1 00:00:00,880 --> 00:00:03,560 Speaker 1: Time now for today's Strawberry Letter and listen. If you 2 00:00:03,600 --> 00:00:08,560 Speaker 1: need advice on relationships, on sex, on dating, on parenting, work, 3 00:00:08,640 --> 00:00:12,160 Speaker 1: and more. Please submit your Strawberry Letter to Steve Harvey 4 00:00:12,280 --> 00:00:13,840 Speaker 1: FM and click. 5 00:00:13,720 --> 00:00:15,560 Speaker 2: Submit Strawberry a letter. 6 00:00:15,600 --> 00:00:18,120 Speaker 1: Okay, we could be reading your letter live on the air, 7 00:00:18,280 --> 00:00:21,440 Speaker 1: just like we're gonna read this one today right now. 8 00:00:22,160 --> 00:00:24,800 Speaker 2: Margola, hold on tight, we got it for you. Here. 9 00:00:24,840 --> 00:00:26,560 Speaker 2: It is the Strawberry. 10 00:00:26,120 --> 00:00:32,440 Speaker 1: Letter, subject my best friend like sexy strangers. Here Stephen Shirley, 11 00:00:32,560 --> 00:00:35,159 Speaker 1: I am a thirty three year old single woman, and 12 00:00:35,280 --> 00:00:38,400 Speaker 1: my best friend is a thirty two year old wild woman. 13 00:00:38,880 --> 00:00:41,360 Speaker 1: She works as a bartender and she uses her job 14 00:00:41,400 --> 00:00:43,120 Speaker 1: as a way to hit on guys, and most of 15 00:00:43,159 --> 00:00:46,320 Speaker 1: them are in their mid twenties. She also has sex 16 00:00:46,360 --> 00:00:49,360 Speaker 1: with these guys. She says that guys our age can't 17 00:00:49,440 --> 00:00:52,080 Speaker 1: keep up with her, so she sticks with the twenty 18 00:00:52,120 --> 00:00:55,400 Speaker 1: somethings because they are great in bed. I try not 19 00:00:55,480 --> 00:00:57,920 Speaker 1: to judge her, but her sex life is a big 20 00:00:57,960 --> 00:01:01,560 Speaker 1: problem for me because she always uses my guest room 21 00:01:01,640 --> 00:01:04,560 Speaker 1: to hook up with these random men. She lives with 22 00:01:04,600 --> 00:01:07,240 Speaker 1: her brother, so she can't go to her house, and 23 00:01:07,319 --> 00:01:10,160 Speaker 1: she doesn't want to go to these guys places because 24 00:01:10,200 --> 00:01:13,120 Speaker 1: she does not know them. Instead, she wants to bring 25 00:01:13,160 --> 00:01:16,000 Speaker 1: strangers into my house. It started off as a one 26 00:01:16,040 --> 00:01:18,840 Speaker 1: time thing, but now it's more frequent. She has a 27 00:01:18,920 --> 00:01:21,640 Speaker 1: key to my house, so I could be sleep when 28 00:01:21,640 --> 00:01:24,280 Speaker 1: she comes in, and the next morning I can. 29 00:01:24,120 --> 00:01:25,280 Speaker 2: Tell that she's been there. 30 00:01:25,600 --> 00:01:27,720 Speaker 1: I told her that I do not approve of her 31 00:01:27,800 --> 00:01:30,319 Speaker 1: using my house for sex, but she said, if I'm 32 00:01:30,360 --> 00:01:33,720 Speaker 1: truly her friend, I would trust her judgment and let 33 00:01:33,720 --> 00:01:36,959 Speaker 1: her have a little fun, not to mention the fact 34 00:01:37,000 --> 00:01:39,400 Speaker 1: that she's putting me in danger while she's living out 35 00:01:39,400 --> 00:01:43,360 Speaker 1: her wild, crazy sex fantasies. All of the guys are 36 00:01:43,400 --> 00:01:46,680 Speaker 1: in great physical shape and are