 0:36:56.960
<v Speaker 1>And I what what kind of like sails your boat?

0:36:58.000 --> 0:37:02.440
<v Speaker 1>I love I love making things. I form a production company.

0:37:02.680 --> 0:37:05.359
<v Speaker 4>I've we've finished production on our first movie, and we've

0:37:05.400 --> 0:37:07.239
<v Speaker 4>done it ethically. We've hired people that we had no

0:37:07.320 --> 0:37:10.759
<v Speaker 4>business getting crew members, like our production designer did La

0:37:10.880 --> 0:37:13.239
<v Speaker 4>La Land, and everybody worked for three hundred dollars a day.

0:37:13.880 --> 0:37:16.319
<v Speaker 4>And because they like what we're doing and we are

0:37:16.520 --> 0:37:19.239
<v Speaker 4>we are not we're doing first dollar splits like we

0:37:19.280 --> 0:37:21.399
<v Speaker 4>want to be ethical and make things that we want

0:37:21.440 --> 0:37:23.200
<v Speaker 4>to make the way that we want to make them,

0:37:23.400 --> 0:37:26.640
<v Speaker 4>so that feels good. The podcast. I have a podcast

0:37:26.680 --> 0:37:29.880
<v Speaker 4>that's getting a footing. We've never done a dollar of advertising, nobody,

0:37:30.000 --> 0:37:31.319
<v Speaker 4>I mean, but the word of mouth.

0:37:31.600 --> 0:37:33.640
<v Speaker 3>We're going twenty percent month over month.

0:37:33.840 --> 0:37:36.319
<v Speaker 4>And it's just my space to say exactly how I

0:37:36.360 --> 0:37:39.600
<v Speaker 4>feel and what I want. And it's not formatted. We

0:37:39.640 --> 0:37:42.879
<v Speaker 4>don't have guests yet, it's just me and my friend Guess.

0:37:43.000 --> 0:37:45.239
<v Speaker 4>Guess is a terrible idea, I.

0:37:45.160 --> 0:37:48.000
<v Speaker 3>Know, I fuck, it's their whole world right now, you

0:37:48.000 --> 0:37:49.760
<v Speaker 3>know what to say, you'll be soon.

0:37:50.560 --> 0:37:53.439
<v Speaker 1>Well, the thing is about guests is that it's great

0:37:53.440 --> 0:37:56.080
<v Speaker 1>when you get them. But everybody, and look, I remember

0:37:56.120 --> 0:37:58.279
<v Speaker 1>this from Late Night and everybody I've talked to the

0:37:58.320 --> 0:38:00.400
<v Speaker 1>do show is about guests. So it was like, you

0:38:00.440 --> 0:38:02.399
<v Speaker 1>get a guest, and then you have to get another guest,

0:38:02.440 --> 0:38:05.120
<v Speaker 1>and you have to get another guest, and it's always

0:38:05.160 --> 0:38:07.480
<v Speaker 1>like people want to do the show, but you know,

0:38:07.680 --> 0:38:10.719
<v Speaker 1>they got things to do. And I think if I

0:38:10.760 --> 0:38:13.279
<v Speaker 1>was doing a podcast again and that might after this,

0:38:14.920 --> 0:38:16.200
<v Speaker 1>I wouldn't have any guests.

0:38:16.600 --> 0:38:19.200
<v Speaker 4>It's freeing because first of all, it's well, it's on

0:38:19.200 --> 0:38:22.399
<v Speaker 4>our own schedule and you can have the other things

0:38:22.400 --> 0:38:25.239
<v Speaker 4>going on in the world and still find time to

0:38:25.280 --> 0:38:28.520
<v Speaker 4>do this. But also just the therapy aspect of it,

0:38:28.760 --> 0:38:31.240
<v Speaker 4>where you just get to talk about how you feel

0:38:31.239 --> 0:38:34.480
<v Speaker 4>about stuff you know, and somebody will will bring up

0:38:34.520 --> 0:38:36.239
<v Speaker 4>something that will reminds you of the story from twenty

0:38:36.360 --> 0:38:36.799
<v Speaker 4>years ago.

