WEBVTT - Charley & Shelley Wininger On Healthy Aging & Sex with MDMA

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<v Speaker 1>Hi, I'm Ethan Natalman and this is Psychoactive, a production

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<v Speaker 1>of iHeart Radio and Protozoa Pictures. Psychoactive is the show

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<v Speaker 1>where we talk about all things drugs. But any of

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<v Speaker 1>view is expressed here do not represent those of my

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<v Speaker 1>Heart Media, Protozoa Pictures, or their executives and employees. Indeed, heed,

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<v Speaker 1>as an inveterate contrarian, I can tell you they may

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<v Speaker 1>not even represent my own and nothing contained in this

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<v Speaker 1>show should be used as medical advice or encouragement to

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<v Speaker 1>use any type of drugs. Hello, Psychoactive listeners. Well, we're

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<v Speaker 1>approaching at the end of the second season of Psychoactive,

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<v Speaker 1>but in thinking about how I'd like the last or

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<v Speaker 1>penultimate episode to be, uh, you know, the notion of

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<v Speaker 1>getting more personal, going more deeply into the issue and

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<v Speaker 1>the questions around m d m A seemed to me

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<v Speaker 1>a good one. Obviously, we've talked about m d m

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<v Speaker 1>A before. There was the episode with Rick Doblin talking

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<v Speaker 1>about his history of the m d m A and

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<v Speaker 1>the trials that will hope to result in the f

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<v Speaker 1>d A approving m d m A and the next

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<v Speaker 1>year or so. But our guest today is somebody who's

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<v Speaker 1>not an m d m A psychotherapist. He doesn't do

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<v Speaker 1>psychotherapy with m d m A. He's not part of

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<v Speaker 1>the trials that MAPS has been moving Forward and others,

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<v Speaker 1>but he's deeply knowledgeable about the subject. His name is

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<v Speaker 1>Charlie Wininger. He's the author of a book a couple

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<v Speaker 1>of years ago called Listening to Ecstasy, The Transformative Power

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<v Speaker 1>of m d m A. Now he's a licensed psychoanalyst

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<v Speaker 1>and mental health counselor in New York. He's been in

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<v Speaker 1>private practice more than thirty years. Some years years ago,

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<v Speaker 1>The New York Times and Newsday nicknamed him the quote

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<v Speaker 1>unquote love doctor because of his work with singles. But

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<v Speaker 1>now he's specializing more in relationships and communication. Skill isn't

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<v Speaker 1>dealing with love and couples and also grief. But I

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<v Speaker 1>also asked Um Charlie to invite his wife, Shelly on

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<v Speaker 1>the program as well, Shelley winning Gerald Um in part

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<v Speaker 1>because the book he and story he tells and Listening

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<v Speaker 1>to Ecstasy is so much about the relationship. I mean,

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<v Speaker 1>the two of them when I crossed paths with them

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<v Speaker 1>in New York City. They are an inseparable couple and

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<v Speaker 1>something about the most reminded me of Sasha and Anne

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<v Speaker 1>Shulgin if you think about their book Pekal, where half

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<v Speaker 1>the book is the chemical recipes for all sorts of

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<v Speaker 1>psychedelic substances. The other one is the story of their

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<v Speaker 1>love story and their use of various substances. So, Charlie Shelley,

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<v Speaker 1>thank you ever so much for joining me and my

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<v Speaker 1>listeners on Psychoactive. Thank you. It's wonderful to be here. Charlie. Um.

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<v Speaker 1>You know I'll tell you reading your book, I mean,

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<v Speaker 1>it's really almost a story, UM of three loves, your

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<v Speaker 1>love with Shelley, your love of M d m A

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<v Speaker 1>and its value, and then a third story about your

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<v Speaker 1>love of community and the communities you're part of, UM

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<v Speaker 1>and that you've helped organize and curate. And so you know,

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<v Speaker 1>let me just start UM by asking you. I mean,

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<v Speaker 1>much of your book involves, you know, this, this period

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<v Speaker 1>twenty years ago when you and Shelley meet and it's

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<v Speaker 1>your second marriages and you fall in love and and

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<v Speaker 1>we'll get into that story. But in terms of your

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<v Speaker 1>earlier history of M D m A, had you done

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<v Speaker 1>it before, had it been less valuable to you in

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<v Speaker 1>your life? Was there a pre story there. M d

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<v Speaker 1>M A was not valuable to me at all until

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<v Speaker 1>I met Shelley. I had given it up. I had

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<v Speaker 1>only done it alone and recreationally. I didn't know about

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<v Speaker 1>the protocols at the time. I'm going back to the nineties,

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<v Speaker 1>and I didn't know about hydrating. I didn't know about

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<v Speaker 1>not mixing it with alcohol, all these basic fundamental mistakes.

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<v Speaker 1>So I had given it up for dead. I thought

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<v Speaker 1>that this was a substance without substance. Then I met Shelley,

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<v Speaker 1>and Shelley was like just recently sprung from a regressive marriage,

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<v Speaker 1>and she wanted to spread her wings. And when she

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<v Speaker 1>found out about my hippie past and I don't know

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<v Speaker 1>if it's all in the past um, and she found

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<v Speaker 1>out that I was a psychoanot and had been a

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<v Speaker 1>psychoanat for thirty years by the time I met her

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<v Speaker 1>twenty years ago. She said she wanted to uh, she

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<v Speaker 1>wanted me to corrupt her basically, so I said about

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<v Speaker 1>doing so. And the first time we did M d

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<v Speaker 1>m A together was a true revelation for both of us.

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<v Speaker 1>Just seeing her come on, seeing her climb on M

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<v Speaker 1>d M A was like, I mean into my mind.

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<v Speaker 1>She it was beautiful to begin with, and um and

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<v Speaker 1>full of innocence and joy. And suddenly I realized that, Yeah,

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<v Speaker 1>this is the chemical of connection. This chemical is not

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<v Speaker 1>to be done alone. When I was alone, I felt

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<v Speaker 1>like I was and rolling alone. I felt like I

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<v Speaker 1>was all dressed up with nowhere to go. It's really

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<v Speaker 1>about connecting with myself but also with another and in

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<v Speaker 1>time many others uh and and uh intentional experiences that

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<v Speaker 1>we curated later on. Well, let me ask you know,

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<v Speaker 1>at one point you say in the book, Charlie that

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<v Speaker 1>that what you love most that that you find that

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<v Speaker 1>you came to recognize the things that you love most

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<v Speaker 1>about Shelley and M. D m A are similar, And

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<v Speaker 1>I wonder, Shelley, would you say the same about Charlie

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<v Speaker 1>and M D m A. What do you mean but similar? Well, Charlie,

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<v Speaker 1>what did you mean by similar? Well, um, that M.

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<v Speaker 1>D m A gets me right in the moment, and

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<v Speaker 1>that's really where Shelley lives. I have a more of

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<v Speaker 1>my mind is heavy and convoluted, and I'm always thinking

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<v Speaker 1>about the past and the future. Shelley is more in

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<v Speaker 1>the here and now, and that's what M. D. M

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<v Speaker 1>A does for me as well. So that's a similarity

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<v Speaker 1>right there. I agree absolutely, m I just wanted to

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<v Speaker 1>say it also for me. At the very first time

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<v Speaker 1>I felt a live. I had been very oppressed, I

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<v Speaker 1>guess between my mother and my ex husband, and all

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<v Speaker 1>of a sudden everything well, my little handcuffs were released

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<v Speaker 1>and I felt beautiful. It was just amazing. And the

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<v Speaker 1>drug has continued to work for the two of you.

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<v Speaker 1>Oh yeah, after many dozens of because now you're using it.

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<v Speaker 1>I think you said in the book, try three or

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<v Speaker 1>four times a year. And if you've been together for

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<v Speaker 1>over twenty years, well we've been We've done about eight

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<v Speaker 1>roles together in the experience, basically correct in the last

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<v Speaker 1>twenty years. Yes, And you know, another similarity is that

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<v Speaker 1>M D m A gets me and other people I've

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<v Speaker 1>met into a state of complete innocence, like a child,

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<v Speaker 1>like just happy to be alive and be with somebody

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<v Speaker 1>else that they like, just very simple and innocent and joyful.

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<v Speaker 1>And Shelley is uh really I experienced her as a

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<v Speaker 1>very her spirit is is very innocent and joyful. So

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<v Speaker 1>that's another way that there they are similar. Well, you know,

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<v Speaker 1>I mean, what really stands out for me in your

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<v Speaker 1>book is the ways in which you can I mean,

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<v Speaker 1>we'll talk about the ways you which can m d

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<v Speaker 1>m A to being a psychotherapist, but it's about the

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<v Speaker 1>notion of healthy aging. I mean you you you specifically

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<v Speaker 1>say healthy aging is not just for older people, um,

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<v Speaker 1>but also for younger people as well. But you know here,

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<v Speaker 1>I mean there's a sense in which I'm reading your book,

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<v Speaker 1>and I mean, I mean here we are you and

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<v Speaker 1>I were too, you know, bald headed, white goateed senior

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<v Speaker 1>citizens right dealing with aging in various ways and also

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<v Speaker 1>deeply immersed in are you more than I perhaps been

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<v Speaker 1>in a in a psychedelic community in New York and

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<v Speaker 1>more broadly right and the issues around aging, you know,

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<v Speaker 1>as our body's age, as all sorts of things age

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<v Speaker 1>and stuff like that. But you talk about the role

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<v Speaker 1>of m d m A and healthy aging is absolutely

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<v Speaker 1>pivot ingredient to making aging work. Well, so just um

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<v Speaker 1>a little more about that. I've learned that and this

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<v Speaker 1>I really only learned through uh having all these experiences

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<v Speaker 1>over the years with m d m A. It seems

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<v Speaker 1>to have a cumulative effect, at least for me. Uh,

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<v Speaker 1>so many experiences of being for four or five, six, seven,

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<v Speaker 1>eight hours feeling completely ageless, giving me a sense of

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<v Speaker 1>what it's like to uh feel like really ten thirty

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<v Speaker 1>forty years younger than I am. For that period of time,

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<v Speaker 1>I can dance like I'm not even dancing, I'm being

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<v Speaker 1>danced like the m D m A is the puppeteer

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<v Speaker 1>and I at the marionette and I'm and I'm being

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<v Speaker 1>danced and I'm moving to so light on my feet. Uh.

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<v Speaker 1>And it helped me realize that aging is that I've

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<v Speaker 1>been brainwashed about it. I think we all have, you know,

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<v Speaker 1>like the brainwashing goes like this past age five, your

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<v Speaker 1>stock goes down a point a year in terms of

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<v Speaker 1>your of your worth into society or socially. Uh. And

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<v Speaker 1>so that's why we are all on a hell bent

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<v Speaker 1>mission to try to say, oh, I'm not old, I'm

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<v Speaker 1>young at hard like old is old itself is a

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<v Speaker 1>dirty word that's like ridiculous uh and and oppressive. Uh. So,

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<v Speaker 1>I you know, somebody looks at me now and they say, uh,

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<v Speaker 1>you know, you look about sixties sixty five. I want

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<v Speaker 1>to shake them up, and they'll say, excuse me, I'm

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<v Speaker 1>about to be seventy four years old, and I earned

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<v Speaker 1>every year, and I'm happy and proud to be this age.

