1 00:00:03,720 --> 00:00:10,160 Speaker 1: The I Am Rapp Reports Stereo Podcast Live Get Down 2 00:00:10,160 --> 00:00:14,320 Speaker 1: with Rapp Report. Yes I am, I'm a Rapperport, Yes 3 00:00:14,440 --> 00:00:18,800 Speaker 1: I am. I'm a Rapperport. Yes I am a Rapperport. 4 00:00:19,200 --> 00:00:22,000 Speaker 1: Yes i am at a tune in. Iron rapp Report 5 00:00:22,079 --> 00:00:25,320 Speaker 1: dot Com is every single podcast you know we drops farms. 6 00:00:25,400 --> 00:00:27,720 Speaker 1: I've seen him on set a season vet with True Town. 7 00:00:27,800 --> 00:00:29,720 Speaker 1: Catch him on his way to course fit rocking the 8 00:00:29,760 --> 00:00:31,840 Speaker 1: new balance. He it's men to do the drack because 9 00:00:31,840 --> 00:00:33,560 Speaker 1: you know I round the leak. But I'm just waiting 10 00:00:33,600 --> 00:00:35,720 Speaker 1: for the Robert the Neural line of the week, rightface 11 00:00:35,720 --> 00:00:38,120 Speaker 1: the champions host the Bagel, Cream, Cheese and lock. This 12 00:00:38,280 --> 00:00:40,720 Speaker 1: is I Am Rapp Report. The show Never stopped. Might 13 00:00:40,800 --> 00:00:43,400 Speaker 1: catch the Mountain Public stretching his knee. But if you 14 00:00:43,440 --> 00:00:47,639 Speaker 1: don't listen to the show, Yo, we're gonna pleading. We're 15 00:00:47,640 --> 00:00:53,840 Speaker 1: gonna please, sister. I Am Rapport Podcast. All right, let's 16 00:00:53,880 --> 00:00:56,080 Speaker 1: do it. Let's do it. So this is the Iron 17 00:00:56,160 --> 00:00:59,279 Speaker 1: Rapports Stereo Podcast. Can you hold that? Mr Mornett? Yes, yes, 18 00:01:00,240 --> 00:01:05,200 Speaker 1: And we are in uh Texas, live south by Southwest, 19 00:01:06,400 --> 00:01:14,200 Speaker 1: and I have had a tumultuous last few days. Absolutely Sunday, 20 00:01:15,720 --> 00:01:22,120 Speaker 1: no Saturday, I flew to Las Vegas. And I've mentioned 21 00:01:22,319 --> 00:01:26,320 Speaker 1: Las Vegas on the Iron Reports stereo podcast before. It 22 00:01:26,520 --> 00:01:31,399 Speaker 1: is such a ship hole. It's such a drek community. 23 00:01:32,040 --> 00:01:40,120 Speaker 1: It's such a as cesspool of Faccory and Shane and 24 00:01:40,280 --> 00:01:45,560 Speaker 1: low self Worth right. And I swear I think they 25 00:01:45,680 --> 00:01:47,800 Speaker 1: put something in the air in the in the in 26 00:01:47,840 --> 00:01:51,120 Speaker 1: the air conditioning in the hotels. Every time I go there, 27 00:01:51,160 --> 00:01:55,160 Speaker 1: I leave, I'm sick. I don't gamble, I don't leave 28 00:01:55,240 --> 00:01:57,000 Speaker 1: the room. I do whatever business I need to do 29 00:01:57,040 --> 00:02:01,240 Speaker 1: and get the funk out of there. And this weekend, 30 00:02:03,680 --> 00:02:08,920 Speaker 1: because I was in Vegas during Daylight Savings spring forward, 31 00:02:09,320 --> 00:02:12,760 Speaker 1: I got so thrown off because in Vegas, of course, 32 00:02:12,880 --> 00:02:17,320 Speaker 1: time doesn't stop. Time doesn't change. They don't celebrate Daylight Savings. 33 00:02:17,680 --> 00:02:20,400 Speaker 1: Their clock doesn't change. It's so it's it's such a 34 00:02:20,520 --> 00:02:27,799 Speaker 1: ship hole. Time stands still. So Sunday I flew back. 35 00:02:28,080 --> 00:02:30,320 Speaker 1: I was stuck in the Las Vegas airport for five 36 00:02:30,360 --> 00:02:35,239 Speaker 1: and a half dreadful hours. When I got home, my 37 00:02:35,400 --> 00:02:39,280 Speaker 1: clocks hadn't been changed. I was all fucked up. And 38 00:02:39,360 --> 00:02:41,280 Speaker 1: then the next morning I had to get on the 39 00:02:41,880 --> 00:02:44,679 Speaker 1: uh No. The next night I took a red eye 40 00:02:47,240 --> 00:02:50,000 Speaker 1: to New York you know. On the Red Eye, I 41 00:02:50,120 --> 00:02:57,040 Speaker 1: took a what are those sleeping things called ambient ambient 42 00:02:59,200 --> 00:03:05,400 Speaker 1: and some rose. You're lucky you here, motherfucker. Well I 43 00:03:05,480 --> 00:03:07,239 Speaker 1: got through the Red Eye and made it to my 44 00:03:07,320 --> 00:03:11,400 Speaker 1: workout class. I slept the whole way, but I was 45 00:03:11,480 --> 00:03:20,200 Speaker 1: still an hour off. Looking good. You're looking good, all right, Okay, okay, 46 00:03:21,440 --> 00:03:26,680 Speaker 1: everything's good. So then uh, my Southern ladies. So then, um, 47 00:03:27,320 --> 00:03:28,720 Speaker 1: by the time I got to New York, I was 48 00:03:28,800 --> 00:03:32,079 Speaker 1: so discombobulated. And then this earlier in the week, I 49 00:03:32,120 --> 00:03:37,040 Speaker 1: went to work with the great Woody Allen. Fantastic. How 50 00:03:37,080 --> 00:03:40,760 Speaker 1: did that go? Man? So much fun? You told us 51 00:03:40,800 --> 00:03:44,080 Speaker 1: about the method and how easy it is. I love 52 00:03:44,200 --> 00:03:47,160 Speaker 1: him to get the best out of your cats, so 53 00:03:47,360 --> 00:03:49,920 Speaker 1: that's always a good thing. It was short but sweet, 54 00:03:51,240 --> 00:03:58,080 Speaker 1: so um, that was beautiful. And then the plan was 55 00:03:58,200 --> 00:04:03,680 Speaker 1: for me to meet you Jordan's Winter and Miles Davis, 56 00:04:05,960 --> 00:04:11,880 Speaker 1: the Asian sound guy uh in Austin, Texas, and I 57 00:04:11,920 --> 00:04:14,440 Speaker 1: got on a nine pm flight and I got in 58 00:04:14,480 --> 00:04:17,880 Speaker 1: a cab at seven pm. It actually took longer than 59 00:04:18,040 --> 00:04:21,200 Speaker 1: expected to get to JFK. While I was in the 60 00:04:21,320 --> 00:04:26,760 Speaker 1: cab pulling into the termine hole, about five minutes out 61 00:04:26,960 --> 00:04:29,320 Speaker 1: because you know you, you you, you, you, you look 62 00:04:29,440 --> 00:04:34,280 Speaker 1: to pay the guy. I realized I didn't have my 63 00:04:34,440 --> 00:04:36,600 Speaker 1: fucking wallet, and I after I had already took me 64 00:04:36,640 --> 00:04:38,960 Speaker 1: an hour and fifteen minutes to take to get to JFK. 65 00:04:39,360 --> 00:04:44,200 Speaker 1: I got one question, n ask everybody on the planet 66 00:04:44,320 --> 00:04:47,960 Speaker 1: does the pat down before they leave their apartment. And 67 00:04:48,080 --> 00:04:53,679 Speaker 1: this is so unusual for you, who's always meticulous, who's 68 00:04:53,760 --> 00:04:57,680 Speaker 1: always on time. Yes, you didn't do the pat down. 69 00:04:57,760 --> 00:05:00,520 Speaker 1: I don't know, man. I think what happened was in Vegas. 