WEBVTT - Frédéric Bourdin:  The Chameleon from Nantes

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio. Hello, and welcome to another

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<v Speaker 1>episode of Criminalia. This season, we're exploring the lives and

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<v Speaker 1>motivations of some of the most notorious impostors throughout history.

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<v Speaker 1>I'm Maria Tremarquis and I'm Holly Fry. And it seems

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<v Speaker 1>that each season we have been having one contemporary or

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<v Speaker 1>fairly contemporary person to talk about. For example, in our

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<v Speaker 1>Stoker season we talked about George Harrison and his two Stalkers.

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<v Speaker 1>But today our impostor is Frederic Bourdon. Frederic was born

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<v Speaker 1>to Guillain Burdon on June four, so she was eighteen

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<v Speaker 1>years old at the time, and she was living in

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<v Speaker 1>monte Au dessin France, that is, a suburb of Paris.

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<v Speaker 1>His father's identity was unknown. Elaine would later stay in

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<v Speaker 1>a two thousand and eight interview with The New Worker

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<v Speaker 1>that Frederic's father was actually an Algerian man named Casey.

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<v Speaker 1>Now my name pronunciation isn't going to be nearly as

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<v Speaker 1>delightful as Holly's, so just bear with me. One of

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<v Speaker 1>us speaks French, one of us does not only enough

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<v Speaker 1>to get into trouble only enough to make it sound great.

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<v Speaker 1>So Gilan recalled that they had met at a factory,

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<v Speaker 1>and if you're curious, that was a margarine factory. They

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<v Speaker 1>both worked there at the time that she got pregnant.

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<v Speaker 1>But after she found out she was pregnant, she learned

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<v Speaker 1>that Casey was married, and because of that, she never

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<v Speaker 1>told him about their son. As she got older, she

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<v Speaker 1>could no longer remember Casey's last name, she stated. Gilane

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<v Speaker 1>raised Frederic for about two years until child services intervened,

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<v Speaker 1>and at that point he was placed with Elaine's parents.

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<v Speaker 1>Relatives spoke out about this whole situation, saying, quote, she

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<v Speaker 1>liked to drink and dance and stay out at night.

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<v Speaker 1>She didn't want anything to do with that child. Years

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<v Speaker 1>after he was removed from her home, Gilayne wrote her

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<v Speaker 1>son a letter saying, quote, you are my son, and

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<v Speaker 1>they stole you from me at the age of two.

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<v Speaker 1>They did everything to separate us from each other, and

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<v Speaker 1>we have become two strangers. Frederic later spoke of his

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<v Speaker 1>mother's overwhelming need for attention, in particular his attention, describing

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<v Speaker 1>how she would feign illness or a grave circumstance to

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<v Speaker 1>get that attention. Guilaine, though she felt her son was

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<v Speaker 1>overreacting about her need for this constant attention, did acknowledge

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<v Speaker 1>that she had faked illness and had once attempted suicide,

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<v Speaker 1>so he would be attentive to her. There are layers

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<v Speaker 1>of messed upness in play already. He is. Frederic began

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<v Speaker 1>impersonating people when he was still a kid. When he

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<v Speaker 1>was just five years old, he moved with his grandparents

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<v Speaker 1>to known He considered himself to kind of be the

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<v Speaker 1>village outcast, and perhaps he was, and because of that,

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<v Speaker 1>he began telling stories, fabricated stories about himself and about

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<v Speaker 1>his family. For instance, he explained to his fellow children

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<v Speaker 1>that his father was never around because he was actually

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<v Speaker 1>according to Frederic, a British secret agents. One of his

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<v Speaker 1>elementary school teachers described Frederic as quote a precocious and

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<v Speaker 1>captivating child who had an extraordinary imagination and visual sense,

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<v Speaker 1>drawing wild, beautiful comic strips. He further recalled he had

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<v Speaker 1>this way of making you connect to him. This is

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<v Speaker 1>a little bit of a difficult topic involving child abuse.

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<v Speaker 1>So if that is something that you are not ready

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<v Speaker 1>to hear about, hit mute for you. Know about thirty

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<v Speaker 1>seconds or so or just skip ahead. Yes. So. When

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<v Speaker 1>he was still quite young, Frederic confessed to his grandparents

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<v Speaker 1>that he had been molested by a neighbor, but no

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<v Speaker 1>one in the village seemed to believe the allegation, and

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<v Speaker 1>neither his grandparents nor anyone else ever looked into the matter,

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<v Speaker 1>and perhaps not coincidentally, this is when Frederic began misbehaving

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<v Speaker 1>in school and stealing from the neighbors. Before long, he

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<v Speaker 1>was sent to a juvenile home not too far away

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<v Speaker 1>from his grandparents house, and at his new school, teachers

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<v Speaker 1>referred to his stories as quote little dramas, and that

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<v Speaker 1>they became more and more detailed as he made each

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<v Speaker 1>one up. Throughout his childhood and into his adolescence, he

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<v Speaker 1>often pretended that he was an amnesiac, intentionally getting lost

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<v Speaker 1>in the streets to make it feel real. In sixteen

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<v Speaker 1>year old Frederick hitch hike to Paris, where he invented

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<v Speaker 1>and inhabited his first baked character. Pretending to be a

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<v Speaker 1>British teenager named Jimmy Stale. He approached a police officer

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<v Speaker 1>for directions, explaining he was lost as it appeared to

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<v Speaker 1>be nothing out of the ordinary nothing came of it

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<v Speaker 1>other than a big boost to his boldness. It is

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<v Speaker 1>said Frederick has used forty identities, and if you ask him,

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<v Speaker 1>possibly as many a five hundred. By the time he

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<v Speaker 1>became an adult, the French press had nicknamed him Chameleon

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<v Speaker 1>Monte or the chameleon from Some of his aliases were

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<v Speaker 1>real people, but some were not. And we're going to

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<v Speaker 1>talk about some of his big impersonations to really major scams,

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<v Speaker 1>with a smattering of others along the way. Otherwise we

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<v Speaker 1>would be here all day talking about those five hundred aliases.

