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Speaker 1: Hey, Discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of disgrace Sland to the other, the backyard to

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Speaker 1: dig into the dirt. On this bonus episode, we are

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Speaker 1: talking about this week's full episode subject Louis Armstrong, also

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Speaker 1: musicians who have been co opted by the CIA throughout history.

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Speaker 1: We're previewing our upcoming Valentine's Day episodes and we get

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Speaker 1: into your voicemails, texts, DMS, emails and as always, oh

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Speaker 1: the whole lot of Rosie. All right, Discos, let's get

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Speaker 1: into it. So one of the many fortunate aspects of

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Speaker 1: being a parent is that it forces you into conversations

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Speaker 1: at school events, you know, your kids' games or parties

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Speaker 1: with people who you wouldn't otherwise socialize with your kids,

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Speaker 1: kind of force you to make new or additional friends.

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Speaker 1: I'm not telling the parents anything. They don't already know.

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Speaker 1: I'm just stating this for those of you who might

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Speaker 1: not have children, and because this is how I found

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Speaker 1: myself in conversation recently with the grandson of an original

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Speaker 1: CIA member just the other day. I was a fascinating

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Speaker 1: conversation because this dude's granddad went all the way back

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Speaker 1: to the OSS. That's the World War II era version

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Speaker 1: of the CIA, before they had a name for it.

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Speaker 1: The OSS and early CIA was made up of a

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Speaker 1: bunch of Ivy League students whose dads were captains of

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Speaker 1: industry and finance, defense, government, etc. That's where this dude

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Speaker 1: that I was talking to traces his lineage. And I

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Speaker 1: won't go into the stories that he shared with me

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Speaker 1: that his grandfather shared with him, or I guess his

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Speaker 1: grandfather shared with his father who shared with him, if

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Speaker 1: I want to be one hundred percent accurate, But as

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Speaker 1: you can imagine, these stories are pretty wild. This encounter

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Speaker 1: happened to me at the exact moment I was knee

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Speaker 1: deep in research on another Disgraceland subject for an upcoming

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Speaker 1: episode that had me consumed with CIA history. It had

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Speaker 1: me thinking about my own grandfather, who was a brilliant

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Speaker 1: man and a veteran, a veteran of Korea, not of

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Speaker 1: World War Two, who tried unsuccessfully to join the CIA

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Speaker 1: after the war. That was his dream, but he was

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Speaker 1: denied that dream because the agency couldn't trace my grandmother's

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Speaker 1: heritage back far enough through her heritage in Greece, so

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Speaker 1: my grandfather wasn't allowed to join the CIA. I guess

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Speaker 1: the thinking was that they couldn't be sure my grandmother

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Speaker 1: wouldn't turn my grandfather into a Greek spy or something. Now,

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Speaker 1: back then, it was I gather admirable to join the CIA.

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Speaker 1: I don't share that opinion. Now I might think it's

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Speaker 1: bad ass, but I'm not sure I think it's admirable.

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Speaker 1: But anyhow, I always thought this part of my family's

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Speaker 1: history is what made CIA history so fascinating to me personally.

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Speaker 1: The agency is naturally shrouded in mystery, even for me

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Speaker 1: on a personal level, because of my grandfather or what

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Speaker 1: my grandfather tried to do. Anyway, whenever the CIA rubs

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Speaker 1: up against the subjects we discuss here in Disgraceland, I

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Speaker 1: get really interested. I used to think these were just

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Speaker 1: random historical circumstances, But the more I study the history

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Speaker 1: of American culture. And let's be real for a minute.

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Speaker 1: I launched Disgraceland back in twenty eighteen, So I'm now

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Speaker 1: in my seventh year of having my head buried in

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Speaker 1: books reading about the history of American culture, not to

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Speaker 1: mention a lifetime prior to that, reading and absorbing books

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Speaker 1: and documentaries and films about American history. With all this research,

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Speaker 1: you start to see connections and patterns. And my conclusion

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Speaker 1: now is that the CIA's connection to music and culture

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Speaker 1: is definitely not as accidental as I once thought it was.

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Speaker 1: It's very much intentional. Nowhere is this more evident than

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Speaker 1: in this week's full episode on Louis Armstrong. The way

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Speaker 1: the CIA used him is truly disgraceful. It was to

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Speaker 1: not only commit murder, but to subvert democracy in the

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Speaker 1: process of committing murder. That is harsh. Seriously, just I

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Speaker 1: know it's hard, right. None of us are rock stars.

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Speaker 1: I don't think if any of you are get in

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Speaker 1: touch me we can talk. Seriously, none of us are

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Speaker 1: rock stars. But just try to imagine your Louis Armstrong

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Speaker 1: for a second, and you wake up one day and

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Speaker 1: you realize that you were completely played. You were played

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Speaker 1: into unknowingly contributing to the death of an innocent man,

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Speaker 1: a democratically elected innocent man. How would you deal with that?

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Speaker 1: That's fucked up? The CIA. I don't care what good

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Speaker 1: they they may do and what sort of you know,

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Speaker 1: mechanism or apparatus they provide to keep the world safe.

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Speaker 1: The CIA, regardless of any of that, is a dark entity.

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Speaker 1: JFK was killed because he was rightly, I believe, going

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Speaker 1: to split through the agency into a thousand pieces, as

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Speaker 1: he said. And with the tt tiny little look that

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Speaker 1: we've just begun to get into the JFK files, I'm

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Speaker 1: beginning to learn that the Watergate scandal, incredibly was more

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Speaker 1: about keeping the CIA's involvement with the Kennedy assassination secret,

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Speaker 1: that it was solely about political subterfuge, MK Ultra, the

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Speaker 1: Beach Boys and Charles Manson, the Scorpions, wind of Change

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Speaker 1: in the Cold War Brews and the Grateful Dead, and

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Speaker 1: the proliferation of LSD to American youth, Tom DeLong of

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Speaker 1: Blink one eighty two and UAP disclosure, Miles Copeland Junior

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Speaker 1: and the police. There's even a wild public enemy story

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Speaker 1: about an East European communist influence campaign, a story I

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Speaker 1: would have quickly dismissed ten years ago, but now I

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Speaker 1: don't know man patterns. I'm not saying that all these

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Speaker 1: artists were CIA cutouts, but I'm not saying they weren't either,

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Speaker 1: or at least some of them. If you would have

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Speaker 1: told an American citizen back in the nineteen sixties that

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Speaker 1: Louis Armstrong was part of a CIA coupdeta first, Louis

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Speaker 1: Armstrong was like shack okay, he was that type of figure.

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Speaker 1: He was beloved by everyone pretty much, big, jolly, wholesome.

