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Speaker 1: Quest Love Supreme is a production of iHeartRadio. What's up, y'all,

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Speaker 1: We're back with part two of Quest Love Supreme with

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Speaker 1: the legendary Ice Tea. Yep, I just gave it so

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Speaker 1: much game, we decided to make this a two parters

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Speaker 1: so it makes sense, you know, because Ice is Daily

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Speaker 1: Game is a new podcast where he offers daily wisdom.

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Speaker 1: Make sure y'all check out part one when we talk

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Speaker 1: about ICE's upbringing his music, and here's part two where

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Speaker 1: Ic even gives us a sample of that Daily Game.

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Speaker 1: All right, Quest Love Supreme Part two with the legendary

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Speaker 1: Ice Tea. How easy was it? And transitioning to acting,

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Speaker 1: like did it take long for Mario to convince you

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Speaker 1: to do New Jack City?

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Speaker 2: You got great questions because first off, I'm not no

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Speaker 2: mother fucking acted like I mean, everybody looks at TV

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Speaker 2: goes I wish I could do that, But who has

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Speaker 2: a chance to do it?

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Speaker 1: You know?

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Speaker 2: So I've been in the Breaking movies and the Break movies.

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Speaker 2: I was called featured rap talker. How about that?

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Speaker 1: Right?

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Speaker 3: They didn't even know what a rapper was? Right? So

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Speaker 3: you heard a story about New Jack City?

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Speaker 1: Well, I know about George Jackson's coining the term.

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Speaker 4: But please, please, please, I don't know the story.

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Speaker 2: I'm in a toilet, star in a club and some

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Speaker 2: niggas is talking shit to me in the toilet, I'm

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Speaker 2: taking a shit. I'm sitting there and motherfuckers is like

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Speaker 2: ice you cold man?

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Speaker 3: You be telling this that?

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Speaker 2: And I say, yo, player, the problem is that they

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Speaker 2: could take a microscope and find one molecule in my

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Speaker 2: body that gave a fuck, then they'd have a chance.

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Speaker 2: But there's not one.

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Speaker 3: And so Mario overhears that and says, whoever said that

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Speaker 3: are my movie? Whoever said that? And it was me.

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Speaker 2: So I'm in the club campaigning to three girls, right,

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Speaker 2: I'm talking this shit to these chicks, and Mario comes

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Speaker 2: up with the Hollywood bullshit, I'm producing a movie.

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Speaker 1: I want you to be in it.

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Speaker 2: I'm like that some bullshit like you trying to let

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Speaker 2: these girls know you're a producer.

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Speaker 1: Yeah, Mario, Yo, you know who he was? Yeah, but

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Speaker 1: I knew quest.

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Speaker 2: You know the Hollywood bullshit When somebody walks up in

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Speaker 2: the middle of your conversation with somebody, Hey we should work,

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Speaker 2: Like shut the fuck up, like you sign me if

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Speaker 2: you want to work like, this is so staged. So

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Speaker 2: I'm like, okay, ladies, this is Mario van peeple'sdy.

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Speaker 3: But he wasn't lying.

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Speaker 2: Yeah, So he hands me a card, so he calls

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Speaker 2: me call Warner Brothers tomorrow. So I call it. They

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Speaker 2: say come up here, but I come on this. I

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Speaker 2: come through the gates. I get there and they show

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Speaker 2: me the script. They want you to play Scottie. I

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Speaker 2: read that shit quest. I was like, yo, this is

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Speaker 2: all the words, like I thought it was a cameo.

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Speaker 3: Nah, nah, this is a star. I'm like, I can't act, Yes,

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Speaker 3: you can.

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Speaker 1: I keep reading this.

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Speaker 3: Niggas the Police? Yeah, I got an album coming out

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Speaker 3: called Original Gangster. You want to play the Police?

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Speaker 1: Wait a minute? Hold who he got dreads? I got

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Speaker 1: a perm like.

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Speaker 2: So I'm just totally like, noah, nah, I can't do this.

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Speaker 2: But then I talked to people and they were like, man,

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Speaker 2: if you fuck up this. Back at the Beauty Parliament,

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Speaker 2: I got most of my game. I had this hairdresser

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Speaker 2: named Pearl and she said, you niggas running around here

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Speaker 2: talking about no opportunities, no opportunities, and here's one, and

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Speaker 2: you're gonna turn this down. If you turn this down.

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Speaker 2: You a real live sucker, because this is a great opportunity.

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Speaker 2: Niggas know you ain't the police, nigga. You had to

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Speaker 2: go up in there and do that gig and then

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Speaker 2: I'll talk to my boys. They're like, I say, man,

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Speaker 2: they want me to play the police. The niggas be like, word,

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Speaker 2: can I.

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Speaker 3: Be in the movie?

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Speaker 1: That's all they That's all they care.

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Speaker 2: So I did the movie, and I was scared shitless

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Speaker 2: that it was going to end my career because at

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Speaker 2: that time, no rapper had taken a dramatic role.

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Speaker 5: Yet hold on, hold on, hold on, hold on, hold on, hold.

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Speaker 3: On, No, he's right, he is right, Will Smith the

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Speaker 3: only thing run DMC did tougher than leather and all

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Speaker 3: that old ship acting like somebody else does not.

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Speaker 1: Nobody was the first.

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Speaker 3: I told you, I'm on my first ship.

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Speaker 1: Usually the first one who's the pioneer never gets the

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Speaker 1: just desserts that the person that comes behind them does.

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Speaker 1: So that is risky that you want to be first.

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Speaker 1: But I always see history as the second person that

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Speaker 1: masters it.

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Speaker 3: But I did it, Pop did it.

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Speaker 2: Everybody started doing it back in the day when when

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Speaker 2: being a rapper like you want to act like you

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Speaker 2: was betraying the culture like you.

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Speaker 3: It wasn't. It just wasn't.

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Speaker 2: At that time, Rappers wasn't even owning their own label.

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Speaker 2: It was like Rappers was very in his own zone.

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Speaker 2: So they got me. They got Chris Rock, who is

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Speaker 2: the newest underground you know. Cat Wesley had only done

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Speaker 2: two movies, Major League and a Spike Leaflip, so they.

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Speaker 3: Didn't trip off this. They didn't have enough black actors

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Speaker 3: to make the movie.

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Speaker 1: I'm just wow, now we could.

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Speaker 3: Do Black Panther.

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Speaker 2: There were not enough young black actors that had any

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Speaker 2: potential to pull a crowd.

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Speaker 1: So they said iced tea selling millions of records.

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Speaker 5: Right, you know, and Alan Payne and Vanessa Williams couldn't

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Speaker 5: have done it alone, right Wesley or Wesley Wesley.

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Speaker 2: So they used the power of the rapping Me and

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Speaker 2: Chris being hot on the street, George Jackson and Doug mckenry.

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Speaker 2: They put us in the row and the shit popped off.

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Speaker 2: I was scared as fuck. The movie made eighty seven

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Speaker 2: million dollars. I got paid twenty five thousand dollars.

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Speaker 3: Wow.

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Speaker 1: So by the time you get to Trespass and surviving

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Speaker 1: the game.

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Speaker 6: And Surviving again. Yeah, that's my favorite iced team movie.

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Speaker 6: That's Thriving.

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Speaker 1: Game is the one.

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Speaker 2: Tip up this the second movie with Ricochet with Denzel Can.

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Speaker 1: I ask how how is Hollywood? Because the thing is

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Speaker 1: now it's nothing for rapper like for people to pivot

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Speaker 1: into other areas and other mediums. But how's the reception

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Speaker 1: to you coming into their territory Hollywood? Simple?

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Speaker 2: If the movie you're in makes money, you're gonna be

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Speaker 2: in another movie. That's just Hollywood. It's like his money.

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Speaker 2: It's pimpot. If this whole can make me some money here,

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Speaker 2: maybe you can make me some money there.

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Speaker 1: They don't.

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Speaker 3: They don't care. You know.

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Speaker 2: Uh, they can't really tell what great acting is. They

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Speaker 2: can tell what the fan response is, so they that

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Speaker 2: works cool. So you know, New Jack City was a

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Speaker 2: hit and comes some scripts. Let's see if he could

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Speaker 2: it again. So I walked into Joel Silver's office, one

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Speaker 2: of the biggest producers, and I said, okay, New Jack City.

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Speaker 2: They fucked me, right, but I know I'm about to

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Speaker 2: get paid. I'm with Denzel about to get paid. That

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Speaker 2: the fucker looked at me as.

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Speaker 3: An iced tea. You've done one movie. So I bent

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Speaker 3: over and took it again. I got for for Ricochet,

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Speaker 3: I got twice what I got for New Jack City,

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Speaker 3: and I didn't work as much.

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Speaker 2: Okay, got my payday didn't come till I did Tank

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Speaker 2: Girl where I played the route lord.

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Speaker 5: Where was that in the Surviving the game trestpad. I'm

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Speaker 5: trying to remember tank where it was?

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Speaker 3: And then it was Tank Girls Surviving the Game. Then

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Speaker 3: I Johnny Knuemonic with Keanu Reeves, and then I did

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Speaker 3: I was doing Johnny Mnumonic with Keanu Reeves and they

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Speaker 3: called me.

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Speaker 2: They say, well, you play a stripper in Arizona. I'm like, hell, yeah,

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Speaker 2: this is my chance to know what it looked like.

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Speaker 3: I'm like, I was on slow.

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Speaker 2: You've seen the original gangster poster, so I was on

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Speaker 2: my bullshit. So that night I did like a thousand crunches.

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Speaker 2: I'm like, I'm about to let these ladies know what's happening.

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Speaker 1: Right.

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Speaker 2: So the next day they sent me a picture of

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Speaker 2: a kangaroo. I'm like, what the fuck am I stripper?

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Speaker 1: Like?

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Speaker 2: I opened my pouch like, what the fuck is this?

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Speaker 2: And they no, it's a ripper, It's a kangaroo. And

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Speaker 2: the movie is called Tank Girl, right, could.

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Speaker 4: You played a mixture?

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Speaker 2: Yeah, you was a You gotta understand.

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Speaker 3: I'm with Keanu Reeves doing a big motion picture. Now

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Speaker 3: they're telling me to do something called tank Girl as

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Speaker 3: a kangaroo. Yeah, Like, hey, y'all at your motherfucking mind,

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Speaker 3: Like what's really good?

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Speaker 2: And then they told me how much I was gonna

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Speaker 2: get exactly, and uh, I was hopping around the hotel,

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Speaker 2: you know, because they like when you sell out.

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Speaker 1: I see, selling out is when something that's.

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Speaker 3: Totally against your beliefs, you are right, when they can

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Speaker 3: make you be quiet.

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Speaker 2: I have nothing against fucking kangaroos. I have nothing at

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Speaker 2: all against them. So I was like, fuck this, I'll

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Speaker 2: be a motherfucker kangaroo and I.

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Speaker 1: Got a bag for that.

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Speaker 3: That's the first mil plus role.

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Speaker 1: I'll say that. You know, America is now just adapted

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Speaker 1: to festival lifestyle, but you know, you're a pioneer and

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Speaker 1: the fact that you were one of the very first

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Speaker 1: acts on Lollapalooza, which is really America's first true at festival.

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Speaker 1: I mean, I mean, besides you know, farm Aid or

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Speaker 1: you know whatever, but what was that the experience of Lollapaloza, Like,

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Speaker 1: especially that first year where all this stuff was brand

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Speaker 1: new to American culture.

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Speaker 2: There's always a story behind ice T shit, But I

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Speaker 2: like people to know so they can get a true

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Speaker 2: understanding how this game is, because it's not as simple

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Speaker 2: as that. Ernie body Count was now just starting. We

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Speaker 2: were playing like pizza joints and just getting getting a

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Speaker 2: vibe for what this band was.

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Speaker 3: And Ernie had met Perry Farrell.

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Speaker 2: Right, Harry Carroll was doing a video called The Gift

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Speaker 2: where he wanted someone to sing Nigger Whitey with him.

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Speaker 2: Sly Son shit right, So Ernie says, iced T iced

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Speaker 2: T's hardcore. This is the perfect person. So I come

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Speaker 2: to the video shoot. I know the song. I got

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Speaker 2: no problem singing it with him, and we sang nigger

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Speaker 2: Whitey backup, gonna call me nigger whitey, don't call me whitey, nigga.

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Speaker 3: So we're doing this shit.

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Speaker 2: So after we did the video, he says he I'm

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Speaker 2: about to do a tour called Lollapalooza.

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Speaker 1: It's gonna have butthole surfers, Rollin's band.

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Speaker 2: He was naming bands he wanted to get and he said,

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Speaker 2: I want to take a rapper out.

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Speaker 1: Would you like to go? I'm like, hell yeah, hell yeah.

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Speaker 2: So what happened was I had an hour set, fifty

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Speaker 2: five minute set, and then they said you could do

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Speaker 2: whatever you want, and I split the set and I

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Speaker 2: did half iced Tea half body Count.

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Speaker 1: That's where I introduced body Count to the world.

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Speaker 2: And uh, after I would do my rap set. I said,

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Speaker 2: now I'm about to prove to you that rock and

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Speaker 2: roll has nothing to do with color. It's a state

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Speaker 2: of mind. And we turned the guitars up and bow

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Speaker 2: and that was it.

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Speaker 4: You ain't want to remind them rock and roll was

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Speaker 4: a jump anyway.

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Speaker 2: So well, you know, hip hop is rock, whether people

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Speaker 2: want to claim it or not.

