1 00:00:04,320 --> 00:00:07,040 Speaker 1: What's upsway up? But Angela Ye, I'm Angela Yee. And 2 00:00:07,200 --> 00:00:09,840 Speaker 1: Jasmine from the Jasmine brand dot Com is here. Yes, 3 00:00:09,880 --> 00:00:12,160 Speaker 1: I'm here, and Ioj is here. What's up? 4 00:00:12,280 --> 00:00:14,640 Speaker 2: Yep, I'm good. How you doing, I'm good? 5 00:00:14,720 --> 00:00:17,799 Speaker 1: Thank you? Listen. Well, first of all, I'm excited that 6 00:00:17,840 --> 00:00:19,599 Speaker 1: you're going to be an Angela Yee day this year 7 00:00:19,640 --> 00:00:22,959 Speaker 1: for the first time. I am excited to I know 8 00:00:23,040 --> 00:00:26,000 Speaker 1: you've lived all over New York City too, Yeah, so 9 00:00:26,040 --> 00:00:31,200 Speaker 1: I have to ask you what was the best out 10 00:00:31,240 --> 00:00:32,720 Speaker 1: of all the burrows that you lived in. 11 00:00:34,840 --> 00:00:37,120 Speaker 2: I mean, I spend the most time in the Bronx, 12 00:00:37,120 --> 00:00:39,760 Speaker 2: So I'll say the Bronx. Angela. 13 00:00:39,760 --> 00:00:42,760 Speaker 1: How do you feel about that? Not great, but that's okay. 14 00:00:42,840 --> 00:00:46,720 Speaker 1: He be in Brooklyn, outside the birthplace. But listen, we 15 00:00:46,800 --> 00:00:48,920 Speaker 1: love the Bronx too. Okay, if you're in the Bronx, 16 00:00:48,960 --> 00:00:51,880 Speaker 1: come on down, you know, check us out. But listen, 17 00:00:51,920 --> 00:00:55,120 Speaker 1: I love that you're doing this because you know, I 18 00:00:55,160 --> 00:00:59,200 Speaker 1: feel like when you first blew up right, Afrobeta is 19 00:00:59,240 --> 00:01:02,880 Speaker 1: not where it is today, definitely at all. So let's 20 00:01:02,880 --> 00:01:04,959 Speaker 1: talk about you just breaking into the business. This is 21 00:01:05,000 --> 00:01:06,840 Speaker 1: your first time on Way Up at the Angela Yee. 22 00:01:06,840 --> 00:01:08,199 Speaker 1: I don't think we've ever sat down. 23 00:01:08,440 --> 00:01:10,000 Speaker 2: I don't think for you, I don't think so. Yeah, 24 00:01:10,000 --> 00:01:13,640 Speaker 2: I don't think so. But I mean your number is 25 00:01:13,880 --> 00:01:16,080 Speaker 2: you know, it did this thing. It blew Up in 26 00:01:16,440 --> 00:01:19,559 Speaker 2: twenty sixteen is one of the first songs to cross over, 27 00:01:20,280 --> 00:01:23,440 Speaker 2: you know, the Aprobeat's song. I've been doing Applebe since 28 00:01:23,480 --> 00:01:25,600 Speaker 2: like twenty twelve. You know, while I was in school, 29 00:01:26,040 --> 00:01:28,440 Speaker 2: I moved back to Nigeria to push other sounds, and 30 00:01:28,480 --> 00:01:32,160 Speaker 2: then your number took off. You know, you know, I'm 31 00:01:32,160 --> 00:01:33,640 Speaker 2: here still doing my thing, you know. 32 00:01:34,319 --> 00:01:36,440 Speaker 1: Yeah, And when's the last time you've been in Nigeria 33 00:01:37,080 --> 00:01:37,880 Speaker 1: twenty seventeen. 34 00:01:38,080 --> 00:01:42,160 Speaker 2: Oh wow, yeah, yeah, it's five years. It's it's been 35 00:01:42,200 --> 00:01:42,839 Speaker 2: a long time. 36 00:01:43,680 --> 00:01:46,440 Speaker 1: And you actually worked with FEddi Wap early on too. 37 00:01:46,840 --> 00:01:49,520 Speaker 2: Yeah, FEddi was the first remix I did for your number. 38 00:01:49,880 --> 00:01:53,440 Speaker 2: So that's the one that that's the remix that I 39 00:01:53,520 --> 00:01:55,800 Speaker 2: credit that took off the song you make, the song 40 00:01:55,840 --> 00:01:56,240 Speaker 2: blew Up. 41 00:01:56,400 --> 00:01:57,520 Speaker 3: How did you meet Eddi Wap? 42 00:01:59,040 --> 00:02:02,920 Speaker 2: It was it was people, you know, just mutual friends. Yeah, 43 00:02:03,000 --> 00:02:03,680 Speaker 2: mutual friends. 