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Speaker 1: Welcome back to an episode where we can't stop talking.

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Speaker 1: This is part to enjoy. Angela isn't admitting defeat. Maybe

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Speaker 1: we can just try again. Sean reminds her. No, because

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Speaker 1: every trace we did with Jack, they came up empty.

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Speaker 1: So we're getting clothes. You did a trace to Panga

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Speaker 1: wonders if she got married again? So what what do

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Speaker 1: we say?

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Speaker 2: What is?

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Speaker 1: What are we saying? Is happening here?

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Speaker 3: To find on trying to find Elaine McGuinty.

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Speaker 1: Oh wait, so we're trying to find where she is, correct,

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Speaker 1: just like contact information okay and the guy internet.

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Speaker 4: Sleuth or whatever, and it didn't work.

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Speaker 1: Angela odds maybe her name just changed. But Jack offers

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Speaker 1: another possibility. Maybe she doesn't want to be found. Sean

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Speaker 1: stuffs the letter back into the envelope. Yeah, maybe she

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Speaker 1: doesn't want to be found by me. Angela says he's overreacting,

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Speaker 1: and Rachel asks if he's going to be Okay, I

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Speaker 1: would say that at this point, your mom does not

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Speaker 1: want to be found by you.

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Speaker 3: Yeah.

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Speaker 4: It's also I didn't know who my like. I already

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Speaker 4: thought my mom had abandoned me for three years now,

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Speaker 4: then she wrote to me to say I'm not really

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Speaker 4: your mom that actually is free. Then it's like, oh, oh,

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Speaker 4: so I'm in the same situation, but it just goes

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Speaker 4: back eighteen years.

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Speaker 1: But I can also understand how if you find out

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Speaker 1: the woman who abandoned you actually isn't your mother. What

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Speaker 1: if the woman who is your mother has been looking

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Speaker 1: for you all this time, right, which.

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Speaker 4: Actually would have been nice to hear me say yeah,

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Speaker 4: that's like maybe she wants to know that I exist.

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Speaker 4: She but she would have That's the thing. It's not

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Speaker 4: like a dad where you literally might not know she

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Speaker 4: had to have carried me for nine months and given

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Speaker 4: me up.

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Speaker 1: Or think of the life you had with Chet and

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Speaker 1: how often he disappeared. And the Internet it's not as

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Speaker 1: easy to find someone. So I could at least see

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Speaker 1: from like just taking a kid POV, which I could

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Speaker 1: understand where even though you're nineteen, you find out one

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Speaker 1: of the two people who have given me kind of

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Speaker 1: my crappy life is actually not the person. What if

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Speaker 1: this other person, even if it's not about wants to

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Speaker 1: be with me. What if she's a scientist. What if

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Speaker 1: she's a and you're looking for things to be like

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Speaker 1: to give.

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Speaker 3: You a part of me.

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Speaker 4: Correct, totally.

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Speaker 1: Yeah, that's why I love philosophy. That's why I love that. Mean,

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Speaker 1: even when you say, like, is that the reason? Why

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Speaker 1: do you think I get my poetry from her? So

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Speaker 1: I understand that part that.

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Speaker 5: Also would have been God, it would have been such

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Speaker 5: a different storyline and such a better storyline.

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Speaker 3: If it was.

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Speaker 5: We do a whole episode like that where Corey is

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Speaker 5: against it because he knows that that it's going to

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Speaker 5: end badly, but everybody else starts to fantasize about what

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Speaker 5: Shawn's real mody was. I think, you know, and it's

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Speaker 5: eric like she was a stripper, and you know, it

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Speaker 5: turns out to be right, but it's.

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Speaker 3: Like what if what if she was a scientist? What

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Speaker 3: if she?

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Speaker 5: I mean, all his friends around him starting to support

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Speaker 5: him and like this is really interesting and great, and

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Speaker 5: Corey's the one who's like, this is not gonna end.

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Speaker 4: Well, I know, why does it? Never does it ever

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Speaker 4: turn on? Chip? Like, doesn't it seem like Sean should

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Speaker 4: be like, my dad never told me who my real

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Speaker 4: mom was. Screw him?

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Speaker 3: Well, he says right away, vernis your mom? Like that's

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Speaker 3: all that matters.

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Speaker 1: She raised she liked to powder your butt.

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Speaker 3: Yeah, that's all that. That didn't matter. The woman a

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Speaker 3: character person raised.

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Speaker 5: You, which is normally what they say about the dad character. Yeah,

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Speaker 5: it's not no, he's your dad.

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Speaker 3: I'm your dad. I was there the whole time. I

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Speaker 3: don't care who you know. Your mom gave Bertie and

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Speaker 3: I raised you. I'm your dad. Now they're doing a

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Speaker 3: different way where it's they reversing it because I.

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Speaker 1: Love when they I love when they reverse the gender

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Speaker 1: roles to make the woman bad.

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Speaker 3: That's what I'm saying.

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Speaker 4: It's literally just yeah, it's really cool and multiple times

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Speaker 4: speacause was the original storyline with Sean's life was that

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Speaker 4: his dad. No, that his dad No, it was his

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Speaker 4: mom running away. In the first episode that Chet was introduced,

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Speaker 4: his mom runs away with the trailer.

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Speaker 3: Yeah.

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Speaker 1: Also grandma was a rolling stone.

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Speaker 5: Yeah, but again, you've got Verna this episode. Verna is bad,

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Speaker 5: and so is this the stripper mom who gave birth

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Speaker 5: to him, who just disappeared and doesn't want to be found.

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Speaker 3: So it's as long as ghost Chet tells you everything

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Speaker 3: long as man.

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Speaker 4: And get exact if you get yelled at by Alan,

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Speaker 4: but this is still a story about you having a

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Speaker 4: strong connection to Alan.

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Speaker 3: Yes, yes.

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Speaker 1: To the man, give all the bad to the woman,

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Speaker 1: and now we have an original idea.

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Speaker 3: You think about it.

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Speaker 1: He seems fine, admitting he knew this was a long shot.

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Speaker 1: I'm just glad that I tried to Penga reminds him,

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Speaker 1: you have a tendency to push your friends away when

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Speaker 1: these things happened to you. Sean, you're the character.

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Speaker 4: You're the character who does X y Z.

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Speaker 1: I'm not gonna do remind reminded to the audience. Angela

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Speaker 1: reminds him, we're happy now, Okay, remind the audience, So

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Speaker 1: don't you dare go doing something crazy to us. He

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Speaker 1: quickly responds Angela, love kiss. He smooches her, then switches

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Speaker 1: to a New York accent. Forget about it. He turns

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Speaker 1: to the door and announces I'm leaving now, not some

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Speaker 1: big Sean exit. I just got stuff to do. Okay,

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Speaker 1: Corey jokes, get out of here. We're tired of looking

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Speaker 1: at your ugly face. Right. Everyone playfully shouts at him

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Speaker 1: to get out, and Corey reminds his best friend before

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Speaker 1: he leaves, don't forget about my dad's party, okay. Sean

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Speaker 1: takes a deep breath and says, wouldn't miss it. Cory

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Speaker 1: watches him leave, and A worried to Panga asks Corey,

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Speaker 1: what do you think he's gonna do? Tory admits probably

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Speaker 1: something that's going to devastate himself as well as everyone

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Speaker 1: around him. Angela nodds the usual. Why doesn't someone just

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Speaker 1: go with him? You know? Okay, Well he's fine, Danielle, Yeah,

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Speaker 1: he said that.

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Speaker 3: I watched.

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Speaker 1: Okay, okay, we all know what's going to happen, but

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Speaker 1: no one. No one goes, hey, bud, let's go do

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Speaker 1: something together. Let's go for a walk, Let's go get

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Speaker 1: at grab a slice. Then we're in the Matthew's living room.

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Speaker 1: Alan is slumped on the couch when Eric takes a

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Speaker 1: seat next to him. Hey, daddy, o you all sad?

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Speaker 1: Alan responds yeah. Eric asks, because it's your birthday, so

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Speaker 1: you didn't make any plans you could be here and

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Speaker 1: now you're here and nobody here doing anything. Alan wines yeah.

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Speaker 1: Then Eric asks, well, you didn't make any plans for

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Speaker 1: tomorrow night, did you.

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Speaker 4: Such this is such a fun scene, and this is

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Speaker 4: such a reminder that if you just have two good

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Speaker 4: actors have good dialogue, you got a scene that you

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Speaker 4: want to watch, Like, I love this scene. I was like, oh,

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Speaker 4: why can't we have more of this now?

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Speaker 3: Always always.

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Speaker 1: So fun and like you guys are just sitting on

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Speaker 1: the couches. And to writer's point, when when you are

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Speaker 1: directing something and someone's like, we need some movement, I

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Speaker 1: am always like, well, maybe the writing needs to be

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Speaker 1: better because it doesn't have to be about like if

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Speaker 1: you're getting bored because people have been sitting in one

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Speaker 1: place for a minute something.