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<v Speaker 1>But of those many, here are a few. Alex Dole,

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<v Speaker 1>Benjamin Kent, Michelangelo Martini, Jimmy morns are No Ourient, Giovanni Petrulo,

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<v Speaker 1>and Sladyon Roskovich. And that is just a tiny sample

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<v Speaker 1>of who he pretended to be. You'll notice he also

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<v Speaker 1>switched nationalities a few times, picking names in different languages.

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<v Speaker 1>He was apparently good at that as well. A police

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<v Speaker 1>captain once noted quote, when he talked in Spanish, he

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<v Speaker 1>became a Spaniard. When he talked in English, he was

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<v Speaker 1>an Englishman. Of course, he lied, But what an actor.

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<v Speaker 1>So this I'm starting with a quote people always say

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<v Speaker 1>to me, why don't you become an actor, Frederick once

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<v Speaker 1>said in an interview, which the police captain too agrees with.

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<v Speaker 1>So Frederic goes on to say, I think I would

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<v Speaker 1>be a very good actor like Arnold Schwarzenegger or Sylvester Stallone.

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<v Speaker 1>But I don't want to play somebody. I want to

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<v Speaker 1>be somebody. He was always honest why he did what

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<v Speaker 1>he did. He wanted attention, He craved it. He acknowledged

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<v Speaker 1>what all pretenders know but don't often admit, and that

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<v Speaker 1>is quote, it is not that hard to fool people.

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<v Speaker 1>He thought of his career this way. Quote. I know

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<v Speaker 1>it can be cruel, he said, of his methods, but

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<v Speaker 1>I don't want to become a monster. Yeah. There are

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<v Speaker 1>a couple of these stories we'll talk about that do,

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<v Speaker 1>when you really look at them with the broad view,

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<v Speaker 1>feel very cruel in a weird way. He transformed into

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<v Speaker 1>his characters with specific details for each He would include

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<v Speaker 1>things like what kind of soap they used, their heritage,

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<v Speaker 1>and even things like whether or not they had a

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<v Speaker 1>speech disorder or some sort of physical impairment. He was

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<v Speaker 1>meticulous with each character's outward appearance. He would or would

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<v Speaker 1>not have facial hair, he plucked his eyebrows. Anything that

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<v Speaker 1>he could do, he did that would help bring that

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<v Speaker 1>character to life. So he talked on about how he

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<v Speaker 1>considered prepping a character to how he imagined a spy

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<v Speaker 1>might do so, and that you change your superficial details

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<v Speaker 1>to become that character, but you never change the core

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<v Speaker 1>of who you are. So he once said, I don't

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<v Speaker 1>want to make myself into somebody I'm not. The story

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<v Speaker 1>is good enough without embellishment, and he continued, the worst

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<v Speaker 1>thing you can do is deceive yourself. He went on

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<v Speaker 1>to say, quote, the key is actually not lying about everything,

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<v Speaker 1>otherwise you'll just mix things up. He claimed to live

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<v Speaker 1>his life with inspirational quotes that helped him along with

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<v Speaker 1>all of this, like keep it simple, and a good

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<v Speaker 1>liar uses the truth. The one thing you better not forget,

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<v Speaker 1>he advised, is your name. I've never actually seen the

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<v Speaker 1>inspirational quote A good liar uses the truth. I've seen

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<v Speaker 1>him or as a warning. Right, you know, not qualify

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<v Speaker 1>it as an inspirational quote. Right, it's a good piece

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<v Speaker 1>of information. Like, let's just leave it at that. For

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<v Speaker 1>a person who described himself as a professional liar, one

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<v Speaker 1>interviewer once said about Frederic, he seemed oddly fastidious about

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<v Speaker 1>the facts of his own life. In order to try

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<v Speaker 1>to bring his developed character to life in the real world,

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<v Speaker 1>he did this thing that I have to concede is ingenious.

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<v Speaker 1>He would first try to create the illusion among the

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<v Speaker 1>local authorities that his character was real. That's smart. He

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<v Speaker 1>would interact with police and thus create a record of

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<v Speaker 1>this person. He would call, sometimes more than once, under

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<v Speaker 1>different aliases, to report his character was in some sort

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<v Speaker 1>of trouble. Nobody, he later explained, expects a seemingly vulnerable

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<v Speaker 1>child to be lying. Still, characters can have flaws. So

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<v Speaker 1>here we're going to take a break for a word

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<v Speaker 1>from our sponsor, and by the time we're back, Frederic

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<v Speaker 1>will probably have something like six hundred and fifty two

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<v Speaker 1>new identities. We'll see, welcome back to criminally in Okay,

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<v Speaker 1>let's talk about Frederick's first big deception. By June, Frederick

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<v Speaker 1>had pretended to be more than a dozen children and

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<v Speaker 1>teenagers who were all imaginary. That June, as well, he

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<v Speaker 1>also turned eighteen. Becoming an adult meant he could no

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<v Speaker 1>longer stay in the places where he'd grown accustomed to staying.

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<v Speaker 1>I've been in shelters and foster homes most of my life,

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<v Speaker 1>and suddenly I was told that's it, You're free to go,

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<v Speaker 1>has said in interviews. By the mid nineties, Frederic had

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<v Speaker 1>a criminal record for crimes, including lying to police and

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<v Speaker 1>other authorities. Interpol and others were looking for him. He was,

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<v Speaker 1>unfortunately also getting media attention, which is never a good

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<v Speaker 1>thing for an impostor. One of my favorite quotes that

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<v Speaker 1>he has said so far is I'd rather leave on

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<v Speaker 1>my own than be taken away, which is something he

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<v Speaker 1>flatly stated in an interview. So we're gonna jump ahead

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<v Speaker 1>a little bit to France in two thousand three, and

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<v Speaker 1>at this point, Frederick assumed the identity of a fourteen

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<v Speaker 1>year old French boy named Leo Balis, who had been

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<v Speaker 1>missing since n When it was suspected that Frederic was

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<v Speaker 1>not actually Leo, authorities tested his DNA, and of course

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<v Speaker 1>that test proved that the authorities were right. Frederic was

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<v Speaker 1>sentenced to four months in prison for stealing and using

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<v Speaker 1>Leo Bali's identity. There was also a time in August

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<v Speaker 1>of two thousand and four when Frederic was in Spain

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<v Speaker 1>claiming to be a teenager named Reuben Sanchez Espinosa. Rubin's

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<v Speaker 1>mother had been killed in the Madrid bomb attacks. And

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<v Speaker 1>here we are the inevitable thing happened to Frederic. When

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<v Speaker 1>the local authorities found out the truth, they deported him

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<v Speaker 1>to France. So let's get into Frederick's first really big scam.

