1 00:00:00,120 --> 00:00:02,560 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,600 --> 00:00:05,160 Speaker 1: am your host Movie Mike. If you're listening early on 3 00:00:05,280 --> 00:00:08,360 Speaker 1: release day, the oscars happened last night. I'm gonna talk 4 00:00:08,400 --> 00:00:11,280 Speaker 1: about them. I will be putting up a bonus episode 5 00:00:11,280 --> 00:00:12,959 Speaker 1: in the feed as soon as I get a chance 6 00:00:13,000 --> 00:00:15,760 Speaker 1: to record that, but it's Monday. I value that you 7 00:00:15,800 --> 00:00:19,000 Speaker 1: are subscribed to this podcast. You go there expecting a 8 00:00:19,040 --> 00:00:21,520 Speaker 1: brand new episode every single week, so I'm gonna do 9 00:00:21,560 --> 00:00:24,759 Speaker 1: my normal episode here as well. Forbes put out a 10 00:00:24,800 --> 00:00:27,600 Speaker 1: list last week of the highest paid actors for twenty 11 00:00:27,680 --> 00:00:30,479 Speaker 1: twenty three. I'm gonna tell you who I think is 12 00:00:30,560 --> 00:00:32,800 Speaker 1: making too much money, who I think should be making 13 00:00:32,840 --> 00:00:35,639 Speaker 1: more money, and who I think shouldn't be on this 14 00:00:35,720 --> 00:00:37,879 Speaker 1: list at all. Then in the movie review, we'll talk 15 00:00:37,880 --> 00:00:42,199 Speaker 1: about Adam Sandler's latest Netflix movie called Spaceman. It combines 16 00:00:42,240 --> 00:00:44,320 Speaker 1: itself with our topic because I'm gonna let you know 17 00:00:44,360 --> 00:00:47,120 Speaker 1: whether or not he is worth the millions and millions 18 00:00:47,159 --> 00:00:49,360 Speaker 1: of dollars that Netflix is paying to him. And in 19 00:00:49,400 --> 00:00:52,040 Speaker 1: the trailer park, we'll be talking about a movie based 20 00:00:52,120 --> 00:00:55,639 Speaker 1: on a video game called Borderlands. Was an insanely popular 21 00:00:55,720 --> 00:00:58,600 Speaker 1: video game that I have the cover just memorized in 22 00:00:58,640 --> 00:01:00,920 Speaker 1: my head even though I never really played it. But 23 00:01:01,000 --> 00:01:03,160 Speaker 1: I'll give you my thoughts on it from a non 24 00:01:03,240 --> 00:01:06,240 Speaker 1: fan of the franchise. So thank you for being here. 25 00:01:06,319 --> 00:01:08,919 Speaker 1: Shout out to the Monday Morning Movie crew, and now 26 00:01:09,160 --> 00:01:10,120 Speaker 1: let's talk movies. 27 00:01:10,440 --> 00:01:13,679 Speaker 2: In a world where everyone and their mother has a podcast, 28 00:01:14,120 --> 00:01:18,039 Speaker 2: one man stands to infiltrate the ears of listeners like 29 00:01:18,120 --> 00:01:22,080 Speaker 2: never before in a movie podcast. A man with so 30 00:01:22,200 --> 00:01:27,640 Speaker 2: much movie knowledge, he's basically like a walking IMTV with glasses. 31 00:01:28,040 --> 00:01:29,880 Speaker 1: From the Nashville Podcast. 32 00:01:29,440 --> 00:01:33,400 Speaker 2: Network, this is Movie Mike's Movie podcast. 33 00:01:34,120 --> 00:01:36,800 Speaker 1: Orbes put out their list of the ten highest paid 34 00:01:36,880 --> 00:01:40,880 Speaker 1: actors in twenty twenty three, and of these ten actors, 35 00:01:40,959 --> 00:01:43,760 Speaker 1: they have made four hundred and forty nine million dollars 36 00:01:43,760 --> 00:01:48,120 Speaker 1: combined almost half a billion dollars, which to me proves 37 00:01:48,160 --> 00:01:50,440 Speaker 1: the theory that I have had. I still think the 38 00:01:50,440 --> 00:01:53,720 Speaker 1: real bankability and true test of an actor is can 39 00:01:53,840 --> 00:01:58,120 Speaker 1: you sell tickets? Therefore, are you able to demand more 40 00:01:58,200 --> 00:02:00,880 Speaker 1: money from the studio and then get more money on 41 00:02:00,920 --> 00:02:04,800 Speaker 1: the back end. So I still think that movies rank 42 00:02:04,960 --> 00:02:10,120 Speaker 1: supreme in generating revenue in the entertainment business. Just the 43 00:02:10,200 --> 00:02:13,800 Speaker 1: fact that all ten actors on this list are primarily 44 00:02:13,919 --> 00:02:16,800 Speaker 1: movie stars. Really says all you need to know about 45 00:02:16,800 --> 00:02:19,720 Speaker 1: the landscape of Hollywood right now. So in order to 46 00:02:19,760 --> 00:02:24,079 Speaker 1: make this list, Forbes conducted a lot of interviews with agents, lawyers, 47 00:02:24,160 --> 00:02:28,000 Speaker 1: managers and executives and industry experts. They also use sources 48 00:02:28,000 --> 00:02:32,000 Speaker 1: like IMDb, pro and Pollstar. And these numbers represent pre 49 00:02:32,080 --> 00:02:34,639 Speaker 1: tax earnings, so before all the money gets taken out 50 00:02:34,680 --> 00:02:36,839 Speaker 1: of their paychecks. That is the numbers we are looking 51 00:02:36,919 --> 00:02:40,720 Speaker 1: at here. They also subtracted fees for representation, which is 52 00:02:40,760 --> 00:02:43,560 Speaker 1: ten percent to the agents, ten percent to the managers, 53 00:02:43,720 --> 00:02:46,840 Speaker 1: five percent to the lawyers, which is all industry standard, 54 00:02:46,840 --> 00:02:49,120 Speaker 1: although some actors do not have all three of those. 55 00:02:49,440 --> 00:02:52,520 Speaker 1: And on this list, actors were credited for money they 56 00:02:52,560 --> 00:02:55,560 Speaker 1: made on projects that were released all in twenty twenty three, 57 00:02:55,960 --> 00:02:59,440 Speaker 1: despite the fact that sometimes the upfront fees are paid 58 00:02:59,440 --> 00:03:01,400 Speaker 1: when a movie is filmed, so that could be a 59 00:03:01,440 --> 00:03:04,000 Speaker 1: couple of years before it actually comes out, and it 60 00:03:04,040 --> 00:03:06,960 Speaker 1: could also be years in the future because sometimes the 61 00:03:07,000 --> 00:03:09,880 Speaker 1: actors who have more of a pull on their name, 62 00:03:10,480 --> 00:03:13,079 Speaker 1: they are able to get money on the back end. 63 00:03:13,160 --> 00:03:17,359 Speaker 1: So say Margot Robbie, who is probably going to get 64 00:03:17,440 --> 00:03:20,760 Speaker 1: Barbie checks for the rest of her life. Not only 65 00:03:20,760 --> 00:03:23,160 Speaker 1: did she make a lot this year, she's also going 66 00:03:23,200 --> 00:03:26,240 Speaker 1: to continue to make money off that movie on the 67 00:03:26,360 --> 00:03:30,760 Speaker 1: back end. And additionally, this ranking only includes earnings related 68 00:03:30,760 --> 00:03:36,200 Speaker 1: to entertainment, so acting, producing, directing, or other forms of performance. 69 00:03:36,440 --> 00:03:39,360 Speaker 1: So if they have a side hustle, a liquor business 70 00:03:39,560 --> 00:03:42,160 Speaker 1: that is not related to entertainment, it is not included 71 00:03:42,200 --> 00:03:45,560 Speaker 1: on this list. So no endorsement's, beauty products, nothing like 72 00:03:45,640 --> 00:03:50,160 Speaker 1: that is accounted for on this list strictly acting and performing. 73 00:03:50,400 --> 00:03:52,280 Speaker 1: So before I get into this list, let's just talk 74 00:03:52,320 --> 00:03:56,240 Speaker 1: a little bit about the differences between a movie that 75 00:03:56,280 --> 00:03:58,720 Speaker 1: comes out in theaters and a movie that comes out 76 00:03:58,720 --> 00:04:02,320 Speaker 1: on Netflix in terms of the way an actor is paid. 77 00:04:02,800 --> 00:04:05,560 Speaker 1: In simple terms, an actor who is going to be 78 00:04:05,640 --> 00:04:08,880 Speaker 1: in a Netflix movie gets all the money on the 79 00:04:08,920 --> 00:04:12,040 Speaker 1: front end. They are paid one big lump sum because 80 00:04:12,080 --> 00:04:14,920 Speaker 1: there is nothing to be made on that movie once 81 00:04:14,960 --> 00:04:19,320 Speaker 1: it is released on Netflix. So oftentimes this amount is 82 00:04:19,440 --> 00:04:21,799 Speaker 1: much larger because that is the only sum of money 83 00:04:21,800 --> 00:04:23,479 Speaker 1: that they are going to see. So this is where 84 00:04:23,520 --> 00:04:26,480 Speaker 1: you'll see deals like Ryan Reynolds making thirty million dollars 85 00:04:26,480 --> 00:04:28,880 Speaker 1: for one Netflix film because they're gonna pay him that 86 00:04:29,080 --> 00:04:31,960 Speaker 1: they're gonna hope that his name draws people to getting 87 00:04:32,000 --> 00:04:35,520 Speaker 1: Netflix subscriptions or just keeping the subscribers happy. But he 88 00:04:35,560 --> 00:04:38,239 Speaker 1: gets those thirty million dollars and then that goes away. 89 00:04:38,760 --> 00:04:41,720 Speaker 1: The movie remains on Netflix, or later they could decide 90 00:04:41,760 --> 00:04:44,719 Speaker 1: to take a tax right off to erase it from 91 00:04:44,720 --> 00:04:48,080 Speaker 1: the Netflix service, but that is it. In other cases, 92 00:04:48,120 --> 00:04:50,240 Speaker 1: say we're still talking about Ryan Reynolds here, and he 93 00:04:50,360 --> 00:04:52,559 Speaker 1: puts out a movie that comes out in theaters. Say 94 00:04:53,000 --> 00:04:56,560 Speaker 1: if coming out later this year with someone like Ryan Reynolds, 95 00:04:56,600 --> 00:05:00,359 Speaker 1: who has a very very big name in hollyw would 96 00:05:00,760 --> 00:05:03,599 Speaker 1: he can start to negotiate how much money he is 97 00:05:03,640 --> 00:05:06,000 Speaker 1: going to get on the back end. So maybe it's 98 00:05:06,040 --> 00:05:08,200 Speaker 1: a little less than that thirty million dollars he got 99 00:05:08,240 --> 00:05:11,080 Speaker 1: for that Netflix movie. Maybe for a theater release he's 100 00:05:11,080 --> 00:05:13,919 Speaker 1: getting more in the range of fifteen to twenty million dollars. 101 00:05:14,160 --> 00:05:16,719 Speaker 1: But then he can also negotiate that he gets some 102 00:05:16,880 --> 00:05:19,039 Speaker 1: of the box office earning, some of the video on 103 00:05:19,120 --> 00:05:22,200 Speaker 1: demand earnings. He could also have some money tied to 104 00:05:22,440 --> 00:05:25,760 Speaker 1: the movie's first streaming window. So all of this refers 105 00:05:25,800 --> 00:05:28,559 Speaker 1: to what they call points on the back end, which 106 00:05:29,080 --> 00:05:31,360 Speaker 1: is where a lot of actors have made a lot 107 00:05:31,400 --> 00:05:34,560 Speaker 1: of money. One famous example that I use is Tom 108 00:05:34,640 --> 00:05:38,599 Speaker 1: Hanks took a considerably less amount for his salary in 109 00:05:38,680 --> 00:05:41,920 Speaker 1: Forrest Gump in order to get a percentage of the 110 00:05:41,960 --> 00:05:44,400 Speaker 1: movie's earnings and to continue to make money off that 111 00:05:44,440 --> 00:05:47,080 Speaker 1: movie in order to get Forest Gump made back in 112 00:05:47,200 --> 00:05:49,880 Speaker 1: ninety four when it came out, so they were able 113 00:05:49,920 --> 00:05:51,360 Speaker 1: to make it because they didn't have to pay him 114 00:05:51,360 --> 00:05:54,520 Speaker 1: a ton of money. But the movie was massive, so 115 00:05:54,600 --> 00:05:57,760 Speaker 1: it was almost like betting on yourself and banking on 116 00:05:57,800 --> 00:06:00,920 Speaker 1: your projected earnings that you will get. Another famous case 117 00:06:00,960 --> 00:06:03,600 Speaker 1: that I love Jason Weaver, who was a kid actor 118 00:06:03,960 --> 00:06:05,960 Speaker 1: and he was the voice of Young Simba and the 119 00:06:06,000 --> 00:06:09,839 Speaker 1: singing voice in the nineteen ninety four Lion King animated version, 120 00:06:10,040 --> 00:06:13,240 