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Speaker 3: Definitely I was gonna say that.

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Speaker 4: To the ground because otherwise we're just.

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Speaker 1: Also the fact that you have to stay behind the gravestone,

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Speaker 1: even though the words and everything you would normally fully

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Speaker 1: have your back to camera, but the camera needs to

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Speaker 1: see that.

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Speaker 4: It's all.

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Speaker 2: I was like.

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Speaker 1: You walk up, you were like, hello, I.

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Speaker 4: Will stand next to this grave to look at it.

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Speaker 1: Wow, here you are. Oh man. Alan cautiously wonders why,

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Speaker 1: and Eric assures him there's no reason, no reason at all.

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Speaker 1: I just don't want you to make any plans for

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Speaker 1: tomorrow night. Alan begs to know, starting to tickle him,

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Speaker 1: but Eric insists he can't. He giggles like Mickey Mouse

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Speaker 1: and eventually breaks big bash big Lou owl.

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Speaker 2: Okay.

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Speaker 1: Alan doesn't get it. But tomorrow night's not my birthday.

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Speaker 1: Tomorrow night's just tomorrow night. Eric grins, I have a

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Speaker 1: horsey coming. Alan rolls his eyes. Eric, you throw a

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Speaker 1: birthday party on a person's birthday, no, not if it's

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Speaker 1: the middle of the week.

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Speaker 5: Like Also, if you want to surprise him, sometimes you

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Speaker 5: do it on a day that's not their birthday.

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Speaker 1: Yes, exactly, Eric scoffs. Then you're not going to be surprised. Hi,

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Speaker 1: I think I know what I'm doing, all right. I've

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Speaker 1: planned this whole thing by myself. Alan sighs and we

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Speaker 1: get silence with his disappointment. After a few seconds, Eric asks, so, like,

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Speaker 1: how much do you like Morgan? Alan is concerned. What

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Speaker 1: are you doing here now? Eric admits, you know, it's funny.

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Speaker 1: I don't know. Mom told me to be here at

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Speaker 1: exactly seven point thirty for something. Then on cue, everyone

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Speaker 1: pops out of various hiding places, screaming surprise. Amy brings

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Speaker 1: her husband a cake and Alan is so impressed outstanding.

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Speaker 1: A clueless Eric excitedly wonders what's the occasion. Amy explains

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Speaker 1: to her son, we used you as a decoy. We

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Speaker 1: knew you'd be stupid, so we use it against you.

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Speaker 1: Eric jumps up and down and brags I was the

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Speaker 1: decoy because I'm so stupid. But you know something that's

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Speaker 1: gonna make my party for tomorrow night a big surprise,

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Speaker 1: right dad? But then the door opens and it's Sean

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Speaker 1: in a leather jacket, and that can't be good. He says, surprise,

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Speaker 1: and Eric sternly whispers, it's tomorrow night, you idiot. Sean

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Speaker 1: greets Alan by announcing Happy birthday. Corey's father. Corey asks

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Speaker 1: to speak with Sean alone, but Sean shuts that down.

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Speaker 1: I don't want to talk to you. Cory nods, yeah, okay.

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Speaker 1: He turns away from Sean and says, oh boy. Angela

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Speaker 1: nervously asks her boyfriend if he's all right. Sean grabs

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Speaker 1: her waist and grins, damn fine, baby, are you pleasure

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Speaker 1: to see you this evening? You look great? Angela frowns Sean.

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Speaker 1: He quickly goes on the defense. What you disappointed? He

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Speaker 1: turns to Jack. She's disappointed. Jack sighs dude, and Sean

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Speaker 1: mocks him dude. Jack continues to try and talk to

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Speaker 1: his brother, but Sean just keeps repeating everything he says. Finally,

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Speaker 1: Sean taunts man buddy, Sean, Hey, hey, hey, whoa whoa, hey,

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Speaker 1: you do the Matthew Lawrence buddy Buddy. Jack tries to

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Speaker 1: de escalate the situation, reminding Sean he's not supposed to

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Speaker 1: be drinking. Angela intervenes, suggesting they take a walk. Sean

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Speaker 1: asks her, you still love me? Huh? She sighs yes,

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Speaker 1: and Sean reminds her we don't have any mommies, and

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Speaker 1: Angela sympathetically agrees.

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Speaker 5: I know this is at least the first time he's

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Speaker 5: bonding with her, Yes, over the same kind of trauma,

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Speaker 5: which hadn't happened in the entire relationship they've had.

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Speaker 3: And so I was like, oh, can acknowledging it?

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Speaker 5: Yeah, at least they're acknowledging, like that's one of the

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Speaker 5: things that now they're talking about together.

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Speaker 3: Yes, we don't have a mom to get that's like

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Speaker 3: I was like, okay.

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Speaker 1: Good, which probably why does that not come up or

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Speaker 1: occur to him as being like the most wonderful woman

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Speaker 1: I know also doesn't have a mother. Yeah, and like

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Speaker 1: she turned out great. We've got each other, not just

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Speaker 1: it's I mean at least you're right. At least he

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Speaker 1: does acknowledge it.

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Speaker 3: Here it was nice.

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Speaker 1: Alan sternly butts in, asking Sean to join him in

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Speaker 1: the kitchen for a minute. Sean wonders, you're gonna make

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Speaker 1: me an omelet? But Alan is all business. I want

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Speaker 1: to have a talk with you now. Sean scoffs, you're

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Speaker 1: not my dad. Alan grabs his arm and reminds him

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Speaker 1: I'm all you have. Sean pushes him off and raises

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Speaker 1: his voice, you're not my dad. The inmates softly ooh.

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Speaker 3: Yeah, even I did. I was like, oohoo, it's old

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Speaker 3: school Sean.

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Speaker 1: Right here, the violence happens with Alan.

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Speaker 3: Yeah.

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Speaker 1: I don't have a dad and I don't have a mom.

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Speaker 1: I'm an I'm an old orphan. The audience tepidly oos again.

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Speaker 1: Sean continues, voice cracking. My childhood is over and I

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Speaker 1: never had any parents. He cringes at his own sadness

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Speaker 1: and takes a seat. God stop whining. I hate you.

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Speaker 1: Alan tries to comfort him. I'll be your father. Sean

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Speaker 1: laughs it off, you'll be what? But Alan's dead serious.

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Speaker 1: I want you to be a member of this family.

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Speaker 1: Amy jumps in. Alan he pulls her in closer and clarifies,

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Speaker 1: we want you to be a member of this family.

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Speaker 1: Amy Nodd's an agreement. Yeah, we do you need a mom.

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Speaker 1: I'm a really good mom. I got references. Corey pipes up,

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Speaker 1: Yeah she's good. Eric agrees she's the best I've ever had.

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Speaker 1: The audience really gets a kick out of that one.

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Speaker 5: I thought I was saying it very sincerely, like because

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Speaker 5: they're just ready to laugh with Eric.

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Speaker 2: Is.

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Speaker 5: They're just assuming that I'm making a joke about something.

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Speaker 1: Now exactly and yes, that's yeah.

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Speaker 4: It was being sincere because the idea is that you

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Speaker 4: couldn't have had another mom.

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Speaker 5: But the joke is like she's the best I've ever had.

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Speaker 5: But it's not even a joke. It's like a sincere like, right,

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Speaker 5: best mom I've ever had, you know. And and but

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Speaker 5: they still they went.

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Speaker 1: Because the great joke they would have said I've had

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Speaker 1: better right, or something exactly right, but they wanted sentimental,

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Speaker 1: and instead the audience was just like, please let us laugh.

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Speaker 4: Sec is away from Eric.

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Speaker 1: Said something kind of funny. The audience gets a kick

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Speaker 1: out of that one. Worth noting there is also a

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Speaker 1: baby upstairs that has been ignored the whole season, so

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Speaker 1: maybe they are parents. I don't know.

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Speaker 3: Sean babies went through McClanahan on the road right.

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Speaker 1: Now, Sean is still holding back tears. You want to

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Speaker 1: adopt me, Amy explains, you have always been a part

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Speaker 1: of our family, and Alan suggests, how about we make

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Speaker 1: it official? Instead of accepting the love. Sean backs away

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Speaker 1: and rushes to the door, shoulder checking Angela on his

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Speaker 1: way out. She holds her shoulder check, she holds her

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Speaker 1: head in her hands. What will he do next? Now

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Speaker 1: on the streets of Philly, it's also Christmas time.

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Speaker 5: And this is where I literally said, what the because

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Speaker 5: I was like, what it's supposed to be December and

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Speaker 5: Philadelphia right now people are walking around in.

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Speaker 1: Like for Christmas.

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Speaker 5: There's no Christmas decorations, nobody there's no cold breath, nobody's

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Speaker 5: bundled up.

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Speaker 3: I'm like, what's what's happening? Why are they making it Christmas?