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<v Speaker 1>On May three, two thousand five, multiple calls were placed

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<v Speaker 1>to the authorities about a teenage boy alone in the

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<v Speaker 1>local train station. That boy, who was Frederic in disguise,

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<v Speaker 1>found his way to the local government child welfare office.

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<v Speaker 1>The boy was described as slim and short, with pale skin.

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<v Speaker 1>He wore a scarf wound around much of his face

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<v Speaker 1>and a baseball cap that was pulled over his eyes.

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<v Speaker 1>He had no money with him, but he did have

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<v Speaker 1>a phone, and he did have identification. His name was

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<v Speaker 1>Francisco Hernandez Fernandez, a fifteen year old from Spain. He

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<v Speaker 1>was quiet, but he did say that his parents and

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<v Speaker 1>younger brother had been killed than a car accident. He

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<v Speaker 1>had been in a coma for several weeks. After he recovered,

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<v Speaker 1>he had lived with an uncle, but when his uncle

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<v Speaker 1>became abusive, Francisco left. He was then sent to live

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<v Speaker 1>at a state run shelter that housed thirty five girls

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<v Speaker 1>and boys, almost all of whom had been removed from

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<v Speaker 1>their homes or abandoned by their parents. When he did speak,

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<v Speaker 1>he spoke very softly, and he would flinch if anyone

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<v Speaker 1>tried to touch him. The shelter he was at was

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<v Speaker 1>described as an old stone building with peeling white wooden shutters.

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<v Speaker 1>Kind of to set this scene, Francisco was given a

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<v Speaker 1>single room. He was enrolled at the local secondary school,

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<v Speaker 1>where there were about four hundred or so students, mostly

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<v Speaker 1>from tough neighborhoods, and most of whom had a reputation

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<v Speaker 1>for violence. Educators at the school would later say he

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<v Speaker 1>looked like every other teenager who passed through the school,

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<v Speaker 1>but that they felt protective of him. His literature teacher

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<v Speaker 1>asked another student, Raphael Passoa, deal made up to help

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<v Speaker 1>Francisco with his coursework, as he had enrolled mid term

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<v Speaker 1>and he was trying to catch up. Quote this guy

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<v Speaker 1>can learn like lightning, Raphael later recalled. Gradually, Francisco began

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<v Speaker 1>hanging out with his classmates, and it didn't actually take

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<v Speaker 1>very long before he was one of the most popular

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<v Speaker 1>kids at his school. Quote The students loved him. He

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<v Speaker 1>had this aura about him, this charisma. One of his

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<v Speaker 1>teachers recall he knew a lot of American slang and idioms,

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<v Speaker 1>and he seemed to have a deep knowledge of music,

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<v Speaker 1>not just American music, just music. And he could dance

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<v Speaker 1>just like Michael Jackson at a talent show. Quote. He

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<v Speaker 1>didn't just look like Michael Jackson dancing. His music teacher recalled,

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<v Speaker 1>he was Michael Jackson. About a month later, however, on

0:13:46.480 --> 0:13:50.959
<v Speaker 1>June eight, a school administrator discovered who Francisco really was.

0:13:52.000 --> 0:13:54.520
<v Speaker 1>She had been watching a TV show that happened to

0:13:54.559 --> 0:13:58.560
<v Speaker 1>be about one of the world's most famous impostors, Frederic Bourdon,

0:13:59.040 --> 0:14:02.800
<v Speaker 1>a thirty year old Frenchman who impersonated children and teenagers,

0:14:03.559 --> 0:14:06.320
<v Speaker 1>and she immediately told the principal quote, I swear to god,

0:14:06.400 --> 0:14:10.960
<v Speaker 1>Bourdon looks exactly like Francisco Hernandez Fernandez. So she also

0:14:11.040 --> 0:14:14.000
<v Speaker 1>did a quick Internet search, and she was surprised at

0:14:14.040 --> 0:14:18.559
<v Speaker 1>the amount of information about the possible impostor. The press

0:14:18.880 --> 0:14:22.880
<v Speaker 1>called Frederick the King of impostors and described him as

0:14:23.280 --> 0:14:27.000
<v Speaker 1>we quote, the master of new identities who didn't want

0:14:27.080 --> 0:14:30.360
<v Speaker 1>to grow up. The press also claimed that Frederick had

0:14:30.400 --> 0:14:34.480
<v Speaker 1>impersonated everything from a tiger tamer to a priest, and

0:14:34.720 --> 0:14:38.160
<v Speaker 1>whether those two things are fact or fiction. There was

0:14:38.240 --> 0:14:43.080
<v Speaker 1>no question that Frederick had pretended his way through many things.

0:14:43.640 --> 0:14:46.760
<v Speaker 1>But we can see though through our research and reading

0:14:46.920 --> 0:14:49.560
<v Speaker 1>so many of stories about him, is that he almost

0:14:49.840 --> 0:14:54.640
<v Speaker 1>always played one character over and over that was an

0:14:54.720 --> 0:14:58.200
<v Speaker 1>abused or abandoned child. So when all of this came

0:14:58.240 --> 0:15:01.000
<v Speaker 1>to light, the school notified the lease, and when he

0:15:01.120 --> 0:15:05.880
<v Speaker 1>was arrested, the incidentally balding fake teenager stated, in a

0:15:06.040 --> 0:15:09.760
<v Speaker 1>much deeper voice than Francisco normally spoke, quote, I want

0:15:09.840 --> 0:15:12.880
<v Speaker 1>a lawyer. He did admit to the police that he

0:15:13.000 --> 0:15:16.200
<v Speaker 1>was actually Frederic Bourdon, and he admitted that over the

0:15:16.240 --> 0:15:19.840
<v Speaker 1>past fifteen years he had invented scores of identity, many

0:15:19.920 --> 0:15:24.280
<v Speaker 1>of whom were children or teenagers. His trail included, among

0:15:24.360 --> 0:15:36.040
<v Speaker 1>other places, France, Austria, Belgium, Bosnia, Denmark, England, Germany, Ireland, Italy, Luxembourg, Portugal, Slovakia, Spain, Switzerland, Sweden,

0:15:36.520 --> 0:15:39.800
<v Speaker 1>and the United States. I was counting along, but I

0:15:39.920 --> 0:15:42.520
<v Speaker 1>ran out of fingers. She had to go to toes.