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Speaker 1: There was no way anyone was believing back then in

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Speaker 1: the nineteen sixties that Louis Armstrong was part of a

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Speaker 1: CIA COUPDETA. Second, Americans at the time just flat out

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Speaker 1: wouldn't have believed that their government, the American government, was

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Speaker 1: involved in any way with violent covert acts such as

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Speaker 1: as this one. It wasn't until after Watergate, after the

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Speaker 1: church hearings in the seventies that Americans get to hear

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Speaker 1: about all the awful shit that the CIA was up

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Speaker 1: to in foreign countries, and for some reason we took

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Speaker 1: this as well. The lights have been turned on and

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Speaker 1: all the cockroaches are now scurrying back into the shadows,

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Speaker 1: and you know, sunlight disinfects, and the government rod is

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Speaker 1: you know, not to be seen anymore. We can all

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Speaker 1: go back to just you know, not thinking about the

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Speaker 1: many deplorable ways in which our government has acted and

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Speaker 1: just to assume that they're going to stop doing it. Newsflash,

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Speaker 1: they didn't stop doing it. I believe they just got

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Speaker 1: better at hiding it. Which begs the question, which musicians

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Speaker 1: from the eighties, from the nineties, the two thousands from

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Speaker 1: the now have been co opted by the CIA for

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Speaker 1: nefarious purposes. I don't know the answer. I'm not even

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Speaker 1: really looking for an answer here. I'm just rhetorically asking

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Speaker 1: this question because it's legitimately that's where my head's at.

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Speaker 1: Louis frickin' Armstrong in the CIA, Are you kidding me?

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Speaker 1: My larger point is that this story of Louis Armstrong

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Speaker 1: it proves that the CIA is more involved in our

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Speaker 1: cultural lives than I think we care to acknowledge. These

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Speaker 1: sneaky little bastards have been fucking shit up for a

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Speaker 1: long time, and I think that in the coming weeks,

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Speaker 1: as more of these JFK files get talked about. As

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Speaker 1: the entire treasure trove of three hundred thousand documents gets released,

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Speaker 1: I'm not going to be surprised if we start seeing

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Speaker 1: some bold faced names that we were not expecting. Now,

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Speaker 1: I'm not saying that's going to happen, Okay, I have

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Speaker 1: no evidence that that's the case at all. It's just

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Speaker 1: a hunch. And you know, I'm not even saying it's

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Speaker 1: a particularly good hunch. All I'm saying is that the

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Speaker 1: more I dig into history, the more I run into

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Speaker 1: facts pointing to the CIA rubbing up against American culture,

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Speaker 1: music history included. Okay, but this JFK stuff, This is

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Speaker 1: a couple weeks down the road, all right. We'll get

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Speaker 1: to that, however. Coming up next in Disgraceland this week's

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Speaker 1: rewind episode on sly Stone, and we were tied this

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Speaker 1: release with a much anticipated release this week of Questlove's

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Speaker 1: documentary on Signing the Family Stone, which all of us

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Speaker 1: here at disgrace In are very excited to watch. Talk

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Speaker 1: about a rock and roll animal, sly Stone was a

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Speaker 1: special kind of beast. I guess I would be surprised

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Speaker 1: if sly Stone was a CIA cutout. Just to add that,

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Speaker 1: speaking of rock and roll beasts. Speaking of rock and

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Speaker 1: roll animals, I want your stories on rock and roll animalism,

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Speaker 1: your stories from back in the day that best demonstrate

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Speaker 1: the rock and roll spirit that helped keep the rock

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Speaker 1: and roll spirit alive, that preserve this dying genre that

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Speaker 1: we love so much, rock and roll. You don't have

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Speaker 1: to have been involved in a CIA coup. Maybe you

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Speaker 1: just ran into the singer from King Missile at a

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Speaker 1: truck stop at three in the morning back in the

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Speaker 1: day it made some snipermark about us quote unquote detachable

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Speaker 1: penises I did. Or maybe you and your friends just

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Speaker 1: saw post Malone doing shots at your local bar last week.

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Speaker 1: I don't know. It can be any story at all.

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Speaker 1: It doesn't even have to involve you. It can be

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Speaker 1: a story about a rock star that you read about

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Speaker 1: or that you saw in a documentary that blew your

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Speaker 1: mind and that you want to share with the rest

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Speaker 1: of us. Email me at Disgrace lampod at gmail dot com,

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Speaker 1: or hit me up on voicemail or tech six one

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Speaker 1: seven nine oh six sixty six three eight, and your

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Speaker 1: story might be the story of the week here in

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Speaker 1: next week's after party. But before that next week, on Tuesday.

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Speaker 1: We have our full episode on Sit and Nancy, and

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Speaker 1: we were releasing this on Tuesday because Valentine's Day is here.

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Speaker 1: And what spells love better than being a rock star

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Speaker 1: and being so gonzo on drugs that you murder the

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Speaker 1: love of your life. You think, you think, you're not

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Speaker 1: sure though, that's the mind fuck of it. You're not

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Speaker 1: sure if you killed the woman you love because you're

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Speaker 1: so fucking high. What a story. It's incredible punk rock

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Speaker 1: Romeo and Juliette. Make sure to celebrate Valentine's Day in

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Speaker 1: Disgraceland with Sit and Nancy next week. And when you're

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Speaker 1: listening to this episode, be thinking about the worst rockstar

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Speaker 1: couples in music history, or at least the most notorious. Okay,

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Speaker 1: that's gonna be our question of the week. All right,

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Speaker 1: I'm gonna take a quick break. I'll be back to

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Speaker 1: flash with your voicemails, text and answers to last week's

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Speaker 1: question of the week. All right, we are back. Just

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Speaker 1: a quick reminder to make sure you Apple podcast listeners

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Speaker 1: have auto downloads turned on so you're not missing any episodes. Guys,

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Speaker 1: you know how to get in touch with me? Six one, seven, nine,

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Speaker 1: oh six six six three eight to leave me a

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Speaker 1: voicemail or to send me a text at Disgrace lampod

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Speaker 1: on Instagram x and Facebook, Disgracingpod at gmail dot com.

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Speaker 1: I'm going to start with a text this week instead

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Speaker 1: of a voicemail because this dude, I'm assuming it's a dude,

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Speaker 1: hits on about four different questions we've been talking about,

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Speaker 1: trying to answer just topics I guess in general. Okay,

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Speaker 1: he starts with bro the Owen Heart story is worse

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Speaker 1: than it sounds. Vince McMahon continued with that evening's matches

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Speaker 1: with wins Blood on the mat Watch the Vince McMahon

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Speaker 1: series on Netflix. Okay, three h two, here is talking

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Speaker 1: about the death of Owen Heart. We were talking about

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Speaker 1: strange celebrity deaths last week, and this one is one

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Speaker 1: of the strangest. And I have not seen this. I

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Speaker 1: started watching it with my kids. I'm glad I didn't continue.

