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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland after Bertie. Welcome to the Disgraceland bonus episode,

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Speaker 1: A little thing we like to call the after Party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you for one full

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Speaker 1: episode of Disgraceland to the other the backyard to dig

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Speaker 1: into the dirt. On this episode we are talking about

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Speaker 1: Jeff Buckley, Paul Simon, Jennifer, Jason Lee's Georgia, a final

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Speaker 1: Celtics thought, and of course your voicemails, text, dms and

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Speaker 1: more and is always a whole lot of rosy. All right, Discos,

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Speaker 1: Let's get into it. Yes, yes, yes, Welcome to the

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Speaker 1: Disgrace LAMD bonus episode after Party Swimming Lesson especial. Let's

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Speaker 1: talk about Jeff Buckley. Jeff Buckley, what an incredible artist,

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Speaker 1: a very special singer, one of a kind, my wife's fave,

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Speaker 1: my buddy stinks fave, A man too pretty and too

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Speaker 1: talented and too real to be hated on because of

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Speaker 1: his talent ors good looks, because Jeff Buckley was all

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Speaker 1: of it. Man, He was the whole package. He was authentic.

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Speaker 1: And there are so many angles to dive into here

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Speaker 1: relative to the full Disgraceland episode that we just released

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Speaker 1: on Jeff Buckley, but I just want to dive into

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Speaker 1: this fact here. Okay, Jeff Buckley released one full album, Grace,

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Speaker 1: and then he disappeared and then he was found dead. Now,

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Speaker 1: a lot of stuff happened in between those things, and

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Speaker 1: we get into a lot of it in the episode.

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Speaker 1: But two hundred years from now, they're going to end

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Speaker 1: the Illustrated Jeff Buckley timeline with a couple of bullet

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Speaker 1: points that read just like that, he released one great album,

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Speaker 1: he disappeared for a couple of days, then they found

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Speaker 1: his drown body. Okay, do you notice something different there

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Speaker 1: in those descriptors than the previous ones? Very similar, except

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Speaker 1: in those last timeline descriptors. I added the word great

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Speaker 1: when describing Jeff Buckley's album Grace, because that is undoubtedly

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Speaker 1: what that record is great. Okay, nobody could sing like

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Speaker 1: Jeff Buckley, but impressive singers are a dime a dozen.

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Speaker 1: It's the artistry Jeff Buckley had, how he pulled together

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Speaker 1: all of these crazy influences, at least crazy for kids

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Speaker 1: of my generation. Led Zeppelin, Nina Simone, Agnostic, front Edith Paf,

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Speaker 1: He created this thing that was totally unique. It was

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Speaker 1: him elf himself as an artist, and of course that

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Speaker 1: great record Grace. We get into Jeff's influences pretty heavily

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Speaker 1: in the Disgracend episode. I'm not sure exactly why we

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Speaker 1: don't always do that. We always sort of hint at

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Speaker 1: more than hint, will list influences as they're pertinent to

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Speaker 1: the story. But it just felt right here, It feels

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Speaker 1: right now here in the Bonus episode two to talk

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Speaker 1: about it, because Jeff Buckley's influences were all over the place,

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Speaker 1: and I find it fascinating. Even if you didn't know

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Speaker 1: these influences, when you first heard Jeff Buckley, you sensed that,

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Speaker 1: like all the greats, there was a deep, deep, deep

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Speaker 1: reservoir of music understanding and relativity. That's how I felt, anyway,

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Speaker 1: when I first heard Jeff Buckley, I had Grace the album.

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Speaker 1: I had an advanced copy before it was released when

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Speaker 1: I was going to Northeastern. There was this older, way cooler,

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Speaker 1: and if I'm being totally honest, smoking hot Sony Rep

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Speaker 1: who also went to Northeastern. She interned at so while

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Speaker 1: she was going to end you, and she was into

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Speaker 1: Grace because it was about to come out on Columbia

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Speaker 1: and Sony owned Columbia. So we knew of Jeff because

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Speaker 1: of her, and we never heard anything like him before. Nothing.

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Speaker 1: This is the mid beginning of the mid nineties, early

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Speaker 1: to the mid nineties, when Jeff Buckley first came to Boston.

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Speaker 1: He played Johnny Dees in Davis Square Summerville, which, for

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Speaker 1: those of you who don't know, it's like a two

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Speaker 1: hundred and fifty capacity room. It's no longer there, closed

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Speaker 1: a couple years ago. It's like two hundred fifty capacity room,

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Speaker 1: like a blues room with like a kitchen they serve food.

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Speaker 1: Like a weird place for Jeff Buckley to play first

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Speaker 1: of all. So, like I said, though, like a two

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Speaker 1: to fifty cap might have been twenty people there, maybe less,

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Speaker 1: and we were there, of course, and holy shit, did

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Speaker 1: Jeff Buckley and his band bring it. And if I'm

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Speaker 1: not mistaken, it was the same band that was on

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Speaker 1: Grace And this is I checked. This is a month

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Speaker 1: or two before that album was even out, and my friends,

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Speaker 1: my friends and I we knew in the moment, we

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Speaker 1: knew we were seeing something great. I've seen a lot

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Speaker 1: of bands that went on to be huge later that

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Speaker 1: I didn't know, we're going to be huge. And then

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Speaker 1: I look back on now and I'm fond of like

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Speaker 1: I saw, you know, Rage against the Machine and the

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Speaker 1: first time they came to Boston, and I could go

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Speaker 1: on this is a list. I'm not going to do

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Speaker 1: that now. But the point is, with Jeff Buckley, it

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Speaker 1: was more than just these guys are gonna be this

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Speaker 1: guy's gonna be big. It was like, this is fucking special,

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Speaker 1: this guy is there's something extra happening here. And again,

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Speaker 1: this is a month or two before Grace was even out.

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Speaker 1: It was obvious to us. And I think it has

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Speaker 1: something to do with those influences. You know, even you

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Speaker 1: know singers and songwriters and musicians and bands, they don't

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Speaker 1: get up on stage and just proclaim what they're into.

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Speaker 1: You know, that'd be pretty silly, but you can kind

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Speaker 1: of sense it as a kid. You can sense it

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Speaker 1: from them from the stage, emanating from you can see

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Speaker 1: it in the way they carry their gear, what kind

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Speaker 1: of equipment they use, what type of instruments they use,

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Speaker 1: how they set their gear up on stage, you know,

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Speaker 1: how they engage with the crowd, what they talk about,

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Speaker 1: what riffs they fiddle with between between songs. And one

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Speaker 1: of the coolest things that we found out about Jeff.

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Speaker 1: And I know this is messed up, but I can't remember.

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Speaker 1: I can't actually remember if I met him that night.

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Speaker 1: I might have. It seems more likely than not that

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Speaker 1: I did, but I can't say for sure. I don't know.

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Speaker 1: But what I do remember is that again our friend

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Speaker 1: who I mentioned earlier, our friend from Sony, she was

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Speaker 1: with Jeff all day that day, and she told us

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Speaker 1: that all he wanted to do was driving around Boston

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Speaker 1: with her and her shitty little volkswagon and smoke grass

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Speaker 1: and listen to a CDC. And when I heard that,

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Speaker 1: I was like, this dude is one of us. It's

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Speaker 1: just it was like the telltale thing. Yeah, it's because Jeff,

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Speaker 1: Jeff Buckley's music. It sounded nothing like ac DC or

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Speaker 1: Leonard Cohen or Nina Simone or Agnostic Front. And of

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Speaker 1: course none of those artists sound like each other, but

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Speaker 1: they all share that same thing, that realness, so real, right,

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Speaker 1: that authenticity, that commitment to their craft, to their art,

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Speaker 1: to their standing in the music history canon. The Lower

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Speaker 1: East Side's Agnostic Front is the hardcore band, and who

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Speaker 1: was more hardcore than blues and soul singer Nina Simone?