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<v Speaker 1>I don't want to be mistaken for younger, as if

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<v Speaker 1>that's some sort of compliment. It's not a compliment. That's

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<v Speaker 1>actually a backhanded insult. When somebody says you look good

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<v Speaker 1>for your age, I'm sorry, you look good for a

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<v Speaker 1>and fill in the blank with any other demographic and

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<v Speaker 1>it would be an insult. But but you look good

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<v Speaker 1>for your age means that, um, you don't look as

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<v Speaker 1>old as you really are, as if that's supposed to

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<v Speaker 1>be uh, make you more valuable in some way. So

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<v Speaker 1>I realized through doing M D M A a a lot

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<v Speaker 1>that all this was oppressing me, and that at any

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<v Speaker 1>age in my life, I am every age. In other words,

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<v Speaker 1>and it may help me get in touch with my

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<v Speaker 1>eight year old, my eighteen year old, my twenty eight

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<v Speaker 1>year old, and I can do that when I'm sober,

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<v Speaker 1>because my inner child, or my inner eighteen year old,

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<v Speaker 1>on my inner thirty year old has has thanks to

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<v Speaker 1>tell me and thanks to remind me of and that

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<v Speaker 1>that's vitality and spontaneity that I had then is still

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<v Speaker 1>available to me. And so M m A has really

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<v Speaker 1>helped me across the adult lifespan. Mm hmm. Well, for

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<v Speaker 1>our listeners, let me just read a few lines from

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<v Speaker 1>the book. From his book Listening to Ecstasy, he says,

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<v Speaker 1>at one point, there are two boxes in this world

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<v Speaker 1>one needs to avoid. His best one can the box

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<v Speaker 1>they put you in when you die, and then when

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<v Speaker 1>they try to put you in when you're alive. I

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<v Speaker 1>found the best way to delay the former is to

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<v Speaker 1>live a life outside the ladder. And at another point

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<v Speaker 1>he goes he describes m d m A as an

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<v Speaker 1>emotional decongested and says, I found my ability to appreciate

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<v Speaker 1>and benefit from medicines m d m A ripens with

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<v Speaker 1>age that for him, it's a chemical hedge against feeling

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<v Speaker 1>like aging's victim and against age related fear. Here we

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<v Speaker 1>have not an antidote, but a solve, a tonic, a

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<v Speaker 1>rejuvenating vacation that can replenish the fountain of one's youth. Shelley,

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<v Speaker 1>the same for you. Absolutely, when I roll, I do

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<v Speaker 1>become age, lists I don't think of how old I am.

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<v Speaker 1>And because even when I'm not rolling, I still my

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<v Speaker 1>brain that's still feel young. I mean, I'll tell you

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<v Speaker 1>in reading your book. Part of I had really almost

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<v Speaker 1>two kind of emotional reactions to it. One was how

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<v Speaker 1>much it reminded me of what I loved about M

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<v Speaker 1>D M A H in my relationships in the past,

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<v Speaker 1>you know, in the role it played that you know,

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<v Speaker 1>in my relationship with my first wife, where I think,

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<v Speaker 1>you know, we were at the verge of divorce and

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<v Speaker 1>we did it, and it was really eye opening and

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<v Speaker 1>more than eye opening, soul opening, and I even though

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<v Speaker 1>it didn't result in saving our marriage, it helped us

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<v Speaker 1>to a softer landing, and then in subsequent relationships it

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<v Speaker 1>was just this incredibly valuable tool. And also, you know,

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<v Speaker 1>in terms of talking things through, in terms of being

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<v Speaker 1>clear with one, of being able to not just say

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<v Speaker 1>things well, but here things well. And I also noticed

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<v Speaker 1>even the very first time I did it, about being

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<v Speaker 1>in my body. It wasn't I burst out. Well, I

0:14:22.440 --> 0:14:24.280
<v Speaker 1>guess there was some dancing there, I mean, but I

0:14:24.320 --> 0:14:26.760
<v Speaker 1>remember feeling the energy. I always felt that the energy

0:14:26.760 --> 0:14:29.520
<v Speaker 1>of my body was very very much in my torso

0:14:29.920 --> 0:14:32.280
<v Speaker 1>and I never felt all that grounded. And the first

0:14:32.280 --> 0:14:34.640
<v Speaker 1>time I did M D M A I could almost

0:14:34.680 --> 0:14:37.920
<v Speaker 1>feel the energy pushing itself down my legs to kind

0:14:37.920 --> 0:14:41.080
<v Speaker 1>of become more grounded. And then on the music. I

0:14:41.080 --> 0:14:43.720
<v Speaker 1>remember the for the music we put on, it was

0:14:43.760 --> 0:14:48.440
<v Speaker 1>something called Earth Tribe Rhythm. It was this wonderful dancing music,

0:14:48.520 --> 0:14:52.600
<v Speaker 1>this drumming and electronic music. UM, that was just you know,

0:14:52.760 --> 0:14:55.600
<v Speaker 1>just inspiring and just with you know, dance like crazy

0:14:55.720 --> 0:14:57.800
<v Speaker 1>the same way that you're describing. But in the book

0:14:57.800 --> 0:14:59.840
<v Speaker 1>you talk about some other things. You talk about about

0:15:00.080 --> 0:15:03.760
<v Speaker 1>music and a good sound system, you talk about anchoring.

0:15:04.160 --> 0:15:07.160
<v Speaker 1>UM say something more first of all about what what

0:15:07.280 --> 0:15:11.400
<v Speaker 1>music goes well with what and why? Well, it depends

0:15:11.440 --> 0:15:16.160
<v Speaker 1>what you want to do. UM. A comedian once said,

0:15:16.280 --> 0:15:19.080
<v Speaker 1>I heard him on the TV said with M d M,

0:15:19.160 --> 0:15:21.240
<v Speaker 1>A people like to dance to E d M. And

0:15:21.280 --> 0:15:23.200
<v Speaker 1>he says, you know what E d M stands for.

0:15:23.680 --> 0:15:28.760
<v Speaker 1>It means everyone's doing molly. So I like the d M.

0:15:28.960 --> 0:15:31.920
<v Speaker 1>Electronic dance music, of course is what it really stands for.

0:15:32.080 --> 0:15:36.200
<v Speaker 1>And because that's for dancing, uh and also for me

0:15:36.480 --> 0:15:41.680
<v Speaker 1>good old rock and roll. But for if I'm not uh,

0:15:42.400 --> 0:15:46.320
<v Speaker 1>if I'm feeling more calm and uh and just hanging

0:15:46.400 --> 0:15:50.560
<v Speaker 1>out with my love, UM, we might put on some

0:15:50.960 --> 0:15:57.560
<v Speaker 1>Buddha bar or trip hop exotic Buddha Lounge in different

0:15:57.600 --> 0:16:04.240
<v Speaker 1>playlists like that, and shall you share the same taste

0:16:04.240 --> 0:16:09.160
<v Speaker 1>with Charlie in this matter? Oh yeah. When I first

0:16:09.280 --> 0:16:14.280
<v Speaker 1>met him, I pretty much I raised two children, so

0:16:14.360 --> 0:16:17.000
<v Speaker 1>I was listening to a lot of kids stuff and

0:16:17.280 --> 0:16:23.000
<v Speaker 1>listening to show tunes. So I introduced him to show tunes.

0:16:23.040 --> 0:16:26.680
<v Speaker 1>He introduced me to old fashioned rock and roll, and

0:16:26.880 --> 0:16:29.920
<v Speaker 1>little by little over the years we started playing with

0:16:30.000 --> 0:16:33.880
<v Speaker 1>different kinds of music and we found bootleannge for soft

0:16:33.920 --> 0:16:41.160
<v Speaker 1>for like Edgier music, or or bootle Lounge boudle bar,

0:16:41.480 --> 0:16:47.280
<v Speaker 1>which is softer. It's also very sexual, so that's nice. Well,

0:16:47.400 --> 0:16:49.520
<v Speaker 1>so I want to get into the sexual thing in

0:16:49.600 --> 0:16:52.360
<v Speaker 1>a moment. But what about I'm mixing M D M

0:16:52.440 --> 0:16:54.720
<v Speaker 1>A with other drugs, whether it's I guess well, a

0:16:54.800 --> 0:16:57.600
<v Speaker 1>candy flipping when you do with LSD or some people

0:16:57.640 --> 0:17:00.480
<v Speaker 1>have coning with our wana either before during year after.

0:17:00.880 --> 0:17:05.200
<v Speaker 1>What's your thoughts about about all of that? Well, Um,

0:17:05.359 --> 0:17:09.040
<v Speaker 1>New Year's Eve we candy flipped, which we like to

0:17:09.080 --> 0:17:11.360
<v Speaker 1>do if we can't make it to the Fish concert

0:17:11.440 --> 0:17:15.840
<v Speaker 1>because they want two dollars a ticket. Um, we can't

0:17:15.840 --> 0:17:18.560
<v Speaker 1>make it to Fish on New Year's Eve at Madison Square, garden,

0:17:18.640 --> 0:17:22.320
<v Speaker 1>then we'll we'll candy flip at home with M D

0:17:22.440 --> 0:17:27.560
<v Speaker 1>M A and LSD and tends to put us over

0:17:27.600 --> 0:17:32.520
<v Speaker 1>the edge. Really, it tends to put us in a

0:17:32.640 --> 0:17:42.360
<v Speaker 1>very blissful, blissful, deeply sensual space. But even then, if

0:17:42.560 --> 0:17:44.560
<v Speaker 1>if we're just doing M D M A and we

0:17:44.640 --> 0:17:48.919
<v Speaker 1>want to get it on um, which I always do

0:17:49.080 --> 0:17:55.640
<v Speaker 1>with my ageless angel Um, we will wait till the

0:17:55.760 --> 0:17:58.920
<v Speaker 1>end of the role because it's hard for Uh. It's

0:17:59.000 --> 0:18:02.920
<v Speaker 1>it's it's I just punned there as a bad pun

0:18:03.040 --> 0:18:05.679
<v Speaker 1>It's it's difficult, not it's hard for a man to

0:18:05.720 --> 0:18:08.320
<v Speaker 1>stay hard on M D M A. At least that's

0:18:08.359 --> 0:18:10.560
<v Speaker 1>the experience of a lot of men. So we wait

0:18:10.640 --> 0:18:14.520
<v Speaker 1>till the end of the role. As we're coming down

0:18:15.000 --> 0:18:19.320
<v Speaker 1>and add cannabis to it. Um. Shelley will take an edible,

0:18:19.320 --> 0:18:22.600
<v Speaker 1>which he has a lot very valuable things to talk

0:18:22.640 --> 0:18:28.080
<v Speaker 1>about about that, and I will just take some smoke,

0:18:28.200 --> 0:18:31.879
<v Speaker 1>some sativa, and then we can have what I'd like

0:18:31.960 --> 0:18:38.680
<v Speaker 1>to call sextasy, where we're just having an amazing sexual

0:18:39.080 --> 0:18:44.080
<v Speaker 1>encounter at the end of a role. So let me

0:18:44.160 --> 0:18:47.800
<v Speaker 1>shift here to Shelly, So Shelly um in terms of

0:18:48.040 --> 0:18:50.760
<v Speaker 1>cannabis and M d M A and these other things.

0:18:51.240 --> 0:18:53.840
<v Speaker 1>I mean throughout this book, and obviously you must have

0:18:53.880 --> 0:18:56.600
<v Speaker 1>given your okay for Charlie to do this. He describes

0:18:56.640 --> 0:19:01.679
<v Speaker 1>you as this incredibly sexual, sensual or gasmic you know,

0:19:01.800 --> 0:19:04.920
<v Speaker 1>evermore so as your age. I mean, it's a wonderful

0:19:04.960 --> 0:19:08.000
<v Speaker 1>description something. What element It reminded me of part of

0:19:08.000 --> 0:19:09.880
<v Speaker 1>the things that Anne Schilgren writes about when she does

0:19:09.920 --> 0:19:12.959
<v Speaker 1>two CB with UH with Sasha. You know, I remember,

0:19:13.040 --> 0:19:14.600
<v Speaker 1>I think she talks about doing two c B at

0:19:14.680 --> 0:19:18.000
<v Speaker 1>one point and and just totally going through this horrific depression,

0:19:18.160 --> 0:19:21.600
<v Speaker 1>ego destruction, and then Sasha appears at the door and

0:19:21.640 --> 0:19:23.960
<v Speaker 1>the thing does a one eight and flips into this

0:19:24.119 --> 0:19:27.240
<v Speaker 1>utter beauty and she has the most the biggest, most

0:19:27.280 --> 0:19:30.320
<v Speaker 1>sustained orgasms of her life. She thereby, by the way,

0:19:30.320 --> 0:19:32.760
<v Speaker 1>said a lot of people up for for failure when

0:19:32.760 --> 0:19:34.440
<v Speaker 1>it came to like jumping, let's do two c B

0:19:34.520 --> 0:19:36.560
<v Speaker 1>and have sex, because people, if you could go into

0:19:36.600 --> 0:19:39.040
<v Speaker 1>that way, often it's just not gonna work that way. Um.

