WEBVTT - S2:Ep 6 - A Golden Year

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<v Speaker 1>Okay, Erica, you gotta get ready. This is too good.

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<v Speaker 1>What are we watching? So we're in my basement and

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<v Speaker 1>I'm going to force you to watch The Nutcracker, and

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<v Speaker 1>not just any Nutcracker. You're Nutcracker when you were Marie

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<v Speaker 1>aka Clara and other versions, but the main character that

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<v Speaker 1>was a Golden Year? A Golden Year? How did you

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<v Speaker 1>get these on your computer? Because weren't they vhs? Yeah?

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<v Speaker 1>How did you get these? Mom? And Dad? Can we

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<v Speaker 1>get to watch it? Because I'm dying to watch? All right?

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<v Speaker 1>I think this is going to be fun. I know

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<v Speaker 1>you're probably a little bit anxious. Oh my gosh, just

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<v Speaker 1>seeing the still of the costumes. So I guess I

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<v Speaker 1>should tell you. My name is Alan, I'm Erica's sister.

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<v Speaker 1>I also produced this show. I know it might feel

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<v Speaker 1>abrupt to suddenly hear from me, but there's something about

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<v Speaker 1>Erica that she's extremely reluctant to talk about that I

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<v Speaker 1>think you should know. Okay, I'm going to click on it.

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<v Speaker 1>We're going to full screen it. You're ready. The Youth

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<v Speaker 1>Ballet Company presents two thousand and one The Nutcracker December fourteenth, fifteenth,

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<v Speaker 1>and sixteenth. WHOA, this is epic they have, like the

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<v Speaker 1>roles they have, the whole cast, little List, Mouse Cook,

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<v Speaker 1>Missus Stallbam, doctor Stalbam. I didn't know he's a doctor.

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<v Speaker 1>Erica devoted her life to ballet for more than ten years.

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<v Speaker 1>She thought about trying to go all the way to

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<v Speaker 1>join a company and become a professional dancer. I can

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<v Speaker 1>picture all of these dancers and like how they danced.

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<v Speaker 1>I remember what their feet looked like, what looked like

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<v Speaker 1>definitely Marie so Bam, Erica Lance. Clearly, I'm enthusiastic. I'm

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<v Speaker 1>trying to pump Erica up and get her more excited,

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<v Speaker 1>but she's visibly uncomfortable. As the music plays and the

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<v Speaker 1>opening credits role, She's shifting in her seat. She's good

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<v Speaker 1>at masking how she feels, but I can tell it's

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<v Speaker 1>sparking a memory. I'm asking Erica to go back to

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<v Speaker 1>a time that honestly feels like another life, a time

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<v Speaker 1>when ballet defined her, a time when her ambition to

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<v Speaker 1>perform well and maybe to go pro consumed our family.

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<v Speaker 1>We haven't talked much about it for probably fifteen years,

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<v Speaker 1>and I think there's a reason for that, because when

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<v Speaker 1>Erica left, she closed that door and never opened it again.

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<v Speaker 1>As much as she loved it, she suffered in it.

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<v Speaker 1>At least that's what I think I saw. I was

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<v Speaker 1>so young that it feels like this hazy, distant silhouette

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<v Speaker 1>of a thing that doesn't feel real, like a wild

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<v Speaker 1>dream that I can't fully recall. Curtains opening, Where would

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<v Speaker 1>you have been in the wings? In the wings? Yep,

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<v Speaker 1>getting ready for my first entrance. I love that you

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<v Speaker 1>remember your first entrance. Of course, there you are. Oh,

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<v Speaker 1>are yours out here? I'm sneaking out trying to see

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<v Speaker 1>the presence. We'll look at those pointed feed Wow. I

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<v Speaker 1>look better than I expected somehow. Yeah, you look amazing.

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<v Speaker 1>You're acting with your whole body and moving very gracefully. Wow.

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<v Speaker 1>I'm actually really proud of my dancing in this. I

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<v Speaker 1>think I forgot how good I was at this point.

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<v Speaker 1>Does it bring you back, like, how did it feel

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<v Speaker 1>to be performing the lead role in the Nutcracker? It's

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<v Speaker 1>just so fun. I loved all of those rehearsals, and

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<v Speaker 1>I was always there for a very long time because

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<v Speaker 1>I was the main character, and I did not mind

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<v Speaker 1>at all. It's just pure fun, pure fun, totally worth

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<v Speaker 1>any pain, all right. Being tired or something totally worth it.

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<v Speaker 1>I absolutely loved it. Working on this series has been

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<v Speaker 1>hard on Erica. She's often had a quick aside like

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<v Speaker 1>why am I doing this? Or I don't know why

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<v Speaker 1>I signed up for this. It also brings up a

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<v Speaker 1>lot of what ifs and regrets. Interviewing people and writing

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<v Speaker 1>about ballet every day has made us both realize how

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<v Speaker 1>much her time in ballet is a part of who

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<v Speaker 1>she is. It led to a conversation that honestly, we

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<v Speaker 1>needed to have as sisters from Rococo Punch and iHeart Podcasts.

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<v Speaker 1>This is the turning Room of mirrors. I'm Alan Lance Lesser,

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<v Speaker 1>Part six a golden year, So thanks Erica for finally

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<v Speaker 1>doing this. I feel like it's been pulling teeth to

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<v Speaker 1>get you to sit down and talk about some of

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<v Speaker 1>the stuff. And I'm not sure quite why, but I

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<v Speaker 1>feel like part of it is that you don't like

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<v Speaker 1>to talk about yourself too much. Yeah, I do feel

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<v Speaker 1>self conscious. You feel self conscious? How so? Yeah? I

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<v Speaker 1>mean not maybe not self conscious, but I mean honestly, like, yes,

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<v Speaker 1>I studied ballet when I was a kid, but I

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<v Speaker 1>didn't become a professional dancer. I didn't actually like fully

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<v Speaker 1>commit and go all the way, and so I just

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<v Speaker 1>feel like a fraud. I'm not the person who has

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<v Speaker 1>the most insight into this by like any stretch of

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<v Speaker 1>the imagination, So why would I be talking about my

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<v Speaker 1>own story or my own experience, Like there are so

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<v Speaker 1>many other people who are more important. So you basically

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<v Speaker 1>are experiencing imposter syndrome. I bet Also, if you had

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<v Speaker 1>become a professional, you still would be like, well, I

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<v Speaker 1>wasn't a principal, so my story doesn't matter, like you

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<v Speaker 1>would find any reason to not count your story as worthwhile.

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<v Speaker 1>And the fact is, like you devoted your life totally

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<v Speaker 1>to ballet for years. I know again I can just

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<v Speaker 1>feel you being uncomfortable talking about this. But anyway, do

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<v Speaker 1>you remember what was your favorite performance that you did?

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<v Speaker 1>I don't know, but definitely one of the most meaningful

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<v Speaker 1>to me was the year I was Marie and the

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<v Speaker 1>Nutcracker or Clara. That was obviously a huge deal. It

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<v Speaker 1>was really special because I had looked up to these

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<v Speaker 1>dancers for years who played Murrie. So getting cast as Marie,

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<v Speaker 1>I mean, it's like a dream come true. At age twelve,

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<v Speaker 1>you were twelve. Looking back, it's like twelve sounds so young. Yeah. Wow.