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Speaker 1: You don't. Aren't be the mic. We rocked the mic,

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Speaker 1: We rocked the house. Rock.

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Speaker 2: See, pop is when you sing what everybody wants to hear.

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Speaker 2: This is what I learned this from Quincy Jones. Pop

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Speaker 2: is easy to do. Sing what people want to hear.

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Speaker 2: Go to school, love your mother, dah dah da.

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Speaker 3: That's pop. Be popular. Rock is fucked that. I'm gonna

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Speaker 3: do this shit my fucking way. That's rock.

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Speaker 1: Now.

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Speaker 2: Whether you do that with pianos, whether you do that

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Speaker 2: with guitars, or you do that with.

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Speaker 1: A mic or some drums. Hip hop is rock period,

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Speaker 1: all right. I know you've been asked a trillion times

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Speaker 1: about the cop killer incident, but no, no, I know,

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Speaker 1: but you know, I also feel like that doesn't define you,

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Speaker 1: especially now.

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Speaker 3: But you know what it is though.

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Speaker 2: You only get stripes for fighting battles, you know what

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Speaker 2: I'm saying. So I'm very proud of my battles, you know,

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Speaker 2: because that was a moment where I could have got

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Speaker 2: taken out, you know, like.

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Speaker 3: Not even just my career. They were trying to get

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Speaker 3: rid of a nigga, you know.

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Speaker 1: That's what I want to know, Like how serious? How

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Speaker 1: real did he get?

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Speaker 2: The worst ship was bomb threats to Warner Brothers where

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Speaker 2: they had to clear the building on several occasions, or

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Speaker 2: what they were threatening to blow up Warner Brothers and

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Speaker 2: they had to clear the building on several occasions on

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Speaker 2: account of me because they were getting bomb threats.

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Speaker 1: Yeah, it got heavy.

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Speaker 5: Who's threatening because we're talking about the authority, So who

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Speaker 5: is the threat?

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Speaker 4: That's the interesting part.

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Speaker 2: This is something you got to understand with beef. If

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Speaker 2: you create beef, you might not have problems with the

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Speaker 2: people you're beefing with. You have a problem with outside it.

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Speaker 2: Let's say hypothetically I gotten a beef with let's say

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Speaker 2: method man who's one of my good friends. I ain't

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Speaker 2: got to worry about running a meth. I could run

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Speaker 2: into some wu tang thingple. I could run into somebody

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Speaker 2: who loves him at a restaurant. I could run into

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Speaker 2: some girls that fuck you icing. It can happen. So

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Speaker 2: when you justs the cops, you can run in somebody

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Speaker 2: who's brother is a cop, an ex cop, somebody.

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Speaker 3: Who's just a paked You set up energy of beef

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Speaker 3: out there. You don't know where it's going.

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Speaker 1: You never just beefing with one person.

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Speaker 2: Yeah right, you're beefing with they fans, right, every fucking

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Speaker 2: So I was, you know when we did cop Killer

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Speaker 2: and they made it a big thing by it becoming

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Speaker 2: so public, it gave more people a chance to dislike me.

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Speaker 2: You know, it wasn't a small thing. It went national.

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Speaker 2: Now you got to understand there's levels of news. Like

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Speaker 2: all this shit is on the black blogs, that's nigga news.

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Speaker 3: That's that news.

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Speaker 2: You you ain't gonna know about that, But when it

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Speaker 2: makes it to CNN, that's national news.

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Speaker 3: All of what I'm saying, so a lot of this.

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Speaker 4: Stuff, I gotta do it. I gotta do a parallel, folks.

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Speaker 5: It's kind of like, well, Kiernan, I gotta do the

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Speaker 5: white parallel because we can't just do nigga news. We

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Speaker 5: gotta do cracker news too. So yeah, I just yeah, okay,

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Speaker 5: I got you thought.

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Speaker 3: But there's certain blogs that we listen to. Yes, right, yes,

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Speaker 3: if you talk.

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Speaker 2: To somebody in the mainstream, they have no idea that

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Speaker 2: such and such as BT or they don't know about

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Speaker 2: that stuff. TMZ is starting to leak a little bit

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Speaker 2: of our business out there.

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Speaker 3: But you know who's cheating on who? They don't care.

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Speaker 4: This makes money.

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Speaker 2: National news is coming on right after the war, and uh,

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Speaker 2: you know Ukraine warn Rouquine.

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Speaker 3: Now I see you and Warner Brothers. This is now.

304
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Speaker 3: Now you're in front of the world. This is big ship.

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Speaker 2: So you got to know, like a lot of the

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Speaker 2: stuff that we take as big isn't really that big.

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00:15:23,160 --> 00:15:26,520
Speaker 2: It's kind of like cultural, you know, and it hasn't

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Speaker 2: really made it to the to the mainstream.

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Speaker 3: This ship was big. The President was on my bumper,

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Speaker 3: you know, we were let me date myself. We were playing.

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Speaker 2: Techno bowl, quest Ah, and my boy comes downstairs, like, yo,

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Speaker 2: the President is on TV talking about ice and we

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Speaker 2: ran upstairs and Quail so they're ice to you.

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Speaker 3: So Quail's like ice to you, and all the homies

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Speaker 3: in the house was like, oh shit, oh shit, oh shit.

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Speaker 2: See, very few people will ever have a living president

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Speaker 2: say their name and anger. That's saved for like terrorists

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Speaker 2: and been Liden and shit like that. Right when the

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Speaker 2: president is mad at you, fuck the police, you have

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Speaker 2: the United States government on your bumper. I got tax

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Speaker 2: arted it twice that year. I had ice cream trucks

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Speaker 2: sitting in front of my house in the middle of

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Speaker 2: the winter. These motherfuckers are on you. They try because

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Speaker 2: when a president says questlove, this guy's a problem. All

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Speaker 2: the FBIDA, all them do background checks because the next

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Speaker 2: question could be what do we know about him? They

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Speaker 2: can't say he plays on tonight's show, he's a drummer.

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Speaker 1: They say his.

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Speaker 2: Shoe size, is this, his blood type is this?

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Speaker 3: This happens. When that happens, you feel it.

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Speaker 2: You feel the government looking you up and down to

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Speaker 2: try to find out because they had to check and

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Speaker 2: see was I really trying to make a call to arms.

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Speaker 2: Was I telling people go kill the cops my problem,

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Speaker 2: which I was, and I was just making a record.

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Speaker 1: Well wait, did you did you feel vindicated because Rodney

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Speaker 1: King happens a year later?

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00:17:14,920 --> 00:17:16,520
Speaker 3: Now? They blamed Rodney King on me.

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Speaker 2: They spun it to make it seem like I made

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Speaker 2: that record because of Rodney King.

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Speaker 3: I got caught in a big It was a it

342
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Speaker 3: was a.

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Speaker 2: Political year of the Colnel Order of Police out of Texas.

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Speaker 2: Spun it. They spun it and made it seem like

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Speaker 2: I caused the riots. They they they was on They bullshit.

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Speaker 2: They had a big machine. But see here's the trip.

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00:17:40,440 --> 00:17:42,600
Speaker 2: They weren't really mad at me. They were mad at

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Speaker 2: Warner Brothers because they were like, Okay, we understand ice

349
00:17:48,320 --> 00:17:53,800
Speaker 2: T should be mad, but why White company give him

350
00:17:53,840 --> 00:17:57,800
Speaker 2: the platform to say this? And that became the death

351
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Speaker 2: of Warner Brothers. You gotta remember when I did that.

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Speaker 2: Warner Brothers had Prince, Warner Brothers had a Slayer, They

353
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Speaker 2: had the Ghetto Boys, they had Sam Kenniston, they had

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00:18:09,080 --> 00:18:14,480
Speaker 2: anything that was edgy. And that ended, and and and

355
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Speaker 2: and when the last thing was when they dropped the

356
00:18:16,960 --> 00:18:20,000
Speaker 2: deal with Innerscope, When that was all happening When Ted

357
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Speaker 2: Turner came in, Warner Brothers had to separate from anything

358
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Speaker 2: controversial because of me.

359
00:18:26,880 --> 00:18:29,359
Speaker 1: I started the Wow. But for a second, did it

360
00:18:29,400 --> 00:18:31,600
Speaker 1: feel like your bag was about to stop in terms

361
00:18:31,640 --> 00:18:34,360
Speaker 1: of like people were not taking were you losing roles?

362
00:18:34,400 --> 00:18:37,040
Speaker 3: Where you had New Jack City Part two?

363
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Speaker 1: So there was going to be a sequel?

364
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Speaker 3: Yeah?

365
00:18:41,400 --> 00:18:46,720
Speaker 1: I didn't know that, me neither, but Nino lived. Well wait,

366
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Speaker 1: you knew this about day?

367
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Speaker 3: Yeah, I saw.

368
00:18:48,960 --> 00:18:50,119
Speaker 1: I saw George Jackson.

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Speaker 6: They they did an interview. This was years ago, but

370
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Speaker 6: they mentioned it then, but it never.

371
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Speaker 2: What happened was Wesley went off and he did Demolition

372
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Speaker 2: Man and made seven million, and you know, I was

373
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Speaker 2: in trouble. So now they can't hit Wesley's number because

374
00:19:07,240 --> 00:19:11,560
Speaker 2: the whole movie Knwjack was made for five million. Everything happened,

375
00:19:12,040 --> 00:19:13,120
Speaker 2: but nah.

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Speaker 1: You know I got You know.

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00:19:14,320 --> 00:19:17,320
Speaker 2: What happened though, is like when you get in some

378
00:19:17,359 --> 00:19:21,560
Speaker 2: shit like this. I never pointed in any other rappers.

379
00:19:21,600 --> 00:19:24,000
Speaker 2: I never pointed at any other rock groups because I'm like, Yo,

380
00:19:24,320 --> 00:19:26,680
Speaker 2: this is my heat, and you know, to me, that's

381
00:19:26,760 --> 00:19:29,800
Speaker 2: kind of like like snitching. It's kind of like, Yo,

382
00:19:29,960 --> 00:19:32,040
Speaker 2: you got caught, nigga handle your business.

383
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Speaker 1: Take it.

384
00:19:32,480 --> 00:19:34,959
Speaker 2: This is your shit. So you've never seen icy, Well,

385
00:19:34,960 --> 00:19:37,320
Speaker 2: what about this group or what about Noah. I'm like, okay,

386
00:19:37,320 --> 00:19:41,040
Speaker 2: you on me, let's go fuck it. But the way

387
00:19:41,080 --> 00:19:43,560
Speaker 2: they came at me, I didn't know if I was

388
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Speaker 2: gonna survive. You know what I'm saying. But I just

389
00:19:46,160 --> 00:19:48,560
Speaker 2: had to stand my ground and I and I remember

390
00:19:48,560 --> 00:19:53,080
Speaker 2: I met with Minister Farakhan at Honorable Elijah Muhammad's house

391
00:19:53,320 --> 00:19:56,359
Speaker 2: and in all honestly, he just told me, he said,

392
00:19:56,800 --> 00:19:58,000
Speaker 2: what you did wasn't subtle.

393
00:19:58,040 --> 00:19:59,840
Speaker 3: If you stand in the street, expect to get hit

394
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Speaker 3: by car.

395
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Speaker 2: So I had to learn that we have freedom of speech,

396
00:20:04,600 --> 00:20:08,440
Speaker 2: but watch what you say and you have I had

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00:20:08,480 --> 00:20:11,040
Speaker 2: the right to sing cop killer, but they also had

398
00:20:11,040 --> 00:20:15,080
Speaker 2: the right to attack. So anything you say, prepare for

399
00:20:15,119 --> 00:20:17,160
Speaker 2: the ramifications of what you say.

400
00:20:18,040 --> 00:20:19,080
Speaker 1: And I was not.

401
00:20:19,119 --> 00:20:22,040
Speaker 2: Prepared for the ramifications. I would just singing some shit

402
00:20:22,359 --> 00:20:24,080
Speaker 2: and I wasn't ready for them to attack.

403
00:20:24,480 --> 00:20:29,480
Speaker 3: So that's a lesson. You know, you could say anything.

404
00:20:29,520 --> 00:20:32,240
Speaker 2: We all have the right to say anything, but you

405
00:20:32,359 --> 00:20:35,560
Speaker 2: also gotta be if you say something anti gay, be prepared.

406
00:20:36,000 --> 00:20:38,720
Speaker 2: You did what I'm saying. If I mentioned any rapper's name,

407
00:20:39,040 --> 00:20:43,320
Speaker 2: be prepared. So just don't be reckless talking and shit

408
00:20:43,400 --> 00:20:46,080
Speaker 2: and think there won't be no smoke, you know, And

409
00:20:46,160 --> 00:20:48,479
Speaker 2: if I do say it, I should be ready for

410
00:20:48,520 --> 00:20:49,040
Speaker 2: that smoke.

411
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Speaker 1: You know. If I'm Colin Pat Kaepernick and I dropped

412
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Speaker 1: down and I.

413
00:20:52,880 --> 00:20:56,000
Speaker 3: Gonna pull a kneel, I gotta know that NFL is

414
00:20:56,040 --> 00:20:57,320
Speaker 3: gonna make a move on me.

415
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Speaker 2: And I gotta be strong enough to handle that. Or

416
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Speaker 2: I shouldn't do it.

417
00:21:01,680 --> 00:21:03,280
Speaker 1: They don't do it, you know.