44 00:02:04,800 --> 00:02:07,320 Speaker 1: And did you always know that music was your calling? 45 00:02:07,400 --> 00:02:08,960 Speaker 1: I know you grew up and you were in London. 46 00:02:09,400 --> 00:02:10,880 Speaker 2: Yeah, I was born in London. 47 00:02:10,760 --> 00:02:12,400 Speaker 1: Born in London. So how long did you live in 48 00:02:12,400 --> 00:02:13,320 Speaker 1: London until how old? 49 00:02:13,720 --> 00:02:16,320 Speaker 2: Just a few months, that's it. Yeah, there's a few months. 50 00:02:16,360 --> 00:02:18,760 Speaker 2: And then my parents moved moved back to Nigeria. Then 51 00:02:18,800 --> 00:02:21,160 Speaker 2: I grew up in Nigeria and then I came here 52 00:02:21,320 --> 00:02:22,200 Speaker 2: when I was eighteen. 53 00:02:22,360 --> 00:02:24,359 Speaker 1: Okay, yeah, what made you come here? 54 00:02:25,040 --> 00:02:29,280 Speaker 2: School? I came here for college. You went to Peru College. 55 00:02:29,280 --> 00:02:33,040 Speaker 2: That's my dad went, oh, really, it's nice. It's nice school. 56 00:02:33,440 --> 00:02:35,880 Speaker 1: So you came all right? And so at that point, right, 57 00:02:35,919 --> 00:02:38,720 Speaker 1: you went to school for finance for economics. 58 00:02:38,160 --> 00:02:41,320 Speaker 2: Yes, definitely. And then you know, while I was in school, 59 00:02:41,360 --> 00:02:44,000 Speaker 2: that's when I, you know, pretty much developed the passion 60 00:02:44,040 --> 00:02:47,600 Speaker 2: for music started. I started writing music, and I developed 61 00:02:47,600 --> 00:02:50,160 Speaker 2: the passion for Afro beats because it was just growing 62 00:02:50,240 --> 00:02:53,079 Speaker 2: at that time. And you know, and then by the 63 00:02:53,120 --> 00:02:56,200 Speaker 2: time I graduated, I put out singles like your Number 64 00:02:56,240 --> 00:02:59,440 Speaker 2: and stuff like that, and then you know, with features 65 00:02:59,480 --> 00:03:03,040 Speaker 2: like Freddie, I took off here Chris Brown. Yeah, that's 66 00:03:03,040 --> 00:03:03,880 Speaker 2: after I signed with R. 67 00:03:04,919 --> 00:03:07,760 Speaker 3: Were you working while you were putting on music initially 68 00:03:08,919 --> 00:03:09,480 Speaker 3: a college? 69 00:03:09,880 --> 00:03:12,320 Speaker 2: No, I never worked. I never. I only worked on 70 00:03:12,400 --> 00:03:15,000 Speaker 2: campus for one semester and that's it. Okay. Yeah, so 71 00:03:15,040 --> 00:03:17,400 Speaker 2: it was always just music and school. Just music in school. 72 00:03:17,440 --> 00:03:18,480 Speaker 1: That's the dream right there. 73 00:03:18,720 --> 00:03:19,120 Speaker 2: Yeah. 74 00:03:19,400 --> 00:03:22,520 Speaker 1: Most people are like, yeah, I had eight jobs McDonald's. 75 00:03:23,400 --> 00:03:25,560 Speaker 1: Was there ever like a struggle period for you or 76 00:03:26,120 --> 00:03:30,040 Speaker 1: you know, family was good, you came to the United States, Well, 77 00:03:30,080 --> 00:03:32,800 Speaker 1: what do you mean like a struggle financially? It was okay, 78 00:03:33,000 --> 00:03:33,720 Speaker 1: you was good, you. 79 00:03:33,680 --> 00:03:36,360 Speaker 2: Know, I mean I grew up in like a comfortable family. 80 00:03:36,400 --> 00:03:38,080 Speaker 2: It's not like we were rich, so we always had 81 00:03:38,120 --> 00:03:40,600 Speaker 2: to work hard to always get to the next level. 