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<v Speaker 1>But by the time I was twelve, I was dancing

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<v Speaker 1>every day, and I was at a school that also

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<v Speaker 1>had this like youth ballet company essentially, and so we

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<v Speaker 1>were performing constantly. WHOA, what's weird is I almost feel

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<v Speaker 1>like I've blocked out some of these memories about how

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<v Speaker 1>much it was that was every day. Jeez. I mean,

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<v Speaker 1>it is true when you're dancing that seriously, you really

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<v Speaker 1>do feel like you have to dance every day to

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<v Speaker 1>keep up what you're doing and to be improving every day.

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<v Speaker 1>At that point, you're so in tune with your body that, yeah,

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<v Speaker 1>when you take a day off, you feel it. And

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<v Speaker 1>I remember one time I took like three days or

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<v Speaker 1>something off and I can't remember if I was sick

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<v Speaker 1>or if our family went out of town for a

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<v Speaker 1>few days, but I came back to class and I

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<v Speaker 1>actually thought I was having an okay class. I don't

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<v Speaker 1>think I felt like I was doing particularly badly. And

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<v Speaker 1>I was standing at the bar in the studio and

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<v Speaker 1>my teacher, who is this Russian teacher who I absolutely adored.

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<v Speaker 1>She had really high standards, which I loved, but at

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<v Speaker 1>one point and she like stopped and I could tell

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<v Speaker 1>she was upset, and she looked at me and she said, Erica,

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<v Speaker 1>Edica like she said it in her Russian accent, like

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<v Speaker 1>you miss one day, you notice the difference you missed

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<v Speaker 1>two two days. I noticed the difference you missed three days.

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<v Speaker 1>Everybody notices the difference. WHOA that makes her sound mean.

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<v Speaker 1>I actually adored her as a teacher, but that really

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<v Speaker 1>stuck with me, and it definitely made me feel like

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<v Speaker 1>it's just not worth it to take days off. How

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<v Speaker 1>did you feel in that moment? Probably embarrassed, but it

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<v Speaker 1>wasn't like a big out of the normal thing, like

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<v Speaker 1>you're used to being called out in class, You're used

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<v Speaker 1>to being corrected in front of everyone. But it was

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<v Speaker 1>more just this very memorable phrase that was a good

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<v Speaker 1>reminder of the importance of staying in class at home.

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<v Speaker 1>The dynamics of Erica's ballet, classroom casting, and technique, it

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<v Speaker 1>all became our form of childhood gossip. I loved being

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<v Speaker 1>in on it. I watched Erica constantly improved and grow

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<v Speaker 1>into this polished dancer, but she'd also come home every

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<v Speaker 1>night in physical pain. I can remember the constant bags

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<v Speaker 1>of frozen peas or footpaths or full salt baths. Sometimes

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<v Speaker 1>Erica would sit in the middle of our living room floor,

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<v Speaker 1>slowly stretching her aching muscles and tending to her wounds,

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<v Speaker 1>and sometimes she just collapse onto this big green recliner

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<v Speaker 1>and just lie there for hours. She always seemed to

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<v Speaker 1>be on the mend. When did you first start having injuries?

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<v Speaker 1>I think the first time I sprained my ankle, I

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<v Speaker 1>was five, And after that first sprain, I was always

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<v Speaker 1>aware of my ankle. I always had ankle problems. And

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<v Speaker 1>the thing is, when you injure your ankle, after it heals,

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<v Speaker 1>it is a little more susceptible to injury. And so

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<v Speaker 1>it just felt like a constant battle with my ankle.

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<v Speaker 1>And eventually it went from like having mild sprains from

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<v Speaker 1>time to time too. I did develop chronic tendonitis in

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<v Speaker 1>my achilles tendons, which I think is like super common,

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<v Speaker 1>but it was really painful and I was experiencing it

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<v Speaker 1>I think at a level that it wasn't like normal,

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<v Speaker 1>and that's what I started seeing a bunch of physical

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<v Speaker 1>therapists for for years. It was such a constant I mean,

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<v Speaker 1>you're always dancing through pain, but you kind of get

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<v Speaker 1>used to it. Always. Yeah, I mean to some extent.

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<v Speaker 1>I do remember one day in particular, it was like

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<v Speaker 1>a Saturday day of rehearsals. I can picture the point

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<v Speaker 1>whose I was wearing. It was a pair of grish goes.

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<v Speaker 1>They might have been like slightly too broken in at

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<v Speaker 1>that point, but we were preparing for multiple performances coming up.

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<v Speaker 1>I just remember that I was cast in a lot

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<v Speaker 1>of things. It was a really exciting set of castings

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<v Speaker 1>because I was kind of cast above my level. But

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<v Speaker 1>the result is that I like didn't get any time off.

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<v Speaker 1>Like I was just constantly rehearsing one after the next,

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<v Speaker 1>and my friends were getting little breaks and I just

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<v Speaker 1>like wasn't getting a break. And there was this one

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<v Speaker 1>piece where we're basically on point the whole time, Like

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<v Speaker 1>the whole thing is that we're burying across the floor

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<v Speaker 1>like the entire dance, so you're like literally never not

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<v Speaker 1>on point. And I had like so many blisters that day,

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<v Speaker 1>and I just was like, oh my god, I cannot

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<v Speaker 1>run this piece one more time, and that you'd be like,

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<v Speaker 1>let's run it again, and I'd just be like please. Now.

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<v Speaker 1>I just remember thinking to myself, my god, this is insane,

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<v Speaker 1>But Also it was like so exhilarating because I felt

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<v Speaker 1>like such a professional because I just like was dancing

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<v Speaker 1>all day and you know, you feel important if you

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<v Speaker 1>like don't have time for breaks, and you do feel

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<v Speaker 1>like an adult. I mean, when you're making those types

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<v Speaker 1>of sacrifices where you're not hanging up with friends, you're

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<v Speaker 1>in the studio and you're dancing through pain, you feel

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<v Speaker 1>like a grown up. And it's partly because the instructor

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<v Speaker 1>to some extent, treats you like a grown up, Like

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<v Speaker 1>the expectations are so high you need to like put

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<v Speaker 1>on your adult behavior. Kind of that's what kids want.

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<v Speaker 1>They want to probably to a certain extent, they want,

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<v Speaker 1>like teachers to have high standards and high expectations or

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<v Speaker 1>to challenge them. Like I do think that that's so

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<v Speaker 1>empowering to not be seen as just like a kid

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<v Speaker 1>who's doing this for fun. It's like, no, take me seriously,

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<v Speaker 1>Like I wouldn't want any less. I would want to

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<v Speaker 1>be treated that way because I took it so seriously.

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<v Speaker 1>And also I don't want my fellow dancers slacking off either,

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<v Speaker 1>because we all want it to be the best it

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<v Speaker 1>can be. Erica really wanted to be the best she

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<v Speaker 1>could in every way, and I remember noticing that desire

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<v Speaker 1>shift to how she felt about her appearance. I want

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<v Speaker 1>to pause here because we're about to talk about topics

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<v Speaker 1>that could be really triggering and even unhealthy to listen to.