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Speaker 1: I didn't get very far into it. I need to

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Speaker 1: see this documentary. But there's this. There's so much to

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Speaker 1: watch right now. I have the Diddy documentary series on

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Speaker 1: HBO to catch up on, which I'm doing this week.

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Speaker 1: I have, of course, the sly Stone documentary that I'm

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Speaker 1: stoked on. I gotta watch that as well. And I'm

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Speaker 1: gonna watch this Vince McMann series on Netflix because this

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Speaker 1: story just sounds incredible and it sounds like there should

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Speaker 1: be some sort of episode on this just based on

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Speaker 1: the the way this guy died is unreal. He goes

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Speaker 1: on to say, Prince and Michael our apples and oranges.

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Speaker 1: You absolutely cannot compare the two. I disagree. I mean,

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Speaker 1: they're they're of the same time, They're they're both massive icons.

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Speaker 1: They're both part of that sort of same generation, first

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Speaker 1: generation of pop stars who really understood how to use

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Speaker 1: MTV and how to capitalize on it and their audiences.

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Speaker 1: There was so much crossover, so I think you can

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Speaker 1: absolutely compare the two. And then my favorite of these

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Speaker 1: of this string of text for the three or two says,

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Speaker 1: hot dogs over a dollar make me want to punch

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Speaker 1: babies in the face. When my kid played Little League

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Speaker 1: and the hot dogs in the concession stand were over

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Speaker 1: a dollar, no one paid more than a dollar when

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Speaker 1: I was in the stand. I don't know that we

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Speaker 1: need to punch babies, but I hear you. Maybe we

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Speaker 1: can get some legislation sponsor to just you know I'm

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Speaker 1: not for I'm not for price fixing generally. I'm a

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Speaker 1: market guy. I believe you're don't let the market decide

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Speaker 1: what something is worth, but not when it comes to

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Speaker 1: hot dogs, coffees and cheap beer. They should all be

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Speaker 1: under a dollar. And maybe we can get some legislation

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Speaker 1: that helps us get to this sort of utopia that

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Speaker 1: I've been I've started talking about last week, and that

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Speaker 1: I can see you guys are interested in as well.

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Speaker 1: Seven to seven two rights in Hey, Jake, seven to

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Speaker 1: seven to two here South Florida by way of northern Wisconsin.

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Speaker 1: My favorite band was and is Boston. I think Brad

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Speaker 1: Delp's story is fascinating and tragic. He was a genius.

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Speaker 1: Lots of court cases in fellow bandmates, and also rumor

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Speaker 1: of him secretly filming his girlfriend's sister before he tragically

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Speaker 1: killed himself with carbon monoxide using two grills in his bathroom.

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Speaker 1: Tom Schultz from the band Boston is another really interesting character,

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Speaker 1: highly educated heir of the Polaroid camera inventory. Keep up

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Speaker 1: the great work you helped me get through the day

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Speaker 1: seven seven two. I know about this story and I've

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Speaker 1: long thought about telling it, and you know, in Boston,

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Speaker 1: in the city Boston, this has been this story's sort

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Speaker 1: of been in the ether, floating around. Nobody really wants

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Speaker 1: to touch it. I think the Boston Herald did a

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Speaker 1: piece on it, and it's a nasty story, man, it's

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Speaker 1: a nasty, nasty story, and anything involving kids, I don't

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Speaker 1: like to go near it, just because you know it's

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Speaker 1: I mean, you'd be like, why you cover cannibalism and

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Speaker 1: you cover all these atrocities and yeah, but there's just

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Speaker 1: something about having your head in the abuse of children

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Speaker 1: during the research phase and then it's just too much.

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Speaker 1: And then do you really want to sit through thirty minutes,

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Speaker 1: forty minutes, fifty minutes of that type of content. I don't, necessarily,

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Speaker 1: but this story's really fucked up for a bunch of

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Speaker 1: different reasons as well. So maybe there's a way to

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Speaker 1: tell it that wouldn't be completely gross and disgusting. I

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Speaker 1: don't know if you guys, if you guys want to

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Speaker 1: go down a wormhole, though, get into this Brad del

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Speaker 1: Boston story. It's all out there. Six one seven nine

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Speaker 1: oh six six six three eight. You can leave me

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Speaker 1: a voicemail on any topic, question of the week, or

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Speaker 1: just anything that's on your mind. Episodes you want to

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Speaker 1: hear topics you want me to discuss. All right, let's

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Speaker 1: hear from Cuba in the six to one four.

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Speaker 2: Hey, Jake, this is Juba from the sixty one four.

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Speaker 2: Oh Man, Miles Davis one bad ass motherfucker. This was

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Speaker 2: my favorite these two. This two part episode was my

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Speaker 2: favorite by far. And I have listened to every one

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Speaker 2: of your episodes at least twice. I will probably listen

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Speaker 2: to this four times. It has written beautifully. It just

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Speaker 2: slowed just like Miles Davis. I never knew about him

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Speaker 2: playing the trumpet to the birds, and when you were describing.

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Speaker 3: That, it just I could hear it, I.

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Speaker 2: Could feel it, and it made so much sense and

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Speaker 2: how beautiful.

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Speaker 1: Thank you, Koba, thank you six one four. I appreciate

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Speaker 1: the kind words on the Miles Davis two part episode,

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Speaker 1: the rewe episode that we dropped into the feed. This

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Speaker 1: episode is definitely akin to Louis Armstrong episode. Obviously the

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Speaker 1: genre jazz. I mean, that's kind of like comparing a

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Speaker 1: Ferrari to a muscle car, but or in Miles's case,

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Speaker 1: a Lamborghini to a muscle car, but still they're in

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Speaker 1: conversation with each other. And if you like that Miles

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Speaker 1: Davis episode, you got to check out the Louis Armstrong

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Speaker 1: episode and vice versa. Also, I've said this before, I'll

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Speaker 1: say it again. Matt Boden, who mixes these episodes produces

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Speaker 1: them with me, crushed the mix on the Miles Davis

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Speaker 1: two part episodes as he always does. But you know,

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Speaker 1: these are these episodes here. The Miles episodes are kind

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Speaker 1: of like, you know, if I was walking down the

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Speaker 1: street and someone ran up to me and was like, Hey,

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Speaker 1: what disgraced ane episode should I listen to for the

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Speaker 1: first time? I think I might give them these two.

