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Speaker 1: Forever. Look man, oh, I see why? Why? And look

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Speaker 1: over there? How is that larger? Yes? Goodness. Let's ladies

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Speaker 1: and gentlemen please welcome to the stage. Last culture Ristas

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Speaker 1: Dan da culture Estas College. Who I love this for you? Guys? Okay,

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Speaker 1: whose idea was this? People listening at home? There is

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Speaker 1: a unit of upholstery, there's a mad and two gorgeous

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Speaker 1: people are sitting on freaking gorgeous. Were you the last

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Speaker 1: couple that held up the show? We were told backstage,

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Speaker 1: the last the last couples getting a drink? Are you,

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Speaker 1: in fact a couple? No? No? What's the chief reason

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Speaker 1: why you are not? Gentlemen? M What was your I

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Speaker 1: want to hear from you what what was your diplomatic

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Speaker 1: And you were gonna say he prefers you know what

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Speaker 1: were you going to say? Yeah, just a dick? Dick

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Speaker 1: on anybody? Can I say? I don't feel like the

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Speaker 1: dick is what's what makes me gay? You know what

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Speaker 1: I mean? Like, let's unpack it's the it's the well.

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Speaker 1: I don't feel that the dick is the most attractive

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Speaker 1: part of the man. This is what's happening or the

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Speaker 1: mail presenting? You're a homosexual, which means you're attracted to

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Speaker 1: the same gender and you're just attracted to men and

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Speaker 1: men don't have to have dicks, but mostly like ass Actually, there,

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Speaker 1: we got we got it. We got that. Um listen, listen.

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Speaker 1: That was just a cold open. Really, that was just

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Speaker 1: a little teaser for what was to come. This is

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Speaker 1: the very first time I've ever done something like this. Yeah,

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Speaker 1: where we've had a crowd fun. It's super loose, super

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Speaker 1: kash were loose, grouper Kaz. You're wearing like a like

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Speaker 1: a stripe. Yeah, I wore this. Oh, this is gonna

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Speaker 1: be a theme for tonight. We're gonna we're going to

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Speaker 1: talk about breakups in general. Yeah, yeah, yeah. I wore

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Speaker 1: this to a thing two drinks on Monday with this

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Speaker 1: guy um, and I thought he was gonna want to

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Speaker 1: get back together, and instead what he wanted to do

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Speaker 1: was just have a postmortem on us. He wanted to

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Speaker 1: have a top back about the relationship. It was like, Okay,

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Speaker 1: I want to dress for the the boyfriend I want

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Speaker 1: to have and I put this on and it was like,

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Speaker 1: I want to accent my shoulders literally, can I ask

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Speaker 1: the question I asked you every time this happens, which

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Speaker 1: one wasn't Because there's two boys. Yeah, this one was

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Speaker 1: the one who was already a doctor. Okay, not the

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Speaker 1: one who not there's there. So there's two of them,

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Speaker 1: and one of them is already a doctor, and one

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Speaker 1: of them is like a baby. Um, they're both truly

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Speaker 1: both listen. Yeah, So it didn't it didn't work. So

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Speaker 1: it was, in essence it was another breakup. Existentially, it

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Speaker 1: felt like it felt like a rejection. It was like, okay, well,

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Speaker 1: I'm not a fan of the positions that you keep

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Speaker 1: putting yourself in with him. This is an intervention. Um,

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Speaker 1: we're all here because we love you. Um, but that's okay,

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Speaker 1: it's fine. You're in Los Angeles, babe. There's so many

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Speaker 1: gay men. This one right, there's one right there. He

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Speaker 1: chose the sat on the floor close to you. He no,

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Speaker 1: he was ushered in in place. Okay, Um, how are you?

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Speaker 1: This is truly our first conversational moment of catching We've

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Speaker 1: been separated, we've been separated, and it's been he's he's

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Speaker 1: been the Bethany Frankel. All of a sudden, he's like,

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Speaker 1: I gotta go, and so offendive. He walks in he

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Speaker 1: walks in. No point was I ever, not ever, not

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Speaker 1: even when she was likable. Never, Because I also I'm

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Speaker 1: not that creative. He walks in, He walks, and he goes, uh, hi, sorry,

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Speaker 1: I'm the Hello, good to see you. We haven't seen

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Speaker 1: each other in a while. I gotta go, I gotta go.

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Speaker 1: And then and then it's like, yeah, it's like I

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Speaker 1: get it. Matt used to, you know, sell muffins in

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Speaker 1: a grocery store, and now he makes skinny Girl. It's great. Um,

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Speaker 1: you know I identify with Dorinda. Yeah, but all of

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Speaker 1: us want to be Derenda and what and what you

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Speaker 1: and I both are are Ramonas Ramonas and um Sonia Risings. Yeah, yeah,

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Speaker 1: so we are, you guys, fans of Real Housewives of

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Speaker 1: New York York. My takeaway from the whole thing is,

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Speaker 1: what the fuck is Sonya's new apartment? Oh, it's so sad.

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Speaker 1: It's so sad. It is I and the fact that

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Speaker 1: she still has her assistant like hut up chunks of

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Speaker 1: banana or whatever the funk and like put them on

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Speaker 1: a plate and bring them to her while she is

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Speaker 1: supine in her bed talking to herself out loud, it's sad.

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Speaker 1: It's not whatever she voted for Trump. I don't care.

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Speaker 1: I don't feel sorry for her. Okay, no, but this

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Speaker 1: is the thing about the housewives. Tell us the thing

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Speaker 1: about that, at least for New York Sonya Ramona Lui

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Speaker 1: an all little trumpets. And this is even worse. Tinsley

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Speaker 1: registered in I think Florida and didn't vote. Did not vote. Guys, Okay,

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Speaker 1: you shook your head. You were like, we've chilled the room.

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Speaker 1: It's fine, we don't. We can move on anyway. We can.

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Speaker 1: This is not but this is not about the election tonight.

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Speaker 1: This is not about the election tonight. Um. It's about Breakupsum.

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Speaker 1: Our guest broke up with someone two hours ago. So

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Speaker 1: that's why we that's why we bring this up. That's

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Speaker 1: what that was. That's that feeling of thickness in the air.

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Speaker 1: It's that it's at and I broke up with someone

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Speaker 1: recently to two years ago, and I talked about it.

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Speaker 1: Not not a lot. Yeah, but that's okay. He's doing well.

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Speaker 1: He's petting elephants in Thailand. Don't worry. He doesn't listen anymore.

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Speaker 1: He told me that. Okay. Oh, then in that case,

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Speaker 1: it's really nice to see a white person in Thailand.

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Speaker 1: Here we go just drag white. No, no, no, take

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Speaker 1: us down, because honestly it it immediately puts me in

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Speaker 1: it just it takes me to any pre love place

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Speaker 1: and and then I feel better. I feel nice. The

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Speaker 1: shocking thing about like gay people in Thailand is if

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Speaker 1: they were even to say that they were gay, like

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Speaker 1: whisper it, they'd be immediately like, no, not in Thailand.

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Speaker 1: Not in Thailand. It's the gaze are running around running

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Speaker 1: the muck. Really yeah, no, Thailand is Thailand is great.

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Speaker 1: I Thailand though, is this I've never been, but I

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Speaker 1: you would love to have gone right now? You'd love

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Speaker 1: to expound. Yeah, I'm just yeah. I actually will just

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Speaker 1: stop it right there. And one of my what do

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Speaker 1: I havepen is they about Tilia. I do want to

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Speaker 1: go to the eastern part of this world. No, no, no, no, no,

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Speaker 1: last thing you said I want to go to the East.

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Speaker 1: I would like to go to the East. Keep calling

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Speaker 1: it the East. I would like to go to the

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Speaker 1: East because they have a large disneyland in Shanghai that

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Speaker 1: I would like to go to. Yes, queen, yes, why

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Speaker 1: did you just go? You are Okay, what's your name?

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Speaker 1: What you have a sweatshirt? Oh it's a it's a dad.

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Speaker 1: I'm even better. What's your name? Hey girl? Um? I

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Speaker 1: know about forty five Amanda's Um hi, you pointed, Really no,

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Speaker 1: that's good if I I would love to have a

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Speaker 1: Disneyland Instagram. In fact, I sort of do. It's my

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Speaker 1: personal instagram. Um. So I just went for my birthday.

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Speaker 1: It was really great. Yes, um we ate. I ate

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Speaker 1: a turkey like somewhere they're so big he got he

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Speaker 1: got the trip to fan honey anyway? By no, no, no?

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Speaker 1: How often do you go? Do you have a season pass? Yes?

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Speaker 1: What's the cadence? How often are we going? Seriously? Okay,

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Speaker 1: that's literally what I'm going to turn into if I

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Speaker 1: move here. I have Sunday off And I was like hmm,

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Speaker 1: and then can I ask what do you do? What

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Speaker 1: do you do? Do you have to have to have

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Speaker 1: a job? Do you work? See? That's cool for what

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Speaker 1: it could become uncool so fast right now? Literally for what? Yeah? Wait,

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Speaker 1: go back, go back? So does he get do so

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Speaker 1: we'll say your job into the mic. I'm a social

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Speaker 1: media producer for Dr Philips. You asked you By the way,

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Speaker 1: you asked how did this happen? Is because I said

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Speaker 1: the word Disneyland and you went like this, that's how

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Speaker 1: this is currently happening. Okay, So does he come up

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Speaker 1: with like social media ideas and you make them a reality.

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Speaker 1: It's it's more like strategy, like he help him with that,

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Speaker 1: Like we kind of come up with stuff to post for.

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Speaker 1: What does he struggle with? What does he have trouble

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Speaker 1: to do with me? He wants to post like a

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Speaker 1: lot and we have to be like, no, like, don't

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Speaker 1: post that much. You need to like less is more,

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Speaker 1: you know, Yeah, yeah, I agree, Um cool, um, okay,

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Speaker 1: So gotta say I gotta point out Dr Film, my

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Speaker 1: second favorite TV doctor. I like Dr oz Oh. It's

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Speaker 1: a hot button issue in this room. We'll post the

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Speaker 1: post Trump interview. He's he's done. Oh I didn't know

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Speaker 1: about this? What happened? What do you mean you didn't

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Speaker 1: know about this? This was in the fucking lead up

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Speaker 1: to the fucking election. Don't scream. He gave Trump a

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Speaker 1: platform to show off his fucking physical and be like, look,

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Speaker 1: my prostate is sound like I'm so happy you said

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Speaker 1: the words prostate because that reminds me of a story

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Speaker 1: I have bad Doctor oz So. I once went to

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Speaker 1: the Doctors Show and it was an all male audience.

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Speaker 1: And then this was in college. I went with Billy Domino.

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Speaker 1: We went and it was an all male audience. And

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Speaker 1: the warm up, the stand the guy who like warms

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Speaker 1: up the crowd clearly has only ever had crowds of

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Speaker 1: all women because it's Dr oz So. He came out

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Speaker 1: and like he busted through. Hey queen, uh yep, so

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Speaker 1: I'm telling my doctor story. You're tested time we're talking

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Speaker 1: about Dr So. The stand up that like warms up

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Speaker 1: the crowd for Dr oz like busted through the door.

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Speaker 1: He just goes, where's my men? And everyone was like

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Speaker 1: and he was like and he literally immediately caught himself

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Speaker 1: and he's like, sorry, I'm just excited. He was like,

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Speaker 1: I'm sorry, I'm just excited that there's men here. And

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Speaker 1: we were just like like his job is to like

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Speaker 1: make us comfortable, and we were just like we're we're

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Speaker 1: not for you, and you're not for us. Did he

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Speaker 1: say the words, sorry, I'm just excited that there's men.

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Speaker 1: He said some variation of that. Yes, um, but anyway,

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Speaker 1: that was helpful. They passed out little pretend ball sacks

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Speaker 1: and we felt it up for testically or cancer testically.

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Speaker 1: Yeah what, um what are the signs? Uh? Rock hard?

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Speaker 1: Little pebble in your ball sack? God? Um no, but

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Speaker 1: how's life been? This is truly I do for me? Yes,

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Speaker 1: like great, I'm very happy. Good good? Are you happy?

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Speaker 1: I'm I'm I'm I'm good. This this trip has just

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Speaker 1: ended up being I thought I wanted a little mini vacation,

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Speaker 1: a pseudo vacation for myself, and it just ended up

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Speaker 1: being the boundaries are are down and it's work is

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Speaker 1: work is life and I'm living for the way you're

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Speaker 1: holding the mic like this, So yeah, it's it's just, um,

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Speaker 1: it's hard, this is this is How did that happen?

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Speaker 1: What's happening? I just I gave I gave her a

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Speaker 1: little a little h J and then I worked up

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Speaker 1: my way up the shaft and I landed at the rim.

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Speaker 1: Do you know what? We watched a video in the

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Speaker 1: room I'm in the other day and it was a

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Speaker 1: it was a woman who um she was like being

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Speaker 1: a dj at, like a bar mitzvah, and she the

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Speaker 1: mic was like this, and the mike lodged all the

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Speaker 1: way down her throat somehow. And so now every time

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Speaker 1: I go to a show and they say the mics

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Speaker 1: are not that hot, so go like this, I'm very hesitant.

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Speaker 1: And by now I mean the one time I've been

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Speaker 1: at a show since then, which is right now. Anyway,

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Speaker 1: the moral of a story is be careful of Mike's

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Speaker 1: over and under on one of us swallowing a mic tonight.

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Speaker 1: I think one of us, well, one of us will

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Speaker 1: swallow him. I think our guests may swallow Was that

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Speaker 1: an intro to? Is that like a I want to

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Speaker 1: say one more thing before we bring out our fucking

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Speaker 1: stunning guests. Um bow and Yang has some ink? Oh yeah,

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Speaker 1: did you see his tattoo? I got a tattoo, thanks,

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Speaker 1: um marked your body, marked my body. Um we'll see.