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<v Speaker 1>They have to do with body image and include some

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<v Speaker 1>really skewed and unhealthy thinking. And if you feel you

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<v Speaker 1>might be triggered by explicit discussions of body image or

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<v Speaker 1>eating disorders, you might want to stop listening here. There's

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<v Speaker 1>a reason search to suggest that hearing specifics about eating

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<v Speaker 1>disorders could contribute to actual symptoms. I loved so much

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<v Speaker 1>of my body when I was dancing, like I liked

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<v Speaker 1>my feet, I liked my legs. I liked the level

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<v Speaker 1>of hyper extension. I felt like it was a little

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<v Speaker 1>but not too much. I liked a lot of my shapes.

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<v Speaker 1>I loved how I looked in a lot of ways,

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<v Speaker 1>and I was looking at myself all the time. I

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<v Speaker 1>was proud of my body, except for the I wanted

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<v Speaker 1>to be thinner. I just I really wanted bones jutting out.

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<v Speaker 1>But like, where do you think that came from? Because

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<v Speaker 1>I don't feel like it came from you. I thought

0:15:47.120 --> 0:15:54.800
<v Speaker 1>I was too fat starting from age four. Geez, can

0:15:54.840 --> 0:15:57.080
<v Speaker 1>you tell me your first like, why do you say

0:15:57.120 --> 0:15:59.880
<v Speaker 1>age four? What's your first memory of that? I think

0:16:00.040 --> 0:16:02.680
<v Speaker 1>it was four. It could be that I'm not don't

0:16:02.720 --> 0:16:05.200
<v Speaker 1>have the age right. My first memory of feeling that

0:16:05.240 --> 0:16:07.800
<v Speaker 1>I was too fat was not in ballet class, but

0:16:07.840 --> 0:16:10.600
<v Speaker 1>I think it was influenced by dance. There was like

0:16:10.640 --> 0:16:12.800
<v Speaker 1>a stage where we would do cabarets in the summer

0:16:12.880 --> 0:16:18.320
<v Speaker 1>and things. I was on stage and I had I

0:16:18.360 --> 0:16:20.200
<v Speaker 1>was like kind of standing with a sway back. I

0:16:20.240 --> 0:16:22.400
<v Speaker 1>had more of a sway back because like a toddler,

0:16:23.520 --> 0:16:26.000
<v Speaker 1>and I was aware suddenly that my like that made

0:16:26.000 --> 0:16:31.520
<v Speaker 1>my stomach stick out. And that's my first, like very

0:16:31.600 --> 0:16:41.320
<v Speaker 1>concrete memory of wishing that my stomach were smaller, and

0:16:41.440 --> 0:16:47.160
<v Speaker 1>that never went away. I started dance classes when I

0:16:47.240 --> 0:16:51.800
<v Speaker 1>was three, and I mean, I think it's it's hard

0:16:51.840 --> 0:16:56.520
<v Speaker 1>to just stand in a leotard in front of a

0:16:56.560 --> 0:17:01.720
<v Speaker 1>mirror every day as a kid. Do you remember any

0:17:01.800 --> 0:17:06.800
<v Speaker 1>times when a teacher like specifically told you to lose

0:17:06.840 --> 0:17:12.120
<v Speaker 1>weight or implied it in some way. No, that's the thing.

0:17:12.160 --> 0:17:14.120
<v Speaker 1>I don't think I ever had a teacher say, Erica,

0:17:14.160 --> 0:17:17.960
<v Speaker 1>you need to lose weight. No, I think it's like

0:17:18.160 --> 0:17:22.040
<v Speaker 1>very clear that you want to be thin, Like no

0:17:22.080 --> 0:17:25.600
<v Speaker 1>one needs to say that explicitly in class. There was

0:17:25.600 --> 0:17:29.119
<v Speaker 1>just such an awareness that thinness was clearly important. And

0:17:29.200 --> 0:17:32.200
<v Speaker 1>I think sometimes teachers would tell stories about their own

0:17:32.200 --> 0:17:35.560
<v Speaker 1>training that were kind of intended to point out how

0:17:35.680 --> 0:17:41.760
<v Speaker 1>messed up something was, but also inevitably then communicated maybe

0:17:41.760 --> 0:17:48.119
<v Speaker 1>the messed up message to us unintentionally. So like I

0:17:48.160 --> 0:17:53.399
<v Speaker 1>remember one of my teachers who was from Ukraine and

0:17:53.520 --> 0:17:57.520
<v Speaker 1>she'd been trained in Russian schools. She would tell stories

0:17:57.720 --> 0:18:01.840
<v Speaker 1>that a teacher would go and pinch your back, and

0:18:01.880 --> 0:18:04.160
<v Speaker 1>if they could pinch your back and get any kind

0:18:04.160 --> 0:18:08.240
<v Speaker 1>of like fat in the pinch, the teacher would say, oh,

0:18:08.280 --> 0:18:11.240
<v Speaker 1>I see, even having a little too much milk in

0:18:11.320 --> 0:18:13.960
<v Speaker 1>other words, like drinking milk was making them fat. But

0:18:14.040 --> 0:18:16.240
<v Speaker 1>I was like, oh, I guess I don't want any

0:18:16.520 --> 0:18:20.479
<v Speaker 1>pinchable fat in my back. She also would tell us

0:18:20.480 --> 0:18:24.159
<v Speaker 1>stories about how Russian schools worked at the time. You know,

0:18:24.200 --> 0:18:26.480
<v Speaker 1>you're a little girl between age six and ten. I

0:18:26.480 --> 0:18:28.920
<v Speaker 1>don't know the exact age, but if you want to

0:18:28.960 --> 0:18:32.200
<v Speaker 1>get into a Russian school, you go in. You're auditioning.

0:18:33.119 --> 0:18:36.560
<v Speaker 1>At one point, you take off your clothes you're naked,

0:18:36.640 --> 0:18:41.280
<v Speaker 1>I think for the audition often your topless as a

0:18:41.320 --> 0:18:44.800
<v Speaker 1>little girl. And then you also have like a medical

0:18:44.840 --> 0:18:47.720
<v Speaker 1>examination where they measure your body. They might even like

0:18:47.840 --> 0:18:50.879
<v Speaker 1>look at your parents to see how you're likely to

0:18:50.880 --> 0:18:55.040
<v Speaker 1>develop physically, basically saying we only want to admit people

0:18:55.040 --> 0:18:59.159
<v Speaker 1>into our school who have the exact proportions and ballet

0:18:59.200 --> 0:19:03.719
<v Speaker 1>body that we're looking for. Yeah, you're also thinking, you

0:19:03.720 --> 0:19:05.680
<v Speaker 1>know what I cut it in Russia. I don't know.

0:19:06.640 --> 0:19:09.040
<v Speaker 1>I think I remember the teacher that you're talking about,

0:19:09.960 --> 0:19:12.080
<v Speaker 1>and she was I think, amazing in a lot of ways.

