WEBVTT - Best of  No Ceilings Part 2

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<v Speaker 1>Piece of the planet, Charlamagne to God here and as

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<v Speaker 1>we come closer to closing out this year, I just

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<v Speaker 1>want to say thank you for tuning into the Black

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<v Speaker 1>Effect podcast Network. There have been so many great moments

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<v Speaker 1>over the past year. Take a listen to some of

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<v Speaker 1>those captivating moments in this special best of episode.

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<v Speaker 2>Watch up and welcome back to another episode of No

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<v Speaker 2>Sealers Podcast with your host. Now, fuck that with your

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<v Speaker 2>loat glasses, Malone. No the way you look, because it'd

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<v Speaker 2>be people like that you, you know what I'm saying,

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<v Speaker 2>Like people your whole life.

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<v Speaker 3>You feel me like that.

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<v Speaker 2>You grew up loving their music, you know what I'm saying,

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<v Speaker 2>and you really to some level admiring the person that

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<v Speaker 2>they are.

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<v Speaker 3>You know what I'm saying.

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<v Speaker 2>That's the trick you. You'll really find yourself admiring somebody,

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<v Speaker 2>especially when they hone their craft, you know what I mean,

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<v Speaker 2>they and they talented. You'll be like, yeah, I respect that,

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<v Speaker 2>and then they do something Yeah they just like.

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<v Speaker 4>Bro, why would you do that? Bro? Like? Who? Who?

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<v Speaker 4>Like you know how they say you got it? Like who?

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<v Speaker 4>You who? Your homies?

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<v Speaker 2>Dude?

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<v Speaker 4>Do niggas be that rich and that popular? Due they

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<v Speaker 4>homies not say nothing like like hey, my nigga, that's trash,

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<v Speaker 4>Like why you wearing that hair hat? Man? Or why you?

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<v Speaker 4>Why you why you painting your your beard or why

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<v Speaker 4>you It just be it just be a gang of

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<v Speaker 4>ship man. What up? Bro? Yeah, it'd be. But the

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<v Speaker 4>but the akon hat, it's crazy.

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<v Speaker 2>And that's my man, like one hundred grand bro, Like

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<v Speaker 2>that's really my guy and it's not a but it.

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<v Speaker 4>Looked like you could peel it if I seen him.

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<v Speaker 4>I just want to peel it off, Like can let

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<v Speaker 4>me feel that?

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<v Speaker 3>Oh man, I'm telling you.

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<v Speaker 2>That's why I said we should put him on I

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<v Speaker 2>Love La, because it'd be dope. Like people look at

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<v Speaker 2>certain artists and hip hop like and that's a perfect example.

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<v Speaker 3>That's a hip hop artist, right.

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<v Speaker 2>And normally we on our live streams and you know,

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<v Speaker 2>this is dope to to do the podcast, right, this

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<v Speaker 2>is just the audio portion, but it's dope, like you know,

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<v Speaker 2>to really have these conversations to that degree, like where

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<v Speaker 2>like with Cohn, like right, where like people like he's

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<v Speaker 2>a hip hop artist, you know, I mean even though

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<v Speaker 2>he don't rap in the traditional acons of hip hop artists,

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<v Speaker 2>you know, like he could have an R and B sown,

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<v Speaker 2>But he's a hip hop artist.

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<v Speaker 4>He was a rapper, wasn't he.

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<v Speaker 3>I think at one time he did rap.

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<v Speaker 2>But that's a perfect example of somebody who sings that

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<v Speaker 2>pretty much is a hip hop artist. And like, we

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<v Speaker 2>just really try to disregard me. And Twine was talking

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<v Speaker 2>about it earlier. Shout out to Oni Twine, you know

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<v Speaker 2>what I mean. On the podcast, y'all seen him a

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<v Speaker 2>couple of times on the live stream. He really hasn't

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<v Speaker 2>done a pod, so it's dope to have him on

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<v Speaker 2>on the first podcast and no selllings, but having him

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<v Speaker 2>like people, I'm telling the homie, I'm like, yeah, I

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<v Speaker 2>think I want to have a Kon sing.

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<v Speaker 3>I love l a song.

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<v Speaker 2>He's like, man, we could get somebody more current, and

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<v Speaker 2>I'm like it's Akon. Like imagine you could get like

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<v Speaker 2>like uh, actual rolls or like one of them big

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<v Speaker 2>rock stars like uh like like, uh, what's the dude?

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<v Speaker 2>Uh who be dancing? They all feel like he danced

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<v Speaker 2>really well. No, no, the rock and roll dude can

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<v Speaker 2>dance really well.

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<v Speaker 3>Y'all know Mick Jack, Mick Jagger, Oh, Mick Jagger can dance.

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<v Speaker 3>I mean like white, white people, white people, you know

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<v Speaker 3>what I mean.

