1 00:00:00,600 --> 00:00:01,400 Speaker 1: Hey, what's up you all? 2 00:00:01,440 --> 00:00:04,320 Speaker 2: This is Questlove, and in honor of Black History Month, 3 00:00:04,880 --> 00:00:08,000 Speaker 2: on Fridays, we're gonna be releasing episodes of Historical Records, 4 00:00:08,240 --> 00:00:11,639 Speaker 2: which is my podcast with the story pirates and it's 5 00:00:11,680 --> 00:00:15,400 Speaker 2: an explosive fusion of hip hop and history, tailor made 6 00:00:15,400 --> 00:00:18,960 Speaker 2: for music loving kids and families. Yeah, it's something the 7 00:00:19,120 --> 00:00:22,720 Speaker 2: entire family can listen to and enjoy together. So in 8 00:00:22,800 --> 00:00:27,880 Speaker 2: this episode, host Nemine learns about Josh Gibson, the greatest 9 00:00:27,920 --> 00:00:31,880 Speaker 2: power hitter baseball has ever seen, and Broadway star Freggiel 10 00:00:31,920 --> 00:00:34,880 Speaker 2: Philippe breaks it down in a brand new hip hop 11 00:00:34,920 --> 00:00:39,080 Speaker 2: track featuring an interview between Bob Kendrick, president of the 12 00:00:39,120 --> 00:00:42,239 Speaker 2: Negro League Baseball Museum, and a ten year old baseball 13 00:00:42,320 --> 00:00:46,440 Speaker 2: enthusiast named Peyton. Get your kids, sit back and enjoy 14 00:00:46,560 --> 00:00:49,640 Speaker 2: Historical Records, the show that proves that in order to 15 00:00:49,800 --> 00:00:52,320 Speaker 2: make history, you have to make some noise. 16 00:00:57,320 --> 00:01:02,880 Speaker 1: Keep taking records. I know it's out here somewhere, hey, listeners, 17 00:01:03,000 --> 00:01:06,720 Speaker 1: Nimity here outside my secret underground layer looking for a 18 00:01:06,840 --> 00:01:10,280 Speaker 1: time capsule that I buried over ten years ago. It 19 00:01:10,280 --> 00:01:13,679 Speaker 1: has all kinds of special items from my childhood that 20 00:01:13,800 --> 00:01:16,760 Speaker 1: I cannot wait to tell you about, Tana. 21 00:01:16,880 --> 00:01:17,880 Speaker 3: Did you find it yet? 22 00:01:18,160 --> 00:01:22,680 Speaker 1: How's it going over there? I agree? The ground is 23 00:01:22,720 --> 00:01:28,720 Speaker 1: way too hard for these shovels. You have a jackhammer, Tina, 24 00:01:29,000 --> 00:01:31,280 Speaker 1: you buried the lead. Let's get that thing up and 25 00:01:31,360 --> 00:01:34,720 Speaker 1: run it. This is great. We're gonna find my time 26 00:01:34,760 --> 00:01:40,360 Speaker 1: capsule in no time. This way, Tina, No, no, no, no, 27 00:01:40,440 --> 00:01:43,839 Speaker 1: not that way. Where are you going now. 28 00:01:48,200 --> 00:01:48,400 Speaker 3: Here? 29 00:01:48,640 --> 00:01:53,760 Speaker 1: Let me try. I appreciate the warning, but I'll be fine. 30 00:01:54,240 --> 00:01:56,040 Speaker 1: You might be a little too small to run this 31 00:01:56,160 --> 00:01:58,960 Speaker 1: jackhammer properly. I'll just hop on and then wh. 32 00:02:00,800 --> 00:02:01,640 Speaker 4: Why am I going? 33 00:02:01,760 --> 00:02:06,040 Speaker 3: Big way? Why am I going that way? Now? Where 34 00:02:06,080 --> 00:02:07,120 Speaker 3: am i? God? Like? 35 00:02:10,000 --> 00:02:13,560 Speaker 1: Well, that jackhammer clearly didn't work right, and we still 36 00:02:13,600 --> 00:02:18,639 Speaker 1: haven't found my time capsule. What Tina? You have a 37 00:02:18,639 --> 00:02:26,080 Speaker 1: bobcat digger, go get it. Why were we using shovels? 38 00:02:26,080 --> 00:02:27,080 Speaker 3: In a jackhammer? 39 00:02:27,280 --> 00:02:28,320 Speaker 1: We're gonna find this thing. 40 00:02:28,480 --> 00:02:40,880 Speaker 5: No historical, you are now listening to historical. 41 00:02:42,440 --> 00:02:45,480 Speaker 1: To make history, you got to have struggles to make history. 42 00:02:45,600 --> 00:02:48,520 Speaker 1: You got to show pois cannot be quiet loud as 43 00:02:48,520 --> 00:02:51,480 Speaker 1: a riot to make history. You gotta make some noise, 44 00:02:55,160 --> 00:02:58,480 Speaker 1: incredible dig right here, Tina. I know I've said this before, 45 00:02:58,520 --> 00:03:03,880 Speaker 1: but I don't said of this is this fuck? We 46 00:03:04,040 --> 00:03:06,160 Speaker 1: hit the time capsule, now dig around it. 47 00:03:09,000 --> 00:03:11,040 Speaker 3: I did it, but not my time. 48 00:03:10,800 --> 00:03:16,160 Speaker 1: Capsule, and I dug it out. Fair point, Tina, you 49 00:03:16,200 --> 00:03:19,800 Speaker 1: did play a critical role. Now, listeners, you may be wondering, 50 00:03:19,919 --> 00:03:22,160 Speaker 1: what does Niminy have in this time capsule that is 51 00:03:22,200 --> 00:03:25,120 Speaker 1: so important that it's delaying the start of this episode, 52 00:03:25,240 --> 00:03:27,200 Speaker 1: an episode in which we are going to learn about 53 00:03:27,200 --> 00:03:32,880 Speaker 1: the great baseball legend Josh Gibson. Excellent question, listeners, to 54 00:03:32,960 --> 00:03:35,880 Speaker 1: answer it, Let's first drag my time capsule out of 55 00:03:36,040 --> 00:03:42,240 Speaker 1: this hole. Among the many things I am excited to 56 00:03:42,280 --> 00:03:44,480 Speaker 1: show you, first up is a red cape that I 57 00:03:44,520 --> 00:03:46,800 Speaker 1: wore pretty much every day for nearly two years when 58 00:03:46,840 --> 00:03:50,000 Speaker 1: I was a kid, and opening the look with the 59 00:03:50,040 --> 00:03:53,560 Speaker 1: key I always keep around my neck. You see, I 60 00:03:53,640 --> 00:03:57,320 Speaker 1: wanted to be a superhero, so my red cape was critical. 61 00:03:57,600 --> 00:04:02,760 Speaker 1: Every good superhero needs a good red cap opening the latch. Wait, 62 00:04:02,800 --> 00:04:07,960 Speaker 1: what it's green? My superhero cape is green? How is 63 00:04:08,000 --> 00:04:12,280 Speaker 1: that possible? I was certain it was red. I agree, Tin, 64 00:04:12,320 --> 00:04:15,400 Speaker 1: know that is so strange. Surely the next thing in 65 00:04:15,400 --> 00:04:17,640 Speaker 1: my time caps sole will match my memory. After all, 66 00:04:17,680 --> 00:04:21,520 Speaker 1: I have a fantastic memory. You don't know that I 67 00:04:21,600 --> 00:04:24,000 Speaker 1: see it. The green looks fantastic. This cape is even 68 00:04:24,040 --> 00:04:25,159 Speaker 1: cooler than I realized. 