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Speaker 1: That's how much I love the way they came out.

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Speaker 1: All right, let's check out this voicemail from Johnny in

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Speaker 1: the six one seven.

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Speaker 3: Hey, what's up, Jake. It's Johnny Vinyl, longtime brother, just

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Speaker 3: chiming in here on a complete unknown. First of all,

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Speaker 3: I'm so glad that you went to see that movie

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Speaker 3: and that you kept an open mind, because it kind

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Speaker 3: of bums me out to hear you say that you

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Speaker 3: just weren't in a Timothy shallow may But you know what,

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Speaker 3: each to their own I like, you appreciate very strong opinions,

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Speaker 3: So you know, I was like, Wow, can Jake, can

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Speaker 3: he be flipped on this movie? Because I was convinced

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Speaker 3: that you could be. So I went to see it

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Speaker 3: with twelve other people. I went to see it with

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Speaker 3: my brother in laws, my sister in laws, my girlfriend,

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Speaker 3: and all of the kids. And the kids ranged from

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Speaker 3: age eight up to age sixteen. Okay, they were glued

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Speaker 3: to that screen. They did not move from their chairs,

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Speaker 3: they did not gab away. They were glued to that screen.

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Speaker 3: And every single kid loved that movie, and every single

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Speaker 3: kid got into Bob Dylan after that movie. My daughter

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Speaker 3: owns the soundtrack on vinyl. She listens to it to depth.

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Speaker 3: And Timothy shallow May was amazing. I'm a huge Bob

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Speaker 3: Dylan fan. I'm very critical of the way he would

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Speaker 3: be portrayed by anybody. My brother in law feels the

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Speaker 3: same way. We thought tim absolutely crushed it. We thought

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Speaker 3: that Monica playing Joan Bias was amazing. We thought that

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Speaker 3: just the cast was unbelievable. But I like that the

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Speaker 3: movie stuck to the time piece, It stuck to the facts.

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Speaker 3: It didn't try to overdramatize anything. That is the way

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Speaker 3: that a pure biopick should be done. And I hope

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Speaker 3: that others learned the lesson of how a biopick should

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Speaker 3: be done. That's all I gotta say. Keep up the

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Speaker 3: good work, Jake.

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Speaker 1: Yeah, Timothy Shama, Lama Ding Dong, he did deliver. Indeed,

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Speaker 1: he was amazing. I stand corrected. I did not have

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Speaker 1: high hopes for this film, in part because I'm just

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Speaker 1: not a big fan of that dude, not some I

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Speaker 1: shouldn't say that. I'm kind of indifferent to him, and

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Speaker 1: I didn't think he would bring a lot to the table.

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Speaker 1: And boy, oh boy, was I wrong. As I mentioned

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Speaker 1: in the bonus section of the after Party last week,

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Speaker 1: to you guys, I went to see a Complete Unknown.

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Speaker 1: Gave my review Johnny. Yeah, man, I'm happy you liked

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Speaker 1: it as well, and really great to hear that all

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Speaker 1: the kids were into it, because I've been thinking about

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Speaker 1: bringing my kids, like I mentioned, to see this, and

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Speaker 1: they're pretty young, but I think they would love it.

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Speaker 1: It's funny. This past weekend we had house guests, and

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Speaker 1: I found myself in an argument about this movie with

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Speaker 1: somebody who had not seen it, but who was not

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Speaker 1: interested at all in watching it basically had the same

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Speaker 1: exact sort of pre critique that I had, just not

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Speaker 1: looking forward to it, just been burned by so many

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Speaker 1: music biopics before, and thought that this was going to

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Speaker 1: be awful, thought that Dylan was too much of an

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Speaker 1: enigmatic character to actually be able to capture on screen.

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Speaker 1: But you know whatever, I hope impressed upon this dude

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Speaker 1: to go see the movie. I don't think I did.

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Speaker 1: But Johnny, maybe he'll hear this, and maybe he'll hear

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Speaker 1: your enthusiasm as well, and that will compel him. Movie

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Speaker 1: is great. You should all go check it out. And

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Speaker 1: if you do and you don't like it, well, Johnny

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Speaker 1: will fight you. Emma Lewis aka at Miss Murphy sixty

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Speaker 1: nine on x Wright saying, Hey, Jake, I've been meaning

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Speaker 1: to ask for ages how many loops are on that

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Speaker 1: MK one. I've been listening since today dot com and

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Speaker 1: it got me thinking, I don't really understand the text.

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Speaker 1: I do understand the question MK one in MK two

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Speaker 1: represent the type of loop. Okay, the melotron is its

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Speaker 1: own beast, and the power of the melotron is endless.

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Speaker 1: There are loops galore. And I read this text because

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Speaker 1: Matt Boden. I'm talking to you, buddy. You know what

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Speaker 1: we got to do. Just dropping this in here, one

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Speaker 1: less email. Okay, you got it. Hit me up. Brooke

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Speaker 1: McLeod Burks writes in on Facebook. Ky, not sure if

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Speaker 1: you've done one on Howard Hughes, but if not, check

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Speaker 1: out this book. This all happened near where I live.

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Speaker 1: Very convincing. The book is called Boxes, The Secret Life

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Speaker 1: of Howard Hughes by Douglas Wellman, and this is interesting.

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Speaker 1: I was, actually I'm interested in this. I don't know

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Speaker 1: that I'm gonna ever do an episode on Howard Hughes,

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Speaker 1: maybe for bad Lands. I'll have news on bad Lands soon,

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Speaker 1: by the way, But I was actually reading last night,

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Speaker 1: and again, CIA is everywhere when it comes to culture

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Speaker 1: and their involvement with Howard Hughes. Fascinating stuff. Also, this

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Speaker 1: was in reference to the, like I said, the tenC

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Speaker 1: tiny little news we got on the JFK Files. So far,

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Speaker 1: so Brooke, very interesting. I might just read that book

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Speaker 1: just for the hell of it, and maybe it ends

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Speaker 1: up being some sort of episode in the future. Thanks

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Speaker 1: for reaching out, guys at Disgrace lampod on Facebook. Lots

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Speaker 1: going over going on on our Facebook page recently in

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Speaker 1: the last month or so. Okay, if you're not following

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Speaker 1: us on Facebook. If you're on Facebook and you're not

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Speaker 1: following us on Facebook, you're really missing out. We're releasing

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Speaker 1: a lot more content over there, a bunch of video content,

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Speaker 1: a lot of which is not getting released on Instagram

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Speaker 1: or anywhere else. So get over there and follow us

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Speaker 1: at Disgrace Lamp Pod on Facebook. If you're not on

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Speaker 1: Facebook and you're like, hey man, I'm on Instagram or

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Speaker 1: I'm on X or I'm on Instagram and X and

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Speaker 1: TikTok and I just don't have the bandwidth, I get it.