418
00:21:03,560 --> 00:21:06,679
Speaker 2: So don't don't protest and get fired now because you

419
00:21:06,720 --> 00:21:09,919
Speaker 2: got fired, Because to protest, you gotta you gotta be

420
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Speaker 2: prepared for the hit.

421
00:21:10,800 --> 00:21:12,560
Speaker 3: It's gonna be a hit back, or you're not really

422
00:21:12,600 --> 00:21:13,560
Speaker 3: protesting nothing.

423
00:21:14,160 --> 00:21:20,800
Speaker 1: Oh, I had to g there for us.

424
00:21:22,720 --> 00:21:25,320
Speaker 6: I wanted to ask about the Home Invasion record because

425
00:21:25,320 --> 00:21:28,800
Speaker 6: that one came on priority. What led to that change

426
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Speaker 6: from Warner to.

427
00:21:30,000 --> 00:21:34,680
Speaker 2: Party because after Cop Killer, Warner was scared to put

428
00:21:34,680 --> 00:21:39,080
Speaker 2: my records out. So what happened was I came in

429
00:21:40,720 --> 00:21:44,120
Speaker 2: with Home Invasion because now I'm consecutive. I had every

430
00:21:44,160 --> 00:21:48,280
Speaker 2: record I put out with Gold and Power termed platinum.

431
00:21:48,119 --> 00:21:51,320
Speaker 2: I'm hot over there, but they just went through some

432
00:21:51,359 --> 00:21:54,960
Speaker 2: ship body count itself now it so it so gold twice.

433
00:21:55,040 --> 00:21:57,879
Speaker 3: It went gold with cop Killer, then when gold without

434
00:21:57,920 --> 00:22:00,840
Speaker 3: cop Killer on it. Wow, I'm making money over there

435
00:22:00,840 --> 00:22:01,200
Speaker 3: for them.

436
00:22:01,640 --> 00:22:04,520
Speaker 1: And I came in.

437
00:22:06,000 --> 00:22:09,000
Speaker 3: And they had my lyrics written on these big boards.

438
00:22:09,680 --> 00:22:15,480
Speaker 2: They wrote it out, and uh, I had some file lit.

439
00:22:15,520 --> 00:22:17,800
Speaker 2: I had this one rhyme in G style where I

440
00:22:17,840 --> 00:22:19,960
Speaker 2: say I give a fuck about a cop or a

441
00:22:20,000 --> 00:22:20,520
Speaker 2: G man.

442
00:22:20,640 --> 00:22:24,119
Speaker 3: They all talk shit, They're breath smelling like semen. I

443
00:22:24,280 --> 00:22:26,720
Speaker 3: catch them in the alley all alone. Put him in

444
00:22:26,760 --> 00:22:29,760
Speaker 3: the prone pop pop pop to the don't So I'm

445
00:22:29,800 --> 00:22:31,159
Speaker 3: still killing cops right.

446
00:22:34,080 --> 00:22:34,439
Speaker 1: Alone.

447
00:22:34,520 --> 00:22:37,000
Speaker 3: I'm sorry, you know that's that's what I do.

448
00:22:37,400 --> 00:22:40,679
Speaker 2: So they pull this lyric out, that lyric out, this

449
00:22:40,840 --> 00:22:42,640
Speaker 2: lyric out, and I was just like.

450
00:22:42,680 --> 00:22:46,880
Speaker 1: You know, what, can I go? You asked to go?

451
00:22:47,480 --> 00:22:50,240
Speaker 2: Yeah, I said, can I go? Because now I'm in

452
00:22:50,280 --> 00:22:52,679
Speaker 2: a difficult place. They never A and R any of

453
00:22:52,680 --> 00:22:56,000
Speaker 2: my music. It was just good, go body counts. You

454
00:22:56,040 --> 00:22:58,639
Speaker 2: get out an album called cop Killer. I love it

455
00:22:58,680 --> 00:22:59,960
Speaker 2: over there. I'm in a great.

456
00:22:59,720 --> 00:23:02,160
Speaker 1: Place, but now it should change.

457
00:23:02,520 --> 00:23:06,320
Speaker 2: So Home Invasion was coming right after cop Killer, so

458
00:23:07,040 --> 00:23:07,800
Speaker 2: they let me go?

459
00:23:08,359 --> 00:23:12,520
Speaker 1: Can I something? Was Benny Medina part of any of

460
00:23:12,560 --> 00:23:13,800
Speaker 1: these meetings.

461
00:23:14,320 --> 00:23:17,119
Speaker 2: Benny Medina was the A and R guy back in

462
00:23:17,160 --> 00:23:18,920
Speaker 2: the day, but he never A and R me because

463
00:23:18,960 --> 00:23:23,560
Speaker 2: he was Warner, not uh sire. Benny was a good

464
00:23:23,640 --> 00:23:26,240
Speaker 2: cat up there. He did the uptown thing. And Benny

465
00:23:26,400 --> 00:23:27,840
Speaker 2: was always a friend of mine.

466
00:23:27,840 --> 00:23:32,040
Speaker 1: And and he was cool with me. Okay, but I'm dealing.

467
00:23:31,800 --> 00:23:34,320
Speaker 3: With Moe Austin and Lenny Warnerker, I'm dealing.

468
00:23:34,040 --> 00:23:36,000
Speaker 1: With the top guys, and.

469
00:23:37,520 --> 00:23:39,800
Speaker 2: They were They really didn't want me to go, but

470
00:23:39,840 --> 00:23:41,320
Speaker 2: they were. It was kind of like it was a

471
00:23:41,359 --> 00:23:45,240
Speaker 2: fucked up situation. I was getting them in trouble and

472
00:23:45,320 --> 00:23:47,280
Speaker 2: I'll never forget. They were like, as soon as we

473
00:23:47,359 --> 00:23:52,920
Speaker 2: allow them to censor, you're we're up shit Creek and

474
00:23:52,920 --> 00:23:56,200
Speaker 2: and and Warner stayed down with me, even Gerald Levin

475
00:23:56,840 --> 00:23:59,639
Speaker 2: wrote a big thing in the in the Wall Street Journal,

476
00:24:00,800 --> 00:24:05,879
Speaker 2: the CEO of Time Warner backing me up. And I

477
00:24:05,960 --> 00:24:07,520
Speaker 2: just felt like, it's kind of like me and you

478
00:24:07,520 --> 00:24:10,600
Speaker 2: were friends quests, and I'm getting you in trouble man,

479
00:24:10,640 --> 00:24:15,119
Speaker 2: and I'm just like, look, no, no, I'm just gonna

480
00:24:15,119 --> 00:24:15,560
Speaker 2: bail man.

481
00:24:15,600 --> 00:24:17,960
Speaker 3: I got because I gotta still do me. I got,

482
00:24:18,160 --> 00:24:18,680
Speaker 3: I got it.

483
00:24:18,680 --> 00:24:22,280
Speaker 2: It's like Dave Chappelle, I gotta go because I gotta

484
00:24:22,480 --> 00:24:25,600
Speaker 2: I gotta do me because my career is based on

485
00:24:25,640 --> 00:24:28,480
Speaker 2: my integrity and I can't have y'all sensor and my ship,

486
00:24:30,280 --> 00:24:34,679
Speaker 2: so I'd go to priority. Brian Turner did nw A

487
00:24:34,760 --> 00:24:36,720
Speaker 2: and all them. They were still open and why and

488
00:24:36,720 --> 00:24:38,760
Speaker 2: they was ready and they took the record. But I'll

489
00:24:38,760 --> 00:24:41,919
Speaker 2: tell you what Warner did and nobody knows this. They

490
00:24:41,960 --> 00:24:46,440
Speaker 2: didn't charge me for the album. So normally, let's.

491
00:24:46,280 --> 00:24:48,280
Speaker 3: Say they gave me half a million dollars to make

492
00:24:48,320 --> 00:24:49,879
Speaker 3: that album. That was a lot of money back in

493
00:24:49,880 --> 00:24:52,280
Speaker 3: the days. Now people are getting threes and five millions

494
00:24:52,320 --> 00:24:55,359
Speaker 3: to make records. But half a million. I didn't have

495
00:24:55,440 --> 00:24:56,159
Speaker 3: to recoup it.

496
00:24:57,520 --> 00:24:59,280
Speaker 1: They let you keep your tapes and just go to

497
00:25:00,440 --> 00:25:02,040
Speaker 1: So that was fly. That was fly.

498
00:25:02,720 --> 00:25:05,280
Speaker 2: They didn't say, hey, you could take this album, but

499
00:25:05,320 --> 00:25:06,960
Speaker 2: we got to get the money back. They just let

500
00:25:07,000 --> 00:25:09,399
Speaker 2: me have it. So I took it over there and

501
00:25:10,800 --> 00:25:13,840
Speaker 2: I was fighting with the source, and you know, the

502
00:25:13,960 --> 00:25:15,040
Speaker 2: source was talking.

503
00:25:15,119 --> 00:25:18,920
Speaker 1: Ship can't remember that, because yeah.

504
00:25:18,600 --> 00:25:21,200
Speaker 3: They said I folded. They were like ice gave in,

505
00:25:21,480 --> 00:25:24,720
Speaker 3: and you know, and Chuck kept me saying because Chuck

506
00:25:24,800 --> 00:25:26,880
Speaker 3: d said those that aren't in the war should never

507
00:25:26,920 --> 00:25:28,000
Speaker 3: come in on the battles.

508
00:25:28,240 --> 00:25:31,240
Speaker 1: They don't really what the fuck is really going on

509
00:25:31,359 --> 00:25:31,720
Speaker 1: in here?

510
00:25:31,920 --> 00:25:33,680
Speaker 3: Yes, that's why.

511
00:25:33,800 --> 00:25:36,840
Speaker 2: On the record you like Home Invasion, the first song

512
00:25:36,960 --> 00:25:40,600
Speaker 2: is called It's On. And that's why I was like, Yo,

513
00:25:40,840 --> 00:25:42,960
Speaker 2: we can't take any cut off the products.

514
00:25:43,119 --> 00:25:44,800
Speaker 1: You know what we're gonna do.

515
00:25:45,000 --> 00:25:47,760
Speaker 2: I still got soldiers, you know, turn up to mic

516
00:25:47,960 --> 00:25:50,399
Speaker 2: Dog so I can go off. Find me charton Heston

517
00:25:50,440 --> 00:25:52,880
Speaker 2: and I might cut his head off. You know, I'm

518
00:25:52,920 --> 00:25:55,480
Speaker 2: not gonna be fucked with. I was on my bullshit.

519
00:25:55,520 --> 00:25:59,600
Speaker 2: I was mad, you know, and you know I say, uh,

520
00:26:00,080 --> 00:26:02,760
Speaker 2: Orts Magazine, you're the first one you tried to disc

521
00:26:02,880 --> 00:26:05,000
Speaker 2: Chuck Cuban me how to fuck you?

522
00:26:05,040 --> 00:26:07,760
Speaker 3: Pick us three? You pump motherfucks. Ain't shit.

523
00:26:07,880 --> 00:26:10,920
Speaker 2: You just a bunch of hoes making money off the pros.

524
00:26:11,080 --> 00:26:13,080
Speaker 2: And when I see you'll get you in my sights.

525
00:26:13,320 --> 00:26:15,800
Speaker 2: I'll give you as a story to write its song.

526
00:26:16,760 --> 00:26:22,960
Speaker 1: So I remember how shocking was it for you some

527
00:26:23,240 --> 00:26:29,679
Speaker 1: like nineteen years later, just sort of lived through ninety

528
00:26:29,760 --> 00:26:34,879
Speaker 1: nine problems, now becoming you know, kind of an anthem.

529
00:26:35,040 --> 00:26:37,760
Speaker 1: I trust that you're one of the publishers of ninety

530
00:26:37,840 --> 00:26:38,480
Speaker 1: nine problems.

531
00:26:38,520 --> 00:26:41,359
Speaker 2: Yeah, and you know what it is quest Now everybody's

532
00:26:41,359 --> 00:26:42,679
Speaker 2: trying to turn that into beef.

533
00:26:42,880 --> 00:26:43,560
Speaker 1: It ain't beef.

534
00:26:43,760 --> 00:26:47,160
Speaker 2: It's just no, it's no beef. It's a story, and

535
00:26:47,200 --> 00:26:49,200
Speaker 2: the story there was beef.

536
00:26:49,920 --> 00:26:54,160
Speaker 1: I thought he I thought he sampled you or the song.

537
00:26:55,320 --> 00:26:58,480
Speaker 2: The new podcast people like to take clips of what

538
00:26:58,600 --> 00:27:03,280
Speaker 2: you say and then twitch it look like jay Z

539
00:27:03,560 --> 00:27:04,439
Speaker 2: stole the song.

540
00:27:05,080 --> 00:27:05,960
Speaker 1: No, he cleared it.

541
00:27:06,480 --> 00:27:07,320
Speaker 4: You can't do that.

542
00:27:08,840 --> 00:27:12,479
Speaker 1: Did. Chris rock Ever tells that story on on his episode.

543
00:27:12,240 --> 00:27:16,800
Speaker 2: Ninety nine Problems Come from Brother Marquise, and Brother Marquise

544
00:27:16,960 --> 00:27:18,960
Speaker 2: was at my house and he was talking about whoop

545
00:27:19,040 --> 00:27:19,520
Speaker 2: there it is?

546
00:27:19,600 --> 00:27:21,080
Speaker 3: You know where that record comes from?

547
00:27:22,400 --> 00:27:28,480
Speaker 1: The original South version from Tag Team Taxi. That's the

548
00:27:28,560 --> 00:27:29,399
Speaker 1: Kino I'm ready.