69 00:04:27,080 --> 00:04:27,560 Speaker 3: What is it? 70 00:04:27,680 --> 00:04:32,719 Speaker 1: Tina? Right? Of course, we probably should get started with 71 00:04:32,760 --> 00:04:36,080 Speaker 1: the episode listeners. We'll get back to going through my 72 00:04:36,160 --> 00:04:38,320 Speaker 1: time caps a little little later. There's a lot in 73 00:04:38,360 --> 00:04:40,159 Speaker 1: here you're gonna want to see. But right now we 74 00:04:40,240 --> 00:04:44,320 Speaker 1: got to dive into today's historical figure, Josh Gibson. And 75 00:04:44,360 --> 00:04:46,599 Speaker 1: in order to do that, we have to find our 76 00:04:46,720 --> 00:04:53,720 Speaker 1: historian friend Gabe. WHOA that might be the biggest construction 77 00:04:53,880 --> 00:04:57,719 Speaker 1: vehicle I have ever seen. It's a giant excavator. Who 78 00:04:57,839 --> 00:04:58,839 Speaker 1: is driving that thing? 79 00:04:59,080 --> 00:04:59,680 Speaker 3: Incoming? 80 00:05:00,320 --> 00:05:01,400 Speaker 4: Watch out? Everybody? 81 00:05:01,520 --> 00:05:05,560 Speaker 3: Wait? Is that Gabe? Gabe? Is that jo? Hey nimany 82 00:05:05,960 --> 00:05:07,640 Speaker 3: I can barely see you up there? 83 00:05:08,120 --> 00:05:10,120 Speaker 4: Come on up, you can use the ladder. 84 00:05:10,240 --> 00:05:16,200 Speaker 1: Oh wow, yep, okay here come oho, we are really 85 00:05:16,279 --> 00:05:18,839 Speaker 1: high up. Hey Gabe, there you are. What are you 86 00:05:18,920 --> 00:05:20,240 Speaker 1: doing with this huge thing? 87 00:05:20,720 --> 00:05:23,080 Speaker 4: I heard you needed some help digging, so I brought 88 00:05:23,160 --> 00:05:25,159 Speaker 4: my personal digging machine to help. 89 00:05:25,320 --> 00:05:25,520 Speaker 3: Oh. 90 00:05:25,760 --> 00:05:28,600 Speaker 1: I actually found what I was looking for. And did 91 00:05:28,640 --> 00:05:31,800 Speaker 1: you say that this commercial machine typically used to dig 92 00:05:31,800 --> 00:05:33,599 Speaker 1: out massive minds? Is yours? 93 00:05:34,000 --> 00:05:37,599 Speaker 4: That is correct? You see, being a historian and getting 94 00:05:37,680 --> 00:05:41,960 Speaker 4: the history right often takes a little digging, sometimes literally. 95 00:05:42,520 --> 00:05:43,640 Speaker 1: That makes a lot of sense. 96 00:05:44,000 --> 00:05:46,520 Speaker 4: Speaking of digging, should we dig into the life of 97 00:05:46,560 --> 00:05:47,799 Speaker 4: the great Josh Gibson? 98 00:05:48,040 --> 00:05:51,520 Speaker 1: Okay, but Gabe, before we go back in time, can 99 00:05:51,560 --> 00:05:52,279 Speaker 1: I be honest? 100 00:05:52,600 --> 00:05:53,000 Speaker 3: Please? 101 00:05:53,360 --> 00:05:56,160 Speaker 4: I actually prefer that you be honest, respectfully. 102 00:05:56,440 --> 00:05:59,360 Speaker 1: I really don't like that the history simulator looks and 103 00:05:59,400 --> 00:06:03,560 Speaker 1: feels sounds like a gooey alien pod. It's very uncomfortable 104 00:06:03,560 --> 00:06:03,919 Speaker 1: to be it. 105 00:06:04,240 --> 00:06:06,719 Speaker 4: I couldn't agree more, which is why I built my 106 00:06:06,880 --> 00:06:08,280 Speaker 4: own history simulator. 107 00:06:08,560 --> 00:06:10,400 Speaker 1: You did, no way, where is it? 108 00:06:10,800 --> 00:06:15,080 Speaker 4: We're sitting in it. Welcome to the History Excavator nineteen twenty. 109 00:06:15,800 --> 00:06:17,200 Speaker 3: I know, I love it. 110 00:06:17,560 --> 00:06:24,719 Speaker 1: Very impressive, you said, History Excavator nineteen twenty. Why nineteen twenty? 111 00:06:24,880 --> 00:06:27,839 Speaker 4: Oh, that's just where we're headed today. Hold on, niminy 112 00:06:28,080 --> 00:06:30,120 Speaker 4: a Roaring twenties, here we come. 113 00:06:34,960 --> 00:06:35,560 Speaker 3: It's so gay. 114 00:06:35,920 --> 00:06:37,640 Speaker 1: This is about one hundred years. 115 00:06:37,480 --> 00:06:39,880 Speaker 4: Ago, right nearly to the day, and it was a 116 00:06:39,920 --> 00:06:42,440 Speaker 4: time of incredible change in the United States. 117 00:06:42,640 --> 00:06:46,240 Speaker 1: Hey, look at those cool ladies with short bob haircuts 118 00:06:46,279 --> 00:06:48,160 Speaker 1: and just below the knee lenked stresses. 119 00:06:48,520 --> 00:06:48,880 Speaker 6: Uh. 120 00:06:48,960 --> 00:06:52,039 Speaker 4: Yes, those ladies were known as flappers at the time. 121 00:06:52,240 --> 00:06:55,479 Speaker 4: These dresses were considered by many to be scandalous for 122 00:06:55,600 --> 00:06:57,039 Speaker 4: being too short. 123 00:06:57,360 --> 00:07:01,279 Speaker 1: Too short, that looked like formal dresses to me. I 124 00:07:01,320 --> 00:07:04,080 Speaker 1: guess we really have come a long way or a 125 00:07:04,120 --> 00:07:05,680 Speaker 1: short way. I don't know. 126 00:07:06,040 --> 00:07:06,400 Speaker 3: Whoom. 127 00:07:06,680 --> 00:07:09,840 Speaker 1: Check out that guy wailing on the saxophone. 128 00:07:10,840 --> 00:07:13,800 Speaker 4: Pretty amazing. Right in the nineteen twenties, there was an 129 00:07:13,880 --> 00:07:18,160 Speaker 4: explosion of music exploration, including the birth of jazz. 130 00:07:18,480 --> 00:07:20,320 Speaker 1: Oh and look at that group of men with those 131 00:07:20,400 --> 00:07:23,040 Speaker 1: ridiculous pinstriped suits. They look away. 132 00:07:23,320 --> 00:07:24,280 Speaker 3: Its niminy. 133 00:07:24,560 --> 00:07:28,720 Speaker 4: Be careful, those men are very serious. In fact, they 134 00:07:28,800 --> 00:07:30,560 Speaker 4: might be gangsters. Gate. 135 00:07:31,000 --> 00:07:33,480 Speaker 1: You really shouldn't judge a book by its cover. Just 136 00:07:33,520 --> 00:07:37,200 Speaker 1: because those guys look like cartoon mobsters doesn't mean they are. 137 00:07:37,520 --> 00:07:39,360 Speaker 1: I bet they have a great sense of humor too. 138 00:07:39,440 --> 00:07:43,520 Speaker 1: Watch this, hey, sir, your suit is hysterical. You look 139 00:07:43,600 --> 00:07:46,480 Speaker 1: like a businessman doing an impression of a zebra. 