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Speaker 1: And Nina Simone is so intense, But who was more

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Speaker 1: intense than Agnostic Front? See what I'm saying. Jeff Buckley

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Speaker 1: was part of that. His hero Jimmy Page recognized that

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Speaker 1: I read somewhere recently that the two of those guys

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Speaker 1: wept when they met each other, Not just Jeff Buckley,

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Speaker 1: but Jimmy Page of led Zeppelin, Satan Spawned himself, the

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Speaker 1: master of the Black Dog Alistair Crowley's mortal vessel. That

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Speaker 1: dude cried when he met Jeff Buckley, or so the

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Speaker 1: story goes. Fuck, I can come on, but only one record,

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Speaker 1: just Grace. The question is so obvious, I don't even

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Speaker 1: want to ask you, guys, but I'm going to anyways.

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Speaker 1: Is Jeff Buckley's Grace the greatest one and done album

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Speaker 1: by any artist of all time? Which other artist or

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Speaker 1: band released only one great record and then pieced out

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Speaker 1: the sex pistols? Never mind the Bullocks, Here's the sex

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Speaker 1: Pistols that record Lauren Hill. The miseducation of Lauren Hill

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Speaker 1: is that the whole list is that all of it

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Speaker 1: is Jeff Buckley's Grace better than those two records. Probably

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Speaker 1: maybe I don't know. I like it more than the

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Speaker 1: Lauren Hill record. I'll tell you that the sex Pistols,

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Speaker 1: though I don't know, it could be. And if not

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Speaker 1: one of those three who in which album? Six one

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Speaker 1: seven nine zero six six six three eight to leave

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Speaker 1: me a message or send me a text to let

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Speaker 1: me know or at disgrace lampod on Instagram, Twitter, Facebook, TikTok.

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Speaker 1: You can let me know there too. I'll be back

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Speaker 1: right after this. All right, you guys know the drill

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Speaker 1: six one seven nine zero six six six three eight

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Speaker 1: to send a text or leave a voicemail just like

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Speaker 1: Jason here from the seven to three.

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Speaker 2: One Hey, Jake, this is Jason from the seven to

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Speaker 2: three to one area code. I'm talking about Paul Simon

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Speaker 2: and an album that you might want to listen to

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Speaker 2: that is not Simon and Garfunkle at Night, not Graceland.

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Speaker 2: I'm a big Simon and Garfunkle fan. I'm a big

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Speaker 2: Paul Simon fan. But the best album single album you

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Speaker 2: should listen to by Paul Simon is probably There Goes

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Speaker 2: Ryman Simon from nineteen seventy three. That's got Coda chrome,

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Speaker 2: It's got loves Me like a Rock. It's also got

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Speaker 2: the great American tune on it that Simon and Garfunkle

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Speaker 2: did in their nineteen eighty one concert in Central Park.

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Speaker 2: But after that, if you wanted the second one in

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Speaker 2: nineteen seventy five, he did Still Crazy After all These Years,

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Speaker 2: which had the song still Crazy after all these years

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Speaker 2: and fifty Ways to Leave Your Lover. But it also

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Speaker 2: had a song that he and Garfunkle did again, the

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Speaker 2: first song they recorded that they had done together since

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Speaker 2: nineteen seventy that was called My Little Town and actually

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Speaker 2: appeared on a Paul Simon solo record and on an

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Speaker 2: Art Garfunkle solo record at the same time, so you

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Speaker 2: have the same song on two different records. It was

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Speaker 2: kind of interesting anyway. I hope you check those out

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Speaker 2: and I hope you like them. I love the Show,

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Speaker 2: I love bad Land, I love Disgraced Lands. I love

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Speaker 2: everything you do. Thank you Keith on doing what you're doing.

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Speaker 1: Rock on all right. Thanks Jason, there goes Rym and Simon.

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Speaker 1: Great recommendation, Thank you, Coda Chrome. I know that tune.

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Speaker 1: I know a couple of the other ones you mentioned

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Speaker 1: as well. Great songs. Again, these Paul Simon songs, they

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Speaker 1: come on. I'm here for them. I hardly ever skip them.

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Speaker 1: I'm down. I've just never I've never interacted with this

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Speaker 1: guy as an album artist, and I need to, still

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Speaker 1: crazy after all these years. I'll go to that one too.

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Speaker 1: Maybe there's a Paul Simon episode here, let me know,

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Speaker 1: let me know there's any fucked up, weird adjacent I

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Speaker 1: know Paul Simon never committed any real crimes or anything

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Speaker 1: like that or was arrested, I don't think, or anything

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Speaker 1: like that. But maybe there's some adjacent crime stuff from

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Speaker 1: the world that Paul Simon was in at the time

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Speaker 1: that would allow us to do a look into his

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Speaker 1: career or a particular moment in time in his career.

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Speaker 1: And then maybe I just had this idea paging mister

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Speaker 1: Zeh Lundy. Maybe it's a you know, maybe it's something

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Speaker 1: we do sort of in posts. We can't do it

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Speaker 1: like we did Sharon Tate and Mama Cass, but maybe

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Speaker 1: we can do some mirroring episode effect with the Carrie

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Speaker 1: Fisher episode with Paul Simon Disgraceland episode. Just a thought here,

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Speaker 1: I am. I'm just fucking iterating in public, making shit

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Speaker 1: in real time. I guess. I don't know who knows,

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Speaker 1: but I like the idea of a Paul Simon Disgraceland episode.

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Speaker 1: All right, let's check out Hal. Here at Hal had

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Speaker 1: to say from the four oh seven.

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Speaker 3: Hey, Jake, this is Hal calling from Orlando, Florida. The

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Speaker 3: way you have the best fucking true crime rock and

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Speaker 3: roll podcast. Oh wait a minute, the only true crime

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Speaker 3: rock and roll podcast. What I want to say is

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Speaker 3: that in the early days season one of Disgraceland, when

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Speaker 3: you had a mere couple hundred followers on Facebook, I

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Speaker 3: messaged you and said that I think you should cover

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Speaker 3: the Almend brothers, and you responded me back politely and said, well,

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Speaker 3: what was the crime? So the crime that I said was, well,

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Speaker 3: you know, Red Dog got charged with murder and let

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Speaker 3: off on and sanity plead by a lenient judge in Georgia,

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Speaker 3: I believe. But anyway, so much has come to about

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Speaker 3: the Almond brothers.

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Speaker 4: Just wondering if you're ever going to do an Almond

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Speaker 4: Brothers Disgraceland, probably a two part or maybe a three parter.

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Speaker 4: I'm not sure how you and your writers get this

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Speaker 4: shit done, but I think it needs to be done,

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Speaker 4: and the only one that can do it, Jake is

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Speaker 4: you Almond Brothers. Give a dog a bone? Man.

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Speaker 3: I love you Hal from Orlando, Who love you brother?