82 00:03:40,680 --> 00:03:43,280 Speaker 2: So and you know, that's why I came here to 83 00:03:43,360 --> 00:03:46,960 Speaker 2: college from Nigeria. I came to UH to get better 84 00:03:47,080 --> 00:03:50,040 Speaker 2: education and you know, make myself more employable. It just 85 00:03:50,080 --> 00:03:52,160 Speaker 2: so happened that I that I found out I had 86 00:03:52,200 --> 00:03:55,920 Speaker 2: talent while I was in school, and yourself exactly pretty 87 00:03:56,000 --> 00:03:58,480 Speaker 2: much with the exactly. 88 00:03:59,360 --> 00:04:00,880 Speaker 3: How do they feel about when you told them you 89 00:04:00,880 --> 00:04:01,920 Speaker 3: wanted to be an artist, so we. 90 00:04:01,880 --> 00:04:03,680 Speaker 1: Send you to the United States and now you're. 91 00:04:05,080 --> 00:04:07,080 Speaker 2: My mom did she didn't really care because she was 92 00:04:07,080 --> 00:04:09,360 Speaker 2: always supportive as long as long as I just got 93 00:04:09,360 --> 00:04:12,960 Speaker 2: my college degree, which I did, you know in twenty thirteen. 94 00:04:13,040 --> 00:04:15,400 Speaker 2: And once I did that, I was free to do 95 00:04:15,440 --> 00:04:17,320 Speaker 2: whatever I wanted to do, and then I signed a 96 00:04:17,320 --> 00:04:19,479 Speaker 2: record deal with one nation, and you know, the rest 97 00:04:19,560 --> 00:04:20,000 Speaker 2: is history. 98 00:04:20,480 --> 00:04:22,120 Speaker 1: When you came to the United States? Was that was 99 00:04:22,120 --> 00:04:24,400 Speaker 1: that your first time coming? When you came to to. 100 00:04:24,279 --> 00:04:26,640 Speaker 2: No I actually used to come. I've been here a 101 00:04:26,640 --> 00:04:29,640 Speaker 2: few times because my my siblings lived here, So I 102 00:04:29,680 --> 00:04:32,200 Speaker 2: used to come here on summer holiday a few months 103 00:04:32,279 --> 00:04:33,359 Speaker 2: and then I'll go back. 104 00:04:33,440 --> 00:04:35,520 Speaker 1: All right, because that's a really big difference. 105 00:04:35,760 --> 00:04:37,360 Speaker 2: You know, I was already I was already. I was 106 00:04:37,400 --> 00:04:39,599 Speaker 2: already familiar with the culture here a little bit. And 107 00:04:39,640 --> 00:04:41,400 Speaker 2: then you know, growing up, you know, you listen to 108 00:04:41,440 --> 00:04:43,919 Speaker 2: American That's what we listened to, you know in Nigeria, 109 00:04:44,600 --> 00:04:48,200 Speaker 2: American music, American artists, rap, hip hop, you know, stuff 110 00:04:48,240 --> 00:04:51,000 Speaker 2: like that. So I was already acclematized with the culture 111 00:04:51,000 --> 00:04:52,800 Speaker 2: before I even came here. So I was ready. 112 00:04:53,360 --> 00:04:55,080 Speaker 1: Isn't it crazy how things have changed? Because now I 113 00:04:55,120 --> 00:04:58,440 Speaker 1: feel like we listen, you know what's going on? 114 00:04:59,200 --> 00:05:02,440 Speaker 2: Well, apple beets, right, yeah, Apple beats is popping. 115 00:05:03,800 --> 00:05:06,120 Speaker 1: All right. So now you also did take a bit 116 00:05:06,160 --> 00:05:07,120 Speaker 1: of a break too. 117 00:05:07,200 --> 00:05:10,880 Speaker 2: Yeah, I did. This was like so around the time 118 00:05:10,880 --> 00:05:13,320 Speaker 2: when your number was hot and I was performing, it 119 00:05:13,440 --> 00:05:16,080 Speaker 2: just so happened that you know, my mom had Alzheimer's, 120 00:05:16,680 --> 00:05:19,200 Speaker 2: so she started you know, having years crazy, so she 121 00:05:19,240 --> 00:05:22,240 Speaker 2: started having like symptoms, and you know, me and my 122 00:05:22,279 --> 00:05:25,120 Speaker 2: mom were really close and she supported me, so I 123 00:05:25,200 --> 00:05:28,080 Speaker 2: just took her as my responsibility. So I used to 124 00:05:28,200 --> 00:05:30,120 Speaker 2: you know, she lives with me even till today. I 125 00:05:30,200 --> 00:05:32,240 Speaker 2: take care of her, shower her, to do all that stuff. 