WEBVTT - What’s New in Public Destination Golf?

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<v Speaker 1>One of the biggest stories in the golf course industry

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<v Speaker 1>over the past thirty years has been the rise of

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<v Speaker 1>the destination golf resort, starting with Bandon Dunes in the

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<v Speaker 1>nineties and still going strong today with the post COVID

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<v Speaker 1>surge and development. So where are we now with public

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<v Speaker 1>destination golf? How has it changed over the past three

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<v Speaker 1>decades and what have been its effects on golf architecture.

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<v Speaker 1>That's what we're talking about in this episode. My guest

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<v Speaker 1>is Mike Kaprowski, the golf architect behind the first course

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<v Speaker 1>at a new destination in the Carolina sand Hills called

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<v Speaker 1>Candy Root Lodge. I'm Garrett Morrison, and this is Designing Golf,

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<v Speaker 1>all right. Before we bring on Mike Kaprowski to discuss

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<v Speaker 1>Candy Root Lodge, let's talk about the current state of

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<v Speaker 1>public destination golf. You know, the interesting thing about the

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<v Speaker 1>surge in golf course development since COVID is that it's uneven.

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<v Speaker 1>You know, there hasn't been like a general expansion of

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<v Speaker 1>the game's footprint like we saw in the twenties or

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<v Speaker 1>the sixties or the nineties. What we've gotten instead, I think,

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<v Speaker 1>is a focus on certain regions and certain types of

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<v Speaker 1>golf courses, especially if you're talking about new build projects,

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<v Speaker 1>that is, projects that produced golf courses where there weren't

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<v Speaker 1>previously golf courses. In the US, in particular, we've seen

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<v Speaker 1>a lot of new build action in Texas, the Carolinas,

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<v Speaker 1>and Florida, and a disproportionate emphasis on destination golf. There

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<v Speaker 1>have been renovations and restorations and redesigns of existing properties

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<v Speaker 1>happening as well, But if you're talking about new build

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<v Speaker 1>golf development, what you're really talking about is these regions

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<v Speaker 1>and destination golf. So I want to give you a

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<v Speaker 1>snapshot of the public destination golf projects happening right now.

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<v Speaker 1>And this is not an exhaustive list. I'm just going

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<v Speaker 1>to talk about the projects that I find especially notable

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<v Speaker 1>or interesting. First, the one we're talking about in this

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<v Speaker 1>episode Candy Rout Lodge in South Carolina, about an hour

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<v Speaker 1>and a half from Charlotte, North Carolina. I get my

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<v Speaker 1>Carolinas mixed up all the time, by the way, I

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<v Speaker 1>think I've said a number of times that Candy Root

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<v Speaker 1>Lodge is in North Carolina, which it's not, but it's

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<v Speaker 1>close to, relatively close to Charlotte first course designed by

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<v Speaker 1>my guest Mike Kaprowski. He's also helping to build a

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<v Speaker 1>short course alongside Michelle Wee West, Okay. Outside of Candy Route,

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<v Speaker 1>we have a space eight of developments spearheaded by Michael

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<v Speaker 1>Kaiser Junior that is the son of Mike Kaiser, the

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<v Speaker 1>founder of Bandon Dunes. First, there's the Commons at Sand

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<v Speaker 1>Valley in Wisconsin. This is a twelve hole short course,

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<v Speaker 1>not really a short course, more of an executive course

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<v Speaker 1>right an afternoon course, designed by Jim Craig. It'll open

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<v Speaker 1>for resort play in July this year. Then there's Rodeo

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<v Speaker 1>Dunes new resort about forty five minutes northeast of the

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<v Speaker 1>Denver International Airport. The first course, designed by Corn Crenshaw,

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<v Speaker 1>will open to the public in twenty twenty seven. Jim

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<v Speaker 1>Craig is working on the second course at the resort.

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<v Speaker 1>Then there's Wild Spring Dunes in East Texas, about two

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<v Speaker 1>and a half hours from both Dallas and Houston. The

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<v Speaker 1>first course is designed by Tom Doak. It'll open in September.

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<v Speaker 1>And then there's a Corn Crenshaw course under constructions to

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<v Speaker 1>be completed in twenty twenty seven. Finally Old Shores in

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<v Speaker 1>the Floor to Panhandle. The first course by Tom Doak

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<v Speaker 1>is under construction now with a grand opening possible in

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<v Speaker 1>fall twenty twenty seven, and the second course will be

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<v Speaker 1>designed by Brian Schneider. So those are all destination golf

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<v Speaker 1>projects currently underway in Michael Kaiser's growing empire. A lot

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<v Speaker 1>happening there. Michael Kaiser recently founded his own company Sanborn

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<v Speaker 1>and so he's making definitely some significant moves on his

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<v Speaker 1>own and these three brand new resorts extraordinary that the

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<v Speaker 1>three of them have been founded in the twenty twenties alone.

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<v Speaker 1>Rodeo Dunes, Wildspring Dunes, Old Shores are really his projects.

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<v Speaker 1>Another big player in the destination golf market right now

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<v Speaker 1>is Cabot. There's Cabot Highlands in the Scottish Highlands, very

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<v Speaker 1>close to Inverness. Before Cabot purchased this resort, it was

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<v Speaker 1>known as Castle Stewart and it featured one seaside course

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<v Speaker 1>by Gil Hants. There's now a new course called Old

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<v Speaker 1>Petty designed by Tom Doak. It opened for resort play

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<v Speaker 1>a few weeks ago. Another ongoing Cabot project is Cabot Revelstoke.

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<v Speaker 1>I think I pronounced that correctly, but I'm not sure

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<v Speaker 1>this is in British Columbia. In the Canadian Rockies, as

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<v Speaker 1>far as I understand, very remote, very mountainous. The first

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<v Speaker 1>course is designed by Whitman, Exland and Cutton. It's under

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<v Speaker 1>construction and expected to open for preview play in fall

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<v Speaker 1>twenty twenty six and for resort play in twenty twenty seven.

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<v Speaker 1>So Cabot and Michael Kaiser Junior by themselves are generating

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<v Speaker 1>a lot of the current energy in the destination golf market,

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<v Speaker 1>but there are some other interesting projects by other developers.

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<v Speaker 1>Seven Mile Beach in Hobar, Tasmania, the South course by

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<v Speaker 1>Mike Clayton and Mike Devrees had its full opening in

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<v Speaker 1>December twenty twenty five, and the north course at seven

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<v Speaker 1>Mile Beach will be designed by King Collins Dormer and

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<v Speaker 1>is looking to come online in twenty twenty nine. Going

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<v Speaker 1>back to the US, stream Song Resort in Florida is

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<v Speaker 1>continuing to expand with a new course called Bone Valley.

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<v Speaker 1>This is in addition to stream Songs existing Red, Blue

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<v Speaker 1>and Black courses, as well as its short course called

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<v Speaker 1>the Chain. Bone Valley is a David McLay kid design,

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<v Speaker 1>which has set an opening date of January twenty sixth,

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<v Speaker 1>twenty twenty seven. Now. Lastly, the two og American destination

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<v Speaker 1>golf resorts, Pebble Beach and Pinehurst, are also making moves.

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<v Speaker 1>Spanish Bay Golf Links, owned by the Pebble Beach Company,

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<v Speaker 1>is undergoing a redesign by gil Hants right now. It'll

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<v Speaker 1>reopen in April twenty twenty seven, just in time for

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<v Speaker 1>the US Open at pebble Beach, and Pinehurst is in

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<v Speaker 1>the midst of building Pinehurst Number eleven with Coren Crenshaw

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<v Speaker 1>next door to Pinehurst Number ten the recent Tom Doak design.

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<v Speaker 1>These two courses constitute Pinehurst sand Mines, which is kind

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<v Speaker 1>of an outpost of the resort, a little bit removed

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<v Speaker 1>from the main campus of Pinehurst. It'll have its own

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<v Speaker 1>lodging and practice facilities eventually, and the Number eleven course

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<v Speaker 1>is expected to open in fall twenty twenty seven. So

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<v Speaker 1>that's just a quick spin through the ongoing projects in

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<v Speaker 1>the public destination golf sector that I'm interested in. It's

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<v Speaker 1>a lot, you know, there are a ton of courses

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<v Speaker 1>of this type opening in twenty twenty seven alone, but

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<v Speaker 1>there are some unifying themes and trends that I'm noticing here.

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<v Speaker 1>So if I can kind of summarize all these projects

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<v Speaker 1>and make them make sense as a group, I would

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<v Speaker 1>say that we are seeing some interesting changes in what

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<v Speaker 1>public destination golf means. First of all, location. A lot

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<v Speaker 1>of these developments are starting to prioritize proximity to major

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<v Speaker 1>metro areas, and this is a shift away from the

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<v Speaker 1>band in Dune's model, which was effectively, if you build it,

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<v Speaker 1>they will come. It doesn't matter where it is. If

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<v Speaker 1>the land is extraordinary enough, if the golf is exceptional,

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<v Speaker 1>then people will seek it out. These new resorts are

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<v Speaker 1>more conveniently located, and I think this has to do

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<v Speaker 1>with the discovery that golfers are willing to go back

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<v Speaker 1>to certain destination resorts over and over again. There's more

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<v Speaker 1>repeat business at these places than I think even they're

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<v Speaker 1>founders expected, and this has to do with broader social

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<v Speaker 1>shifts in family life and country club usage. It's more

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<v Speaker 1>common now for homes to split labor between parents, for

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<v Speaker 1>there to be two salary earners in a household, and

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<v Speaker 1>for childcare to be shared. And what this means is

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<v Speaker 1>that there's maybe a little bit less time in people's

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<v Speaker 1>everyday lives for a country club, and to an extent,

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<v Speaker 1>for some people, the destination golf resort has replaced the

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<v Speaker 1>country club. You go on these occasional trips, you play

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<v Speaker 1>a lot of golf, you have your fun, you maybe

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<v Speaker 1>even do it a couple of times a year. But

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<v Speaker 1>then when you're home, you're not going to the club.

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<v Speaker 1>And so these new destination resorts that are an hour,

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<v Speaker 1>two hours, two and a half hours from big cities,

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<v Speaker 1>what they're saying is you can use us as a

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<v Speaker 1>sort of home away from home. This is a frequent retreat,

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<v Speaker 1>not a once in a lifetime retreat. And in that sense,

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<v Speaker 1>a lot of these new destination places are more regional

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<v Speaker 1>in their appeal. Yeah, they want to attract players from

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<v Speaker 1>all over, but they're looking for repeat customers right in

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<v Speaker 1>their region, and that is a major difference. The second

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<v Speaker 1>big trend I'm seeing in these new developments is related,

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<v Speaker 1>and it's a willingness to move away from the golf

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<v Speaker 1>only model that defined Bandon Dunes. Bandon Dunes was a

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<v Speaker 1>reaction to residential golf and all the unnecessary stuff around

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<v Speaker 1>golf that had become assumed to be necessary. Right Bandon

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<v Speaker 1>Dunes was stripping it all away and saying we're just

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<v Speaker 1>doing golf here. Well, these new destination resorts are saying, yeah,

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<v Speaker 1>this is a pure golf experience, but also so maybe

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<v Speaker 1>there's a wellness spa like in the case of Candy Root,

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<v Speaker 1>or maybe there are different sports you can play here,

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<v Speaker 1>like tennis, or you can do some whitewater rafting. Maybe

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<v Speaker 1>there are some family activities that appeal to kids and

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<v Speaker 1>non golfing spouses. In many cases, there is a real

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<v Speaker 1>estate component. Cabit as a company is very invested in

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<v Speaker 1>real estate. Now they remove the houses a little bit

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<v Speaker 1>from the golf course, but the real estate is there

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<v Speaker 1>and it's a big revenue source for the resort. So overall,

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<v Speaker 1>I think what's happening is this attempt to balance the

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<v Speaker 1>spirit of that Bandon Dune's idea with offerings for the

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<v Speaker 1>full family and additional revenue streams. That's a lot of

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<v Speaker 1>I think what these new resorts are are trying to accomplish.

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<v Speaker 1>The final big trend is on the architectural side, and

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<v Speaker 1>that has been another balance. This balance, I think between

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<v Speaker 1>maintaining the status quo of the past thirty years and

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<v Speaker 1>exploring new avenues in golf course design, we are seeing

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<v Speaker 1>a lot of the same architects get these jobs. You

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<v Speaker 1>may have noticed it as I was going through the

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<v Speaker 1>list of ongoing projects. A lot of Tom Doak, a

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<v Speaker 1>lot of Corn Crenshaw than David McLay Kidd and Gil

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<v Speaker 1>Hans get a few of the other jobs. And then

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<v Speaker 1>there's you know, kind of next generation architects, but those

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<v Speaker 1>are primarily architects who were trained by Tom Doak or

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<v Speaker 1>Bill Court. So there is a broad affinity between a

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<v Speaker 1>lot of these new destination golf courses. But we're also

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<v Speaker 1>seeing developers and architects push in some new directions. The

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<v Speaker 1>recent courses at San Valley are a good example. You

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<v Speaker 1>have the Leado, a reproduction of a lost C. B.

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<v Speaker 1>McDonald design. Then you have Sedge Valley, a more compact

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<v Speaker 1>Part sixty nine golf course than the Commons twelve holes, sporty,

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<v Speaker 1>family oriented afternoon course. So my hope for destination golf

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<v Speaker 1>in the future is that this kind of architectural experimentation continues.

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<v Speaker 1>I don't want to see developers and architects grow complacent.

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<v Speaker 1>These resorts could be a great laboratory for new and

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<v Speaker 1>different kinds of design, and so it matters to me

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<v Speaker 1>less that lots of different architects are hired, and it

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<v Speaker 1>matters to me more that the architects who do get

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<v Speaker 1>these jobs are pushing to do new things because at

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<v Speaker 1>these resorts they do not have to meet the conventional

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<v Speaker 1>standards of championship golf. They are serving people on vacation,

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<v Speaker 1>and those people should be open to unusual experiences because

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<v Speaker 1>they're on vacation, they're having fun, they're not competing, they're

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<v Speaker 1>they're not necessarily maintaining their handicaps, and so different types

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<v Speaker 1>of golf should have a home at these at these

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<v Speaker 1>destination golf resorts. So I hope, I hope that developers

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<v Speaker 1>and architects see that as an opportunity and don't underestimate

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<v Speaker 1>the so called retail golfer. Now, one architect that I

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<v Speaker 1>do think is willing to try new things is Mike Kaprowski,

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<v Speaker 1>my guest for this episode. Mike, as I mentioned before,

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<v Speaker 1>is designing the first eighteen hole course at Candy Rout Lodge.

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<v Speaker 1>He was also the co designer of Broomsedge in South

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<v Speaker 1>Carolina with Kyle Franz. But Mike actually has not been

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<v Speaker 1>in this profession for very long. He made a career

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<v Speaker 1>previously in the military and then in politics before deciding

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<v Speaker 1>to jump into golf architecture. His first golf course project

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<v Speaker 1>was just a few years ago, helping Kyle Friends with

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<v Speaker 1>a renovation of Southern Pines Golf Club. So, you know,

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<v Speaker 1>this is a really interesting story and i'd recommend finding

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<v Speaker 1>out more about Mike. It's not the subject of this episode,

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<v Speaker 1>but Mike did an interview in November twenty twenty four

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<v Speaker 1>with Andy Johnson on the Friday Golf Podcast, and I'd

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<v Speaker 1>really recommend listening to that because it's you know, if

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<v Speaker 1>you've ever fantasized about changing careers in your mid to

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<v Speaker 1>late thirties, then Mike's story is going to resonate with you.

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<v Speaker 1>But in this episode, we're talking about Candy Root and

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<v Speaker 1>about the state of destination public golf. Let's get to it,

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<v Speaker 1>all right. Mike Kaprowski is here. Mike, thanks for being

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<v Speaker 1>on the pod.

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<v Speaker 2>Yeah, thanks, excited to be here. Love what you're doing

0:15:52.160 --> 0:15:53.920
<v Speaker 2>with this pod, So happy to be a part of it.

0:15:54.280 --> 0:15:58.440
<v Speaker 1>Thank you so much. So we're talking about public destination

0:15:58.560 --> 0:16:01.240
<v Speaker 1>golf in this episode today, and you are in the

0:16:01.280 --> 0:16:06.240
<v Speaker 1>midst of a big public destination golf project at Candy

0:16:06.320 --> 0:16:12.080
<v Speaker 1>Route Lodge outside of Charlotte, North Carolina. You're designing the

0:16:12.360 --> 0:16:15.200
<v Speaker 1>first course at Candy Route and co designing a short

0:16:15.240 --> 0:16:20.080
<v Speaker 1>course alongside Michelle Wee West. Now, the usual way that

0:16:20.440 --> 0:16:24.680
<v Speaker 1>golf course projects work is that, you know, a developer

0:16:24.760 --> 0:16:27.760
<v Speaker 1>finds a piece of land and then brings on an architect.

0:16:28.320 --> 0:16:31.560
<v Speaker 1>But in the case of Candy Route, my understanding is

0:16:31.600 --> 0:16:34.360
<v Speaker 1>that it was the other way around, right, You found

0:16:34.360 --> 0:16:36.680
<v Speaker 1>the land and then brought on the developer. Is that accurate?

0:16:37.480 --> 0:16:41.160
<v Speaker 2>Yeah? Yeah, Well, I guess in my golf career so far,

0:16:41.360 --> 0:16:44.280
<v Speaker 2>I've never done things in the normal way, so why

0:16:44.400 --> 0:16:48.880
<v Speaker 2>start now? But yeah, that's exactly right. It was just

0:16:48.920 --> 0:16:51.280
<v Speaker 2>as so Broomsedge was opening up.

0:16:52.560 --> 0:16:56.200
<v Speaker 1>Broomsedge is is the course that you designed alongside Kyle

0:16:56.240 --> 0:17:00.920
<v Speaker 1>Franz and in Rembert, South Carolina opened up, I guess

0:17:01.040 --> 0:17:02.080
<v Speaker 1>a couple of years ago.