140 00:07:48,440 --> 00:07:50,960 Speaker 7: I you think I'm funny, You think my suitors are 141 00:07:51,040 --> 00:07:54,000 Speaker 7: joke usink I'm a zebra business clown sent from the 142 00:07:54,120 --> 00:07:55,040 Speaker 7: Zuda make your. 143 00:07:54,920 --> 00:07:57,800 Speaker 1: Lab No, no, no, none of that. It's a very 144 00:07:57,840 --> 00:08:00,400 Speaker 1: fetching outfit. And we have to go Gate hit it. 145 00:08:00,600 --> 00:08:02,440 Speaker 4: Here we go down to the South. 146 00:08:05,520 --> 00:08:06,520 Speaker 3: Who I was. 147 00:08:06,600 --> 00:08:10,040 Speaker 1: Close, Gabe. Sorry for not trusting your instincts about who 148 00:08:10,200 --> 00:08:12,720 Speaker 1: is and who is in a gangst. Anyway, thanks for 149 00:08:12,760 --> 00:08:18,320 Speaker 1: getting us out of there. Speaking of getting out of there, Gabe, Oh, 150 00:08:18,440 --> 00:08:21,880 Speaker 1: I see our black families packing their things and getting 151 00:08:21,920 --> 00:08:22,480 Speaker 1: out of town. 152 00:08:22,800 --> 00:08:25,920 Speaker 4: It was known as the Great Migration. Lots of black 153 00:08:25,960 --> 00:08:28,400 Speaker 4: folks were moving from the rural south to cities in 154 00:08:28,440 --> 00:08:31,920 Speaker 4: the north with the promise of safer communities, better jobs, 155 00:08:31,960 --> 00:08:33,720 Speaker 4: more pay, and a brighter future. 156 00:08:34,160 --> 00:08:36,720 Speaker 1: And once they got to the north, where would they work. 157 00:08:36,960 --> 00:08:42,640 Speaker 4: Let's head to the north. Here we are in the North. 158 00:08:42,840 --> 00:08:45,920 Speaker 4: Often black folks would work in steel factories like that one, 159 00:08:46,040 --> 00:08:48,719 Speaker 4: in cities like this one Pittsburgh, Pennsylvania. 160 00:08:48,880 --> 00:08:51,880 Speaker 1: Look over their Gabe, a department store. Can we go in? 161 00:08:51,960 --> 00:08:53,760 Speaker 1: I want to buy one of those flapper dresses. 162 00:08:54,080 --> 00:08:57,240 Speaker 4: It's not just any department store. It's Gimbals, which is 163 00:08:57,240 --> 00:08:58,720 Speaker 4: where Josh Gibson worked. 164 00:08:59,080 --> 00:09:02,440 Speaker 1: Cool head through the revolving doors and check it out. 165 00:09:04,240 --> 00:09:09,719 Speaker 1: Oh mah, there are a headspinning amount of flapper dress options. 166 00:09:09,880 --> 00:09:13,360 Speaker 1: Too many options actually, and suddenly I have no interest 167 00:09:13,400 --> 00:09:16,520 Speaker 1: in shopping. Hey, did you say Josh Gibson works here? 168 00:09:16,760 --> 00:09:18,440 Speaker 1: I thought he was a baseball player. 169 00:09:18,520 --> 00:09:21,480 Speaker 4: He was, but when his family first moved to the North, 170 00:09:21,600 --> 00:09:24,440 Speaker 4: he wanted to be an electrician. I know it sounds weird, 171 00:09:24,440 --> 00:09:27,960 Speaker 4: but electricity was still considered a fairly new technology, so 172 00:09:28,120 --> 00:09:30,360 Speaker 4: it was a great trade to get into. And he 173 00:09:30,440 --> 00:09:33,960 Speaker 4: started as an elevator operator at Gimbals Gabe. 174 00:09:34,120 --> 00:09:38,000 Speaker 1: Sorry to interrupt, but who's that teenager over by the 175 00:09:38,040 --> 00:09:39,280 Speaker 1: old timey elevator. 176 00:09:39,520 --> 00:09:42,680 Speaker 4: That's actually Josh Gibson. He takes people up and down 177 00:09:42,720 --> 00:09:44,040 Speaker 4: to different floors in the store. 178 00:09:44,400 --> 00:09:48,880 Speaker 1: Oh, of course, an elevator operator. 179 00:09:48,640 --> 00:09:49,120 Speaker 3: Got it. 180 00:09:49,480 --> 00:09:52,439 Speaker 1: But how does he transition from this to baseball? 181 00:09:52,920 --> 00:09:56,760 Speaker 4: Well, this department store doesn't just have an irresponsible amount 182 00:09:56,800 --> 00:10:00,200 Speaker 4: of flapper dress options. They also have an amateur baseball team. 183 00:10:00,400 --> 00:10:04,280 Speaker 4: They do, Yeah, they do, and it's called the gimbal Ac. 184 00:10:04,760 --> 00:10:07,520 Speaker 4: And that's how Josh Gibson started playing baseball. 185 00:10:07,800 --> 00:10:09,559 Speaker 1: He was only sixteen though. 186 00:10:09,480 --> 00:10:12,200 Speaker 4: That's true, but he took to the sport like a 187 00:10:12,240 --> 00:10:15,120 Speaker 4: fish to water. Josh knew how to keep his eye 188 00:10:15,160 --> 00:10:17,800 Speaker 4: on the ball and slam crack knock it out of 189 00:10:17,840 --> 00:10:20,400 Speaker 4: the park. He was a home run king and in 190 00:10:20,480 --> 00:10:23,360 Speaker 4: no time at all, other local teams were eyeing this 191 00:10:23,520 --> 00:10:24,400 Speaker 4: young prospect. 192 00:10:24,760 --> 00:10:27,679 Speaker 1: So did he quit his job to play baseball, not yet. 193 00:10:27,840 --> 00:10:31,559 Speaker 1: He kept his job at the department store while playing baseball. 194 00:10:31,880 --> 00:10:34,320 Speaker 4: He had to keep that job to make ends meet. 195 00:10:34,559 --> 00:10:37,080 Speaker 4: You see, at the time, there was a different league 196 00:10:37,080 --> 00:10:40,200 Speaker 4: for black players. It was known as the Negro League, 197 00:10:40,320 --> 00:10:43,520 Speaker 4: and Josh played for a less official Negro League team, 198 00:10:43,840 --> 00:10:45,600 Speaker 4: kind of like the minor leagues today. 199 00:10:46,640 --> 00:10:47,959 Speaker 1: And did he eventually go pro? 200 00:10:48,440 --> 00:10:50,840 Speaker 4: You bet. His name and his fame grew and he 201 00:10:50,880 --> 00:10:54,400 Speaker 4: eventually was able to go professional. But it was almost 202 00:10:54,440 --> 00:10:55,200 Speaker 4: by accident. 203 00:10:55,640 --> 00:10:58,280 Speaker 1: That sounds like an interest a story. 204 00:10:58,679 --> 00:10:59,040 Speaker 3: It is. 205 00:10:59,240 --> 00:11:08,359 Speaker 4: Hold tight. We're headed to the game where it all happened, Gabe. 206 00:11:08,520 --> 00:11:11,320 Speaker 1: We might be at the wrong baseball game. I don't 207 00:11:11,320 --> 00:11:13,480 Speaker 1: see Josh Gibson anywhere on the field. 208 00:11:13,800 --> 00:11:16,280 Speaker 4: That's because he was in the stands. 