70 00:05:01,480 --> 00:05:04,160 Speaker 1: I was so fucked up by the time change, and 71 00:05:04,240 --> 00:05:06,800 Speaker 1: then the flying, and then the the ambient and then 72 00:05:06,920 --> 00:05:11,280 Speaker 1: and then and then the red eye drugs. Motherfucker, that's 73 00:05:11,320 --> 00:05:15,400 Speaker 1: what it is. And I'm in the freaking out and 74 00:05:15,839 --> 00:05:18,480 Speaker 1: and and and it's no, no stereotype. It was a 75 00:05:18,520 --> 00:05:21,200 Speaker 1: Middle Eastern cab driver and I said, you fuck, I 76 00:05:21,240 --> 00:05:23,200 Speaker 1: can't believe I left my wad. He said, you must look, 77 00:05:23,240 --> 00:05:25,200 Speaker 1: you must look. I'm not trying. I don't do a 78 00:05:25,240 --> 00:05:32,600 Speaker 1: good accent with that, so so so yeah, like, let 79 00:05:32,640 --> 00:05:35,640 Speaker 1: me finish. So we get to the airport and I go, 80 00:05:35,960 --> 00:05:38,960 Speaker 1: it's not in here, man, the cat, the wallet isn't 81 00:05:38,960 --> 00:05:43,720 Speaker 1: in here. We gotta drive the funk back to my apartment, 82 00:05:44,600 --> 00:05:47,240 Speaker 1: and you fucked up the whole trip, and you're out 83 00:05:47,240 --> 00:05:50,960 Speaker 1: in Austin by yourself, and it's hot as muggy weather. 84 00:05:51,360 --> 00:05:54,440 Speaker 1: Me and Jay Dug walking around this ship last night 85 00:05:54,520 --> 00:05:58,600 Speaker 1: trying to get a foothold. And then so last night 86 00:05:58,640 --> 00:06:00,320 Speaker 1: I had to I had to if if there was 87 00:06:00,360 --> 00:06:03,760 Speaker 1: a way to Illo myself, what would you say? I 88 00:06:03,839 --> 00:06:09,719 Speaker 1: would have said, you dumb fuck, You forgot your fucking wallet, 89 00:06:11,920 --> 00:06:17,080 Speaker 1: you hook knows juke cock sucker. Don't you know about 90 00:06:17,200 --> 00:06:20,800 Speaker 1: the three point tap, you dumb fuck. If there was 91 00:06:20,880 --> 00:06:24,160 Speaker 1: a way for me to LA myself, that would have 92 00:06:24,240 --> 00:06:32,160 Speaker 1: been the Illo. You missed your fucking flight, you dumb 93 00:06:32,680 --> 00:06:38,520 Speaker 1: cock sucker, You exactly exact amundo. What kind of a 94 00:06:38,760 --> 00:06:47,280 Speaker 1: fucking asshole mrs his own fucking flight, And you didn't 95 00:06:47,320 --> 00:06:51,120 Speaker 1: come on that trip to Argentina? Right. The only other 96 00:06:51,200 --> 00:06:54,760 Speaker 1: time I had a flight where I missed out was 97 00:06:54,839 --> 00:06:58,640 Speaker 1: when we were on our little guide trip bonding trip 98 00:06:59,080 --> 00:07:03,280 Speaker 1: with some of some brook and cats and we got 99 00:07:03,320 --> 00:07:06,719 Speaker 1: to the airport and I realized that my passport had expired. 100 00:07:07,000 --> 00:07:09,280 Speaker 1: And I'd say that was probably the only time in 101 00:07:09,400 --> 00:07:13,040 Speaker 1: my life of having any sort of credibility and stature. 102 00:07:13,600 --> 00:07:16,120 Speaker 1: I tried to get on the plane. I said the 103 00:07:16,200 --> 00:07:18,000 Speaker 1: lady at the check in, I think it was Argentine 104 00:07:18,080 --> 00:07:20,440 Speaker 1: or Air or point. I said, have you ever seen 105 00:07:20,560 --> 00:07:24,800 Speaker 1: higher learning? Have you ever seen Copland? She didn't see that? 106 00:07:25,040 --> 00:07:27,120 Speaker 1: Did you ever see I did four lines on the 107 00:07:27,160 --> 00:07:30,640 Speaker 1: Fresh Prince of bel Air? Nothing? You didn't see that? Yeah, 108 00:07:31,080 --> 00:07:32,600 Speaker 1: she she she didn't know who the funk I was. 109 00:07:32,640 --> 00:07:36,000 Speaker 1: Then I'm asking everyone else, Hey, do you ever see friends? 110 00:07:36,440 --> 00:07:38,600 Speaker 1: Remember the cop I'm him? I was. I was so 111 00:07:38,800 --> 00:07:41,560 Speaker 1: desperate to get on. I was trying anything I can. 112 00:07:41,920 --> 00:07:43,600 Speaker 1: And then finally I remember one lady was like, I 113 00:07:43,720 --> 00:07:46,400 Speaker 1: know exactly who you are. She said. If I was 114 00:07:46,480 --> 00:07:48,640 Speaker 1: to let you on the plane, and I'm not, you 115 00:07:48,680 --> 00:07:51,360 Speaker 1: wouldn't be able to get back in the country, right 116 00:07:51,360 --> 00:07:53,520 Speaker 1: because you ain't got shipped on you. So I missed 117 00:07:53,600 --> 00:07:59,560 Speaker 1: that flight. Then I finally got to sleep last night 118 00:07:59,720 --> 00:08:07,120 Speaker 1: with myself in my sorrows, in my shame right, And uh, 119 00:08:08,280 --> 00:08:10,119 Speaker 1: I got on my flight this morning, made it to Austin. 120 00:08:10,160 --> 00:08:12,440 Speaker 1: Made it. And since I've been to Austin, what did 121 00:08:12,480 --> 00:08:14,440 Speaker 1: I do? As soon as we got to the Starbucks. 122 00:08:14,960 --> 00:08:18,120 Speaker 1: We have our little Starbucks, our little pregame amble, I 123 00:08:18,240 --> 00:08:22,320 Speaker 1: plug in my cell phone. We leave the Starbucks. I'm 124 00:08:22,400 --> 00:08:28,280 Speaker 1: drinking my drink twenty minutes away, lounging where you left it. 125 00:08:29,080 --> 00:08:31,880 Speaker 1: I don't know what's wrong with me. I don't know 126 00:08:32,040 --> 00:08:35,240 Speaker 1: what ambient. Motherfucking stop taking it, and I don't take it. 127 00:08:35,320 --> 00:08:37,120 Speaker 1: I took it one time to fly. What do you 128 00:08:37,200 --> 00:08:39,360 Speaker 1: think that is? Man? Do you think that's something some 129 00:08:39,520 --> 00:08:47,360 Speaker 1: good ship? Fun with your brain chemistry? Man, drink a juice. Listen. Anyway, 130 00:08:47,400 --> 00:08:50,679 Speaker 1: we made it to south By Southwest March seventeen, the 131 00:08:50,760 --> 00:08:56,120 Speaker 1: birthday of Rock Showing Price. We're giving you shout outs. 132 00:08:57,160 --> 00:09:00,599 Speaker 1: I woke up on the birthday of Showing Price, and 133 00:09:00,640 --> 00:09:02,640 Speaker 1: I was looking at the radio stations in New York, 134 00:09:02,800 --> 00:09:04,880 Speaker 1: and I know, eventually I think they did it, but 135 00:09:04,960 --> 00:09:07,640 Speaker 1: they didn't do it. Make a big to do for 136 00:09:09,520 --> 00:09:14,480 Speaker 1: a part of the hip hop family that succumbed, passed away, 137 00:09:15,200 --> 00:09:17,079 Speaker 1: and and and and and and and and and and 138 00:09:17,120 --> 00:09:20,320 Speaker 1: they give him a little, a little blink on his birthday. 