0:17:02.200 --> 0:17:05.920
<v Speaker 2>Correct, And so, I mean I had so much fun

0:17:06.000 --> 0:17:10.119
<v Speaker 2>doing broom Sedge, and so I was just kind of

0:17:10.160 --> 0:17:13.480
<v Speaker 2>like Broom was just opening up, and and I was

0:17:13.480 --> 0:17:16.840
<v Speaker 2>thinking about, you know, what's what's next, And you know,

0:17:16.880 --> 0:17:20.879
<v Speaker 2>there were some other projects, but there was there was

0:17:20.920 --> 0:17:23.159
<v Speaker 2>a great appeal of being able to sleep in my

0:17:23.200 --> 0:17:25.119
<v Speaker 2>own bed and work on a new golf course. So

0:17:25.200 --> 0:17:27.919
<v Speaker 2>that was really really nice. I have young kids and

0:17:28.119 --> 0:17:29.600
<v Speaker 2>my wife was in law school at the time, so

0:17:29.600 --> 0:17:32.199
<v Speaker 2>we had a lot going on, and so I was

0:17:32.240 --> 0:17:35.720
<v Speaker 2>thinking of, you know, the potential of a public golf

0:17:35.720 --> 0:17:40.359
<v Speaker 2>course somewhere in the somewhere in the sand Hills. You know,

0:17:40.680 --> 0:17:43.040
<v Speaker 2>just had fun with fun with Broom and figured why

0:17:43.119 --> 0:17:46.000
<v Speaker 2>why I stopped the party? So I had had my

0:17:46.119 --> 0:17:50.760
<v Speaker 2>eye on kind of the sand Hills is a strange

0:17:50.760 --> 0:17:53.400
<v Speaker 2>little cord or. It's like only thirty five miles wide,

0:17:53.440 --> 0:17:56.040
<v Speaker 2>and it goes from North Carolina to South Carolina kind

0:17:56.040 --> 0:17:58.720
<v Speaker 2>of into Georgia. But there's this little portion of the

0:17:58.760 --> 0:18:01.679
<v Speaker 2>sand Hills that actually juts up north. There's like a

0:18:01.680 --> 0:18:06.080
<v Speaker 2>little finger that juts north up towards Charlotte, and so

0:18:06.160 --> 0:18:09.879
<v Speaker 2>you can actually get you know, a sandy site within

0:18:09.920 --> 0:18:12.679
<v Speaker 2>an hour of Charlotte. Charlotte's known for its sort of

0:18:12.800 --> 0:18:16.000
<v Speaker 2>you know, red clay, but there was this little finger

0:18:16.000 --> 0:18:17.680
<v Speaker 2>that I was interested in. I'm like, jeez, you could

0:18:17.720 --> 0:18:22.399
<v Speaker 2>actually get decently close to a major metro area. In

0:18:22.440 --> 0:18:25.560
<v Speaker 2>this particular area, there was like, I don't seven million

0:18:25.600 --> 0:18:28.199
<v Speaker 2>people within a ninety minute drive, So it felt like

0:18:28.560 --> 0:18:31.400
<v Speaker 2>this could be a really cool spot for public off

0:18:31.440 --> 0:18:33.920
<v Speaker 2>in the sand hills. You know. Of course, most of

0:18:33.960 --> 0:18:38.040
<v Speaker 2>the explosion of new builds in the Carolinas has been

0:18:38.280 --> 0:18:44.560
<v Speaker 2>almost exclusively private. And so there was a timber company

0:18:44.880 --> 0:18:48.080
<v Speaker 2>that had just they had just listed a bunch of

0:18:48.080 --> 0:18:50.720
<v Speaker 2>acres for sale kind of in the exact spot that

0:18:50.720 --> 0:18:53.959
<v Speaker 2>I had been eyeing. And this is sort of this

0:18:54.000 --> 0:18:56.600
<v Speaker 2>is kind of how they do it. They clear cut sites,

0:18:56.920 --> 0:18:59.000
<v Speaker 2>and then they realized, well, you know, there's it's twenty

0:18:59.080 --> 0:19:00.639
<v Speaker 2>years before we're gonna make any money on the on

0:19:00.680 --> 0:19:03.359
<v Speaker 2>these trees again. And so then they just listed for sale.

0:19:03.560 --> 0:19:06.680
<v Speaker 2>And so I was just drive along. I had seen

0:19:06.680 --> 0:19:09.879
<v Speaker 2>this listed on I don't know, some some website or something,

0:19:09.960 --> 0:19:13.879
<v Speaker 2>and just was I think en route either to broom

0:19:13.920 --> 0:19:18.360
<v Speaker 2>Sedge or from Broomsedge, uh to my house in Pinehurst,

0:19:19.080 --> 0:19:20.560
<v Speaker 2>and I was gonna drive right by it anyway, So

0:19:20.560 --> 0:19:23.560
<v Speaker 2>I figured out, what, you know, what the hell stopped

0:19:23.560 --> 0:19:26.600
<v Speaker 2>by it. And because it was just clear cut, you

0:19:26.600 --> 0:19:28.800
<v Speaker 2>could literally just kind of walk a few feet onto

0:19:28.840 --> 0:19:31.280
<v Speaker 2>the property and you could see the see the vistas

0:19:31.280 --> 0:19:33.440
<v Speaker 2>out there because there it wasn't a jungle like Broomsedge,

0:19:33.560 --> 0:19:35.200
<v Speaker 2>was it was. It was pretty much a clear cut

0:19:36.080 --> 0:19:40.600
<v Speaker 2>and immediately said, like, whoa, this one's gonna push the

0:19:40.680 --> 0:19:44.439
<v Speaker 2>limits of what's topographically possible. I didn't know that the

0:19:44.440 --> 0:19:48.240
<v Speaker 2>sand Hills could be that steep in, that aggressive, but

0:19:48.240 --> 0:19:52.879
<v Speaker 2>but holy cow, and so long, very long story short,

0:19:53.840 --> 0:19:56.760
<v Speaker 2>a guy by the name of Aaron Oberman, who is

0:19:56.840 --> 0:20:01.040
<v Speaker 2>the owner and developer of Candy Route, I had gotten

0:20:01.040 --> 0:20:05.440
<v Speaker 2>a know erin through broom Sedge. Aarin was the first,

0:20:05.720 --> 0:20:08.960
<v Speaker 2>really the first guy to ever give us money for

0:20:09.040 --> 0:20:12.760
<v Speaker 2>the planning process for broom Sedge. And so Aarin kind

0:20:12.760 --> 0:20:14.879
<v Speaker 2>of took an early leap of faith with us and

0:20:15.280 --> 0:20:17.639
<v Speaker 2>gave us some money for just early like permitting and

0:20:17.680 --> 0:20:20.520
<v Speaker 2>planning purposes. And then Aaron stayed in a in a

0:20:20.560 --> 0:20:24.119
<v Speaker 2>minority owner capacity throughout Broomsedge, and so Aarin kind of

0:20:24.119 --> 0:20:27.000
<v Speaker 2>had a front row seat, but he wasn't driving the bus,

0:20:27.040 --> 0:20:29.840
<v Speaker 2>if you will. And I think Aaron got you know,

0:20:30.320 --> 0:20:32.840
<v Speaker 2>got the bug through that process. And he had been

0:20:32.840 --> 0:20:36.040
<v Speaker 2>talking to me about, you know, wanting to do something

0:20:37.200 --> 0:20:39.240
<v Speaker 2>in the southeast that was a sort of a major

0:20:39.520 --> 0:20:44.959
<v Speaker 2>public golf resort. And so you know, our pass crossed

0:20:44.960 --> 0:20:49.479
<v Speaker 2>again and Aaron took over that initial parcel that I

0:20:49.520 --> 0:20:52.320
<v Speaker 2>had been eyeing from you know, from the road, and

0:20:52.359 --> 0:20:54.800
<v Speaker 2>then since then Aaron and his brother Ethan have a

0:20:54.880 --> 0:20:59.560
<v Speaker 2>masked twelve hundred some odd acres. Most of that is contiguous,

0:20:59.680 --> 0:21:01.680
<v Speaker 2>some of it's just a little bit, you know, four

0:21:01.720 --> 0:21:04.600
<v Speaker 2>minutes down the road. But yeah, I mean, their their

0:21:04.640 --> 0:21:07.320
<v Speaker 2>plan is, you know, go big. They want to do

0:21:07.760 --> 0:21:11.240
<v Speaker 2>four golf courses and uh, you know, four regulation courses

0:21:11.280 --> 0:21:14.240
<v Speaker 2>in a in a short course. I have the first

0:21:14.280 --> 0:21:17.120
<v Speaker 2>course of course that's under construction right now. We've we've

0:21:17.160 --> 0:21:20.720
<v Speaker 2>been grassing for the past couple of weeks. So the

0:21:21.000 --> 0:21:22.600
<v Speaker 2>cool thing is, you know, the course that I'm doing

0:21:22.600 --> 0:21:26.159
<v Speaker 2>now is I'm the land that I initially identified. So

0:21:26.200 --> 0:21:29.840
<v Speaker 2>that that's been really cool and we should be you know,

0:21:30.240 --> 0:21:34.639
<v Speaker 2>open for previewplay this fall. And then yeah, Michelle, we

0:21:34.840 --> 0:21:37.920
<v Speaker 2>is gonna do the short course along with my help,

0:21:39.000 --> 0:21:40.919
<v Speaker 2>and we've got along really well so far, and I

0:21:40.920 --> 0:21:43.440
<v Speaker 2>think we'll do something really cool there. And then whenever

0:21:43.720 --> 0:21:46.679
<v Speaker 2>Aaron's ready, I think he'll he'll announce course you know,

0:21:46.920 --> 0:21:51.400
<v Speaker 2>courses two, three, and four. Architects. But it's cool. I mean,

0:21:51.400 --> 0:21:55.119
<v Speaker 2>it's it's a really it's a really cool site. It's

0:21:55.160 --> 0:21:58.600
<v Speaker 2>it's conveniently located in the middle of nowhere as a

0:21:58.600 --> 0:22:00.600
<v Speaker 2>as I've said about Broom, but this is even more

0:22:00.640 --> 0:22:03.000
<v Speaker 2>conveniently located in the middle of nowhere. Literally you can

0:22:03.160 --> 0:22:05.879
<v Speaker 2>fly into Charlotte and you're there and in an hour.

0:22:06.520 --> 0:22:09.520
<v Speaker 2>But it still feels very you know, still feels very

0:22:09.560 --> 0:22:12.440
<v Speaker 2>rural when you're out there, So that that's sort of

0:22:12.480 --> 0:22:15.920
<v Speaker 2>the origin story. But yeah, I essentially brought the brought

0:22:15.960 --> 0:22:19.240
<v Speaker 2>at least a portion of what ultimately will become Candy Route.

0:22:19.240 --> 0:22:21.679
<v Speaker 2>I brought that portion of land to Erin and the

0:22:21.720 --> 0:22:22.479
<v Speaker 2>rest is history.

0:22:23.080 --> 0:22:26.800
<v Speaker 1>So take me back to that specific moment when you

0:22:26.880 --> 0:22:30.639
<v Speaker 1>when you saw the land for the first time. What

0:22:30.640 --> 0:22:33.399
<v Speaker 1>what did you see that got you excited about the

0:22:33.760 --> 0:22:37.320
<v Speaker 1>potential of this property for golf. You mentioned that it's

0:22:37.800 --> 0:22:42.760
<v Speaker 1>pretty dramatic or severe unexpectedly so for the Carolina sand Hills.

0:22:43.000 --> 0:22:45.560
<v Speaker 1>By the way, the Carolina Sandhills is also you know,

0:22:45.640 --> 0:22:48.440
<v Speaker 1>the same it's the same system that you see the

0:22:48.720 --> 0:22:53.520
<v Speaker 1>Pinehurst courses sitting on, and so it extends up to

0:22:53.520 --> 0:22:56.240
<v Speaker 1>to where you're building this course. But you know, at

0:22:56.240 --> 0:22:59.240
<v Speaker 1>that moment when you're kind of driving up to it,

0:22:59.720 --> 0:23:02.679
<v Speaker 1>what are you looking at and what's resonating with you

0:23:02.760 --> 0:23:04.120
<v Speaker 1>about about this piece of land.

0:23:04.400 --> 0:23:06.760
<v Speaker 2>Yeah, I really when I first drove up to it,

0:23:06.880 --> 0:23:09.239
<v Speaker 2>I really hadn't done any homework at all. I mean

0:23:09.280 --> 0:23:12.560
<v Speaker 2>I hadn't even downloaded atap a map, so I really

0:23:12.560 --> 0:23:15.360
<v Speaker 2>didn't know this was haphazard. Pull over to the side

0:23:15.400 --> 0:23:17.600
<v Speaker 2>of the road and see what it looks like. And

0:23:17.640 --> 0:23:21.480
<v Speaker 2>I pulled over to what is now sort of close

0:23:21.520 --> 0:23:25.720
<v Speaker 2>to the tenth te box, which, by happenstance, is one

0:23:25.720 --> 0:23:28.560
<v Speaker 2>of the best fistas on the on the property. No

0:23:28.680 --> 0:23:31.119
<v Speaker 2>surprise that the logging road is carved in at the

0:23:31.240 --> 0:23:33.720
<v Speaker 2>at sort of the highest ground, So I just used

0:23:33.720 --> 0:23:35.560
<v Speaker 2>a logging road to go in there. And I looked

0:23:35.560 --> 0:23:38.760
<v Speaker 2>out over the site and really the first thing I

0:23:38.800 --> 0:23:42.840
<v Speaker 2>saw was almost a a ridge so steep that I

0:23:42.840 --> 0:23:45.040
<v Speaker 2>think you would probably classify it as a as a

0:23:45.080 --> 0:23:48.320
<v Speaker 2>slip face, sort of the backside of a dune where

0:23:48.359 --> 0:23:54.680
<v Speaker 2>it gets extremely extremely sharp slip face. I think that's

0:23:54.680 --> 0:23:55.280
<v Speaker 2>what it's called.

0:23:55.440 --> 0:23:57.680
<v Speaker 1>I've never I've never heard that before. No I would.

0:23:57.680 --> 0:23:59.720
<v Speaker 1>I would dress you to know the terminology, but that's

0:24:00.880 --> 0:24:01.720
<v Speaker 1>I'm going to use that.

0:24:01.840 --> 0:24:03.520
<v Speaker 2>I'll feel like an idiot if I got the wrong one.

0:24:03.520 --> 0:24:06.679
<v Speaker 2>But I think that's what it is. But it's I

0:24:06.680 --> 0:24:09.879
<v Speaker 2>mean it's really sharp off off the backside, sharper than

0:24:09.920 --> 0:24:12.239
<v Speaker 2>anything I had seen in the area. And I live

0:24:12.280 --> 0:24:14.040
<v Speaker 2>in this area, so I'm always, you know, driving down

0:24:14.040 --> 0:24:16.800
<v Speaker 2>inside of the road looking at stuff. But it was

0:24:16.880 --> 0:24:19.080
<v Speaker 2>super steep, almost to the point where it looked almost

0:24:19.119 --> 0:24:22.719
<v Speaker 2>cliff like to where you I mean, if you you know,

0:24:23.080 --> 0:24:26.120
<v Speaker 2>if you drove something off it, you you would die.

0:24:26.600 --> 0:24:30.240
<v Speaker 2>And so that was appealing from a golf standpoint of

0:24:30.320 --> 0:24:33.400
<v Speaker 2>this is holy cow. I mean, this is incredibly aggressive.

0:24:33.440 --> 0:24:36.280
<v Speaker 2>I could imagine hitting off it, hitting around it, hitting

0:24:36.320 --> 0:24:41.080
<v Speaker 2>into it, and then just kind of walked around a

0:24:41.080 --> 0:24:44.320
<v Speaker 2>little bit and and realized that not only were these

0:24:44.359 --> 0:24:48.960
<v Speaker 2>sort of abrupt features out there, but it was also

0:24:48.960 --> 0:24:53.760
<v Speaker 2>a very steep site as well. So the entire courses

0:24:53.920 --> 0:24:57.240
<v Speaker 2>is sort of benched into a big side slope. It's

0:24:57.280 --> 0:25:00.280
<v Speaker 2>a it's a descending sand hill, and it's all going

0:25:00.320 --> 0:25:05.640
<v Speaker 2>down to this major creek that sits below. And so

0:25:05.960 --> 0:25:08.479
<v Speaker 2>the whole thing was just kind of sitting on a tilt,

0:25:09.800 --> 0:25:12.680
<v Speaker 2>but not a single plane tilt right it was it

0:25:12.720 --> 0:25:16.639
<v Speaker 2>was dissected by these massive kind of valleys and fingers,

0:25:16.680 --> 0:25:20.800
<v Speaker 2>so that the property doesn't just descend predictably, it descends

0:25:22.119 --> 0:25:25.040
<v Speaker 2>with these long, narrow fingers and in between these fingers,

0:25:25.080 --> 0:25:29.080
<v Speaker 2>just like centuries of erosion have shaped these these deep gullies.

0:25:29.240 --> 0:25:32.520
<v Speaker 2>And in some of the cases the gullies actually became wetlands,

0:25:32.960 --> 0:25:35.040
<v Speaker 2>which of course we have to avoid in the routing.

0:25:35.720 --> 0:25:39.000
<v Speaker 2>But other times they stayed dry and we're not wetlands,

0:25:39.000 --> 0:25:41.520
<v Speaker 2>and so we actually run holes through those low valleys.

0:25:42.800 --> 0:25:45.159
<v Speaker 2>So it was, Yeah, it just struck me as a

0:25:45.560 --> 0:25:49.280
<v Speaker 2>different type of landform than I had seen before in

0:25:49.359 --> 0:25:52.320
<v Speaker 2>the sandhills, and so immediately it sparked my interest. And

0:25:52.359 --> 0:25:55.200
<v Speaker 2>then at that point, Broy, the minute I got home,

0:25:55.680 --> 0:25:58.160
<v Speaker 2>you know, go to the state's website, download the top

0:25:58.160 --> 0:26:01.080
<v Speaker 2>o map, look at the soils, pretty sandy based on

0:26:01.119 --> 0:26:03.200
<v Speaker 2>what I saw, but starting to download the soils maps

0:26:03.200 --> 0:26:04.480
<v Speaker 2>and all that sort of stuff, and then you just

0:26:04.520 --> 0:26:07.720
<v Speaker 2>start to kind of you know, then from there you're

0:26:07.760 --> 0:26:10.040
<v Speaker 2>like ooh, okay, okay, and then you start to play

0:26:10.080 --> 0:26:13.320
<v Speaker 2>with some routings and you say okay, and then you

0:26:13.359 --> 0:26:15.920
<v Speaker 2>start to visualize it in some kind of three D fashion,

0:26:15.960 --> 0:26:18.359
<v Speaker 2>and then you start walking your routings, and before you

0:26:18.400 --> 0:26:20.919
<v Speaker 2>know it, you feel pretty confident that a world class

0:26:20.960 --> 0:26:25.679
<v Speaker 2>course could could be out there. So yeah, and It

0:26:25.720 --> 0:26:29.320
<v Speaker 2>had all the other sort of business advantages to it

0:26:29.359 --> 0:26:31.439
<v Speaker 2>as well, in terms of its location and within an

0:26:31.440 --> 0:26:34.160
<v Speaker 2>hour of Charlotte, and the fact that the public golf

0:26:34.200 --> 0:26:37.520
<v Speaker 2>scene in Charlotte's I think leaves some to be desired.

0:26:37.560 --> 0:26:39.400
<v Speaker 2>I think there's certainly a market there we can tap into.

0:26:39.480 --> 0:26:44.919
<v Speaker 2>Even the private scene in Dallas or in Charlotte.

0:26:44.000 --> 0:26:47.560
<v Speaker 1>Is interesting Freudian slip there, because I.

0:26:47.960 --> 0:26:50.200
<v Speaker 2>Did live in Dallas once upon a time, so I'm

0:26:50.200 --> 0:26:51.200
<v Speaker 2>going back to those days.

0:26:51.359 --> 0:26:54.600
<v Speaker 1>Yeah No, But Charlotte's you know, growing city. A lot

0:26:54.600 --> 0:26:57.840
<v Speaker 1>of wealth has come into that city and the twenty

0:26:57.880 --> 0:27:00.120
<v Speaker 1>twenties and it's a it's a rope.

0:27:01.040 --> 0:27:04.520
<v Speaker 2>Yep, it is. It is. And you know, based on

0:27:04.560 --> 0:27:08.040
<v Speaker 2>what I've researched and talked to folks in the Charlotte community,

0:27:08.040 --> 0:27:11.560
<v Speaker 2>even the private scene is I mean, there's not a

0:27:11.560 --> 0:27:14.120
<v Speaker 2>single club that's not on a serious wait list right now.

0:27:14.160 --> 0:27:17.719
<v Speaker 2>So there's a you know, Charlotte is growing incredibly fast,

0:27:17.800 --> 0:27:19.840
<v Speaker 2>and I don't know that the golf supply has really

0:27:19.920 --> 0:27:21.359
<v Speaker 2>kept up. So it had all the kind of the

0:27:21.359 --> 0:27:23.760
<v Speaker 2>business advantages. It was something that I felt could be

0:27:23.800 --> 0:27:29.080
<v Speaker 2>world class from a golf standpoint, and yeah, ran with it.

0:27:29.160 --> 0:27:32.000
<v Speaker 1>You talked about putting together the routing and kind of

0:27:32.080 --> 0:27:35.720
<v Speaker 1>general terms, what does the routing key in on in

0:27:36.160 --> 0:27:38.360
<v Speaker 1>this piece of land? Are there are there certain features

0:27:38.359 --> 0:27:40.440
<v Speaker 1>that are kind of the center of gravity in the routing.