very handsome, so I 37 00:01:46,720 --> 00:01:48,600 Speaker 1: think she is just caught up on the fact that 38 00:01:48,640 --> 00:01:53,120 Speaker 1: she can still pull younger men. She's filling some kind 39 00:01:53,160 --> 00:01:55,640 Speaker 1: of void in her life, and she may have some 40 00:01:55,720 --> 00:01:58,480 Speaker 1: deeper issues going on. She told me that she hates 41 00:01:58,520 --> 00:02:00,800 Speaker 1: that there's a double standard when women hook up with 42 00:02:00,880 --> 00:02:03,919 Speaker 1: multiple men. I want to talk to her without signing 43 00:02:04,000 --> 00:02:07,920 Speaker 1: too preachy. What should I do? Okay, I got to 44 00:02:07,960 --> 00:02:10,000 Speaker 1: tell you right off the bat that this is your fault. 45 00:02:10,080 --> 00:02:13,880 Speaker 1: I mean, this is really on you. Why because this 46 00:02:14,040 --> 00:02:17,320 Speaker 1: is your house and you know the saying your house, 47 00:02:17,480 --> 00:02:20,120 Speaker 1: your rules. The problem is you haven't said any rules, 48 00:02:20,160 --> 00:02:24,520 Speaker 1: no boundaries in your own home. Your so called best friend, 49 00:02:25,360 --> 00:02:28,440 Speaker 1: this wild woman as you called her, she's taking advantage 50 00:02:28,480 --> 00:02:30,760 Speaker 1: of you, and she's doing it in the worst way. 51 00:02:31,840 --> 00:02:35,400 Speaker 1: A real friend, any kind of real good friend, they 52 00:02:35,440 --> 00:02:38,600 Speaker 1: wouldn't do this to a person, and you shouldn't allow 53 00:02:38,639 --> 00:02:40,720 Speaker 1: her to do this. Why are you letting her do this? 54 00:02:40,960 --> 00:02:44,040 Speaker 1: It's like you're afraid or something. You say you want 55 00:02:44,080 --> 00:02:46,600 Speaker 1: to talk to her. You don't want to sound too preachy. 56 00:02:46,880 --> 00:02:49,639 Speaker 1: You say you don't want to judge her, but who cares? 57 00:02:49,760 --> 00:02:53,840 Speaker 1: This is your house. I mean, this situation is way 58 00:02:53,919 --> 00:02:57,720 Speaker 1: beyond and is far more serious than you know. You 59 00:02:57,840 --> 00:03:01,480 Speaker 1: sounding too preachy and you judging her. You're being manipulated 60 00:03:01,560 --> 00:03:03,320 Speaker 1: by this best friend of yours. 61 00:03:03,880 --> 00:03:04,760 Speaker 2: She's using you. 62 00:03:04,919 --> 00:03:09,280 Speaker 1: She's bringing random guys into your house. She's putting you, 63 00:03:09,280 --> 00:03:14,480 Speaker 1: your possessions, everything in danger here. This is craziness. You 64 00:03:14,639 --> 00:03:17,040 Speaker 1: have to tell her to stop that she's done. You 65 00:03:17,120 --> 00:03:19,800 Speaker 1: have to tell her no more. She can't do this anymore. 66 00:03:19,800 --> 00:03:22,520 Speaker 1: It's not judging her, it's just taking yourself out of 67 00:03:22,560 --> 00:03:25,640 Speaker 1: harm's way. You got to get your keys back or 68 00:03:25,680 --> 00:03:28,480 Speaker 1: you got to change the locks and tell her it 69 00:03:28,600 --> 00:03:31,520 Speaker 1: is over, plain and simple, Steve. 70 00:03:33,720 --> 00:03:35,320 Speaker 2: This letter crazy. Yeah. 71 00:03:36,120 --> 00:03:39,080 Speaker 3: Here's a thirty three year old single woman. Her best 72 00:03:39,080 --> 00:03:41,680 Speaker 3: friend is thirty two years old. She's a wild woman. 