0:19:12.880 --> 0:19:16.159
<v Speaker 1>But like also, I feel like to a certain degree,

0:19:16.160 --> 0:19:19.919
<v Speaker 1>there's an element of psychological breeding with that by just

0:19:20.000 --> 0:19:24.280
<v Speaker 1>saying like, oh, listen to how bad I had it,

0:19:24.520 --> 0:19:30.040
<v Speaker 1>or the types of disparaging comments I received. These other

0:19:30.119 --> 0:19:33.480
<v Speaker 1>comments I'm making are nothing compared to that. Yeah, the

0:19:33.560 --> 0:19:37.520
<v Speaker 1>messaging is, oh wow, look how intense that is over

0:19:37.560 --> 0:19:41.080
<v Speaker 1>in Russia, wasn't it? Nicely? Don't do that here? But

0:19:41.240 --> 0:19:43.439
<v Speaker 1>now I have these ideas that I'm supposed to have

0:19:43.480 --> 0:19:46.600
<v Speaker 1>certain measurements in order to be the best ballerina. Now

0:19:46.640 --> 0:19:50.440
<v Speaker 1>I'm aware of that, even if that wasn't the intention.

0:19:55.560 --> 0:19:57.399
<v Speaker 1>I do remember one time you walked in because you

0:19:57.400 --> 0:20:00.560
<v Speaker 1>were always there because you're always having to like with

0:20:00.640 --> 0:20:02.679
<v Speaker 1>mom as she's like driving me to class and stuff.

0:20:03.280 --> 0:20:05.800
<v Speaker 1>But you walked in, and I think she was like, oh,

0:20:05.840 --> 0:20:09.280
<v Speaker 1>you you would be accepted. You ailin? Yeah, you know.

0:20:09.480 --> 0:20:13.320
<v Speaker 1>I even remember she had me do first position and

0:20:13.440 --> 0:20:17.120
<v Speaker 1>she like, I'm not even her student, and she took

0:20:17.119 --> 0:20:20.120
<v Speaker 1>her hands and put them on my ankles and crept

0:20:20.119 --> 0:20:22.119
<v Speaker 1>her hands all the way up to my up my

0:20:22.240 --> 0:20:27.360
<v Speaker 1>legs to my hips, feeling my turnout wow, and literally

0:20:27.520 --> 0:20:30.040
<v Speaker 1>put her hands all over my legs up to like

0:20:30.080 --> 0:20:33.479
<v Speaker 1>my butt, and then was like, yes, you would be

0:20:33.520 --> 0:20:37.080
<v Speaker 1>accepted or something. And I felt so good at the

0:20:37.119 --> 0:20:41.840
<v Speaker 1>time because I mean like I was even totally drenched

0:20:41.880 --> 0:20:44.800
<v Speaker 1>in ballet culture at this point, because I was, you know,

0:20:45.760 --> 0:20:49.000
<v Speaker 1>just watching you all the time. Yeah, And then I

0:20:49.000 --> 0:20:52.280
<v Speaker 1>feel like you were like, oh, what the heck, why

0:20:52.320 --> 0:20:59.840
<v Speaker 1>didn't she say that about me? Yeah? Definitely, every day

0:20:59.840 --> 0:21:03.919
<v Speaker 1>I saw Erica striving for some image of perfection. I

0:21:03.960 --> 0:21:06.360
<v Speaker 1>remember when she got obsessed with the idea that her

0:21:06.400 --> 0:21:10.760
<v Speaker 1>ponytail should be smooth with no bumps. She'd spend what

0:21:10.920 --> 0:21:14.280
<v Speaker 1>felt like forever stuck in a loop slicking her hair back.

0:21:14.400 --> 0:21:17.040
<v Speaker 1>Then checking it for bombs, taking it out, and starting

0:21:17.080 --> 0:21:21.000
<v Speaker 1>all over again. I'd watch her perform these rituals in

0:21:21.040 --> 0:21:24.320
<v Speaker 1>the mirror, the mirrors at home and in the ballet

0:21:24.400 --> 0:21:29.280
<v Speaker 1>studio became a decider of Erica's self worth. There are

0:21:29.320 --> 0:21:31.840
<v Speaker 1>a lot of like body markers, body checking, like just

0:21:31.920 --> 0:21:37.280
<v Speaker 1>things that I think are probably potentially super triggering for people.

0:21:37.359 --> 0:21:43.280
<v Speaker 1>But yeah, I remember, like we shared a bathroom and

0:21:43.840 --> 0:21:47.320
<v Speaker 1>you just had certain rituals of checking yourself in the

0:21:47.320 --> 0:21:50.280
<v Speaker 1>mirror in certain ways that you would do almost like

0:21:50.400 --> 0:21:54.760
<v Speaker 1>repetitively padding certain parts of your body. I would like

0:21:54.920 --> 0:21:58.160
<v Speaker 1>turn and profile to the mirror. I'd like go one

0:21:58.240 --> 0:22:00.399
<v Speaker 1>way and then the other, and I would look at

0:22:00.400 --> 0:22:03.360
<v Speaker 1>my profile, see how then I was. I'd put one

0:22:03.359 --> 0:22:04.879
<v Speaker 1>hand in front of my stomach and one hand on

0:22:04.920 --> 0:22:08.520
<v Speaker 1>my back and go tap tap the other side, tap tap,

0:22:08.880 --> 0:22:13.800
<v Speaker 1>like how then are we today? Yeah? And then you would,

0:22:14.760 --> 0:22:19.800
<v Speaker 1>you know, do that regularly throughout the week, throughout the day.

0:22:28.040 --> 0:22:30.320
<v Speaker 1>I have a memory or two of you actually like

0:22:30.520 --> 0:22:35.639
<v Speaker 1>teaching me the body checking. Not oh God, no, that

0:22:35.680 --> 0:22:39.440
<v Speaker 1>sounds bad, not in like a judgmental god or no.

0:22:39.560 --> 0:22:43.360
<v Speaker 1>I was more like curious, like I would ask you explicitly,

0:22:43.400 --> 0:22:46.280
<v Speaker 1>like what are you doing or like what is that

0:22:46.359 --> 0:22:49.320
<v Speaker 1>supposed to do? What you're doing right there, that specific thing,

0:22:49.359 --> 0:22:50.800
<v Speaker 1>and then you'd be like, oh, well, I just go

0:22:50.920 --> 0:22:53.679
<v Speaker 1>like this and like that to check this, and I

0:22:53.720 --> 0:22:56.720
<v Speaker 1>think it helps with this. And like being a younger sister,

0:22:56.840 --> 0:22:58.280
<v Speaker 1>you know, I kind of looked up to you and

0:22:58.359 --> 0:23:05.280
<v Speaker 1>would almost like you know, be like oh wow. And

0:23:05.320 --> 0:23:08.080
<v Speaker 1>then you had lots of rules about when you could eat.