0:27:40.920 --> 0:27:43.680
<v Speaker 2>Yeah, there's a little bit of a bow tie element

0:27:43.800 --> 0:27:47.000
<v Speaker 2>to it where it kind of intersects a couple times

0:27:47.240 --> 0:27:52.080
<v Speaker 2>with itself. So more or less, the routing starts at

0:27:52.119 --> 0:27:55.200
<v Speaker 2>the high ground and then it immediately I guess it's

0:27:55.359 --> 0:27:57.679
<v Speaker 2>shinnakaki and in some ways in the sense that it

0:27:57.720 --> 0:28:02.600
<v Speaker 2>immediately descends into the low ground, and you play in

0:28:02.680 --> 0:28:06.040
<v Speaker 2>the low ground for the first you know, five holes,

0:28:07.280 --> 0:28:11.160
<v Speaker 2>and then on six you kind of start to hop

0:28:11.160 --> 0:28:14.919
<v Speaker 2>scotch your way back up into the higher ground. But

0:28:15.040 --> 0:28:18.600
<v Speaker 2>really there's these there's just these fingers that that jut down,

0:28:18.600 --> 0:28:22.800
<v Speaker 2>and so the routing is really about how do you

0:28:22.960 --> 0:28:29.080
<v Speaker 2>intersect with these fingers in the most unique varied ways possible. So,

0:28:29.320 --> 0:28:33.520
<v Speaker 2>like you know, sometimes we would the ridge itself is

0:28:33.560 --> 0:28:36.320
<v Speaker 2>wide enough to drape an entire golf hole over it,

0:28:37.000 --> 0:28:39.440
<v Speaker 2>and so on some holes we can, you know, we

0:28:39.480 --> 0:28:41.880
<v Speaker 2>can ride the ridge the entire way, and it's kind

0:28:41.880 --> 0:28:43.560
<v Speaker 2>of like a little bit of a gentle hogs back

0:28:44.000 --> 0:28:46.360
<v Speaker 2>type fairway, which is essentially what we what we're doing

0:28:46.400 --> 0:28:51.440
<v Speaker 2>on the sixteenth hole. There's some where, you know, we

0:28:51.560 --> 0:28:54.400
<v Speaker 2>just bench a green sort of into the side shoulder

0:28:54.440 --> 0:28:56.960
<v Speaker 2>of a ridge, kind of like prairie dune style, right,

0:28:57.360 --> 0:28:59.920
<v Speaker 2>just bench it halfway up. We do that on the

0:29:00.000 --> 0:29:03.760
<v Speaker 2>third hole a number of other holes. Sometimes we can

0:29:03.760 --> 0:29:06.760
<v Speaker 2>play perpendicular to a finger, where we actually hit over

0:29:06.800 --> 0:29:09.400
<v Speaker 2>one finger into the into the next one, and so

0:29:09.800 --> 0:29:14.680
<v Speaker 2>there's some blind elements out there as well. There's playing

0:29:14.760 --> 0:29:18.800
<v Speaker 2>kind of diagonal from one finger to another, right, and

0:29:19.040 --> 0:29:22.360
<v Speaker 2>we do that on the eleventh. The eleventh is where

0:29:22.400 --> 0:29:24.360
<v Speaker 2>you most prominently hit over that big slip face, so

0:29:24.400 --> 0:29:27.040
<v Speaker 2>you're sort of on one lower ridge and then you

0:29:27.120 --> 0:29:31.080
<v Speaker 2>hit over this huge wetlands valley over the slip face

0:29:31.240 --> 0:29:33.280
<v Speaker 2>on top of on top of that ridge. But it's

0:29:33.360 --> 0:29:35.239
<v Speaker 2>kind of a diagonal shot where the more you the

0:29:35.240 --> 0:29:37.400
<v Speaker 2>more you chew off, the better your angle is into

0:29:37.400 --> 0:29:41.920
<v Speaker 2>the green. Sometimes we play through the bottom of one

0:29:41.960 --> 0:29:44.240
<v Speaker 2>of these gullies, in between the fingers of these really

0:29:44.240 --> 0:29:46.440
<v Speaker 2>big gullies. So I would say you spend most of

0:29:46.480 --> 0:29:51.000
<v Speaker 2>the time riding higher ground on the site, but then

0:29:51.000 --> 0:29:53.520
<v Speaker 2>every now and again you dip way down and you

0:29:53.560 --> 0:29:55.640
<v Speaker 2>can't see anything, and you're like where, you know, where

0:29:55.640 --> 0:29:57.640
<v Speaker 2>did this come from? So we do that with seventeen,

0:29:57.680 --> 0:29:59.880
<v Speaker 2>and then sometimes you can get out of those val

0:30:00.440 --> 0:30:03.000
<v Speaker 2>with an infinity green. So seventeen has like this really

0:30:03.000 --> 0:30:06.040
<v Speaker 2>sharp dog leg where it rides the valley low and

0:30:06.080 --> 0:30:09.000
<v Speaker 2>then it takes a hard right turn up to the

0:30:09.360 --> 0:30:10.720
<v Speaker 2>up to the ridge line and we have a little

0:30:10.720 --> 0:30:14.200
<v Speaker 2>infinity green up there with nothing but sky and beyond.

0:30:14.880 --> 0:30:19.040
<v Speaker 2>So you know, it was a challenging It was a

0:30:19.120 --> 0:30:21.719
<v Speaker 2>challenging routing. There was a bunch you know, there were

0:30:21.720 --> 0:30:25.320
<v Speaker 2>a bunch of iterations that I went through, and some

0:30:25.360 --> 0:30:28.760
<v Speaker 2>of it does I think tests like the limits. You know,

0:30:28.920 --> 0:30:31.640
<v Speaker 2>there's there's some serious side slope out there. There's there's

0:30:31.640 --> 0:30:35.640
<v Speaker 2>some side slope out there that's probably you know, old

0:30:35.680 --> 0:30:37.320
<v Speaker 2>town ish. You know, if you think of like this

0:30:37.440 --> 0:30:40.720
<v Speaker 2>sixteenth tole at old Town, I mean that fairway's tipping it,

0:30:40.960 --> 0:30:43.920
<v Speaker 2>I don't know, twelve fifteen percent, like we have some

0:30:43.960 --> 0:30:45.880
<v Speaker 2>of those. We have some of those fairways out there

0:30:45.880 --> 0:30:49.120
<v Speaker 2>that are really unpronounced side slopes, and so it'll it

0:30:49.160 --> 0:30:51.520
<v Speaker 2>really pushes the limits there too. So we you know,

0:30:51.680 --> 0:30:53.920
<v Speaker 2>tried to you know, tried to get a routing that

0:30:54.000 --> 0:30:57.520
<v Speaker 2>was that was walkable, that was playable, but also intersected

0:30:57.560 --> 0:30:59.640
<v Speaker 2>with these ridges in unique ways.

0:31:00.440 --> 0:31:03.240
<v Speaker 1>Yeah, when you're dealing with a severe site, it seems

0:31:03.320 --> 0:31:07.120
<v Speaker 1>like the main puzzle for you to solve is how

0:31:07.120 --> 0:31:09.960
<v Speaker 1>do I use this with variety? Because the danger is

0:31:10.000 --> 0:31:12.360
<v Speaker 1>like when you have a severe site that there's just

0:31:12.480 --> 0:31:14.320
<v Speaker 1>one thing that you can do with the golf holes

0:31:14.360 --> 0:31:17.040
<v Speaker 1>because there's only one way for them to be functional.

0:31:17.040 --> 0:31:18.720
<v Speaker 1>So it sounds like you tried to find a bunch

0:31:18.720 --> 0:31:22.080
<v Speaker 1>of different ways to use the features, even if the

0:31:22.120 --> 0:31:24.560
<v Speaker 1>features were in places pretty severe.

0:31:25.000 --> 0:31:28.960
<v Speaker 2>Yep. Absolutely, it was kind of interesting because that, you know,

0:31:29.120 --> 0:31:32.560
<v Speaker 2>at Broomsedge, I would say the routing came together pretty quick. Ultimately,

0:31:32.600 --> 0:31:34.960
<v Speaker 2>what we ended up doing on Broomsedge was more or

0:31:35.040 --> 0:31:37.920
<v Speaker 2>less a Napkins Gifts that I did early on, whereas

0:31:37.960 --> 0:31:40.880
<v Speaker 2>this site, it was sort of I knew that it,

0:31:42.000 --> 0:31:44.840
<v Speaker 2>you know, it had all the feels, but it was

0:31:44.920 --> 0:31:47.320
<v Speaker 2>so severe in some spots that I wasn't sure that

0:31:47.360 --> 0:31:52.120
<v Speaker 2>you could pull off eighteen holes without one or two

0:31:52.160 --> 0:31:54.480
<v Speaker 2>holes that were just overly severe. And so there was

0:31:54.520 --> 0:31:58.000
<v Speaker 2>a lot of iterations with the routing and walking it,

0:31:58.440 --> 0:32:01.880
<v Speaker 2>and as time went on, the site got more overgrown

0:32:02.080 --> 0:32:04.680
<v Speaker 2>and more overgrown with you know, briers or whatever, so

0:32:04.880 --> 0:32:07.480
<v Speaker 2>it became increasingly hard to walk and kind of feel

0:32:07.520 --> 0:32:11.320
<v Speaker 2>with your feet. So it was just an iterative process

0:32:11.400 --> 0:32:13.760
<v Speaker 2>of you know, tweaking things around and then even in

0:32:13.760 --> 0:32:17.080
<v Speaker 2>the field. I mean, I don't know if you've seen

0:32:17.120 --> 0:32:19.280
<v Speaker 2>the map I've changed the routing in the field.

0:32:19.600 --> 0:32:21.920
<v Speaker 1>Oh did you I have? I mean there's a there's

0:32:21.920 --> 0:32:26.360
<v Speaker 1>a routing map that's available on Candy Roots website that

0:32:26.400 --> 0:32:28.320
<v Speaker 1>I that I have looked at. But but you made

0:32:28.360 --> 0:32:29.400
<v Speaker 1>some alterations in there.

0:32:29.480 --> 0:32:32.000
<v Speaker 2>Absolutely, yeah. I mean you you know when a site

0:32:32.040 --> 0:32:33.760
<v Speaker 2>is kind of overgrown. I mean you can run all

0:32:33.800 --> 0:32:36.840
<v Speaker 2>the topo analysis and you know, measure all the elevations,

0:32:36.840 --> 0:32:38.920
<v Speaker 2>but until you can see that ground with your eyes,

0:32:39.440 --> 0:32:41.240
<v Speaker 2>you don't really know. And I think that's the beauty

0:32:41.240 --> 0:32:43.080
<v Speaker 2>of design build is you got to you gotta be

0:32:43.120 --> 0:32:45.680
<v Speaker 2>able to stand in that spot and do you feel

0:32:45.920 --> 0:32:48.080
<v Speaker 2>a golf shot on it? Do you feel that it's

0:32:48.440 --> 0:32:50.120
<v Speaker 2>you know, do you feel that it's a great golf shot.

0:32:50.400 --> 0:32:52.240
<v Speaker 2>And there was one particular portion where I think on

0:32:52.280 --> 0:32:55.320
<v Speaker 2>the initial routing, I had the fourth hole as a

0:32:55.320 --> 0:32:57.440
<v Speaker 2>as a par four that had to jump over the

0:32:57.440 --> 0:33:00.840
<v Speaker 2>wetlands on the second shot, and I felt like it was.

0:33:00.960 --> 0:33:03.600
<v Speaker 2>I felt like it was I felt like it was doable.

0:33:04.920 --> 0:33:06.640
<v Speaker 2>But then when I actually, you know, when I when

0:33:06.640 --> 0:33:09.480
<v Speaker 2>I stood on the fairway and I you know, you

0:33:09.480 --> 0:33:11.720
<v Speaker 2>could start to feel how slopy that Pharaoh was. You

0:33:11.800 --> 0:33:14.440
<v Speaker 2>realize that the drives were going to end up in

0:33:14.560 --> 0:33:18.040
<v Speaker 2>all sorts of different spots, and so in that sort

0:33:18.040 --> 0:33:22.560
<v Speaker 2>of uncontrolled environment where you know you could potentially, uh,

0:33:22.920 --> 0:33:25.560
<v Speaker 2>you know, based on the wind conditions that day, you

0:33:25.600 --> 0:33:28.800
<v Speaker 2>could be seventy yards apart based on where you were

0:33:28.880 --> 0:33:32.240
<v Speaker 2>yesterday in a different wind condition. There there were certain

0:33:32.760 --> 0:33:34.960
<v Speaker 2>scenarios where I felt like the jump would just not

0:33:35.160 --> 0:33:39.160
<v Speaker 2>be doable for some players. And so that was a

0:33:39.280 --> 0:33:41.920
<v Speaker 2>quick just like you know, well, it wasn't quick. I

0:33:41.960 --> 0:33:44.160
<v Speaker 2>felt it when we first cleared it. You know, I

0:33:44.160 --> 0:33:46.480
<v Speaker 2>talked about it with Joe and he's like, just you know,

0:33:46.560 --> 0:33:48.800
<v Speaker 2>sleep on it. We still got a shape one green,

0:33:48.840 --> 0:33:50.360
<v Speaker 2>you know, let's just we don't have to make that

0:33:50.400 --> 0:33:53.000
<v Speaker 2>decision now. And so but as I got closer and

0:33:53.000 --> 0:33:56.920
<v Speaker 2>closer to time to shape, I pulled the trigger and said,

0:33:56.920 --> 0:33:58.560
<v Speaker 2>you know what, this is gonna be a shorter part

0:33:58.600 --> 0:34:01.080
<v Speaker 2>for and then we're gonna jump the wetlands with a

0:34:01.280 --> 0:34:03.920
<v Speaker 2>with a par three and then the next hole we're

0:34:03.920 --> 0:34:06.480
<v Speaker 2>going to change into a par five. So the entire

0:34:06.560 --> 0:34:10.520
<v Speaker 2>routing changed right then and there. So I I never

0:34:10.640 --> 0:34:12.719
<v Speaker 2>like to go in too overly committed to the plan,

0:34:12.800 --> 0:34:16.440
<v Speaker 2>particularly when you're dealing with a site that is you know,

0:34:17.960 --> 0:34:21.480
<v Speaker 2>very very jungly. You know, it's it's hard to see

0:34:21.520 --> 0:34:23.600
<v Speaker 2>what you're it's hard to really get the feels out

0:34:23.600 --> 0:34:24.680
<v Speaker 2>there until the site is cleared.

0:34:24.719 --> 0:34:27.040
<v Speaker 1>So yeah, yeah, I did notice in looking through the

0:34:27.120 --> 0:34:29.640
<v Speaker 1>routing map that there are some creek crossings, you know,

0:34:29.719 --> 0:34:32.839
<v Speaker 1>some some some jumps over over the creek, which is

0:34:33.280 --> 0:34:35.120
<v Speaker 1>you know, obviously one thing that you have to do

0:34:35.200 --> 0:34:38.560
<v Speaker 1>it to keep those creeks intact, which you must, you know,

0:34:38.760 --> 0:34:40.879
<v Speaker 1>you have to cross them from from time to time.

0:34:40.920 --> 0:34:42.520
<v Speaker 1>But it but it sounds like one of the early

0:34:42.640 --> 0:34:46.400
<v Speaker 1>round creek crossings has has now been re arranged a

0:34:46.480 --> 0:34:49.080
<v Speaker 1>little bit. But yeah, obviously things like that happen all

0:34:49.120 --> 0:34:49.439
<v Speaker 1>the time.

0:34:49.680 --> 0:34:52.400
<v Speaker 2>Absolutely, I felt like, if we're gonna because part of

0:34:52.440 --> 0:34:55.000
<v Speaker 2>the it's not just the creek itself, it's sort of

0:34:55.000 --> 0:34:59.520
<v Speaker 2>the environmental regulatory environment of what buffer you need to

0:34:59.600 --> 0:35:01.879
<v Speaker 2>keep off the creek, and so it depends on whether

0:35:01.920 --> 0:35:04.360
<v Speaker 2>it's an intermittent stream or perennial stream. But there's certain

0:35:04.800 --> 0:35:06.759
<v Speaker 2>buffers that you have to creep, so it's not just

0:35:06.800 --> 0:35:09.800
<v Speaker 2>a matter of simply hitting over an eight foot wide creek.

0:35:09.840 --> 0:35:11.600
<v Speaker 2>You you might have to keep one hundred feet of

0:35:11.680 --> 0:35:13.719
<v Speaker 2>vegetated buffer on each side of the creek. And so

0:35:13.760 --> 0:35:15.400
<v Speaker 2>when you add it all up, it's like, oh, we

0:35:15.480 --> 0:35:17.920
<v Speaker 2>got a seventy yard jump here because it's a perennial stream.

0:35:18.040 --> 0:35:22.480
<v Speaker 2>So you're always factoring in those those buffers. And you know,

0:35:22.600 --> 0:35:24.759
<v Speaker 2>I mean, look in a this is one of the

0:35:24.800 --> 0:35:27.600
<v Speaker 2>areas that I think it's interesting to compare and contrast

0:35:27.680 --> 0:35:32.399
<v Speaker 2>kind of the classical era versus versus now, and sort

0:35:32.400 --> 0:35:35.239
<v Speaker 2>of the flexibilities that architects had back then that are

0:35:35.640 --> 0:35:38.719
<v Speaker 2>you know, often not available now, having a creek side

0:35:38.760 --> 0:35:41.040
<v Speaker 2>hole or being able to jump creeks.

0:35:40.719 --> 0:35:43.120
<v Speaker 1>Or an ocean side hole, you know, or an ocean

0:35:43.200 --> 0:35:46.000
<v Speaker 1>side cliffs. Could you could you build Pebble Beach with

0:35:46.040 --> 0:35:48.919
<v Speaker 1>all those you know, holes just teetering off the edge

0:35:48.920 --> 0:35:53.560
<v Speaker 1>of the cliff. Probably not, no chance. Yeah, yeah, absolutely.

0:35:54.640 --> 0:35:57.840
<v Speaker 1>So you know, as you were getting into building the

0:35:57.920 --> 0:36:02.080
<v Speaker 1>course and shaping the course, are there any particular influences

0:36:02.320 --> 0:36:04.719
<v Speaker 1>that were top of mind as as you were going

0:36:04.719 --> 0:36:08.560
<v Speaker 1>through that process. Any specific architects or courses that you

0:36:08.600 --> 0:36:11.279
<v Speaker 1>took inspiration from or talked with your shapers about or

0:36:11.320 --> 0:36:11.960
<v Speaker 1>anything like that.

0:36:12.480 --> 0:36:16.640
<v Speaker 2>Sure, yeah, I mean you're you're always curating, but I

0:36:16.680 --> 0:36:21.960
<v Speaker 2>would say there's there were certain inspirations that were relevant

0:36:22.000 --> 0:36:24.200
<v Speaker 2>to a particular element of the course. I wouldn't say

0:36:24.200 --> 0:36:28.040
<v Speaker 2>that we you know, there was just yeah, but like

0:36:28.400 --> 0:36:33.440
<v Speaker 2>so so a good example would be the greens. So

0:36:33.480 --> 0:36:39.240
<v Speaker 2>the greens are actually very small, not even by modern standards.

0:36:39.280 --> 0:36:43.600
<v Speaker 2>They're they're pretty small. And we didn't, like I didn't

0:36:43.640 --> 0:36:46.120
<v Speaker 2>set out to do that in the in the plan.