Speaker 1: and Disney initially offered him two million dollars just to 121 00:06:13,360 --> 00:06:16,039 Speaker 1: check up front to be compensated for that role of 122 00:06:16,080 --> 00:06:19,080 Speaker 1: Young Simba and doing the singing parts. And his mom 123 00:06:19,680 --> 00:06:22,719 Speaker 1: knew that movie was going to be huge and instead 124 00:06:22,800 --> 00:06:25,960 Speaker 1: took one hundred thousand dollars check in order to get 125 00:06:26,000 --> 00:06:29,520 Speaker 1: a lifetime of royalties from that movie. A great business 126 00:06:29,520 --> 00:06:32,279 Speaker 1: decision there, which is hard to do. Could you imagine 127 00:06:32,680 --> 00:06:36,120 Speaker 1: being a young actor thinking two million dollars. I don't 128 00:06:36,160 --> 00:06:39,359 Speaker 1: even know what that is that could honestly change my life. 129 00:06:39,800 --> 00:06:42,680 Speaker 1: But knowing that, oh, this is going to be huge, 130 00:06:42,800 --> 00:06:45,200 Speaker 1: I shouldn't take this as winning the lottery right now. 131 00:06:45,320 --> 00:06:47,680 Speaker 1: I should set myself up for the rest of my life. 132 00:06:47,720 --> 00:06:49,520 Speaker 1: I think that is one of the best decisions in 133 00:06:49,600 --> 00:06:51,640 Speaker 1: movie history. All Right, So I think we covered it 134 00:06:51,680 --> 00:06:56,360 Speaker 1: there how theatrical and screaming releases differ. Now let's get 135 00:06:56,360 --> 00:06:59,520 Speaker 1: into it. At number ten with a gross income of 136 00:06:59,560 --> 00:07:02,120 Speaker 1: twenty eight eight million dollars taking home at the end 137 00:07:02,160 --> 00:07:05,720 Speaker 1: of the day twenty four million dollars, it is Denzel Washington. 138 00:07:06,320 --> 00:07:09,240 Speaker 1: Last year he put out the third installment of The Equalizer. 139 00:07:09,840 --> 00:07:14,440 Speaker 1: Just been a pretty average film series. Overall, each one 140 00:07:14,480 --> 00:07:17,000 Speaker 1: of those movies has crossed one hundred and ninety million 141 00:07:17,040 --> 00:07:19,640 Speaker 1: dollar mark at the box office. And the real reason 142 00:07:19,680 --> 00:07:22,800 Speaker 1: it has done that because of Denzel Washington. Without his 143 00:07:22,920 --> 00:07:26,960 Speaker 1: name attached to that movie, nobody would really care about it. 144 00:07:27,160 --> 00:07:30,400 Speaker 1: And in addition to that movie last year, why he 145 00:07:30,480 --> 00:07:33,840 Speaker 1: continues to remain in the top ten is because of 146 00:07:33,880 --> 00:07:37,000 Speaker 1: his catalog, all the royalties he is getting from all 147 00:07:37,400 --> 00:07:40,720 Speaker 1: of his back years of work. That is really so 148 00:07:40,840 --> 00:07:43,760 Speaker 1: important to an actor is that library of movies that 149 00:07:43,800 --> 00:07:47,040 Speaker 1: you build. Really in anything, I will even say that 150 00:07:47,120 --> 00:07:50,840 Speaker 1: in podcasting, it comes down to the amount of work 151 00:07:50,880 --> 00:07:54,280 Speaker 1: you can do and just have like this fast portfolio 152 00:07:54,480 --> 00:07:57,720 Speaker 1: of all these episodes, all these movies. That is really 153 00:07:57,760 --> 00:08:01,240 Speaker 1: where you start to see money grow in entertainment. So 154 00:08:01,920 --> 00:08:05,360 Speaker 1: it is really precious. That is also why you see 155 00:08:05,400 --> 00:08:08,280 Speaker 1: a lot of fights over rights to things and rights 156 00:08:08,280 --> 00:08:11,760 Speaker 1: to episodes, is because that is where the money will 157 00:08:11,800 --> 00:08:14,440 Speaker 1: be there for you always. That is also why you 158 00:08:14,440 --> 00:08:19,320 Speaker 1: see musicians selling their catalogs in order to have guaranteed 159 00:08:19,360 --> 00:08:21,560 Speaker 1: money every year, because they can sell their catalog and 160 00:08:21,640 --> 00:08:23,840 Speaker 1: know they're going to have that said amount of money 161 00:08:23,880 --> 00:08:26,240 Speaker 1: for the rest of their life. And Denzel Washington has 162 00:08:26,280 --> 00:08:29,080 Speaker 1: been doing it for over forty years now, he's sixty 163 00:08:29,200 --> 00:08:32,200 Speaker 1: nine years old. He can really do any movie that 164 00:08:32,280 --> 00:08:34,839 Speaker 1: he wants and it's probably gonna make a pretty good 165 00:08:34,880 --> 00:08:37,200 Speaker 1: amount of money at the box office. I kind of 166 00:08:37,240 --> 00:08:39,000 Speaker 1: wish he would go in a bit of a different 167 00:08:39,040 --> 00:08:42,240 Speaker 1: direction and get back to those really big dramatic roles 168 00:08:42,240 --> 00:08:44,280 Speaker 1: that he would do all the time, and the ones 169 00:08:44,320 --> 00:08:46,760 Speaker 1: that he is known for. I think the last movie 170 00:08:46,840 --> 00:08:49,800 Speaker 1: I really love from him was from twenty sixteen call Fences, 171 00:08:49,920 --> 00:08:52,200 Speaker 1: which was an adaptation of a play, and I thought 172 00:08:52,240 --> 00:08:55,600 Speaker 1: that really showed the true power of Denzel Washington, the 173 00:08:55,679 --> 00:08:58,439 Speaker 1: reason everybody fell in love with him and the reason 174 00:08:58,480 --> 00:09:00,719 Speaker 1: he is a movie star. She would go back to 175 00:09:00,800 --> 00:09:04,400 Speaker 1: doing movies like that. But at number ten is Denzel Washington. 176 00:09:04,520 --> 00:09:07,320 Speaker 1: At number nine with a gross income of forty five 177 00:09:07,360 --> 00:09:10,560 Speaker 1: million dollars, and on the list listed at thirty eight 178 00:09:10,600 --> 00:09:14,839 Speaker 1: million dollars is Ben Affleck. Again, this is only including 179 00:09:14,960 --> 00:09:17,000 Speaker 1: his money that he has made with acting. Out of 180 00:09:17,040 --> 00:09:19,640 Speaker 1: everybody on this list, this is the most surprising to me. 181 00:09:19,720 --> 00:09:21,840 Speaker 1: I do not think he is worth thirty eight million 182 00:09:21,880 --> 00:09:24,800 Speaker 1: dollars a year, especially when you look at the movies 183 00:09:24,880 --> 00:09:28,080 Speaker 1: he did last year. The fifty one year old starred 184 00:09:28,160 --> 00:09:30,600 Speaker 1: and directed Air, which is a great movie. I love 185 00:09:30,679 --> 00:09:35,640 Speaker 1: this movie, but financially it didn't really cross a big 186 00:09:35,720 --> 00:09:38,280 Speaker 1: threshold of making money at the box office. I know, 187 00:09:38,360 --> 00:09:41,000 Speaker 1: it wasn't even supposed to come out in theaters, but 188 00:09:41,040 --> 00:09:43,720 Speaker 1: Amazon decided to move forward and give it a theatrical 189 00:09:43,800 --> 00:09:46,360 Speaker 1: release and it ended up making ninety million dollars at 190 00:09:46,360 --> 00:09:49,320 Speaker 1: the box office before just straight going over to Amazon 191 00:09:49,400 --> 00:09:52,640 Speaker 1: Prime Video. But the other movie you put out Hypnotic 192 00:09:52,840 --> 00:09:56,160 Speaker 1: was so bad and such a bomb, one of the 193 00:09:56,200 --> 00:09:59,839 Speaker 1: worst bombs in the last decade. That movie costs sixty 194 00:09:59,840 --> 00:10:02,920 Speaker 1: f five million dollars to make and only made sixteen 195 00:10:03,000 --> 00:10:05,559 Speaker 1: point three at the box office, but I guess he 196 00:10:05,679 --> 00:10:08,240 Speaker 1: still got paid. He am making no money on the 197 00:10:08,280 --> 00:10:10,480 Speaker 1: back end of that movie, but he has been around 198 00:10:10,480 --> 00:10:14,120 Speaker 1: for a long time enough to be in Duncan commercials 199 00:10:14,160 --> 00:10:15,760 Speaker 1: and probably made a lot of money off of that, 200 00:10:15,840 --> 00:10:18,200 Speaker 1: even though that amount is not included on this list. 201 00:10:18,640 --> 00:10:21,520 Speaker 1: At number nine, as Ben Affleck so there is a 202 00:10:21,559 --> 00:10:25,320 Speaker 1: tie at number eight, two people come in with forty 203 00:10:25,360 --> 00:10:28,880 Speaker 1: one million dollars. The first one is Jason Statham, who 204 00:10:28,880 --> 00:10:31,520 Speaker 1: had a gross of forty eight million dollars before taking 205 00:10:31,600 --> 00:10:35,679 Speaker 1: home forty one million dollars. Statham is just a quietly 206 00:10:36,120 --> 00:10:38,920 Speaker 1: dominant actor. In the last year, he has been in 207 00:10:39,000 --> 00:10:42,920 Speaker 1: Fast x Meg two, The Trench, and The Expendables four, 208 00:10:43,320 --> 00:10:45,640 Speaker 1: and as of the recording of this podcast, he is 209 00:10:45,640 --> 00:10:48,160 Speaker 1: the star of the highest grossing movie so far in 210 00:10:48,200 --> 00:10:51,400 Speaker 1: twenty twenty four, The Beekeeper, so he will probably be 211 00:10:51,520 --> 00:10:54,800 Speaker 1: back on this list next year. He is the quintessential 212 00:10:54,920 --> 00:10:57,520 Speaker 1: action star right now. I think he is to the 213 00:10:57,600 --> 00:11:00,800 Speaker 1: point that if you are a die hard fan of action, 214 00:11:01,400 --> 00:11:04,400 Speaker 1: you will probably go watch every single movie that Jason 215 00:11:04,400 --> 00:11:06,840 Speaker 1: Statham is in. And he's fifty six years old and 216 00:11:06,880 --> 00:11:09,439 Speaker 1: has been doing this so well now for the last 217 00:11:09,480 --> 00:11:13,440 Speaker 1: twenty years. It is honestly surprising to me how successful 218 00:11:13,480 --> 00:11:16,400 Speaker 1: he has been, kind of being typecast in the same 219 00:11:16,520 --> 00:11:19,560 Speaker 1: role over and over again, the guy who gets angry, 220 00:11:19,559 --> 00:11:21,800 Speaker 1: he's very cold, and then gets into a fight, then 221 00:11:21,880 --> 00:11:26,200 Speaker 1: drives a car really fast. As far as the dynamics 222 00:11:26,240 --> 00:11:29,240 Speaker 1: of an actor and his range, they are so limited, 223 00:11:29,600 --> 00:11:32,800 Speaker 1: extremely limited when you really look at them. I've never 224 00:11:32,840 --> 00:11:35,880 Speaker 1: seen any movie with Jason Stathum and thought, oh man, 225 00:11:36,200 --> 00:11:39,079 Speaker 1: he really took it there on another emotional level. No, 226 00:11:39,440 --> 00:11:42,080 Speaker 1: he hasn't done that, But by the looks of this list, 227 00:11:42,120 --> 00:11:45,640 Speaker 1: it doesn't really need to do that, because just crashing 228 00:11:45,679 --> 00:11:49,480 Speaker 1: through windows and going on epic chase scenes is essentially 229 00:11:49,600 --> 00:11:52,160 Speaker 1: enough to make you forty one million dollars and put 230 00:11:52,160 --> 00:11:54,760 Speaker 1: you at number well tied at seven on this list. 231 00:11:54,800 --> 00:11:56,760 Speaker 1: So as much as I don't want to give him 232 00:11:56,760 --> 00:11:59,840 Speaker 1: the credit for being a great actor, he can crush 233 00:11:59,840 --> 00:12:02,240 Speaker 1: me with his wallet. And Jason Statum comes in at 234 00:12:02,360 --> 00:12:06,080 Speaker 1: number seven, tied with Leonardo DiCaprio, who also had a 235 00:12:06,120 --> 00:12:08,760 Speaker 1: gross of forty eight million dollars and took home forty 236 00:12:08,760 --> 00:12:11,800 Speaker 1: one million dollars to put him tied at seven eight. 