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Speaker 1: Love you back? Hal? That's right, man, the only rock

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Speaker 1: and roll true crime podcast. Thanks for the long time listening,

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Speaker 1: Thanks for the Alman Brothers take, and for reminding me

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Speaker 1: about this. Yes, yes, yes, yes, yes, we will do

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Speaker 1: an Almond Brothers episode. You probably know this how but

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Speaker 1: we get into Dwayne with the Derek and the Dominoes episode. Yes,

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Speaker 1: the band, the Almond Brothers deserves a full episode, perhaps two,

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Speaker 1: definitely not three. I don't think we've ever done a

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Speaker 1: three part Well yeah, I guess we did those like

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Speaker 1: six part Stones and eight part Stones eight part Beatles episodes.

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Speaker 1: Never a three parter, but we're gonna look into it.

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Speaker 1: Can't say when, but we're on it. Hell tie on

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Speaker 1: the list. All right, let's check with the five oh three.

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Speaker 2: Hey, Jake, this is Luisi from the five oh Tree

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Speaker 2: and I recently found your podcast. I love it very much.

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Speaker 3: I can't get enough.

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Speaker 2: And I was wondering if you've actually covered Elvis Presley,

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Speaker 2: and if so, what season an episode. I can't find

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Speaker 2: it anywhere if you have, and.

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Speaker 1: Including on Apple or Amazon Music, so anyway, let me know.

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Speaker 2: And yeah, thanks for telling the stories the way you do.

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Speaker 2: They're really awesome. I'm trying to watch the Elvis Presley

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Speaker 2: movie right now. I keep going to sleep every night,

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Speaker 2: but I love it and that it'd be cool to

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Speaker 2: hear your you tell the story because you do it

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Speaker 2: so well. Thank you so much, peace out.

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Speaker 1: All right, thanks for reaching out, Alicia. I've always said

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Speaker 1: that the last episode of Disgraceland will be on Elvis.

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Speaker 1: So if you see that Elvis Presley Disgraceland episode pop

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Speaker 1: up in your podcast feed, then you know I've left

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Speaker 1: the proverbial building. But but but, but fear not. I cover

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Speaker 1: Elvis extensively in my book Disgraceland Musicians Getting Away with

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Speaker 1: Murder and Behaving Very Badly. The first and second chapters

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Speaker 1: are dedicated to the King, and as it pertains to

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Speaker 1: your mention of the Elvis movie, I deal specifically with

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Speaker 1: Elvis's relationship with Colonel Tom Parker and I give my

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Speaker 1: take and my vision of what was and what could

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Speaker 1: have been. So check out the Disgrace Land book, Alicia.

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Speaker 1: You can get that on Amazon or wherever. All right,

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Speaker 1: let's do one more, This one from Providence from the

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Speaker 1: four oh one.

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Speaker 5: This is mackin Providence, a Celtic super fan. I went

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Speaker 5: to see. I was in the Boss Boston Garden every week.

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Speaker 5: The starting five were Larry Bird, McHale, Parish, DJ and Ange.

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Speaker 5: I caught up on all your podcasts last night because

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Speaker 5: there was no basketball to watch. Let's sucks think and

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Speaker 5: I listened to everything. I just finished up all your podcasts.

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Speaker 5: I'm looking I'm getting ready to listen to your bonus podcast.

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Speaker 5: That's your post that I think last night. You're the best.

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Speaker 5: I've been with you a long time. I never call

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Speaker 5: an ever write. I'm not on Twitter. I'm seventy one

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Speaker 5: years old rock and roller.

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Speaker 1: Okay, Mark, I'm not on Twitter either, man, not really.

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Speaker 1: I mean I am, but not really. But Mark, I

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Speaker 1: appreciate you sticking with me even though I bailed on

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Speaker 1: the Celtics. Sounds like you saw some amazing games back

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Speaker 1: in the day. I went to the Bird era games

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Speaker 1: once or twice as a very young boy. But I'm

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Speaker 1: as connected to the pure Scarnet Allen team. But that's

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Speaker 1: all gone for me now.

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Speaker 2: Man.

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Speaker 1: You know this, the Celtics are fucking dead to me

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Speaker 1: after that last series, and especially after coming out the

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Speaker 1: day after the Game seven loss committing to Missoulo. I

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Speaker 1: hate to celebrate anyone lose their job, or to wish

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Speaker 1: for anyone losing their job. It's on my place. I'm

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Speaker 1: not a Celtics fan anymore. If the Celtics want to

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Speaker 1: stick with this guy, go for it. But the commitment

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Speaker 1: to the Tatum Brown loser tandem as well, No, then

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Speaker 1: I don't even know what to say. Good luck, Mark,

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Speaker 1: I'm a Heat fan. What can I What can I say?

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Speaker 1: And they're fully in this somehow despite Jokovic's awesomeness. Jimmy

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Speaker 1: Bucket's Jimmy Buckets, Jimmy Buckets, appreciate you, Mark. All right,

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Speaker 1: let's do some texts, all right, New listener from the

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Speaker 1: five to three zero. Hey, this is Hector from Orland,

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Speaker 1: California's not how you say it, Orland Orland? Why would

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Speaker 1: it be Orland? It's r L A N D. It'd

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Speaker 1: be Orland, right, is it Orlando and you just forget

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Speaker 1: the Oh? Is there an Orlando, California that I don't

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Speaker 1: know about? Anyways, this guy Hector texting, I just recently

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Speaker 1: found your podcast and love your work and ho tell stories.

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Speaker 1: I've binged all your episodes for about two weeks straight

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Speaker 1: at work and home. Keep doing what you're doing. And

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Speaker 1: if i'm make one request, can we possibly do an

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Speaker 1: episode on Earl Salmon's aka dark Man aka DMX. Great,

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Speaker 1: great suggestion, Hector. Yes, we can do an episode on DMX,

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Speaker 1: and we will. Hector. Have you seen the documentary that

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Speaker 1: Bill Simmons made. It's fucking really good, really good. It

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Speaker 1: was on HBO for a bit. I'm sure it's on

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Speaker 1: HBO Max. Check that out, Hector. All right from the

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Speaker 1: four six, Hey, Jake, I absorbed your Nebraska episode with

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Speaker 1: Warren Zan's a couple of days after I finished his book,

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Speaker 1: Delivered Me from Nowhere. I'm one of those people who

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Speaker 1: thinks Nebraska is the best album ever recorded. Wow, that's

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Speaker 1: a statement. That's me saying that's a statement. Texter goes

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Speaker 1: on to say, it's the one that made me a

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Speaker 1: Springsteen fan. Me as well, man forty years I've been

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Speaker 1: listening to that record learning to play every song, and

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Speaker 1: at the end of your episode when you went into

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Speaker 1: that story that wove all the songs into a single narrative,

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Speaker 1: I lost my shit. I'd never heard that suggested before.