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Speaker 1: I'm seeing my parents in two days and we'll see

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Speaker 1: what they think. Will they be will be? But it

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Speaker 1: doesn't matter. Um, I this is this is like but

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Speaker 1: this is like a pocketive of like Chinese School's Sharon

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Speaker 1: in the audience, Sharon, Sharon and I went to Chinese

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Speaker 1: school together in Denver, And um this this, this brings

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Speaker 1: back memories. But this is but I think, like I'm

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Speaker 1: gonna lead with this is what I'm gonna tell my parents,

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Speaker 1: because you're gonna get this. I'm gonna be like, this

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Speaker 1: is actually a tribute to Lawyah, to Grandpa, and because

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Speaker 1: he loves calligraphy, because this is a calligraphy grid. And

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Speaker 1: I was like, and I think that's that's gonna be

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Speaker 1: my spin for it. Sharon, what no, no, no, no, no, no,

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Speaker 1: no no, Sharon, Sharon an accusation her, you are the

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Speaker 1: new Amanda. Okay, Queen Sharon, you and I weren't in

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Speaker 1: the same classes. Tell me all about how bow and

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Speaker 1: Yang cheated his way to this very stage in Chinese school.

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Speaker 1: In Chinese school, yeah, yes, oh that. There's so much

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Speaker 1: dirt on your bow. And he was actually amazing student.

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Speaker 1: I was the cheater. No, you never cheated. You were

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Speaker 1: very good. I think we all cheated throughout Chinese school.

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Speaker 1: I think it's just unrealistic to expect. It's basically every

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Speaker 1: Sunday we were forced to suffer through this classroom full

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Speaker 1: of Chinese kids who didn't really speak Chinese to each other.

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Speaker 1: We spoke English. Yeah, but it was Chinese school was

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Speaker 1: actually a um, a battleground for the parents to work

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Speaker 1: out their political bullshit. It was actually but China School,

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Speaker 1: give me one good memory. Do you remember this kid

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Speaker 1: sharing this kid one time? This was that this was

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Speaker 1: at peak Yugio culture and this couldn't have been older

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Speaker 1: than nine years old. This little boy in a bowl

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Speaker 1: cut was walking around the halls of Chinese school holding

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Speaker 1: up a holographic blue eyes white dragon wood, a card

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Speaker 1: that is in every starter deck. And he's holding this

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Speaker 1: up and walking around the halls showing it to people,

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Speaker 1: just not saying a word, just being like smugly, being like,

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Speaker 1: look what I have. And the parents, the teachers, the students,

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Speaker 1: we were all like, we don't give a ship and

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Speaker 1: that is social media. So we got that kid. I

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Speaker 1: just have to interview one more person, and it's this

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Speaker 1: queen sucking on a lollipop. This young woman is sucking

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Speaker 1: on a lollipop and you wanted me to see, so

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Speaker 1: I am gonna ask you about it. Hi, how are

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Speaker 1: you great? How's the law? It's pretty good? What flav

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Speaker 1: I think? It's chocolate ill that sucks? And that concludes

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Speaker 1: the like I thought the most disgusting thing you could

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Speaker 1: say was grape and you said chocolate. Anyway, I should

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Speaker 1: is it time. I think it's time. I think we

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Speaker 1: I think we bring out our very special gas. We

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Speaker 1: truly have a very special guest. Um he is. He's

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Speaker 1: someone who truly was like out there, like putting shit

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Speaker 1: out for a while. Um uh, and he still does.

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Speaker 1: He's still so good. He has an album out called

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Speaker 1: Late Bloomer. He's wonderful. He's he's done amazing something. He

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Speaker 1: actually someone said this to me, they didn't start this

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Speaker 1: this kid that this guy that I was talking to

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Speaker 1: was like, I didn't start drinking the Kroise until his

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Speaker 1: song Lacroix Boy. And this guy is permeating the culture constantly.

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Speaker 1: Um and he's an amazing musician, amazing producer. He produces

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Speaker 1: a podcast on this network called Race Chaser hosted by

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Speaker 1: Willem in Alaska. And um god, he's so talented, such

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Speaker 1: a funny, great talented musician. We're so excited to have him.

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Speaker 1: So please welcome here and in your ears, big Dipper. Yeah, yeah, yes, yes,

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Speaker 1: we wanted. We wanted to come out to Icona, Pops,

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Speaker 1: I love it, and then got we got scared and

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Speaker 1: came out to Lizzo instead. But I came out to Hi. Hi.

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Speaker 1: Oh we're kicking your feet up. We're we're we're doing

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Speaker 1: ottomans if you if you like that you have Why

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Speaker 1: is this night different than all other nights? Um? So listen,

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Speaker 1: we did break the news to the audience that you

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Speaker 1: had went through a breakup. Are you feel uncomfortable to try?

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Speaker 1: I heard you say that, yeah, mirror hours ago. How

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Speaker 1: are you doing? I'm good? I Uh. One of the

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Speaker 1: one of the issues was I was told I'm an

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Speaker 1: avoidant personality, so here I am doing a show instead

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Speaker 1: of dealing with it. You know what you've done. Dealt

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Speaker 1: with that, dealt with that? Yeah, I feel like that. Okay,

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Speaker 1: So can can we can we tell the audience that

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Speaker 1: you went into this sure with a script? I did. Yes.

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Speaker 1: It was really intense because it was a brand new

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Speaker 1: experience for me. I had never really been in that

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Speaker 1: experience before. Uh, in that situation, and I knew that

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Speaker 1: I wanted to say exactly what I wanted to say,

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Speaker 1: So I wrote it on my phone like an asshole

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Speaker 1: and then read it. That's cool. Did you ever look

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Speaker 1: up to but listen, you would have the same reaction

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Speaker 1: right well to what you've like read a script before

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Speaker 1: that like has emotional beats in it for sure, and

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Speaker 1: I'm a good writer. So I wrote like something that

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Speaker 1: was did you feel like I mean, that's the problem.

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Speaker 1: I was trying not to. I was trying to just yeah,

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Speaker 1: I was just trying to be and I felt like

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Speaker 1: there were elements of it that were performative. Oh so

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Speaker 1: did the audience respond? Uh? Not? Well, it was very intense.

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Speaker 1: I'm also trying to take a note because I listened

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Speaker 1: to the podcast and on a recent episode there was

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Speaker 1: a conversation about talking about experiences in your life but

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Speaker 1: not speaking for the other person. Did you guys hear

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Speaker 1: that on their podcast? Do you remember this conversation? No

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Speaker 1: one here has ever listened. No one listens to Lucia.

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Speaker 1: These are all my cousins. M yeah, um no, just

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Speaker 1: the idea that, like, I can talk about what I

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Speaker 1: went through. But you know, it appeared like it wasn't

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Speaker 1: received very well. No, No, well, I'm sorry. Yeah, I'm

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Speaker 1: sorry too. It's sort of like a sad, weird, shitty situation.

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Speaker 1: One aspect of this that we don't have to speak

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Speaker 1: for him, sure, but one aspect of him that were

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Speaker 1: them woman, No, my fucking asshole fell out. I was

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Speaker 1: so scared. Also in the earlier when you were like,

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Speaker 1: it's the thing for me about being gay, it's not

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Speaker 1: the dick. I was like, it's the dick. It's the dick.

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Speaker 1: It's the It's not the dick for me, it's the

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Speaker 1: dick for me. They all look the same. You've seen one,

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Speaker 1: you've seen them all. I think I think it we

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Speaker 1: need to hang out because that is not true. Is

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Speaker 1: that because your dick is like a fork or something? Yes,

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Speaker 1: spork sport. Oh, it's got concavity. So um. One aspect

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Speaker 1: of this is that you were like in in the

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Speaker 1: period of you guys dating, we were traveling, yes, and

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Speaker 1: but things were being hashed out as you were traveling,

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Speaker 1: which I feel like in the nascent stages of a relationship,

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Speaker 1: when one person goes somewhere far away, it's kind of

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Speaker 1: like hitting pause. It's like, well, we're not going to

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Speaker 1: see each other, so let's just effectively pretend that this

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Speaker 1: is on a on a little bit of a break, right.

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Speaker 1: But he was whatever, we don't have to get in.

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Speaker 1: Really it was. It was very intense. It was start

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Speaker 1: to finish six weeks, that's it was. Yeah, it was

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Speaker 1: just and I was in another hemisphere for twelve days

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Speaker 1: of those six it was very without him or with

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Speaker 1: him without Okay, so, but I think one of the

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Speaker 1: worst things you can do is like take a vacation

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Speaker 1: to save the relationship. Like we had a friend that

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Speaker 1: did that and then they ended up breaking up in

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Speaker 1: literal Paris. That's like and then fly back sitting next

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Speaker 1: another believe really that's what they did. Yes, yeah, I didn't,

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Speaker 1: but I didn't change their No, but I didn't think

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Speaker 1: about the flying back. You gotta think about that. You

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Speaker 1: gotta think about logistics always, but also in the time

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Speaker 1: not gonna well, I guess I am. And like the

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Speaker 1: last few months of our relationship, we took a euro

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Speaker 1: trip and I thought, wow, this is what relationship are

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Speaker 1: you referring to you listen to the show No, but

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Speaker 1: I just remember, like we took a European vacation and

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Speaker 1: I was like, is this helping? And then you think

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Speaker 1: it is because it's like you're you put yourself in

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Speaker 1: like a romantic setting and like you're seeing new things

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Speaker 1: together and having a new experience and that kind of

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Speaker 1: like prolongs dealing with what's real. It's like in that

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Speaker 1: episode of Madmen when um when uh, Don Draper and

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Speaker 1: January Jones go to um, yes, down they go to

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Speaker 1: Italy and she's got like a perfect haircut, and then

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Speaker 1: they're like they love each other. And then they get

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Speaker 1: back and it's like back to the fifties. Babe falls away,

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Speaker 1: the haircut, the haircut falls away. It was all a piece. Yeah. Wait,

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Speaker 1: and what was the outcome of your postmortem? Uh? Just

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Speaker 1: that did you get critical feedback to change things in

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Speaker 1: the future a little bit? Yeah? That's like an intense thing, right,

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Speaker 1: And I when someone's like, I don't know you very well,

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Speaker 1: but let me tell you all about yourself. Well, he

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Speaker 1: he was framing it in terms of like and he's

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Speaker 1: going to listen. He was framing it in terms of

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Speaker 1: like shout out hey. Um, we've had conversations where he's

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Speaker 1: felt uncomfortable about any mere mention of him when I've talked. Well,

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Speaker 1: that's because Bin used his first name on an episode once,

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Speaker 1: but this we're not using his first name on this episode.

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Speaker 1: So he it's Kevin. Yeah, I was gonna guess he

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Speaker 1: would ne were dating Kevin who knows um? And he

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Speaker 1: was okay, he was like, you know, I was I

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Speaker 1: was really attracted to you until you did this, and

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Speaker 1: then I was like, I'm well, sorry I did that.

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Speaker 1: Then what did you do? I well, because I was,

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Speaker 1: I was in this place there was this big disparity

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Speaker 1: between and this is this is all just insecurity, I

389
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Speaker 1: was like, I what am I doing with a guy

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Speaker 1: like this? I was like, oh, he's way out of

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Speaker 1: my league. And then out of that insecurity, I was

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Speaker 1: one one night just pillow talk. I was like I

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Speaker 1: was testing the waters and I was basically being like,

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Speaker 1: so I've and whatever. In many words, I was like,

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Speaker 1: I'm I'm sort of seeing other people, but I don't know,

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Speaker 1: like maybe like maybe I don't have to whatever. It

397
00:25:52,640 --> 00:25:57,800
Speaker 1: was more graceful than that. But um, apparently me talking

398
00:25:57,840 --> 00:26:00,800
Speaker 1: about seeing other people while we were dating on exclusively

399
00:26:00,960 --> 00:26:04,639
Speaker 1: was like the thing that like I just killed it.

400
00:26:04,880 --> 00:26:07,320
Speaker 1: He wanted it to be. I'm sorry, they wanted it

401
00:26:07,400 --> 00:26:11,920
Speaker 1: to be. He spoke, it's actually rutal culture. Number nine,

402
00:26:12,000 --> 00:26:17,440
Speaker 1: bowen Yang is straight. We didn't together. Bowen Yang is straight.

403
00:26:18,960 --> 00:26:20,720
Speaker 1: Remember when I said I had a note for you,

404
00:26:21,080 --> 00:26:23,159
Speaker 1: what's your note? This is my note as a listener.

405
00:26:23,840 --> 00:26:26,080
Speaker 1: I know that you have there's a person out there

406
00:26:26,080 --> 00:26:29,400
Speaker 1: who keeps track of all the rules, Kelly, Kelly, Joe,

407
00:26:29,720 --> 00:26:31,480
Speaker 1: I would just like, I want to encourage you to

408
00:26:31,600 --> 00:26:33,879
Speaker 1: just put a one in front of front of your numbers,

409
00:26:33,880 --> 00:26:36,800
Speaker 1: because we're probably up in the one at this point.

410
00:26:37,600 --> 00:26:42,639
Speaker 1: I hear you, and no, I'm like listening, and I'm like,

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00:26:42,840 --> 00:26:45,440
Speaker 1: I hate the fact that there's like a nine ABC.

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00:26:47,000 --> 00:26:50,680
Speaker 1: So Kelly keeps very good Matt's go to number for rules.

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Speaker 1: So it's fourteen, either of those, and then those are

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Speaker 1: the only two numbers I know. I don't even know too,

415
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Speaker 1: I don't know how I just did that. Uh. And

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00:27:01,760 --> 00:27:03,920
Speaker 1: and she'll she'll, she'll do like a like a point

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Speaker 1: seventeen point at one sevent I mean I figured, Um,

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Speaker 1: but um wait, what was I saying? Oh yeah, the

419
00:27:10,240 --> 00:27:14,359
Speaker 1: thing for him was that? Uh? That was that was

420
00:27:14,400 --> 00:27:16,560
Speaker 1: the thing that I killed it for him. Wait, we

421
00:27:16,640 --> 00:27:21,560
Speaker 1: were saying something. You were straight? I was straight straight anyway. Anyway. Um,

422
00:27:21,920 --> 00:27:25,280
Speaker 1: so here's the thing. I'm sorry you went through a breakup, y,

423
00:27:25,880 --> 00:27:29,280
Speaker 1: but but we're not here to talk about him them.

424
00:27:29,359 --> 00:27:32,600
Speaker 1: She right, We're here to talk about you. Yeah, So,

425
00:27:33,720 --> 00:27:36,399
Speaker 1: which apparently was why the breakup up? Too much talk about.