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Speaker 1: I get it, there's too many apps. I totally understand.

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Speaker 1: But I'm telling you we're doing more on Facebook these days.

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Speaker 1: And if you're like, hey man, Facebook's just for the

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Speaker 1: old dues, for the boomers, that's not true. It's not

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Speaker 1: true if you're Gen X, if you're a millennial, Facebook

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Speaker 1: is the biggest platform on the planet. I'm not here

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Speaker 1: to pump Facebook's tires. I'm just telling you that we

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Speaker 1: got a cool community over there and releasing a bunch

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Speaker 1: of content over there. We've increased our follower account we've

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Speaker 1: doubled it actually in the last few months, and we're

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Speaker 1: going to keep releasing stuff video content, I should say,

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Speaker 1: music related video content over on Facebook. So give us

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Speaker 1: a follow, Penny handling Anderson Wright saying, Hey, Jake, I

426
00:23:39,680 --> 00:23:42,040
Speaker 1: am from the eight oh one area code and maybe

427
00:23:42,080 --> 00:23:45,879
Speaker 1: the only one from Utah. No, we have more Utah

428
00:23:45,920 --> 00:23:48,080
Speaker 1: listeners than just you, Penny, but I think I know

429
00:23:48,119 --> 00:23:51,960
Speaker 1: where you're getting at. You're also saying I'm also she's

430
00:23:52,000 --> 00:23:54,680
Speaker 1: directly contradicting what I was just saying about Facebook, Penny saying,

431
00:23:54,680 --> 00:23:57,680
Speaker 1: I'm also one of your much older listeners. Penny, you

432
00:23:57,680 --> 00:23:59,520
Speaker 1: don't look that old. I'm looking at your picture here.

433
00:24:00,200 --> 00:24:02,320
Speaker 1: You're aging yourself, and I don't think you should do

434
00:24:02,359 --> 00:24:05,440
Speaker 1: that because you look pretty good. Penny. Penny goes honest,

435
00:24:05,440 --> 00:24:07,760
Speaker 1: say I love your podcasts and the stories you find

436
00:24:07,800 --> 00:24:10,320
Speaker 1: on people are incredible. I don't listen weekly or anything,

437
00:24:10,560 --> 00:24:13,040
Speaker 1: but I fill up an SD card. Okay, Penny, this

438
00:24:13,080 --> 00:24:14,920
Speaker 1: is some old This is some old people's stuff. Here.

439
00:24:14,920 --> 00:24:17,080
Speaker 1: I fill up an SD card with about thirty or

440
00:24:17,080 --> 00:24:18,880
Speaker 1: forty at the time, and I listen in my car

441
00:24:19,280 --> 00:24:20,920
Speaker 1: so I hear them in alphabetical order.

442
00:24:21,080 --> 00:24:21,399
Speaker 2: Loll.

443
00:24:24,200 --> 00:24:26,840
Speaker 1: Sorry, I'm laughing at the loll not the order you

444
00:24:26,880 --> 00:24:30,600
Speaker 1: put them out anyway. I love the crossover between Disgraceland

445
00:24:30,640 --> 00:24:33,440
Speaker 1: and bad Lands. Keep up the good work. Love you man, Penny, Penny,

446
00:24:33,480 --> 00:24:35,760
Speaker 1: I love you too. Like I said, news on bad

447
00:24:35,840 --> 00:24:39,439
Speaker 1: Lands coming soon. Thanks for reaching out, Penny. Okay, the

448
00:24:39,560 --> 00:24:45,280
Speaker 1: very young, very the very millennial Terry Demron on Facebook right,

449
00:24:45,440 --> 00:24:49,119
Speaker 1: the Disgraceland podcast is one of my absolute favorites. I'm joking.

450
00:24:49,359 --> 00:24:52,000
Speaker 1: I'm not joking about what Terry said or how old

451
00:24:52,040 --> 00:24:56,520
Speaker 1: she appears to be in her Facebook profile picture. But look,

452
00:24:56,560 --> 00:24:58,880
Speaker 1: I don't care how old the listeners are or how

453
00:24:58,960 --> 00:25:01,359
Speaker 1: young they are, as long as you guys are enjoying

454
00:25:01,359 --> 00:25:03,159
Speaker 1: what we're pumping out on. And I don't care. I

455
00:25:03,200 --> 00:25:05,679
Speaker 1: don't care what platform you're getting it on either. Just

456
00:25:05,800 --> 00:25:09,040
Speaker 1: keep showing up, all right. I appreciate you at disgracelamp

457
00:25:09,040 --> 00:25:11,480
Speaker 1: pod on all the platforms, and you can hit me

458
00:25:11,560 --> 00:25:15,760
Speaker 1: up anywhere. Gala avery Over on Instagram, writes in response

459
00:25:15,880 --> 00:25:20,120
Speaker 1: to our November fourth, nineteen ninety five nostalgia video rock

460
00:25:20,160 --> 00:25:22,479
Speaker 1: and ROLLA rock and Roller, Right back at you, Gala,

461
00:25:22,520 --> 00:25:26,600
Speaker 1: thanks for checking in. Russell shouts The Third Rights on

462
00:25:26,680 --> 00:25:30,560
Speaker 1: Instagram with all due respect, this is in reaction to

463
00:25:30,600 --> 00:25:35,359
Speaker 1: our Debbie Harry video with Ted Bundy. No judgment yet,

464
00:25:35,400 --> 00:25:39,640
Speaker 1: this isn't entertainment talking about disgracelam content. This is one

465
00:25:39,680 --> 00:25:43,440
Speaker 1: of the best distractions ever created to get the masses

466
00:25:43,520 --> 00:25:47,520
Speaker 1: to look out instead of looking inward to find knowledge

467
00:25:47,920 --> 00:25:53,560
Speaker 1: of one's own life. Know thyself hashtag know thyself. Russell

468
00:25:54,119 --> 00:25:57,520
Speaker 1: you got me, you figured it out. I am a

469
00:25:57,600 --> 00:26:02,480
Speaker 1: ciasi op put here to specifically distract all of you

470
00:26:03,480 --> 00:26:07,520
Speaker 1: from looking in at what you've become. How dare you

471
00:26:07,600 --> 00:26:10,600
Speaker 1: become what you've become? How dare you You need to

472
00:26:10,640 --> 00:26:16,720
Speaker 1: look inside? Free yourself? And as en Vogue said back

