WEBVTT - 130: The Twelve Foot Tall Big Skeleton From Home Depot & Sad13

0:00:00.160 --> 0:00:04.480
<v Speaker 1>It's twelve eleven am in torn Neo, Texas and you're

0:00:04.519 --> 0:00:16.520
<v Speaker 1>listening to Night Call. Hello and welcome Tonight Call, a

0:00:16.640 --> 0:00:19.800
<v Speaker 1>call in show for artist Tope in Reality. My name

0:00:19.880 --> 0:00:22.599
<v Speaker 1>is Emily Oshda. I'm in Los Angeles and with me

0:00:22.640 --> 0:00:26.319
<v Speaker 1>on the other line are Molly Lambert and Test Lynch.

0:00:26.560 --> 0:00:28.400
<v Speaker 1>And later on in the show, we're going to be

0:00:28.480 --> 0:00:31.440
<v Speaker 1>joined by our special guest, Sadie Dupu a k a.

0:00:31.560 --> 0:00:34.080
<v Speaker 1>Sad thirteen. She's here to talk about her new album,

0:00:34.120 --> 0:00:37.960
<v Speaker 1>Haunted Painting, also just ghosts in general, Haunted Studios, a

0:00:38.000 --> 0:00:40.320
<v Speaker 1>bunch of fun stuff, so stay tuned for that. But

0:00:41.080 --> 0:00:44.920
<v Speaker 1>right now, we're bringing back our new segment, Pyramid Pals.

0:00:45.200 --> 0:00:48.159
<v Speaker 1>We introduced it last week and it's definitely going to

0:00:48.240 --> 0:00:50.199
<v Speaker 1>be with us every single week from now on. You

0:00:50.280 --> 0:00:52.720
<v Speaker 1>can depend on a Pyramid Palace segment every week, just

0:00:52.760 --> 0:00:55.240
<v Speaker 1>like Cradam Corner. But we got a bunch of calls

0:00:55.240 --> 0:00:57.040
<v Speaker 1>after we talked about the Ames Monument and the Luxe

0:00:57.040 --> 0:01:01.400
<v Speaker 1>Tour last week, So let's take a Pyramid Call. Let's

0:01:01.400 --> 0:01:05.640
<v Speaker 1>take that Pyramid Call. High Night Call. I'm the first

0:01:05.640 --> 0:01:10.720
<v Speaker 1>time caller from Minneapolis. I'm an architectural historian, and what's

0:01:10.760 --> 0:01:15.080
<v Speaker 1>heard you talking about the Aims Pyramid designed by Henry

0:01:15.160 --> 0:01:18.800
<v Speaker 1>Hobson Richardson. UM, just want to call in a little

0:01:18.800 --> 0:01:22.680
<v Speaker 1>bit more information about Richardson because he's very important and

0:01:22.840 --> 0:01:26.720
<v Speaker 1>very weird. He has a style, an architectural style named

0:01:26.760 --> 0:01:31.880
<v Speaker 1>after him, which is called richardson Ian Romanesque UM. It's

0:01:31.920 --> 0:01:35.000
<v Speaker 1>growing off of the Romanesque style UM, but with his

0:01:35.040 --> 0:01:38.919
<v Speaker 1>own personal twists on it. And it's very medieval looking.

0:01:39.040 --> 0:01:44.840
<v Speaker 1>It's very heavy. It's known for having rusticated stone work UM,

0:01:44.920 --> 0:01:47.520
<v Speaker 1>which is like what you see at the Aims Monument.

0:01:48.320 --> 0:01:52.480
<v Speaker 1>And Richardson is considered part of the Holy Trinity of

0:01:52.800 --> 0:01:56.880
<v Speaker 1>American architecture. If you're into that kind of deifying architects

0:01:56.920 --> 0:02:00.000
<v Speaker 1>as geniuses, he's right up there with movie cull of them,

0:02:00.040 --> 0:02:03.720
<v Speaker 1>and frankly right both of him were influenced by his work.

0:02:04.240 --> 0:02:08.840
<v Speaker 1>Richardson was also kind of a weirdo. He later on

0:02:08.919 --> 0:02:13.280
<v Speaker 1>in his life, when he retired to Massachusetts to work

0:02:13.400 --> 0:02:16.680
<v Speaker 1>from home in his home studio, he would apparently whatever

0:02:16.760 --> 0:02:19.560
<v Speaker 1>clients would go to visit him, he would ring a gong,

0:02:20.120 --> 0:02:22.680
<v Speaker 1>or rather have his assistants ring a gong, and then

0:02:22.720 --> 0:02:25.720
<v Speaker 1>he would walk out to greet the clients. Wearing a

0:02:25.880 --> 0:02:29.800
<v Speaker 1>monk upfit like full ropes. Um. He's not a monk,

0:02:30.160 --> 0:02:34.320
<v Speaker 1>but he wanted to reinforce the sort of medieval nous

0:02:34.400 --> 0:02:37.200
<v Speaker 1>of his design and so some of his must Filam's

0:02:37.240 --> 0:02:42.560
<v Speaker 1>works are the Trinity Church in Boston, Massachusetts and the

0:02:42.600 --> 0:02:46.519
<v Speaker 1>New York State Asylum in Buffalo, New York are both

0:02:46.600 --> 0:02:49.919
<v Speaker 1>really good examples of his work. But it's very influential

0:02:50.080 --> 0:02:55.120
<v Speaker 1>and like the Minneapolis downtown has um several Richard's bunny

0:02:55.160 --> 0:02:58.160
<v Speaker 1>in Romanesque buildings. Um. So he suedually give him the

0:02:58.160 --> 0:03:01.160
<v Speaker 1>Google and see his monk outfit because it's very conneming.

0:03:01.639 --> 0:03:05.280
<v Speaker 1>The payments sounds cool. Can't wait to visit. Thanks. I

0:03:05.280 --> 0:03:10.160
<v Speaker 1>actually love Richardsonian Romanesque architecture. There's like a lot of it,

0:03:10.440 --> 0:03:13.320
<v Speaker 1>I feel, like in Brooklyn or like, you know, if

0:03:13.360 --> 0:03:15.200
<v Speaker 1>it's not designed by him, it's at least kind of

0:03:15.320 --> 0:03:17.960
<v Speaker 1>influenced by him. It's that kind of like any kind

0:03:18.000 --> 0:03:22.640
<v Speaker 1>of brick building that has a turret in it. Yeah. Yeah,

0:03:22.960 --> 0:03:27.200
<v Speaker 1>Like it's like the kind of Victorian cake house type thing,

0:03:27.240 --> 0:03:32.480
<v Speaker 1>except all like red brick looks fantastic. Um. I think

0:03:32.560 --> 0:03:35.160
<v Speaker 1>like the Tenet Bombs House and reyal Tenet Bombs I

0:03:35.160 --> 0:03:37.840
<v Speaker 1>feel like it's sort of in this vein. Oh, totally

0:03:38.200 --> 0:03:41.240
<v Speaker 1>that kind of thing. I like the they say that

0:03:41.280 --> 0:03:47.280
<v Speaker 1>they have the cylindrical towers with the conical caps, little

0:03:47.280 --> 0:03:50.680
<v Speaker 1>witch hats on top of your buildings. Yes, please more that.

0:03:51.360 --> 0:03:53.080
<v Speaker 1>I did not know he was such a weirdo though.

0:03:53.080 --> 0:03:57.160
<v Speaker 1>Why are so many Arctic architects weirdos? They're like directors

0:03:57.160 --> 0:04:02.480
<v Speaker 1>because they have crazy visions in their that mostly don't

0:04:02.480 --> 0:04:07.440
<v Speaker 1>ever get made, and they're obsessive control freaks and artists.

0:04:07.960 --> 0:04:10.640
<v Speaker 1>Architects are actually the most interesting people to me. I

0:04:10.680 --> 0:04:12.800
<v Speaker 1>know a lot of them for some reason. I have

0:04:12.800 --> 0:04:14.920
<v Speaker 1>a bunch of friends that are architects. Because you have

0:04:15.040 --> 0:04:18.800
<v Speaker 1>to be a math person, an engineering person, and a

0:04:18.920 --> 0:04:23.480
<v Speaker 1>creative person. Yeah. Yeah, that's the part that I never could.

0:04:23.520 --> 0:04:26.400
<v Speaker 1>You know. I'm like, I could draw a building, but

0:04:26.520 --> 0:04:30.040
<v Speaker 1>could I make it stand up? No? Right, yeah, think

0:04:30.080 --> 0:04:35.640
<v Speaker 1>about loads bearing and whatnot. Also very high stakes, extremely

0:04:35.720 --> 0:04:38.760
<v Speaker 1>high stakes in terms of art. It's like, that's art

0:04:38.880 --> 0:04:45.000
<v Speaker 1>that can kill people. All art can kill people too. Okay,

0:04:45.080 --> 0:04:49.440
<v Speaker 1>that's true, that's fair. This could kill a lot of

0:04:49.480 --> 0:04:52.479
<v Speaker 1>people all at once, so by accident. But yeah, I

0:04:52.480 --> 0:04:54.920
<v Speaker 1>mean these the the holy Trinity that the scholar is

0:04:54.960 --> 0:05:00.080
<v Speaker 1>talking about are amazing stone cold weirdos all total to

0:05:00.160 --> 0:05:03.440
<v Speaker 1>stone cold wirdos, but also yeah, they're remarkable for having

0:05:03.480 --> 0:05:06.560
<v Speaker 1>all built so much stuff. Yeah, and for so much

0:05:06.600 --> 0:05:09.479
<v Speaker 1>of its being standing. Yeah, and and and builds a

0:05:09.480 --> 0:05:11.280
<v Speaker 1>lot of stuff and then had so much stuff. That's

0:05:11.279 --> 0:05:12.800
<v Speaker 1>sort of a being in the style. I feel like

0:05:12.839 --> 0:05:16.400
<v Speaker 1>we get a lot, you know, we're It's funny because like, yeah,

0:05:16.520 --> 0:05:19.280
<v Speaker 1>he seems like most of his works on the East coast,

0:05:19.279 --> 0:05:22.200
<v Speaker 1>but then also a ton in the Upper Midwest. Sort

0:05:22.200 --> 0:05:25.800
<v Speaker 1>of similar with Frank Lloyd, right, uh like very like

0:05:25.880 --> 0:05:30.200
<v Speaker 1>I don't know, the Midwest seems like like upper Midwest, Illinois, Wisconsin, etcetera.

0:05:30.320 --> 0:05:34.640
<v Speaker 1>Feels like a good architecture zone. Um. But yeah, we

0:05:34.720 --> 0:05:39.200
<v Speaker 1>also got another pyramid email. This one was from Corey,

0:05:39.400 --> 0:05:42.960
<v Speaker 1>who wrote to us about a different pyramid, a much

0:05:43.000 --> 0:05:46.920
<v Speaker 1>more recent pyramid. Uh. They write, high night call, it's

0:05:46.920 --> 0:05:49.760
<v Speaker 1>my unfortunate duty to inform you about a recent American

0:05:49.800 --> 0:05:54.359
<v Speaker 1>pyramid demolition. The astro Zenica Pyramid and Westboro, Massachusetts, was

0:05:54.400 --> 0:05:56.920
<v Speaker 1>torn down this January. It was built in the late

0:05:56.920 --> 0:05:59.200
<v Speaker 1>two thousands and was always an important landmark to my

0:05:59.240 --> 0:06:01.520
<v Speaker 1>friends and I when we were teenagers. Delivering pizzas and

0:06:01.560 --> 0:06:04.440
<v Speaker 1>generally cruising around the suburbs late at night. It was

0:06:04.440 --> 0:06:07.159
<v Speaker 1>a tall, four sided pyramid made of blue mirrored class

0:06:07.200 --> 0:06:10.280
<v Speaker 1>that had a distinctly evil presence, which made sense seen

0:06:10.320 --> 0:06:12.760
<v Speaker 1>as it served as the American headquarters for a big farm,

0:06:12.800 --> 0:06:15.359
<v Speaker 1>a giant. The building was raised to make way for

0:06:15.400 --> 0:06:18.440
<v Speaker 1>a new forty million Amazon Robotics lab, which doesn't even

0:06:18.440 --> 0:06:20.720
<v Speaker 1>make sense because wouldn't you just keep the evil pyramid

0:06:20.720 --> 0:06:23.719
<v Speaker 1>if you were building an Amazon robotics lab. I'm attaching

0:06:23.720 --> 0:06:25.480
<v Speaker 1>some pictures to give you an idea of how truly

0:06:25.480 --> 0:06:27.919
<v Speaker 1>bizarre this office building pyramid in the middle of the

0:06:27.960 --> 0:06:31.599
<v Speaker 1>New England suburbs was um and they also sent a video.

0:06:32.880 --> 0:06:36.240
<v Speaker 1>But this is wild. Do you guys know about this?

0:06:36.800 --> 0:06:42.640
<v Speaker 1>I had in Westboro? Uh, it's I mean, it looks

0:06:42.680 --> 0:06:45.240
<v Speaker 1>like the like it looks like the Louver Pyramid. I

0:06:45.320 --> 0:06:47.279
<v Speaker 1>can't really get a sense of how big it is

0:06:47.640 --> 0:06:51.599
<v Speaker 1>from these photos in this article, which is in the

0:06:51.720 --> 0:06:55.280
<v Speaker 1>uh Metro west Daily News. I had to answer a

0:06:55.360 --> 0:06:57.839
<v Speaker 1>survey to read this article because that's the state of

0:06:58.320 --> 0:07:01.479
<v Speaker 1>local news, I guess right now. But yeah, they're like, like,

0:07:01.760 --> 0:07:04.039
<v Speaker 1>you know, you can see them in the photos, like

0:07:04.120 --> 0:07:06.560
<v Speaker 1>ripping it to shreds. For the picture of the pyramid

0:07:06.640 --> 0:07:11.840
<v Speaker 1>being shredded is pretty crazy. It's also weird to me

0:07:12.440 --> 0:07:15.120
<v Speaker 1>that it looks like it's built of either It's like

0:07:15.200 --> 0:07:17.840
<v Speaker 1>mirrored glass, is what it looks like. I just can't

0:07:17.880 --> 0:07:20.880
<v Speaker 1>imagine how blinding that thing must have been with the

0:07:20.960 --> 0:07:24.720
<v Speaker 1>sun bouncing off of it. Uh, but what a strange

0:07:24.800 --> 0:07:27.200
<v Speaker 1>thing to have in the middle of Massachusetts. And also

0:07:27.320 --> 0:07:31.040
<v Speaker 1>it is very what an odd decision to tear down

0:07:31.720 --> 0:07:34.240
<v Speaker 1>this strange, evil building. I mean it see it looks

0:07:34.240 --> 0:07:38.239
<v Speaker 1>exactly on brand for Amazon. It's like, you know, well,

0:07:38.320 --> 0:07:42.160
<v Speaker 1>I think maybe on brand, you know, in terms of

0:07:42.200 --> 0:07:45.600
<v Speaker 1>reality and what Amazon actually represents. But you know, am

0:07:45.640 --> 0:07:47.760
<v Speaker 1>soon is like really trying to rehab their image right

0:07:47.800 --> 0:07:49.640
<v Speaker 1>now in a very stupid way. Like they're running all

0:07:49.680 --> 0:07:51.560
<v Speaker 1>these ads out how they're trying to like green their

0:07:51.600 --> 0:07:54.080
<v Speaker 1>business or whatever, and how like Amazon is actually the

0:07:54.080 --> 0:07:57.400
<v Speaker 1>most virtuous company on earth or whatever, and like everybody

0:07:57.400 --> 0:07:59.520
<v Speaker 1>there cares about their children's future. I'm sure that many

0:07:59.560 --> 0:08:01.880
<v Speaker 1>people at amazon't care about their children's future, but come on,

0:08:02.280 --> 0:08:08.040
<v Speaker 1>uh yeah, so I think like this makes sense to us,

0:08:08.200 --> 0:08:10.520
<v Speaker 1>is like, yes, Amazon should live in the evil Pyramid.