426
00:27:37,720 --> 00:27:40,840
Speaker 1: So let's just continue that. Um, we ask everyone a

427
00:27:40,960 --> 00:27:43,720
Speaker 1: question here on Loss Cultures Us, and that question is

428
00:27:43,760 --> 00:27:46,000
Speaker 1: what was the culture that made you say culture was

429
00:27:46,200 --> 00:27:49,800
Speaker 1: for you? This is the formative pop culture in your

430
00:27:49,880 --> 00:27:52,800
Speaker 1: life that turned you into this beautiful, gorgeous hunk of

431
00:27:52,880 --> 00:27:55,120
Speaker 1: man we see before us. So go on and tell

432
00:27:55,240 --> 00:27:58,399
Speaker 1: us that. Um I thought about this a lot because

433
00:27:58,480 --> 00:28:01,960
Speaker 1: I know that you asked this question. And something that

434
00:28:02,160 --> 00:28:07,840
Speaker 1: really stuck out in my mind what was the v

435
00:28:08,080 --> 00:28:13,680
Speaker 1: M A S. Which was that Chris Rock hosted Brittany

436
00:28:13,760 --> 00:28:17,560
Speaker 1: performed with in Sync and introduced them by saying, I'd

437
00:28:17,640 --> 00:28:20,119
Speaker 1: like to introduce you to some friends of mine, right,

438
00:28:20,960 --> 00:28:30,160
Speaker 1: Oh my god, and it was like, oh, it was okay.

439
00:28:30,400 --> 00:28:34,600
Speaker 1: And then TLC performed in the all red nose Scrubs

440
00:28:34,680 --> 00:28:37,480
Speaker 1: moment where they gave them eight feet of stage, like

441
00:28:38,360 --> 00:28:40,360
Speaker 1: do you remember this? There was like a scream down

442
00:28:40,400 --> 00:28:41,960
Speaker 1: and you were like, they don't get the whole stage?

443
00:28:42,000 --> 00:28:45,680
Speaker 1: What the fun was that? That? Your Fiona Apple one

444
00:28:45,840 --> 00:28:50,760
Speaker 1: or no, No, I'm just kidding. That was rude. I

445
00:28:50,800 --> 00:28:53,560
Speaker 1: didn't mean to say that she gave my sister an

446
00:28:53,560 --> 00:28:57,240
Speaker 1: eating disorder. I don't know, Fiona didn't she give every

447
00:28:57,480 --> 00:29:00,840
Speaker 1: Dayder of the nine is absolutely Do you remember the

448
00:29:00,960 --> 00:29:04,840
Speaker 1: video for what was it called smooth Criminal No more

449
00:29:04,960 --> 00:29:12,680
Speaker 1: like smooth Oh yeah, thank you? Okay, So Horrible has

450
00:29:12,720 --> 00:29:17,240
Speaker 1: had so many good live performances and like just like

451
00:29:18,360 --> 00:29:22,080
Speaker 1: there was a lot of like crossover that I didn't

452
00:29:22,120 --> 00:29:25,880
Speaker 1: realize was probably like back end record companies being like,

453
00:29:26,240 --> 00:29:28,920
Speaker 1: oh if these people work like this will make more money,

454
00:29:29,000 --> 00:29:30,600
Speaker 1: you know, like and it was just this sort of

455
00:29:30,720 --> 00:29:35,000
Speaker 1: like convergence of like art and capitalism and like pop

456
00:29:35,120 --> 00:29:37,840
Speaker 1: culture and didn't they do it like the met or

457
00:29:37,960 --> 00:29:46,960
Speaker 1: the Center or something. And that was when Diana Ross like, uh, jiggle, yeah,

458
00:29:47,720 --> 00:29:51,200
Speaker 1: that was iconic. Yes, that whole show, and I feel

459
00:29:51,240 --> 00:29:54,240
Speaker 1: like it was really iconic. And after that show was

460
00:29:54,360 --> 00:29:57,520
Speaker 1: so cool. I then and I grew up not having cable.

461
00:29:58,400 --> 00:30:01,400
Speaker 1: I then made it my busin this to always like

462
00:30:01,800 --> 00:30:03,760
Speaker 1: my friend taped it for me, so I watched that

463
00:30:03,880 --> 00:30:07,160
Speaker 1: on VHS. So I then made up my business to

464
00:30:07,360 --> 00:30:11,040
Speaker 1: always go watch the v m a's And and they

465
00:30:11,160 --> 00:30:13,400
Speaker 1: sort of never really, I mean there were moments, but

466
00:30:13,520 --> 00:30:15,840
Speaker 1: like in my mind, they never lived up to that.

467
00:30:16,720 --> 00:30:22,640
Speaker 1: And I really really am like into pop music. I'm

468
00:30:22,680 --> 00:30:27,120
Speaker 1: really into like like I love thinking about even when

469
00:30:27,200 --> 00:30:31,160
Speaker 1: it's like a trash strategy. I love thinking about like, oh,

470
00:30:31,400 --> 00:30:34,280
Speaker 1: they put those words in that song that helps sell

471
00:30:34,400 --> 00:30:38,120
Speaker 1: this car because Ford kind of owns this record, you know,

472
00:30:38,240 --> 00:30:40,840
Speaker 1: like that kind of stuff. I'm like, who's doing that?

473
00:30:41,000 --> 00:30:43,240
Speaker 1: You know, like I always think, and I like figuring

474
00:30:43,280 --> 00:30:47,480
Speaker 1: that out your love for pop music, and I guess

475
00:30:49,160 --> 00:30:51,280
Speaker 1: I don't think I noticed that until much later, because

476
00:30:51,320 --> 00:31:02,520
Speaker 1: I'm extraordinarily dumb. But um um, do you remember this.

477
00:31:02,840 --> 00:31:05,600
Speaker 1: I was really into X Factor when it came on,

478
00:31:05,720 --> 00:31:07,560
Speaker 1: and so I was telling Study like, you have to

479
00:31:07,600 --> 00:31:09,960
Speaker 1: watch X Factor with me. You will love X Factor

480
00:31:10,040 --> 00:31:12,640
Speaker 1: and like she would hate X Factor. But we sat

481
00:31:12,680 --> 00:31:14,960
Speaker 1: down to watch it and there was this scene. I

482
00:31:15,000 --> 00:31:18,520
Speaker 1: remember the moment I became aware of capitalism because she

483
00:31:18,720 --> 00:31:22,000
Speaker 1: was like, look how many pepsi cans are in every

484
00:31:22,160 --> 00:31:24,560
Speaker 1: single shot? And I was like, oh my god. And

485
00:31:24,840 --> 00:31:27,680
Speaker 1: that's just like the moment I saw the pepsi cans

486
00:31:28,360 --> 00:31:31,840
Speaker 1: and then I couldn't unsee them, Like now everywhere all

487
00:31:31,920 --> 00:31:34,080
Speaker 1: I see is pepsi can. I literally was having this

488
00:31:34,160 --> 00:31:36,760
Speaker 1: conversation the other day because I just watched an episode

489
00:31:36,760 --> 00:31:38,920
Speaker 1: of High Maintenance where he like wakes up in a

490
00:31:39,000 --> 00:31:42,640
Speaker 1: Casper mattress store and you're like, oh, that seems fun,

491
00:31:42,720 --> 00:31:46,800
Speaker 1: and then you're like, wait, like it says she's wearing

492
00:31:46,800 --> 00:31:49,960
Speaker 1: a hat. They're like in a store, and I was like, Oh,

493
00:31:50,320 --> 00:31:55,120
Speaker 1: they got paid by Casper Mattress. And I was like,

494
00:31:55,480 --> 00:31:57,520
Speaker 1: is that a job I can do where someone goes

495
00:31:57,640 --> 00:32:00,480
Speaker 1: you need to we like like fiddle a way to

496
00:32:00,560 --> 00:32:02,880
Speaker 1: put these products into a script. And I'm sure that job.

497
00:32:03,160 --> 00:32:07,840
Speaker 1: Is that your job? Oh? Okay, we'll email me because

498
00:32:07,880 --> 00:32:11,640
Speaker 1: I'll be good at that job. Because rap music about

499
00:32:11,680 --> 00:32:17,400
Speaker 1: anal sex does not pay well. It's frightening when you

500
00:32:17,520 --> 00:32:20,920
Speaker 1: think about like how much we're being like sold at

501
00:32:20,960 --> 00:32:23,880
Speaker 1: all times. Like you know the movie Josie and the Pussycats.

502
00:32:24,880 --> 00:32:27,080
Speaker 1: I think that ship is so ahead of its time

503
00:32:27,120 --> 00:32:29,760
Speaker 1: and genius and I think Parker Posey should have won

504
00:32:29,760 --> 00:32:33,360
Speaker 1: an Oscar for it, if only for the scene where

505
00:32:33,400 --> 00:32:36,680
Speaker 1: she comes down the stairs at the parties and they

506
00:32:36,760 --> 00:32:41,600
Speaker 1: play a musical theater version of why did you do what?

507
00:32:41,880 --> 00:32:47,640
Speaker 1: You dude? To me? Baby? And she's like, truev any crazy?

508
00:32:48,720 --> 00:32:53,520
Speaker 1: You know if I could I do anything for you? Yeah?

509
00:32:53,600 --> 00:32:57,400
Speaker 1: That we're beautiful? Um, such a genius. What have you

510
00:32:57,440 --> 00:33:02,040
Speaker 1: seen that movie? Never? Stupid bitch? Oh, I was just

511
00:33:02,200 --> 00:33:06,880
Speaker 1: smiling and not with you. You haven't seen is Rosario

512
00:33:06,960 --> 00:33:13,000
Speaker 1: Dawson and yes, Rachel Cook in it, Yes, Rachel aware

513
00:33:13,080 --> 00:33:17,280
Speaker 1: of it. I don't do, don't do Rachel Lee Cook.

514
00:33:18,640 --> 00:33:21,840
Speaker 1: And who's the third? And who's the third? You know? Uh?

515
00:33:22,800 --> 00:33:30,760
Speaker 1: Terror read stop terror reads someone who is dead? Who's

516
00:33:30,760 --> 00:33:37,160
Speaker 1: gonna guess? Brittany Murphy. She would have been great, She

517
00:33:37,200 --> 00:33:39,040
Speaker 1: would have been great. No, she was. She was busy

518
00:33:39,080 --> 00:33:41,640
Speaker 1: at the time with riding in cars with boys, so

519
00:33:42,040 --> 00:33:44,360
Speaker 1: she um no, no, no, terror read. She was dating

520
00:33:44,360 --> 00:33:47,120
Speaker 1: Carson Daley at the time. Sorry, I'm thinking of Tara

521
00:33:47,240 --> 00:33:49,760
Speaker 1: Lepinsky every time you say Terry. Honestly, they look alike,

522
00:33:50,600 --> 00:33:58,400
Speaker 1: do the Tara Lepinsky and Terry Ready twins? Um? Wait?

523
00:33:58,600 --> 00:34:00,360
Speaker 1: Oh yeah, she was dating Carsondilli at the time. And

524
00:34:00,400 --> 00:34:03,400
Speaker 1: there's the scene where like Carsonally tries to kill them. Yeah, oh,

525
00:34:03,480 --> 00:34:06,440
Speaker 1: it's so good. Carson Daley is in the film, Carson

526
00:34:06,520 --> 00:34:10,719
Speaker 1: Daily plays Carson Daily and he tries to kill them. Well,

527
00:34:10,840 --> 00:34:14,520
Speaker 1: it's actually funny because like it's funny because the record

528
00:34:14,600 --> 00:34:17,120
Speaker 1: exacts are like, oh, those two know too much. We

529
00:34:17,239 --> 00:34:19,399
Speaker 1: have to get rid of them. So we're gonna send

530
00:34:19,440 --> 00:34:21,480
Speaker 1: the two of the Rosario, Dawson and Terry to t

531
00:34:21,719 --> 00:34:23,759
Speaker 1: R L and they're gonna go, and then they get

532
00:34:23,800 --> 00:34:26,800
Speaker 1: to the student it's all cardboard cutouts of all these celebrities.

533
00:34:26,840 --> 00:34:29,959
Speaker 1: It's really funny. It's so stupid. And then Carson Daily

534
00:34:30,000 --> 00:34:33,840
Speaker 1: comes out with Airy Spears from that TV fame and

535
00:34:33,960 --> 00:34:35,839
Speaker 1: they then the two of them have to kill them.

536
00:34:36,640 --> 00:34:38,480
Speaker 1: And then it was actually a vehicle for Arie Spears

537
00:34:38,520 --> 00:34:40,880
Speaker 1: to do his Mike Tyson impression. It was that so

538
00:34:41,080 --> 00:34:46,799
Speaker 1: that that's what it was like. I'm very inspired by capitalism.

539
00:34:47,680 --> 00:34:51,200
Speaker 1: The whole film was like agents being like and then Yes,

540
00:34:51,760 --> 00:34:54,520
Speaker 1: so that movie is about like they become this like

541
00:34:54,600 --> 00:34:58,640
Speaker 1: pop star supergroup like overnight, and in their music, deeply

542
00:34:58,680 --> 00:35:02,359
Speaker 1: embedded in the tracks is like you want to buy Starbucks,

543
00:35:02,520 --> 00:35:06,439
Speaker 1: you want to buy movie Phone? Then I should watch

544
00:35:06,560 --> 00:35:08,279
Speaker 1: this film. Yeah, you would love it. That's why I

545
00:35:08,360 --> 00:35:12,719
Speaker 1: bring it up. I didn't just bring it up. I

546
00:35:12,760 --> 00:35:15,319
Speaker 1: didn't just bring it up to sing that song. Yeah,

547
00:35:15,760 --> 00:35:18,960
Speaker 1: I wouldn't put no probably, and they have it. They

548
00:35:19,000 --> 00:35:22,360
Speaker 1: have it has an amazing performance by Missy Pyle and

549
00:35:22,600 --> 00:35:28,680
Speaker 1: she's incredible. Is really Alan Cumming? Jesus? Yeah, it's good.

550
00:35:29,200 --> 00:35:32,000
Speaker 1: I can't believe you haven't seen it. Okay, So what

551
00:35:32,520 --> 00:35:36,080
Speaker 1: I would say two thousand as sort of lived up

552
00:35:36,120 --> 00:35:37,960
Speaker 1: to ninety nine where you had the Canadian, you had

553
00:35:38,000 --> 00:35:40,719
Speaker 1: Justin and Brittany in that was the year right with

554
00:35:40,840 --> 00:35:42,920
Speaker 1: I think in two thousand and it was like Eminem

555
00:35:43,080 --> 00:35:46,400
Speaker 1: did the big like the number where he had all

556
00:35:46,440 --> 00:35:50,440
Speaker 1: the people the music video where everyone was dressed like him.