0:38:36.920 --> 0:38:38.440
<v Speaker 3>So it's part in the nostalgia.

0:38:38.880 --> 0:38:42.080
<v Speaker 4>It's about my life path and where I'm going, and

0:38:42.160 --> 0:38:44.440
<v Speaker 4>her life path and where she's gone. She was the

0:38:44.480 --> 0:38:47.680
<v Speaker 4>Coast of Jim Jefferies' podcast for five years and her

0:38:47.719 --> 0:38:50.520
<v Speaker 4>and I split off and do and it's amazing.

0:38:51.000 --> 0:38:52.120
<v Speaker 1>What is our name? Forgive me?

0:38:52.440 --> 0:38:55.680
<v Speaker 4>Her name is Kelly Blackheart right. Our podcast is called

0:38:55.680 --> 0:38:57.919
<v Speaker 4>locked In probably loaded with DJ and Kelly and it's

0:38:57.920 --> 0:38:58.400
<v Speaker 4>just fun.

0:39:00.200 --> 0:39:04.560
<v Speaker 1>It sounds great. So wait, Jeffries. I know Jim Jeffries,

0:39:04.600 --> 0:39:07.839
<v Speaker 1>I've I've told him before a couple of times. News. Yeah,

0:39:07.880 --> 0:39:08.919
<v Speaker 1>he's good news that guy.

0:39:09.440 --> 0:39:11.480
<v Speaker 4>I was a show with him called The Jit for

0:39:11.520 --> 0:39:14.080
<v Speaker 4>two years and it was the best job I've ever

0:39:14.120 --> 0:39:15.799
<v Speaker 4>had as an actor. I just loved it.

0:39:16.280 --> 0:39:19.440
<v Speaker 1>Yeah, he's a he's a great guy. He he uh.

0:39:19.680 --> 0:39:23.520
<v Speaker 1>He's a pretty uh, pretty impressive standout comedian as well.

0:39:24.200 --> 0:39:24.680
<v Speaker 1>He's amazing.

0:39:25.200 --> 0:39:28.359
<v Speaker 3>Yeah, he's great. Did you ever think about doing that?

0:39:29.640 --> 0:39:32.120
<v Speaker 3>I did, I really did, and I have since.

0:39:33.480 --> 0:39:36.960
<v Speaker 4>But I gotta tell you a part of it, I

0:39:37.000 --> 0:39:40.600
<v Speaker 4>a part of me doesn't want to make dramatic me really,

0:39:41.440 --> 0:39:47.080
<v Speaker 4>I'm not joking for me, and I know he wouldn't.

0:39:47.200 --> 0:39:50.440
<v Speaker 4>But it's his realm and I'm the actor, and I

0:39:50.760 --> 0:39:53.760
<v Speaker 4>just wait a minute, fuck him, mister has realm.

0:39:53.800 --> 0:39:57.120
<v Speaker 1>I working that of guys that work in that realm, well,

0:39:57.239 --> 0:39:59.400
<v Speaker 1>Jim Jefferies is a nice guy and a good stand

0:40:00.000 --> 0:40:04.440
<v Speaker 1>I can own it. That's like saying, oh, yeah, Eric Clapton,

0:40:04.480 --> 0:40:06.560
<v Speaker 1>I don't want to play the guitar because Eric craft

0:40:06.600 --> 0:40:09.160
<v Speaker 1>and plays the guitars. Again, a lot of other people

0:40:09.160 --> 0:40:14.440
<v Speaker 1>could play the guitar. Thank you. I love it. I

0:40:14.480 --> 0:40:16.920
<v Speaker 1>think you would love doing stand up. I've been thinking

0:40:16.960 --> 0:40:17.560
<v Speaker 1>about it.