0:23:09.080 --> 0:23:11.919
<v Speaker 1>And again these were like also explicit things that we

0:23:12.000 --> 0:23:15.240
<v Speaker 1>talked about and that you'd be like, I've heard that

0:23:15.280 --> 0:23:18.200
<v Speaker 1>if you don't eat after X time, it like really

0:23:18.200 --> 0:23:23.840
<v Speaker 1>helps for this for that reason, which I mean didn't

0:23:23.880 --> 0:23:28.200
<v Speaker 1>even really make sense. But my point is ballet had

0:23:28.400 --> 0:23:35.000
<v Speaker 1>permeated our family culture or our family Yeah, and so

0:23:35.320 --> 0:23:39.520
<v Speaker 1>talking about that stuff, even explicitly, it was just like

0:23:39.600 --> 0:23:48.800
<v Speaker 1>oh interesting, got to try that accepted. Yeah. I also

0:23:48.920 --> 0:23:54.640
<v Speaker 1>think there was a lot less awareness of eating disorders

0:23:54.760 --> 0:23:58.120
<v Speaker 1>and what that meant at the time. Yeah, I mean

0:23:58.119 --> 0:24:00.480
<v Speaker 1>we had heard of eating disorders before, but we thought

0:24:00.520 --> 0:24:05.440
<v Speaker 1>like the more extreme versions when someone's being hospitalized for

0:24:05.520 --> 0:24:09.040
<v Speaker 1>an eating disorder. Yeah, at the time, we thought it

0:24:09.119 --> 0:24:15.520
<v Speaker 1>was anorexia or bolimia. And because Alan, you, like you

0:24:15.560 --> 0:24:17.919
<v Speaker 1>were home from summer break or something. In college, you

0:24:17.920 --> 0:24:23.480
<v Speaker 1>were researching eating disorders and you were like, oh, yeah, Erica,

0:24:23.560 --> 0:24:25.880
<v Speaker 1>you had an eating disorder or you had a disordered

0:24:25.880 --> 0:24:29.240
<v Speaker 1>eating of some kind. I was like what, and you

0:24:29.359 --> 0:24:31.800
<v Speaker 1>listed a bunch of things, and I remember you explaining

0:24:31.800 --> 0:24:35.879
<v Speaker 1>what body checking was. And I actively did not want

0:24:35.880 --> 0:24:39.800
<v Speaker 1>an eating disorder, and I knew how dangerous they could be,

0:24:40.040 --> 0:24:43.040
<v Speaker 1>and I was very aware of the dangers of it,

0:24:44.400 --> 0:24:47.800
<v Speaker 1>but I definitely didn't restrict food as much as I

0:24:47.840 --> 0:24:50.480
<v Speaker 1>wanted to be able to restrict food. And then I

0:24:50.520 --> 0:24:53.400
<v Speaker 1>remember with bolimia, like also I did not want bulimia,

0:24:53.720 --> 0:24:57.080
<v Speaker 1>but I did try to throw up on multiple occasions,

0:24:57.720 --> 0:25:00.679
<v Speaker 1>and I just like literally couldn't do it physically. And

0:25:00.800 --> 0:25:02.600
<v Speaker 1>that was probably a really good thing because I could

0:25:02.640 --> 0:25:05.920
<v Speaker 1>see myself getting into that back then. But one year

0:25:05.960 --> 0:25:09.439
<v Speaker 1>I ended up homeschooling because my dance schedule at that

0:25:09.480 --> 0:25:12.760
<v Speaker 1>particular ballet school was so intense that like, I was

0:25:12.800 --> 0:25:16.120
<v Speaker 1>missing a lot of school. During that time, I got

0:25:16.119 --> 0:25:18.840
<v Speaker 1>really into like trying certain foods. So for a while

0:25:18.880 --> 0:25:21.200
<v Speaker 1>I was really into grape fruit and grape nuts, which

0:25:21.240 --> 0:25:22.680
<v Speaker 1>I also thought was funny because it was like the

0:25:22.720 --> 0:25:25.280
<v Speaker 1>word great and both of these foods, and like I

0:25:25.320 --> 0:25:28.760
<v Speaker 1>would eat like a late breakfast because I was homeschool

0:25:28.800 --> 0:25:30.640
<v Speaker 1>so I could do this. I would eat late breakfast

0:25:30.720 --> 0:25:33.800
<v Speaker 1>of like half a grapefruit and some grape nuts and

0:25:33.840 --> 0:25:39.199
<v Speaker 1>then some other snack or food and then you know,

0:25:39.359 --> 0:25:42.840
<v Speaker 1>not eat after my allotted hour and be done eating

0:25:42.840 --> 0:25:48.360
<v Speaker 1>for the day. Wow. And that year, I don't think

0:25:48.359 --> 0:25:51.679
<v Speaker 1>I really noticed it, but I guess I must have

0:25:51.720 --> 0:25:54.479
<v Speaker 1>lost a lot of weight. I remember at the end

0:25:54.520 --> 0:25:56.960
<v Speaker 1>of the year, I was like at the bar next

0:25:56.960 --> 0:25:59.119
<v Speaker 1>to the mirror. We wasn't during class. It was like

0:25:59.400 --> 0:26:01.440
<v Speaker 1>maybe people we're putting their point shoes on or something.

0:26:02.760 --> 0:26:06.800
<v Speaker 1>My teacher said Erica, like, I've noticed your leotards. Look

0:26:06.880 --> 0:26:09.720
<v Speaker 1>your leotard's loose. Your leotard's loose on you. You're looking

0:26:09.720 --> 0:26:15.159
<v Speaker 1>good or something like that, jeez, basically complimenting me that

0:26:15.320 --> 0:26:19.840
<v Speaker 1>my leotard, which I had worn, you know, regularly throughout

0:26:19.840 --> 0:26:24.159
<v Speaker 1>the year, was now loose on me. And I felt

0:26:24.160 --> 0:26:27.480
<v Speaker 1>so good when she said that. Oh my god, Oh

0:26:27.520 --> 0:26:32.200
<v Speaker 1>I was so happy. I was so happy. Around this time,

0:26:32.240 --> 0:26:36.240
<v Speaker 1>I remember how ballet started monopolizing our family life, either

0:26:36.280 --> 0:26:39.320
<v Speaker 1>because Erica wasn't around as much or just because we

0:26:39.320 --> 0:26:46.520
<v Speaker 1>were spending so much time doing things for ballet. We'd

0:26:46.560 --> 0:26:49.080
<v Speaker 1>spend time in the Point shoe store while Erica tried

0:26:49.119 --> 0:26:51.199
<v Speaker 1>on shoes, and our mom and I would help se

0:26:51.320 --> 0:26:54.200
<v Speaker 1>on ribbons. We'd burn the edges with a lit match

0:26:54.280 --> 0:26:56.600
<v Speaker 1>so they wouldn't fray. We'd go to the mall and

0:26:56.640 --> 0:27:00.320
<v Speaker 1>purchase expensive hair pieces or stage makeup that the school requested.

0:27:01.400 --> 0:27:04.040
<v Speaker 1>Then there were the countless car rides and waiting for

0:27:04.119 --> 0:27:08.760
<v Speaker 1>class to be over. I'd write in my childhood diary

0:27:09.040 --> 0:27:16.240
<v Speaker 1>how I missed her, and I just remember Erica around then.

0:27:16.960 --> 0:27:21.440
<v Speaker 1>She seemed down. She didn't have time for hangouts or sleepovers,

0:27:22.320 --> 0:27:24.639
<v Speaker 1>and no matter how she seemed to perform in class

0:27:24.720 --> 0:27:28.359
<v Speaker 1>or on stage, she was always stuck in this same loop.