237 00:12:12,040 --> 00:12:13,920 Speaker 1: I don't know why they put two sevens on this list. 238 00:12:14,160 --> 00:12:18,520 Speaker 1: The crazy thing here is Leonardo DiCaprio made a majority 239 00:12:18,600 --> 00:12:21,880 Speaker 1: of this money on one movie. He was only in 240 00:12:22,000 --> 00:12:25,040 Speaker 1: Killers of the Flower Moon last year, which he earned 241 00:12:25,120 --> 00:12:29,200 Speaker 1: a reported forty million dollars just for that one movie. 242 00:12:29,400 --> 00:12:31,959 Speaker 1: So it kind of shows you how much money people 243 00:12:32,000 --> 00:12:34,040 Speaker 1: can make, at least him in particular on the back 244 00:12:34,160 --> 00:12:37,280 Speaker 1: end from his library of work, which I wonder about that. 245 00:12:37,320 --> 00:12:39,480 Speaker 1: I feel like he should make more because he's been 246 00:12:39,520 --> 00:12:43,280 Speaker 1: in Titanic alone, which I feel like he will continue 247 00:12:43,360 --> 00:12:45,160 Speaker 1: to get checks for the rest of his life. If 248 00:12:45,160 --> 00:12:47,520 Speaker 1: he ever has kids, they will be getting checks probably 249 00:12:47,520 --> 00:12:49,800 Speaker 1: for the rest of their life. But at forty eight 250 00:12:49,840 --> 00:12:52,800 Speaker 1: million dollars gross and a forty one take home, that 251 00:12:52,960 --> 00:12:57,760 Speaker 1: is inredible for one movie, and Leonardo DiCaprio is one 252 00:12:57,800 --> 00:13:00,240 Speaker 1: of the panful of actors that could do something thing 253 00:13:00,320 --> 00:13:03,760 Speaker 1: like that, even though he was snubbed an Oscar nomination 254 00:13:03,920 --> 00:13:06,840 Speaker 1: for that movie. I don't really think he's hurting because 255 00:13:06,880 --> 00:13:10,000 Speaker 1: he can be so selective, just doing one movie a 256 00:13:10,080 --> 00:13:13,199 Speaker 1: year if that, and do movies that he really cares about, 257 00:13:13,280 --> 00:13:17,880 Speaker 1: work with directors that he really has a great relationship with, 258 00:13:18,200 --> 00:13:21,480 Speaker 1: and obviously him doing a Scorsese movie is probably a 259 00:13:21,520 --> 00:13:24,520 Speaker 1: no brainer. So I think at this point, even though 260 00:13:24,559 --> 00:13:28,160 Speaker 1: he made forty million dollars of one movie, I almost 261 00:13:28,200 --> 00:13:30,920 Speaker 1: think he is at a point where the money doesn't 262 00:13:30,960 --> 00:13:33,840 Speaker 1: really matter anymore. And I also heard Bradley Cooper talking 263 00:13:33,880 --> 00:13:36,720 Speaker 1: about this recently when he was talking about he maybe 264 00:13:36,720 --> 00:13:39,320 Speaker 1: only has three or four movies left in him, because 265 00:13:39,480 --> 00:13:41,840 Speaker 1: to be an actor at that level, it takes so 266 00:13:41,920 --> 00:13:45,120 Speaker 1: much time to focus on one project. It is four 267 00:13:45,160 --> 00:13:48,160 Speaker 1: to five years of your life from the moment you 268 00:13:48,600 --> 00:13:50,960 Speaker 1: start developing a movie, get attached to it, and it 269 00:13:51,000 --> 00:13:54,520 Speaker 1: finally comes out that he thinks that he maybe has 270 00:13:54,520 --> 00:13:56,840 Speaker 1: four or five left, maybe three or four, that he 271 00:13:56,880 --> 00:13:59,240 Speaker 1: thinks he only has a handful of movies left in him. 272 00:13:59,240 --> 00:14:01,640 Speaker 1: I think that is the same case with Leonardo DiCaprio, 273 00:14:01,800 --> 00:14:05,160 Speaker 1: who is later in his acting career but by no 274 00:14:05,280 --> 00:14:07,760 Speaker 1: means is anywhere done. He could continue acting into his 275 00:14:07,760 --> 00:14:10,560 Speaker 1: seventies and eighties. Just look at Robert de Niro, but 276 00:14:10,679 --> 00:14:13,240 Speaker 1: I think he has to be more selective on how 277 00:14:13,280 --> 00:14:16,959 Speaker 1: he uses his time. He is obviously going to do 278 00:14:17,160 --> 00:14:19,880 Speaker 1: movies now that are either gonna make a lot of 279 00:14:19,920 --> 00:14:22,640 Speaker 1: money at the box office, therefore earning him more money, 280 00:14:23,280 --> 00:14:25,600 Speaker 1: or really I think he is just interested in doing 281 00:14:25,640 --> 00:14:29,680 Speaker 1: movies that are going to warrant an Oscar nomination. So 282 00:14:29,720 --> 00:14:33,320 Speaker 1: tied at number seven Leonardo DiCaprio and Jason Statham with 283 00:14:33,480 --> 00:14:36,840 Speaker 1: forty one million dollars at number six with a gross 284 00:14:37,240 --> 00:14:40,440 Speaker 1: income of fifty six million dollars taking home forty two 285 00:14:40,520 --> 00:14:44,080 Speaker 1: million dollars. To put her at number six is Jennifer Aniston. 286 00:14:44,600 --> 00:14:47,080 Speaker 1: She is one actor on this list who probably doesn't 287 00:14:47,120 --> 00:14:49,400 Speaker 1: earn the majority of her money just for movies. But 288 00:14:49,840 --> 00:14:52,520 Speaker 1: on the film side, she starred in Adam Sandler's Murder 289 00:14:52,560 --> 00:14:55,560 Speaker 1: Mystery two on Netflix, which was a little bit worse 290 00:14:55,600 --> 00:14:58,680 Speaker 1: than the first one, and Murder Mystery is a movie 291 00:14:58,760 --> 00:15:02,240 Speaker 1: you go into just wanting to see something really ridiculous, 292 00:15:02,360 --> 00:15:04,720 Speaker 1: and mainly just the fact that it's Adam Sandler and 293 00:15:04,800 --> 00:15:08,960 Speaker 1: Jennifer Aniston together who have really good chemistry. Even though 294 00:15:09,160 --> 00:15:12,520 Speaker 1: the wacky nature of those movies it is almost like 295 00:15:12,640 --> 00:15:16,160 Speaker 1: an off brand knives out for the masses, which is 296 00:15:16,200 --> 00:15:18,680 Speaker 1: really what Adam Sandler does over there on Netflix. And 297 00:15:18,800 --> 00:15:22,200 Speaker 1: Jennifer Aniston is one of the most beloved actresses in 298 00:15:22,240 --> 00:15:24,880 Speaker 1: the United States and has been for so long that 299 00:15:25,000 --> 00:15:28,400 Speaker 1: them together just somehow makes sense. But aside from that movie, 300 00:15:28,440 --> 00:15:32,280 Speaker 1: she makes a lot of money from TV. Everybody knows 301 00:15:32,320 --> 00:15:36,000 Speaker 1: she was in Friends, and that's probably what she still 302 00:15:36,000 --> 00:15:39,040 Speaker 1: makes the most amount of money on. But she also 303 00:15:39,160 --> 00:15:42,920 Speaker 1: makes two million dollars an episode for acting and executive 304 00:15:42,960 --> 00:15:46,160 Speaker 1: producing each episode of The Morning Show on Apple TV Plus, 305 00:15:46,280 --> 00:15:48,800 Speaker 1: which this last season was all right, I think I'm 306 00:15:48,840 --> 00:15:51,080 Speaker 1: a little bit over that show because it was so 307 00:15:51,600 --> 00:15:55,240 Speaker 1: groundbreaking in season one. Season two took a little bit 308 00:15:55,240 --> 00:15:58,000 Speaker 1: of a dip. Season three started out strong, but I 309 00:15:58,040 --> 00:16:01,320 Speaker 1: felt really fizzled out there towards the end. So I'm 310 00:16:01,360 --> 00:16:04,160 Speaker 1: not sure how many more seasons I'm gonna invest in 311 00:16:04,200 --> 00:16:06,760 Speaker 1: The Morning Show. But man, making two million dollars an 312 00:16:06,760 --> 00:16:09,920 Speaker 1: episode that is crazy. So at number six is Jennifer 313 00:16:09,920 --> 00:16:13,600 Speaker 1: Aniston with forty two million, getting into the top five. 314 00:16:13,680 --> 00:16:16,080 Speaker 1: Now which there is a tie here with a gross 315 00:16:16,120 --> 00:16:20,320 Speaker 1: income of fifty million dollars taking home forty three million dollars. 316 00:16:20,400 --> 00:16:24,200 Speaker 1: First up is Matt Damon, who his first project of 317 00:16:24,280 --> 00:16:27,280 Speaker 1: last year was Air, which was directed by Ben Affleck, 318 00:16:27,280 --> 00:16:29,600 Speaker 1: who has already made this list, so that's where a 319 00:16:29,720 --> 00:16:33,160 Speaker 1: majority of his money came from last year. It probably 320 00:16:33,160 --> 00:16:34,800 Speaker 1: got some money on the front end of that after 321 00:16:34,800 --> 00:16:36,880 Speaker 1: they sold it to Amazon for one hundred and thirty 322 00:16:36,880 --> 00:16:40,200 Speaker 1: million dollars, which was a pretty high price stag for 323 00:16:40,240 --> 00:16:42,240 Speaker 1: a project like that. But again, when you have names 324 00:16:42,280 --> 00:16:44,840 Speaker 1: like Ben Affleck and Matt Damon attached to something, you 325 00:16:44,920 --> 00:16:47,480 Speaker 1: can ask for a lot of money. Matt Damon is 326 00:16:47,520 --> 00:16:49,960 Speaker 1: fifty three years old, so he has obviously been in 327 00:16:50,000 --> 00:16:52,600 Speaker 1: the game for a long time. So he is also 328 00:16:52,640 --> 00:16:55,080 Speaker 1: an actor making a lot off of his catalog, and 329 00:16:55,120 --> 00:16:58,320 Speaker 1: he also was an Oppenheimer last year, which he got 330 00:16:58,360 --> 00:17:01,160 Speaker 1: four million dollars for his role in that, which was 331 00:17:01,640 --> 00:17:05,080 Speaker 1: one of the bigger supporting actor roles in Oppenheimer. And 332 00:17:05,119 --> 00:17:07,640 Speaker 1: when you start to look at how many just giant 333 00:17:07,720 --> 00:17:11,560 Speaker 1: actors were in that movie with really small cameos, I 334 00:17:11,640 --> 00:17:15,479 Speaker 1: wonder if their salaries are comparable to that four million. 335 00:17:15,520 --> 00:17:19,160 Speaker 1: I would imagine they would have to be significantly less 336 00:17:19,200 --> 00:17:22,359 Speaker 1: to get that many actors of that caliber in one movie. 337 00:17:22,720 --> 00:17:25,719 Speaker 1: Matt Damon obviously one of the bigger names out of 338 00:17:25,720 --> 00:17:29,280 Speaker 1: all of the supporting cast, so maybe other people depending 339 00:17:29,320 --> 00:17:31,440 Speaker 1: on who it is, Like a Romi Mallick probably got 340 00:17:31,440 --> 00:17:34,480 Speaker 1: maybe three two million dollars, but I have to imagine 341 00:17:34,480 --> 00:17:37,520 Speaker 1: somebody like a Josh Peck who is just happy to 342 00:17:37,600 --> 00:17:40,919 Speaker 1: be there, would probably be in the thousands in but 343 00:17:41,160 --> 00:17:44,280 Speaker 1: I would assume a majority of that money went debaying 344 00:17:44,359 --> 00:17:47,479 Speaker 1: all those people. I don't hate. Matt Damon in the 345 00:17:47,480 --> 00:17:50,800 Speaker 1: top five is not the sexiest of actors to be 346 00:17:51,680 --> 00:17:54,720 Speaker 1: the highest grossing for me, and I mean that saying 347 00:17:54,760 --> 00:17:57,639 Speaker 1: that I usually have to be convinced to watch a 348 00:17:57,680 --> 00:18:00,119 Speaker 1: Matt Damon movie. As big of a movie starts or 349 00:18:00,160 --> 00:18:02,480 Speaker 1: as he is. He's not somebody that I see as like, 350 00:18:02,520 --> 00:18:04,600 Speaker 1: oh he's in a movie, I have to go see it. 351 00:18:04,960 --> 00:18:08,360 Speaker 1: He has to convince me through a really great story 352 00:18:08,440 --> 00:18:11,160 Speaker 1: or a really great supporting cast for me to want 353 00:18:11,160 --> 00:18:14,040 Speaker 1: to be excited to see a Matt Damon movie. In 354 00:18:14,119 --> 00:18:17,199 Speaker 1: the case of Air, I was more attracted to the 355 00:18:17,240 --> 00:18:20,360 Speaker 1: story of the creation of the air Jordan, and I'm 356 00:18:20,440 --> 00:18:23,880 Speaker 1: honestly more interested in Ben Affleck as a director than 357 00:18:23,920 --> 00:18:27,080 Speaker 1: I was to see Matt Damon's performance. He