0:36:46.239 --> 0:36:48.359
<v Speaker 2>But as we you know, we're probably about a third

0:36:48.360 --> 0:36:50.239
<v Speaker 2>of the way through the greens, and as I'm kind

0:36:50.239 --> 0:36:53.040
<v Speaker 2>of like approving, Yeah, that feels good, then we get

0:36:53.040 --> 0:36:55.360
<v Speaker 2>the you know, we get the measurement station out and

0:36:55.360 --> 0:36:57.919
<v Speaker 2>we realize, wow, these greens are trending small and that's okay,

0:36:57.920 --> 0:37:02.000
<v Speaker 2>it feels right. But you know, the vast majority are

0:37:02.080 --> 0:37:04.520
<v Speaker 2>under six thousand square feet. There's a lot that are

0:37:04.560 --> 0:37:06.840
<v Speaker 2>under five thousand square feet. There's a good chunk that

0:37:06.840 --> 0:37:10.360
<v Speaker 2>are under four thousand square feet, and you know, it

0:37:10.400 --> 0:37:12.520
<v Speaker 2>just felt right, and I think part of that, maybe

0:37:12.560 --> 0:37:16.520
<v Speaker 2>that was a subconscious kind of thing. But I've always

0:37:16.600 --> 0:37:19.480
<v Speaker 2>loved the smaller greens. Maybe I used to caddy at

0:37:19.560 --> 0:37:23.160
<v Speaker 2>Brookline during during grad school. And you know, my dad

0:37:23.160 --> 0:37:26.719
<v Speaker 2>grew up on a ross nine hole or in South Krige,

0:37:26.760 --> 0:37:29.560
<v Speaker 2>Massachusetts called Kohassee, which he'd take me to when I

0:37:29.560 --> 0:37:32.640
<v Speaker 2>was visiting my grandma. So I would always I always

0:37:32.640 --> 0:37:35.040
<v Speaker 2>had an affinity for smaller greens. I love the intimacy,

0:37:35.080 --> 0:37:37.319
<v Speaker 2>I love the focus they create on an approach shot,

0:37:37.360 --> 0:37:41.040
<v Speaker 2>I love the look. But you know, the one thing

0:37:41.040 --> 0:37:43.360
<v Speaker 2>that I would sort of quibble with about small greens

0:37:43.400 --> 0:37:45.680
<v Speaker 2>is often when you see, you know, really small greens,

0:37:45.680 --> 0:37:47.880
<v Speaker 2>they're surrounded by thick rough. I think, you know, Brookline

0:37:47.920 --> 0:37:49.960
<v Speaker 2>is a pretty good example of that. So you end

0:37:50.040 --> 0:37:52.120
<v Speaker 2>up missing a lot of greens just by virtue of

0:37:52.120 --> 0:37:53.960
<v Speaker 2>the fact they're so small, and so you end up

0:37:53.960 --> 0:37:56.319
<v Speaker 2>doing kind of a lot of repetitive lob shots out

0:37:56.360 --> 0:37:59.800
<v Speaker 2>of the rough, whether it's you know, Pebble or Brookline

0:37:59.880 --> 0:38:02.880
<v Speaker 2>or or you know, any of the others. So I

0:38:02.920 --> 0:38:04.800
<v Speaker 2>Candy Rude, it was kind of a you know, I

0:38:05.320 --> 0:38:07.279
<v Speaker 2>live in Pineers, love Pineer's number two, so it was

0:38:07.320 --> 0:38:09.360
<v Speaker 2>kind of like, what if we did like really small

0:38:10.200 --> 0:38:13.920
<v Speaker 2>greens but surrounded by a lot of tight grass and

0:38:13.960 --> 0:38:15.520
<v Speaker 2>a lot of kind of humps and hollows. So I

0:38:15.560 --> 0:38:17.920
<v Speaker 2>think that's potentially a unique challenge where we have some

0:38:17.960 --> 0:38:20.960
<v Speaker 2>really small green targets but they're surrounded by lots of

0:38:21.280 --> 0:38:25.399
<v Speaker 2>tight grass and fall offs and humps and hollows. So

0:38:25.520 --> 0:38:27.399
<v Speaker 2>that was kind of a curation of it. And then

0:38:27.800 --> 0:38:31.000
<v Speaker 2>I would say in terms of the internal contours at

0:38:31.000 --> 0:38:33.560
<v Speaker 2>brims Edge, we did a lot of convex stuff, you know,

0:38:33.760 --> 0:38:35.759
<v Speaker 2>very kind of number two ish, But here I was

0:38:35.880 --> 0:38:39.520
<v Speaker 2>I was much more interested in kind of the intersecting

0:38:39.560 --> 0:38:42.440
<v Speaker 2>slopes idea, and William Flint did a lot of this.

0:38:42.560 --> 0:38:45.319
<v Speaker 2>I mean, obviously we saw this at at Shinnacok, where

0:38:45.360 --> 0:38:48.040
<v Speaker 2>a lot of the high points kind of are around

0:38:48.080 --> 0:38:50.279
<v Speaker 2>the edges of the greens and the slopes kind of

0:38:50.320 --> 0:38:53.560
<v Speaker 2>come in and they collide into each other inside the

0:38:53.600 --> 0:38:57.040
<v Speaker 2>green complex. And so I wanted to do more of that.

0:38:57.160 --> 0:38:59.680
<v Speaker 2>So there were definitely a lot of conversations with me

0:38:59.719 --> 0:39:02.200
<v Speaker 2>and Joe about how do we do these intersecting slopes

0:39:02.239 --> 0:39:06.480
<v Speaker 2>and not not doing you know, the purely convex stuff

0:39:06.480 --> 0:39:09.319
<v Speaker 2>that we were doing at Broomsedge. And I think the

0:39:09.360 --> 0:39:12.959
<v Speaker 2>greens have ended up really confounding and really really good.

0:39:13.160 --> 0:39:16.280
<v Speaker 2>I think again that I think we really didn't inhale

0:39:16.320 --> 0:39:19.800
<v Speaker 2>the green complexes. And in addition to that, because the

0:39:19.840 --> 0:39:22.440
<v Speaker 2>whole course is benched into a side slope, it is

0:39:22.520 --> 0:39:24.680
<v Speaker 2>really hard to tell what's uphill and what's downhill on

0:39:24.760 --> 0:39:27.200
<v Speaker 2>these on these greens, because like you know, if you're

0:39:27.200 --> 0:39:29.759
<v Speaker 2>at like a three percent descending slope the whole way

0:39:29.800 --> 0:39:32.520
<v Speaker 2>across the property, if you just flick up a little

0:39:32.520 --> 0:39:36.720
<v Speaker 2>bit of dirt on a green, it actually looks like, Okay,

0:39:36.719 --> 0:39:40.120
<v Speaker 2>well I'm downhill for the first a third of this putt,

0:39:40.120 --> 0:39:41.879
<v Speaker 2>but then the last two thirds I'm actually I got

0:39:41.920 --> 0:39:44.280
<v Speaker 2>some support in this green. I'm actually going back uphill.

0:39:45.280 --> 0:39:47.520
<v Speaker 2>But really it's a visual trick that that all we

0:39:47.560 --> 0:39:49.719
<v Speaker 2>did was slow the descent down. It's just like a

0:39:49.760 --> 0:39:53.120
<v Speaker 2>wrinkle in the broader descent. And so I think that

0:39:53.600 --> 0:39:55.520
<v Speaker 2>these greens are going to be I mean, I can't

0:39:55.600 --> 0:39:57.720
<v Speaker 2>you know, I've been doing this for seven years. Joe's

0:39:57.840 --> 0:39:59.880
<v Speaker 2>my design partner, Joe Hancock has been doing this for

0:40:00.040 --> 0:40:02.200
<v Speaker 2>thirty years, and we stand on some of these green

0:40:02.239 --> 0:40:03.719
<v Speaker 2>and we have no idea if the balls going uphill

0:40:03.760 --> 0:40:05.239
<v Speaker 2>or down. You know, we don't know until we get

0:40:05.239 --> 0:40:08.520
<v Speaker 2>the laser out, which is really cool. Sometimes the best

0:40:08.520 --> 0:40:10.719
<v Speaker 2>things that when you shape until you're confused and then

0:40:10.719 --> 0:40:13.680
<v Speaker 2>walk away you got a great green. But I think

0:40:13.680 --> 0:40:17.399
<v Speaker 2>that that's going to be really cool. Another area where

0:40:17.560 --> 0:40:22.120
<v Speaker 2>I pulled a lot of inspiration was Shinnecock and its

0:40:22.160 --> 0:40:27.480
<v Speaker 2>fairway movements. One of the things I didn't get to

0:40:27.520 --> 0:40:31.680
<v Speaker 2>do at Broomsedge was kind of the diagonal sweeping serpentine

0:40:32.200 --> 0:40:35.840
<v Speaker 2>grassing lines. You know, Broomsedge was on a really tight property,

0:40:35.880 --> 0:40:37.440
<v Speaker 2>so a lot of holes just had to run in

0:40:37.680 --> 0:40:40.560
<v Speaker 2>parallel with each other. There's more land at Candy Roos,

0:40:40.600 --> 0:40:43.400
<v Speaker 2>so we can do kind of more sweeping dog legs

0:40:43.440 --> 0:40:46.600
<v Speaker 2>and swinging grassing lines, which just by definition, it eats

0:40:46.680 --> 0:40:49.120
<v Speaker 2>up more acreage, right, Moving holes in that way just

0:40:49.160 --> 0:40:50.680
<v Speaker 2>eats up more land that we didn't have at Broom.

0:40:50.800 --> 0:40:54.880
<v Speaker 1>Yeah, the effective corridors wide when you have a diagonal fairway.

0:40:54.920 --> 0:40:58.680
<v Speaker 1>That's something about Shinnecock is like, yep, tremendously wide hole corridors,

0:40:58.680 --> 0:41:02.839
<v Speaker 1>but the fairway is just towards sort of lanting down, yeah, down, yep.

0:41:03.040 --> 0:41:06.440
<v Speaker 2>And I've always I've always felt like, you know, we

0:41:06.480 --> 0:41:08.960
<v Speaker 2>talk about the roll back, and you know, I mean,

0:41:09.400 --> 0:41:13.400
<v Speaker 2>even if the governing bodies get it under control, I

0:41:13.680 --> 0:41:16.799
<v Speaker 2>don't see the ball rolling back that much. I mean,

0:41:16.920 --> 0:41:19.520
<v Speaker 2>I think we've reached a stage where players are probably

0:41:19.520 --> 0:41:22.319
<v Speaker 2>going to be pretty darn long forever more, even if

0:41:22.320 --> 0:41:24.920
<v Speaker 2>we can stop the growth. And you know, I'm not

0:41:24.920 --> 0:41:27.360
<v Speaker 2>going to build a nine thousand yard golf course, but

0:41:27.719 --> 0:41:30.319
<v Speaker 2>to me, and I think the Open last week kind

0:41:30.360 --> 0:41:33.680
<v Speaker 2>of maybe suggested this that that maybe diagonals and kind

0:41:33.719 --> 0:41:37.000
<v Speaker 2>of grassing lines are how you maybe keep distance under control.

0:41:37.080 --> 0:41:40.560
<v Speaker 2>I mean, guys couldn't. They couldn't overpower Shinnecock. They laid them.

0:41:40.600 --> 0:41:43.400
<v Speaker 2>They throttled themselves back all the time. I mean nobody

0:41:43.600 --> 0:41:45.880
<v Speaker 2>in the lead up to Shinnacock, I mean nobody was

0:41:45.920 --> 0:41:48.960
<v Speaker 2>talking bomb and gouge prior to the tournament. Some of

0:41:49.000 --> 0:41:51.480
<v Speaker 2>the I mean some of the longest approach shots I've

0:41:51.520 --> 0:41:54.440
<v Speaker 2>seen in a long time happened this past week at

0:41:54.520 --> 0:41:57.960
<v Speaker 2>the Open because guys were throttling back voluntarily. I mean,

0:41:57.960 --> 0:42:00.839
<v Speaker 2>who was it in on Sunday who had like one

0:42:00.880 --> 0:42:02.920
<v Speaker 2>eighty into the tenth hole. It's only a four hundred

0:42:02.960 --> 0:42:06.640
<v Speaker 2>yard hole. They voluntarily decided to have one eighty into

0:42:06.640 --> 0:42:08.680
<v Speaker 2>that green, and then I was thinking too, I don't know,

0:42:08.719 --> 0:42:10.680
<v Speaker 2>I haven't thought this totally through, but I was thinking.

0:42:10.840 --> 0:42:14.359
<v Speaker 2>I was contrasting it with with Ironomy, where I think

0:42:14.440 --> 0:42:17.560
<v Speaker 2>more holes kind of run straight. You know, there's an

0:42:17.560 --> 0:42:19.879
<v Speaker 2>occasional bunker pinch here and there, but more or less

0:42:19.920 --> 0:42:22.160
<v Speaker 2>a lot of the holes that Ironomic run straight.

0:42:22.600 --> 0:42:24.960
<v Speaker 1>They're more packed in because you know, it is a

0:42:25.000 --> 0:42:27.920
<v Speaker 1>smaller it's a property, you know exactly.

0:42:28.239 --> 0:42:31.120
<v Speaker 2>And I mean, you know, you remember all the talk

0:42:31.520 --> 0:42:34.040
<v Speaker 2>leading up to Ironmic about the bomb and gouge, right,

0:42:34.040 --> 0:42:35.759
<v Speaker 2>and that I think that ended up probably not being

0:42:35.760 --> 0:42:39.080
<v Speaker 2>the right the right play as as uh, you know,

0:42:39.200 --> 0:42:42.160
<v Speaker 2>Aaron Raich showed. But but I think a lot of

0:42:42.160 --> 0:42:44.480
<v Speaker 2>players at Aronmic saw bomb and gouge is at least

0:42:44.520 --> 0:42:47.279
<v Speaker 2>a viable strategy going into the tournament, whereas nobody at

0:42:47.280 --> 0:42:50.200
<v Speaker 2>Shinnikok thought that was viable. And I think it is

0:42:50.239 --> 0:42:53.040
<v Speaker 2>this diagonal thing, right, I think when players see a

0:42:54.120 --> 0:42:58.480
<v Speaker 2>hole where really only the line matters, they think bomb

0:42:58.560 --> 0:43:00.400
<v Speaker 2>and gouge. You know, all I can hit it two

0:43:00.400 --> 0:43:01.719
<v Speaker 2>fifty on this line, or I could hit it three

0:43:01.800 --> 0:43:05.000
<v Speaker 2>fifty on this line bonds away. But at Shinnacock as

0:43:05.000 --> 0:43:07.680
<v Speaker 2>we know, it's the dynamic changes. It's well, I can

0:43:07.719 --> 0:43:10.120
<v Speaker 2>hit it two fifty on this line, I can hit

0:43:10.160 --> 0:43:12.680
<v Speaker 2>it two seventy five on this line. I can hit

0:43:12.680 --> 0:43:14.799
<v Speaker 2>it three hundred on this line. But if I want

0:43:14.800 --> 0:43:18.200
<v Speaker 2>to carry it over three hundred, well, now that the

0:43:18.239 --> 0:43:21.360
<v Speaker 2>grassing line just you know, twist back the other direction.

0:43:21.960 --> 0:43:24.359
<v Speaker 2>So now I got to carry three hundred yards on

0:43:24.400 --> 0:43:25.920
<v Speaker 2>this line, which is way different than the line I

0:43:25.920 --> 0:43:27.920
<v Speaker 2>would have taken at two seventy five. So then you

0:43:28.000 --> 0:43:29.960
<v Speaker 2>factor in the wind and the balance. It's you know,

0:43:30.000 --> 0:43:32.080
<v Speaker 2>it's why Shinnecock is one of the great championship tests

0:43:32.080 --> 0:43:35.680
<v Speaker 2>in the world. I because of the severity of the

0:43:35.840 --> 0:43:37.600
<v Speaker 2>of the site at Candy Rude, I knew that the

0:43:37.600 --> 0:43:41.480
<v Speaker 2>the golf course wasn't going to be brutally or overly long,

0:43:41.640 --> 0:43:45.400
<v Speaker 2>so length wasn't going to be its primary thing. But

0:43:45.520 --> 0:43:47.560
<v Speaker 2>given the ridges and all that stuff. I really took

0:43:47.560 --> 0:43:50.680
<v Speaker 2>a lot of influence in the grassing lines from Shinnecock

0:43:50.760 --> 0:43:53.200
<v Speaker 2>and just tried to really emphasize this kind of off

0:43:53.320 --> 0:43:56.799
<v Speaker 2>balance nature and coupled with the side slopes, I think

0:43:56.800 --> 0:44:00.359
<v Speaker 2>it's really cool. And then that led to fewer bunkers. Well,

0:44:01.600 --> 0:44:04.200
<v Speaker 2>so there's a lot less bunkers at Candy Root than

0:44:05.160 --> 0:44:08.879
<v Speaker 2>than Broomsedge. You know, again like parallel holes. I think

0:44:08.880 --> 0:44:14.680
<v Speaker 2>we relied more at Broomsedge on on bunkering to you know,

0:44:14.840 --> 0:44:17.280
<v Speaker 2>kind of induce strategy and make the holes feel different,

0:44:17.280 --> 0:44:21.120
<v Speaker 2>whereas at at Candy Root, the land contours and the

0:44:21.200 --> 0:44:23.239
<v Speaker 2>native grasses and the grassing lines are just kind of

0:44:23.239 --> 0:44:24.520
<v Speaker 2>doing all the work. So I think we only have

0:44:25.160 --> 0:44:28.440
<v Speaker 2>maybe fifty five or sixty bunkers at at Candy Root,

0:44:28.480 --> 0:44:32.719
<v Speaker 2>which is which is pretty low. And so yeah, those

0:44:32.760 --> 0:44:35.400
<v Speaker 2>were those were kind of the influences. But I mean

0:44:35.440 --> 0:44:37.400
<v Speaker 2>we'rel Dornick is always an influence there. We got a

0:44:37.440 --> 0:44:39.680
<v Speaker 2>couple of greens that are just kind of perched up plateaus.

0:44:40.520 --> 0:44:43.200
<v Speaker 2>Prairie Dunes was was a big influence out there. Again.

0:44:43.440 --> 0:44:45.600
<v Speaker 2>You know, there's a number of greens that are benched

0:44:45.600 --> 0:44:47.960
<v Speaker 2>into side slopes and you know, nobody did that better

0:44:48.080 --> 0:44:52.160
<v Speaker 2>the Maxwell at Prairie Dunes. So a lot of I

0:44:52.200 --> 0:44:54.880
<v Speaker 2>think you're just curating. You know, you're trying to produce

0:44:54.920 --> 0:44:58.239
<v Speaker 2>an original product, and you're but you're constantly thinking about

0:44:58.280 --> 0:44:59.959
<v Speaker 2>all the great things that you've seen and just cure.

0:45:00.520 --> 0:45:02.680
<v Speaker 2>I really like the way Maxwell did this there. I

0:45:02.680 --> 0:45:04.560
<v Speaker 2>really love what Flynn did here. I really loved them

0:45:04.640 --> 0:45:06.880
<v Speaker 2>Kenzie did there. And hopefully you put it all in

0:45:06.920 --> 0:45:09.879
<v Speaker 2>the melting pot and you it comes up with something cool.

0:45:11.520 --> 0:45:14.600
<v Speaker 1>So one factor you haven't mentioned yet, or one term

0:45:14.640 --> 0:45:17.879
<v Speaker 1>you haven't used yet, is is the uh the big

0:45:18.040 --> 0:45:22.239
<v Speaker 1>M minimalism. Candy Roots website does use this term. Now,

0:45:22.239 --> 0:45:24.319
<v Speaker 1>it's it's it's always unclear to me to you know,

0:45:24.360 --> 0:45:26.640
<v Speaker 1>how much of a role an architect has and in

0:45:26.680 --> 0:45:30.000
<v Speaker 1>some of the branding language that that that is presented

0:45:30.080 --> 0:45:32.799
<v Speaker 1>for for these courses. But but right now on Candy

0:45:32.880 --> 0:45:35.359
<v Speaker 1>Roids website it says that the course is defined by

0:45:35.760 --> 0:45:39.120
<v Speaker 1>quote unquote extreme minimalism.