0:15:42.600 --> 0:15:46.080
<v Speaker 1>It became very awkward. Those countries. Wow, So we're going

0:15:46.160 --> 0:15:48.560
<v Speaker 1>to take a break for a word from our sponsor.

0:15:48.800 --> 0:15:51.600
<v Speaker 1>And when we're back, we'll talk about why Frederic ended

0:15:51.680 --> 0:15:56.000
<v Speaker 1>up in the United States, in Texas and in San Antonio.

0:16:02.880 --> 0:16:06.440
<v Speaker 1>Welcome back to Criminalia. In just a minute, we're going

0:16:06.520 --> 0:16:09.520
<v Speaker 1>to explain why it was the years and not the eyes.

0:16:10.040 --> 0:16:14.400
<v Speaker 1>It's important. At this point in his career, it wasn't

0:16:14.520 --> 0:16:18.760
<v Speaker 1>just Interpol watching Frederick. The U s State Department warned

0:16:18.800 --> 0:16:23.000
<v Speaker 1>he was quote an exceedingly clever man who posed as

0:16:23.520 --> 0:16:28.000
<v Speaker 1>exploited children and teenagers to garner sympathy, and in posing

0:16:28.040 --> 0:16:31.560
<v Speaker 1>as those children, he had raised some flags with government offices.

0:16:31.720 --> 0:16:34.040
<v Speaker 1>So at one point he had assumed the identity of

0:16:34.120 --> 0:16:36.840
<v Speaker 1>a teenager and was staying at a youth house in Spain.

0:16:37.560 --> 0:16:39.880
<v Speaker 1>And when he was exposed as a fraud, a child

0:16:39.960 --> 0:16:43.840
<v Speaker 1>welfare judge was assigned to his case, and she correctly

0:16:43.960 --> 0:16:46.760
<v Speaker 1>did not believe he was a teenager. She gave him

0:16:46.760 --> 0:16:48.880
<v Speaker 1>twenty four hours to prove it, and if he couldn't,

0:16:49.000 --> 0:16:52.160
<v Speaker 1>she warned him that she would collect and run his fingerprints.

0:16:53.000 --> 0:16:56.160
<v Speaker 1>Those fingerprints were on file with Interpol because they, as

0:16:56.240 --> 0:16:59.320
<v Speaker 1>we noted earlier, were watching him, so he couldn't risk

0:16:59.400 --> 0:17:01.480
<v Speaker 1>it and there for he couldn't prove if he was

0:17:01.600 --> 0:17:04.680
<v Speaker 1>or was not a teenager. Because of his criminal record,

0:17:04.800 --> 0:17:08.520
<v Speaker 1>he was given a prison sentence. This here is the

0:17:08.800 --> 0:17:15.560
<v Speaker 1>next big scam that we mentioned earlier. Here. Frederic chose

0:17:15.680 --> 0:17:20.480
<v Speaker 1>to pretend to be a real person named Nicholas Barclay,

0:17:20.520 --> 0:17:24.320
<v Speaker 1>who was a missing teenage boy from Texas. So with

0:17:24.560 --> 0:17:28.400
<v Speaker 1>his new identity in place, he'd have to convince Nicholas's

0:17:28.520 --> 0:17:32.600
<v Speaker 1>family as well as the local authorities, but he felt

0:17:32.680 --> 0:17:34.680
<v Speaker 1>he could do it, and in an effort to pull

0:17:34.760 --> 0:17:38.119
<v Speaker 1>this charade off, he started by calling the National Center

0:17:38.520 --> 0:17:42.719
<v Speaker 1>for Missing and Exploited Children in Alexandria, Virginia. He had

0:17:42.760 --> 0:17:44.960
<v Speaker 1>picked up some English over the years, which made things

0:17:45.000 --> 0:17:47.360
<v Speaker 1>a little bit easier, and he said that his name

0:17:47.480 --> 0:17:51.680
<v Speaker 1>was Jonathan Durian, the director of the Linares Shelter. He

0:17:51.880 --> 0:17:54.320
<v Speaker 1>claimed that a boy who spoke English but would not

0:17:54.440 --> 0:17:57.440
<v Speaker 1>say who he was, had arrived at the shelter, and

0:17:57.520 --> 0:18:00.960
<v Speaker 1>he described the boy as having a prominent brown hair

0:18:01.040 --> 0:18:04.439
<v Speaker 1>and eye and a gap between his teeth. That also

0:18:04.720 --> 0:18:08.479
<v Speaker 1>was an exact match for Bourdon, and a woman at

0:18:08.520 --> 0:18:11.880
<v Speaker 1>the center found a similar boy in the organization's database,

0:18:12.040 --> 0:18:16.120
<v Speaker 1>and that description was a fairly close match to Nicholas Barclay.