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Speaker 1: Did you come up with that idea or had you

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Speaker 1: heard it? Serious? Man? Seriously, man, it's like studying the

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Speaker 1: Zuppruter film and spotting us in JFK's hand that says

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Speaker 1: Lee Harvey did it. It was my favorite episode ever

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Speaker 1: in You're consistently great podcast. Thanks Bob from Missoula, Montana. Well,

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Speaker 1: thank you, Bob. Let's see here. What was the question

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Speaker 1: you asked? Did you come up with that idea? I

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Speaker 1: did come up with that idea, And I think you're

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Speaker 1: talking about the scripted full episode that we did where

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Speaker 1: we run everything through one narrative, right. I mentioned that

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Speaker 1: in the Warren Zanes episode, but we actually went and

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Speaker 1: did it, and I'm guessing you heard that and that's

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Speaker 1: what you're talking about again. The Springsteen episode. It's more

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Speaker 1: for those who haven't heard, there's a Springsteen Disgraceline episode

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Speaker 1: and it's about the characters mainly of Nebraska true crime,

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Speaker 1: both fictional and nonfictional. So check that out, all right?

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Speaker 1: What else we get? The six to ozho one writes,

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Speaker 1: when I was fifteen, I visited my Mormon cousin in

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Speaker 1: Texas and she played a bootleg cassette of Master P

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Speaker 1: Ghetto d In my world changed. I didn't jump in,

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Speaker 1: but I was open to more. That tape led me

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Speaker 1: to outcast Do or Die Twista, the late great Pimpse.

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Speaker 1: May he rest in peace and bunbe of Ugk. I

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Speaker 1: love me some og Southern rap, and my forty year

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Speaker 1: old heart still lives for those dirty, lyrical poems and

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Speaker 1: beautiful beats. That's fucking great, man. That's from the six

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Speaker 1: to oh one. Thank you for that text. It's gonna

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Speaker 1: make me go dig into some master P.

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Speaker 2: All right?

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Speaker 1: What else we got?

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Speaker 2: All right?

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Speaker 1: From the aight oh five? Hey Jake, thanks for your

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Speaker 1: recent disgrace That episode on George Harrison. He was always

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Speaker 1: my favorite beatle. I think you handled his demeanor with

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Speaker 1: the class that he deserves. Keep the stories coming, you

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Speaker 1: got it. Aight oh five. Just a quick programming note.

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Speaker 1: That wasn't actually a new episode. We released that back

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Speaker 1: in the end of twenty twenty one, if memory serves,

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Speaker 1: and it was when we were with Amazon exclusively, so

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Speaker 1: it was behind uh, it was behind the old Amazon

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Speaker 1: gate there, and we just put it back out into

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Speaker 1: the world, all right. From the five six to two.

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Speaker 1: This is Jose first and foremost. I think you have

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Speaker 1: an informative and entertaining podcast. When I was fifteen, that

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Speaker 1: was the time I discovered five great artists, Big l Atmosphere,

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Speaker 1: Reagan Youth, The Germs, Blackstar, and Immortal Technique. It was

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Speaker 1: a fusion of punk rock and underground hip hop. Plenty

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Speaker 1: of other artists came around, but those were a few. Lastly,

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Speaker 1: I sent you a message a few years ago, and

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Speaker 1: I have to say I'm in a much better place.

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Speaker 1: That's great, Hose. I'm fucking happy to hear that, man,

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Speaker 1: You're in a better place. And your note about the Germs.

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Speaker 1: I saw the Food Fighters a couple weeks ago, and

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Speaker 1: you know, mister Pat Smeer was up there kicking it

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Speaker 1: from the six one seven. Hey, Jake, it's Steph in

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Speaker 1: the six one seven. Well actually five, oh wait, but

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Speaker 1: I'll never give up my exchange. Where's the Arrowsmith episode?

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Speaker 1: The Toxic Twins, the bad Boys from Boston. We have

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Speaker 1: a running family joke that Stephen Tyler is really my

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Speaker 1: dad because he was so close with my mom, but

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Speaker 1: she was one of his dealers. Oh my goodness, the

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Speaker 1: band is blown apart and come together time and time again.

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Speaker 1: Come on, man, where's the big ten inch episode on this? Well,

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Speaker 1: you'll be happy. This episode's coming soon this season. In

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Speaker 1: a couple weeks, you will have this miss five oh

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Speaker 1: eight You're Aerosmith episode. It is a coming all right?

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Speaker 1: All right? How's that for some text? Did we do it?

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Speaker 1: Did we do all the things we needed to do?

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Speaker 1: Let me read some dms? All right, let's see. How

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Speaker 1: do I say this? Sd S tech seven sixty rights?

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Speaker 1: Are you planning on making an episode on Christopher Lee

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Speaker 1: at some point? Well, I can't say I am, because

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Speaker 1: I don't know who Christopher Lee is. He goes on

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Speaker 1: to say, my girlfriend tells me the story she's heard

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Speaker 1: about Christopher Lee are so crazy that you need several

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Speaker 1: episodes to scratch into the surface in his life. The

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Speaker 1: fact that I don't know who Christopher Lee is is

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Speaker 1: leading to me believe that maybe this is in reference

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Speaker 1: to bad Lands. If so, I apologize for crossing bonus episodes.

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Speaker 1: Someone tell me who Christopher Lee is? All right at

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Speaker 1: Chuck Destruction Rights. Also on Instagram, Hey running a few

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Speaker 1: episodes late. Started a new job on top of my

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Speaker 1: work for bands and tattooing. Wife wants to buy a house?

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Speaker 1: Cowboy Junkies did, Sweet Jane, Concrete Blonde did? Joey Ceb

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Speaker 1: also covered Cohen's Everybody Knows I'm the Pump Up the

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Speaker 1: Volume soundtrack by far one of the most cynical and

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Speaker 1: depressing songs by that epic man. Otherwise, keep it all up.

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Speaker 1: The new episodes are great. Also check out the Sweet

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Speaker 1: Things Great Band, especially for grooving through the afternoons. That's

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Speaker 1: a hell of it. Let's see that's how you do it.

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Speaker 1: I'm into that. That's good, you know. Comes in, tells

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Speaker 1: me what he's up to. He's got a new job.

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Speaker 1: I love that. Tells me he's got a little little,

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Speaker 1: you know, soft bitch about his wife. There, wife wants

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Speaker 1: to buy a house. Uh, goes into Cowboy Junkies, corrects me.

422
00:23:35,640 --> 00:23:37,879
Speaker 1: I think I asked if Cowboy Junkies do Joey No,

423
00:23:38,000 --> 00:23:39,240
Speaker 1: he tells me Concrete Blonde did.

424
00:23:39,320 --> 00:23:39,679
Speaker 2: I like that?

425
00:23:39,720 --> 00:23:41,879
Speaker 1: Why am I breaking down this direct message? I don't know.

426
00:23:41,920 --> 00:23:43,600
Speaker 1: It was a good one. I like this guy, Chuck

427
00:23:43,680 --> 00:23:47,000
Speaker 1: destruction right back, Chuck. What else we got here? All right?

428
00:23:47,280 --> 00:23:50,760
Speaker 1: From at Luke, I'm not going to read his last name.

429
00:23:50,800 --> 00:23:53,560
Speaker 1: Well done, Jake, Awesome show has always been listening to

430
00:23:53,600 --> 00:23:55,679
Speaker 1: Disgrace Sin since he started. I live in Australia and

431
00:23:55,680 --> 00:24:00,000
Speaker 1: traveled to Melbourne from Walligong to rehearse with my band Rockefeller.

432
00:24:00,320 --> 00:24:02,760
Speaker 1: It's a nine to ten hour drive. Whoa, that's a

433
00:24:02,840 --> 00:24:06,199
Speaker 1: fucking long way to drive to fucking practice. They have

434
00:24:06,240 --> 00:24:09,000
Speaker 1: this thing called Zoom. Just letting you know, just letting

435
00:24:09,000 --> 00:24:12,160
Speaker 1: you know, Luke, guys might want to try practicing on Zoom.