557
00:35:50,600 --> 00:35:52,600
Speaker 1: What was that song called just like meet the Real

558
00:35:52,680 --> 00:35:56,680
Speaker 1: slim shading. I'm so mad that we're talking about. Okay,

559
00:35:57,680 --> 00:36:00,920
Speaker 1: and then Brittany did pops, I did it again. I

560
00:36:01,000 --> 00:36:06,279
Speaker 1: got no satisfaction. Yeah, that was good. He didn't He

561
00:36:06,400 --> 00:36:09,840
Speaker 1: probably did say poops, I did it again. He loves poop.

562
00:36:11,080 --> 00:36:14,560
Speaker 1: He loves to talk about it. Yeah, that one probably

563
00:36:14,600 --> 00:36:17,160
Speaker 1: lived up to it. Yeah, but you have to adjacent

564
00:36:17,320 --> 00:36:20,560
Speaker 1: years of like awesome, awesome, and they have also been

565
00:36:20,840 --> 00:36:24,440
Speaker 1: very bad ones. Was I with you when we know?

566
00:36:24,840 --> 00:36:27,120
Speaker 1: I think it was Gretta when we watched them, the

567
00:36:27,440 --> 00:36:31,279
Speaker 1: Britney Spears, Christina Agilira Madonna thing. Yeah, that actually was

568
00:36:31,320 --> 00:36:34,640
Speaker 1: a good performance. Like I know the kiss like gets

569
00:36:34,719 --> 00:36:37,239
Speaker 1: most of the fanfare, but like the choreography was good,

570
00:36:37,760 --> 00:36:41,400
Speaker 1: like Britney sounded okay. I'm gonna say such like a

571
00:36:41,800 --> 00:36:44,640
Speaker 1: nowadays statement, which is I saw a tweet and I

572
00:36:44,800 --> 00:36:47,960
Speaker 1: literally can't remember who tweeted it, but it was about that,

573
00:36:48,160 --> 00:36:53,919
Speaker 1: and it was like something about um the editor who decided, yeah,

574
00:36:54,080 --> 00:36:56,480
Speaker 1: was that your tweet? Did you see this? But I

575
00:36:56,920 --> 00:37:00,239
Speaker 1: remember it someone saw this on gay Twitter, right, But

576
00:37:00,360 --> 00:37:03,160
Speaker 1: it was the idea of like, oh, whoever decided to

577
00:37:03,239 --> 00:37:08,680
Speaker 1: cut to Justin? Timberlake's reaction made Bionic not a number

578
00:37:08,719 --> 00:37:12,160
Speaker 1: one because that was the beginning of the end for Christine.

579
00:37:12,200 --> 00:37:16,040
Speaker 1: Had we seen the kiss with Madonna her album? Yeah,

580
00:37:16,360 --> 00:37:19,720
Speaker 1: I was like, that's an insane thought and true. True.

581
00:37:20,320 --> 00:37:22,359
Speaker 1: I have a friend, We have a friend Colin who

582
00:37:22,520 --> 00:37:27,360
Speaker 1: will text me regularly this this exact sentence, just just

583
00:37:27,480 --> 00:37:29,799
Speaker 1: on like every a few months or so. He goes.

584
00:37:30,840 --> 00:37:34,720
Speaker 1: Remember when Beyonce said in interviews that she was disgusted

585
00:37:34,880 --> 00:37:39,680
Speaker 1: by kissing Brittany and Christina. Just to remind me that

586
00:37:39,800 --> 00:37:44,000
Speaker 1: that Beyonce was at one time like human tacitly homophobe.

587
00:37:48,480 --> 00:37:52,120
Speaker 1: She's homophobic, kills animals to make clothes. I don't know.

588
00:37:52,160 --> 00:37:54,279
Speaker 1: I think it's funny and it's like a great performer,

589
00:37:55,520 --> 00:38:00,400
Speaker 1: world's best, world's best, Well that's thrially And now that

590
00:38:00,480 --> 00:38:02,759
Speaker 1: we're talking about performance, I feel this is a good

591
00:38:02,800 --> 00:38:06,800
Speaker 1: opportunity for us to see a performance. Queen of the Bitch.

592
00:38:07,719 --> 00:38:09,759
Speaker 1: Um tell us a little bit about this tune we're

593
00:38:09,760 --> 00:38:11,840
Speaker 1: gonna hear, or would you rather not just do it? No,

594
00:38:11,920 --> 00:38:16,239
Speaker 1: I'll tell you. This tune is about erasure of um

595
00:38:16,640 --> 00:38:26,200
Speaker 1: skinny people people. Okay, a celebration of chubbs. Great. That great?

596
00:38:26,320 --> 00:38:33,040
Speaker 1: Can we play the first song? Yeah? Can you turn it? Okay?

597
00:38:33,160 --> 00:38:35,800
Speaker 1: So this song goes out to all the chunktas in

598
00:38:35,880 --> 00:38:45,600
Speaker 1: the house, whether you're like a chunketa or a chunk eta. Okay.

599
00:38:45,960 --> 00:38:48,640
Speaker 1: So it's about eating ass as well. That's what I

600
00:38:48,680 --> 00:38:53,080
Speaker 1: should have got it. You know who I am, Chunky

601
00:38:53,560 --> 00:38:56,560
Speaker 1: fun a skinny man. Let me feat you. You know

602
00:38:56,640 --> 00:39:02,800
Speaker 1: who I am, chunky chuck kee da who you're shaking

603
00:39:03,280 --> 00:39:06,920
Speaker 1: in your boots jaw capin, don't know what to do? Bitch?

604
00:39:07,040 --> 00:39:09,799
Speaker 1: Yes I'm fine, and yes I know it, and yes

605
00:39:09,880 --> 00:39:12,160
Speaker 1: I grabed your tick where you think you're going? I

606
00:39:12,280 --> 00:39:15,240
Speaker 1: see you falling in us after all of me shaping

607
00:39:15,320 --> 00:39:19,200
Speaker 1: my gut feet wide thirteen, my weight a plus plus

608
00:39:19,280 --> 00:39:22,120
Speaker 1: size of must try something you bust with my robust,

609
00:39:22,200 --> 00:39:27,560
Speaker 1: thrusting eight fifty thicker thick thickets. I'm big. You can't

610
00:39:27,640 --> 00:39:33,239
Speaker 1: miss me. Every inch beautiful my flute fully to the

611
00:39:33,320 --> 00:39:36,799
Speaker 1: bull plug like a pastry. Oh boy, tasty, really want

612
00:39:36,840 --> 00:39:39,120
Speaker 1: to date me? Let's do it? Asked to face see

613
00:39:39,400 --> 00:39:42,520
Speaker 1: falling line, lots of attraction, boy, buy if you ain't

614
00:39:42,560 --> 00:39:47,919
Speaker 1: about that booty action you know chunky, du fucking skinny man,

615
00:39:48,680 --> 00:39:52,120
Speaker 1: let me feature you know who I all chunkey da

616
00:39:54,840 --> 00:39:57,200
Speaker 1: excuse me, dude. I don't mean to be rude, but

617
00:39:57,320 --> 00:39:59,239
Speaker 1: sell you just my type So I'm gonna need you

618
00:39:59,360 --> 00:40:01,520
Speaker 1: to move you it and then the wrong spot boy

619
00:40:01,680 --> 00:40:04,600
Speaker 1: that you forgot that bump alongs on my face dinner time?

620
00:40:04,760 --> 00:40:09,920
Speaker 1: Say great? Oh you know I'm nasty inquisitive. Ask you

621
00:40:10,000 --> 00:40:13,880
Speaker 1: where that ass bead? I'm a chunky. Don't you thinking

622
00:40:13,960 --> 00:40:16,040
Speaker 1: the but you know what? I want to meet you?

623
00:40:16,600 --> 00:40:19,520
Speaker 1: Then eat your skeet when I beat your meat, don't

624
00:40:19,600 --> 00:40:22,800
Speaker 1: cheat the fleet? What's your flavor? Sweet? Are you triggered?

625
00:40:23,280 --> 00:40:26,680
Speaker 1: Tweet about it? So faking? Did you ever doubt it?

626
00:40:26,840 --> 00:40:29,880
Speaker 1: Sugar around my tits, chrise my sweat. I'm what you

627
00:40:30,000 --> 00:40:32,840
Speaker 1: dream about and we haven't yet met. Are you listening

628
00:40:33,280 --> 00:40:35,799
Speaker 1: to the song that I sung? I need one thing?

629
00:40:36,120 --> 00:40:48,120
Speaker 1: You're hold on my time? Okay, wow, thank you? Okay,

630
00:40:48,160 --> 00:40:54,680
Speaker 1: we can cut them. Wow. Wow, So you love eating asks?

631
00:40:56,040 --> 00:41:01,719
Speaker 1: Talk about that? Um, talk about that. It's fun. Do

632
00:41:01,840 --> 00:41:05,959
Speaker 1: you not like eating us? You're like getting your ass eaten? Yeah,

633
00:41:09,520 --> 00:41:17,719
Speaker 1: and you're all about the butt. So I'm sorry you

634
00:41:17,760 --> 00:41:26,719
Speaker 1: guys like a crazy smile the booty hole. I love

635
00:41:26,760 --> 00:41:30,040
Speaker 1: eating us. Okay, So is that something did you like?

636
00:41:30,800 --> 00:41:32,920
Speaker 1: We have you always loved? This was a journey for you?

637
00:41:33,760 --> 00:41:36,360
Speaker 1: Sure it was a journey. I think like as a

638
00:41:36,640 --> 00:41:44,640
Speaker 1: young person when you realize what gay sex between two

639
00:41:44,800 --> 00:41:48,040
Speaker 1: men is, there's like a little part of you that

640
00:41:48,120 --> 00:41:52,239
Speaker 1: you're like, I couldn't I couldn't believe it. And then

641
00:41:52,280 --> 00:41:55,239
Speaker 1: I realized what what I had to do. I was like,

642
00:41:56,680 --> 00:42:01,480
Speaker 1: I was like, well that's crazy. And then someone is like,

643
00:42:01,800 --> 00:42:04,400
Speaker 1: well do you know about douching? And you're like why,

644
00:42:05,920 --> 00:42:08,600
Speaker 1: which now you're not supposed to do well, you're not

645
00:42:08,640 --> 00:42:11,560
Speaker 1: supposed to do it too much, but just you can't

646
00:42:11,560 --> 00:42:15,239
Speaker 1: do a fleet at before every No. We have a

647
00:42:15,280 --> 00:42:19,520
Speaker 1: friend who is currently getting rerailed on the regular and

648
00:42:19,800 --> 00:42:24,040
Speaker 1: hat me, I don't know who you're talking about anyway,

649
00:42:24,400 --> 00:42:30,520
Speaker 1: he is like but chugging enemas, Like he's just like

650
00:42:30,760 --> 00:42:35,600
Speaker 1: constantly using enemas. And I said blank. You can't keep

651
00:42:35,760 --> 00:42:38,719
Speaker 1: doing that. You're gonna hurt yourself, Like, call me by

652
00:42:38,760 --> 00:42:44,720
Speaker 1: my name. What is it? Um? Yeah, I've heard mixed

653
00:42:44,800 --> 00:42:48,239
Speaker 1: reviews on that. I've heard people say like, oh, you

654
00:42:48,239 --> 00:42:50,359
Speaker 1: shouldn't do that at them all, and then I've heard

655
00:42:50,400 --> 00:42:52,560
Speaker 1: other people be like, it's just water, it's fine. Everything

656
00:42:52,640 --> 00:42:56,400
Speaker 1: in moderation, everything in moderation. But I do, I do

657
00:42:56,560 --> 00:43:00,480
Speaker 1: have a friend who likes to get fisted, and um,

658
00:43:02,000 --> 00:43:04,239
Speaker 1: he is. He is someone that I have known for

659
00:43:04,320 --> 00:43:07,080
Speaker 1: a while since I was young, like always of age,

660
00:43:07,120 --> 00:43:09,719
Speaker 1: but like in my early twenties, and I had a

661
00:43:09,800 --> 00:43:13,799
Speaker 1: crush on him for a while. And then now he's

662
00:43:13,880 --> 00:43:18,040
Speaker 1: moved out here and he messaged me recently, was like hey.

663
00:43:18,400 --> 00:43:22,960
Speaker 1: I was like hey, and he was like do you

664
00:43:23,080 --> 00:43:27,600
Speaker 1: like fisting? And I was like like out of the blue,

665
00:43:28,920 --> 00:43:37,680
Speaker 1: and now I know two, No, I'm out. I can't.

666
00:43:38,080 --> 00:43:43,279
Speaker 1: That's too much for me. And we're not shaming king, No,

667
00:43:43,719 --> 00:43:48,200
Speaker 1: but that's stay that's bad. So what's insane is that

668
00:43:48,800 --> 00:43:55,680
Speaker 1: there is literally nothing romantic about it. I've I've never

669
00:43:56,040 --> 00:44:00,160
Speaker 1: kissed him, Like, I will walk, I don't take off

670
00:44:00,239 --> 00:44:04,880
Speaker 1: my club, I'll just roll up my sleep. It's truly,

671
00:44:05,360 --> 00:44:10,279
Speaker 1: I'm out. I'm yeah, you guys, go ahead and be

672
00:44:10,400 --> 00:44:17,960
Speaker 1: like sisters about this. The fuck Amanda, No not us, bitch, Sharon,

673
00:44:18,160 --> 00:44:21,680
Speaker 1: I don't know. You're a freak. Sharon, will fucking go

674
00:44:22,040 --> 00:44:27,200
Speaker 1: there and lollipop bitch is up to her elbow. She's

675
00:44:27,239 --> 00:44:36,280
Speaker 1: a crazy she's it's through the culture number in ninety

676
00:44:36,480 --> 00:44:42,640
Speaker 1: one your elbow. I just also really interested in like

677
00:44:42,840 --> 00:44:47,160
Speaker 1: this like delicate double tap becoming like like a visual

678
00:44:47,360 --> 00:44:52,880
Speaker 1: sign for someone like hey, no on and off night,

679
00:44:53,000 --> 00:45:00,800
Speaker 1: you know, no, no, but yeah, he just he's just like,

680
00:45:00,960 --> 00:45:05,160
Speaker 1: your arms are so big, they are big. He likes that.

