1 00:00:00,160 --> 00:00:03,320 Speaker 1: Rihanna s and m here kiss FM. Alright, so let's 2 00:00:03,360 --> 00:00:04,920 Speaker 1: go back to the Grammys. You know, the stories that 3 00:00:04,960 --> 00:00:08,039 Speaker 1: come out after the Grammys are always interesting. Uh, did 4 00:00:08,039 --> 00:00:10,879 Speaker 1: we ever find out why Beyonce was stuck in traffic 5 00:00:10,960 --> 00:00:13,440 Speaker 1: or where she was stuck in traffic or any detail 6 00:00:13,520 --> 00:00:16,280 Speaker 1: to that. Again, my theory is, just like going downtown 7 00:00:17,160 --> 00:00:20,080 Speaker 1: can take time, getting downtown, you might not leave enough time, 8 00:00:20,120 --> 00:00:22,159 Speaker 1: especially if you're trying to get ready for something and 9 00:00:22,200 --> 00:00:23,880 Speaker 1: running a little bit late. Because she missed that first 10 00:00:23,880 --> 00:00:27,159 Speaker 1: award of hers ended up, you know, breaking records. So 11 00:00:27,200 --> 00:00:32,080 Speaker 1: congratulations again. Now Harry Styles performed and I thought maybe 12 00:00:32,120 --> 00:00:34,519 Speaker 1: he was a little distracted during the performance, but then 13 00:00:34,520 --> 00:00:37,599 Speaker 1: I thought, no, it was great. Everybody seemed to love 14 00:00:37,640 --> 00:00:41,000 Speaker 1: it and the song is so good and he he 15 00:00:41,840 --> 00:00:44,559 Speaker 1: won so much. But now there is some news of 16 00:00:44,600 --> 00:00:48,320 Speaker 1: a technical difficulty that we didn't know about during Harry 17 00:00:48,360 --> 00:00:51,680 Speaker 1: Style's performance at the Grammys Sassy. So basically everything that 18 00:00:51,760 --> 00:00:57,720 Speaker 1: they had rehearsed had to be reversed. So you can 19 00:00:57,720 --> 00:01:00,520 Speaker 1: imagine the muscle memory that had to go into everything. 20 00:01:00,560 --> 00:01:03,160 Speaker 1: So remember that turntable that they had. It was mimicking 21 00:01:03,200 --> 00:01:06,399 Speaker 1: the music video that Harry Styles had for as it was, 22 00:01:07,120 --> 00:01:10,000 Speaker 1: And so what happened when the curtains came up and 23 00:01:10,040 --> 00:01:13,080 Speaker 1: it was time to perform the turntable which they had 24 00:01:13,080 --> 00:01:15,840 Speaker 1: been practicing on for the stage. There were two stages 25 00:01:15,840 --> 00:01:17,640 Speaker 1: for him to use. One was a turntable stage which 26 00:01:17,680 --> 00:01:20,960 Speaker 1: is actually rotating and moment flat stage. So the turntable 27 00:01:21,000 --> 00:01:24,360 Speaker 1: starts rotating in the opposite direction into which they had 28 00:01:24,400 --> 00:01:27,240 Speaker 1: been practicing for the previous tenant was it was a circle, 29 00:01:27,280 --> 00:01:28,919 Speaker 1: so it was it loaded. It must have been loaded 30 00:01:28,920 --> 00:01:32,399 Speaker 1: in backwards, but who would know without there being a mark, right, 31 00:01:32,720 --> 00:01:36,160 Speaker 1: And so the dancers were trying to get the technicians attention. 32 00:01:36,400 --> 00:01:39,960 Speaker 1: This is of course live TV, and they're like stopping, 33 00:01:40,240 --> 00:01:43,080 Speaker 1: there's no stopping this at this point. And that was it, 34 00:01:43,120 --> 00:01:48,600 Speaker 1: Like the show us. This is all now unfolding on 35 00:01:48,640 --> 00:01:51,760 Speaker 1: social media yesterday afternoon, some of the backup dancers started 36 00:01:51,800 --> 00:01:54,480 Speaker 1: posting some videos on TikTok and explaining what had happened, 37 00:01:55,000 --> 00:01:58,200 Speaker 1: and they said everything they had rehearsed had to be 38 00:01:58,360 --> 00:02:02,040 Speaker 1: reversed because what turntable turning in one direction, all the 39 00:02:02,120 --> 00:02:07,640 Speaker 1: dances on direction had to then be back, you know, 40 00:02:07,720 --> 00:02:09,600 Speaker 1: all of their walking, all of their steps, all the 41 00:02:09,639 --> 00:02:11,880 Speaker 1: way they jumped off the turntable had to then been 42 00:02:11,960 --> 00:02:15,040 Speaker 1: jumped off the opposite way, like imagine like how well? 43 00:02:15,120 --> 00:02:17,080 Speaker 1: I think it's like once you commit to muscle memory 44 00:02:17,240 --> 00:02:19,720 Speaker 1: and it becomes second nature, it's just jarring to have 45 00:02:19,840 --> 00:02:22,840 Speaker 1: to reschedule that commitment in the middle of a live 46 00:02:22,919 --> 00:02:24,480 Speaker 1: performance when you're thinking about what you got to do 47 00:02:24,520 --> 00:02:26,960 Speaker 1: to move a couple of things. I thought, maybe his ears, 48 00:02:26,960 --> 00:02:28,400 Speaker 1: like someone's wrong with their ears, and a lot of 49 00:02:28,440 --> 00:02:30,640 Speaker 1: times performance have issues with their