0:45:39.520 --> 0:45:39.759
<v Speaker 2>Yep.

0:45:39.840 --> 0:45:41.200
<v Speaker 1>So I was wondering if that's a if that's a

0:45:41.280 --> 0:45:44.640
<v Speaker 1>term that you actually use and and what your relationship

0:45:44.680 --> 0:45:47.879
<v Speaker 1>with minimalism is and what this course is relationship.

0:45:47.320 --> 0:45:50.160
<v Speaker 2>With it is. Yeah, I think it's an accurate description.

0:45:51.560 --> 0:45:55.920
<v Speaker 2>We the way that I think the way to describe

0:45:55.920 --> 0:45:59.480
<v Speaker 2>it would be that we never put dirt in a

0:45:59.560 --> 0:46:03.799
<v Speaker 2>truck and moved it anywhere. All the shaping we did well.

0:46:03.800 --> 0:46:06.400
<v Speaker 2>First of all, we didn't shape any fairways. We shaped

0:46:06.400 --> 0:46:08.560
<v Speaker 2>green pad or we shaped tea pads just to get

0:46:08.560 --> 0:46:11.560
<v Speaker 2>them flat, flat enough, So there was a little bit

0:46:11.560 --> 0:46:14.320
<v Speaker 2>of localized shaping around the tees, and then we shaped

0:46:14.320 --> 0:46:16.480
<v Speaker 2>the greens, but we didn't you know, we didn't really

0:46:16.520 --> 0:46:19.759
<v Speaker 2>bring in any dirt to fill a green. There were

0:46:19.800 --> 0:46:22.640
<v Speaker 2>really not a lot of significant cuts. Maybe maybe the

0:46:22.680 --> 0:46:24.960
<v Speaker 2>twelfth green could be the one where we probably did

0:46:25.000 --> 0:46:27.879
<v Speaker 2>the most dozer pushing, but again, there was no kind

0:46:27.880 --> 0:46:32.759
<v Speaker 2>of airlift movement going on here. There was no earthwork requirements.

0:46:32.760 --> 0:46:35.080
<v Speaker 2>So that that's kind of how I feel, I mean,

0:46:35.800 --> 0:46:39.920
<v Speaker 2>you know, that's kind of how I view extreme minimalism,

0:46:39.920 --> 0:46:44.000
<v Speaker 2>as you do the absolute minimum to get the golf

0:46:44.000 --> 0:46:46.839
<v Speaker 2>course to work, and we didn't do anything beyond that.

0:46:46.880 --> 0:46:49.200
<v Speaker 2>We didn't really do I mean, we didn't do anything

0:46:49.239 --> 0:46:49.880
<v Speaker 2>in the natives.

0:46:49.880 --> 0:46:53.120
<v Speaker 1>The natives are just kind of there, so no shaping

0:46:53.120 --> 0:46:55.760
<v Speaker 1>in the fairways, are very little shaping in the fairways.

0:46:56.719 --> 0:46:59.879
<v Speaker 2>I'm trying to think one, no shaping. Three I don't

0:46:59.880 --> 0:47:01.200
<v Speaker 2>think we shaped a fairway now.

0:47:01.760 --> 0:47:04.600
<v Speaker 1>Wow. So I mean, just to be clear for listeners,

0:47:04.880 --> 0:47:09.040
<v Speaker 1>this is really unusual. Now, Yeah, that the process now is,

0:47:09.560 --> 0:47:12.800
<v Speaker 1>you know, the standard process is to bring in a

0:47:13.360 --> 0:47:16.839
<v Speaker 1>lot of fill and and kind of shape the entire

0:47:16.880 --> 0:47:19.680
<v Speaker 1>whole corridor. But but this is not no, and it's

0:47:19.920 --> 0:47:22.520
<v Speaker 1>this is not what architects did in the nineteen twenties. Obviously,

0:47:22.920 --> 0:47:24.640
<v Speaker 1>right old courses. You know, one of the things that

0:47:24.719 --> 0:47:28.960
<v Speaker 1>makes an old course differentiated from a modern course is

0:47:29.000 --> 0:47:31.400
<v Speaker 1>often that you notice that in the old courses that

0:47:31.440 --> 0:47:35.640
<v Speaker 1>the fairways are quite clearly natural. But but you didn't,

0:47:35.800 --> 0:47:37.440
<v Speaker 1>you didn't, you didn't do the fairway shaping.

0:47:37.560 --> 0:47:39.919
<v Speaker 2>No, I'm part of it is. I mean, we only

0:47:39.960 --> 0:47:42.560
<v Speaker 2>have one shaper. It's Joe Hancock. You know. I'll hop

0:47:42.560 --> 0:47:44.759
<v Speaker 2>in a machine occasionally when I have time, but we

0:47:44.800 --> 0:47:46.640
<v Speaker 2>don't have an army of shapers out there. I mean,

0:47:46.719 --> 0:47:50.719
<v Speaker 2>Joe has shaped pretty much everything out there, and his

0:47:50.800 --> 0:47:53.080
<v Speaker 2>dozer occasionally all up into an excavator and do a

0:47:53.640 --> 0:47:56.279
<v Speaker 2>bunker here there or whatever. But like we don't have

0:47:56.800 --> 0:47:58.600
<v Speaker 2>there's not enough shaping work to do out there. Joe

0:47:58.640 --> 0:47:59.560
<v Speaker 2>made Joe made a.

0:47:59.520 --> 0:48:02.680
<v Speaker 1>Fund was very experienced too, by the way, for folks

0:48:02.719 --> 0:48:05.399
<v Speaker 1>who don't know the name, he's He's been everywhere, worked

0:48:05.400 --> 0:48:07.319
<v Speaker 1>for everyone, and done a lot of work.

0:48:07.440 --> 0:48:09.600
<v Speaker 2>Yeah, he made a funny joke early on when we

0:48:09.640 --> 0:48:12.040
<v Speaker 2>have first cleared eighteen fairway and all these little humps

0:48:12.040 --> 0:48:13.880
<v Speaker 2>and bumps in there and it looks so cool, and

0:48:13.960 --> 0:48:15.799
<v Speaker 2>he said, man, this would be a nightmare job for

0:48:15.840 --> 0:48:17.839
<v Speaker 2>a young shaper. I'm like, what do you mean And

0:48:17.880 --> 0:48:19.719
<v Speaker 2>he's like, well, I couldn't show how good I am

0:48:19.800 --> 0:48:21.879
<v Speaker 2>because there's nothing, there's nothing to do.

0:48:22.040 --> 0:48:25.399
<v Speaker 1>So yeah, if you're trying to show off, that's uh,

0:48:25.440 --> 0:48:28.080
<v Speaker 1>it's not the that's I mean, that's kind of an

0:48:28.120 --> 0:48:31.759
<v Speaker 1>issue that I that I've heard certain experienced architects talk

0:48:31.760 --> 0:48:34.560
<v Speaker 1>about behind closed doors, is you know, my shapers want

0:48:34.560 --> 0:48:37.000
<v Speaker 1>to understandably make a make a name for themselves, but

0:48:37.080 --> 0:48:39.000
<v Speaker 1>I just want them to build my golf course. And

0:48:39.040 --> 0:48:41.160
<v Speaker 1>there's sometimes that tension there. Yeah.

0:48:41.200 --> 0:48:45.359
<v Speaker 2>Absolutely. Now Joe is Joe's my I mean he Joe

0:48:45.400 --> 0:48:47.880
<v Speaker 2>is mister restraint. You know, Joe is always challenging me

0:48:47.960 --> 0:48:49.840
<v Speaker 2>in terms of do we do you need that bunker

0:48:49.880 --> 0:48:53.560
<v Speaker 2>there is that superfluous or we don't need to touch that,

0:48:53.640 --> 0:48:55.800
<v Speaker 2>you know, Joe. Joe has had such a big influence

0:48:55.840 --> 0:48:58.640
<v Speaker 2>on me. And one of the things that Joe said

0:48:58.640 --> 0:49:02.640
<v Speaker 2>that really struck me is, you know, the golfer, Mike,

0:49:02.719 --> 0:49:06.840
<v Speaker 2>the golfer is variable enough even day to day, the

0:49:06.880 --> 0:49:10.439
<v Speaker 2>same person is variable enough you don't need to junk

0:49:10.480 --> 0:49:13.360
<v Speaker 2>it up with stuff. You don't need to have excessive

0:49:13.440 --> 0:49:16.239
<v Speaker 2>micro contouring in front of greens. You don't need to

0:49:16.280 --> 0:49:19.040
<v Speaker 2>do all that because the golfer is variable enough. And

0:49:19.080 --> 0:49:21.040
<v Speaker 2>that that always sticks in my head. And Joe said

0:49:21.040 --> 0:49:23.879
<v Speaker 2>that to me during during Broomsedge. So it's been great.

0:49:23.920 --> 0:49:25.359
<v Speaker 2>You know, it's great having Joe around. But that's kind

0:49:25.360 --> 0:49:28.200
<v Speaker 2>of the mindset that we had at this Now. You know,

0:49:28.239 --> 0:49:31.520
<v Speaker 2>there are I'll give you two examples of where we

0:49:31.719 --> 0:49:35.680
<v Speaker 2>actively resisted the desire to, you know, where maybe others

0:49:35.719 --> 0:49:39.000
<v Speaker 2>would have done an earth move. The first one is

0:49:39.000 --> 0:49:41.360
<v Speaker 2>is six Fairway, which is one of those ten or

0:49:41.400 --> 0:49:47.400
<v Speaker 2>twelve percenter fairways. It's humming, it's a steep side slope

0:49:47.920 --> 0:49:50.120
<v Speaker 2>and you know, I mean that would be such a

0:49:50.120 --> 0:49:52.839
<v Speaker 2>big earth move to try to level that thing out.

0:49:52.840 --> 0:49:55.839
<v Speaker 2>And we've been having this conversation to this day about

0:49:55.960 --> 0:49:58.279
<v Speaker 2>you know, well, this is you know, it's obviously a

0:49:58.280 --> 0:50:00.400
<v Speaker 2>wide fairway to accommodate. I think we're gon push it

0:50:00.400 --> 0:50:03.279
<v Speaker 2>to you know, something like seventy yards wide. But there's

0:50:03.280 --> 0:50:07.760
<v Speaker 2>also agronomic you know, questions here too. I think Brian

0:50:07.880 --> 0:50:11.719
<v Speaker 2>Schneider did a bit of thing about this, where you

0:50:11.760 --> 0:50:15.480
<v Speaker 2>know that if you cut the fairways too low, then

0:50:15.520 --> 0:50:18.000
<v Speaker 2>balls don't hang up on side slopes, and that then

0:50:18.080 --> 0:50:20.000
<v Speaker 2>you kind of you know, you don't have the challenge

0:50:20.000 --> 0:50:21.600
<v Speaker 2>of a ball way below your feet or way above

0:50:21.600 --> 0:50:25.120
<v Speaker 2>your feet, which is an important test. So I think

0:50:25.120 --> 0:50:27.120
<v Speaker 2>part of it is an agronomic thing. If we need

0:50:27.160 --> 0:50:29.360
<v Speaker 2>to make sure that the golf course plays firm, but

0:50:29.680 --> 0:50:31.680
<v Speaker 2>you know, the fairways because of the side slope on

0:50:31.719 --> 0:50:35.560
<v Speaker 2>this property, the fairways can't be lightning fast, and so

0:50:35.680 --> 0:50:37.720
<v Speaker 2>that's that's an area where people are going to actually

0:50:37.760 --> 0:50:40.280
<v Speaker 2>have to shape a shot into a into a fairway

0:50:40.520 --> 0:50:42.800
<v Speaker 2>to be able to hold the ball. It's it's similar

0:50:42.840 --> 0:50:45.920
<v Speaker 2>to you know sixteen at Old Town or one of

0:50:46.040 --> 0:50:48.320
<v Speaker 2>one of those where you are you are fighting the

0:50:48.400 --> 0:50:52.439
<v Speaker 2>landform there. But I think you know there was there's

0:50:52.520 --> 0:50:55.640
<v Speaker 2>the temptation to get the big d eight dozers out

0:50:55.719 --> 0:50:58.240
<v Speaker 2>and turn that thing from a ten percent slope into

0:50:58.280 --> 0:51:01.680
<v Speaker 2>a six or seven percent slope, but we resisted. We'll

0:51:01.680 --> 0:51:04.439
<v Speaker 2>see how it goes. Another example would be the seventh Pole,

0:51:04.440 --> 0:51:07.799
<v Speaker 2>which is a par five long long par five. It

0:51:07.880 --> 0:51:09.919
<v Speaker 2>kind of moves like waves in the ocean, so there's

0:51:09.960 --> 0:51:11.719
<v Speaker 2>always a ridge in front of you that's kind of

0:51:11.760 --> 0:51:15.480
<v Speaker 2>blocking your your visibility, and so your landing area off

0:51:15.520 --> 0:51:17.360
<v Speaker 2>the tee shot, you land on top of one of

0:51:17.360 --> 0:51:20.640
<v Speaker 2>these ridges, and then between you and the green is

0:51:20.680 --> 0:51:22.960
<v Speaker 2>another one of these waves in the ocean where it

0:51:23.080 --> 0:51:27.040
<v Speaker 2>totally blocks your your view of the green. And actually

0:51:27.080 --> 0:51:30.160
<v Speaker 2>in the in the plan, I had us knocking down

0:51:30.200 --> 0:51:34.120
<v Speaker 2>that knocking down that ridge just to get some visibility

0:51:34.239 --> 0:51:37.239
<v Speaker 2>of the green. And then we got out there and

0:51:37.239 --> 0:51:39.399
<v Speaker 2>it was just such a beautiful land form and you're thinking, Jesus,

0:51:39.400 --> 0:51:40.719
<v Speaker 2>we knocked this thing down. How are we going to

0:51:40.760 --> 0:51:42.319
<v Speaker 2>tie it in. How are we gonna make it look natural?

0:51:42.360 --> 0:51:44.719
<v Speaker 2>We're gonna have to rearrange everything, We're gonna blow through

0:51:44.719 --> 0:51:47.120
<v Speaker 2>a bunch of native and two weeks later we're gonna

0:51:47.120 --> 0:51:49.040
<v Speaker 2>spend a lot of money, and well, we really have

0:51:49.120 --> 0:51:51.279
<v Speaker 2>a cooler hole because of it. And so what we

0:51:51.360 --> 0:51:53.719
<v Speaker 2>ended up doing was kind of a spectacle bunker arrangement

0:51:53.800 --> 0:51:57.080
<v Speaker 2>into that hillside where you know, very much like the

0:51:57.080 --> 0:51:59.600
<v Speaker 2>spectacles at Carnoustie. You know, it's a par five where

0:52:00.040 --> 0:52:01.640
<v Speaker 2>you know, maybe we'll get a ten foot flag and

0:52:01.680 --> 0:52:03.840
<v Speaker 2>you can kind of see it dangling in between the spectacles,

0:52:03.880 --> 0:52:05.680
<v Speaker 2>but kind of your line is right in between the spectacles,

0:52:05.719 --> 0:52:09.280
<v Speaker 2>and I think we have a much cooler hole because

0:52:09.280 --> 0:52:11.680
<v Speaker 2>we didn't move any earth, and we thought more creatively,

0:52:11.719 --> 0:52:16.680
<v Speaker 2>and we didn't always prioritize visibility. I think if visibility is,

0:52:17.000 --> 0:52:20.440
<v Speaker 2>you know, always the priority, you're if you have any

0:52:20.480 --> 0:52:22.880
<v Speaker 2>sort of topographical movement, you're always going to be cutting

0:52:22.880 --> 0:52:25.560
<v Speaker 2>something to achieve it. But seven was a good example

0:52:25.560 --> 0:52:27.359
<v Speaker 2>where we just sort of embraced the blindness and made

0:52:27.400 --> 0:52:29.920
<v Speaker 2>it a strategic feature of the whole. And you know,

0:52:30.160 --> 0:52:32.960
<v Speaker 2>use some use some you know bunkering to you know,

0:52:33.080 --> 0:52:34.040
<v Speaker 2>show people where to go.

0:52:41.719 --> 0:52:44.520
<v Speaker 1>This episode of Designing Golf is brought to you by

0:52:44.600 --> 0:52:50.000
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0:53:34.600 --> 0:53:37.279
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0:53:37.360 --> 0:53:40.759
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0:53:48.880 --> 0:53:53.160
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0:54:02.360 --> 0:54:05.279
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0:54:05.360 --> 0:54:09.799
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0:54:09.840 --> 0:54:14.680
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0:54:14.960 --> 0:54:26.360
<v Speaker 1>Code Design check it out. So so far, you've talked

0:54:26.360 --> 0:54:30.040
<v Speaker 1>about this project in a very site specific and project

0:54:30.200 --> 0:54:34.120
<v Speaker 1>specific way, your your decisions being dictated by the land

0:54:34.160 --> 0:54:40.000
<v Speaker 1>itself and by the nature of this specific development. But

0:54:40.080 --> 0:54:43.759
<v Speaker 1>I'm gonna try to put some context on this and

0:54:44.040 --> 0:54:46.640
<v Speaker 1>maybe locate this in history, and we'll see if you

0:54:46.680 --> 0:54:50.960
<v Speaker 1>take the bit or not. You know, there are those

0:54:50.960 --> 0:54:56.160
<v Speaker 1>who suggest right now that this approach you're describing, if

0:54:56.200 --> 0:54:59.560
<v Speaker 1>you want to call it minimalist or naturalist or non

0:54:59.600 --> 0:55:02.880
<v Speaker 1>interventist or whatever you want to call it. That this this,

0:55:03.239 --> 0:55:06.120
<v Speaker 1>There are those who say that this approach has has

0:55:06.200 --> 0:55:08.880
<v Speaker 1>really dominated the past thirty years of golf course design,

0:55:09.120 --> 0:55:11.719
<v Speaker 1>you know, starting with Bill Kohrer and Tom Doak in

0:55:11.760 --> 0:55:16.399
<v Speaker 1>the nineties popularizing it, and and so the argument then runs, well,

0:55:16.440 --> 0:55:18.480
<v Speaker 1>the obvious next step if we want to if we

0:55:18.560 --> 0:55:22.239
<v Speaker 1>want to keep the art form moving forward, is to

0:55:22.280 --> 0:55:26.799
<v Speaker 1>return to maximalism. You know, whether that means incorporating influences

0:55:26.840 --> 0:55:30.240
<v Speaker 1>from from Tom Fazio and Mike Strantz or whoever else,

0:55:31.000 --> 0:55:34.280
<v Speaker 1>or taking inspiration from from some of the bold shaping

0:55:34.320 --> 0:55:36.760
<v Speaker 1>that we saw in the golden age of golf course design,

0:55:37.239 --> 0:55:41.360
<v Speaker 1>like from Seth Rayner, Walter Travis or Langford Moreau. It

0:55:41.400 --> 0:55:45.240
<v Speaker 1>seems like you feel that there's not really a need

0:55:45.320 --> 0:55:49.960
<v Speaker 1>to move beyond minimalism. Do you feel that way? Do

0:55:50.320 --> 0:55:52.719
<v Speaker 1>you feel that there's there's a need to kind of

0:55:52.760 --> 0:55:57.080
<v Speaker 1>provide a counterpoint to the trends of the last thirty years,

0:55:57.239 --> 0:55:59.040
<v Speaker 1>or you know, how do you think all that through?