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<v Speaker 2>And they feel like Mick Jagger got swagged like so,

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<v Speaker 2>but imagine like some young rock group could get Mick

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<v Speaker 2>Jagger on the sothing like now we don't need to

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<v Speaker 2>get make Jagger, we need to get somebody new.

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<v Speaker 3>It's like, Bro, it's Mick Jagger.

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<v Speaker 4>Yeah that's yeah. Fuck with Mick Jagger current, He's never

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<v Speaker 4>not current.

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<v Speaker 3>That's what I'm Akon is like Mick Jagger of hip hop.

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<v Speaker 2>You know what I'm saying. It's like it's like you

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<v Speaker 2>can get a song with the locks, or I mean

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<v Speaker 2>you can get a song with g rap like these

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<v Speaker 2>dudes are permanent.

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<v Speaker 3>And now hold on glasses.

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<v Speaker 5>Now, I agree that that that a Kon is very prominent,

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<v Speaker 5>but he's not as quite as prominent as a Mick Jagger,

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<v Speaker 5>like MiG Jaggers and mc jagger got a Jagger got

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<v Speaker 5>like a fifty almost a sixty piece in the game

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<v Speaker 5>like and.

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<v Speaker 2>Oh no, no, no, no, not that and don't know what

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<v Speaker 2>he looks like. Not comparing them to right, but I'm saying,

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<v Speaker 2>what Mick Jagger is to rock is what Akon is

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<v Speaker 2>to hip hop.

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<v Speaker 3>And again I have to disagree, Bro, I understand.

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<v Speaker 2>But but what I'm saying is it's not the comparative

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<v Speaker 2>part that I'm really reaching for.

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<v Speaker 5>As much as he's prominent, he's somebody that you don't

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<v Speaker 5>pass up with when you have you.

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<v Speaker 2>Have an opportunity to work with period and especially as

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<v Speaker 2>a as a person. What he does with records, I mean,

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<v Speaker 2>his ability to make a record special, it's like that

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<v Speaker 2>don't wear off.

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<v Speaker 3>Like Mick Jagger, it don't wear off.

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<v Speaker 2>Now you can look at their own run and say, oh,

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<v Speaker 2>you know what, Oh, they're not making the biggest records

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<v Speaker 2>on their own. But that's not the point. The point is,

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<v Speaker 2>you can make a great rock record with Mick Jagger today.

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<v Speaker 2>You can make a great rock record with you know,

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<v Speaker 2>actual roles, like you can make a great rock record

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<v Speaker 2>with some of the greatest, Like right now, I want

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<v Speaker 2>to do that song like I was telling you with

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<v Speaker 2>a with Siegert, with Bob Seger, like I feel like

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<v Speaker 2>I can make a smash hit record in hip hop

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<v Speaker 2>with Bob Seger today. You know what I mean, because

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<v Speaker 2>if you know what you're doing with the record, voices

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<v Speaker 2>be voices.

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<v Speaker 3>I can make a hit record with Stevie Wonder today.

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<v Speaker 2>It don't matter when Stevie had his last hit record

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<v Speaker 2>on this on like if you know, if you have

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<v Speaker 2>the right record for Stevie Wonder. His voice is permanent.

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<v Speaker 2>It can be the number one song in the country

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<v Speaker 2>of Stevee. And it's a few artists that have ascended

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<v Speaker 2>to that level. Akon is one of those artists where

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<v Speaker 2>he's so prominent. He was so successful on a mainstream

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<v Speaker 2>level in pop records. His sound is forever like He'll

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<v Speaker 2>always beat it like what it is for people that

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<v Speaker 2>like that music, you know what I mean? And I

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<v Speaker 2>just feel like in hip hop again, when you don't

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<v Speaker 2>get it. And this was a conversation it was happening

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<v Speaker 2>earlier where you think you know hip hop because you

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<v Speaker 2>watch some rap videos. You think you know hip hop

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<v Speaker 2>because you know you saw something on Rap City, you

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<v Speaker 2>know what I mean, or you heard some songs. It's

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<v Speaker 2>like you just know the letter, you know the letter

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<v Speaker 2>of hip hop. You don't know the spirit of it

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<v Speaker 2>until you really go sit down in the bronx and

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<v Speaker 2>somebody really give it, give you what's going on. And

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<v Speaker 2>I just feel like at this time, no, we don't

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<v Speaker 2>have that. Like everybody he just feels like they know

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<v Speaker 2>what's going on, or they just disregarded as nothing and

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<v Speaker 2>it's too powerful to be nothing. So we did us

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<v Speaker 2>live stream and it was based off a conversation I

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<v Speaker 2>was having with one of my young homies, my little

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<v Speaker 2>brother a d He has a stream, a live stream

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<v Speaker 2>called the Community with my homeboy Pun and we were

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<v Speaker 2>having a conversation about what was going on with Dirt.