126 00:05:32,279 --> 00:05:35,360 Speaker 2: So that's such a good sign. Well yeah, definitely. So 127 00:05:36,640 --> 00:05:40,080 Speaker 2: that kind of like that that would like slow you 128 00:05:40,120 --> 00:05:42,160 Speaker 2: down a little bit because you have to take your priority, 129 00:05:42,440 --> 00:05:46,000 Speaker 2: you know, besides the music. But thankfully I had your 130 00:05:46,080 --> 00:05:48,160 Speaker 2: number going on, so I was able to you know, 131 00:05:48,600 --> 00:05:51,240 Speaker 2: at least take a break and still be okay, you know, 132 00:05:51,279 --> 00:05:54,880 Speaker 2: feed my family and everything, you know, but I'm back. 133 00:05:55,320 --> 00:05:55,640 Speaker 1: Okay. 134 00:05:55,680 --> 00:05:58,720 Speaker 2: That's a lot of pressure. I mean, definitely it is. 135 00:05:58,760 --> 00:06:01,520 Speaker 2: But you know, that's my mom, so I don't really 136 00:06:01,520 --> 00:06:03,000 Speaker 2: think about it like, you know, I have to do. 137 00:06:03,040 --> 00:06:06,080 Speaker 2: She's like my child, right yeah. Yeah, and she did 138 00:06:06,120 --> 00:06:08,159 Speaker 2: everything for you, so now, yeah, she would do the 139 00:06:08,160 --> 00:06:09,120 Speaker 2: same thing if it was me. 140 00:06:09,240 --> 00:06:12,200 Speaker 1: So that's the point of kids. I feel like this 141 00:06:12,240 --> 00:06:14,440 Speaker 1: world took care you. Yeah. The point of kids is 142 00:06:14,480 --> 00:06:16,960 Speaker 1: when I need you living in life and things flip, 143 00:06:17,160 --> 00:06:21,120 Speaker 1: you better be run that backs. That's true, all right, 144 00:06:21,160 --> 00:06:22,520 Speaker 1: And now let's talk about because you do have an 145 00:06:22,520 --> 00:06:24,920 Speaker 1: EP that's about to come out. Yes, so right before 146 00:06:24,960 --> 00:06:27,240 Speaker 1: Angela y day, this EP is going to be out, 147 00:06:27,360 --> 00:06:30,120 Speaker 1: and so let's talk about that for a second and 148 00:06:30,160 --> 00:06:33,080 Speaker 1: the whole process of you and I know you work 149 00:06:33,120 --> 00:06:34,080 Speaker 1: with Fab on this too. 150 00:06:34,400 --> 00:06:39,480 Speaker 2: Yes, Fab is on is on track too. Paranoia, Oh, 151 00:06:39,720 --> 00:06:43,240 Speaker 2: talk about paranoia a little bit. Paranoida is U. It's 152 00:06:43,279 --> 00:06:45,479 Speaker 2: just a song that I actually I wrote that song 153 00:06:47,200 --> 00:06:48,440 Speaker 2: when your number was blowing up. 154 00:06:49,080 --> 00:06:50,400 Speaker 1: I'll so you wrote it a while ago. 155 00:06:50,480 --> 00:06:52,680 Speaker 2: Yeah, ago. It's a song that I wrote a while ago. 156 00:06:52,720 --> 00:06:54,479 Speaker 2: And it's kind of like when I was meeting you know, 157 00:06:54,600 --> 00:06:56,920 Speaker 2: females and you know that you don't know what they 158 00:06:57,080 --> 00:06:59,039 Speaker 2: like you for you or they like you for what's 159 00:06:59,040 --> 00:07:01,719 Speaker 2: going on right now. That was an idea I had then, 160 00:07:02,400 --> 00:07:04,600 Speaker 2: and I put it out a couple of years ago, 161 00:07:05,120 --> 00:07:06,960 Speaker 2: and you know, the numbers were good, and I just 162 00:07:07,320 --> 00:07:09,440 Speaker 2: I felt like, you know, it needed like a different 163 00:07:09,920 --> 00:07:13,440 Speaker 2: level of push. I felt like you needed a rapper, okay, 164 00:07:13,520 --> 00:07:15,520 Speaker 2: and you know I felt like I