0:08:10.680 --> 0:08:13.080
<v Speaker 1>It's what they deserve. But Amazon is like, no, we

0:08:13.080 --> 0:08:16.800
<v Speaker 1>should live in a heka a little cottage, like we

0:08:16.800 --> 0:08:20.320
<v Speaker 1>should be the cutie. It's still com Valley Giant pyramids

0:08:20.520 --> 0:08:24.119
<v Speaker 1>aren't evil though, they're just but this one looks evil.

0:08:24.400 --> 0:08:27.360
<v Speaker 1>This one does look evil. That's also because it's partially gutted,

0:08:27.480 --> 0:08:30.200
<v Speaker 1>so it's guts are spilling out and it actually the

0:08:30.240 --> 0:08:33.360
<v Speaker 1>way that it you know, in this one picture, it

0:08:33.400 --> 0:08:36.160
<v Speaker 1>looks like shredded paper is kind of coming out of

0:08:36.200 --> 0:08:39.400
<v Speaker 1>it because of the supports and like joys and stuff.

0:08:39.880 --> 0:08:42.680
<v Speaker 1>Uh and it looks like it's kind of being torn

0:08:42.760 --> 0:08:47.360
<v Speaker 1>to ribbons. But it also I mean, it's weird because

0:08:47.400 --> 0:08:49.720
<v Speaker 1>in l A you get so used to having such

0:08:49.720 --> 0:08:52.560
<v Speaker 1>a mix of architecture and there are just really no

0:08:52.800 --> 0:08:55.080
<v Speaker 1>rules kind of seemed to apply unless you're in a

0:08:55.120 --> 0:08:59.960
<v Speaker 1>historic preservation overlay. Uh so, but Massachusetts, you just it's

0:09:00.120 --> 0:09:03.079
<v Speaker 1>rare to see a mirrored pyramid in the middle of

0:09:03.160 --> 0:09:06.160
<v Speaker 1>the place, so should have kept the pyramid. People must

0:09:06.160 --> 0:09:08.920
<v Speaker 1>have been pissed about the mirrored pyramid. I would imagine,

0:09:09.200 --> 0:09:12.120
<v Speaker 1>Oh yeah when when that first went up. Well, it's

0:09:12.120 --> 0:09:15.440
<v Speaker 1>also so new. It was built in the two thousand's,

0:09:15.920 --> 0:09:18.920
<v Speaker 1>Like you built a pyramid, and it has a lifespan

0:09:19.040 --> 0:09:21.400
<v Speaker 1>of like fifth that's going to be the shortest lifespan

0:09:21.520 --> 0:09:28.520
<v Speaker 1>of any pyramid ever ever constructed pyramid, the least acient

0:09:28.600 --> 0:09:32.880
<v Speaker 1>pyramid because it's like post lux Or but got raised

0:09:32.920 --> 0:09:38.400
<v Speaker 1>before lux Or. Um. Yeah, we love getting calls and

0:09:38.559 --> 0:09:44.600
<v Speaker 1>emails about pyramids and architectural styles. Super interesting. Yeah, keep

0:09:44.640 --> 0:09:48.840
<v Speaker 1>them coming. More more mids. On the subject of aesthetics,

0:09:49.679 --> 0:09:57.080
<v Speaker 1>I wanted to talk about October's sweetie, the twelve foot

0:09:57.160 --> 0:10:00.800
<v Speaker 1>skeleton from Home Depot. Go on, have you guys seen him?

0:10:00.920 --> 0:10:02.960
<v Speaker 1>Have you seen it? You know? I even went to

0:10:03.000 --> 0:10:05.679
<v Speaker 1>Home Depot recently. I don't know what. They're sold out.

0:10:06.000 --> 0:10:08.800
<v Speaker 1>They're sold out everywhere. You have to look at the pictures.

0:10:09.520 --> 0:10:12.640
<v Speaker 1>My friend went to get one, they were all gone

0:10:12.679 --> 0:10:15.200
<v Speaker 1>and they were already putting out Christmas stuff. So this

0:10:15.320 --> 0:10:19.400
<v Speaker 1>also was written about in mel magazine. Miles Clee wrote

0:10:19.440 --> 0:10:23.240
<v Speaker 1>a piece called There's something about Home Depots twelve foot skeleton,

0:10:23.320 --> 0:10:29.880
<v Speaker 1>and there certainly is. They have animated I kind of glow. Um.

0:10:30.400 --> 0:10:34.439
<v Speaker 1>They twelve feet is quite tall when you really think

0:10:34.520 --> 0:10:40.559
<v Speaker 1>about it's strange height to pick It's not strange height. Yeah,

0:10:40.679 --> 0:10:43.800
<v Speaker 1>it's like I recently had this weird double take moment

0:10:43.800 --> 0:10:45.560
<v Speaker 1>where I saw in my rear view mirror or maybe

0:10:45.559 --> 0:10:47.760
<v Speaker 1>it was like on a truck that there was like

0:10:47.800 --> 0:10:50.320
<v Speaker 1>a photo on the truck, like it was a a

0:10:50.400 --> 0:10:52.679
<v Speaker 1>Ralph's truck or whatever. I had a lady on it, like,

0:10:52.720 --> 0:10:54.520
<v Speaker 1>you know, smiling, you know, like I don't know a

0:10:54.600 --> 0:10:57.760
<v Speaker 1>Ralph's employer or whatever. But it was just big enough

0:10:57.840 --> 0:11:00.680
<v Speaker 1>that I was like, that's a huge it over there,

0:11:01.080 --> 0:11:04.720
<v Speaker 1>and then I realized that it was just a painting.

0:11:04.880 --> 0:11:07.720
<v Speaker 1>But like when you're in that weird on candy zone

0:11:07.960 --> 0:11:10.760
<v Speaker 1>between where it's like truly just a giant thing, like

0:11:10.800 --> 0:11:14.120
<v Speaker 1>a big blow up inflatable skeleton or something. Also, we're

0:11:14.160 --> 0:11:18.440
<v Speaker 1>also like unfamiliar with the world again now that everything

0:11:18.559 --> 0:11:20.959
<v Speaker 1>feels a little bit like that. I hadn't experienced a

0:11:21.000 --> 0:11:23.480
<v Speaker 1>couple of days ago where I thought a squirrel running

0:11:23.520 --> 0:11:26.400
<v Speaker 1>towards me was a cat, and then when it got closed,

0:11:26.440 --> 0:11:30.280
<v Speaker 1>I was like, it's a very small cat. Oh no,

0:11:30.360 --> 0:11:35.839
<v Speaker 1>it's a squirrel. But just like I feel like, yeah,

0:11:35.880 --> 0:11:39.360
<v Speaker 1>my sense of size is all out of whack, and

0:11:39.400 --> 0:11:44.000
<v Speaker 1>so the twelve foot skeleton it just feels to me

0:11:44.720 --> 0:11:50.520
<v Speaker 1>completely right for our moment culturally, Yeah, what is it?

0:11:50.679 --> 0:11:52.960
<v Speaker 1>What is it about this that speaks to our moment.

0:11:53.080 --> 0:11:55.920
<v Speaker 1>Here's what I think. Here's what I as a as

0:11:55.920 --> 0:11:59.080
<v Speaker 1>a connoisseur of Halloween decorations. I just like when people

0:11:59.160 --> 0:12:03.680
<v Speaker 1>like put dumb it on their lawns. It's really that

0:12:03.880 --> 0:12:07.080
<v Speaker 1>for me. I like that people decorate their houses in

0:12:07.120 --> 0:12:10.720
<v Speaker 1>a way that is tacky. You know. I love similist

0:12:10.760 --> 0:12:14.559
<v Speaker 1>Halloween houses, yeah, exactly. And I love what people do

0:12:14.679 --> 0:12:17.679
<v Speaker 1>with like not that much stuff. You know. I'm not

0:12:17.720 --> 0:12:21.480
<v Speaker 1>that into the like expensive haunts or they're like fancy,

0:12:21.679 --> 0:12:24.480
<v Speaker 1>you know, things like that that people. You know, theme

0:12:24.520 --> 0:12:26.760
<v Speaker 1>park haunts are fine. But what I like is like

0:12:26.880 --> 0:12:32.280
<v Speaker 1>a Jankee yard display. So there's been a lot of

0:12:32.480 --> 0:12:35.400
<v Speaker 1>things in the yard display arena. There's been just like

0:12:35.440 --> 0:12:37.520
<v Speaker 1>more and more innovations. There was this period where they

0:12:37.520 --> 0:12:39.920
<v Speaker 1>were just like pumping out more and more Halloween things

0:12:40.280 --> 0:12:43.480
<v Speaker 1>that were like the inflatable giant black cats all of

0:12:43.480 --> 0:12:47.360
<v Speaker 1>a sudden, and then those things that let you project

0:12:47.640 --> 0:12:51.240
<v Speaker 1>on the house. There's just like an arms race for

0:12:51.280 --> 0:12:54.319
<v Speaker 1>Halloween stuff, and there was more and more of it,

0:12:54.400 --> 0:12:58.040
<v Speaker 1>and then it hit this like cliff in the past

0:12:58.080 --> 0:13:03.680
<v Speaker 1>couple of years, because everything's fucking depressing and scary and

0:13:03.960 --> 0:13:06.480
<v Speaker 1>maybe people don't want to spend people maybe hop less

0:13:06.520 --> 0:13:10.720
<v Speaker 1>money also to spend on Halloween garbage. So I felt

0:13:10.720 --> 0:13:12.920
<v Speaker 1>like last year there was no Halloween decorating. Did you

0:13:12.960 --> 0:13:16.400
<v Speaker 1>guys feel that way? I was like, so not tuned

0:13:16.440 --> 0:13:19.240
<v Speaker 1>into Halloween last year, and now I feel like I

0:13:19.320 --> 0:13:22.840
<v Speaker 1>missed out. It was there was a huge brew haha

0:13:23.080 --> 0:13:26.240
<v Speaker 1>in my neighborhood about Halloween and trick or treating, where

0:13:26.400 --> 0:13:30.240
<v Speaker 1>um neighbors were fighting over what was perceived to be

0:13:30.240 --> 0:13:35.040
<v Speaker 1>a lack of commitment to decorating houses during Halloween and

0:13:35.080 --> 0:13:37.960
<v Speaker 1>also a lack of commitment to children staying in their

0:13:38.000 --> 0:13:44.200
<v Speaker 1>own neighborhoods to trick or treat. Yeah. Really brutal, gossipy,

0:13:44.440 --> 0:13:48.679
<v Speaker 1>strange conversation, so weird. I just sat it out and

0:13:48.720 --> 0:13:54.760
<v Speaker 1>read all those emails and was like, that's super crazy.

0:13:55.040 --> 0:13:58.439
<v Speaker 1>That's like a Shirley Jackson story. It absolutely is. I'm

0:13:58.480 --> 0:14:01.800
<v Speaker 1>always reporting from the weirdest neighborhood in the world to

0:14:01.880 --> 0:14:05.400
<v Speaker 1>you guys. Apparently it's very plugged in. It was like

0:14:05.480 --> 0:14:08.520
<v Speaker 1>for years, every year there would be some new innovation

0:14:09.160 --> 0:14:11.959
<v Speaker 1>in Halloween decorating that I had never seen before, and

0:14:12.000 --> 0:14:15.360
<v Speaker 1>then it stopped. It was like, we've reached the limit.

0:14:15.840 --> 0:14:19.240
<v Speaker 1>There's nothing new. We have all these inflatables and projections

0:14:19.240 --> 0:14:21.840
<v Speaker 1>and things like we've this is as far as it goes,

0:14:22.400 --> 0:14:25.160
<v Speaker 1>and there's nothing new. Last year and then this year

0:14:25.880 --> 0:14:30.720
<v Speaker 1>the Big Boy appeared, the Big Boy, the gin Boy,

0:14:30.840 --> 0:14:34.560
<v Speaker 1>the Big Boy, and he has like light up scary eyes.

0:14:34.680 --> 0:14:39.480
<v Speaker 1>It's just the most ominous thing I've ever seen. It's

0:14:39.520 --> 0:14:44.000
<v Speaker 1>really scary, but it's so scary it becomes funny because

0:14:44.080 --> 0:14:47.120
<v Speaker 1>it's like totally unsettling, and it just feels like we

0:14:47.280 --> 0:14:53.040
<v Speaker 1>turned this corner into just plunging into the absurdity of

0:14:53.200 --> 0:14:58.360
<v Speaker 1>now there there is something about it formally, like it's

0:14:58.360 --> 0:15:01.440
<v Speaker 1>not an inflatable, it's not a thing that's like been

0:15:01.520 --> 0:15:06.280
<v Speaker 1>painted onto something. It is literally a skeleton, a solid skeleton,

0:15:06.680 --> 0:15:09.720
<v Speaker 1>and it's a fucking skeleton in a time when we're

0:15:09.760 --> 0:15:13.520
<v Speaker 1>having a plague. It feels medieval to me, you know,

0:15:13.560 --> 0:15:16.360
<v Speaker 1>at a time of like refrigerated body trucks, Like we

0:15:16.400 --> 0:15:19.120
<v Speaker 1>are going to put giant skeletons out on our lawns

0:15:19.280 --> 0:15:22.960
<v Speaker 1>just because let's go all the way. Uh. I don't know,

0:15:23.440 --> 0:15:27.640
<v Speaker 1>it's funny because it's so incredibly impractical. And I think

0:15:27.800 --> 0:15:31.640
<v Speaker 1>that with Halloween decorations. When Molly was talking about the

0:15:31.720 --> 0:15:34.720
<v Speaker 1>lack of innovation, I think it's also just kind of

0:15:34.920 --> 0:15:37.560
<v Speaker 1>I mean, at least in my neighborhood, you can feel

0:15:37.600 --> 0:15:40.160
<v Speaker 1>when people are getting tired of putting in the effort,

0:15:40.240 --> 0:15:42.040
<v Speaker 1>Like you can only do it so many years in

0:15:42.040 --> 0:15:44.960
<v Speaker 1>a row. If you're doing it for like neighborhood kids

0:15:45.080 --> 0:15:47.920
<v Speaker 1>or for your own kids. Eventually those kids are too

0:15:47.960 --> 0:15:49.760
<v Speaker 1>old and you're not going to care. But you have

0:15:49.840 --> 0:15:52.880
<v Speaker 1>to like stow all of that stuff for most of

0:15:52.920 --> 0:15:57.280
<v Speaker 1>the year, three hundred sixty four days, no rules, Like

0:15:57.560 --> 0:15:59.960
<v Speaker 1>we're living in crazy times. You can keep that out

0:16:00.160 --> 0:16:05.800
<v Speaker 1>twelve foot you don't. I'm hoping that some of them

0:16:06.280 --> 0:16:08.920
<v Speaker 1>stay up through Christmas and they just put Santa on

0:16:09.000 --> 0:16:13.440
<v Speaker 1>the can you can you pose them? Like, no, you can't.

0:16:13.440 --> 0:16:16.440
<v Speaker 1>I watched a video because I was very like, how

0:16:16.440 --> 0:16:18.200
<v Speaker 1>do you get them to stand up? What are they

0:16:18.240 --> 0:16:21.680
<v Speaker 1>mounted on? I wanted to know, So I watched an

0:16:21.760 --> 0:16:25.120
<v Speaker 1>unboxing video made by these like two kids, like a

0:16:25.160 --> 0:16:27.760
<v Speaker 1>couple of dudes that are like ten, you know, who

0:16:27.760 --> 0:16:31.120
<v Speaker 1>are like get the box. They're so excited and then

0:16:31.160 --> 0:16:33.720
<v Speaker 1>they unbox it and like show you how they build it.