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Speaker 3: What's going on? It made no sense.

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Speaker 4: I mean they just literally forgot right like they just

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Speaker 4: were like, oh wait, we got to do a Christmas episode.

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Speaker 4: We'll just make this one, but then throw up a

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Speaker 4: tree in the house.

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Speaker 3: I know, it made no sense.

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Speaker 1: They own the Christmas tree they own. We owned it

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Speaker 1: in the prop department. It was there. I know.

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Speaker 5: It's also Tapanga's most important time of the year. It's

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Speaker 5: their first Christmas as a married couple.

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Speaker 3: How is that not an episode?

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Speaker 5: I mean it's yes, exactly, No, they're just it's one

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Speaker 5: scene on a street that has nothing to do with

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Speaker 5: Christmas except for some lights and manel dress like.

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Speaker 1: Sean walks past various stores, followed closely by Minel clause,

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Speaker 1: Sean feels someone's presence and without turning around, comments, well,

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Speaker 1: it's Corey to the rescue old Faithful. Why don't you

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Speaker 1: go home to your wife and leave me alone? So rude?

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Speaker 1: But then but then you also want him to be there.

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Speaker 3: Yeah, of course, it's like anyway.

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Speaker 1: Sean turns around and realizes it isn't Corey. He apologizes, Sorry, Santa,

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Speaker 1: I thought you were someone else because like by the

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Speaker 1: way you saying, well, worry to the rest of your

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Speaker 1: old faithful Listen, man, there's not going to be anything

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Speaker 1: you can do. This time is different. Then why don't

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Speaker 1: you just go home to your wife? In't like there's

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Speaker 1: such a It's so weird that you say that.

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Speaker 5: Yeah, was this also the first time. Did you notice

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Speaker 5: that through the store front there was actually a practical inside, Yeah,

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Speaker 5: there were, there were a background inside like a restaurant.

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Speaker 3: I don't think we've ever seen that on our show before.

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Speaker 6: No, no, we've walked down that street obviously that's New

322
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Speaker 6: York Street from from Seinfeld, but I don't think we've

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Speaker 6: ever used the kind of inside they have the depth

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Speaker 6: it was on the street, which is great.

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Speaker 1: Yeah, kudos to Fred who was like, you know what,

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Speaker 1: we all want to fill this place up.

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Speaker 4: Yes.

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Speaker 1: Manel clause, possibly earning his SAG card, earnestly suggests it's

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Speaker 1: cold out, son, go home. Sean says, wow, he really

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Speaker 1: didn't follow me. Huh.

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Speaker 4: So Manel was the being the guy who had been

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Speaker 4: beamed by baseball the most amount of times. Baggy back

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Speaker 4: like this is Baggy Bagwell is now working as Santa

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Speaker 4: in the universe.

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Speaker 1: The boy meets World the universe.

336
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Speaker 2: This is what here?

337
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Speaker 4: He ends up brilliant.

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Speaker 1: He pulls out some change for Santa's donation bucket and chuckles,

339
00:17:16,240 --> 00:17:18,159
Speaker 1: man a guy gets married and that's the end of me.

340
00:17:18,720 --> 00:17:21,560
Speaker 1: Manel claws, nods and walks off, and when he leaves,

341
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Speaker 1: we see Corey was standing behind him the whole time.

342
00:17:24,440 --> 00:17:28,280
Speaker 1: He smiles and admits, I'm here. Sean grains I knew

343
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Speaker 1: you would be. Corey wonders where they're going, and Sean

344
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Speaker 1: reveals I thought we'd go to the cemetery. Corey winceys.

345
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Speaker 1: I thought we'd go for pie. Shawn isn't budging cemetery.

346
00:17:39,240 --> 00:17:43,520
Speaker 1: Corey tries one last time boys and Barry. Sean starts

347
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Speaker 1: walking away and Corey follows close behind. I don't like cemeteries.

348
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Speaker 1: There's a high concentration of dead people. I haven't even

349
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Speaker 1: visited my Nana Boo boo. Ben's breaking.

350
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Speaker 4: Oh this is the funniest.

351
00:17:57,440 --> 00:17:59,200
Speaker 1: Yeah, when what is it? It's when you say Nana

352
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Speaker 1: Boo Boo's not dead, so now you're a doctor. And

353
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Speaker 1: no one laughs.

354
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Speaker 4: Ye, because it's it's just the funniest thing.

355
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Speaker 5: To us.

356
00:18:06,840 --> 00:18:09,400
Speaker 4: It is, oh my god.

357
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Speaker 1: And he then breaks, but it also seemed like he

358
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Speaker 1: was breaking because there was no one who laughed.

359
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Speaker 4: And you know, we couldn't have had a live audience. No,

360
00:18:18,200 --> 00:18:20,239
Speaker 4: I know, we're on New York Street, so there's no

361
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Speaker 4: laugh track even exactly there.

362
00:18:23,080 --> 00:18:24,960
Speaker 3: It was like watching an episode of mash YEP.

363
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Speaker 1: But it also had that feeling of like no one's

364
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Speaker 1: gonna throw me a bone, you know, as an actor,

365
00:18:31,280 --> 00:18:34,680
Speaker 1: when like you're like, guys, we're pre taping. There's no audience.

366
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Speaker 1: We could give us something, you know, there's only there's

367
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Speaker 1: only five people here give us something. And the way

368
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Speaker 1: he the way he breaks is a little like, guys,

369
00:18:44,000 --> 00:18:45,680
Speaker 1: it's funny. Could you could you laugh?

370
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Speaker 3: Could you out here?

371
00:18:46,560 --> 00:18:47,600
Speaker 1: Help me out here please?

372
00:18:47,800 --> 00:18:50,520
Speaker 4: But I also, just knowing me and Ben, I was

373
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Speaker 4: probably losing it because I thought that line was funny,

374
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Speaker 4: and he kept probably making it bigger and more like

375
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Speaker 4: and changing the boy during the week. I was like,

376
00:19:00,440 --> 00:19:02,399
Speaker 4: that's a dumb line, and he was like, I'll make

377
00:19:02,440 --> 00:19:05,439
Speaker 4: it funny. And then the whole week was him trying

378
00:19:05,440 --> 00:19:07,879
Speaker 4: to break me and like I had to do this

379
00:19:07,960 --> 00:19:09,959
Speaker 4: dramatic thing, and I was always tense, going like I'm

380
00:19:09,960 --> 00:19:11,600
Speaker 4: not gonna laugh, I'm not gonna laugh. Yeah, and then

381
00:19:11,640 --> 00:19:14,440
Speaker 4: he lost it. Oh god, it's so funny.

382
00:19:15,359 --> 00:19:19,040
Speaker 1: Sean reminds him, Nana Boo Boo's not dead. Corey isn't pleased,

383
00:19:19,160 --> 00:19:21,959
Speaker 1: So now you're a doctor. He grabs Sean and pleads

384
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Speaker 1: come back to my house. My family offered to adopt

385
00:19:24,960 --> 00:19:26,439
Speaker 1: you tonight. Do you know how great that is? You

386
00:19:26,440 --> 00:19:29,280
Speaker 1: would actually be my brother. Sean tells him you are

387
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Speaker 1: my brother already. Corey pushes more, so, come back to

388
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Speaker 1: my house. There's life at my house. My family wants

389
00:19:35,240 --> 00:19:38,840
Speaker 1: you there. What's waiting for you at the cemetery? Sean answers,

390
00:19:39,359 --> 00:19:43,560
Speaker 1: my family mine. Then he walks away, leaving Corey alone

391
00:19:43,720 --> 00:19:48,440
Speaker 1: to get mugged now in the cemetery. Obviously, none of

392
00:19:48,520 --> 00:19:52,080
Speaker 1: us remember this set, including you, writer, You vaguely remember

393
00:19:52,160 --> 00:19:52,520
Speaker 1: this scene.

394
00:19:52,560 --> 00:19:52,639
Speaker 5: No.

395
00:19:52,720 --> 00:19:56,639
Speaker 4: I remembered that that because I said it in my

396
00:19:56,800 --> 00:19:58,720
Speaker 4: poem when we do our live shows. I said the

397
00:19:58,760 --> 00:20:00,600
Speaker 4: line about like sitting in his spa this heart attack.

398
00:20:00,640 --> 00:20:02,960
Speaker 4: We hung out of a grave and then at some

399
00:20:03,040 --> 00:20:05,280
Speaker 4: points I was having a conversation. I thought it was

400
00:20:05,400 --> 00:20:07,159
Speaker 4: you two or something, and there were and somebody was like, no,

401
00:20:07,280 --> 00:20:09,119
Speaker 4: you never were at a grave site with Chet, and

402
00:20:09,119 --> 00:20:11,640
Speaker 4: I was like, I swear I was. So I had

403
00:20:11,680 --> 00:20:14,560
Speaker 4: like convinced myself that this never happened, or that I do.