was was the 165 00:07:15,520 --> 00:07:16,000 Speaker 2: best fit. 166 00:07:16,480 --> 00:07:18,520 Speaker 1: So you know, okay, let's talk about that for a 167 00:07:18,560 --> 00:07:22,440 Speaker 1: second because we talk about like, you know, guys feel like, well, 168 00:07:22,440 --> 00:07:23,720 Speaker 1: I don't know if she likes me for me, but 169 00:07:23,800 --> 00:07:26,960 Speaker 1: then for women, what do y'all like us for? You 170 00:07:27,000 --> 00:07:29,000 Speaker 1: know what I'm saying, because a lot of times guys 171 00:07:29,040 --> 00:07:32,600 Speaker 1: have their own motives, right, question, Angela, I mean. 172 00:07:32,520 --> 00:07:36,720 Speaker 2: It's a great question. I mean, I mean to be 173 00:07:36,720 --> 00:07:40,520 Speaker 2: honest with you. You know, when guys, when I see 174 00:07:40,520 --> 00:07:42,600 Speaker 2: a girl, first of all, I just see. 175 00:07:42,680 --> 00:07:46,720 Speaker 3: The looks right, her parents, yes, so the appearance, you know, 176 00:07:46,880 --> 00:07:49,120 Speaker 3: so you know, if that catches me, then maybe the 177 00:07:49,160 --> 00:07:53,120 Speaker 3: other things can can you know, you know, hold me 178 00:07:53,240 --> 00:07:54,320 Speaker 3: or catch me even more? 179 00:07:54,760 --> 00:07:56,400 Speaker 2: You know? So that's pretty much what I see when I, 180 00:07:56,440 --> 00:07:58,040 Speaker 2: you know, see a girl that looks and then I 181 00:07:58,040 --> 00:07:59,440 Speaker 2: get to try and get to know her. 182 00:07:59,480 --> 00:08:02,160 Speaker 1: And so that's because when a girl meets you, she 183 00:08:02,280 --> 00:08:04,760 Speaker 1: knows who you are. But then maybe if she decides 184 00:08:04,800 --> 00:08:07,680 Speaker 1: she likes you more after that, then you know it 185 00:08:07,760 --> 00:08:10,160 Speaker 1: can I mean, yeah, you're right. 186 00:08:10,280 --> 00:08:12,440 Speaker 3: Get to give the women a break, please, we need 187 00:08:12,440 --> 00:08:13,200 Speaker 3: to respond. 188 00:08:13,800 --> 00:08:16,720 Speaker 2: We need to respect exactly definitely. But you know, I 189 00:08:16,800 --> 00:08:18,720 Speaker 2: just that's that's just my point of view. 190 00:08:18,800 --> 00:08:22,240 Speaker 1: You know, I'm just teasing you. Put you on the 191 00:08:22,280 --> 00:08:26,320 Speaker 1: defensive for a second. Fair enough, what made you decide 192 00:08:26,320 --> 00:08:29,720 Speaker 1: now was the time to put a project out. 193 00:08:30,480 --> 00:08:33,800 Speaker 2: My friend passed away. Actually, my friend passed away last summer. 194 00:08:35,559 --> 00:08:39,199 Speaker 2: That's who I named the EP after. Tommy. He was 195 00:08:39,240 --> 00:08:41,400 Speaker 2: one of my very close friends. He used to support me, 196 00:08:41,960 --> 00:08:43,679 Speaker 2: used to tell me to put on music all the time. 197 00:08:44,640 --> 00:08:46,880 Speaker 2: We were just out, you know, having fun last summer, 198 00:08:46,880 --> 00:08:49,120 Speaker 2: and he just he drowned on the boat. 199 00:08:49,320 --> 00:08:52,200 Speaker 1: Oh my gosh, I'm sorry. I am so sorry to 200 00:08:52,200 --> 00:08:53,800 Speaker 1: hear that. I know you said that's like your brother. 201 00:08:54,080 --> 00:08:58,160 Speaker 2: Yeah, definitely, my my friend m brother. Yeah. So I 202 00:08:58,280 --> 00:09:00,760 Speaker 2: just you know, and he was It was around when 203 00:09:00,760 --> 00:09:03,120 Speaker 2: I started recording some of the songs on the project. 