1
00:00:00,160 --> 00:00:02,760
Speaker 1: Then I went to motor Past forgot my Money's all

2
00:00:02,840 --> 00:00:06,880
Speaker 1: the run. School, one house, one jail, one uncle, one more.

3
00:00:07,920 --> 00:00:13,480
Speaker 1: Yeah yeah, one school, one house, one jail, one one more,

4
00:00:16,200 --> 00:00:22,080
Speaker 1: one s fool, one jail, one uncle, one moon ya ya,

5
00:00:22,760 --> 00:00:30,480
Speaker 1: one school, one jail, one uncle, one fool, mal fas

6
00:00:30,560 --> 00:00:36,360
Speaker 1: dogs food, the big Foot, bad Foot, back dog. Yeah.

7
00:00:36,360 --> 00:00:40,400
Speaker 1: In new titles, that's a special right now, that's definitely

8
00:00:40,400 --> 00:01:03,080
Speaker 1: a special one. Who happened? Hey, man, turn it off,

9
00:01:03,960 --> 00:01:08,679
Speaker 1: paulse play that ship, j give me a j Hey,

10
00:01:08,760 --> 00:01:15,240
Speaker 1: welcome back to the South, showy. I was trying to wait,

11
00:01:15,840 --> 00:01:18,400
Speaker 1: but this ship is too good, This ship way too

12
00:01:18,480 --> 00:01:21,040
Speaker 1: good man. I'm sitting at him with a with a

13
00:01:21,120 --> 00:01:24,240
Speaker 1: living legend and evolving legend that's been part of some

14
00:01:24,360 --> 00:01:26,760
Speaker 1: of the dopest ship that you didn't ever put in

15
00:01:26,920 --> 00:01:32,720
Speaker 1: your ear besid as a Q tip amen. Uh. I

16
00:01:32,760 --> 00:01:36,080
Speaker 1: don't even know how many parts they are to organize noise,

17
00:01:37,000 --> 00:01:39,720
Speaker 1: but he wanted them. He the heart in the veins

18
00:01:41,240 --> 00:01:44,759
Speaker 1: in the operation of such You've you've seen him on ship,

19
00:01:44,920 --> 00:01:50,840
Speaker 1: Diamond albums countless millions, one of the smoothest, singing, coldest

20
00:01:51,320 --> 00:01:57,320
Speaker 1: Cadillact driving for Coat wearing ROLETTS Watch and Danny, Mike Spenson,

21
00:01:57,800 --> 00:02:01,480
Speaker 1: some some her gang on You two never know go

22
00:02:01,720 --> 00:02:04,280
Speaker 1: leave you with knowledge that some papin and some smooth

23
00:02:04,720 --> 00:02:08,880
Speaker 1: for the lovers. This dedicated to the lovers in you tonight,

24
00:02:09,560 --> 00:02:14,040
Speaker 1: my man. None other big sleep older ms, the sleeping Brown.

25
00:02:14,840 --> 00:02:19,040
Speaker 1: Come on man, ship it ain't enough. I could say,

26
00:02:19,520 --> 00:02:25,600
Speaker 1: it ain't enough. I could say original Dungeon family. Remember yes, sir,

27
00:02:26,200 --> 00:02:30,760
Speaker 1: come on man, Come on man, man, we'd have had

28
00:02:30,960 --> 00:02:33,760
Speaker 1: good at mob and head getting that fell through a

29
00:02:33,840 --> 00:02:37,400
Speaker 1: few times. I had, we had kp in head man.

30
00:02:37,480 --> 00:02:42,560
Speaker 1: We we had, we had uh countless countless. He heard me,

31
00:02:43,240 --> 00:02:45,799
Speaker 1: He heard me after that intro, he heard me. He

32
00:02:45,840 --> 00:02:48,760
Speaker 1: didn't know that you was here, but now he knows. Ear.

33
00:02:49,480 --> 00:02:52,040
Speaker 1: I said, hey man, I'm doing so it's an ivy

34
00:02:52,080 --> 00:02:54,519
Speaker 1: there not check this out. He was talking about some

35
00:02:54,639 --> 00:02:57,520
Speaker 1: niggas you need to do some music with. Now that's

36
00:02:57,560 --> 00:03:00,239
Speaker 1: the nigga. Of course we always talked about that. We

37
00:03:00,400 --> 00:03:05,040
Speaker 1: just ain't working yet. No man got so big. Hey man,

38
00:03:05,520 --> 00:03:07,959
Speaker 1: you know what you get some time? You know what

39
00:03:08,000 --> 00:03:12,760
Speaker 1: I can get that nigging man humbly the ghetto. Michael Jackson.

40
00:03:18,120 --> 00:03:21,040
Speaker 1: Get Michael Jackson right there, the same rap dance do

41
00:03:21,200 --> 00:03:28,440
Speaker 1: backflips and can ski board rollers, blade ice, skate, shoot

42
00:03:28,560 --> 00:03:33,679
Speaker 1: three pointers, dunk, he can dance every man and he

43
00:03:33,760 --> 00:03:36,040
Speaker 1: can he could do everything. He said. I'm driving stick.

44
00:03:38,760 --> 00:03:41,600
Speaker 1: That's my dog. I can't wait. Hey man, play me

45
00:03:41,720 --> 00:03:45,320
Speaker 1: one more, Play me one more. Give me a random

46
00:03:45,360 --> 00:03:47,920
Speaker 1: Sleepy Brown. Just go to YouTube and type in Sleepy

47
00:03:48,000 --> 00:03:56,880
Speaker 1: Brown and play the fifteen song that comes up. Yes,

48
00:03:57,280 --> 00:04:01,440
Speaker 1: breaking news, we got breaking news here. I'm Carlos Miller,

49
00:04:01,560 --> 00:04:04,160
Speaker 1: live here on the scene at the Trap, and we

50
00:04:04,360 --> 00:04:07,800
Speaker 1: have some breaking news. We just have a tour date

51
00:04:07,880 --> 00:04:12,120
Speaker 1: that's been added to the Ghetto Legends tour. Yes, hold on,

52
00:04:12,200 --> 00:04:17,680
Speaker 1: I'm getting more information. That's right, Saturday, December eighteen at

53
00:04:17,720 --> 00:04:22,839
Speaker 1: the Fox Theater in Atlanta, eighty five South Show. Yeah,

54
00:04:22,920 --> 00:04:26,520
Speaker 1: that's right. The Return of the Ghetto Legends Saturday, December

55
00:04:26,600 --> 00:04:29,560
Speaker 1: eighteen at the Fox Theater. Go to eighty five South

56
00:04:29,640 --> 00:04:32,159
Speaker 1: Show dot com for all your ticket other days back

57
00:04:32,200 --> 00:04:40,760
Speaker 1: to you. Cat was looking records man, somebody they founded.

58
00:04:40,800 --> 00:04:43,640
Speaker 1: They called him he Big Home. But you know that's

59
00:04:43,680 --> 00:04:45,680
Speaker 1: some lead my album. Like you know what I'm saying.

60
00:04:45,760 --> 00:04:47,760
Speaker 1: It was that was shouting. He was, you know, settling

61
00:04:47,800 --> 00:04:51,799
Speaker 1: him on side, checking this out. Though we had scold

62
00:04:51,920 --> 00:04:57,360
Speaker 1: here with you on this. That's cold with him because

63
00:04:57,360 --> 00:05:03,240
Speaker 1: they're from Mississippi. Yeah, I got got this minute. We're

64
00:05:03,279 --> 00:05:08,000
Speaker 1: working with God damn it, we're working with Dan's gonna

65
00:05:08,040 --> 00:05:12,760
Speaker 1: hit man a minute. Man, goddamn Mississippi. Yeah, crip not. Uh,

66
00:05:14,160 --> 00:05:22,280
Speaker 1: I can't let me, okay, don low pet Oh hell yeah, yes,

67
00:05:22,360 --> 00:05:27,640
Speaker 1: sir told he told me he was. He told me

68
00:05:27,760 --> 00:05:29,480
Speaker 1: you from members. I didn't know. He's like, yeah, the

69
00:05:29,520 --> 00:05:32,720
Speaker 1: boss don't know. You know what I'm saying, right, does it.

70
00:05:32,800 --> 00:05:35,800
Speaker 1: I'm from northern Mississipipi's so closed up. Yeah, but I did,

71
00:05:36,240 --> 00:05:39,880
Speaker 1: like Pimp recorded a song at my house, give me

72
00:05:39,960 --> 00:05:43,719
Speaker 1: the jail, end up being looking at me, look at me, motherfucker,

73
00:05:43,800 --> 00:05:47,200
Speaker 1: look at me. So I used to have the task cam,

74
00:05:47,320 --> 00:05:51,320
Speaker 1: filt task cam. Yeah, he dash like these be this

75
00:05:51,440 --> 00:05:55,480
Speaker 1: big recorders, little tapes, and uh, Pimp had some tapes

76
00:05:55,480 --> 00:05:57,640
Speaker 1: and play that baseline. I'm like, man, what the fun is?

77
00:05:58,680 --> 00:06:00,480
Speaker 1: And do not with it? So we sat there and

78
00:06:00,880 --> 00:06:03,520
Speaker 1: did the record and it's look at me, look at me.

79
00:06:04,560 --> 00:06:06,920
Speaker 1: You can beat your house. That's you know what I'm saying.

80
00:06:07,520 --> 00:06:10,960
Speaker 1: You got some more classics. Problem, got a gang of

81
00:06:11,040 --> 00:06:15,120
Speaker 1: classic man. He's onna damning album. You're gonna be like

82
00:06:15,240 --> 00:06:17,360
Speaker 1: Little Story though, You're gonna be like July that in

83
00:06:17,400 --> 00:06:23,920
Speaker 1: the minute for the place. That's a yeah her O. Man,

84
00:06:23,920 --> 00:06:25,800
Speaker 1: he got a great boy. And I heard you. I like,

85
00:06:25,880 --> 00:06:28,360
Speaker 1: wait a minute. Then he played some drum one time

86
00:06:28,760 --> 00:06:31,240
Speaker 1: and then I'm like, well, God, like this boy is

87
00:06:31,360 --> 00:06:34,720
Speaker 1: like okay, then true to come in and ad to

88
00:06:34,760 --> 00:06:37,080
Speaker 1: take so much of my time. So they gotta understand.

89
00:06:37,080 --> 00:06:40,279
Speaker 1: They got a head start, y'all doing music everything. Everything.

90
00:06:40,520 --> 00:06:44,760
Speaker 1: That's all we did at just smoked. Man. Thank God

91
00:06:44,800 --> 00:06:48,600
Speaker 1: for Rico's mama, Mama Wade, because Mama Wade understood and

92
00:06:48,680 --> 00:06:51,560
Speaker 1: she us like she wasn't let us just work at

93
00:06:55,440 --> 00:06:57,560
Speaker 1: at us, you know, like work all times the night

94
00:06:57,640 --> 00:06:59,320
Speaker 1: his sisters had to go to school. Next day, we

95
00:06:59,400 --> 00:07:01,960
Speaker 1: got humping like three or four in the morning. They

96
00:07:02,080 --> 00:07:05,240
Speaker 1: go to school. They closed smell like weed because you

97
00:07:05,279 --> 00:07:07,480
Speaker 1: know what I'm saying. But Mama Wade was so cool,

98
00:07:07,680 --> 00:07:09,479
Speaker 1: you know what I'm saying, because she believe that she knew.

99
00:07:09,640 --> 00:07:12,520
Speaker 1: You know what I saw division Rico, and I don't

100
00:07:12,560 --> 00:07:16,280
Speaker 1: tell you, Rico, it's one of the kindest hearts in

101
00:07:16,440 --> 00:07:19,160
Speaker 1: the industry. Like this brother has looked out for a

102
00:07:19,280 --> 00:07:21,440
Speaker 1: lot of people that people don't know man like like

103
00:07:21,720 --> 00:07:24,080
Speaker 1: really looked out for them, gave him like I remember

104
00:07:25,360 --> 00:07:28,800
Speaker 1: h ship man, I don't forget and I'm smoking, I

105
00:07:28,800 --> 00:07:40,240
Speaker 1: don't got a single name, uh back, you know he

106
00:07:40,360 --> 00:07:44,240
Speaker 1: was looking out for something. Yes, So like Rico was

107
00:07:44,320 --> 00:07:46,880
Speaker 1: the youngest one out of the crew, and Rico would

108
00:07:47,000 --> 00:07:48,760
Speaker 1: like make sure that we went to Rattles when he

109
00:07:48,840 --> 00:07:52,200
Speaker 1: said ratits before champ and then checkers. You know what

110
00:07:52,200 --> 00:07:54,080
Speaker 1: I'm saying, the same thing, go get them now, And

111
00:07:54,240 --> 00:07:56,720
Speaker 1: I said, Burglars, Rico buy a piece to go get

112
00:07:56,720 --> 00:08:00,640
Speaker 1: a bucket of chicken. Like always. He was taking care

113
00:08:00,680 --> 00:08:02,360
Speaker 1: of his sisters and his mama too, you know what

114
00:08:02,400 --> 00:08:04,760
Speaker 1: I'm saying, Like it was just that was incredible. Man.

115
00:08:04,760 --> 00:08:08,240
Speaker 1: It's a great soul, a great person. He's the reason

116
00:08:08,320 --> 00:08:12,600
Speaker 1: why organized now is honestly um worked. You know what

117
00:08:12,640 --> 00:08:16,160
Speaker 1: I'm saying, because you know me and Ray music levels,

118
00:08:16,280 --> 00:08:17,720
Speaker 1: you know what I'm saying. Then Rico learned how to

119
00:08:17,800 --> 00:08:20,400
Speaker 1: produce from us, and then you know what I'm saying,

120
00:08:20,760 --> 00:08:23,120
Speaker 1: by him doing that and then just being a great

121
00:08:23,160 --> 00:08:25,520
Speaker 1: person that he is. Man, he made such an impact

122
00:08:25,960 --> 00:08:28,160
Speaker 1: in the music and I'll just feel like without him,

123
00:08:28,200 --> 00:08:31,440
Speaker 1: bro it wouldn't be no working out north. You know

124
00:08:31,800 --> 00:08:34,600
Speaker 1: he was there day won Dungeon. Yes, we were there,

125
00:08:34,679 --> 00:08:36,800
Speaker 1: like funny, funny thing. Enrico used to be in a

126
00:08:36,840 --> 00:08:39,200
Speaker 1: singing group together where you know what was it called

127
00:08:39,440 --> 00:08:53,320
Speaker 1: you boys? We used to up hens so you don't

128
00:08:53,640 --> 00:08:55,520
Speaker 1: so and then like you know what I'm saying, like

129
00:08:55,640 --> 00:08:57,760
Speaker 1: you know we we know we've been friends for a

130
00:08:57,840 --> 00:09:01,280
Speaker 1: long time. And and uh he's just a great down man.

131
00:09:01,800 --> 00:09:04,520
Speaker 1: You know I can trust ree can you say? Can

132
00:09:04,559 --> 00:09:07,120
Speaker 1: you see like the Dungeon family was brought up by

133
00:09:08,120 --> 00:09:10,080
Speaker 1: black support, like how you said, just I'm just hearing

134
00:09:10,240 --> 00:09:14,079
Speaker 1: the love behind the story about his mama knew we

135
00:09:14,280 --> 00:09:15,959
Speaker 1: need a spot for the cheer and go to so

136
00:09:16,080 --> 00:09:20,319
Speaker 1: they can create. Bye, we're gonna being the product of

137
00:09:20,520 --> 00:09:22,920
Speaker 1: her and him, you know what I'm saying. When he

138
00:09:22,960 --> 00:09:25,760
Speaker 1: was treating y'all, y'all feel like that was a major king.

139
00:09:25,960 --> 00:09:28,600
Speaker 1: Everybody know how how Niggs be. But this is actually

140
00:09:28,640 --> 00:09:32,600
Speaker 1: a spot with dirty negles. They called his home. Call

141
00:09:32,679 --> 00:09:35,199
Speaker 1: it home. Everybody's going to float with with with with

142
00:09:35,320 --> 00:09:40,040
Speaker 1: Palis And yes, it was definitely you know black and

143
00:09:40,280 --> 00:09:43,480
Speaker 1: love and and and just believing in each other. And

144
00:09:43,600 --> 00:09:45,199
Speaker 1: we all knew what were gonna make it. We just

145
00:09:45,280 --> 00:09:48,040
Speaker 1: didn't know when, we didn't know the date. But it

146
00:09:48,200 --> 00:09:50,000
Speaker 1: was so much power in there, and it was so

147
00:09:50,200 --> 00:09:53,160
Speaker 1: much that wanted to be said that we got that

148
00:09:53,360 --> 00:09:56,439
Speaker 1: chance when the Face Records came to Leanta, Georgia give

149
00:09:56,480 --> 00:10:02,520
Speaker 1: it off for the favor, say Atlanta helped give Atlanta

150
00:10:02,600 --> 00:10:06,120
Speaker 1: a boy man. You know, so when they came to Atlanta,

151
00:10:06,160 --> 00:10:09,880
Speaker 1: and then you know, t Bos got her deal and

152
00:10:10,320 --> 00:10:12,079
Speaker 1: she didn't forget us. She brought us so that and

153
00:10:12,200 --> 00:10:15,640
Speaker 1: introduced us to Pebbles and from them. Man, it just

154
00:10:16,880 --> 00:10:19,720
Speaker 1: you know, we said there and played all them songs,

155
00:10:19,920 --> 00:10:24,559
Speaker 1: and guess what we didn't play players ball. I'm mad,

156
00:10:25,440 --> 00:10:29,880
Speaker 1: I person, and goddamn say I know this. I'm mad

157
00:10:29,920 --> 00:10:31,719
Speaker 1: at me. But I was sitting here listening to the

158
00:10:31,800 --> 00:10:35,679
Speaker 1: story like and then I was like, you know the

159
00:10:35,960 --> 00:10:42,280
Speaker 1: fuck it hit me hard man. What didn't I say that.

160
00:10:44,200 --> 00:10:46,319
Speaker 1: I'm gonna suck you up. I'm gonna play you You

161
00:10:46,440 --> 00:10:49,040
Speaker 1: missed some good ship. When you find out who is

162
00:10:49,160 --> 00:10:52,800
Speaker 1: dead is it'll make purfect sense. Wait a minute, don't

163
00:10:52,840 --> 00:10:55,400
Speaker 1: even tell him. I'm I'm gonna play the song because

164
00:10:55,440 --> 00:10:59,280
Speaker 1: this nigga lived at the Skame Ring. I'm I'm talking about. Hey,

165
00:10:59,440 --> 00:11:03,400
Speaker 1: that's what you dude. Ja. Please daddy first watching this,

166
00:11:03,720 --> 00:11:05,960
Speaker 1: tell me you ain't skating backwards to this before DC.

167
00:11:06,360 --> 00:11:14,960
Speaker 1: This is your daddy. Don't you do that? Let him

168
00:11:14,960 --> 00:11:31,960
Speaker 1: do this? How about they got white? It's so daddy,

169
00:11:35,280 --> 00:11:42,559
Speaker 1: What did they know? It was smooth blue baby, A

170
00:11:42,679 --> 00:11:53,079
Speaker 1: long line, a long leah ticks to no no. That

171
00:11:53,600 --> 00:11:58,120
Speaker 1: is a National players cashing right now? Okay, okay, can

172
00:11:58,200 --> 00:12:00,240
Speaker 1: I can I can? I can I ask this? Of course?

173
00:12:00,640 --> 00:12:03,680
Speaker 1: Did you have something to do with Andre three thousand

174
00:12:03,920 --> 00:12:11,599
Speaker 1: one of y'all? I don't say, I won't say I

175
00:12:11,720 --> 00:12:13,720
Speaker 1: had something to do with it, but I will say

176
00:12:14,679 --> 00:12:16,959
Speaker 1: that you know, he well, he told me he be

177
00:12:17,160 --> 00:12:19,760
Speaker 1: learned the same for me, which I kind of just

178
00:12:19,840 --> 00:12:23,480
Speaker 1: being modesty. Okay, thank you, thank you. So it's a

179
00:12:23,559 --> 00:12:26,240
Speaker 1: little bit of that, but that's all him, bro, that's

180
00:12:26,280 --> 00:12:35,480
Speaker 1: all that's crazy. Do So when I saw this hook, right,

181
00:12:37,040 --> 00:12:39,079
Speaker 1: I was known because we're working with courage before he

182
00:12:39,160 --> 00:12:42,439
Speaker 1: paid court. Give told me that story about working incouraging Makfield.

183
00:12:43,440 --> 00:12:46,400
Speaker 1: So we'll get into that. You know, I don't know

184
00:12:46,440 --> 00:12:48,880
Speaker 1: if he's listened to this ship. So we went in

185
00:12:48,960 --> 00:12:51,400
Speaker 1: the studio they put it they had him in though.

186
00:12:52,080 --> 00:12:55,079
Speaker 1: First thing he said to me, he's like sleeping. I

187
00:12:55,240 --> 00:13:00,840
Speaker 1: really like what you're doing on their play a Ball White.

188
00:13:02,120 --> 00:13:05,480
Speaker 1: I'm singing like you and you telling me alleg uh huh,

189
00:13:06,000 --> 00:13:09,000
Speaker 1: you're a legend, and you tell me man, I like

190
00:13:09,160 --> 00:13:12,600
Speaker 1: what you did on that record. Bro, come on, it's

191
00:13:12,600 --> 00:13:16,120
Speaker 1: a round. So that's kind of why I kept singing

192
00:13:16,200 --> 00:13:18,240
Speaker 1: like that because Curtis told me I'm cool it, yo.

193
00:13:21,080 --> 00:13:29,360
Speaker 1: Curtis told me nobody else but Kurt Doll. I don't

194
00:13:29,400 --> 00:13:31,400
Speaker 1: know if we can play the more that possible ship.

195
00:13:31,520 --> 00:13:38,160
Speaker 1: You know that, come on? Come on. We had to

196
00:13:38,200 --> 00:13:40,360
Speaker 1: make a direct call to Big himself Big and tell him,

197
00:13:40,400 --> 00:13:43,000
Speaker 1: tell him it's okay. We were just showing like, yeah,

198
00:13:43,800 --> 00:13:46,520
Speaker 1: don't trick, don't trick, give me a break, don't truck snap.

199
00:13:47,480 --> 00:13:51,200
Speaker 1: That was a cold snapping day, bron. We gotta get

200
00:13:51,280 --> 00:13:56,720
Speaker 1: rid man, Okay. Now, I also heard you say compute.

201
00:13:56,720 --> 00:13:59,400
Speaker 1: Don't understand that a lot of people have done your feminine.

202
00:13:59,600 --> 00:14:02,240
Speaker 1: A lot of got big, but they took their time.

203
00:14:02,840 --> 00:14:09,680
Speaker 1: Everybody had any specific tims right now, what was your motivation? Keept?

204
00:14:09,720 --> 00:14:11,880
Speaker 1: You like calm because at the end of the day,

205
00:14:11,960 --> 00:14:13,920
Speaker 1: he was on a lot of heat. Ruckers what I'm

206
00:14:13,920 --> 00:14:18,319
Speaker 1: saying in the background, Yeah, he never kind of like

207
00:14:18,440 --> 00:14:21,000
Speaker 1: gave off that energy like you was. I want to

208
00:14:21,040 --> 00:14:23,560
Speaker 1: be in the front. You like nigga, do you know

209
00:14:23,640 --> 00:14:27,800
Speaker 1: who hit them? Note mother nigger. I don't have a

210
00:14:28,040 --> 00:14:30,880
Speaker 1: damn about you. Know what I'm saying. You kind of

211
00:14:30,960 --> 00:14:33,360
Speaker 1: like carrying yourself and just like what kept you calm

212
00:14:33,400 --> 00:14:37,400
Speaker 1: and kept motivating, just st It kind of bothered me

213
00:14:37,480 --> 00:14:40,400
Speaker 1: at first because especially when we first shot players Ball,

214
00:14:41,200 --> 00:14:44,280
Speaker 1: because first of all, Puffy shot it. He ain't show

215
00:14:44,320 --> 00:14:46,800
Speaker 1: me no love and not on the hook at all,

216
00:14:47,040 --> 00:14:50,920
Speaker 1: So that pissed me off. But I had to understands.