0:18:17.200 --> 0:18:20.760
<v Speaker 1>The actual story about Nicholas Barclay is that he was

0:18:20.880 --> 0:18:24.440
<v Speaker 1>reported missing from his home near San Antonio, Texas. It

0:18:24.600 --> 0:18:29.399
<v Speaker 1>was the summer of and Nicholas was thirteen. He'd been

0:18:29.440 --> 0:18:35.000
<v Speaker 1>playing basketball with friends, but he never arrived back home afterwards. Nikki,

0:18:35.160 --> 0:18:38.080
<v Speaker 1>as his family called him, was last seen, according to

0:18:38.240 --> 0:18:42.480
<v Speaker 1>his National Center for Missing an exploited file, wearing we quote,

0:18:43.119 --> 0:18:46.200
<v Speaker 1>a white T shirt, purple pants, black shoes, and he

0:18:46.400 --> 0:18:50.040
<v Speaker 1>was carrying a pink backpack. So, because of the wheels

0:18:50.119 --> 0:18:53.960
<v Speaker 1>set in motion by Frederic making that phone call to Virginia,

0:18:54.320 --> 0:18:58.359
<v Speaker 1>eventually Nicholas's mother, Beverly was told that her son had

0:18:58.400 --> 0:19:01.280
<v Speaker 1>been found, but not in Texas. He was in Spain,

0:19:01.680 --> 0:19:03.960
<v Speaker 1>and that was, of course not Nikki. Just why this

0:19:04.080 --> 0:19:07.560
<v Speaker 1>does seem incredibly cruel. It was Frederic who, then, as

0:19:07.640 --> 0:19:10.720
<v Speaker 1>a consequence, traveled to San Antonio and actually lived with

0:19:10.840 --> 0:19:14.800
<v Speaker 1>the Barclay family for about five months, which is amazing

0:19:15.119 --> 0:19:18.880
<v Speaker 1>because Frederick had been in his twenties at the time

0:19:19.080 --> 0:19:23.119
<v Speaker 1>and he didn't really resemble Nikki at all. So the

0:19:23.200 --> 0:19:27.560
<v Speaker 1>first problem was that Frederick spoke with a thick French accent.

0:19:28.160 --> 0:19:31.120
<v Speaker 1>The second problem was that he had brown eyes, which

0:19:31.240 --> 0:19:34.119
<v Speaker 1>was actually a really big obstacle to overcome because Nikki

0:19:34.600 --> 0:19:38.480
<v Speaker 1>had blue eyes. And the third problem was that Frederic

0:19:38.600 --> 0:19:42.040
<v Speaker 1>had a tattoo on his forearm. Nikki was also tattooed,

0:19:42.119 --> 0:19:44.960
<v Speaker 1>but none of his tattoos were on his forearm. There

0:19:45.119 --> 0:19:48.399
<v Speaker 1>was a J on his left shoulder, a T on

0:19:48.560 --> 0:19:50.960
<v Speaker 1>his left hand between his thumb and his index finger,

0:19:51.080 --> 0:19:55.080
<v Speaker 1>and the letters L and N on his left ankle.

0:19:55.359 --> 0:19:59.080
<v Speaker 1>But despite these facts, the Barclay family welcomed the impostor

0:19:59.200 --> 0:20:02.960
<v Speaker 1>into their home as their son Nikki. So to explain

0:20:03.040 --> 0:20:05.000
<v Speaker 1>that change in eye color, because you kind of have

0:20:05.200 --> 0:20:09.320
<v Speaker 1>to have an answer for that, right, Frederic's explanation was

0:20:09.440 --> 0:20:13.760
<v Speaker 1>that he again posting as Nikki, had been taken kidnapped

0:20:13.800 --> 0:20:17.080
<v Speaker 1>essentially by a child sex trafficking ring, and that the

0:20:17.160 --> 0:20:20.359
<v Speaker 1>traffickers were the ones who altered his eye color, and

0:20:20.440 --> 0:20:23.720
<v Speaker 1>they did that before he managed to escape. But we

0:20:23.920 --> 0:20:27.280
<v Speaker 1>were uncovering all sorts of things about him, stated a

0:20:27.359 --> 0:20:30.440
<v Speaker 1>local private investigator who was working with a local TV

0:20:30.600 --> 0:20:33.560
<v Speaker 1>news crew. All that noise about eye color, and it

0:20:33.680 --> 0:20:38.200
<v Speaker 1>actually wasn't eye color that ended this impersonation. It was ears,

0:20:38.359 --> 0:20:42.840
<v Speaker 1>as Holly mentioned earlier, When the private investigator compared a

0:20:42.880 --> 0:20:46.000
<v Speaker 1>photo of Nikki with a photo of Frederick. He noted

0:20:46.200 --> 0:20:49.479
<v Speaker 1>that the ears of the teenager and the man claiming

0:20:49.520 --> 0:20:54.520
<v Speaker 1>to be that teenager didn't match. So, just in case

0:20:54.680 --> 0:20:58.200
<v Speaker 1>you think that the Barclay family was so completely blinded

0:20:58.320 --> 0:21:02.000
<v Speaker 1>by their possible joel at having their child back with them,

0:21:02.280 --> 0:21:04.760
<v Speaker 1>there were some red flags that they started to notice.

0:21:04.880 --> 0:21:09.680
<v Speaker 1>They were not just completely bought into the illusion. When

0:21:10.320 --> 0:21:14.479
<v Speaker 1>Nikki's mother, Beverly, drove the impostor Nikki by his old school,

0:21:15.600 --> 0:21:18.960
<v Speaker 1>she became convinced it was not her son. She later

0:21:19.040 --> 0:21:22.320
<v Speaker 1>told a private investigator quote, it's not him. He didn't

0:21:22.400 --> 0:21:26.040
<v Speaker 1>recognize the school he went by, and that was how

0:21:26.240 --> 0:21:29.840
<v Speaker 1>it all unraveled. The FBI was granted a court order

0:21:29.920 --> 0:21:32.919
<v Speaker 1>to take Frederick's fingerprints and a sample of his DNA.