204 00:09:03,640 --> 00:09:05,200 Speaker 2: So I just feel like, you know what, it is 205 00:09:05,280 --> 00:09:08,120 Speaker 2: right to just dedicate it to him. And I was 206 00:09:08,160 --> 00:09:10,200 Speaker 2: going to put it out anyway this year, so I 207 00:09:10,240 --> 00:09:11,360 Speaker 2: just felt like, you know what, let me just name 208 00:09:11,400 --> 00:09:13,600 Speaker 2: it after my friend because he was there. He's not 209 00:09:13,679 --> 00:09:16,560 Speaker 2: here now, but you know, beautiful, it'll honor him. 210 00:09:16,840 --> 00:09:19,280 Speaker 1: Were you constantly writing music during this whole time? 211 00:09:19,520 --> 00:09:22,839 Speaker 2: Always? You know, that's what I do. As soon as 212 00:09:22,840 --> 00:09:25,320 Speaker 2: I found myself that this is what I was, you know, 213 00:09:25,960 --> 00:09:28,240 Speaker 2: born to do, I always write music, even though I 214 00:09:28,240 --> 00:09:30,560 Speaker 2: don't put it out. I write music for myself. I 215 00:09:30,559 --> 00:09:33,400 Speaker 2: write music for other people and stuff like this just 216 00:09:33,520 --> 00:09:34,040 Speaker 2: what I do. 217 00:09:34,480 --> 00:09:37,520 Speaker 1: Okay. So does this mean that now you're fully back 218 00:09:37,559 --> 00:09:38,600 Speaker 1: in and you're going to do it? 219 00:09:38,679 --> 00:09:42,280 Speaker 2: Definitely? Okay, definitely back pretty much. I just find a 220 00:09:42,280 --> 00:09:46,640 Speaker 2: ways of balance, taking care of priority, family and you know, 221 00:09:46,720 --> 00:09:49,000 Speaker 2: doing what I have to do too, you know, make 222 00:09:49,040 --> 00:09:50,520 Speaker 2: an impact in the world. 223 00:09:50,679 --> 00:09:53,520 Speaker 1: And what about with a lot of the other afrobeats artists, 224 00:09:53,520 --> 00:09:55,079 Speaker 1: because we've had a lot of people pass through here 225 00:09:55,120 --> 00:09:57,880 Speaker 1: as well. All right, so are you planning to do 226 00:09:57,920 --> 00:10:01,040 Speaker 1: any collaborations? Are you planning to go back to Nigeria 227 00:10:01,080 --> 00:10:02,240 Speaker 1: at any point to work too? 228 00:10:02,440 --> 00:10:05,559 Speaker 2: Definitely, I'm going back next month. Wow, Okay, I'm going 229 00:10:05,600 --> 00:10:07,400 Speaker 2: back because I'm putting out the EP, so I have 230 00:10:07,440 --> 00:10:09,160 Speaker 2: to do something. I have to touch base, you know, 231 00:10:09,240 --> 00:10:11,080 Speaker 2: do some promo out there. But I'm going I'm going 232 00:10:11,080 --> 00:10:14,679 Speaker 2: back next month. I mean, I've been following, even though 233 00:10:14,720 --> 00:10:16,679 Speaker 2: I don't put out music as much, I've been following 234 00:10:16,720 --> 00:10:20,240 Speaker 2: what's been happening in the growth of afrobeats. You know, 235 00:10:20,280 --> 00:10:22,440 Speaker 2: I have so much respect for Burner Boy and what 236 00:10:22,520 --> 00:10:27,240 Speaker 2: he's doing, you know, whiz Kid, Davido and Tams and 237 00:10:27,280 --> 00:10:30,080 Speaker 2: people like that. So you know, but definitely top of 238 00:10:30,120 --> 00:10:32,400 Speaker 2: my list to work work with is Burning Boy. I like, 239 00:10:32,440 --> 00:10:35,360 Speaker 2: I just like the overall package in terms of writing, 240 00:10:35,679 --> 00:10:38,360 Speaker 2: performing everything. He's amazing. 241 00:10:38,440 --> 00:10:40,200 Speaker 1: Yeah. We were just playing a new snippet of his 242 00:10:40,280 --> 00:10:40,880 Speaker 1: City Boys. 243 00:10:40,960 --> 00:10:43,520 Speaker 2: Yep A really okay, nice nice? 244 00:10:43,760 --> 00:10:47,160 Speaker 3: Yeah, Like, would you like to collaborate in terms clar 245 00:10:47,240 --> 00:10:50,280 Speaker 3: break with In terms of afrobeats artists, I. 246 00:10:50,280 --> 00:10:54,480 Speaker 2: Just said Burning Boy for sure number one. Definitely, Tams 247 00:10:54,559 --> 00:10:59,920 Speaker 2: is a good one. Uh, I'll say DAVIDO. 