73 00:03:42,280 --> 00:03:45,320 Speaker 3: She works as a bartender, and she used her job 74 00:03:45,400 --> 00:03:48,080 Speaker 3: to hit on dudes. And most of the dudes she 75 00:03:48,200 --> 00:03:51,560 Speaker 3: hitting on is in the twenty And then you say 76 00:03:51,560 --> 00:03:55,960 Speaker 3: in the letter she also has sex with these guys, Well, 77 00:03:57,360 --> 00:04:00,440 Speaker 3: damn say that. 78 00:04:00,640 --> 00:04:01,640 Speaker 2: Guys. 79 00:04:03,880 --> 00:04:07,160 Speaker 3: She used her job as a way to hit on guys, 80 00:04:07,880 --> 00:04:10,840 Speaker 3: most of them is in their twenties, and she also 81 00:04:11,080 --> 00:04:16,640 Speaker 3: has sex with these guys. What she say that guys 82 00:04:16,760 --> 00:04:19,080 Speaker 3: our age can't keep up with her? 83 00:04:20,000 --> 00:04:24,720 Speaker 2: Y'all? Thirty three? What thirty three year old dude can't 84 00:04:24,839 --> 00:04:28,440 Speaker 2: keep up with you? What is you doing in there? 85 00:04:28,560 --> 00:04:31,000 Speaker 2: What are you doing. 86 00:04:30,800 --> 00:04:33,880 Speaker 3: In there that a thirty three year old man can't 87 00:04:33,960 --> 00:04:41,320 Speaker 3: keep up with That's prime time, thirty three, Our lord, 88 00:04:43,040 --> 00:04:46,920 Speaker 3: them glory days, yes see, in your twenties here where 89 00:04:46,960 --> 00:04:47,520 Speaker 3: she don't know? 90 00:04:47,600 --> 00:04:48,400 Speaker 2: In your twenties. 91 00:04:49,360 --> 00:04:52,479 Speaker 3: Oh, you can go a lot of times, but the 92 00:04:52,640 --> 00:04:57,800 Speaker 3: quality just st ain't there. It's just I'm sorry, but 93 00:04:58,080 --> 00:05:06,000 Speaker 3: you you make up forward in repetition, take your brown okay, 94 00:05:06,040 --> 00:05:09,320 Speaker 3: hold up, my bad. And then the next time, which 95 00:05:09,360 --> 00:05:15,880 Speaker 3: is about fifteen minutes later, Dennis Brown, Okay, all right, 96 00:05:15,960 --> 00:05:20,039 Speaker 3: so what all of that ocus? Yeah, this is how 97 00:05:20,080 --> 00:05:23,279 Speaker 3: long it takes. This is a twenty year olds And 98 00:05:23,320 --> 00:05:26,160 Speaker 3: then the third time he go on and he get 99 00:05:26,200 --> 00:05:29,159 Speaker 3: a little run in. But now you're tired of his ass. 100 00:05:29,960 --> 00:05:32,680 Speaker 3: Now you in your thirties and you ran up into 101 00:05:32,720 --> 00:05:34,680 Speaker 3: a man that keep on, can't keep up with you? 102 00:05:35,040 --> 00:05:39,359 Speaker 2: What in the world are you in that doing? What 103 00:05:39,560 --> 00:05:44,080 Speaker 2: is who you work for? Circle? Late? What what you do? 104 00:05:45,160 --> 00:05:48,039 Speaker 3: You had circus on? Lady you and are you the 105 00:05:48,120 --> 00:05:50,560 Speaker 3: lady diving in the champagne glass? Come up on the 106 00:05:50,640 --> 00:05:51,160 Speaker 3: other side? 107 00:05:51,320 --> 00:05:54,440 Speaker 2: What did you do? What did you do? That? 108 00:05:54,480 --> 00:05:57,039 Speaker 3: Is you diving out the window onto the ground and 109 00:05:57,080 --> 00:05:59,479 Speaker 3: then coming back up the steps and now you back 110 00:05:59,520 --> 00:06:01,599 Speaker 3: in the living ash nickerd. 