0:55:59.719 --> 0:56:02.080
<v Speaker 2>Sure? Well, I mean I think so much of it

0:56:02.120 --> 0:56:06.279
<v Speaker 2>is site specific. I mean I think that on a

0:56:06.360 --> 0:56:09.279
<v Speaker 2>site like Candy Route, I really do think it is

0:56:09.440 --> 0:56:14.719
<v Speaker 2>it is so unique and it's just god given potential

0:56:15.360 --> 0:56:18.640
<v Speaker 2>that it would be a tremendous mistake to try to

0:56:18.680 --> 0:56:23.320
<v Speaker 2>do anything remotely uh deviant from from a minimalist approach

0:56:23.400 --> 0:56:27.400
<v Speaker 2>on a site that good. Now, I do understand that

0:56:27.480 --> 0:56:30.000
<v Speaker 2>not every architect is you know, has a has a

0:56:30.040 --> 0:56:32.640
<v Speaker 2>great site to work with, and sometimes you do need

0:56:32.680 --> 0:56:37.120
<v Speaker 2>to kind of manufacture some some intrigue in there. And

0:56:37.160 --> 0:56:40.560
<v Speaker 2>I'm okay with that. I'm very much a more of

0:56:40.560 --> 0:56:43.879
<v Speaker 2>the merrier kind of kind of person where I think

0:56:43.880 --> 0:56:48.399
<v Speaker 2>there's room in our art form for all types, all

0:56:48.400 --> 0:56:50.280
<v Speaker 2>walks of life, you know, and I think that's cool.

0:56:50.320 --> 0:56:53.480
<v Speaker 2>I think it's pretty cool to see some of the

0:56:53.600 --> 0:56:56.040
<v Speaker 2>unique shapes that at Old Barnwell. I think that, you know,

0:56:56.080 --> 0:56:59.959
<v Speaker 2>I just I there's enough, there's enough there to try

0:57:00.080 --> 0:57:04.000
<v Speaker 2>to experiment with it. But where I get very sort

0:57:04.000 --> 0:57:08.200
<v Speaker 2>of dogmatic about minimalism is when you really truly have

0:57:08.320 --> 0:57:11.400
<v Speaker 2>a unique site, leave it alone, you know, don't don't

0:57:11.440 --> 0:57:13.279
<v Speaker 2>have the hubrists to come in and think you're going

0:57:13.320 --> 0:57:17.200
<v Speaker 2>to do any better than what mother nature did. And

0:57:17.280 --> 0:57:19.440
<v Speaker 2>so that's kind of where I'm at. But you know,

0:57:19.520 --> 0:57:21.360
<v Speaker 2>not all sites are not all sites are like that.

0:57:21.400 --> 0:57:23.880
<v Speaker 2>Some sites need a little bit of a little bit

0:57:23.920 --> 0:57:27.600
<v Speaker 2>of intrigue here and there. But in terms of, you know, stylistically,

0:57:27.800 --> 0:57:32.840
<v Speaker 2>I think there's room in this industry for things that

0:57:32.880 --> 0:57:37.320
<v Speaker 2>are obviously man made. It's you know, and I think

0:57:37.320 --> 0:57:39.240
<v Speaker 2>everybody's got to kind of play their strong suits. I

0:57:39.240 --> 0:57:41.920
<v Speaker 2>don't know that I'd be very good at that, you know,

0:57:43.160 --> 0:57:45.400
<v Speaker 2>but but I think there there are architects that are

0:57:45.440 --> 0:57:47.520
<v Speaker 2>that can that can pull that off really well. And

0:57:47.560 --> 0:57:51.120
<v Speaker 2>there's you know, I think for golf architecture, I think

0:57:51.120 --> 0:57:52.400
<v Speaker 2>it's important for us to have a kind of a

0:57:52.400 --> 0:57:55.240
<v Speaker 2>big tent in mind and and welcome all those sorts

0:57:55.240 --> 0:57:57.840
<v Speaker 2>of approaches, because isn't that the fun part, right for

0:57:57.960 --> 0:57:59.480
<v Speaker 2>us to get on the podcast and talk about all

0:57:59.480 --> 0:58:02.080
<v Speaker 2>these different roaches and talk about the different styles. I

0:58:02.080 --> 0:58:05.360
<v Speaker 2>mean that that's the fun part to me. So, but

0:58:05.440 --> 0:58:08.080
<v Speaker 2>certainly on on a site like Broomsedge and a site

0:58:08.120 --> 0:58:12.520
<v Speaker 2>like Candy Route, yeah, don't mess with it. It's pretty it's

0:58:12.520 --> 0:58:14.680
<v Speaker 2>pretty unique as it is. I think you can rely

0:58:14.760 --> 0:58:17.480
<v Speaker 2>a lot on mother Nature to give you a unique fingerprint.

0:58:17.960 --> 0:58:22.320
<v Speaker 1>A very reasonable response. But but that is taking the bait.

0:58:22.640 --> 0:58:25.760
<v Speaker 1>Of course, I'm not going to take the well, especially

0:58:25.840 --> 0:58:27.640
<v Speaker 1>since I said is he going to take the bait

0:58:27.760 --> 0:58:29.840
<v Speaker 1>or not? And right, I should have Yeah, if I

0:58:29.880 --> 0:58:31.800
<v Speaker 1>were really trying to get you, I should have phrased

0:58:31.840 --> 0:58:32.479
<v Speaker 1>the question different.

0:58:32.520 --> 0:58:33.800
<v Speaker 2>You should have lulled me into it.

0:58:33.880 --> 0:58:36.640
<v Speaker 1>Yeah, But I wonder, I mean, yeah, okay, you know

0:58:36.720 --> 0:58:40.040
<v Speaker 1>this is this is a widely accepted answer right now.

0:58:40.120 --> 0:58:42.680
<v Speaker 1>On great sites, we can take a minimalist approach. On

0:58:43.280 --> 0:58:46.760
<v Speaker 1>less good sites, then maybe we need to do something different. Yeah,

0:58:47.240 --> 0:58:49.840
<v Speaker 1>I mean even on great sites, though, do you think

0:58:49.920 --> 0:58:54.880
<v Speaker 1>that there's ever a danger of falling into the orthodoxies

0:58:55.080 --> 0:58:58.560
<v Speaker 1>of of what architects have done for for the past

0:58:58.600 --> 0:59:01.240
<v Speaker 1>thirty years on those types of sites. Do you ever

0:59:01.680 --> 0:59:03.400
<v Speaker 1>feel like that's that's gonna get old?

0:59:05.440 --> 0:59:09.160
<v Speaker 2>No, I I think that's timeless. I really do think

0:59:09.160 --> 0:59:12.479
<v Speaker 2>that that is. There's some stuff that's just timeless and

0:59:13.920 --> 0:59:19.600
<v Speaker 2>a natural a natural site that is, you know, inherently

0:59:19.640 --> 0:59:23.080
<v Speaker 2>gifted for golf and simply doing as little as possible.

0:59:23.160 --> 0:59:26.200
<v Speaker 2>That's just that's just not gonna get old. It's just

0:59:26.280 --> 0:59:30.520
<v Speaker 2>not and it hasn't gotten old yet, and I don't

0:59:30.560 --> 0:59:33.920
<v Speaker 2>think that it I don't think that it will. But again,

0:59:34.000 --> 0:59:37.200
<v Speaker 2>I think that the challenge there's is finding sites that

0:59:37.440 --> 0:59:41.840
<v Speaker 2>that are that are truly unique and really, you know,

0:59:42.520 --> 0:59:44.120
<v Speaker 2>I think if if a lot of work is done

0:59:44.120 --> 0:59:46.560
<v Speaker 2>on the site selection process, then I think that saves

0:59:46.600 --> 0:59:48.480
<v Speaker 2>a lot of a lot of effort on the construction

0:59:48.560 --> 0:59:51.520
<v Speaker 2>process in terms of the minimalist effort and making sure

0:59:51.520 --> 0:59:55.880
<v Speaker 2>you're not repeating. Because yeah, So that that's kind of

0:59:55.880 --> 0:59:58.520
<v Speaker 2>where I follow, is that there's some stuff that's that's timeless.

0:59:58.600 --> 1:00:01.840
<v Speaker 2>It's it's just not going to go away. And so

1:00:01.880 --> 1:00:03.800
<v Speaker 2>I have a lot of faith in mother nature to

1:00:03.840 --> 1:00:06.280
<v Speaker 2>keep producing great golf courses.

1:00:06.720 --> 1:00:07.439
<v Speaker 1>For what it's worth.

1:00:07.440 --> 1:00:12.560
<v Speaker 2>I agree with you, thanks, So, yeah, some stuff doesn't

1:00:12.640 --> 1:00:14.560
<v Speaker 2>Some great stuff just doesn't go out of style.

1:00:14.840 --> 1:00:17.600
<v Speaker 1>Sometimes you don't need to reinvent the wheel, no, Yeah,

1:00:17.640 --> 1:00:21.000
<v Speaker 1>And I think that as long as you're finding unique sights,

1:00:21.400 --> 1:00:24.040
<v Speaker 1>that that itself is a source of freshness and.

1:00:24.000 --> 1:00:28.200
<v Speaker 2>Renewal exactly exactly. Yep. The Beatles aren't going out of style,

1:00:28.240 --> 1:00:30.200
<v Speaker 2>the stones aren't going out of style. You know, like

1:00:30.280 --> 1:00:34.720
<v Speaker 2>it's just stuff, Just great stuff just stays stays true.

1:00:34.840 --> 1:00:40.920
<v Speaker 1>Yeah, So I want to shift to talking more about

1:00:41.040 --> 1:00:45.200
<v Speaker 1>like destination golf as an idea here as a model

1:00:45.280 --> 1:00:49.800
<v Speaker 1>for golf development. You know, I first heard about candy

1:00:49.880 --> 1:00:54.720
<v Speaker 1>root in I think it was mid twenty five ish,

1:00:55.360 --> 1:00:58.640
<v Speaker 1>and this was before it was called Candy Route. Yeah,

1:00:58.760 --> 1:01:03.800
<v Speaker 1>the pitch at that point, Yeah, there's been a naming. Uh.

1:01:03.880 --> 1:01:06.280
<v Speaker 1>I mean, you know, this is this is always what happens,

1:01:06.320 --> 1:01:10.160
<v Speaker 1>and I think, you know, side note here, people shouldn't

1:01:10.200 --> 1:01:13.439
<v Speaker 1>be punished for being open about the projects that they're

1:01:13.480 --> 1:01:16.760
<v Speaker 1>working on, you know, if you come in and say, oh,

1:01:16.880 --> 1:01:19.760
<v Speaker 1>they they're really indecisive or by their ideas. Well, this

1:01:19.840 --> 1:01:22.320
<v Speaker 1>is always what happens. But some people are just willing

1:01:22.320 --> 1:01:24.600
<v Speaker 1>to talk about the projects early on, which I like

1:01:24.680 --> 1:01:27.920
<v Speaker 1>and appreciate and I think the public should too. But

1:01:28.160 --> 1:01:30.160
<v Speaker 1>you know, obviously, yeah, I went through a couple of

1:01:30.160 --> 1:01:34.680
<v Speaker 1>different names. The pitch at at this early point was

1:01:35.200 --> 1:01:38.160
<v Speaker 1>a public golf course, right, and in fact the ownership

1:01:38.200 --> 1:01:42.240
<v Speaker 1>group wrote on social media that that the idea was

1:01:42.280 --> 1:01:46.480
<v Speaker 1>to provide a public golf course for the Charlotte Metro

1:01:47.440 --> 1:01:49.640
<v Speaker 1>and and to and to kind of give something that's

1:01:49.760 --> 1:01:52.840
<v Speaker 1>different than you know, where we've seen a lot of

1:01:52.880 --> 1:01:55.120
<v Speaker 1>action in golf development, which is in the in the

1:01:55.160 --> 1:01:58.360
<v Speaker 1>private and resort space. Of course, the vision for Candy

1:01:58.440 --> 1:02:01.720
<v Speaker 1>Root has changed sense then, in fact, it has become

1:02:02.440 --> 1:02:07.720
<v Speaker 1>it has turned more to this destination resort model. From

1:02:07.760 --> 1:02:10.160
<v Speaker 1>your perspective as the architect and but also as the

1:02:10.200 --> 1:02:12.760
<v Speaker 1>person who found the piece of land in the first place,

1:02:13.240 --> 1:02:14.720
<v Speaker 1>How did that evolution happen?

1:02:15.760 --> 1:02:17.280
<v Speaker 2>Yeah, I think it was you know, a lot of

1:02:17.280 --> 1:02:20.480
<v Speaker 2>this was was priorities that that Aaron brought to the

1:02:20.560 --> 1:02:22.800
<v Speaker 2>table when he kind of took over the you know,

1:02:23.000 --> 1:02:26.720
<v Speaker 2>the business itself. But but I still think there's a

1:02:26.840 --> 1:02:29.560
<v Speaker 2>there's and certainly in the in the business model, there's

1:02:29.600 --> 1:02:35.560
<v Speaker 2>there's still a very strong place for that Charlotte market

1:02:35.560 --> 1:02:37.840
<v Speaker 2>there too. So it's not a it's not an either or.

1:02:37.920 --> 1:02:40.120
<v Speaker 2>I mean, yes, there's definitely a stay and play component

1:02:40.200 --> 1:02:44.439
<v Speaker 2>for nationally you know based individuals, but there's still every

1:02:44.480 --> 1:02:47.840
<v Speaker 2>appetite to you know, be able to come in from

1:02:47.920 --> 1:02:51.320
<v Speaker 2>from Charlotte and you know, play thirty six and head back.

1:02:51.480 --> 1:02:53.959
<v Speaker 2>So I think it's a it's a yes and sort

1:02:53.960 --> 1:02:56.440
<v Speaker 2>of equation. But but definitely, I think in the in

1:02:56.440 --> 1:02:58.160
<v Speaker 2>the very early stages, again, it was just sort of

1:02:58.200 --> 1:03:00.680
<v Speaker 2>a one golf course sort of thing. It was very

1:03:00.760 --> 1:03:04.480
<v Speaker 2>much the idea of let's tap into this this Charlotte market.

1:03:04.520 --> 1:03:06.480
<v Speaker 2>And I think it's I think it's a fair conclusion

1:03:06.520 --> 1:03:09.040
<v Speaker 2>to say that the ambition of the place has has

1:03:09.120 --> 1:03:11.280
<v Speaker 2>grown large because you know, Aaron had a lot of

1:03:11.280 --> 1:03:14.640
<v Speaker 2>ambition coming into this, and so he wanted to not

1:03:14.720 --> 1:03:18.160
<v Speaker 2>only serve the immediate market, but also make this place

1:03:18.160 --> 1:03:21.480
<v Speaker 2>where people will fly in and steady in play. So

1:03:22.920 --> 1:03:24.760
<v Speaker 2>I think it's great, and you know, I I think

1:03:24.760 --> 1:03:28.040
<v Speaker 2>that it's great. I think, you know, my primary task

1:03:28.120 --> 1:03:29.680
<v Speaker 2>is to build a golf course that's good enough to

1:03:29.680 --> 1:03:32.160
<v Speaker 2>make people want to fly in from timbuckto to play,

1:03:32.440 --> 1:03:36.200
<v Speaker 2>right that that's my challenge. And if we do that, well,

1:03:36.400 --> 1:03:38.840
<v Speaker 2>you know, I hope that you know, there's a foursome

1:03:38.840 --> 1:03:41.400
<v Speaker 2>out there with two guys from Charlotte who were able

1:03:41.440 --> 1:03:43.760
<v Speaker 2>to get away for the day and uh, you know,

1:03:44.000 --> 1:03:45.920
<v Speaker 2>two guys from Dublin who flew in because they just

1:03:45.960 --> 1:03:48.240
<v Speaker 2>had to see this place and they're playing together. That

1:03:48.280 --> 1:03:50.280
<v Speaker 2>would be that would be a pretty cool outcome here.

1:03:51.200 --> 1:03:54.080
<v Speaker 1>Did anything shift for you on the design side when

1:03:54.120 --> 1:03:57.200
<v Speaker 1>the idea for the place went from you know, we're

1:03:57.200 --> 1:03:59.680
<v Speaker 1>just going to build this one golf course to we're

1:03:59.680 --> 1:04:03.240
<v Speaker 1>looking to build you know, maybe four or five golf courses.

1:04:03.840 --> 1:04:07.040
<v Speaker 2>Zero not at all, not at all. Had a pretty clear,

1:04:08.080 --> 1:04:10.560
<v Speaker 2>pretty clear idea of kind of what I wanted to

1:04:10.560 --> 1:04:14.800
<v Speaker 2>do with this, and I kind of I'm a little

1:04:14.800 --> 1:04:18.120
<v Speaker 2>bit of a curmudgeon on the on the commercialism thing,

1:04:18.200 --> 1:04:22.120
<v Speaker 2>where you know, even though the commercial ambitions increased on

1:04:22.160 --> 1:04:25.720
<v Speaker 2>the project, I felt like, you know, from a design standpoint,

1:04:25.760 --> 1:04:27.800
<v Speaker 2>you don't want that to kind of creep into your

1:04:28.080 --> 1:04:30.360
<v Speaker 2>your whole designs that a great golf course is a

1:04:30.360 --> 1:04:33.080
<v Speaker 2>great golf course. Whether it's public or private, You're you're

1:04:33.120 --> 1:04:36.280
<v Speaker 2>trying to get the best eighteen holes out of that

1:04:36.360 --> 1:04:39.360
<v Speaker 2>property that you can. And so whether there's a stay

1:04:39.360 --> 1:04:42.440
<v Speaker 2>and play component, whether it's a you know, whether it's

1:04:42.480 --> 1:04:46.200
<v Speaker 2>a local joint, whether it's a private club, that has

1:04:46.480 --> 1:04:50.880
<v Speaker 2>never really impacted my thinking about what I'm going to

1:04:50.920 --> 1:04:53.680
<v Speaker 2>do in terms of routing, in terms of shaping. I

1:04:53.720 --> 1:04:55.240
<v Speaker 2>really mean that it never has.

1:04:56.800 --> 1:04:59.360
<v Speaker 1>Well, I mean we were talking about the or you

1:04:59.400 --> 1:05:02.240
<v Speaker 1>were talking about the green size is early, yeah, And

1:05:02.560 --> 1:05:05.640
<v Speaker 1>when I see that, the first thing I wonder is, well, well,

1:05:05.680 --> 1:05:09.760
<v Speaker 1>how do you how do you balance that with resort playability?

1:05:10.120 --> 1:05:12.760
<v Speaker 1>Because that that is something that I notice certainly at

1:05:13.480 --> 1:05:18.000
<v Speaker 1>certain destination golf resorts where where I've seen this architects

1:05:18.000 --> 1:05:21.480
<v Speaker 1>work on the private side and and it's clear that

1:05:21.520 --> 1:05:25.080
<v Speaker 1>they are much more willing to to to lean into

1:05:25.400 --> 1:05:29.760
<v Speaker 1>difficulty challenge on the private side than on the resort side.

1:05:29.760 --> 1:05:31.320
<v Speaker 1>So when you're building a golf course, it's on a

1:05:31.360 --> 1:05:34.600
<v Speaker 1>severe piece of land, you've got small greens. Is there

1:05:34.680 --> 1:05:37.000
<v Speaker 1>any concern for you like, Okay, this isn't going to

1:05:37.080 --> 1:05:40.360
<v Speaker 1>fit at at the at the five course destination resort.

1:05:40.400 --> 1:05:42.920
<v Speaker 1>That's going to be like a you know, a family destination.

1:05:43.000 --> 1:05:45.760
<v Speaker 1>It's gonna it's going to take all take all kinds that.

1:05:46.120 --> 1:05:48.200
<v Speaker 1>Did that ever enter into your thought process?

1:05:48.840 --> 1:05:51.200
<v Speaker 2>It entered into my thought process, but it never really

1:05:51.280 --> 1:05:54.000
<v Speaker 2>led to a change in action. So you're going now

1:05:54.040 --> 1:05:56.720
<v Speaker 2>you're now you're you're poking the bear here because I'm

1:05:56.720 --> 1:05:59.560
<v Speaker 2>gonna let me go on a rant here about this

1:05:59.640 --> 1:06:02.240
<v Speaker 2>fult because you're getting to something No, honestly like this

1:06:02.320 --> 1:06:03.320
<v Speaker 2>is this is really good?