404
00:20:14,600 --> 00:20:17,600
Speaker 1: Remember that conversation. But it was with someone who has

405
00:20:17,640 --> 00:20:20,199
Speaker 1: seen all the episodes. Yes, someone was like, oh, it

406
00:20:20,280 --> 00:20:22,440
Speaker 1: may have been somebody in the audience even.

407
00:20:22,359 --> 00:20:24,840
Speaker 4: Yeah, they were like, no, there's never an episode where

408
00:20:25,000 --> 00:20:27,320
Speaker 4: you were by the grave, and so I then was like, oh,

409
00:20:27,320 --> 00:20:29,960
Speaker 4: we must have like rehearsed a scene that never got

410
00:20:29,960 --> 00:20:32,480
Speaker 4: into the final episode or whatever. But then so when

411
00:20:32,480 --> 00:20:34,040
Speaker 4: I saw this, I was like, yes, see, I have

412
00:20:34,119 --> 00:20:38,040
Speaker 4: vindication remember it. It's it's a pretty cool set in

413
00:20:38,080 --> 00:20:39,879
Speaker 4: the in the sense that like it has depth. Like

414
00:20:39,920 --> 00:20:44,400
Speaker 4: the way that it goes up in elevation is pretty rare,

415
00:20:44,560 --> 00:20:46,000
Speaker 4: do you know what I mean? Like you don't usually

416
00:20:46,000 --> 00:20:48,399
Speaker 4: have sets go up like that, but it's a really

417
00:20:48,440 --> 00:20:50,560
Speaker 4: smart way to add depth without having to go far

418
00:20:50,600 --> 00:20:53,040
Speaker 4: back in the stage. So I was impressed with that.

419
00:20:53,119 --> 00:20:55,639
Speaker 4: I didn't love the lighting. The lighting bothered me, but

420
00:20:55,680 --> 00:20:58,240
Speaker 4: it which is always the problem when you're shooting an

421
00:20:58,240 --> 00:21:02,719
Speaker 4: exterior interior right likes fake but especially at night like this.

422
00:21:03,520 --> 00:21:06,199
Speaker 4: But I was impressed with the set in that regard.

423
00:21:06,440 --> 00:21:08,959
Speaker 4: But yeah, why not just have the grave in the

424
00:21:09,000 --> 00:21:13,400
Speaker 4: foreground facing Fuss, like just to show his name, Like.

425
00:21:13,480 --> 00:21:16,879
Speaker 1: I know, we believe you, we believe you, and we're.

426
00:21:16,720 --> 00:21:18,760
Speaker 4: Going to see the ghosts, so we figure it out.

427
00:21:18,840 --> 00:21:20,399
Speaker 5: Yeah, were you were you all trying to read the

428
00:21:20,440 --> 00:21:22,840
Speaker 5: other headstones to see if they put on like writers'

429
00:21:22,880 --> 00:21:24,280
Speaker 5: names or I was looking to see if it's like,

430
00:21:24,400 --> 00:21:25,480
Speaker 5: all right, am I going to know any of the

431
00:21:25,560 --> 00:21:26,320
Speaker 5: other headstones?

432
00:21:26,960 --> 00:21:28,600
Speaker 3: Nothing that I saw, but I was like, I'm figuring

433
00:21:28,600 --> 00:21:31,199
Speaker 3: they're going to do something that's funny.

434
00:21:31,640 --> 00:21:35,440
Speaker 1: Now in the cemetery, Sean finds Chet's gravestone and yells

435
00:21:35,480 --> 00:21:37,640
Speaker 1: at it. Hey, you having a good time in there,

436
00:21:37,720 --> 00:21:40,200
Speaker 1: hiding all your secrets, like the fact that you've been

437
00:21:40,240 --> 00:21:42,960
Speaker 1: married sixty two times and never never bothered to tell

438
00:21:43,000 --> 00:21:44,920
Speaker 1: me who my real mother was. Okay, so at least

439
00:21:44,960 --> 00:21:45,560
Speaker 1: you I do.

440
00:21:45,680 --> 00:21:47,480
Speaker 4: Yeah, some anger, Yeah, what.

441
00:21:47,320 --> 00:21:49,640
Speaker 1: Possible reason could a father have not to tell his

442
00:21:49,680 --> 00:21:53,040
Speaker 1: boy who his mom is? And then from beyond the grave,

443
00:21:53,280 --> 00:21:56,320
Speaker 1: we hear Chet maybe the father was trying to protect

444
00:21:56,320 --> 00:21:59,200
Speaker 1: the boy, And we get an even bigger surprise when

445
00:21:59,240 --> 00:22:02,520
Speaker 1: Sean sees Chet standing by a nearby tree. He walks

446
00:22:02,520 --> 00:22:04,800
Speaker 1: over to his tombstone and thanks his son for planting

447
00:22:04,840 --> 00:22:07,399
Speaker 1: some flowers. You keep the place real nice and pretty

448
00:22:07,400 --> 00:22:10,440
Speaker 1: for all my many visitors. Sean wonders, why didn't you

449
00:22:10,480 --> 00:22:13,840
Speaker 1: tell me who my mom was? Chet shrugs your mother's verna,

450
00:22:14,200 --> 00:22:17,000
Speaker 1: Sean shakes his head. No, the woman who gave birth

451
00:22:17,040 --> 00:22:19,760
Speaker 1: to me, Chet waves it off. She took off when

452
00:22:19,800 --> 00:22:23,680
Speaker 1: you were born. I said, honey, it's a chet looks around, honey,

453
00:22:24,280 --> 00:22:26,720
Speaker 1: But don't blame her son. She wasn't really the mother type.

454
00:22:27,000 --> 00:22:30,639
Speaker 1: She was more how can I put this delicately, a

455
00:22:30,760 --> 00:22:36,800
Speaker 1: stripper mom's mom. No, No, definitely, no.

456
00:22:36,920 --> 00:22:40,680
Speaker 5: You're she was a leather She was obviously a leather

457
00:22:40,720 --> 00:22:41,720
Speaker 5: jacket girl in high school.

458
00:22:41,840 --> 00:22:42,399
Speaker 3: Leather jacket.

459
00:22:42,440 --> 00:22:43,679
Speaker 4: That happened in high school.

460
00:22:44,119 --> 00:22:47,320
Speaker 3: You go from leather jackets to the pole. Everybody knows that.

461
00:22:47,680 --> 00:22:51,320
Speaker 1: And you could never then have children because how dare

462
00:22:51,359 --> 00:22:51,600
Speaker 1: you know?

463
00:22:52,359 --> 00:22:54,560
Speaker 3: Or if you do, you're going to abandon them.

464
00:22:55,359 --> 00:22:56,400
Speaker 4: You're going to be a bad mother.

465
00:22:56,520 --> 00:23:01,800
Speaker 1: Yeah, obviously obviously, Well the women are men, So just

466
00:23:01,840 --> 00:23:04,200
Speaker 1: be a father. Just don't be a mother.

467
00:23:04,960 --> 00:23:07,800
Speaker 3: You don't need one mother, you need two fathers.

468
00:23:08,520 --> 00:23:13,520
Speaker 5: You need don't get rusty, but you need two heterosexual fathers,

469
00:23:13,640 --> 00:23:15,119
Speaker 5: which is literally.

470
00:23:14,760 --> 00:23:19,440
Speaker 4: The part of Michael's other show, right, two dads. Yeah,

471
00:23:19,560 --> 00:23:23,160
Speaker 4: we literally just came around to the pitch of like, what.

472
00:23:23,240 --> 00:23:25,040
Speaker 1: If we didn't have to weigh down a show?

473
00:23:25,720 --> 00:23:28,040
Speaker 4: How can we How can we have two men love

474
00:23:28,080 --> 00:23:31,720
Speaker 4: each other and be a family without any women except

475
00:23:31,720 --> 00:23:33,600
Speaker 4: the women we have sex with outside of the house.

476
00:23:33,760 --> 00:23:37,359
Speaker 5: Let's add another layer of that to helping raise other kids.

477
00:23:37,680 --> 00:23:41,120
Speaker 5: Charles in Charge, Charles Church, So you need a man

478
00:23:41,320 --> 00:23:43,960
Speaker 5: to help raise all the other kids as well.

479
00:23:46,080 --> 00:23:50,200
Speaker 4: Wow, it's literally like the recurring theme is the erasure

480
00:23:50,280 --> 00:23:53,400
Speaker 4: of women and the role of domestic labor.

481
00:23:53,680 --> 00:23:57,960
Speaker 1: And how important men are for providing it and raising

482
00:23:58,480 --> 00:23:59,000
Speaker 1: the family.