111 00:06:01,480 --> 00:06:02,360 Speaker 2: What is she doing? 112 00:06:06,000 --> 00:06:09,559 Speaker 3: You try not to judge her, but the sex life 113 00:06:09,600 --> 00:06:11,800 Speaker 3: is starting to be a problem for you because she 114 00:06:11,960 --> 00:06:15,440 Speaker 3: always uses your guest room to hook up with these 115 00:06:15,560 --> 00:06:16,240 Speaker 3: random men. 116 00:06:16,760 --> 00:06:18,920 Speaker 2: I don't understand. Is she her roommate? 117 00:06:19,839 --> 00:06:21,840 Speaker 1: No, she has her own place. She lives with her 118 00:06:21,839 --> 00:06:24,760 Speaker 1: brother Steve, but she got on her place. 119 00:06:25,000 --> 00:06:27,800 Speaker 3: She lived with her brother, but she brings these men 120 00:06:27,839 --> 00:06:30,560 Speaker 3: to your house and use your guest room with these 121 00:06:30,680 --> 00:06:33,920 Speaker 3: random men because she don't want to go to these 122 00:06:33,960 --> 00:06:35,480 Speaker 3: guys places because she. 123 00:06:35,520 --> 00:06:36,200 Speaker 2: Don't know them. 124 00:06:36,400 --> 00:06:40,640 Speaker 1: Right, All right, listen, hold that thought right there, Steve, Yeah, 125 00:06:40,839 --> 00:06:43,760 Speaker 1: hold that thought. We'll have part two of your response 126 00:06:43,800 --> 00:06:46,600 Speaker 1: coming up at twenty three after the hour. Today's subject 127 00:06:46,960 --> 00:06:50,480 Speaker 1: my best Friend Like Sexy Strangers will have part two 128 00:06:50,560 --> 00:06:55,320 Speaker 1: coming up right after this. You're listening hardy morning show. 129 00:06:55,920 --> 00:06:59,200 Speaker 1: All right, Steve, let's recap today's Strawberry Letters, subject to 130 00:06:59,200 --> 00:07:02,600 Speaker 1: my best friend and like sexy strangers. 131 00:07:03,240 --> 00:07:05,760 Speaker 3: Okay, here's a recap. Thirty three year old woman got 132 00:07:05,760 --> 00:07:08,080 Speaker 3: this thirty year old thirty two old friend as wild. 133 00:07:08,360 --> 00:07:10,480 Speaker 3: She hook up with men's at her men at her 134 00:07:10,560 --> 00:07:12,400 Speaker 3: job because she's a bar tender. 135 00:07:12,080 --> 00:07:13,680 Speaker 2: And she have sex with them. Now. 136 00:07:13,720 --> 00:07:17,440 Speaker 3: She lives with her brother, but she like younger men 137 00:07:17,520 --> 00:07:19,320 Speaker 3: cause thirty three year olds can't keep up with it. 138 00:07:19,440 --> 00:07:21,160 Speaker 2: So we don't know what the hell she in here doing. 139 00:07:22,040 --> 00:07:25,720 Speaker 2: She's some something going on. 140 00:07:26,800 --> 00:07:29,200 Speaker 3: I don't know what she's doing, but she got something 141 00:07:29,200 --> 00:07:31,960 Speaker 3: going on where if a thirty three year old. 142 00:07:31,920 --> 00:07:34,200 Speaker 2: Cant keep up with you, you too damn much. 143 00:07:34,760 --> 00:07:37,040 Speaker 3: That's prime you need to go sit your ass down 144 00:07:37,200 --> 00:07:39,840 Speaker 3: somewhere cause you doing too damn much. 145 00:07:40,760 --> 00:07:42,320 Speaker 2: Now here's the problem. 