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<v Speaker 2>Dirt got arrested for murder for hire. Dirk was a

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<v Speaker 2>wrapper in Chicago, you know exactly, and he was saying

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<v Speaker 2>that the beef Dirk and Young Boy, their crews started

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<v Speaker 2>over a girl. They were sleeping with the same girls,

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<v Speaker 2>and you know, some happened somewhere along the line. They

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<v Speaker 2>got loos and people start talking crazy and everybody cruise,

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<v Speaker 2>people around the cruise start talking crazy. So now it's

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<v Speaker 2>King VN who was part of Dirt Cruise Quandoronto was

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<v Speaker 2>a part of Young with They were all cool at first,

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<v Speaker 2>and they start talking crazy to each other, you know

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<v Speaker 2>what I'm saying. And they go to Atlanta and the

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<v Speaker 2>Chicago brothers go to Atlanta Ron and they get into

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<v Speaker 2>a confrontation with Rondo cost King v his life. Yes,

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<v Speaker 2>so Quando Rondo you know, year a year or two later,

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<v Speaker 2>comes to California to do some business and his transportation

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<v Speaker 2>that he's riding in through to do the business within

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<v Speaker 2>the city. They near Century City, the whole truck gets

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<v Speaker 2>shot out with fully automatic weapons. Okay, and that's the

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<v Speaker 2>charge that Dirk is, you know, being in dice, that

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<v Speaker 2>he organized, that he economically financed that that happened. Okay,

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<v Speaker 2>So they got what's supposed to be allegedly is the

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<v Speaker 2>shooters and have him for order for hire.

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<v Speaker 3>He was ad.

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<v Speaker 2>My little brother was telling me that was a lot

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<v Speaker 2>to go through, you know, over a girl, and I'm like, well,

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<v Speaker 2>it's not really over the girl, you know what I mean,

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<v Speaker 2>It's really over the stuff people say around the girl.

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<v Speaker 2>We start having a conversation and I was saying, like,

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<v Speaker 2>if if we're together, you, if somebody sleeps with you

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<v Speaker 2>and they know I exist, they know me, no, they

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<v Speaker 2>don't have to be my friend. If they know me

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<v Speaker 2>and they know we're together and they sleep with you,

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<v Speaker 2>not only are you disrespecting me, they're disrespecting me right.

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<v Speaker 2>And I believe in the universe where the people disrespect

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<v Speaker 2>you purposely, they will keep doing it. Right. So the

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<v Speaker 2>harmonious thing to do is to erase you off the planet. Okay,

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<v Speaker 2>not the vengeful thing, because vengeance would be that I'm

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<v Speaker 2>doing it because you did this. The harmonious thing is,

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<v Speaker 2>in my mind, is you will keep disrespecting me because

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<v Speaker 2>you should have respect for me. I haven't did anything

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<v Speaker 2>to you for you to disrespect me. The harmonious thing,

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<v Speaker 2>the justice thing, would be to erase you off this planet,

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<v Speaker 2>so you can't keep deflating who I am every day

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<v Speaker 2>by taking advantage of whoever whatever goodness you think lies

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<v Speaker 2>inside of me. And that's the difference between vengeance and

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<v Speaker 2>street justice, right, because you have regular societal justice where

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<v Speaker 2>everybody agrees on laws and then they have prisons and

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<v Speaker 2>courts and juries and prisons and jails to help them

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<v Speaker 2>issue out that level of harmony through justice. Well, in

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<v Speaker 2>the streets there's the same space. And we were talking

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<v Speaker 2>about Dirk situation and saying it was more you started

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<v Speaker 2>to pursue it differently, like there is a level of

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<v Speaker 2>street justice that should happen. But street justice, again is

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<v Speaker 2>still as harmonious as anything else. It's like when you

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<v Speaker 2>go to a real courthouse and instead of you like R.

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<v Speaker 2>Kelly or Puff right where instead of them being held accountable,

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<v Speaker 2>like Puff should be held accountable for combing his old

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<v Speaker 2>lady here in the hotel lobby and da da da,

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<v Speaker 2>and that should be like if they have a federal

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<v Speaker 2>assault charge or the solicitation of prostitution, those are all

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<v Speaker 2>fair charges, you know, possession of drugs, possession of guns,

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<v Speaker 2>those are fair charges based off of evidence, versus them

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<v Speaker 2>railroading him with a RICO where it's a racketeering charge

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<v Speaker 2>for organization and there's only one person being charge, so

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<v Speaker 2>that would be a one person organization.

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<v Speaker 4>Same for R.

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<v Speaker 2>Kelly where instead of him just being charged for child

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<v Speaker 2>pornography because if you sleep with a girl under the

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<v Speaker 2>age of sixteen on a camera, you know, it don't

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<v Speaker 2>matter she can't consent, it's child or not federally which

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<v Speaker 2>carries seven years and other stuff which R. Kelly should

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<v Speaker 2>be in prison eight to twelve years. You feel me,

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<v Speaker 2>But because you allow white folks to carry out vengeance

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<v Speaker 2>against a nasty thing that they have against brothers in

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<v Speaker 2>this country since they was buying them by the dozens.