could win 358 00:18:27,160 --> 00:18:29,840 Speaker 1: me back, eventually, but he has always just felt kind 359 00:18:29,880 --> 00:18:32,760 Speaker 1: of like a generic vanilla actor to me. So I 360 00:18:32,760 --> 00:18:34,840 Speaker 1: don't mean he's not sexy in the sense that he's 361 00:18:34,880 --> 00:18:37,560 Speaker 1: not good looking. He just doesn't have those qualities of 362 00:18:37,600 --> 00:18:40,040 Speaker 1: a go to actor for me. On the other end, 363 00:18:40,119 --> 00:18:42,359 Speaker 1: the person who is tied with him on the list 364 00:18:42,640 --> 00:18:44,880 Speaker 1: in this same slot, with that gross of fifty million 365 00:18:44,920 --> 00:18:47,399 Speaker 1: dollars taking him forty three million dollars, they have him 366 00:18:47,440 --> 00:18:50,960 Speaker 1: at four on this list is Ryan Gosling. Now, he 367 00:18:51,080 --> 00:18:53,600 Speaker 1: is somebody that no matter what he is in, I'm 368 00:18:53,600 --> 00:18:56,119 Speaker 1: going to watch that movie, whether it's an action movie 369 00:18:56,119 --> 00:18:58,320 Speaker 1: like The fall Guy coming out later this year, or 370 00:18:58,359 --> 00:19:01,960 Speaker 1: whether it's Barbie he made a majority of his money 371 00:19:01,960 --> 00:19:05,119 Speaker 1: for last year. No matter what he does, I'm just 372 00:19:05,240 --> 00:19:07,679 Speaker 1: drawn to it because I think he is an actor 373 00:19:07,800 --> 00:19:11,720 Speaker 1: who has also been very selective of the projects that 374 00:19:11,760 --> 00:19:14,440 Speaker 1: he takes on that I can't think of one time 375 00:19:14,680 --> 00:19:17,119 Speaker 1: I have gone to see a Ryan Gosling movie in 376 00:19:17,160 --> 00:19:20,240 Speaker 1: thought this was just a paycheck for him. The only 377 00:19:20,359 --> 00:19:23,639 Speaker 1: time I had that feeling was going into Barbie or 378 00:19:23,720 --> 00:19:26,359 Speaker 1: I didn't really know what to expect, and this was 379 00:19:26,400 --> 00:19:28,920 Speaker 1: in the early stages before a lot was known about 380 00:19:28,960 --> 00:19:31,760 Speaker 1: the plot. I just thought, oh, man, Ryan Gossling is 381 00:19:31,880 --> 00:19:34,000 Speaker 1: just doing movies for money. Now, this could be the 382 00:19:34,040 --> 00:19:36,480 Speaker 1: decline to me liking him and then going to see 383 00:19:36,480 --> 00:19:39,840 Speaker 1: that movie and completely having those thoughts blown out of 384 00:19:39,840 --> 00:19:43,080 Speaker 1: the water and realizing that I was right all along 385 00:19:43,119 --> 00:19:45,399 Speaker 1: that he wouldn't take a movie on unless there was 386 00:19:45,400 --> 00:19:48,000 Speaker 1: some more depth to it, unless it was attached to 387 00:19:48,040 --> 00:19:50,680 Speaker 1: a great director like Greta Gerwig, and unless he was 388 00:19:50,720 --> 00:19:53,560 Speaker 1: going to get an Oscar nomination and have one of 389 00:19:53,560 --> 00:19:56,720 Speaker 1: the biggest payouts of his career in Hollywood now that 390 00:19:56,760 --> 00:19:59,080 Speaker 1: he is forty three years old. And not only that, 391 00:19:59,119 --> 00:20:01,720 Speaker 1: as an added ball, he also made some money off 392 00:20:01,760 --> 00:20:03,879 Speaker 1: of I'm Just Ken, which has been streamed over one 393 00:20:03,960 --> 00:20:08,000 Speaker 1: hundred million times on streaming services, so that song actually 394 00:20:08,000 --> 00:20:11,200 Speaker 1: adds to his total. It's considered a performance. Ryan Gosling 395 00:20:11,400 --> 00:20:16,000 Speaker 1: tied with Matt Damon forty three million dollars at number three, 396 00:20:16,080 --> 00:20:18,720 Speaker 1: with a gross of fifty three million dollars, taking home 397 00:20:18,800 --> 00:20:22,840 Speaker 1: forty five million dollars. It is the sixty one action 398 00:20:23,000 --> 00:20:26,760 Speaker 1: star Tom Cruise. I have often said that Tom Cruise 399 00:20:26,840 --> 00:20:29,479 Speaker 1: is an actor that I just don't like. That It 400 00:20:29,520 --> 00:20:34,240 Speaker 1: took a lot of me realizing how much he values filmmaking, 401 00:20:34,760 --> 00:20:37,880 Speaker 1: and that's not even the amount of danger he puts 402 00:20:37,960 --> 00:20:41,480 Speaker 1: himself in to do this crazy, outrageous stunt work, but 403 00:20:41,560 --> 00:20:45,240 Speaker 1: he has also changed the landscape of how actors get paid. 404 00:20:45,280 --> 00:20:48,000 Speaker 1: He is one of the last, if not the very last, 405 00:20:48,040 --> 00:20:50,600 Speaker 1: movie star who can still command what is called a 406 00:20:50,720 --> 00:20:53,919 Speaker 1: first dollar gross deal, meaning that he can get that 407 00:20:53,960 --> 00:20:57,280 Speaker 1: percentage of the box office and other revenues on the 408 00:20:57,400 --> 00:21:00,919 Speaker 1: day a movie is released. So well, that is also 409 00:21:00,960 --> 00:21:04,080 Speaker 1: why he pushes so much for movies to come out 410 00:21:04,080 --> 00:21:07,119 Speaker 1: in theaters. He was so big on that push post 411 00:21:07,240 --> 00:21:10,520 Speaker 1: COVID of these movies deserve to be seen on the 412 00:21:10,560 --> 00:21:13,719 Speaker 1: big screen the way they were meant for you to enjoy. 413 00:21:14,040 --> 00:21:17,320 Speaker 1: And sometimes I take that with a grain of salt, because, 414 00:21:17,800 --> 00:21:20,360 Speaker 1: as somebody who does a movie podcast and I love 415 00:21:20,400 --> 00:21:22,439 Speaker 1: that experience of seeing something in a big screen with 416 00:21:22,480 --> 00:21:25,560 Speaker 1: full sound, I don't have those same exact qualities that 417 00:21:25,600 --> 00:21:29,159 Speaker 1: I can replicate at home. I obviously think that is 418 00:21:29,200 --> 00:21:31,639 Speaker 1: how a movie should be seen, but I also know 419 00:21:31,720 --> 00:21:34,720 Speaker 1: that it's coming from somebody like Tom Cruise who has 420 00:21:35,280 --> 00:21:38,880 Speaker 1: money literally in the game of you going to see 421 00:21:38,880 --> 00:21:41,400 Speaker 1: it in theaters. That is how he grows his empire. 422 00:21:41,520 --> 00:21:44,200 Speaker 1: The more a movie makes at the box office, the 423 00:21:44,240 --> 00:21:46,600 Speaker 1: more he ends up taking home. I also think for 424 00:21:46,680 --> 00:21:48,320 Speaker 1: him it's an ego thing. He wants to have the 425 00:21:48,400 --> 00:21:50,600 Speaker 1: number one country, not just in the United States, but 426 00:21:50,640 --> 00:21:54,199 Speaker 1: in the world. He does movies to have number one movies, 427 00:21:54,200 --> 00:21:56,639 Speaker 1: to have the most amount of people see him. That 428 00:21:56,760 --> 00:21:58,520 Speaker 1: is why these people are movie stars. They like to 429 00:21:58,560 --> 00:22:01,080 Speaker 1: have eyeballs on them. They liked the attention. That is 430 00:22:01,119 --> 00:22:04,440 Speaker 1: why they are so charismatic. Is because they want the 431 00:22:04,480 --> 00:22:06,600 Speaker 1: most people to see their work and therefore make the 432 00:22:06,640 --> 00:22:08,840 Speaker 1: most amount of money off of it. And that is 433 00:22:08,880 --> 00:22:10,760 Speaker 1: how we ended up on this list. He took home 434 00:22:10,920 --> 00:22:15,120 Speaker 1: a really substantial upfront salary for Dead Reckoning Part one, 435 00:22:15,160 --> 00:22:17,600 Speaker 1: the Mission Impossible movie that came out last year, and 436 00:22:17,640 --> 00:22:21,320 Speaker 1: then he also continued to receive streaming and on demand 437 00:22:21,359 --> 00:22:24,680 Speaker 1: profits from twenty twenty two's Top Gun Maverick, which saw 438 00:22:24,800 --> 00:22:27,360 Speaker 1: a lot of that increase in twenty twenty three once 439 00:22:27,400 --> 00:22:31,080 Speaker 1: it finally hit streaming. And he will continue to make 440 00:22:31,119 --> 00:22:33,199 Speaker 1: more money because he just signed a big deal with 441 00:22:33,280 --> 00:22:36,880 Speaker 1: Warner Brothers to develop all these new movies. So the 442 00:22:36,880 --> 00:22:40,280 Speaker 1: Tom Cruise empire is only going to grow. And even 443 00:22:40,280 --> 00:22:43,280 Speaker 1: though I don't love all of his movies, I do 444 00:22:43,400 --> 00:22:46,719 Speaker 1: love that he had a big part to play in 445 00:22:46,840 --> 00:22:50,359 Speaker 1: saving Hollywood post COVID with the amount of money that 446 00:22:50,400 --> 00:22:54,920 Speaker 1: top gun Maverick earned, but also just eased audiences back 447 00:22:54,920 --> 00:22:58,239 Speaker 1: into the theaters when it really really was needed. I 448 00:22:58,280 --> 00:23:01,000 Speaker 1: have to give him credit for Thatnumber three, with forty 449 00:23:01,040 --> 00:23:03,879 Speaker 1: five million dollars is Tom Cruise at number two, with 450 00:23:03,920 --> 00:23:07,440 Speaker 1: a gross income last year of seventy eight million dollars, 451 00:23:07,800 --> 00:23:11,120 Speaker 1: taking home fifty nine million dollars. Is the one the 452 00:23:11,160 --> 00:23:15,840 Speaker 1: only Margo Robbie, who is the youngest person to be 453 00:23:16,119 --> 00:23:19,920 Speaker 1: on this list by a decade at thirty three years old, 454 00:23:20,200 --> 00:23:22,360 Speaker 1: which is weird for me because she's only one year 455 00:23:22,400 --> 00:23:24,640 Speaker 1: older than me, and to think that she's making that 456 00:23:24,680 --> 00:23:27,440 Speaker 1: insane amount of money. I know I shouldn't compare ages 457 00:23:27,560 --> 00:23:30,960 Speaker 1: and status, but man, just to think somebody else around 458 00:23:31,000 --> 00:23:34,920 Speaker 1: the same age as me is not only worldwide famous 459 00:23:34,960 --> 00:23:37,960 Speaker 1: but also made fifty nine million dollars last year. I'm 460 00:23:38,000 --> 00:23:39,560 Speaker 1: going to stop thinking about it because I just start 461 00:23:39,600 --> 00:23:41,480 Speaker 1: thinking about what I could do with all of that money. 