0:16:34.240 --> 0:16:36.360
<v Speaker 1>You have to build it, Yeah, you have to build it.

0:16:36.400 --> 0:16:38.920
<v Speaker 1>It's twelve ft tall. It doesn't just stand up by itself,

0:16:38.920 --> 0:16:41.160
<v Speaker 1>because it's sucking twelve feet are They all the bones

0:16:41.320 --> 0:16:46.560
<v Speaker 1>and you put them together and it's so crazy. It's

0:16:46.600 --> 0:16:49.880
<v Speaker 1>like there's a there's like a base, and you mount

0:16:49.960 --> 0:16:51.880
<v Speaker 1>it to the base and then you put the feet

0:16:51.920 --> 0:16:55.840
<v Speaker 1>on and you build it upwards. And these kids, I think,

0:16:55.840 --> 0:16:58.240
<v Speaker 1>had to stand on something to get to the top.

0:16:58.760 --> 0:17:00.960
<v Speaker 1>This reminds me of this wood block, like one of

0:17:00.960 --> 0:17:04.359
<v Speaker 1>my favorites, Japanese wood blocks. Ever, of the giant skeletons,

0:17:05.359 --> 0:17:08.560
<v Speaker 1>like breaking down the walls and terrifying. Yes, and there's

0:17:08.600 --> 0:17:11.840
<v Speaker 1>something about a giant thing. I've just also been watching

0:17:11.840 --> 0:17:13.920
<v Speaker 1>all these theme park videos and I watched a bunch

0:17:13.960 --> 0:17:17.840
<v Speaker 1>about Kong Frontation, which was a King Kong ride at

0:17:17.880 --> 0:17:23.000
<v Speaker 1>Universal that had a giant King Kong animatronic. And it

0:17:23.040 --> 0:17:26.120
<v Speaker 1>looks just very terrifying and amazing to me because it's

0:17:26.160 --> 0:17:29.919
<v Speaker 1>like the scale of it is so big. You know,

0:17:30.040 --> 0:17:32.240
<v Speaker 1>there's something about just like taking the scale of something

0:17:32.280 --> 0:17:35.640
<v Speaker 1>and making it big. And again, the skeletons are like

0:17:36.160 --> 0:17:37.840
<v Speaker 1>it felt like for a few years people didn't want

0:17:37.840 --> 0:17:40.960
<v Speaker 1>to be reminded of how bad things were of death

0:17:41.800 --> 0:17:45.680
<v Speaker 1>and kind of felt like Halloween, you know, amped down

0:17:45.720 --> 0:17:48.320
<v Speaker 1>a little bit after maybe hitting this peak of just

0:17:48.359 --> 0:17:51.479
<v Speaker 1>all the haunt stuff in l A especially too, And

0:17:52.200 --> 0:17:54.320
<v Speaker 1>now it feels like it's good. It's like, yeah, we

0:17:54.320 --> 0:17:57.000
<v Speaker 1>shouldn't be able to not think about death right now.

0:17:57.520 --> 0:18:00.840
<v Speaker 1>To play Devil's Advocate, we can't not think about death.

0:18:00.920 --> 0:18:03.880
<v Speaker 1>It's I there have been a lot of conflicting opinions

0:18:04.040 --> 0:18:08.000
<v Speaker 1>um on social media about whether like Americans are having

0:18:08.000 --> 0:18:10.720
<v Speaker 1>to confront the fact that they they don't think about

0:18:10.800 --> 0:18:12.920
<v Speaker 1>death enough and now we're going to have to think

0:18:12.920 --> 0:18:16.440
<v Speaker 1>about death more versus like just acknowledge. I feel like

0:18:16.480 --> 0:18:19.720
<v Speaker 1>I think about death constantly. I'm never not thinking about death.

0:18:19.880 --> 0:18:22.280
<v Speaker 1>But I don't know. I mean, just to play Devil's

0:18:22.320 --> 0:18:26.000
<v Speaker 1>Advocate a giant twelve foot skeleton when you're having to

0:18:26.040 --> 0:18:28.800
<v Speaker 1>talk to your kids and mask them up and being like,

0:18:29.280 --> 0:18:34.119
<v Speaker 1>don't worry, everything's fine. There's just a disease that kills people,

0:18:34.320 --> 0:18:38.720
<v Speaker 1>and then being like, happy Halloween. Here's some giant, terrifying skeletons,

0:18:38.800 --> 0:18:41.880
<v Speaker 1>Like that might be a fun talk to have with

0:18:41.920 --> 0:18:46.080
<v Speaker 1>my kids. I think, I think, you know, in general,

0:18:46.200 --> 0:18:48.720
<v Speaker 1>I should say there's probably all sorts of different reactions

0:18:48.760 --> 0:18:52.159
<v Speaker 1>to this, But I think one if things kind of

0:18:52.240 --> 0:18:54.119
<v Speaker 1>if things managed to turn around and this isn't the

0:18:54.160 --> 0:18:57.320
<v Speaker 1>last like fifteen years of human civilization or whatever, I

0:18:57.359 --> 0:19:00.119
<v Speaker 1>think that the kids who are kids right now are

0:19:00.160 --> 0:19:03.439
<v Speaker 1>gonna be better equipped to think about death and and

0:19:03.680 --> 0:19:06.520
<v Speaker 1>life and death basically than that, certainly than we were,

0:19:06.600 --> 0:19:10.399
<v Speaker 1>and I think probably most generations in like modern you know,

0:19:11.720 --> 0:19:18.600
<v Speaker 1>I'm going to play Angels Advocate here. That's a nice thought. Okay,

0:19:18.720 --> 0:19:23.520
<v Speaker 1>I'm going to play you know, chaotic Angel the Devil

0:19:23.720 --> 0:19:27.240
<v Speaker 1>which advocate, which is what I always play in this podcast. Um,

0:19:27.720 --> 0:19:30.560
<v Speaker 1>but don't I do think that, like each generation of

0:19:30.680 --> 0:19:33.920
<v Speaker 1>children has its own thing like that. Like we grew

0:19:34.000 --> 0:19:38.159
<v Speaker 1>up around the AIDS crisis, and so I was definitely

0:19:38.480 --> 0:19:41.360
<v Speaker 1>very I felt like that kind of gives you this

0:19:41.440 --> 0:19:43.600
<v Speaker 1>like dose of realism when you're a kid, you know,

0:19:43.640 --> 0:19:46.840
<v Speaker 1>because they had how immediate was that for you? As

0:19:46.880 --> 0:19:48.800
<v Speaker 1>I guess you guys were a little bit older. For me,

0:19:48.920 --> 0:19:51.639
<v Speaker 1>it was I grew up in the West village, so

0:19:51.760 --> 0:19:55.359
<v Speaker 1>that that was like constant. And also my parents worked

0:19:55.359 --> 0:19:58.280
<v Speaker 1>in entertainment, so so many of their friends were you know,

0:19:58.880 --> 0:20:01.720
<v Speaker 1>in fact in HIV and had partners ive AIDS, like

0:20:01.760 --> 0:20:05.160
<v Speaker 1>when I remember being around eight years old or nine

0:20:05.200 --> 0:20:07.320
<v Speaker 1>years old and just having it be like a constant

0:20:07.320 --> 0:20:11.280
<v Speaker 1>thought for me. But I think this is different because

0:20:12.160 --> 0:20:14.960
<v Speaker 1>children during the AIDS epidemic, most of them did not

0:20:15.119 --> 0:20:18.640
<v Speaker 1>have to take too many precautions to like adapt their

0:20:18.680 --> 0:20:22.280
<v Speaker 1>own lives. There was a lot of television I'm specifically

0:20:22.320 --> 0:20:25.880
<v Speaker 1>thinking of. There was like a Sesame Streets segment. There

0:20:25.880 --> 0:20:28.560
<v Speaker 1>were a lot of segments about there was a kid

0:20:28.640 --> 0:20:31.440
<v Speaker 1>named Ryan White who was the first kid born infected

0:20:31.600 --> 0:20:36.120
<v Speaker 1>with HIV, and he was on television a lot, just

0:20:36.680 --> 0:20:39.879
<v Speaker 1>you know, to be educating people about the fact that

0:20:39.920 --> 0:20:43.520
<v Speaker 1>like HIV can be passed and then also it's okay

0:20:43.560 --> 0:20:45.959
<v Speaker 1>to like hang out with people who have HIV. That

0:20:46.040 --> 0:20:49.520
<v Speaker 1>was a big part of it, was I remember this campaign. Yeah,

0:20:49.760 --> 0:20:51.719
<v Speaker 1>and and there was a big thing where like Alissa

0:20:51.760 --> 0:20:55.959
<v Speaker 1>Milano kissed him on I think the Phill Donni Hugh

0:20:56.000 --> 0:20:58.480
<v Speaker 1>Show or something to like prove that like you can

0:20:58.560 --> 0:21:00.840
<v Speaker 1>kiss somebody who has HIV and you can hold hands

0:21:00.840 --> 0:21:03.880
<v Speaker 1>with them and you're not, you know, at risk of transmission.

0:21:04.119 --> 0:21:08.600
<v Speaker 1>But yeah, I mean think about the difference between us

0:21:08.680 --> 0:21:12.160
<v Speaker 1>experiencing the HIV and AIDS epidemic as children and how

0:21:12.320 --> 0:21:18.560
<v Speaker 1>children now are interpreting, in particular the world outside their

0:21:18.600 --> 0:21:22.160
<v Speaker 1>homes as being I just feel like they don't know

0:21:22.440 --> 0:21:25.919
<v Speaker 1>anything else they do. I mean, it depends on your

0:21:26.000 --> 0:21:29.000
<v Speaker 1>kid's age. I don't know. I definitely hope that at

0:21:29.080 --> 0:21:32.480
<v Speaker 1>least uh some good comes out of this in terms

0:21:32.560 --> 0:21:37.080
<v Speaker 1>of being able to recognize how people look after each other.

0:21:37.200 --> 0:21:39.960
<v Speaker 1>I mean, I think maybe one of the only good

0:21:39.960 --> 0:21:42.600
<v Speaker 1>things about being a kid and having to talk with

0:21:42.640 --> 0:21:45.280
<v Speaker 1>your parents about why people are wearing masks, which two

0:21:45.320 --> 0:21:48.200
<v Speaker 1>younger kids can look super scary, and to be able

0:21:48.240 --> 0:21:51.199
<v Speaker 1>to have a conversation about how that's taking care of

0:21:51.240 --> 0:21:54.520
<v Speaker 1>each other, and like kind of thinking beyond the visual

0:21:54.680 --> 0:21:57.359
<v Speaker 1>of like you see someone, you don't recognize them, you

0:21:57.400 --> 0:21:59.840
<v Speaker 1>can't see if they're smiling, And to just be able

0:21:59.840 --> 0:22:03.119
<v Speaker 1>to be like, oh, that's in order to protect other people.

0:22:03.200 --> 0:22:06.640
<v Speaker 1>That's like, you know, a community effort has been really

0:22:06.680 --> 0:22:09.280
<v Speaker 1>great and productive. But I do I often worry because

0:22:09.280 --> 0:22:11.120
<v Speaker 1>I'm I I have O c D and I can

0:22:11.160 --> 0:22:14.200
<v Speaker 1>be a little obsessive about germophobic things, and as a

0:22:14.240 --> 0:22:17.159
<v Speaker 1>kid that was definitely true as well. So I don't know,

0:22:17.200 --> 0:22:20.480
<v Speaker 1>it could be an interesting Halloween if your kid is

0:22:20.520 --> 0:22:23.560
<v Speaker 1>already a little freaked out. However, I'm still pro twelve

0:22:23.600 --> 0:22:27.600
<v Speaker 1>foot skeleton. Well, that just starts a whole new conversation,

0:22:28.080 --> 0:22:32.080
<v Speaker 1>you know. It's like the twelve foot skeletons just provide

0:22:32.080 --> 0:22:36.080
<v Speaker 1>an opportunity to release some of the fear and stress

0:22:36.400 --> 0:22:40.840
<v Speaker 1>and anxiety that's in the air for obvious reasons. It

0:22:40.960 --> 0:22:45.240
<v Speaker 1>just feels it feels right for the year. Well, it's

0:22:45.240 --> 0:22:47.639
<v Speaker 1>how like the best horror movie I think make you

0:22:47.720 --> 0:22:50.200
<v Speaker 1>laugh more than they make you like scream or be

0:22:50.280 --> 0:22:52.879
<v Speaker 1>genuinely scared. And I think there's something about the giggles

0:22:52.920 --> 0:22:55.040
<v Speaker 1>that you get when you see these twelve foot skeletons

0:22:55.080 --> 0:22:59.600
<v Speaker 1>that is very cathartic and very healthy. It's cathartic and

0:23:00.040 --> 0:23:02.600
<v Speaker 1>it's not like there are other things that are way

0:23:02.640 --> 0:23:04.879
<v Speaker 1>scarier to me than that. The thing I find the

0:23:04.920 --> 0:23:07.800
<v Speaker 1>scariest is when somebody puts like a figurine in their window,

0:23:08.000 --> 0:23:10.879
<v Speaker 1>like a human looking person, and it's not human, you know,

0:23:11.240 --> 0:23:14.200
<v Speaker 1>like a mannequin, like an home alone. I find mannequin

0:23:14.760 --> 0:23:19.480
<v Speaker 1>scarier than the twelve foot skeleton. Personally. I got a

0:23:19.520 --> 0:23:22.800
<v Speaker 1>fuzzy styrofoam cat, a black cat that you're supposed to

0:23:22.880 --> 0:23:25.439
<v Speaker 1>mount on a wall and uh if we've had it

0:23:25.480 --> 0:23:27.680
<v Speaker 1>for many years and at one point it's styrofoam leg

0:23:27.800 --> 0:23:30.400
<v Speaker 1>broke off and now it's a three legged Halloween cat.

0:23:30.720 --> 0:23:33.240
<v Speaker 1>And for some reason that made me that I was like,

0:23:33.400 --> 0:23:38.720
<v Speaker 1>now it's terrifying, anything terrified. It's just a handicapped cat.

0:23:38.920 --> 0:23:41.600
<v Speaker 1>It's it's because the legs out at an angle. It's

0:23:41.640 --> 0:23:44.719
<v Speaker 1>just people love those three legged dogs. They're like, oh,

0:23:44.720 --> 0:23:47.280
<v Speaker 1>look he's so cute and brave. That could be, that

0:23:47.320 --> 0:23:49.280
<v Speaker 1>could be. Yeah, well, we're going to take a quick

0:23:49.280 --> 0:23:51.480
<v Speaker 1>break and when we come back, we're going to be

0:23:51.560 --> 0:24:07.920
<v Speaker 1>joined by I guess this week's sayd we welcome back

0:24:07.960 --> 0:24:11.560
<v Speaker 1>to Nightcall. We are now joined by Sadie did we

0:24:12.359 --> 0:24:14.679
<v Speaker 1>a k A. Sad thirteen, which I just learned you

0:24:14.680 --> 0:24:18.280
<v Speaker 1>actually say sad thirteen. Um. She's also the front woman

0:24:18.320 --> 0:24:21.360
<v Speaker 1>of Speedy Ortiz and she's got a new album out

0:24:21.400 --> 0:24:27.879
<v Speaker 1>called Haunted Painting, which obviously is right up our freaking alley. Hi, Sadie,

0:24:28.480 --> 0:24:33.760
<v Speaker 1>nice to see you again. From the Hume distance, everybody,

0:24:33.920 --> 0:24:36.600
<v Speaker 1>I just get like reminded of what everybody looks like

0:24:37.320 --> 0:24:40.240
<v Speaker 1>when they're kind of like in work mode and at

0:24:40.280 --> 0:24:43.520
<v Speaker 1>home over zoom, which is like when we shot the

0:24:43.600 --> 0:24:47.800
<v Speaker 1>video a couple of years. Costume and makeup, well, it's

0:24:47.840 --> 0:24:51.960
<v Speaker 1>like it's like that or ultimate, just like rolling into

0:24:52.000 --> 0:24:54.439
<v Speaker 1>a studio at six in the morning, like you know,

0:24:54.760 --> 0:24:57.359
<v Speaker 1>I haven't had your coffee yet type of thing. So

0:24:57.760 --> 0:25:02.760
<v Speaker 1>it's the two extremes, but right in the middle. Today.