217
00:14:52,440 --> 00:14:54,520
Speaker 1: You know, you're a producer, bro, you know what I'm saying.

218
00:14:55,080 --> 00:14:57,120
Speaker 1: If anything, you got this. You know what I'm saying,

219
00:14:57,240 --> 00:14:59,880
Speaker 1: Just keep on doing what you do. And eventually they

220
00:15:00,000 --> 00:15:02,160
Speaker 1: I want to see who's singing. And it took to

221
00:15:02,320 --> 00:15:06,440
Speaker 1: get just so fresh, so clean. Bro. That was the

222
00:15:06,560 --> 00:15:10,920
Speaker 1: first video everybody something sing something. I was just want

223
00:15:10,920 --> 00:15:13,680
Speaker 1: to say, that's that was like my favorite because it

224
00:15:13,800 --> 00:15:16,080
Speaker 1: like you was in there, you had your code off.

225
00:15:19,480 --> 00:15:25,680
Speaker 1: I was seven three of them boots. Ye yes, yes

226
00:15:26,000 --> 00:15:28,560
Speaker 1: you partners. Okay. Now, as a child, I didn't know

227
00:15:28,640 --> 00:15:31,560
Speaker 1: what y'all was doing. I didn't understand the fucking show

228
00:15:31,640 --> 00:15:36,080
Speaker 1: the pass, So you're right, right, I was understood today.

229
00:15:36,160 --> 00:15:39,800
Speaker 1: Now is this classic? So back then y'all was like

230
00:15:40,600 --> 00:15:43,240
Speaker 1: beyond your time. But look at look and listen to

231
00:15:43,400 --> 00:15:47,320
Speaker 1: the music. It's like, yeah, that ship was so the

232
00:15:47,520 --> 00:15:50,200
Speaker 1: music was so far out it was what else could

233
00:15:50,320 --> 00:15:57,400
Speaker 1: they do? They was like just like it was perfect,

234
00:15:58,840 --> 00:16:00,240
Speaker 1: was like, I want to look like what the music

235
00:16:00,400 --> 00:16:03,040
Speaker 1: sounds like? You know what I'm saying. That's what started

236
00:16:03,080 --> 00:16:05,480
Speaker 1: the whole thing. But to me, I feel like we

237
00:16:05,600 --> 00:16:08,720
Speaker 1: were Parliament on the South because he reminds me of

238
00:16:08,840 --> 00:16:12,120
Speaker 1: Joy Clint, Draymond me Jory Clint so much it was ridiculous.

239
00:16:12,720 --> 00:16:14,600
Speaker 1: He always put me to Mount of Joy. So, man,

240
00:16:14,640 --> 00:16:17,320
Speaker 1: I'll tell you something fun. So the video screed on

241
00:16:17,400 --> 00:16:22,240
Speaker 1: the barber. So you know, everybody backstage, you'all chilling wing

242
00:16:22,360 --> 00:16:24,640
Speaker 1: to go out and Drey stuff down there yet hallway

243
00:16:24,800 --> 00:16:28,160
Speaker 1: pat offerings and stuff. We're talking about this next thing,

244
00:16:28,200 --> 00:16:30,400
Speaker 1: you know, Dred. This is drake first time showing everybody

245
00:16:30,400 --> 00:16:33,600
Speaker 1: the outfit. So Drake walked out the door. He has

246
00:16:33,680 --> 00:16:36,560
Speaker 1: some ski boots, white ski boots. He have some white

247
00:16:36,640 --> 00:16:39,800
Speaker 1: furry pants like shorts they went right here on two

248
00:16:39,880 --> 00:16:42,440
Speaker 1: like things like it was big white fury things, white

249
00:16:42,520 --> 00:16:45,480
Speaker 1: weed man. Then he came out there doing like that

250
00:16:45,480 --> 00:16:49,400
Speaker 1: thing came on the day was like yeah, I mean

251
00:16:49,520 --> 00:16:53,200
Speaker 1: for about man, it felt like five men everybody just

252
00:16:53,280 --> 00:16:55,920
Speaker 1: looking at him like this. He just started walking to

253
00:16:56,000 --> 00:17:00,800
Speaker 1: everybody to start talking again, so you know, saying. Rico

254
00:17:00,880 --> 00:17:02,960
Speaker 1: went to him and asked, like Phil and I went

255
00:17:03,040 --> 00:17:05,960
Speaker 1: to I said, Drake, so you know what I'm saying,

256
00:17:06,000 --> 00:17:07,760
Speaker 1: how do you feel about this? Like you know, like,

257
00:17:08,760 --> 00:17:10,399
Speaker 1: how do you like like what you're gonna do if

258
00:17:10,400 --> 00:17:14,520
Speaker 1: they brew you? He was like, I'm just gonna laugh

259
00:17:14,600 --> 00:17:16,400
Speaker 1: with it, man, like they go. They were either little

260
00:17:16,440 --> 00:17:19,159
Speaker 1: screamed from me or laugh at me. And by him

261
00:17:19,200 --> 00:17:21,280
Speaker 1: saying that being bold to just be like funk this,

262
00:17:21,480 --> 00:17:23,320
Speaker 1: I'm doing it. I've loved it. I said, well you

263
00:17:23,400 --> 00:17:27,520
Speaker 1: are insane, like you stood out bro, like yeah, and

264
00:17:27,640 --> 00:17:29,399
Speaker 1: nobody bolting hum to do that. Bro. This man went

265
00:17:29,440 --> 00:17:33,040
Speaker 1: on Chris Rock Show with show the Pad and had

266
00:17:33,080 --> 00:17:37,200
Speaker 1: on these loan like stringy like I don't know things

267
00:17:37,280 --> 00:17:39,480
Speaker 1: on it. It was all different colors with draws on.

268
00:17:39,680 --> 00:17:43,320
Speaker 1: Bro Whitey Titus saying bombs over bad that dad like

269
00:17:43,440 --> 00:17:50,600
Speaker 1: that hunch that boy insane. Man, I love me for this,

270
00:17:50,800 --> 00:17:53,240
Speaker 1: just this. He was just about it. Man. When he

271
00:17:53,320 --> 00:17:56,040
Speaker 1: was on that bro, he was you couldn't stop him.

272
00:17:56,240 --> 00:17:58,520
Speaker 1: Maybe this stake on their tour. He was walking around

273
00:17:58,560 --> 00:18:00,399
Speaker 1: until the whole time with a good talk. Bro. If

274
00:18:00,440 --> 00:18:02,160
Speaker 1: we went to a stow, he had a good tar round,

275
00:18:03,440 --> 00:18:05,240
Speaker 1: it didn't matter. He had that good to own him.

276
00:18:05,440 --> 00:18:10,639
Speaker 1: So we're like like here, it's just him being an artist, man.

277
00:18:10,680 --> 00:18:13,320
Speaker 1: He just he's to me, he's always been an artsy

278
00:18:13,440 --> 00:18:17,680
Speaker 1: like that biggest more biggest arts, but big hoodie with

279
00:18:17,880 --> 00:18:21,439
Speaker 1: it in his own weight, um and listening. He got

280
00:18:21,520 --> 00:18:30,320
Speaker 1: an our bro. Yeah, definitely me. He gotta tagle, gotta peta. Yeah,

281
00:18:31,240 --> 00:18:33,359
Speaker 1: this is a crazy thing. Look, we should video right

282
00:18:35,840 --> 00:18:42,080
Speaker 1: like this fucking big like that bro when he like

283
00:18:44,359 --> 00:18:46,640
Speaker 1: trained that motherucker to do that and then you saw

284
00:18:46,680 --> 00:18:48,520
Speaker 1: the video when you told that motherfucker to go over

285
00:18:48,520 --> 00:18:50,800
Speaker 1: there and brought it back right back. Do only got

286
00:18:50,880 --> 00:18:53,520
Speaker 1: a falcon, dude, Now I don't have he just had

287
00:18:53,600 --> 00:18:56,400
Speaker 1: he had two hours he went. He had the name

288
00:18:56,440 --> 00:19:02,560
Speaker 1: Hooty and the other one I've got the other well

289
00:19:04,240 --> 00:19:07,240
Speaker 1: he got to he forgot that. We got a little name,

290
00:19:08,800 --> 00:19:13,800
Speaker 1: you know, that little Tato. He always when we do

291
00:19:13,880 --> 00:19:16,280
Speaker 1: a video, he always put me by the fun animals. No,

292
00:19:16,760 --> 00:19:18,840
Speaker 1: I'm like, man, so I'm sitting there the fucking I

293
00:19:18,920 --> 00:19:21,000
Speaker 1: forgot what song that was. I think it's all Night

294
00:19:21,040 --> 00:19:23,439
Speaker 1: and one of them records. I'm sitting at the piano.

295
00:19:23,920 --> 00:19:26,800
Speaker 1: He got both of the motherfucker's right here, and they

296
00:19:26,880 --> 00:19:29,240
Speaker 1: tell me I play the piano harder. I'm looking at

297
00:19:29,280 --> 00:19:33,960
Speaker 1: my fingers, like this, man, what the man paying? They're

298
00:19:33,960 --> 00:19:40,800
Speaker 1: gonna take my finger? I'm like, didn't want to check

299
00:19:40,840 --> 00:19:43,520
Speaker 1: this out. We did the video for Intentions, met him

300
00:19:43,560 --> 00:19:46,320
Speaker 1: and Seel and it's a thing that that's not in

301
00:19:46,359 --> 00:19:49,000
Speaker 1: the video. But man, they brought this little baby fucking

302
00:19:49,040 --> 00:19:52,760
Speaker 1: alegant right think about the long right. They had a

303
00:19:52,840 --> 00:19:54,600
Speaker 1: Muslim on them and everything. So they're gonna sit me

304
00:19:54,680 --> 00:19:56,000
Speaker 1: right here with a girl right there. I actually if

305
00:19:56,000 --> 00:19:58,240
Speaker 1: you sing to the girl. When we started the music,

306
00:19:58,480 --> 00:20:00,640
Speaker 1: they took their mothers aloft. That mone a fucking man,

307
00:20:01,200 --> 00:20:07,440
Speaker 1: he said, action. I started that trainer calls snatched the one.

308
00:20:07,440 --> 00:20:11,080
Speaker 1: I said, big man, you always do. Why do you

309
00:20:11,119 --> 00:20:12,440
Speaker 1: want to get you to why do you want to

310
00:20:12,480 --> 00:20:14,120
Speaker 1: give me the animal? You don't want to love thee

311
00:20:14,680 --> 00:20:22,120
Speaker 1: about her action come telling her Actually, yeah, got low

312
00:20:22,240 --> 00:20:27,600
Speaker 1: it man. But anyway, he loved animal bro like he yeah,

313
00:20:27,680 --> 00:20:32,640
Speaker 1: that's his thing. Yeah, he loved I always tell him

314
00:20:32,640 --> 00:20:34,040
Speaker 1: put the dogs up when I come to the house.

315
00:20:34,119 --> 00:20:39,520
Speaker 1: You got for me? Hey man, welcome back to the

316
00:20:39,600 --> 00:20:43,440
Speaker 1: eighty five Self Show. We haven't hear laugh talking ship.

317
00:20:44,720 --> 00:20:51,920
Speaker 1: They see you flatt sleepy ground. That's what's up, man,

318
00:20:52,480 --> 00:20:54,480
Speaker 1: they see before you got here. We were talking about

319
00:20:54,480 --> 00:21:00,080
Speaker 1: some of his favorite tracks that they produced. What so

320
00:21:00,200 --> 00:21:10,320
Speaker 1: for so clean blueberry on'm y'all lick bout joy, he said,

321
00:21:10,400 --> 00:21:20,639
Speaker 1: Marga read them. Yeah, that's that's that's crazy. We get

322
00:21:21,080 --> 00:21:29,640
Speaker 1: the stop plays already got play with my sleep Man

323
00:21:30,200 --> 00:21:36,560
Speaker 1: got the you know that was one of my jokes.

324
00:21:36,640 --> 00:21:38,000
Speaker 1: We used to go to the back of the day.

325
00:21:38,320 --> 00:21:41,480
Speaker 1: Kay wait. I told my home was sugar or my

326
00:21:41,640 --> 00:21:52,120
Speaker 1: brother was what up anyway? Sam? Sam? And then look,

327
00:21:52,200 --> 00:21:54,159
Speaker 1: I said, man, we do any songs and wrap niggers.

328
00:21:55,640 --> 00:22:01,320
Speaker 1: I love to get man. Who am I? Well? Whatever

329
00:22:03,520 --> 00:22:05,840
Speaker 1: the guy a sleeping around, you can play sleep all

330
00:22:05,920 --> 00:22:11,400
Speaker 1: the time. Whoever I'm figuring out, he always get head

331
00:22:14,400 --> 00:22:16,760
Speaker 1: go away. I smoke it to him. Man, you gotta

332
00:22:16,800 --> 00:22:20,879
Speaker 1: stand man hand that story he got He's gonna finish it,

333
00:22:20,880 --> 00:22:29,080
Speaker 1: and like and thinking, thinking came around, like, so sail Chris,

334
00:22:29,200 --> 00:22:30,639
Speaker 1: that's a name I'm gonna finish right now. We read

335
00:22:30,680 --> 00:22:35,959
Speaker 1: the real but up man, So I told him, I said, man,

336
00:22:36,040 --> 00:22:38,720
Speaker 1: we do any rap show and he wrapped nigga try.

337
00:22:38,760 --> 00:22:40,840
Speaker 1: I said gonna go walk up to him and slapped

338
00:22:40,880 --> 00:22:43,119
Speaker 1: him and say, bitch, I do R and B. That

339
00:22:43,280 --> 00:22:45,520
Speaker 1: was our whole ship there to him. So we're waiting

340
00:22:45,520 --> 00:22:47,240
Speaker 1: for a rapn to say something that we're gonna slap

341
00:22:47,280 --> 00:22:50,520
Speaker 1: and say, bitch, I'll do war me nobody say ship

342
00:22:50,880 --> 00:22:53,680
Speaker 1: y'a wait on say waiting on so about to say

343
00:22:53,720 --> 00:22:57,359
Speaker 1: that ship that it was so funny making and shap me.

344
00:22:59,359 --> 00:23:08,040
Speaker 1: Let's forget a ship. Child So childers a little little rude,

345
00:23:08,160 --> 00:23:15,239
Speaker 1: chilling soul. Childers man stepping out, stepping out, Damn man,

346
00:23:16,280 --> 00:23:20,119
Speaker 1: I don't only remember half a sea. When you say that,

347
00:23:20,280 --> 00:23:23,680
Speaker 1: it hits me, yes, stepping out, Yes, sir, then give

348
00:23:23,720 --> 00:23:25,440
Speaker 1: me a little so give me a little, a little

349
00:23:25,480 --> 00:23:29,000
Speaker 1: piece of stepping out. And he produced that crazy right

350
00:23:29,359 --> 00:23:31,040
Speaker 1: when you play that for him, I see, yes, sir,

351
00:23:31,160 --> 00:23:35,520
Speaker 1: it's gonna be something right here. Get you killed that

352
00:23:35,760 --> 00:23:39,760
Speaker 1: and killed that some good and give me one of them.

353
00:23:39,840 --> 00:23:45,320
Speaker 1: When George Clinton was around stores, everybody got one. George's thing.

354
00:23:45,440 --> 00:23:49,560
Speaker 1: Came to the duney so George and net working, and

355
00:23:49,600 --> 00:23:51,639
Speaker 1: he called me in the room sleepy. I walk in

356
00:23:51,760 --> 00:23:55,080
Speaker 1: on and as I walk in and I see him hidding.

357
00:23:56,480 --> 00:23:58,280
Speaker 1: So I'm like, okay, So George, you're gonna hit that

358
00:23:58,359 --> 00:24:02,159
Speaker 1: pipe in the studio. Huh. He hit that ship and

359
00:24:02,160 --> 00:24:06,960
Speaker 1: you get it. Tell him you go, no, oh that

360
00:24:07,200 --> 00:24:31,080
Speaker 1: crack come and I like, boomwa little crack smoke. That

361
00:24:33,160 --> 00:24:37,200
Speaker 1: was slow wow, like wow, Julian man. But I think

362
00:24:37,240 --> 00:24:39,080
Speaker 1: that was there. Well, ordinary to be in the phone

363
00:24:40,280 --> 00:24:46,440
Speaker 1: in the crack, Yes, the crack, crack, the focus answering

364
00:24:46,480 --> 00:24:50,440
Speaker 1: your right to right to him, I never get it,

365
00:24:51,680 --> 00:24:56,399
Speaker 1: bro yes, sir, yes, sir, that's yeah. I was just

366
00:24:56,400 --> 00:24:58,920
Speaker 1: surprobably doing it in the studio. I guess, you know,

367
00:24:59,000 --> 00:25:03,200
Speaker 1: he seems such a it was right, yeah, I like,

368
00:25:04,160 --> 00:25:07,879
Speaker 1: damn damn. But you know George, you know right now,

369
00:25:07,960 --> 00:25:13,600
Speaker 1: George is clean. He's healthy as hell. You're swimming like

370
00:25:13,720 --> 00:25:16,159
Speaker 1: all the time. We swimming all the time. I need

371
00:25:16,200 --> 00:25:25,240
Speaker 1: to come upon the great granddaddy of the granddad of Yes, sorry,

372
00:25:25,359 --> 00:25:29,160
Speaker 1: Dr fukistein one of one of them, yes, sir, Yeah,

373
00:25:31,760 --> 00:25:34,600
Speaker 1: like man, yeah, we had the album covers was like

374
00:25:34,680 --> 00:25:37,879
Speaker 1: watching the video because we didn't have video back then.

375
00:25:37,880 --> 00:25:39,800
Speaker 1: When the album came out, you just had You had

376
00:25:39,840 --> 00:25:42,119
Speaker 1: this big, colorful and for that for one the album

377
00:25:42,720 --> 00:25:44,200
Speaker 1: you can open it up and it was like a

378
00:25:44,240 --> 00:25:46,639
Speaker 1: little city on the water. It was dope. Man. It

379
00:25:46,720 --> 00:25:48,359
Speaker 1: was the best thing to have you just sitting there

380
00:25:48,440 --> 00:25:50,639
Speaker 1: staring and all that. Let me get you this. Do

381
00:25:50,800 --> 00:25:53,760
Speaker 1: you think sale therapy? The beat is one of the

382
00:25:53,880 --> 00:25:58,400
Speaker 1: best beats in hip hop. Yes, yes, we go wait

383
00:25:59,720 --> 00:26:07,639
Speaker 1: Doco dope, Rico six. Rico has an ear that it's no,

384
00:26:08,359 --> 00:26:10,639
Speaker 1: it doesn't. It doesn't just hear this or just hear that.

385
00:26:10,720 --> 00:26:16,080
Speaker 1: It hears everything. Ray it's more. Ray is Yoda for

386
00:26:16,200 --> 00:26:17,800
Speaker 1: us because he taught him and he's the one of

387
00:26:17,840 --> 00:26:20,840
Speaker 1: the most smoothest motherfucker producer. You said that watching or

388
00:26:20,960 --> 00:26:23,720
Speaker 1: that ship all day. He's done countless of his But

389
00:26:23,800 --> 00:26:26,879
Speaker 1: like self therapy, Man, when I first heard it and

390
00:26:27,520 --> 00:26:29,680
Speaker 1: Rick told me where he got it from, I was,

391
00:26:29,880 --> 00:26:34,360
Speaker 1: I can't really tell you because that's what is managed.

392
00:26:36,600 --> 00:26:38,879
Speaker 1: And he did that hell of a trade, bro And

393
00:26:39,040 --> 00:26:41,360
Speaker 1: that beat to me is because that'd being so rock.

394
00:26:41,480 --> 00:26:43,879
Speaker 1: It's so hip hop. It's so everything. Yeah, you know

395
00:26:43,920 --> 00:26:46,240
Speaker 1: what I mean. Like I always say this about I Care.

396
00:26:46,280 --> 00:26:49,720
Speaker 1: I Care has done every general music. They've done country

397
00:26:50,160 --> 00:26:52,720
Speaker 1: with with with Rosa Paul, and done rock and roll

398
00:26:52,800 --> 00:26:55,639
Speaker 1: with Bundle of Bad Day, the Drumma Base and everything.

399
00:26:55,920 --> 00:26:59,440
Speaker 1: So self therapy to me is like that. It's it's

400
00:26:59,480 --> 00:27:03,000
Speaker 1: that special record. You can't you can't find something that

401
00:27:03,119 --> 00:27:06,520
Speaker 1: sounds like it. Yeah, you know what I mean. It's

402
00:27:06,560 --> 00:27:10,119
Speaker 1: definitely one of my favorites. I think it's definitely scared

403
00:27:10,160 --> 00:27:14,160
Speaker 1: me when I first heard Spooky is hell but hard moving,

404
00:27:14,160 --> 00:27:19,080
Speaker 1: the type of shoot like what you get that? Yeah,

405
00:27:19,720 --> 00:27:22,680
Speaker 1: you don't see how Jordan Pelle had flipped that loony joint.

406
00:27:23,320 --> 00:27:27,920
Speaker 1: They did that fucking cell therapy like that. Slow that

407
00:27:27,960 --> 00:27:30,320
Speaker 1: ship down there, man, that ship would be the perfect

408
00:27:30,359 --> 00:27:34,920
Speaker 1: because it already got the sounds in it. Man. You said,

409
00:27:35,560 --> 00:27:43,000
Speaker 1: took over, don't fast, the whole dungeon, the whole dungeon,

410
00:27:43,240 --> 00:27:47,440
Speaker 1: the crim what's up? You said? T bos took everybody

411
00:27:47,520 --> 00:27:50,560
Speaker 1: over there, Yeah, because you know we all hung out,

412
00:27:50,640 --> 00:27:52,960
Speaker 1: We all friends and we all hung out. A jellybean

413
00:27:53,080 --> 00:27:58,320
Speaker 1: scam ring once again, Black Winden holding down, holding down

414
00:28:00,560 --> 00:28:05,040
Speaker 1: to hold up about herself but she told everybody give

415
00:28:05,080 --> 00:28:08,000
Speaker 1: me the band. She basically told Pebble about I was

416
00:28:08,040 --> 00:28:10,920
Speaker 1: singing group that we had at the time, and uh,

417
00:28:11,359 --> 00:28:14,400
Speaker 1: several me with Pebbles and we went met Pebbles man. Yeah,

418
00:28:14,600 --> 00:28:17,280
Speaker 1: Tebos really looked out because you know, when she got

419
00:28:17,680 --> 00:28:21,359
Speaker 1: discovered and got into ELC, Rico actually put left our INTLC.