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<v Speaker 2>You know, in Virginia you have people mistreating and you

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<v Speaker 2>have a like a like a trail of vengeance that's

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<v Speaker 2>happening where it's all mistreatment.

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<v Speaker 3>So instead of R.

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<v Speaker 2>Kelly getting the eight to twelve years that he deserves

0:12:29.120 --> 0:12:32.240
<v Speaker 2>based off the crime, he gets more time than Sammy

0:12:32.280 --> 0:12:35.640
<v Speaker 2>the boy Girvano has for murdering you know, nineteen people.

0:12:36.120 --> 0:12:39.640
<v Speaker 2>He almost has forty years instead of R. Kelly, you know,

0:12:39.800 --> 0:12:44.320
<v Speaker 2>getting eight to fifteen years for you know, having a

0:12:44.360 --> 0:12:50.040
<v Speaker 2>consistent history of soliciting prostitution and you know, using drugs

0:12:50.120 --> 0:12:53.160
<v Speaker 2>or possessing drugs or having guns with serial numbers scratched

0:12:53.200 --> 0:12:56.720
<v Speaker 2>off which carries ten years federally or any that stuff.

0:12:56.760 --> 0:12:58.920
<v Speaker 2>So that eight to fifteen years that he should be facing,

0:12:59.200 --> 0:13:05.000
<v Speaker 2>he's facing a lot. That's to me, white vengeance or

0:13:05.120 --> 0:13:08.400
<v Speaker 2>systemic vengeance, you know, like we still can get these

0:13:08.440 --> 0:13:09.320
<v Speaker 2>niggas when we can.

0:13:10.120 --> 0:13:10.840
<v Speaker 3>Yeah.

0:13:10.920 --> 0:13:15.959
<v Speaker 2>And he was just saying to me and Pete like, Okay,

0:13:16.000 --> 0:13:18.720
<v Speaker 2>well that sucker if you do that over your girl,

0:13:18.760 --> 0:13:21.679
<v Speaker 2>because a girl gonna be a whole and you shouldn't

0:13:21.720 --> 0:13:23.840
<v Speaker 2>be mad at no man. I'm like, well, I wouldn't

0:13:23.840 --> 0:13:26.720
<v Speaker 2>be upset at the man for what my old lady is.

0:13:26.960 --> 0:13:30.120
<v Speaker 2>I'd be upset at the man for disrespecting me knowing

0:13:30.160 --> 0:13:33.320
<v Speaker 2>that this is my lady, and he was saying like, oh, well,

0:13:33.559 --> 0:13:35.720
<v Speaker 2>you know you don't you disrespect that given his earn.

0:13:35.800 --> 0:13:39.000
<v Speaker 2>I'm like, that's street, that's not real. Like, you should

0:13:39.040 --> 0:13:42.960
<v Speaker 2>respect every man even before they've earned it. You should

0:13:42.960 --> 0:13:46.160
<v Speaker 2>only disrespect the man that you've lost respect for. Yeah,

0:13:46.640 --> 0:13:51.240
<v Speaker 2>but if you disrespect the man that immediately in y'all

0:13:51.320 --> 0:13:54.520
<v Speaker 2>first interaction, you know what I mean? You could take

0:13:54.559 --> 0:13:58.160
<v Speaker 2>advantage of that. And so Pete was gonna give me

0:13:58.200 --> 0:14:00.640
<v Speaker 2>a story fast forward again to the back mama where

0:14:00.960 --> 0:14:03.160
<v Speaker 2>he felt like, oh, well, if my friend sleeps with

0:14:03.160 --> 0:14:06.080
<v Speaker 2>my baby mother, and I'm like, well, what difference do

0:14:06.160 --> 0:14:09.319
<v Speaker 2>it make if y'all lot together? Like why does that body? Well,

0:14:09.320 --> 0:14:11.560
<v Speaker 2>he's betraying our friendship. I'm like how He's like, well,

0:14:11.559 --> 0:14:13.560
<v Speaker 2>you know, I don't care about her, but he will

0:14:13.600 --> 0:14:15.600
<v Speaker 2>be betraying our friendship. I'm like, well, if you don't

0:14:15.600 --> 0:14:18.240
<v Speaker 2>care about her, and Pete was asking the same thing,

0:14:18.800 --> 0:14:23.320
<v Speaker 2>you don't care about her? Yeah, right? And this is

0:14:23.360 --> 0:14:26.600
<v Speaker 2>your friend and he has positive intentions for this woman,

0:14:27.040 --> 0:14:32.040
<v Speaker 2>why does it body? And what I was telling Pete

0:14:32.080 --> 0:14:34.920
<v Speaker 2>and I was telling still on the live stream, the

0:14:35.040 --> 0:14:38.320
<v Speaker 2>truth is you love her, and he was like, well no,

0:14:38.400 --> 0:14:40.280
<v Speaker 2>because I'm not sleeping with the once we break up.