0:40:17.560 --> 0:40:19.640
<v Speaker 4>It's funny that you bring that up because I've mentioned

0:40:19.640 --> 0:40:22.040
<v Speaker 4>it to several people recently that I've been thinking about

0:40:22.080 --> 0:40:23.640
<v Speaker 4>it for a couple of years now.

0:40:24.600 --> 0:40:28.440
<v Speaker 1>It's relating. It's time. I think what you should do

0:40:29.000 --> 0:40:31.640
<v Speaker 1>is you should do stand up and in the background

0:40:31.719 --> 0:40:34.400
<v Speaker 1>you should have these two ladies that you've got behind

0:40:34.400 --> 0:40:39.560
<v Speaker 1>you right now, standing right there cracking. Yeah. I know

0:40:40.000 --> 0:40:45.759
<v Speaker 1>they're great. Somebody did okay are you? Are you a

0:40:45.760 --> 0:40:48.120
<v Speaker 1>big Tamy art collector? I love it.

0:40:48.400 --> 0:40:51.759
<v Speaker 4>So that is so on days when I have had

0:40:51.960 --> 0:40:54.479
<v Speaker 4>on like not good times on sets, so things aren't

0:40:54.520 --> 0:40:57.640
<v Speaker 4>going right in my career, I have at I have

0:40:58.000 --> 0:41:02.719
<v Speaker 4>divided my salary by the second and every minute I'm like,

0:41:02.840 --> 0:41:05.200
<v Speaker 4>I just made this much toward a painting. So it's

0:41:05.200 --> 0:41:08.480
<v Speaker 4>become my my It's the it's the love of my life.

0:41:08.560 --> 0:41:10.320
<v Speaker 3>A creation kind of painting. Do you collect?

0:41:10.920 --> 0:41:14.400
<v Speaker 4>So I started out collecting French paintings from like eighteen

0:41:14.480 --> 0:41:18.960
<v Speaker 4>seventy to like nineteen forty. Okay, so, and because before

0:41:19.360 --> 0:41:23.040
<v Speaker 4>the eighteen seventies pigments were not able to be synthetically produced,

0:41:23.040 --> 0:41:26.240
<v Speaker 4>so like red was ground up corondam ruby and blue

0:41:26.320 --> 0:41:29.640
<v Speaker 4>was ground up you know lapis I mean vice versa

0:41:29.719 --> 0:41:33.080
<v Speaker 4>and so, and all of a sudden they made these

0:41:33.520 --> 0:41:37.360
<v Speaker 4>lead based paints. And that's why people like the early

0:41:38.400 --> 0:41:40.880
<v Speaker 4>the Impressionists and the post Impressionists they painted like a

0:41:40.920 --> 0:41:44.080
<v Speaker 4>purple tree and you know, it's all these things because

0:41:44.200 --> 0:41:46.560
<v Speaker 4>before that pigments were so expensive. You had to paint

0:41:46.600 --> 0:41:49.360
<v Speaker 4>for the church or wealthy people because you couldn't afford

0:41:49.440 --> 0:41:51.399
<v Speaker 4>to do otherwise you could just paint whatever the hell

0:41:51.440 --> 0:41:51.920
<v Speaker 4>you wanted.

0:41:52.160 --> 0:41:55.680
<v Speaker 3>So it was really the birth of you could do it.

0:41:55.719 --> 0:41:57.560
<v Speaker 1>Are you familiar with Are you familiar with the paint

0:41:57.680 --> 0:42:01.400
<v Speaker 1>called Joe michell Raphaeli the Italian and he was he

0:42:01.520 --> 0:42:04.239
<v Speaker 1>was in the first Impressionist exhibition and then he had

0:42:04.280 --> 0:42:06.120
<v Speaker 1>a big fight with money. And I didn't like him

0:42:06.160 --> 0:42:10.040
<v Speaker 1>because he would he would draw or he would paint

0:42:10.080 --> 0:42:12.880
<v Speaker 1>in things that weren't at adyllic, you know, like he'd

0:42:13.120 --> 0:42:15.800
<v Speaker 1>you know, the painting in the Loure of the absentthe drinkers.