209 00:11:16,080 --> 00:11:18,720 Speaker 1: The stands, so he wasn't playing. 210 00:11:19,120 --> 00:11:22,600 Speaker 4: Yeah, it's nineteen thirty and Josh is still playing in 211 00:11:22,640 --> 00:11:25,680 Speaker 4: the less official leagues, but he was at this major 212 00:11:25,800 --> 00:11:27,160 Speaker 4: league game as a fan. 213 00:11:27,559 --> 00:11:29,239 Speaker 1: I see him up there in the stands. 214 00:11:29,600 --> 00:11:32,040 Speaker 4: Josh and everyone else at the stadium was watching the 215 00:11:32,080 --> 00:11:36,080 Speaker 4: Homestead Grays, the best Pittsburgh team in the Negro League. 216 00:11:36,280 --> 00:11:39,280 Speaker 1: Gabe, there are some seats open break behind Josh. Let's 217 00:11:39,280 --> 00:11:40,200 Speaker 1: watch the game from. 218 00:11:40,040 --> 00:11:43,520 Speaker 4: There perfect, Hey, where'd you get all that food. 219 00:11:44,600 --> 00:11:48,240 Speaker 1: At the concession stand, Gabe Warehouse. Don't worry. I got 220 00:11:48,320 --> 00:11:51,240 Speaker 1: you a hot dog, some peanuts, some nacho's, a cotton candy. 221 00:11:51,120 --> 00:11:52,000 Speaker 3: And a large drink. 222 00:11:53,880 --> 00:11:54,840 Speaker 4: Oh, thank you. 223 00:11:55,200 --> 00:11:56,120 Speaker 1: Here are our seats. 224 00:11:56,480 --> 00:11:57,640 Speaker 4: This is a lot of food. 225 00:11:58,320 --> 00:12:00,480 Speaker 1: Okay. The batter is up and I can barely hear 226 00:12:00,480 --> 00:12:03,600 Speaker 1: the announcer over your chomping. And here comes the bitch 227 00:12:03,640 --> 00:12:04,679 Speaker 1: swing in a miss. 228 00:12:04,800 --> 00:12:07,480 Speaker 8: But oh, something's wrong with buck Ewing, the catcher for 229 00:12:07,559 --> 00:12:07,960 Speaker 8: the Grayes. 230 00:12:08,120 --> 00:12:09,720 Speaker 4: He seems to have cut the pitch in the wrong 231 00:12:09,760 --> 00:12:10,959 Speaker 4: way and injured his hand. 232 00:12:11,280 --> 00:12:14,240 Speaker 8: And I'm pretty sure he's about to start screaming. 233 00:12:14,200 --> 00:12:16,160 Speaker 3: Ouch my hand. 234 00:12:16,440 --> 00:12:19,080 Speaker 1: I'm hurt, and I can no longer play baseball today. 235 00:12:19,480 --> 00:12:22,560 Speaker 8: Wuch Well, buckewing inside a game is day. He is 236 00:12:22,679 --> 00:12:25,920 Speaker 8: done playing baseball bart today and possibly tomorrow, in the 237 00:12:25,920 --> 00:12:27,960 Speaker 8: next day, and probably the day after that, if I'm 238 00:12:28,000 --> 00:12:30,280 Speaker 8: being honest the way he said out, who knows when 239 00:12:30,320 --> 00:12:31,240 Speaker 8: Buckle play next? 240 00:12:31,440 --> 00:12:31,800 Speaker 3: Mmmm? 241 00:12:32,080 --> 00:12:35,760 Speaker 4: Niminy. This cotton candy is amazing, Gabe. 242 00:12:35,920 --> 00:12:38,760 Speaker 1: Please, I'm trying to watch the game and buck Ewing 243 00:12:38,920 --> 00:12:39,679 Speaker 1: is out. 244 00:12:39,800 --> 00:12:42,640 Speaker 8: Making eggs even worse than Grays have no backup catcher 245 00:12:42,800 --> 00:12:44,080 Speaker 8: what are they going to do. 246 00:12:44,600 --> 00:12:47,920 Speaker 1: No backup catcher. Well, you can't play baseball without a catcher. 247 00:12:48,040 --> 00:12:51,000 Speaker 1: Everyone knows that. Wait, the coach for the Grays is 248 00:12:51,040 --> 00:12:51,880 Speaker 1: walking toward us. 249 00:12:52,160 --> 00:12:54,920 Speaker 4: That's because there's an eighteen year old sitting in the 250 00:12:54,960 --> 00:12:57,600 Speaker 4: stands right in front of us that has the reputation 251 00:12:57,720 --> 00:12:59,960 Speaker 4: of being one of the best hitters. 252 00:12:59,520 --> 00:13:02,400 Speaker 1: In Pittsburg, Josh Gibson. 253 00:13:02,880 --> 00:13:03,440 Speaker 3: That's right. 254 00:13:03,720 --> 00:13:05,600 Speaker 4: The coach is asking him to play. 255 00:13:05,559 --> 00:13:07,400 Speaker 1: And Josh is saying yes. 256 00:13:08,720 --> 00:13:11,640 Speaker 8: I actually can't believe what I'm saying. The Grays seemed 257 00:13:11,679 --> 00:13:14,120 Speaker 8: to have plucked some kid out of the stands and 258 00:13:14,280 --> 00:13:17,120 Speaker 8: now he's going to play getter and this kid even 259 00:13:17,200 --> 00:13:18,400 Speaker 8: play Gabe. 260 00:13:18,440 --> 00:13:21,240 Speaker 1: I can't believe this is how Josh Gibson got his 261 00:13:21,520 --> 00:13:22,280 Speaker 1: big break. 262 00:13:22,600 --> 00:13:24,400 Speaker 4: Fortune favors the prepared Nimini. 263 00:13:24,760 --> 00:13:26,800 Speaker 1: Oh, of course it does. Why do you think I 264 00:13:26,840 --> 00:13:29,560 Speaker 1: bought so many snacks? So did he play well in 265 00:13:29,600 --> 00:13:29,960 Speaker 1: the game. 266 00:13:30,160 --> 00:13:33,640 Speaker 4: Josh had such an incredible game that afterwards the Grays 267 00:13:33,679 --> 00:13:36,199 Speaker 4: took him on as a full time member of the team. 268 00:13:36,440 --> 00:13:38,160 Speaker 8: Josh Gibson is up the bat, and. 269 00:13:38,320 --> 00:13:41,520 Speaker 4: He traveled the country playing baseball. 270 00:13:41,200 --> 00:13:44,320 Speaker 8: And here's the bitch he can actually going coming. 271 00:13:44,640 --> 00:13:51,319 Speaker 6: God, Josh Gipson absolutely fashion Harry Cleveland to that balls 272 00:13:51,400 --> 00:13:52,360 Speaker 6: heads it out of town. 273 00:13:53,600 --> 00:13:57,840 Speaker 1: Oh game, What an incredible start to a career. What 274 00:13:57,880 --> 00:13:59,440 Speaker 1: were Josh's career stats like? 275 00:13:59,800 --> 00:14:04,600 Speaker 4: Well, unfortunately Josh played in a time when black athletes 276 00:14:04,640 --> 00:14:07,880 Speaker 4: didn't have all of their games recorded, like the professional 277 00:14:07,960 --> 00:14:09,280 Speaker 4: white teams of the day. 278 00:14:09,640 --> 00:14:12,360 Speaker 1: What so they don't know how many home runs he hits. 279 00:14:12,559 --> 00:14:15,200 Speaker 4: They have a decent idea. It's believed that he hit 280 00:14:15,440 --> 00:14:19,400 Speaker 4: over eight hundred home runs, and two hundred and twenty 281 00:14:19,400 --> 00:14:22,760 Speaker 4: four of those were against the top Negro league teams. 