1:06:03.360 --> 1:06:05.600
<v Speaker 1>So I intend I intend to poke the barrel a

1:06:05.600 --> 1:06:06.480
<v Speaker 1>little yea question?

1:06:06.920 --> 1:06:11.640
<v Speaker 2>Yeah, So, I mean, okay, so the I mean people

1:06:11.680 --> 1:06:14.160
<v Speaker 2>talk a lot about the differences of you know, like

1:06:14.240 --> 1:06:17.920
<v Speaker 2>the true classical architecture of the early you know, nineteen

1:06:17.960 --> 1:06:22.520
<v Speaker 2>hundreds and and versus the kind of the modern neo

1:06:22.600 --> 1:06:26.000
<v Speaker 2>classical design ushered in by sand Hills, and you know

1:06:26.040 --> 1:06:30.120
<v Speaker 2>the similarities are obvious. Right, there's an embraceive ground game architecture,

1:06:30.160 --> 1:06:34.760
<v Speaker 2>and there's a naturalism. And the differences are noticeable too, Right.

1:06:34.800 --> 1:06:37.200
<v Speaker 2>The greens tend to be bigger today, the fairways tend

1:06:37.200 --> 1:06:40.800
<v Speaker 2>to be wider, there's probably more exposed sand today. Courses

1:06:40.800 --> 1:06:45.080
<v Speaker 2>are probably a little bit longer, but you know, and

1:06:45.160 --> 1:06:47.600
<v Speaker 2>those are stylistic differences. But I mean, to me, the

1:06:47.600 --> 1:06:52.760
<v Speaker 2>most the most fundamental thing that that's changed over time

1:06:54.000 --> 1:06:57.280
<v Speaker 2>is kind of what is seen as the purpose of

1:06:57.320 --> 1:06:59.840
<v Speaker 2>a golf course. And I have this thesis, and I

1:07:00.040 --> 1:07:04.120
<v Speaker 2>there's you know, I can't empirically back it up, but

1:07:04.120 --> 1:07:08.240
<v Speaker 2>but my thesis is that the the great dead architects

1:07:09.640 --> 1:07:12.800
<v Speaker 2>put more emphasis on designing a golf course to be

1:07:12.880 --> 1:07:18.520
<v Speaker 2>an exam of a golfer skill, whereas a live architects

1:07:18.600 --> 1:07:23.400
<v Speaker 2>put more emphasis on fun whatever that, you know, whatever

1:07:23.440 --> 1:07:25.720
<v Speaker 2>that means. And I think that and I'm not assigning

1:07:26.440 --> 1:07:29.800
<v Speaker 2>good or bad here, but I think that that distinction

1:07:29.920 --> 1:07:32.280
<v Speaker 2>really drives a lot of the differences that we're seeing

1:07:32.320 --> 1:07:34.680
<v Speaker 2>in the ground. So to me, that this fault line,

1:07:35.400 --> 1:07:37.320
<v Speaker 2>like when I read the old documents and the you know,

1:07:37.360 --> 1:07:40.080
<v Speaker 2>the old writings, it's it's at least clear to me

1:07:40.960 --> 1:07:44.680
<v Speaker 2>from the from the the Great Dead guys that it

1:07:44.720 --> 1:07:47.000
<v Speaker 2>was about testing the golf. There was a big emphasis

1:07:47.000 --> 1:07:50.240
<v Speaker 2>on that rigorously examining a golfer skill set. It kind

1:07:50.240 --> 1:07:52.480
<v Speaker 2>of you know, exposing a weaker player.

1:07:52.560 --> 1:07:52.680
<v Speaker 1>Right.

1:07:52.720 --> 1:07:54.920
<v Speaker 2>You think of how Crump talked about Pine Valley, or

1:07:54.920 --> 1:07:58.240
<v Speaker 2>how Founds talked about Oakmon or Ross of number two,

1:07:58.520 --> 1:08:00.880
<v Speaker 2>or you know when when they when they were getting

1:08:00.880 --> 1:08:03.160
<v Speaker 2>investors for Pine Valley, they basically said, this is no

1:08:03.240 --> 1:08:05.280
<v Speaker 2>place for the for the duffer, you know, as if

1:08:05.280 --> 1:08:05.880
<v Speaker 2>it was a good thing.

1:08:05.960 --> 1:08:08.360
<v Speaker 1>Right, Well, they wanted to have golf. They wanted to

1:08:08.400 --> 1:08:11.360
<v Speaker 1>build golf courses that would form great players. That was

1:08:11.400 --> 1:08:15.880
<v Speaker 1>like a big motive behind the Philadelphia School of Golf Architectures.

1:08:16.040 --> 1:08:19.000
<v Speaker 1>You know, we're not producing good enough players right now.

1:08:19.200 --> 1:08:22.880
<v Speaker 1>We got to go build golf courses that were iron sharpens.

1:08:22.479 --> 1:08:26.080
<v Speaker 2>Iron right, yes, right, I mean, and they all George C.

1:08:26.240 --> 1:08:28.040
<v Speaker 2>Thomas and his book talked about that, you know, the

1:08:28.120 --> 1:08:30.320
<v Speaker 2>test of a golf hole CEB McDonald, I mean that

1:08:30.400 --> 1:08:32.960
<v Speaker 2>was the templates were sort of like these are the

1:08:32.960 --> 1:08:37.120
<v Speaker 2>best standardized questions on the exam right, Ross, I mean

1:08:37.120 --> 1:08:39.280
<v Speaker 2>that famous sign that's on near the first t on

1:08:39.360 --> 1:08:41.920
<v Speaker 2>Piner's number two where he talks about this is a test.

1:08:42.000 --> 1:08:44.600
<v Speaker 2>You know, William Flynn wrote a little he wrote a

1:08:44.640 --> 1:08:47.479
<v Speaker 2>little blurb in the USJA bulletin in like the late twenties.

1:08:47.680 --> 1:08:49.120
<v Speaker 2>It was like a few paragraphs and he used the

1:08:49.120 --> 1:08:52.160
<v Speaker 2>word test eight times. So I think those guys they

1:08:52.280 --> 1:08:56.840
<v Speaker 2>saw golf as a physical and an intellectual exam and

1:08:56.880 --> 1:08:59.120
<v Speaker 2>I think they designed their golf courses to kind of

1:08:59.760 --> 1:09:03.840
<v Speaker 2>really exacerbate the different outcomes between a good shot and

1:09:03.880 --> 1:09:06.280
<v Speaker 2>a bad shot. Right, the lines were really fine there.

1:09:06.280 --> 1:09:09.040
<v Speaker 2>I mean, look no further than the ten pole at Chinnacock,

1:09:09.080 --> 1:09:11.479
<v Speaker 2>which we just saw right, Like, the line is really

1:09:11.520 --> 1:09:15.360
<v Speaker 2>really fine. But yeah, I mean, you know, drivers over

1:09:15.400 --> 1:09:18.479
<v Speaker 2>an ocean with bunkers long sixteen at Cyprus, or all

1:09:18.479 --> 1:09:21.600
<v Speaker 2>of Pine Valley or you know. I think nowadays, I

1:09:21.640 --> 1:09:25.920
<v Speaker 2>think there's much more attention to the commercialism aspect of things.

1:09:26.040 --> 1:09:29.479
<v Speaker 2>I think developers and architects spend a lot more time

1:09:29.479 --> 1:09:32.680
<v Speaker 2>thinking about how do you narrow the outcomes between a

1:09:32.680 --> 1:09:34.800
<v Speaker 2>good shot and a bad shot. And that seems true

1:09:34.840 --> 1:09:37.760
<v Speaker 2>to me whether it's public or private, but probably a

1:09:37.800 --> 1:09:41.759
<v Speaker 2>little bit more true on the public side to your point,

1:09:41.840 --> 1:09:47.000
<v Speaker 2>And I think you see, I think our fellow nerds

1:09:47.000 --> 1:09:48.320
<v Speaker 2>will fact check me on this. I think you could

1:09:48.360 --> 1:09:50.479
<v Speaker 2>find plenty of examples of the dead guys talking about

1:09:50.560 --> 1:09:53.839
<v Speaker 2>playability and enjoyment. Right, They weren't total massachists, they weren't crazy.

1:09:54.120 --> 1:09:58.960
<v Speaker 1>Well Alistair mackenzie was really the biggest proponent of the

1:09:59.000 --> 1:10:02.640
<v Speaker 1>greatest pleasure for the That was his formulation. But the

1:10:02.680 --> 1:10:04.960
<v Speaker 1>funny thing about it is, and you're you're so right

1:10:05.040 --> 1:10:08.240
<v Speaker 1>to point this out, is that that wasn't necessarily the

1:10:08.280 --> 1:10:11.320
<v Speaker 1>majority view among his peers. You know, we we paint

1:10:11.560 --> 1:10:14.720
<v Speaker 1>Golden Age golf architecture with a broad brush. We think

1:10:14.760 --> 1:10:17.200
<v Speaker 1>it's we tend to talk about it as though it's

1:10:17.320 --> 1:10:19.880
<v Speaker 1>one thing, one philosophy, but it was really not. It

1:10:19.920 --> 1:10:23.880
<v Speaker 1>was many, many philosophies. There was a you know, there

1:10:23.920 --> 1:10:26.639
<v Speaker 1>was a whole, a whole melting pot of ideas during

1:10:26.680 --> 1:10:29.000
<v Speaker 1>that period that we're all, you know, mixed with each

1:10:29.000 --> 1:10:31.120
<v Speaker 1>other and fighting with each other. And I think you're

1:10:31.200 --> 1:10:35.080
<v Speaker 1>right that the probably the majority view among the among

1:10:35.120 --> 1:10:38.000
<v Speaker 1>the great old dead guys of golf architecture is that

1:10:38.960 --> 1:10:42.120
<v Speaker 1>golf shouldn't necessarily be about the greatest pleasure for the

1:10:42.120 --> 1:10:46.479
<v Speaker 1>greatest number. It should be about identifying the greatest player, and.

1:10:46.479 --> 1:10:49.519
<v Speaker 2>I think that that the emphasis has changed a little bit,

1:10:49.600 --> 1:10:52.720
<v Speaker 2>I think since then. So I think, and whether you know,

1:10:53.360 --> 1:10:55.559
<v Speaker 2>I think it's perhaps no surprise that we see more

1:10:55.560 --> 1:10:59.400
<v Speaker 2>with in modern neoclassical stuff. It's I do think you

1:10:59.439 --> 1:11:04.680
<v Speaker 2>see more auto correct features in modern golf. You do

1:11:04.760 --> 1:11:07.880
<v Speaker 2>see more backboards and sideboards, and funnels and bowls and

1:11:08.280 --> 1:11:10.599
<v Speaker 2>concave shapes that kind of funnel things towards the pin.

1:11:11.120 --> 1:11:14.400
<v Speaker 2>You see more counter slopes internally in greens for balls

1:11:14.400 --> 1:11:16.760
<v Speaker 2>to crash into, you know, I mean, it's not a

1:11:16.800 --> 1:11:19.559
<v Speaker 2>four percent tilt anymore where there's nothing to stop you right,

1:11:19.600 --> 1:11:21.840
<v Speaker 2>there's there's more counter slopes. So and I think that's

1:11:21.840 --> 1:11:24.519
<v Speaker 2>a commercial I think some of that is driven some

1:11:24.560 --> 1:11:27.479
<v Speaker 2>of it's driven by agronomy, which I can rant about that,

1:11:28.080 --> 1:11:32.320
<v Speaker 2>but I think some of it is commercialism, right where

1:11:32.439 --> 1:11:34.719
<v Speaker 2>back in the day, you know these guys like, well

1:11:35.040 --> 1:11:38.720
<v Speaker 2>you said it better than I'm gonna say it. But

1:11:38.360 --> 1:11:41.439
<v Speaker 2>but I to kind of circle back to all this,

1:11:42.600 --> 1:11:45.759
<v Speaker 2>I just I feel like that, you know, the golf

1:11:45.800 --> 1:11:49.439
<v Speaker 2>courses that I most identify with, the golf courses that

1:11:49.600 --> 1:11:52.880
<v Speaker 2>I have the most fun playing, the golf courses that

1:11:52.920 --> 1:11:56.840
<v Speaker 2>I think are the greatest in the world. They have

1:11:56.960 --> 1:12:00.439
<v Speaker 2>some level of they are asking you to do something.

1:12:00.920 --> 1:12:06.120
<v Speaker 2>They are they are examining the golfer's skill sets. And

1:12:06.160 --> 1:12:08.040
<v Speaker 2>it's not just like the US Open courses, right, I mean,

1:12:08.200 --> 1:12:10.000
<v Speaker 2>whether it's cypers Well, it's Door Knook, whether it's Old

1:12:10.000 --> 1:12:14.599
<v Speaker 2>Town Perie Dunes, whatever, like, there's there's that, and so

1:12:14.720 --> 1:12:17.080
<v Speaker 2>I try to you know, and I don't think I

1:12:17.080 --> 1:12:21.240
<v Speaker 2>think if people are going to travel great distances to

1:12:21.320 --> 1:12:24.120
<v Speaker 2>play great golf, I don't think they're totally averse to

1:12:24.840 --> 1:12:28.160
<v Speaker 2>dealing with dealing with the challenging golf course. I mean,

1:12:28.200 --> 1:12:30.800
<v Speaker 2>people travel great lengths to get their brains beat in

1:12:30.840 --> 1:12:35.040
<v Speaker 2>by Pineer's Number two or or Pebble or Pebble.

1:12:35.120 --> 1:12:38.960
<v Speaker 1>Yeah. Absolutely, Yeah, the two the two er you know,

1:12:39.040 --> 1:12:42.760
<v Speaker 1>destination golf courses. Pebble and Pinehurst Number two are US

1:12:42.840 --> 1:12:43.759
<v Speaker 1>Open golf courses.

1:12:45.080 --> 1:12:47.000
<v Speaker 2>Yeah. I mean maybe, you know, maybe if they weren't

1:12:47.120 --> 1:12:50.000
<v Speaker 2>US Open golf courses, maybe then people wouldn't be as

1:12:50.000 --> 1:12:51.479
<v Speaker 2>willing to fork over a bunch of money to get

1:12:51.479 --> 1:12:54.320
<v Speaker 2>their brains beat in. But but nonetheless, I I just

1:12:54.880 --> 1:12:58.960
<v Speaker 2>you know, in terms of this commercialism, it's it's sort

1:12:59.000 --> 1:13:01.760
<v Speaker 2>of cliche at this point, but I do feel like

1:13:01.840 --> 1:13:06.200
<v Speaker 2>the only way to really truly do this work is

1:13:06.640 --> 1:13:09.080
<v Speaker 2>to do something that you like and that rings true

1:13:09.120 --> 1:13:12.720
<v Speaker 2>to you. And that is just the best I can do,

1:13:12.800 --> 1:13:14.760
<v Speaker 2>you know. I mean, the only thing I can do

1:13:14.800 --> 1:13:16.920
<v Speaker 2>when when we're building a golf course, when I'm approving

1:13:16.920 --> 1:13:19.080
<v Speaker 2>a fairway or a green or whatever is I have

1:13:19.160 --> 1:13:21.519
<v Speaker 2>to stand on that green or I have to stand

1:13:21.560 --> 1:13:23.000
<v Speaker 2>in the pharaway and I have to look at that green,

1:13:23.040 --> 1:13:24.400
<v Speaker 2>and I got to say this is a shot I

1:13:24.439 --> 1:13:27.120
<v Speaker 2>want to hit. And beyond that, I don't know what

1:13:27.160 --> 1:13:29.240
<v Speaker 2>other measure I can put to it. I think if

1:13:29.280 --> 1:13:32.040
<v Speaker 2>you start to kind of, you know, factor in too many,

1:13:32.240 --> 1:13:34.840
<v Speaker 2>too many different things of is it too easy, is

1:13:34.880 --> 1:13:36.759
<v Speaker 2>it too hard? Well, maybe I do this in a private,

1:13:36.760 --> 1:13:39.320
<v Speaker 2>Maybe I do this in a public. Yeah, you know,

1:13:39.360 --> 1:13:43.400
<v Speaker 2>I think you could drive yourself crazy with that. I

1:13:43.400 --> 1:13:45.120
<v Speaker 2>think you just got to go with what feels right

1:13:45.120 --> 1:13:48.439
<v Speaker 2>in your bones. And and you know, the golf courses

1:13:48.720 --> 1:13:51.160
<v Speaker 2>I love the most, or ones that they're not afraid

1:13:51.200 --> 1:13:52.960
<v Speaker 2>to ask a difficult question once in a while.

1:13:53.720 --> 1:13:56.120
<v Speaker 1>Yeah, Well, what you're talking about may just be a

1:13:56.120 --> 1:13:59.720
<v Speaker 1>personal preference of yours and and something you want to

1:13:59.720 --> 1:14:03.120
<v Speaker 1>see out of out of your particular golf courses. But

1:14:03.200 --> 1:14:05.639
<v Speaker 1>it is also you kind of standing against the tides

1:14:05.680 --> 1:14:08.720
<v Speaker 1>of history right now, because I would say, you know,

1:14:08.880 --> 1:14:11.800
<v Speaker 1>if if, if we're talking about destination golf in in

1:14:11.880 --> 1:14:15.840
<v Speaker 1>this uh, in this episode, the influence of destination golf

1:14:15.920 --> 1:14:20.439
<v Speaker 1>overall generally, not not necessarily in every single particular course

1:14:20.479 --> 1:14:23.960
<v Speaker 1>that that is a destination golf course, but in general,

1:14:24.400 --> 1:14:28.160
<v Speaker 1>the turn toward public destination golf as a as a

1:14:28.200 --> 1:14:34.360
<v Speaker 1>development hotspot has produced a lot of courses that emphasize

1:14:34.360 --> 1:14:37.920
<v Speaker 1>playability above all and that that that do pursue that

1:14:38.000 --> 1:14:40.200
<v Speaker 1>idea of the greatest pleasure for the greatest number, and

1:14:40.240 --> 1:14:43.320
<v Speaker 1>a few of those courses have pushed that idea about

1:14:43.360 --> 1:14:46.080
<v Speaker 1>as far as it can possibly go. We we are

1:14:46.080 --> 1:14:50.040
<v Speaker 1>going to uh, you know, defend birdie instead of par.

1:14:50.280 --> 1:14:53.400
<v Speaker 1>We are fine with you coming here and shooting your

1:14:53.800 --> 1:14:56.559
<v Speaker 1>best ever score. We are fine with care af fairways

1:14:56.640 --> 1:14:59.800
<v Speaker 1>and greens that that are that are equally you know,

1:15:00.840 --> 1:15:04.280
<v Speaker 1>from from pole one to all eighteen and and and

1:15:04.360 --> 1:15:09.479
<v Speaker 1>some of those courses have become very popular. And so uh,

1:15:09.840 --> 1:15:12.760
<v Speaker 1>you know, working within the destination golf market and saying no,

1:15:12.840 --> 1:15:15.200
<v Speaker 1>I'm gonna I'm going to push in the other direction.

1:15:16.120 --> 1:15:18.640
<v Speaker 1>That takes some effort, right, you have to you have

1:15:18.680 --> 1:15:20.600
<v Speaker 1>to kind of stand on business in order to do that.