473
00:26:16,720 --> 00:26:19,919
Speaker 1: in the nineties, your ass will follow. They of course

474
00:26:20,560 --> 00:26:23,600
Speaker 1: we're ripping off George Clinton. But hey, that's what the

475
00:26:23,680 --> 00:26:27,080
Speaker 1: CIA doesn't want you to know. Man, wouldn't be funny

476
00:26:27,119 --> 00:26:29,920
Speaker 1: if I was a ciasi, Oh, that'd be fucking hysterical

477
00:26:30,000 --> 00:26:35,200
Speaker 1: After all this, Ah love it at the sgracesampod on Instagram,

478
00:26:35,520 --> 00:26:38,960
Speaker 1: x Facebook scracesampod at gmail dot com. I'm going to

479
00:26:39,040 --> 00:26:40,919
Speaker 1: be back with your emails and the story of the

480
00:26:40,920 --> 00:26:58,399
Speaker 1: week right after this. All right, we are back. This

481
00:26:58,520 --> 00:27:00,680
Speaker 1: week's story of the Week you know, the guys story

482
00:27:00,680 --> 00:27:02,679
Speaker 1: of the week. By now, hit me up. Let me

483
00:27:02,760 --> 00:27:06,800
Speaker 1: know of some story of rock and roll, animalism, the

484
00:27:06,880 --> 00:27:08,639
Speaker 1: spirit of rock and roll, whatever you want to call it,

485
00:27:08,640 --> 00:27:10,920
Speaker 1: the preservation of rock and roll, something rock and roll

486
00:27:10,920 --> 00:27:12,840
Speaker 1: that has happened to you that you witness firsthand, and

487
00:27:13,080 --> 00:27:15,399
Speaker 1: or a great rock and roll story that maybe you

488
00:27:15,560 --> 00:27:18,280
Speaker 1: heard from somewhere else. Okay, why do I have to

489
00:27:18,320 --> 00:27:20,000
Speaker 1: be the one who's always telling the stories here? You

490
00:27:20,040 --> 00:27:22,520
Speaker 1: guys need to tell me some stories. Okay, hit me up.

491
00:27:22,560 --> 00:27:26,359
Speaker 1: We'll gather all the stories together. We'll we get this collective,

492
00:27:26,600 --> 00:27:30,000
Speaker 1: this sort of preservation project that we have here in Disgraceland.

493
00:27:30,119 --> 00:27:31,879
Speaker 1: And every week I'm gonna read one of these stories

494
00:27:31,880 --> 00:27:35,000
Speaker 1: to you, Okay. Disgrace Lampod at gmail dot com on

495
00:27:35,080 --> 00:27:37,080
Speaker 1: email six point seven nine h six six six three

496
00:27:37,119 --> 00:27:39,200
Speaker 1: eight if you want to send me a text or voicemail.

497
00:27:39,640 --> 00:27:41,680
Speaker 1: This week's story of the Week comes from the eight

498
00:27:41,640 --> 00:27:45,719
Speaker 1: to six to zero from a Disgraceland listener named Gloria.

499
00:27:46,040 --> 00:27:50,280
Speaker 1: I'm not gonna read all of her message here because

500
00:27:50,320 --> 00:27:52,640
Speaker 1: it's it's very long, and I can appreciate that there's

501
00:27:52,680 --> 00:27:55,520
Speaker 1: it's actually a bunch of stories that she sent in Gloria,

502
00:27:55,560 --> 00:27:59,000
Speaker 1: you need to get your own podcast, Gloria, Gloria kidding.

503
00:28:00,119 --> 00:28:03,000
Speaker 1: Gloria tells this story. It's a really funny one about

504
00:28:03,000 --> 00:28:06,200
Speaker 1: being trapped in a casino with bon Jovi the band,

505
00:28:06,640 --> 00:28:09,560
Speaker 1: which and she was a young girl at the time,

506
00:28:10,400 --> 00:28:12,359
Speaker 1: but this seems like a time when bon Jovi was

507
00:28:12,400 --> 00:28:15,480
Speaker 1: maybe a little later in their career. Her dad was

508
00:28:15,560 --> 00:28:18,280
Speaker 1: in the music business, which is how this came to be.

509
00:28:18,520 --> 00:28:20,919
Speaker 1: She goes on to tell this story here, I have

510
00:28:21,040 --> 00:28:24,679
Speaker 1: quite a few stories, like my dad's radio station was

511
00:28:24,760 --> 00:28:28,359
Speaker 1: the station who had Millie Vanilli performing when they had

512
00:28:28,400 --> 00:28:31,000
Speaker 1: their track skip. And then she goes on to talk

513
00:28:31,040 --> 00:28:33,600
Speaker 1: about how her dad was friends with Fabris. Her dad

514
00:28:33,680 --> 00:28:36,639
Speaker 1: really sounds like a character here, sort of an older

515
00:28:36,760 --> 00:28:39,440
Speaker 1: silver Fox guy is what I'm imagining here from her

516
00:28:39,480 --> 00:28:42,480
Speaker 1: many texts. She says that her father has some stories

517
00:28:42,520 --> 00:28:46,520
Speaker 1: too of summer jam in Rochester, New York with this

518
00:28:46,600 --> 00:28:50,080
Speaker 1: girl in a band who asked for my dad to

519
00:28:50,120 --> 00:28:53,280
Speaker 1: come to Niagara Falls with them, and my dad took

520
00:28:53,320 --> 00:28:56,880
Speaker 1: them all in his convertible sports car and crossed the border.

521
00:28:56,880 --> 00:28:59,160
Speaker 1: And turns out the lead singer of that band was

522
00:28:59,200 --> 00:29:01,000
Speaker 1: a girl who was a sessed with my dad and

523
00:29:01,080 --> 00:29:05,160
Speaker 1: her name was Fergie. Okay, all right, great.

524
00:29:05,600 --> 00:29:05,719
Speaker 3: Uh.

525
00:29:06,360 --> 00:29:08,600
Speaker 1: She goes on to talk about, Uh, this is why

526
00:29:08,640 --> 00:29:11,360
Speaker 1: I wanted to read this to you. Last, but not least,

527
00:29:11,560 --> 00:29:15,880
Speaker 1: I have quite a memory of Lana del Rey asking

528
00:29:15,920 --> 00:29:19,440
Speaker 1: for my dad's phone number after a show. He was

529
00:29:19,480 --> 00:29:23,040
Speaker 1: such a gorgeous and polite man. She said, is he single?