681
00:45:06,719 --> 00:45:08,440
Speaker 1: I was. I was literally doing I don't know if

682
00:45:08,440 --> 00:45:10,480
Speaker 1: people saw I was doing this earlier. I was like

683
00:45:10,640 --> 00:45:16,520
Speaker 1: doing like to who like no to just someone told

684
00:45:16,560 --> 00:45:19,399
Speaker 1: me that this so they're releasing an emoji that's the hand,

685
00:45:19,560 --> 00:45:22,480
Speaker 1: but it's doing this like a like an Italian like

686
00:45:23,600 --> 00:45:26,200
Speaker 1: that's what they're calling like a chef's kiss or something.

687
00:45:26,360 --> 00:45:29,960
Speaker 1: And then but someone someone tweeted that this is actually

688
00:45:30,040 --> 00:45:35,000
Speaker 1: proper technique for fisting. Is that you cone and then

689
00:45:35,120 --> 00:45:37,640
Speaker 1: you bawl. Not the way you're doing How do you

690
00:45:37,760 --> 00:45:41,239
Speaker 1: do it? Well? It has to be more straightforward, guy,

691
00:45:41,520 --> 00:45:50,160
Speaker 1: because no, no, no show us your hands, Matt, You've

692
00:45:50,200 --> 00:45:53,520
Speaker 1: got big hands. So what my hands are for? Like

693
00:45:53,800 --> 00:45:57,839
Speaker 1: my hands are for like reading and writing? Like someone

694
00:45:57,880 --> 00:46:02,560
Speaker 1: who does not read, I do so read. I have

695
00:46:02,800 --> 00:46:08,400
Speaker 1: read upwards of eleven books. Let's let's the books now.

696
00:46:08,680 --> 00:46:17,200
Speaker 1: We needn't updated less the seven, Harry Potter's Robolos autobiography,

697
00:46:17,920 --> 00:46:27,560
Speaker 1: my favorite book, Bossy Pants, Lena Donald's book in Cold Blood?

698
00:46:27,680 --> 00:46:34,560
Speaker 1: Did I already say that in Cold Blood seven Harry Potters,

699
00:46:34,680 --> 00:46:42,000
Speaker 1: you listen, of course parts of the Bible. Yeah, um, okay, cool,

700
00:46:42,120 --> 00:46:46,680
Speaker 1: So we're going to float away from that conversation. Wait, okay,

701
00:46:46,840 --> 00:46:49,240
Speaker 1: do you want to talk about this? So, I mean, clearly,

702
00:46:49,520 --> 00:46:51,400
Speaker 1: how did we I brought that up just fully on

703
00:46:51,480 --> 00:46:55,080
Speaker 1: my own, Well, I asked about eating assid all of

704
00:46:55,120 --> 00:47:00,560
Speaker 1: a sudden we were literally shoulder deep in butt hole. So, um,

705
00:47:00,760 --> 00:47:04,440
Speaker 1: that right, that's what that's called. I do want to

706
00:47:04,480 --> 00:47:08,040
Speaker 1: talk about this clearly, A season performer live, Um, you're

707
00:47:08,160 --> 00:47:11,680
Speaker 1: you're like you're like a staple on the pride circuit.

708
00:47:12,239 --> 00:47:14,560
Speaker 1: So you're going town to town for all of their

709
00:47:14,600 --> 00:47:17,920
Speaker 1: respective prides. We I mean, like whatever, we just started

710
00:47:17,960 --> 00:47:22,160
Speaker 1: to like quote unquote tour and it's it truly is

711
00:47:22,239 --> 00:47:24,560
Speaker 1: exhausting and like I don't know how and like we

712
00:47:24,719 --> 00:47:26,759
Speaker 1: but we do them in little legs and like they're

713
00:47:26,760 --> 00:47:29,040
Speaker 1: they're like weeks apart. So it feels manageable. But for

714
00:47:29,120 --> 00:47:32,359
Speaker 1: something for like I imagine you have to like chunk

715
00:47:32,440 --> 00:47:35,840
Speaker 1: out months of your life in order to do this. Well, no,

716
00:47:36,120 --> 00:47:40,160
Speaker 1: it's it's more of just like like people are like, oh,

717
00:47:40,239 --> 00:47:42,239
Speaker 1: are you at on tour? And I'm like, my life

718
00:47:42,360 --> 00:47:46,000
Speaker 1: is a perma tour because I don't like I don't

719
00:47:46,040 --> 00:47:48,759
Speaker 1: have a record label, I don't have an agent, I

720
00:47:48,760 --> 00:47:50,600
Speaker 1: don't have management, I don't have a book, like, I

721
00:47:50,680 --> 00:47:54,000
Speaker 1: do it all myself. And so often what happens is

722
00:47:54,040 --> 00:47:56,200
Speaker 1: someone's like, oh, can you come to New Orleans? And

723
00:47:56,280 --> 00:47:57,960
Speaker 1: I'm like, great, who do I know in Atlanta? You know?

724
00:47:58,040 --> 00:48:00,440
Speaker 1: And I start to like build a thing. So it's

725
00:48:00,520 --> 00:48:04,640
Speaker 1: this like constant rollodex where I'm like, you know, like hey, Dave,

726
00:48:04,880 --> 00:48:09,200
Speaker 1: like you have a club in you know, Charlotte, North Carolina.

727
00:48:09,280 --> 00:48:11,600
Speaker 1: Like so I have this like I'm constantly sort of

728
00:48:11,719 --> 00:48:15,239
Speaker 1: just juggling it around. And so to me, what the

729
00:48:15,320 --> 00:48:18,279
Speaker 1: most exhausting part is every time I'm in a new city,

730
00:48:18,320 --> 00:48:20,799
Speaker 1: I'm like, hey, yeah, I remember you from a year ago,

731
00:48:20,920 --> 00:48:22,920
Speaker 1: let's go out to you know, and I like all

732
00:48:22,960 --> 00:48:25,680
Speaker 1: these people. But there's a difference between just like doing

733
00:48:25,760 --> 00:48:28,400
Speaker 1: your calendar and being like, oh, these are my travel

734
00:48:28,440 --> 00:48:30,440
Speaker 1: details and this is what I do. So the more

735
00:48:30,520 --> 00:48:34,560
Speaker 1: exhausting part is like the logistics of it, but performing

736
00:48:34,760 --> 00:48:37,560
Speaker 1: is like it's so sick. The the the the amount

737
00:48:37,600 --> 00:48:41,680
Speaker 1: of places and scenarios that I've performed in. It's like, truly,

738
00:48:42,160 --> 00:48:46,640
Speaker 1: I flew to Stockholm for thirty six hours and they

739
00:48:46,760 --> 00:48:48,759
Speaker 1: like flew me out and paid me and got me

740
00:48:48,800 --> 00:48:51,320
Speaker 1: a visa and did everything. I performed on a bench

741
00:48:51,560 --> 00:48:54,360
Speaker 1: in a basement with a cell phone light on me

742
00:48:55,160 --> 00:49:00,440
Speaker 1: for twenty people. I love that. And I was like,

743
00:49:00,600 --> 00:49:02,399
Speaker 1: this is the gig and he was like yeah, we're

744
00:49:02,440 --> 00:49:05,800
Speaker 1: so excited to have you. Like, thank you. Did you

745
00:49:05,840 --> 00:49:09,520
Speaker 1: get to see the city Stockholm? Okay, so this is

746
00:49:09,600 --> 00:49:12,920
Speaker 1: like such a shameful Yeah we did. We did more

747
00:49:13,000 --> 00:49:16,719
Speaker 1: shameful than what we've done. You don't need a shame.

748
00:49:16,760 --> 00:49:19,880
Speaker 1: Maybe we're not here that I'm kid. I'll show you

749
00:49:20,000 --> 00:49:25,200
Speaker 1: a while the amount of power you feel when you're

750
00:49:25,360 --> 00:49:29,960
Speaker 1: that far inside of a human body. You feel, yes, yeah,

751
00:49:30,000 --> 00:49:33,360
Speaker 1: but that doesn't help him. No, I'm just encouraging you

752
00:49:33,520 --> 00:49:37,759
Speaker 1: to do it if you find a willing participant. Um,

753
00:49:38,120 --> 00:49:43,279
Speaker 1: I'm just saying I have something, just something to look

754
00:49:43,640 --> 00:49:48,200
Speaker 1: scares of course to think about that. That's fine because

755
00:49:48,239 --> 00:49:51,600
Speaker 1: it's we don't need to talk about you, right, we don't.

756
00:49:52,760 --> 00:49:57,160
Speaker 1: I'm just sorry about what holes getting like ruined beyond repair?

757
00:49:57,640 --> 00:50:00,439
Speaker 1: Do they snap back to what they were after? That's

758
00:50:00,520 --> 00:50:02,600
Speaker 1: up to the owner of the butthole? How is it

759
00:50:02,760 --> 00:50:18,200
Speaker 1: up to them exercise maintenance? So Stockholm gorgeous city. Did

760
00:50:18,200 --> 00:50:20,920
Speaker 1: you go to the Museum of Pop Music? Um? No,

761
00:50:21,160 --> 00:50:26,560
Speaker 1: but I saw it. That's such a dumb thing to say.

762
00:50:26,640 --> 00:50:31,600
Speaker 1: What the shameful thing was that it was clear? So

763
00:50:31,800 --> 00:50:33,920
Speaker 1: this is this is also a thing that happens a

764
00:50:34,000 --> 00:50:36,640
Speaker 1: lot of my music and my videos and like my

765
00:50:36,760 --> 00:50:41,560
Speaker 1: Instagram content is like really sexual. And so there are

766
00:50:41,960 --> 00:50:45,960
Speaker 1: sometimes and why I mean, like I've performed in every scenario.

767
00:50:46,160 --> 00:50:50,040
Speaker 1: Sometimes I'm booked by a person who sees that and goes,

768
00:50:50,840 --> 00:50:54,760
Speaker 1: I want to bring you here. And I own a club,

769
00:50:55,000 --> 00:50:57,319
Speaker 1: so I have a budget in which I can say, oh,

770
00:50:57,400 --> 00:50:58,880
Speaker 1: I have a stage and I can bring you here,

771
00:50:58,920 --> 00:51:01,640
Speaker 1: and blah blah blah. So it gets sometimes it gets complicated,

772
00:51:01,719 --> 00:51:04,080
Speaker 1: especially because when they reach out, they're not going through

773
00:51:04,560 --> 00:51:07,160
Speaker 1: a management company that it's like me on the phone.

774
00:51:08,080 --> 00:51:11,440
Speaker 1: So the guy in Stockholm, I think, and then was

775
00:51:12,360 --> 00:51:15,000
Speaker 1: uh later confirmed by a friend of his he had

776
00:51:15,080 --> 00:51:18,560
Speaker 1: a crush on me, and so he was just like

777
00:51:18,840 --> 00:51:22,800
Speaker 1: debilitating lee nervous the whole time, and then took me

778
00:51:22,920 --> 00:51:26,279
Speaker 1: around on like a ten hour tourism day and never

779
00:51:26,440 --> 00:51:28,080
Speaker 1: did he ever get more comfortable or wasn't like no,

780
00:51:28,400 --> 00:51:31,320
Speaker 1: and he was so uncomfortable. It made me so uncomfortable

781
00:51:31,680 --> 00:51:34,640
Speaker 1: that like at a certain point I just stopped talking.

782
00:51:35,400 --> 00:51:38,000
Speaker 1: And so there was like a six hour period where

783
00:51:38,080 --> 00:51:41,520
Speaker 1: we like took a ferry across a bay to another town,

784
00:51:42,120 --> 00:51:47,520
Speaker 1: eight lunch, walked around, took the ferry back, truly didn't

785
00:51:47,560 --> 00:51:51,160
Speaker 1: talk the whole time, and I was like, I'm alone

786
00:51:51,280 --> 00:51:54,440
Speaker 1: in Stockholm. My cell phone doesn't work like like now,

787
00:51:54,520 --> 00:51:57,040
Speaker 1: I like turned my phone on and like find friend

788
00:51:57,080 --> 00:51:59,680
Speaker 1: and I go like I'm good, like I'll just handle myself.

789
00:52:00,320 --> 00:52:03,160
Speaker 1: But I agree. He was like let me take you around.

790
00:52:03,160 --> 00:52:05,840
Speaker 1: I was like sure, and I tried for a while,

791
00:52:06,000 --> 00:52:07,920
Speaker 1: but he just got he was like so nervous, and

792
00:52:07,960 --> 00:52:11,360
Speaker 1: I was like, well, I guess I won't say anything.

793
00:52:12,200 --> 00:52:14,200
Speaker 1: What are you like in those situations like when someone

794
00:52:14,360 --> 00:52:16,200
Speaker 1: is being when when someone's go to is like to

795
00:52:16,280 --> 00:52:18,480
Speaker 1: be quiet and nervous. Do you do more? I do

796
00:52:18,920 --> 00:52:25,239
Speaker 1: the most? You? Um, yeah, I tend to do the most.

797
00:52:25,360 --> 00:52:28,960
Speaker 1: But I'm like, I'm I'm dripping sweat already, so like

798
00:52:29,960 --> 00:52:31,600
Speaker 1: I'll give you like five minutes of the most and

799
00:52:31,640 --> 00:52:35,480
Speaker 1: then I'm like, you gotta exactly. So that's why I like,

800
00:52:35,680 --> 00:52:39,600
Speaker 1: I gave up. But it feels shameful. Why why is

801
00:52:39,640 --> 00:52:42,719
Speaker 1: that shameful though? To be like he brought me to

802
00:52:42,960 --> 00:52:46,520
Speaker 1: Europe and I was just quiet? Are you ashamed in

803
00:52:46,560 --> 00:52:48,960
Speaker 1: that scenario or no? But it's like an like, oh,

804
00:52:49,200 --> 00:52:52,640
Speaker 1: what if I had an awesome time in Stockholm? There's

805
00:52:52,640 --> 00:52:55,160
Speaker 1: a lot to do there, like the Museum of I

806
00:52:55,280 --> 00:52:59,680
Speaker 1: saw it. Yeah it's mostly which is like okay, but

807
00:53:00,000 --> 00:53:04,600
Speaker 1: it but there, you know, it's like four songs like

808
00:53:04,719 --> 00:53:08,400
Speaker 1: they're obsessed with Abba. The whole nation is obsessed with

809
00:53:08,480 --> 00:53:11,560
Speaker 1: Abba and the fighting words. There are people in the

810
00:53:11,600 --> 00:53:19,799
Speaker 1: audience who are mad. Two movies made, one in which

811
00:53:19,880 --> 00:53:22,400
Speaker 1: it wasn't entirely a retreat of the first movie. They

812
00:53:22,520 --> 00:53:25,239
Speaker 1: used the same songs retreat, What what the fund is

813
00:53:25,320 --> 00:53:30,200
Speaker 1: your name? That's My boss? That's my future boss. What

814
00:53:30,320 --> 00:53:39,399
Speaker 1: did you say, I didn't hear. Wait, did we mean outside? Yeah,

815
00:53:41,000 --> 00:53:44,439
Speaker 1: she said Demie Levado And that's that's our joking game show.