139 00:09:21,360 --> 00:09:23,920 Speaker 1: And it's supposed to be where hip hop lives hot 140 00:09:24,040 --> 00:09:28,040 Speaker 1: ninete one oh five point one. No matter what level 141 00:09:28,240 --> 00:09:30,079 Speaker 1: artists he was, he was part of the hip hop 142 00:09:30,200 --> 00:09:32,960 Speaker 1: fan and He was there before all your the entire 143 00:09:33,080 --> 00:09:35,679 Speaker 1: staff of your radio station was there, both of your 144 00:09:35,760 --> 00:09:39,120 Speaker 1: radio stations. So he's he was supposed to lead in 145 00:09:39,559 --> 00:09:41,959 Speaker 1: and early in the morning when the most traffics, and 146 00:09:42,040 --> 00:09:44,040 Speaker 1: you said, well, our listeners don't care, well, then why 147 00:09:44,040 --> 00:09:45,880 Speaker 1: don't you make them care in place? Why don't you 148 00:09:46,120 --> 00:09:49,680 Speaker 1: Why don't you learn them? Man? You said it boy, 149 00:09:50,240 --> 00:09:58,959 Speaker 1: Thanks Hot ninety seven. Where hip hop lives? Right, where 150 00:09:59,040 --> 00:10:03,439 Speaker 1: hip hop lives, that's all encompassing, right. It doesn't just 151 00:10:03,600 --> 00:10:08,280 Speaker 1: mean the tight jean guy with the fucking weird haircut. No, 152 00:10:09,240 --> 00:10:14,559 Speaker 1: we're talking about coom O D two everything. How do 153 00:10:14,640 --> 00:10:16,800 Speaker 1: you know exactly what your audience the reason why the 154 00:10:16,840 --> 00:10:19,240 Speaker 1: older people stop listening because all you play is the bullshit? 155 00:10:19,240 --> 00:10:23,559 Speaker 1: Why can't it be for everybody? It's it's hip hop culture, 156 00:10:24,000 --> 00:10:29,559 Speaker 1: Boogie down, Bronx, Come on, man, Rick Pettino, Oh man. 157 00:10:29,920 --> 00:10:32,040 Speaker 1: Three more kids came out and said they were at 158 00:10:32,040 --> 00:10:38,480 Speaker 1: the the Louisville party, the Louisville freak off parties for recruits. 159 00:10:39,840 --> 00:10:42,840 Speaker 1: And you have no idea, Mr Pettino, were you freaked 160 00:10:42,880 --> 00:10:46,360 Speaker 1: off in Applebee's. You know who I'm excited to. You 161 00:10:46,400 --> 00:10:48,839 Speaker 1: know you know we we we love basketball. We don't. 162 00:10:48,840 --> 00:10:54,000 Speaker 1: We're not big on college basketball. You know, I'm excited 163 00:10:54,040 --> 00:10:57,679 Speaker 1: to see a coach one of my favorite coaches. Oh, 164 00:10:58,160 --> 00:11:04,000 Speaker 1: Tom is Oh, he's like the Joe Pesci of college 165 00:11:04,040 --> 00:11:08,640 Speaker 1: basketball coaches. They tell you played three too, I tell 166 00:11:08,640 --> 00:11:11,680 Speaker 1: you three, you prick. Yeah, he's saying this to the kids. 167 00:11:12,559 --> 00:11:14,920 Speaker 1: You're getting the two three. I didn't say getting the 168 00:11:15,000 --> 00:11:18,600 Speaker 1: box in one, your little prick. What what did you say, 169 00:11:19,800 --> 00:11:24,160 Speaker 1: getting the fucking locker room? Getting the fucking locker room? Yeah, 170 00:11:24,920 --> 00:11:30,120 Speaker 1: that's time. Iszo coach of the Michigan State My teen partons. 171 00:11:30,400 --> 00:11:34,760 Speaker 1: He coach my team Cleaves, get the fun over the funk? 172 00:11:34,760 --> 00:11:36,760 Speaker 1: Are you wearing my team? You're wearing a fucking jersey 173 00:11:36,840 --> 00:11:41,080 Speaker 1: to the game? Wait? Wait wait, wait wait wait wait 174 00:11:41,120 --> 00:11:45,600 Speaker 1: what are you doing? Tim is Os he's mobbed out. 175 00:11:48,720 --> 00:11:51,120 Speaker 1: I don't know. I can't call it. Yeah, we can't 176 00:11:51,200 --> 00:11:53,920 Speaker 1: call it. I know one of my favorite I wish 177 00:11:54,200 --> 00:11:56,079 Speaker 1: the Routes were playing. I feel like the Roots should 178 00:11:56,080 --> 00:11:59,840 Speaker 1: be performing in south By, Southwest, Yo. We were talking 179 00:12:00,200 --> 00:12:02,079 Speaker 1: this we we we talk. If you haven't heard that, 180 00:12:02,200 --> 00:12:07,160 Speaker 1: the Black Thought j Period mixtape All James Brown Beats, 181 00:12:07,520 --> 00:12:11,640 Speaker 1: do yourself a favoring and download it. Listening to that 182 00:12:11,800 --> 00:12:15,120 Speaker 1: dude perform, Listen to him m C and seeing him 183 00:12:15,200 --> 00:12:19,000 Speaker 1: with the roots is a special treat. Performing. They get 184 00:12:19,160 --> 00:12:21,040 Speaker 1: down and you know, now we're so accustomer to see 185 00:12:21,080 --> 00:12:23,280 Speaker 1: him on Jimmy fallon, that's that's that's light work for them. 186 00:12:23,800 --> 00:12:26,880 Speaker 1: But when they get down and do it Black Thought 187 00:12:26,960 --> 00:12:29,040 Speaker 1: as an m C and quest Love as a drummer, 188 00:12:29,320 --> 00:12:33,400 Speaker 1: when they're really in their ship and it's undeniable. The 189 00:12:33,520 --> 00:12:40,640 Speaker 1: beats are irresistible, banging. It's it's performance are banging. That's 190 00:12:40,679 --> 00:12:44,800 Speaker 1: why it's loved around the world. Yeah, I don't know 191 00:12:44,800 --> 00:12:46,679 Speaker 1: what's gonna happen with hip hop. I can't call it. 192 00:12:48,240 --> 00:12:52,559 Speaker 1: It's upsetting. Like I said, at least we saw the 193 00:12:52,640 --> 00:12:57,240 Speaker 1: good ship. We saw the good ship. Our stands as 194 00:12:57,240 --> 00:13:00,040 Speaker 1: a really high high Yeah, because we're walking around on 195 00:13:00,200 --> 00:13:02,959 Speaker 1: you you you you said, uh, Like we're like the 196 00:13:03,080 --> 00:13:08,040 Speaker 1: We're like, um, we're like Royer and Robert Shaw and 197 00:13:08,440 --> 00:13:11,679 Speaker 1: Jaws were like the old cats trying to hold it 198 00:13:11,760 --> 00:13:14,240 Speaker 1: together while the young sharks are trying to take the 199 00:13:14,320 --> 00:13:20,520 Speaker 1: fucking boat down. Robert Shore and roy Shider, that's who 200 00:13:20,559 --> 00:13:26,199 Speaker 1: we are. Let's give a shout out to the Rappa pack. Uh, 201 00:13:27,160 --> 00:13:31,599 Speaker 1: April first. I hope some people show up. Man, we 202 00:13:31,679 --> 00:13:34,240 Speaker 1: I mean we're almost half sold out. But yeah, we're 203 00:13:34,240 --> 00:13:39,320 Speaker 1: screening True Romance live music. Guess I don't know who 204 00:13:39,400 --> 00:13:41,280 Speaker 1: they are. I'm not gonna lie to you, but I'm 205 00:13:41,320 --> 00:13:44,320 Speaker 1: gonna come up with something. Toby Morris of H two 206 00:13:44,360 --> 00:13:52,120 Speaker 1: oh Live Band Live podcast screening True Romance. The else 207 00:13:52,240 --> 00:13:56,360 Speaker 1: is doing this, nobody. We got our championship rings as 208 00:13:56,400 --> 00:14:00,200 Speaker 1: we should. Soft ass T shirts are available. This trick 209 00:14:00,320 --> 00:14:08,360 Speaker 1: lines forward slash, I am Rappaport. I don't know don 210 00:14:08,480 --> 00:14:12,559 Speaker 1: king Ship. No, we're not swindling anything yet except for 211 00:14:12,600 --> 00:14:16,400 Speaker 1: your girl. What did you say anything about that? Yeah? Okay, 212 00:14:17,080 --> 00:14:25,040 Speaker 1: old old Robert Shaw Robert Shure the I Am Wrappingport 213 00:14:25,080 --> 00:14:36,160 Speaker 1: Stereo podcast starring Robert Shaw and Roy Schneit. Yo. So 214 00:14:36,280 --> 00:14:38,960 Speaker 1: we're in the streets of south By, Southwest. I gotta 215 00:14:39,040 --> 00:14:45,280 Speaker 1: tell you this is not These are not streets for podcasting. 