0:19:39.080 --> 0:19:42.440
<v Speaker 1>But but I'm curious, Shelley, So when Charlie is describing

0:19:42.480 --> 0:19:45.399
<v Speaker 1>you in this way, I'm assuming that you verified everything

0:19:45.400 --> 0:19:47.800
<v Speaker 1>he wrote about you in this book. So when it

0:19:47.880 --> 0:19:52.159
<v Speaker 1>comes to these different drugs, um and in terms of sexuality,

0:19:52.240 --> 0:19:54.880
<v Speaker 1>and I understand that you're oftentimes you know that you're

0:19:54.920 --> 0:19:57.200
<v Speaker 1>part of what you do is actually teaching younger women

0:19:57.359 --> 0:20:01.520
<v Speaker 1>about learning about their sexuality. So tell us about your

0:20:01.600 --> 0:20:04.280
<v Speaker 1>sexuality and especially as you've got it older, and the

0:20:04.400 --> 0:20:08.359
<v Speaker 1>various medicines or substances that you're using. Do you have

0:20:08.480 --> 0:20:13.720
<v Speaker 1>about a week, Well, not exactly, but how about the highlights? Okay,

0:20:13.840 --> 0:20:18.320
<v Speaker 1>the highlights. First of all, I found when we lived

0:20:18.320 --> 0:20:22.719
<v Speaker 1>in our first apartment, I was just starting to go

0:20:22.760 --> 0:20:27.480
<v Speaker 1>through menopause, and uh, we could hear the people in

0:20:27.520 --> 0:20:30.520
<v Speaker 1>the next in the next department, which meant they could

0:20:30.560 --> 0:20:37.760
<v Speaker 1>hear us. So I realized I I was very controlled

0:20:38.560 --> 0:20:42.160
<v Speaker 1>and I was I was sexy, I was sexual, but

0:20:42.320 --> 0:20:46.119
<v Speaker 1>not until we moved to our apartment now where we

0:20:46.160 --> 0:20:49.240
<v Speaker 1>have another building next to our building, so setting the

0:20:49.359 --> 0:20:54.880
<v Speaker 1>setting for me changed completely and that made me feel free.

0:20:55.200 --> 0:20:59.760
<v Speaker 1>I could be more verbal, which does help. It's only

0:21:00.000 --> 0:21:03.080
<v Speaker 1>in about two years and I've been playing with edible

0:21:03.160 --> 0:21:06.679
<v Speaker 1>cannabis because I have a vocal cord problem and my

0:21:06.800 --> 0:21:11.240
<v Speaker 1>doctor told me to use edible because the they was

0:21:11.400 --> 0:21:17.119
<v Speaker 1>causing problems. Well, I just started using cannabis at the

0:21:17.400 --> 0:21:24.240
<v Speaker 1>edible and it changed me completely. I am They say

0:21:24.280 --> 0:21:29.480
<v Speaker 1>that the brain is the largest sex organ in our body,

0:21:29.680 --> 0:21:35.480
<v Speaker 1>and I've been taking advantage of that. Uh. It focuses

0:21:35.720 --> 0:21:41.000
<v Speaker 1>on me, and many times I will take it before

0:21:41.119 --> 0:21:44.320
<v Speaker 1>Charlie is ready for me. And I just played with music.

0:21:44.760 --> 0:21:47.520
<v Speaker 1>I'll listen to music, I'll start focusing singing it on

0:21:47.640 --> 0:21:52.040
<v Speaker 1>different parts of my body. I'll start touching different parts

0:21:52.080 --> 0:21:55.119
<v Speaker 1>of my body. I'm learning more and more about my

0:21:55.160 --> 0:21:59.080
<v Speaker 1>body even now, and I feel that that a lot

0:21:59.119 --> 0:22:03.560
<v Speaker 1>of women don't know their body. They don't know it's

0:22:03.600 --> 0:22:06.000
<v Speaker 1>a lot of them don't even know that they're What

0:22:06.160 --> 0:22:10.600
<v Speaker 1>kind of orgasms there are? How many orgasms? I called

0:22:10.680 --> 0:22:16.040
<v Speaker 1>my little ones organs. I have lots of organs. And

0:22:16.480 --> 0:22:20.479
<v Speaker 1>I started playing with music where I would listen to

0:22:20.560 --> 0:22:24.399
<v Speaker 1>different kinds of music and as it would vibrate, I

0:22:24.440 --> 0:22:28.560
<v Speaker 1>would focus the vibration down below. And I found I

0:22:28.600 --> 0:22:31.800
<v Speaker 1>could have an orgasm without touching myself, just using the

0:22:31.920 --> 0:22:36.520
<v Speaker 1>music in my brain. And when people hear that, they're like,

0:22:36.600 --> 0:22:41.840
<v Speaker 1>oh my god. Because I have to use edibles which

0:22:41.840 --> 0:22:44.880
<v Speaker 1>stay in your body longer, and I think really affect

0:22:44.960 --> 0:22:50.120
<v Speaker 1>the body. Maybe differently. I can't talk for people who

0:22:50.200 --> 0:22:54.200
<v Speaker 1>smoke or you know, babe whatever. I can only talk

0:22:54.240 --> 0:23:03.119
<v Speaker 1>about edibles. But yeah, it's some. It's it's very interesting

0:23:03.280 --> 0:23:06.200
<v Speaker 1>and I'm still learning. And I'll tell you a very

0:23:06.280 --> 0:23:09.159
<v Speaker 1>quick story. When I was in nursing school back in

0:23:09.280 --> 0:23:14.680
<v Speaker 1>nineteen sixty nine, I started nineteen six seventy a gynecollege.

0:23:14.760 --> 0:23:18.840
<v Speaker 1>Just came to talk to the whole freshman class because

0:23:18.880 --> 0:23:21.640
<v Speaker 1>we were all getting you know, we're eighteen years old,

0:23:21.760 --> 0:23:25.320
<v Speaker 1>nineteen years all living in New York City. He was

0:23:25.359 --> 0:23:28.160
<v Speaker 1>talking to us about the birth control pill, and then

0:23:28.160 --> 0:23:31.960
<v Speaker 1>he talked about something called the pelvic tilt. Now I

0:23:32.119 --> 0:23:35.879
<v Speaker 1>was a virgin. I really knew nothing about sex. A

0:23:35.880 --> 0:23:41.679
<v Speaker 1>few months ago. Uh, during sex, I realized I was

0:23:41.760 --> 0:23:46.280
<v Speaker 1>doing the pelvic tilt he was talking about fifty years ago,

0:23:47.680 --> 0:23:51.240
<v Speaker 1>and it meant just moving my body up so that

0:23:51.560 --> 0:23:56.760
<v Speaker 1>he was rubbing against my cletterest and giving me an orgasm.

0:23:57.040 --> 0:24:00.840
<v Speaker 1>M hm. So that that was like, whoa, we know

0:24:00.960 --> 0:24:06.920
<v Speaker 1>he took me this. You just came across recently. Yeah,

0:24:07.040 --> 0:24:12.879
<v Speaker 1>what a wonderful discovery. Yes, I do cannabis every week,

0:24:13.200 --> 0:24:18.320
<v Speaker 1>but but I a New Year's Eve when we candy flipped. Uh,

0:24:18.400 --> 0:24:23.000
<v Speaker 1>I ended up taking a little piece of edible and

0:24:23.720 --> 0:24:26.560
<v Speaker 1>because the m d M may seem to be overpowering

0:24:26.640 --> 0:24:32.840
<v Speaker 1>the LSD and we wanted to have sex, So I

0:24:32.880 --> 0:24:35.679
<v Speaker 1>took a little piece of edible and about it. Within

0:24:35.760 --> 0:24:39.720
<v Speaker 1>an hour, all of a sudden, the tapestry over our

0:24:39.760 --> 0:24:44.120
<v Speaker 1>bed is moving and I'm like, holy shit, I'm treating

0:24:44.920 --> 0:24:48.240
<v Speaker 1>And Charlie's like, oh, you mean the the uh did

0:24:48.240 --> 0:24:51.720
<v Speaker 1>the cannabis help the the m d M. A. I'm

0:24:51.760 --> 0:24:54.920
<v Speaker 1>like no, And I only took a little piece of acid.

0:24:55.680 --> 0:24:59.760
<v Speaker 1>I said it activated the acid. For the first time,

0:25:00.080 --> 0:25:05.400
<v Speaker 1>I was quote unquote tripping balls. I had never done

0:25:05.440 --> 0:25:11.240
<v Speaker 1>that that much before. It was very, very different. Uh.

0:25:12.800 --> 0:25:16.240
<v Speaker 1>Sex at that point I couldn't do because I could

0:25:16.240 --> 0:25:22.400
<v Speaker 1>barely speak. So we'll be talking more after we hear

0:25:22.480 --> 0:25:39.800
<v Speaker 1>this ad in the book right while you talk about

0:25:39.880 --> 0:25:44.360
<v Speaker 1>the importance of anchoring, right that during the NDEMA experience,

0:25:44.440 --> 0:25:48.840
<v Speaker 1>that one's getting the emotional psychological insights and that one

0:25:48.880 --> 0:25:51.480
<v Speaker 1>wants to kind of be conscious at that time of

0:25:51.520 --> 0:25:55.119
<v Speaker 1>how one can come back to those places. But I'm wondering,

0:25:55.160 --> 0:25:58.359
<v Speaker 1>both for you and Shelley, whether that's also true about sexuality,

0:25:58.400 --> 0:26:01.600
<v Speaker 1>like even leaving a part of cannabis. Um. Does one

0:26:01.640 --> 0:26:04.720
<v Speaker 1>get to places with the LSD or or M D

0:26:04.840 --> 0:26:07.520
<v Speaker 1>m A and sexuality that one can then anchor and

0:26:07.600 --> 0:26:10.480
<v Speaker 1>think about how long comes back to those that space

0:26:10.560 --> 0:26:14.639
<v Speaker 1>without the use of substances. Um, you know, in subsequent days, weeks,

0:26:14.720 --> 0:26:19.600
<v Speaker 1>or the rest of one's life. Yes. Um. And one

0:26:19.720 --> 0:26:22.600
<v Speaker 1>great way to anchor the experience is with the use

0:26:22.640 --> 0:26:26.199
<v Speaker 1>of music. And this is described in the book. But

0:26:26.320 --> 0:26:31.240
<v Speaker 1>also when you're high on whatever substance and you get

0:26:31.280 --> 0:26:33.800
<v Speaker 1>into a piece of music that you love, and if

0:26:33.840 --> 0:26:38.719
<v Speaker 1>it's a piece of music that makes you feel erotic sensual, uh,

0:26:39.080 --> 0:26:42.000
<v Speaker 1>you can make note of that and remember that and

0:26:42.000 --> 0:26:46.359
<v Speaker 1>then afterwards, uh, days or weeks later, when you're a

0:26:46.400 --> 0:26:51.960
<v Speaker 1>sober uh, you can play that music again and turn

0:26:52.040 --> 0:26:55.760
<v Speaker 1>down the lights and light some candles and and um,

0:26:56.000 --> 0:26:59.399
<v Speaker 1>hang out with your partner or yourself and get into

0:26:59.440 --> 0:27:03.679
<v Speaker 1>that same sensual or sexual mood. Shellyam, is it that

0:27:03.720 --> 0:27:05.159
<v Speaker 1>way for you as well? I mean, is there a

0:27:05.240 --> 0:27:08.520
<v Speaker 1>sense of that oh my god factors saying I can

0:27:09.400 --> 0:27:13.800
<v Speaker 1>I can get back here without these drugs? Um? Yes,

0:27:14.000 --> 0:27:20.560
<v Speaker 1>and no. When Charlie proposed to me, I was ecstatic

0:27:20.800 --> 0:27:24.640
<v Speaker 1>obviously pose to me on a Friday that next day,

0:27:24.760 --> 0:27:28.960
<v Speaker 1>we had planned to go up to a state park upstate,

0:27:29.160 --> 0:27:31.399
<v Speaker 1>which we did, and we took M D M A

0:27:32.160 --> 0:27:36.560
<v Speaker 1>and I listened to a song by Enya called Flora's

0:27:36.680 --> 0:27:40.000
<v Speaker 1>Secret because we were like the only ones in this

0:27:40.240 --> 0:27:44.320
<v Speaker 1>field the sun was shining and Floria's Secrets about flowers.