1:15:20.920 --> 1:15:23.640
<v Speaker 2>Sure, I think I think part of it is you

1:15:23.720 --> 1:15:27.840
<v Speaker 2>never want to do something that's physically not possible for

1:15:27.920 --> 1:15:30.080
<v Speaker 2>all players. And as this comes down to the firth carry,

1:15:30.080 --> 1:15:33.120
<v Speaker 2>I mean, this is why we change the fourth hole

1:15:33.400 --> 1:15:35.439
<v Speaker 2>because I didn't know physically, like if you if you

1:15:35.520 --> 1:15:38.599
<v Speaker 2>hit a great shot for you physically, you might not

1:15:38.640 --> 1:15:41.400
<v Speaker 2>be able to jump that to jump that creek, and

1:15:41.400 --> 1:15:43.760
<v Speaker 2>that would be bad design. So I think playability for

1:15:43.840 --> 1:15:47.160
<v Speaker 2>all is is very very important. From like a physical standpoint,

1:15:47.200 --> 1:15:48.880
<v Speaker 2>I think, you know, you can't build a public golf

1:15:48.920 --> 1:15:52.479
<v Speaker 2>course where some of your players just can't physically pull

1:15:52.520 --> 1:15:56.280
<v Speaker 2>the shot off. But but I but I think it's

1:15:56.320 --> 1:15:59.200
<v Speaker 2>okay to ask a question that you you have to hit.

1:15:59.680 --> 1:16:01.719
<v Speaker 2>You have to a really good shot here. You're physically

1:16:01.760 --> 1:16:04.559
<v Speaker 2>capable of hitting this shot. You might be a fifteen handicap,

1:16:04.560 --> 1:16:06.920
<v Speaker 2>but you can do this shot. You might not be

1:16:06.920 --> 1:16:08.360
<v Speaker 2>able to do it this time, or you might not

1:16:08.360 --> 1:16:10.080
<v Speaker 2>be able to do it eighty percent at the time,

1:16:10.560 --> 1:16:12.519
<v Speaker 2>but you can do this shot. And I think that

1:16:12.640 --> 1:16:14.679
<v Speaker 2>Piner's number two is a great example of that. There's

1:16:14.680 --> 1:16:18.080
<v Speaker 2>no force carries. Miss Havercamp can bump everything along the ground,

1:16:18.200 --> 1:16:21.920
<v Speaker 2>run it all up. You know, when Miss Havercamp misses

1:16:22.240 --> 1:16:24.960
<v Speaker 2>a green on Piner's number two, you know, is she

1:16:25.040 --> 1:16:27.080
<v Speaker 2>getting up and down eighty percent of the time? Hell no,

1:16:28.680 --> 1:16:31.360
<v Speaker 2>But she can hit that shot. And I think that's

1:16:31.360 --> 1:16:34.920
<v Speaker 2>what keeps people coming back. And you know, I love

1:16:35.200 --> 1:16:37.599
<v Speaker 2>living in Pinehurst and just being around number two because

1:16:37.600 --> 1:16:40.280
<v Speaker 2>you I mean from a from the thirty handicap to

1:16:40.400 --> 1:16:44.120
<v Speaker 2>the scratch player, you know, you always want to head

1:16:44.120 --> 1:16:46.240
<v Speaker 2>back to number two because you feel like, man, I

1:16:46.320 --> 1:16:49.440
<v Speaker 2>had that shot, I could do that. That's in my repertoire.

1:16:49.479 --> 1:16:52.880
<v Speaker 2>So that's how I think about playability. Is this in

1:16:52.920 --> 1:16:55.400
<v Speaker 2>the repertoire of everybody out here. It might not be

1:16:55.800 --> 1:16:59.439
<v Speaker 2>a high percentage play, but that's what I'm trying to

1:16:59.439 --> 1:17:01.160
<v Speaker 2>do to a chiave out here. But yeah, it is

1:17:01.200 --> 1:17:04.320
<v Speaker 2>a little bit. It is a little bit against the grain,

1:17:04.600 --> 1:17:07.120
<v Speaker 2>I guess. But and I think you're right that the destination.

1:17:08.000 --> 1:17:10.960
<v Speaker 2>So my dad was talking about this earlier. We were

1:17:11.000 --> 1:17:13.800
<v Speaker 2>just looking at I don't know, the top whatever. We

1:17:13.800 --> 1:17:15.320
<v Speaker 2>were looking at top fifty in the world, and we

1:17:15.320 --> 1:17:20.040
<v Speaker 2>were just batting around stuff and and you know, sand Hills,

1:17:20.040 --> 1:17:24.320
<v Speaker 2>I think is the only on most top at least

1:17:24.320 --> 1:17:26.360
<v Speaker 2>top one hundred in the in the US, sand Hills

1:17:26.400 --> 1:17:28.200
<v Speaker 2>is probably the only one. I think that the only

1:17:28.280 --> 1:17:31.040
<v Speaker 2>modern course that cracks the top ten.

1:17:31.240 --> 1:17:34.360
<v Speaker 1>I think, yeah, right, yeah, Pacific Dunes is sometimes. You know,

1:17:34.960 --> 1:17:38.120
<v Speaker 1>he's like thirty. Then the world top one hundred's you know,

1:17:38.160 --> 1:17:41.439
<v Speaker 1>you see terror eedy up pretty high. But is what

1:17:41.479 --> 1:17:43.479
<v Speaker 1>you were noticing that there just aren't that many modern

1:17:43.520 --> 1:17:44.240
<v Speaker 1>courses up there.

1:17:44.400 --> 1:17:46.800
<v Speaker 2>Well, no more that. So he said something and he's like,

1:17:46.880 --> 1:17:49.080
<v Speaker 2>you know, we've been fortunate enough to play a lot

1:17:49.120 --> 1:17:52.160
<v Speaker 2>of places, and you know, he said, you know, it's

1:17:52.200 --> 1:17:56.640
<v Speaker 2>hard for me to think of a you know, like

1:17:56.920 --> 1:18:01.560
<v Speaker 2>a great modern course that I felt was as rigorous

1:18:02.160 --> 1:18:06.040
<v Speaker 2>of an exam as the great kind of classical courses.

1:18:06.040 --> 1:18:07.360
<v Speaker 2>So we were just going through kind of that top

1:18:07.400 --> 1:18:10.280
<v Speaker 2>ten and sand Hills is like my probably my fourth.

1:18:10.800 --> 1:18:12.880
<v Speaker 2>If I did my top five, sand Hills probably like

1:18:12.960 --> 1:18:15.600
<v Speaker 2>fourth on the planet from me. I mean, I absolutely

1:18:15.680 --> 1:18:20.200
<v Speaker 2>love sand Hills. I do think it's the greatest modern course,

1:18:21.200 --> 1:18:23.280
<v Speaker 2>but I don't think sand Hills is anywhere near as

1:18:23.680 --> 1:18:27.040
<v Speaker 2>rigorous as it's kind of ancient peers in the in

1:18:27.080 --> 1:18:29.840
<v Speaker 2>the world top ten or whatever, so like that, that's

1:18:29.840 --> 1:18:31.479
<v Speaker 2>just my opinion. But he kind of brought that out too,

1:18:31.520 --> 1:18:35.200
<v Speaker 2>He's like, yeah, these you know, they tended to be

1:18:35.240 --> 1:18:37.320
<v Speaker 2>more difficult back back in the day. And part of

1:18:37.320 --> 1:18:38.840
<v Speaker 2>that too is agronomy of just you know, they were

1:18:38.880 --> 1:18:40.840
<v Speaker 2>they were building things for slower speeds back then and

1:18:40.840 --> 1:18:44.040
<v Speaker 2>now they're faster, so there's an element of that. But

1:18:44.560 --> 1:18:47.800
<v Speaker 2>I do think I think it's fair to say it

1:18:47.880 --> 1:18:49.880
<v Speaker 2>sounds like you agree with me that there's there's a

1:18:49.920 --> 1:18:53.439
<v Speaker 2>little bit less rigor in the modern destination golf course

1:18:53.520 --> 1:18:57.160
<v Speaker 2>than you know, the the great old classics that we

1:18:57.200 --> 1:18:59.160
<v Speaker 2>all admire. I think that's a fair thing to say.

1:18:59.720 --> 1:19:05.800
<v Speaker 1>Yeah, And I think there's there's probably a reason for that,

1:19:06.080 --> 1:19:10.639
<v Speaker 1>and that is that the destination golf course naturally lends

1:19:10.720 --> 1:19:14.120
<v Speaker 1>itself to that. There is a motive for the developer

1:19:14.200 --> 1:19:20.160
<v Speaker 1>and the architect not to test because they're they're aware

1:19:20.240 --> 1:19:24.479
<v Speaker 1>that many golfers will just play this course once and

1:19:24.520 --> 1:19:26.519
<v Speaker 1>if they happen to have a bad round, then they're

1:19:26.560 --> 1:19:31.000
<v Speaker 1>not going to remember the course fondly. Whereas the architects

1:19:31.080 --> 1:19:33.760
<v Speaker 1>that we're talking about who built those other courses in

1:19:34.160 --> 1:19:38.599
<v Speaker 1>the in the top ten or top twenty what they

1:19:38.600 --> 1:19:40.960
<v Speaker 1>were building was a course that they knew members would

1:19:40.960 --> 1:19:43.720
<v Speaker 1>play over and over and over again. They were primarily

1:19:43.720 --> 1:19:49.439
<v Speaker 1>building country clubs, golf clubs, and and and so they

1:19:49.520 --> 1:19:51.479
<v Speaker 1>knew the players would get another crack at it and

1:19:51.479 --> 1:19:54.640
<v Speaker 1>would maybe want to leave something on the table with

1:19:54.720 --> 1:19:56.519
<v Speaker 1>each round, because then they would have a reason to

1:19:56.560 --> 1:19:59.080
<v Speaker 1>come back and try to master the test. Pineer's number

1:19:59.080 --> 1:20:01.839
<v Speaker 1>two great example of this. Part of the reason Pineer's

1:20:01.920 --> 1:20:06.600
<v Speaker 1>Number two is so so interesting and it is that

1:20:06.680 --> 1:20:08.559
<v Speaker 1>you feel like you should be able to score well there,

1:20:08.560 --> 1:20:11.200
<v Speaker 1>but but you just don't, you know, And so it

1:20:11.200 --> 1:20:12.400
<v Speaker 1>does make you want to go back.

1:20:13.640 --> 1:20:17.040
<v Speaker 2>And this cause like the type of the exam matters too. Yeah,

1:20:17.080 --> 1:20:18.160
<v Speaker 2>there's a lot of nuance here.

1:20:18.160 --> 1:20:21.120
<v Speaker 1>Like if it just feels impossible, yeah, right, if it's

1:20:21.160 --> 1:20:24.439
<v Speaker 1>just like you know, ten wide yard ten yard wide

1:20:24.479 --> 1:20:28.520
<v Speaker 1>fairways and trees everywhere and you know, endless rough, and

1:20:28.560 --> 1:20:30.120
<v Speaker 1>then then you're not going to feel like I need

1:20:30.160 --> 1:20:30.800
<v Speaker 1>to go back there and.

1:20:30.800 --> 1:20:34.000
<v Speaker 2>Try to Yeah, nineteen seventy four wing Foot is not

1:20:34.080 --> 1:20:36.000
<v Speaker 2>going to work as a public golf course. Nobody's going

1:20:36.000 --> 1:20:37.920
<v Speaker 2>to do that. But like, yeah, if you don't have

1:20:37.960 --> 1:20:40.040
<v Speaker 2>fun playing Piner's number two, I mean I don't know

1:20:40.080 --> 1:20:43.760
<v Speaker 2>what to tell you. You know, it's just that is

1:20:43.960 --> 1:20:46.280
<v Speaker 2>exactly what you said, Like, that's a that's a doable

1:20:46.320 --> 1:20:49.360
<v Speaker 2>golf course. So it does matter. It's not it's not

1:20:49.439 --> 1:20:52.400
<v Speaker 2>challenging for the sake of challenging, because I do think

1:20:52.640 --> 1:20:54.960
<v Speaker 2>there are a lot of tough exams out there that

1:20:55.000 --> 1:20:58.599
<v Speaker 2>are just no fun. You know, exactly what you said,

1:20:58.600 --> 1:21:00.400
<v Speaker 2>But there are exams out there that are a hell

1:21:00.400 --> 1:21:04.120
<v Speaker 2>of a lot of fun. So you know, it's it's challenging,

1:21:04.120 --> 1:21:05.839
<v Speaker 2>and you got to, you know, think about the design

1:21:06.680 --> 1:21:09.160
<v Speaker 2>of it and make sure that it happens. But I

1:21:09.240 --> 1:21:11.800
<v Speaker 2>just I don't think that it's I don't think that's

1:21:12.200 --> 1:21:15.400
<v Speaker 2>an impossible task to have a challenging golf course that's

1:21:15.400 --> 1:21:17.400
<v Speaker 2>also a hell of a lot of fun. It has

1:21:17.439 --> 1:21:21.240
<v Speaker 2>been done, we know the model, we know what works well.

1:21:21.400 --> 1:21:24.599
<v Speaker 1>This has been a fascinating conversation, Mike. There's a lot

1:21:24.640 --> 1:21:26.200
<v Speaker 1>more beat on this, But we could go on for

1:21:26.240 --> 1:21:29.360
<v Speaker 1>another two hours easily, good we could, but we got

1:21:29.400 --> 1:21:32.679
<v Speaker 1>to cut it off here. You've got things to do. Uh.

1:21:32.760 --> 1:21:35.840
<v Speaker 1>You mentioned this towards the beginning of our of our chat,

1:21:35.920 --> 1:21:39.679
<v Speaker 1>But what is the timeline for for Candy? Read right now?

1:21:39.720 --> 1:21:42.960
<v Speaker 1>For for both the you know course one, the eighteen

1:21:42.960 --> 1:21:45.479
<v Speaker 1>hole course that you design, as well as the one

1:21:45.520 --> 1:21:47.479
<v Speaker 1>your co designed, the short course you're co designing with

1:21:47.520 --> 1:21:48.280
<v Speaker 1>Michelle we West.

1:21:48.800 --> 1:21:53.240
<v Speaker 2>Yeah, so then the on course one we are sodding

1:21:53.320 --> 1:21:53.760
<v Speaker 2>right now.

1:21:54.520 --> 1:21:57.639
<v Speaker 1>I've seen pictures. There's there's photos on the Instagram through

1:21:57.640 --> 1:22:00.840
<v Speaker 1>the Candy Root account and showing golf out there, so.

1:22:00.800 --> 1:22:05.639
<v Speaker 2>There's yeah, we're sotting and that we're sprigging the the

1:22:05.760 --> 1:22:10.400
<v Speaker 2>last five greens tomorrow. So if all goes well and

1:22:10.760 --> 1:22:14.760
<v Speaker 2>mother Nature cooperates, we should be you know, open for

1:22:14.800 --> 1:22:17.320
<v Speaker 2>preview play this fall. You know, one of the advantages

1:22:17.360 --> 1:22:19.080
<v Speaker 2>of Bermuda grass is when it gets hot out, it

1:22:19.120 --> 1:22:22.599
<v Speaker 2>grows really fast, and so you know, we we should

1:22:22.600 --> 1:22:24.599
<v Speaker 2>be able to have some preview play this this fall.

1:22:24.640 --> 1:22:26.760
<v Speaker 2>But you know, part of it was because we did

1:22:26.760 --> 1:22:28.400
<v Speaker 2>such a little shaping, we're able to kind of get

1:22:28.400 --> 1:22:30.400
<v Speaker 2>ahead start on all the other on all the other

1:22:30.439 --> 1:22:32.960
<v Speaker 2>things too. So the timeline has been, uh, you know,

1:22:33.040 --> 1:22:35.640
<v Speaker 2>to our advantage here. So hopefully people are out there

1:22:35.640 --> 1:22:39.800
<v Speaker 2>playing golf by this fall, and then on the on

1:22:39.840 --> 1:22:43.160
<v Speaker 2>the short course with Michelle, I think the game plan

1:22:43.240 --> 1:22:45.720
<v Speaker 2>there would be we're just starting to kind of you know,

1:22:46.680 --> 1:22:50.200
<v Speaker 2>tackle kind of some routing elements. So that's not under

1:22:50.200 --> 1:22:55.040
<v Speaker 2>construction yet, but I think the goal would be to

1:22:55.080 --> 1:22:59.960
<v Speaker 2>start construction by by next fall would be the ideal goal.

1:23:01.160 --> 1:23:03.360
<v Speaker 2>I think the best time to kind of start shaping

1:23:03.680 --> 1:23:05.479
<v Speaker 2>in this transition zone. It's kind of like a false

1:23:05.479 --> 1:23:07.160
<v Speaker 2>start date, and then you can shape kind of throughout

1:23:07.160 --> 1:23:09.439
<v Speaker 2>the winter and then all your shaping's done and boom,

1:23:09.439 --> 1:23:11.200
<v Speaker 2>you can grasp it immediately as soon as it gets

1:23:11.240 --> 1:23:14.519
<v Speaker 2>warm out. So that's kind of the ideal timeline. So

1:23:14.560 --> 1:23:17.720
<v Speaker 2>I think that's kind of where we're headed. But you know,

1:23:18.000 --> 1:23:19.639
<v Speaker 2>there's still some things to do in terms of where

1:23:19.680 --> 1:23:22.200
<v Speaker 2>exactly we want to put the Part three course and

1:23:22.240 --> 1:23:24.040
<v Speaker 2>how it kind of fits in the broader site plan

1:23:24.080 --> 1:23:26.800
<v Speaker 2>and then do a routing there within. So that's a

1:23:26.880 --> 1:23:29.240
<v Speaker 2>little bit further off, but we're looking forward to get

1:23:29.280 --> 1:23:31.760
<v Speaker 2>cracking on it and we'll probably you know, start really

1:23:31.760 --> 1:23:34.559
<v Speaker 2>hammering out routings here pretty pretty soon, so we could

1:23:34.560 --> 1:23:38.759
<v Speaker 2>get it into the getting it into the permit cycle

1:23:39.960 --> 1:23:40.439
<v Speaker 2>sounds good.

1:23:40.560 --> 1:23:45.080
<v Speaker 1>I'm looking forward to seeing both courses. Congratulations on the project,

1:23:45.160 --> 1:23:47.760
<v Speaker 1>and yeah, have to have you back on the podcast

1:23:48.160 --> 1:23:50.439
<v Speaker 1>soon to talk about talk about the other stuff you're

1:23:50.479 --> 1:23:51.559
<v Speaker 1>going to do anytime.

1:23:51.600 --> 1:23:53.400
<v Speaker 2>Man, Love this podcast, listen to it all the time.

1:23:53.800 --> 1:23:54.880
<v Speaker 1>Thank you, yep.

1:23:55.080 --> 1:23:55.400
<v Speaker 2>Thanks.

1:24:02.240 --> 1:24:06.000
<v Speaker 1>This episode of Designing Golf was produced by Will Balsam.

1:24:06.479 --> 1:24:09.840
<v Speaker 1>Thank you, Will. I have a simple ask for you

1:24:09.920 --> 1:24:12.960
<v Speaker 1>right now, and that is just to go to wherever

1:24:13.000 --> 1:24:16.600
<v Speaker 1>you're listening to this, whether it's Apple Podcasts or Spotify

1:24:17.400 --> 1:24:21.040
<v Speaker 1>and leave a review or leave some kind of comment.

1:24:21.120 --> 1:24:25.160
<v Speaker 1>On Spotify, you can comment on specific episodes and let

1:24:25.200 --> 1:24:28.439
<v Speaker 1>me know how Designing Golf is going for you. Maybe

1:24:28.520 --> 1:24:31.120
<v Speaker 1>suggest some topics that we can get into. Let me

1:24:31.200 --> 1:24:34.400
<v Speaker 1>know what you're interested in. I would like to hear

1:24:34.800 --> 1:24:37.720
<v Speaker 1>some feedback on the podcast. It's always great to hear

1:24:37.760 --> 1:24:41.439
<v Speaker 1>from listeners, So just do that for me. That's a favor.

1:24:41.680 --> 1:24:44.479
<v Speaker 1>That's it. Thank you for listening, and we'll be back

1:24:44.520 --> 1:24:56.000
<v Speaker 1>again soon with another episode.