146 00:07:42,520 --> 00:07:45,880 Speaker 3: She lives with her brother, so she uses this other 147 00:07:46,040 --> 00:07:48,680 Speaker 3: girl's guest room to hook. 148 00:07:48,520 --> 00:07:49,840 Speaker 2: Up with these random men. 149 00:07:50,480 --> 00:07:52,560 Speaker 3: I don't understand that she don't want to go to 150 00:07:52,600 --> 00:07:54,680 Speaker 3: these guys places because she don't know them. 151 00:07:55,120 --> 00:07:57,560 Speaker 2: Well, you don't know them at her at your house either. 152 00:07:57,920 --> 00:07:59,600 Speaker 3: See, she don't want to hook up with these random 153 00:07:59,640 --> 00:08:02,680 Speaker 3: guys at that place because she don't know them. So 154 00:08:02,760 --> 00:08:06,120 Speaker 3: she bring these same people she don't know into your 155 00:08:06,160 --> 00:08:07,800 Speaker 3: house because she got a key. 156 00:08:08,240 --> 00:08:10,920 Speaker 2: She don't live there, She just used your house. 157 00:08:11,400 --> 00:08:14,160 Speaker 3: This don't make no sense. It started off as a 158 00:08:14,200 --> 00:08:16,720 Speaker 3: one time thing, but now it's more frequent. She has 159 00:08:16,760 --> 00:08:19,280 Speaker 3: a key to my house, so I could be sleep 160 00:08:19,320 --> 00:08:21,840 Speaker 3: when she comes in, and the next morning I can 161 00:08:21,880 --> 00:08:23,760 Speaker 3: tell she been in there. Hell, you can tell she 162 00:08:23,840 --> 00:08:27,920 Speaker 3: been in there that night. You ain't gotta wait till morning. 163 00:08:28,320 --> 00:08:31,280 Speaker 3: They're in the guests room. And if she doing this 164 00:08:31,320 --> 00:08:36,040 Speaker 3: stuff where thirty three k keep up, you're hearing something. 165 00:08:37,000 --> 00:08:38,400 Speaker 2: How many times. 166 00:08:38,040 --> 00:08:41,319 Speaker 3: She done broke the doughknob? See you in here doing stuff? 167 00:08:41,960 --> 00:08:44,560 Speaker 3: How many times have you had to remodel. 168 00:08:44,000 --> 00:08:48,400 Speaker 2: Your guests room? You walking in the out. 169 00:08:49,400 --> 00:08:51,280 Speaker 3: Yeah, she talking about I walking there in the morning. 170 00:08:51,280 --> 00:08:53,400 Speaker 3: I can tell that they've been in here. They had 171 00:08:53,440 --> 00:08:56,679 Speaker 3: the curtains is down. She'd have told the curtains off 172 00:08:56,720 --> 00:09:02,480 Speaker 3: the wall, the flash screen is on the flow the bathroom. 173 00:09:02,559 --> 00:09:05,440 Speaker 3: Don't want her to hear, just to fell out. She 174 00:09:05,840 --> 00:09:08,440 Speaker 3: in there doing stuff with thirty three year old can't 175 00:09:08,520 --> 00:09:11,800 Speaker 3: keep up. You've told her that you don't approve of 176 00:09:11,800 --> 00:09:14,640 Speaker 3: her using your house for sex. But she says, if 177 00:09:14,679 --> 00:09:18,520 Speaker 3: I'm truly her friend, I would trust her judgment and 178 00:09:18,600 --> 00:09:21,040 Speaker 3: let her have a little fun. She ain't got no judgment. 179 00:09:21,320 --> 00:09:23,840 Speaker 3: She crazy, exactly. And let me tell you something else 180 00:09:23,880 --> 00:09:26,520 Speaker 3: too before we get out of here. This ain't your house. 