0:27:44.960 --> 0:27:49.240
<v Speaker 1>I listened to it about twenty times while under the

0:27:49.280 --> 0:27:54.119
<v Speaker 1>influence of M D M A. Even today, twenty some

0:27:54.280 --> 0:27:59.479
<v Speaker 1>odd years later, I or fifteen seventeen years later, I

0:27:59.480 --> 0:28:02.919
<v Speaker 1>could listen into that song and be brought back to

0:28:03.040 --> 0:28:07.119
<v Speaker 1>the feeling of lying under the sun being on M

0:28:07.200 --> 0:28:13.800
<v Speaker 1>D M A even now. Uh, that's the most impressive

0:28:13.800 --> 0:28:18.560
<v Speaker 1>one that I find. It still amazes me. Uh. There

0:28:18.680 --> 0:28:24.200
<v Speaker 1>is some psychedelic songs that Charlie plays sometimes, like the

0:28:24.320 --> 0:28:28.720
<v Speaker 1>Chambers Brothers. Uh Time has Come today. It's a very

0:28:30.320 --> 0:28:35.760
<v Speaker 1>hut Charlie trippy song. IM talking about the long version,

0:28:35.840 --> 0:28:40.640
<v Speaker 1>the FM version of eleven minute version. Time has Come Today.

0:28:40.640 --> 0:28:45.880
<v Speaker 1>It's that one of the best psychedelic songs ever ever produced.

0:28:48.200 --> 0:28:50.640
<v Speaker 1>And when I hear that song, it just puts me

0:28:50.680 --> 0:28:54.560
<v Speaker 1>in the mood no matter what I'm on or if anything,

0:28:55.800 --> 0:28:59.160
<v Speaker 1>What a blessing this has been from me? If you

0:28:59.280 --> 0:29:02.120
<v Speaker 1>ask me an age thirty, forty or fifty, what my

0:29:02.240 --> 0:29:06.080
<v Speaker 1>sex life would be as a seventy three year old man,

0:29:06.920 --> 0:29:10.440
<v Speaker 1>I would have frowned and said, I dread what would happen?

0:29:11.320 --> 0:29:16.280
<v Speaker 1>What will happen? But um, I was sex life keeps ripening,

0:29:16.440 --> 0:29:21.840
<v Speaker 1>keeps blossoming. Um and my wife, my this this I

0:29:21.920 --> 0:29:26.120
<v Speaker 1>called her my ageless Angels. She's more sexual than ever before.

0:29:26.800 --> 0:29:32.800
<v Speaker 1>So um, I'm just uh so blessed to have found her. Well,

0:29:32.880 --> 0:29:34.960
<v Speaker 1>let me ask this question. I mean, Shelley, Well, you're

0:29:35.000 --> 0:29:38.400
<v Speaker 1>describing is obviously just you know, um, you start using

0:29:38.520 --> 0:29:41.840
<v Speaker 1>edible two years ago, but that's when Charlie's book came out,

0:29:41.880 --> 0:29:46.000
<v Speaker 1>and he's already describing you as this incredibly sexual being

0:29:46.080 --> 0:29:49.160
<v Speaker 1>before that, and also about M D m A. So

0:29:49.200 --> 0:29:51.040
<v Speaker 1>I'm curious, Shelley, what about with M D M A.

0:29:51.280 --> 0:29:53.520
<v Speaker 1>I mean, you know, I mean Charlie described and it's

0:29:53.520 --> 0:29:56.280
<v Speaker 1>been sometimes my experience as well, that M D M

0:29:56.320 --> 0:30:00.960
<v Speaker 1>A could lead to really exquisite um sex, although virtually

0:30:01.080 --> 0:30:03.560
<v Speaker 1>never ending for me at least in an orgasm, that

0:30:03.600 --> 0:30:06.520
<v Speaker 1>it is almost impossible to orgasm, but that one could

0:30:06.520 --> 0:30:11.360
<v Speaker 1>get an incredibly sensual, you know, loving sexy, just delicious

0:30:11.440 --> 0:30:16.520
<v Speaker 1>delightful place. Um, but I'm what about from your perspective

0:30:16.520 --> 0:30:20.240
<v Speaker 1>in terms of M d m A and sex. Uh Okay,

0:30:20.440 --> 0:30:26.120
<v Speaker 1>One time at a music festival, I was standing up

0:30:26.160 --> 0:30:29.040
<v Speaker 1>and swaying to the music, and apparently I was rubbing

0:30:29.040 --> 0:30:32.640
<v Speaker 1>my legs together. I had an orgasm. I was I

0:30:32.720 --> 0:30:34.680
<v Speaker 1>was on m d m A at the time. Yes.

0:30:36.440 --> 0:30:40.040
<v Speaker 1>Add if we are together in bed and the m

0:30:40.120 --> 0:30:44.320
<v Speaker 1>d m A is still very active, um, the best

0:30:44.360 --> 0:30:47.280
<v Speaker 1>thing I can do for her is go down on

0:30:47.320 --> 0:30:51.120
<v Speaker 1>her um at that time because it might be hard

0:30:51.160 --> 0:30:55.480
<v Speaker 1>for me to get or stay hard, but I can

0:30:55.480 --> 0:30:59.440
<v Speaker 1>do other things. You know. I really appreciate your sharing

0:30:59.440 --> 0:31:01.640
<v Speaker 1>the story is here. On the other hand, I also

0:31:01.760 --> 0:31:04.280
<v Speaker 1>wonder you know, I mean, Charlie, I have to say

0:31:04.280 --> 0:31:06.960
<v Speaker 1>in reading your book, and you know, you're offering a

0:31:07.000 --> 0:31:11.400
<v Speaker 1>lot of wisdom and guidance about healthy aging and about sexuality.

0:31:11.920 --> 0:31:14.760
<v Speaker 1>But it also, you know, I keep having this you know,

0:31:14.880 --> 0:31:17.480
<v Speaker 1>questioning thing. Well, but Charlie, maybe you just met the

0:31:17.560 --> 0:31:22.720
<v Speaker 1>perfect woman to have this relationship with and it's less

0:31:22.760 --> 0:31:25.800
<v Speaker 1>about the drug and it's more about the woman. And

0:31:25.840 --> 0:31:30.239
<v Speaker 1>obviously the drug is helping these things along. Um. You know,

0:31:30.320 --> 0:31:31.800
<v Speaker 1>but but I mean, you do you talk in the

0:31:31.800 --> 0:31:33.840
<v Speaker 1>book about you know, for the first two in your

0:31:33.840 --> 0:31:36.760
<v Speaker 1>twenties sorties and forties, for you was always finding some

0:31:36.800 --> 0:31:39.360
<v Speaker 1>woman who was highly intellectual and was all gonna you know,

0:31:39.480 --> 0:31:42.040
<v Speaker 1>ups and downs mood wise, and wasn't utterly gonna be

0:31:42.120 --> 0:31:43.480
<v Speaker 1>There's gonna be a lot of you know, a lot

0:31:43.520 --> 0:31:45.560
<v Speaker 1>of excitement, but a lot of grief. And then you

0:31:45.640 --> 0:31:49.360
<v Speaker 1>describe meeting Shelley, who was just this magical partner for you.

0:31:49.920 --> 0:31:52.480
<v Speaker 1>And I wonder about you know, if if you have

0:31:53.040 --> 0:31:54.760
<v Speaker 1>I don't want to have to go think about this,

0:31:54.920 --> 0:31:58.200
<v Speaker 1>but assuming you had never met Shelly, I mean with

0:31:58.520 --> 0:32:00.840
<v Speaker 1>this whole evolution in your life with M D m

0:32:00.840 --> 0:32:03.000
<v Speaker 1>A and sexual I mean, could it could you even

0:32:03.120 --> 0:32:05.760
<v Speaker 1>envision it having happened? Or was she just the key

0:32:05.800 --> 0:32:10.520
<v Speaker 1>to all of this? Uh? You you have you make

0:32:10.560 --> 0:32:13.320
<v Speaker 1>a good point. I mean, she Shelly and I are

0:32:13.400 --> 0:32:20.440
<v Speaker 1>unusually compatible. Um. But the thing is Ethan that I

0:32:20.520 --> 0:32:27.040
<v Speaker 1>think the age ism, the internalized ideas that we uh

0:32:27.160 --> 0:32:32.040
<v Speaker 1>that we inhale from this culture about what to expect

0:32:32.120 --> 0:32:36.880
<v Speaker 1>from ourselves and our partners or our future partners as

0:32:36.880 --> 0:32:42.200
<v Speaker 1>we age, is debilitating because we expect less in terms

0:32:42.320 --> 0:32:46.640
<v Speaker 1>of sexual connection, and you know, often women they go

0:32:46.760 --> 0:32:52.360
<v Speaker 1>through menopause, and many women feel like I'm done with sex.