0:25:04.200 --> 0:25:07.879
<v Speaker 1>I'm definitely on the rolled out of bedside today but

0:25:07.960 --> 0:25:12.280
<v Speaker 1>nobody can see, which is great. Um so you have

0:25:12.520 --> 0:25:15.240
<v Speaker 1>a new album. It's been out a couple of weeks now,

0:25:15.960 --> 0:25:19.680
<v Speaker 1>two weeks today, two weeks. It's two weeks old. Happy birthday,

0:25:20.040 --> 0:25:23.359
<v Speaker 1>Thank you. It was like a year. Why is time

0:25:23.400 --> 0:25:26.000
<v Speaker 1>so messed up? Right now? I know, it's so crazy.

0:25:26.040 --> 0:25:28.080
<v Speaker 1>I was I was going back and listening to it

0:25:28.119 --> 0:25:31.680
<v Speaker 1>again and I was listening to um W t D,

0:25:31.800 --> 0:25:34.840
<v Speaker 1>which I remember you put out. I couldn't tell you

0:25:34.840 --> 0:25:37.080
<v Speaker 1>when you put that out, but I was like, that's

0:25:37.119 --> 0:25:43.400
<v Speaker 1>on this album. I guess, like feels okay, what the hell? Yeah,

0:25:43.560 --> 0:25:45.320
<v Speaker 1>I mean I love that song. And I was just like,

0:25:45.720 --> 0:25:48.560
<v Speaker 1>this is great. I remember hearing this, you know, two

0:25:48.640 --> 0:25:50.880
<v Speaker 1>years ago. It must have been two years ago, Like,

0:25:52.280 --> 0:25:55.000
<v Speaker 1>um yeah, it's sort of wild how that works. It's

0:25:55.560 --> 0:25:58.320
<v Speaker 1>it's definitely got to be weird. I think like really

0:25:58.359 --> 0:26:02.080
<v Speaker 1>seen stuff for like building anticipation for something like an album.

0:26:02.160 --> 0:26:06.960
<v Speaker 1>When time is meaningless, it's weird. And it's also, um

0:26:07.040 --> 0:26:10.040
<v Speaker 1>so much more internet time than I'm used to. I

0:26:10.080 --> 0:26:13.520
<v Speaker 1>think every time I've put out a record before, I'm

0:26:13.520 --> 0:26:16.440
<v Speaker 1>either already on tour or I leave the next day

0:26:16.960 --> 0:26:20.400
<v Speaker 1>and I'm not just looking at the computer all day

0:26:20.400 --> 0:26:25.639
<v Speaker 1>long giving myself back pain from hunching over. Yeah, screen

0:26:27.640 --> 0:26:29.679
<v Speaker 1>times are moving very fast, very slow. I think this

0:26:29.760 --> 0:26:33.320
<v Speaker 1>is a universal quarantine experience. Did you have a tour

0:26:33.440 --> 0:26:35.639
<v Speaker 1>set up for this album that you have to postpone?

0:26:36.440 --> 0:26:39.840
<v Speaker 1>I had touring through like starting in March through pretty

0:26:39.880 --> 0:26:43.240
<v Speaker 1>much the end of the year. Um, so who knows

0:26:43.359 --> 0:26:49.520
<v Speaker 1>when that will happen again? Is kind of the general feeling.

0:26:50.040 --> 0:26:57.560
<v Speaker 1>But what weird habits have you developed instead in Quarantine? Oh? No? Um,

0:26:57.560 --> 0:27:01.480
<v Speaker 1>going right into the dark star? Well I had. I

0:27:01.480 --> 0:27:04.240
<v Speaker 1>had a funny experience at the grocery store the other day.

0:27:04.800 --> 0:27:08.080
<v Speaker 1>Have you ever had Who's Who's from New York? Besides

0:27:08.119 --> 0:27:12.520
<v Speaker 1>Emily or I've spent a few years like as a kid,

0:27:12.760 --> 0:27:15.840
<v Speaker 1>was there tests from New York? But she doesn't claim it.

0:27:16.040 --> 0:27:18.560
<v Speaker 1>I don't like to claim it. I'm from New York too,

0:27:18.600 --> 0:27:22.439
<v Speaker 1>so okay, okay, and don't live there anymore. Wait, but

0:27:22.520 --> 0:27:25.360
<v Speaker 1>you also spend time in Connecticut, right, went to high

0:27:25.359 --> 0:27:27.560
<v Speaker 1>school there? All right? I went to junior higher there.

0:27:27.720 --> 0:27:32.080
<v Speaker 1>Oh where did you? Sharon? Oh weird? So yeah about

0:27:32.119 --> 0:27:35.320
<v Speaker 1>Dudley Town too, probably oh I do? Oh my god. Okay,

0:27:35.440 --> 0:27:37.400
<v Speaker 1>so we'll have to go there. I hope we're heading

0:27:37.400 --> 0:27:40.720
<v Speaker 1>towards Stu Leonards again. That's just my Oh. I was

0:27:40.800 --> 0:27:44.760
<v Speaker 1>just talking about stew Leonards because my my um a

0:27:44.760 --> 0:27:48.160
<v Speaker 1>friend just moved to test you. Maybe now we're stuff

0:27:48.200 --> 0:27:50.240
<v Speaker 1>pre Connecticut is you know? I know where It's not

0:27:50.320 --> 0:27:54.639
<v Speaker 1>really but I went to see her at like a

0:27:55.119 --> 0:27:58.160
<v Speaker 1>far away outdoor distance, and I was like, you're gonna

0:27:58.160 --> 0:28:01.200
<v Speaker 1>go to Stu Leonards now that you're living this podcast

0:28:01.280 --> 0:28:04.159
<v Speaker 1>goes deep New England. I like, it's like hieroglyphics in

0:28:04.200 --> 0:28:07.919
<v Speaker 1>front of my eye, like that. Stue Leonards is a

0:28:07.960 --> 0:28:11.680
<v Speaker 1>huge grocery store with so many animatronics. We've already kind

0:28:11.720 --> 0:28:14.560
<v Speaker 1>of made Emily sit through a Stu Leonards explainer, but

0:28:14.600 --> 0:28:22.480
<v Speaker 1>you can't really explain Stu Leonards. When I first got Instagram,

0:28:21.720 --> 0:28:26.280
<v Speaker 1>I only posted animatronic videos for like the first two years.

0:28:26.280 --> 0:28:31.720
<v Speaker 1>I had it, um, and I'm oh, my weird habit though,

0:28:32.119 --> 0:28:34.920
<v Speaker 1>because I am just eating like a jar of ricks

0:28:34.960 --> 0:28:39.280
<v Speaker 1>picks spicy pickled green beans like every single day and

0:28:39.320 --> 0:28:44.080
<v Speaker 1>it is nauseating my partner who hates the smell of them. Um.

0:28:44.120 --> 0:28:46.560
<v Speaker 1>But I go to the grocery They're like they really

0:28:46.640 --> 0:28:50.200
<v Speaker 1>ten dollars. Go to the grocery store and I buy

0:28:50.280 --> 0:28:53.600
<v Speaker 1>like six at a time, and the cashiers like pretty

0:28:53.680 --> 0:28:57.120
<v Speaker 1>is good, and I responded, I don't know, but they're

0:28:57.160 --> 0:29:02.040
<v Speaker 1>my hobby. It felt like a blue moment, right, metal health,

0:29:02.440 --> 0:29:05.160
<v Speaker 1>But how is your stomach lighting? Like I would think

0:29:05.200 --> 0:29:07.480
<v Speaker 1>all that app that's the only downside. That's what keeps

0:29:07.520 --> 0:29:10.720
<v Speaker 1>me from eating all pickles all day. It's horrible. But

0:29:10.880 --> 0:29:13.120
<v Speaker 1>I think I have ibs all the time, So I

0:29:13.160 --> 0:29:15.800
<v Speaker 1>just don't know what's the difference. Just throw fuel on

0:29:15.840 --> 0:29:18.360
<v Speaker 1>the fire, throw pickles on the fire. It's already gonna

0:29:18.400 --> 0:29:23.120
<v Speaker 1>feel bad. Let's just make it all go faster. Good hobby, right,

0:29:23.800 --> 0:29:26.840
<v Speaker 1>that's a great hobby. I mean it's all about Like

0:29:27.240 --> 0:29:29.320
<v Speaker 1>we talked about this on a Bonus podcast where we

0:29:29.360 --> 0:29:32.240
<v Speaker 1>had an entire episode about beverages. Like I feel like

0:29:32.280 --> 0:29:35.000
<v Speaker 1>you can get completely invested just in like, what's a

0:29:35.040 --> 0:29:38.080
<v Speaker 1>new beverage I'm into now? Like, what's a new thing

0:29:38.080 --> 0:29:40.160
<v Speaker 1>I never thought of getting before the store And now

0:29:40.280 --> 0:29:45.720
<v Speaker 1>this is like the height of entertainment. What's everyone's new beverage.

0:29:46.800 --> 0:29:50.280
<v Speaker 1>I've been drinking this very expensive juice, so I like

0:29:50.360 --> 0:29:53.360
<v Speaker 1>split it into thirds and mix it with seltzer um.

0:29:53.400 --> 0:29:55.760
<v Speaker 1>That's I forget what the brand is, but it's sweet

0:29:55.840 --> 0:30:00.400
<v Speaker 1>citrus and it's like it's pretending to be fresh squeezed,

0:30:00.480 --> 0:30:03.240
<v Speaker 1>but I think it's cold pressed. But at some point

0:30:03.360 --> 0:30:06.040
<v Speaker 1>I was having terrible allergies and I became convinced that

0:30:06.080 --> 0:30:10.480
<v Speaker 1>this was like the cure um. But now it's it's

0:30:10.520 --> 0:30:14.480
<v Speaker 1>awful because like I'll I'm like basically micro dosing this

0:30:14.680 --> 0:30:18.200
<v Speaker 1>juice because it's like six dollars for a small bottle. Uh,

0:30:18.280 --> 0:30:20.280
<v Speaker 1>So I'm making like shrubs with it. I'm trying to

0:30:20.320 --> 0:30:24.480
<v Speaker 1>like stretch the juice. Sounds nice. That's like, that's that's

0:30:24.560 --> 0:30:27.680
<v Speaker 1>like the good end of novelty beverage because you're also

0:30:27.680 --> 0:30:31.160
<v Speaker 1>like making something out of it, exactly cooking. It's an

0:30:31.160 --> 0:30:35.080
<v Speaker 1>activity and a thing that you're you're It's the best

0:30:35.080 --> 0:30:38.760
<v Speaker 1>of all hobbies. Sadie. I noticed that in your merch store.

0:30:39.120 --> 0:30:43.000
<v Speaker 1>You have hot sauce and hazelnut spread food and tea

0:30:43.080 --> 0:30:46.680
<v Speaker 1>as well. Really what kind of tea it's called? It

0:30:46.760 --> 0:30:54.000
<v Speaker 1>Haunted Breakfast, Scared Clothes in the Air, it's a it's

0:30:54.040 --> 0:30:58.000
<v Speaker 1>a lap saying sung and a couple other like black

0:30:58.080 --> 0:31:01.400
<v Speaker 1>teas that um, one of which was harvested under a

0:31:01.440 --> 0:31:06.040
<v Speaker 1>blood moon. There's this really great teamaker in Philly, UM

0:31:06.080 --> 0:31:09.880
<v Speaker 1>called craft Ty, and he supplies to all the local

0:31:09.960 --> 0:31:12.080
<v Speaker 1>music venues and a couple of different cafes, and he

0:31:12.240 --> 0:31:17.840
<v Speaker 1>started making teas to do as like pairings with records. UM.

0:31:17.920 --> 0:31:20.480
<v Speaker 1>So I reached out to him and we put this

0:31:20.560 --> 0:31:24.360
<v Speaker 1>together and he was like dropping off samples in my

0:31:24.480 --> 0:31:26.720
<v Speaker 1>front door like once a week for a couple of points.

0:31:26.720 --> 0:31:29.320
<v Speaker 1>I feel like a couple of months. UM, just tweaking

0:31:29.360 --> 0:31:32.280
<v Speaker 1>the formula so I can say it's been thoroughly taste tested.

0:31:32.360 --> 0:31:34.240
<v Speaker 1>It's really good, and I think it's sold out. So

0:31:34.280 --> 0:31:36.520
<v Speaker 1>I don't know why I'm going in on that right now,

0:31:36.600 --> 0:31:39.960
<v Speaker 1>but I have some personal tins maybe if you know

0:31:44.040 --> 0:31:47.400
<v Speaker 1>V I P T tins Um. That sounds great. I

0:31:47.440 --> 0:31:50.760
<v Speaker 1>mean I love I love edible tour merch or band

0:31:50.840 --> 0:31:54.200
<v Speaker 1>merch that's I guess it doesn't really serve the purpose

0:31:54.280 --> 0:31:57.440
<v Speaker 1>of like advertising my band in the way that like

0:31:57.520 --> 0:32:00.480
<v Speaker 1>a T shirt or like a wearable merched. Know, it

0:32:00.680 --> 0:32:02.840
<v Speaker 1>totally does, but I feel like people are more likely

0:32:02.880 --> 0:32:05.280
<v Speaker 1>to share that on Instagram though. It's like, look, I

0:32:05.360 --> 0:32:10.040
<v Speaker 1>have hazelnuts spread from my favorite musician question work. Cool. Yeah,

0:32:10.840 --> 0:32:13.600
<v Speaker 1>it makes perfect sense. It's like you can't go to

0:32:13.640 --> 0:32:15.920
<v Speaker 1>the show, so you sit at home and listen to

0:32:15.960 --> 0:32:19.440
<v Speaker 1>the album and grew your cup of Haunted tea and

0:32:19.880 --> 0:32:24.480
<v Speaker 1>something of nutella. Yeah, it's a lifestyle. Yeah. Yeah, We've

0:32:24.480 --> 0:32:26.360
<v Speaker 1>wanted to do food merch in the past, but it's

0:32:26.440 --> 0:32:29.800
<v Speaker 1>just not tenable when you're in a van for like

0:32:30.000 --> 0:32:33.640
<v Speaker 1>three months going through all kinds of different climates. So

0:32:33.840 --> 0:32:36.040
<v Speaker 1>as soon as this is honestly, as soon as like

0:32:36.160 --> 0:32:39.680
<v Speaker 1>touring was canceled for the foreseeable future, like it's finally

0:32:39.720 --> 0:32:43.520
<v Speaker 1>my time to do food stuff, that's amazing. Was the

0:32:43.960 --> 0:32:46.520
<v Speaker 1>hot sauce also a similar like was it like a

0:32:46.600 --> 0:32:51.520
<v Speaker 1>custom thing that you Yeah, it's they're speaking of Connecticut.

0:32:51.560 --> 0:32:55.160
<v Speaker 1>I think they're from Willomantic. Um. Oh yeah, Dragon's Blood

0:32:55.160 --> 0:32:58.520
<v Speaker 1>Alickser and we had talked like five years ago about

0:32:58.560 --> 0:33:00.560
<v Speaker 1>doing a hot house together, but it was a similar

0:33:00.640 --> 0:33:05.080
<v Speaker 1>deal that trying to carry glass on tours like a nightmare.

0:33:05.440 --> 0:33:08.720
<v Speaker 1>So it's like literally the first piece of merge that

0:33:08.720 --> 0:33:11.880
<v Speaker 1>that I planned out as soon as the quarantine happened.