181 00:09:27,480 --> 00:09:31,120 Speaker 3: This is a brothel. Oh see, this is not your house. 182 00:09:31,440 --> 00:09:38,800 Speaker 3: This is a brothel. And you don't have no say so. 183 00:09:39,000 --> 00:09:43,880 Speaker 3: You ain't even making money at your brothels. This is crazy. 184 00:09:44,520 --> 00:09:46,199 Speaker 3: And she caught up on the fact that she can 185 00:09:46,240 --> 00:09:49,240 Speaker 3: still pull younger men. You when you get a dude 186 00:09:49,240 --> 00:09:53,120 Speaker 3: to come home with you, you ain't pulling nobody they coming. 187 00:09:53,280 --> 00:09:54,760 Speaker 2: You're out of fact. You ain't even got the pull 188 00:09:54,840 --> 00:09:55,880 Speaker 2: a dude. We going. 189 00:09:57,440 --> 00:10:01,040 Speaker 3: Yeah, See when you're pulling people, ain't you using game? 190 00:10:01,120 --> 00:10:02,720 Speaker 3: To get them to go with you. I pulled this 191 00:10:02,840 --> 00:10:05,160 Speaker 3: chicken the club. When you bang a man out the club, 192 00:10:05,200 --> 00:10:09,240 Speaker 3: you didn't pull him. He volunteered. He got the collar. O, 193 00:10:12,280 --> 00:10:14,720 Speaker 3: you ain't got to pull. We at the car like 194 00:10:14,760 --> 00:10:16,760 Speaker 3: a dog sitting in the back seat waiting on the 195 00:10:16,840 --> 00:10:20,520 Speaker 3: owner to come out. You didn't pull him. She's feeling 196 00:10:20,559 --> 00:10:22,400 Speaker 3: some kind of void in her life, and she may 197 00:10:22,480 --> 00:10:24,720 Speaker 3: have some deeper issues going on the issue. 198 00:10:24,720 --> 00:10:29,600 Speaker 2: Ain't that deep? She skank? That ain't deep? Skanks ain't deep, 199 00:10:30,440 --> 00:10:34,240 Speaker 2: ain't skanks is shallow? Oh, y'all don't want to go 200 00:10:34,240 --> 00:10:36,960 Speaker 2: along with that one. Oh no, I'm with you, I'm 201 00:10:37,000 --> 00:10:40,640 Speaker 2: with you. Oh oh what? What? That turn was too much? 202 00:10:40,920 --> 00:10:42,520 Speaker 2: There's other turns now. 203 00:10:42,600 --> 00:10:44,480 Speaker 3: I tried to leave one that would fIF the morning 204 00:10:44,559 --> 00:10:45,920 Speaker 3: show format. 205 00:10:46,120 --> 00:10:52,080 Speaker 2: Hey, rhyme with stank. I rhyme with stink. 206 00:10:52,640 --> 00:10:54,120 Speaker 3: So I'm just trying to figure out why I ain't 207 00:10:54,120 --> 00:10:57,520 Speaker 3: getting no amen's in here. Amen, y'all know, y'all wouldn't 208 00:10:57,520 --> 00:11:02,960 Speaker 3: have it at your house. This hell of bringing these 209 00:11:03,000 --> 00:11:05,600 Speaker 3: men over time. She told me she hates that there's 210 00:11:05,640 --> 00:11:08,760 Speaker 3: a double standard when women hook up with multiple men. 211 00:11:09,440 --> 00:11:10,079 Speaker 2: You hate it. 212 00:11:10,440 --> 00:11:13,720 Speaker 3: We didn't make the rules. These rules been in place 213 00:11:13,720 --> 00:11:17,000 Speaker 3: since the beginning of time. This double standards is not 214 00:11:17,080 --> 00:11:20,760 Speaker 3: a new rule. My daddy told my sisters a long 215 00:11:20,800 --> 00:11:22,079 Speaker 3: time ago when I was a little boy. 216 00:11:22,080 --> 00:11:23,960 Speaker 2: I heard him tell him, you can't do what I 217 00:11:24,040 --> 00:11:29,400 Speaker 2: do and still be a lady. Period. That rule is true. 218 00:11:30,080 --> 00:11:32,439 Speaker 3: Matter fact that you hate and you want to change 219 00:11:32,480 --> 00:11:36,360 Speaker 3: the double standard, the double standard is not going to change. 