530
00:29:24,360 --> 00:29:28,320
Speaker 1: And my dad was like, UM, I love this. I

531
00:29:28,400 --> 00:29:32,720
Speaker 1: love because I love Lana Delray hitting on an old

532
00:29:32,840 --> 00:29:35,720
Speaker 1: dude after one of her shows. I just think that's perfect.

533
00:29:35,880 --> 00:29:37,760
Speaker 1: That's the exact type of story of the week that

534
00:29:37,760 --> 00:29:41,080
Speaker 1: we're looking for. Thank you, Gloria. I appreciate it took

535
00:29:41,080 --> 00:29:43,400
Speaker 1: a while for us to get there, but we did it. Guys,

536
00:29:43,440 --> 00:29:45,080
Speaker 1: hit me up with your story of the week. Disgray

537
00:29:45,120 --> 00:29:47,680
Speaker 1: sandpod at gmail dot com six one seven nine It

538
00:29:47,720 --> 00:29:50,440
Speaker 1: was six six six three eight. All right, guys, leave

539
00:29:50,480 --> 00:29:53,440
Speaker 1: a review for Disgray Sand on Apple Podcasts or Spotify,

540
00:29:53,480 --> 00:29:55,000
Speaker 1: and you know the drill. We send out some free

541
00:29:55,040 --> 00:29:57,840
Speaker 1: merch whatever we get lining around the studio, whatever happens

542
00:29:57,840 --> 00:30:00,960
Speaker 1: to be in arms reach. We appreciate the reviews. The

543
00:30:01,000 --> 00:30:04,600
Speaker 1: reviews helped drive discovery of the show, and that's super important.

544
00:30:04,880 --> 00:30:08,240
Speaker 1: Aquaman four seventy over on Apple Podcasts. Rights this week, kid,

545
00:30:08,240 --> 00:30:10,800
Speaker 1: do you love music? What about the stories behind some

546
00:30:10,840 --> 00:30:14,080
Speaker 1: of the greatest cultural phenoms in history? You have found

547
00:30:14,480 --> 00:30:17,720
Speaker 1: your new home. This is the place to be for

548
00:30:17,920 --> 00:30:21,160
Speaker 1: all the best stories about all your favorites. Thank you,

549
00:30:21,200 --> 00:30:23,920
Speaker 1: Aquaman four seventy. Get in touch, We'll get some merch

550
00:30:23,960 --> 00:30:28,280
Speaker 1: out to you over on Spotify. Our Pain sixteen, writes

551
00:30:28,360 --> 00:30:32,440
Speaker 1: Jake Disgraceland is one of my very favorite podcasts. Excellent storytelling.

552
00:30:32,720 --> 00:30:34,960
Speaker 1: Even if I think that maybe an episode won't interest

553
00:30:34,960 --> 00:30:36,640
Speaker 1: me at first, only because I'm not familiar with the

554
00:30:36,680 --> 00:30:39,200
Speaker 1: subject or it's a genre I'm not into, like this

555
00:30:39,320 --> 00:30:42,720
Speaker 1: Louis Armstrong episode, it does not matter. I am sucked

556
00:30:42,760 --> 00:30:45,160
Speaker 1: into the story every single time. Thank you for the

557
00:30:45,200 --> 00:30:47,520
Speaker 1: great writing and all the work that you put into this.

558
00:30:47,720 --> 00:30:50,560
Speaker 1: It's one of the highlights of my week. Thanks special

559
00:30:50,640 --> 00:30:52,800
Speaker 1: shout out to Zeth Lundy for the great writing on

560
00:30:52,840 --> 00:30:55,680
Speaker 1: that Louis Armstrong episode. Our Pain sixteen. Get in touch,

561
00:30:55,720 --> 00:30:57,400
Speaker 1: We'll get you some merch. Guys, go ahead and leave

562
00:30:57,440 --> 00:31:00,720
Speaker 1: a review on Apple Podcasts or Spotify. We appreciate it mightily.

563
00:31:01,160 --> 00:31:05,120
Speaker 1: This episode, unfortunately is nearing its end. For a lot

564
00:31:05,160 --> 00:31:07,520
Speaker 1: of you but not for all of you. Okay, for

565
00:31:07,640 --> 00:31:11,080
Speaker 1: some of you, the party continues. Okay, we're gonna continue

566
00:31:11,400 --> 00:31:13,240
Speaker 1: the after party here. Okay, we're gonna go to that

567
00:31:13,280 --> 00:31:16,160
Speaker 1: special secret room in the back and we're just gonna

568
00:31:16,160 --> 00:31:20,040
Speaker 1: all sit around, kick back, have a nice, nice drink.

569
00:31:20,120 --> 00:31:22,920
Speaker 1: As I used to call them, the asshole birds. Those

570
00:31:22,920 --> 00:31:26,760
Speaker 1: are the birds that came up really really really really

571
00:31:26,760 --> 00:31:29,080
Speaker 1: early in the morning. And if you heard those birds

572
00:31:29,080 --> 00:31:30,920
Speaker 1: and you were still up and you were still out, well,

573
00:31:30,960 --> 00:31:33,600
Speaker 1: my friend, you are an asshole. So that's what we're

574
00:31:33,600 --> 00:31:35,480
Speaker 1: about to get into right now. Okay, we're gonna we're

575
00:31:35,480 --> 00:31:37,200
Speaker 1: gonna go into the room with the asshole birds on

576
00:31:37,240 --> 00:31:38,680
Speaker 1: the other side of the window, and we're gonna just

577
00:31:38,840 --> 00:31:40,800
Speaker 1: chat a little bit about some extra stuff here, some

578
00:31:41,280 --> 00:31:43,880
Speaker 1: extra bonus content for you all for who are All

579
00:31:43,920 --> 00:31:47,360
Speaker 1: Access members. And again, all Access members know that you

580
00:31:47,440 --> 00:31:49,600
Speaker 1: get a lot of content, and it doesn't cost a

581
00:31:49,640 --> 00:31:52,040
Speaker 1: lot to be an All Access member. It's just five

582
00:31:52,160 --> 00:31:56,280
Speaker 1: dollars a month. Okay, in my utopia, that's five hot dogs,

583
00:31:56,280 --> 00:32:00,880
Speaker 1: that's five coffees, that's five cheap beers. Okay, five bucks

584
00:32:00,880 --> 00:32:03,440
Speaker 1: a month. I'm telling you, man, what's a medium coffee

585
00:32:03,440 --> 00:32:06,400
Speaker 1: at Starbucks. It's gotta be five bucks, right, you get

586
00:32:06,400 --> 00:32:08,240
Speaker 1: done putting all that crap in it. You're up around

587
00:32:08,320 --> 00:32:10,720
Speaker 1: six seven dollars for one coffee. You're not even gonna

588
00:32:10,800 --> 00:32:13,040
Speaker 1: drink all of it. Okay, you're gonna put it in

589
00:32:13,120 --> 00:32:14,880
Speaker 1: your cup holder. You're gonna get behind your wheel, you're

590
00:32:14,880 --> 00:32:17,280
Speaker 1: gonna go for a drive. You know you're gonna spill

591
00:32:17,320 --> 00:32:19,520
Speaker 1: some You're gonna you know, you're gonna, I don't know,

592
00:32:19,560 --> 00:32:21,960
Speaker 1: you're not gonna drink all that coffee in that medium cup.