0:27:31.960 --> 0:27:34.719
<v Speaker 1>Just how much I hated my body and all of

0:27:34.760 --> 0:27:40.439
<v Speaker 1>the emotional consternation around that, and like constant obsession with that,

0:27:40.600 --> 0:27:45.520
<v Speaker 1>It was very tiring. So I was just really knotted

0:27:45.600 --> 0:27:49.080
<v Speaker 1>up inside that year because I just wanted my bones

0:27:49.080 --> 0:27:51.520
<v Speaker 1>to jut out. That's what I wanted. I wanted to

0:27:51.560 --> 0:27:58.480
<v Speaker 1>be bony. But I remember like I'd be like crying

0:27:59.119 --> 0:28:03.400
<v Speaker 1>at home late night. I'd be home from ballet and crying,

0:28:03.680 --> 0:28:06.240
<v Speaker 1>And I remember one night I was crying, and like

0:28:06.359 --> 0:28:08.000
<v Speaker 1>mom and Dad were on the couch and I was

0:28:08.040 --> 0:28:10.159
<v Speaker 1>on the floor, and I was telling them that I

0:28:10.200 --> 0:28:11.679
<v Speaker 1>needed to be thinner, and they were I think they

0:28:11.680 --> 0:28:14.040
<v Speaker 1>were just like, what, like, we don't know what to do.

0:28:14.600 --> 0:28:17.880
<v Speaker 1>And I think around that time they actually went to

0:28:17.920 --> 0:28:20.359
<v Speaker 1>the head of the school and said, like, you know,

0:28:20.400 --> 0:28:23.199
<v Speaker 1>they have parent teacher conferences and they said, you know,

0:28:24.040 --> 0:28:26.520
<v Speaker 1>one of Erica's concerns is that she's worried about being

0:28:26.520 --> 0:28:31.119
<v Speaker 1>thin enough. And you know, really, to the head teacher's credit,

0:28:32.040 --> 0:28:36.040
<v Speaker 1>she said, no, no, she's fine. She doesn't need to

0:28:36.040 --> 0:28:39.720
<v Speaker 1>worry about that. All of the reassurances I needed and

0:28:39.920 --> 0:28:41.720
<v Speaker 1>Mom and Dad passed that on to me, which did

0:28:41.800 --> 0:28:45.280
<v Speaker 1>mean a lot because she had been a principal with ABT.

0:28:45.760 --> 0:28:48.080
<v Speaker 1>She you know, she knew what she was talking about,

0:28:48.920 --> 0:28:52.040
<v Speaker 1>but I think it caused so much emotional weight that

0:28:52.120 --> 0:28:55.800
<v Speaker 1>increased just the general turmoil around this decision of should

0:28:55.800 --> 0:28:59.600
<v Speaker 1>I keep dancing or should I allow myself to do

0:28:59.680 --> 0:29:31.560
<v Speaker 1>some of the other things I love as well. One year,

0:29:31.840 --> 0:29:35.760
<v Speaker 1>Erica got into a prestigious pre professional summer intensive for ballet.

0:29:36.680 --> 0:29:39.440
<v Speaker 1>With this type of program, she'd spend the summer away

0:29:39.440 --> 0:29:42.480
<v Speaker 1>from home, living in a dorm training in hopes of

0:29:42.520 --> 0:29:47.000
<v Speaker 1>eventually joining a company. It should have been caused for celebration,

0:29:47.400 --> 0:29:53.440
<v Speaker 1>but for some reason, Erica just felt dread. I had

0:29:53.480 --> 0:29:57.040
<v Speaker 1>been questioning whether this was the right path for me already,

0:29:57.840 --> 0:30:00.520
<v Speaker 1>and there was a period where I was crying, like

0:30:01.440 --> 0:30:05.480
<v Speaker 1>almost nightly about it. I just felt so torn in

0:30:05.520 --> 0:30:09.080
<v Speaker 1>different directions. I just wasn't ready to give up my

0:30:09.080 --> 0:30:12.440
<v Speaker 1>whole self to it. I've always had a lot of interests,

0:30:12.640 --> 0:30:17.120
<v Speaker 1>too many interests, and ballet had become my whole life.

0:30:17.120 --> 0:30:19.040
<v Speaker 1>But it sort of had become my whole life out

0:30:19.080 --> 0:30:25.680
<v Speaker 1>of default because it required that I was considering quitting

0:30:25.840 --> 0:30:30.440
<v Speaker 1>high school and just focusing on dance. And I loved

0:30:30.440 --> 0:30:32.800
<v Speaker 1>school Alan you know, I was like a total nerd,

0:30:33.960 --> 0:30:35.920
<v Speaker 1>and you know, I was in a lot of pain

0:30:36.000 --> 0:30:41.920
<v Speaker 1>a lot of the time with my multiple injuries. Meanwhile,

0:30:42.080 --> 0:30:45.480
<v Speaker 1>Erica spent a lot of time in physical therapy. One day,

0:30:45.560 --> 0:30:47.880
<v Speaker 1>she went in for routine visit to deal with one

0:30:47.880 --> 0:30:52.360
<v Speaker 1>of her many chronic injuries, and so I remember that

0:30:52.480 --> 0:30:55.360
<v Speaker 1>day in the physical therapist office, we were in like

0:30:55.400 --> 0:30:59.640
<v Speaker 1>a separate room. So usually doing exercises, we'd be in

0:30:59.680 --> 0:31:02.720
<v Speaker 1>this sort of main room where a lot of people

0:31:02.840 --> 0:31:07.480
<v Speaker 1>there were machines, but for some reason we went into

0:31:07.560 --> 0:31:11.239
<v Speaker 1>this other, smaller office room off of the main room,

0:31:11.280 --> 0:31:14.440
<v Speaker 1>and that's when she said, you know, honestly, I'm not

0:31:14.480 --> 0:31:17.440
<v Speaker 1>seeing the improvement that we want, and you're not seeing

0:31:17.440 --> 0:31:21.080
<v Speaker 1>the improvement that we want. And really to get over this,

0:31:21.560 --> 0:31:24.400
<v Speaker 1>I think you're going to need to take three months off,

0:31:24.520 --> 0:31:27.600
<v Speaker 1>take the summer off. I felt like I couldn't miss

0:31:27.640 --> 0:31:30.320
<v Speaker 1>two days, and then she says, take three months off.

0:31:31.560 --> 0:31:34.800
<v Speaker 1>But as soon as she said that, I felt relief.

0:31:36.320 --> 0:31:41.400
<v Speaker 1>I didn't feel sad. I was I was like, yeay,

0:31:42.320 --> 0:31:46.480
<v Speaker 1>I was happy because I instantly knew I was never

0:31:46.520 --> 0:31:50.960
<v Speaker 1>going back and I never did. Whoa did you never

0:31:51.000 --> 0:31:54.400
<v Speaker 1>even go back to class? Like what happened there? I

0:31:54.440 --> 0:31:56.600
<v Speaker 1>think I went back. I went back to one class.

0:32:04.320 --> 0:32:08.000
<v Speaker 1>I don't know why I'm crying. I think it just

0:32:08.040 --> 0:32:11.479
<v Speaker 1>meant a lot to me at the time, and it

0:32:11.600 --> 0:32:15.040
<v Speaker 1>was like one of the hardest decisions I ever made.