216 00:14:46,400 --> 00:14:49,480 Speaker 1: Everybody thinks they're fucking uh the next debtie vetter out here. 217 00:14:49,480 --> 00:14:56,040 Speaker 1: There's like nine bands playing it once literally. Yeah, a 218 00:14:56,120 --> 00:14:59,960 Speaker 1: bunch of fake ass Kurt Loaders out here. Kurt Loader, 219 00:15:00,080 --> 00:15:04,560 Speaker 1: Kurt Kobe. Yeah, everybody's out here putting up flyers and 220 00:15:05,960 --> 00:15:10,880 Speaker 1: NPR Radio. There's the NPR radio people. We should we 221 00:15:10,920 --> 00:15:12,440 Speaker 1: should ask them what they're doing. Let me see what 222 00:15:12,480 --> 00:15:17,040 Speaker 1: they're doing. Hi, how you doing? You guys are with MPR. 223 00:15:17,520 --> 00:15:20,440 Speaker 1: It's Michael Rappaport. How are you? What's going on? We're 224 00:15:20,640 --> 00:15:22,160 Speaker 1: what are you guys doing out here for MPR? I 225 00:15:22,200 --> 00:15:23,840 Speaker 1: think we're doing the same thing you are. Are you 226 00:15:23,880 --> 00:15:26,760 Speaker 1: actually putting on a show right now? Or are you were? 227 00:15:27,120 --> 00:15:30,600 Speaker 1: I can't. I can't tell you all my secrets. What's 228 00:15:30,640 --> 00:15:32,680 Speaker 1: happening right now? Audi Cornish and so what do you 229 00:15:32,720 --> 00:15:36,760 Speaker 1: guys do from here? I like NPR Radio, NPR podcast. Yes, 230 00:15:36,840 --> 00:15:40,560 Speaker 1: we're on a news show called All Things Considered? So 231 00:15:40,640 --> 00:15:42,800 Speaker 1: what are you guys trying to accomplish? The whole thing considered? 232 00:15:42,840 --> 00:15:44,880 Speaker 1: This out of South by South, Tell me your angle, 233 00:15:44,880 --> 00:15:48,680 Speaker 1: because we're we're news people that we're news people. No, no, no, 234 00:15:48,880 --> 00:15:51,800 Speaker 1: we're news people that don't fact check, and no NPR 235 00:15:51,920 --> 00:15:54,680 Speaker 1: fact checks fact checks. So give me something like what's 236 00:15:54,680 --> 00:15:56,880 Speaker 1: going on? Give me a scoop? Uh, we don't have 237 00:15:57,000 --> 00:15:59,200 Speaker 1: a scoop. Oh we did find some artists we like 238 00:15:59,360 --> 00:16:03,120 Speaker 1: last night. Oh yeah, that's true. Don't tell them, don't 239 00:16:03,200 --> 00:16:07,160 Speaker 1: doubt the secret This is my music producer, Monica Monica. 240 00:16:07,720 --> 00:16:10,680 Speaker 1: How many how many Eddie veteran personators have you seen 241 00:16:10,760 --> 00:16:14,280 Speaker 1: so far? Isn't that kind of crowd? I don't think so. 242 00:16:14,440 --> 00:16:17,640 Speaker 1: This is more the high waisted short's crowd. Because I 243 00:16:17,720 --> 00:16:20,040 Speaker 1: heard that down the street the hipster Fox were performing. 244 00:16:20,680 --> 00:16:23,200 Speaker 1: It's a band. Now, say you don't have no information 245 00:16:23,280 --> 00:16:25,520 Speaker 1: to share, It's come on your NPR and you gotta 246 00:16:25,560 --> 00:16:32,880 Speaker 1: have something Mark Marin, We're gonna introduce We're gonna interview 247 00:16:33,120 --> 00:16:42,480 Speaker 1: country singer Marion Morris tonight. Who's that? Yeah, No, no, no, 248 00:16:42,720 --> 00:16:45,040 Speaker 1: I am not gonna share because what we're doing here 249 00:16:45,120 --> 00:16:47,400 Speaker 1: is scouting. We're scouting for the year. Artists that we 250 00:16:47,520 --> 00:16:50,520 Speaker 1: find here are people we feature for the next twelve months, alright, 251 00:16:50,840 --> 00:16:52,560 Speaker 1: And that is how we set it up. How do 252 00:16:52,680 --> 00:16:54,600 Speaker 1: we get a feature on MPR? How does the Iron 253 00:16:54,680 --> 00:16:58,760 Speaker 1: Rapports Stereo podcast get featured on MPR? You need to 254 00:16:58,840 --> 00:17:00,880 Speaker 1: make a T shirt with your own face? Do you 255 00:17:01,000 --> 00:17:07,040 Speaker 1: like this right? Something? Like? What is making my day 256 00:17:07,119 --> 00:17:09,119 Speaker 1: right now? I'm such a fan, Like I cannot even 257 00:17:09,160 --> 00:17:10,480 Speaker 1: believe you're in front of me. This is what do 258 00:17:10,560 --> 00:17:12,800 Speaker 1: I gotta do to get on NPR? Like I mean, 259 00:17:13,200 --> 00:17:15,639 Speaker 1: like recite lines from Boston Public or something like I 260 00:17:15,720 --> 00:17:20,000 Speaker 1: got it all for you, right, I got it all 261 00:17:20,080 --> 00:17:22,399 Speaker 1: for you. I'm just trying to get on NPR like 262 00:17:22,600 --> 00:17:25,320 Speaker 1: my father, you know, impress, my father would be you 263 00:17:25,400 --> 00:17:27,479 Speaker 1: know that my Jewish grandmother will kick out of her 264 00:17:27,560 --> 00:17:29,560 Speaker 1: grave to hear me on MPR. That's by this piece 265 00:17:29,560 --> 00:17:32,160 Speaker 1: of equipment you're carrying around. This has not ever heard 266 00:17:32,200 --> 00:17:35,760 Speaker 1: of the Iron Reports Serio podcast. Um. I was working 267 00:17:35,840 --> 00:17:39,760 Speaker 1: my way through my podcasts stream getting who's your podcast? Like? 268 00:17:39,800 --> 00:17:42,960 Speaker 1: Who your top three podcast? Top three? Um? Have you 269 00:17:43,080 --> 00:17:46,280 Speaker 1: ever heard Denzel Washington is the greatest actor in the world. 270 00:17:46,520 --> 00:17:48,720 Speaker 1: I've never heard of it. I never heard it. It's 271 00:17:48,720 --> 00:17:52,200 Speaker 1: all about Denzel watching right down every single movie he's 272 00:17:52,240 --> 00:17:54,199 Speaker 1: ever done. I think he's I think he's the greatest. 