483
00:24:00,040 --> 00:24:02,920
Speaker 4: One of the best versions of domestic labor. And yeah,

484
00:24:03,040 --> 00:24:07,760
Speaker 4: oh my god, that is so intense every show and

485
00:24:07,960 --> 00:24:10,560
Speaker 4: literally what is what is the what is actual? One

486
00:24:11,520 --> 00:24:14,960
Speaker 4: is not the mama, the mama, not the mama, Mama stripper,

487
00:24:15,600 --> 00:24:16,360
Speaker 4: she was a stripper.

488
00:24:16,400 --> 00:24:16,640
Speaker 5: Story.

489
00:24:25,080 --> 00:24:27,760
Speaker 4: Wow, did we just like crack some kind of code?

490
00:24:28,880 --> 00:24:31,000
Speaker 4: The earth just just shifted slightly?

491
00:24:31,320 --> 00:24:33,080
Speaker 3: Just, oh my god.

492
00:24:34,960 --> 00:24:36,320
Speaker 2: I just want to go on record and say that's

493
00:24:36,320 --> 00:24:40,000
Speaker 2: the funniest five minutes. And podcasts may literally pretty intense,

494
00:24:40,280 --> 00:24:42,840
Speaker 2: the perfect five minutes I've ever heard in podcast.

495
00:24:42,920 --> 00:24:43,240
Speaker 3: Hitty.

496
00:24:44,760 --> 00:24:47,760
Speaker 4: I'm glad we got it. We got there. It's like

497
00:24:47,840 --> 00:24:50,720
Speaker 4: it took us, took us seven seasons.

498
00:24:50,320 --> 00:24:56,960
Speaker 7: But we really just got the whole DNA boy meets Borrow,

499
00:24:58,240 --> 00:25:00,760
Speaker 7: I mean yeah, like psycho analysis.

500
00:25:01,040 --> 00:25:03,480
Speaker 4: God damn, that was his taste.

501
00:25:04,280 --> 00:25:05,520
Speaker 1: Thank god I have therapy. Later.

502
00:25:05,800 --> 00:25:08,160
Speaker 5: I was gonna say, yeah, when you don't want Michael

503
00:25:08,200 --> 00:25:08,920
Speaker 5: laying on the couch.

504
00:25:08,960 --> 00:25:11,080
Speaker 3: When Freud says, so, tell me about your mother.

505
00:25:14,600 --> 00:25:18,560
Speaker 1: Sean clarifies, my mom was a stripper. Chet nods the best.

506
00:25:19,040 --> 00:25:22,040
Speaker 1: Sean wonders if he loved her, Chet nods, I did.

507
00:25:22,320 --> 00:25:24,600
Speaker 1: I did love her. Wasn't enough to hold her though,

508
00:25:24,960 --> 00:25:28,400
Speaker 1: Sean says, well, neither was I. I guess I wasn't

509
00:25:28,480 --> 00:25:30,680
Speaker 1: enough to hold her. I wasn't enough to hold Verna.

510
00:25:31,119 --> 00:25:33,879
Speaker 1: Chet assures him, no, you were adorable. He had that

511
00:25:33,920 --> 00:25:36,639
Speaker 1: little butt that Verna loved to powder. Women did not

512
00:25:36,760 --> 00:25:40,080
Speaker 1: find my butt adorable. However, they kicked it around pretty

513
00:25:40,119 --> 00:25:41,119
Speaker 1: good during my life.

514
00:25:41,800 --> 00:25:42,040
Speaker 5: Them.

515
00:25:42,200 --> 00:25:44,960
Speaker 1: It's on them, not that he was not a good partner.

516
00:25:45,400 --> 00:25:47,879
Speaker 3: No, no. They also allude to the fact that he

517
00:25:47,920 --> 00:25:48,520
Speaker 3: would drink.

518
00:25:49,720 --> 00:25:52,480
Speaker 1: Oh yeah, he had never had a side.

519
00:25:52,560 --> 00:25:54,240
Speaker 3: Because of them, because of the women.

520
00:25:55,280 --> 00:25:55,399
Speaker 2: Uh.

521
00:25:56,280 --> 00:25:59,359
Speaker 4: Surprising non use of the word tushy. This would be

522
00:25:59,400 --> 00:25:59,840
Speaker 4: a great time.

523
00:26:02,880 --> 00:26:04,840
Speaker 3: You're not in a cemetery, writer.

524
00:26:05,640 --> 00:26:06,920
Speaker 4: Talk about in the summit.

525
00:26:07,560 --> 00:26:11,280
Speaker 1: The truth is you had a lousy mother and a

526
00:26:11,359 --> 00:26:12,080
Speaker 1: lousy father.

527
00:26:12,520 --> 00:26:14,240
Speaker 3: Okay, thank you.

528
00:26:14,240 --> 00:26:17,560
Speaker 1: You come from a long line of lousy boy Sean says,

529
00:26:17,560 --> 00:26:20,040
Speaker 1: he's aware Chet size, and they take a seat next

530
00:26:20,040 --> 00:26:23,040
Speaker 1: to his grave. You got delta bad hand son, I'm

531
00:26:23,080 --> 00:26:26,160
Speaker 1: sorry about it. Sean reveals that the matthews have offered

532
00:26:26,160 --> 00:26:28,760
Speaker 1: to adopt him, and Chet's blown away. That sounds like

533
00:26:28,760 --> 00:26:31,960
Speaker 1: a sweet deal, but Sewn's not so sure. Chet says

534
00:26:31,960 --> 00:26:33,800
Speaker 1: it doesn't get any better than the Matthews and it

535
00:26:33,840 --> 00:26:36,840
Speaker 1: would be a real trade up. Sean reminds Chet he's

536
00:26:36,920 --> 00:26:40,560
Speaker 1: his father, but Chet points out the obvious I'm dead. Look,

537
00:26:40,760 --> 00:26:43,480
Speaker 1: take it from your dead dad. Become a Matthews. Put

538
00:26:43,480 --> 00:26:46,640
Speaker 1: it to bed. Sean admits, you know, I always thought

539
00:26:46,680 --> 00:26:49,640
Speaker 1: you were the black sheep of the family, but you weren't.

540
00:26:49,920 --> 00:26:56,320
Speaker 1: You stayed, you raised me. Hmm okay, Chet states.

541
00:26:56,040 --> 00:26:57,960
Speaker 4: Now would would would would we have?

542
00:26:58,359 --> 00:27:00,720
Speaker 5: Would it have been worse if okay, so say he

543
00:27:00,760 --> 00:27:02,840
Speaker 5: had this entire conversation, we keep it all exactly the

544
00:27:02,920 --> 00:27:05,080
Speaker 5: same way. Maybe you should go to the Matthews because

545
00:27:05,119 --> 00:27:08,399
Speaker 5: this is all an internal struggle for Sean and just

546
00:27:08,640 --> 00:27:10,399
Speaker 5: have just add the line, well, I can't tell you

547
00:27:10,400 --> 00:27:12,719
Speaker 5: about your my mom did if you can't find her,

548
00:27:12,720 --> 00:27:15,400
Speaker 5: I can't help you, you know, instead of actually he's

549
00:27:15,480 --> 00:27:18,760
Speaker 5: literally giving him the information like you said before, writer,

550
00:27:18,880 --> 00:27:21,520
Speaker 5: where it's like, by the way, here's where I buried money,

551
00:27:21,640 --> 00:27:23,920
Speaker 5: Like what what.

552
00:27:24,400 --> 00:27:25,760
Speaker 4: Like you're actually giving.

553
00:27:25,800 --> 00:27:28,760
Speaker 5: You could have easily just been having this internal conversation

554
00:27:28,880 --> 00:27:32,000
Speaker 5: with yourself right about the Matthews, about yes, you got

555
00:27:32,000 --> 00:27:34,160
Speaker 5: Delta bad hand in life, and it's coming from Chet,

556
00:27:34,200 --> 00:27:37,480
Speaker 5: but he's not actually telling you anything you don't know already.

557
00:27:37,760 --> 00:27:41,640
Speaker 1: Yeah, and and saying knowing who your mother is won't

558
00:27:41,720 --> 00:27:45,000
Speaker 1: change anything in your life. You've got everything you need already.

559
00:27:45,040 --> 00:27:49,000
Speaker 1: You've got great friends, You've got the Matthews. This is

560
00:27:49,040 --> 00:27:51,720
Speaker 1: a mystery that's best just left a mystery. Yeah, but

561
00:27:51,800 --> 00:27:54,719
Speaker 1: I guess once they once you buy into the idea

562
00:27:54,760 --> 00:27:57,800
Speaker 1: that the ghost can talk to you, why can't Why

563
00:27:57,840 --> 00:27:59,520
Speaker 1: wouldn't the ghost just answer you?

564
00:28:00,000 --> 00:28:02,520
Speaker 5: I also give you information you didn't have before, which

565
00:28:02,520 --> 00:28:04,280
Speaker 5: doesn't yet, it doesn't make any sense at all.

566
00:28:04,640 --> 00:28:07,760
Speaker 1: Chet states the obvious. I came and went. I tried.