0:14:40.320 --> 0:14:42.840
<v Speaker 2>I'm like, sleeping with somebody is not with love is

0:14:42.880 --> 0:14:46.720
<v Speaker 2>about that's self gratifying. Like you can make that type

0:14:46.720 --> 0:14:51.320
<v Speaker 2>of act about somebody else, but for the most part

0:14:51.480 --> 0:14:54.320
<v Speaker 2>is self gratifying. When you have to do things for

0:14:54.440 --> 0:14:58.400
<v Speaker 2>people and you get nothing, it's true love. And I'm like,

0:14:58.520 --> 0:15:02.520
<v Speaker 2>the reality is you stid and it's like, oh, well,

0:15:02.520 --> 0:15:04.080
<v Speaker 2>why would I love her, you know, just because.

0:15:03.840 --> 0:15:04.320
<v Speaker 3>We had a kid.

0:15:04.400 --> 0:15:09.800
<v Speaker 2>I'm like, yes, and me and Pete were just talking

0:15:09.840 --> 0:15:13.800
<v Speaker 2>to him, you know. And obviously the audience that's listening

0:15:13.800 --> 0:15:15.840
<v Speaker 2>to the stream immediately went to a space like where

0:15:15.840 --> 0:15:18.960
<v Speaker 2>they must stand by this versus us saying if you

0:15:19.000 --> 0:15:21.680
<v Speaker 2>don't care trying to get him to say you love

0:15:21.760 --> 0:15:25.400
<v Speaker 2>your kid's mother, which could make you think twice about

0:15:25.440 --> 0:15:28.840
<v Speaker 2>just getting somebody pregnant or at least want I mean,

0:15:28.880 --> 0:15:33.200
<v Speaker 2>if not love, at least can see that you want

0:15:33.240 --> 0:15:37.360
<v Speaker 2>her on some degree. I think you love him. I

0:15:37.400 --> 0:15:42.120
<v Speaker 2>think I don't care what nobody say. There's no way

0:15:42.200 --> 0:15:45.920
<v Speaker 2>possible somebody can give you extended lineage on the planet

0:15:45.920 --> 0:15:56.440
<v Speaker 2>Earth and you don't love them for it. Nah. So's

0:15:56.560 --> 0:15:58.600
<v Speaker 2>it's weird listening to it because right.

0:15:58.600 --> 0:15:59.040
<v Speaker 3>It's like.

0:16:02.560 --> 0:16:05.640
<v Speaker 2>I've been saying this for years, you know, and I

0:16:05.680 --> 0:16:09.760
<v Speaker 2>get a lot of pushback to me on I get

0:16:09.760 --> 0:16:12.320
<v Speaker 2>a ton of pushback on all of this because of that,

0:16:14.680 --> 0:16:20.600
<v Speaker 2>you know what I mean, Like, where's like it ain't

0:16:20.640 --> 0:16:23.360
<v Speaker 2>on purpose. I just think that he got into a

0:16:23.400 --> 0:16:29.760
<v Speaker 2>space to where it's like people have been complaining about

0:16:29.800 --> 0:16:33.360
<v Speaker 2>hip hop being like like an advocate of like violence

0:16:33.400 --> 0:16:38.280
<v Speaker 2>in the community or promoting drug use, like you know,

0:16:39.600 --> 0:16:43.960
<v Speaker 2>rich Homi Kwan passed away from Atlanta, and you know,

0:16:44.000 --> 0:16:46.560
<v Speaker 2>when something like that happens, the first thing is like, well,

0:16:46.680 --> 0:16:49.480
<v Speaker 2>let's look at the music, and it's like, well, what

0:16:49.520 --> 0:16:52.560
<v Speaker 2>was happening before the music? You feel me like why

0:16:52.600 --> 0:16:54.680
<v Speaker 2>were people on drugs in the sixties and seventies or

0:16:54.680 --> 0:16:55.240
<v Speaker 2>in the fifties.

0:16:55.280 --> 0:16:57.480
<v Speaker 6>Yeah, they never talked about like the music going on

0:16:57.520 --> 0:17:00.640
<v Speaker 6>when Kirk Cobain blew out his own brains, they never

0:17:00.800 --> 0:17:02.560
<v Speaker 6>they never mentioned that it was the music.