0:42:16.440 --> 0:42:17.759
<v Speaker 3>You know that sounds familiar to me.

0:42:18.080 --> 0:42:19.000
<v Speaker 1>It's a beautiful paint.

0:42:19.040 --> 0:42:19.600
<v Speaker 3>I'll look it up.

0:42:20.080 --> 0:42:25.120
<v Speaker 1>Well, RAPHAELI painted that. He painted imperfect images during the

0:42:25.160 --> 0:42:29.400
<v Speaker 1>Impressionist fashion, and he got he got in a little trouble,

0:42:29.400 --> 0:42:32.640
<v Speaker 1>but he patented a new form of paint as well.

0:42:32.880 --> 0:42:35.120
<v Speaker 1>They made all the Impressionists angry. You got in a

0:42:35.160 --> 0:42:37.279
<v Speaker 1>real trouble. The guy liked him, and money didn't like

0:42:37.360 --> 0:42:40.840
<v Speaker 1>him at all. He's a fascinating character, an Italian Jewish

0:42:40.920 --> 0:42:44.720
<v Speaker 1>painter who was in the first exhibition of the French Impressionists.

0:42:44.760 --> 0:42:46.440
<v Speaker 1>And I think he probably ran into a bit of

0:42:46.480 --> 0:42:49.399
<v Speaker 1>anti Semitism as well. He's a fascinating character. I urge

0:42:49.440 --> 0:42:51.879
<v Speaker 1>you to check him out. He's very well and I've

0:42:51.880 --> 0:42:54.600
<v Speaker 1>got a couple of his paintings. He's he's very interesting.

0:42:55.040 --> 0:42:57.920
<v Speaker 1>I like very I like very painterly paintings. I like

0:42:58.000 --> 0:43:02.600
<v Speaker 1>Barbizon and Eli Impressionists. But then so I just am

0:43:02.640 --> 0:43:04.000
<v Speaker 1>learning about Barbizon right now.

0:43:04.320 --> 0:43:06.759
<v Speaker 4>That's great stuff. Yeah, yeah, so that's what I do.

0:43:06.760 --> 0:43:09.880
<v Speaker 4>So I use an object that I see at auction.

0:43:09.960 --> 0:43:11.600
<v Speaker 4>That's so I started learning. I would get some of

0:43:11.640 --> 0:43:15.080
<v Speaker 4>these Christie's Bottoms auction catalogs and then just start looking

0:43:15.120 --> 0:43:17.640
<v Speaker 4>at and then I could identify painters by brushstroke, and

0:43:17.680 --> 0:43:20.120
<v Speaker 4>then I started you know, so I got interested there.

0:43:20.120 --> 0:43:22.480
<v Speaker 4>But then I realized that you pay a huge premium

0:43:22.520 --> 0:43:24.680
<v Speaker 4>for buying through them, and you can find things on

0:43:24.960 --> 0:43:27.400
<v Speaker 4>there are web there auction healsies all over the world,

0:43:28.000 --> 0:43:30.880
<v Speaker 4>and let me tell you, I mean, I can get fooled,

0:43:30.960 --> 0:43:32.920
<v Speaker 4>but I think it's harder art Net I love.

0:43:33.000 --> 0:43:33.760
<v Speaker 3>I love Artnett.

0:43:33.760 --> 0:43:37.319
<v Speaker 4>I also invaluable dot com and Live auctioneers dot com.

0:43:37.360 --> 0:43:38.719
<v Speaker 3>But you know what you're looking.

0:43:38.520 --> 0:43:41.799
<v Speaker 1>At Facebook marketplace for rich people. I get it.