436
00:24:12,480 --> 00:24:15,080
Speaker 1: I've seen people do it. It looks fucking horrible, but

437
00:24:15,320 --> 00:24:18,560
Speaker 1: a nine to ten hour drive sounds horrible. We listen

438
00:24:18,600 --> 00:24:20,840
Speaker 1: to disgrace And all the time. Okay, the drive just

439
00:24:20,840 --> 00:24:22,560
Speaker 1: got better. It's a nine to ten hour drive and

440
00:24:22,560 --> 00:24:24,160
Speaker 1: we listen to disgrace And all the time to pass

441
00:24:24,200 --> 00:24:25,920
Speaker 1: the hours on the road. Anyway, keep it the good work.

442
00:24:26,240 --> 00:24:28,280
Speaker 1: I thought you might like to hear two songs we

443
00:24:28,320 --> 00:24:30,240
Speaker 1: have just finished recording. We're gonna release them as a

444
00:24:30,240 --> 00:24:35,200
Speaker 1: seven inch single. Thanks mate. I'm reading this in real time.

445
00:24:35,320 --> 00:24:38,360
Speaker 1: For the first time, I have not listened to these songs.

446
00:24:38,560 --> 00:24:43,840
Speaker 1: It's from Rockefella. Looks like these are unreleased songs, so

447
00:24:44,080 --> 00:24:46,080
Speaker 1: I will check them out, man, I'll check them out.

448
00:24:46,119 --> 00:24:48,359
Speaker 1: A report back, or if anyone else knows Rockefeller and

449
00:24:48,400 --> 00:24:50,480
Speaker 1: wants to write in, you can do that. All right,

450
00:24:50,560 --> 00:24:52,840
Speaker 1: let me know what you think of Rockefeller. All right,

451
00:24:52,880 --> 00:24:54,359
Speaker 1: let's do a couple more here. I'm going to head

452
00:24:54,400 --> 00:24:57,600
Speaker 1: over to the Facebook box and it's gonna fucking send

453
00:24:57,680 --> 00:25:00,399
Speaker 1: me on this wild goose chase into this other fucking

454
00:25:00,520 --> 00:25:03,720
Speaker 1: app to read my messages, which I've complained about in

455
00:25:03,760 --> 00:25:05,680
Speaker 1: the past. Yes, I'm going to continue. No, I don't

456
00:25:05,680 --> 00:25:07,919
Speaker 1: want to continue as this person. I want to be

457
00:25:08,000 --> 00:25:13,639
Speaker 1: this person. Here we go, Yeah, all right, all right,

458
00:25:14,280 --> 00:25:17,959
Speaker 1: all right, David Maletski writes, Jake, your podcast is all

459
00:25:18,040 --> 00:25:22,800
Speaker 1: time great, amazing topics and experts storytelling. Thank you, David, David,

460
00:25:22,840 --> 00:25:25,960
Speaker 1: you look like you have a really good looking family. Congratulations.

461
00:25:26,640 --> 00:25:27,000
Speaker 2: All right?

462
00:25:27,040 --> 00:25:27,840
Speaker 1: What else we got here?

463
00:25:28,280 --> 00:25:28,560
Speaker 4: All right?

464
00:25:28,600 --> 00:25:31,280
Speaker 1: Lawrence Carlson writes in on Facebook what kind of glasses

465
00:25:31,359 --> 00:25:33,280
Speaker 1: are those? And then there's an emoji with this guy

466
00:25:33,520 --> 00:25:38,359
Speaker 1: laughing hysterically. Are you making fun of my glasses? Lawrence?

467
00:25:38,840 --> 00:25:41,600
Speaker 1: It's not fucking cool, man, I'm not making fun of

468
00:25:41,640 --> 00:25:46,720
Speaker 1: your glasses. I wouldn't make fun of anyone's glasses. Come on, dude,

469
00:25:47,080 --> 00:25:51,399
Speaker 1: all right, Nicholas at Nicholas Heineke writes, just discovered this

470
00:25:51,600 --> 00:25:55,160
Speaker 1: podcast earlier this week. Been listening non stop since Benjamming.

471
00:25:55,280 --> 00:25:58,000
Speaker 1: Easy does it by easy all week? So good from

472
00:25:58,040 --> 00:25:59,959
Speaker 1: the six oh five. By the way, all right, Nicholas,

473
00:26:00,040 --> 00:26:03,440
Speaker 1: thanks for writing in. Man, appreciate that, all right, Sean

474
00:26:03,520 --> 00:26:08,240
Speaker 1: Hill writes, in reference to the favorite Disgraceland episode, Bruce Springsteen,

475
00:26:08,320 --> 00:26:10,720
Speaker 1: hands down. I loves how the episode was put together.

476
00:26:10,720 --> 00:26:14,119
Speaker 1: All right, Sean Hill, thanks, man, appreciate that. That does it.

477
00:26:14,200 --> 00:26:15,879
Speaker 1: You're not to get in touch with me at disgrace

478
00:26:15,960 --> 00:26:19,440
Speaker 1: Lamp pod on Instagram, Twitter, Facebook, and TikTok six one

479
00:26:19,560 --> 00:26:25,280
Speaker 1: seven nine zero six six six three eight voicemail text.

480
00:26:25,560 --> 00:26:28,560
Speaker 1: I'm gonna take a quick break right back with some recommendations,

481
00:26:42,440 --> 00:26:45,800
Speaker 1: all right, the recommendations part. This is the recommendation's part,

482
00:26:45,880 --> 00:26:48,000
Speaker 1: the part where we recommend the things that need recommending,

483
00:26:48,040 --> 00:26:52,080
Speaker 1: The recommendations part, guys, all right, what I'm watching? Yes, yes,

484
00:26:52,400 --> 00:26:54,480
Speaker 1: I say it every week. The movie recommendations part is

485
00:26:54,520 --> 00:26:57,240
Speaker 1: now in the bad Lands Bonus rap Party episode. However,

486
00:26:57,520 --> 00:27:00,399
Speaker 1: I watched an incredible music movie over the weekend, so

487
00:27:00,480 --> 00:27:04,720
Speaker 1: it seems pertinent for the after party because this is Disgraceland.