420
00:28:22,280 --> 00:28:24,119
Speaker 1: You know what I'm saying. He introduced because me and

421
00:28:24,200 --> 00:28:26,520
Speaker 1: Rico met her because he used to be dancers for

422
00:28:26,720 --> 00:28:29,159
Speaker 1: certain artists back in the day. So that's how we

423
00:28:29,240 --> 00:28:35,040
Speaker 1: met her. So you know, you know, te Bows, I

424
00:28:35,119 --> 00:28:37,119
Speaker 1: love her the deaf man because she didn't have to

425
00:28:37,200 --> 00:28:39,320
Speaker 1: do that, but she did, you know what I'm saying,

426
00:28:39,600 --> 00:28:42,600
Speaker 1: and we love her for it. And uh shouts out

427
00:28:42,640 --> 00:28:45,080
Speaker 1: to Marie. To Marie, Maria was the one who do

428
00:28:45,560 --> 00:28:49,120
Speaker 1: She was her dresser and she basically, uh you know,

429
00:28:49,200 --> 00:28:50,720
Speaker 1: kind of said though too. You know, I'm saying she

430
00:28:50,760 --> 00:28:51,880
Speaker 1: had a lot to do with it too, so I

431
00:28:51,880 --> 00:28:54,080
Speaker 1: don't want to leave her out. So Bos basically the

432
00:28:54,120 --> 00:28:57,719
Speaker 1: plug look Dope ship happening just because she looked at

433
00:28:57,840 --> 00:29:01,600
Speaker 1: like that. She looked. She told us too. She told her,

434
00:29:01,640 --> 00:29:03,320
Speaker 1: She's I'm a little promise you. I'm looking out for

435
00:29:03,360 --> 00:29:09,480
Speaker 1: your promise you she did. Yeah, yeah she Uh. It

436
00:29:09,600 --> 00:29:12,280
Speaker 1: wasn't Try City at the time. It was what wasn't

437
00:29:12,280 --> 00:29:19,680
Speaker 1: before Tri City. It was there. Yeah, it was there. Hey,

438
00:29:19,840 --> 00:29:24,760
Speaker 1: don't you say, oh yeah, we'll just like we had

439
00:29:24,840 --> 00:29:29,240
Speaker 1: Dallas saucetin up here. Oh yeah, that's my boy. Yeah,

440
00:29:29,400 --> 00:29:34,000
Speaker 1: that's what driving up BMW at fifteen Bro and I

441
00:29:34,120 --> 00:29:36,360
Speaker 1: was walking to the skating ram. How this nigga get

442
00:29:36,480 --> 00:29:39,160
Speaker 1: this ship? He was I knew he was cold then

443
00:29:40,480 --> 00:29:44,160
Speaker 1: I knew he was gonna be a co producer producing. Man,

444
00:29:44,760 --> 00:29:48,600
Speaker 1: you should have been produced, should have been doing I'd

445
00:29:48,600 --> 00:29:51,720
Speaker 1: be trying. The folks want to hear loose legs and

446
00:29:51,800 --> 00:29:54,360
Speaker 1: all this ship, I'd be fucking trying. Soon as I

447
00:29:54,440 --> 00:29:58,160
Speaker 1: do it, they like, I'm like, hold up, you know

448
00:29:58,200 --> 00:30:02,200
Speaker 1: what I'm saying this goddamn verse. He famous, man, he

449
00:30:05,160 --> 00:30:08,680
Speaker 1: famous his fuck she crazy, But we're gonna work. The

450
00:30:08,800 --> 00:30:11,000
Speaker 1: one thing about it. One thing I know about Ody

451
00:30:11,160 --> 00:30:14,800
Speaker 1: always slack anything I posted anything with me slide right,

452
00:30:14,800 --> 00:30:17,880
Speaker 1: I don't even black. Hey she's bumping. So at the

453
00:30:17,960 --> 00:30:19,560
Speaker 1: end of the day, right now, while I'm at with music,

454
00:30:19,600 --> 00:30:21,400
Speaker 1: I'm as long as it tested people that I know

455
00:30:21,520 --> 00:30:24,040
Speaker 1: that funk with me. I'm kind of like, I'm good

456
00:30:25,040 --> 00:30:27,360
Speaker 1: God the nigger, who are You're like, man, let that

457
00:30:27,400 --> 00:30:29,840
Speaker 1: ship go, Man, that ship go. He was like, no,

458
00:30:29,960 --> 00:30:31,640
Speaker 1: I gotta do it a certain way. I'd be like brother,

459
00:30:31,760 --> 00:30:34,760
Speaker 1: people who know don't know. Man, I know I need

460
00:30:34,840 --> 00:30:36,200
Speaker 1: them to take it serious. Cause at the end of

461
00:30:36,240 --> 00:30:38,280
Speaker 1: the day, don't need no. But I know the labor

462
00:30:38,360 --> 00:30:40,720
Speaker 1: get that machine man. They got that machine power. That's

463
00:30:40,720 --> 00:30:43,520
Speaker 1: the one thing about the laby Man. People are gonna

464
00:30:43,560 --> 00:30:46,400
Speaker 1: take it serious if you're taking serious test too. But

465
00:30:46,960 --> 00:30:50,080
Speaker 1: they see they on the scene. It cost it called

466
00:30:50,280 --> 00:30:54,680
Speaker 1: the ball. Nothing is free. Nothing up on his own.

467
00:30:55,080 --> 00:30:57,280
Speaker 1: You got to put something on it. That's why I

468
00:30:57,320 --> 00:30:59,920
Speaker 1: ain't gonna lie. I love majors because maybe don't do this.

469
00:31:00,160 --> 00:31:05,480
Speaker 1: You got good, but it was Yeah, if a label

470
00:31:05,560 --> 00:31:08,080
Speaker 1: put a mean all on that track, why do you

471
00:31:08,160 --> 00:31:10,680
Speaker 1: had them all? Yeah, Now you can get lucky like

472
00:31:10,800 --> 00:31:15,000
Speaker 1: I think Old Town went the country. No regular, he

473
00:31:15,160 --> 00:31:19,160
Speaker 1: got lucky because the kids heard his record. So he

474
00:31:19,360 --> 00:31:23,240
Speaker 1: actually actually blew up without a major and probably really

475
00:31:23,400 --> 00:31:26,040
Speaker 1: without putting money on the team truth because it was

476
00:31:26,080 --> 00:31:29,160
Speaker 1: so catching. Everybody was loving it. One. If you can't one,

477
00:31:29,240 --> 00:31:32,440
Speaker 1: then all of a sudden you get they ain't gonna come.

478
00:31:32,840 --> 00:31:34,840
Speaker 1: They're gonna come back. Yeah, they're gonna come in. You

479
00:31:34,920 --> 00:31:37,680
Speaker 1: intepend as an independent order how much he's spent on man.

480
00:31:37,760 --> 00:31:41,760
Speaker 1: Once home, he's gonna be like man about some hundre

481
00:31:41,840 --> 00:31:46,000
Speaker 1: tho of his lineing yes, not nobody else lenning and

482
00:31:46,080 --> 00:31:47,840
Speaker 1: not even know how many walls he had to go

483
00:31:47,960 --> 00:31:51,880
Speaker 1: down just to get the plugs he got me five

484
00:31:51,960 --> 00:31:56,080
Speaker 1: ye sick. We used to that old label thing. Man.

485
00:31:56,240 --> 00:31:58,560
Speaker 1: I kind of really missed that, you know, because you

486
00:31:58,600 --> 00:32:01,960
Speaker 1: know you're going to label. You spoil him, you could

487
00:32:01,960 --> 00:32:03,920
Speaker 1: get your sign of bones, you do this, you do that.

488
00:32:04,040 --> 00:32:05,920
Speaker 1: It's just they take care of you. You know what

489
00:32:05,960 --> 00:32:09,320
Speaker 1: I'm saying now, there's nothing wrong with being independent. I

490
00:32:09,640 --> 00:32:12,440
Speaker 1: definitely supported you know what I'm saying, Um, but you

491
00:32:12,520 --> 00:32:14,600
Speaker 1: know I can't live with me a love of that machine.

492
00:32:15,040 --> 00:32:18,440
Speaker 1: When they do this, it's everywhere go to label. Jim

493
00:32:18,480 --> 00:32:21,000
Speaker 1: told you so, you know the twenty four I did

494
00:32:21,040 --> 00:32:24,800
Speaker 1: about like that has seen me on their own screen

495
00:32:25,120 --> 00:32:28,959
Speaker 1: and then she got like nine mean on goddamn on YouTube? Right,

496
00:32:32,200 --> 00:32:36,959
Speaker 1: say what the labor told me? You know, if your

497
00:32:37,040 --> 00:32:39,560
Speaker 1: video did like fifteen or twenty million, you know what

498
00:32:39,600 --> 00:32:44,120
Speaker 1: I'm saying, we probably could talk. I said, Damn, Nika

499
00:32:44,240 --> 00:32:50,800
Speaker 1: can't even do that, and fuck y'all money. I'm gonna

500
00:32:50,840 --> 00:32:53,120
Speaker 1: just show y'all at the point where't like it ain't

501
00:32:53,160 --> 00:32:55,240
Speaker 1: about that now, I'm just doing it. And when I

502
00:32:55,360 --> 00:32:58,920
Speaker 1: do it for real, it's wrap. Give me, give me,

503
00:32:59,480 --> 00:33:01,560
Speaker 1: give me through three months to do the straight music

504
00:33:03,040 --> 00:33:08,720
Speaker 1: straight didn't know nothing, no nothing music three months or

505
00:33:08,760 --> 00:33:11,400
Speaker 1: straight music. Man, I'm on your favorite artists. As a

506
00:33:11,440 --> 00:33:14,240
Speaker 1: matter of fact, you're an artist on his favorite ropper.

507
00:33:14,280 --> 00:33:23,640
Speaker 1: You better tell him right man, to tell him. You

508
00:33:27,240 --> 00:33:33,520
Speaker 1: know they missing it buck when you get staffed with THO.

509
00:33:33,640 --> 00:33:36,240
Speaker 1: I think that they kind of like help nigga, you

510
00:33:36,280 --> 00:33:38,280
Speaker 1: know what I'm saying, especially like to keep motivated. That

511
00:33:38,600 --> 00:33:40,800
Speaker 1: kind of like our way to motivate. Sometimes that's all

512
00:33:40,840 --> 00:33:45,040
Speaker 1: they take, just a little acknowledgment. Man. People don't want

513
00:33:45,080 --> 00:33:47,880
Speaker 1: to feel like they're doing it for nothing. You know,

514
00:33:48,000 --> 00:33:49,880
Speaker 1: we gotta we gotta stop doing a little. We gotta

515
00:33:49,920 --> 00:33:54,040
Speaker 1: stop limiting our people. That's what it is. We have

516
00:33:54,160 --> 00:33:57,280
Speaker 1: a mind conception that nobody can do more than one thing,

517
00:33:57,440 --> 00:34:03,160
Speaker 1: especially nigga. Anybody okay with Mega she pick one and

518
00:34:03,240 --> 00:34:10,359
Speaker 1: Picky yeah, pick one, and other than that, I don't

519
00:34:10,360 --> 00:34:13,600
Speaker 1: try to take everything. Come on, we're that talent, you know,

520
00:34:14,560 --> 00:34:20,120
Speaker 1: we got take everything. Everybody everybody copies us. I just

521
00:34:20,280 --> 00:34:23,880
Speaker 1: everybody copies us. I just saw in Japan today that

522
00:34:24,120 --> 00:34:27,359
Speaker 1: they got low riders. They got I mean, dude, they

523
00:34:27,440 --> 00:34:31,680
Speaker 1: have a beautiful car collection. Yes, it's a straight culture

524
00:34:31,719 --> 00:34:33,839
Speaker 1: out though, bro. Like, let me tell you something. The best,

525
00:34:34,000 --> 00:34:36,880
Speaker 1: the best breakdances and pops and all that stuff. The

526
00:34:37,040 --> 00:34:45,919
Speaker 1: Asian kids, man that ship them now. I love Michael. Yeah,

527
00:34:49,960 --> 00:34:52,759
Speaker 1: I'm saying I got to see them all the mother

528
00:34:53,600 --> 00:35:00,040
Speaker 1: and let's tell you who they like the good you

529
00:35:00,200 --> 00:35:01,800
Speaker 1: might be in the froud. Sorry making it back, you

530
00:35:01,800 --> 00:35:03,640
Speaker 1: don't even matter't make a good man. I used to

531
00:35:03,719 --> 00:35:06,279
Speaker 1: go to this show all the time. They they made

532
00:35:06,320 --> 00:35:17,880
Speaker 1: me remember my name't sleepwalking sleepwalking. I might be shacking

533
00:35:17,960 --> 00:35:24,600
Speaker 1: that ship too. It ain't shock shag walking. You can't

534
00:35:24,640 --> 00:35:28,120
Speaker 1: say that ship no more. I can't say retarded talking

535
00:35:28,120 --> 00:35:36,239
Speaker 1: about it's offensive. Yeah, man, what I don't retard they

536
00:35:36,360 --> 00:35:42,319
Speaker 1: got to say? I said me. I found at guys,

537
00:35:42,480 --> 00:35:47,200
Speaker 1: I can't even look my fingers plea s well, no

538
00:35:50,400 --> 00:35:59,800
Speaker 1: no offense to the people with Yeah, absolutely, Like I

539
00:36:00,280 --> 00:36:02,560
Speaker 1: I watched our show all the time, man, like one

540
00:36:02,840 --> 00:36:05,480
Speaker 1: of my favorite Joe color. When you said shout out

541
00:36:05,520 --> 00:36:09,959
Speaker 1: to the women that get head and control the kids

542
00:36:09,960 --> 00:36:14,120
Speaker 1: at the same time. Folks, man, I'm trying to see

543
00:36:14,120 --> 00:36:23,239
Speaker 1: the right the right man. We gotta show love of

544
00:36:23,360 --> 00:36:26,360
Speaker 1: that man. Love y'all they come up. I'm such a

545
00:36:26,480 --> 00:36:29,200
Speaker 1: fan of y'all. Many thank you. That ship means a

546
00:36:29,280 --> 00:36:33,000
Speaker 1: lot like Christmint gonna be on the show. You come me,

547
00:36:33,040 --> 00:36:39,960
Speaker 1: gonna be don gonna be yea yeah, yeah man, y'all

548
00:36:40,040 --> 00:36:42,960
Speaker 1: my favorite man. Folks with your heart. Appreciate y'all keep

549
00:36:43,120 --> 00:36:49,239
Speaker 1: your car collections. Come on about to call you know,

550
00:36:54,880 --> 00:36:56,879
Speaker 1: I ain't get my paint. No, I'm trying to risk

551
00:36:57,160 --> 00:37:03,920
Speaker 1: used to call im done to get yeah. Yeah. That

552
00:37:05,000 --> 00:37:07,600
Speaker 1: time I'm talking to him out ahead, I'm like, bro,

553
00:37:08,760 --> 00:37:11,080
Speaker 1: you do you want? He gave me that front that

554
00:37:11,120 --> 00:37:13,560
Speaker 1: he said with man, I got my camera's gonna take

555
00:37:13,600 --> 00:37:17,640
Speaker 1: some pictures. It was a don't make sense. You're not

556
00:37:17,719 --> 00:37:20,239
Speaker 1: going out there getting getting the Cadillac. Man, that's what

557
00:37:20,960 --> 00:37:25,600
Speaker 1: you only make some concollection. Yes, I know you got

558
00:37:25,719 --> 00:37:30,200
Speaker 1: more color. I do on the way now, And he

559
00:37:30,280 --> 00:37:33,040
Speaker 1: could do. He got me up one time said stop

560
00:37:33,120 --> 00:37:36,400
Speaker 1: using that bad as you know. He said, I smell it.

561
00:37:45,320 --> 00:37:48,560
Speaker 1: Right now, and I don't do that. Take that out.

562
00:37:49,920 --> 00:37:55,480
Speaker 1: Yeah that's already done, and be like they ain't done,

563
00:37:55,600 --> 00:38:00,399
Speaker 1: but they're not. I mean, like, bro't real what really?

564
00:38:00,440 --> 00:38:03,920
Speaker 1: Trust it's perfect? No, it's not like you ain't even

565
00:38:03,960 --> 00:38:06,040
Speaker 1: know what it read it. It ain't crack it up.

566
00:38:07,680 --> 00:38:10,840
Speaker 1: I'm telling you, man, it's just it's a obsession at this.

567
00:38:10,960 --> 00:38:12,640
Speaker 1: I thought you're gonna do the race, and I thought

568
00:38:12,719 --> 00:38:15,520
Speaker 1: you're gonna do it. Isn't like like like every time

569
00:38:15,520 --> 00:38:16,640
Speaker 1: you get a call, you should be like when you

570
00:38:16,680 --> 00:38:18,040
Speaker 1: see it come to you and dry way you black.

571
00:38:23,160 --> 00:38:26,480
Speaker 1: You know what my family wanted. My family won't let

572
00:38:26,520 --> 00:38:30,480
Speaker 1: me do nothing dangerous. Yeah. I bought a motorcycle. My

573
00:38:30,600 --> 00:38:33,719
Speaker 1: brother loaded that bitch up and I ain't seen my

574
00:38:33,840 --> 00:38:38,359
Speaker 1: motors likely in three years. It's been about three years.

575
00:38:39,520 --> 00:38:43,560
Speaker 1: Good thing. They're gonna be like, I can't see this.

576
00:38:43,960 --> 00:38:46,120
Speaker 1: I bought a motorcycle. My brother took it to the

577
00:38:46,239 --> 00:38:51,120
Speaker 1: motherfucker home and took it apart. Yeah, it wasn't shipped

578
00:38:51,120 --> 00:38:54,960
Speaker 1: wrong with King, hey man. It was just like a

579
00:38:55,000 --> 00:38:58,359
Speaker 1: little cafe race and one of the European motorcycles. Yeah,

580
00:38:58,719 --> 00:39:00,920
Speaker 1: New Year, he said, I gotta get you. There's good now,

581
00:39:01,000 --> 00:39:03,680
Speaker 1: It wasn't dangerous man, that was just I was just

582
00:39:03,800 --> 00:39:07,120
Speaker 1: gonna cruise. What time did you get like? Wasn't the scooter?

583
00:39:08,000 --> 00:39:12,520
Speaker 1: I think James Dean Okay, I got you okay, not

584
00:39:12,719 --> 00:39:16,080
Speaker 1: like a crash rocket, just playboy ship that you put

585
00:39:16,160 --> 00:39:18,040
Speaker 1: a leather checket on it. You look back with your

586
00:39:18,080 --> 00:39:28,319
Speaker 1: heart broke what you said? Don't want that's the ship

587
00:39:28,360 --> 00:39:43,120
Speaker 1: you listen to that right, don't make ship now? Oh man,

588
00:39:43,280 --> 00:39:45,839
Speaker 1: future man, you don't know he came from the dun Yes, sir,

589
00:39:46,080 --> 00:39:50,040
Speaker 1: Future is Rico's first cousin. And I got your new blame.

590
00:39:50,719 --> 00:39:55,719
Speaker 1: Don't think it out. I'm not you want to smoke

591
00:39:57,120 --> 00:40:01,440
Speaker 1: what I mean? What you've been forgetting? It wasn't right?

592
00:40:01,640 --> 00:40:15,360
Speaker 1: You're gonna vote there? What Mike? What'll know me? Now?

593
00:40:15,440 --> 00:40:17,680
Speaker 1: I had brother, that's the one the way that broke

594
00:40:22,080 --> 00:40:26,280
Speaker 1: right over the hand. We're talking about we go away

595
00:40:26,880 --> 00:40:30,560
Speaker 1: first cousin, right, So like my future was younger, you know,

596
00:40:30,680 --> 00:40:33,880
Speaker 1: sending a future you know, was into wrong ship and everything.

597
00:40:34,360 --> 00:40:37,520
Speaker 1: And he used to come high at the dungeon and

598
00:40:37,640 --> 00:40:39,320
Speaker 1: when some ship go down here, come over out, you

599
00:40:39,360 --> 00:40:41,959
Speaker 1: know what I'm saying. So he would see Rico would

600
00:40:41,960 --> 00:40:44,400
Speaker 1: do and then Rico started showing him the light, you

601
00:40:44,440 --> 00:40:45,800
Speaker 1: know what I'm saying. And then Rico put him in

602
00:40:45,800 --> 00:40:48,840
Speaker 1: the rep group called Connects back in the day and

603
00:40:48,880 --> 00:40:51,560
Speaker 1: then they did like one one album whatever and then

604
00:40:51,920 --> 00:40:53,600
Speaker 1: you know, next thing, I knew, the Future was on

605
00:40:53,719 --> 00:40:55,560
Speaker 1: the whole and it changed his name for me, here

606
00:40:55,640 --> 00:40:57,440
Speaker 1: the Future and he was on a whole other thing.

607
00:40:57,600 --> 00:40:59,880
Speaker 1: So shout out the Future. Man. We're so proud of her,

608
00:41:02,160 --> 00:41:04,440
Speaker 1: you know what I'm saying. What was so proud of him? Like, man,

609
00:41:04,520 --> 00:41:06,799
Speaker 1: he is really on top of the game, and he's

610
00:41:06,880 --> 00:41:09,360
Speaker 1: really you know, you know, I wanted to steal to

611
00:41:09,400 --> 00:41:11,640
Speaker 1: work with him, and you know, just watching him work

612
00:41:11,680 --> 00:41:14,319
Speaker 1: and how you do it. Man, you know, he learned great. Man,

613
00:41:14,360 --> 00:41:16,799
Speaker 1: he doing his thing was he was he the last

614
00:41:16,840 --> 00:41:19,880
Speaker 1: person who's done Uh you can kind of say that,

615
00:41:20,200 --> 00:41:25,839
Speaker 1: you know, well you know yeah, yeah yeah connection. Yeah yeah.

616
00:41:25,840 --> 00:41:30,120
Speaker 1: Because the funny thing is, you know, like anytime you

617
00:41:30,200 --> 00:41:33,279
Speaker 1: know somebody's family and it's you know, automatically you've done

618
00:41:33,320 --> 00:41:35,640
Speaker 1: your family, you know what I'm saying. But you know,

619
00:41:35,800 --> 00:41:39,400
Speaker 1: he the Future just is fucking insane with him, bro,

620
00:41:39,600 --> 00:41:42,719
Speaker 1: Like you know, he just I don't know, he just

621
00:41:43,239 --> 00:41:46,400
Speaker 1: I love him. The way he worked everything. How you

622
00:41:46,560 --> 00:41:48,919
Speaker 1: do it? Like when I worked with him, he didn't

623
00:41:48,920 --> 00:41:50,799
Speaker 1: even do his background hype pol I do. He had

624
00:41:50,840 --> 00:41:54,200
Speaker 1: to do it to do it for man, you're gonna

625
00:41:54,239 --> 00:42:03,040
Speaker 1: get that all dude didn't huh all you do? And

626
00:42:04,400 --> 00:42:08,880
Speaker 1: that's all he did for a chick. Chick him. You

627
00:42:08,920 --> 00:42:12,240
Speaker 1: know what I'm saying. Vibe man, and you know, shouts

628
00:42:12,280 --> 00:42:17,720
Speaker 1: out to kill him. Mike killing Mike definitely, and team

629
00:42:17,719 --> 00:42:26,239
Speaker 1: even bring up with die excuse me, that's what don't know.

630
00:42:26,320 --> 00:42:32,719
Speaker 1: I don't remember ship. Thank you. This man killing White

631
00:42:32,800 --> 00:42:35,400
Speaker 1: record was insane. I'm very proud of him, just so

632
00:42:35,719 --> 00:42:38,440
Speaker 1: you know him as a person. And you know we're

633
00:42:38,480 --> 00:42:40,800
Speaker 1: running Jews had great that's going and you know with

634
00:42:40,920 --> 00:42:44,000
Speaker 1: everything man, so dude, they never do triping drugs. You

635
00:42:46,640 --> 00:42:50,160
Speaker 1: hay me this ship, he didn't grow it out. You

636
00:42:50,200 --> 00:43:16,160
Speaker 1: just get something not to pay con. He was saying, no, man,

637
00:43:16,320 --> 00:43:19,799
Speaker 1: kill my whole crew. Man, everybody broke. Everybody shout out.