0:17:03.000 --> 0:17:05.359
<v Speaker 2>Well, I think white people kind of did. But again

0:17:05.440 --> 0:17:13.919
<v Speaker 2>it's like it's like really silly. I mean, the artist

0:17:14.040 --> 0:17:16.560
<v Speaker 2>very reflective of said community. But the point I was

0:17:16.600 --> 0:17:19.640
<v Speaker 2>making is and in that situation with Dot and Drake

0:17:19.800 --> 0:17:25.000
<v Speaker 2>is like, but Dot and Drake is like Drake that

0:17:25.240 --> 0:17:29.119
<v Speaker 2>just pretty much you know, said, hey, you know he

0:17:29.680 --> 0:17:31.840
<v Speaker 2>pulled the carpet. You know, he he had been standing

0:17:31.880 --> 0:17:35.280
<v Speaker 2>on this rug that we call cultural cachet this whole time.

0:17:36.119 --> 0:17:36.439
<v Speaker 4>M hm.

0:17:36.760 --> 0:17:38.879
<v Speaker 2>He just snatched the rug from like, man, you're not

0:17:38.920 --> 0:17:41.760
<v Speaker 2>the culture boom and then you know, so he couldn't

0:17:41.800 --> 0:17:43.960
<v Speaker 2>really there was nothing to stand up on them now,

0:17:44.280 --> 0:17:47.200
<v Speaker 2>And I think that's what we're looking at, like hip

0:17:47.200 --> 0:17:50.120
<v Speaker 2>hop is still rooted and poor people making things cool.

0:17:51.320 --> 0:17:53.760
<v Speaker 2>That that don't mean hip hop is only poor people,

0:17:53.800 --> 0:17:57.280
<v Speaker 2>but the culture of it comes from poor people. The

0:17:57.400 --> 0:18:00.320
<v Speaker 2>language comes from you know, the majority of the which

0:18:00.320 --> 0:18:03.920
<v Speaker 2>come from you know, because it's bad educational program the fashion,

0:18:03.960 --> 0:18:07.000
<v Speaker 2>it's taking ship, that's that you you know, if parents

0:18:07.000 --> 0:18:09.400
<v Speaker 2>can't afford, but you know, some dickies and putting creases

0:18:09.400 --> 0:18:10.600
<v Speaker 2>in them, you knowing.

0:18:10.560 --> 0:18:11.720
<v Speaker 3>Rocking it with pride.

0:18:12.200 --> 0:18:14.400
<v Speaker 2>You know, it's not the chucks themselves, it's the fat

0:18:14.480 --> 0:18:18.200
<v Speaker 2>laces and the chucks. So you know, that's what that

0:18:18.359 --> 0:18:23.640
<v Speaker 2>pride and that type of struggle is really where hip

0:18:23.640 --> 0:18:26.240
<v Speaker 2>hop is different. You know, how can these people be

0:18:26.320 --> 0:18:30.200
<v Speaker 2>so happy under these circumstances.

0:18:31.160 --> 0:18:35.520
<v Speaker 6>I think, and I think that's that gets lost. That's

0:18:35.600 --> 0:18:38.119
<v Speaker 6>lost now you know, and that's and that's why people

0:18:38.160 --> 0:18:42.320
<v Speaker 6>start to, oh, well, hip hop isn't just only poor people,

0:18:42.440 --> 0:18:45.199
<v Speaker 6>and hip hop isn't only just from the hood, and

0:18:45.760 --> 0:18:49.400
<v Speaker 6>hip hop isn't only this and that, And it's like, actually,

0:18:49.560 --> 0:18:51.639
<v Speaker 6>like at the core essence of it, if that's what

0:18:51.720 --> 0:18:54.760
<v Speaker 6>we're that's literally what it came from, you know, and

0:18:54.800 --> 0:18:55.880
<v Speaker 6>we've talked about that.

0:18:56.000 --> 0:18:56.159
<v Speaker 4>You know.

0:18:56.200 --> 0:18:58.640
<v Speaker 6>I was like your slogan that you're not it's not slogan,

0:18:58.720 --> 0:19:01.320
<v Speaker 6>but you're the the way you set it up, you

0:19:01.359 --> 0:19:05.280
<v Speaker 6>say it's a street or urban street, urban culture, but

0:19:05.320 --> 0:19:08.800
<v Speaker 6>there's more to it, personify through the arts of elements,

0:19:08.880 --> 0:19:11.000
<v Speaker 6>per through the arts and element so like.

0:19:11.000 --> 0:19:14.679
<v Speaker 2>The actual act itself is not really hip hop, like

0:19:14.800 --> 0:19:17.640
<v Speaker 2>being you know, street urban culture. But once you put

0:19:17.640 --> 0:19:19.880
<v Speaker 2>it into the arts of elements, that's when you start

0:19:19.920 --> 0:19:23.160
<v Speaker 2>seeing the artistic expression that we reference as hip hop.