0:33:12.480 --> 0:33:16.000
<v Speaker 1>Can we talk about haunted paintings a little bit? Yeah,

0:33:16.360 --> 0:33:20.040
<v Speaker 1>what you got? What haunted paintings were you thinking of

0:33:20.200 --> 0:33:22.920
<v Speaker 1>when you were making this album? Was there anything in

0:33:22.920 --> 0:33:26.920
<v Speaker 1>particular or just the idea? It was more the idea

0:33:27.120 --> 0:33:30.840
<v Speaker 1>of a haunted painting UM And in fact, I think

0:33:30.880 --> 0:33:33.720
<v Speaker 1>I looked up once I had the idea for the title,

0:33:34.080 --> 0:33:36.240
<v Speaker 1>I did a bunch of googling, and I don't really

0:33:36.240 --> 0:33:40.400
<v Speaker 1>like any of the like haunted painting meme stories that

0:33:40.440 --> 0:33:42.840
<v Speaker 1>are going around. I don't know if you've investigated any

0:33:42.880 --> 0:33:45.920
<v Speaker 1>of these. Is this like a genre? I didn't know.

0:33:46.600 --> 0:33:51.600
<v Speaker 1>There's like two that UM have sold on E Day

0:33:51.640 --> 0:33:54.600
<v Speaker 1>for like very high prices because they're theoretically haunted, and

0:33:54.880 --> 0:33:58.600
<v Speaker 1>there was a whole disclaimer of like, we're not liable

0:33:58.720 --> 0:34:02.880
<v Speaker 1>for you getting murdered if you buy this painting, UM,

0:34:02.920 --> 0:34:05.720
<v Speaker 1>but they're not it is creepy or captivating. Is the

0:34:05.760 --> 0:34:08.400
<v Speaker 1>one that I named this after, which is a friends

0:34:08.400 --> 0:34:12.520
<v Speaker 1>stuck portrait of a dancer names to Harrett Um, who

0:34:12.520 --> 0:34:14.520
<v Speaker 1>we painted a couple of times. But this is one

0:34:14.520 --> 0:34:18.800
<v Speaker 1>on display at the the Fry Gallery in Seattle. Um

0:34:18.920 --> 0:34:21.720
<v Speaker 1>and probably the whole reason I even thought to frame

0:34:21.719 --> 0:34:24.920
<v Speaker 1>it is haunted. Not only is it surrounded by some

0:34:25.000 --> 0:34:28.879
<v Speaker 1>of his other work that's like really creepy looking. Um

0:34:29.000 --> 0:34:31.000
<v Speaker 1>the sin, I think is like one of his really

0:34:31.040 --> 0:34:34.480
<v Speaker 1>famous ones that's like a big serpent round room. And

0:34:34.520 --> 0:34:37.480
<v Speaker 1>I can't really look at that one. I can't look

0:34:37.520 --> 0:34:42.480
<v Speaker 1>at snakes. But uh, it's a few blocks away from

0:34:42.520 --> 0:34:45.600
<v Speaker 1>a hotel that I got put up in for a

0:34:45.640 --> 0:34:48.920
<v Speaker 1>poetry festival in Seattle, and I was staying with um

0:34:49.760 --> 0:34:53.120
<v Speaker 1>Darthy Alaski, who's a poet that's one of my favorites,

0:34:53.160 --> 0:34:57.000
<v Speaker 1>and she is also really into ghostly and haunted things

0:34:57.040 --> 0:35:01.760
<v Speaker 1>and has even like taught workshops on poetry and ghosts,

0:35:01.760 --> 0:35:04.560
<v Speaker 1>and I think a lot of poets have that particular fixation.

0:35:05.000 --> 0:35:08.040
<v Speaker 1>But the hotel is supposedly haunted by Alice by Tokalist,

0:35:08.040 --> 0:35:11.160
<v Speaker 1>which doesn't make sense at all. What hotel is it?

0:35:11.239 --> 0:35:13.319
<v Speaker 1>I lived in Seattle for a little bit. I can

0:35:13.320 --> 0:35:16.920
<v Speaker 1>speak Seattle more than Connecticut. It's like Google right now,

0:35:16.920 --> 0:35:21.360
<v Speaker 1>you're gonna hear all my typing, but I love the fry. Also,

0:35:21.600 --> 0:35:24.400
<v Speaker 1>the fry is like, I don't know, it's like a

0:35:24.520 --> 0:35:28.880
<v Speaker 1>very cool space. It feels really really like tucked away.

0:35:29.239 --> 0:35:31.520
<v Speaker 1>You can't it doesn't feel like you're in the middle

0:35:31.640 --> 0:35:34.680
<v Speaker 1>of town. It's the Sorrento Hotel. Do you know that?

0:35:35.400 --> 0:35:38.080
<v Speaker 1>Oh yeah, it's like apparently I used to live right

0:35:38.120 --> 0:35:41.680
<v Speaker 1>next to it. So yeah, so apparently als b Tocls

0:35:41.840 --> 0:35:47.200
<v Speaker 1>ghost did too. Um. Wow, I had no idea about that.

0:35:47.200 --> 0:35:50.560
<v Speaker 1>That's wild. So we walked around the hotel all night

0:35:50.560 --> 0:35:56.640
<v Speaker 1>trying to find like any ghosts and had zero luck. Um,

0:35:56.680 --> 0:35:59.279
<v Speaker 1>even though Dottie was staying on like the apparently very

0:35:59.320 --> 0:36:01.480
<v Speaker 1>haunted the floor. Uh. And I went to the museum

0:36:01.520 --> 0:36:03.319
<v Speaker 1>the next day and was like, this painting is more

0:36:03.320 --> 0:36:06.040
<v Speaker 1>haunted than this museum. And that's kind of how UM

0:36:06.239 --> 0:36:10.640
<v Speaker 1>came to the title and concept. I'm looking at this

0:36:11.000 --> 0:36:15.360
<v Speaker 1>the sin painting, It's like, this is a cursed painting.

0:36:15.680 --> 0:36:18.240
<v Speaker 1>This is like something from like a seventies horror movie.

0:36:18.400 --> 0:36:21.800
<v Speaker 1>It's so if you google friends on stock his work

0:36:21.920 --> 0:36:26.480
<v Speaker 1>is just even the Saherent portraits not theoretically supposed to

0:36:26.480 --> 0:36:29.840
<v Speaker 1>be creepy, but it just is. Aren't all paintings haunted

0:36:29.880 --> 0:36:37.279
<v Speaker 1>if they're painted by a dead person. Interesting by I

0:36:37.360 --> 0:36:41.080
<v Speaker 1>just mean, are isn't every painting in a museum haunted

0:36:41.120 --> 0:36:44.799
<v Speaker 1>in a way? I think that's important. Like I think

0:36:44.840 --> 0:36:49.200
<v Speaker 1>that in the poetic sense, a portrait, like if you've

0:36:49.239 --> 0:36:51.319
<v Speaker 1>ever seen a portrait that you know, like, I think

0:36:51.360 --> 0:36:55.080
<v Speaker 1>a lot of like John Singer Sergeant portraits feel like

0:36:55.480 --> 0:36:58.760
<v Speaker 1>very animated and like kind of charged to me because

0:36:58.760 --> 0:37:01.000
<v Speaker 1>I just think he was great at it. And I

0:37:01.040 --> 0:37:03.600
<v Speaker 1>think there's like a weird sense of time travel when

0:37:03.640 --> 0:37:07.000
<v Speaker 1>you're in a gallery with those portraits and you are

0:37:07.120 --> 0:37:10.960
<v Speaker 1>really confronting the fact that these people were all living once,

0:37:11.000 --> 0:37:14.960
<v Speaker 1>and like because this artist was particularly good at capturing

0:37:15.040 --> 0:37:17.680
<v Speaker 1>like a light in their eyes or something like that,

0:37:17.760 --> 0:37:20.359
<v Speaker 1>it really feels like they're right there with you. And

0:37:20.440 --> 0:37:22.960
<v Speaker 1>that can be a bit of an uncanny feel. I mean,

0:37:22.960 --> 0:37:26.160
<v Speaker 1>that feels more or less functionally like it's haunted. Um.

0:37:26.960 --> 0:37:30.240
<v Speaker 1>But yeah, I don't know, I don't know the the

0:37:30.239 --> 0:37:35.080
<v Speaker 1>the the rules though for haunt all accept I'll accept

0:37:35.120 --> 0:37:39.279
<v Speaker 1>this haunted for this reason. It's I mean, it's a

0:37:39.360 --> 0:37:43.440
<v Speaker 1>very natural human urge right to like, you know, capture

0:37:43.480 --> 0:37:46.600
<v Speaker 1>somebody in time or whatever. But it's also like it

0:37:46.680 --> 0:37:49.239
<v Speaker 1>feels almost like you're vending the laws of time. Now

0:37:49.280 --> 0:37:55.319
<v Speaker 1>I'm getting into the all jokes or time travel type,

0:37:55.480 --> 0:38:00.359
<v Speaker 1>all jokes of time travel. I've caught the but it's real. Uh,

0:38:00.480 --> 0:38:04.640
<v Speaker 1>paintings are time travel. I think also a lot of portraiture,

0:38:05.400 --> 0:38:08.520
<v Speaker 1>especially like a lot of its commissioned by like super

0:38:08.520 --> 0:38:10.880
<v Speaker 1>wealthy people, right who only want to be portrayed in

0:38:10.920 --> 0:38:15.359
<v Speaker 1>a very flattering way, in the same way with you know, photography. Now,

0:38:15.800 --> 0:38:19.600
<v Speaker 1>um so, I think to see the friends on stuck

0:38:19.600 --> 0:38:22.759
<v Speaker 1>paintings that in some ways they're kind of not flattering.

0:38:22.800 --> 0:38:26.480
<v Speaker 1>Like the portrait that I was really captivated by, um

0:38:26.840 --> 0:38:30.840
<v Speaker 1>Harrot's under circles are really exaggerated, her eyes and just

0:38:30.920 --> 0:38:34.680
<v Speaker 1>kind of enlarged in a way that it honestly reminds

0:38:34.719 --> 0:38:38.240
<v Speaker 1>me of like um jump scare face in a way.

0:38:38.400 --> 0:38:43.399
<v Speaker 1>It's like beautiful portrait and a jump scare. Um So,

0:38:43.440 --> 0:38:47.000
<v Speaker 1>I think I'm really interested in paintings that do that,

0:38:47.840 --> 0:38:52.400
<v Speaker 1>um yeah for their portrait. I have a weird a

0:38:52.520 --> 0:38:57.480
<v Speaker 1>print that is gigantic that I was given for, like

0:38:57.920 --> 0:39:00.000
<v Speaker 1>I think it was probably around the time I graduate

0:39:00.000 --> 0:39:03.640
<v Speaker 1>ated from college. It's um, this guy Alex Colville, who

0:39:03.760 --> 0:39:07.880
<v Speaker 1>is a Canadian magic realist and it's a woman staring.

0:39:08.000 --> 0:39:10.239
<v Speaker 1>She's on a boat and she has binoculars and she's

0:39:10.280 --> 0:39:14.040
<v Speaker 1>like staring out um. But it's it's such a huge

0:39:14.360 --> 0:39:16.799
<v Speaker 1>print and I didn't know where to put it when

0:39:16.880 --> 0:39:19.960
<v Speaker 1>we moved, so it's in the bedroom and like I

0:39:20.120 --> 0:39:22.440
<v Speaker 1>just every so often my kids are like, can you

0:39:23.160 --> 0:39:25.680
<v Speaker 1>cover that or because she's just like staring and then

0:39:25.680 --> 0:39:28.120
<v Speaker 1>it like faces a mirror, so she's like staring at

0:39:28.160 --> 0:39:31.839
<v Speaker 1>herself and it's like bouncing back. And at some point, uh,

0:39:32.280 --> 0:39:34.200
<v Speaker 1>one of my kids was like, does that ever give

0:39:34.239 --> 0:39:37.760
<v Speaker 1>you the creeps that there's like a giant head staring

0:39:37.800 --> 0:39:41.120
<v Speaker 1>at you with binoculars? And I was like, yeah, it

0:39:41.200 --> 0:39:43.799
<v Speaker 1>maybe I like that, Like maybe it's good. But I

0:39:43.840 --> 0:39:46.120
<v Speaker 1>also feel like the bigger the painting and the bigger

0:39:46.160 --> 0:39:49.600
<v Speaker 1>the portrait that they can definitely get some kind of

0:39:49.640 --> 0:39:52.080
<v Speaker 1>like a haunted quality because it's so like dominating and

0:39:52.080 --> 0:39:54.960
<v Speaker 1>it feels like it kind of just takes over the vibe.

0:39:55.440 --> 0:39:57.640
<v Speaker 1>You just made me realize. My bedroom is full of

0:39:57.680 --> 0:40:02.680
<v Speaker 1>paintings because my boyfriend is a painter. Some of them

0:40:02.719 --> 0:40:05.600
<v Speaker 1>are a little haunted looking, but I also find them

0:40:05.960 --> 0:40:09.480
<v Speaker 1>uh comforting and cozy. It's like you have friends around,

0:40:10.200 --> 0:40:15.640
<v Speaker 1>they're staring at you, and at least right exactly he

0:40:15.760 --> 0:40:18.600
<v Speaker 1>made them, he can put them back in. It's my test.

0:40:18.680 --> 0:40:21.520
<v Speaker 1>That just reminded me that, um my dad had an

0:40:21.560 --> 0:40:24.560
<v Speaker 1>Elvis bus when I was growing up that was in

0:40:24.600 --> 0:40:27.319
<v Speaker 1>the hallway like outside of my bedroom, and I could

0:40:27.440 --> 0:40:30.759
<v Speaker 1>see it while I was sleeping and instantly wake up

0:40:30.840 --> 0:40:34.160
<v Speaker 1>like terrified of the Elvis bus. Oh my god, that's

0:40:34.440 --> 0:40:41.880
<v Speaker 1>would stop. That's a liability. That's so spooky. You know

0:40:41.960 --> 0:40:44.799
<v Speaker 1>Elvis's ghost is in all of those busts. Yeah, every

0:40:44.800 --> 0:40:47.520
<v Speaker 1>single portrait of Elvis is haunted. I think we can say,

0:40:47.840 --> 0:40:52.799
<v Speaker 1>um yeah, um so you also, uh you You're The

0:40:52.840 --> 0:40:56.080
<v Speaker 1>haunting aspect of your album was not limited to its

0:40:56.120 --> 0:41:00.279
<v Speaker 1>inspiration in this painting. You also mixed the of them

0:41:00.280 --> 0:41:05.600
<v Speaker 1>at a haunted studio. Where was this and why is

0:41:05.640 --> 0:41:08.400
<v Speaker 1>it haunted? And how Emily and I were doing a

0:41:08.440 --> 0:41:11.360
<v Speaker 1>little text prep prior to this taping. I was like,

0:41:11.400 --> 0:41:13.280
<v Speaker 1>I feel like you've tread over all my haunted stories

0:41:13.280 --> 0:41:15.680
<v Speaker 1>on other podcasts on this album, which is great. I'm

0:41:15.719 --> 0:41:18.319
<v Speaker 1>happy that I'm finally getting to talk about ghosts on

0:41:18.360 --> 0:41:21.160
<v Speaker 1>an album, Psycho, but I have not talked about Sonic

0:41:21.239 --> 0:41:25.799
<v Speaker 1>Ranch which is where we mixed this album. UM. It's

0:41:25.840 --> 0:41:33.880
<v Speaker 1>in Tornado, Texas, recently famous for ice crimes against humanity. UM.

0:41:34.760 --> 0:41:39.640
<v Speaker 1>But it is the largest residential recording studio in the world. UH.