549
00:27:29,840 --> 00:27:31,960
Speaker 3: It was all right.

550
00:27:32,119 --> 00:27:36,240
Speaker 2: Tag Team was the where the DJ's in Magic City, Okay,

551
00:27:36,760 --> 00:27:41,000
Speaker 2: and when the girls bent over, they say, and you've

552
00:27:41,000 --> 00:27:43,040
Speaker 2: seen it, they say, whoop there it is.

553
00:27:44,359 --> 00:27:46,720
Speaker 1: That's where it came from. Okay, That's where it came from.

554
00:27:46,760 --> 00:27:52,840
Speaker 2: When you could see the coach, whoop it is. They

555
00:27:52,880 --> 00:27:56,159
Speaker 2: turned that into the song. So Marquise is sitting in

556
00:27:56,240 --> 00:27:58,760
Speaker 2: my house and he's like, man, all the nights I

557
00:27:58,880 --> 00:28:02,600
Speaker 2: sat in Magic City and they saying that shit nigga,

558
00:28:02,680 --> 00:28:03,760
Speaker 2: that was the phrase.

559
00:28:03,840 --> 00:28:05,480
Speaker 1: It pays man.

560
00:28:06,000 --> 00:28:08,040
Speaker 2: So he's talking it out of nowhere. He said, man,

561
00:28:08,080 --> 00:28:10,280
Speaker 2: I got nine nine problems. A bitch ain't won though.

562
00:28:10,640 --> 00:28:14,680
Speaker 2: I said what then, and he said it. I said,

563
00:28:14,680 --> 00:28:18,840
Speaker 2: that's a song. So I made the song. You know,

564
00:28:18,920 --> 00:28:20,399
Speaker 2: I got a hole from the East. I got a

565
00:28:20,400 --> 00:28:22,560
Speaker 2: hole from the West. I got a hole from Alabama

566
00:28:22,600 --> 00:28:26,040
Speaker 2: with a pussy in a chest. So I'm saying, so

567
00:28:26,640 --> 00:28:29,040
Speaker 2: I make the record. And then Marquise did a verse

568
00:28:29,680 --> 00:28:33,840
Speaker 2: right done. It was on Home Invasion. Those Icy fans

569
00:28:33,960 --> 00:28:37,480
Speaker 2: know it. The legend goes Chris Rock was in the

570
00:28:37,520 --> 00:28:41,520
Speaker 2: studio with Rick Rubin when and they had Jay coming

571
00:28:41,560 --> 00:28:44,120
Speaker 2: in and they brought that song up to be remade.

572
00:28:45,080 --> 00:28:46,360
Speaker 1: The song was remade.

573
00:28:46,960 --> 00:28:51,200
Speaker 2: They paid publishing publishing with the I had a deal

574
00:28:51,240 --> 00:28:52,640
Speaker 2: with I think.

575
00:28:52,960 --> 00:28:58,160
Speaker 1: Universal published a point Seen Money Gone. That was it.

576
00:28:58,600 --> 00:29:03,200
Speaker 3: That's how it happened. So I'm at the Grammys, jay

577
00:29:03,280 --> 00:29:04,200
Speaker 3: Z walks up to me.

578
00:29:04,640 --> 00:29:06,600
Speaker 2: He's like, you know, I love you, man, I love

579
00:29:06,640 --> 00:29:09,040
Speaker 2: you because I'm at Jay way back with Big Daddy

580
00:29:09,080 --> 00:29:11,360
Speaker 2: Camee brought him through back in the day when he

581
00:29:11,480 --> 00:29:13,640
Speaker 2: was with Jazzo, right, So.

582
00:29:15,040 --> 00:29:17,239
Speaker 1: I got love for jay Z. I'm you know.

583
00:29:17,520 --> 00:29:19,920
Speaker 3: So Jay's like, you know, they say you mad. I'm like, dude,

584
00:29:19,960 --> 00:29:22,479
Speaker 3: I'm not mad. This is the the press. They pushing

585
00:29:22,520 --> 00:29:23,600
Speaker 3: this shit like that.

586
00:29:23,880 --> 00:29:24,440
Speaker 1: It's like, you know.

587
00:29:24,960 --> 00:29:27,280
Speaker 2: And so I was talking to him and I was like, well, Jay,

588
00:29:27,320 --> 00:29:29,040
Speaker 2: you know, you know you did the record, but at

589
00:29:29,080 --> 00:29:30,760
Speaker 2: the end of the record, you could have said, I

590
00:29:31,120 --> 00:29:37,240
Speaker 2: you know, like boga like yeah, but you know we

591
00:29:37,320 --> 00:29:38,600
Speaker 2: laughed it off and stuff.

592
00:29:38,760 --> 00:29:42,560
Speaker 1: But yo, I mean, you know it's what it is.

593
00:29:42,600 --> 00:29:44,240
Speaker 1: It's hip hop. Look, I just told you who I

594
00:29:44,280 --> 00:29:45,800
Speaker 1: was influenced by. Yep.

595
00:29:46,520 --> 00:29:49,200
Speaker 5: Think about that, Like everybody don't automatically do what you

596
00:29:49,280 --> 00:29:49,960
Speaker 5: do in that way.

597
00:29:50,320 --> 00:29:54,520
Speaker 3: Yeah, but you know it's all it's all uh yeah, it's.

598
00:29:54,320 --> 00:29:55,200
Speaker 1: Out in the open now.

599
00:29:55,360 --> 00:29:57,600
Speaker 3: I think. Also on that record, he used one of

600
00:29:57,680 --> 00:30:04,680
Speaker 3: bun Bee's lyrics to from UGK, So you know, it's

601
00:30:04,720 --> 00:30:06,959
Speaker 3: a technique, it's a style of something. It's jay Z.

602
00:30:07,080 --> 00:30:10,680
Speaker 3: Jay Z is a super rapper, Like shit, you know,

603
00:30:11,120 --> 00:30:12,600
Speaker 3: it ain't like he can't write a rhyme.

604
00:30:12,600 --> 00:30:14,520
Speaker 1: If he doesn't he wants to. He just feels like

605
00:30:14,560 --> 00:30:17,040
Speaker 1: throwing some other flavor in there. I love Jason. I

606
00:30:17,040 --> 00:30:18,800
Speaker 1: mean that's the spirit of hip hop. Like you got

607
00:30:18,800 --> 00:30:20,360
Speaker 1: to take a little bit of this, a little bit

608
00:30:20,360 --> 00:30:23,800
Speaker 1: of that. And build something. Yeah, something new to it.

609
00:30:23,880 --> 00:30:27,440
Speaker 1: Is there anything that you have yet to accomplish that

610
00:30:27,480 --> 00:30:31,800
Speaker 1: you want to That's interesting, That's a really good question.

611
00:30:34,440 --> 00:30:37,720
Speaker 1: I mean you've done everything, even fatherhood. Yeah, I mean

612
00:30:37,720 --> 00:30:43,480
Speaker 1: you've done fatherhood, but notable. No no, no, but me, no,

613
00:30:43,600 --> 00:30:45,640
Speaker 1: not like you're a new person now with your dark

614
00:30:45,760 --> 00:30:48,520
Speaker 1: like you Absolutely, yeah, you're you're a new person.

615
00:30:49,560 --> 00:30:51,560
Speaker 2: Muhammad Ali said, when a man has a child in

616
00:30:51,600 --> 00:30:55,240
Speaker 2: the second half of life, after fifty's, it hits a

617
00:30:55,280 --> 00:30:57,920
Speaker 2: reset button on his life. And I've I've gotten healthy,

618
00:30:58,280 --> 00:31:00,480
Speaker 2: I have a reason to live. She's a whole new

619
00:31:00,760 --> 00:31:03,360
Speaker 2: You're right, quest, it's a it's a brand new life

620
00:31:03,360 --> 00:31:07,040
Speaker 2: for me with you, I gotta live forever. I decided

621
00:31:07,080 --> 00:31:09,920
Speaker 2: I'm not gonna die. I checked out my my schedule.

622
00:31:09,960 --> 00:31:12,400
Speaker 2: I'm booked till one hundred so and I ain't see

623
00:31:12,400 --> 00:31:13,400
Speaker 2: no funerals on there.

624
00:31:13,440 --> 00:31:15,480
Speaker 1: So I've been around here. I got some ship to do.

625
00:31:15,760 --> 00:31:18,600
Speaker 1: I want to ask you too, man, yo, cheerios.

626
00:31:22,760 --> 00:31:25,760
Speaker 5: All the commercials because you know, car shield car shields

627
00:31:25,760 --> 00:31:28,200
Speaker 5: cards go far, and you know, I see.

628
00:31:28,000 --> 00:31:33,960
Speaker 3: Said, I was, I was. I was watching shack, watching shack.

629
00:31:34,040 --> 00:31:36,560
Speaker 2: And he said he had never spent money from the NBA,

630
00:31:37,840 --> 00:31:42,800
Speaker 2: you know, all endorsements, and I was like, fuck yeah.

631
00:31:43,280 --> 00:31:45,560
Speaker 1: I need some fucking endorsements, you know.

632
00:31:46,320 --> 00:31:48,280
Speaker 2: So I called my manager, I said I need it.

633
00:31:48,440 --> 00:31:52,320
Speaker 2: I need a commercial agent. They won't fuck with you.

634
00:31:52,320 --> 00:31:56,320
Speaker 2: You're the cop killers Corporate America. I was like, yo, man,

635
00:31:56,400 --> 00:31:58,720
Speaker 2: fuck that, like see if somebody will fuck with me.

636
00:31:59,600 --> 00:32:02,440
Speaker 2: And the first commercial I got was the Geico the

637
00:32:02,680 --> 00:32:03,520
Speaker 2: iced tea read.

638
00:32:03,360 --> 00:32:04,640
Speaker 1: The sign right.

639
00:32:05,240 --> 00:32:09,160
Speaker 2: That was good too, and everybody brace for impact like

640
00:32:09,200 --> 00:32:11,440
Speaker 2: there was gonna be an outcry. But see, this is

641
00:32:11,440 --> 00:32:16,239
Speaker 2: what's happened. The guards have changed exactly. The people that

642
00:32:16,280 --> 00:32:17,560
Speaker 2: are in charge now are like.

643
00:32:17,560 --> 00:32:20,560
Speaker 3: Forty eight year old CEOs. That's how we were able

644
00:32:20,560 --> 00:32:22,760
Speaker 3: to do the Super Bowl. The people that were so

645
00:32:22,920 --> 00:32:25,600
Speaker 3: scared of Eminem and them are gone now and our

646
00:32:25,760 --> 00:32:27,280
Speaker 3: fans are in charge.

647
00:32:27,360 --> 00:32:29,560
Speaker 5: But you don't want to give some of that too

648
00:32:29,680 --> 00:32:33,160
Speaker 5: to like Sergeant Tutuola, because Totuola has changed a lot

649
00:32:33,160 --> 00:32:33,760
Speaker 5: of that too.

650
00:32:34,720 --> 00:32:37,880
Speaker 2: Whatever has done it. I just think it's just that

651
00:32:38,320 --> 00:32:42,080
Speaker 2: the new people love us, They love Snoop Dogg. They

652
00:32:42,160 --> 00:32:44,760
Speaker 2: grew up with us, so there's no fear of us.

653
00:32:45,040 --> 00:32:45,360
Speaker 3: Right now.

654
00:32:45,400 --> 00:32:48,200
Speaker 2: We can put a cereal out with Ozzy Osbourne. A

655
00:32:48,320 --> 00:32:52,240
Speaker 2: bat Cereal and the parents would think it's funny. The

656
00:32:52,320 --> 00:32:53,360
Speaker 2: kids wouldn't get it.

657
00:32:53,400 --> 00:32:54,560
Speaker 4: That's true, you know.

658
00:32:55,040 --> 00:32:58,200
Speaker 3: So so I get I start getting these commercials. I

659
00:32:58,240 --> 00:32:58,680
Speaker 3: get that.

660
00:32:59,320 --> 00:33:01,880
Speaker 1: Uh time calls me.

661
00:33:03,960 --> 00:33:05,840
Speaker 4: Wash ice cold wash Yeah.

662
00:33:05,640 --> 00:33:09,440
Speaker 3: But it's gotta fit. What what do I got to

663
00:33:09,440 --> 00:33:13,040
Speaker 3: do with that? They said, Washington Ice Cold. I'm like cool, Okay,

664
00:33:13,480 --> 00:33:15,080
Speaker 3: stone Cold, Steve Austin's in it.

665
00:33:15,160 --> 00:33:19,080
Speaker 1: I'm in. I mean, I'm like stone Cold, I'm in it.

666
00:33:19,160 --> 00:33:21,520
Speaker 5: Seems like so cool that, like the homie is just

667
00:33:21,560 --> 00:33:23,520
Speaker 5: like I just happened to be watching the commercial of

668
00:33:23,560 --> 00:33:25,600
Speaker 5: my homie Ice team was doing it, Like is that real?

669
00:33:26,040 --> 00:33:29,240
Speaker 3: That's mister Biggs, mister Soul Sonic Force.

670
00:33:29,280 --> 00:33:31,400
Speaker 2: He's from New Yes, that's one of the o g's

671
00:33:31,440 --> 00:33:37,040
Speaker 2: a hip hop Yes and see Carshield. The agent calls me.

672
00:33:37,120 --> 00:33:38,800
Speaker 2: They say, they know you got a lot of cars.