567
00:28:07,960 --> 00:28:10,240
Speaker 1: Seawan insists you did a good job with me, Dad,

568
00:28:10,480 --> 00:28:13,320
Speaker 1: people like me. I even have friends. I even have

569
00:28:13,359 --> 00:28:15,800
Speaker 1: someone who loves me. Chet demands he hold on to her,

570
00:28:15,840 --> 00:28:18,480
Speaker 1: and Sean promises he will, just like I'm holding onto you.

571
00:28:18,560 --> 00:28:19,600
Speaker 4: For five more episodes.

572
00:28:20,880 --> 00:28:22,919
Speaker 1: Chet doesn't get it. Why would you want to do that,

573
00:28:23,840 --> 00:28:26,560
Speaker 1: Sean explains, because I'm proud of you. You're the one

574
00:28:26,560 --> 00:28:29,600
Speaker 1: who started to turn this family around. Chet doesn't believe him.

575
00:28:30,000 --> 00:28:34,600
Speaker 1: You're proud of me, Sean nodds, couldn't be prouder. Chet laughs,

576
00:28:34,880 --> 00:28:37,280
Speaker 1: Ain't that a kick? Sean says he tried to tell

577
00:28:37,359 --> 00:28:39,800
Speaker 1: him at the hospital, and Shed admits, well, I couldn't

578
00:28:39,800 --> 00:28:44,200
Speaker 1: really hear you. You know, I was going oh, but

579
00:28:44,280 --> 00:28:47,320
Speaker 1: Chet assures him I hear you now. Sean thanks him

580
00:28:47,440 --> 00:28:50,680
Speaker 1: for being his father. Chet nods, you love me. Huh.

581
00:28:50,960 --> 00:28:54,080
Speaker 1: Sean jokes, ain't that a kick. Chet puts a hand

582
00:28:54,080 --> 00:28:56,680
Speaker 1: on his son's face. Maybe I can finally get a

583
00:28:56,720 --> 00:29:00,640
Speaker 1: little sleep. Sean watches him go, and then Corey appears

584
00:29:00,680 --> 00:29:03,840
Speaker 1: at the cemetery entrance. Sean, you do what you needed

585
00:29:03,840 --> 00:29:07,400
Speaker 1: to do. Staring at his dad's gravestone, He nods, yeah,

586
00:29:07,560 --> 00:29:10,040
Speaker 1: I did. Then Corey makes his way over to Chet's

587
00:29:10,120 --> 00:29:13,320
Speaker 1: resting place. Hi, mister Hunter, how you doing? You know

588
00:29:13,560 --> 00:29:15,880
Speaker 1: me and Topanga got married. Wish she could have been there.

589
00:29:16,320 --> 00:29:18,440
Speaker 1: Corey assures Chet that Sean will be okay, and he

590
00:29:18,480 --> 00:29:21,320
Speaker 1: hopes he's happy. Sean lets him know he is core

591
00:29:21,800 --> 00:29:25,760
Speaker 1: and he grabs his best friend now brothers and walks

592
00:29:25,800 --> 00:29:28,200
Speaker 1: him out the entrance. He thanks him and they walk

593
00:29:28,240 --> 00:29:43,560
Speaker 1: out arm in arm. Back in the matthews living room,

594
00:29:43,720 --> 00:29:46,480
Speaker 1: Sean is facing Alan with everyone watching on. He breaks

595
00:29:46,480 --> 00:29:49,680
Speaker 1: the news. I'm sorry, but I can't be in Matthew's

596
00:29:50,120 --> 00:29:53,880
Speaker 1: Alan nods. I understand. The invitation is always on the table.

597
00:29:54,280 --> 00:29:57,200
Speaker 1: Sean smiles, thank you, but I have a feeling there's

598
00:29:57,240 --> 00:29:58,960
Speaker 1: too much repair work I got to do for the

599
00:29:59,040 --> 00:30:01,960
Speaker 1: Hunter clan. He throws an arm around Jack and they

600
00:30:02,000 --> 00:30:07,480
Speaker 1: share a smile. The idea that in this In ninety nine,

601
00:30:07,960 --> 00:30:12,600
Speaker 1: we were doing an episode about healing generational trauma, which

602
00:30:12,640 --> 00:30:17,200
Speaker 1: is something that's very in the lexicon now and very

603
00:30:18,720 --> 00:30:23,920
Speaker 1: is very progressive. I do not remember knowing of even

604
00:30:24,000 --> 00:30:29,719
Speaker 1: understanding the concept of breaking generational cycles of that kind

605
00:30:29,760 --> 00:30:34,520
Speaker 1: of thing. I really don't. I wish this episode had

606
00:30:34,600 --> 00:30:40,240
Speaker 1: been more about that had been because that is that's

607
00:30:40,360 --> 00:30:45,680
Speaker 1: the storyline of Sean that is kind of tragic, is

608
00:30:45,840 --> 00:30:48,920
Speaker 1: and also the storyline of Angela that's maybe a little

609
00:30:49,000 --> 00:30:51,960
Speaker 1: tragic that escaping this.

610
00:30:51,920 --> 00:30:56,000
Speaker 4: Idea is in both cases a woman wanting her own

611
00:30:56,040 --> 00:30:59,160
Speaker 4: life right. Well, you're not allowed to get to this

612
00:30:59,280 --> 00:31:03,400
Speaker 4: case and Mike the story the trauma that they they

613
00:31:03,440 --> 00:31:07,120
Speaker 4: they ruined their children by divorcing or not being there,

614
00:31:07,280 --> 00:31:10,760
Speaker 4: like by not doing their role as a wife, mother person, right,

615
00:31:10,960 --> 00:31:13,240
Speaker 4: Like that that is and that's why Topeka can't go

616
00:31:13,280 --> 00:31:16,920
Speaker 4: to Yale. That's what like, you should not avoid. You

617
00:31:16,920 --> 00:31:21,760
Speaker 4: can't avoid your responsibility as a good wife, mother figure. Yeah,

618
00:31:21,800 --> 00:31:24,040
Speaker 4: that's it, Like that's the that's the logic. Though. It's

619
00:31:24,080 --> 00:31:27,640
Speaker 4: like because if like if Vernon had an addiction problem,

620
00:31:27,680 --> 00:31:30,360
Speaker 4: if fell in love with somebody else, if Sean's mom,

621
00:31:30,480 --> 00:31:33,320
Speaker 4: But no, it's that they were sexually loose and didn't

622
00:31:33,320 --> 00:31:35,680
Speaker 4: want to have the role of a mother. It's it's

623
00:31:35,760 --> 00:31:40,560
Speaker 4: like they rejected irresponsible, and that's abdigating your responsibility as

624
00:31:40,600 --> 00:31:43,680
Speaker 4: a as a woman. Like that's the generational trauma. I

625
00:31:44,000 --> 00:31:45,680
Speaker 4: know what you're saying, which I totally get and I

626
00:31:45,880 --> 00:31:48,320
Speaker 4: I doin that interesting and I think it's cool that

627
00:31:48,360 --> 00:31:52,680
Speaker 4: our show even broke the subject. But the logic of

628
00:31:53,080 --> 00:31:54,640
Speaker 4: the actual gender.

629
00:31:54,840 --> 00:31:57,880
Speaker 3: Roles is pretty that's where it went to.

630
00:31:58,120 --> 00:32:00,240
Speaker 5: But I think what they were trying to do, quote

631
00:32:00,280 --> 00:32:02,440
Speaker 5: unquote trying to do with his search of his family

632
00:32:02,680 --> 00:32:05,800
Speaker 5: was like, oh, and the guys on this side slaughtered

633
00:32:05,840 --> 00:32:08,720
Speaker 5: an entire village, like we've got hundreds of years of

634
00:32:08,800 --> 00:32:13,400
Speaker 5: bad hunters. But then it's about the women. But then

635
00:32:13,480 --> 00:32:16,120
Speaker 5: at least Chet does say you had a bad mother

636
00:32:17,200 --> 00:32:19,160
Speaker 5: and father, like, oh, there was a weird pause that

637
00:32:19,200 --> 00:32:22,480
Speaker 5: you put there, but okay, where it's just like instead

638
00:32:22,480 --> 00:32:23,320
Speaker 5: of like you had a bad.

639
00:32:23,240 --> 00:32:28,040
Speaker 4: I regeche I said you were you were actually great.

640
00:32:28,120 --> 00:32:30,160
Speaker 1: Yeah, and I'm going to be more like you and

641
00:32:30,240 --> 00:32:30,920
Speaker 1: less like her.

642
00:32:31,280 --> 00:32:33,200
Speaker 4: You broke them as you stayed.

643
00:32:33,440 --> 00:32:35,560
Speaker 5: And then it's and it's the whole thing. Yeah, it's

644
00:32:35,680 --> 00:32:37,400
Speaker 5: very very patriarchal.