462 00:23:41,680 --> 00:23:44,440 Speaker 1: But I love the representation here of a female not 463 00:23:44,480 --> 00:23:46,800 Speaker 1: only being in the top ten, but being in the 464 00:23:46,800 --> 00:23:49,840 Speaker 1: top five, so close to number one, which I honestly 465 00:23:49,840 --> 00:23:52,320 Speaker 1: think she could be Number one. If not for the 466 00:23:52,400 --> 00:23:55,919 Speaker 1: fact that actor number one has been around for so 467 00:23:56,160 --> 00:23:58,919 Speaker 1: long and has a really big deal in place, she 468 00:23:59,040 --> 00:24:01,320 Speaker 1: is number one in my heart. And when I think 469 00:24:01,359 --> 00:24:04,800 Speaker 1: this list needs more is female actors. What I also 470 00:24:04,840 --> 00:24:07,719 Speaker 1: think this list needs more of is Black, Mexican and 471 00:24:07,800 --> 00:24:11,560 Speaker 1: Asian actors, who are fairly absent from this list. I 472 00:24:11,600 --> 00:24:14,879 Speaker 1: think that shows us that Hollywood is still a primarily 473 00:24:14,960 --> 00:24:18,280 Speaker 1: white male dominated industry, because on this list, if you're 474 00:24:18,280 --> 00:24:21,399 Speaker 1: not a white male, you either have to be Margot Robbie, 475 00:24:21,560 --> 00:24:25,480 Speaker 1: Jennifer Aniston, or Denzel Washington to be considered. So again, 476 00:24:25,480 --> 00:24:27,919 Speaker 1: shout out here to Margot Robbie, who is really cashed 477 00:24:27,920 --> 00:24:30,200 Speaker 1: in on Barbie, which made one point four or five 478 00:24:30,480 --> 00:24:34,000 Speaker 1: billion dollars at the box office. There's also tons of 479 00:24:34,040 --> 00:24:37,480 Speaker 1: money attached to licensing and partnerships, and she is also 480 00:24:37,560 --> 00:24:39,879 Speaker 1: a producer on the movie, so she is cashed in 481 00:24:40,440 --> 00:24:44,480 Speaker 1: roughly twelve point five percent of all the back end profits, 482 00:24:44,880 --> 00:24:47,680 Speaker 1: which Forbes in this article has estimated is worth more 483 00:24:47,720 --> 00:24:52,120 Speaker 1: than sixty million dollars. She also has a really successful 484 00:24:52,119 --> 00:24:56,240 Speaker 1: production company called Lucky Chap that put out Saltburn last year, 485 00:24:56,320 --> 00:24:59,480 Speaker 1: so she's also raking in money producing movies and in 486 00:24:59,520 --> 00:25:02,600 Speaker 1: February she just signed a new exclusive first look deal 487 00:25:02,640 --> 00:25:05,960 Speaker 1: with Warner Brothers, the studio behind Barbie, So she's going 488 00:25:06,040 --> 00:25:08,600 Speaker 1: to keep getting those checks. She's going to start producing 489 00:25:08,680 --> 00:25:10,760 Speaker 1: more and more movies and making more money off of that. 490 00:25:10,920 --> 00:25:13,640 Speaker 1: And I think that Margot Robbie is really just getting started, 491 00:25:14,200 --> 00:25:16,439 Speaker 1: despite the fact that she has already been around for 492 00:25:16,520 --> 00:25:21,000 Speaker 1: over a decade, just grinding and putting out consistently good 493 00:25:21,080 --> 00:25:24,720 Speaker 1: movies time and time again. At number two fifty nine 494 00:25:24,720 --> 00:25:28,480 Speaker 1: million dollars is Margot Robbie. At number one, with a 495 00:25:28,600 --> 00:25:32,200 Speaker 1: gross income of ninety seven million dollars, taking home seventy 496 00:25:32,240 --> 00:25:36,520 Speaker 1: three million dollars is the Sandman. Adam Sandler signed a 497 00:25:36,680 --> 00:25:39,639 Speaker 1: two hundred and fifty million dollar four movie deal with 498 00:25:39,720 --> 00:25:42,920 Speaker 1: Netflix back in twenty fourteen. He's fifty seven years old 499 00:25:42,960 --> 00:25:45,960 Speaker 1: now and has started in eight movies for Netflix and 500 00:25:46,000 --> 00:25:49,280 Speaker 1: produced more through his company Happy Madison, which has made 501 00:25:49,320 --> 00:25:52,359 Speaker 1: a lot of great movies and also a lot of stinkers. 502 00:25:52,520 --> 00:25:56,560 Speaker 1: But the majority of his backlog, which are primarily all comedies, 503 00:25:56,680 --> 00:26:00,000 Speaker 1: are all now licensed through Netflix, so they have become 504 00:26:00,320 --> 00:26:04,000 Speaker 1: the home of Adam Sandler, which last year on Netflix 505 00:26:04,040 --> 00:26:07,240 Speaker 1: he put out Murder Mystery two You're so not invited 506 00:26:07,240 --> 00:26:10,280 Speaker 1: to my bar Mitzvah, and the animated movie Leo, which 507 00:26:10,280 --> 00:26:13,080 Speaker 1: has been a really big hit with kids and families. 508 00:26:13,280 --> 00:26:16,119 Speaker 1: But the other thing they accounted for inside of this 509 00:26:16,240 --> 00:26:18,600 Speaker 1: seventy three million dollars is the money he made off 510 00:26:18,600 --> 00:26:21,320 Speaker 1: of touring, which he did forty four stand up comedy 511 00:26:21,359 --> 00:26:24,199 Speaker 1: shows in twenty twenty three. Me and Kelsey saw him. 512 00:26:24,240 --> 00:26:26,520 Speaker 1: It was a great show, But I kind of don't 513 00:26:26,640 --> 00:26:29,760 Speaker 1: think that should be included here. Even though it is performing. 514 00:26:30,280 --> 00:26:33,280 Speaker 1: It is entertainment, but I don't really think that is 515 00:26:33,320 --> 00:26:36,000 Speaker 1: the same as starring in a movie or starring in 516 00:26:36,040 --> 00:26:39,000 Speaker 1: the TV show. I imagine that he made a lot of 517 00:26:39,040 --> 00:26:42,040 Speaker 1: money millions off that tour. They don't have the exact 518 00:26:42,119 --> 00:26:45,159 Speaker 1: numbers here, but in my heart, Margot Robbie is at 519 00:26:45,240 --> 00:26:48,720 Speaker 1: number one. Because Sandler has had this deal in place 520 00:26:48,840 --> 00:26:51,840 Speaker 1: for so long now that it's gonna be hard for 521 00:26:51,960 --> 00:26:54,879 Speaker 1: anybody to beat him, because nobody is getting that deal. 522 00:26:55,359 --> 00:26:59,040 Speaker 1: The Netflix CEO said whenever they re upped Adam Sandler's 523 00:26:59,080 --> 00:27:01,800 Speaker 1: deal back in twenty two, there is no such thing 524 00:27:01,920 --> 00:27:04,920 Speaker 1: as too much Adam Sandler, So that shows you they're 525 00:27:04,960 --> 00:27:08,959 Speaker 1: going to continue to pay him boatloads and boatloads of money, 526 00:27:09,200 --> 00:27:11,880 Speaker 1: and the great thing about it is it gives him 527 00:27:11,920 --> 00:27:15,080 Speaker 1: a lot of creative control. Just look at the movies 528 00:27:15,160 --> 00:27:17,720 Speaker 1: he did last year. You have an animated movie, you 529 00:27:17,840 --> 00:27:19,919 Speaker 1: have a movie that's a little bit more of a 530 00:27:19,960 --> 00:27:23,159 Speaker 1: snapshot of his life. You have one that's just fun, 531 00:27:23,520 --> 00:27:26,639 Speaker 1: over the top action with Jennifer Aniston. And now what 532 00:27:26,720 --> 00:27:29,040 Speaker 1: he's doing with the sci fi movie Spaceman, which we'll 533 00:27:29,080 --> 00:27:31,800 Speaker 1: get into later in the review. He can really do 534 00:27:31,880 --> 00:27:34,639 Speaker 1: whatever he wants, which puts him in a great place. 535 00:27:34,720 --> 00:27:37,200 Speaker 1: Because I feel like which as an actor puts him 536 00:27:37,200 --> 00:27:39,040 Speaker 1: in a great place. He can do movies where he 537 00:27:39,080 --> 00:27:41,840 Speaker 1: takes all his friends on vacation and gets paid for 538 00:27:41,880 --> 00:27:44,080 Speaker 1: it and gets a movie out of it. I feel 539 00:27:44,080 --> 00:27:46,160 Speaker 1: like it can be hit or miss with us, though, 540 00:27:46,200 --> 00:27:49,600 Speaker 1: because to see a bad Adam Sandler movie isn't really 541 00:27:49,600 --> 00:27:52,639 Speaker 1: out of the realm of possibilities on any given occasion. 542 00:27:52,760 --> 00:27:55,720 Speaker 1: But you can't deny his bank ability. At number one, 543 00:27:56,240 --> 00:27:59,639 Speaker 1: seventy three million dollars is Adam Sandler, who am I 544 00:27:59,680 --> 00:28:02,520 Speaker 1: surprised wasn't on the list? I would have to say 545 00:28:02,600 --> 00:28:04,480 Speaker 1: Ryan Reynolds. But when you look at the movies he 546 00:28:04,480 --> 00:28:07,520 Speaker 1: put out last year he was pretty non existent in 547 00:28:07,600 --> 00:28:10,280 Speaker 1: the box office game kind of took the year off, 548 00:28:10,320 --> 00:28:13,520 Speaker 1: But this year he's coming back strong with Deadpool and Wolverine, 549 00:28:13,680 --> 00:28:16,760 Speaker 1: and if so, he will probably enter the top ten 550 00:28:16,880 --> 00:28:20,040 Speaker 1: next year. Also surprised The Rock isn't on here. He 551 00:28:20,160 --> 00:28:23,199 Speaker 1: has taken a little bit of a step back from acting, 552 00:28:23,600 --> 00:28:27,680 Speaker 1: focusing more on his tequila company on the XFL. Maybe 553 00:28:27,720 --> 00:28:31,120 Speaker 1: it's because Black Adam did not go as well as 554 00:28:31,160 --> 00:28:34,000 Speaker 1: he thought, and maybe he was planning for being in 555 00:28:34,080 --> 00:28:37,720 Speaker 1: more DC projects. Doesn't look like that's gonna be the case. 556 00:28:37,800 --> 00:28:39,640 Speaker 1: So he is going to be in a new A 557 00:28:39,800 --> 00:28:42,840 Speaker 1: twenty four film that I hope we get a little 558 00:28:42,840 --> 00:28:45,400 Speaker 1: bit more of a serious side from Dwayne the Rock Johnson. 559 00:28:45,680 --> 00:28:47,880 Speaker 1: And again, this list wasn't accounting for all of the 560 00:28:48,000 --> 00:28:50,160 Speaker 1: endorsements that he gets, probably amount of money that he 561 00:28:50,160 --> 00:28:53,560 Speaker 1: makes off on Instagram, because honestly, that alone would probably 562 00:28:53,560 --> 00:28:55,800 Speaker 1: put him in the top ten. Also surprised that Mark 563 00:28:55,840 --> 00:28:58,160 Speaker 1: Wahlberg was not on the list. He put out some 564 00:28:58,240 --> 00:29:00,960 Speaker 1: movies last year that I guess to do so well, 565 00:29:01,200 --> 00:29:03,760 Speaker 1: and I thought maybe the Apple TV Plus movie he 566 00:29:03,920 --> 00:29:06,920 Speaker 1: did alone would warn him a really big payday. I 567 00:29:06,960 --> 00:29:09,200 Speaker 1: don't think he deserves to be on the top ten list, 568 00:29:09,240 --> 00:29:12,120 Speaker 1: but just surprise, his name wasn't there. And who do 569 00:29:12,240 --> 00:29:15,400 Speaker 1: I think will be there soon? Look no further than 570 00:29:15,440 --> 00:29:19,320 Speaker 1: the cast of Dunes, Zendeia, Austin Butler, Anya Taylor Joy, 571 00:29:19,720 --> 00:29:22,959 Speaker 1: and Timothy Shalomey. I think are right there on the 572 00:29:23,040 --> 00:29:26,880 Speaker 1: cusp of being the new A list actors in Hollywood. 573 00:29:26,920 --> 00:29:30,280 Speaker 1: The bankable names, the one everybody recognizes. But they're all 574 00:29:30,320 --> 00:29:32,600 Speaker 1: still fairly young right now and not in a point 575 00:29:32,680 --> 00:29:35,600 Speaker 1: in their career where they can negotiate like some of 576 00:29:35,640 --> 00:29:38,479 Speaker 1: these heavy hitters. They can't really get money on the 577 00:29:38,520 --> 00:29:41,440 Speaker 1: back end the way that a Sandler or a Tom 578 00:29:41,520 --> 00:29:44,720 Speaker 1: Cruise does. But I think they will be there eventually, 579 00:29:44,800 --> 00:29:47,080 Speaker 1: and I am all here for it because we need 580 00:29:47,120 --> 00:29:49,080 Speaker 1: fresh blood and we have it. We have some really 581 00:29:49,160 --> 00:29:52,120 Speaker 1: great talent with just the Doune cast alone. So that 582 00:29:52,320 --> 00:29:54,440 Speaker 1: is the list. We'll come back and talk about Spaceman 583 00:29:54,600 --> 00:29:57,120 Speaker 1: on Netflix with the number one highest paid actor of 584 00:29:57,160 --> 00:30:04,720 Speaker 1: twenty twenty three, Adam Sandler. Listen, what's the movie. Let's 585 00:30:04,720 --> 00:30:08,080 Speaker 1: get into it now. A spoiler free review of Spaceman 586 00:30:08,200 --> 00:30:13,480 Speaker 1: on Netflix, starring the seventy three million dollar making Adam Sandler. 