248 00:10:59,559 --> 00:11:02,439 Speaker 1: Okay, all right, I feel like they'd be down. 249 00:11:03,480 --> 00:11:06,400 Speaker 2: I would love to hear some with Tims definitely, definitely, 250 00:11:06,440 --> 00:11:07,920 Speaker 2: it will sound crazy, yeah, sure. 251 00:11:08,080 --> 00:11:10,040 Speaker 1: And what about like afro pop because I know there's 252 00:11:10,040 --> 00:11:13,480 Speaker 1: a lot of different categories within, you know, because we've 253 00:11:13,480 --> 00:11:16,080 Speaker 1: had some artists appearing like everything is not afrobeats, because 254 00:11:16,080 --> 00:11:19,120 Speaker 1: I think sometimes people tend to feel like if it's 255 00:11:19,120 --> 00:11:21,920 Speaker 1: from you know, if it's from any part of Africa, 256 00:11:21,960 --> 00:11:23,920 Speaker 1: it's just afrobeats. But it is a lot of different 257 00:11:23,960 --> 00:11:24,880 Speaker 1: categories within that. 258 00:11:25,160 --> 00:11:28,440 Speaker 2: I mean, yeah, I have this argument. Even within my 259 00:11:28,480 --> 00:11:32,079 Speaker 2: own camp and my friends, people call it what they 260 00:11:32,080 --> 00:11:36,160 Speaker 2: want to BURNA boy calls his stuff afrofusion, Like there's 261 00:11:36,200 --> 00:11:39,000 Speaker 2: no set definition for all these things. But for me, 262 00:11:40,200 --> 00:11:43,360 Speaker 2: if the sound is like influenced by, like the African sound, 263 00:11:43,400 --> 00:11:46,319 Speaker 2: if he has the African elements to it, it's afrobeats 264 00:11:46,480 --> 00:11:50,079 Speaker 2: in general. And that's not what I'm saying. So I 265 00:11:50,559 --> 00:11:54,480 Speaker 2: know the idea of afro pop, I understand the fusions, 266 00:11:54,520 --> 00:11:57,800 Speaker 2: but everything to me is all on the category afrobeats. 267 00:11:58,120 --> 00:12:00,360 Speaker 1: How did you even learn how to sing? 268 00:12:00,360 --> 00:12:00,440 Speaker 2: Like? 269 00:12:00,480 --> 00:12:02,880 Speaker 1: Did you ever? Did you just have a voice always? 270 00:12:03,080 --> 00:12:05,080 Speaker 2: I mean growing up, I always knew that, you know, 271 00:12:05,360 --> 00:12:07,319 Speaker 2: I used to sing around the house just playing around. 272 00:12:07,320 --> 00:12:10,040 Speaker 2: My sister always had a like a crazy voice. So 273 00:12:10,080 --> 00:12:11,720 Speaker 2: we knew in the family that, you know, we could 274 00:12:11,720 --> 00:12:13,800 Speaker 2: sing here and there. But I never ever thought I 275 00:12:13,840 --> 00:12:17,640 Speaker 2: would be a musician until I came to America, and 276 00:12:17,640 --> 00:12:19,800 Speaker 2: then I was. I had freedom to, you know, find 277 00:12:19,800 --> 00:12:21,240 Speaker 2: myself pretty much. 278 00:12:21,240 --> 00:12:22,360 Speaker 1: Are you still signed the r C A. 279 00:12:22,960 --> 00:12:25,000 Speaker 2: No, I'm not. It was a singles deal? 280 00:12:25,160 --> 00:12:25,960 Speaker 1: Oh really it was. 281 00:12:26,040 --> 00:12:27,120 Speaker 2: It was a singles deal. 282 00:12:27,200 --> 00:12:29,480 Speaker 1: So that song was already out and then they signed. 283 00:12:29,160 --> 00:12:35,679 Speaker 2: You for Yeah, yeah, they signed before yep, yep. 284 00:12:36,040 --> 00:12:37,839 Speaker 1: But I mean it did what it did? You got 285 00:12:37,880 --> 00:12:38,480 Speaker 1: the Chris. 