0:19:23.240 --> 0:19:25.760
<v Speaker 6>And that's the part that gets confused, I think for people,

0:19:25.800 --> 0:19:27.760
<v Speaker 6>because then they just go, well, if I can just

0:19:27.840 --> 0:19:30.160
<v Speaker 6>do the art part of it, then I'm hip hop,

0:19:30.640 --> 0:19:32.960
<v Speaker 6>and that's not necessarily true. Now.

0:19:33.480 --> 0:19:38.560
<v Speaker 3>I think you used to use this term was ah shit,

0:19:38.680 --> 0:19:39.680
<v Speaker 3>what is it? Was like a.

0:19:41.600 --> 0:19:42.280
<v Speaker 2>What did you say?

0:19:42.320 --> 0:19:44.720
<v Speaker 6>You used to say it was like, when you're not

0:19:44.760 --> 0:19:47.800
<v Speaker 6>from a product of hip hop, a product of hip hop.

0:19:47.880 --> 0:19:50.240
<v Speaker 2>Yeah, it's a ton of people who enjoy the music

0:19:50.840 --> 0:19:54.600
<v Speaker 2>and they are not hip hop, you know, just because

0:19:55.200 --> 0:19:58.280
<v Speaker 2>you know, my favorite food is Mexican food, Bro, That

0:19:58.359 --> 0:19:59.400
<v Speaker 2>don't make me Mexican.

0:19:59.440 --> 0:19:59.600
<v Speaker 3>Bro.

0:20:00.040 --> 0:20:03.480
<v Speaker 2>I don't care how many tacos I get, how many

0:20:03.920 --> 0:20:06.399
<v Speaker 2>you know, it don't matter.

0:20:06.520 --> 0:20:09.840
<v Speaker 6>But most people in the Mexican community would give you

0:20:09.880 --> 0:20:13.000
<v Speaker 6>a pass and say that you are an honorary Mexican.

0:20:13.119 --> 0:20:15.040
<v Speaker 6>And I think that a lot of people in hip

0:20:15.040 --> 0:20:18.560
<v Speaker 6>hop want that because Drake was low key kind of

0:20:18.640 --> 0:20:22.560
<v Speaker 6>getting that until I feel like it almost seemed like,

0:20:22.680 --> 0:20:24.560
<v Speaker 6>I mean, I don't know, because I don't know him personally,

0:20:24.560 --> 0:20:27.240
<v Speaker 6>but it seemed like he started getting under people's skin

0:20:27.320 --> 0:20:30.040
<v Speaker 6>by doing things where he started thinking he was bigger

0:20:30.840 --> 0:20:34.560
<v Speaker 6>and not and doing things that he didn't remember, like, Yo,

0:20:35.160 --> 0:20:37.640
<v Speaker 6>low Key, you kind of a guess, bro, even though

0:20:37.680 --> 0:20:39.880
<v Speaker 6>you're mixed. Yeah, okay, you have Jewish.

0:20:39.600 --> 0:20:40.200
<v Speaker 2>You have black.

0:20:40.359 --> 0:20:43.520
<v Speaker 6>That's cool, but but that don't make you hip hop

0:20:43.600 --> 0:20:43.920
<v Speaker 6>like that.

0:20:44.520 --> 0:20:47.679
<v Speaker 2>Well again, I don't think the mixed part of it

0:20:47.720 --> 0:20:53.080
<v Speaker 2>is the problem. It's it's it's the culture part. How

0:20:53.119 --> 0:20:56.200
<v Speaker 2>do you grow up culturally. I mean, if you grew

0:20:56.280 --> 0:21:00.280
<v Speaker 2>up in Jewish culture. You know, if a Rabbish already

0:21:00.359 --> 0:21:03.680
<v Speaker 2>rapping about his Jewish experience, I think we would enjoy

0:21:03.720 --> 0:21:06.600
<v Speaker 2>it and we love to claim it, but it probably

0:21:06.600 --> 0:21:07.880
<v Speaker 2>would be Jewish.

0:21:08.320 --> 0:21:11.280
<v Speaker 6>Well, I think what's his name made a comment about that,

0:21:11.320 --> 0:21:14.600
<v Speaker 6>and I thought that was pretty Rosenberg. And he was like,

0:21:14.640 --> 0:21:17.159
<v Speaker 6>he's like, I know a guy that grew up in

0:21:17.440 --> 0:21:19.600
<v Speaker 6>like cause he's Jewish. So he was basically saying like

0:21:19.680 --> 0:21:22.960
<v Speaker 6>he could identify and he said Drake got upset at

0:21:22.960 --> 0:21:26.680
<v Speaker 6>that because he was like, like, I understand that he

0:21:27.040 --> 0:21:27.639
<v Speaker 6>doesn't like that.

0:21:27.720 --> 0:21:31.320
<v Speaker 3>I can see who he really is. Yeah, it's like,

0:21:31.440 --> 0:21:32.399
<v Speaker 3>nothing's wrong with that.