638
00:43:22,120 --> 00:43:25,200
Speaker 1: That's one of them, cold as hooks. You did your

639
00:43:25,280 --> 00:43:29,160
Speaker 1: thing on that. There's a lot of them though. We

640
00:43:29,239 --> 00:43:32,360
Speaker 1: can really send here and name ship all day. Motherfucking

641
00:43:32,440 --> 00:43:36,320
Speaker 1: goat man. Anytime. Niggers have contributed to the culture of

642
00:43:36,560 --> 00:43:40,480
Speaker 1: hip hop. I don't think they understand you are contributing

643
00:43:40,600 --> 00:43:43,600
Speaker 1: to the culture of hip hop. You a goat. So

644
00:43:43,800 --> 00:43:46,640
Speaker 1: anytime I meet somebody or somebody has any any time

645
00:43:46,680 --> 00:43:49,120
Speaker 1: they have done something for the culture, man, we gotta

646
00:43:49,160 --> 00:43:55,120
Speaker 1: give them their problem. Speaking of working a man, chill

647
00:43:55,360 --> 00:43:58,200
Speaker 1: see one of the hottest things that ever come through

648
00:43:58,239 --> 00:44:02,080
Speaker 1: the music industry. Yes, that, um you know, of course,

649
00:44:02,160 --> 00:44:05,000
Speaker 1: like I said, we were friends with with t bos

650
00:44:05,360 --> 00:44:08,680
Speaker 1: and uh. Our first job with them was a Christmas

651
00:44:08,719 --> 00:44:15,440
Speaker 1: record Um the face Christmas Records called sleigh Ride. Christmas

652
00:44:15,560 --> 00:44:22,719
Speaker 1: said that that one you know that ship. I don't

653
00:44:22,719 --> 00:44:26,479
Speaker 1: know why I started saying so, but he wasn't gonna

654
00:44:26,520 --> 00:44:29,520
Speaker 1: know the name. That was the first city girl if

655
00:44:29,560 --> 00:44:34,520
Speaker 1: you think about it, if you think about they know

656
00:44:34,840 --> 00:44:38,440
Speaker 1: they know that. I'm just flat out asking for dick.

657
00:44:39,000 --> 00:44:42,680
Speaker 1: Ain't too proud was their first sea. They were the

658
00:44:42,719 --> 00:44:45,480
Speaker 1: first city girls, he said, if I need it in

659
00:44:45,560 --> 00:44:47,879
Speaker 1: the morning, in the middle of the night, I ain't

660
00:44:47,920 --> 00:44:52,879
Speaker 1: too proudly. And they had their own condoms, yeah, only

661
00:44:53,320 --> 00:44:59,920
Speaker 1: left I used to wear ye yeo. So that was

662
00:45:00,000 --> 00:45:03,560
Speaker 1: one of our first gigs over there with with pebbles

663
00:45:03,640 --> 00:45:06,560
Speaker 1: in them and slave rid yes, slave right. And then

664
00:45:06,600 --> 00:45:08,439
Speaker 1: after that was All I Want from Christmas with another

665
00:45:08,480 --> 00:45:11,920
Speaker 1: Christmas record form, and then after that became then the

666
00:45:12,000 --> 00:45:16,320
Speaker 1: next thing was Waterfalls. Waterfalls. Yeah, my boy, my queis

667
00:45:16,360 --> 00:45:18,719
Speaker 1: ethics one. He's like he's original man. He was in

668
00:45:18,760 --> 00:45:20,480
Speaker 1: a single with When You Boys with Us, so he's

669
00:45:20,480 --> 00:45:25,799
Speaker 1: always been done the family. But he wrote um Waterfalls. Yeah,

670
00:45:26,360 --> 00:45:30,200
Speaker 1: that's one of the biggest high selling regulars still to

671
00:45:30,280 --> 00:45:33,480
Speaker 1: this day. Still to this day, it's one of our

672
00:45:33,560 --> 00:45:41,840
Speaker 1: biggest records. Like you know, I always hear everywhere elevator, restaurant, school, everywhere,

673
00:45:41,960 --> 00:45:45,680
Speaker 1: just it's being played everything everything. You only know. I

674
00:45:45,760 --> 00:45:49,760
Speaker 1: was in Man, so y'all game was so much music

675
00:45:49,800 --> 00:45:54,319
Speaker 1: to play, play before I was a percussional. But before

676
00:45:54,320 --> 00:45:58,839
Speaker 1: I got that pa yes, sir Trump, Yes, sir yes,

677
00:45:59,000 --> 00:46:09,640
Speaker 1: ut that everything. When I got drawn over Man water

678
00:46:09,760 --> 00:46:14,120
Speaker 1: Falls Damn they had so many dope ass songs. Yeah

679
00:46:14,120 --> 00:46:17,400
Speaker 1: they had That's yeah, they definitely did. Bro Chelsea was

680
00:46:18,239 --> 00:46:21,120
Speaker 1: shouts out of the pebbles putting that together. That was

681
00:46:21,200 --> 00:46:24,400
Speaker 1: her that was her thought, that was her thing. She

682
00:46:24,640 --> 00:46:27,040
Speaker 1: she put that group together. She you know what I'm saying,

683
00:46:27,120 --> 00:46:30,240
Speaker 1: She really knew what to do with them and shout

684
00:46:30,280 --> 00:46:33,040
Speaker 1: at Dallas that has produced it exactly. That did all that.

685
00:46:33,160 --> 00:46:34,719
Speaker 1: You know what I'm saying, That's gave him the sound.

686
00:46:34,920 --> 00:46:37,759
Speaker 1: So you know that was one thing about the Dungeon family.

687
00:46:38,239 --> 00:46:42,000
Speaker 1: We wanted to give Atlanta a voice. We wanted like

688
00:46:42,400 --> 00:46:44,160
Speaker 1: I never forget. Like back in the day, Man Rico

689
00:46:44,239 --> 00:46:46,279
Speaker 1: went to concert. Man, all of us we went go

690
00:46:46,440 --> 00:46:50,080
Speaker 1: see DJ Quick and DJ Quick had every day quickamn

691
00:46:50,239 --> 00:46:53,920
Speaker 1: hard everybody. Jordan's screamed to come to hear everybody screaming

692
00:46:53,960 --> 00:46:57,280
Speaker 1: coming now coming in the place where her homeboys chills

693
00:46:57,800 --> 00:47:00,360
Speaker 1: all that. You know what I'm saying. You know, we

694
00:47:00,440 --> 00:47:02,200
Speaker 1: started like doing our thing. I was like, man, we

695
00:47:02,320 --> 00:47:04,520
Speaker 1: have to you know, saying, we gotta started calling our

696
00:47:04,560 --> 00:47:06,840
Speaker 1: spots letting we don't know where we're from or no

697
00:47:06,960 --> 00:47:09,040
Speaker 1: what not to go this way you should go. You

698
00:47:09,040 --> 00:47:10,800
Speaker 1: know what I'm saying. That that's the whole thing with

699
00:47:10,920 --> 00:47:13,920
Speaker 1: each point being in college. Yeah, that that was the

700
00:47:13,960 --> 00:47:17,160
Speaker 1: whole point, because yes, sir, we listened to the credit.

701
00:47:17,360 --> 00:47:19,560
Speaker 1: We listened to everybody. We said, man, we gotta we're

702
00:47:19,560 --> 00:47:22,360
Speaker 1: gonna represent Atlanta on this kind of ship we go.

703
00:47:22,440 --> 00:47:24,800
Speaker 1: We're gonna have to represent so we're gonna have to

704
00:47:24,840 --> 00:47:26,840
Speaker 1: listen to the best and be like, Okay, well, this

705
00:47:26,880 --> 00:47:28,719
Speaker 1: is what we're gonna do. You know what I'm saying.

706
00:47:28,840 --> 00:47:30,880
Speaker 1: We had, you know, we put in the great musicians.

707
00:47:30,960 --> 00:47:34,319
Speaker 1: We had Prest and Tommy Martin, Billy Holding, we had

708
00:47:34,400 --> 00:47:38,960
Speaker 1: all the greatest, all the great musicians in Atlanta along

709
00:47:39,040 --> 00:47:42,239
Speaker 1: with us created that sound man and it was a

710
00:47:42,239 --> 00:47:44,680
Speaker 1: beautiful thing. I all came together. Man, It's a blessing,

711
00:47:45,719 --> 00:47:48,960
Speaker 1: super blessing. Bro. When did all this music ship started

712
00:47:49,040 --> 00:47:59,040
Speaker 1: making sense to you? Um? Well, started making sense? Where

713
00:47:59,040 --> 00:48:00,600
Speaker 1: I knew it was just like, well, this is what

714
00:48:00,680 --> 00:48:03,759
Speaker 1: we're doing. O care man. We did play a ball

715
00:48:03,800 --> 00:48:05,600
Speaker 1: and I saw the whole thing. Then I knew we

716
00:48:05,680 --> 00:48:10,600
Speaker 1: weren't gonna ever fall off after that one. After that

717
00:48:11,000 --> 00:48:14,680
Speaker 1: player ball, I knew it. When La came up and said, okay, sleeping,

718
00:48:14,680 --> 00:48:16,640
Speaker 1: you don't have to stay, you don under stay. Instead

719
00:48:16,680 --> 00:48:18,799
Speaker 1: of saying on Christmas Day, you gotta say all day

720
00:48:18,920 --> 00:48:20,800
Speaker 1: and day, you gotta say that we gotta make a

721
00:48:20,880 --> 00:48:23,920
Speaker 1: regular record, I knew it was old. You know what

722
00:48:23,960 --> 00:48:26,840
Speaker 1: I'm saying. And another time where I really saw it,

723
00:48:28,120 --> 00:48:32,440
Speaker 1: um um uh, it's a tour, it's a festival. Whatever

724
00:48:32,520 --> 00:48:34,960
Speaker 1: outcasts coming on next Lutle Christ. Just when our outcast

725
00:48:35,080 --> 00:48:39,680
Speaker 1: comes on and at first all the black kids at

726
00:48:39,719 --> 00:48:42,360
Speaker 1: the stage. You know what I'm saying, I'm up in

727
00:48:42,440 --> 00:48:48,319
Speaker 1: the grass. They said, yo, coming up next our cass bro.

728
00:48:48,719 --> 00:48:52,400
Speaker 1: When I tell you, it was like all of the

729
00:48:52,440 --> 00:48:56,200
Speaker 1: white kids and spanding and all of this came running

730
00:48:56,239 --> 00:48:58,440
Speaker 1: down to the front past me and I looked at

731
00:48:58,480 --> 00:49:02,200
Speaker 1: RECUSTI why them cross though, who? I said, look at

732
00:49:02,239 --> 00:49:06,560
Speaker 1: this man and this is this is on that album

733
00:49:06,640 --> 00:49:09,080
Speaker 1: and I was like, wow, bro, like this is crazy.

734
00:49:09,080 --> 00:49:10,960
Speaker 1: That's when I really start seeing the big picture of it,

735
00:49:11,520 --> 00:49:13,040
Speaker 1: you know what I'm saying. When the crowd really started

736
00:49:13,120 --> 00:49:16,279
Speaker 1: understanding and start singing Elevators with him and start knowing

737
00:49:16,320 --> 00:49:18,960
Speaker 1: the words, and you know what I'm saying, it was like, wow,

738
00:49:19,160 --> 00:49:21,880
Speaker 1: you know what I'm Sayings are still one of my

739
00:49:21,960 --> 00:49:27,120
Speaker 1: favorite wheels still, yes, sir, well yeah, yes, sir, yes, sir.

740
00:49:29,239 --> 00:49:37,160
Speaker 1: Damn Elevators. That was that one. Like everybody, I felt

741
00:49:37,200 --> 00:49:42,279
Speaker 1: like that was the one that really just like that Elevators.

742
00:49:42,520 --> 00:49:45,080
Speaker 1: It just that's the one that let everybody know, Yes,

743
00:49:45,239 --> 00:49:47,560
Speaker 1: that was to me, that was like everybody outside the

744
00:49:47,640 --> 00:49:49,759
Speaker 1: South who did who missed the Get Up, Get Out

745
00:49:50,200 --> 00:49:52,799
Speaker 1: and all of them earlier joints when they came out

746
00:49:52,920 --> 00:49:57,000
Speaker 1: with with Elevators, because it's that ship, couldn't nobody to

747
00:49:57,120 --> 00:49:58,640
Speaker 1: tell what it was from. And this is at a

748
00:49:58,719 --> 00:50:01,719
Speaker 1: time where she was on the rain. Yes, So it's

749
00:50:01,800 --> 00:50:04,480
Speaker 1: like if you go to Chicago when you hear that

750
00:50:04,560 --> 00:50:06,840
Speaker 1: ship and then niggas in New York is playing it,

751
00:50:06,960 --> 00:50:08,839
Speaker 1: it's like, this is one of the ones that they

752
00:50:08,880 --> 00:50:11,920
Speaker 1: don't matter where the fuck you from? Right, to me,

753
00:50:12,960 --> 00:50:16,719
Speaker 1: that that was really the introduction of outcast Southern playeralistic

754
00:50:16,840 --> 00:50:19,239
Speaker 1: to me, it's kind of like a Dungee family. That's

755
00:50:19,520 --> 00:50:22,279
Speaker 1: that's the South, the South and newbout Southern player lists, right.

756
00:50:22,680 --> 00:50:28,839
Speaker 1: But Elevators, t Bro, that was love that record. That's

757
00:50:28,840 --> 00:50:31,480
Speaker 1: when my funds started going to Germany and shipping. Well

758
00:50:33,560 --> 00:50:41,520
Speaker 1: it's a different level. Yeah, that what I was gonna

759
00:50:41,520 --> 00:50:44,200
Speaker 1: ask you earlier. Where is like one of the strangest

760
00:50:44,239 --> 00:50:48,200
Speaker 1: places that you went for a show? You can't believe

761
00:50:48,239 --> 00:51:02,560
Speaker 1: that they Budapest, Budapad, that's it killed over look, like

762
00:51:02,640 --> 00:51:05,440
Speaker 1: you know where the bootpist this is where the big

763
00:51:05,520 --> 00:51:11,960
Speaker 1: motherfuck go usher Michael Jackson be on saying ship adversary

764
00:51:12,120 --> 00:51:16,279
Speaker 1: or tour and uh, yeah, man, my homeboy found some

765
00:51:16,360 --> 00:51:18,719
Speaker 1: weed out there man, we smoked weed and Budapest. I

766
00:51:18,760 --> 00:51:21,840
Speaker 1: couldn't believe it. I was like, well, I'm in Budapest

767
00:51:21,840 --> 00:51:24,560
Speaker 1: and you had a big gass tree front of church,

768
00:51:24,600 --> 00:51:31,080
Speaker 1: smol the blunt Budapest nigger. We don't fucking boota pass anything.

769
00:51:31,160 --> 00:51:33,680
Speaker 1: Can just say that. I think what you're smoking in

770
00:51:33,920 --> 00:51:41,000
Speaker 1: Boota past nick, Budapest is in Budapest and the Endosia.

771
00:51:41,160 --> 00:51:59,239
Speaker 1: So ships, where's it? You're yeah, it's over there, fun

772
00:51:59,320 --> 00:52:02,240
Speaker 1: That ship is in Atlanta. It's so far that motherfuckers

773
00:52:02,280 --> 00:52:07,600
Speaker 1: don't even know how far it is far Buda George

774
00:52:08,440 --> 00:52:14,239
Speaker 1: about about three three and a half South George, South

775
00:52:14,320 --> 00:52:17,719
Speaker 1: Georga boope. The up part is the problem is a

776
00:52:17,719 --> 00:52:20,200
Speaker 1: Budapest George. They're gonna be in the comment. They ain't

777
00:52:20,200 --> 00:52:27,640
Speaker 1: no about to pay. Yeah, brod, we're holding up b

778
00:52:29,560 --> 00:52:36,640
Speaker 1: name out your mother in Budapest. Buddha is where all

779
00:52:36,640 --> 00:52:40,799
Speaker 1: the rich folks stay, well, young people staying because they

780
00:52:40,920 --> 00:52:45,200
Speaker 1: bother they bother them. They passed. So it's it's Budapest.

781
00:52:45,360 --> 00:52:50,040
Speaker 1: So as it passed Budapest or booda Budapest. Because you said,

782
00:52:50,280 --> 00:52:55,839
Speaker 1: I said Budapest, second time you said Boodoo. Okay, man,

783
00:52:55,920 --> 00:52:59,520
Speaker 1: leave alone like I stay in Bootoo smoking so you know,

784
00:52:59,680 --> 00:53:03,400
Speaker 1: broke Booty fan, he said, ripples. They let me go that.

785
00:53:03,640 --> 00:53:06,880
Speaker 1: They called it that. They taught me. Yes, all all

786
00:53:06,920 --> 00:53:09,600
Speaker 1: the wealthy people stay on that side and all of

787
00:53:09,719 --> 00:53:16,000
Speaker 1: the young. Okay, we going to pass the little past.

788
00:53:16,800 --> 00:53:24,759
Speaker 1: I want to have a boot boy. They're gonna be

789
00:53:24,800 --> 00:53:27,799
Speaker 1: some confience about that one, they said. I think they

790
00:53:27,880 --> 00:53:33,000
Speaker 1: said brown coming to Bootpen. Many people look at the population.

791
00:53:33,040 --> 00:53:35,680
Speaker 1: I'm looking. I'm in the school they got probably walking everything.

792
00:53:38,600 --> 00:53:40,480
Speaker 1: One of them want to count they just got it's

793
00:53:40,480 --> 00:53:46,480
Speaker 1: a town, count one school one everything. Everything is a

794
00:53:46,520 --> 00:53:49,880
Speaker 1: bus trip. Believe everything and your chained man. Yeah, I'm

795
00:53:50,239 --> 00:53:59,719
Speaker 1: man Nick boot the past, joga, the booming an of that.

796
00:54:00,080 --> 00:54:02,759
Speaker 1: Shout out to Budapest, Georgia. Man, we just we just

797
00:54:02,960 --> 00:54:07,080
Speaker 1: learned about y'all. Shout out, bro We gotta do a show.

798
00:54:07,160 --> 00:54:10,160
Speaker 1: It's one point three million people down. Get some people

799
00:54:10,200 --> 00:54:18,399
Speaker 1: like that. We can get that point three. It ain't

800
00:54:18,440 --> 00:54:30,880
Speaker 1: telling me shy I got in again. He can do

801
00:54:31,000 --> 00:54:35,279
Speaker 1: that though, you definitely do that. Got who He got

802
00:54:35,400 --> 00:54:37,400
Speaker 1: a whole exit and tried to act like he know

803
00:54:37,560 --> 00:54:41,680
Speaker 1: they was getting him. Exits on my way to work,

804
00:54:41,719 --> 00:54:43,759
Speaker 1: and I looked up and I saw this. I was like, wow, Like,

805
00:54:46,560 --> 00:54:49,080
Speaker 1: you know they're gonna call you. Ain't gonna just put

806
00:54:49,120 --> 00:54:53,799
Speaker 1: it on. Though he got an exit, Cam Newton got

807
00:54:54,000 --> 00:55:00,399
Speaker 1: forty two says ship go down Cam Creek. That's true?

808
00:55:01,800 --> 00:55:06,200
Speaker 1: That about Tim or that mean a boy? Would I

809
00:55:06,239 --> 00:55:11,520
Speaker 1: know what winning that? Okay? Okay, I don't know what

810
00:55:11,600 --> 00:55:20,680
Speaker 1: none of this ship boot. I don't know a little bit.

811
00:55:21,480 --> 00:55:24,080
Speaker 1: A lot of people. What do you mean by Mouaz?

812
00:55:24,360 --> 00:55:27,480
Speaker 1: But that mounts on Georgia. God damn, I sign and

813
00:55:27,680 --> 00:55:31,080
Speaker 1: Mouz stop coming over there and start replacing nothing and

814
00:55:31,239 --> 00:55:33,440
Speaker 1: do the same thing. What would you tell the up

815
00:55:33,480 --> 00:55:35,560
Speaker 1: and coming producers? I know they asked you for ship

816
00:55:35,640 --> 00:55:39,040
Speaker 1: all the time. Yeah, just don't stop doing what you do. Uh,

817
00:55:39,640 --> 00:55:42,839
Speaker 1: the talent to you. When you stop, it's basically over.

818
00:55:43,200 --> 00:55:45,520
Speaker 1: You know what I'm saying. Keep working. It's going to

819
00:55:45,640 --> 00:55:48,000
Speaker 1: work for you if you keep working. I promise you.

820
00:55:48,120 --> 00:55:54,120
Speaker 1: They took us. It took us what about about five years?

821
00:55:54,960 --> 00:55:57,719
Speaker 1: Think about five years to really start getting going. So

822
00:55:58,160 --> 00:55:59,919
Speaker 1: as long as you stick with it and just don't

823
00:56:00,040 --> 00:56:02,600
Speaker 1: get tired of and it's gonna work for you. Bro,

824
00:56:02,680 --> 00:56:04,960
Speaker 1: somebody's gonna hit something. They're gonna they're gonna tell. They're

825
00:56:04,960 --> 00:56:06,600
Speaker 1: gonna tell a friend. That's why I'll be telling him.

826
00:56:06,640 --> 00:56:13,480
Speaker 1: Mother jam Yeah yeah, ship sleeping brown bro. Problem this

827
00:56:13,600 --> 00:56:16,120
Speaker 1: nigga life coach Bro like I was in the studio here,

828
00:56:16,719 --> 00:56:23,440
Speaker 1: looked at me like I'm the ferson that believed in

829
00:56:23,520 --> 00:56:26,240
Speaker 1: this and when I met him, he believe in itself.

830
00:56:26,960 --> 00:56:29,360
Speaker 1: You be leaving, man. You're not gonna be a here

831
00:56:29,480 --> 00:56:32,400
Speaker 1: believing in you and you don't. They don't work like that.

832
00:56:38,520 --> 00:56:40,120
Speaker 1: You could be selling your beast. The niggas that be

833
00:56:40,200 --> 00:56:44,160
Speaker 1: watching the show jail here like maybe nigging it like round,

834
00:56:46,440 --> 00:56:51,960
Speaker 1: but they don't know how to run y'all around like

835
00:56:52,440 --> 00:56:58,560
Speaker 1: that story, y'all, because it's a real lady nigga's out

836
00:56:58,640 --> 00:57:01,719
Speaker 1: the Boodoo pit. You didn't hurt all the city, but

837
00:57:01,880 --> 00:57:04,520
Speaker 1: you don't know about the red little piss on the map.

838
00:57:05,000 --> 00:57:08,920
Speaker 1: Everybody stay there and it's real landing wish you chopper

839
00:57:09,040 --> 00:57:12,080
Speaker 1: who don't play that? And they don't play that, y'all.

840
00:57:12,239 --> 00:57:14,920
Speaker 1: A lot of police and I know a few people.

841
00:57:15,400 --> 00:57:18,920
Speaker 1: I know my uncle niche ain't that my sister hey here, No,

842
00:57:19,240 --> 00:57:22,919
Speaker 1: she don't stay that, hey bootle pan y'all, we ain't

843
00:57:23,000 --> 00:57:26,959
Speaker 1: been there ugle lie, y'all google lie, I'm gonna tell

844
00:57:27,040 --> 00:57:31,600
Speaker 1: you ain't no million point three dining there. Food ain't

845
00:57:31,640 --> 00:57:35,640
Speaker 1: number two on a sixty eight people, one school, nigga,

846
00:57:36,120 --> 00:57:40,800
Speaker 1: one church, one house, one brodma, one uncle. Everybody shut

847
00:57:40,880 --> 00:57:45,360
Speaker 1: the same cucking one MoMA. Y'all. You already know boutlepet

848
00:57:45,560 --> 00:57:52,120
Speaker 1: got the close nigga's nickown got some choppol there. Let

849
00:57:52,200 --> 00:57:57,800
Speaker 1: them go act like you don't know, y'all. I was

850
00:57:57,960 --> 00:58:00,400
Speaker 1: choking on the no smoke and I went to go

851
00:58:00,640 --> 00:58:03,120
Speaker 1: to best forgot my mother. It's all a run school,

852
00:58:03,240 --> 00:58:08,400
Speaker 1: one house, one jail, one or run now, y'all. Yeah,

853
00:58:09,040 --> 00:58:12,919
Speaker 1: one school, one house, one jail, one or one more?

854
00:58:13,960 --> 00:58:19,480
Speaker 1: Yea one food. I'm call one jail one one more

855
00:58:19,960 --> 00:58:26,440
Speaker 1: the pi one school, one jail, one one boat. The

856
00:58:26,680 --> 00:58:33,640
Speaker 1: bill Who the dogs foo? The big bad foot pat dogs?