ears. They can't hear, 50 00:02:30,639 --> 00:02:34,080 Speaker 1: and that distracts them for a moment. But then you know, 51 00:02:34,240 --> 00:02:36,280 Speaker 1: in a commercial break of a live show like that, 52 00:02:36,320 --> 00:02:39,000 Speaker 1: if things get hung up or run behind in terms 53 00:02:39,040 --> 00:02:43,200 Speaker 1: of backstage mechanics and moving things around, then it could 54 00:02:43,200 --> 00:02:44,600 Speaker 1: have happened that they just ran out of time and 55 00:02:44,600 --> 00:02:45,960 Speaker 1: had to load it a certain way and it just 56 00:02:46,120 --> 00:02:48,360 Speaker 1: is what it is, and that they couldn't do anything 57 00:02:48,400 --> 00:02:50,639 Speaker 1: about it at that point, or maybe it was a mistake. 58 00:02:50,639 --> 00:02:52,320 Speaker 1: They thought it was loaded in the right way but 59 00:02:52,360 --> 00:02:56,880 Speaker 1: it wasn't. Uh. However, it just makes me think, and 60 00:02:56,960 --> 00:02:59,280 Speaker 1: I did think about that when he sort of stumbled 61 00:02:59,320 --> 00:03:02,560 Speaker 1: off of it. I thought, is it worth the risk 62 00:03:03,480 --> 00:03:05,960 Speaker 1: of having a rotating stage when you like for example, 63 00:03:06,240 --> 00:03:08,400 Speaker 1: there are bells and whistles we could have on this show. 64 00:03:08,880 --> 00:03:12,040 Speaker 1: I don't ask tubs to sign them up or engage 65 00:03:12,080 --> 00:03:15,840 Speaker 1: them because it will go wrong, or it will at 66 00:03:15,880 --> 00:03:18,200 Speaker 1: least begin to go Things will happen wrong at first. 67 00:03:18,400 --> 00:03:20,160 Speaker 1: Like we get some new software around here, they want 68 00:03:20,160 --> 00:03:22,760 Speaker 1: to upgrade the software. I'm like, no, let's not upgrade 69 00:03:22,800 --> 00:03:25,880 Speaker 1: the software because I know there'll be some hiccups along 70 00:03:25,919 --> 00:03:27,760 Speaker 1: the way. I don't want to go through those hiccups. 71 00:03:28,520 --> 00:03:31,040 Speaker 1: Upgrade the software. No, you should not when you know, 72 00:03:31,120 --> 00:03:37,360 Speaker 1: you know what the soft software, the software we're gonna 73 00:03:37,400 --> 00:03:41,640 Speaker 1: stay in R S I O S twelve whatever it is, 74 00:03:41,720 --> 00:03:46,640 Speaker 1: that window, staying in it. I'm not taking the risk. 75 00:03:46,640 --> 00:03:48,040 Speaker 1: I don't want all that. It's like it's like I 76 00:03:48,040 --> 00:03:50,520 Speaker 1: don't want to learn to snowboard, you know, I don't 77 00:03:50,520 --> 00:03:53,920 Speaker 1: want to fall down snowboard and fine skiing, fine, good, 78 00:03:54,360 --> 00:03:57,840 Speaker 1: but just ski. Let's just ski. I don't need to snowboard. 79 00:03:57,840 --> 00:04:00,640 Speaker 1: It's fine, But you gotta give a credit and the 80 00:04:00,720 --> 00:04:04,040 Speaker 1: dancers credit for pulling that off because you weren't quite 81 00:04:04,040 --> 00:04:08,320 Speaker 1: sure and they did make it work. I really didn't 82 00:04:08,320 --> 00:04:10,920 Speaker 1: really notice. And that's why I think Harry Styles is 83 00:04:11,080 --> 00:04:13,880 Speaker 1: the goat. He did a phenomenal did a great job. 84 00:04:13,920 --> 00:04:15,440 Speaker 1: But Harry, I'm just telling you, they wanted to get 85 00:04:15,440 --> 00:04:17,520 Speaker 1: a new phone system in here, and I thought this 86 00:04:17,600 --> 00:04:20,000 Speaker 1: is going to be the wrong rotating Harry styles Ryan 87 00:04:20,000 --> 00:04:22,159 Speaker 1: Seacres is just like you. Don't whorry, No, I'm not. 88 00:04:22,320 --> 00:04:25,039 Speaker 1: I'm talking about technologies. Just like technology doesn't matter where 89 00:04:25,040 --> 00:04:27,120 Speaker 1: you are stage or the phone system here, You're gonna 90 00:04:27,160 --> 00:04:29,800 Speaker 1: go through it. You're you're putting the tech in the 91 00:04:29,880 --> 00:04:32,159 Speaker 1: hands and the smoothness of the whole thing in the 92 00:04:32,200 --> 00:04:34,440 Speaker 1: hands of Tubs or in your case. You don't know 93 00:04:34,680 --> 00:04:38,960 Speaker 1: the technician, but they may not have had the time. 94 00:04:39,080 --> 00:04:41,320 Speaker 1: It's all about time too. I've been in situations on 95 00:04:41,360 --> 00:04:43,240 Speaker 1: Idol where we can't load things in the right way 96 00:04:43,240 --> 00:04:45,520 Speaker 1: and you just gotta go. And he too kind of 97 00:04:45,520 --> 00:04:49,920 Speaker 1: panic man Live TV. Al right, Well, at least Tubbs 98 00:04:49,960 --> 00:04:51,400 Speaker 1: has a smile on his face, so they're in the 99 00:04:51,440 --> 00:04:55,279 Speaker 1: engineering corner. Coming next, we have a six sides matchic 100 00:04:55,320 --> 00:04:56,240 Speaker 1: Mountain Tickets Next,