816
00:53:44,560 --> 00:53:48,880
Speaker 1: We say that the gay Aloha Lovado the way to

817
00:53:48,920 --> 00:53:55,879
Speaker 1: say hello and goodbye. That's incredible. Um well I disagree, um,

818
00:53:56,920 --> 00:53:59,800
Speaker 1: but but I did like Mamma Mia too, I have.

819
00:54:00,920 --> 00:54:03,200
Speaker 1: So we saw Mama MEA two and okay, so he

820
00:54:03,320 --> 00:54:06,200
Speaker 1: didn't know that Meryl spoiler alert, Meryl's dead and not

821
00:54:06,360 --> 00:54:09,759
Speaker 1: in the movie. So we sat down and we were

822
00:54:09,960 --> 00:54:12,840
Speaker 1: so high she's in the movie, and she's in the

823
00:54:12,880 --> 00:54:15,440
Speaker 1: movie at the end, but it becomes very clear, like

824
00:54:17,480 --> 00:54:20,719
Speaker 1: fully so like it becomes clear like five minutes in

825
00:54:20,800 --> 00:54:23,840
Speaker 1: that she's fully dead and will not begin the like

826
00:54:24,160 --> 00:54:27,160
Speaker 1: like talking about the specter of Meryl being gone. And

827
00:54:27,239 --> 00:54:30,600
Speaker 1: then I turned to Matt and I go, wait, Meryl

828
00:54:30,719 --> 00:54:35,080
Speaker 1: is not in this movie. I was like, no, she's dead.

829
00:54:35,480 --> 00:54:38,359
Speaker 1: And then he's like, so, then what the funk are

830
00:54:38,440 --> 00:54:42,160
Speaker 1: we here for? And then I was like share in

831
00:54:42,280 --> 00:54:45,000
Speaker 1: like an hour and a half, and so we sat

832
00:54:45,080 --> 00:54:47,600
Speaker 1: there and like sat to the whole movie, But who's

833
00:54:47,640 --> 00:54:52,160
Speaker 1: the queen that's like, yeah, I like her? Share sort

834
00:54:52,200 --> 00:54:55,719
Speaker 1: of like a teen angel moment in Mama mea Too. No,

835
00:54:56,239 --> 00:54:58,920
Speaker 1: it's not like it doesn't happen in a dreams. It

836
00:54:58,960 --> 00:55:02,280
Speaker 1: happens in really happens in on the same level of reality.

837
00:55:02,400 --> 00:55:04,719
Speaker 1: But it's truly I mean, the Share thing is all

838
00:55:05,080 --> 00:55:07,040
Speaker 1: once Share shows up, it's all worse. She nails it,

839
00:55:07,160 --> 00:55:10,840
Speaker 1: she nails, and Christine Baranski is fail fully nailing it

840
00:55:10,960 --> 00:55:14,160
Speaker 1: the whole time. She's she's like acting with her whole

841
00:55:14,200 --> 00:55:18,120
Speaker 1: body and every scene she's in the background, and God

842
00:55:19,320 --> 00:55:25,080
Speaker 1: and the casting of young Christine Baranski best casting every Yeah,

843
00:55:25,280 --> 00:55:35,040
Speaker 1: so good about a film in Christine Baranski's um, what

844
00:55:35,239 --> 00:55:38,239
Speaker 1: is it? What is it? Marcy X, do you know this?

845
00:55:38,560 --> 00:55:41,000
Speaker 1: Oh my god a Lisa Coudrow, Lisa Coudro and Damon

846
00:55:41,040 --> 00:55:43,400
Speaker 1: Wayne's yeah, yeah, she she runs like a rap label.

847
00:55:43,920 --> 00:55:48,360
Speaker 1: Well no, she's like a conservative senator. Christine Baranski is

848
00:55:49,120 --> 00:55:53,480
Speaker 1: railing against the rap label. I got a bootleg copy

849
00:55:53,760 --> 00:55:56,800
Speaker 1: of that film in New York when I was like,

850
00:55:57,800 --> 00:56:00,239
Speaker 1: I don't know, seventeen, on my first trip to New York.

851
00:56:00,760 --> 00:56:05,000
Speaker 1: That is also an answer to your question for you,

852
00:56:06,000 --> 00:56:09,440
Speaker 1: where where did you grow up with chic Well in Evanston.

853
00:56:09,560 --> 00:56:13,759
Speaker 1: Technically people who grew up in Chicago would hate if

854
00:56:13,800 --> 00:56:21,040
Speaker 1: I said yea and from the Illinois called Evanston, Illinois. Yeah,

855
00:56:21,840 --> 00:56:24,359
Speaker 1: when you hear Evanston, Illinois, what do you think being

856
00:56:24,440 --> 00:56:32,560
Speaker 1: girls know? What where else is Evanston ever mentioned? Bowen

857
00:56:32,600 --> 00:56:37,600
Speaker 1: and I are Story Pirates, a children's theater company, and

858
00:56:38,000 --> 00:56:40,759
Speaker 1: we take stories written by kids and act them out.

859
00:56:41,000 --> 00:56:45,000
Speaker 1: And what the most famous story is called the Day

860
00:56:45,080 --> 00:56:48,279
Speaker 1: my Head got stuck in a bar stool um and

861
00:56:48,480 --> 00:56:51,880
Speaker 1: the kid that wrote it was from Evanston, Illinois. At

862
00:56:52,000 --> 00:56:57,200
Speaker 1: Northwestern is a thing called Griffinston that started that. See,

863
00:56:57,280 --> 00:56:59,840
Speaker 1: I have this weird relationship with Northwestern because I applied

864
00:57:00,200 --> 00:57:03,320
Speaker 1: did not get in. I think it was because of

865
00:57:03,400 --> 00:57:05,840
Speaker 1: this question on the essay that was like who do

866
00:57:05,920 --> 00:57:08,839
Speaker 1: you want your who would you your famous? Like if

867
00:57:08,880 --> 00:57:11,040
Speaker 1: you had famous parents, who would they be because you

868
00:57:11,040 --> 00:57:17,120
Speaker 1: would want their characteristics? And I said Beyonce. And I

869
00:57:17,320 --> 00:57:20,120
Speaker 1: think it was too soon for that to be an

870
00:57:20,120 --> 00:57:28,520
Speaker 1: appropriate answer, because exactly it was like early two thousand's

871
00:57:28,560 --> 00:57:31,160
Speaker 1: and I was like Beyonce and they were like your trash.

872
00:57:31,880 --> 00:57:34,480
Speaker 1: Now if you want to Beyonce, they were like your humanitarian.

873
00:57:36,160 --> 00:57:38,440
Speaker 1: So I didn't go there, but I actually taught at

874
00:57:38,480 --> 00:57:41,440
Speaker 1: a theater program there for like six years called the

875
00:57:41,600 --> 00:57:46,960
Speaker 1: National High School UM Theater Institute. You're an educator, I was,

876
00:57:47,120 --> 00:57:48,840
Speaker 1: yeah for a while, and then I got fired when

877
00:57:48,880 --> 00:57:52,440
Speaker 1: I started rapping. I guess they heard your lyrics about

878
00:57:52,440 --> 00:57:54,840
Speaker 1: fisting to the shoulders. Yeah, exactly, and they said, this

879
00:57:55,040 --> 00:57:58,240
Speaker 1: gentleman can't be forming young minds. They were like, your

880
00:57:58,720 --> 00:58:03,040
Speaker 1: high risk for two new parental calls. Fuck. Yeah, So

881
00:58:03,160 --> 00:58:06,840
Speaker 1: I got fired from all my teaching jobs. Yeah, that's

882
00:58:07,080 --> 00:58:08,880
Speaker 1: you know. They say that like like a lot of

883
00:58:08,960 --> 00:58:11,560
Speaker 1: like like people in the entertainment industry, if they don't

884
00:58:11,640 --> 00:58:14,000
Speaker 1: if they don't succeed, like they go be teachers. I

885
00:58:14,000 --> 00:58:16,640
Speaker 1: feel like I couldn't be a teacher now, I'm a

886
00:58:16,720 --> 00:58:20,120
Speaker 1: high risk for pres I just feel like you would

887
00:58:20,160 --> 00:58:23,160
Speaker 1: make up new names for everyone in the class. Would

888
00:58:23,240 --> 00:58:33,480
Speaker 1: be like, yeah, I like girl, so quean, I'd be

889
00:58:33,560 --> 00:58:35,600
Speaker 1: I'd be a bad teacher. No, I think you'd be

890
00:58:35,680 --> 00:58:39,120
Speaker 1: a wonderful teacher. You would be so like encouraging. I

891
00:58:39,200 --> 00:58:43,760
Speaker 1: would be I'd get petty. I'd like, I'd get fucking

892
00:58:43,800 --> 00:58:48,480
Speaker 1: petty and aggressive yeah yeah, with the kids, or just

893
00:58:48,600 --> 00:58:53,480
Speaker 1: be like, God, you guys are dumb, Like yeah, I

894
00:58:53,520 --> 00:58:55,640
Speaker 1: would just like not put up with any of Like,

895
00:58:56,400 --> 00:58:58,200
Speaker 1: if they're not at my level, then I don't want

896
00:58:58,240 --> 00:59:00,480
Speaker 1: to talk to about You're not tolerant to people that

897
00:59:00,560 --> 00:59:04,320
Speaker 1: aren't on your levels. It's true. But when Yang famously

898
00:59:04,360 --> 00:59:07,040
Speaker 1: says about dating, if I'm spending time with you, that's

899
00:59:07,040 --> 00:59:10,960
Speaker 1: a big fucking it is. It is though. I I

900
00:59:11,320 --> 00:59:14,560
Speaker 1: am fully behind him saying that whatever. I think every

901
00:59:14,760 --> 00:59:17,959
Speaker 1: I think everyone should be that confident when they're dating

902
00:59:18,040 --> 00:59:21,720
Speaker 1: someone truly like And this is the lesson that I

903
00:59:21,840 --> 00:59:28,160
Speaker 1: learned to this guy like go Off. I had to

904
00:59:28,360 --> 00:59:31,120
Speaker 1: I had to just be like, oh no, like, we're

905
00:59:31,160 --> 00:59:33,920
Speaker 1: all on each other's level here. It's fine. Like everyone's

906
00:59:34,000 --> 00:59:37,560
Speaker 1: like in the same everyone has the same ship, and

907
00:59:37,680 --> 00:59:42,360
Speaker 1: everyone should just like every everything it's already been flattened anyway.

908
00:59:42,760 --> 00:59:46,080
Speaker 1: Desire has been flattened. Attraction has been flattened. Can you

909
00:59:46,200 --> 00:59:50,320
Speaker 1: explain that? Okay, Unpack, you'd be a terrible teacher. None

910
00:59:50,360 --> 00:59:54,040
Speaker 1: of the students can can understand what you're saying. I

911
00:59:54,200 --> 00:59:58,240
Speaker 1: want to know about. Desire has been flat. Desire has

912
00:59:58,280 --> 01:00:01,000
Speaker 1: been flattened. Like we'll be a best in two minutes.

913
01:00:01,160 --> 01:00:04,600
Speaker 1: Everyone everyone has this is here's what's going on right

914
01:00:04,680 --> 01:00:13,640
Speaker 1: now in the world. Okay, everyone has Amanda Lolli, alexis

915
01:00:14,600 --> 01:00:30,480
Speaker 1: um queen, so we um here's we're walking around. All

916
01:00:30,520 --> 01:00:37,000
Speaker 1: of us are for you. I got it, I got

917
01:00:37,080 --> 01:00:40,560
Speaker 1: I got it. We're all walking around And this is

918
01:00:40,640 --> 01:00:42,760
Speaker 1: irrespective of whether or not you have a fallast. We're

919
01:00:42,800 --> 01:00:46,800
Speaker 1: all walking around with giant boners all the time. Why

920
01:00:47,280 --> 01:00:50,720
Speaker 1: because we open up our phones and we see people

921
01:00:50,840 --> 01:00:54,560
Speaker 1: we want to fuck on it, and and desires flattened.

922
01:00:54,600 --> 01:00:57,040
Speaker 1: And so now it's like now when I have Now,

923
01:00:57,120 --> 01:01:00,040
Speaker 1: when I have sex with people, I'm like, the this

924
01:01:00,160 --> 01:01:02,560
Speaker 1: is truly a wash. This is like I could be

925
01:01:02,680 --> 01:01:04,720
Speaker 1: sitting at home and this I would get this, I

926
01:01:04,720 --> 01:01:09,680
Speaker 1: would derive at the same pleasure. Why because desire has

927
01:01:09,960 --> 01:01:15,520
Speaker 1: been flattened. So you're saying you're saying that we sexually

928
01:01:15,640 --> 01:01:18,479
Speaker 1: as a culture have been dumbed down by social media

929
01:01:18,600 --> 01:01:21,840
Speaker 1: and mainstream media. Truly, it's not even a gender thing

930
01:01:21,840 --> 01:01:23,360
Speaker 1: in where it's like, oh, men think about sex every

931
01:01:23,400 --> 01:01:30,040
Speaker 1: second seven seconds. It's everyone thinks about sex, and it's

932
01:01:30,080 --> 01:01:32,000
Speaker 1: just like it's just what it is, and like I

933
01:01:32,080 --> 01:01:37,040
Speaker 1: don't know, like whatever, whatever sad really the world. We

934
01:01:37,160 --> 01:01:39,080
Speaker 1: just need to throw our phones away and I'll walk

935
01:01:39,160 --> 01:01:44,680
Speaker 1: around with UGO cards with the ugo cards, and if

936
01:01:44,800 --> 01:01:47,440
Speaker 1: I were to be fisted to the shoulder like I

937
01:01:48,480 --> 01:01:54,920
Speaker 1: wouldn't care. I'd be like, yeah, this feels normal. At

938
01:01:55,000 --> 01:01:59,360
Speaker 1: least I'm feeling something, something desire has been flattened. Now

939
01:01:59,600 --> 01:02:02,120
Speaker 1: there you Okay, So on that note, I think we

940
01:02:02,200 --> 01:02:06,480
Speaker 1: go into another song. I think for another tune. So

941
01:02:07,440 --> 01:02:10,640
Speaker 1: tell us about this. This next song, this song I

942
01:02:10,720 --> 01:02:13,280
Speaker 1: wrote years ago, is one of the first songs I wrote.