0:32:52.440 --> 0:32:55.320
<v Speaker 1>That's it. I don't want to have sex anymore. And

0:32:55.880 --> 0:33:01.880
<v Speaker 1>that's obviously a very valid choice. All we're saying is

0:33:01.920 --> 0:33:06.680
<v Speaker 1>that there's another option, uh, and that couples don't have

0:33:06.800 --> 0:33:11.800
<v Speaker 1>to settle for a sexless marriage if they don't want to,

0:33:12.680 --> 0:33:17.480
<v Speaker 1>if they're having emotional troubles because they're fighting and and

0:33:17.480 --> 0:33:22.960
<v Speaker 1>and and that gets reflected in lack of a sex life. Okay, well,

0:33:23.600 --> 0:33:28.520
<v Speaker 1>then you need couples counseling because I've found that, you know,

0:33:28.640 --> 0:33:31.920
<v Speaker 1>it can it can get better with couples counseling. Shelley

0:33:31.920 --> 0:33:34.400
<v Speaker 1>and I have been to a couple's counselor many times

0:33:35.080 --> 0:33:39.520
<v Speaker 1>because we hit a human We hit snags along the way. Um,

0:33:39.920 --> 0:33:48.000
<v Speaker 1>but but we are unusually compatible. And uh, sex is

0:33:49.360 --> 0:33:54.600
<v Speaker 1>to have a sexually alive marriage is possible across the

0:33:54.720 --> 0:33:59.160
<v Speaker 1>whole adult lifespan. And you know, there's a whole spectrum

0:33:59.200 --> 0:34:03.680
<v Speaker 1>of sexual of sexuality between two people. It's not just

0:34:03.840 --> 0:34:10.560
<v Speaker 1>about intercourse. It can be about affection. Shelley and I

0:34:10.640 --> 0:34:15.400
<v Speaker 1>are affectionate, uh, through the day and through the week

0:34:15.640 --> 0:34:21.120
<v Speaker 1>with each other. We keep that aliveness there, that connection there,

0:34:21.560 --> 0:34:25.879
<v Speaker 1>and that was influenced not only by our strong love

0:34:25.960 --> 0:34:28.040
<v Speaker 1>for each other, but by M D M A that

0:34:28.400 --> 0:34:31.560
<v Speaker 1>helped us stay in the moment and realize that our

0:34:31.600 --> 0:34:35.799
<v Speaker 1>bodies are where we live. And when I touched her,

0:34:36.760 --> 0:34:40.920
<v Speaker 1>I feel her touching me, and uh and it it

0:34:41.080 --> 0:34:46.880
<v Speaker 1>brings me out of whatever craziness I'm rumination I have

0:34:47.000 --> 0:34:50.440
<v Speaker 1>in my head. Um she I wake up in the

0:34:50.520 --> 0:34:53.080
<v Speaker 1>morning and I'm full of a thousand thoughts. I walk

0:34:53.160 --> 0:34:57.440
<v Speaker 1>into the kitchen, she stands up and wants to hug me,

0:34:57.560 --> 0:35:01.960
<v Speaker 1>and my day is made at that point because she

0:35:02.120 --> 0:35:06.160
<v Speaker 1>just squeezes all the nonsense out of me at that

0:35:06.280 --> 0:35:09.839
<v Speaker 1>moment that I come to and I'm really awake man

0:35:09.960 --> 0:35:14.239
<v Speaker 1>for the rest of the day. You know, Charlie. One

0:35:14.280 --> 0:35:15.600
<v Speaker 1>thing you just spend a lot of time on in

0:35:15.600 --> 0:35:17.920
<v Speaker 1>the latter part of the book is dealing on the

0:35:17.920 --> 0:35:21.080
<v Speaker 1>one hand, with agism in our society, and not just

0:35:21.200 --> 0:35:24.680
<v Speaker 1>asism in terms of young people kind of making assumptions

0:35:24.680 --> 0:35:28.239
<v Speaker 1>about people who look older, but also in the ways

0:35:28.280 --> 0:35:31.520
<v Speaker 1>in which those assumptions are internalized. And then you describe

0:35:31.520 --> 0:35:34.120
<v Speaker 1>how you and Shelly do something which I can relate

0:35:34.160 --> 0:35:37.040
<v Speaker 1>to a lot, which is you oftentimes find yourself in

0:35:37.239 --> 0:35:41.480
<v Speaker 1>environments UM parties, things like that, UM where you're far

0:35:41.520 --> 0:35:44.520
<v Speaker 1>and away the oldest people there right where the most

0:35:44.520 --> 0:35:46.560
<v Speaker 1>of the people in their twenties or thirties, and there

0:35:46.600 --> 0:35:49.640
<v Speaker 1>you are in your late sixties or early seventies. And

0:35:49.760 --> 0:35:53.279
<v Speaker 1>what that's like and what you describe I think is

0:35:53.800 --> 0:35:56.000
<v Speaker 1>I mean, first of all, the lack of inhibition on

0:35:56.080 --> 0:35:59.320
<v Speaker 1>both your part and even more so Shelley's part. Um

0:35:59.360 --> 0:36:04.359
<v Speaker 1>that's actually really rejuvenating and and and and and sort

0:36:04.360 --> 0:36:06.600
<v Speaker 1>of you know, just stimulates a kind of renewed vitality

0:36:06.680 --> 0:36:09.719
<v Speaker 1>where you can feel your younger self, and even your

0:36:09.719 --> 0:36:12.680
<v Speaker 1>body for at least for those hours, can feel dramatically

0:36:12.760 --> 0:36:17.720
<v Speaker 1>younger than it actually is. When we are with younger people,

0:36:17.960 --> 0:36:23.319
<v Speaker 1>and it's often with people in the psychedelic community. UM,

0:36:23.880 --> 0:36:29.680
<v Speaker 1>suddenly those old notions of I call them apartheid, of

0:36:29.680 --> 0:36:35.239
<v Speaker 1>of of age segregation that exists in a town like

0:36:35.320 --> 0:36:39.799
<v Speaker 1>New York City, it falls away. And the benefit is

0:36:40.120 --> 0:36:44.719
<v Speaker 1>too way. It's in both directions. We benefit by being

0:36:44.760 --> 0:36:47.920
<v Speaker 1>around younger people who are filled with vitality and a

0:36:49.040 --> 0:36:53.840
<v Speaker 1>freshness that you ordinarily don't see in sixties and seventies

0:36:53.840 --> 0:36:57.359
<v Speaker 1>and eighty year olds. So we benefit from that. They

0:36:57.440 --> 0:37:03.080
<v Speaker 1>benefit from seeing us. Uh. Sometimes they want to, you know,

0:37:03.360 --> 0:37:07.239
<v Speaker 1>just be around us to gain whatever wisdom they think

0:37:07.320 --> 0:37:12.560
<v Speaker 1>we might have. UM. But also they want to be

0:37:12.600 --> 0:37:16.799
<v Speaker 1>around us because they see the love between us. It's

0:37:16.840 --> 0:37:21.440
<v Speaker 1>palpable and it gives them hope for their future. If

0:37:21.440 --> 0:37:23.919
<v Speaker 1>they're single, it gives them hope to have a relationship

0:37:24.000 --> 0:37:27.200
<v Speaker 1>that that works like always does UM. But if the

0:37:27.400 --> 0:37:29.879
<v Speaker 1>couple they can see that, yeah, the love can keep

0:37:29.920 --> 0:37:34.799
<v Speaker 1>going and keep growing through the decades. But I mean,

0:37:35.080 --> 0:37:37.799
<v Speaker 1>it sounds like you're trying to send a message to that.

0:37:37.880 --> 0:37:40.919
<v Speaker 1>On the one hand, the psychedelics community is quite accepting

0:37:41.160 --> 0:37:44.319
<v Speaker 1>of this age spectrum. But even so, to be in

0:37:44.320 --> 0:37:48.000
<v Speaker 1>a kind of parting environment is UM is unusual. And

0:37:48.040 --> 0:37:50.280
<v Speaker 1>you guys are sort of role models and you're talking

0:37:50.320 --> 0:37:53.120
<v Speaker 1>back the fact that seeing yourselves is as as owning

0:37:53.160 --> 0:37:56.560
<v Speaker 1>the notion of yourself as elders and even you know,

0:37:57.000 --> 0:37:59.600
<v Speaker 1>not quite putting into people's face, but saying we are

0:37:59.640 --> 0:38:02.040
<v Speaker 1>elder is there's something too. So I mean, when did

0:38:02.040 --> 0:38:04.640
<v Speaker 1>that first hit you that you're an elder? That you

0:38:06.840 --> 0:38:10.800
<v Speaker 1>when we would go to a rave and people would

0:38:10.800 --> 0:38:15.160
<v Speaker 1>come up to us invariably and say, I'm so glad

0:38:15.200 --> 0:38:19.480
<v Speaker 1>you're here. You give me hope. They use a different

0:38:19.600 --> 0:38:22.200
<v Speaker 1>line sometimes than the one your friend got. He said,

0:38:22.480 --> 0:38:24.759
<v Speaker 1>You're what I want to be when I don't grow up.

0:38:26.320 --> 0:38:30.520
<v Speaker 1>So people are grateful to us for for showing up

0:38:30.560 --> 0:38:37.240
<v Speaker 1>and showing that it's possible to to keep the party

0:38:37.280 --> 0:38:43.840
<v Speaker 1>going across the whole lifespan show. You share this feeling

0:38:43.880 --> 0:38:48.720
<v Speaker 1>of being an elder in the community. Oh, absolutely, I've had.

0:38:48.760 --> 0:38:52.200
<v Speaker 1>I had a woman come over to me back in October.

0:38:52.320 --> 0:38:56.920
<v Speaker 1>We were at a party and uh, she wanted to

0:38:57.080 --> 0:39:03.040
<v Speaker 1>know what you in her like early thirties. Do I

0:39:03.080 --> 0:39:08.279
<v Speaker 1>have any advice for her? And I said, and I

0:39:08.320 --> 0:39:12.160
<v Speaker 1>hadn't think because nobody has really asked me about advice.

0:39:13.239 --> 0:39:18.600
<v Speaker 1>And I said, go with your gut feelings, because I

0:39:18.760 --> 0:39:21.879
<v Speaker 1>have learned that if the gut is telling me one thing,

0:39:22.440 --> 0:39:25.560
<v Speaker 1>it's usually the right thing. I like to say that

0:39:25.640 --> 0:39:29.720
<v Speaker 1>the best part of the psychedelic community isn't the psychedelics,

0:39:30.280 --> 0:39:33.560
<v Speaker 1>it's the community. It's the people who are drawn to

0:39:33.680 --> 0:39:38.920
<v Speaker 1>these medicines are among the most open hearted, open minded,

0:39:40.120 --> 0:39:45.480
<v Speaker 1>curious seeking people that I would ever want to meet.

0:39:46.160 --> 0:39:49.520
<v Speaker 1>And so we've we've looked out in this way and

0:39:50.719 --> 0:39:53.840
<v Speaker 1>to be elder is it just seems um like, I

0:39:53.840 --> 0:39:55.880
<v Speaker 1>feel like we're in the right place at the right time,

0:39:56.840 --> 0:39:59.600
<v Speaker 1>especially in the middle of a renaissance. I mean, it's

0:39:59.640 --> 0:40:02.640
<v Speaker 1>fab lists. Well, you know, in the book, Charlie, you

0:40:02.640 --> 0:40:05.399
<v Speaker 1>put this in some historical context. I mean, at one

0:40:05.440 --> 0:40:08.400
<v Speaker 1>point you say, I wonder if my shift in drugs

0:40:08.400 --> 0:40:10.600
<v Speaker 1>of choice from cocaine when I was younger to m

0:40:10.640 --> 0:40:13.879
<v Speaker 1>d m A corresponds to a larger shift in the zeitgeist,

0:40:14.160 --> 0:40:17.560
<v Speaker 1>one to a more feminine ethic. Consider the code names

0:40:17.560 --> 0:40:21.000
<v Speaker 1>for these two drugs, blow and molly, And then you

0:40:21.040 --> 0:40:23.880
<v Speaker 1>talk about you know, two key moments in two thousand

0:40:23.840 --> 0:40:25.960
<v Speaker 1>and four and five. I think it was first when

0:40:26.000 --> 0:40:29.720
<v Speaker 1>Peter Jettings, the ABC News correspondent, does his special about

0:40:29.840 --> 0:40:33.160
<v Speaker 1>m DMA called Ecstasy Rising. And then around the same

0:40:33.200 --> 0:40:37.239
<v Speaker 1>time when Alex Gray, the famous Psychedelsis painter, and his

0:40:37.280 --> 0:40:40.920
<v Speaker 1>wife Allison, also a painter, you know, creates the Chapel

0:40:41.160 --> 0:40:44.799
<v Speaker 1>of Sacred Mirrors uh kasum c O s M. And

0:40:44.800 --> 0:40:47.280
<v Speaker 1>when that opens in New York and sort of opens

0:40:47.360 --> 0:40:49.920
<v Speaker 1>up a culture. So it does seem that there was

0:40:49.960 --> 0:40:51.640
<v Speaker 1>I mean, here you and Shelley had what met in

0:40:51.680 --> 0:40:54.560
<v Speaker 1>the late nineties or around two thousand and then a

0:40:54.560 --> 0:40:57.400
<v Speaker 1>few years later there's this kind of both you know,

0:40:57.520 --> 0:41:01.200
<v Speaker 1>public media opening with with Peter Jettings thing and then

0:41:01.239 --> 0:41:04.759
<v Speaker 1>with Alex and Alison Gray doing Cosum. I mean when

0:41:04.760 --> 0:41:07.920
<v Speaker 1>you reflect back on that time, I mean, what did

0:41:07.960 --> 0:41:10.120
<v Speaker 1>it feel like then or was it you know, did

0:41:10.120 --> 0:41:11.759
<v Speaker 1>you were you just in the right place and right

0:41:11.760 --> 0:41:13.880
<v Speaker 1>time to be you know, part of this wave or

0:41:13.880 --> 0:41:16.320
<v Speaker 1>it was just part of a broader zeitgeist that was happening.