587 00:30:13,760 --> 00:30:16,440 Speaker 1: Is he worth the vast amount of money that Netflix 588 00:30:16,480 --> 00:30:19,040 Speaker 1: has invested in him in over the years, and I 589 00:30:19,080 --> 00:30:22,360 Speaker 1: am a huge Adam Sandler fan, so much so that 590 00:30:22,440 --> 00:30:24,840 Speaker 1: in the early stages of this podcast I had to 591 00:30:25,160 --> 00:30:27,400 Speaker 1: enlist the rule that I would have to stop talking 592 00:30:27,440 --> 00:30:29,680 Speaker 1: about Adam Sandler so much, because I mentioned him in 593 00:30:29,800 --> 00:30:32,720 Speaker 1: literally every single episode, and a very nice member of 594 00:30:32,760 --> 00:30:35,360 Speaker 1: the movie crew was like, dude, you gotta stop mentioning 595 00:30:35,400 --> 00:30:39,080 Speaker 1: Adam Sandler. And in regard to Spaceman, I was very 596 00:30:39,120 --> 00:30:42,080 Speaker 1: interested and intrigued by this movie. When the trailer first dropped, 597 00:30:42,280 --> 00:30:45,400 Speaker 1: I included it here on the Trailer Park because that 598 00:30:45,560 --> 00:30:47,600 Speaker 1: is the type of movie I love to see Adam 599 00:30:47,640 --> 00:30:50,440 Speaker 1: Sandler in, the more dramatic side of him, which I 600 00:30:50,440 --> 00:30:53,240 Speaker 1: think he does really well. I listened to him recently 601 00:30:53,840 --> 00:30:57,000 Speaker 1: on Conan O'Brien's podcast talking about how we decided to 602 00:30:57,000 --> 00:30:59,760 Speaker 1: make that switch knowing that he wanted to have a 603 00:30:59,840 --> 00:31:03,000 Speaker 1: longstanding career in movies, and credits a lot of that 604 00:31:03,040 --> 00:31:05,320 Speaker 1: to Paul Thomas Anderson, who was able to put him 605 00:31:05,320 --> 00:31:08,120 Speaker 1: in Punch Drunk Glove, which everybody saw and thought, oh, 606 00:31:08,480 --> 00:31:11,440 Speaker 1: the Sandman can do different things, but he really hasn't 607 00:31:11,480 --> 00:31:14,800 Speaker 1: done a sci fi movie like this, and you pair 608 00:31:14,880 --> 00:31:17,520 Speaker 1: him up with an amazing cast with Carrie Mulligan and 609 00:31:17,560 --> 00:31:20,520 Speaker 1: Paul Dano, who if you just look at that lineup, 610 00:31:20,520 --> 00:31:22,520 Speaker 1: that is like my dream lineup. I have loved Carry 611 00:31:22,560 --> 00:31:25,959 Speaker 1: Mulligan ever since Drive, and Paul Dano has also become 612 00:31:26,320 --> 00:31:29,440 Speaker 1: one of my favorite actors with The Riddler, The Fableman's 613 00:31:29,840 --> 00:31:32,360 Speaker 1: Dumb Money. He is another actor who can do it all, 614 00:31:32,360 --> 00:31:35,920 Speaker 1: from drama to comedy and comic book movies. So all 615 00:31:36,000 --> 00:31:39,400 Speaker 1: this cast together and then in one of my favorite genres. 616 00:31:39,560 --> 00:31:43,920 Speaker 1: I love movies about space and isolation. But what we 617 00:31:44,080 --> 00:31:46,280 Speaker 1: learned in this movie and what you've learned from past 618 00:31:46,280 --> 00:31:50,440 Speaker 1: sci fi movies, those are really hard movies to do 619 00:31:51,080 --> 00:31:55,680 Speaker 1: because space and isolation can quickly turn boring because really 620 00:31:55,720 --> 00:31:58,240 Speaker 1: the trouble that space movies have is that they are 621 00:31:58,240 --> 00:32:00,440 Speaker 1: so isolated and have such a limited case that it 622 00:32:00,520 --> 00:32:03,640 Speaker 1: creates this level of boredom that you're trying to represent, 623 00:32:03,720 --> 00:32:06,840 Speaker 1: because in space it is boring. I've never been to space, 624 00:32:06,880 --> 00:32:09,640 Speaker 1: I've never talked to an astronaut, but the way it 625 00:32:09,720 --> 00:32:13,400 Speaker 1: is depicted it is very isolating, It is very lonely. 626 00:32:13,480 --> 00:32:15,240 Speaker 1: It is very hard on the body to be that 627 00:32:15,440 --> 00:32:20,000 Speaker 1: far away from humanity is a whole nother level of isolation. 628 00:32:20,600 --> 00:32:22,760 Speaker 1: And when you start to showcase that, it's going to 629 00:32:22,800 --> 00:32:25,840 Speaker 1: be really hard to create a captivating movie. So you 630 00:32:25,880 --> 00:32:27,880 Speaker 1: have to have a really really strong story and a 631 00:32:27,920 --> 00:32:31,840 Speaker 1: really strong lead to make it work. Did it work 632 00:32:31,880 --> 00:32:35,040 Speaker 1: in this case? Sad to say it did not, But 633 00:32:35,080 --> 00:32:37,840 Speaker 1: I'll tell you more about why it did it. When 634 00:32:37,840 --> 00:32:40,920 Speaker 1: it comes to Spaceman, the movie costs forty million dollars 635 00:32:40,960 --> 00:32:46,080 Speaker 1: to make. Not that bad really when you look at it. Primarily, 636 00:32:46,800 --> 00:32:49,040 Speaker 1: what a space movie spends a lot of the budget 637 00:32:49,080 --> 00:32:53,520 Speaker 1: on is just the dynamics of creating a space ship 638 00:32:53,760 --> 00:32:57,800 Speaker 1: and also creating the weightlessness of somebody in space. Just 639 00:32:57,880 --> 00:33:01,520 Speaker 1: having that effect them tethered throughout the entire movie is 640 00:33:01,720 --> 00:33:04,960 Speaker 1: extremely expensive. I've come to learn by researching these movies. 641 00:33:05,000 --> 00:33:08,440 Speaker 1: And this movie did a very average job on creating 642 00:33:08,480 --> 00:33:11,440 Speaker 1: something that looked like we hadn't seen it before in 643 00:33:11,480 --> 00:33:14,320 Speaker 1: a space movie. I almost wish it had a little 644 00:33:14,360 --> 00:33:17,200 Speaker 1: bit more of a dynamic presence. He is half a 645 00:33:17,280 --> 00:33:19,920 Speaker 1: year into this space mission. He is the furthest away 646 00:33:19,960 --> 00:33:23,520 Speaker 1: from any human in history to go way out into Jupiter. 647 00:33:23,640 --> 00:33:26,719 Speaker 1: He is investigating this really mysterious cloud that has formed. 648 00:33:26,800 --> 00:33:29,280 Speaker 1: It is like this purple cosmic presence and the sky 649 00:33:29,320 --> 00:33:31,400 Speaker 1: that they can see from the earth. The movie takes 650 00:33:31,440 --> 00:33:35,560 Speaker 1: place in a retro futuristic version of the nineties, and 651 00:33:35,840 --> 00:33:39,560 Speaker 1: it really deals with isolation in Adam Sandler's character being 652 00:33:39,560 --> 00:33:43,720 Speaker 1: described as the loneliest person in the world because he 653 00:33:43,800 --> 00:33:45,760 Speaker 1: is so far away from the love of his life 654 00:33:46,120 --> 00:33:52,120 Speaker 1: and they're not only separated in distance, but also separated emotionally. Essentially, 655 00:33:52,120 --> 00:33:55,719 Speaker 1: what this movie is about isolation and the crumbling of 656 00:33:55,760 --> 00:33:59,320 Speaker 1: a relationship. And I don't think Adam Sandler was strong 657 00:33:59,400 --> 00:34:01,520 Speaker 1: enough to really pull it off. And I've loved him 658 00:34:01,520 --> 00:34:03,560 Speaker 1: in the dramatic roles I've been mentioning, but I think 659 00:34:03,640 --> 00:34:07,560 Speaker 1: this one required another level of acting that I realized 660 00:34:07,880 --> 00:34:09,759 Speaker 1: he just didn't really have it in him. And that 661 00:34:09,840 --> 00:34:12,680 Speaker 1: hurts me to say, because he did an amazing job 662 00:34:12,719 --> 00:34:15,160 Speaker 1: in movies like Uncut Gems, where I thought he deserved 663 00:34:15,160 --> 00:34:18,600 Speaker 1: an Oscar. That one had a lot more action. I 664 00:34:18,640 --> 00:34:22,160 Speaker 1: felt like he really owned that character. But in this case, 665 00:34:22,600 --> 00:34:26,520 Speaker 1: seeing him as a spaceman was a little bit unbelievable 666 00:34:26,560 --> 00:34:30,160 Speaker 1: for me from the very beginning, just him floating around 667 00:34:30,760 --> 00:34:33,279 Speaker 1: on the spaceship, but even just seeing a photo of 668 00:34:33,360 --> 00:34:36,640 Speaker 1: him in the astronaut uniform. I just couldn't buy into 669 00:34:36,680 --> 00:34:39,480 Speaker 1: the fact that Adam Sandler, this really wacky guy, was 670 00:34:39,520 --> 00:34:42,160 Speaker 1: a spaceman. And in other times I've been able to 671 00:34:42,160 --> 00:34:43,840 Speaker 1: look past that, but it was really hard in this 672 00:34:43,920 --> 00:34:47,440 Speaker 1: situation just hearing him deliver some of this dialogue. Found 673 00:34:47,440 --> 00:34:51,600 Speaker 1: it really unbelievable in probably an unfair way, just because 674 00:34:51,680 --> 00:34:54,480 Speaker 1: of the association I have with him. I do like 675 00:34:54,520 --> 00:34:57,080 Speaker 1: some of the avenues that the movie tried to explore 676 00:34:57,200 --> 00:35:01,520 Speaker 1: with commentary on the human condition, but also on corporate sponsorship, 677 00:35:01,600 --> 00:35:04,560 Speaker 1: because in the movie, they prioritize his cameras working more 678 00:35:04,600 --> 00:35:08,279 Speaker 1: than they prioritize his toilet working. Because they are live 679 00:35:08,320 --> 00:35:12,319 Speaker 1: streaming this entire thing. They have these weird sponsorship things 680 00:35:12,360 --> 00:35:14,319 Speaker 1: that he has to read and do commercials while he's 681 00:35:14,320 --> 00:35:17,759 Speaker 1: in space, so they never really got back to a 682 00:35:17,800 --> 00:35:19,719 Speaker 1: whole lot of that. I thought that would have been 683 00:35:19,760 --> 00:35:23,160 Speaker 1: a cooler angle to approach the live stream aspect, kind 684 00:35:23,160 --> 00:35:26,120 Speaker 1: of more like a Truman Show vibe of people that 685 00:35:26,200 --> 00:35:30,280 Speaker 1: were also invested in his relationship. The appeal of watching 686 00:35:30,360 --> 00:35:33,360 Speaker 1: him in space and people being able to control things, 687 00:35:33,400 --> 00:35:35,360 Speaker 1: I think really would have been a cool way to 688 00:35:35,400 --> 00:35:37,920 Speaker 1: make this movie more interesting. I know it's based on 689 00:35:38,000 --> 00:35:41,040 Speaker 1: a novel, so they were probably following the source material more, 690 00:35:41,239 --> 00:35:42,960 Speaker 1: but that light was going off in my head of 691 00:35:43,160 --> 00:35:45,480 Speaker 1: they had a great opportunity here to make this movie 692 00:35:45,560 --> 00:35:48,840 Speaker 1: a little bit more interesting, because, quite honestly, it felt 693 00:35:48,880 --> 00:35:52,399 Speaker 1: like his character and funny people who was kind of 694 00:35:52,560 --> 00:35:55,640 Speaker 1: a version of Adam Sandler, and in that movie they 695 00:35:55,680 --> 00:35:58,359 Speaker 1: make fun of the movie roles he takes on because 696 00:35:58,360 --> 00:36:01,600 Speaker 1: they're so over the top and wacky. This almost felt 697 00:36:01,600 --> 00:36:03,840 Speaker 1: like one of those movies that it would cut to 698 00:36:03,920 --> 00:36:05,840 Speaker 1: him like I just did this sci fi movie and 699 00:36:05,880 --> 00:36:09,920 Speaker 1: it's him looking at a place in a spacesuit, and overall, 700 00:36:10,480 --> 00:36:14,040 Speaker 1: when making a movie that deals with isolation, I felt 701 00:36:14,040 --> 00:36:17,000 Speaker 1: isolated and bored while watching it. This movie should have 702 00:36:17,000 --> 00:36:20,400 Speaker 1: been retitled The Sandman Talks to a Spider because that 703 00:36:20,520 --> 00:36:23,919 Speaker 1: is what Paul Dano voices in this movie. It's this 704 00:36:24,040 --> 00:36:28,360 Speaker 1: weird alien, futuristic spider looking thing that comes onto a 705 00:36:28,440 --> 00:36:31,400 Speaker 1: ship and they formed this really weird relationship and it 706 00:36:31,480 --> 00:36:35,200 Speaker 1: tries so hard to reach this emotional level that doesn't 707 00:36:35,239 --> 00:36:37,520 Speaker 1: really quite get there. And I love Paul Dano. I 708 00:36:37,520 --> 00:36:40,400 Speaker 1: think he did the best job that he could with 709 00:36:40,480 --> 00:36:43,920 Speaker 1: this role, but I found the character so annoying and 710 00:36:44,000 --> 00:36:47,719 Speaker 1: so uninteresting just a look and design of it. It 711 00:36:47,719 --> 00:36:50,120 Speaker 1: felt like a first draft to me, and maybe it's 712 00:36:50,160 --> 00:36:52,560 Speaker 1: because I wanted it to look more like an alien. 