857
00:58:34,080 --> 00:58:39,280
Speaker 1: What the death dogs? What? I don't die fo? The

858
00:58:39,440 --> 00:58:46,400
Speaker 1: big dog put your motherfucking which put your little to

859
00:58:46,640 --> 00:58:49,960
Speaker 1: the pi? Boo the fool food puts your hood the

860
00:58:50,080 --> 00:58:54,840
Speaker 1: pig foo boo pit your pig fool get what ain't

861
00:58:54,880 --> 00:58:59,880
Speaker 1: no east side, the west side, no south side. It's

862
00:59:00,040 --> 00:59:05,640
Speaker 1: one side, no east side, no south side, no wear side.

863
00:59:06,320 --> 00:59:22,000
Speaker 1: It's one side from gonna. We called anything you know

864
00:59:22,080 --> 00:59:24,680
Speaker 1: what I thought would allow them really lord though we

865
00:59:24,960 --> 00:59:28,959
Speaker 1: entertained ourselves. Yeah, we did. You see what I'm saying.

866
00:59:29,440 --> 00:59:32,280
Speaker 1: That was the whole time show thing. Man. Man, everybody

867
00:59:32,320 --> 00:59:34,800
Speaker 1: that kind of did time shows up doing something Silk

868
00:59:35,200 --> 00:59:40,000
Speaker 1: silk bed once. Well, uh ship me. I was a

869
00:59:40,160 --> 00:59:42,560
Speaker 1: dance group back then called Guessing and we used to

870
00:59:42,640 --> 00:59:45,720
Speaker 1: eat and we used to kill that ship over. Yes, sir,

871
00:59:46,080 --> 00:59:47,800
Speaker 1: it was fun time back in the high school doing

872
00:59:47,840 --> 00:59:50,000
Speaker 1: that ship. Back then, when I think that was like

873
00:59:50,120 --> 00:59:52,360
Speaker 1: to when the Renaissance was blowing up and it was

874
00:59:52,360 --> 00:59:57,560
Speaker 1: actually giving people a platform to to to express theirselves.

875
00:59:58,160 --> 01:00:01,439
Speaker 1: Dancing music was at a well at the all time,

876
01:00:01,480 --> 01:00:02,960
Speaker 1: you know what I'm saying, at a hot rate. Before

877
01:00:03,000 --> 01:00:06,520
Speaker 1: you were like picking up a basketball. It was like Nick,

878
01:00:06,640 --> 01:00:09,240
Speaker 1: you were trying to show you. You know, Atlanta has

879
01:00:09,280 --> 01:00:11,920
Speaker 1: always been a gumbo. We always would look at stuff

880
01:00:11,960 --> 01:00:14,680
Speaker 1: and like Atlanta music back then with more in Miami.

881
01:00:15,320 --> 01:00:19,160
Speaker 1: We love fast records, It's time all on records, Egyptian

882
01:00:19,280 --> 01:00:23,280
Speaker 1: love all that stuff. So you know, you know Atlanta,

883
01:00:23,320 --> 01:00:25,840
Speaker 1: we we That's what I love about Atlanta, Like we

884
01:00:26,160 --> 01:00:28,120
Speaker 1: love everything and we're taking and then count put it

885
01:00:28,240 --> 01:00:30,720
Speaker 1: over here and go okay like that like that, you

886
01:00:30,760 --> 01:00:35,320
Speaker 1: know what I'm saying. Season that sime we cool, you

887
01:00:35,360 --> 01:00:39,640
Speaker 1: know what I'm saying. So yeah, yeah, that's That's the

888
01:00:39,720 --> 01:00:43,120
Speaker 1: dope thing about the city though. Man, It's like there's

889
01:00:43,160 --> 01:00:47,360
Speaker 1: so much ship going on. Like if you love rapping

890
01:00:47,480 --> 01:00:51,080
Speaker 1: music and ship, you can go to twenty open mics

891
01:00:51,160 --> 01:00:56,520
Speaker 1: and hear forty rappers from nineties cities. That's true, That's true.

892
01:00:57,520 --> 01:01:04,160
Speaker 1: You give what I'm saying. I used to host a

893
01:01:04,200 --> 01:01:06,360
Speaker 1: whole lot of like open mic rappers that ship and

894
01:01:06,400 --> 01:01:09,280
Speaker 1: then just be like you can sit there and be like, man,

895
01:01:09,360 --> 01:01:11,640
Speaker 1: this ship ain't that ship? Ain't it? I don't never

896
01:01:11,720 --> 01:01:13,480
Speaker 1: hear that ship again, but that they could come back

897
01:01:13,520 --> 01:01:18,000
Speaker 1: eleven weeks straight and then it's like the next thing,

898
01:01:18,120 --> 01:01:21,040
Speaker 1: you know, it's like I know all the words and

899
01:01:22,320 --> 01:01:25,240
Speaker 1: I haven't seen that the twelve Strip Club performing this

900
01:01:25,520 --> 01:01:30,120
Speaker 1: same goddamn he didn't give up on this, mother, bro,

901
01:01:31,000 --> 01:01:37,360
Speaker 1: So you know that you know this all man, it's

902
01:01:37,360 --> 01:01:41,800
Speaker 1: a classic bro. Man. I remember it was this uh.

903
01:01:43,240 --> 01:01:45,840
Speaker 1: I remember it was this dude. He had wrote this

904
01:01:45,960 --> 01:01:49,600
Speaker 1: song for some strippers and the first time he came

905
01:01:49,680 --> 01:01:52,080
Speaker 1: and performing that ship, I thought it was the funniest

906
01:01:52,120 --> 01:01:55,040
Speaker 1: ship ever, bro, because he was just going so hard

907
01:01:55,800 --> 01:01:59,160
Speaker 1: with his performance, and he had he had set up

908
01:01:59,200 --> 01:02:01,880
Speaker 1: a little stage, he had a little strip. It was

909
01:02:01,960 --> 01:02:05,520
Speaker 1: just one striple though, But she was just like she

910
01:02:05,600 --> 01:02:10,720
Speaker 1: wouldn't she wouldn't have like bad bad You could looking

911
01:02:10,720 --> 01:02:12,360
Speaker 1: at it and tell us people to dance a little.

912
01:02:12,360 --> 01:02:14,440
Speaker 1: But then it's like he wouldn't perform this ship. And

913
01:02:14,520 --> 01:02:18,800
Speaker 1: I was like, am I the only one who thinks

914
01:02:18,880 --> 01:02:21,800
Speaker 1: this is hilarious? But after I've seen that ship performed

915
01:02:22,680 --> 01:02:24,960
Speaker 1: thirty one times in a row, I was like, he

916
01:02:25,080 --> 01:02:32,000
Speaker 1: got one, he got it. I guess, man, that boy gone.

917
01:02:33,640 --> 01:02:36,120
Speaker 1: But it's a crazy thing, is I? Um? It was

918
01:02:36,200 --> 01:02:38,720
Speaker 1: just one dude used to come to open mic. He

919
01:02:38,840 --> 01:02:42,760
Speaker 1: had the worst song you probably with. Never thought it

920
01:02:42,840 --> 01:02:45,080
Speaker 1: was going nowhere? Then't he even went to went to

921
01:02:45,200 --> 01:02:48,840
Speaker 1: Japan and did a hundred shows. Man came back wrapped

922
01:02:48,920 --> 01:02:54,439
Speaker 1: up on everybody. They love us to tell but every

923
01:02:54,480 --> 01:02:56,760
Speaker 1: time we went over there, Bro, and it's such a

924
01:02:56,760 --> 01:02:59,320
Speaker 1: trick over. We did a festival over there, and when

925
01:02:59,400 --> 01:03:02,640
Speaker 1: we were we had curtained up and it was so quiet, Bro,

926
01:03:02,800 --> 01:03:05,920
Speaker 1: you can hear like cricket, right, It was super quiet.

927
01:03:05,960 --> 01:03:09,840
Speaker 1: I'm like, where's the crowd? Man? It was like two

928
01:03:09,920 --> 01:03:14,120
Speaker 1: hundred thousand people like this, wait just wait, and when

929
01:03:14,160 --> 01:03:20,720
Speaker 1: that curtain drawing raw, like oh ship, like that's yes,

930
01:03:20,840 --> 01:03:25,440
Speaker 1: you have had that in America, man abound each other

931
01:03:25,560 --> 01:03:28,840
Speaker 1: quiet like that, And it was just all like, wait,

932
01:03:29,240 --> 01:03:32,880
Speaker 1: just wait, I'm never saying anything like that. It's amazing.

933
01:03:33,080 --> 01:03:36,240
Speaker 1: It's really amazing. They they love our culture, they love

934
01:03:36,320 --> 01:03:39,200
Speaker 1: they were the show. I would love to be around

935
01:03:39,280 --> 01:03:44,160
Speaker 1: people with that much sense. You quiet way to see

936
01:03:44,200 --> 01:03:48,520
Speaker 1: me that was. That would be so dope. Can you imagine?

937
01:03:49,720 --> 01:03:52,400
Speaker 1: Don't do that? All right, but you can't do none

938
01:03:52,440 --> 01:03:56,800
Speaker 1: of this unacceptable ship no more man never. But you

939
01:03:56,880 --> 01:03:58,720
Speaker 1: didn't have to say that. And now they're gonna be like,

940
01:03:59,360 --> 01:04:06,680
Speaker 1: that's fun. I don't think. All right, you don't know

941
01:04:06,760 --> 01:04:11,160
Speaker 1: what the funk you just said. People start walking up

942
01:04:11,160 --> 01:04:13,720
Speaker 1: and your pean on your feet. Don't say nothing, be

943
01:04:13,720 --> 01:04:16,360
Speaker 1: cause you asked for that ship. You don't know what

944
01:04:16,520 --> 01:04:19,360
Speaker 1: the fun you just said to them. You could have said,

945
01:04:19,400 --> 01:04:21,560
Speaker 1: my name is DC, young fly like people pee on

946
01:04:21,640 --> 01:04:25,000
Speaker 1: my legs and you're playing with them. No, I see

947
01:04:25,320 --> 01:04:28,280
Speaker 1: there you go? All right, you don't know what this

948
01:04:28,320 --> 01:04:38,960
Speaker 1: ship is gonna translate to man, okay, okay, knock you, okay,

949
01:04:40,120 --> 01:04:44,960
Speaker 1: feel my feet. Don't play with them people, man, I've

950
01:04:45,000 --> 01:04:49,400
Speaker 1: just been trying to look out for your safety. All right.

951
01:04:49,800 --> 01:04:51,800
Speaker 1: I see he ain't even the right kind of folks

952
01:04:51,880 --> 01:04:57,000
Speaker 1: that you said this ship too and my cousin. All right, bro,

953
01:05:00,000 --> 01:05:02,760
Speaker 1: ain't bloody. I'm talking about my family when they'd be

954
01:05:02,800 --> 01:05:10,000
Speaker 1: talking about you know what, we're going into a new year.

955
01:05:10,240 --> 01:05:13,560
Speaker 1: I'm through looking at I'm looking at you. Got it?

956
01:05:13,600 --> 01:05:20,400
Speaker 1: Bro'to talent doing the t I leo if you ain't

957
01:05:20,480 --> 01:05:26,680
Speaker 1: t I. It's an over the president our culture right now, Dude,

958
01:05:26,680 --> 01:05:28,760
Speaker 1: I'm gonna tell you something. I just did that voice.

959
01:05:29,000 --> 01:05:38,840
Speaker 1: He actually met the Korean Tupac's talking about a Korean tupap. No,

960
01:05:39,360 --> 01:05:42,800
Speaker 1: I'm through looking at for real, he's the career I

961
01:05:42,840 --> 01:05:46,400
Speaker 1: met him at l a Uh. She showed me everything.

962
01:05:46,440 --> 01:05:48,880
Speaker 1: I'm telling you. He they got him in books over

963
01:05:48,960 --> 01:05:53,600
Speaker 1: that he's like considered the Korean tupac. I don't know,

964
01:05:53,720 --> 01:05:56,520
Speaker 1: but they love him. I don't think he's doing it anymore,

965
01:05:56,600 --> 01:05:59,160
Speaker 1: but because when I met him, it was like two

966
01:05:59,240 --> 01:06:02,440
Speaker 1: years ago. So he dressed like tupun. He dressed like

967
01:06:02,480 --> 01:06:06,560
Speaker 1: tupunking like yeah, I guess the way he I'm not

968
01:06:06,600 --> 01:06:10,200
Speaker 1: going to say that because that's sound racist, but I

969
01:06:10,240 --> 01:06:12,200
Speaker 1: didn't understand what he was saying. So I don't know what.

970
01:06:12,440 --> 01:06:16,120
Speaker 1: You know, the truth racist? Yeah, but you know everybody's

971
01:06:16,160 --> 01:06:18,880
Speaker 1: so sensitive to you that they don't like the truths

972
01:06:19,240 --> 01:06:23,400
Speaker 1: now considered being sensitive. Yeah, it's a trip to for

973
01:06:24,120 --> 01:06:26,760
Speaker 1: Why did you say it like that? I don't know

974
01:06:26,800 --> 01:06:33,560
Speaker 1: what they have to do. I don't wish. We don't

975
01:06:33,600 --> 01:06:36,640
Speaker 1: live in that kind of world no more. Two times

976
01:06:36,720 --> 01:06:39,320
Speaker 1: two's four people were like, well, that's you're a pan

977
01:06:39,600 --> 01:06:41,320
Speaker 1: you know what. You know what that's I don't know

978
01:06:41,400 --> 01:06:45,040
Speaker 1: about how you said. That's why, little y'all because y'all

979
01:06:45,120 --> 01:06:47,360
Speaker 1: wrong with it. Man, y'all don't give a funk. And

980
01:06:47,400 --> 01:06:50,920
Speaker 1: I love it because that's what everybody loved. They missed that,

981
01:06:51,080 --> 01:06:53,160
Speaker 1: you know what they missed that row That just just

982
01:06:54,560 --> 01:07:02,880
Speaker 1: yeah exactly about man. Yeah, everybody ship time like whoa,

983
01:07:03,640 --> 01:07:06,040
Speaker 1: but check out this ship. Man. They don't mind, they

984
01:07:06,080 --> 01:07:08,280
Speaker 1: don't care. They're laughing. You know what I'm saying. They

985
01:07:08,360 --> 01:07:11,160
Speaker 1: get because yeah, they know it's low. It's like you know,

986
01:07:11,360 --> 01:07:13,640
Speaker 1: being teens. It's cool, you know what I'm saying. All Right,

987
01:07:13,840 --> 01:07:15,720
Speaker 1: I love y'all for that, man, because y'all we're all

988
01:07:15,920 --> 01:07:21,360
Speaker 1: inclusive over here. Man. Yeah, because this podcast right here

989
01:07:21,480 --> 01:07:25,080
Speaker 1: for everybody that ate some serial out of a cup.

990
01:07:29,600 --> 01:07:31,640
Speaker 1: You ain't never ate serial out of cup. You don't

991
01:07:31,680 --> 01:07:40,000
Speaker 1: even understand this show. I'm telling you. For real, people,

992
01:07:40,520 --> 01:07:44,840
Speaker 1: I'm talking about. If your uncle don't still a live

993
01:07:44,960 --> 01:07:52,280
Speaker 1: with your grandmother, you ain't gonna get some of this fine.

994
01:07:55,480 --> 01:07:58,320
Speaker 1: You don't trying to recon you know who I'm dedicating.

995
01:07:58,960 --> 01:08:02,760
Speaker 1: I'm dedicating this show too. Oh, we're looking at the

996
01:08:02,800 --> 01:08:07,640
Speaker 1: whole down fine women who got fine mamas. I know

997
01:08:07,840 --> 01:08:12,240
Speaker 1: that right called. Yes, yeah, I agree, there's some fine

998
01:08:12,360 --> 01:08:17,120
Speaker 1: as mama's. Man, it's many chairs those you know, don't

999
01:08:17,160 --> 01:08:19,160
Speaker 1: It don't matter that all of them? I said, this

1000
01:08:19,240 --> 01:08:21,519
Speaker 1: show is gonna be dedicated to find women who got

1001
01:08:21,600 --> 01:08:26,120
Speaker 1: fine mamas, some fine grandma's. Some fine grandmama is not

1002
01:08:26,240 --> 01:08:30,280
Speaker 1: what he used to be. This grandma right now. Grandmas

1003
01:08:31,080 --> 01:08:33,560
Speaker 1: they got loud weights, got Yeah, they don't let the

1004
01:08:33,680 --> 01:08:36,479
Speaker 1: kids called the grand work. Still, that's how they know.

1005
01:08:37,560 --> 01:08:40,400
Speaker 1: All the grandmomas who don't let their grandkids call them grandma.

1006
01:08:40,520 --> 01:08:42,960
Speaker 1: Them the ones that's fine, it's ill. Yeah, they gotta

1007
01:08:43,000 --> 01:08:48,400
Speaker 1: call us something ill. Yo, they called gm you can

1008
01:08:48,439 --> 01:08:54,120
Speaker 1: call it call something mama, gee, my man. There's a

1009
01:08:54,200 --> 01:08:56,280
Speaker 1: lot of them. It's a lot of aliases that they

1010
01:08:56,360 --> 01:08:58,320
Speaker 1: go back, but they don't let them just flat outside.

1011
01:08:58,360 --> 01:09:12,240
Speaker 1: Grandmam old anybody old. But see that's because those are

1012
01:09:12,320 --> 01:09:17,840
Speaker 1: the great grandmas. Now great uncle, see that's I'm talking

1013
01:09:17,880 --> 01:09:24,880
Speaker 1: about great great nieces. Ship, nephew you got you moved

1014
01:09:24,920 --> 01:09:30,080
Speaker 1: to him. My nephew got some kids too, Great uncle. Yeah,

1015
01:09:30,600 --> 01:09:33,720
Speaker 1: I'll be acting like a great uncle. I'll be making

1016
01:09:33,720 --> 01:09:38,479
Speaker 1: the stupid ship. Yeah, I think a fun See if

1017
01:09:38,560 --> 01:09:43,719
Speaker 1: y'all go defend each your last who's wrong? Who's talking?

1018
01:09:43,840 --> 01:09:51,920
Speaker 1: Little Bill? Betest man? Hit my hand man? Little Your

1019
01:09:51,920 --> 01:09:56,400
Speaker 1: show was for every back it is Georgia. This show

1020
01:09:56,520 --> 01:09:59,360
Speaker 1: really for everybody that ever folded some tube socks down

1021
01:09:59,439 --> 01:10:03,960
Speaker 1: and made them some ankle socks. That's real black folks.

1022
01:10:03,960 --> 01:10:07,880
Speaker 1: Ship you kind of like pull the long sauce down

1023
01:10:07,920 --> 01:10:11,599
Speaker 1: to make some slops, right, we're going when they actually

1024
01:10:11,920 --> 01:10:19,600
Speaker 1: put and then rolling it them down. Yeah, that's you

1025
01:10:19,640 --> 01:10:25,040
Speaker 1: know this show right here again, it's for everybody who

1026
01:10:25,160 --> 01:10:27,280
Speaker 1: knows you're supposed to leave that red strip on the

1027
01:10:27,320 --> 01:10:30,400
Speaker 1: belogn until you get finished cooking on the top of

1028
01:10:30,439 --> 01:10:32,360
Speaker 1: the to take it off and chew it. But you

1029
01:10:32,479 --> 01:10:34,519
Speaker 1: gotta you gotta leave it on the whole time. That

1030
01:10:34,600 --> 01:10:38,559
Speaker 1: belogning being cooked. That's what hold the flavoring man print.

1031
01:10:38,720 --> 01:10:43,400
Speaker 1: Bro really yea, I used to take throwing in the

1032
01:10:43,479 --> 01:10:47,400
Speaker 1: track and the screen. You're gonna you had to try

1033
01:10:47,439 --> 01:10:51,439
Speaker 1: that thing and to get that little you know, this

1034
01:10:52,439 --> 01:10:54,240
Speaker 1: is how you're supposed to do it. You're supposed to

1035
01:10:54,320 --> 01:10:56,360
Speaker 1: make the whole sandwich and then you pull the ring

1036
01:10:56,520 --> 01:10:58,920
Speaker 1: around them. Ain't never really like blog like that, but

1037
01:10:59,040 --> 01:11:05,200
Speaker 1: the screen just my name. But to see when I

1038
01:11:05,360 --> 01:11:07,400
Speaker 1: was growing up, you ain't really have no choice to

1039
01:11:07,520 --> 01:11:10,160
Speaker 1: like Bubla. It was in there. I mean, we had

1040
01:11:10,200 --> 01:11:13,000
Speaker 1: other ship, but when the bologna was left, it was

1041
01:11:13,040 --> 01:11:16,280
Speaker 1: all belonged. It was just don't nobody eat belonging until

1042
01:11:16,280 --> 01:11:21,920
Speaker 1: they see you make a bologna sound right right now?

1043
01:11:22,200 --> 01:11:25,639
Speaker 1: Please okay, watch this before we even say a cold alone.

1044
01:11:25,640 --> 01:11:28,479
Speaker 1: The sandwich hit different than from cook belong that's two

1045
01:11:28,520 --> 01:11:31,400
Speaker 1: different sandwiches, two different then black people rules, yes sir,

1046
01:11:31,720 --> 01:11:35,880
Speaker 1: yes sir, I'll take a cold one over. Yes, So

1047
01:11:38,479 --> 01:11:40,439
Speaker 1: don't you cook. First of all, I ain't got time

1048
01:11:40,479 --> 01:11:42,679
Speaker 1: to be cutting on stoke and my mom on water,

1049
01:11:43,000 --> 01:11:49,240
Speaker 1: so we ain't cutting. Put it in the breath. I'm satisfied.

1050
01:11:49,920 --> 01:11:52,040
Speaker 1: Give it the screen, don't put the screen in the trash.

1051
01:11:53,960 --> 01:11:59,160
Speaker 1: Yeah you know this, No, bro, I'm telling you. Don't

1052
01:11:59,200 --> 01:12:01,960
Speaker 1: nobody in that house even loaning until you make a sandwich.

1053
01:12:04,280 --> 01:12:06,400
Speaker 1: And if somebody else makes you a beloone the sandwich,

1054
01:12:06,479 --> 01:12:09,320
Speaker 1: it takes way different. I don't know who made the

1055
01:12:09,439 --> 01:12:13,360
Speaker 1: rules to the loan, that's true. I look back at it.

1056
01:12:13,400 --> 01:12:14,880
Speaker 1: I'm like, man, we did not have a lot of

1057
01:12:14,920 --> 01:12:19,040
Speaker 1: home cooking. You know you need to go to therapy.

1058
01:12:20,479 --> 01:12:22,880
Speaker 1: I eat now, but I'm saying don't. I won't know

1059
01:12:22,960 --> 01:12:24,479
Speaker 1: what to eat. Maybe that what you want on my

1060
01:12:24,560 --> 01:12:39,519
Speaker 1: homeld real indecisive much food, give everything. And now it's

1061
01:12:39,520 --> 01:12:42,880
Speaker 1: starting to make sense. This shouldn't turned into therapy. Look out,

1062
01:12:43,360 --> 01:12:49,960
Speaker 1: I got Peter, but in genis too many options. Man'

1063
01:12:50,080 --> 01:13:01,720
Speaker 1: just comfortable this ship that don't even make sense no more, Yes, sir,

1064
01:13:02,080 --> 01:13:05,600
Speaker 1: that's how we live in We're really out here with

1065
01:13:05,760 --> 01:13:13,080
Speaker 1: him and sleep around in the trail. I bet you

1066
01:13:13,200 --> 01:13:15,200
Speaker 1: see you missed this bard too. Who are some of

1067
01:13:15,280 --> 01:13:17,400
Speaker 1: the new artists you want to work with? They need

1068
01:13:17,479 --> 01:13:22,920
Speaker 1: to hear you say it again. Of course we come on.