0:43:41.320 --> 0:43:46.120
<v Speaker 4>It's really that's great, but I love it and I

0:43:46.160 --> 0:43:50.040
<v Speaker 4>really I feel like I haven't released a painting yet,

0:43:50.080 --> 0:43:53.359
<v Speaker 4>like I've I've never bought anything for sale, and I

0:43:53.400 --> 0:43:55.120
<v Speaker 4>feel like now when I when I go to like

0:43:55.160 --> 0:43:57.160
<v Speaker 4>I went to a little auction, I mean to an

0:43:57.280 --> 0:44:02.120
<v Speaker 4>art gallery in Dunedin, New Zealand, and they have this beautiful,

0:44:02.320 --> 0:44:05.520
<v Speaker 4>beautifully curated collection, but they don't have a Louis VLTA

0:44:05.960 --> 0:44:08.480
<v Speaker 4>and they're gonna get mine when I die.

0:44:09.040 --> 0:44:11.319
<v Speaker 3>So it's it's it's cool because this will go on

0:44:11.440 --> 0:44:11.880
<v Speaker 3>after me.

0:44:11.960 --> 0:44:14.319
<v Speaker 4>And I'm the guardian of these things, and it just

0:44:14.560 --> 0:44:17.480
<v Speaker 4>but also it's a sickness a little bit.

0:44:17.560 --> 0:44:19.960
<v Speaker 1>I understand that I have more paintings than I care

0:44:20.000 --> 0:44:24.080
<v Speaker 1>to admit. I I go into it. I don't know

0:44:24.080 --> 0:44:25.920
<v Speaker 1>if you ever met Megan, my wife, but she was

0:44:25.960 --> 0:44:28.520
<v Speaker 1>an art dealer before we met, still as an art dealer,

0:44:28.640 --> 0:44:32.800
<v Speaker 1>and and so she can get deals on stuff.

0:44:34.160 --> 0:44:36.760
<v Speaker 3>Oh god, but I'll be bankrupt.

0:44:37.560 --> 0:44:40.680
<v Speaker 1>Well you know, but here's the thing. You get these

0:44:40.760 --> 0:44:45.920
<v Speaker 1>amazing paintings, like amazing, there's amazing things that I'd heard of.

0:44:46.040 --> 0:44:48.520
<v Speaker 1>I come from a very similar background to you economically.

0:44:48.600 --> 0:44:53.799
<v Speaker 1>I come from very blue collar, kind of poor background.

0:44:54.800 --> 0:44:59.120
<v Speaker 1>And I'd heard about some of the paintings, paintings that

0:44:59.160 --> 0:45:01.840
<v Speaker 1>I own. I heard of, I'd heard of the artist,

0:45:01.920 --> 0:45:04.520
<v Speaker 1>I'd heard of the I read about it in school,

0:45:04.760 --> 0:45:07.520
<v Speaker 1>and I was like, oh, that's, you know, a world

0:45:07.640 --> 0:45:09.239
<v Speaker 1>that's beyond imagining.

0:45:09.600 --> 0:45:11.360
<v Speaker 3>And now I own a couple of these paints and

0:45:11.440 --> 0:45:13.280
<v Speaker 3>I kind of love cool and all my favorites.

0:45:14.000 --> 0:45:17.239
<v Speaker 1>But I like the kind of I guess it's kind

0:45:17.280 --> 0:45:20.480
<v Speaker 1>of the avoristic nature of having it.

0:45:20.480 --> 0:45:22.200
<v Speaker 3>It's amazing, it's a great feeling.

0:45:22.360 --> 0:45:26.000
<v Speaker 4>I fully I think my collection is I have names,

0:45:26.400 --> 0:45:30.200
<v Speaker 4>But like you said, my favorite things are definitely not names.

0:45:30.360 --> 0:45:34.240
<v Speaker 4>There's an artist named Bernard U Tavia Monvaal. He had

0:45:34.320 --> 0:45:36.560
<v Speaker 4>when he dialt like it wasn't I think when his

0:45:36.680 --> 0:45:41.200
<v Speaker 4>heir died and like twenty sixteen, Sethby's had this big auction,

0:45:41.960 --> 0:45:45.480
<v Speaker 4>and like he was a massively famous painter, like around

0:45:45.520 --> 0:45:47.799
<v Speaker 4>the turn of the century into the forties, like portraits,

0:45:48.640 --> 0:45:52.920
<v Speaker 4>but his early work were post Impressionist works and nobody

0:45:52.920 --> 0:45:54.920
<v Speaker 4>really wanted them. But I didn't know a lot about him.