0:21:33.600 --> 0:21:37.359
<v Speaker 1>They did not match Nicholas Barclay, but they were a

0:21:37.480 --> 0:21:42.080
<v Speaker 1>perfect match for Nicki's impostor. Frederick pleaded guilty to passport

0:21:42.119 --> 0:21:45.879
<v Speaker 1>fraud and perjury and his San Antonio Federal court. He

0:21:46.040 --> 0:21:48.640
<v Speaker 1>was sentenced to six years in prison, which was more

0:21:48.720 --> 0:21:52.000
<v Speaker 1>than twice as long as recommended by the sentencing guidelines,

0:21:52.400 --> 0:21:55.840
<v Speaker 1>and after his release, he was deported to France. A

0:21:55.920 --> 0:22:00.560
<v Speaker 1>French prosecutor called Frederick, we quote, an incredible illusionist whose

0:22:00.600 --> 0:22:04.720
<v Speaker 1>perversity is matched only by his intelligence. That prosecutor went

0:22:04.760 --> 0:22:06.960
<v Speaker 1>on to say, quote, in my twenty two years on

0:22:07.000 --> 0:22:10.320
<v Speaker 1>the job, I've never seen a case like it. Usually

0:22:10.520 --> 0:22:14.000
<v Speaker 1>people can for money. His profit seems to have been

0:22:14.119 --> 0:22:18.520
<v Speaker 1>purely emotional. And Frederick kind of backed this up with

0:22:18.640 --> 0:22:21.720
<v Speaker 1>his own statement because he always said, and we're quoting here,

0:22:22.280 --> 0:22:26.119
<v Speaker 1>I am a manipulator. My job is to manipulate. And

0:22:26.600 --> 0:22:30.600
<v Speaker 1>many of the accusations and cases against him, and this

0:22:30.760 --> 0:22:35.040
<v Speaker 1>is interesting, authorities were never sure of the best punishment

0:22:35.200 --> 0:22:39.320
<v Speaker 1>for his crimes. Psychiatrists would be brought in to evaluate him,

0:22:39.440 --> 0:22:43.480
<v Speaker 1>and he was always determined sane. When one doctor was

0:22:43.600 --> 0:22:47.040
<v Speaker 1>asked in court, is he a psychopath? He testified and

0:22:47.119 --> 0:22:52.200
<v Speaker 1>we quote absolutely not. On August eight, two thousand seven,

0:22:52.720 --> 0:22:56.440
<v Speaker 1>Frederic married a frenchwoman named Isabelle, and the couple reside

0:22:56.520 --> 0:22:59.440
<v Speaker 1>still in France. They have five children together, and after

0:22:59.520 --> 0:23:01.840
<v Speaker 1>the birth of his first child, Frederick was asked by

0:23:01.880 --> 0:23:04.240
<v Speaker 1>the press if he had become a new person now

0:23:04.320 --> 0:23:07.159
<v Speaker 1>that he was a father and a husband, and he replied, quote, no,

0:23:07.480 --> 0:23:10.440
<v Speaker 1>this is who I am. And since getting married and

0:23:10.520 --> 0:23:13.600
<v Speaker 1>having children, Frederic has said he would we quote never

0:23:13.760 --> 0:23:18.760
<v Speaker 1>impersonate anyone again. His only goal, as he had always claimed,

0:23:18.960 --> 0:23:22.680
<v Speaker 1>was to have a home where he quote could be love. Frederic,

0:23:23.200 --> 0:23:27.399
<v Speaker 1>what a hard life, right, hard childhood? Yeah, you have

0:23:27.520 --> 0:23:31.639
<v Speaker 1>to balance the normal. I think reaction of outrage at

0:23:31.680 --> 0:23:35.600
<v Speaker 1>the cruel nature of him pretending to be children that

0:23:35.760 --> 0:23:40.080
<v Speaker 1>people had genuinely lost against like this is obviously someone

0:23:40.200 --> 0:23:43.240
<v Speaker 1>hunting for something themselves that they did not feel like

0:23:43.359 --> 0:23:45.960
<v Speaker 1>they ever had, right, And he always, through all the

0:23:46.040 --> 0:23:49.840
<v Speaker 1>research that I saw, always maintained he just wanted a

0:23:49.920 --> 0:23:52.760
<v Speaker 1>home and he just wanted to be loved since he

0:23:52.880 --> 0:23:55.120
<v Speaker 1>was a kid. That was what he said, and as

0:23:55.160 --> 0:24:03.119
<v Speaker 1>we watch his story unfold, I completely believe him. So

0:24:03.240 --> 0:24:06.840
<v Speaker 1>with his story, said Holly, I hear the mock tail

0:24:06.880 --> 0:24:09.320
<v Speaker 1>this week has a baked good in it. It does.

0:24:09.400 --> 0:24:12.200
<v Speaker 1>And it was partially because I wanted to do something

0:24:12.240 --> 0:24:14.680
<v Speaker 1>that was a little bit more fun, because this is

0:24:14.720 --> 0:24:16.760
<v Speaker 1>a little bit of a heavier story in some ways,

0:24:17.520 --> 0:24:20.520
<v Speaker 1>and because we talked so much about, you know, him

0:24:20.600 --> 0:24:23.239
<v Speaker 1>wanting to be a kid, I thought I would come

0:24:23.320 --> 0:24:25.399
<v Speaker 1>up with something that has a that hearkens back a

0:24:25.440 --> 0:24:29.359
<v Speaker 1>little bit to childhood. But also I wanted to, you know,

0:24:29.840 --> 0:24:33.080
<v Speaker 1>think about his specific story, which of course made me

0:24:33.119 --> 0:24:37.119
<v Speaker 1>think of French things, which are delicious. Many French things are,

0:24:37.640 --> 0:24:40.440
<v Speaker 1>And so I came up. This is actually a milkshake

0:24:40.560 --> 0:24:44.679
<v Speaker 1>this week, and it's called like a Kid Again. It's

0:24:45.080 --> 0:24:47.760
<v Speaker 1>simple to make. There's one ingredient that can be a

0:24:47.800 --> 0:24:49.679
<v Speaker 1>pain in the neck, and I will tell you my saga.

0:24:49.960 --> 0:24:53.680
<v Speaker 1>So it's very very simple. Uh, you're gonna want to

0:24:53.680 --> 0:24:55.879
<v Speaker 1>blender for this one. So you're gonna put in that

0:24:56.000 --> 0:24:58.480
<v Speaker 1>blender two thirds of a cup of vanilla ice cream,

0:24:58.600 --> 0:25:01.119
<v Speaker 1>just a plain one, a score of caramel syrup, a

0:25:01.240 --> 0:25:03.600
<v Speaker 1>pinch of sea salt, and then I use a quarter

0:25:03.680 --> 0:25:06.080
<v Speaker 1>cup of milk, and I used oat milk, And you

0:25:06.320 --> 0:25:08.439
<v Speaker 1>add about half of it and start blending. And when

0:25:08.480 --> 0:25:10.240
<v Speaker 1>it gets to the consistency you like, like, you just

0:25:10.320 --> 0:25:12.240
<v Speaker 1>keep adding a little bit of time until you get there.