0:32:15.160 --> 0:32:20.240
<v Speaker 1>I can't believe I'm crying about this, but I just like,

0:32:22.080 --> 0:32:28.640
<v Speaker 1>I really loved it so much. Yeah you did, and

0:32:28.800 --> 0:32:33.040
<v Speaker 1>it is hard to know that, Um, it feels like

0:32:33.080 --> 0:32:40.080
<v Speaker 1>you're giving it up permanently because you can't like go

0:32:40.160 --> 0:32:47.840
<v Speaker 1>back to that level. But I remember I I went

0:32:47.880 --> 0:32:51.280
<v Speaker 1>back to one last class. I think it was a

0:32:51.280 --> 0:32:56.000
<v Speaker 1>weird class because it was post the school term and

0:32:56.120 --> 0:32:59.280
<v Speaker 1>before the summer intensive starts, and so it was like

0:32:59.280 --> 0:33:01.560
<v Speaker 1>a weird in betweeen limbo classes. How it felt. It

0:33:01.600 --> 0:33:05.560
<v Speaker 1>felt less serious or just slightly less formal, and it

0:33:05.640 --> 0:33:11.480
<v Speaker 1>was a modern class, and I just danced my heart

0:33:11.520 --> 0:33:13.800
<v Speaker 1>out and I had so much fun, and I felt

0:33:13.880 --> 0:33:17.000
<v Speaker 1>so free in the movement. I think maybe also because

0:33:17.040 --> 0:33:20.080
<v Speaker 1>it was modern and we had these combinations across the

0:33:20.120 --> 0:33:26.120
<v Speaker 1>floor that we're just you're jumping in like all directions

0:33:26.160 --> 0:33:33.520
<v Speaker 1>and turning in the air, and I just felt so free.

0:33:33.560 --> 0:33:36.280
<v Speaker 1>It felt so exhilarating. And I remember after the class

0:33:36.360 --> 0:33:38.320
<v Speaker 1>one of my ballet teachers had been watching it for

0:33:38.320 --> 0:33:41.360
<v Speaker 1>some reason, which never happens. And it was one of

0:33:41.360 --> 0:33:46.720
<v Speaker 1>the teachers who's really she's extremely straightforward, doesn't compliment you often,

0:33:47.320 --> 0:33:50.400
<v Speaker 1>can be very harsh, would make people cry in class.

0:33:51.760 --> 0:33:55.680
<v Speaker 1>And what did she say? I used to remember the

0:33:55.720 --> 0:33:59.440
<v Speaker 1>word so well, but essentially she said, I've never seen

0:33:59.520 --> 0:34:04.000
<v Speaker 1>you dance like that, and she gave me this look. Basically,

0:34:04.000 --> 0:34:06.200
<v Speaker 1>what she was communicating to me was you have something

0:34:06.520 --> 0:34:11.120
<v Speaker 1>like you have it like that was amazing, wow, And

0:34:12.640 --> 0:34:14.880
<v Speaker 1>it's like I really was able to put myself in

0:34:14.920 --> 0:34:16.880
<v Speaker 1>it in a way I never had. And I thanked

0:34:16.920 --> 0:34:18.960
<v Speaker 1>her and I felt totally. I felt so free. As

0:34:18.960 --> 0:34:20.960
<v Speaker 1>I walked out that door. I knew I was never

0:34:21.000 --> 0:34:23.200
<v Speaker 1>going back. I wasn't planning to take classes of any

0:34:23.280 --> 0:34:28.320
<v Speaker 1>kind because it was an all or nothing. It was

0:34:28.360 --> 0:34:31.440
<v Speaker 1>all or nothing. I wasn't going to watch my body

0:34:31.520 --> 0:34:33.960
<v Speaker 1>slowly degrade in the mirror. I wasn't going to do that.

0:34:35.239 --> 0:34:39.440
<v Speaker 1>So I was not going back. I felt good about it,

0:34:39.480 --> 0:34:44.400
<v Speaker 1>but it is hard to hear as you're leaving, you know,

0:34:46.320 --> 0:34:49.520
<v Speaker 1>someone communicating like what you're capable of if you decide

0:34:49.560 --> 0:34:53.120
<v Speaker 1>to stay. She didn't know I was leaving either. I

0:34:53.160 --> 0:34:57.320
<v Speaker 1>hadn't told anyone. I hadn't told my teachers, I didn't

0:34:57.360 --> 0:35:01.160
<v Speaker 1>tell my classmates. I basically he left and ever went back,

0:35:01.160 --> 0:35:06.399
<v Speaker 1>and I didn't say goodbye. I didn't say goodbye to anyone. Why.

0:35:08.160 --> 0:35:28.960
<v Speaker 1>I don't know. I'm just curious because I guess I

0:35:29.000 --> 0:35:31.080
<v Speaker 1>don't even know, and maybe you don't know exactly why.

0:35:31.160 --> 0:35:34.560
<v Speaker 1>But like when you just started crying, like what were

0:35:34.560 --> 0:35:39.839
<v Speaker 1>you thinking? Why? What brought that out? I think I

0:35:39.880 --> 0:35:44.759
<v Speaker 1>just really loved to dance. I did. I did love

0:35:44.800 --> 0:35:48.680
<v Speaker 1>it more than anything. Um, I do think it was

0:35:48.719 --> 0:35:51.520
<v Speaker 1>a natural part of me and I and the reality

0:35:51.640 --> 0:35:56.440
<v Speaker 1>is I was like I it really did come from me,

0:35:56.680 --> 0:36:00.640
<v Speaker 1>like I do think that, you know, practically before I

0:36:00.640 --> 0:36:03.680
<v Speaker 1>could walk, I wanted to dance. It made me feel

0:36:03.719 --> 0:36:06.840
<v Speaker 1>connected with music. And I always used to say I

0:36:07.000 --> 0:36:09.400
<v Speaker 1>dance because when I dance, I am the music and

0:36:09.480 --> 0:36:13.680
<v Speaker 1>there's just nothing that feels as amazing as that. And

0:36:13.719 --> 0:36:18.000
<v Speaker 1>so at the time it felt like the biggest, most

0:36:18.040 --> 0:36:20.520
<v Speaker 1>important decision of my life, and it was. It was

0:36:20.560 --> 0:36:26.520
<v Speaker 1>the most central decision at that time for me. But

0:36:26.600 --> 0:36:29.279
<v Speaker 1>this all sounds so overdramatic for like a fifteen year old,

0:36:29.320 --> 0:36:33.239
<v Speaker 1>sixteen year old or whatever I was. But why was

0:36:33.280 --> 0:36:47.040
<v Speaker 1>I crying just now? I think I dismissed it. I

0:36:47.120 --> 0:36:49.759
<v Speaker 1>wish I hadn't said all or nothing, Like I wish

0:36:49.840 --> 0:36:53.239
<v Speaker 1>I had just kept taking a few classes, not in

0:36:53.280 --> 0:36:57.040
<v Speaker 1>the pre professional program and the open division. I think

0:36:57.040 --> 0:36:58.520
<v Speaker 1>it would have been too hard at the time, But

0:36:58.600 --> 0:37:01.799
<v Speaker 1>I wish I had done that. I wonder though, if

0:37:01.800 --> 0:37:08.600
<v Speaker 1>you could have you know, Yeah, I feel like in

0:37:08.640 --> 0:37:13.440
<v Speaker 1>your particular situation, like it was too hard, Like sometimes

0:37:14.080 --> 0:37:17.439
<v Speaker 1>when you have like a breakup or something. You need

0:37:17.480 --> 0:37:22.359
<v Speaker 1>to have time where you're not communicating. Otherwise it's just

0:37:22.400 --> 0:37:28.239
<v Speaker 1>way too complicated. Yeah, you're right, that's totally what it was.