282 00:14:23,240 --> 00:14:28,040 Speaker 4: That's incredible, truly. But so much of Josh Gibson's story 283 00:14:28,040 --> 00:14:31,160 Speaker 4: as tall tales and legends. You remember that ball that 284 00:14:31,280 --> 00:14:34,960 Speaker 4: he smashed in Cleveland? Yeah, well some say it landed 285 00:14:35,000 --> 00:14:36,680 Speaker 4: in Cincinnati the next day. 286 00:14:37,280 --> 00:14:38,560 Speaker 1: Wow. 287 00:14:38,800 --> 00:14:41,680 Speaker 4: And when history is a little hazy, some of the 288 00:14:41,720 --> 00:14:44,560 Speaker 4: stories burn brighter than others. Like the legend of what 289 00:14:44,680 --> 00:14:46,080 Speaker 4: happened in Yankee Stadium? 290 00:14:46,280 --> 00:14:47,920 Speaker 1: What happened in Yankee Stadium? 291 00:14:48,200 --> 00:14:54,960 Speaker 4: Let's go watch Welcome to nineteen thirty four left field, 292 00:14:55,080 --> 00:14:56,080 Speaker 4: Yankee Stadium. 293 00:14:56,240 --> 00:14:58,040 Speaker 1: Oh, look, Josh is up at the plate. 294 00:14:58,440 --> 00:14:59,880 Speaker 4: Then we're right on time. 295 00:15:00,280 --> 00:15:05,360 Speaker 1: There goes the pitch and Josh tick food, big cut. Oh, 296 00:15:05,440 --> 00:15:06,280 Speaker 1: he got a hold of that. 297 00:15:07,320 --> 00:15:08,520 Speaker 3: He's the black that thing. 298 00:15:08,640 --> 00:15:10,520 Speaker 1: The ball is flying to a left field that's going 299 00:15:10,600 --> 00:15:12,200 Speaker 1: over in the third deck next to the left field 300 00:15:12,240 --> 00:15:15,640 Speaker 1: pull Pennant a hole right in the stadium. 301 00:15:15,800 --> 00:15:16,720 Speaker 3: Good left Christ just the. 302 00:15:16,720 --> 00:15:18,040 Speaker 1: Great Josh Gibson has done it. 303 00:15:18,160 --> 00:15:18,320 Speaker 3: Now. 304 00:15:18,560 --> 00:15:21,240 Speaker 1: He is responsible for the only fair ball ever to 305 00:15:21,280 --> 00:15:22,200 Speaker 1: be head fully out. 306 00:15:22,080 --> 00:15:25,800 Speaker 4: Of Yankee stady O Memony. I had no idea you 307 00:15:25,840 --> 00:15:27,880 Speaker 4: were such a fantastic baseball announcer. 308 00:15:28,720 --> 00:15:32,440 Speaker 1: I'm a fast learner, I'll say, you know, Gabe, it's 309 00:15:32,640 --> 00:15:36,520 Speaker 1: awesome that there are all these amazing stories about Josh Gibson, 310 00:15:36,720 --> 00:15:39,960 Speaker 1: but it's frustrating that his stats weren't tracked the same 311 00:15:40,000 --> 00:15:41,480 Speaker 1: way white players stats were. 312 00:15:41,720 --> 00:15:45,000 Speaker 4: It's frustrating, all right, But even without stats, he lives 313 00:15:45,040 --> 00:15:48,360 Speaker 4: on forever in baseball history. That's how good he was. 314 00:15:48,800 --> 00:15:50,440 Speaker 1: That's a neat way to think about it. 315 00:15:50,880 --> 00:15:54,200 Speaker 4: Some people call Josh Gibson the black Babe Ruth. Others 316 00:15:54,240 --> 00:15:58,400 Speaker 4: called Babe Ruth the white Josh Gibson. I love that 317 00:15:58,600 --> 00:16:01,200 Speaker 4: he ended his career as the second highest paid player 318 00:16:01,240 --> 00:16:03,800 Speaker 4: in the Negro League and was eventually inducted into the 319 00:16:03,800 --> 00:16:04,880 Speaker 4: Baseball Hall of Fame. 320 00:16:06,760 --> 00:16:10,040 Speaker 1: And I suppose today we are making a historical record 321 00:16:10,080 --> 00:16:13,200 Speaker 1: of Josh, so one hundred years later he is still 322 00:16:13,240 --> 00:16:17,440 Speaker 1: being honored. His song won't include tons of statistics, obviously, 323 00:16:17,560 --> 00:16:20,800 Speaker 1: but it will be an earth shattering hip hop tune 324 00:16:21,000 --> 00:16:21,840 Speaker 1: that will never. 325 00:16:21,760 --> 00:16:22,440 Speaker 3: Leave you a head. 326 00:16:22,840 --> 00:16:23,840 Speaker 4: Shall we head back then? 327 00:16:24,200 --> 00:16:24,480 Speaker 1: Yes? 328 00:16:24,520 --> 00:16:26,520 Speaker 3: Please? 329 00:16:28,280 --> 00:16:29,960 Speaker 1: Thanks Gabe, I got a run. 330 00:16:29,880 --> 00:16:33,160 Speaker 4: Good luck, Niminy, swing for the fences, I always do. 331 00:16:33,840 --> 00:16:36,360 Speaker 1: Okay, listener as we're back, and I am walking to 332 00:16:36,400 --> 00:16:39,880 Speaker 1: the studio like Josh wat from the dugout to the play, excited, 333 00:16:40,160 --> 00:16:43,760 Speaker 1: confident and ready to make history. Oh that was quick. 334 00:16:43,960 --> 00:16:45,000 Speaker 1: Here we are at the studio. 335 00:16:45,800 --> 00:16:46,560 Speaker 3: Oh hy t know? 336 00:16:46,800 --> 00:16:51,080 Speaker 1: Are the musicians ready? Great time to turn this piece 337 00:16:51,120 --> 00:16:56,440 Speaker 1: of history into music featuring the incredible actor, rapper and 338 00:16:56,560 --> 00:16:58,840 Speaker 1: singer Fergie l Philippe. 339 00:17:02,800 --> 00:17:04,680 Speaker 5: Okay, here's a mention that Josh. 340 00:17:04,520 --> 00:17:06,600 Speaker 4: Gibson and no one's running off the map. 341 00:17:06,840 --> 00:17:08,119 Speaker 1: It's a long wall the. 342 00:17:08,200 --> 00:17:11,120 Speaker 4: Date one field, someone's going going. 343 00:17:10,840 --> 00:17:16,119 Speaker 6: And smash slam, Another one gone, bashpam, another one gone 344 00:17:16,119 --> 00:17:18,280 Speaker 6: the cracker of the bat, and another one gone. 345 00:17:18,320 --> 00:17:19,800 Speaker 4: A tip of the cap because. 346 00:17:19,600 --> 00:17:20,480 Speaker 1: Another one gone. 347 00:17:20,680 --> 00:17:22,560 Speaker 4: Wait two twenties ten and six foot. 348 00:17:22,400 --> 00:17:24,240 Speaker 6: One got a bait at the plate for a big 349 00:17:24,280 --> 00:17:26,440 Speaker 6: home run Bob pops off the stick elect The shot 350 00:17:26,480 --> 00:17:28,119 Speaker 6: of a gun is the man is the lecture. 351 00:17:28,119 --> 00:17:29,200 Speaker 4: It is Josh Gibbson. 352 00:17:30,240 --> 00:17:33,520 Speaker 6: He's so dynamic, his hits titanic, his swings like magic. 353 00:17:33,560 --> 00:17:35,760 Speaker 6: See him coming from the dugout of the team might panic. 