488
00:27:05,200 --> 00:27:08,280
Speaker 1: It's a movie from the nineties, and I can't believe

489
00:27:08,359 --> 00:27:11,400
Speaker 1: that I've never heard of this movie before, and I'm

490
00:27:11,440 --> 00:27:13,880
Speaker 1: guessing a lot of you haven't either, And it's really

491
00:27:13,960 --> 00:27:15,800
Speaker 1: fucking good and I'm excited to tell you guys about

492
00:27:15,800 --> 00:27:21,439
Speaker 1: It's called Georgia. It stars Jennifer Jason Lee Mayor Winningham,

493
00:27:21,560 --> 00:27:23,200
Speaker 1: who you might not know her name, but you will

494
00:27:23,200 --> 00:27:26,480
Speaker 1: definitely recognize her when you see her. She was nominated

495
00:27:26,520 --> 00:27:28,520
Speaker 1: for an Oscar for this I'm not sure for what,

496
00:27:28,600 --> 00:27:31,760
Speaker 1: I'm guessing Best Supporting Actor Actress. Excuse me, I think

497
00:27:31,800 --> 00:27:39,160
Speaker 1: that's the category. And Jennifer Jason Lee's mom wrote this movie,

498
00:27:39,640 --> 00:27:42,480
Speaker 1: and it's about these two sisters, one played by Mayor Winningham,

499
00:27:42,560 --> 00:27:46,159
Speaker 1: who is a she's kind of like a First of all,

500
00:27:46,200 --> 00:27:49,120
Speaker 1: this is a heavy nineties movie, right, like heavy nineties

501
00:27:49,240 --> 00:27:54,159
Speaker 1: music scene both from the sort of like uh, I

502
00:27:54,200 --> 00:27:55,679
Speaker 1: don't want, I want, I don't want to say adult

503
00:27:55,720 --> 00:27:59,800
Speaker 1: contemporary or Americana or Lilith Fair. But there was this

504
00:28:00,119 --> 00:28:02,480
Speaker 1: weird I know everyone's fucking tuning out right now, Just

505
00:28:02,520 --> 00:28:07,240
Speaker 1: trust me. There was this weird music thing going on

506
00:28:07,800 --> 00:28:10,000
Speaker 1: that was actually very good in the nineties with female

507
00:28:10,080 --> 00:28:15,560
Speaker 1: artists that were adult. It wasn't rock, and it wasn't Americana,

508
00:28:15,680 --> 00:28:18,440
Speaker 1: and it wasn't folk, but it sat somewhere between all

509
00:28:18,480 --> 00:28:22,119
Speaker 1: of that, and a lot of them got got grouped

510
00:28:22,160 --> 00:28:24,920
Speaker 1: into that whole Lilith Fair thing that happened, which was unfortunate.

511
00:28:25,600 --> 00:28:28,560
Speaker 1: I'm talking about artists like Mary Chape and Carpenter, the

512
00:28:28,640 --> 00:28:32,920
Speaker 1: Indigo Girls. Of course, Alison Krause came later, a little

513
00:28:32,920 --> 00:28:38,160
Speaker 1: bit later. So Mary Winningham plays that singer, and she's

514
00:28:38,320 --> 00:28:41,560
Speaker 1: got this incredible career. She's playing like theaters, you know,

515
00:28:41,720 --> 00:28:44,840
Speaker 1: like five thousand seed venues something like that. And she's

516
00:28:44,840 --> 00:28:46,400
Speaker 1: not a huge star, which she's big enough. She's got

517
00:28:46,440 --> 00:28:48,479
Speaker 1: a family, she got a shit together and she got

518
00:28:48,520 --> 00:28:50,880
Speaker 1: some kids. She got a husband he used to manager.

519
00:28:51,320 --> 00:28:53,719
Speaker 1: Not a perfect marriage, but they're making it work. Right.

520
00:28:54,200 --> 00:28:57,480
Speaker 1: Then she has a sister played by Jennifer Jason Lee,

521
00:28:57,880 --> 00:29:01,080
Speaker 1: who is like she's a full time out alcoholic and

522
00:29:01,400 --> 00:29:04,719
Speaker 1: she's younger, and she's a fucking mess. She's an addict,

523
00:29:05,160 --> 00:29:07,040
Speaker 1: but she's and she's a singer and she's like a

524
00:29:07,160 --> 00:29:09,920
Speaker 1: backup singer and a rock band and like a nineties

525
00:29:10,400 --> 00:29:14,320
Speaker 1: bar band in Seattle that is fronted by John Doe

526
00:29:14,680 --> 00:29:17,920
Speaker 1: of X not as John Doe. He's just playing this

527
00:29:18,000 --> 00:29:21,120
Speaker 1: other dude and John c Riley on drums and some

528
00:29:21,280 --> 00:29:25,640
Speaker 1: other dudes. And I can't fucking believe I never saw

529
00:29:25,760 --> 00:29:28,280
Speaker 1: this or never even knew about this. It's on the

530
00:29:28,360 --> 00:29:32,040
Speaker 1: Criterion app. You can probably get it anywhere, like on

531
00:29:32,240 --> 00:29:35,880
Speaker 1: Apple or something like that Amazon, but it's on Criterion

532
00:29:35,960 --> 00:29:37,920
Speaker 1: this month or this couple months.

533
00:29:37,920 --> 00:29:38,200
Speaker 2: I don't know.

534
00:29:38,200 --> 00:29:41,600
Speaker 1: I don't know how they do it anyways. And John Doe,

535
00:29:41,640 --> 00:29:42,880
Speaker 1: you know, I know, I know, I think I know

536
00:29:43,000 --> 00:29:45,360
Speaker 1: all the movies the guy's been in. And for those

537
00:29:45,360 --> 00:29:46,680
Speaker 1: of you who don't know, my friends know this. I

538
00:29:46,760 --> 00:29:48,360
Speaker 1: toured with John Doe. We were on the same record

539
00:29:48,440 --> 00:29:50,920
Speaker 1: label for a while. We became friends for a minute,

540
00:29:50,960 --> 00:29:54,480
Speaker 1: and he was a big musical hero of mine. He

541
00:29:54,560 --> 00:29:57,800
Speaker 1: actually recorded a vocal track for a record of mine

542
00:29:57,880 --> 00:30:00,400
Speaker 1: that never came out. But just point is, I know

543
00:30:00,520 --> 00:30:05,320
Speaker 1: the dude, and I'm a big fan, and he's phenomenal

544
00:30:05,440 --> 00:30:08,640
Speaker 1: in this movie. He's got a real role. He's a

545
00:30:08,680 --> 00:30:12,160
Speaker 1: big part of it. And this I can't for the

546
00:30:12,240 --> 00:30:15,200
Speaker 1: life of me understand why this film is not mentioned

547
00:30:15,280 --> 00:30:18,080
Speaker 1: with some of the great music movies, if not the nineties,

548
00:30:18,280 --> 00:30:22,120
Speaker 1: Like just in general, it's that good. It's really raw.

549
00:30:22,480 --> 00:30:24,800
Speaker 1: It's about, like I said, these two sisters. One's an addict.

550
00:30:24,840 --> 00:30:27,680
Speaker 1: It's about their relationship. It's also about Max Perlick in

551
00:30:27,760 --> 00:30:29,360
Speaker 1: it that you know, you guys don't know Max Purlock,

552
00:30:29,440 --> 00:30:33,400
Speaker 1: drugstore cowboy, he hung out with the Beastie boys. Just

553
00:30:33,480 --> 00:30:36,760
Speaker 1: a really cool film. It's called Georgia. I highly recommend it.

554
00:30:37,120 --> 00:30:38,640
Speaker 1: Check it out. Let me know what you think. All right,

555
00:30:38,760 --> 00:30:41,480
Speaker 1: that's what I'm watching. What I'm reading. This is a

556
00:30:41,520 --> 00:30:44,640
Speaker 1: weird one. I read this book when I was probably

557
00:30:44,720 --> 00:30:47,160
Speaker 1: twelve years old, and yeah, I think I was exactly

558
00:30:47,200 --> 00:30:50,480
Speaker 1: twelve years old, sixth grade. Obsessed with baseball most of

559
00:30:50,560 --> 00:30:53,200
Speaker 1: my life. The book's called The Science of Hitting by

560
00:30:53,320 --> 00:30:56,320
Speaker 1: Ted Williams. You know, obviously Red Sox great or actual

561
00:30:56,760 --> 00:30:59,120
Speaker 1: baseball great, one of the greatest, if not the greatest

562
00:30:59,200 --> 00:31:03,560
Speaker 1: hitter of all time. I mentioned this book right because

563
00:31:03,920 --> 00:31:05,600
Speaker 1: not because I think all of you are into baseball

564
00:31:05,760 --> 00:31:07,320
Speaker 1: or sports. In fact, I know a huge portion of

565
00:31:07,360 --> 00:31:11,040
Speaker 1: you are not into sports at all, but you are obsessives.