673
00:33:38,800 --> 00:33:42,560
Speaker 2: It's a warranty company. It's basically this, you know, would

674
00:33:42,560 --> 00:33:44,680
Speaker 2: you do it? I'm like, yeah, fuck that, Yeah cool,

675
00:33:44,720 --> 00:33:47,000
Speaker 2: I do it. And uh, I said, they gave put

676
00:33:47,040 --> 00:33:50,000
Speaker 2: insurance on some of my other cars, like they'll fuck

677
00:33:50,080 --> 00:33:52,880
Speaker 2: with like Mercedes bands Range Rover. They fucked with that.

678
00:33:53,040 --> 00:33:55,280
Speaker 2: So I got a car shield and I done.

679
00:33:55,360 --> 00:33:55,720
Speaker 3: I done.

680
00:33:56,000 --> 00:33:59,360
Speaker 2: Yeah, Biggs called me up to you, man, fucking cars

681
00:33:59,360 --> 00:34:00,960
Speaker 2: shield because I've seen you on TV.

682
00:34:01,080 --> 00:34:03,840
Speaker 3: You know, transmission went out, Man, they fixed that ship.

683
00:34:03,880 --> 00:34:06,040
Speaker 4: It was you official, It's official.

684
00:34:06,360 --> 00:34:08,799
Speaker 1: I was like, hold that thought. I called them.

685
00:34:08,840 --> 00:34:10,880
Speaker 2: I said, I got a real testimonial from one of

686
00:34:10,880 --> 00:34:13,239
Speaker 2: my homies. Y'all got him out. They said, we'll put

687
00:34:13,280 --> 00:34:15,200
Speaker 2: him in a commercial. So they put him in a commercial,

688
00:34:15,239 --> 00:34:17,320
Speaker 2: paid him and gave him lifetime card shields.

689
00:34:17,480 --> 00:34:18,080
Speaker 1: That's crazy.

690
00:34:18,920 --> 00:34:21,520
Speaker 3: And Cheerios was just I'm like, how the fuck if

691
00:34:21,520 --> 00:34:25,399
Speaker 3: you with cheerios. You're older, you're in great shape, You're

692
00:34:25,440 --> 00:34:27,920
Speaker 3: still touring. Cheerios is for hearts.

693
00:34:28,480 --> 00:34:32,839
Speaker 2: M And the thought of a nigga like me on

694
00:34:32,880 --> 00:34:37,160
Speaker 2: a Cheerios box like some of this shit, honestly, quest

695
00:34:37,600 --> 00:34:39,560
Speaker 2: all this thing I'm going through right now.

696
00:34:39,719 --> 00:34:43,400
Speaker 3: My life is beyond my wildest dreams.

697
00:34:43,400 --> 00:34:47,319
Speaker 2: Getting a star, like really all my reason shit I

698
00:34:47,320 --> 00:34:50,239
Speaker 2: did up in Hollywood? Like how many times I've been

699
00:34:50,280 --> 00:34:54,680
Speaker 2: laid flat on them damn stars? Like this shit is crazy, man,

700
00:34:54,840 --> 00:34:56,799
Speaker 2: But you know what it is, I'll tell you it is.

701
00:34:56,880 --> 00:35:02,400
Speaker 2: It's it's it's inspirational because use you can make a

702
00:35:02,520 --> 00:35:04,240
Speaker 2: change in your life and.

703
00:35:04,320 --> 00:35:07,759
Speaker 1: America loves a comeback. They love a comeback.

704
00:35:08,040 --> 00:35:10,200
Speaker 2: If you if if you, you could have been on drugs,

705
00:35:10,200 --> 00:35:12,279
Speaker 2: you could have been fucked up. But as long as

706
00:35:12,320 --> 00:35:15,919
Speaker 2: you honestly got your life straight, they will root for you.

707
00:35:18,200 --> 00:35:20,600
Speaker 1: But don't fuck up again.

708
00:35:20,719 --> 00:35:24,160
Speaker 3: Because Stardioe ass like trash because they rode for you

709
00:35:24,239 --> 00:35:25,000
Speaker 3: the second time.

710
00:35:25,080 --> 00:35:28,840
Speaker 1: Right, So I'm on my best behavior.

711
00:35:34,239 --> 00:35:36,279
Speaker 5: Ice before you go, Can I just ask one two

712
00:35:36,320 --> 00:35:38,440
Speaker 5: two ola question? At least, like, can I just.

713
00:35:38,640 --> 00:35:40,239
Speaker 3: I'm in my house. You got plenty of.

714
00:35:40,200 --> 00:35:43,480
Speaker 5: Time, hey, because some of us have watched, like we

715
00:35:43,520 --> 00:35:46,319
Speaker 5: are faithful and we have watched your evolution and congratulations

716
00:35:46,320 --> 00:35:49,360
Speaker 5: on being sergeant, and also condolences my brother on losing

717
00:35:49,400 --> 00:35:54,600
Speaker 5: your friend Richard Belzer, like we we watched y'all together

718
00:35:54,640 --> 00:35:56,800
Speaker 5: and even behind the scenes, we watched all friendship.

719
00:35:56,920 --> 00:36:02,480
Speaker 1: So wait a minute, Oh, but weren't you responsible for

720
00:36:02,960 --> 00:36:05,000
Speaker 1: I put it out there that I wanted to be

721
00:36:05,040 --> 00:36:08,839
Speaker 1: a dead body on the show. One of y'all made

722
00:36:08,880 --> 00:36:12,560
Speaker 1: it happen. I did, Thank you. I forgot y'all. I'm

723
00:36:12,560 --> 00:36:14,040
Speaker 1: a dead body on Law and Order.

724
00:36:16,000 --> 00:36:19,600
Speaker 5: So okay, So my question is most challenging storyline on

725
00:36:19,800 --> 00:36:21,960
Speaker 5: SBU for two old.

726
00:36:21,960 --> 00:36:25,960
Speaker 2: For ic the requests came in from Quest and it

727
00:36:26,000 --> 00:36:28,759
Speaker 2: got on the on the grid up there, and then

728
00:36:28,800 --> 00:36:31,560
Speaker 2: the line that of course I'm the black guy. So

729
00:36:31,600 --> 00:36:33,799
Speaker 2: they go quest Love wants to be on the show.

730
00:36:33,840 --> 00:36:34,400
Speaker 3: What's he like?

731
00:36:34,600 --> 00:36:36,839
Speaker 2: That's how they always ask, like they don't they want

732
00:36:36,880 --> 00:36:38,359
Speaker 2: to bring someone out on the show, but they don't

733
00:36:38,400 --> 00:36:39,960
Speaker 2: want it to be Prima Donna.

734
00:36:40,040 --> 00:36:43,560
Speaker 3: He's extra. I say, he's a great person.

735
00:36:43,800 --> 00:36:45,399
Speaker 2: I mean, Yo, if you got a chance to put

736
00:36:45,480 --> 00:36:48,319
Speaker 2: quests on the show, Joe fo so I can't go,

737
00:36:49,200 --> 00:36:51,200
Speaker 2: I co signed you because they don't know they bring

738
00:36:51,239 --> 00:36:53,880
Speaker 2: a nigga up there, nigga might wile out.

739
00:36:55,800 --> 00:36:58,520
Speaker 3: Yo. Snoop came up there and smoked the whole place out.

740
00:36:59,040 --> 00:37:00,680
Speaker 4: Yeah that's the rue. You just gotta know.

741
00:37:01,040 --> 00:37:03,880
Speaker 5: So all right, So back to my fan out question.

742
00:37:03,960 --> 00:37:07,799
Speaker 5: Though it was there most challenging storyline, I appreciate. I

743
00:37:07,840 --> 00:37:10,720
Speaker 5: just want to say how Chutuola has become an amazing

744
00:37:10,760 --> 00:37:15,960
Speaker 5: grandfather to his gay sons, husbands and the children and whatnot.

745
00:37:15,960 --> 00:37:18,040
Speaker 5: But what has been a challenging storyline for you in

746
00:37:18,080 --> 00:37:18,600
Speaker 5: this journey?

747
00:37:19,480 --> 00:37:21,680
Speaker 1: Anything that does with children bothers me.

748
00:37:22,200 --> 00:37:25,560
Speaker 3: You know, I mean, I got a problem with you know, pedophilia,

749
00:37:26,000 --> 00:37:27,479
Speaker 3: and all that old, weird, old shit.

750
00:37:27,680 --> 00:37:30,319
Speaker 1: I don't I don't rock with that. I don't.

751
00:37:30,360 --> 00:37:33,040
Speaker 2: I don't think street cats fuck with that.

752
00:37:33,040 --> 00:37:36,120
Speaker 1: That's just real. You know you're not gonna do well

753
00:37:36,160 --> 00:37:37,680
Speaker 1: in prison with that. You know.

754
00:37:38,040 --> 00:37:42,359
Speaker 2: You know what the definition of pedophilia is mm. It

755
00:37:42,400 --> 00:37:47,520
Speaker 2: means you're into things that are preprovescent. H that's nasty.

756
00:37:48,320 --> 00:37:51,959
Speaker 2: That's nasty. So anytime we're dealing with that kind of shit,

757
00:37:52,280 --> 00:37:54,479
Speaker 2: I personally got an issue with that shit.

758
00:37:54,640 --> 00:37:55,680
Speaker 1: That's nasty to me.

759
00:37:56,239 --> 00:37:59,759
Speaker 2: And I got on that show and the storylines are

760
00:37:59,760 --> 00:38:02,160
Speaker 2: so crazy and so dark and so weird, but they're

761
00:38:02,280 --> 00:38:02,879
Speaker 2: real shit.

762
00:38:03,160 --> 00:38:04,080
Speaker 1: It's real stuff.

763
00:38:04,719 --> 00:38:09,160
Speaker 2: So I'll tell you a funny when, like one season,

764
00:38:09,160 --> 00:38:12,160
Speaker 2: I come back and they tell me you're getting married.

765
00:38:11,880 --> 00:38:15,600
Speaker 1: I'm like, to who, They're like, Phoebe. I'm like, who's Phoebe?

766
00:38:16,400 --> 00:38:20,200
Speaker 2: That's the girl from three seasons ago that wasn't gonna

767
00:38:20,200 --> 00:38:20,880
Speaker 2: hook up with you?

768
00:38:21,520 --> 00:38:24,720
Speaker 3: So when did we get together? Over COVID? The fans

769
00:38:24,800 --> 00:38:26,919
Speaker 3: know it, so I had to talk.

770
00:38:27,360 --> 00:38:30,080
Speaker 4: It was kind of a few shout out to Jennifer Esposito.

771
00:38:30,120 --> 00:38:32,640
Speaker 4: I'm mad. I know everything that goes on in this show,

772
00:38:32,680 --> 00:38:33,200
Speaker 4: but I'm.

773
00:38:33,040 --> 00:38:36,359
Speaker 2: Glass Jennifer got engaged and we let that rock out

774
00:38:36,400 --> 00:38:38,200
Speaker 2: the whole season and we didn't get married.

775
00:38:38,200 --> 00:38:40,799
Speaker 1: But do you get a saying like the direction that

776
00:38:40,840 --> 00:38:43,520
Speaker 1: your character goes? Not really?

777
00:38:43,719 --> 00:38:47,239
Speaker 3: I mean, I'm an I've learned to add quests, so

778
00:38:47,400 --> 00:38:48,480
Speaker 3: I don't really care.

779
00:38:48,360 --> 00:38:51,080
Speaker 1: Where my character goes as long as it doesn't die,

780
00:38:51,680 --> 00:38:55,759
Speaker 1: you know, because close calls where it's like, okay, we

781
00:38:55,840 --> 00:38:57,360
Speaker 1: got to talk to you or go to dinner. Like

782
00:38:57,400 --> 00:39:00,319
Speaker 1: how do you know if your character is getting because

783
00:39:00,320 --> 00:39:01,040
Speaker 1: you're not shot.

784
00:39:01,320 --> 00:39:03,239
Speaker 3: You get shot, I mean you get shot in the

785
00:39:03,239 --> 00:39:05,239
Speaker 3: script and you see the shot. Then you go like this,

786
00:39:05,400 --> 00:39:09,560
Speaker 3: oh shit, don't breath. I'm breathing on taking ship.

787
00:39:09,719 --> 00:39:14,239
Speaker 2: I survived that, you know. But now there's a producer

788
00:39:14,760 --> 00:39:17,439
Speaker 2: or Lauren Ordter, we call the Grim Reaper. He takes

789
00:39:17,480 --> 00:39:19,520
Speaker 2: me to dinner. It's around.

790
00:39:19,920 --> 00:39:23,080
Speaker 1: So when you get taken to dinner, you already know. Yeah.

791
00:39:23,520 --> 00:39:25,839
Speaker 3: See, I'm I'm gangster with them. You know.

792
00:39:25,880 --> 00:39:27,920
Speaker 2: I signed up with Dick Wolf and I'm like his

793
00:39:28,120 --> 00:39:31,160
Speaker 2: ride or die. I've been on five shows with Dick Wolf, right,

794
00:39:31,480 --> 00:39:35,359
Speaker 2: so he understands. And when I I told them on

795
00:39:35,400 --> 00:39:37,480
Speaker 2: some real ship, I said, if y'all gonna get rid

796
00:39:37,560 --> 00:39:41,080
Speaker 2: of me, give me six months advance, so I could

797
00:39:41,080 --> 00:39:42,160
Speaker 2: book a tour or something.

798
00:39:42,280 --> 00:39:45,400
Speaker 1: Just don't do me. Don't just do me that.