645
00:32:37,680 --> 00:32:37,920
Speaker 1: Yeah.

646
00:32:38,400 --> 00:32:42,600
Speaker 5: Yeah, So it's called boy Meets World. It is from

647
00:32:43,080 --> 00:32:46,239
Speaker 5: the male perspective, and our writer is a man, and

648
00:32:46,280 --> 00:32:49,320
Speaker 5: I hopefully we wouldn't be hypocrites and if it was

649
00:32:49,400 --> 00:32:51,640
Speaker 5: all female heavy be going like, well what is a

650
00:32:51,680 --> 00:32:54,280
Speaker 5: man writing for a woman? You know, like we might

651
00:32:54,320 --> 00:32:56,960
Speaker 5: be arguing that point as well. So I get where

652
00:32:57,000 --> 00:32:58,560
Speaker 5: we're kind of it's a little bit of a catch

653
00:32:58,600 --> 00:33:02,600
Speaker 5: twenty two, but it it does become so glaring at

654
00:33:02,640 --> 00:33:05,560
Speaker 5: times where it's like, wow, there is a very specific

655
00:33:05,560 --> 00:33:07,400
Speaker 5: point of view of what a woman's place.

656
00:33:07,200 --> 00:33:11,440
Speaker 1: Is when it comes to Yeah, he throws an arm

657
00:33:11,480 --> 00:33:13,720
Speaker 1: around Jack and they share a smile. Corey pipes up.

658
00:33:13,760 --> 00:33:16,080
Speaker 1: If you change your mind, you know you have family here,

659
00:33:16,320 --> 00:33:19,000
Speaker 1: Sean says, he knows. He turns to Alan, wants more

660
00:33:19,040 --> 00:33:21,480
Speaker 1: and says, I'm so sorry I ruined your party. He

661
00:33:21,520 --> 00:33:25,200
Speaker 1: hands Alan a gift wrapped in newspaper Happy Birthday. So,

662
00:33:25,280 --> 00:33:27,560
Speaker 1: did you guys stop at home or no, you already

663
00:33:27,560 --> 00:33:29,880
Speaker 1: had this? Where was this?

664
00:33:30,200 --> 00:33:31,640
Speaker 5: Maybe it was in the car. He left it in

665
00:33:31,640 --> 00:33:33,800
Speaker 5: the car, but then did he drunk drive over?

666
00:33:33,880 --> 00:33:34,800
Speaker 3: And he's also sober.

667
00:33:34,840 --> 00:33:36,720
Speaker 4: Now, oh, this is all the same night.

668
00:33:36,960 --> 00:33:39,960
Speaker 1: Yeah, no, it's still the night.

669
00:33:40,120 --> 00:33:41,760
Speaker 3: No, because he said I'm sorry I ruined the party.

670
00:33:41,760 --> 00:33:42,440
Speaker 3: Everybody's still there.

671
00:33:42,520 --> 00:33:45,720
Speaker 1: Everybody's still there. It's the same night. You guys, you leave,

672
00:33:46,200 --> 00:33:48,560
Speaker 1: you talk to Sanna, you go to the cemetery, you

673
00:33:48,600 --> 00:33:49,440
Speaker 1: talk to Chet.

674
00:33:49,240 --> 00:33:52,440
Speaker 4: And then you go back with something that I went right.

675
00:33:53,240 --> 00:33:55,120
Speaker 1: With a birthday gift. So I guess you stopped at home, and.

676
00:33:55,200 --> 00:33:59,200
Speaker 5: You must have stopped at home and hopped in with Corey.

677
00:33:59,400 --> 00:34:02,600
Speaker 1: Corey, yes are which they walked from the house. It

678
00:34:02,680 --> 00:34:03,719
Speaker 1: seemed like with Sanna.

679
00:34:03,920 --> 00:34:10,400
Speaker 5: So yeah, okay, and it's Christmas, Merry.

680
00:34:10,239 --> 00:34:13,600
Speaker 1: Christmas, Merry Christmas everyone. He hands Alan a gift wrapp

681
00:34:13,600 --> 00:34:16,759
Speaker 1: in a newspaper Happy Birthday. Alan excitedly unwraps the gift

682
00:34:16,800 --> 00:34:20,080
Speaker 1: to reveal a homemade ceramic circle with handprints carved into it.

683
00:34:20,960 --> 00:34:23,120
Speaker 1: Eric laughs and whispers to Corey that is such a

684
00:34:23,160 --> 00:34:26,680
Speaker 1: stump gift. Watch how mad dad gets. Alan reads the

685
00:34:26,680 --> 00:34:27,879
Speaker 1: words choking.

686
00:34:27,680 --> 00:34:30,280
Speaker 4: Up to not gonna lie. I got emotional.

687
00:34:31,080 --> 00:34:33,440
Speaker 1: I did too, totally.

688
00:34:33,480 --> 00:34:35,680
Speaker 4: As much as we can talk wrap about this episode,

689
00:34:36,160 --> 00:34:39,600
Speaker 4: I completely teared up at this moment. He was like, oh,

690
00:34:39,880 --> 00:34:43,960
Speaker 4: Sean giving this to Alan. I don't think this episode

691
00:34:44,000 --> 00:34:46,799
Speaker 4: quite earned it, but the show earned this, you know,

692
00:34:46,880 --> 00:34:50,279
Speaker 4: like the over overall seven seasons. This moment is such

693
00:34:50,320 --> 00:34:53,400
Speaker 4: a huge payoff for me. Like I can remember it

694
00:34:53,480 --> 00:34:54,640
Speaker 4: and I just loved it.

695
00:34:55,400 --> 00:34:59,880
Speaker 5: Like he just told Chet you're my dad, and you're

696
00:35:00,160 --> 00:35:02,480
Speaker 5: dad and told Alan I can't be part of your family,

697
00:35:02,520 --> 00:35:04,520
Speaker 5: then handed him something that said to my dad.

698
00:35:04,520 --> 00:35:06,879
Speaker 4: I know it's it's it's having your cake and eating

699
00:35:06,880 --> 00:35:07,359
Speaker 4: it too, right.

700
00:35:07,400 --> 00:35:09,560
Speaker 1: It's like having your dad is because there is a

701
00:35:09,600 --> 00:35:13,839
Speaker 1: difference between I don't want to legally be a Matthews,

702
00:35:14,000 --> 00:35:18,200
Speaker 1: but symbolically your your might you have always been a

703
00:35:18,280 --> 00:35:21,120
Speaker 1: dad to me, and my dad is no longer here

704
00:35:21,520 --> 00:35:24,560
Speaker 1: for this little handprint of mine that says to my dad,

705
00:35:24,880 --> 00:35:28,879
Speaker 1: so symbolically you're my dad. Even so, it is having

706
00:35:28,880 --> 00:35:31,160
Speaker 1: its cake and eating it too, and I love it.

707
00:35:31,280 --> 00:35:32,480
Speaker 1: Give me more cake.

708
00:35:33,200 --> 00:35:35,040
Speaker 3: Cake unless it's PANATONI.

709
00:35:35,360 --> 00:35:37,640
Speaker 4: If I just wish the scene had ended like at

710
00:35:37,680 --> 00:35:39,880
Speaker 4: this beat, like he could have literally just been like,

711
00:35:40,280 --> 00:35:43,600
Speaker 4: oh my god, we thank you. I'm going to check

712
00:35:43,640 --> 00:35:45,280
Speaker 4: you forever. End of episode.

713
00:35:45,320 --> 00:35:46,040
Speaker 3: Yeah.

714
00:35:47,640 --> 00:35:50,000
Speaker 1: Eric changes his tune and runs over, Oh that's actually

715
00:35:50,000 --> 00:35:51,920
Speaker 1: for both of us, Dad. See. He holds his hand

716
00:35:52,000 --> 00:35:53,520
Speaker 1: up to the pottery and it doesn't fit, so he

717
00:35:53,560 --> 00:35:56,799
Speaker 1: walks away. Sean tells Alan that there is one thing

718
00:35:56,840 --> 00:35:59,040
Speaker 1: he can do for him. Alan tells him to name it.

719
00:35:59,160 --> 00:36:01,760
Speaker 1: Sean tells him to yell at him, like he yells

720
00:36:01,760 --> 00:36:04,800
Speaker 1: at Corey and Eric. Alan laughs. Is that what he wants?

721
00:36:05,080 --> 00:36:07,560
Speaker 1: Sean swears he can take it. He's not afraid now this,

722
00:36:08,120 --> 00:36:11,319
Speaker 1: I have no doubt. Is the network note about their

723
00:36:11,360 --> 00:36:13,760
Speaker 1: needing to be repercussions.

724
00:36:13,080 --> 00:36:15,840
Speaker 3: Or drinking drinking? Probably?

725
00:36:17,000 --> 00:36:19,080
Speaker 1: Everyone eggs Allen on, so he gives it all he's got.