566
00:31:11,720 --> 00:31:14,800
Speaker 1: I know you're obsessives because you're obsessed with music, which

567
00:31:14,840 --> 00:31:17,640
Speaker 1: is why you listen to Disgraceland. It's why you listen

568
00:31:17,720 --> 00:31:21,120
Speaker 1: to bad Lands, because you're obsessed with with Hollywood lore

569
00:31:21,280 --> 00:31:24,040
Speaker 1: and true crime. I can tell by talking to you

570
00:31:24,080 --> 00:31:26,800
Speaker 1: guys for the last five years that you're obsessed. So

571
00:31:27,120 --> 00:31:30,960
Speaker 1: if any of you are interested in either how to

572
00:31:31,040 --> 00:31:34,040
Speaker 1: hit a baseball at ninety miles an hour consistently and

573
00:31:34,160 --> 00:31:37,920
Speaker 1: do it well, or are just obsessed with people who

574
00:31:38,000 --> 00:31:41,080
Speaker 1: are obsessed with being great, then this book is for you.

575
00:31:41,600 --> 00:31:44,480
Speaker 1: It's a clinical book on how to actually hit a baseball.

576
00:31:45,120 --> 00:31:47,800
Speaker 1: And that might sound boring to you, and I get it.

577
00:31:47,960 --> 00:31:49,680
Speaker 1: It's boring to me. It was boring to me when

578
00:31:49,680 --> 00:31:51,720
Speaker 1: I was twelve years old. I basically started reading it

579
00:31:51,800 --> 00:31:54,320
Speaker 1: again now because my five year old is fucking raking

580
00:31:54,440 --> 00:31:57,600
Speaker 1: out there in the backyard. He's hitting live pitching with hardballs,

581
00:31:57,640 --> 00:32:01,200
Speaker 1: not t balls, not off a tee. So I don't

582
00:32:01,200 --> 00:32:03,000
Speaker 1: know what I'm doing beyond like eye on the ball.

583
00:32:03,080 --> 00:32:04,440
Speaker 1: I have no idea what to tell the kids. So

584
00:32:04,440 --> 00:32:06,560
Speaker 1: I'm trying to read this book to figure some shit out.

585
00:32:07,200 --> 00:32:09,520
Speaker 1: And what I found in reading it is that it

586
00:32:09,680 --> 00:32:14,600
Speaker 1: is so refreshing to read in this age of all

587
00:32:14,720 --> 00:32:20,440
Speaker 1: these sort of self help expert books. There's every fifth

588
00:32:20,560 --> 00:32:23,280
Speaker 1: meme on Instagram is somebody telling you how to live

589
00:32:23,320 --> 00:32:26,120
Speaker 1: your butt life better, or how your career would be

590
00:32:26,240 --> 00:32:28,920
Speaker 1: so much better if you'd just followed these three steps.

591
00:32:29,320 --> 00:32:33,000
Speaker 1: Everybody's got a hustle on how you can hustle to

592
00:32:33,360 --> 00:32:40,840
Speaker 1: better live your life or to better do whatever. Everything everything, sex, politics, religion, business,

593
00:32:41,360 --> 00:32:43,920
Speaker 1: doesn't fucking matter, parenting, all of it. We're in the

594
00:32:44,000 --> 00:32:47,280
Speaker 1: age of information. We're inundated with information, and I get

595
00:32:47,320 --> 00:32:48,920
Speaker 1: it all the time and I don't think twice about it.

596
00:32:48,960 --> 00:32:51,240
Speaker 1: And what I've realized from reading this book is that

597
00:32:51,400 --> 00:32:54,480
Speaker 1: it's very rare when we get information on how to

598
00:32:54,600 --> 00:32:57,400
Speaker 1: do something by someone who is the absolute fucking best

599
00:32:57,480 --> 00:33:00,000
Speaker 1: at it. No one hit a baseball better than Ted Williams,

600
00:33:00,400 --> 00:33:03,040
Speaker 1: no one. He had it broken down to a science,

601
00:33:03,400 --> 00:33:06,640
Speaker 1: thus the science of hitting. And he explains that, and

602
00:33:06,760 --> 00:33:10,200
Speaker 1: you can feel his obsession in his telling of the story,

603
00:33:10,440 --> 00:33:12,680
Speaker 1: and it's told in that great way. The dudes of

604
00:33:12,720 --> 00:33:15,640
Speaker 1: that generation told stories where they don't really care if

605
00:33:15,680 --> 00:33:17,520
Speaker 1: you like them or not, and they don't really care

606
00:33:17,600 --> 00:33:19,840
Speaker 1: of who they're talking about, if those people like them

607
00:33:19,960 --> 00:33:24,520
Speaker 1: or not. It's completely devoid of false niceties. It's just

608
00:33:24,720 --> 00:33:26,760
Speaker 1: this dude being like, this is how you do this

609
00:33:26,880 --> 00:33:29,560
Speaker 1: fucking thing. I know because I do it better than anyone,

610
00:33:29,840 --> 00:33:32,960
Speaker 1: and it's really great. It's truly refreshing. I can't put

611
00:33:33,000 --> 00:33:35,680
Speaker 1: it down. I'm reading it during the commercials of the

612
00:33:36,120 --> 00:33:39,880
Speaker 1: heat in Nuggets games. It's just awesome. So look, if

613
00:33:39,920 --> 00:33:43,080
Speaker 1: you're interested in obsessives, if you're obsessed, or if you're

614
00:33:43,120 --> 00:33:45,920
Speaker 1: interested in baseball the Science of Hitting by Ted Williams,

615
00:33:46,040 --> 00:33:48,040
Speaker 1: especially if you got kids who are interested in baseball.

616
00:33:48,160 --> 00:33:50,400
Speaker 1: All right, what I'm listening to listening to you today,

617
00:33:50,560 --> 00:33:53,080
Speaker 1: had a big workout today? Is that the Why went

618
00:33:53,160 --> 00:33:54,880
Speaker 1: to the Why to get into the pool. There was

619
00:33:54,920 --> 00:33:57,000
Speaker 1: like forty five thousand people in the pool today. I

620
00:33:57,000 --> 00:33:58,880
Speaker 1: don't know what the fuck was going on. So I'm like, God,

621
00:33:58,920 --> 00:34:01,360
Speaker 1: I gotta go you on the elliptical to do cardio,

622
00:34:01,360 --> 00:34:02,400
Speaker 1: which I don't want to do. So I get on

623
00:34:02,480 --> 00:34:05,480
Speaker 1: the cardio machine. I'm like, what am I gonna listen

624
00:34:05,520 --> 00:34:08,319
Speaker 1: to you? For some reason, Last Days of Disco soundtrack

625
00:34:08,480 --> 00:34:10,520
Speaker 1: pops into my head, so I put that baby on.