273 00:17:54,640 --> 00:17:58,200 Speaker 1: Everybody's been on it. Fantastic podcast. What else you like? 274 00:17:58,960 --> 00:18:02,080 Speaker 1: Of course? I like it? You are Visibilia and Visibilia 275 00:18:02,160 --> 00:18:04,960 Speaker 1: is a great podcast about science of the brain. I'm 276 00:18:05,000 --> 00:18:07,840 Speaker 1: a big fan of that. What else? Uh? Nprs pop 277 00:18:07,880 --> 00:18:11,760 Speaker 1: Culture Happy Hour, which I'm on. Okay, okay, okay, okay, okay, 278 00:18:12,160 --> 00:18:13,960 Speaker 1: check us out. Yeah, you gotta check out the Iron 279 00:18:13,960 --> 00:18:16,280 Speaker 1: Wrap Worts Stereo podcast. We might were probably leading you 280 00:18:16,359 --> 00:18:20,240 Speaker 1: in the iTunes charts this week. We might be I'm 281 00:18:20,280 --> 00:18:24,320 Speaker 1: just playing. I I'm just playing. I'm just playing. I'm 282 00:18:24,400 --> 00:18:27,240 Speaker 1: just playing. All right, once I start telling everyone i'm 283 00:18:27,280 --> 00:18:30,720 Speaker 1: here that I may may bump you off the the rankings. 284 00:18:31,359 --> 00:18:35,359 Speaker 1: So what what? What's what's your poets? It's called all 285 00:18:35,440 --> 00:18:38,320 Speaker 1: things considered? All right? This is an all thing All 286 00:18:38,400 --> 00:18:42,480 Speaker 1: things considered. Iron Rapports Stereo Podcast semi mash up. This 287 00:18:44,840 --> 00:18:48,119 Speaker 1: is a semi mash up, all right. So this is 288 00:18:48,840 --> 00:18:51,600 Speaker 1: across over from NPR News in your name, and then 289 00:18:52,119 --> 00:18:55,280 Speaker 1: this is Michael rapp Report of the Iron Wrapports Stereo Podcast. 290 00:18:55,320 --> 00:18:57,560 Speaker 1: And I'm here with my co host gm Eddie, and 291 00:18:57,680 --> 00:19:02,520 Speaker 1: you are now listening to an MPR All Things Considered. 292 00:19:02,600 --> 00:19:08,480 Speaker 1: I am Rapports Stereo podcast mash up. That's a fucking 293 00:19:08,600 --> 00:19:14,000 Speaker 1: mash up. Oh, you can't say fun on NPR. You 294 00:19:14,080 --> 00:19:18,439 Speaker 1: guys need to grow up. Seriously, you gotta grow up NPR. 295 00:19:18,560 --> 00:19:21,880 Speaker 1: You can pay RFCC finds hop all about you guys 296 00:19:21,920 --> 00:19:25,080 Speaker 1: are now you're you're in the you're in the big 297 00:19:25,119 --> 00:19:27,600 Speaker 1: boy stuff. When you're FCC laws, that's fine. We don't 298 00:19:27,600 --> 00:19:31,920 Speaker 1: have any FCC laws. Ro door without Mavericks Mavericks I like. 299 00:19:34,040 --> 00:19:38,960 Speaker 1: The I Am Rappaport podcast is sponsored by Casper Mattresses 300 00:19:39,119 --> 00:19:43,119 Speaker 1: Casper dot com. It's an award winning sleep startup. Go 301 00:19:43,240 --> 00:19:47,200 Speaker 1: to Casper dot com fifty dollars off purchase of any 302 00:19:47,400 --> 00:19:50,359 Speaker 1: size mattress put in the cold rapperport r A P 303 00:19:50,680 --> 00:19:53,480 Speaker 1: A p O r T Casper Mattress in New York City. 304 00:19:53,840 --> 00:19:57,720 Speaker 1: You can return the mattress within a hundred days. That's 305 00:19:57,720 --> 00:20:00,960 Speaker 1: a guarantee. The bed will be delivered between two to 306 00:20:01,119 --> 00:20:05,040 Speaker 1: five days anywhere in the United States and Canada. Same 307 00:20:05,280 --> 00:20:09,320 Speaker 1: day delivery in New York City. UH bike messenger could 308 00:20:09,320 --> 00:20:12,920 Speaker 1: bring the new technology. The bed will come in a 309 00:20:13,040 --> 00:20:18,080 Speaker 1: fucking box. Casper dot com. The promo code is rappaport. 310 00:20:18,119 --> 00:20:21,800 Speaker 1: You get fifty dollars off the matchic. We do not plug, 311 00:20:22,000 --> 00:20:25,240 Speaker 1: we do not support, We do not take sponsorship from anything. 312 00:20:25,320 --> 00:20:27,720 Speaker 1: We have not tried, and we are not passionate about 313 00:20:28,200 --> 00:20:32,440 Speaker 1: four hundred. This is the I N Rappaport podcast and 314 00:20:32,560 --> 00:20:39,560 Speaker 1: we funk with Casper dot com. Yeah, let's go, Time 315 00:20:39,600 --> 00:20:44,200 Speaker 1: to run, time to go. We're up. We're up. We're live. 316 00:20:46,040 --> 00:20:50,920 Speaker 1: We're coming live and direct from south by Southwest. Is 317 00:20:50,960 --> 00:20:53,960 Speaker 1: it Film Festival, Music festival. It's just the south By 318 00:20:54,000 --> 00:21:01,560 Speaker 1: Southwest Festival. It's ah, the gringo man day Go has 319 00:21:01,680 --> 00:21:04,040 Speaker 1: arrived in Austin, Texas. Let's just win it that way. 320 00:21:04,480 --> 00:21:09,560 Speaker 1: That's right. The fucking gringo man Dingo is in Austin, Texas. Uh, 321 00:21:09,800 --> 00:21:13,159 Speaker 1: and I'm in here. We're at the tune in studios. 322 00:21:13,480 --> 00:21:16,720 Speaker 1: You hear some background noise. We're outside and what what 323 00:21:16,960 --> 00:21:20,320 Speaker 1: you know? The south By south lest Film Festival has 324 00:21:20,320 --> 00:21:22,400 Speaker 1: a has a good reputation for being at a party place. 325 00:21:22,440 --> 00:21:25,040 Speaker 1: We just got the town. We can't confirm or deny 326 00:21:25,520 --> 00:21:29,840 Speaker 1: what it is yet. Where is this place in Austin, Texas? 327 00:21:30,080 --> 00:21:32,280 Speaker 1: Where is what? You forgot to mention where we were? 328 00:21:32,440 --> 00:21:35,639 Speaker 1: I said Austin, Texas didn't have hit it. I introduce yourself. 329 00:21:36,160 --> 00:21:41,600 Speaker 1: This is Gimo Neetti, g Moody, the Black Ed McMahon. Oh, 330 00:21:42,600 --> 00:21:50,960 Speaker 1: the I am Wrapper podcast. This baseball player what's his name? Laroche? Laroche, 331 00:21:51,160 --> 00:21:53,560 Speaker 1: he's a he's a. It plays baseball for the Chicago 332 00:21:53,680 --> 00:21:58,760 Speaker 1: White Sox. And as you know, we don't if you 333 00:21:58,880 --> 00:22:04,040 Speaker 1: heard that dinging, that's my that's my championship rings. The 334 00:22:04,160 --> 00:22:09,160 Speaker 1: rings are they're they're splendid. Their jewels are shining, the red, 335 00:22:09,280 --> 00:22:12,960 Speaker 1: the black, and the green. The I M Wrap reports 336 00:22:12,960 --> 00:22:16,840 Speaker 1: stereo podcast. No facts checked on one side, and wig 337 00:22:16,960 --> 00:22:21,119 Speaker 1: a please on the other side. We're rocking the We're 338 00:22:21,200 --> 00:22:23,960 Speaker 1: rocking the rings. We're flying our