799
00:39:45,640 --> 00:39:46,640
Speaker 3: I deserve that.

800
00:39:46,920 --> 00:39:50,239
Speaker 2: And now being the longest running actor in television, they

801
00:39:50,320 --> 00:39:54,040
Speaker 2: owe me that, you know, you know, so I'm like,

802
00:39:54,880 --> 00:39:57,080
Speaker 2: I'm good with them. I told Dick Wolf straight up.

803
00:39:57,120 --> 00:39:59,440
Speaker 2: I told him, I said, I'm on the show to

804
00:39:59,480 --> 00:40:01,120
Speaker 2: the wheels all off. You know what I'm saying.

805
00:40:01,160 --> 00:40:03,640
Speaker 3: I I'm there.

806
00:40:03,880 --> 00:40:06,960
Speaker 2: I don't have no plans in leaving, and you know,

807
00:40:07,280 --> 00:40:09,719
Speaker 2: all things come to an end. We weren't getting ready

808
00:40:09,760 --> 00:40:14,440
Speaker 2: to start the twenty fifth season, and at some point

809
00:40:14,640 --> 00:40:16,560
Speaker 2: it'll be over. And then I'm just gonna go out

810
00:40:16,600 --> 00:40:18,719
Speaker 2: and read for Samuel Jackson's parts.

811
00:40:19,840 --> 00:40:23,480
Speaker 1: Oohy, it's really gonna be over. I think that show

812
00:40:23,560 --> 00:40:24,880
Speaker 1: is basically built to last.

813
00:40:25,320 --> 00:40:27,400
Speaker 5: Well, as long as you are, Mariska, to be honest,

814
00:40:27,400 --> 00:40:29,120
Speaker 5: that's what I was wanting. I was like, you were, Mariska.

815
00:40:29,280 --> 00:40:31,759
Speaker 5: I feel like, as long as y'all are, there is

816
00:40:31,800 --> 00:40:35,200
Speaker 5: there at least an outside of the show, a relationship

817
00:40:35,200 --> 00:40:36,439
Speaker 5: between you and Riska as well.

818
00:40:36,520 --> 00:40:37,080
Speaker 1: Yeah.

819
00:40:37,239 --> 00:40:40,399
Speaker 2: Yeah, I told Mariska's point blank. I say, in my life,

820
00:40:40,480 --> 00:40:42,920
Speaker 2: I have three women. I have my two daughters and

821
00:40:42,960 --> 00:40:45,239
Speaker 2: my wife, But I've made more money.

822
00:40:44,960 --> 00:40:48,840
Speaker 3: With you, Mariska. So you got to understand where you

823
00:40:48,960 --> 00:40:49,839
Speaker 3: stand in my life.

824
00:40:49,880 --> 00:40:52,719
Speaker 2: Me and Mariska twenty five years, that's longer than you

825
00:40:52,760 --> 00:40:58,000
Speaker 2: went to high school college. Who you know that you like,

826
00:40:58,000 --> 00:41:01,080
Speaker 2: like Quest has been with Jimmy every day. When you starting.

827
00:41:00,719 --> 00:41:04,160
Speaker 1: Relationships where you're with somebody every day for years and

828
00:41:04,320 --> 00:41:07,400
Speaker 1: years and years and years, that's me and Tarik. Like,

829
00:41:07,920 --> 00:41:12,080
Speaker 1: I think I've had a longer consistent every day relationship

830
00:41:12,120 --> 00:41:15,960
Speaker 1: with Tarik than my my parent, like my family, anyone.

831
00:41:16,480 --> 00:41:18,200
Speaker 4: You've seen him more than all of them.

832
00:41:18,680 --> 00:41:20,080
Speaker 1: Yeah, yeah, that's what I said.

833
00:41:20,120 --> 00:41:21,319
Speaker 4: And I thought about this icy.

834
00:41:21,400 --> 00:41:22,960
Speaker 5: I was like, what does it icy feel like to

835
00:41:23,000 --> 00:41:25,160
Speaker 5: know that, like, he's been a cop longer than he's

836
00:41:25,160 --> 00:41:27,160
Speaker 5: been an EMC. I mean, well, you're always gonna be

837
00:41:27,160 --> 00:41:29,360
Speaker 5: an MC, but longer than you've been making records.

838
00:41:29,400 --> 00:41:30,160
Speaker 4: I put it that way.

839
00:41:31,120 --> 00:41:34,200
Speaker 1: I've been acting like a cop. I'm not no motherfucking cop.

840
00:41:34,280 --> 00:41:34,960
Speaker 4: I know that's right.

841
00:41:34,960 --> 00:41:35,560
Speaker 1: You better tell me.

842
00:41:37,560 --> 00:41:38,120
Speaker 3: Like a cop.

843
00:41:38,200 --> 00:41:40,520
Speaker 2: But you know, the thing of it is is that

844
00:41:40,680 --> 00:41:45,919
Speaker 2: if you hire, if you hire a streetcat to play

845
00:41:45,960 --> 00:41:49,320
Speaker 2: a cop, you get more of an official cop because

846
00:41:49,360 --> 00:41:53,000
Speaker 2: the cops is really are really thugs, right, you know,

847
00:41:53,239 --> 00:41:56,440
Speaker 2: so the way they handle themself. If you get a

848
00:41:56,520 --> 00:41:59,040
Speaker 2: square he and he acts like a cop. He acts

849
00:41:59,080 --> 00:42:02,600
Speaker 2: like a rookie cop. But as the cops get older,

850
00:42:03,040 --> 00:42:04,960
Speaker 2: they pick up the lingo. If you ever dealt with

851
00:42:05,000 --> 00:42:08,320
Speaker 2: a DA you'll swear to God you're talking to drug dealers.

852
00:42:08,400 --> 00:42:10,719
Speaker 2: If you ever talk to a mob cop, you swear

853
00:42:10,760 --> 00:42:12,720
Speaker 2: to God you're talking to somebody's to the mob.

854
00:42:13,360 --> 00:42:14,600
Speaker 3: They pick up the lingo.

855
00:42:14,840 --> 00:42:18,080
Speaker 2: So Dick Wolf was like, if I cast Ice as

856
00:42:18,080 --> 00:42:20,640
Speaker 2: a cop, you get a cop with an interesting dynamic.

857
00:42:21,760 --> 00:42:23,600
Speaker 3: When I'm interrogating somebody.

858
00:42:24,239 --> 00:42:28,600
Speaker 2: You you, you, the viewer, feel like Ice about to

859
00:42:28,600 --> 00:42:32,160
Speaker 2: smack the ship out this nigga. Yep, yes, now here's

860
00:42:32,200 --> 00:42:35,080
Speaker 2: something for you. Acting like a cop and a gangster

861
00:42:35,280 --> 00:42:39,799
Speaker 2: are the exact same acting. It's see, both of you

862
00:42:39,880 --> 00:42:43,239
Speaker 2: got a gun, both of you got an attitude, and

863
00:42:43,320 --> 00:42:45,359
Speaker 2: both of you say if I don't get what I want,

864
00:42:45,440 --> 00:42:46,960
Speaker 2: there will be a consequence.

865
00:42:47,360 --> 00:42:51,680
Speaker 3: So it's an ad it's an energy that is gangster.

866
00:42:52,280 --> 00:42:54,200
Speaker 3: But you just have a bad same shit.

867
00:42:54,800 --> 00:42:57,200
Speaker 2: So a lot of times when I'm acting, I'm not

868
00:42:57,239 --> 00:42:58,120
Speaker 2: thinking like a cop.

869
00:42:58,160 --> 00:43:00,160
Speaker 3: I'm just like, yo, motherfucker, you finna do what I

870
00:43:00,200 --> 00:43:00,879
Speaker 3: want you to do.

871
00:43:01,680 --> 00:43:03,040
Speaker 1: I'm gonna fucking fuck you up.

872
00:43:04,120 --> 00:43:07,000
Speaker 4: I love watching it. I just love watching you. I

873
00:43:07,080 --> 00:43:08,160
Speaker 4: really do. I really do.

874
00:43:08,400 --> 00:43:10,920
Speaker 5: I just I think for your fans that we just

875
00:43:10,960 --> 00:43:13,080
Speaker 5: love an evolution, even where they where you are in

876
00:43:13,120 --> 00:43:13,840
Speaker 5: the police force.

877
00:43:13,880 --> 00:43:16,080
Speaker 2: Now, the beauty of it is for me in LL

878
00:43:16,280 --> 00:43:19,480
Speaker 2: is that our fans have matured with us.

879
00:43:19,840 --> 00:43:22,919
Speaker 3: So you probably were with us when we were rapping, and.

880
00:43:22,840 --> 00:43:26,759
Speaker 2: Now you know, you're not necessarily listening to a hip

881
00:43:26,800 --> 00:43:29,080
Speaker 2: hop like that anymore. But you've grown up and your

882
00:43:29,120 --> 00:43:32,840
Speaker 2: mother's and this, that and the third. But we're still

883
00:43:32,960 --> 00:43:36,440
Speaker 2: the people you grew up with. Our fan base has

884
00:43:36,520 --> 00:43:38,360
Speaker 2: matured with us.

885
00:43:38,360 --> 00:43:41,279
Speaker 5: But it's also seeing y'all as whole men too, Like

886
00:43:41,360 --> 00:43:44,440
Speaker 5: seeing you show feelings, seeing you all the things. It's

887
00:43:44,480 --> 00:43:46,920
Speaker 5: just beautiful to watch, even if you are acting. But

888
00:43:47,000 --> 00:43:49,080
Speaker 5: I know that when you went own your house, some

889
00:43:49,080 --> 00:43:50,360
Speaker 5: of that stuff goes home.

890
00:43:50,160 --> 00:43:51,279
Speaker 1: To some of it.

891
00:43:51,800 --> 00:43:55,279
Speaker 6: Yeah, speaking of a home, And like with your marriage, man,

892
00:43:55,360 --> 00:43:58,200
Speaker 6: how did you make that transition from being in the

893
00:43:58,200 --> 00:44:00,760
Speaker 6: streets to you know, going straight?

894
00:44:02,200 --> 00:44:02,399
Speaker 3: Yeah?

895
00:44:02,440 --> 00:44:02,640
Speaker 1: Yeah.

896
00:44:03,080 --> 00:44:05,439
Speaker 2: The thing of it is that when a woman meets

897
00:44:05,440 --> 00:44:07,319
Speaker 2: the right man, it's the right time. When a man

898
00:44:07,400 --> 00:44:10,480
Speaker 2: hits the right time, he'll be ready for the right woman.

899
00:44:10,600 --> 00:44:13,279
Speaker 3: Oh shit, yeah, that's sure.

900
00:44:13,760 --> 00:44:16,880
Speaker 2: So men we're kind of like no good up to

901
00:44:16,960 --> 00:44:20,279
Speaker 2: thirty five years old because we have to go through

902
00:44:20,320 --> 00:44:23,920
Speaker 2: the same thing they went through. See, women, they mature

903
00:44:24,000 --> 00:44:28,480
Speaker 2: earlier because at seventeen, if a girl's hot, she's in

904
00:44:28,560 --> 00:44:31,919
Speaker 2: the club, she's she's living the life we can't live.

905
00:44:32,040 --> 00:44:35,040
Speaker 6: Yeah, she in the car with the forty year old niggas.

906
00:44:34,400 --> 00:44:36,520
Speaker 1: Right right, think about it.

907
00:44:36,560 --> 00:44:38,959
Speaker 3: I didn't get in the Bends until I bought one,

908
00:44:39,719 --> 00:44:39,920
Speaker 3: you know.

909
00:44:40,480 --> 00:44:41,920
Speaker 1: So they make.

910
00:44:41,800 --> 00:44:46,160
Speaker 2: Sure they mature much faster because life opens for them earlier.

911
00:44:46,400 --> 00:44:48,680
Speaker 2: When you see all these girls in bikinis laid out

912
00:44:48,680 --> 00:44:51,919
Speaker 2: on the yacht. Them bitches don't own that yacht. They're

913
00:44:51,920 --> 00:44:52,880
Speaker 2: on the take Q.

914
00:44:53,760 --> 00:44:58,000
Speaker 3: We can't get on the yacht unlet's buy it, right,

915
00:44:58,440 --> 00:44:59,920
Speaker 3: So the life happens for.

916
00:44:59,880 --> 00:45:03,120
Speaker 2: The But here's the problem. Here's the problem. When y'all

917
00:45:03,239 --> 00:45:08,280
Speaker 2: is slowing down, we're just taking off. Yeah at twenty seven,

918
00:45:08,320 --> 00:45:11,040
Speaker 2: when the woman sees thirty and she's like, I need

919
00:45:11,080 --> 00:45:12,239
Speaker 2: to slow down and figure it out.

920
00:45:12,280 --> 00:45:17,560
Speaker 6: The guys just getting his bag.

921
00:45:15,680 --> 00:45:17,919
Speaker 3: And so it's a stagger with us.

922
00:45:18,239 --> 00:45:23,880
Speaker 2: So what happens is I had a girlfriend Darlene who

923
00:45:23,920 --> 00:45:25,760
Speaker 2: was on my covers. Me and her were like together

924
00:45:25,840 --> 00:45:29,480
Speaker 2: for fifteen years, but I never got married because I

925
00:45:29,520 --> 00:45:31,640
Speaker 2: already knew what kind of nigga I was, you know,

926
00:45:31,800 --> 00:45:36,960
Speaker 2: still in you know, moving, I'm just becoming famous through one.