943
01:02:13,600 --> 01:02:19,400
Speaker 1: But it holds up. Um. It's a celebratory song about

944
01:02:20,280 --> 01:02:24,920
Speaker 1: just things that I like, or in general, things that

945
01:02:25,040 --> 01:02:32,040
Speaker 1: anyone likes. It's a celebratory song about things that you like. Great, Yeah,

946
01:02:35,840 --> 01:02:41,560
Speaker 1: I wonder if he's back there. Can you play Isaac?

947
01:02:44,400 --> 01:02:49,200
Speaker 1: Can you turn it up? Yes? Okay. This song goes

948
01:02:49,240 --> 01:02:52,280
Speaker 1: out to all the things that are cute. That's cute

949
01:02:52,320 --> 01:02:55,280
Speaker 1: to me, that's cute to me, that's cute, that's cute,

950
01:02:55,320 --> 01:02:58,280
Speaker 1: that's cute to me. That's cute to me, that's cute

951
01:02:58,320 --> 01:03:00,880
Speaker 1: to me, that's cute, that's cute. That's cute to me.

952
01:03:01,200 --> 01:03:03,960
Speaker 1: When you hold my hands, that's cute to me. The

953
01:03:04,040 --> 01:03:06,760
Speaker 1: hot dog stands so cute to me. Look me in

954
01:03:06,880 --> 01:03:09,600
Speaker 1: the eye, when you touch the stars, Dick ride all night.

955
01:03:09,720 --> 01:03:12,320
Speaker 1: That's cute to me because you'rege the best when it

956
01:03:12,400 --> 01:03:15,480
Speaker 1: comes to sex, love, the gentle touch, love to carress,

957
01:03:15,680 --> 01:03:18,000
Speaker 1: fun funck me good. Yeah, it's playing the seat. The

958
01:03:18,040 --> 01:03:20,120
Speaker 1: way you make me feel, it's so cute to me.

959
01:03:20,400 --> 01:03:29,160
Speaker 1: It's shute, so cute. See you t eat me. That's

960
01:03:29,240 --> 01:03:32,080
Speaker 1: cute to me. That's cute to me. That's cute to me.

961
01:03:32,480 --> 01:03:35,439
Speaker 1: That's cute. That's cute. That's cute to me. That's cute

962
01:03:35,480 --> 01:03:38,440
Speaker 1: to me. That's cute to me. That's cute. That's cute.

963
01:03:38,520 --> 01:03:41,200
Speaker 1: That's cute to me. When you're buying me things, that's

964
01:03:41,280 --> 01:03:44,200
Speaker 1: cute to me. Side the onion ring so cute to me.

965
01:03:44,520 --> 01:03:46,880
Speaker 1: It's fine. The face supposed me in the place that

966
01:03:46,920 --> 01:03:49,480
Speaker 1: makes me want to date yourself cute to me. Our

967
01:03:49,680 --> 01:03:54,800
Speaker 1: chemistry zone bete debu dis cute syndromes untreatable because I'm

968
01:03:54,880 --> 01:03:57,680
Speaker 1: obsessed with your packs and chests. You wanna titty funk

969
01:03:57,760 --> 01:04:06,440
Speaker 1: that's cute to Me's goute so cute. See you t me.

970
01:04:07,320 --> 01:04:10,240
Speaker 1: That's cute to me. That's cute to me. That's cute

971
01:04:10,280 --> 01:04:12,920
Speaker 1: to me. That's cute. That's cute. That's cute to me.

972
01:04:13,280 --> 01:04:16,240
Speaker 1: That's cute to me. That's cute to me. That's cute.

973
01:04:16,320 --> 01:04:22,120
Speaker 1: That's cute. That's cute to me. Oh my god, this

974
01:04:22,360 --> 01:04:26,200
Speaker 1: is like the cutest intimate audience of a live podcast

975
01:04:26,280 --> 01:04:39,280
Speaker 1: recording ever. Thank you all right? That was cute to me.

976
01:04:41,920 --> 01:04:43,520
Speaker 1: I think I was checking to see if you were

977
01:04:43,560 --> 01:04:45,600
Speaker 1: done with a lollipop or if you were like fully

978
01:04:45,680 --> 01:04:49,200
Speaker 1: savoring it. We're done? Was it like a fudge cycle?

979
01:04:50,640 --> 01:04:54,000
Speaker 1: That was a chocolate lollipops? Disgusting? I just I just

980
01:04:54,040 --> 01:04:57,080
Speaker 1: don't understand. Want to Chalcoli. So here's the deal. Um,

981
01:04:57,200 --> 01:05:00,360
Speaker 1: it is time to do our segment cold. I don't

982
01:05:00,400 --> 01:05:05,240
Speaker 1: think so, honey. So this is our one minute segment

983
01:05:05,280 --> 01:05:07,720
Speaker 1: that we take to rail against culture. We are for.

984
01:05:07,840 --> 01:05:10,040
Speaker 1: This is for the people listening. Currently on tour, we

985
01:05:10,200 --> 01:05:15,320
Speaker 1: will be in Texas, Austin, Dallas, and Houston, birthplace of

986
01:05:15,440 --> 01:05:20,120
Speaker 1: Beyonce Knows, problematic cultural figure and a right performer. Um

987
01:05:20,360 --> 01:05:23,600
Speaker 1: in April. So, um, I what do you I think?

988
01:05:23,680 --> 01:05:25,840
Speaker 1: Should I go first? Yeah? Whatever you want, I'll go

989
01:05:25,920 --> 01:05:29,600
Speaker 1: first because I'm fired off about something. Oh he is

990
01:05:30,520 --> 01:05:35,640
Speaker 1: the decision that we're going to stand galvanized Queen is

991
01:05:35,760 --> 01:05:37,960
Speaker 1: Matt Rodgers. I don't think so. Many as time starts now,

992
01:05:38,120 --> 01:05:39,880
Speaker 1: I don't think so, honey that when I rolled up

993
01:05:39,880 --> 01:05:42,280
Speaker 1: to the gig tonight, Bowen Yang was smoking a cigarette

994
01:05:42,320 --> 01:05:47,360
Speaker 1: outside because he told me as recently as yesterday that

995
01:05:47,400 --> 01:05:49,800
Speaker 1: he was done with cigarettes, that he had slipped back

996
01:05:49,840 --> 01:05:51,560
Speaker 1: into them, but now was done. And I pull up

997
01:05:51,560 --> 01:05:53,920
Speaker 1: in a fucking lift and the lift was not chatty.

998
01:05:54,000 --> 01:05:56,560
Speaker 1: So I was in a good mood. Immediately, my mood

999
01:05:56,640 --> 01:05:59,680
Speaker 1: was deflated because I see my best friend fucking killing himself.

1000
01:05:59,720 --> 01:06:02,120
Speaker 1: I don't think so, honey. Here's the thing about cigarettes.

1001
01:06:02,160 --> 01:06:04,600
Speaker 1: They're full of carcinogens. Honey, they're not good for you.

1002
01:06:04,720 --> 01:06:08,200
Speaker 1: Do you smoke cigarettes, sir? That's good. You're gonna live

1003
01:06:08,280 --> 01:06:11,280
Speaker 1: longer than this stupid bitch bow and Yang. And what

1004
01:06:11,440 --> 01:06:15,360
Speaker 1: happens when bo and Yang dies? My career fucking destroyed.

1005
01:06:16,840 --> 01:06:21,960
Speaker 1: Nobody's gonna fucking funk with this. After he goes outside

1006
01:06:22,040 --> 01:06:26,240
Speaker 1: of professional aspirations. I'd like him to stay in my life. Personally,

1007
01:06:26,680 --> 01:06:29,200
Speaker 1: I enjoy him very much. He's the love of my life.

1008
01:06:29,680 --> 01:06:32,880
Speaker 1: I need him around, and so when he smokes cigarettes

1009
01:06:33,000 --> 01:06:36,360
Speaker 1: and fills his lungs with bad black smoke, I am

1010
01:06:36,720 --> 01:06:39,760
Speaker 1: very personally offended. And then when I come to him.

1011
01:06:39,760 --> 01:06:41,200
Speaker 1: He tried to be cute with me and make a

1012
01:06:41,320 --> 01:06:43,000
Speaker 1: joke and I was like, no, I don't like it.

1013
01:06:43,320 --> 01:06:45,080
Speaker 1: And I'm telling you right now that I don't like it,

1014
01:06:45,400 --> 01:06:47,200
Speaker 1: and I don't think so, honey, and you deserve to

1015
01:06:47,240 --> 01:06:49,880
Speaker 1: be publicly humiliated. You shouldn't smoke cigarettes. And if and

1016
01:06:50,000 --> 01:07:03,920
Speaker 1: he smokes cigarettes, fucking that's one man. At it's not

1017
01:07:04,120 --> 01:07:07,360
Speaker 1: just you you're hurting. It's not just you you're hurting.

1018
01:07:08,440 --> 01:07:13,640
Speaker 1: I'm serious. This is not a comedy show. This is

1019
01:07:13,720 --> 01:07:15,640
Speaker 1: for real. I think no, I think this is good.

1020
01:07:15,720 --> 01:07:18,640
Speaker 1: This is a charting point. You should fucking stop. And

1021
01:07:18,680 --> 01:07:20,360
Speaker 1: then I said put that out right now and he

1022
01:07:20,480 --> 01:07:22,240
Speaker 1: said no, let me have it. And I was like,

1023
01:07:22,360 --> 01:07:26,440
Speaker 1: that's so fucking dumb. Yeah, I don't smoke cigrette. How

1024
01:07:26,480 --> 01:07:30,480
Speaker 1: long have you? For years? He's gonna lie? No, I was,

1025
01:07:30,560 --> 01:07:34,120
Speaker 1: I was gonna be very honest about it. Um for

1026
01:07:34,200 --> 01:07:36,720
Speaker 1: a couple of years. I started this job at this office,

1027
01:07:37,280 --> 01:07:39,360
Speaker 1: and it was culturally it was the thing to do,

1028
01:07:40,120 --> 01:07:42,200
Speaker 1: and you just would go out and have a smoke break.

1029
01:07:42,200 --> 01:07:44,040
Speaker 1: And I was like, I'll do it. And then you

1030
01:07:44,120 --> 01:07:47,000
Speaker 1: were an adult when you started. I's been doing so

1031
01:07:47,200 --> 01:07:49,400
Speaker 1: good too. And now he's got a stressful new job.

1032
01:07:51,360 --> 01:07:53,040
Speaker 1: I used to smoke a lot and then I when

1033
01:07:53,120 --> 01:07:56,200
Speaker 1: I quit, it was a wild It was a wild. Yeah.

1034
01:07:56,520 --> 01:07:59,640
Speaker 1: I used to smoke like a pack of day, like crazy. Wow.

1035
01:08:00,400 --> 01:08:04,520
Speaker 1: Is anyone here's struggling with cigarette addiction? Anyone? We've all

1036
01:08:04,560 --> 01:08:09,520
Speaker 1: we've all gotten them. But who vapes really high smoke?

1037
01:08:12,240 --> 01:08:15,400
Speaker 1: So there's this that's neither here nor there. There's this

1038
01:08:15,600 --> 01:08:17,599
Speaker 1: book that there's this book like to how to quit

1039
01:08:17,760 --> 01:08:20,200
Speaker 1: like it's called how to Quit Smoking or something where

1040
01:08:20,200 --> 01:08:23,040
Speaker 1: apparently it's some amazing it's this amazing, but that everyone's

1041
01:08:23,040 --> 01:08:25,200
Speaker 1: reading right now. For smokers are reading right now, and

1042
01:08:25,920 --> 01:08:29,400
Speaker 1: you can only quit on your first read through of

1043
01:08:29,479 --> 01:08:31,479
Speaker 1: the book. Otherwise than it won't work anymore, because if

1044
01:08:31,520 --> 01:08:33,439
Speaker 1: you fall off the wagon and start smoking again, then

1045
01:08:33,760 --> 01:08:35,519
Speaker 1: it will not work. Okay, so you're reading the book

1046
01:08:35,600 --> 01:08:37,760
Speaker 1: right now? Yeah, No, I gotta wait for the right time.

1047
01:08:38,560 --> 01:08:42,640
Speaker 1: Now is the right time? This is? Um? Can I

1048
01:08:42,760 --> 01:08:45,680
Speaker 1: just say when I quit smoking, I used I used

1049
01:08:45,720 --> 01:08:47,920
Speaker 1: to smoke in my car all the time. I used

1050
01:08:47,920 --> 01:08:50,800
Speaker 1: to fake smoke in my car. What does that mean?

1051
01:08:51,080 --> 01:08:53,640
Speaker 1: I would just hold up two fingers and inhale and

1052
01:08:54,640 --> 01:08:57,360
Speaker 1: hould out the window and drive around. It lives my

1053
01:08:57,560 --> 01:09:01,600
Speaker 1: fucking life like a lunatic. Yeah, and it was so

1054
01:09:01,880 --> 01:09:05,720
Speaker 1: helpful yetation it's like people do toothpicks because it's the

1055
01:09:05,880 --> 01:09:08,240
Speaker 1: open station and they just want to simulate that doing

1056
01:09:08,320 --> 01:09:12,000
Speaker 1: this doesn't look as dumb as actually smoking cigarettes, right

1057
01:09:12,080 --> 01:09:16,560
Speaker 1: of course, So that's like ad campaign and what is

1058
01:09:16,680 --> 01:09:20,559
Speaker 1: fake smoking? Yeah? Yeah, I'm really serious about it anyway,

1059
01:09:21,120 --> 01:09:26,160
Speaker 1: So go perform now, Um, this is I don't think

1060
01:09:26,200 --> 01:09:30,400
Speaker 1: so honey at his time starts now, I don't think

1061
01:09:30,439 --> 01:09:33,960
Speaker 1: so honey. Hotel many fridges to hear me out. You're

1062
01:09:33,960 --> 01:09:38,040
Speaker 1: a goddamn teasy hearing me. There's a game show I

1063
01:09:38,120 --> 01:09:40,000
Speaker 1: play every time I go to a hotel. It's is

1064
01:09:40,080 --> 01:09:44,880
Speaker 1: this water bottle free? Um? And it's really hit or miss.