1069
01:13:23,200 --> 01:13:30,880
Speaker 1: Of course we gotta get that going now, not min

1070
01:13:30,920 --> 01:13:34,880
Speaker 1: People don't believe I told him. When you walked in,

1071
01:13:35,439 --> 01:13:40,800
Speaker 1: everybody looked at you. See brown up. You see. I

1072
01:13:40,880 --> 01:13:42,439
Speaker 1: never had a chance to work with you, though I

1073
01:13:42,479 --> 01:13:46,400
Speaker 1: was a little work with Thugou and I would like

1074
01:13:46,479 --> 01:13:49,559
Speaker 1: to worry with a little bag. I like something, yeah,

1075
01:13:49,640 --> 01:13:52,200
Speaker 1: either either be singing on it or just organizing, nor

1076
01:13:52,240 --> 01:13:55,240
Speaker 1: its producing, you know, but I would love to get something,

1077
01:13:55,280 --> 01:13:56,880
Speaker 1: you know what I'm saying on him and be dope

1078
01:13:57,640 --> 01:14:01,559
Speaker 1: mm hmm, be dumb to be felt with. I got

1079
01:14:01,680 --> 01:14:08,200
Speaker 1: Infinie the Bloody Gang who becoming Louis Artist. What's his name?

1080
01:14:10,880 --> 01:14:13,280
Speaker 1: Oh wait, let me take we didn't work? We did?

1081
01:14:13,479 --> 01:14:15,920
Speaker 1: We did? We actually when the studio with him, But

1082
01:14:16,120 --> 01:14:17,880
Speaker 1: I would say I don't really think he knew who

1083
01:14:17,960 --> 01:14:20,679
Speaker 1: I was because I was kind of like a fan

1084
01:14:20,760 --> 01:14:23,280
Speaker 1: already because I ain't heard the record, so I wouldn't.

1085
01:14:23,280 --> 01:14:25,680
Speaker 1: I'm like, yo, you ship broa blah blah blah. When

1086
01:14:25,720 --> 01:14:28,439
Speaker 1: we did this and did that, He's like, uh, okay,

1087
01:14:28,600 --> 01:14:30,040
Speaker 1: you know what I'm saying trying to you know when

1088
01:14:30,080 --> 01:14:33,439
Speaker 1: I see it. So I definitely feel because I wanted

1089
01:14:33,479 --> 01:14:35,639
Speaker 1: to do like three or four songs on him when

1090
01:14:35,640 --> 01:14:37,519
Speaker 1: I heard the first record and I saw him to

1091
01:14:37,560 --> 01:14:39,400
Speaker 1: do your show with that too, So I wanted to

1092
01:14:39,439 --> 01:14:41,160
Speaker 1: do like three four records on him. So maybe he's

1093
01:14:41,160 --> 01:14:46,120
Speaker 1: gonna see I made a mistake, but we're gonna read

1094
01:14:47,479 --> 01:14:49,479
Speaker 1: don't kind of well anything like that. I ain't taking

1095
01:14:49,479 --> 01:14:51,200
Speaker 1: no kind of way. But you know what I'm saying,

1096
01:14:51,240 --> 01:14:53,560
Speaker 1: I wouldn't worry with him getting funky ship on it

1097
01:14:53,600 --> 01:14:57,519
Speaker 1: because din't kill it. Yeah, kill, definitely kill it. There's

1098
01:14:57,520 --> 01:14:59,360
Speaker 1: a lot of motherfucker's you need to get in there

1099
01:14:59,400 --> 01:15:05,840
Speaker 1: with whoever, who else? Um, you don't want to work

1100
01:15:05,880 --> 01:15:20,720
Speaker 1: with Pat Yeah, yes, sir, Yes you know too that

1101
01:15:20,840 --> 01:15:25,280
Speaker 1: hold love song d C. I'm just like you know

1102
01:15:25,520 --> 01:15:27,200
Speaker 1: too many people. I listened to them b J, the

1103
01:15:27,280 --> 01:15:34,280
Speaker 1: Chicago kids. Yes, sir, we're working around before flore To Man,

1104
01:15:34,360 --> 01:15:38,240
Speaker 1: it's a good time player. Is the most incredible chord

1105
01:15:38,520 --> 01:15:42,560
Speaker 1: making motherfucker I have ever heard in every time he

1106
01:15:42,680 --> 01:15:45,719
Speaker 1: played that motherfucker this accord that just made me mad

1107
01:15:45,840 --> 01:15:47,439
Speaker 1: with them. You know what I'm saying. He just got

1108
01:15:47,600 --> 01:15:52,240
Speaker 1: that blues thing on it or something real for real.

1109
01:15:52,320 --> 01:15:55,479
Speaker 1: It's been a long well since Margaret. But I would

1110
01:15:55,520 --> 01:15:57,040
Speaker 1: really work for real to me and I would love

1111
01:15:57,120 --> 01:16:02,000
Speaker 1: it definitely. See, I'm trying to met youd need a

1112
01:16:02,040 --> 01:16:05,320
Speaker 1: cool record with Sloop that I produced in a cold

1113
01:16:05,320 --> 01:16:07,400
Speaker 1: record with Snoop. Yeah, I didn't want with Snoop. I

1114
01:16:07,439 --> 01:16:11,360
Speaker 1: could tell you. Yeah, here, Doe, I'm hoping you get

1115
01:16:11,400 --> 01:16:13,639
Speaker 1: ready to drop down one. Did you really get ride

1116
01:16:13,760 --> 01:16:17,720
Speaker 1: with anybody and make that ship dope? Though he used

1117
01:16:17,760 --> 01:16:21,559
Speaker 1: the man with the soul, the man with the voices

1118
01:16:21,680 --> 01:16:28,040
Speaker 1: go glow talking in town. It's going now with brown.

1119
01:16:29,320 --> 01:16:38,320
Speaker 1: You know what I'm gonna say, Boodle, pitch, Boles, Joss,

1120
01:16:44,120 --> 01:16:47,160
Speaker 1: come on man, and that's how we live. Yes, just

1121
01:16:47,280 --> 01:16:53,400
Speaker 1: like that. Yeah, shout out there, everybody who got big

1122
01:16:53,479 --> 01:17:04,360
Speaker 1: feet and little toes. We got a fan. Yeah, moved

1123
01:17:06,360 --> 01:17:09,519
Speaker 1: well they got big feet little told you already. I

1124
01:17:09,520 --> 01:17:12,080
Speaker 1: don't mean that booty pair, don't don't. I'm just joking.

1125
01:17:12,120 --> 01:17:17,599
Speaker 1: I'll not mean that. We mean. I'm dedicating this show

1126
01:17:17,680 --> 01:17:19,360
Speaker 1: to all the women who think they got the best

1127
01:17:19,400 --> 01:17:27,720
Speaker 1: puss in their family, in their family trash. You go

1128
01:17:27,840 --> 01:17:39,759
Speaker 1: to say that track like that, thinking that track. Nobody

1129
01:17:39,960 --> 01:17:49,640
Speaker 1: told you this, both flou You need to mean that

1130
01:17:49,760 --> 01:18:06,320
Speaker 1: ship track this out trash, just thinking the track team

1131
01:18:06,439 --> 01:18:21,320
Speaker 1: Boodlepest Boodle. Yeah yeah, Missen doesn't friendly like that age

1132
01:18:21,479 --> 01:18:27,280
Speaker 1: that little really like that. They're gonna be your bootlepest Georgia.

1133
01:18:27,880 --> 01:18:30,200
Speaker 1: And they ain't even gonna be able because I'm seen

1134
01:18:30,280 --> 01:18:32,479
Speaker 1: me funky. Mean, what do you mean nobody for boot

1135
01:18:33,600 --> 01:18:39,479
Speaker 1: you crazy? Nobody not boopa. They never heard bootpend that

1136
01:18:39,560 --> 01:18:45,880
Speaker 1: stood like that ship. They can know that you're gonna

1137
01:18:45,880 --> 01:18:48,559
Speaker 1: get us band, bro, they did it for boodlepec clain't

1138
01:18:48,600 --> 01:18:58,040
Speaker 1: mak it claim for ship? What you from? I don't

1139
01:18:58,200 --> 01:19:06,280
Speaker 1: heard that? Yeah, man the lead Budapest and long Man,

1140
01:19:06,320 --> 01:19:10,479
Speaker 1: it's probably some cold motherfucker's down there. Good show you

1141
01:19:10,600 --> 01:19:14,760
Speaker 1: got coming up, big Sleepover album coming out, going back.

1142
01:19:16,880 --> 01:19:20,080
Speaker 1: That's why you gotta sign the table, sign that I

1143
01:19:20,240 --> 01:19:31,040
Speaker 1: have my whole ciggarline. Yes, the Sleeper brown Flavors. I

1144
01:19:31,120 --> 01:19:33,240
Speaker 1: got you back, I got you right up and uh,

1145
01:19:33,880 --> 01:19:36,520
Speaker 1: you know what I'm saying. It goes great with kanyact

1146
01:19:36,640 --> 01:19:39,720
Speaker 1: with white, you know what I'm saying. And Coach. It

1147
01:19:40,479 --> 01:19:43,000
Speaker 1: has a wonderful smell to it. It has a local

1148
01:19:43,040 --> 01:19:46,360
Speaker 1: smell to It's not over bearing. It's real smooth smoke.

1149
01:19:46,920 --> 01:19:48,840
Speaker 1: Enjoy you feel me. If you want to hold a me,

1150
01:19:48,920 --> 01:19:51,280
Speaker 1: just you know, hit me to then you won't. I

1151
01:19:51,360 --> 01:19:53,280
Speaker 1: ain't private, so they hit me up. Let me know,

1152
01:19:53,800 --> 01:19:57,400
Speaker 1: and you can go to Provada siguard club dot com

1153
01:19:57,920 --> 01:20:00,280
Speaker 1: and go to artist series and get the sleeping brown

1154
01:20:02,040 --> 01:20:08,160
Speaker 1: Moca cigars, real sexy, feeling your dig new face in

1155
01:20:08,280 --> 01:20:11,840
Speaker 1: the building, new faith. I know you's going to come

1156
01:20:11,840 --> 01:20:15,000
Speaker 1: out with some ship there. Every time I see this nigga,

1157
01:20:15,080 --> 01:20:17,080
Speaker 1: we have an artist. I know he's about to bring

1158
01:20:17,200 --> 01:20:20,760
Speaker 1: some old exclusive ship. What you got new face on

1159
01:20:20,840 --> 01:20:32,439
Speaker 1: his face? Hello? Man? You ready a holy ship? That's crazy.

1160
01:20:35,600 --> 01:20:37,280
Speaker 1: You know what's funny. I'm sitting here every time my

1161
01:20:37,320 --> 01:20:40,720
Speaker 1: little at yo hallo real for me. Bro, that's hard

1162
01:20:40,800 --> 01:20:43,880
Speaker 1: as fun. Bro. Think I was a pimp, had to

1163
01:20:43,880 --> 01:20:50,360
Speaker 1: the side with a linen live Yeah, I thought it

1164
01:20:50,439 --> 01:20:52,719
Speaker 1: was a but that was for real. But I didn't

1165
01:20:52,720 --> 01:21:04,280
Speaker 1: have no more. Wrote me one more much of like

1166
01:21:04,360 --> 01:21:07,400
Speaker 1: the whistles. He would't even see my note. You know

1167
01:21:07,400 --> 01:21:11,160
Speaker 1: what I told you? In new places and live in

1168
01:21:11,280 --> 01:21:17,519
Speaker 1: legend when they comes down. Yeah, that's the bridge, right,

1169
01:21:17,560 --> 01:21:24,240
Speaker 1: absolutely well. I could feel the lost. Yeah, man, tell

1170
01:21:24,360 --> 01:21:26,960
Speaker 1: us about this right here alright, society. So it was

1171
01:21:27,280 --> 01:21:31,000
Speaker 1: basically after we did uh Southern playalistic being rude, decided

1172
01:21:31,000 --> 01:21:34,679
Speaker 1: to do an album together and it was a Society

1173
01:21:34,720 --> 01:21:37,960
Speaker 1: of Soul. We had first single pushing that's so I'll

1174
01:21:38,000 --> 01:21:40,439
Speaker 1: called Embrace. It did pretty cool, and you know what

1175
01:21:40,479 --> 01:21:42,320
Speaker 1: I'm saying, it was really it was kind of like

1176
01:21:42,400 --> 01:21:46,200
Speaker 1: Outcast was out of rapping, like the Outcast with Southern

1177
01:21:46,200 --> 01:21:48,160
Speaker 1: players the second album without a rapping on, you know

1178
01:21:48,200 --> 01:21:51,160
Speaker 1: what I mean. And uh, it's a fun project. Man,

1179
01:21:51,600 --> 01:21:53,439
Speaker 1: it was cool. After that project, I did the project

1180
01:21:53,479 --> 01:21:58,360
Speaker 1: called Sleepy Thing that you know, Um, that did pretty

1181
01:21:58,360 --> 01:22:00,960
Speaker 1: good underground wise. A lot of people still fun what

1182
01:22:01,080 --> 01:22:04,960
Speaker 1: I did the show maybe like last year. Um, and

1183
01:22:05,200 --> 01:22:08,880
Speaker 1: uh it was crazy, man, it's crazy, you know. I

1184
01:22:08,920 --> 01:22:11,280
Speaker 1: said back sometimes to think about all the stuff we've

1185
01:22:11,320 --> 01:22:14,040
Speaker 1: been through as a crew and how we're still together

1186
01:22:14,160 --> 01:22:17,000
Speaker 1: and you know, um, no one knocking wood, no one

1187
01:22:17,080 --> 01:22:19,280
Speaker 1: has passed, you know what I'm saying, All still together,

1188
01:22:19,400 --> 01:22:22,559
Speaker 1: everybody health and you know it's just a blessing. Bro.

1189
01:22:22,960 --> 01:22:25,400
Speaker 1: I told I was talking about that to recall that. Bro,

1190
01:22:25,520 --> 01:22:27,960
Speaker 1: do you understand, Like I know, it's been a time

1191
01:22:27,960 --> 01:22:30,360
Speaker 1: we've been mad at each other and you know, we

1192
01:22:30,520 --> 01:22:32,320
Speaker 1: want to think about walking out and breaking up, but

1193
01:22:32,360 --> 01:22:34,120
Speaker 1: ain't nobody canna do that dumb ship we make to

1194
01:22:34,200 --> 01:22:35,960
Speaker 1: you know what I'm saying. We're brothers. We're gonna go

1195
01:22:36,080 --> 01:22:38,720
Speaker 1: through things. That's just what it is. So I'm just

1196
01:22:38,760 --> 01:22:41,080
Speaker 1: telling him and I'm proud of us for always being

1197
01:22:41,360 --> 01:22:47,080
Speaker 1: always sticking together no matter what. You know what I'm saying,

1198
01:22:48,800 --> 01:22:51,439
Speaker 1: Like the energy that mean the inerry, the industry will

1199
01:22:51,479 --> 01:22:54,600
Speaker 1: always try to you know, separate you guys or you

1200
01:22:54,680 --> 01:22:56,320
Speaker 1: know what I'm saying. Pool you over there, pull you

1201
01:22:56,400 --> 01:22:57,960
Speaker 1: over there. You don't really need no, you don't really

1202
01:22:58,000 --> 01:22:59,880
Speaker 1: need no. You know what I'm saying. It's always that.

1203
01:23:01,280 --> 01:23:03,320
Speaker 1: But with the love that we have for each other,

1204
01:23:03,400 --> 01:23:05,880
Speaker 1: it is always gone be that period. You know what

1205
01:23:05,920 --> 01:23:08,120
Speaker 1: I'm saying, Like, Okay, we can might go out and

1206
01:23:08,200 --> 01:23:10,360
Speaker 1: do something that we're not saying we can't do things,

1207
01:23:10,479 --> 01:23:14,400
Speaker 1: but when it comes to us, well we're stronger as

1208
01:23:14,439 --> 01:23:16,120
Speaker 1: a team. You know what I'm saying. We understand that.

1209
01:23:16,200 --> 01:23:18,880
Speaker 1: That's what I love about us. I think people don't

1210
01:23:18,920 --> 01:23:21,040
Speaker 1: hold anoder family in how regard like how they do

1211
01:23:21,200 --> 01:23:26,519
Speaker 1: like a motown right as I'm people like good like

1212
01:23:27,000 --> 01:23:34,720
Speaker 1: that energy I feel when y'all Atlanta be here and

1213
01:23:35,280 --> 01:23:38,720
Speaker 1: motherfucker too, I love it too because you might see

1214
01:23:38,760 --> 01:23:43,599
Speaker 1: anybody in Green. Bro. Bro, it's amazing. People don't understand Green.

1215
01:23:44,439 --> 01:23:47,000
Speaker 1: When you see every celebrity that you want to see, right,

1216
01:23:47,120 --> 01:23:49,240
Speaker 1: I never forget. I'm staying at the A t L

1217
01:23:49,400 --> 01:23:51,719
Speaker 1: about to get my kid. Hell, come over the somebody

1218
01:23:51,720 --> 01:23:57,880
Speaker 1: come over and say, hey, let me get some weather round.

1219
01:24:00,000 --> 01:24:02,840
Speaker 1: What I'm saying, I'm over to Georgia. See boots it

1220
01:24:03,280 --> 01:24:05,519
Speaker 1: you know what I'm saying. Sea come walking around the corner.

1221
01:24:05,560 --> 01:24:10,280
Speaker 1: It's like always Green bro legend. We're gonna find we

1222
01:24:10,400 --> 01:24:12,639
Speaker 1: won't and we're gonna see people that's like us. Yeah,

1223
01:24:12,720 --> 01:24:14,759
Speaker 1: that's like us. And I feel like humble. It's cool.

1224
01:24:14,880 --> 01:24:18,479
Speaker 1: Ain't nobody tripping Green? BROD realized Mam, that mom is

1225
01:24:18,479 --> 01:24:20,639
Speaker 1: so real. Bro. When you walk back and check for late,

1226
01:24:20,760 --> 01:24:25,599
Speaker 1: you can feel the grease heat. My boy, every time

1227
01:24:25,640 --> 01:24:34,720
Speaker 1: you heat like literally my fresh prize over the exactly. Man.

1228
01:24:35,040 --> 01:24:38,000
Speaker 1: I still I still go to right now? Yeah me too, Man,

1229
01:24:38,000 --> 01:24:39,920
Speaker 1: I still I got to get my hair cut. Everything

1230
01:24:40,479 --> 01:24:44,640
Speaker 1: shot to Chris, even though about what I'm saying, just

1231
01:24:45,080 --> 01:24:48,760
Speaker 1: just y'all just really being that group for the South,

1232
01:24:48,920 --> 01:24:51,960
Speaker 1: like a motown, because you're thinking about all the artists

1233
01:24:52,000 --> 01:24:55,000
Speaker 1: that came out and then from the track we're talking

1234
01:24:55,000 --> 01:24:59,719
Speaker 1: about that circuit, that trip Nigger. We got over twenty

1235
01:25:00,320 --> 01:25:05,280
Speaker 1: plus artists. That's really like your favorite people on the scene,

1236
01:25:05,520 --> 01:25:08,599
Speaker 1: behind the scene, and they had something to do with Ship.

1237
01:25:08,680 --> 01:25:11,640
Speaker 1: You didn't even know. It's like, like I tell you,

1238
01:25:11,760 --> 01:25:16,320
Speaker 1: we had the whole gang of Dungeon Familine members of here,

1239
01:25:16,360 --> 01:25:20,599
Speaker 1: and it's like everybody got their own piece of the story, right, everybody,

1240
01:25:20,680 --> 01:25:23,160
Speaker 1: does you get what I'm saying, their own perspective and

1241
01:25:23,280 --> 01:25:29,600
Speaker 1: how they came about. Actually everybody still. KP was was

1242
01:25:29,720 --> 01:25:32,640
Speaker 1: in p A, which was the first group that so

1243
01:25:32,880 --> 01:25:35,120
Speaker 1: they signed the Coubbles and we produced them first before

1244
01:25:35,160 --> 01:25:37,640
Speaker 1: we even did ootcast. We did a p A and

1245
01:25:37,800 --> 01:25:47,160
Speaker 1: KP was a DJ. Yeah. Yeah, we all family happen again.

1246
01:25:48,479 --> 01:25:51,240
Speaker 1: I wish, you know, I wanted to, like like they

1247
01:25:51,280 --> 01:25:54,599
Speaker 1: would love to do versus of Dudget Fellow versus Rue Tank,

1248
01:25:55,520 --> 01:25:58,360
Speaker 1: which I think that ship would be awesome, but I'm

1249
01:25:58,439 --> 01:26:02,080
Speaker 1: not doing it. Left three thousand going though. We gotta

1250
01:26:02,160 --> 01:26:06,040
Speaker 1: have everybody, I don't know, not because they're gonna have it.

1251
01:26:07,800 --> 01:26:11,200
Speaker 1: They're gonna have a know when stuff I seen that's

1252
01:26:11,240 --> 01:26:20,320
Speaker 1: gonna ship the motherfuckings. Well, I gotta ask you though,

1253
01:26:20,320 --> 01:26:23,920
Speaker 1: because the world wants to know. Man, will we ever

1254
01:26:24,040 --> 01:26:27,559
Speaker 1: hear another outcast? Ever? Man? I wish I could say something.

1255
01:26:27,640 --> 01:26:30,479
Speaker 1: I don't know, you know what I'm saying. Maybe I

1256
01:26:30,600 --> 01:26:32,720
Speaker 1: don't know Dre might I don't know, bro, but right

1257
01:26:32,760 --> 01:26:35,519
Speaker 1: now know who Dre is. Like right now, I'm really

1258
01:26:35,560 --> 01:26:38,559
Speaker 1: happy for Drake because Dre is at peace. Drey lost

1259
01:26:38,640 --> 01:26:41,360
Speaker 1: both of his parents, bro, you know what I mean,

1260
01:26:42,040 --> 01:26:45,639
Speaker 1: like close to each other. And I think this time

1261
01:26:45,800 --> 01:26:47,479
Speaker 1: is for him to get his you know, get his

1262
01:26:47,600 --> 01:26:49,760
Speaker 1: mind right, let him grieve, let me everything he needs

1263
01:26:49,800 --> 01:26:52,000
Speaker 1: to do, and get his mother because you know, when

1264
01:26:52,040 --> 01:26:54,719
Speaker 1: he does music, bro. And I noticed for the fact

1265
01:26:54,800 --> 01:26:58,000
Speaker 1: that maybe why he might have walked away because they

1266
01:26:58,080 --> 01:27:00,439
Speaker 1: were about to get really busy because check this out,

1267
01:27:00,479 --> 01:27:02,400
Speaker 1: because like that, that's the year that they want grandmill,

1268
01:27:02,479 --> 01:27:05,080
Speaker 1: the year for the album, you know what I'm saying.