927
00:45:37,440 --> 00:45:40,959
Speaker 3: Don't marry nobody. It's just getting at the beginning of fame.

928
00:45:41,280 --> 00:45:45,920
Speaker 4: Hell yeah, yeah, it's you never.

929
00:45:46,040 --> 00:45:49,240
Speaker 2: It's an onslaughter pussy and you just have to weather

930
00:45:49,360 --> 00:45:54,439
Speaker 2: that's shit. And you think, anyway, what happens is when

931
00:45:54,440 --> 00:45:57,760
Speaker 2: I met Coco. When I met Coco, I was forty

932
00:45:57,760 --> 00:46:02,239
Speaker 2: two years old, and I was done. I've been to

933
00:46:02,280 --> 00:46:04,600
Speaker 2: the theme park, I've been to everything, I've done this,

934
00:46:05,040 --> 00:46:08,480
Speaker 2: and now I was ready, and you know, I needed

935
00:46:08,520 --> 00:46:11,840
Speaker 2: to find somebody. And since she had matured earlier, she

936
00:46:11,880 --> 00:46:14,680
Speaker 2: had been running when she was seventeen eighteen nineteen twenty

937
00:46:14,680 --> 00:46:16,759
Speaker 2: twenty one, so when I met her, she was kind

938
00:46:16,760 --> 00:46:20,839
Speaker 2: of done. And in the words of Pimp and Kin,

939
00:46:21,000 --> 00:46:23,160
Speaker 2: one damn bitch is worth ten funky hose, you know

940
00:46:23,200 --> 00:46:26,279
Speaker 2: what I'm saying. So you know, at some point I

941
00:46:26,760 --> 00:46:29,759
Speaker 2: chose and and fortunately it's stuck like glue. We've been

942
00:46:29,760 --> 00:46:33,760
Speaker 2: mad at for twenty two years and crazy man, it's beautiful.

943
00:46:34,120 --> 00:46:37,839
Speaker 3: It was. It was just it was just the right chick,

944
00:46:37,920 --> 00:46:38,120
Speaker 3: you know.

945
00:46:39,239 --> 00:46:41,400
Speaker 1: She she liked me.

946
00:46:44,080 --> 00:46:45,560
Speaker 3: Like when I met her, I had on a red

947
00:46:45,600 --> 00:46:46,600
Speaker 3: snake skin suit.

948
00:46:47,360 --> 00:46:50,000
Speaker 1: Oh you know I was. I was on some.

949
00:46:49,920 --> 00:46:53,080
Speaker 3: Player shit and a video. She's like, ooh, that's flyve.

950
00:46:53,080 --> 00:46:53,799
Speaker 4: What co go from?

951
00:46:53,960 --> 00:46:54,440
Speaker 1: Was she running with?

952
00:46:56,320 --> 00:46:58,359
Speaker 4: Okay, okay, she could do that, Okay.

953
00:46:58,200 --> 00:47:02,960
Speaker 3: But she but she liked this. I'm too much for

954
00:47:03,040 --> 00:47:03,680
Speaker 3: most girls.

955
00:47:03,680 --> 00:47:06,879
Speaker 2: They like nigger worded out of your work work mouth

956
00:47:07,000 --> 00:47:10,200
Speaker 2: is pimping ho and bitches. And she's like, ooh, ooh,

957
00:47:10,360 --> 00:47:11,760
Speaker 2: top that shit.

958
00:47:12,120 --> 00:47:13,799
Speaker 3: She liked. She liked me.

959
00:47:14,640 --> 00:47:17,920
Speaker 2: So I finally found a woman that really accepted me,

960
00:47:19,160 --> 00:47:21,680
Speaker 2: and I liked her. She was always you know, she's

961
00:47:21,719 --> 00:47:25,800
Speaker 2: out there, you know, borderline exhibitionist. She likes showing herself.

962
00:47:25,840 --> 00:47:29,400
Speaker 2: She's fun and I dig it. She ain't right for everybody.

963
00:47:29,520 --> 00:47:31,080
Speaker 2: So a lot of times people will come to me

964
00:47:31,160 --> 00:47:34,520
Speaker 2: and go, well, give me some advice. I said, I can.

965
00:47:34,640 --> 00:47:36,319
Speaker 2: I can tell you how. I can tell you how

966
00:47:36,360 --> 00:47:38,279
Speaker 2: to be married to my wife. I can't tell you

967
00:47:38,360 --> 00:47:41,759
Speaker 2: how to be married to yours. I know what it

968
00:47:41,760 --> 00:47:44,279
Speaker 2: takes to make her happy, but I don't know what

969
00:47:44,480 --> 00:47:47,840
Speaker 2: you might be dealing with. So, but you know, we

970
00:47:47,880 --> 00:47:52,920
Speaker 2: always say men settle where they find peace. And my

971
00:47:53,000 --> 00:47:56,520
Speaker 2: wife does not argue, she doesn't raise her voice. She's

972
00:47:57,680 --> 00:48:02,000
Speaker 2: very peaceful, she's very nice and week and she has

973
00:48:02,000 --> 00:48:04,080
Speaker 2: me happy, has me wanting to stay in the house

974
00:48:04,120 --> 00:48:06,400
Speaker 2: and play video games, and she's enough for me.

975
00:48:06,600 --> 00:48:09,440
Speaker 3: And what you play? What games? What games you want?

976
00:48:09,440 --> 00:48:15,280
Speaker 1: What you be on? Oh? Duty and first person shooters?

977
00:48:15,640 --> 00:48:17,880
Speaker 1: Oh okay, you're shooters. Okay, gotcha.

978
00:48:18,080 --> 00:48:21,800
Speaker 3: But you know one thing about relationships, don't brag on

979
00:48:21,880 --> 00:48:23,320
Speaker 3: them because you'll jinx yourself.

980
00:48:23,440 --> 00:48:26,120
Speaker 4: Oh god, you got as precious word. Come on im,

981
00:48:26,880 --> 00:48:29,000
Speaker 4: you know it's.

982
00:48:29,000 --> 00:48:30,040
Speaker 3: I'm in a good place.

983
00:48:30,120 --> 00:48:32,160
Speaker 2: But I mean, you know, you ever notice, like when

984
00:48:32,160 --> 00:48:37,440
Speaker 2: you watch basketball wives, none of them are really the wives. Yes,

985
00:48:38,080 --> 00:48:41,680
Speaker 2: because the wives aren't doing no fucking interviews. The wives

986
00:48:41,680 --> 00:48:44,520
Speaker 2: are happy, they're in the mansion, they're doing great.

987
00:48:44,600 --> 00:48:48,520
Speaker 3: They don't want to talk. They x wives running.

988
00:48:48,280 --> 00:48:52,480
Speaker 2: Their motherfucker mouse. But go to somebody's wife in life,

989
00:48:53,640 --> 00:48:56,399
Speaker 2: don't talk. I don't want to talk about it. So well,

990
00:48:56,800 --> 00:48:59,960
Speaker 2: I'll keep it quiet. Everything's good on the icy front.

991
00:49:01,320 --> 00:49:04,200
Speaker 1: I love it. Wait time out, Steve, do you remember

992
00:49:05,280 --> 00:49:10,919
Speaker 1: our fourth day at Fallon? I forget which writer ran

993
00:49:11,040 --> 00:49:15,200
Speaker 1: in to ask me, I forget the writer, but she

994
00:49:15,320 --> 00:49:17,839
Speaker 1: ran and says, am, here, do you know who Ice

995
00:49:17,880 --> 00:49:20,120
Speaker 1: t Hea is? And I was like yeah, no iced Tea.

996
00:49:20,840 --> 00:49:23,560
Speaker 1: And they wanted me a broker, like I guess one

997
00:49:23,640 --> 00:49:27,840
Speaker 1: of the one of the Fallon writers had maybe Morgan Morgan,

998
00:49:28,080 --> 00:49:32,480
Speaker 1: maybe I forget it was, but like she had she

999
00:49:32,520 --> 00:49:37,480
Speaker 1: had snarked a comment on Twitter, and they wanted us

1000
00:49:37,520 --> 00:49:40,160
Speaker 1: to translate the roots, like what does this mean? Like

1001
00:49:40,400 --> 00:49:42,799
Speaker 1: should I run out of state or should I? I

1002
00:49:42,840 --> 00:49:45,440
Speaker 1: was like, no, it's I forget what your response was.

1003
00:49:46,160 --> 00:49:50,920
Speaker 1: But they were obviously not used to playing the dozens

1004
00:49:51,560 --> 00:49:52,839
Speaker 1: or any of that sort of thing.

1005
00:49:53,520 --> 00:50:02,040
Speaker 2: And a bitch from it's Twitter though, you know it's Twitter.

1006
00:50:02,080 --> 00:50:03,640
Speaker 2: It's like yo, whatever.

1007
00:50:05,800 --> 00:50:10,680
Speaker 1: My fourth day Fallon literally like I just remember having

1008
00:50:10,760 --> 00:50:14,520
Speaker 1: to walk in the writer's room and calm this person down,

1009
00:50:14,640 --> 00:50:20,440
Speaker 1: like okay means right exactly.

1010
00:50:20,400 --> 00:50:21,879
Speaker 3: Does not mean it's a dick.

1011
00:50:21,960 --> 00:50:23,759
Speaker 1: It means eat a dick, all right?

1012
00:50:23,880 --> 00:50:28,000
Speaker 3: So whatever. You know what, man, people they don't know how.

1013
00:50:27,880 --> 00:50:30,960
Speaker 2: To really respond to certain people. They don't know what's up.

1014
00:50:31,200 --> 00:50:33,480
Speaker 2: They don't you know, people come over my house, they

1015
00:50:33,520 --> 00:50:36,040
Speaker 2: expect to see people hanging off meat hooks and ship.

1016
00:50:37,760 --> 00:50:40,960
Speaker 2: Do you understand because they pick up a persona from you.

1017
00:50:41,000 --> 00:50:43,160
Speaker 2: They might just listen to my records. They might listen

1018
00:50:43,200 --> 00:50:46,480
Speaker 2: to body count. They don't know who I am really.

1019
00:50:46,440 --> 00:50:47,040
Speaker 3: You're somebody.

1020
00:50:47,200 --> 00:50:48,640
Speaker 4: Daddy like you a whole.

1021
00:50:48,440 --> 00:50:52,400
Speaker 2: Like you know me better than some They'll take a

1022
00:50:52,440 --> 00:50:54,799
Speaker 2: small thing and turn that.

1023
00:50:54,760 --> 00:50:56,320
Speaker 1: Into my whole persona.

1024
00:50:56,480 --> 00:50:58,839
Speaker 2: You know what I'm saying, So you know it is

1025
00:50:58,880 --> 00:51:01,279
Speaker 2: what it is, man, But you know, let me do

1026
00:51:01,400 --> 00:51:03,000
Speaker 2: my shameless plug.

1027
00:51:03,520 --> 00:51:06,000
Speaker 3: Please second check on the daily game.

1028
00:51:06,040 --> 00:51:10,239
Speaker 2: The daily game was something that I would do on

1029
00:51:10,280 --> 00:51:13,560
Speaker 2: Twitter because when I first got on Twitter, I realized

1030
00:51:13,600 --> 00:51:15,400
Speaker 2: it was mob rules, and I said, you have to

1031
00:51:15,400 --> 00:51:17,479
Speaker 2: get a crew, you got to get people to fuck

1032
00:51:17,520 --> 00:51:20,000
Speaker 2: with you. So I needed something to make you go

1033
00:51:20,200 --> 00:51:23,920
Speaker 2: back to my page because Twitter is nothing but a

1034
00:51:24,040 --> 00:51:24,920
Speaker 2: chat room.

1035
00:51:25,239 --> 00:51:26,080
Speaker 3: It's a chatroom.

1036
00:51:26,120 --> 00:51:29,759
Speaker 2: It's going right now and talking back and forth and

1037
00:51:29,800 --> 00:51:34,400
Speaker 2: in this million person a multimillion dollar, million person chatroom.

1038
00:51:34,640 --> 00:51:37,680
Speaker 2: If you follow quests, that means I'm interested in what

1039
00:51:37,840 --> 00:51:42,000
Speaker 2: he's saying versus everybody else. But if you have a

1040
00:51:42,120 --> 00:51:47,319
Speaker 2: timeline with a thousand people his tweet, just shoot. So

1041
00:51:47,360 --> 00:51:49,719
Speaker 2: the only way you really can make Twitter work is

1042
00:51:49,760 --> 00:51:52,279
Speaker 2: if I go to your page like I'm gonna go

1043
00:51:52,360 --> 00:51:54,680
Speaker 2: see what Quest said today. So I cram up with

1044
00:51:54,680 --> 00:51:57,680
Speaker 2: this thing called The Daily Game, and it's just jewels

1045
00:51:57,719 --> 00:52:04,000
Speaker 2: I got from players and iHeartRadio dug them and said, hey,

1046
00:52:04,000 --> 00:52:06,160
Speaker 2: why don't we turn this into a podcast. So the

1047
00:52:06,200 --> 00:52:09,440
Speaker 2: podcast is iced Ty's Daily Game. It's on Spotify, and

1048
00:52:09,560 --> 00:52:12,439
Speaker 2: every day I drop a jewel and then I break

1049
00:52:12,480 --> 00:52:15,080
Speaker 2: it down like what the lady wanted Quest to do.

1050
00:52:16,040 --> 00:52:18,719
Speaker 2: So you know shit like I if it feels like

1051
00:52:18,800 --> 00:52:20,840
Speaker 2: you're going in circles, it's probably.