713 00:36:53,000 --> 00:36:56,320 Speaker 1: I just thought the idea of a spider crawling around 714 00:36:56,520 --> 00:36:59,560 Speaker 1: didn't really match with all the other aspects of the movie, 715 00:36:59,760 --> 00:37:02,839 Speaker 1: and the dialogue was so repetitive. I hated the way 716 00:37:02,920 --> 00:37:06,919 Speaker 1: he kept calling Adam Sandler's character skinny human, kept saying 717 00:37:07,000 --> 00:37:09,400 Speaker 1: it over and over again. I was about to shut 718 00:37:09,400 --> 00:37:11,880 Speaker 1: off my TV and stop watching it because I was 719 00:37:11,920 --> 00:37:15,560 Speaker 1: so annoyed by that line and quite frankly bored with 720 00:37:15,600 --> 00:37:18,480 Speaker 1: the entire story, which leads me to my next point. 721 00:37:18,640 --> 00:37:20,600 Speaker 1: Is the only reason I continue to watch this movie 722 00:37:20,680 --> 00:37:23,360 Speaker 1: to the very end is because of the cast. So 723 00:37:23,400 --> 00:37:26,240 Speaker 1: when you start to think about is Adam Sandler worth 724 00:37:26,360 --> 00:37:29,000 Speaker 1: the money that Netflix pays him with the over five 725 00:37:29,080 --> 00:37:32,239 Speaker 1: hundred hours that Netflix viewers spend with his movies for 726 00:37:32,360 --> 00:37:34,920 Speaker 1: this reason alone, he is worth it because what they 727 00:37:35,000 --> 00:37:39,279 Speaker 1: value so much is completion rate. Somebody to start and 728 00:37:39,360 --> 00:37:42,480 Speaker 1: finish a movie on Netflix, that is the goal, and 729 00:37:42,520 --> 00:37:44,919 Speaker 1: that is the only reason I finished this movie because 730 00:37:44,960 --> 00:37:47,320 Speaker 1: I wanted to see how Adam Sandler was going to 731 00:37:47,360 --> 00:37:49,239 Speaker 1: get out of this what the conclusion was going to be, 732 00:37:49,760 --> 00:37:52,319 Speaker 1: and that was very underwhelming to me too. But I 733 00:37:52,360 --> 00:37:54,680 Speaker 1: think that is the reason you pay him a lot 734 00:37:54,719 --> 00:37:57,799 Speaker 1: of money, because people are going to Netflix to watch 735 00:37:57,800 --> 00:38:00,920 Speaker 1: an Adam Sandler movie. It's still number one on their 736 00:38:00,920 --> 00:38:04,439 Speaker 1: streaming service after over a week of being out again. 737 00:38:04,480 --> 00:38:06,359 Speaker 1: I don't really know how they determined that they could 738 00:38:06,400 --> 00:38:08,400 Speaker 1: easily boost it, like, oh, look, it's number one, the 739 00:38:08,400 --> 00:38:10,640 Speaker 1: most people are watching it. They could lie about it 740 00:38:10,719 --> 00:38:13,120 Speaker 1: just because they want to promote that movie the most. 741 00:38:13,120 --> 00:38:15,640 Speaker 1: So I don't fully believe in that top ten ragging 742 00:38:15,680 --> 00:38:18,480 Speaker 1: on Netflix, but it's the metrics we have to go 743 00:38:18,520 --> 00:38:21,040 Speaker 1: on because they really don't share how many people watch 744 00:38:21,080 --> 00:38:23,880 Speaker 1: their movies. You really only get stats like the amount 745 00:38:23,880 --> 00:38:27,200 Speaker 1: of hours that Netflix users have been watching Adam Sandler movies. 746 00:38:27,440 --> 00:38:30,000 Speaker 1: He ranks up there in the top. So overall, I 747 00:38:30,200 --> 00:38:32,960 Speaker 1: just don't think this role was in the range of 748 00:38:33,080 --> 00:38:36,200 Speaker 1: the Sandman. You have to be an actor on the 749 00:38:36,320 --> 00:38:39,440 Speaker 1: level of like Sandra Bullock and Gravity, Brad Pitt and 750 00:38:39,560 --> 00:38:44,040 Speaker 1: ad Astra to really be able to show something so isolating. 751 00:38:44,200 --> 00:38:48,480 Speaker 1: Outer space movies are a really, really tough category, and 752 00:38:48,560 --> 00:38:50,760 Speaker 1: I just felt like he didn't have all the tools 753 00:38:50,760 --> 00:38:53,279 Speaker 1: in his acting abilities to pull this movie off, and 754 00:38:53,320 --> 00:38:56,279 Speaker 1: the overall story really wasn't helping him carry. Mulligan was 755 00:38:56,280 --> 00:38:58,760 Speaker 1: still fantastic in it. She can really do no wrong 756 00:38:58,800 --> 00:39:01,480 Speaker 1: in my eyes, It's just I wasn't really buying into 757 00:39:01,520 --> 00:39:04,040 Speaker 1: their love story. It was also cool to see Conalney 758 00:39:04,200 --> 00:39:06,960 Speaker 1: r aka Rod from the Big Bank Theory. It took 759 00:39:07,000 --> 00:39:09,360 Speaker 1: me a second to realize it was him, so I 760 00:39:09,360 --> 00:39:11,600 Speaker 1: think that is another sign that, hey, he can do 761 00:39:11,719 --> 00:39:14,080 Speaker 1: roles outside of the Big Bank Theory and not seem 762 00:39:14,200 --> 00:39:17,160 Speaker 1: so distracting. He was the guy communicating with Adam Sandler's 763 00:39:17,200 --> 00:39:21,000 Speaker 1: character throughout, so not the most outstanding of supporting roles, 764 00:39:21,000 --> 00:39:23,200 Speaker 1: but it was just nice to see somebody familiar in 765 00:39:23,239 --> 00:39:25,839 Speaker 1: a much different space. I was going into this movie 766 00:39:26,040 --> 00:39:29,560 Speaker 1: expecting to love it ended up having a pretty mediocre time. 767 00:39:29,920 --> 00:39:32,320 Speaker 1: For space Man, I give it two out of five 768 00:39:32,600 --> 00:39:39,680 Speaker 1: Space Suits. It's time to head down to movie. 769 00:39:39,760 --> 00:39:41,000 Speaker 2: Mike Trey lar. 770 00:39:41,000 --> 00:39:44,919 Speaker 1: Par I think video game adaptations are the hottest they've 771 00:39:44,920 --> 00:39:48,960 Speaker 1: ever been right now. They are a cash cow in 772 00:39:49,000 --> 00:39:53,400 Speaker 1: the movie industry because you already have a built in audience, 773 00:39:53,719 --> 00:39:57,239 Speaker 1: and usually a built in audience of nerds, which I 774 00:39:57,320 --> 00:40:01,239 Speaker 1: love some video game adaptation myself, so I am one 775 00:40:01,239 --> 00:40:05,239 Speaker 1: of those nerds. When it comes to Borderlands, I am 776 00:40:05,320 --> 00:40:08,120 Speaker 1: familiar with the game, but I never played it myself. 777 00:40:08,719 --> 00:40:11,680 Speaker 1: I would see a lot of people who would rave 778 00:40:12,440 --> 00:40:14,640 Speaker 1: on and on about this game. I really don't know 779 00:40:14,719 --> 00:40:17,040 Speaker 1: much about it, aside from it always having a really 780 00:40:17,040 --> 00:40:20,520 Speaker 1: cool cover with a very unique character. But Borderlands is 781 00:40:20,560 --> 00:40:23,880 Speaker 1: a video game set and an abandoned fictional planet of Pandora, 782 00:40:24,120 --> 00:40:28,000 Speaker 1: where people search for a mysterious relic. This movie has 783 00:40:28,040 --> 00:40:31,759 Speaker 1: been in development since way back in twenty fifteen and 784 00:40:31,880 --> 00:40:34,919 Speaker 1: is now set to come out on August ninth by Lionsgate. 785 00:40:35,000 --> 00:40:37,600 Speaker 1: It is directed by Eli Roth, who is known for 786 00:40:38,280 --> 00:40:42,719 Speaker 1: really bloody horror movies like Hostile one Hostile two. He 787 00:40:42,760 --> 00:40:46,400 Speaker 1: also recently did Thanksgiving, which is available now on Netflix. 788 00:40:46,520 --> 00:40:49,960 Speaker 1: He was also the Bear Jew in Inglorious Bastards. When 789 00:40:50,000 --> 00:40:51,960 Speaker 1: I go watch an Eli roths movie, I know it's 790 00:40:52,000 --> 00:40:54,480 Speaker 1: gonna be a little bit left of center, especially when 791 00:40:54,520 --> 00:40:57,000 Speaker 1: it comes to the gore. So I am surprised by 792 00:40:57,440 --> 00:41:00,400 Speaker 1: the PG thirteen rating on this movie given the violent 793 00:41:00,480 --> 00:41:03,480 Speaker 1: nature of the video game, and just given what I 794 00:41:03,560 --> 00:41:05,640 Speaker 1: expect from him as a director. But I know the 795 00:41:05,719 --> 00:41:08,279 Speaker 1: reason they do that is to cast a wider net 796 00:41:08,320 --> 00:41:11,160 Speaker 1: and not close anybody off. Who is probably gonna be 797 00:41:11,360 --> 00:41:14,040 Speaker 1: the key demographic in a movie like this, the younger 798 00:41:14,080 --> 00:41:16,520 Speaker 1: audience who played the video game. But that gives me 799 00:41:16,560 --> 00:41:19,600 Speaker 1: one strike against this movie, because I think a film 800 00:41:19,680 --> 00:41:22,200 Speaker 1: like this would really benefit from being able to show 801 00:41:22,280 --> 00:41:24,520 Speaker 1: more of the violence, more of the blood, and I 802 00:41:24,520 --> 00:41:26,600 Speaker 1: already know it's going to be scaled back a little bit, 803 00:41:26,640 --> 00:41:28,400 Speaker 1: so we're not going to see that in this movie. 804 00:41:28,600 --> 00:41:30,440 Speaker 1: So it's going to have to really ramp up the 805 00:41:30,520 --> 00:41:32,680 Speaker 1: action given the fact that they will only be able 806 00:41:32,719 --> 00:41:34,960 Speaker 1: to get one effort out of this movie. The movie 807 00:41:35,000 --> 00:41:37,359 Speaker 1: cost an estimated one hundred to one hundred and ten 808 00:41:37,440 --> 00:41:40,400 Speaker 1: million dollars. Looks like a lot of cgi work we 809 00:41:40,480 --> 00:41:43,080 Speaker 1: have going on in this one. So before I get 810 00:41:43,120 --> 00:41:45,560 Speaker 1: into more of my thoughts on Borderlands, here is just 811 00:41:45,600 --> 00:41:48,800 Speaker 1: a little bit of the trailer. God, I hate this planet. 812 00:41:49,760 --> 00:41:53,640 Speaker 1: What does that smell? Pusquash color the window? I don't 813 00:41:53,680 --> 00:41:59,840 Speaker 1: want him roll the window. It's peak, it's peap like, 814 00:41:59,880 --> 00:42:06,280 Speaker 1: it's call pis wash. I'm gonna get today. This movie, 815 00:42:06,840 --> 00:42:09,920 Speaker 1: to me looks like suicide Squad meets Guardians of the 816 00:42:09,920 --> 00:42:14,200 Speaker 1: Galaxy doing a mad Max impression, and that's a pretty 817 00:42:14,200 --> 00:42:17,640 Speaker 1: impressive cast list with Kate Blanchett, Kevin Hart, who you 818 00:42:17,719 --> 00:42:20,120 Speaker 1: heard here in that clip. Kevin Hart being in this 819 00:42:20,200 --> 00:42:25,120 Speaker 1: movie is probably my biggest concern because anytime Kevin Hart 820 00:42:25,160 --> 00:42:27,680 Speaker 1: is in a movie, he plays the exact same character. 821 00:42:28,120 --> 00:42:31,040 Speaker 1: And there is not one Kevin Hart movie that I 822 00:42:31,040 --> 00:42:33,160 Speaker 1: can honestly say that I am a big fan of. 823 00:42:33,719 --> 00:42:35,919 Speaker 1: I would probably have to go all the way back 824 00:42:35,920 --> 00:42:38,759 Speaker 1: to his cameo in The Forty Year Old Virgin, but 825 00:42:38,840 --> 00:42:42,400 Speaker 1: that was way early on in his career, and unless 826 00:42:42,440 --> 00:42:46,040 Speaker 1: he's working with the Rock like in Central Intelligence or Jumanji, 827 00:42:46,760 --> 00:42:49,600 Speaker 1: I'm just not the biggest fan of his comedic work. 828 00:42:49,680 --> 00:42:52,400 Speaker 1: I honestly don't even find him that funny as a comedian. 829 00:42:52,560 --> 00:42:55,120 Speaker 1: I think he did one special early on that I 830 00:42:55,200 --> 00:42:57,920 Speaker 1: found funny, but ever since then, I am kind of 831 00:42:57,960 --> 00:43:01,480 Speaker 1: surprised of how big of a household name he's become 832 00:43:01,760 --> 00:43:05,160 Speaker 1: doing arenas, doing stadiums at the level he is doing. 