726
00:36:19,120 --> 00:36:21,840
Speaker 1: He warms up, untels Sean, maybe you should be afraid

727
00:36:21,880 --> 00:36:25,279
Speaker 1: because I'm a Navy goddamn seal, he says.

728
00:36:25,360 --> 00:36:27,000
Speaker 4: Did he say goddamn? Did I miss that?

729
00:36:27,120 --> 00:36:30,080
Speaker 1: He said goddamn? I think that's what he says.

730
00:36:31,719 --> 00:36:36,680
Speaker 5: Yeah, Wow, that would be the harshest swear we've ever said.

731
00:36:37,040 --> 00:36:40,160
Speaker 3: I know on boy, were by far? Goddamn is is

732
00:36:40,560 --> 00:36:41,359
Speaker 3: that's a harsh one.

733
00:36:41,480 --> 00:36:46,800
Speaker 1: Maybe he just got you know, like as a god. Damn,

734
00:36:46,880 --> 00:36:47,319
Speaker 1: I don't know.

735
00:36:48,640 --> 00:36:52,320
Speaker 4: Right, you suck. We weren't allowed to say suck.

736
00:36:52,400 --> 00:36:53,120
Speaker 3: We couldn't say.

737
00:36:53,640 --> 00:36:56,640
Speaker 5: My original take was when Alan grabs me and says,

738
00:36:56,760 --> 00:36:58,239
Speaker 5: get off your and get a job.

739
00:36:58,239 --> 00:37:00,640
Speaker 3: We couldn't do that, so God Dad, we.

740
00:37:00,640 --> 00:37:03,520
Speaker 4: Said sluts last week or two weeks now, which's weird.

741
00:37:03,960 --> 00:37:07,320
Speaker 1: Yeah, Eric is thrilled. Hey, that's where I got that from.

742
00:37:07,440 --> 00:37:09,240
Speaker 1: He used to yell that at me all the time.

743
00:37:09,760 --> 00:37:11,880
Speaker 1: Alan keeps giving Sean a piece of his mind. You

744
00:37:11,880 --> 00:37:13,880
Speaker 1: want another beer? Why don't you go in the fridge.

745
00:37:13,960 --> 00:37:17,400
Speaker 1: Huh so maybe you can lose an arm Corey oohs,

746
00:37:17,640 --> 00:37:21,000
Speaker 1: and Alan calmly asks Sean how he's doing. Sean admits great,

747
00:37:21,080 --> 00:37:24,880
Speaker 1: you're doing great. Alan continues sternly, don't do these things anymore.

748
00:37:24,960 --> 00:37:28,440
Speaker 1: It scares your friends. Angela agrees, I know what scares me,

749
00:37:28,960 --> 00:37:31,920
Speaker 1: Alan adds, and they love you. Angela and Sean embrace.

750
00:37:32,120 --> 00:37:35,359
Speaker 1: She assures him, Yeah, I do. Sean grabs her hand.

751
00:37:35,640 --> 00:37:39,800
Speaker 1: Never leave, She tells him, I won't. Alan stands nearby

752
00:37:39,880 --> 00:37:42,480
Speaker 1: and lets them know, someday you may want to buy

753
00:37:42,480 --> 00:37:45,399
Speaker 1: a house, and you're gonna come to me. Corey leans

754
00:37:45,400 --> 00:37:47,799
Speaker 1: down to Tapanga and whispers, I think this is about us.

755
00:37:48,360 --> 00:37:51,640
Speaker 1: Alan tells Sean, I got news for you. Get a job.

756
00:37:52,000 --> 00:37:55,400
Speaker 1: Sean grins, yes, sir, thank you, Sir. Alan puts a

757
00:37:55,440 --> 00:37:57,320
Speaker 1: hand on his head and gives him a light slap.

758
00:37:57,760 --> 00:38:00,920
Speaker 1: You're welcome, and there's no.

759
00:38:00,840 --> 00:38:03,279
Speaker 3: Tech question did anybody? Does anybody know?

760
00:38:03,320 --> 00:38:05,200
Speaker 5: Because I know that I think one of the four

761
00:38:05,320 --> 00:38:08,600
Speaker 5: or five episodes that Disney wouldn't show Disney Channel wouldn't

762
00:38:08,600 --> 00:38:11,600
Speaker 5: show was the drinking episode. Oh so he's drunk in

763
00:38:11,640 --> 00:38:14,160
Speaker 5: this episode. Did they not show this episode either?

764
00:38:14,600 --> 00:38:15,160
Speaker 3: I don't know.

765
00:38:15,400 --> 00:38:17,040
Speaker 5: I don't know if this is one of the it

766
00:38:17,080 --> 00:38:18,560
Speaker 5: would be weird if this is one of the ones

767
00:38:18,560 --> 00:38:21,279
Speaker 5: that was the forbidden episode. But he's clearly drunk and

768
00:38:21,320 --> 00:38:22,960
Speaker 5: they're talking about drinking in this one.

769
00:38:22,680 --> 00:38:26,040
Speaker 1: Maybe he doesn't they don't show it because he says.

770
00:38:25,960 --> 00:38:26,560
Speaker 4: God damn.

771
00:38:27,040 --> 00:38:28,000
Speaker 3: Maybe that's what it is.

772
00:38:29,320 --> 00:38:31,640
Speaker 1: I don't know. I feel like I need to go

773
00:38:31,760 --> 00:38:34,120
Speaker 1: back and verify.

774
00:38:33,880 --> 00:38:36,960
Speaker 4: That it was just the Prong episode and the drinking episode.

775
00:38:36,960 --> 00:38:40,360
Speaker 2: I have it so there's three episodes. Season five episode eighteen,

776
00:38:40,400 --> 00:38:42,040
Speaker 2: if you can't be with the one you love due

777
00:38:42,040 --> 00:38:46,320
Speaker 2: to underage drinking. Season five episode twenty two promises promises

778
00:38:46,320 --> 00:38:49,280
Speaker 2: for sexual theme and season six episode twenty truth about

779
00:38:49,280 --> 00:38:50,760
Speaker 2: honesty again for sexual theme.

780
00:38:51,880 --> 00:38:54,080
Speaker 5: Not the honeymoon where they actually have sex and she's

781
00:38:54,160 --> 00:38:55,280
Speaker 5: under the covers naked.

782
00:38:55,320 --> 00:38:57,520
Speaker 1: We're married, but you're still under.

783
00:38:57,320 --> 00:38:58,120
Speaker 3: The covers naked.

784
00:38:58,560 --> 00:38:59,120
Speaker 4: You're married.

785
00:39:00,280 --> 00:39:01,880
Speaker 3: Okay, yeah, I guess that's true.

786
00:39:02,440 --> 00:39:07,040
Speaker 1: Okay, okay, all right, well, thank you all for joining

787
00:39:07,120 --> 00:39:09,160
Speaker 1: us for this episode of Podmeets World. As always, you

788
00:39:09,160 --> 00:39:11,560
Speaker 1: can follow us on Instagram pod Meets World Show. You

789
00:39:11,600 --> 00:39:14,000
Speaker 1: can send us your emails pod meets World Show at

790
00:39:14,000 --> 00:39:16,640
Speaker 1: gmail dot com. And we've got merch.

791
00:39:17,480 --> 00:39:20,480
Speaker 5: I was gonna go with Merry Christmas when it's not

792
00:39:20,600 --> 00:39:23,240
Speaker 5: Christmas merch, but huh, I think I'm gonna.

793
00:39:23,000 --> 00:39:25,160
Speaker 3: Stick with Strippersaurus.

794
00:39:25,760 --> 00:39:30,120
Speaker 5: Strippersaurus and it's dog Strippersaurus Rex merch.

795
00:39:31,200 --> 00:39:35,160
Speaker 1: Pod Meets World Show dot Com writer send us out.

796
00:39:35,440 --> 00:39:40,000
Speaker 4: I love you all, pod dismissed. Pod Meets World is

797
00:39:40,000 --> 00:39:43,279
Speaker 4: an iHeart podcast producer hosted by Danielle Fischel, Wilfridell and

798
00:39:43,400 --> 00:39:47,360
Speaker 4: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman, Executive

799
00:39:47,360 --> 00:39:51,520
Speaker 4: in charge of production, Danielle Romo, producer and editor, Tarasubasch producer,

800
00:39:51,600 --> 00:39:54,799
Speaker 4: Maddie Moore, engineer and Boy Meets World Superman Easton Allen.

801
00:39:54,960 --> 00:39:58,120
Speaker 4: Our theme song is by Kyle Morton of Typhoon. Follow

802
00:39:58,160 --> 00:40:00,960
Speaker 4: us on Instagram at Podmeets World Show, or email us

803
00:40:01,040 --> 00:40:06,960
Speaker 4: at Hodby's World Show at gmail dot com.

804
00:40:06,560 --> 00:40:06,600
Speaker 5: M