593
00:32:22,320 --> 00:32:24,880
Speaker 1: And you just spent seven dollars eight dollars, twelve bucks.

594
00:32:24,920 --> 00:32:27,520
Speaker 1: You spend twelve bucks on a coffee. Come on, man,

595
00:32:27,840 --> 00:32:30,360
Speaker 1: five bucks to be an All Access member. That's all costs.

596
00:32:30,360 --> 00:32:32,920
Speaker 1: Get in here. You get the bonus section of the

597
00:32:33,000 --> 00:32:35,240
Speaker 1: All Access after party that we're about to get into.

598
00:32:35,600 --> 00:32:41,720
Speaker 1: You also get ad free listening, plus an exclusive Disgraceland

599
00:32:41,840 --> 00:32:45,520
Speaker 1: episode full episode per month. All right, that's a lot

600
00:32:45,520 --> 00:32:47,600
Speaker 1: of content for five bucks. All you gotta do is

601
00:32:47,640 --> 00:32:49,520
Speaker 1: become an All Access member is to go to disgrace

602
00:32:49,600 --> 00:32:53,640
Speaker 1: lampod dot com slash membership. That's my dog scratching your

603
00:32:53,640 --> 00:32:55,800
Speaker 1: neck in the background. Can you hear that, Dusty? What

604
00:32:55,840 --> 00:32:56,720
Speaker 1: are you doing all right?

605
00:32:56,760 --> 00:33:33,560
Speaker 4: I gonna take a break back in Flash.

606
00:33:16,240 --> 00:33:18,680
Speaker 1: All right, we are back guys, a bunch of cool

607
00:33:18,800 --> 00:33:23,560
Speaker 1: archive episodes. As always mentioned in this bonus episode Grateful Dead,

608
00:33:23,760 --> 00:33:28,000
Speaker 1: Public Enemy, Lana del Rey, Charles Manson, we mentioned Shack.

609
00:33:28,080 --> 00:33:30,840
Speaker 1: He shows up in the Kobe episode, an episode that

610
00:33:30,880 --> 00:33:34,760
Speaker 1: has turned out to be quite controversial amongst disgrace and listeners.

611
00:33:34,800 --> 00:33:38,360
Speaker 1: To put it charitably, Matt is gonna, as always, Matt's

612
00:33:38,360 --> 00:33:41,800
Speaker 1: gonna have the episode information episode number in the show

613
00:33:41,840 --> 00:33:44,880
Speaker 1: notes on all these archive episodes for you to check out.

614
00:33:44,920 --> 00:33:48,120
Speaker 1: So guys, get into the archive. Check out these episodes.

615
00:33:48,160 --> 00:33:49,960
Speaker 1: Go give him a relisten you learn so much more

616
00:33:49,960 --> 00:33:52,600
Speaker 1: on re listen. I know I do. All right, let's recap,

617
00:33:52,640 --> 00:33:54,560
Speaker 1: shall we? Number one? I want your story? Call me,

618
00:33:54,640 --> 00:33:56,280
Speaker 1: text me, hit me up on the socials with your

619
00:33:56,280 --> 00:33:58,640
Speaker 1: favorite story of rock and roll animalism, a wild story

620
00:33:58,640 --> 00:34:00,520
Speaker 1: about a rock star that you're aware of, or that

621
00:34:00,560 --> 00:34:02,080
Speaker 1: you want to tell me that I've already told you

622
00:34:02,120 --> 00:34:03,680
Speaker 1: that you know more about than I do. I don't

623
00:34:03,680 --> 00:34:06,400
Speaker 1: know a story you and your friends continuously talk about,

624
00:34:06,440 --> 00:34:08,920
Speaker 1: maybe something that happened to you, Okay, and in the process,

625
00:34:08,920 --> 00:34:10,440
Speaker 1: tell me who you are. Tell me where you're from,

626
00:34:10,640 --> 00:34:12,520
Speaker 1: and how long you've been listening to disgrace? Ain al right?

627
00:34:12,600 --> 00:34:14,520
Speaker 1: Number two right now in your feed hour episode on

628
00:34:14,600 --> 00:34:18,480
Speaker 1: Louis Armstrong. Number three coming tomorrow. Rewinding back to our

629
00:34:18,520 --> 00:34:21,239
Speaker 1: sly Stone episode number four, merch Winners get in touch.

630
00:34:21,480 --> 00:34:23,839
Speaker 1: You know who you are. Number five. Remember no one

631
00:34:23,880 --> 00:34:25,920
Speaker 1: cares about preserving the true spirit of rock and roll

632
00:34:25,920 --> 00:34:28,640
Speaker 1: more than you do. And well that's a disgrace, all right.

633
00:34:28,719 --> 00:34:32,919
Speaker 1: This week's episode subject, Louis Armstrong, passed away on July sixth,

634
00:34:33,040 --> 00:34:36,839
Speaker 1: nineteen seventy one. And here are the billboard charts from

635
00:34:36,840 --> 00:34:41,640
Speaker 1: the day this musical icon died. Number one. It's too late.

636
00:34:42,000 --> 00:34:45,239
Speaker 1: I feel the earth move under my feet Carol King

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Speaker 1: last week one peak position one weeks on chart nine,

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Speaker 1: number two Indian Reservation the Raiders, last week four peak

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Speaker 1: position two on Charge thirteen, number three. Treat like a

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00:35:04,480 --> 00:35:09,919
Speaker 1: Lady Cornelius, Brothers and Sister Rose number last last your

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00:35:10,080 --> 00:35:16,400
Speaker 1: peak position three weeks on Church thirteen, Number four, Rainy

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00:35:16,480 --> 00:35:22,839
Speaker 1: Days and Mondays Carpenters last position peak position on two

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00:35:23,440 --> 00:35:34,319
Speaker 1: weeks on Shore eighteen. Number five. Don't quit talking and

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00:35:34,560 --> 00:35:35,640
Speaker 1: start mixing.

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Speaker 2: Cut