0:41:39.680 --> 0:41:44.279
<v Speaker 1>And it is on Pecan ranch that was in the

0:41:44.360 --> 0:41:48.319
<v Speaker 1>guy who runs it family for forever UM. So it's

0:41:48.320 --> 0:41:51.239
<v Speaker 1>still active with pecans. He sends them out to like

0:41:51.320 --> 0:41:53.800
<v Speaker 1>people who record at the studio every year for Christmas.

0:41:53.880 --> 0:41:59.160
<v Speaker 1>They're very delicious. UM. And apparently I didn't know this

0:41:59.200 --> 0:42:02.880
<v Speaker 1>when we all to mix there. I had just UM

0:42:03.080 --> 0:42:05.319
<v Speaker 1>toward it a couple of times. I feel like there's

0:42:05.400 --> 0:42:08.920
<v Speaker 1>some long stretch you do on every tour that is

0:42:09.040 --> 0:42:12.920
<v Speaker 1>between like Arizona. I feel like you play Phoenix and

0:42:12.960 --> 0:42:16.040
<v Speaker 1>then you play Austin and that's like a horrifying drive

0:42:16.040 --> 0:42:19.520
<v Speaker 1>in between, and you I just didn't you did it,

0:42:19.600 --> 0:42:23.520
<v Speaker 1>so you know exactly. Yeah, I saw that. You were

0:42:23.600 --> 0:42:26.200
<v Speaker 1>like you texted me at some point. You were like,

0:42:26.239 --> 0:42:28.279
<v Speaker 1>I'm so jealous of your road trip, and I was like,

0:42:28.600 --> 0:42:32.480
<v Speaker 1>You've probably done this so many more times than I have. Jesus,

0:42:34.640 --> 0:42:37.359
<v Speaker 1>so I've I've been able to tour that studio while

0:42:37.400 --> 0:42:41.279
<v Speaker 1>passing between Phoenix and Austin. UM. And I think I'd

0:42:41.320 --> 0:42:45.560
<v Speaker 1>even stayed there before, or at least we've had dinner there. Um.

0:42:45.680 --> 0:42:48.560
<v Speaker 1>And because it's residential, people are there for long stretches

0:42:48.600 --> 0:42:52.120
<v Speaker 1>of time. They have like like cooks on staff who

0:42:52.239 --> 0:42:55.560
<v Speaker 1>make perhaps the best salsa I've ever had in my life,

0:42:55.680 --> 0:42:59.000
<v Speaker 1>really really good breakfast tacos every day. I'm really good.

0:42:59.640 --> 0:43:02.400
<v Speaker 1>It's it's kind of heaven until I tell you about

0:43:02.440 --> 0:43:06.399
<v Speaker 1>the hellish aspects. I could not record vocals there ever,

0:43:06.520 --> 0:43:09.200
<v Speaker 1>because I would just have acid reflux from eating too much,

0:43:09.239 --> 0:43:11.799
<v Speaker 1>like really spicy sauce every day. So it's good that

0:43:11.840 --> 0:43:15.840
<v Speaker 1>we mixed. Um. So I've stayed there. It's like amazing,

0:43:15.960 --> 0:43:19.279
<v Speaker 1>so much cool equipment. Tony, who owns the studio is

0:43:19.360 --> 0:43:22.720
<v Speaker 1>an art collector, so there's like Picasso and Dega prints

0:43:22.840 --> 0:43:27.480
<v Speaker 1>and like every studio and even residents. Um. So we

0:43:27.560 --> 0:43:31.960
<v Speaker 1>got there on the first day and we're told the

0:43:32.080 --> 0:43:33.920
<v Speaker 1>rooms you're supposed to stay in aren't ready, like one

0:43:33.920 --> 0:43:36.600
<v Speaker 1>of the bands that's also tracking is staying a little later,

0:43:36.680 --> 0:43:38.800
<v Speaker 1>but you can move to the room you're supposed to

0:43:38.800 --> 0:43:42.359
<v Speaker 1>be in the next night. So Sarah, who makes the album,

0:43:42.440 --> 0:43:44.160
<v Speaker 1>and I were like, Okay, we'll stay in this. Like

0:43:44.680 --> 0:43:47.840
<v Speaker 1>it's like a newer built bedroom that's right off the kitchen,

0:43:48.200 --> 0:43:50.000
<v Speaker 1>and we're like, it's not as like fancy as the

0:43:50.040 --> 0:43:53.680
<v Speaker 1>old casita rooms, but like fine, we'll stay here. We're

0:43:53.680 --> 0:43:56.480
<v Speaker 1>fine with whatever. Only the next day we find out

0:43:56.520 --> 0:43:59.680
<v Speaker 1>that pretty much every other room has like some kind

0:43:59.680 --> 0:44:04.200
<v Speaker 1>of verifying haunting story, whether it's someone waking up and

0:44:04.400 --> 0:44:06.600
<v Speaker 1>seeing a man sitting in the corner just like watching

0:44:06.600 --> 0:44:10.920
<v Speaker 1>them sleep. Um, there are stories of a bed hovering.

0:44:11.360 --> 0:44:14.400
<v Speaker 1>There are stories of like a little girl floating above

0:44:14.440 --> 0:44:18.920
<v Speaker 1>you while you sleep. So and then there's the one

0:44:18.920 --> 0:44:22.120
<v Speaker 1>we were supposed to be in. There's like, uh, one

0:44:22.120 --> 0:44:24.200
<v Speaker 1>of the engineers we were working with was like, that's

0:44:24.239 --> 0:44:26.640
<v Speaker 1>my favorite room. But also there's like a presence that's

0:44:26.680 --> 0:44:31.680
<v Speaker 1>there all the time. Um, and yeah, so we wind

0:44:31.760 --> 0:44:35.120
<v Speaker 1>up not switching our rooms, you wanted to say, and

0:44:35.239 --> 0:44:38.120
<v Speaker 1>like the newly built one that surely wasn't haunted. I'm

0:44:38.120 --> 0:44:42.800
<v Speaker 1>totally into haunted things in like a situation I can control.

0:44:42.840 --> 0:44:44.480
<v Speaker 1>I just don't want to wake up and see a

0:44:44.480 --> 0:44:49.080
<v Speaker 1>guy floating above me sharing it you while you sleep,

0:44:50.440 --> 0:44:53.400
<v Speaker 1>or lose sleep worrying about it when you're supposed to

0:44:53.480 --> 0:44:56.360
<v Speaker 1>be like working and being at top like mental state

0:44:56.440 --> 0:44:59.760
<v Speaker 1>or whatever. We were working already really really long hours,

0:45:00.040 --> 0:45:02.960
<v Speaker 1>like he pulled it more than one all night, or

0:45:03.360 --> 0:45:05.439
<v Speaker 1>I just didn't want to deal with the floating guy.

0:45:05.680 --> 0:45:09.000
<v Speaker 1>But maybe if I go record there it would be

0:45:09.040 --> 0:45:13.600
<v Speaker 1>a nice inspiring and the other fun fact I told

0:45:13.680 --> 0:45:17.680
<v Speaker 1>Emily about the studio when I first went through, and

0:45:17.760 --> 0:45:21.000
<v Speaker 1>meant the guy who owns it um. I was like,

0:45:21.040 --> 0:45:23.120
<v Speaker 1>it's so weird, like he really reminds me of David

0:45:23.200 --> 0:45:26.479
<v Speaker 1>Carradine for some reason. And I said this, and then

0:45:26.520 --> 0:45:31.000
<v Speaker 1>like maybe a year later, found out that apparently, Um

0:45:31.000 --> 0:45:34.400
<v Speaker 1>Tarantino would like pass through this studio. Tony seems to

0:45:34.400 --> 0:45:39.160
<v Speaker 1>know like everybody, he's just a El Paso legend. Um,

0:45:39.200 --> 0:45:41.640
<v Speaker 1>he's like Buddies with Zazi Top and Billy Gibbons comes

0:45:41.640 --> 0:45:44.560
<v Speaker 1>to the studio all the time. So I had said

0:45:44.560 --> 0:45:46.440
<v Speaker 1>this a year before and then found out that apparently

0:45:46.480 --> 0:45:50.920
<v Speaker 1>Bill from Kill Bill is based on Tony was in

0:45:51.360 --> 0:45:55.480
<v Speaker 1>part inspired by him. I sent you, you guys, the

0:45:55.560 --> 0:45:57.480
<v Speaker 1>link to the picture of him, but it's like very

0:45:57.480 --> 0:46:00.600
<v Speaker 1>apparent when you say this picture. If you google him,

0:46:00.600 --> 0:46:16.560
<v Speaker 1>you'll see all kinds of pictures like what was Tarantino

0:46:16.680 --> 0:46:18.680
<v Speaker 1>doing there? Just hanging out and having the salsa and

0:46:18.719 --> 0:46:22.919
<v Speaker 1>the cons Like, so Tony seems to know everybody. He's

0:46:22.960 --> 0:46:25.960
<v Speaker 1>like a really lovely person who has all kinds of

0:46:25.960 --> 0:46:30.040
<v Speaker 1>incredible like stories that it's not always clear if they're

0:46:30.120 --> 0:46:35.680
<v Speaker 1>completely true about um like warez cartel activity. Uh. He

0:46:35.760 --> 0:46:40.680
<v Speaker 1>told us a very fun story about hand soup. Was

0:46:41.200 --> 0:46:45.200
<v Speaker 1>just someone a faster once so hand he's a soup

0:46:45.280 --> 0:46:52.560
<v Speaker 1>made from a hand, soup made from human hands. What wow,

0:46:52.880 --> 0:46:57.719
<v Speaker 1>pardon I just watched Texas Chainsaw Massacre, so this completely

0:46:57.719 --> 0:47:01.800
<v Speaker 1>tracks right. No, Like my has not flinched and listening,

0:47:01.880 --> 0:47:05.399
<v Speaker 1>She's like, yeah, that's Texas. You know they make hand

0:47:05.440 --> 0:47:08.000
<v Speaker 1>stoop down there. It's a true story, it said at

0:47:08.000 --> 0:47:11.880
<v Speaker 1>the beginning of the movie. It's like hand soap, but

0:47:12.120 --> 0:47:18.440
<v Speaker 1>handspe That's incredible. I see this all, even the ghost stuff,

0:47:18.440 --> 0:47:21.759
<v Speaker 1>even the spooky stuff, even the presence of Quentin Tarantino.

0:47:22.480 --> 0:47:25.200
<v Speaker 1>This all sounds kind of like right now. My latest

0:47:25.640 --> 0:47:28.760
<v Speaker 1>Quarantine era dream is to have like a home studio

0:47:29.560 --> 0:47:32.160
<v Speaker 1>or have like a residential studio, Like I want to

0:47:32.239 --> 0:47:35.359
<v Speaker 1>like buy a farmhouse in Iowa and let people come

0:47:35.360 --> 0:47:37.600
<v Speaker 1>through and like finished movies in it. This is the

0:47:37.600 --> 0:47:40.240
<v Speaker 1>first time I've spoken this publicly, but like I'm gonna.

0:47:40.239 --> 0:47:43.640
<v Speaker 1>I'm putting it out into the universe manifest once again.

0:47:43.680 --> 0:47:47.279
<v Speaker 1>I'm saying Texas chain saw massacre, be very careful with

0:47:47.320 --> 0:47:52.640
<v Speaker 1>those old farmhouses. We don't have um so many cannibals

0:47:52.680 --> 0:47:56.600
<v Speaker 1>in Iowa, but we have children of the corner rightly,

0:47:58.040 --> 0:48:01.359
<v Speaker 1>the fun reason why it will not fun. But um,

0:48:01.400 --> 0:48:04.560
<v Speaker 1>there's a couple of different like of course, once I

0:48:04.640 --> 0:48:06.359
<v Speaker 1>heard that this is faunt and I'm going on all

0:48:06.400 --> 0:48:10.400
<v Speaker 1>the weird like forums that look like they're from reporting

0:48:10.440 --> 0:48:14.080
<v Speaker 1>every ghost sighting in Tornado, Texas. Um, there's apparently a

0:48:14.080 --> 0:48:17.160
<v Speaker 1>little girl by the little little ghostly girl by the

0:48:17.160 --> 0:48:20.400
<v Speaker 1>train tracks. Um, there's there's a few outside of Sonic

0:48:20.400 --> 0:48:24.520
<v Speaker 1>Branch itself, but it's quite it's quite literally the border

0:48:24.640 --> 0:48:28.919
<v Speaker 1>like you could walk and be in Mexico quite easily. UM.

0:48:28.960 --> 0:48:32.680
<v Speaker 1>And apparently some of the buildings on site at this studio,

0:48:32.920 --> 0:48:35.120
<v Speaker 1>which is like pretty large, you have to there's like

0:48:35.160 --> 0:48:37.760
<v Speaker 1>trucks and stuff on site that you have to drive

0:48:37.800 --> 0:48:40.600
<v Speaker 1>to get around to some of the different studios. So

0:48:40.640 --> 0:48:42.759
<v Speaker 1>they've made use of some really old buildings and some

0:48:42.840 --> 0:48:46.920
<v Speaker 1>of them were apparently used um as like a holding

0:48:46.960 --> 0:48:49.880
<v Speaker 1>self for people um crossing the border. So there's like

0:48:50.160 --> 0:48:54.680
<v Speaker 1>probably some messed up stuff that happened prior to it

0:48:54.800 --> 0:48:59.279
<v Speaker 1>becoming this farm. Um, which maybe explains like, yeah, it's

0:48:59.320 --> 0:49:03.759
<v Speaker 1>a travel bad energy. They're in the corner. Yeah, so

0:49:03.800 --> 0:49:06.640
<v Speaker 1>there's apparently good and bad ghosts there. But I didn't

0:49:06.680 --> 0:49:10.960
<v Speaker 1>get to I didn't get to meet any boy choice.

0:49:09.239 --> 0:49:14.120
<v Speaker 1>So um, well let's we wanted to take a night

0:49:14.160 --> 0:49:17.000
<v Speaker 1>call with you. It's also a night email when you

0:49:17.000 --> 0:49:19.720
<v Speaker 1>guys want to read it. Yeah, this comes from London

0:49:19.800 --> 0:49:23.600
<v Speaker 1>Eddie High Night Call Crew. Longtime listener, first time email

0:49:23.680 --> 0:49:25.920
<v Speaker 1>or a big fan of the pod Heavy podcast. I

0:49:25.960 --> 0:49:28.640
<v Speaker 1>went to an isolation pod for my twenty one birthday

0:49:28.680 --> 0:49:31.480
<v Speaker 1>on a whim, decided to ignore any skeptical thoughts and

0:49:31.560 --> 0:49:35.120
<v Speaker 1>figuratively dived into the experience. During the hour long float,

0:49:35.160 --> 0:49:37.840
<v Speaker 1>I achieved more of a genuine meditational feeling than I

0:49:37.840 --> 0:49:41.160
<v Speaker 1>had ever gotten from traditional methods. I spent the following

0:49:41.200 --> 0:49:44.120
<v Speaker 1>three hours feeling the same floaty feeling across my entire

0:49:44.200 --> 0:49:47.600
<v Speaker 1>body slash consciousness. The feeling only started to wane after

0:49:47.640 --> 0:49:49.480
<v Speaker 1>I'd been in the cinema for a while and the

0:49:49.520 --> 0:49:52.359
<v Speaker 1>crazy third act of Sorry to Bother You came crashing down.