0:45:54.920 --> 0:45:57.400
<v Speaker 4>And a painting went I think for like ten thousand

0:45:58.080 --> 0:46:00.680
<v Speaker 4>pounds and I didn't buy it, but then I couldn't

0:46:00.680 --> 0:46:02.919
<v Speaker 4>stop thinking about it, so I chased it. I looked

0:46:02.960 --> 0:46:05.800
<v Speaker 4>for I said an alert. I looked for this painting

0:46:06.000 --> 0:46:10.239
<v Speaker 4>for years. Last year it came up at Dorotheam in Vienna.

0:46:10.560 --> 0:46:13.040
<v Speaker 4>I was willing to pay whatever the hell it costs.

0:46:13.400 --> 0:46:16.319
<v Speaker 4>I would have sold things. I had to have it.

0:46:16.360 --> 0:46:20.040
<v Speaker 4>And it's two guys dragging a boat of the Seine

0:46:20.320 --> 0:46:21.759
<v Speaker 4>like at sundown.

0:46:22.560 --> 0:46:26.319
<v Speaker 3>But it's so mind blowingly beautiful. I had to have.

0:46:26.360 --> 0:46:28.360
<v Speaker 4>It, and so I stayed up all night. I was

0:46:28.360 --> 0:46:31.239
<v Speaker 4>ready to go. I was calling everybody bitches and hoes.

0:46:31.239 --> 0:46:32.680
<v Speaker 4>In my mind, I'm not going to take this painting

0:46:32.680 --> 0:46:32.920
<v Speaker 4>for me.

0:46:32.960 --> 0:46:33.600
<v Speaker 1>I was in it.

0:46:34.320 --> 0:46:36.759
<v Speaker 3>I got it for eight thousand euros.

0:46:37.760 --> 0:46:41.279
<v Speaker 1>It was one of the best days of my life.

0:46:39.960 --> 0:46:44.840
<v Speaker 3>I never part with it. Yeah, I have, I have.

0:46:45.080 --> 0:46:47.239
<v Speaker 1>There's one paint and I have in my life that

0:46:48.239 --> 0:46:52.040
<v Speaker 1>I love above all others. And it was actually my

0:46:52.120 --> 0:46:54.360
<v Speaker 1>wife and kids got it for me as a present

0:46:54.440 --> 0:46:56.760
<v Speaker 1>and they knew I loved it, and they kind of, well,

0:46:57.480 --> 0:46:59.480
<v Speaker 1>you know, we used family money to get it, but

0:46:59.520 --> 0:47:03.799
<v Speaker 1>they But it's a painting. It's not by a very

0:47:03.800 --> 0:47:05.760
<v Speaker 1>famous wit as a gentleman by the name of Empire,

0:47:06.600 --> 0:47:08.520
<v Speaker 1>and it's called at the End of the Day, and

0:47:08.560 --> 0:47:10.640
<v Speaker 1>it's just a guy standing in the side of a

0:47:10.680 --> 0:47:14.480
<v Speaker 1>canal bank waving to his friend on a boat who's

0:47:14.600 --> 0:47:16.400
<v Speaker 1>just sailing up the route, like it's the end of

0:47:16.400 --> 0:47:20.359
<v Speaker 1>the day's work. But it's a fucking masterpiece. And when

0:47:20.400 --> 0:47:23.920
<v Speaker 1>I look at it, I go into a world that

0:47:24.000 --> 0:47:25.799
<v Speaker 1>I don't know where else in the world in the

0:47:25.880 --> 0:47:29.839
<v Speaker 1>universe that that world is, but it's in there and

0:47:29.920 --> 0:47:32.400
<v Speaker 1>I can fall into it and then it's hard to

0:47:32.480 --> 0:47:36.200
<v Speaker 1>explain and it sounds fanciful, but it's so riveting. Is

0:47:36.600 --> 0:47:39.040
<v Speaker 1>a thing to sit next to. I fucking love it.