1269
01:27:05,160 --> 01:27:08,479
Speaker 1: And the management had a full, big tour for them, man,

1270
01:27:08,600 --> 01:27:10,639
Speaker 1: and Dre was just I could tell he was tired

1271
01:27:10,640 --> 01:27:12,639
Speaker 1: because we've been working him since he was seventeen. Bum

1272
01:27:12,840 --> 01:27:15,360
Speaker 1: was sething, you know what I'm saying. They came out

1273
01:27:15,400 --> 01:27:17,000
Speaker 1: and young, you know what I'm saying. So they've been

1274
01:27:17,320 --> 01:27:21,320
Speaker 1: doing everything and I could big he loves it. I

1275
01:27:21,360 --> 01:27:23,240
Speaker 1: could say he's still in him. He loves to perform

1276
01:27:23,320 --> 01:27:25,960
Speaker 1: in the whole, not making music. Dre just needs some

1277
01:27:26,120 --> 01:27:29,960
Speaker 1: time to be with Dre and just think and let

1278
01:27:30,000 --> 01:27:32,280
Speaker 1: them players goddamn flute and they don't do him. You

1279
01:27:32,320 --> 01:27:34,760
Speaker 1: know what I'm saying. I'm happy when people catch him

1280
01:27:34,800 --> 01:27:37,200
Speaker 1: someone and take picture he's smiling. I love That makes

1281
01:27:37,280 --> 01:27:42,960
Speaker 1: me happy. Yeah, yeah, the game. So if they those

1282
01:27:43,040 --> 01:27:45,800
Speaker 1: two were always see each other. You know what I'm saying,

1283
01:27:46,240 --> 01:27:51,400
Speaker 1: Their brothers. They are little brothers, but they are brothers. First. Yes,

1284
01:27:51,760 --> 01:27:54,439
Speaker 1: when I first met them, they were kicking ball when

1285
01:27:54,479 --> 01:27:57,400
Speaker 1: it wasn't even cool. Bro. They walked up to LaMonte

1286
01:27:57,800 --> 01:28:00,200
Speaker 1: at Rico job and they would like in the tel

1287
01:28:00,240 --> 01:28:03,200
Speaker 1: Grade have ball heads. And I couldn't believe these two

1288
01:28:03,240 --> 01:28:07,880
Speaker 1: little things have ball heads. I couldn't believe the Holy ship. Okay,

1289
01:28:08,479 --> 01:28:10,400
Speaker 1: and they wrapped by thirty minutes of p But you

1290
01:28:10,439 --> 01:28:13,720
Speaker 1: know what I'm saying that they always had it. They

1291
01:28:13,760 --> 01:28:15,439
Speaker 1: always had that special bond, you know what I'm saying.

1292
01:28:15,479 --> 01:28:17,880
Speaker 1: So they always you always see them together at a

1293
01:28:17,920 --> 01:28:20,439
Speaker 1: club or anywhare. He just might go big house sometimes

1294
01:28:22,479 --> 01:28:25,640
Speaker 1: just when you started him and it's too much on you,

1295
01:28:25,760 --> 01:28:29,200
Speaker 1: and that really too much. People really be you want

1296
01:28:29,240 --> 01:28:32,120
Speaker 1: to do our job and go homes. You might want

1297
01:28:32,160 --> 01:28:34,000
Speaker 1: to be you might want to be off as long

1298
01:28:34,040 --> 01:28:38,400
Speaker 1: as you've been on. Yeah, I mean it definitely can

1299
01:28:38,479 --> 01:28:40,840
Speaker 1: be a bit much. But you know, as long as

1300
01:28:40,880 --> 01:28:44,479
Speaker 1: you have your moment of being able to let go

1301
01:28:44,680 --> 01:28:47,560
Speaker 1: and relax. If you can't do that, bro, you're the

1302
01:28:47,720 --> 01:28:49,920
Speaker 1: world of trouble because all that ship is gonna pile

1303
01:28:50,040 --> 01:28:52,559
Speaker 1: up on you and it's stress. So as long as

1304
01:28:52,600 --> 01:28:57,200
Speaker 1: you give yourself hour, two hours, a date, just whatever.

1305
01:28:57,439 --> 01:28:59,640
Speaker 1: Just give yourself that time to relax and do what

1306
01:28:59,800 --> 01:29:02,360
Speaker 1: you know to do. Period. That's the only way you

1307
01:29:02,439 --> 01:29:07,320
Speaker 1: stay saying some great classes. Yes she gets man, beauty.

1308
01:29:07,400 --> 01:29:13,400
Speaker 1: I can tell when there's he's having Yes, yes, sir, yes, sir.

1309
01:29:13,520 --> 01:29:15,320
Speaker 1: So I would love to do the versus. If Drake

1310
01:29:15,400 --> 01:29:19,000
Speaker 1: did it with us, I said that amazing. You know

1311
01:29:19,040 --> 01:29:21,320
Speaker 1: we're posted. I will tell you how this. We're supposed

1312
01:29:21,320 --> 01:29:25,600
Speaker 1: to do an album um Utane versus Dungeon Family. A

1313
01:29:25,680 --> 01:29:29,439
Speaker 1: long time ago, and Rizzo was gonna produce Dungeon Family

1314
01:29:29,479 --> 01:29:32,920
Speaker 1: and we were gonna produce Utane. It was gonna be

1315
01:29:33,000 --> 01:29:39,320
Speaker 1: vice versa. That's fire. Who didn't work out, that's fire producing.

1316
01:29:39,400 --> 01:29:41,800
Speaker 1: They're gonna be with out producing. Yeah, nobody was going

1317
01:29:41,880 --> 01:29:45,639
Speaker 1: to be that's gonna be cold. I had to tell

1318
01:29:45,640 --> 01:29:47,720
Speaker 1: you that. See that one type of unity even like

1319
01:29:47,800 --> 01:29:51,680
Speaker 1: look it's look like we're balanced. Yeah, but really that's

1320
01:29:51,720 --> 01:29:54,599
Speaker 1: the whole thing with the first time I've ever seen

1321
01:29:54,680 --> 01:29:57,240
Speaker 1: that show really gets serious is with the locks. That

1322
01:29:57,680 --> 01:29:59,760
Speaker 1: that one. I was okay, but you know what we're

1323
01:29:59,760 --> 01:30:03,280
Speaker 1: doing that rough hill. Look that's what it is. But

1324
01:30:03,360 --> 01:30:05,479
Speaker 1: that's the first time that I really saw well, I

1325
01:30:05,520 --> 01:30:09,040
Speaker 1: would say, gucha and huh, I'm skinned and you know

1326
01:30:09,080 --> 01:30:13,479
Speaker 1: what I'm saying. That the first and did that Yea,

1327
01:30:13,920 --> 01:30:15,560
Speaker 1: that's the only two times that I ever see to

1328
01:30:15,600 --> 01:30:17,400
Speaker 1: get kind of like old. You know what I'm saying.

1329
01:30:17,920 --> 01:30:20,120
Speaker 1: All the other times, it's supposed to be a celebration,

1330
01:30:20,640 --> 01:30:23,280
Speaker 1: it's not really a batter. It's a celebration of artists

1331
01:30:23,560 --> 01:30:26,040
Speaker 1: that you grow on the hill. Well, people want to

1332
01:30:26,040 --> 01:30:30,320
Speaker 1: see about people want to see that get you see

1333
01:30:30,360 --> 01:30:32,920
Speaker 1: that ship. They won't drama. They want to be fun

1334
01:30:33,040 --> 01:30:35,680
Speaker 1: out here with that ship. Saw that ship? You want

1335
01:30:35,720 --> 01:30:37,519
Speaker 1: we're talking on the record. You want to got the book?

1336
01:30:37,680 --> 01:30:39,400
Speaker 1: You know what I'm saying that they want some drama

1337
01:30:39,479 --> 01:30:42,559
Speaker 1: with music. They want. You know what I'm saying, little

1338
01:30:42,680 --> 01:30:46,200
Speaker 1: we can battle, what we can bat thing about. It

1339
01:30:46,680 --> 01:30:51,360
Speaker 1: has everybody drama tied. But everybody wants to drama. Everybody

1340
01:30:51,439 --> 01:30:54,160
Speaker 1: loved that ship water thrown in their faith. Yeah, they

1341
01:30:54,200 --> 01:30:56,240
Speaker 1: don't want to go. They want to get the wind win.

1342
01:30:56,360 --> 01:31:00,760
Speaker 1: They want to got gotta do it again. Happens got

1343
01:31:00,800 --> 01:31:03,240
Speaker 1: them with me or the whole. They gotta get artists

1344
01:31:03,280 --> 01:31:05,559
Speaker 1: that really do like each other. That's the ship they

1345
01:31:05,680 --> 01:31:14,200
Speaker 1: like over here. That's sad, But they gotta really get

1346
01:31:14,400 --> 01:31:17,160
Speaker 1: artists that don't like each other though they want some drama.

1347
01:31:17,800 --> 01:31:19,439
Speaker 1: That's true. But I hope it never gets to that.

1348
01:31:19,520 --> 01:31:21,240
Speaker 1: I hope you know what I'm saying, Like, I guess

1349
01:31:21,280 --> 01:31:25,080
Speaker 1: it don't need to see that though for the culture together.

1350
01:31:25,520 --> 01:31:27,719
Speaker 1: But that ain't what I'm saying that like those people

1351
01:31:27,760 --> 01:31:29,840
Speaker 1: who want to boo and battle and ship, that's what

1352
01:31:29,960 --> 01:31:32,800
Speaker 1: they want to see. Motherfucker's wouldn't make them a type

1353
01:31:32,800 --> 01:31:34,960
Speaker 1: of people that want to see the culture deteriorate anyway.

1354
01:31:35,120 --> 01:31:40,559
Speaker 1: So we can't entertain prevailing to a celebration. Man, it's

1355
01:31:40,600 --> 01:31:43,200
Speaker 1: a celebration of being able to grow older and go

1356
01:31:43,400 --> 01:31:48,120
Speaker 1: back to a time when you made Yeah, you you

1357
01:31:48,240 --> 01:31:50,680
Speaker 1: made a difference in here part. That's that's the that's

1358
01:31:50,720 --> 01:31:52,360
Speaker 1: the best thing about it. I got one for you

1359
01:31:52,760 --> 01:31:54,640
Speaker 1: can go on for a long time. I got one for.

1360
01:31:54,800 --> 01:31:58,280
Speaker 1: You got the most music, bro. We're gonna do versus

1361
01:31:58,400 --> 01:32:01,400
Speaker 1: with one hit. One. You don't get to play one song.

1362
01:32:02,479 --> 01:32:08,680
Speaker 1: One song. That's it really a one hit wonder. You've

1363
01:32:08,720 --> 01:32:11,800
Speaker 1: got one chance to make this crowd go still. You

1364
01:32:11,880 --> 01:32:15,920
Speaker 1: get together, perform your one hit and you can't and

1365
01:32:15,960 --> 01:32:18,000
Speaker 1: you can't be fash the cloud. You gotta turn around

1366
01:32:18,120 --> 01:32:19,400
Speaker 1: and it got to be a big ass and priced

1367
01:32:19,439 --> 01:32:21,400
Speaker 1: soon you got you gotta perform in the hair like

1368
01:32:21,560 --> 01:32:25,000
Speaker 1: this one. You ain't got one song to do just

1369
01:32:25,320 --> 01:32:27,560
Speaker 1: one time. You got to show your ass. Yeah, we

1370
01:32:27,640 --> 01:32:29,439
Speaker 1: gotta flaying some artists. We had to show in a

1371
01:32:29,560 --> 01:32:33,639
Speaker 1: long time. You get one shot, one kill. Yeah about

1372
01:32:34,120 --> 01:32:38,200
Speaker 1: s We got ten thousand on the last that's all

1373
01:32:38,320 --> 01:32:42,080
Speaker 1: you get time time song. I don't get how much

1374
01:32:42,160 --> 01:32:45,680
Speaker 1: money this make? You got ten thousand? Going crazy? That's

1375
01:32:45,960 --> 01:32:52,120
Speaker 1: one long No ten, no showing fast. When they get

1376
01:32:52,200 --> 01:32:53,880
Speaker 1: on the show, it's gonna give him a ten. We

1377
01:32:53,920 --> 01:32:56,120
Speaker 1: got to get him twenty five friends and ten. They're

1378
01:32:56,120 --> 01:33:01,600
Speaker 1: coming up with ten like tin up if you do

1379
01:33:01,760 --> 01:33:08,280
Speaker 1: your ship. You got one chance for the chips and twitter.

1380
01:33:09,560 --> 01:33:13,439
Speaker 1: Here you go, man, do what nobody you ain't nobody

1381
01:33:13,479 --> 01:33:17,920
Speaker 1: looking for you, an'tbody called your phone beside me? It

1382
01:33:18,040 --> 01:33:23,880
Speaker 1: comes same ship. No, that's the good thing. Three rounds

1383
01:33:23,920 --> 01:33:25,960
Speaker 1: if you were real one hit wonder you can use

1384
01:33:26,080 --> 01:33:29,560
Speaker 1: the same song and win three rounds with this motherfucking

1385
01:33:29,640 --> 01:33:34,880
Speaker 1: you got, letting your way hook first hook, hook first hook,

1386
01:33:35,320 --> 01:33:38,679
Speaker 1: went the music and hook first round with the music

1387
01:33:38,800 --> 01:33:43,680
Speaker 1: first second round, acapeller around, acapela around. You got you

1388
01:33:43,760 --> 01:33:48,040
Speaker 1: gotta sing it, you gotta go. Damn who on hit long?

1389
01:33:49,080 --> 01:33:52,400
Speaker 1: I don't want to say nobody, but whoever fall in

1390
01:33:52,479 --> 01:34:02,120
Speaker 1: that category screen toorro, I'm telling you you get one song? Okay?

1391
01:34:02,200 --> 01:34:10,000
Speaker 1: Well here being for the club down that you've got

1392
01:34:10,080 --> 01:34:12,120
Speaker 1: to be one hit one on they can do it.

1393
01:34:13,320 --> 01:34:19,559
Speaker 1: But you get one stuff. You get one bird? Oh yeah,

1394
01:34:19,880 --> 01:34:24,400
Speaker 1: don't all scattering rains. Okay, here I had to go

1395
01:34:24,560 --> 01:34:35,120
Speaker 1: up against return to the mat. Oh yeah, turn look

1396
01:34:35,120 --> 01:34:47,360
Speaker 1: at him, turn out. Just one song. You ain't got

1397
01:34:47,439 --> 01:34:49,280
Speaker 1: to be no. One hit. When you just get one song,

1398
01:34:49,400 --> 01:34:54,559
Speaker 1: people ain't seeing it all right? How about dost affects?

1399
01:34:55,720 --> 01:34:59,920
Speaker 1: How about affects? They want to fix. Who would you

1400
01:35:00,040 --> 01:35:04,479
Speaker 1: put that up against dots in facts? I would put

1401
01:35:04,640 --> 01:35:17,200
Speaker 1: uh was the night three into affinity? That was ship? Yeah,

1402
01:35:17,280 --> 01:35:19,400
Speaker 1: it was. It was like West Coast kind of with

1403
01:35:19,520 --> 01:35:25,400
Speaker 1: I'll put that up against that colophone, the seven digits

1404
01:35:25,880 --> 01:35:32,040
Speaker 1: color bridget. Did you know? I didn't know two years

1405
01:35:32,160 --> 01:35:34,519
Speaker 1: later that I got five on it was a disk record.

1406
01:35:34,960 --> 01:35:41,920
Speaker 1: To us, it was a disk record. The adcast that

1407
01:35:42,840 --> 01:35:46,479
Speaker 1: bull because it was it was a ruler that they

1408
01:35:46,560 --> 01:35:49,320
Speaker 1: thought that we hadn't stole their style of whatever it was.

1409
01:35:50,040 --> 01:35:52,840
Speaker 1: So I'm telling you because I meant then that was

1410
01:35:52,920 --> 01:35:54,479
Speaker 1: that the crew and the said, man, yeah, you know

1411
01:35:54,600 --> 01:35:56,760
Speaker 1: that records. Really, this is y'all, we're really I was like, really,

1412
01:35:56,880 --> 01:35:59,120
Speaker 1: I'm singing this ship and he got love his record. Damn,

1413
01:35:59,200 --> 01:36:02,400
Speaker 1: why could y'all our name? You really will be just

1414
01:36:02,479 --> 01:36:05,000
Speaker 1: say tonight? What did you know? What I'm saying? You

1415
01:36:05,080 --> 01:36:10,360
Speaker 1: need saying that what's out? Well, hey, that's what I

1416
01:36:10,439 --> 01:36:15,800
Speaker 1: found out. What's the did well? This is that they're

1417
01:36:15,840 --> 01:36:18,599
Speaker 1: basically saying that they're trying to sound like, Okay, if

1418
01:36:18,640 --> 01:36:21,240
Speaker 1: you listen to that record, the way they're saying they

1419
01:36:21,280 --> 01:36:25,439
Speaker 1: do what their verses, it sounds like being the sound

1420
01:36:25,520 --> 01:36:28,960
Speaker 1: like players ball. It sounds like that first that sounds

1421
01:36:29,000 --> 01:36:33,160
Speaker 1: you know what I'm saying, half on the side. You

1422
01:36:33,200 --> 01:36:35,519
Speaker 1: know what I'm saying. I don't know. You can't even

1423
01:36:35,560 --> 01:36:49,240
Speaker 1: say that ship See that didn't even age. Well, you

1424
01:36:49,360 --> 01:37:00,200
Speaker 1: can't say that. You can't even sing that ship him.

1425
01:37:01,439 --> 01:37:07,639
Speaker 1: I don't want to song like that tone low. Yeah,

1426
01:37:08,280 --> 01:37:10,320
Speaker 1: he had too many hints, but he only gets Okay,

1427
01:37:10,400 --> 01:37:12,559
Speaker 1: you put fucking cold with Dana. I would say, sir,

1428
01:37:12,720 --> 01:37:15,800
Speaker 1: mix a lot, but really he had songs. But baby

1429
01:37:16,520 --> 01:37:19,160
Speaker 1: baby got back like the biggest one. Now he got

1430
01:37:19,240 --> 01:37:25,200
Speaker 1: to bring back my hoop or posse on Broadway. Probably, boy, No,

1431
01:37:25,400 --> 01:37:27,200
Speaker 1: that's too big, that's too big. You know what? That

1432
01:37:27,320 --> 01:37:35,040
Speaker 1: gotta go gets vortex. That's that's a big enough MCA.

1433
01:37:35,880 --> 01:37:51,240
Speaker 1: Y'all slaves, how old are we going? Oh my god,

1434
01:37:52,320 --> 01:37:58,000
Speaker 1: that's too many. I'm telling you that one song, Ship

1435
01:37:58,120 --> 01:38:01,000
Speaker 1: of Work. You ain't got to be no one hit. Wonder.

1436
01:38:01,080 --> 01:38:02,720
Speaker 1: That might be the wrong way to word it, but

1437
01:38:03,280 --> 01:38:08,240
Speaker 1: you only your biggest record. Probably lock and drop it

1438
01:38:11,560 --> 01:38:21,320
Speaker 1: and go. Yeah he did, damn Now Coolio Gangs of Paradise. Okay,

1439
01:38:21,400 --> 01:38:24,400
Speaker 1: if you're gonna bring gamester Paradise, you gotta put gags

1440
01:38:24,600 --> 01:38:33,040
Speaker 1: Paradise against Gangster Lean Yeah gans Parado, which one with

1441
01:38:33,160 --> 01:38:38,920
Speaker 1: gamester Man, it don't matter spoke about gangsters. I'm going,

1442
01:38:39,000 --> 01:38:42,720
Speaker 1: but I'm going to Games of Paradise man fall Head,

1443
01:38:42,920 --> 01:38:50,439
Speaker 1: skinad Breeds going wrong, Like check this out. That song

1444
01:38:50,600 --> 01:38:55,000
Speaker 1: was so cold Watch this ship, d C. Everybody in

1445
01:38:55,080 --> 01:38:57,360
Speaker 1: this room damn didn't know that song. That song was

1446
01:38:57,439 --> 01:39:02,320
Speaker 1: so cold. You can't name one person in that group exactly.

1447
01:39:02,439 --> 01:39:04,840
Speaker 1: That's how cold the song works. You don't even know

1448
01:39:04,920 --> 01:39:07,920
Speaker 1: who's in the group. Still know that bitch word for word.

1449
01:39:09,280 --> 01:39:17,800
Speaker 1: These songs dedicated to my homelies. That Gage. That was

1450
01:39:17,840 --> 01:39:22,000
Speaker 1: a group that they dressed like the rep They had

1451
01:39:22,120 --> 01:39:26,200
Speaker 1: longer jets and they dickies on the man. That ship.

1452
01:39:26,800 --> 01:39:31,080
Speaker 1: That ship got song at so many funerals that talent shows.

1453
01:39:32,920 --> 01:39:38,880
Speaker 1: He wasn't even boring in around like him going up man.

1454
01:39:41,040 --> 01:39:45,280
Speaker 1: Everybody in the getting Jake like two more. I don't

1455
01:39:45,320 --> 01:39:47,840
Speaker 1: do my boy Jake Kan like that. But no, it's

1456
01:39:47,880 --> 01:39:51,960
Speaker 1: just one song, one song, But I'm saying you only

1457
01:39:52,000 --> 01:39:58,760
Speaker 1: get one. I want to fun up though tis, but

1458
01:39:59,240 --> 01:40:01,960
Speaker 1: I guess what I'm get A call ain't got no roof.

1459
01:40:02,600 --> 01:40:06,400
Speaker 1: I'm putting that again. That gave no I'm not saying

1460
01:40:06,400 --> 01:40:10,720
Speaker 1: it here. What I'm saying a big record ching right there.

1461
01:40:13,439 --> 01:40:15,800
Speaker 1: Only one song, though, you gotta be one song. He

1462
01:40:15,880 --> 01:40:22,840
Speaker 1: could do that. He get tires if you go, I

1463
01:40:22,920 --> 01:40:26,880
Speaker 1: don't do so you will put those songs up against what.

1464
01:40:28,040 --> 01:40:33,559
Speaker 1: That's that song with Chinger Murphy Lee was in hook

1465
01:40:36,200 --> 01:40:42,880
Speaker 1: one song, that one song gonna have to do right there. Yeah,

1466
01:40:43,400 --> 01:40:47,720
Speaker 1: yeah that he with a big bad T shirt, big

1467
01:40:47,760 --> 01:40:51,120
Speaker 1: ad change, got a guy down, that little girl, that

1468
01:40:51,160 --> 01:40:56,200
Speaker 1: little shot, little fine shot man ludicrous said. Ludacris said,

1469
01:40:56,240 --> 01:41:00,480
Speaker 1: the wildest ship on that song. Stop dropping cup baby,

1470
01:41:00,560 --> 01:41:07,120
Speaker 1: rub on your nipples. Whatever. I can't get it. I

1471
01:41:07,120 --> 01:41:10,240
Speaker 1: don't know who I'm growing at man, I say the funk.

1472
01:41:10,280 --> 01:41:16,080
Speaker 1: I want to say, hey, come out. Kurk o'ba ain't

1473
01:41:16,080 --> 01:41:18,960
Speaker 1: got hit though. But if we're gonna say kurk o

1474
01:41:19,000 --> 01:41:24,600
Speaker 1: ba ain't drinking my cup, I can put him. I

1475
01:41:24,680 --> 01:41:31,240
Speaker 1: can put on kn't count get kurk ob Yeah, I

1476
01:41:31,360 --> 01:41:41,040
Speaker 1: can't him. Dog. We're gonna can't get one song. I'm

1477
01:41:41,040 --> 01:41:44,479
Speaker 1: gonna tell I'm gonna tell you what they ain't Gonnau

1478
01:41:45,400 --> 01:41:47,560
Speaker 1: on the Low and it's a hood trap song. This

1479
01:41:47,680 --> 01:41:50,880
Speaker 1: means is a real dining song. In the trap ni

1480
01:41:51,040 --> 01:41:54,880
Speaker 1: okay dj yela nigga, I ain't gonna let up. You

1481
01:41:55,000 --> 01:41:57,200
Speaker 1: play this ship eaty where this beach is gonna go

1482
01:41:57,400 --> 01:42:01,000
Speaker 1: through the You can play the first realizing that bitch

1483
01:42:01,080 --> 01:42:06,519
Speaker 1: and turn it off in the if you if boy

1484
01:42:07,000 --> 01:42:09,880
Speaker 1: I just him is in the club. They's the fight. Okay,

1485
01:42:10,680 --> 01:42:13,759
Speaker 1: go a ship. I don't even know who the ship.

1486
01:42:13,920 --> 01:42:15,720
Speaker 1: That's how it was. You know, a triple six first

1487
01:42:15,800 --> 01:42:18,640
Speaker 1: dropped to the club, but they won't let them per

1488
01:42:18,680 --> 01:42:20,760
Speaker 1: phone the club because people just start throwing ship. They

1489
01:42:20,800 --> 01:42:23,800
Speaker 1: started on bottles, but they got song worse than to

1490
01:42:23,960 --> 01:42:27,760
Speaker 1: the club. Up. I bet you won't hear the motherfucker

1491
01:42:27,880 --> 01:42:32,920
Speaker 1: hear the mothers what hit them? I bet you won't

1492
01:42:33,040 --> 01:42:37,800
Speaker 1: push your motherfucker push your motherfucker. Push your motherfucker push that.