833 00:43:05,440 --> 00:43:08,120 Speaker 1: Props to him for being able to cash in on that, 834 00:43:08,280 --> 00:43:11,640 Speaker 1: but that is exactly what I feel when he takes 835 00:43:11,680 --> 00:43:14,200 Speaker 1: on a movie role, is he does it more for 836 00:43:14,320 --> 00:43:17,359 Speaker 1: a status symbol and more for money than he does 837 00:43:17,480 --> 00:43:20,399 Speaker 1: for the love of making movies. As you've probably learned 838 00:43:20,400 --> 00:43:23,640 Speaker 1: by listening to this podcast, I enjoy actors who take 839 00:43:23,719 --> 00:43:27,240 Speaker 1: a little bit more of appreciation for the craft of acting, 840 00:43:27,440 --> 00:43:29,439 Speaker 1: or fake it really well and are really just doing 841 00:43:29,480 --> 00:43:31,800 Speaker 1: it for the money and the attention. Visually, the movie 842 00:43:31,800 --> 00:43:34,520 Speaker 1: does appeal to me. It has this cosmic color palette. 843 00:43:34,560 --> 00:43:37,120 Speaker 1: It looks like it's gonna have very big action that 844 00:43:37,200 --> 00:43:39,799 Speaker 1: demands the big screen, which I'm always a big fan of. 845 00:43:40,200 --> 00:43:42,600 Speaker 1: It doesn't really look that funny to me. I took 846 00:43:42,640 --> 00:43:45,520 Speaker 1: that one clip from the trailer to show probably the 847 00:43:45,600 --> 00:43:49,200 Speaker 1: funniest moment they are trying to showcase. I just feel 848 00:43:49,719 --> 00:43:54,360 Speaker 1: like that scene has been written before. Those interactions, that punchline, 849 00:43:54,440 --> 00:43:57,240 Speaker 1: I have seen that in a comedy like this before, 850 00:43:57,920 --> 00:44:01,160 Speaker 1: so it doesn't really show me the unique perspective, the 851 00:44:01,280 --> 00:44:03,000 Speaker 1: unique take that this is going to have on a 852 00:44:03,040 --> 00:44:06,560 Speaker 1: video game adaptation. Just from that line, it really looks 853 00:44:06,600 --> 00:44:09,600 Speaker 1: like comedy by the numbers. It's really given me street 854 00:44:09,600 --> 00:44:11,839 Speaker 1: fighter vibes from back in the day, and video game 855 00:44:11,880 --> 00:44:15,319 Speaker 1: adaptations recently have been pretty hit or miss. I think 856 00:44:15,360 --> 00:44:19,040 Speaker 1: it also has to do with how much you played 857 00:44:19,040 --> 00:44:21,400 Speaker 1: the video game and are a fan of the franchise. 858 00:44:21,640 --> 00:44:25,240 Speaker 1: That greatly leads to the enjoyment of the movie. Because 859 00:44:25,360 --> 00:44:27,279 Speaker 1: when I came on and did my review of Five 860 00:44:27,360 --> 00:44:30,480 Speaker 1: Nights at Freddy's, much like Borderlands, I wasn't familiar with 861 00:44:30,520 --> 00:44:33,239 Speaker 1: that game aside from seeing people talk about it on 862 00:44:33,320 --> 00:44:36,320 Speaker 1: Reddit and see clips on YouTube. I did not enjoy 863 00:44:36,360 --> 00:44:38,920 Speaker 1: that movie, and I got so much hate from the 864 00:44:38,960 --> 00:44:42,120 Speaker 1: fan base that made that movie a success because I 865 00:44:42,280 --> 00:44:46,440 Speaker 1: just didn't get that. But you also have TV adaptations 866 00:44:46,480 --> 00:44:49,719 Speaker 1: like Halo and Twisted Metal The Last of Us that 867 00:44:49,760 --> 00:44:53,560 Speaker 1: are crushing it and also doing very poorly. But that 868 00:44:53,680 --> 00:44:57,600 Speaker 1: demand of having video game adaptations is huge right now, 869 00:44:57,840 --> 00:45:00,120 Speaker 1: and we've also seen some really big success with at 870 00:45:00,160 --> 00:45:03,520 Speaker 1: the Super Mario Brothers movie. Last year, Grand Tarismo did 871 00:45:03,560 --> 00:45:06,520 Speaker 1: pretty well. I still think King Dingling when it comes 872 00:45:06,560 --> 00:45:09,640 Speaker 1: to fun video game adaptations is Sonic the Hedgehog, which 873 00:45:09,640 --> 00:45:11,880 Speaker 1: we're getting the third part this year. I think that 874 00:45:11,960 --> 00:45:14,960 Speaker 1: really blends making a movie that's fun for kids and 875 00:45:15,040 --> 00:45:18,560 Speaker 1: families and also pays tribute to all the fans of 876 00:45:18,640 --> 00:45:20,760 Speaker 1: the video game who played it back in the nineties 877 00:45:20,840 --> 00:45:23,120 Speaker 1: and two thousands. But either way, when you do a 878 00:45:23,160 --> 00:45:27,120 Speaker 1: video game adaptation, you already have that built in audience. 879 00:45:27,440 --> 00:45:30,520 Speaker 1: Also in this cast you have Jamie Lee, Curtis, Bobby Lee. 880 00:45:30,920 --> 00:45:33,160 Speaker 1: But the person I think who is going to crush 881 00:45:33,200 --> 00:45:36,480 Speaker 1: it the most is Jack Black, who isn't a live 882 00:45:36,560 --> 00:45:38,880 Speaker 1: action character. In the movie. He does the voice for 883 00:45:38,920 --> 00:45:43,400 Speaker 1: a character named Claptrap. Jack Black is a great voice actor. 884 00:45:43,440 --> 00:45:45,560 Speaker 1: I just went to go see Kung Fu Panda four 885 00:45:45,840 --> 00:45:49,480 Speaker 1: and it was also great in the Super Mario Brothers movie. 886 00:45:49,560 --> 00:45:52,600 Speaker 1: And I think it's because to be a great voice actor, 887 00:45:53,280 --> 00:45:55,920 Speaker 1: you have to lend more than just your name to 888 00:45:56,040 --> 00:45:58,799 Speaker 1: a movie. And I feel that some actors just go 889 00:45:58,880 --> 00:46:01,319 Speaker 1: in a booth and read some lines and they think 890 00:46:01,360 --> 00:46:04,560 Speaker 1: it's an easy paycheck. But for somebody like Jack Black, 891 00:46:05,080 --> 00:46:08,160 Speaker 1: he takes a lot of pride in doing great work 892 00:46:08,239 --> 00:46:11,480 Speaker 1: and voice acting of making his voice sound a little 893 00:46:11,520 --> 00:46:13,920 Speaker 1: bit different, which he did with Bowser. They also did 894 00:46:13,960 --> 00:46:16,319 Speaker 1: some effects on his voice there, but there's a lot 895 00:46:16,320 --> 00:46:19,359 Speaker 1: of different emotion in his voice and doing a more 896 00:46:19,440 --> 00:46:22,560 Speaker 1: zany character like he's doing here in Borderlands. He also 897 00:46:22,600 --> 00:46:25,200 Speaker 1: gets physical in the booth and makes the movements he 898 00:46:25,280 --> 00:46:27,200 Speaker 1: was talking about. In Kung Fu Panda four, he would 899 00:46:27,200 --> 00:46:29,799 Speaker 1: actually do some kung Fu movements to put some more 900 00:46:29,840 --> 00:46:33,000 Speaker 1: emotion into it. He takes it seriously and quite honestly, 901 00:46:33,080 --> 00:46:36,680 Speaker 1: he is probably going to perform better than any actor 902 00:46:36,760 --> 00:46:40,200 Speaker 1: on the actual screen. It seems to me that they 903 00:46:40,200 --> 00:46:43,879 Speaker 1: are giving his character the Rocket Raccoon treatment that they 904 00:46:43,880 --> 00:46:47,200 Speaker 1: did Bradley Cooper and Guardians at the Galaxy. This movie 905 00:46:47,680 --> 00:46:51,120 Speaker 1: really mirrors a lot of aspects of that movie. They 906 00:46:51,120 --> 00:46:54,400 Speaker 1: have their Rocket Raccoon type character, they have their group 907 00:46:54,480 --> 00:46:58,160 Speaker 1: type character, they have their drags. They also have their 908 00:46:58,160 --> 00:47:01,319 Speaker 1: Peter Quill. So to me, this this movie doesn't really 909 00:47:01,360 --> 00:47:03,920 Speaker 1: have its own unique identity yet. It seems to be 910 00:47:04,040 --> 00:47:08,799 Speaker 1: borrowing a lot of inspiration from other superhero movies and 911 00:47:09,040 --> 00:47:12,520 Speaker 1: video game movies. I feel like overall this will be 912 00:47:12,800 --> 00:47:16,880 Speaker 1: a fun, average movie unless you're a huge fan of 913 00:47:16,920 --> 00:47:19,400 Speaker 1: the video game. I hope they proved me wrong in that, 914 00:47:19,640 --> 00:47:21,600 Speaker 1: But again, it is coming out later this year on 915 00:47:21,680 --> 00:47:22,400 Speaker 1: August ninth. 916 00:47:23,120 --> 00:47:26,000 Speaker 2: At that point was this week's edition of Movie Line 917 00:47:26,480 --> 00:47:28,040 Speaker 2: tramor Bar and. 918 00:47:27,920 --> 00:47:30,560 Speaker 1: That is gonna do it for another episode here of 919 00:47:30,600 --> 00:47:33,440 Speaker 1: the podcast. But again, don't forget to look out for 920 00:47:33,719 --> 00:47:37,080 Speaker 1: the special bonus Oscar coverage that I will be posting 921 00:47:37,120 --> 00:47:40,400 Speaker 1: here later in the week to recap everything that happened 922 00:47:40,400 --> 00:47:42,440 Speaker 1: at the Oscars and see if I was right or 923 00:47:42,440 --> 00:47:44,480 Speaker 1: not all my predictions. Before I go, I got to 924 00:47:44,480 --> 00:47:47,080 Speaker 1: give my listeners shout out of the week. This week, 925 00:47:47,120 --> 00:47:49,319 Speaker 1: I am going over to my YouTube channel, which is 926 00:47:49,400 --> 00:47:53,080 Speaker 1: YouTube dot com slash Mike dstro. If you ever forget 927 00:47:53,080 --> 00:47:55,680 Speaker 1: that or forget any of my social links, it is 928 00:47:55,760 --> 00:47:59,319 Speaker 1: always in the episode notes of every single podcast. But 929 00:47:59,400 --> 00:48:02,799 Speaker 1: this week's listener shout out goes to Sash, who commented 930 00:48:02,880 --> 00:48:05,760 Speaker 1: on my interview with the director of Wonka and said, Wow, 931 00:48:06,200 --> 00:48:09,560 Speaker 1: interviewing directors of big movies is such an achievement. Here's 932 00:48:09,600 --> 00:48:12,280 Speaker 1: two more great things to come from you and your channel. 933 00:48:12,560 --> 00:48:15,759 Speaker 1: Thank you, Sash. Which the weird thing about YouTube is 934 00:48:15,920 --> 00:48:19,120 Speaker 1: I find that people just go and watch my reviews 935 00:48:19,200 --> 00:48:22,239 Speaker 1: on YouTube and maybe don't even listen to the full 936 00:48:22,280 --> 00:48:25,239 Speaker 1: episodes of this podcast. So it's cool to have a 937 00:48:25,280 --> 00:48:28,600 Speaker 1: new audience over there just discovering it from the individual 938 00:48:28,680 --> 00:48:30,479 Speaker 1: movie reviews. So if you ever miss one of those, 939 00:48:30,719 --> 00:48:33,600 Speaker 1: you can always go watch them on YouTube. Be sure 940 00:48:33,640 --> 00:48:35,719 Speaker 1: to subscribe to that channel as well, because it really 941 00:48:35,760 --> 00:48:37,880 Speaker 1: helps me out in the long run and lead some 942 00:48:37,960 --> 00:48:41,120 Speaker 1: comments rate the videos. That also helps more people discover 943 00:48:41,239 --> 00:48:44,520 Speaker 1: my channel. There therefore bringing people back to the podcast 944 00:48:44,600 --> 00:48:46,399 Speaker 1: and become a part of the movie crew. So I'd 945 00:48:46,400 --> 00:48:49,680 Speaker 1: really appreciate that if there's a specific review you enjoyed, 946 00:48:50,200 --> 00:48:53,200 Speaker 1: host it on Instagram story, share that link, help spread 947 00:48:53,239 --> 00:48:56,160 Speaker 1: the love because that goes a long way. Thank you 948 00:48:56,200 --> 00:48:59,120 Speaker 1: for listening, thank you for being subscribed, and until next time, 949 00:48:59,600 --> 00:49:02,000 Speaker 1: go out and watch good movies and I will talk 950 00:49:02,040 --> 00:49:03,400 Speaker 1: to you later.