286 00:12:38,280 --> 00:12:42,600 Speaker 2: Brown definitely, yeah, definitely. Would you want to do another 287 00:12:42,640 --> 00:12:44,880 Speaker 2: deal or do you Yeah, I'll do, I'll do, I'll 288 00:12:44,920 --> 00:12:47,080 Speaker 2: do another deal. I mean, I don't. I don't feel 289 00:12:47,080 --> 00:12:49,200 Speaker 2: like I feel like they did. They did. They did 290 00:12:49,240 --> 00:12:52,240 Speaker 2: well for me. They put me in places that maybe 291 00:12:52,280 --> 00:12:55,240 Speaker 2: I probably wouldn't have gotten myself. They spent a lot 292 00:12:55,240 --> 00:12:57,559 Speaker 2: of money, they have the budget. I understand that. 293 00:12:57,600 --> 00:12:59,719 Speaker 1: What's the next ideal deal look for it look like? 294 00:12:59,760 --> 00:12:59,960 Speaker 3: For you? 295 00:13:00,920 --> 00:13:02,880 Speaker 2: Uh, what's the word. 296 00:13:02,840 --> 00:13:05,200 Speaker 1: Like the next deal that you have? What would ideally 297 00:13:05,200 --> 00:13:05,680 Speaker 1: it look like? 298 00:13:06,040 --> 00:13:09,199 Speaker 2: Or I want to be an independent artist for sure. 299 00:13:09,400 --> 00:13:11,679 Speaker 2: I don't mind doing single deals here and there. 300 00:13:11,559 --> 00:13:14,920 Speaker 1: Like a partnership maybe exactly distribution. 301 00:13:14,760 --> 00:13:16,720 Speaker 2: Stuff like that. I don't even mind doing a label 302 00:13:16,800 --> 00:13:20,080 Speaker 2: deal singles or just to do EP or whatever you 303 00:13:20,559 --> 00:13:22,920 Speaker 2: want to be. I don't have an artist, but I'm 304 00:13:22,960 --> 00:13:24,000 Speaker 2: looking to sign one right now. 305 00:13:24,080 --> 00:13:27,640 Speaker 1: Okay, okay, okay. That's so you're really back in it. 306 00:13:27,800 --> 00:13:29,840 Speaker 1: And you also don't post much on social media. 307 00:13:30,480 --> 00:13:33,800 Speaker 2: Yeah, I'm introverted, but but I'm going to have somebody 308 00:13:33,920 --> 00:13:37,360 Speaker 2: handled that, you know that aspect of my social media. 309 00:13:37,080 --> 00:13:39,559 Speaker 1: Because people need to see three posts a year. 310 00:13:39,640 --> 00:13:44,360 Speaker 2: We need to see Yeah, I know I need to 311 00:13:44,400 --> 00:13:44,760 Speaker 2: do better. 312 00:13:47,080 --> 00:13:49,320 Speaker 1: All right, Well, listen, ij We're going to see a 313 00:13:49,360 --> 00:13:51,520 Speaker 1: lot of you and I really appreciate you. I was 314 00:13:51,600 --> 00:13:53,439 Speaker 1: very excited when they said that you were down to 315 00:13:53,520 --> 00:13:56,640 Speaker 1: do Angela, so that's really hyped for me. 316 00:13:56,679 --> 00:13:58,880 Speaker 2: So I listen to you for for a few years 317 00:13:58,920 --> 00:14:00,480 Speaker 2: so on to be here. 318 00:14:00,840 --> 00:14:03,040 Speaker 1: Yeah, as soon as they said, I said, yes, please 319 00:14:03,080 --> 00:14:05,319 Speaker 1: lock it in. So thank you so much. We're appreciative. 320 00:14:05,640 --> 00:14:07,920 Speaker 1: It's an event that is for the community. It's free, 321 00:14:08,040 --> 00:14:11,080 Speaker 1: it's for the kids, you know. So I just am 322 00:14:11,120 --> 00:14:13,720 Speaker 1: glad to also celebrate your new EP with you. Definitely 323 00:14:13,760 --> 00:14:15,880 Speaker 1: on that day, so we'll make sure that everybody knows. 324 00:14:16,000 --> 00:14:16,920 Speaker 2: Thank you so much. 325 00:14:17,120 --> 00:14:19,600 Speaker 1: All right, Iod, thank you so much. Y'all follow him 326 00:14:19,600 --> 00:14:23,400 Speaker 1: and pressure him to post, make him pot all right, 327 00:14:23,440 --> 00:14:25,760 Speaker 1: EP is coming out Tommy on Friday 328 00:14:26,000 --> 00:14:30,680 Speaker 2: Definitely, all right, thank you,