0:41:16.800 --> 0:41:19.399
<v Speaker 1>You know that it was the world, like I say,

0:41:19.600 --> 0:41:21.440
<v Speaker 1>were in the right place at the right time, and

0:41:21.480 --> 0:41:25.839
<v Speaker 1>we still are um. Cosum opened in October first, two

0:41:25.840 --> 0:41:29.239
<v Speaker 1>thousand and four. I tell the whole story in the

0:41:29.280 --> 0:41:34.200
<v Speaker 1>book UH and UH and and Roland Griffith's was doing

0:41:34.200 --> 0:41:38.600
<v Speaker 1>this breakthrough work at UH at Johns Hopkins UH with

0:41:39.880 --> 0:41:45.720
<v Speaker 1>realizing that psilocybin can have these terrific beneficial effects for people,

0:41:46.239 --> 0:41:48.799
<v Speaker 1>and that was getting That was the first wave of

0:41:48.920 --> 0:41:55.040
<v Speaker 1>publicity that LSD or magic mushrooms or m D M

0:41:55.040 --> 0:41:59.520
<v Speaker 1>a UH that had been damned by the by the

0:41:59.560 --> 0:42:06.400
<v Speaker 1>government than the culture are actually solutions. They're not drug problems,

0:42:06.400 --> 0:42:12.080
<v Speaker 1>that drug solutions, and that they the narrative around these

0:42:12.120 --> 0:42:16.480
<v Speaker 1>substances began to change back then, and don't don't forget

0:42:16.560 --> 0:42:20.000
<v Speaker 1>that in twenty in two thousand and three, after Existas

0:42:20.280 --> 0:42:25.399
<v Speaker 1>Rosing was when we started our first polums where we

0:42:25.400 --> 0:42:28.800
<v Speaker 1>were able to a little Yeah, that's a very important

0:42:29.280 --> 0:42:33.080
<v Speaker 1>part of our life. Yeah, people listening to go back

0:42:33.120 --> 0:42:36.160
<v Speaker 1>to what you were just talking about there about community

0:42:36.560 --> 0:42:40.560
<v Speaker 1>that caused them Chapel secret inspires a kind of pop

0:42:40.640 --> 0:42:43.880
<v Speaker 1>up parties. You guys have your first gathering and that

0:42:44.120 --> 0:42:45.879
<v Speaker 1>you know, and and that's part of the places where

0:42:45.880 --> 0:42:48.960
<v Speaker 1>you're interacting much younger people. But it's clear, Charlie that

0:42:49.000 --> 0:42:51.040
<v Speaker 1>you're very conscious and I guess really both of you,

0:42:51.040 --> 0:42:54.600
<v Speaker 1>you and Shelley in terms of bringing people together, you know,

0:42:54.680 --> 0:42:59.040
<v Speaker 1>emphasizing the value of community. Sometimes this involves M D

0:42:59.160 --> 0:43:01.960
<v Speaker 1>m A. Sometimes it is not, But just you know,

0:43:02.120 --> 0:43:04.680
<v Speaker 1>I mean, I'm really impressed, and I know you've invited

0:43:04.719 --> 0:43:07.640
<v Speaker 1>me numerous times to to come to one of these gatherings,

0:43:07.640 --> 0:43:10.000
<v Speaker 1>and I I do intend effects sooner than later to

0:43:10.000 --> 0:43:13.239
<v Speaker 1>say yes to that um. But say more about these

0:43:13.280 --> 0:43:17.080
<v Speaker 1>gatherings and their apportance. And sure, as I said at

0:43:17.080 --> 0:43:19.600
<v Speaker 1>the beginning, you describe you three loves, right, Shelley, M

0:43:19.640 --> 0:43:21.799
<v Speaker 1>D m A and the communities that you're part of,

0:43:21.880 --> 0:43:29.040
<v Speaker 1>so talk about community. Well, Um, so we wanted to

0:43:29.400 --> 0:43:34.040
<v Speaker 1>host here. MAPS had sent out an email saying, anyone

0:43:34.080 --> 0:43:37.560
<v Speaker 1>who wants to host a screening of the Peter Jennings

0:43:38.600 --> 0:43:44.320
<v Speaker 1>UH interview a show called Ecstasy Rising in two thousand

0:43:44.400 --> 0:43:47.880
<v Speaker 1>and four, just let us know. So we let them know,

0:43:48.800 --> 0:43:52.680
<v Speaker 1>and they sent a bunch of people our way and

0:43:53.239 --> 0:43:59.080
<v Speaker 1>we all watched this together. That was our first pot luck. Um,

0:43:59.200 --> 0:44:05.560
<v Speaker 1>we all watched together and um, we we're talking till

0:44:05.600 --> 0:44:08.040
<v Speaker 1>like one or two am in the morning because we

0:44:08.080 --> 0:44:12.480
<v Speaker 1>had found each other. So every year after that, we

0:44:12.600 --> 0:44:16.680
<v Speaker 1>who would host a pot luck in our apartment, reaching

0:44:16.719 --> 0:44:18.759
<v Speaker 1>out two MAPS to say, you know, tell people in

0:44:18.800 --> 0:44:22.160
<v Speaker 1>the New York City vicinity, and you know that we

0:44:22.239 --> 0:44:26.279
<v Speaker 1>are opening our homes to UH to other MAPS members.

0:44:27.000 --> 0:44:30.759
<v Speaker 1>And over the years it would grow and finally we

0:44:30.800 --> 0:44:34.400
<v Speaker 1>couldn't contain it till one night anymore. It grew to

0:44:34.520 --> 0:44:39.080
<v Speaker 1>two nights, and then three nights. Now these years we

0:44:39.200 --> 0:44:44.799
<v Speaker 1>have people coming in over four nights, people per night

0:44:45.719 --> 0:44:49.960
<v Speaker 1>from the MAPS and the larger community to UH here

0:44:50.000 --> 0:44:55.279
<v Speaker 1>in New York City, the psychedelic community. And these are

0:44:55.440 --> 0:45:00.400
<v Speaker 1>just blissful events because and they're sober events, UH, except

0:45:00.440 --> 0:45:02.560
<v Speaker 1>for a little wine or beer. That's it's a pot

0:45:02.640 --> 0:45:06.920
<v Speaker 1>luck and it's sober, and we're talking about the topic

0:45:07.000 --> 0:45:09.960
<v Speaker 1>that people agree on beforehand that they want to talk about,

0:45:10.120 --> 0:45:13.799
<v Speaker 1>like sex, drugs, and intimacy or whatever the topic is.

0:45:14.560 --> 0:45:19.120
<v Speaker 1>And people get to meet and friendships get born on

0:45:19.239 --> 0:45:22.760
<v Speaker 1>these nights that friendships that have lasted for for years

0:45:22.800 --> 0:45:28.319
<v Speaker 1>even decades now UH. This coming year into three, we

0:45:28.360 --> 0:45:35.160
<v Speaker 1>will we will be celebrating our twenty anniversary our potluck dinners,

0:45:35.880 --> 0:45:39.040
<v Speaker 1>and we're going to do something special to do this

0:45:39.320 --> 0:45:42.080
<v Speaker 1>and get a whole a whole lot of people together

0:45:42.120 --> 0:45:45.800
<v Speaker 1>for a night, maybe rent the boat to go around Manhattan.

0:45:45.840 --> 0:45:48.920
<v Speaker 1>I don't know what we're gonna do, but we usually

0:45:48.960 --> 0:45:52.440
<v Speaker 1>do this in in UH later in the year. But

0:45:52.560 --> 0:45:58.960
<v Speaker 1>we've also hosted besides the potlucks, we've hosted definitely non

0:45:59.000 --> 0:46:04.080
<v Speaker 1>sober arrance is UH in Prospect Park where we're just

0:46:04.440 --> 0:46:08.360
<v Speaker 1>gather people together, twenty five people, thirty five people, forty

0:46:08.440 --> 0:46:12.040
<v Speaker 1>five people and to the outside world, it just looks

0:46:12.080 --> 0:46:15.360
<v Speaker 1>like a bunch of people having a picnic except for

0:46:15.400 --> 0:46:21.280
<v Speaker 1>the occasional cuddle puddle, but we're just having a blissful

0:46:21.360 --> 0:46:25.160
<v Speaker 1>time together for the day and for people who participate

0:46:25.239 --> 0:46:28.520
<v Speaker 1>in that, and anyone can do this, by the way,

0:46:28.600 --> 0:46:32.200
<v Speaker 1>any listener of this show, Uh, you know people or

0:46:32.239 --> 0:46:35.080
<v Speaker 1>you can you can find people who will do this

0:46:35.200 --> 0:46:37.319
<v Speaker 1>with you. And it's a wonderful way to get to

0:46:37.360 --> 0:46:41.840
<v Speaker 1>know people. There's no better way to spend the day,

0:46:42.200 --> 0:46:45.840
<v Speaker 1>uh than rolling together on M D m A and

0:46:46.120 --> 0:46:50.600
<v Speaker 1>just getting to know each other. And because as you know,

0:46:50.719 --> 0:46:52.880
<v Speaker 1>M D M A opens the heart and opens the

0:46:52.960 --> 0:46:56.000
<v Speaker 1>mind and just to make that connection. People want to

0:46:56.040 --> 0:47:02.040
<v Speaker 1>stay connected after these group experiences. For here is UM

0:47:02.080 --> 0:47:06.560
<v Speaker 1>and they do. It's a great way to to make

0:47:06.640 --> 0:47:10.080
<v Speaker 1>new friendships and it's been a wonderful blessing for Shelly

0:47:10.120 --> 0:47:12.879
<v Speaker 1>and I. Charlie, is there any advice you can tell

0:47:13.000 --> 0:47:15.160
<v Speaker 1>the listeners about how they actually can are there are

0:47:15.200 --> 0:47:18.719
<v Speaker 1>there websites or anything else to figure out how you

0:47:18.760 --> 0:47:24.920
<v Speaker 1>tap into this community in your local area? Well, um, yeah,

0:47:25.239 --> 0:47:29.919
<v Speaker 1>there are many websites, UM certainly Uh if somebody wants

0:47:29.960 --> 0:47:32.799
<v Speaker 1>to tap into the community, they can give me, uh,

0:47:33.080 --> 0:47:36.560
<v Speaker 1>send me an email. You can you can get into

0:47:36.640 --> 0:47:40.440
<v Speaker 1>my website and listening to ecstasy dot com or Charlie

0:47:40.480 --> 0:47:46.400
<v Speaker 1>Wininger dot com and uh C J Wininger at gmail

0:47:46.440 --> 0:47:50.360
<v Speaker 1>dot com is my email address. But they're also like

0:47:50.600 --> 0:47:54.880
<v Speaker 1>here in New York. Uh, there's a Brooklyn Psychedelic Society

0:47:55.040 --> 0:48:00.600
<v Speaker 1>which is very popular. And the Psychedelic Society's all over

0:48:00.640 --> 0:48:03.960
<v Speaker 1>the country. You just have to do some digging. They're