0:47:39.480 --> 0:47:40.560
<v Speaker 3>And that's how I feel.

0:47:40.960 --> 0:47:45.440
<v Speaker 1>Yeah, I know exactly what you mean, and I'm I'm delighted.

0:47:45.840 --> 0:47:48.480
<v Speaker 1>First of all, I'm delighted to find this out about

0:47:48.520 --> 0:47:51.239
<v Speaker 1>you because I really knew I liked you, but now

0:47:51.280 --> 0:47:55.239
<v Speaker 1>I really really like you because because of your appreciation

0:47:55.360 --> 0:47:59.120
<v Speaker 1>of great art, and it's kind of my secret thing

0:47:59.200 --> 0:48:01.479
<v Speaker 1>that I loved. I don't really talk about that much,

0:48:01.719 --> 0:48:05.279
<v Speaker 1>but I spend money on it and I love it.

0:48:05.440 --> 0:48:07.520
<v Speaker 4>Same people's eyes get dupe when I try to tell

0:48:07.560 --> 0:48:10.960
<v Speaker 4>them too much. I'm cognizitive that. Yeah, and here's the thing.

0:48:11.000 --> 0:48:14.680
<v Speaker 4>It's okay that it's just for me. Yeah, yeah, it's fine.

0:48:15.080 --> 0:48:16.680
<v Speaker 4>It's fine. You can sit by the paint. You don't

0:48:16.719 --> 0:48:19.080
<v Speaker 4>need to talk to anyone about it. It's like, oh, amazing,

0:48:19.600 --> 0:48:20.120
<v Speaker 4>it's great.

0:48:20.680 --> 0:48:24.040
<v Speaker 1>Listen, my friend, I'm very I really think we should

0:48:24.040 --> 0:48:26.279
<v Speaker 1>try and talk to each other before another ten years

0:48:26.280 --> 0:48:26.799
<v Speaker 1>ago past.

0:48:26.880 --> 0:48:27.520
<v Speaker 3>I would love that.

0:48:28.239 --> 0:48:31.239
<v Speaker 1>And in fact, the next time in la Or if

0:48:31.280 --> 0:48:34.839
<v Speaker 1>you're going to a if you're going to an art

0:48:34.880 --> 0:48:38.640
<v Speaker 1>auction in Vienna, I'm in. I'll definitely come with you.

0:48:42.000 --> 0:48:44.279
<v Speaker 1>It's just a world which fascinates me. You're such a

0:48:44.320 --> 0:48:46.960
<v Speaker 1>lovely mind. I'm so happy for you that you're growing

0:48:47.040 --> 0:48:50.520
<v Speaker 1>up really cool, even cooler than you were when you

0:48:50.560 --> 0:48:52.399
<v Speaker 1>were a kid, and you were a pretty cool kid.

0:48:52.640 --> 0:48:54.680
<v Speaker 1>I know you were tough on yourself, but you were

0:48:54.719 --> 0:48:58.760
<v Speaker 1>pretty cool and you're even cooler now, so that's great.

0:48:58.760 --> 0:49:00.000
<v Speaker 3>Thanks Craig, I love you.

0:49:00.239 --> 0:49:02.799
<v Speaker 1>I love you too, man. I am so happy to

0:49:02.840 --> 0:49:05.440
<v Speaker 1>see you well and yourself. It's great.

0:49:06.080 --> 0:49:07.480
<v Speaker 3>Thanks buddy, Thank you for having me.

0:49:07.840 --> 0:49:09.680
<v Speaker 1>Oh, thanks for being on. It's great to see you.

0:49:09.719 --> 0:49:10.160
<v Speaker 1>Thanks Pam,