colors and our T 339 00:22:24,119 --> 00:22:30,520 Speaker 1: shirts proudly. So. This player, baseball player, Laroche he uh 340 00:22:31,720 --> 00:22:33,359 Speaker 1: was in the final year of a contract with the 341 00:22:33,440 --> 00:22:38,000 Speaker 1: Chicago White Sox and it was for thirteen million dollars 342 00:22:38,160 --> 00:22:40,480 Speaker 1: and thirteen and a half million dollars, and he decided 343 00:22:40,560 --> 00:22:44,440 Speaker 1: to back out of playing and essentially retire because his 344 00:22:44,680 --> 00:22:48,880 Speaker 1: son was asked to know long. They didn't go into 345 00:22:48,920 --> 00:22:51,639 Speaker 1: the details of what the rules were, but this is 346 00:22:52,000 --> 00:22:54,920 Speaker 1: a player who would bring his son. It was a 347 00:22:55,000 --> 00:22:57,280 Speaker 1: part of the team. He'd be around all the time. 348 00:22:58,280 --> 00:23:01,520 Speaker 1: He had a locker. His name is Drake Laroche. I 349 00:23:01,600 --> 00:23:05,080 Speaker 1: think that was where things got off track. I agree 350 00:23:06,080 --> 00:23:08,439 Speaker 1: that's well. He didn't know that that name, that name 351 00:23:08,480 --> 00:23:12,080 Speaker 1: would sort of backfire court, you know, later on in life. Anyway, 352 00:23:12,240 --> 00:23:15,800 Speaker 1: obviously he's a dedicated father. But it's basically what happened 353 00:23:15,880 --> 00:23:19,399 Speaker 1: was is the the Chicago White Sox said, this is 354 00:23:19,440 --> 00:23:22,000 Speaker 1: a corporation, this is a business environment, and we need 355 00:23:22,080 --> 00:23:24,399 Speaker 1: to put a limit on how much your son is around. 356 00:23:26,000 --> 00:23:29,800 Speaker 1: And instead of haggling back and forth, Laroche decided to retire. 357 00:23:32,680 --> 00:23:36,359 Speaker 1: Are we okay with that background noise? Mils okay. So 358 00:23:36,600 --> 00:23:39,639 Speaker 1: the thing about this is thirteen and a half million dollars. 359 00:23:40,040 --> 00:23:45,399 Speaker 1: Now what is your opinion about this? Nobody? I mean, 360 00:23:45,480 --> 00:23:50,000 Speaker 1: you take your kid to the locker room especially, Hey, 361 00:23:50,080 --> 00:23:52,760 Speaker 1: I look, I played play baseball. Check it out. But 362 00:23:52,880 --> 00:23:56,280 Speaker 1: you warn him near every day, and you and they 363 00:23:56,480 --> 00:23:58,520 Speaker 1: went out on a limb to give you a locker 364 00:23:58,640 --> 00:24:02,600 Speaker 1: for this little kid. So he can't be in the 365 00:24:02,720 --> 00:24:07,359 Speaker 1: locker room every day? Why not guys walking around with 366 00:24:07,520 --> 00:24:12,119 Speaker 1: their loaf south literally unfolding the loaf. A little kid, 367 00:24:12,400 --> 00:24:15,520 Speaker 1: A little kid shouldn't be in the locker room seeing 368 00:24:15,560 --> 00:24:23,080 Speaker 1: all that, he shouldn't. So I am in favor seeing 369 00:24:23,160 --> 00:24:26,760 Speaker 1: all that, seeing there should be limits. It's a business 370 00:24:26,840 --> 00:24:29,040 Speaker 1: way to work pace. If you can't bring your kid 371 00:24:29,119 --> 00:24:31,200 Speaker 1: to Starbucks every day, you can't bring your kid to 372 00:24:31,280 --> 00:24:33,440 Speaker 1: IBM every day. It's like, of course you want to 373 00:24:33,480 --> 00:24:35,760 Speaker 1: bring your kids to to to set. I bring my 374 00:24:35,840 --> 00:24:37,959 Speaker 1: son to Set every They don't even care about it anymore, 375 00:24:38,640 --> 00:24:40,160 Speaker 1: but but but I'll bring them there if they want 376 00:24:40,200 --> 00:24:43,040 Speaker 1: to come but they can't come every day. They you know, 377 00:24:43,920 --> 00:24:46,639 Speaker 1: it's a work environment, and and and of course you know. 378 00:24:46,880 --> 00:24:48,560 Speaker 1: And then then they're saying, well, he's a great dad 379 00:24:48,600 --> 00:24:51,160 Speaker 1: and these other players are standing by him. How does 380 00:24:51,240 --> 00:24:55,320 Speaker 1: that mean you're a great dad? Yeah, your son should 381 00:24:55,320 --> 00:24:59,119 Speaker 1: be in school. Oh, this mother don't even go to school. 382 00:24:59,320 --> 00:25:04,359 Speaker 1: He's homes coold. He shouldn't be around baseball players chewing 383 00:25:04,400 --> 00:25:07,280 Speaker 1: tobacco and curson in the locker room here and all 384 00:25:07,400 --> 00:25:09,359 Speaker 1: kind of ship. And I'm not saying this guy is 385 00:25:09,400 --> 00:25:11,320 Speaker 1: not a good father. I don't know. I'm sure he 386 00:25:11,480 --> 00:25:13,840 Speaker 1: loves his kid. Obviously he loves his kid, but he 387 00:25:13,880 --> 00:25:17,440 Speaker 1: shouldn't be looked at some sort of martyr dad because 388 00:25:17,480 --> 00:25:21,520 Speaker 1: it is. Yeah, and you leave in thirteen million on 389 00:25:21,600 --> 00:25:23,399 Speaker 1: the table, How good of a dad aregued here? That 390 00:25:23,440 --> 00:25:28,440 Speaker 1: little boy gonna need that money, right? And also, now 391 00:25:29,280 --> 00:25:31,440 Speaker 1: your son is never gonna be in a locker room again. 392 00:25:33,080 --> 00:25:36,200 Speaker 1: You defeated everything, You defeated your own and you defeated 393 00:25:36,240 --> 00:25:38,320 Speaker 1: your own purpose. He's like, yo, I'm gonna take a stand. 394 00:25:38,600 --> 00:25:40,760 Speaker 1: Little Drake's never and you how do you think little 395 00:25:40,840 --> 00:25:42,479 Speaker 1: Drake feels he's in the middle of the ship. Oh, 396 00:25:44,480 --> 00:25:46,240 Speaker 1: he's never gonna be in a locker room. He probably 397 00:25:46,320 --> 00:25:49,240 Speaker 1: loved it, and he's gonna blame you, Laroche, you did it. 398 00:25:50,440 --> 00:25:52,520 Speaker 1: You kept about the locker room because you want to 399 00:25:52,560 --> 00:25:56,040 Speaker 1: be Mr Dad. Now you guys can play well all 400 00:25:56,160 --> 00:25:59,040 Speaker 1: you want every day on the beach, and then when 401 00:25:59,080 --> 00:26:01,640 Speaker 1: the money runs out, your fucking son Drake is gonna 402 00:26:01,680 --> 00:26:03,800 Speaker 1: be like, look what you did. You fucked us up. 403 00:26:03,960 --> 00:26:09,280 Speaker 1: You've done so. I don't think this guy is some 404 00:26:09,520 --> 00:26:12,520 Speaker 1: dad martyr. I don't think it's for you to bring. 405 00:26:13,040 --> 00:26:15,920 Speaker 1: This is a this is a professional baseball. He get 406 00:26:16,040 --> 00:26:19,440 Speaker 1: mad and quit, And what does that show, little Drake? 