0:48:04.000 --> 0:48:07.520
<v Speaker 1>not underground. They are It's not a place to go

0:48:07.600 --> 0:48:09.800
<v Speaker 1>to get high. It's not a place to go to

0:48:09.880 --> 0:48:13.360
<v Speaker 1>find a source. It's a place to go to meet

0:48:13.400 --> 0:48:17.800
<v Speaker 1>other people. And uh sometimes it's a meet up dot

0:48:17.920 --> 0:48:21.799
<v Speaker 1>org or you can start your own psychedelic society in

0:48:21.840 --> 0:48:25.480
<v Speaker 1>your town. Believe me, there are people within ten miles

0:48:25.520 --> 0:48:28.520
<v Speaker 1>of you, lots of people within ten miles of you

0:48:28.880 --> 0:48:31.720
<v Speaker 1>who are doing psychedelics and they're just keeping it quiet

0:48:31.800 --> 0:48:34.560
<v Speaker 1>like you might be keeping it quiet. But they're out

0:48:34.600 --> 0:48:38.680
<v Speaker 1>there and they want to meet you. So there are

0:48:38.680 --> 0:48:44.560
<v Speaker 1>friendships waiting to be made. Let's take a break here

0:48:44.719 --> 0:48:59.440
<v Speaker 1>and go to an air no try. I want to

0:48:59.440 --> 0:49:01.640
<v Speaker 1>take up another issue though with you, which is you

0:49:01.719 --> 0:49:06.640
<v Speaker 1>also describe some history of struggling with substance abuse, with

0:49:06.840 --> 0:49:10.919
<v Speaker 1>cocaine and with amphetamine and having a father was alcoholic

0:49:11.200 --> 0:49:13.799
<v Speaker 1>and and you also then talk about how M D

0:49:13.920 --> 0:49:17.440
<v Speaker 1>m A has helped you in this regard that if

0:49:17.600 --> 0:49:19.400
<v Speaker 1>you know, whereas you have to be careful. There are

0:49:19.440 --> 0:49:21.600
<v Speaker 1>people who can get addicted to M d m A.

0:49:21.760 --> 0:49:25.239
<v Speaker 1>It is possible, and people do abuse it in that way. Um,

0:49:25.280 --> 0:49:27.799
<v Speaker 1>but it also can be helpful. So just say more

0:49:27.920 --> 0:49:38.040
<v Speaker 1>about that. Well, um, yeah, it's a whole story. But um,

0:49:38.080 --> 0:49:41.840
<v Speaker 1>I was struggling with cocaine for a while and the

0:49:41.880 --> 0:49:45.080
<v Speaker 1>best definition of cocaine I ever heard was Robin Williams

0:49:45.120 --> 0:49:50.480
<v Speaker 1>calling it the devil's dandruff. Um it's just for some

0:49:50.520 --> 0:49:53.600
<v Speaker 1>people it works, I'm sure, but for me, it it

0:49:53.719 --> 0:50:00.000
<v Speaker 1>worked me. Um, cocaine was doing me. I wasn't doing cocaine. Um,

0:50:00.080 --> 0:50:04.400
<v Speaker 1>it was. It was abusing me. And I realized that

0:50:04.440 --> 0:50:08.480
<v Speaker 1>I had to quickly quickly make a choice. It was

0:50:08.480 --> 0:50:12.560
<v Speaker 1>gonna win or I was going to win. So UM,

0:50:12.600 --> 0:50:17.480
<v Speaker 1>I found two key, two keys, one illegal and one

0:50:17.520 --> 0:50:21.560
<v Speaker 1>not legal. Uh. The not legal key for me was

0:50:21.719 --> 0:50:25.080
<v Speaker 1>M d M A because I soon discovered that M

0:50:25.160 --> 0:50:30.480
<v Speaker 1>d M A was a far far superior medicine because

0:50:30.520 --> 0:50:34.319
<v Speaker 1>it lasts longer, because it doesn't have addictive qualities like

0:50:34.400 --> 0:50:39.080
<v Speaker 1>cocaine notoriously does not everyone gets addicted to cocaine who

0:50:39.200 --> 0:50:41.480
<v Speaker 1>uses it, but a lot of people do. I I

0:50:41.520 --> 0:50:45.480
<v Speaker 1>was getting there. Um. Uh. And M D m A

0:50:45.640 --> 0:50:51.239
<v Speaker 1>is not addictive for me and for most people. Uh.

0:50:51.239 --> 0:50:55.239
<v Speaker 1>And it lasts a lot longer, it's a whole lot cheaper,

0:50:55.640 --> 0:51:00.680
<v Speaker 1>it has all kinds of of of benefits. The legal

0:51:01.640 --> 0:51:08.239
<v Speaker 1>route that helped me was very dark chocolate, and I'm

0:51:08.280 --> 0:51:13.920
<v Speaker 1>talking about hundred bitter chocolate. Most people eat chocolate for

0:51:13.960 --> 0:51:17.880
<v Speaker 1>the taste. I eat it for the effect because it

0:51:18.480 --> 0:51:22.280
<v Speaker 1>sends me in just a little bit of the same

0:51:22.320 --> 0:51:26.480
<v Speaker 1>direction of cocaine or M D m A. It's a

0:51:26.560 --> 0:51:32.200
<v Speaker 1>stimulant and it's a mood elevator. And so I am

0:51:32.280 --> 0:51:36.920
<v Speaker 1>now a t alcoholic, which is a perfectly functional addiction

0:51:37.040 --> 0:51:41.279
<v Speaker 1>to have at all. The hundred percent dark chocolate with

0:51:42.120 --> 0:51:45.319
<v Speaker 1>dates in it, and it's just it's just wonderful and

0:51:45.360 --> 0:51:49.800
<v Speaker 1>it it elevates my mood and it helps uh sex

0:51:49.840 --> 0:51:56.120
<v Speaker 1>as well. Uh. And it's um and it's healthy. So

0:51:56.440 --> 0:52:00.439
<v Speaker 1>these things have helped me. I haven't done cocaine in

0:52:00.840 --> 0:52:06.320
<v Speaker 1>what about eleven twelve years now, and so I'm very

0:52:06.360 --> 0:52:10.880
<v Speaker 1>I'm very happy about that, mm hmm. And when you

0:52:10.920 --> 0:52:12.839
<v Speaker 1>think about how you're in D M A use has

0:52:12.920 --> 0:52:19.239
<v Speaker 1>shaped your your approach to being a psychotherapist, I mean

0:52:19.400 --> 0:52:22.600
<v Speaker 1>is it a monumental impact on that or just kind

0:52:22.640 --> 0:52:26.360
<v Speaker 1>of a you know, it's help you refine be more empathic.

0:52:26.480 --> 0:52:28.520
<v Speaker 1>I mean, what are they? What are the key, what's

0:52:28.560 --> 0:52:32.440
<v Speaker 1>the relationship there? It's helped me become a better therapist,

0:52:33.320 --> 0:52:36.719
<v Speaker 1>because I mean I was fairly empathetic to begin with,

0:52:36.840 --> 0:52:41.240
<v Speaker 1>but of course m d m A helps amplify one's

0:52:42.160 --> 0:52:47.480
<v Speaker 1>uh proclivity towards empathy. And having had eighty roles, I

0:52:47.600 --> 0:52:50.920
<v Speaker 1>know what feels like in my heart to empathize with

0:52:51.000 --> 0:52:55.600
<v Speaker 1>somebody physically UM, and I can anchor that and bring

0:52:55.600 --> 0:52:59.120
<v Speaker 1>it into the therapy session. I do therapy so but

0:52:59.440 --> 0:53:03.239
<v Speaker 1>the client is sober, and I am sober. But I

0:53:03.400 --> 0:53:06.440
<v Speaker 1>found that the best therapy I can do, that I

0:53:06.480 --> 0:53:11.200
<v Speaker 1>can provide is if I can try to make try

0:53:11.239 --> 0:53:16.200
<v Speaker 1>to create an atmosphere and environment in the therapy room

0:53:16.360 --> 0:53:20.400
<v Speaker 1>that replicates the m d m A experience. And what

0:53:20.440 --> 0:53:24.800
<v Speaker 1>I mean by that is being receptive to the person,

0:53:25.800 --> 0:53:30.440
<v Speaker 1>listening deeply into and through exactly all that they're saying

0:53:30.480 --> 0:53:36.719
<v Speaker 1>and all that they're conveying, really being there uh and

0:53:36.800 --> 0:53:42.040
<v Speaker 1>reflecting back to them what I hear and UH and

0:53:42.040 --> 0:53:45.839
<v Speaker 1>and empathizing and showing compassion as best as I can,

0:53:46.680 --> 0:53:50.200
<v Speaker 1>and when they feel safe, their defenses can come down

0:53:50.480 --> 0:53:53.520
<v Speaker 1>a bit, and when the defenses come down, they can

0:53:53.560 --> 0:53:57.839
<v Speaker 1>come out a bit and risk being vulnerable right there

0:53:57.880 --> 0:54:02.680
<v Speaker 1>in the therapy session, and that's where the healing can

0:54:02.760 --> 0:54:06.600
<v Speaker 1>really start taking place. And when we think about m

0:54:06.640 --> 0:54:08.319
<v Speaker 1>d m A, I mean, obviously the you know, the

0:54:08.360 --> 0:54:10.360
<v Speaker 1>research is being done out by MAPS in terms of

0:54:10.400 --> 0:54:14.040
<v Speaker 1>treating PTSD, and there's all the looking at its value

0:54:14.040 --> 0:54:18.200
<v Speaker 1>in other areas, maybe including a diction, maybe including eating disorders,

0:54:18.239 --> 0:54:21.920
<v Speaker 1>maybe including you know, fear around end of life. But

0:54:22.080 --> 0:54:24.240
<v Speaker 1>when we think about m d m A and helping

0:54:24.360 --> 0:54:28.880
<v Speaker 1>people deal with grief or the grief the loss of

0:54:28.920 --> 0:54:32.799
<v Speaker 1>a loved one, um, what can you say about that?

0:54:35.200 --> 0:54:37.799
<v Speaker 1>How much time do we have? Ethan? I mean, I'm

0:54:37.800 --> 0:54:39.640
<v Speaker 1>also I'm hesitated because you know, I know when when

0:54:39.680 --> 0:54:42.439
<v Speaker 1>when when we all had dinner with some friends last year,

0:54:43.080 --> 0:54:46.800
<v Speaker 1>and Shelly, you told the story about about the loss

0:54:46.840 --> 0:54:49.920
<v Speaker 1>of your son and also about how I think m

0:54:49.960 --> 0:54:52.560
<v Speaker 1>d m A was helpful in dealing with that. But

0:54:52.680 --> 0:54:54.400
<v Speaker 1>I don't know, I don't know if you want to

0:54:54.440 --> 0:54:57.400
<v Speaker 1>go there. I know it's painful to talk about, So Shelly,

0:54:57.440 --> 0:55:00.799
<v Speaker 1>if you're willing to share that store. I think it

0:55:00.840 --> 0:55:05.520
<v Speaker 1>would be interesting in lightening for our listeners. Okay, so

0:55:05.560 --> 0:55:10.080
<v Speaker 1>I made thirteen. Um, my son died. He was thirty

0:55:10.160 --> 0:55:18.120
<v Speaker 1>nine years old, and this was we already knew that

0:55:18.200 --> 0:55:20.560
<v Speaker 1>we were going to have a group of a group

0:55:20.680 --> 0:55:23.960
<v Speaker 1>role and people were asking was shall we going to

0:55:24.080 --> 0:55:29.239
<v Speaker 1>be in on it? And I said absolutely to use

0:55:29.400 --> 0:55:32.640
<v Speaker 1>M D M A to help me in my grief.