0:25:12.400 --> 0:25:15.639
<v Speaker 1>I like mine, in this instance a little thinner than

0:25:15.680 --> 0:25:17.800
<v Speaker 1>I normally would want a milkshake because I want to

0:25:17.800 --> 0:25:20.359
<v Speaker 1>sip it through a straw, and because you're about to

0:25:20.440 --> 0:25:24.760
<v Speaker 1>add something that's going to thicken it up anyway. So

0:25:24.920 --> 0:25:28.240
<v Speaker 1>once you have that to a consistency you like, you're

0:25:28.280 --> 0:25:34.480
<v Speaker 1>gonna throw in two salted caramel macaron. Now you didn't

0:25:34.560 --> 0:25:38.800
<v Speaker 1>mention the flavor. Oh yeah, you're gonna do these at

0:25:38.880 --> 0:25:42.480
<v Speaker 1>the end, m because you only want to put them

0:25:42.520 --> 0:25:44.679
<v Speaker 1>in the blender for just a brief period of time.

0:25:44.720 --> 0:25:46.280
<v Speaker 1>You just want to break them up into little bits,

0:25:46.359 --> 0:25:49.639
<v Speaker 1>but not pulverize them, so that as you're you're having

0:25:49.720 --> 0:25:53.119
<v Speaker 1>your milkshake, you're getting some yummy crunchy on the outside,

0:25:53.200 --> 0:25:55.440
<v Speaker 1>chewy on the inside bits of macaron and some of

0:25:55.480 --> 0:25:58.439
<v Speaker 1>that yummy filling which uh, you know was a caramel

0:25:58.480 --> 0:26:00.800
<v Speaker 1>butter cream in my case, with a little bit of

0:26:01.240 --> 0:26:07.040
<v Speaker 1>sea salt in it. Oh my god, stop, it's so delicious.

0:26:07.280 --> 0:26:10.119
<v Speaker 1>And then you're gonna garnish this with a drizzle of

0:26:10.200 --> 0:26:12.800
<v Speaker 1>caramel if you want, and I actually recommend just a

0:26:12.880 --> 0:26:17.080
<v Speaker 1>little sprinkling of flaked sea salt on top, which just

0:26:17.160 --> 0:26:18.760
<v Speaker 1>makes it super yummy. And if you want to go

0:26:18.920 --> 0:26:22.200
<v Speaker 1>really hog wild, you can also garnish it, you know,

0:26:22.320 --> 0:26:24.200
<v Speaker 1>with a third maca at all. But that's a lot

0:26:24.280 --> 0:26:27.440
<v Speaker 1>of it's a lot of bakery and ice cream time

0:26:27.480 --> 0:26:30.840
<v Speaker 1>at that point. I mean, this is a smallish milkshake

0:26:30.920 --> 0:26:33.240
<v Speaker 1>and it still was very very filling. So does it

0:26:33.320 --> 0:26:36.480
<v Speaker 1>stay crunchy in the in the milkshake. Um no, I

0:26:36.520 --> 0:26:40.160
<v Speaker 1>mean it also depends on how how quick you consume

0:26:40.200 --> 0:26:45.200
<v Speaker 1>it immediately. It doesn't stay super crunchy for me, and

0:26:45.320 --> 0:26:48.560
<v Speaker 1>I found um, particularly once I added alcohol to it,

0:26:48.800 --> 0:26:51.040
<v Speaker 1>the macat on stuff tended to float on the top

0:26:51.119 --> 0:26:54.200
<v Speaker 1>of it and it got quite soft. But it was delicious, delicious. Yeah,

0:26:54.640 --> 0:26:56.920
<v Speaker 1>if you want to make this an adult drink, and

0:26:57.000 --> 0:27:00.080
<v Speaker 1>if you do consume alcohol, I recommend try and this

0:27:00.359 --> 0:27:04.240
<v Speaker 1>because wow, was it delicious. I just I just put

0:27:04.320 --> 0:27:06.440
<v Speaker 1>in an ounce of conak and let me tell you,

0:27:07.359 --> 0:27:10.359
<v Speaker 1>did it take it to a new level? It did

0:27:10.720 --> 0:27:13.879
<v Speaker 1>well because something interesting happened. I hadn't really thought about

0:27:14.160 --> 0:27:17.600
<v Speaker 1>it interplaying in this way, but it's like the konak

0:27:18.600 --> 0:27:23.520
<v Speaker 1>really heightened that juxtaposition between the sweetness and the salt

0:27:23.600 --> 0:27:26.720
<v Speaker 1>in it, and it was just like I felt like

0:27:26.800 --> 0:27:29.000
<v Speaker 1>Remi and Ratatui because I was like, look at how

0:27:29.080 --> 0:27:32.440
<v Speaker 1>the flavors interact. I was very excited and actually I

0:27:32.480 --> 0:27:34.840
<v Speaker 1>can see this happening in your kitchen, Sime, like running

0:27:34.880 --> 0:27:37.960
<v Speaker 1>around excitedly and thinking like, gosh, I should eat some

0:27:38.040 --> 0:27:41.720
<v Speaker 1>protein to counteract all the sugar. Think you're like like

0:27:41.840 --> 0:27:45.240
<v Speaker 1>in an hour and then you never get to it. Yes, yeah,

0:27:45.280 --> 0:27:47.840
<v Speaker 1>but it was super duper yummy. Here's what I will

0:27:47.920 --> 0:27:51.600
<v Speaker 1>tell you is that think ahead, maybe call ahead before

0:27:51.680 --> 0:27:54.040
<v Speaker 1>you go looking for your salted caramel mac at all,

0:27:54.800 --> 0:27:57.960
<v Speaker 1>because maybe your bakery doesn't have them that day. I

0:27:58.000 --> 0:28:01.879
<v Speaker 1>wouldn't know this from experience. I may have had to