354 00:17:35,800 --> 00:17:38,359 Speaker 6: The crowd is ecstatic. The end of so tragic. First 355 00:17:38,400 --> 00:17:40,320 Speaker 6: we go back to where it all began. Born to 356 00:17:40,359 --> 00:17:42,480 Speaker 6: Georgia in the twenties, the great, my great Joan took 357 00:17:42,520 --> 00:17:45,320 Speaker 6: his family north into Pittsburgh, then, where Josh trained to 358 00:17:45,359 --> 00:17:49,160 Speaker 6: be an electrician. And that's where he might have stayed 359 00:17:49,840 --> 00:17:51,320 Speaker 6: fixing electronics. 360 00:17:50,800 --> 00:17:51,320 Speaker 1: All his days. 361 00:17:51,320 --> 00:17:52,919 Speaker 4: But he got a job at a place. 362 00:17:52,640 --> 00:17:55,080 Speaker 6: Where the squad and Josh the field, the people were 363 00:17:55,160 --> 00:17:57,760 Speaker 6: on wants to sharecroppers, but now he snare pop ups. 364 00:17:57,840 --> 00:18:00,360 Speaker 6: He operated elevators, now he studied hitting. Hated that could 365 00:18:00,359 --> 00:18:02,680 Speaker 6: be no imitator, because I mean, as an innovator. 366 00:18:02,200 --> 00:18:04,360 Speaker 4: Ain't nobody great. He's the baseball terminator. 367 00:18:04,480 --> 00:18:08,440 Speaker 6: Flash slam, another one gone, bash bam, another one gone. 368 00:18:08,480 --> 00:18:10,720 Speaker 6: The craft good the bat and another one gone a 369 00:18:10,800 --> 00:18:15,919 Speaker 6: tip bud the capta is another one gone, another one gone, 370 00:18:16,240 --> 00:18:19,560 Speaker 6: another one gone, another one gone. 371 00:18:19,960 --> 00:18:21,639 Speaker 4: Here, another one gone. 372 00:18:21,680 --> 00:18:24,160 Speaker 6: It's seventeen years, he had eight hundred home runs three 373 00:18:24,240 --> 00:18:26,960 Speaker 6: sixty average lifetime. That ain't o hum canning on picking 374 00:18:27,040 --> 00:18:29,280 Speaker 6: off the base pathball fun in the Negro League, but 375 00:18:29,320 --> 00:18:31,560 Speaker 6: the same league with no one black. Babe Ruth was 376 00:18:31,600 --> 00:18:33,760 Speaker 6: off the description, but many claimed the babe with the 377 00:18:33,800 --> 00:18:35,960 Speaker 6: white Josh Gibson. So if you have some wisdom, you 378 00:18:35,960 --> 00:18:38,800 Speaker 6: see he's in position to make the majors. But it's 379 00:18:38,800 --> 00:18:41,640 Speaker 6: pig man skin his race. Biggats believe it dictates their 380 00:18:41,640 --> 00:18:43,600 Speaker 6: sale of tickets. They want him to stay in his place. 381 00:18:43,640 --> 00:18:47,080 Speaker 6: Gibson handles the mistakes with grace, always maintaining the smile 382 00:18:47,160 --> 00:18:47,480 Speaker 6: upon his. 383 00:18:47,520 --> 00:18:49,480 Speaker 4: Face, keeps setting records, keeps. 384 00:18:49,280 --> 00:18:52,440 Speaker 6: Getting hits, falls into love, has a few kids place 385 00:18:52,520 --> 00:18:54,760 Speaker 6: around the world, from seed to seed. Still they never 386 00:18:54,840 --> 00:18:58,880 Speaker 6: let the man in the MLB smash slam. Another one gone, 387 00:18:59,040 --> 00:19:01,920 Speaker 6: bash bam, another one gone the craft good the bat, 388 00:19:01,960 --> 00:19:03,000 Speaker 6: and another one gone. 389 00:19:03,040 --> 00:19:04,919 Speaker 1: A tip budd the cat because another. 390 00:19:04,680 --> 00:19:11,159 Speaker 6: One gone, another one gone, another one gone, who another 391 00:19:11,200 --> 00:19:12,080 Speaker 6: one gone. 392 00:19:12,280 --> 00:19:13,920 Speaker 4: Yeah, another one gone. 393 00:19:13,960 --> 00:19:18,280 Speaker 6: When Josh Gibson was thirty two, he started getting head X, 394 00:19:18,560 --> 00:19:22,560 Speaker 6: got some X raised, then some bad news the next day. 395 00:19:22,640 --> 00:19:27,080 Speaker 6: Kept playing for his hometown team, the Homestead Grace, but 396 00:19:27,320 --> 00:19:34,000 Speaker 6: four years later, Josh Gibbson sadly passed away. There wasn't 397 00:19:34,040 --> 00:19:35,919 Speaker 6: t because of this, he'd be forgotten. But his game 398 00:19:36,000 --> 00:19:37,840 Speaker 6: still ILSs. It's hard, and the Moni grace will say 399 00:19:37,880 --> 00:19:40,320 Speaker 6: his name, top twenty player from back then to this year. 400 00:19:40,400 --> 00:19:44,760 Speaker 6: Even though another one's gone, He's still here, Yeah, still here, 401 00:19:46,359 --> 00:19:51,080 Speaker 6: still here, still here, even though another one's gone. He 402 00:19:51,080 --> 00:19:55,399 Speaker 6: here smash slam, another one gone, bash bam, another one's gone. 403 00:19:55,400 --> 00:19:57,560 Speaker 4: The crack gout him and another one gone. 404 00:19:57,560 --> 00:20:01,320 Speaker 6: A tip budd the cat because another one's gone, another 405 00:20:01,400 --> 00:20:06,960 Speaker 6: one gone, another one gone, another one gone, even though 406 00:20:06,960 --> 00:20:07,919 Speaker 6: another was gone. 407 00:20:08,080 --> 00:20:08,800 Speaker 9: Skilled here. 408 00:20:12,119 --> 00:20:14,679 Speaker 1: We'll be right back after a few words for the 409 00:20:14,720 --> 00:20:22,960 Speaker 1: grown ups. Whoa that someone was amazing. Also, there was 410 00:20:23,000 --> 00:20:25,080 Speaker 1: a part of that tune that reminded me of another 411 00:20:25,119 --> 00:20:26,400 Speaker 1: object in my time capsule. 412 00:20:26,640 --> 00:20:27,960 Speaker 3: Listeners, follow me to. 413 00:20:28,000 --> 00:20:34,359 Speaker 1: The giant fall in my backyard. Ah here we are, Tina, 414 00:20:34,560 --> 00:20:36,679 Speaker 1: do me a favor and dive into my time capsule 415 00:20:36,680 --> 00:20:42,840 Speaker 1: and grab that thing that looks like an old recording. Listeners, 416 00:20:43,000 --> 00:20:45,520 Speaker 1: The last thing I wanted to show you is a 417 00:20:45,600 --> 00:20:48,679 Speaker 1: recording of a speech I gave at my high school graduation. 