407 00:26:20,920 --> 00:26:23,920 Speaker 1: Winning winners never quit and quitners never win. You're not 408 00:26:24,000 --> 00:26:27,960 Speaker 1: winning Dad of the Year award. General win Dad of 409 00:26:28,000 --> 00:26:31,200 Speaker 1: the Year award before you win Dad of the Year award. Yeah, 410 00:26:32,080 --> 00:26:39,000 Speaker 1: they got him. Yeah, so I I uh, he turns 411 00:26:39,040 --> 00:26:42,720 Speaker 1: into a story. Everything turns into a story, man. I mean, 412 00:26:43,920 --> 00:26:46,200 Speaker 1: if I'm if, I let's say, I mean like, I mean, 413 00:26:46,280 --> 00:26:48,959 Speaker 1: my my, my, my trailer at work and I need 414 00:26:49,040 --> 00:26:54,400 Speaker 1: to change and I gotta unfold the logan from one 415 00:26:54,480 --> 00:26:56,800 Speaker 1: costume to another cost another act that got his boy 416 00:26:56,920 --> 00:26:59,200 Speaker 1: up in there every day, and so I have to 417 00:26:59,240 --> 00:27:01,399 Speaker 1: go into the bathroom them to unfold the loaf instead 418 00:27:01,440 --> 00:27:06,520 Speaker 1: of changing in the right there. And everybody's got kids, 419 00:27:06,680 --> 00:27:08,600 Speaker 1: so what you know, some of them players got four 420 00:27:08,680 --> 00:27:10,320 Speaker 1: or five kids. What if they all want to bring 421 00:27:10,359 --> 00:27:13,159 Speaker 1: their kids everything? But the real reality is no, nobody 422 00:27:13,200 --> 00:27:15,840 Speaker 1: wants to bring your kids every day because most people 423 00:27:15,920 --> 00:27:20,879 Speaker 1: know that it's inappropriate every day every day, all right. 424 00:27:20,960 --> 00:27:24,840 Speaker 1: So the main reason why we came down to south 425 00:27:24,920 --> 00:27:29,080 Speaker 1: By Southwest is because myself and Moody with with a 426 00:27:29,440 --> 00:27:33,600 Speaker 1: plethora of guests are going to be hosting live radio 427 00:27:33,680 --> 00:27:37,560 Speaker 1: programming for tune In Radio. Now. I don't know if 428 00:27:37,600 --> 00:27:41,600 Speaker 1: you know this, but tune In Radio has seven all 429 00:27:42,040 --> 00:27:46,880 Speaker 1: I am rapp Reports Stereo Podcast channel. That means twenty 430 00:27:47,200 --> 00:27:52,480 Speaker 1: four hours of Iron Rapp Reports Stereo podcast. Now you 431 00:27:52,600 --> 00:27:55,880 Speaker 1: might you might look at that as great and other 432 00:27:55,960 --> 00:27:58,240 Speaker 1: my people, other people might look at that as torture. 433 00:27:58,520 --> 00:28:02,440 Speaker 1: And I don't care what think either way, it's there. 434 00:28:02,560 --> 00:28:05,800 Speaker 1: I understand that it could be pleasure and pain, And 435 00:28:06,119 --> 00:28:09,800 Speaker 1: I personally think that if you want to really get 436 00:28:09,920 --> 00:28:12,639 Speaker 1: isis to give up some information. You lock them in 437 00:28:12,720 --> 00:28:16,840 Speaker 1: a room, pump up the fucking Iron Rapports Stereo podcast 438 00:28:16,960 --> 00:28:21,920 Speaker 1: until they can't fucking breathe, wear it up. I think 439 00:28:22,080 --> 00:28:26,920 Speaker 1: you don't need to waterboard. Just lock these terrorists bastards 440 00:28:27,000 --> 00:28:30,840 Speaker 1: up and pump up Episode nine on a loop, really loud, 441 00:28:31,040 --> 00:28:34,479 Speaker 1: the Brady bash. It'll, it'll, It'll make anyone go crazy. 442 00:28:35,040 --> 00:28:36,879 Speaker 1: So but I'm proud of it. I think it's awesome. 443 00:28:36,960 --> 00:28:38,760 Speaker 1: So but if you want to hear and we're fucking 444 00:28:38,800 --> 00:28:45,000 Speaker 1: with tune in, if you want to hear seven Iron 445 00:28:45,080 --> 00:28:47,320 Speaker 1: Rapports stereo podcast, and don't be shy. I know there's 446 00:28:47,320 --> 00:28:48,640 Speaker 1: a lot of you that I think want to hear 447 00:28:50,800 --> 00:28:54,600 Speaker 1: of this voice, the golden the golden voice. You go 448 00:28:54,680 --> 00:28:57,600 Speaker 1: to tune in radio satellite radio, and they have all 449 00:28:57,680 --> 00:28:59,760 Speaker 1: the radio. The thing I like about tuning is they 450 00:28:59,800 --> 00:29:02,680 Speaker 1: have all the radio stations from across the country. So 451 00:29:02,760 --> 00:29:04,360 Speaker 1: let's say you're in New York and you love your 452 00:29:04,680 --> 00:29:07,840 Speaker 1: local radio station in San Francisco, you could get that 453 00:29:07,920 --> 00:29:09,520 Speaker 1: on tune Or when I'm in l A, I could 454 00:29:09,520 --> 00:29:11,720 Speaker 1: listen to all my local radio stations in New York City. 455 00:29:13,080 --> 00:29:16,480 Speaker 1: There's so much content on tuning, and I have to 456 00:29:16,920 --> 00:29:19,760 Speaker 1: respect that they know what they're doing, because only a 457 00:29:19,840 --> 00:29:22,720 Speaker 1: company that truly knows what they're doing would have a 458 00:29:22,840 --> 00:29:27,400 Speaker 1: twenty four seven All Iron Rapp Report Podcast everything. Yeah, 459 00:29:27,520 --> 00:29:31,480 Speaker 1: they understand, they know this needs to be on the loop. Somebody, 460 00:29:31,520 --> 00:29:33,080 Speaker 1: what what what? What? What? What? How are you feeling 461 00:29:33,120 --> 00:29:36,560 Speaker 1: about Texas so far? Man? I love Texas. I love 462 00:29:36,600 --> 00:29:41,040 Speaker 1: the weather. We walked around last night, saw some nice 463 00:29:41,120 --> 00:29:46,080 Speaker 1: females and uh, I love this place. Man, so far? 464 00:29:46,680 --> 00:29:48,360 Speaker 1: Didn't you say you want to like go to some 465 00:29:48,480 --> 00:29:53,600 Speaker 1: juke joints? Yeah, I'm looking for the Black Bottom of Austin. 466 00:29:53,840 --> 00:29:56,000 Speaker 1: Who what is that? You know, in every city in 467 00:29:56,040 --> 00:29:59,080 Speaker 1: America you got the black neighborhood they called the black 468 00:29:59,240 --> 00:30:03,600 Speaker 1: bottom the black belt, right, and usually that's where the 469 00:30:03,720 --> 00:30:08,920 Speaker 1: soul food is, the good uh soul food of that area. 470 00:30:09,600 --> 00:30:11,120 Speaker 1: You can find that. So you have to go off. 471 00:30:11,200 --> 00:30:12,960 Speaker 1: You know, you're not gonna find it like a local 472 00:30:13,040 --> 00:30:15,640 Speaker 1: bar where oldish reading is performing. It's not like a movie. 