220 00:11:37,400 --> 00:11:40,000 Speaker 3: And let me tell you why. Because if you sleep 221 00:11:40,040 --> 00:11:42,800 Speaker 3: with multiple men and we find out about it, we 222 00:11:42,920 --> 00:11:45,720 Speaker 3: have a name for you and it ain't your last name. 223 00:11:47,040 --> 00:11:49,200 Speaker 3: So now what you want us to do? I'm sorry. 224 00:11:50,160 --> 00:11:52,520 Speaker 3: Now I want to talk to her without signing too preachy? 225 00:11:52,520 --> 00:11:53,200 Speaker 2: What should I do? 226 00:11:53,520 --> 00:11:57,440 Speaker 3: You got to sound preachy? But I agree with Shirley 227 00:11:57,480 --> 00:11:58,280 Speaker 3: one hundred percent. 228 00:11:58,400 --> 00:12:01,560 Speaker 2: Why she using your house? Change the lock. 229 00:12:02,440 --> 00:12:04,560 Speaker 3: See, that's how you stop somebody so when you're in 230 00:12:04,600 --> 00:12:06,679 Speaker 3: their sleep, she can't walk in on you. 231 00:12:06,760 --> 00:12:08,840 Speaker 2: Nobody should have your key that can walk in on 232 00:12:08,880 --> 00:12:09,720 Speaker 2: you while you sleep. 233 00:12:10,320 --> 00:12:14,280 Speaker 3: Yeah, that's crazy with strangers in your house. 234 00:12:16,440 --> 00:12:19,240 Speaker 2: Man, to hell with her talking about it? 235 00:12:19,360 --> 00:12:25,360 Speaker 3: You her friend, You wouldn't judge her crazy hass here 236 00:12:25,400 --> 00:12:28,120 Speaker 3: with all these dudes from the Damn Club in their twenties, 237 00:12:28,720 --> 00:12:30,920 Speaker 3: that fool in here and you know they ain't just leaving, 238 00:12:30,960 --> 00:12:33,080 Speaker 3: you know, they eat a sandwich. I'm in here trying 239 00:12:33,120 --> 00:12:35,439 Speaker 3: to save my money for college, and you're asking there 240 00:12:35,440 --> 00:12:38,000 Speaker 3: making sandwiches with this big twenty year old dude that 241 00:12:38,160 --> 00:12:40,360 Speaker 3: work out at the gym all day long. He come 242 00:12:40,400 --> 00:12:42,120 Speaker 3: to the club with a tight T shirt on and 243 00:12:42,120 --> 00:12:42,920 Speaker 3: the damn chain. 244 00:12:44,240 --> 00:12:45,960 Speaker 2: All right, See, we gotta get out of her. 245 00:12:46,040 --> 00:12:48,360 Speaker 1: Post your comments. 246 00:12:48,480 --> 00:12:50,680 Speaker 2: Sitting up in here making sandwiches und. 247 00:12:50,600 --> 00:12:55,360 Speaker 1: Strawberry letters, hell out or on Facebook and Steve Harvey 248 00:12:55,480 --> 00:12:57,400 Speaker 1: f M. And don't forget you're. 249 00:12:57,200 --> 00:13:02,679 Speaker 2: Making a sandwich and strubberry letter podcast man, you don't 250 00:13:02,720 --> 00:13:05,080 Speaker 2: know coming up? 251 00:13:05,120 --> 00:13:08,720 Speaker 3: And Tony trek sto, you're gonna stop making sandwiches in there? 252 00:13:11,040 --> 00:13:17,080 Speaker 3: How many times you gonna flush? 253 00:13:17,520 --> 00:13:20,240 Speaker 1: You're listening Hardy Morning Show