418 00:20:49,200 --> 00:20:52,879 Speaker 1: Now I'm pretty sure the speech was about history. But 419 00:20:53,080 --> 00:20:55,920 Speaker 1: given that I thought my superhero cape was green, maybe 420 00:20:55,920 --> 00:21:01,639 Speaker 1: I'm way off data. How are we looking fantastic, Tina, 421 00:21:01,840 --> 00:21:03,359 Speaker 1: Let's play a little bit of it and see what 422 00:21:03,400 --> 00:21:06,760 Speaker 1: eighteen year old me has to say. I imagine I 423 00:21:06,800 --> 00:21:09,280 Speaker 1: speak for all of us today when I say that 424 00:21:09,320 --> 00:21:12,240 Speaker 1: these last four years have been a blur. Lots of 425 00:21:12,320 --> 00:21:16,000 Speaker 1: late nights, lots of early mornings, and plenty of looking 426 00:21:16,000 --> 00:21:17,919 Speaker 1: for my glasses, only to find that they were on 427 00:21:18,000 --> 00:21:21,880 Speaker 1: my head the whole time. The truth is so much 428 00:21:21,920 --> 00:21:24,840 Speaker 1: happened so quickly, it is sometimes hard to parse through 429 00:21:24,840 --> 00:21:29,120 Speaker 1: our memories of what happened and what actually happened. As 430 00:21:29,119 --> 00:21:32,679 Speaker 1: the poet An Michael says it, quote, history and memory 431 00:21:32,800 --> 00:21:35,960 Speaker 1: share events. That is, they share time and space. Every 432 00:21:35,960 --> 00:21:37,760 Speaker 1: moment is two moments end. 433 00:21:37,840 --> 00:21:38,320 Speaker 3: Quote. 434 00:21:38,680 --> 00:21:41,080 Speaker 1: Well, I dare say that in these four years of 435 00:21:41,160 --> 00:21:44,840 Speaker 1: high school, we created memories and history, and now we 436 00:21:45,000 --> 00:21:51,159 Speaker 1: carry them both proudly as we head off into the world. Ugh. 437 00:21:51,359 --> 00:21:55,040 Speaker 1: I barely remembered saying any of that. Thank you, Tina. 438 00:21:55,359 --> 00:21:57,840 Speaker 1: I guess it was a pretty good speech. Honestly, there 439 00:21:57,920 --> 00:22:00,199 Speaker 1: was a lot more to it than I remembered. A 440 00:22:00,200 --> 00:22:02,760 Speaker 1: lot like Josh Gibson's story when I think about it, 441 00:22:02,960 --> 00:22:06,680 Speaker 1: he was probably a better baseball player than we even realized. 442 00:22:06,960 --> 00:22:09,480 Speaker 1: Maybe there's always more to the story than we can 443 00:22:09,520 --> 00:22:13,440 Speaker 1: remember or even write down. Well, I could think about 444 00:22:13,440 --> 00:22:16,879 Speaker 1: that for a long time. Yes, Tina, what is it? 445 00:22:17,440 --> 00:22:17,800 Speaker 3: Okay? 446 00:22:18,720 --> 00:22:21,880 Speaker 1: Yeah, No, I'm late as usual. Okay, listeners, let's raise 447 00:22:21,960 --> 00:22:24,119 Speaker 1: to the room inside my secret underground bunker where I 448 00:22:24,119 --> 00:22:29,720 Speaker 1: take all my most important video calls, boot up the computer, 449 00:22:30,520 --> 00:22:35,920 Speaker 1: the internets, and here we go. Hi, Bob and Peyton, 450 00:22:36,080 --> 00:22:37,960 Speaker 1: can you introduce yourselfs. 451 00:22:37,720 --> 00:22:40,000 Speaker 9: Hi, my name is Bob Kendrick. I'm president of the 452 00:22:40,040 --> 00:22:43,840 Speaker 9: Negrodics Baseball Museum in Kansas City, Missouri, the world's only 453 00:22:43,960 --> 00:22:47,919 Speaker 9: museum dedicated to preserving and celebrating the rich history of 454 00:22:48,080 --> 00:22:52,840 Speaker 9: African American baseball and its profound impact on the social 455 00:22:52,920 --> 00:22:54,640 Speaker 9: advancement of America. 456 00:22:54,880 --> 00:22:55,080 Speaker 1: Hi. 457 00:22:55,160 --> 00:22:58,440 Speaker 7: I'm Peyton and I'm ten years old. I just love 458 00:22:58,520 --> 00:22:59,800 Speaker 7: baseball all year round. 459 00:23:03,320 --> 00:23:06,360 Speaker 1: Peyton, what were you hoping to ask Bob about Josh Gibson? 460 00:23:07,000 --> 00:23:10,040 Speaker 7: So, mister Kendrick, I'm wondering why did it take so 461 00:23:10,160 --> 00:23:13,720 Speaker 7: long for the Legro League players to get recognized as 462 00:23:13,880 --> 00:23:16,200 Speaker 7: some of the greatest players of all time? 463 00:23:16,720 --> 00:23:21,199 Speaker 9: That is a great question. They toiled, I'd like to 464 00:23:21,200 --> 00:23:23,919 Speaker 9: say in anonymity for so long, and I say that 465 00:23:23,960 --> 00:23:26,400 Speaker 9: because there were a lot of people who saw them play, 466 00:23:26,840 --> 00:23:29,399 Speaker 9: they just happened to be black. Later on, as we 467 00:23:29,480 --> 00:23:32,600 Speaker 9: get into the forties, before Jackie Robinson brace to color, 468 00:23:32,640 --> 00:23:34,360 Speaker 9: there there were a lot of white fans who saw 469 00:23:34,400 --> 00:23:36,560 Speaker 9: them play too. But there are a lot of people 470 00:23:36,560 --> 00:23:39,639 Speaker 9: who still hold to the belief that if it didn't 471 00:23:39,720 --> 00:23:42,840 Speaker 9: happen in the major leagues, then it must not have happened. 472 00:23:43,040 --> 00:23:46,720 Speaker 9: And so we've been working so hard over the last 473 00:23:46,920 --> 00:23:51,359 Speaker 9: thirty years to make sure that people know who these 474 00:23:51,400 --> 00:23:56,040 Speaker 9: ballplayers were and how good they were, and what they 475 00:23:56,119 --> 00:23:59,439 Speaker 9: contributed to the game, but just as important, what they 476 00:23:59,480 --> 00:24:01,000 Speaker 9: contributed to this country. 477 00:24:01,560 --> 00:24:05,280 Speaker 7: Is it true Josh Gibson hit eight hundred home runs 478 00:24:05,320 --> 00:24:06,560 Speaker 7: in the Negro leagues? 479 00:24:07,200 --> 00:24:10,440 Speaker 9: Honestly, Peyton, he probably hit more than that, And again, 480 00:24:10,560 --> 00:24:15,400 Speaker 9: this was against all levels of competition, including the major leaguers. 