1052
00:52:20,600 --> 00:52:22,719
Speaker 1: Because you're cutting corners. You understand me, you know.

1053
00:52:23,920 --> 00:52:29,520
Speaker 2: So there these are little tidbits I got from different

1054
00:52:29,520 --> 00:52:37,160
Speaker 2: players and different people, and I quote Aristotle, Socrates, all

1055
00:52:37,239 --> 00:52:42,440
Speaker 2: kinds of different people, Tyler Perry, I quoted Jimmy. So

1056
00:52:42,560 --> 00:52:45,200
Speaker 2: anytime somebody says something, I'm like, you know, we call

1057
00:52:45,239 --> 00:52:45,840
Speaker 2: it a jewel.

1058
00:52:45,880 --> 00:52:50,000
Speaker 1: Hold on, So tune into the Daily Game.

1059
00:52:50,200 --> 00:52:51,920
Speaker 2: You can tune in once a week and hear like

1060
00:52:52,000 --> 00:52:56,480
Speaker 2: five of them, and I did a year's worth. I

1061
00:52:56,560 --> 00:53:00,400
Speaker 2: recorded two hundred and fifty of them. Took about four sessions.

1062
00:53:00,080 --> 00:53:05,279
Speaker 2: In four sessions, six hour sessions, so twenty four hours.

1063
00:53:05,560 --> 00:53:05,680
Speaker 1: Yo.

1064
00:53:05,880 --> 00:53:08,560
Speaker 6: Before we go, man, you got to talk about Chappelle

1065
00:53:08,640 --> 00:53:11,080
Speaker 6: Show hater's ball.

1066
00:53:11,080 --> 00:53:16,040
Speaker 3: Come on, come on, you get a call from Dave Chappelle.

1067
00:53:16,160 --> 00:53:18,799
Speaker 3: Certain niggas call you, you show up. You did what

1068
00:53:18,800 --> 00:53:22,080
Speaker 3: I'm saying. I called quest call me, I'm gonna show up.

1069
00:53:22,160 --> 00:53:26,319
Speaker 2: Certain people got that Dave Chappelle is one of them cats, right,

1070
00:53:26,360 --> 00:53:28,360
Speaker 2: So you get the call Dave wants you to be

1071
00:53:28,400 --> 00:53:31,040
Speaker 2: in a skit. Hell yeah, I'm in a skit. So

1072
00:53:31,719 --> 00:53:33,719
Speaker 2: they say it's the player hate his ball. Just wear

1073
00:53:33,800 --> 00:53:37,399
Speaker 2: something you'd wear it to the player's ball. Oh, the

1074
00:53:37,440 --> 00:53:38,680
Speaker 2: red snake skin suit?

1075
00:53:39,120 --> 00:53:42,280
Speaker 6: ID, I was at the same suit, the same one

1076
00:53:42,320 --> 00:53:44,040
Speaker 6: I had on when I knocked Coco wo.

1077
00:53:46,600 --> 00:53:49,000
Speaker 3: That was a winter chicken dinner. That was that was one.

1078
00:53:49,280 --> 00:53:52,080
Speaker 2: So I threw that on Bloud And then they get

1079
00:53:52,120 --> 00:53:54,000
Speaker 2: my hair on the set. They said, don't do your hair.

1080
00:53:54,040 --> 00:53:58,080
Speaker 2: We're gonna curl your hair on the set. And remember

1081
00:53:58,080 --> 00:54:02,360
Speaker 2: they had me sitting down there talking shit with him,

1082
00:54:02,400 --> 00:54:04,120
Speaker 2: and they just threw the script at me and they

1083
00:54:04,239 --> 00:54:08,319
Speaker 2: said you hosting. I'm like, I'm hosting, and uh, they

1084
00:54:08,400 --> 00:54:10,000
Speaker 2: just said just get up there, and they had a

1085
00:54:10,000 --> 00:54:13,040
Speaker 2: few things to say. And you know, I invented that

1086
00:54:13,080 --> 00:54:15,759
Speaker 2: hate hate hate because you when you go to the

1087
00:54:15,800 --> 00:54:20,000
Speaker 2: real player's ball When they get the awards, they say, pimp, pimp, pimp, pimp, right,

1088
00:54:20,840 --> 00:54:22,799
Speaker 2: you know, pimp, pimp, pimp, pimp.

1089
00:54:22,840 --> 00:54:25,120
Speaker 3: Hooray. You know, so that's what they do. So I

1090
00:54:25,200 --> 00:54:26,760
Speaker 3: just turned it into hate hate hate.

1091
00:54:26,800 --> 00:54:31,360
Speaker 2: That was ad lib and uh, it was legendary and

1092
00:54:31,440 --> 00:54:33,839
Speaker 2: recently I did Ah, we did it where we were

1093
00:54:34,239 --> 00:54:37,360
Speaker 2: Game of Thrones and we showed back up and we

1094
00:54:37,400 --> 00:54:38,920
Speaker 2: did the player haters showed.

1095
00:54:38,719 --> 00:54:39,920
Speaker 1: Up on the Game of Thrones.

1096
00:54:40,040 --> 00:54:45,399
Speaker 2: Wow, skit me Ashley Larry and I was, uh, what.

1097
00:54:45,360 --> 00:54:46,359
Speaker 1: Was he called me? You have.

1098
00:54:48,040 --> 00:54:50,399
Speaker 6: Patrise O'Neil. He was in that skit Rest in Peace.

1099
00:54:50,440 --> 00:54:53,359
Speaker 6: Did y'all kind of go back and forth more than

1100
00:54:53,440 --> 00:54:54,120
Speaker 6: what was on the air.

1101
00:54:54,640 --> 00:54:58,160
Speaker 3: It was wild non niggas talking crazy the whole skit, Like, yeah,

1102
00:54:58,200 --> 00:55:01,000
Speaker 3: it was going back and forth and those are comedians,

1103
00:55:01,000 --> 00:55:06,240
Speaker 3: so they bagging and uh, you know, out of nowhere

1104
00:55:06,239 --> 00:55:10,320
Speaker 3: they're talking about me. I said, next person, I'm getting shot.

1105
00:55:11,000 --> 00:55:14,680
Speaker 3: You know, we were just going back and forth. My

1106
00:55:14,719 --> 00:55:16,560
Speaker 3: favorite one is I got to go home and put

1107
00:55:16,600 --> 00:55:17,720
Speaker 3: some more milk and bunk.

1108
00:55:17,640 --> 00:55:22,600
Speaker 6: Nasty dish Chuelle's underwear with dick holes in them.

1109
00:55:22,880 --> 00:55:27,080
Speaker 2: Oh yeah, yeah, like you got the shark teeth.

1110
00:55:27,719 --> 00:55:29,760
Speaker 1: They don't like to shine, but the nigga looks shiny

1111
00:55:29,840 --> 00:55:34,319
Speaker 1: than me. My favorite sketches, bro I.

1112
00:55:36,000 --> 00:55:38,320
Speaker 2: It was one where you finally got to see punt

1113
00:55:38,360 --> 00:55:41,480
Speaker 2: cats just talk ship the way we do. And it

1114
00:55:41,560 --> 00:55:45,600
Speaker 2: was fun. And you know, rest in peace, Patrice Charlie.

1115
00:55:46,040 --> 00:55:46,359
Speaker 1: You know.

1116
00:55:48,600 --> 00:55:50,680
Speaker 3: It's cold, man, those cats ain't with us.

1117
00:55:50,719 --> 00:55:53,080
Speaker 1: And it's legend, you know.

1118
00:55:53,320 --> 00:55:56,279
Speaker 2: But you know, Dave Chappelle is that guy, like I said,

1119
00:55:56,320 --> 00:56:00,040
Speaker 2: we did like I was light skinned, Larry Targarian and

1120
00:56:00,120 --> 00:56:03,120
Speaker 2: the last skin you could have you seen that one?

1121
00:56:03,640 --> 00:56:06,360
Speaker 1: I saw you do one, but I forgot what context

1122
00:56:06,440 --> 00:56:07,960
Speaker 1: I saw it in. I don't know.

1123
00:56:08,520 --> 00:56:11,280
Speaker 3: After we get off go to YouTube and put player

1124
00:56:11,360 --> 00:56:20,640
Speaker 3: haters sn l. Yes, yeah, that ship was wow. Yes,

1125
00:56:21,560 --> 00:56:23,840
Speaker 3: you know I saw anyway.

1126
00:56:23,920 --> 00:56:27,000
Speaker 2: Man, I've just been fortunate, you know, and and and

1127
00:56:27,480 --> 00:56:30,080
Speaker 2: you know, I'm as big a fan as anybody else

1128
00:56:30,120 --> 00:56:31,799
Speaker 2: to be in this business. You got to be a

1129
00:56:31,840 --> 00:56:35,520
Speaker 2: fan too, you know, it ain't all about you.

1130
00:56:35,640 --> 00:56:40,600
Speaker 3: So I'm I'm in awe of certain cats, and you know,

1131
00:56:40,760 --> 00:56:42,920
Speaker 3: I don't have a problem letting them know that, you know.

1132
00:56:43,080 --> 00:56:45,720
Speaker 1: So you know, I'm just here for the ride.

1133
00:56:45,760 --> 00:56:45,920
Speaker 5: Man.

1134
00:56:45,960 --> 00:56:49,640
Speaker 3: Here's a jewel you ready, Yeah, all right? You don't

1135
00:56:49,680 --> 00:56:55,080
Speaker 3: guide life, You ride life. And gentlemen, don't guide life,

1136
00:56:55,120 --> 00:56:58,040
Speaker 3: you ride life. There's no way any of us would

1137
00:56:58,040 --> 00:57:00,600
Speaker 3: ever imagine we would be where we are right now

1138
00:57:00,640 --> 00:57:03,319
Speaker 3: today doing what we do. So you just got to

1139
00:57:03,360 --> 00:57:05,840
Speaker 3: take the opportunities that they come and take it for

1140
00:57:05,880 --> 00:57:08,200
Speaker 3: that ride. And you know, who the fuck thought I'd

1141
00:57:08,200 --> 00:57:11,480
Speaker 3: be on television or on a questlove podcast, and you know,

1142
00:57:11,680 --> 00:57:14,200
Speaker 3: all this stuff is just a part of the ride, man,

1143
00:57:14,680 --> 00:57:17,720
Speaker 3: And who knows what will happened next year?

1144
00:57:17,760 --> 00:57:21,040
Speaker 1: Man, you know, so we're just gonna keep riding this ship.

1145
00:57:22,240 --> 00:57:24,040
Speaker 4: Who is afraid of this? I just want to give

1146
00:57:24,080 --> 00:57:26,640
Speaker 4: you all the like you.

1147
00:57:27,760 --> 00:57:30,680
Speaker 2: You're a beautiful woman, you recognize you know, as funny

1148
00:57:30,680 --> 00:57:33,320
Speaker 2: as cold man. My boy Rich was like yo ice

1149
00:57:33,520 --> 00:57:36,080
Speaker 2: when you met Coco, all you was really looking for

1150
00:57:36,320 --> 00:57:38,440
Speaker 2: was to understand what the fuck you were saying.

1151
00:57:39,200 --> 00:57:39,520
Speaker 1: That's it.

1152
00:57:41,600 --> 00:57:44,480
Speaker 3: Understand what she's saying, man, And you know she doesn't.

1153
00:57:44,720 --> 00:57:45,280
Speaker 3: God blessed.

1154
00:57:45,320 --> 00:57:46,920
Speaker 4: Let's respect to her. Must respect to.

1155
00:57:46,920 --> 00:57:49,520
Speaker 2: Her for this, and God bless you and and and

1156
00:57:49,800 --> 00:57:51,920
Speaker 2: and everybody on the podcast.

1157
00:57:52,000 --> 00:57:52,880
Speaker 1: Man.

1158
00:57:53,680 --> 00:57:57,720
Speaker 2: Man, the hate is so hate is so rabid right now.

1159
00:57:58,000 --> 00:58:01,160
Speaker 2: You have to embrace the love. You gotta embrace it

1160
00:58:01,160 --> 00:58:03,800
Speaker 2: because it's there. So when someone shows you love.

1161
00:58:04,840 --> 00:58:07,920
Speaker 6: Man, hold on to thatpp straight up. Now we love

1162
00:58:07,920 --> 00:58:09,600
Speaker 6: you broke straight up. You're a legend and this ship

1163
00:58:09,640 --> 00:58:10,080
Speaker 6: man straight.

1164
00:58:10,160 --> 00:58:14,200
Speaker 1: Thank you so on behalf of un Pay, Pill Fontigolo,

1165
00:58:14,840 --> 00:58:19,600
Speaker 1: Sugar Steve and La Yea, Quest Love, the Almighty the

1166
00:58:19,720 --> 00:58:23,040
Speaker 1: Legendary Iced Tea on Quest Love Supreme, we thank you

1167
00:58:23,120 --> 00:58:24,960
Speaker 1: very much for doing this and we will see you

1168
00:58:25,000 --> 00:58:45,480
Speaker 1: guys next go around. How Much Love Supreme is a

1169
00:58:45,480 --> 00:58:52,680
Speaker 1: production of iHeart Radio. For more podcasts from iHeart Radio,

1170
00:58:52,840 --> 00:58:56,280
Speaker 1: visit the iHeart Radio app, Apple Podcasts, or wherever you

1171
00:58:56,320 --> 00:58:57,480
Speaker 1: listen to your favorite shows.