0:21:32.520 --> 0:21:37.400
<v Speaker 2>Again, but again, if you're trying to present yourself as

0:21:37.520 --> 0:21:41.760
<v Speaker 2>the poor people culturally, I mean, and and did he

0:21:41.800 --> 0:21:45.240
<v Speaker 2>ever do that? Yes, that's the problem. That's what started

0:21:45.280 --> 0:21:49.560
<v Speaker 2>to so when he first, like when Cuz first came

0:21:49.680 --> 0:21:50.960
<v Speaker 2>right like you knew he was.

0:21:50.880 --> 0:21:53.640
<v Speaker 3>This Nickelodeon kid. We all knew he was a pop act.

0:21:54.359 --> 0:21:57.320
<v Speaker 2>We realized he was this unbelievable talent as a writer

0:21:57.840 --> 0:22:01.159
<v Speaker 2>and in real story like punat you like, punish your

0:22:01.280 --> 0:22:03.680
<v Speaker 2>like puna tell you. Like there was times bro where

0:22:04.000 --> 0:22:05.399
<v Speaker 2>a dude would be trying to talk to me and

0:22:05.400 --> 0:22:08.520
<v Speaker 2>I wouldn't even talk to him, not on no funny shit,

0:22:08.600 --> 0:22:11.400
<v Speaker 2>but just like nigga, I don't know you because I'm

0:22:11.440 --> 0:22:13.200
<v Speaker 2>just that type of nigga. You know, the streets teach

0:22:13.240 --> 0:22:14.880
<v Speaker 2>you to be that kind of person, and I don't

0:22:14.920 --> 0:22:17.760
<v Speaker 2>care how successful you get. I mean, that's just maybe

0:22:17.800 --> 0:22:19.600
<v Speaker 2>it's not right. That's not to say I wouldn't say hello,

0:22:19.720 --> 0:22:22.520
<v Speaker 2>but like, and I'm on my own mission, feel me,

0:22:22.560 --> 0:22:25.240
<v Speaker 2>And I'm not mad at you know how I interact

0:22:25.240 --> 0:22:25.440
<v Speaker 2>with you.

0:22:25.640 --> 0:22:27.440
<v Speaker 3>I'm really careful how I interact with people.

0:22:27.760 --> 0:22:30.360
<v Speaker 6>I think at one time you were you know, this

0:22:30.440 --> 0:22:34.719
<v Speaker 6>is a different time period and you were a different

0:22:35.920 --> 0:22:39.840
<v Speaker 6>maybe not as approachable person back then either, So that

0:22:40.520 --> 0:22:42.480
<v Speaker 6>probably played with it, because you know it's funny like

0:22:42.560 --> 0:22:44.320
<v Speaker 6>even though like we talk about like you tell me,

0:22:44.359 --> 0:22:46.000
<v Speaker 6>I'm like, well, I'm more of a square dude grew

0:22:46.040 --> 0:22:47.520
<v Speaker 6>up here, Like yeah, but you're still from the street

0:22:47.560 --> 0:22:49.280
<v Speaker 6>because you grew up from in Inglewood and you know,

0:22:49.320 --> 0:22:50.440
<v Speaker 6>he was outside cool.

0:22:50.960 --> 0:22:52.399
<v Speaker 2>But I remember if you got into a fight. Do

0:22:52.400 --> 0:22:55.160
<v Speaker 2>you remember the first time somebody hit you at school? Yeah,

0:22:55.320 --> 0:22:57.160
<v Speaker 2>you wouldn't tell your parents, You remember.

0:22:56.800 --> 0:22:59.359
<v Speaker 6>That, No, I didn't tell my my parents. I was

0:22:59.359 --> 0:23:01.280
<v Speaker 6>too scared to on my dad because.

0:23:01.359 --> 0:23:03.080
<v Speaker 3>He knew what he would have said, yeah, what he

0:23:03.200 --> 0:23:04.840
<v Speaker 3>was saying. He would have said, what did you do?

0:23:04.920 --> 0:23:05.160
<v Speaker 2>Back?

0:23:05.359 --> 0:23:07.480
<v Speaker 6>That's the street And if I didn't do anything, I

0:23:07.480 --> 0:23:08.320
<v Speaker 6>would have got whatked?

0:23:08.400 --> 0:23:11.560
<v Speaker 2>Then that's the streets. Yeah, that's nothing but the streets.

0:23:12.000 --> 0:23:14.520
<v Speaker 2>See you don't. It don't mean like you so dope.

0:23:14.600 --> 0:23:17.720
<v Speaker 2>It means people where you grew up as so dope.

0:23:18.760 --> 0:23:20.679
<v Speaker 1>Once again, thank you for tuning into the Black Effect

0:23:20.680 --> 0:23:22.959
<v Speaker 1>Podcast Network. Seeing you in twenty twenty five for more

0:23:23.000 --> 0:23:24.520
<v Speaker 1>great moments from your favorite podcast