481 00:24:15,640 --> 00:24:20,440 Speaker 9: I personally believe that Josh Gibson was the greatest hitter 482 00:24:20,880 --> 00:24:22,560 Speaker 9: this game has ever seen. 483 00:24:22,840 --> 00:24:26,360 Speaker 7: I would like to see more minorities play baseball because 484 00:24:26,760 --> 00:24:29,600 Speaker 7: I'm kind of one of the only African American black 485 00:24:29,680 --> 00:24:30,600 Speaker 7: kids on my team. 486 00:24:30,880 --> 00:24:33,720 Speaker 9: We understand that there are just not a lot of 487 00:24:33,920 --> 00:24:37,560 Speaker 9: black kids playing our game anymore. And the interesting thing 488 00:24:37,600 --> 00:24:41,119 Speaker 9: about that, Peyton is baseball used to be our sport, 489 00:24:41,359 --> 00:24:44,439 Speaker 9: which is why we had a Negro League. You had 490 00:24:44,480 --> 00:24:47,679 Speaker 9: a league that was filled with black players and of 491 00:24:47,680 --> 00:24:51,520 Speaker 9: course some brown players because you had Hispanic. But after 492 00:24:52,080 --> 00:24:57,439 Speaker 9: baseball integrates and now Jackie Robinson and other black and 493 00:24:57,480 --> 00:25:01,000 Speaker 9: brown stars leave the Negro League to go into Major 494 00:25:01,080 --> 00:25:04,960 Speaker 9: League Baseball, that is what ultimately put the Negro leagues 495 00:25:05,040 --> 00:25:09,240 Speaker 9: out of business. And then over time there became kind 496 00:25:09,240 --> 00:25:13,520 Speaker 9: of this separation, so to speak, from the African American 497 00:25:13,560 --> 00:25:17,760 Speaker 9: community and the game of baseball. It became very expensive 498 00:25:18,080 --> 00:25:22,040 Speaker 9: to play our sport. All the equipment is expensive, the 499 00:25:22,200 --> 00:25:25,760 Speaker 9: league fees are expensive. Now you'll be playing all these 500 00:25:25,800 --> 00:25:29,080 Speaker 9: travel teams and all of this kind of stuff where 501 00:25:29,119 --> 00:25:32,159 Speaker 9: a lot of kids, particularly those kids who are in 502 00:25:32,280 --> 00:25:36,080 Speaker 9: the urban court, they can't afford to play anymore. And 503 00:25:36,160 --> 00:25:40,159 Speaker 9: so we're working hard with Major League Baseball to do 504 00:25:40,240 --> 00:25:43,960 Speaker 9: everything we can to make sure that urban kids understand 505 00:25:44,040 --> 00:25:46,800 Speaker 9: their place in this game. And so when you walk 506 00:25:46,840 --> 00:25:49,240 Speaker 9: through the Negro League's Baseball museum, what did you see? 507 00:25:49,520 --> 00:25:52,680 Speaker 9: You see people who look just like you, who played 508 00:25:52,680 --> 00:25:56,320 Speaker 9: this game, and they played it as well as anyone 509 00:25:56,800 --> 00:26:01,320 Speaker 9: ever played this game. It's important that you see yourself 510 00:26:01,880 --> 00:26:02,639 Speaker 9: in this game. 511 00:26:02,920 --> 00:26:06,040 Speaker 7: Thank you, mister Kendrick for sharing all those great stories 512 00:26:06,080 --> 00:26:06,320 Speaker 7: with me. 513 00:26:06,640 --> 00:26:09,960 Speaker 9: Payton was my pleasure and I've enjoyed hanging out with 514 00:26:10,000 --> 00:26:10,560 Speaker 9: you today. 515 00:26:11,119 --> 00:26:19,000 Speaker 1: Wow. Thank you both for this great conversation. Listeners, thanks 516 00:26:19,040 --> 00:26:22,440 Speaker 1: for joining in today and witnessing the greatness of Josh 517 00:26:22,560 --> 00:26:27,400 Speaker 1: Gibson with me. Thanks so much to today's guests Bob Kendrick, 518 00:26:27,760 --> 00:26:32,440 Speaker 1: Fergie Philippe, and Pigton. Remember, parents and teachers. You can 519 00:26:32,480 --> 00:26:36,320 Speaker 1: download a free activity related to today's episode by visiting 520 00:26:36,359 --> 00:26:40,640 Speaker 1: story pirates dot com slash Historical Records. We'll be back 521 00:26:40,720 --> 00:26:44,480 Speaker 1: next week with another episode, another song, and another he route. 522 00:26:44,560 --> 00:26:47,280 Speaker 1: But for now, there are a few huge holes in 523 00:26:47,320 --> 00:26:49,440 Speaker 1: the backyard of my top secret bunker that I need 524 00:26:49,440 --> 00:26:53,760 Speaker 1: to go fill in. Until next time, Remember to make history, 525 00:26:54,240 --> 00:26:55,640 Speaker 1: you gotta make some noise. 526 00:26:56,240 --> 00:27:07,600 Speaker 3: Bye. 527 00:27:08,760 --> 00:27:12,960 Speaker 8: Historical Records is produced in partnership with story Pirate Studios. 528 00:27:13,240 --> 00:27:18,359 Speaker 8: Questlove's two one five Entertainment, John Glickman and iHeart Podcasts. 529 00:27:18,920 --> 00:27:24,080 Speaker 8: Executive produced by Emir Questlove, Thompson, John Glickman, Lee Overtree 530 00:27:24,240 --> 00:27:29,040 Speaker 8: and Benjamin Salka executive produced for iHeart Podcasts by Noel Brown. 531 00:27:29,400 --> 00:27:33,440 Speaker 8: Producers for Story Pirate Studios are Isabella Riccio, Sam Bear, 532 00:27:33,920 --> 00:27:38,400 Speaker 8: Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware. 533 00:27:38,800 --> 00:27:42,320 Speaker 8: Producers for two one five are John G. Britney, Benjamin 534 00:27:42,359 --> 00:27:46,080 Speaker 8: and Sarah Zolman. Hosted by niminy Ware. Our head writer 535 00:27:46,280 --> 00:27:50,480 Speaker 8: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus. 536 00:27:51,119 --> 00:27:54,880 Speaker 8: Music supervision for two one five by Stroe Elliott. Scoring 537 00:27:54,960 --> 00:27:58,280 Speaker 8: and music supervision for Story Pirate Studios by Eric Gerson. 538 00:27:58,800 --> 00:28:01,280 Speaker 8: Sound design and mixing by Sam Bear at the Relic 539 00:28:01,359 --> 00:28:02,520 Speaker 8: Room in New York City. 540 00:28:02,880 --> 00:28:04,760 Speaker 4: Song mastering by Josh Hahn. 541 00:28:05,200 --> 00:28:08,120 Speaker 8: Theme song by Dan Foster and Eric Gerson and produced 542 00:28:08,119 --> 00:28:13,280 Speaker 8: by Eric Erson. Production coordination by Isabelle Riccio, Production management 543 00:28:13,320 --> 00:28:16,520 Speaker 8: by Maggie Lee. The line producer for Story Pired Studios 544 00:28:16,600 --> 00:28:20,200 Speaker 8: is Glennis Brault. Pr for Story Pired Studios is provided 545 00:28:20,240 --> 00:28:24,960 Speaker 8: by Naomi Shaw. Episode artwork by Camilla Franklin. This episode 546 00:28:25,000 --> 00:28:28,520 Speaker 8: was written by Duke Doyle. The song Josh Gibson was 547 00:28:28,520 --> 00:28:32,159 Speaker 8: written by Dan Foster and produced by Eric Erson. Vocal 548 00:28:32,200 --> 00:28:36,520 Speaker 8: direction by Jack Mitchell special gut Spergie l Philippe, Bob 549 00:28:36,640 --> 00:28:41,480 Speaker 8: Kendrick and kid interviewer Peyton. This episode features performances by 550 00:28:41,640 --> 00:28:46,560 Speaker 8: Nick Canalis, Peter McNerney, Lee Overtree and Gabe Pachuco. Special 551 00:28:46,560 --> 00:28:48,080 Speaker 8: thanks to alex Vespasad