1493
01:42:38,439 --> 01:42:42,439
Speaker 1: I bet you won't get mother come over right. They

1494
01:42:42,560 --> 01:42:44,920
Speaker 1: got way. They were chanting to the club. But it

1495
01:42:45,000 --> 01:42:48,560
Speaker 1: will automatic start for real. Like you know, he's a

1496
01:42:49,040 --> 01:42:53,360
Speaker 1: you can start a fight with you just dont look

1497
01:42:53,400 --> 01:42:58,360
Speaker 1: at it's start grabbing birthday they see and man, they

1498
01:42:58,520 --> 01:43:02,120
Speaker 1: got way work worth something was than that. Man is

1499
01:43:02,160 --> 01:43:04,320
Speaker 1: one of my favorite. That's what the nose all running.

1500
01:43:04,520 --> 01:43:06,519
Speaker 1: That's no bunny take it to the crib bad and

1501
01:43:06,560 --> 01:43:09,400
Speaker 1: make a drink coming from Ain't never did that, but

1502
01:43:09,600 --> 01:43:13,920
Speaker 1: now I can say that I've done it. What you

1503
01:43:14,040 --> 01:43:18,200
Speaker 1: did Cocaine, Wayne, that's my called him up the house

1504
01:43:18,280 --> 01:43:20,360
Speaker 1: this slept. We're gonna suck in the back of the

1505
01:43:20,439 --> 01:43:23,479
Speaker 1: bussing field, the nose up, pulling the dust. Three six

1506
01:43:25,640 --> 01:43:31,000
Speaker 1: niggas and sucking the horse. Damn that was ship go

1507
01:43:31,320 --> 01:43:44,280
Speaker 1: back listen. Black came on the song and said, what's

1508
01:43:44,320 --> 01:43:47,120
Speaker 1: the boy doing with that? We what's you boy doing?

1509
01:43:47,200 --> 01:43:51,720
Speaker 1: And with that she begging like a little kid. Then

1510
01:43:51,800 --> 01:44:01,280
Speaker 1: the Nigga and little give Me song. You don't listen

1511
01:44:01,360 --> 01:44:06,280
Speaker 1: real the words when you're listening, there's so funny. The

1512
01:44:06,400 --> 01:44:10,400
Speaker 1: man I love three six man? Who right? It is

1513
01:44:10,439 --> 01:44:16,040
Speaker 1: still one of my favorite. Simpton Shocker said she was.

1514
01:44:17,160 --> 01:44:20,800
Speaker 1: They got some real They got some real shakers. If

1515
01:44:20,840 --> 01:44:22,960
Speaker 1: you want to say, all right, y'all got hit, but

1516
01:44:23,760 --> 01:44:35,559
Speaker 1: your song wi man move? How why did you for real?

1517
01:44:37,640 --> 01:44:40,640
Speaker 1: Thres Mava got a song called I'm About the l

1518
01:44:40,760 --> 01:44:46,640
Speaker 1: Bow or Nigga l Bowl and Nigga. That's pretty much

1519
01:44:46,680 --> 01:44:50,560
Speaker 1: the hook White that they repeat because they really was

1520
01:44:50,600 --> 01:44:53,080
Speaker 1: about to do that ship. Yeah, These motherfucker jump off

1521
01:44:53,080 --> 01:44:56,360
Speaker 1: the stage and literally do that. How y'all feel about

1522
01:44:56,400 --> 01:44:59,720
Speaker 1: Legion State When they came out at first, it was

1523
01:44:59,800 --> 01:45:03,360
Speaker 1: like they were like he a robber rapper, but he

1524
01:45:03,800 --> 01:45:07,920
Speaker 1: turned their sheep. It's remember the first they would give him.

1525
01:45:07,920 --> 01:45:10,240
Speaker 1: They were give him here that first. To me, he

1526
01:45:10,360 --> 01:45:13,559
Speaker 1: was doing kind of what Luke was doing for a minute. Yeah. Uh.

1527
01:45:13,960 --> 01:45:15,600
Speaker 1: But then he just of course and to it. He

1528
01:45:15,760 --> 01:45:18,160
Speaker 1: slowed it down and then made it into like when

1529
01:45:18,240 --> 01:45:20,000
Speaker 1: I first heard a little John, I thought he was

1530
01:45:20,160 --> 01:45:24,599
Speaker 1: the best fighting nigger in the letter because he said,

1531
01:45:25,000 --> 01:45:27,800
Speaker 1: I ain't scared of no nigger. I ain't scared a

1532
01:45:27,840 --> 01:45:30,880
Speaker 1: no bitch. I ain't scared a no nigga. And your

1533
01:45:31,000 --> 01:45:38,559
Speaker 1: motherfucking click not playing. Yeah, he's playing. If you're scared

1534
01:45:38,640 --> 01:45:41,160
Speaker 1: to throw it up, get the funk at the club.

1535
01:45:42,760 --> 01:45:45,240
Speaker 1: Scared throwing up, get the funk out of the club. Absolutely.

1536
01:45:45,640 --> 01:45:47,479
Speaker 1: I think I've seen that the Green bro to. I

1537
01:45:47,560 --> 01:45:49,280
Speaker 1: was younger here and he was just standing up on

1538
01:45:49,360 --> 01:45:55,800
Speaker 1: the curve like this was like he was like what

1539
01:45:56,720 --> 01:46:09,960
Speaker 1: that means that I just walked down shot? He just

1540
01:46:10,080 --> 01:46:14,160
Speaker 1: standing there. Brother, know how you gonna make a little

1541
01:46:14,200 --> 01:46:22,680
Speaker 1: jit You can't do too many songs. M got the

1542
01:46:22,760 --> 01:46:26,479
Speaker 1: record though, got rock but Lejohn to crump let John

1543
01:46:26,560 --> 01:46:30,240
Speaker 1: got that making that make nigga move too. I nik

1544
01:46:30,320 --> 01:46:36,120
Speaker 1: it brought ice Cube back. I'm got some ship though,

1545
01:46:36,160 --> 01:46:39,400
Speaker 1: Whisker deathly got some ship. Yeah, sorry, he got some

1546
01:46:39,520 --> 01:46:43,599
Speaker 1: fighting ship. I think the coldest ship that Misical ever

1547
01:46:43,760 --> 01:46:47,920
Speaker 1: said was I'm the lightning and bad weather. I'm the

1548
01:46:48,120 --> 01:46:52,880
Speaker 1: nigg on this pitching your girlfriend's dress. Damn, that's cold

1549
01:46:54,000 --> 01:46:57,559
Speaker 1: on the nigger and that pitch on your girlfriend dress. Wow.

1550
01:46:58,560 --> 01:47:01,000
Speaker 1: So he always he said that, I'm always watching and

1551
01:47:01,160 --> 01:47:08,599
Speaker 1: then basically nigga saying the girl, the girl you love,

1552
01:47:08,720 --> 01:47:14,519
Speaker 1: love me right that this is going to close. Motherfucker

1553
01:47:14,560 --> 01:47:19,000
Speaker 1: out there. That's definitely calling mother fuck out one of them.

1554
01:47:19,360 --> 01:47:22,240
Speaker 1: They ever do this a cads? Did y'all remember that one? Yeah,

1555
01:47:22,439 --> 01:47:25,040
Speaker 1: negative wood in the club and don't thot it went

1556
01:47:25,080 --> 01:47:31,519
Speaker 1: to head. Don't like that? Ship was fun? Yeah, camp ship.

1557
01:47:31,720 --> 01:47:35,600
Speaker 1: It's so many of them, bro, I like it in

1558
01:47:35,760 --> 01:47:43,200
Speaker 1: due time. Yeah, she was crazy snigger hurt man. Yeah,

1559
01:47:43,280 --> 01:47:47,759
Speaker 1: inde time. That's a special, right now, that's definitely a special.

1560
01:48:05,960 --> 01:48:35,040
Speaker 1: Who have have Walter? Thank you brother a man. Oh

1561
01:48:37,520 --> 01:48:49,080
Speaker 1: Julie Juvenil one songs, some cold Juvenil lyrics let me see,

1562
01:48:51,479 --> 01:48:58,480
Speaker 1: oh man. One of my one of my favorite juvenile

1563
01:48:58,680 --> 01:49:06,439
Speaker 1: lyrics is from this song ask of Mine, one of

1564
01:49:06,520 --> 01:49:10,040
Speaker 1: my favorites. No, I just said with that that second

1565
01:49:10,120 --> 01:49:13,200
Speaker 1: version said some old glitter faced blue head in front

1566
01:49:13,240 --> 01:49:15,080
Speaker 1: of shape looking bits with trying to hill at the

1567
01:49:15,200 --> 01:49:17,920
Speaker 1: nigger stuck on some bullshit. I told her, if you suck,

1568
01:49:18,000 --> 01:49:20,639
Speaker 1: everybody's all grave and she just said nothing. She still

1569
01:49:20,680 --> 01:49:23,040
Speaker 1: there looking at me crazy. Then she got mad comedy

1570
01:49:23,120 --> 01:49:25,600
Speaker 1: bitches and motherfucker's. I waited til she got back to

1571
01:49:25,640 --> 01:49:27,639
Speaker 1: the door, reached back and slugger. She did like any

1572
01:49:27,680 --> 01:49:29,360
Speaker 1: bitch with he did, and got the loaf from me,

1573
01:49:29,520 --> 01:49:31,800
Speaker 1: talking about going press charges and get up off from me.

1574
01:49:31,880 --> 01:49:33,719
Speaker 1: I totally want to get out of jail. I'm gonna

1575
01:49:33,720 --> 01:49:36,080
Speaker 1: beat you awfully and opened up fight through paulter back

1576
01:49:36,160 --> 01:49:38,080
Speaker 1: and up off of me. All she wanted to do,

1577
01:49:38,280 --> 01:49:40,439
Speaker 1: scream out dreven while I hit her from the back

1578
01:49:40,560 --> 01:49:43,479
Speaker 1: and smack on the booty, bite the titties, get the head,

1579
01:49:43,560 --> 01:49:45,920
Speaker 1: break the bed, pull out my shirt and busting U

1580
01:49:46,040 --> 01:49:48,360
Speaker 1: on the leg. Some of these hopey telling me I'm

1581
01:49:48,400 --> 01:49:51,240
Speaker 1: just admired. I don't want to fucking ship. I got

1582
01:49:51,320 --> 01:49:56,560
Speaker 1: that fired cold that's the name of the song, I

1583
01:49:56,600 --> 01:49:59,519
Speaker 1: got the fire. What was the name of that song?

1584
01:50:00,040 --> 01:50:02,720
Speaker 1: The three when he said he was a nig in

1585
01:50:02,840 --> 01:50:06,320
Speaker 1: the picture, Now that's mystical. I'm the lightning and bad weather.

1586
01:50:06,520 --> 01:50:20,360
Speaker 1: I'm that nigging that picture on your girlfriend's dressing. Why

1587
01:50:20,360 --> 01:50:30,960
Speaker 1: are you sing that hat man? Crazy prayer, mesical, got

1588
01:50:31,040 --> 01:50:41,639
Speaker 1: some crazy, misical, funny and funk, bro it was funny.

1589
01:50:42,680 --> 01:50:45,200
Speaker 1: Mystical said, I pissed on your porch and ship in

1590
01:50:45,280 --> 01:50:50,080
Speaker 1: your house. That's on your porch. Yeah, you don't bed

1591
01:50:50,160 --> 01:50:53,720
Speaker 1: thinking with this absolutely, Why would you do that? Why

1592
01:50:53,760 --> 01:50:55,840
Speaker 1: wouldn't you just just go to the bathroom. And at

1593
01:50:55,880 --> 01:51:00,760
Speaker 1: the same you don't listen to this nig. As soon

1594
01:51:00,840 --> 01:51:03,919
Speaker 1: as they see him, they say that's him, that's that bastard.

1595
01:51:04,280 --> 01:51:06,120
Speaker 1: As soon as you tell me and start hurting, that's

1596
01:51:06,120 --> 01:51:12,680
Speaker 1: when I suck you faster but crazy, keep going to

1597
01:51:12,800 --> 01:51:19,920
Speaker 1: stop that. No, we got cold boters. Ain't you see

1598
01:51:20,000 --> 01:51:22,040
Speaker 1: me fighting the bill? Don't help me, help the bill,

1599
01:51:25,479 --> 01:51:31,920
Speaker 1: Help the bill. You're bad. But let's we've got a

1600
01:51:31,960 --> 01:51:35,280
Speaker 1: lot of dope as lands. That's crazy. It comes to tank.

1601
01:51:35,360 --> 01:51:37,719
Speaker 1: They go to grounds, they're throwing grenades. Get on the ground.

1602
01:51:37,800 --> 01:51:39,760
Speaker 1: You might just get up without your heads and looking

1603
01:51:39,800 --> 01:51:42,160
Speaker 1: for trouble and that's what your found. My all top

1604
01:51:42,240 --> 01:51:45,559
Speaker 1: favorite song was him and uh him by myself. Here

1605
01:51:45,560 --> 01:51:47,920
Speaker 1: I go and him and set the shock? Uh and

1606
01:51:48,000 --> 01:51:50,920
Speaker 1: ain't my fun Like when music video out then I'm

1607
01:51:50,960 --> 01:51:54,200
Speaker 1: just stat with TV like with Cabman had dropped that.

1608
01:51:55,080 --> 01:51:59,719
Speaker 1: Oh man, that stat the TV nigga win nigga monica.

1609
01:52:00,200 --> 01:52:08,000
Speaker 1: Uh Brandon handed it about me just that I used

1610
01:52:08,040 --> 01:52:11,479
Speaker 1: to know a video that it was crazy. I was

1611
01:52:11,520 --> 01:52:21,560
Speaker 1: a young nigga freak. Britney spill baby, I need to

1612
01:52:21,640 --> 01:52:32,320
Speaker 1: hit that could and that the schoolgirl baby that mother. Yeah,

1613
01:52:32,360 --> 01:52:35,680
Speaker 1: I was a crazy child. Man. I honestly never in

1614
01:52:35,880 --> 01:52:38,800
Speaker 1: my life saying that that is ever having. I have

1615
01:52:39,000 --> 01:52:43,760
Speaker 1: never looked at Britney Spirits and thought sex. What what

1616
01:52:43,920 --> 01:52:51,479
Speaker 1: she is? That called video? Like you know what I'm saying,

1617
01:52:51,479 --> 01:52:54,040
Speaker 1: It was really wrong. She ain't old enough now that

1618
01:52:54,160 --> 01:52:55,920
Speaker 1: when she had that point you know that would But

1619
01:52:55,920 --> 01:52:57,639
Speaker 1: they were like you ain't never seen it, but you're

1620
01:52:57,640 --> 01:53:00,439
Speaker 1: like that was an outfit of porn. You like, I

1621
01:53:00,479 --> 01:53:03,679
Speaker 1: was a child, Yeah she had that. She was talking

1622
01:53:03,680 --> 01:53:18,040
Speaker 1: to me. You turned around that side. Then that's how

1623
01:53:18,120 --> 01:53:22,559
Speaker 1: you're living. You thought, Brittany was talking to you carring

1624
01:53:22,640 --> 01:53:26,200
Speaker 1: on ten times a day on video. But I saw

1625
01:53:26,280 --> 01:53:31,160
Speaker 1: that time. That's the song that you felt that way about.

1626
01:53:31,640 --> 01:53:33,880
Speaker 1: I have a song. I just knew she was singing

1627
01:53:34,000 --> 01:53:40,960
Speaker 1: straight to me that Unleasha keys the diary on that

1628
01:53:41,000 --> 01:53:42,920
Speaker 1: ship come on, and I'd be like, hold on, everybody

1629
01:53:43,040 --> 01:53:47,840
Speaker 1: be quiet, everybody be quiet. That got to hit this ship.

1630
01:53:47,920 --> 01:53:51,000
Speaker 1: Every word. When the dude start singing, I turned it

1631
01:53:51,120 --> 01:53:55,280
Speaker 1: up though, but that's a secret record, right, Yeah. When

1632
01:53:55,320 --> 01:53:57,519
Speaker 1: the dude be like trying to sing by cutting on,

1633
01:53:57,680 --> 01:53:59,559
Speaker 1: I just want to hear her part. I started over

1634
01:53:59,640 --> 01:54:01,559
Speaker 1: before listening to him. Do all the house this ship,

1635
01:54:02,280 --> 01:54:06,560
Speaker 1: you know, we want me up. I don't know the

1636
01:54:06,680 --> 01:54:08,599
Speaker 1: name of the song, but all on the moment, look

1637
01:54:08,720 --> 01:54:15,320
Speaker 1: King Christina Aguilera Maya, Oh that's lady Mama, Lady lady mama.

1638
01:54:15,400 --> 01:54:21,519
Speaker 1: What lady mama, Lady mama Like, Oh, that mother fucker

1639
01:54:21,600 --> 01:54:26,840
Speaker 1: came out like they got all the batties on one song. Yeah,

1640
01:54:27,000 --> 01:54:32,160
Speaker 1: it's like spec the original code, the original one code. Yeah.

1641
01:54:32,160 --> 01:54:35,000
Speaker 1: The real song is really about well, I don't want

1642
01:54:35,040 --> 01:54:39,720
Speaker 1: to say prostitution, but it was about close to something

1643
01:54:39,800 --> 01:54:42,640
Speaker 1: like it, something like it's grown folk ship just back

1644
01:54:42,680 --> 01:54:44,360
Speaker 1: in the day when they just had grown first ship,

1645
01:54:44,640 --> 01:54:47,160
Speaker 1: right would used to be my favorite watch it when

1646
01:54:47,200 --> 01:54:51,120
Speaker 1: I was young. I still watch her little did they

1647
01:54:51,160 --> 01:54:57,360
Speaker 1: got that real red song. I knew she was the

1648
01:54:57,400 --> 01:54:59,640
Speaker 1: ship when she came out with that, with that first

1649
01:54:59,720 --> 01:55:02,880
Speaker 1: one they had. I mean, what's the one with Sisko?

1650
01:55:03,120 --> 01:55:05,320
Speaker 1: You know that was first? Yeah, that one right there,

1651
01:55:05,320 --> 01:55:08,720
Speaker 1: it's all about me. Yeah, and then when she came

1652
01:55:08,800 --> 01:55:11,520
Speaker 1: with my lover is like whoa, Yeah, I believed her.

1653
01:55:11,920 --> 01:55:15,320
Speaker 1: I was at that point. I was. I was a

1654
01:55:15,400 --> 01:55:21,640
Speaker 1: believe at that point. No, you know, people sneak on babe,

1655
01:55:22,400 --> 01:55:24,760
Speaker 1: holy kids. Ain'tybody gonna be looking at it like listen,

1656
01:55:24,760 --> 01:55:30,240
Speaker 1: this type you can't say that like go ahead, Hey,

1657
01:55:33,240 --> 01:55:43,640
Speaker 1: that's tweet tweet tweet tweet second, Yeah, tweet hard, tweet hard.

1658
01:55:48,600 --> 01:55:50,640
Speaker 1: And that's your baby. He don't even know her name.

1659
01:55:51,280 --> 01:55:55,840
Speaker 1: I don't even know the girls name. That's a whole

1660
01:55:55,840 --> 01:56:00,880
Speaker 1: another lady. Ye, I would have what take came wrong?

1661
01:56:00,920 --> 01:56:11,040
Speaker 1: When Tate came from Yeah, I don't yeh. T's the

1662
01:56:11,120 --> 01:56:16,760
Speaker 1: young thing. Yeah, y'all know that. That's how you were older. Yeah,

1663
01:56:18,600 --> 01:56:28,280
Speaker 1: him on him you know, had food like the teeth

1664
01:56:30,840 --> 01:56:42,720
Speaker 1: te tweet away tonight. I love what. I'm glad I

1665
01:56:42,800 --> 01:56:48,720
Speaker 1: really taped it to my boy. I want that time

1666
01:56:48,800 --> 01:56:52,480
Speaker 1: my MoMA had me. Yeah guarded nig Yeah, you were

1667
01:56:52,480 --> 01:56:55,760
Speaker 1: supposed to be born fifty years ago, say I was.

1668
01:56:56,080 --> 01:56:57,440
Speaker 1: I was staring at the can say, I was like,

1669
01:56:57,960 --> 01:57:01,600
Speaker 1: that's from your paths, Like she was like, I felt

1670
01:57:01,640 --> 01:57:03,280
Speaker 1: like I was gonna go home, like I'm out of

1671
01:57:03,280 --> 01:57:08,640
Speaker 1: head y'all. That was the link to your path I've

1672
01:57:08,680 --> 01:57:16,720
Speaker 1: done everything I was is now like he was gonna

1673
01:57:16,720 --> 01:57:18,440
Speaker 1: take the tape out and sladd in the case and

1674
01:57:18,520 --> 01:57:23,520
Speaker 1: disappear and some ship like back then, like you came

1675
01:57:24,240 --> 01:57:27,880
Speaker 1: technologies at the time right now, we literally it was

1676
01:57:28,720 --> 01:57:31,200
Speaker 1: it was fun to leave that then. That's what I'm saying.

1677
01:57:31,760 --> 01:57:34,920
Speaker 1: I was around with the start of pages, the brake phone,

1678
01:57:35,480 --> 01:57:40,440
Speaker 1: the big gass so like then, man, I just remember

1679
01:57:40,480 --> 01:57:43,480
Speaker 1: when phones came into bag. Yeah that was that was

1680
01:57:43,520 --> 01:57:48,160
Speaker 1: a very person. That was the station where that came

1681
01:57:48,200 --> 01:57:53,240
Speaker 1: in the car. My dad liked minutes like a year damn.

1682
01:57:54,480 --> 01:57:56,760
Speaker 1: Right back. When I get help, I always want to

1683
01:57:56,800 --> 01:58:05,520
Speaker 1: call im. I want to come up get the ba.

1684
01:58:08,720 --> 01:58:13,360
Speaker 1: It's a phone. I remember all the cellphone with them.

1685
01:58:13,480 --> 01:58:20,040
Speaker 1: They're the same color though repaid minutes, But first you

1686
01:58:20,120 --> 01:58:21,960
Speaker 1: got to go put the minutes on the car. Then

1687
01:58:22,040 --> 01:58:25,680
Speaker 1: you got to call the car from the phone. Stupid ship.

1688
01:58:28,640 --> 01:58:30,640
Speaker 1: I used to want to ride in the back, facing

1689
01:58:30,800 --> 01:58:34,800
Speaker 1: up facing traffic. I used to be the cargo CoA.

1690
01:58:37,520 --> 01:58:46,280
Speaker 1: Your dad, Hey man, this is a type of ship.

1691
01:58:46,360 --> 01:58:48,760
Speaker 1: We'll be up in this montherfucker doing man shout out there.

1692
01:58:48,800 --> 01:58:52,240
Speaker 1: Everybody who grew up in a station wagon were black

1693
01:58:52,320 --> 01:58:54,880
Speaker 1: people ship. If you want to church three times a week,

1694
01:58:56,400 --> 01:58:58,400
Speaker 1: that's right. If you didn't get no input on what

1695
01:58:58,560 --> 01:59:00,920
Speaker 1: you wanted to eat that night, your black people ship,

1696
01:59:01,240 --> 01:59:02,680
Speaker 1: you know you were a church. Sox a lot and

1697
01:59:02,760 --> 01:59:09,440
Speaker 1: stop your head from rawn in your legs. It's the

1698
01:59:09,560 --> 01:59:12,600
Speaker 1: dumbest s ever. If you take that, if you take

1699
01:59:12,640 --> 01:59:13,720
Speaker 1: them out, you'll ea