0:28:02.040 --> 0:28:06.160
<v Speaker 1>throw together some macadon very quickly and in a great

0:28:06.240 --> 0:28:10.000
<v Speaker 1>bit of irony. Macanon, as you know, very complex to

0:28:10.080 --> 0:28:13.240
<v Speaker 1>make a lot of steps. They're not hard, but they're tricky,

0:28:13.960 --> 0:28:16.159
<v Speaker 1>and there's just a lot of doing and sifting and

0:28:16.359 --> 0:28:19.800
<v Speaker 1>careful measuring. And this was my sloppiest batch ever and

0:28:19.880 --> 0:28:22.480
<v Speaker 1>they came out more beautiful than any other macadon I

0:28:22.560 --> 0:28:26.200
<v Speaker 1>have ever made in my life. So now you know

0:28:26.240 --> 0:28:28.639
<v Speaker 1>how to make them in the future, which is to

0:28:28.680 --> 0:28:32.920
<v Speaker 1>pay no attention and only, like you know, halfheartedly think

0:28:32.960 --> 0:28:37.920
<v Speaker 1>about measurements and apparently the magic will happen. Um Here,

0:28:37.960 --> 0:28:41.040
<v Speaker 1>I've been slaving over really trying to be very careful

0:28:41.080 --> 0:28:44.120
<v Speaker 1>all the time. I will say if you if you

0:28:44.240 --> 0:28:47.480
<v Speaker 1>want to try your hand at maccadon, they are sort

0:28:47.520 --> 0:28:50.080
<v Speaker 1>of notoriously finicky, and you'll often see people be like

0:28:50.280 --> 0:28:52.840
<v Speaker 1>I tried and failed, and it's very depressing because you

0:28:52.880 --> 0:28:56.200
<v Speaker 1>put in so much work. Usually even if they're hideous,

0:28:56.200 --> 0:29:00.360
<v Speaker 1>they're delicious. But the best recipe I have found ever,

0:29:00.760 --> 0:29:03.640
<v Speaker 1>the one that almost always turns out really really nicely

0:29:03.720 --> 0:29:05.760
<v Speaker 1>for me, even if it's not perfect, is the one

0:29:05.920 --> 0:29:09.320
<v Speaker 1>from Binging with Babbish. That is the best mac recipe.

0:29:09.840 --> 0:29:14.760
<v Speaker 1>So look that one up. That was one that came

0:29:14.800 --> 0:29:18.400
<v Speaker 1>out in December of because he was doing it because

0:29:18.480 --> 0:29:21.440
<v Speaker 1>Macana has showed up on the Mandalorian. But it is

0:29:21.440 --> 0:29:26.480
<v Speaker 1>absolutely my most successful repeated Macana recipe. That's great, Thanks

0:29:26.480 --> 0:29:28.600
<v Speaker 1>for sharing that. Try that if you want to try

0:29:28.640 --> 0:29:30.680
<v Speaker 1>baking them, and just know they may not come out

0:29:30.760 --> 0:29:35.560
<v Speaker 1>and that's okay. They'll probably still be delicious. And if

0:29:35.720 --> 0:29:37.720
<v Speaker 1>if you're doing it for this you're gonna throw them

0:29:37.720 --> 0:29:40.400
<v Speaker 1>with the blunder anyway, it's fine, exactly. You're just crushing

0:29:40.480 --> 0:29:44.560
<v Speaker 1>him up. They're doomed to be broken apart in any case.

0:29:44.640 --> 0:29:47.480
<v Speaker 1>So if they don't, if they're little ps the feet

0:29:47.640 --> 0:29:50.360
<v Speaker 1>on the bottom don't pop up properly, or if they

0:29:50.600 --> 0:29:54.160
<v Speaker 1>you know, aren't quite right in the dome shape, or

0:29:54.240 --> 0:29:56.800
<v Speaker 1>if they stick to the the mat a little bit.

0:29:56.840 --> 0:29:58.440
<v Speaker 1>When they come up, they're supposed to come up clean.

0:29:58.520 --> 0:30:00.760
<v Speaker 1>But sometimes you leave behind like a little chunk of

0:30:00.800 --> 0:30:03.320
<v Speaker 1>cookie and that's not great. But again, it's going in

0:30:03.400 --> 0:30:06.080
<v Speaker 1>the blender. It's fine. Tell everybody they looked perfect when

0:30:06.200 --> 0:30:12.360
<v Speaker 1>before you did. That's fine. That is my baking experience

0:30:12.400 --> 0:30:14.360
<v Speaker 1>in play. Little did you know this is going to

0:30:14.440 --> 0:30:17.160
<v Speaker 1>be a long baking segment. Uh, but thank you. I

0:30:17.240 --> 0:30:20.160
<v Speaker 1>hope if anybody tries this one tagged me on Twitter

0:30:20.240 --> 0:30:23.480
<v Speaker 1>because I want to see here your maccao and your

0:30:23.720 --> 0:30:27.360
<v Speaker 1>your milkshakes. Yes, please tag us. I hope that you

0:30:27.480 --> 0:30:29.640
<v Speaker 1>absolutely love it, and I hope that you have enjoyed

0:30:29.720 --> 0:30:31.880
<v Speaker 1>spending this time with us this week, despite this being

0:30:31.880 --> 0:30:33.880
<v Speaker 1>a little bit of a downer in some ways, which

0:30:33.960 --> 0:30:36.240
<v Speaker 1>I hope our sweet treat at the end helped mitigate

0:30:36.440 --> 0:30:38.640
<v Speaker 1>just a little bit. But we will be back here

0:30:38.680 --> 0:30:43.760
<v Speaker 1>again next week with another impostor and another hopefully delicious libation.

0:30:49.160 --> 0:30:52.280
<v Speaker 1>Criminalia is a production of Shonda land Audio in partnership

0:30:52.360 --> 0:30:55.880
<v Speaker 1>with I Heart Radio. For more podcasts from Shonda land Audio,

0:30:56.240 --> 0:30:59.280
<v Speaker 1>please visit the I Heart Radio app, Apple Podcasts, or

0:30:59.320 --> 0:31:01.160
<v Speaker 1>wherever you send to your favorite shows.