0:49:52.920 --> 0:49:55.520
<v Speaker 1>Interestingly enough, the isolation center was in the middle of

0:49:55.560 --> 0:49:58.840
<v Speaker 1>London's Central business district. By the look of the other customers,

0:49:58.880 --> 0:50:01.720
<v Speaker 1>it seemed like high powered execs have swapped their weekly

0:50:01.760 --> 0:50:05.279
<v Speaker 1>squash court lunches for hour long isolation sessions. I wish

0:50:05.320 --> 0:50:07.320
<v Speaker 1>I'd stayed to ask one if it helps to escape

0:50:07.520 --> 0:50:10.440
<v Speaker 1>or if it helps them visualize. I can't decide if

0:50:10.480 --> 0:50:13.279
<v Speaker 1>it's like a real I also misread this email the

0:50:13.280 --> 0:50:15.880
<v Speaker 1>first time, and I thought that while he was in

0:50:16.000 --> 0:50:18.320
<v Speaker 1>the chamber a while, he was in his meditative state,

0:50:18.520 --> 0:50:21.160
<v Speaker 1>like he had a flashback to the third act of

0:50:21.239 --> 0:50:23.480
<v Speaker 1>Sorry to Bother You. I thought he was using a

0:50:24.000 --> 0:50:25.640
<v Speaker 1>using it as a metaphor, and I was like, I

0:50:25.640 --> 0:50:28.880
<v Speaker 1>wonder what he means by I think right to the movies,

0:50:29.040 --> 0:50:31.840
<v Speaker 1>and he saw Sorry to Bother You, which seems like

0:50:31.880 --> 0:50:35.200
<v Speaker 1>a crazy thing to do after being in an isolation pod.

0:50:35.360 --> 0:50:39.640
<v Speaker 1>That's like a lot of movie. Um, but I didn't

0:50:39.680 --> 0:50:42.600
<v Speaker 1>know what was coming in the third yeah for us,

0:50:43.080 --> 0:50:46.319
<v Speaker 1>so maybe you know, he thought it'd be like it

0:50:46.360 --> 0:50:53.200
<v Speaker 1>brought everybody down. Um yeah, that's uh. I mean, this

0:50:53.280 --> 0:50:56.120
<v Speaker 1>is what have you ead in an isolation pod or

0:50:56.160 --> 0:51:01.239
<v Speaker 1>anything like that? Sadie absolutely not even here. The At first,

0:51:01.280 --> 0:51:04.040
<v Speaker 1>I was like, what is isolation pod? I thought it

0:51:04.080 --> 0:51:06.160
<v Speaker 1>was like an escape room, and then when you say

0:51:06.600 --> 0:51:08.880
<v Speaker 1>I was like, oh, it's a float tank. Even hearing

0:51:08.880 --> 0:51:13.360
<v Speaker 1>that expression at my heart rate. Are you claustrophobic or

0:51:13.440 --> 0:51:17.120
<v Speaker 1>is it just like I just have a hyperactive brain

0:51:17.239 --> 0:51:21.040
<v Speaker 1>that would not be able to cope. See, I wonder

0:51:21.120 --> 0:51:24.839
<v Speaker 1>because I always I feel like that too. And apparently

0:51:24.880 --> 0:51:27.400
<v Speaker 1>though when you have zero, like I think, maybe for

0:51:27.440 --> 0:51:30.279
<v Speaker 1>the first few minutes, you're kind of like your mind

0:51:30.360 --> 0:51:32.080
<v Speaker 1>is racing and this is what I've heard. But then

0:51:32.520 --> 0:51:36.200
<v Speaker 1>for some reason, the absolute lack of stimuli makes you

0:51:36.239 --> 0:51:38.640
<v Speaker 1>calm down. I'm very I want I would like to

0:51:38.680 --> 0:51:40.760
<v Speaker 1>experience that. I would also like to have a panic

0:51:40.800 --> 0:51:46.239
<v Speaker 1>button on hand. I think you think, yeah, I feel

0:51:46.280 --> 0:51:49.560
<v Speaker 1>like I'd be so like bored and then stressed about that,

0:51:49.640 --> 0:51:52.279
<v Speaker 1>and then angry that I put myself in the situation

0:51:52.320 --> 0:51:56.839
<v Speaker 1>to be bored and stressed and angry. I would think

0:51:56.840 --> 0:51:59.239
<v Speaker 1>it would be like meditation, though it's like you don't

0:51:59.239 --> 0:52:02.719
<v Speaker 1>do all that. Yeah, even if I'm like on a treadmill,

0:52:02.920 --> 0:52:05.720
<v Speaker 1>I have to be like listening to something and also

0:52:05.800 --> 0:52:10.600
<v Speaker 1>reading on the you know, yeah, I have. I managed

0:52:10.640 --> 0:52:14.560
<v Speaker 1>to actually meditate for probably like three minutes or something

0:52:14.600 --> 0:52:17.080
<v Speaker 1>for the first time I think in my life. When

0:52:17.120 --> 0:52:20.120
<v Speaker 1>I was in Iowa recently, uh, and I you know,

0:52:20.200 --> 0:52:21.600
<v Speaker 1>that was encouraging to me. I was like, oh, maybe

0:52:21.640 --> 0:52:23.920
<v Speaker 1>I can do this more. But I was always fairly

0:52:23.960 --> 0:52:27.120
<v Speaker 1>convinced and still fairly convinced that it's just not a

0:52:27.239 --> 0:52:32.080
<v Speaker 1>thing I do naturally too many synapsis. I'm sure it'd

0:52:32.080 --> 0:52:34.080
<v Speaker 1>be good if I could get to that point, but

0:52:34.520 --> 0:52:37.920
<v Speaker 1>not yet. Definitely. No. Well, what kind of are there

0:52:37.960 --> 0:52:41.680
<v Speaker 1>any kind of like holistic e or new age things

0:52:41.800 --> 0:52:45.680
<v Speaker 1>like isolation tanks that you would ever consider exploring? I mean,

0:52:45.760 --> 0:52:48.960
<v Speaker 1>I do all kinds of hippie ship. Um. What's the

0:52:49.000 --> 0:52:54.560
<v Speaker 1>best hippie ship? I guess you know. I get acupuncture, um,

0:52:54.640 --> 0:52:58.600
<v Speaker 1>which in some ways is you know that's that's just medicine. Well,

0:52:58.640 --> 0:53:00.479
<v Speaker 1>a lot of that stuff is stuffy. You just can't

0:53:00.520 --> 0:53:02.400
<v Speaker 1>do now. I mean, the isolation pod is probably like

0:53:02.440 --> 0:53:04.000
<v Speaker 1>one of the safe things you could do because it's

0:53:04.040 --> 0:53:08.480
<v Speaker 1>literally an isolation pod. But you know, when I was

0:53:08.560 --> 0:53:12.600
<v Speaker 1>in Vegas, uh, I was like walking through the like

0:53:12.680 --> 0:53:15.800
<v Speaker 1>one of these like malls that connects the two casinos,

0:53:15.840 --> 0:53:19.480
<v Speaker 1>and they had a bunch of those aqua massage tables

0:53:19.520 --> 0:53:23.240
<v Speaker 1>out um, you know, like the tube where the water

0:53:23.280 --> 0:53:25.920
<v Speaker 1>punnel pummels people. It's basically you get put into a

0:53:26.000 --> 0:53:29.920
<v Speaker 1>rubber bag and then like jets of water like massage you.

0:53:30.320 --> 0:53:33.600
<v Speaker 1>So you don't get wet obviously, but it's very disturbing

0:53:33.640 --> 0:53:35.799
<v Speaker 1>to watch because it just looks like a body in

0:53:35.840 --> 0:53:39.160
<v Speaker 1>a body bag getting washed with water. Um and it.

0:53:39.280 --> 0:53:41.480
<v Speaker 1>But it sounds like getting eaten by a water bed,

0:53:41.760 --> 0:53:44.359
<v Speaker 1>like it just wrapped in a water bed. I'm never

0:53:44.440 --> 0:53:46.920
<v Speaker 1>sort of the idea, but I was also like, sounds

0:53:46.960 --> 0:53:49.680
<v Speaker 1>nice though I think it's probably feels really good. And

0:53:49.760 --> 0:53:52.080
<v Speaker 1>I was also like, oh, this makes a lot of sense,

0:53:52.120 --> 0:53:54.680
<v Speaker 1>I mean, aside from like being in a mall. But

0:53:54.760 --> 0:53:58.560
<v Speaker 1>like you know, massages are sort of hard to come

0:53:58.600 --> 0:54:01.000
<v Speaker 1>by if that's something that you're getting regularly, or like

0:54:01.239 --> 0:54:03.640
<v Speaker 1>you know, something that you know your your muscles need

0:54:03.719 --> 0:54:06.040
<v Speaker 1>or whatever, like you can get pummeled by some water

0:54:06.120 --> 0:54:08.840
<v Speaker 1>instead of human hands. The machines will do all the work.

0:54:09.520 --> 0:54:12.239
<v Speaker 1>I'm not gonna put I guess I'm putting my mom

0:54:12.239 --> 0:54:15.040
<v Speaker 1>on blast a little bit here. I'm gonna tease my mom.

0:54:15.600 --> 0:54:21.680
<v Speaker 1>Uh sorry mom. She um Before all this, she has

0:54:21.680 --> 0:54:26.279
<v Speaker 1>a gym membership in Connecticut. And U she'll go on

0:54:26.320 --> 0:54:29.839
<v Speaker 1>the elliptical. She just fifteen minutes on the elliptical. Uh,

0:54:30.239 --> 0:54:32.719
<v Speaker 1>like you've been a very casual pace. And then she

0:54:32.800 --> 0:54:36.560
<v Speaker 1>goes there's like a water bed massage thing um at

0:54:36.560 --> 0:54:39.760
<v Speaker 1>the gym, and she'll go for like forty five minutes.

0:54:40.040 --> 0:54:42.480
<v Speaker 1>So I'm pretty sure she only has the gym membership

0:54:43.080 --> 0:54:49.320
<v Speaker 1>to use the like massage machines. That's that's legit, especially

0:54:49.400 --> 0:54:51.399
<v Speaker 1>in the before times. If you could get a gym

0:54:51.440 --> 0:54:53.439
<v Speaker 1>with the steam room in it, like that's the word,

0:54:53.800 --> 0:54:57.400
<v Speaker 1>that's worthsome membership. I miss I missed my gym. I

0:54:57.400 --> 0:55:00.480
<v Speaker 1>missed my weird steam room at the Glendale y m C.

0:55:00.680 --> 0:55:04.239
<v Speaker 1>I was gonna say, I'm Hollywood why over here? The

0:55:04.280 --> 0:55:07.400
<v Speaker 1>Glendale y was actively haunted, and that was part of

0:55:07.400 --> 0:55:09.680
<v Speaker 1>what I loved about. It had an empty hot tub

0:55:10.080 --> 0:55:12.919
<v Speaker 1>that had just lights flickering on it all the time,

0:55:13.239 --> 0:55:16.120
<v Speaker 1>like a David Lynch. Holes and hot tubs and steam

0:55:16.160 --> 0:55:19.480
<v Speaker 1>rooms are just haunted. Yeah, haunted hot tub is our vibe.

0:55:19.560 --> 0:55:20.879
<v Speaker 1>A lot of the y m c A s out

0:55:20.880 --> 0:55:24.440
<v Speaker 1>here feel haunted because the Hollywood one is very haunted feeling.

0:55:24.440 --> 0:55:26.480
<v Speaker 1>It's it's like a labyrinth and it's all of these

0:55:26.520 --> 0:55:30.280
<v Speaker 1>like very strange old buildings with like like Spanish style

0:55:30.320 --> 0:55:33.359
<v Speaker 1>building right, yeah, yeah, and it has like a lot

0:55:33.400 --> 0:55:36.160
<v Speaker 1>of like courtyards with kind of you know, all of

0:55:36.200 --> 0:55:38.719
<v Speaker 1>these like multi story buildings around it, so you see

0:55:38.719 --> 0:55:40.680
<v Speaker 1>like the little faces in the window when you're standing

0:55:40.719 --> 0:55:43.600
<v Speaker 1>in the courtyard. I thought it was haunted. My daughter

0:55:43.640 --> 0:55:46.840
<v Speaker 1>did ballet and it felt very That room was especially

0:55:46.920 --> 0:55:50.680
<v Speaker 1>like had a vibe, had a cool breeze. You sound nice.

0:55:50.800 --> 0:55:53.720
<v Speaker 1>I'm wishing I lived outside of Philly, where our wise

0:55:53.800 --> 0:56:00.400
<v Speaker 1>not nearly hopefully. Well, before we let you go, I

0:56:00.440 --> 0:56:02.279
<v Speaker 1>wanted to talk a little bit because I realized it

0:56:02.440 --> 0:56:06.160
<v Speaker 1>have been like a year since you were part of

0:56:06.160 --> 0:56:09.719
<v Speaker 1>this no Music for Ice campaign, which is really awesome

0:56:10.360 --> 0:56:13.360
<v Speaker 1>and it's still active apparently. But this was kind of

0:56:13.360 --> 0:56:18.080
<v Speaker 1>happening in around the the Amazon Music festival that happened

0:56:18.560 --> 0:56:22.040
<v Speaker 1>like in last December, which I recently saw like a

0:56:22.040 --> 0:56:23.920
<v Speaker 1>a billboard for that was still up because you know,

0:56:24.080 --> 0:56:26.400
<v Speaker 1>like no billboards are getting turned over. So I actually

0:56:26.440 --> 0:56:29.680
<v Speaker 1>saw like a billboard for the They have so much

0:56:29.680 --> 0:56:33.200
<v Speaker 1>money they probably just forgot to stop paying for it. Yeah, yeah,

0:56:33.440 --> 0:56:36.680
<v Speaker 1>they'll still be advertising this this music festival from December,

0:56:36.719 --> 0:56:39.480
<v Speaker 1>but apparently it was a massive flop and had almost

0:56:39.480 --> 0:56:42.399
<v Speaker 1>no attendance. They had to like give away a bunch

0:56:42.440 --> 0:56:45.160
<v Speaker 1>of tickets. Yeah, I heard that they were just like

0:56:45.239 --> 0:56:50.240
<v Speaker 1>giving out tickets, are are like deeply discounting them. Um.

0:56:50.280 --> 0:56:52.359
<v Speaker 1>But yeah, and it was it was this thing where

0:56:52.440 --> 0:56:54.520
<v Speaker 1>I mean I was kind of surprised that there wasn't

0:56:54.560 --> 0:57:00.440
<v Speaker 1>more of a at large, um rejection of that, Like

0:57:00.480 --> 0:57:02.799
<v Speaker 1>there were so many people who are like, oh cool, yeah,

0:57:02.920 --> 0:57:07.680
<v Speaker 1>Amazon's and the music festival business now instead of just

0:57:07.719 --> 0:57:10.839
<v Speaker 1>sort of like, I don't know, it just felt like

0:57:10.920 --> 0:57:14.439
<v Speaker 1>such a off tone thing to do, especially with how

0:57:14.800 --> 0:57:17.880
<v Speaker 1>much their involvement with Ice had been in the news recently.

0:57:17.920 --> 0:57:19.920
<v Speaker 1>It's like, really, you're going to go like do the

0:57:19.920 --> 0:57:23.640
<v Speaker 1>Halliburton Music Festival like it just I don't know that.

0:57:24.440 --> 0:57:28.520
<v Speaker 1>But I was really I really appreciated your, uh, your involvement,

0:57:28.760 --> 0:57:31.560
<v Speaker 1>like you know how vocal you were around that. Um. Yeah,

0:57:31.880 --> 0:57:34.560
<v Speaker 1>it was a cool Um. It was a cool thing

0:57:34.600 --> 0:57:36.640
<v Speaker 1>to be a part of. And it was amazing to

0:57:36.680 --> 0:57:40.280
<v Speaker 1>see how many people pretty instantly signed onto it. I

0:57:40.280 --> 0:57:43.600
<v Speaker 1>think we announced it and had about a thousand musicians

0:57:43.600 --> 0:57:46.960
<v Speaker 1>sign on like within the we Neilson on the Friday

0:57:47.000 --> 0:57:50.160
<v Speaker 1>and by Monday they were over a thousand signatures of

0:57:50.280 --> 0:57:54.080
<v Speaker 1>just a lot of musicians who pledged not to do

0:57:54.160 --> 0:57:58.200
<v Speaker 1>collaborative projects with Amazon um until they ended there. The

0:57:59.440 --> 0:58:03.560
<v Speaker 1>it's such a complicated net of like subsidiaries, but basically

0:58:03.640 --> 0:58:08.640
<v Speaker 1>Amazon technology powers not only the infrastructure that ICE uses

0:58:08.720 --> 0:58:10.760
<v Speaker 1>to track and deport people, but also a lot of

0:58:10.760 --> 0:58:13.840
<v Speaker 1>police departments used for like facial recognition stuff like that.