0:55:32.719 --> 0:55:39.440
<v Speaker 1>It could be it could be perfect. So we um.

0:55:39.480 --> 0:55:42.680
<v Speaker 1>We went to Prospect Park in about an hour and

0:55:42.680 --> 0:55:47.279
<v Speaker 1>a half for so into the experience, Charlie called us

0:55:47.320 --> 0:55:51.919
<v Speaker 1>into a circle whoever wanted to participate. There was one

0:55:52.000 --> 0:55:55.040
<v Speaker 1>person who came down from Boston. Actually he had lost

0:55:55.120 --> 0:55:57.879
<v Speaker 1>his mother the same day that I lost my son,

0:55:59.160 --> 0:56:01.920
<v Speaker 1>and he spoke about his mother a little bit. And

0:56:01.920 --> 0:56:06.280
<v Speaker 1>then other people who had lost people in the past

0:56:06.360 --> 0:56:10.520
<v Speaker 1>year had spoken about their people. And then it was

0:56:10.640 --> 0:56:17.560
<v Speaker 1>my turn and um, when somebody had enlarged a photograph

0:56:17.600 --> 0:56:19.520
<v Speaker 1>for me, and when I opened it up and saw

0:56:19.600 --> 0:56:25.600
<v Speaker 1>the photograph, has just started crying a little bit photograph

0:56:25.719 --> 0:56:33.560
<v Speaker 1>of my son. And um. Then Charlie said that what

0:56:33.880 --> 0:56:37.640
<v Speaker 1>he said to the group, that what he didn't tell

0:56:37.680 --> 0:56:42.719
<v Speaker 1>me was that that day that when after I heard

0:56:42.920 --> 0:56:45.400
<v Speaker 1>heard what happened. He and I, Charlie and I were

0:56:45.520 --> 0:56:50.240
<v Speaker 1>sitting on the couch and Charlie said, he felt Scott.

0:56:50.320 --> 0:56:53.360
<v Speaker 1>My son's name was Scott. He felt Scott's presence in

0:56:53.400 --> 0:56:56.400
<v Speaker 1>the in the living room. I felt Scott's presence in

0:56:56.440 --> 0:57:00.680
<v Speaker 1>the living room um the day he died, and he

0:57:00.719 --> 0:57:05.080
<v Speaker 1>was hovering above. And this man who I was thirty

0:57:05.160 --> 0:57:08.520
<v Speaker 1>nine years old, who had been suffering all his life

0:57:08.840 --> 0:57:13.400
<v Speaker 1>from mental illness and physical maladies. He was in a

0:57:13.440 --> 0:57:18.000
<v Speaker 1>lot of pain. He was smiling down at the two

0:57:18.080 --> 0:57:26.120
<v Speaker 1>of us, and he said, I'm free. And at that

0:57:26.400 --> 0:57:29.120
<v Speaker 1>when I said that in front of Shelley, to the

0:57:29.160 --> 0:57:32.320
<v Speaker 1>whole group there in Prospect Park, she burst like a

0:57:32.400 --> 0:57:38.880
<v Speaker 1>damn and she began sobbing. And as I was sobbing,

0:57:39.520 --> 0:57:46.440
<v Speaker 1>I could start to feel people energy around me, people

0:57:46.560 --> 0:57:53.200
<v Speaker 1>coming touching my head, my shoulders, my legs, and I

0:57:53.240 --> 0:57:56.240
<v Speaker 1>don't know how long I sobbed. I I kind of

0:57:56.360 --> 0:58:02.040
<v Speaker 1>lost to I wasn't I It wasn't until I don't

0:58:02.080 --> 0:58:07.400
<v Speaker 1>even know how long I sobbed. But then I realized

0:58:07.600 --> 0:58:12.800
<v Speaker 1>I was kind of emptying myself out and because of

0:58:12.840 --> 0:58:15.680
<v Speaker 1>the m D m A, I realized this afterwards, of course,

0:58:16.280 --> 0:58:20.440
<v Speaker 1>because of the M D M A. I was able

0:58:20.640 --> 0:58:26.000
<v Speaker 1>to receive their love and everything because they were on

0:58:26.200 --> 0:58:28.840
<v Speaker 1>M D M A and they were able to give.

0:58:30.200 --> 0:58:33.960
<v Speaker 1>And when I opened my eyes, it was a bit strange.

0:58:34.080 --> 0:58:38.200
<v Speaker 1>I didn't see people at first. I saw I can

0:58:38.200 --> 0:58:44.200
<v Speaker 1>only describe it like spirits, and they were dark, but

0:58:45.440 --> 0:58:50.520
<v Speaker 1>it was I realized. I just felt calm, and when

0:58:50.560 --> 0:58:54.760
<v Speaker 1>I opened my eyes, I finally when it cleared, I

0:58:54.800 --> 0:59:01.560
<v Speaker 1>saw people, and uh, it was beautiful. I just I

0:59:01.640 --> 0:59:06.160
<v Speaker 1>thanked them and said, how it's really helped me start

0:59:06.280 --> 0:59:11.120
<v Speaker 1>my healing. And then I had told Charlie earlier that

0:59:11.280 --> 0:59:14.880
<v Speaker 1>I wanted to dance whatever happens in the circle. I

0:59:15.240 --> 0:59:18.240
<v Speaker 1>don't know what's going to happen, but I want to

0:59:18.360 --> 0:59:24.840
<v Speaker 1>dance to celebrate life, and that's what we did. Then

0:59:24.840 --> 0:59:27.480
<v Speaker 1>I put some dance music on and we dance, and

0:59:27.520 --> 0:59:31.520
<v Speaker 1>it was really an ecstatic moment because of the M

0:59:31.600 --> 0:59:37.560
<v Speaker 1>D M A. Like Shelly said, um, she could feel

0:59:37.760 --> 0:59:43.640
<v Speaker 1>without hesitation. Just at that moment when she heard me

0:59:43.680 --> 0:59:46.480
<v Speaker 1>say that, Scott said he was free. She could just

0:59:46.680 --> 0:59:51.120
<v Speaker 1>really expel all that grief and let it completely out.

0:59:51.600 --> 0:59:55.080
<v Speaker 1>Were left her empty, and then when she opened her

0:59:55.120 --> 0:59:57.800
<v Speaker 1>eyes she could see all these loving people around her,

0:59:58.320 --> 1:00:02.680
<v Speaker 1>and she could just let herself fill up with their

1:00:02.800 --> 1:00:06.280
<v Speaker 1>love and so the grief got replaced with the love.

1:00:07.120 --> 1:00:10.800
<v Speaker 1>And sure, so Shelley still has has grief for her

1:00:10.840 --> 1:00:12.960
<v Speaker 1>the passing of her son. Of course she will for

1:00:13.000 --> 1:00:16.080
<v Speaker 1>the rest of her life, but she's never been debilitated

1:00:16.160 --> 1:00:20.440
<v Speaker 1>by it because of that moment. It was not just

1:00:21.040 --> 1:00:23.280
<v Speaker 1>M D m A that did it. It was M

1:00:23.320 --> 1:00:27.520
<v Speaker 1>D m A in community and with the intention of

1:00:27.560 --> 1:00:32.200
<v Speaker 1>healing that did it. A few days later, we got

1:00:32.200 --> 1:00:34.560
<v Speaker 1>an email from a friend who was there who said,

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<v Speaker 1>I never want to go to a traditional wake or

1:00:37.760 --> 1:00:40.880
<v Speaker 1>funeral again for the rest of my life. This is

1:00:40.920 --> 1:00:44.240
<v Speaker 1>the way to honor somebody who has passed. This is

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<v Speaker 1>the way to heal those who have felt revealed the

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<v Speaker 1>passing the most. Wow. Well that's uh, thank you so

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<v Speaker 1>much for sharing that story, Charlie and Shelley. So that's

1:00:57.520 --> 1:01:01.720
<v Speaker 1>somewhat somber note. I want to thank you both of

1:01:01.800 --> 1:01:05.160
<v Speaker 1>you for taking the time to have this wonderful conversation

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<v Speaker 1>um and UH with me and my listeners on Psychoactive.

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<v Speaker 1>So thank you ever so much. Charlie, thank you so much.

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<v Speaker 1>If you're enjoying Psychoactive, please tell your friends about it,

1:01:24.680 --> 1:01:26.840
<v Speaker 1>or you can write us a review at Apple Podcasts

1:01:26.960 --> 1:01:29.720
<v Speaker 1>or wherever you get your podcasts. We love to hear

1:01:29.760 --> 1:01:32.840
<v Speaker 1>from our listeners. If you'd like to share your own stories,

1:01:32.880 --> 1:01:36.000
<v Speaker 1>comments and ideas, then leave us a message at one

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<v Speaker 1>eight three three seven seven nine six that's eight three

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<v Speaker 1>three psycho zero, or you can email us at Psychoactive

1:01:46.360 --> 1:01:49.480
<v Speaker 1>at protozoa dot com, or find me on Twitter at

1:01:49.560 --> 1:01:52.920
<v Speaker 1>Ethan natal Man. You can also find contact information in

1:01:52.960 --> 1:01:56.479
<v Speaker 1>our show notes. Psychoactive is a production of I Heart

1:01:56.560 --> 1:02:01.360
<v Speaker 1>Radio and Protozoa Pictures. It's hosted by me Ethan Naedelman's

1:02:01.400 --> 1:02:05.320
<v Speaker 1>produced by Noam Osband and Josh Stain. The executive producers

1:02:05.440 --> 1:02:09.560
<v Speaker 1>are Dylan Golden, Ari Handel, Elizabeth Geesus and Darren Aronotsky

1:02:09.600 --> 1:02:12.760
<v Speaker 1>from Protozoa Pictures, Alex Williams and Matt Frederick from My

1:02:12.800 --> 1:02:16.720
<v Speaker 1>Heart Radio and me Ethan Nadelman. Our music is by

1:02:16.760 --> 1:02:20.400
<v Speaker 1>Ari Blucien and a special thanks to a Brio s

1:02:20.480 --> 1:02:34.480
<v Speaker 1>f Bianca Grimshaw and Robert Deep. Next week, for what

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<v Speaker 1>will be the final episode of season two, we have

1:02:38.240 --> 1:02:42.600
<v Speaker 1>my old friend and ally, Steve Rolds, longtime senior policy

1:02:42.640 --> 1:02:47.560
<v Speaker 1>analyst at the British organization Transform talking with me about

1:02:47.760 --> 1:02:54.200
<v Speaker 1>models and realities in legalizing cannabis and other drugs. If

1:02:54.240 --> 1:02:57.080
<v Speaker 1>you are actually in the position of making their forms

1:02:57.080 --> 1:03:00.600
<v Speaker 1>and drafting the legislations which shape the nature of the

1:03:00.680 --> 1:03:04.040
<v Speaker 1>market from the outset, you have the power to do

1:03:04.120 --> 1:03:06.720
<v Speaker 1>things very differently. And that's why you do have the

1:03:06.720 --> 1:03:10.960
<v Speaker 1>possibility of social ecrity programs that restrict licensing or preference

1:03:11.040 --> 1:03:15.160
<v Speaker 1>licensing for for impact to communities, and you are able

1:03:15.200 --> 1:03:19.000
<v Speaker 1>to legislate that or seventy of tax revenue is redirected

1:03:19.000 --> 1:03:22.640
<v Speaker 1>into impact to communities. And let's let's use cannabis regulations

1:03:22.680 --> 1:03:26.120
<v Speaker 1>an opportunity to show how drugs can be regulated and

1:03:26.160 --> 1:03:29.400
<v Speaker 1>how markets can be regulated in the interests of the

1:03:29.400 --> 1:03:33.520
<v Speaker 1>communities in which those markets exist. Subscribe to Psychoactive now

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<v Speaker 1>see it, an't miss it.