473 00:30:15,800 --> 00:30:17,600 Speaker 1: I have to look for it, Okay. But I'm just 474 00:30:17,640 --> 00:30:19,560 Speaker 1: saying we're not gonna bump. We're not gonna walk into 475 00:30:19,600 --> 00:30:24,040 Speaker 1: a bar and like al green At is gonna be 476 00:30:24,080 --> 00:30:27,120 Speaker 1: at a piano tinkering, Like I know, this is not 477 00:30:27,280 --> 00:30:33,720 Speaker 1: the fucking goes to Austin. That's right, you might as 478 00:30:33,760 --> 00:30:38,120 Speaker 1: well say that whoa those things no, I know, I know, 479 00:30:38,240 --> 00:30:41,440 Speaker 1: I know, but so so far you haven't set anything out. Yeah, 480 00:30:41,480 --> 00:30:44,080 Speaker 1: I found some ship. Okay, I'm gonnahit it tomorrow. I 481 00:30:44,080 --> 00:30:46,880 Speaker 1: gotta get my shrimp and grits. You know me, yo. Man. 482 00:30:48,520 --> 00:30:51,080 Speaker 1: A couple of days ago, Steph Curry and the Golden 483 00:30:51,120 --> 00:30:56,160 Speaker 1: State Wars totally clinic with the New York Knicks. It 484 00:30:56,280 --> 00:30:58,560 Speaker 1: wasn't a game. You cannot say that was a game, 485 00:30:59,000 --> 00:31:04,120 Speaker 1: explain expat owned. It was like one team playing against 486 00:31:04,200 --> 00:31:07,800 Speaker 1: like ten year olds. So basically you're toying around like 487 00:31:07,920 --> 00:31:12,640 Speaker 1: you passed him, pass it back right. So that's what happened. 488 00:31:15,400 --> 00:31:19,440 Speaker 1: Steph Curry left at halftime. Apparently Steve Kerr and the 489 00:31:19,520 --> 00:31:21,520 Speaker 1: and the Golden State Warriors staff they sent them home 490 00:31:21,600 --> 00:31:24,680 Speaker 1: at halftime. They're like, just get get dressed. You don't 491 00:31:24,720 --> 00:31:27,600 Speaker 1: have to stay. And he's like, I'll stay on the bench. 492 00:31:27,640 --> 00:31:29,160 Speaker 1: You're like, no, we want you to leave. He's a 493 00:31:29,160 --> 00:31:31,520 Speaker 1: good employer. You get time. We're gonna give you here, 494 00:31:32,640 --> 00:31:37,600 Speaker 1: but with pay there, and and and the crazy thing 495 00:31:37,720 --> 00:31:41,000 Speaker 1: is they haven't lost one game at home. Neither has 496 00:31:41,040 --> 00:31:45,320 Speaker 1: the San Antonio s first not one game. That's another 497 00:31:45,440 --> 00:31:47,840 Speaker 1: level of basketball. Man, Hold on what the fund is that, 498 00:31:49,120 --> 00:31:51,560 Speaker 1: you know, one of the origins. We blame Williamsburg for 499 00:31:51,600 --> 00:31:54,920 Speaker 1: the hipster movement, one of the true I don't want 500 00:31:54,920 --> 00:31:56,160 Speaker 1: to say this too loud because I don't want to 501 00:31:56,160 --> 00:32:01,479 Speaker 1: get jumped by the by me too by the hipster crips? 502 00:32:02,160 --> 00:32:05,360 Speaker 1: Have the hipster started gangs? Imagine like the blood crip 503 00:32:05,600 --> 00:32:10,200 Speaker 1: hipsters started game. But I think the next band that's 504 00:32:10,240 --> 00:32:12,640 Speaker 1: gonna be performing here is is actually a band called 505 00:32:12,680 --> 00:32:16,080 Speaker 1: the Hipster Fox. Oh man, what a name, The Hipster 506 00:32:16,360 --> 00:32:20,160 Speaker 1: Fox Greatness. You know. One of the things that's good 507 00:32:20,200 --> 00:32:25,400 Speaker 1: about about just freestyle on a podcast like this, You 508 00:32:25,480 --> 00:32:27,480 Speaker 1: never know when guests might show up. You might run 509 00:32:27,520 --> 00:32:30,440 Speaker 1: into a gut and and and and you know, like 510 00:32:30,640 --> 00:32:33,280 Speaker 1: stan Van Gundy might pop up, by La might pop up, 511 00:32:33,600 --> 00:32:37,320 Speaker 1: and and stan Van Gundy he might be he might 512 00:32:37,400 --> 00:32:43,080 Speaker 1: be muscling the Detroit Pistons to their first playoff spot 513 00:32:43,120 --> 00:32:45,640 Speaker 1: in a couple of years. I heard he was out here. 514 00:32:47,360 --> 00:32:49,800 Speaker 1: I gotta tell you, I really like playoff time. It's 515 00:32:49,800 --> 00:32:52,560 Speaker 1: a great time of the year, but the teams goes 516 00:32:52,640 --> 00:32:55,680 Speaker 1: farther than the first round. I'm gonna have to miss 517 00:32:55,760 --> 00:32:58,760 Speaker 1: my seasonal trip to Rio. I mean, everything you've heard 518 00:32:58,760 --> 00:33:00,920 Speaker 1: about Rio it's fucking ro I gotta tell you something. 519 00:33:00,920 --> 00:33:03,240 Speaker 1: They got some asses down there, the women and the men. 520 00:33:03,920 --> 00:33:07,200 Speaker 1: They walk around in these beaches thongs up their ass. 521 00:33:08,200 --> 00:33:10,440 Speaker 1: Some of these guys are built like Brits. Shit houses. 522 00:33:11,840 --> 00:33:14,760 Speaker 1: What's they called? At the carnival. I was down there 523 00:33:14,840 --> 00:33:20,920 Speaker 1: with Jack Sikma one year. We had we had Jack Sikma, 524 00:33:21,000 --> 00:33:24,600 Speaker 1: Kelly Trapuka, A couple of guys came down for the 525 00:33:24,680 --> 00:33:28,480 Speaker 1: trip giving the clinics. You know these kids, they loved 526 00:33:28,920 --> 00:33:32,600 Speaker 1: they love getting jockstrapped T shirts, game war and stuff. 527 00:33:32,760 --> 00:33:36,560 Speaker 1: They don't care. They got nothing. It's a beautiful city. 528 00:33:37,440 --> 00:33:39,640 Speaker 1: I was on the beach one time with George Gervin. 529 00:33:39,680 --> 00:33:41,520 Speaker 1: You know the ice Man. He's walking around in his 530 00:33:41,640 --> 00:33:46,440 Speaker 1: bathing suit. He's looking fantastic. He's got a great shape 531 00:33:46,520 --> 00:33:50,440 Speaker 1: on him, the ice Man. Women and men are touching him. 532 00:33:50,440 --> 00:33:53,200 Speaker 1: They want to put oil all over him. And fucking 533 00:33:53,280 --> 00:33:56,880 Speaker 1: ice man, he's so calm. All right. We're getting ready 534 00:33:56,880 --> 00:33:59,760 Speaker 1: to go into tune in radio and put it down 535 00:34:00,520 --> 00:34:04,440 Speaker 1: over at south By Southwest Film Festival. You can hear 536 00:34:04,560 --> 00:34:10,040 Speaker 1: us on tune in live actually live Friday and Saturday. 537 00:34:10,120 --> 00:34:14,160 Speaker 1: Today Friday and Saturday Saturday at what time Jordan's three 538 00:34:14,200 --> 00:34:18,520 Speaker 1: to six four to seven, we'll be posting about it. 539 00:34:18,560 --> 00:34:23,000 Speaker 1: Don't worry four to seven. Tune in six to seven 540 00:34:23,080 --> 00:34:26,960 Speaker 1: thirty on Friday Live and Direct Me and Monetti and 541 00:34:27,239 --> 00:34:33,520 Speaker 1: seriously special guests. C Iron Reports. Stereo podcast m