626
00:34:10,920 --> 00:34:14,920
Speaker 1: Fucking awesome, awesome soundtrack to a great movie. I don't know.

627
00:34:14,920 --> 00:34:16,480
Speaker 1: If you've seen this movie or not, go see it.

628
00:34:16,480 --> 00:34:18,080
Speaker 1: If you have it, watch it again. If you have not,

629
00:34:18,480 --> 00:34:21,800
Speaker 1: go to Spotify to get the soundtrack. It's awesome and

630
00:34:22,320 --> 00:34:26,720
Speaker 1: it just really underscores this thing about seventies disco chic

631
00:34:27,239 --> 00:34:30,920
Speaker 1: now Rogers, everybody dance. Everyone talks about lift Freak, but

632
00:34:31,000 --> 00:34:34,240
Speaker 1: it's everybody dance. That's the song. That's my favorite disco

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00:34:34,320 --> 00:34:37,680
Speaker 1: song I think of all time. What's yours? Six one

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00:34:37,719 --> 00:34:39,960
Speaker 1: seven nine zer was six six six three eight favorite

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00:34:40,000 --> 00:34:42,600
Speaker 1: disco song of all time? Tell me why you hate disco?

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00:34:42,719 --> 00:34:43,080
Speaker 1: By the way.

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00:34:43,120 --> 00:34:43,560
Speaker 2: I love that.

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00:34:43,719 --> 00:34:46,239
Speaker 1: I love when fucking dudes tell me they don't like

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00:34:46,280 --> 00:34:49,080
Speaker 1: disco and how disco sucks because you sound dumb when

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00:34:49,120 --> 00:34:51,160
Speaker 1: you do. It does not suck. It's fucking great. It's

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00:34:51,239 --> 00:34:55,320
Speaker 1: great music, some of it. Of course, there's cheeseball disco,

642
00:34:55,520 --> 00:34:59,200
Speaker 1: duck whatever, YMCA, don't care. But everybody dances by now

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00:34:59,320 --> 00:35:03,160
Speaker 1: Rodgers by she great, great, great great? All right, take

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00:35:03,160 --> 00:35:27,520
Speaker 1: a quick break back in the flash. All right, let's recap,

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00:35:27,640 --> 00:35:30,360
Speaker 1: shall we? Number one Jeff Buckley is the latest episode

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00:35:30,360 --> 00:35:32,719
Speaker 1: of Disgrace Slam in your feeds Now number two. We

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00:35:32,760 --> 00:35:35,680
Speaker 1: are about to re release the previously exclusive episode on

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00:35:35,760 --> 00:35:38,040
Speaker 1: the Eagles, so keep an eye on your feed for that.

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00:35:39,040 --> 00:35:43,280
Speaker 1: Number three. We also recently released my twenty twenty graduation speech,

650
00:35:43,360 --> 00:35:46,680
Speaker 1: a graduation speech heavily influenced by the Food Fighters tour

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00:35:46,719 --> 00:35:49,359
Speaker 1: writer and in honor of the release of the new

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00:35:49,480 --> 00:35:53,920
Speaker 1: Foods album Too I Guess. Also next after party, more

653
00:35:53,960 --> 00:35:56,240
Speaker 1: food Fighters content. I got an interview with Food Fighters

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00:35:56,280 --> 00:35:59,800
Speaker 1: guitarist Chris Shifflett. That's coming your way. Number four, Jimmy,

655
00:36:00,520 --> 00:36:02,759
Speaker 1: is the next new full episode of Just Gray Sam.

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00:36:02,840 --> 00:36:05,120
Speaker 1: That's coming next week. Number five Will Smith. This week

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00:36:05,200 --> 00:36:08,040
Speaker 1: in bad Lads, look out number six. My number is

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00:36:08,120 --> 00:36:10,560
Speaker 1: six one seven nine oh six six six three eight.

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00:36:10,680 --> 00:36:13,000
Speaker 1: Call me on the telephone or text me all right

660
00:36:13,360 --> 00:36:16,200
Speaker 1: in honor Ted Williams, me reading you the phone book

661
00:36:16,239 --> 00:36:18,840
Speaker 1: from the early nineteen fifties from somewhere in Greater Boston.

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00:36:19,000 --> 00:36:22,160
Speaker 1: Pretty sure Ted was still a Red Sox at that time.

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00:36:22,400 --> 00:36:25,120
Speaker 1: A Red Sox. You know what it is. This is

664
00:36:25,120 --> 00:36:26,919
Speaker 1: a pet peeve of me when people say a Red Sox,

665
00:36:27,080 --> 00:36:28,759
Speaker 1: it's not a Red Sox. If you're on the Red Sox.

666
00:36:28,800 --> 00:36:30,440
Speaker 1: If you're on the Red Sox, you're a member of

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00:36:30,520 --> 00:36:32,960
Speaker 1: the Red Sox. That's what you are. All right, So

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00:36:33,000 --> 00:36:35,560
Speaker 1: I'm not sure I think Ted was still playing for

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00:36:35,640 --> 00:36:39,399
Speaker 1: the Red Sox in the early fifties, or maybe I'm wrong,

670
00:36:39,480 --> 00:36:41,239
Speaker 1: But I couldn't find a phone book that went further

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00:36:41,320 --> 00:36:46,960
Speaker 1: past that from Boston or Greater Boston. So here we go.

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00:36:48,120 --> 00:36:51,839
Speaker 1: Arthur Murray's Studio three three two, gram Me Mass two

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00:36:52,080 --> 00:36:56,799
Speaker 1: dash seven zero seven nine, Fred Astaire Dance Studios seven

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00:36:56,960 --> 00:37:00,640
Speaker 1: five one zero ju seven Dash seven two two eight,

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00:37:01,000 --> 00:37:04,600
Speaker 1: Peggy Baird School of Dancing, Private and Class Lessons for

676
00:37:04,760 --> 00:37:08,960
Speaker 1: Children and Adults Mass five dash six two six five.

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00:37:09,719 --> 00:37:15,320
Speaker 1: Lawrence Blick Ballet Studios, Director Ballet Master, Hampton Boulevard Mass

678
00:37:15,520 --> 00:37:19,600
Speaker 1: two dash zero five two four Capertain Preston School of

679
00:37:19,760 --> 00:37:24,319
Speaker 1: Dancing five zero one, Columbus Mass two Dash four five

680
00:37:24,560 --> 00:37:28,400
Speaker 1: nine eight, Caapiro Wilson Dance Studio three eight one b

681
00:37:28,960 --> 00:37:33,320
Speaker 1: Newbury Mass five Dash six eight four seven, Dean in

682
00:37:33,400 --> 00:37:37,000
Speaker 1: Peace School of Dancing seven one two three nine nine

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00:37:37,080 --> 00:37:40,520
Speaker 1: Dash eight nine seven one, Dolly Doninson School of Dance

684
00:37:40,600 --> 00:37:43,879
Speaker 1: four one zero nine, Hampton Boulevard Mass seven Dosh eight

685
00:37:44,000 --> 00:37:47,640
Speaker 1: five nine, George Keys three one zero, Boosch six two

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00:37:47,719 --> 00:37:51,560
Speaker 1: two Nash seven nine eight two. Fredstaire and Dance quit

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00:37:51,800 --> 00:37:54,279
Speaker 1: talking and start mixing, could