0:37:28.320 --> 0:37:31.920
<v Speaker 1>It was like a breakup. It was really like a divorce,

0:37:32.040 --> 0:37:37.560
<v Speaker 1>so from like a really potentially even toxic relationship, just

0:37:37.680 --> 0:37:43.279
<v Speaker 1>because it was all encompassing for you. Yeah, And I

0:37:43.680 --> 0:37:46.719
<v Speaker 1>do think, like I even get emotional seeing you get

0:37:46.719 --> 0:37:53.319
<v Speaker 1>emotional because I know you so well. And maybe this

0:37:53.440 --> 0:37:57.160
<v Speaker 1>is horrible to say, but I feel like, in some

0:37:57.200 --> 0:38:01.640
<v Speaker 1>ways that was your great love and I don't know

0:38:01.680 --> 0:38:04.000
<v Speaker 1>if you've ever found that in anything else. And I

0:38:04.040 --> 0:38:10.080
<v Speaker 1>think that's why you're crying. Yeah, But the problem is

0:38:10.120 --> 0:38:14.840
<v Speaker 1>that even though maybe that was your great love, the

0:38:15.000 --> 0:38:22.279
<v Speaker 1>cost was too high. Yeah. When I look at my

0:38:22.320 --> 0:38:25.759
<v Speaker 1>sister now, I see a confident woman. She's full of

0:38:25.800 --> 0:38:28.920
<v Speaker 1>life and not afraid to say what she thinks. But

0:38:29.040 --> 0:38:33.000
<v Speaker 1>that took time. For months, maybe even years, after Erica

0:38:33.080 --> 0:38:36.759
<v Speaker 1>left ballet, she often had a more quiet demeanor. She

0:38:36.840 --> 0:38:39.720
<v Speaker 1>kept the slicked back hair, She seemed to trust others

0:38:39.760 --> 0:38:43.600
<v Speaker 1>more than herself. The other thing I wanted to say is,

0:38:43.640 --> 0:38:48.359
<v Speaker 1>like I said that thing about it was your one love,

0:38:48.520 --> 0:38:53.640
<v Speaker 1>But I think that's the way you perceive it. Yeah,

0:38:53.680 --> 0:38:59.080
<v Speaker 1>you're right. Ultimately ballet wasn't enough for me, And that

0:38:59.120 --> 0:39:01.680
<v Speaker 1>doesn't mean ballet isn't enough for other people, But it

0:39:01.800 --> 0:39:05.080
<v Speaker 1>just wasn't enough for me to give up everything else.

0:39:06.360 --> 0:39:10.440
<v Speaker 1>Sometimes I'm not sure what came first, because I started

0:39:10.520 --> 0:39:13.880
<v Speaker 1>dancing when I was three years old? So what is me?

0:39:14.040 --> 0:39:16.320
<v Speaker 1>Because I'm me? And what is me because of ballet?

0:39:17.680 --> 0:39:21.520
<v Speaker 1>I do think ballet does instill this like rigorous, constant

0:39:21.520 --> 0:39:25.040
<v Speaker 1>self criticism where that is your job, and maybe trusting

0:39:25.080 --> 0:39:28.759
<v Speaker 1>how others see you as well more than how you

0:39:28.760 --> 0:39:33.040
<v Speaker 1>even see yourself at times. Actually, now that I'm saying this,

0:39:33.120 --> 0:39:36.400
<v Speaker 1>it kind of reminds me of what Wilhelmina Frankfurt told us.

0:39:36.440 --> 0:39:40.120
<v Speaker 1>Balanchie used to say, you can't see you, only I

0:39:40.160 --> 0:39:44.160
<v Speaker 1>can see you. If that's the messaging you're getting in

0:39:44.160 --> 0:39:50.000
<v Speaker 1>your training, you do learn to trust someone else's perception

0:39:50.040 --> 0:39:58.040
<v Speaker 1>of you more than your perception of yourself. It's funny

0:39:58.120 --> 0:40:02.080
<v Speaker 1>to think how the culture of ballet that's been passed

0:40:02.080 --> 0:40:07.759
<v Speaker 1>down for generations effects not only the professional dancers, but

0:40:07.840 --> 0:40:13.360
<v Speaker 1>the thousands and thousands of little children who learn this

0:40:13.600 --> 0:40:17.040
<v Speaker 1>art form. How many people do you know who like

0:40:17.200 --> 0:40:21.160
<v Speaker 1>danced as a kid, and how many of them may

0:40:21.200 --> 0:40:24.359
<v Speaker 1>have been deeply affected by this culture. It's like all

0:40:24.400 --> 0:40:27.440
<v Speaker 1>these years you're learning to reflect back what other people want,

0:40:28.280 --> 0:40:31.000
<v Speaker 1>and you're learning to look at your reflection and see

0:40:31.040 --> 0:40:34.480
<v Speaker 1>what's wrong with it. All those hours you spend in

0:40:34.520 --> 0:40:37.160
<v Speaker 1>the studio, all of those hours you spend in that

0:40:37.239 --> 0:40:40.480
<v Speaker 1>room of mirrors, It's like that room of mirrors is

0:40:40.520 --> 0:41:11.000
<v Speaker 1>still in your brain, sticks with you next time on

0:41:11.080 --> 0:41:17.759
<v Speaker 1>The Turning? Who decided this? Who decided that you have

0:41:17.840 --> 0:41:22.480
<v Speaker 1>to have twig like arms or legs? Did the skies

0:41:22.560 --> 0:41:25.920
<v Speaker 1>open up and the ballet god said? This is Howard

0:41:25.960 --> 0:41:29.960
<v Speaker 1>host to beat? No, it's just how we've all been programmed.

0:41:35.160 --> 0:41:38.879
<v Speaker 1>The Turning is a production of Rococo Punch and iHeart Podcasts.

0:41:39.440 --> 0:41:43.200
<v Speaker 1>It's written and produced by Erica Lance and Me. Our

0:41:43.239 --> 0:41:46.880
<v Speaker 1>story editor is Emily Foreman. Mixing and sound designed by

0:41:47.000 --> 0:41:52.320
<v Speaker 1>James Trout. Jessica Carissa is our assistant producer. Andrea Swahe

0:41:52.440 --> 0:41:56.560
<v Speaker 1>is our digital producer. Fact checking by Andrea Lopez Crusado.

0:41:58.440 --> 0:42:02.239
<v Speaker 1>Our executive producers are John Paratti and Jessica Alpert at

0:42:02.280 --> 0:42:05.920
<v Speaker 1>Rococo Punch, and Katrina Norville and Nikki e Tour at

0:42:05.920 --> 0:42:15.960
<v Speaker 1>iHeart podcasts. For photos and more details on the series,

0:42:16.080 --> 0:42:19.359
<v Speaker 1>follow us on Instagram at Rococo Punch, and you can

0:42:19.400 --> 0:42:29.080
<v Speaker 1>reach out via email The Turning at Rococo punch dot com.

0:42:29.120 --> 0:42:32.080
<v Speaker 1>I'm Alan Lance Lesser. Thanks for listening.