1065
01:09:45,160 --> 01:09:47,559
Speaker 1: I feel like I should veer off into something personal

1066
01:09:47,600 --> 01:09:50,000
Speaker 1: about Matt right now because he distragged me. No, I

1067
01:09:50,000 --> 01:09:53,160
Speaker 1: haven't done anything to deserve it. Yes you have, Matt.

1068
01:09:53,360 --> 01:09:55,680
Speaker 1: You have not checked in with me like I have,

1069
01:09:55,840 --> 01:10:00,960
Speaker 1: Like like I feel like I really feel so distant

1070
01:10:01,080 --> 01:10:04,400
Speaker 1: from you, and I really tried to resist this for

1071
01:10:04,479 --> 01:10:08,120
Speaker 1: a long time. Matt just got this new job and

1072
01:10:08,160 --> 01:10:12,920
Speaker 1: I'm so happy for him. But there's the symmetry happening,

1073
01:10:12,960 --> 01:10:15,080
Speaker 1: where like like we we were out of sync in

1074
01:10:15,120 --> 01:10:17,519
Speaker 1: our lives and I got something and I felt like

1075
01:10:17,600 --> 01:10:21,439
Speaker 1: he was like ten seconds folks in the road, and

1076
01:10:21,520 --> 01:10:25,200
Speaker 1: now I feel a little left behind. Are you talking

1077
01:10:25,320 --> 01:10:29,000
Speaker 1: about you have eight thousand times more money than they

1078
01:10:29,439 --> 01:10:36,639
Speaker 1: really want? I really just want You're done. I'm sorry

1079
01:10:36,720 --> 01:10:38,600
Speaker 1: it hurts your feelings that I just did that, but

1080
01:10:39,400 --> 01:10:43,200
Speaker 1: you can't. We haven't. We haven't checked in. We have

1081
01:10:43,400 --> 01:10:47,760
Speaker 1: checked in before the show, but so briefly, we're gonna

1082
01:10:47,880 --> 01:10:50,679
Speaker 1: spend the evening together. We're gonna go do karaoke with Olivia,

1083
01:10:50,720 --> 01:10:56,560
Speaker 1: who's gone by the way anyway, Well, you know what,

1084
01:10:56,680 --> 01:10:59,040
Speaker 1: you know what, you know, what's happening? What is I'm

1085
01:10:59,080 --> 01:11:04,760
Speaker 1: watching old episodes of Grey's Anatomy, and I watched the

1086
01:11:04,800 --> 01:11:08,639
Speaker 1: episode where Christina leaves. Why don't you do that to yours?

1087
01:11:08,680 --> 01:11:14,600
Speaker 1: Because because because I miss you too, I miss you.

1088
01:11:15,760 --> 01:11:20,960
Speaker 1: It's fine. This is so fucking gay. It's actually not

1089
01:11:21,680 --> 01:11:24,200
Speaker 1: it's actually not gay to be two gay men who

1090
01:11:24,280 --> 01:11:33,360
Speaker 1: are platonic. That's actually very anti queer. That's that's that's

1091
01:11:33,400 --> 01:11:36,400
Speaker 1: what that is. Okay, Okay, So mine could be you

1092
01:11:36,560 --> 01:11:41,679
Speaker 1: ignoring me. Yeah, I'm just kidding, no, okay, which comes

1093
01:11:41,760 --> 01:11:45,839
Speaker 1: to shove dip, it's me and him if the zombie,

1094
01:11:45,840 --> 01:11:49,559
Speaker 1: If the zombies come in, it's us. We leave you behind.

1095
01:11:51,760 --> 01:11:58,439
Speaker 1: For sure, we die first. Absolutely anyway by Lima. It's

1096
01:11:58,439 --> 01:12:01,719
Speaker 1: an amazing post apocalypse tick a book about millennial culture.

1097
01:12:01,800 --> 01:12:05,280
Speaker 1: It's sorry that I thought that that I was that

1098
01:12:05,360 --> 01:12:09,920
Speaker 1: that was a bit and then so this is a

1099
01:12:10,920 --> 01:12:16,519
Speaker 1: I do and his time starts now. I don't think so, honey.

1100
01:12:16,760 --> 01:12:23,360
Speaker 1: Emotional manipulation. Um, this is a new experience for me.

1101
01:12:24,080 --> 01:12:27,479
Speaker 1: But I feel like when you say something like I

1102
01:12:27,760 --> 01:12:31,640
Speaker 1: feel this way and a person looks at you and says, no,

1103
01:12:31,880 --> 01:12:37,519
Speaker 1: you don't that there's something fucked up about that. I

1104
01:12:37,640 --> 01:12:41,439
Speaker 1: don't think so. Uh, not listening and not hearing you

1105
01:12:41,640 --> 01:12:44,280
Speaker 1: when you talk the words out of your mouth that

1106
01:12:44,400 --> 01:12:47,880
Speaker 1: are the things that you actually mean. I also don't

1107
01:12:47,920 --> 01:12:50,160
Speaker 1: think so when you've taken the time to write them

1108
01:12:50,240 --> 01:12:53,360
Speaker 1: down and I'll proof read them so that you know

1109
01:12:53,640 --> 01:12:57,280
Speaker 1: what you mean, and the person is still going, yeah,

1110
01:12:57,320 --> 01:13:00,519
Speaker 1: I'm not sure that you really think that way. Five seconds.

1111
01:13:02,240 --> 01:13:07,160
Speaker 1: I'm just really raw right now. Seconds I literally up.

1112
01:13:07,320 --> 01:13:12,160
Speaker 1: I don't think so, honey. Breakups And that's one minute.

1113
01:13:12,439 --> 01:13:16,160
Speaker 1: That's one minute, I agree with you. I don't think so, honey,

1114
01:13:16,200 --> 01:13:18,120
Speaker 1: breakups either, they are so hard. And can I say

1115
01:13:18,200 --> 01:13:22,519
Speaker 1: as a real thing, I'm so sorry. I've been thinking

1116
01:13:22,560 --> 01:13:25,840
Speaker 1: about mine a lot recently and it's like, what the fuck?

1117
01:13:26,280 --> 01:13:35,320
Speaker 1: Which one? That was gorgeous? So we have approximately seven

1118
01:13:35,400 --> 01:13:39,320
Speaker 1: minutes left and I would like to um open the floor?

1119
01:13:40,120 --> 01:13:43,120
Speaker 1: Does anyone um does this? Before we do that? Can

1120
01:13:43,160 --> 01:13:45,960
Speaker 1: I just say I love your show and thank you

1121
01:13:46,080 --> 01:13:50,560
Speaker 1: for having me on. And I it's like, I you

1122
01:13:50,640 --> 01:13:54,519
Speaker 1: know people people always post that beame of like the

1123
01:13:54,640 --> 01:13:57,479
Speaker 1: girl eating next to a poster that's like me, when

1124
01:13:57,680 --> 01:14:00,360
Speaker 1: it's like fully that, So this is like a very

1125
01:14:00,520 --> 01:14:04,160
Speaker 1: meta dream come true for me to be. So I'm

1126
01:14:04,200 --> 01:14:06,519
Speaker 1: just love you. I love you guys, and I'm happy

1127
01:14:06,640 --> 01:14:08,280
Speaker 1: that you're going to be around more and we can

1128
01:14:08,520 --> 01:14:13,200
Speaker 1: actually hang out, right, Yeah, something to look forward to.

1129
01:14:19,360 --> 01:14:22,519
Speaker 1: What no, no, no, no no? So um sorry you

1130
01:14:22,600 --> 01:14:25,600
Speaker 1: want to do this? And I just want to know

1131
01:14:25,760 --> 01:14:28,080
Speaker 1: if anyone wants to ask a question to bow and

1132
01:14:28,120 --> 01:14:34,719
Speaker 1: Younger a big tapper, but I am moderating this question.

1133
01:14:34,960 --> 01:14:42,599
Speaker 1: You could walk yeah, um, so what's your name? Jen? Hi? Jen?

1134
01:14:43,320 --> 01:14:51,080
Speaker 1: What's up? What does it feel like in there? Oh? Yeah?

1135
01:14:52,680 --> 01:14:57,320
Speaker 1: Oh God, I'll keep it. I'll keep it brief, warm, tight,

1136
01:14:59,479 --> 01:15:03,160
Speaker 1: or lose, depending and and it depends on the prep

1137
01:15:03,360 --> 01:15:08,679
Speaker 1: work that prep, but mostly it feels like an empty cavity.

1138
01:15:09,400 --> 01:15:14,960
Speaker 1: There you go, satisfied, Jen, Yeah, feeling good. Hi? Who

1139
01:15:15,000 --> 01:15:18,120
Speaker 1: are you? I'm nick? No, you can't feel you have

1140
01:15:18,160 --> 01:15:20,439
Speaker 1: a great shirt. You're going in a colon? What's on

1141
01:15:20,520 --> 01:15:28,000
Speaker 1: the shirt? I'll paca also giraffes, various long necked ma. Wow,

1142
01:15:28,320 --> 01:15:30,320
Speaker 1: I wish I was a How you doing and what's up?

1143
01:15:30,840 --> 01:15:34,920
Speaker 1: I'm doing very well? Will you outline for us verbally

1144
01:15:35,920 --> 01:15:42,599
Speaker 1: the dynamic movements of the Matt Rogers walk. Yes, yes, yes, yes.

1145
01:15:44,040 --> 01:15:46,799
Speaker 1: For people who don't know, there's a Matt Rodgers Walk challenge.

1146
01:15:47,200 --> 01:15:52,080
Speaker 1: So you just have to like envision yourself like like

1147
01:15:52,360 --> 01:15:55,240
Speaker 1: Beyonce and like now like more like Ali Larder and

1148
01:15:55,360 --> 01:15:58,120
Speaker 1: obsessed honestly, and you just kind of take a few

1149
01:15:58,160 --> 01:16:01,320
Speaker 1: steps that like don't go any where and make sure

1150
01:16:01,360 --> 01:16:03,240
Speaker 1: that you like you trip over your feet a little bit,

1151
01:16:03,560 --> 01:16:06,920
Speaker 1: and then you just kind of like beck in and

1152
01:16:07,040 --> 01:16:10,200
Speaker 1: then you kind of like spin and like notice your

1153
01:16:10,240 --> 01:16:14,720
Speaker 1: surroundings and like sort of play with them, and then

1154
01:16:14,960 --> 01:16:17,400
Speaker 1: like sort of just sort of stop and then go

1155
01:16:17,520 --> 01:16:21,519
Speaker 1: like this again in another direction and you are going nowhere.

1156
01:16:23,160 --> 01:16:27,240
Speaker 1: It's important to have no directions. Then you do a

1157
01:16:27,280 --> 01:16:29,760
Speaker 1: little bit of that and have someone film you because

1158
01:16:29,840 --> 01:16:36,200
Speaker 1: you crave attention. Great, So that's that's that. Anyone else,

1159
01:16:36,960 --> 01:16:40,800
Speaker 1: anyone else? The floor is open. We're done. We're done.

1160
01:16:41,600 --> 01:16:44,160
Speaker 1: Wow Um. First of all, everyone give it up for

1161
01:16:44,280 --> 01:16:48,360
Speaker 1: Big Dipper one more time. Thank you. We love the

1162
01:16:48,439 --> 01:16:52,840
Speaker 1: dep We loved to death. This was really fun. We've

1163
01:16:52,920 --> 01:16:55,200
Speaker 1: never we've never done like a live pod episode. We've

1164
01:16:55,200 --> 01:16:56,880
Speaker 1: done I don't think so, honey, but we've never done

1165
01:16:57,080 --> 01:16:58,800
Speaker 1: a live episode like this, and it was really fun,

1166
01:16:58,960 --> 01:17:01,280
Speaker 1: so so so great, So thank you for joining us.

1167
01:17:01,800 --> 01:17:04,680
Speaker 1: Thanks to the lyric hyperion Um stay hid to us

1168
01:17:04,680 --> 01:17:06,720
Speaker 1: after the show. Well, the end we do. We do

1169
01:17:06,880 --> 01:17:08,639
Speaker 1: end with the song. We do end with the song.

1170
01:17:09,160 --> 01:17:20,240
Speaker 1: Here we go? How do I get through not without you?

1171
01:17:21,720 --> 01:17:26,920
Speaker 1: If I had to live it? To laugh? Would that

1172
01:17:27,400 --> 01:17:40,519
Speaker 1: be ho? I'm need you in my off Ho if

1173
01:17:40,720 --> 01:17:51,599
Speaker 1: you have fa babywe really my lave. We'll do one

1174
01:17:51,720 --> 01:17:58,320
Speaker 1: chorus to me. Now, how do I live? It's a

1175
01:17:58,400 --> 01:18:03,920
Speaker 1: bed clap out you. I want to know? How do

1176
01:18:04,120 --> 01:18:11,040
Speaker 1: I breathe without you? If you ever go? How do

1177
01:18:11,240 --> 01:18:21,920
Speaker 1: I ever, ever, how do I how do I how

1178
01:18:21,960 --> 01:18:31,640
Speaker 1: do make some fucking noise for bag? Bye? Thank you.

1179
01:18:36,160 --> 01:18:39,640
Speaker 1: This has been a Forever Dog production executive produced by

1180
01:18:39,680 --> 01:18:44,960
Speaker 1: Brett Ballum, Joe Silio, and Alex Ramsey. For more original podcasts,

1181
01:18:45,120 --> 01:18:49,120
Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to

1182
01:18:49,160 --> 01:18:53,120
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

1183
01:18:53,120 --> 01:18:56,240
Speaker 1: your podcasts. Keep up with the latest Forever Dog news

1184
01:18:56,400 --> 01:19:00,759
Speaker 1: by following us on Twitter and Instagram at Forever Dog Team,

1185
01:19:01,200 --> 01:19:04,040
Speaker 1: and liking Outage on Facebook m