0:58:14.640 --> 0:58:17.120
<v Speaker 1>Just so a lot of like messed up surveillance, all

0:58:17.160 --> 0:58:22.400
<v Speaker 1>that paleer stuff. Yeah, exactly, Yeah, as I said, web

0:58:22.440 --> 0:58:26.800
<v Speaker 1>of company names. Um So, we did that project, and

0:58:26.840 --> 0:58:28.640
<v Speaker 1>it was kind of funny, like I was working on

0:58:28.680 --> 0:58:31.160
<v Speaker 1>this record while we launched that. It was a really

0:58:31.160 --> 0:58:34.680
<v Speaker 1>small group of people who started it, like maybe six

0:58:34.720 --> 0:58:38.040
<v Speaker 1>of us. Um So, I was tracking on the painting

0:58:38.800 --> 0:58:41.560
<v Speaker 1>when we launched, and I was in the studio doing

0:58:41.600 --> 0:58:43.760
<v Speaker 1>like strings and woodwind stuff for the first time in

0:58:43.800 --> 0:58:48.640
<v Speaker 1>my life, working like long studio days, and then immediately

0:58:48.760 --> 0:58:53.000
<v Speaker 1>getting on my email to like send out to press

0:58:53.080 --> 0:58:54.920
<v Speaker 1>about what was going on, and then waking up the

0:58:54.960 --> 0:58:58.200
<v Speaker 1>next morning, like four hours before studio time to like

0:58:58.320 --> 0:59:01.280
<v Speaker 1>continue to send press emails and spawned to them. Um So,

0:59:01.320 --> 0:59:04.280
<v Speaker 1>it was a very like kind of intense project to

0:59:04.320 --> 0:59:06.400
<v Speaker 1>take on in the middle of like a very intense

0:59:06.400 --> 0:59:10.680
<v Speaker 1>recording project, even like UM when the festival was happening,

0:59:10.720 --> 0:59:12.680
<v Speaker 1>we were trying to coordinate. We were able to get

0:59:12.720 --> 0:59:15.120
<v Speaker 1>a bunch of the No Music for Ice t shirts

0:59:15.200 --> 0:59:18.600
<v Speaker 1>on the ground to to festival attendees and sort of

0:59:18.640 --> 0:59:22.360
<v Speaker 1>explained to them, like why this is a problem. UM.

0:59:22.400 --> 0:59:23.880
<v Speaker 1>And that was all going on while I was at

0:59:23.960 --> 0:59:26.600
<v Speaker 1>Sonic Ranch. So I taped like a local news segment,

0:59:26.680 --> 0:59:31.080
<v Speaker 1>actually weirdly over stipe, like before the quarantine started. I

0:59:31.080 --> 0:59:34.600
<v Speaker 1>hadn't done something like that before. UM. I taped like

0:59:34.600 --> 0:59:36.600
<v Speaker 1>a Vegas news segment while I was mixing, like I

0:59:36.640 --> 0:59:39.520
<v Speaker 1>gotta go outside one second, just to talk about why

0:59:39.560 --> 0:59:41.360
<v Speaker 1>no one should be at this festival. And for the

0:59:41.400 --> 0:59:44.320
<v Speaker 1>most part, media didn't cover it. They didn't touch it.

0:59:44.400 --> 0:59:47.080
<v Speaker 1>We were leading the list of press names and it

0:59:47.160 --> 0:59:50.680
<v Speaker 1>was all like I'm the cannabis reporter for a college

0:59:50.720 --> 0:59:55.080
<v Speaker 1>and like Reno UM. So it was it was funny

0:59:55.120 --> 0:59:56.920
<v Speaker 1>to see it basically flopped. But a lot of the

0:59:56.960 --> 1:00:00.600
<v Speaker 1>people who are involved with No Music Ice has kind

1:00:00.600 --> 1:00:02.960
<v Speaker 1>of moved over to this Union of Musicians and Allied

1:00:03.000 --> 1:00:06.840
<v Speaker 1>Workers which launched in March UM and we're sort of

1:00:06.880 --> 1:00:09.720
<v Speaker 1>involved in a number of different projects that are not

1:00:09.840 --> 1:00:14.320
<v Speaker 1>only like trying to secure more ethical pay and treatment

1:00:14.400 --> 1:00:18.400
<v Speaker 1>for for music workers, but also um making clear our

1:00:18.440 --> 1:00:23.360
<v Speaker 1>stances on human rights abuses like this and why musicians

1:00:23.360 --> 1:00:26.439
<v Speaker 1>shouldn't collaborate with companies who choose to engage in them.

1:00:26.480 --> 1:00:29.440
<v Speaker 1>So it's been it's been a nice group to be

1:00:29.520 --> 1:00:31.240
<v Speaker 1>part of, and I'm really psyched on a lot of

1:00:31.240 --> 1:00:34.080
<v Speaker 1>the projects that we're working on. That's awesome. Yeah, I

1:00:34.080 --> 1:00:37.200
<v Speaker 1>mean I I don't really know the ins and outs

1:00:37.280 --> 1:00:39.240
<v Speaker 1>of all this stuff and how people are getting paid.

1:00:39.240 --> 1:00:42.080
<v Speaker 1>I mean, one thing I was hearing from musicians was

1:00:42.160 --> 1:00:45.600
<v Speaker 1>just like, oh, well, Amazon's platform like Amazon Music, not

1:00:45.640 --> 1:00:48.080
<v Speaker 1>necessarily I don't know about the streaming platform, but like

1:00:48.200 --> 1:00:51.360
<v Speaker 1>it's one of the lower paid. Uh, it's one of

1:00:51.400 --> 1:00:54.160
<v Speaker 1>the lower pays per like streamer or sale of any

1:00:54.160 --> 1:00:59.360
<v Speaker 1>of the online music retailers, but pretty abysmal, like for

1:00:59.480 --> 1:01:04.080
<v Speaker 1>sales you m m, they take one of the highest cuts. Wow,

1:01:04.120 --> 1:01:07.360
<v Speaker 1>I mean that's not surprising. I know, more books and

1:01:07.440 --> 1:01:11.200
<v Speaker 1>movies and yeah, you know their a monopoly. Yeah, it's

1:01:11.360 --> 1:01:13.240
<v Speaker 1>it's one of these things where it's just like that.

1:01:13.240 --> 1:01:17.440
<v Speaker 1>That's actually like kind of my biggest guilt point not Amazon.

1:01:17.480 --> 1:01:20.600
<v Speaker 1>I've basically removed Amazon from my life, but like Spotify

1:01:20.680 --> 1:01:24.360
<v Speaker 1>and all these other all the other streaming platforms and stuff,

1:01:24.440 --> 1:01:26.800
<v Speaker 1>it's just really I mean, I use it too, But

1:01:26.880 --> 1:01:29.680
<v Speaker 1>I also recognized that they could absolutely afford to pay

1:01:30.040 --> 1:01:33.800
<v Speaker 1>people a fair rate per stream and have chosen you too.

1:01:33.920 --> 1:01:36.520
<v Speaker 1>And I'm glad that a lot of people are starting

1:01:36.520 --> 1:01:39.400
<v Speaker 1>to talk about that. And I'm glad that. Um there's

1:01:39.400 --> 1:01:43.040
<v Speaker 1>a whole streaming subcommittee in in the Union that I'm

1:01:43.040 --> 1:01:46.480
<v Speaker 1>not part of. I work with the Venues UM Corner,

1:01:46.600 --> 1:01:51.439
<v Speaker 1>which is about basically trying to to make venues more

1:01:51.520 --> 1:01:55.920
<v Speaker 1>safe for patrons, workers, musicians, etcetera, UM, and a couple

1:01:55.960 --> 1:01:58.040
<v Speaker 1>other points. But the streaming of people have been really

1:01:58.080 --> 1:02:01.640
<v Speaker 1>really working on a campaign to basically request hire rates

1:02:01.680 --> 1:02:03.640
<v Speaker 1>for for the musicians such are part of the platform.

1:02:03.760 --> 1:02:06.400
<v Speaker 1>The other thing that the streaming services don't do is

1:02:06.440 --> 1:02:10.600
<v Speaker 1>like credits. So, um, there's all kinds of things they

1:02:10.640 --> 1:02:13.160
<v Speaker 1>could do to improve how people get paid from from

1:02:13.160 --> 1:02:16.720
<v Speaker 1>every part of the record and they have not done that.

1:02:16.760 --> 1:02:19.480
<v Speaker 1>It seems so crucial now too, because it's just like, oh,

1:02:19.520 --> 1:02:21.919
<v Speaker 1>you cut out to any way we're making any money. Yeah,

1:02:22.080 --> 1:02:25.640
<v Speaker 1>you have you done any like live stream shows or

1:02:26.040 --> 1:02:29.880
<v Speaker 1>zoom shows. I've mostly been avoiding it because I don't

1:02:30.040 --> 1:02:33.120
<v Speaker 1>even before this, I hate to play solo. It's just

1:02:33.160 --> 1:02:35.760
<v Speaker 1>like not fun for me. And there's now the component

1:02:35.760 --> 1:02:38.280
<v Speaker 1>where you have to like film and record yourself, so

1:02:38.320 --> 1:02:41.480
<v Speaker 1>I not only have to like produce a video, but

1:02:41.560 --> 1:02:43.640
<v Speaker 1>I have to like engineer and mix the song of

1:02:43.680 --> 1:02:46.720
<v Speaker 1>something I don't even like doing. So I've mostly been

1:02:46.720 --> 1:02:49.040
<v Speaker 1>saying no. But I did just do a big project

1:02:49.280 --> 1:02:51.840
<v Speaker 1>um that it took me like a week to get done,

1:02:51.920 --> 1:02:54.880
<v Speaker 1>where I did a full band set. It was hell,

1:02:55.080 --> 1:02:56.920
<v Speaker 1>but it's done, and maybe now that I know how

1:02:56.960 --> 1:02:59.280
<v Speaker 1>to do it, I'll subject myself to it again. It

1:02:59.400 --> 1:03:02.560
<v Speaker 1>just like like aside from the work of on the

1:03:02.640 --> 1:03:05.760
<v Speaker 1>musician side of like making your your perform making your

1:03:05.800 --> 1:03:08.760
<v Speaker 1>performance or whatever is, it's just like it isn't the

1:03:08.800 --> 1:03:12.040
<v Speaker 1>whole point of live stuff that you're getting. You know,

1:03:12.200 --> 1:03:16.080
<v Speaker 1>you're there's an exchange of energy between. It's a very

1:03:16.200 --> 1:03:18.919
<v Speaker 1>dry and weird but yeah, I mean this was fun

1:03:19.000 --> 1:03:21.320
<v Speaker 1>because I got to at least play with my bandmates

1:03:21.400 --> 1:03:25.760
<v Speaker 1>just like you know, removed in time and space. Yeah.

1:03:26.160 --> 1:03:31.360
<v Speaker 1>Oh um, well, thank you so much for coming by

1:03:31.400 --> 1:03:35.640
<v Speaker 1>the show this. Yeah, I'm so glad we finally had

1:03:35.720 --> 1:03:39.800
<v Speaker 1>you on uh, and everybody check out Haunted Painting. It's

1:03:39.840 --> 1:03:42.840
<v Speaker 1>really great, Like it's just genuine like there's so many

1:03:42.920 --> 1:03:47.160
<v Speaker 1>earworms in this album. It's just fantastic. Thank you. I

1:03:47.200 --> 1:03:49.320
<v Speaker 1>wish we'd got to do a video on it, but

1:03:49.880 --> 1:03:53.720
<v Speaker 1>I know I know next one. Yeah, you got like

1:03:53.840 --> 1:03:55.480
<v Speaker 1>we didn't even get into it. But you've been like

1:03:55.560 --> 1:03:58.800
<v Speaker 1>one of the most innovative music video like making people

1:03:58.920 --> 1:04:01.120
<v Speaker 1>right now too. It's like you really got over that

1:04:01.120 --> 1:04:06.800
<v Speaker 1>that COVID production ups. Look about they all took so

1:04:06.880 --> 1:04:11.360
<v Speaker 1>much longer than any music video I've done. Just yeah,

1:04:11.760 --> 1:04:14.360
<v Speaker 1>but no, it's like such a it paid off because

1:04:14.480 --> 1:04:17.920
<v Speaker 1>you're just like, how did you do that? It's so great? Uh?

1:04:17.960 --> 1:04:20.080
<v Speaker 1>And we put a song from your album on the

1:04:20.120 --> 1:04:27.200
<v Speaker 1>October Nightcall mix. Yeah, spooky Halloween times. So Sadie, where

1:04:27.240 --> 1:04:30.840
<v Speaker 1>can people find you online? Well? I have the best

1:04:30.920 --> 1:04:34.439
<v Speaker 1>U r L you can imagine. It's SAD thirteen, which

1:04:34.480 --> 1:04:38.400
<v Speaker 1>is spelled s A D one three dot horse What

1:04:39.160 --> 1:04:45.120
<v Speaker 1>it's dot horse. I didn't even know that there was

1:04:45.320 --> 1:04:48.680
<v Speaker 1>dot horse, but as soon as I knew, I was like,

1:04:48.720 --> 1:04:51.360
<v Speaker 1>I can't be sad third team dot com anymore. Um

1:04:51.440 --> 1:04:59.720
<v Speaker 1>and forwards. Um, I'm extremely overactive on all the social

1:04:59.760 --> 1:05:03.880
<v Speaker 1>media of platforms. Also at You're great. You're great on

1:05:03.920 --> 1:05:07.320
<v Speaker 1>Twitter great, follow you are, thank you, thank you, as

1:05:07.360 --> 1:05:11.160
<v Speaker 1>are you well. Thanks so much for being on the show. Yeah,

1:05:11.200 --> 1:05:13.840
<v Speaker 1>it was really fun and thank you for listening to

1:05:13.960 --> 1:05:17.280
<v Speaker 1>Night Call. You can find us on social media. We're

1:05:17.280 --> 1:05:20.240
<v Speaker 1>on Twitter at night Call pod and Instagram at Facebook

1:05:20.360 --> 1:05:23.760
<v Speaker 1>at Night Call Podcast. We should leave us a review

1:05:23.960 --> 1:05:27.360
<v Speaker 1>on iTunes if you are listening on iTunes, or even

1:05:27.360 --> 1:05:29.320
<v Speaker 1>if you're not listening to iTunes. We love a review.

1:05:29.400 --> 1:05:31.320
<v Speaker 1>Give us a nice review. It helps me more people

1:05:31.360 --> 1:05:33.400
<v Speaker 1>find our show and of course I'm Scar. If you

1:05:33.440 --> 1:05:36.840
<v Speaker 1>aren't already wherever you get your podcasts, you can also

1:05:36.960 --> 1:05:40.480
<v Speaker 1>join us on our Patreon. We're in Patreon at www

1:05:40.520 --> 1:05:43.320
<v Speaker 1>dot patreon dot com slash Nightcall, where you can get

1:05:43.320 --> 1:05:48.240
<v Speaker 1>our newsletter, our mix tapes, our bonus episodes. We've got

1:05:48.320 --> 1:05:51.120
<v Speaker 1>all sorts of pot stuff there for you and we

1:05:51.160 --> 1:05:54.880
<v Speaker 1>shall see you all next week. Thanks for listening. Bye

1:05:54.880 --> 1:06:01.040
<v Speaker 1>bye s