WEBVTT - The Ghosts of Buxley Hall

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<v Speaker 1>Hey, when you were a kid, if you ever did

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<v Speaker 1>anything wrong? Were you ever threatened with military school?

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<v Speaker 2>No?

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<v Speaker 3>No, you never had that. You never was never like

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<v Speaker 3>we will send you off to military school.

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<v Speaker 2>No, no, no military, no boarding. Nothing.

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<v Speaker 4>It was like you'll you don't get to go to dance,

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<v Speaker 4>probably or I honestly I don't remember what my threats were.

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<v Speaker 3>I'm so funny.

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<v Speaker 1>That was my biggest threat too, is my parents being like,

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<v Speaker 1>will you don't get to dance? And I was like, what,

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<v Speaker 1>You're not gonna where dancing? And that's when the music

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<v Speaker 1>started and it was like footloosing in my bedroom.

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<v Speaker 2>Yeah, no, I honestly don't remember.

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<v Speaker 4>It probably was candy sweets have been a thing for

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<v Speaker 4>me my whole life, which is hilarious.

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<v Speaker 1>So you're you're you're a so you're a sweet person,

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<v Speaker 1>Like if you had the best sweet next to the

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<v Speaker 1>best burger, you're going to take the best sweet every time.

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<v Speaker 4>When I was little, yes, but it's definitely my daughter

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<v Speaker 4>now but now I it depends am I pregnant?

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<v Speaker 2>Because if I am, I need that ice cream like pronto.

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<v Speaker 1>That was well, first of all, hopefully you're not asking

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<v Speaker 1>me if you're pregnant, because I would say, how would

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<v Speaker 1>I know?

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<v Speaker 4>I mean, like, sweets were everything on both pregnancies, but

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<v Speaker 4>not really as an adult.

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<v Speaker 3>What was your weirdest craving when you were pregnant.

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<v Speaker 2>I didn't have weird cravings.

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<v Speaker 4>I just literally had at least one, like scoop of

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<v Speaker 4>ice cream every night, Okay every night.

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<v Speaker 1>There's a famous Fordell family story where my mother was

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<v Speaker 1>so craving and eating jelly donuts with one of us

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<v Speaker 1>that my dad had a nightmare where he woke up

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<v Speaker 1>in the midlight screaming because my mom had turned into

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<v Speaker 1>a jelly donut.

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<v Speaker 2>Hilarious. Yeah, I know.

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<v Speaker 4>I was really stoked about the weird cravings. The only

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<v Speaker 4>thing I think I got that was weird was I

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<v Speaker 4>would either do cream cheese or sour cream and then

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<v Speaker 4>put green salsa on it and dip it with Freedo chips.

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<v Speaker 3>Okay, I could see that.

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<v Speaker 4>But when I think about it, I feel like that

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<v Speaker 4>was an eighties slash nineties appetizer where you do like.

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<v Speaker 2>A block of a block of cream cheese with.

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<v Speaker 3>Salsa melted in the microwave and then dip with a

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<v Speaker 3>free Yeah.

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<v Speaker 2>So I guess I kind of brought that back from

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<v Speaker 2>my childhood.

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<v Speaker 3>I like it.

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<v Speaker 1>Well, we've gotten far afield from if you were ever

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<v Speaker 1>threatened with military school, how we end up, dipp, I

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<v Speaker 1>will not understand.

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<v Speaker 4>Did you get threatened with mill Schorel You kind of

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<v Speaker 4>had to write you were like living that life a

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<v Speaker 4>little bit.

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<v Speaker 1>Yeah, my dad was in the military, but no, because

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<v Speaker 1>my parents would never have sent us away.

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<v Speaker 3>Nothing we would have done would have had my parents

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<v Speaker 3>center right.

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<v Speaker 2>My parents say, I think if they even tried, that would.

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<v Speaker 1>Be like yeah, okay, yeah, good luck with that.

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<v Speaker 2>You could live without me. That's hilarious.

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<v Speaker 3>Good luck with that.

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<v Speaker 2>Good luck.

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<v Speaker 5>Wow.

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<v Speaker 1>Well, welcome back to Magical Rewind, the show that makes

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<v Speaker 1>you want to grab your friends, your pj's and your

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<v Speaker 1>popcorn and go back to a time when all the

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<v Speaker 1>houses were smart, the waves, Tsunamis and the high School's musical.

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<v Speaker 3>I'm Will Dell and I'm Sabrina Brian and Sabrina.

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<v Speaker 1>I'd like to start today by saying you're welcome because

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<v Speaker 1>I picked the film we watched today and we're going

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<v Speaker 1>to get into it. So you don't have to send

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<v Speaker 1>me gifts. Don't send them right to the house because

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<v Speaker 1>you are welcome.

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<v Speaker 4>Oh well, well, I think I speak for the producers

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<v Speaker 4>as well, that you are no longer allowed to pick

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<v Speaker 4>any movies.

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<v Speaker 1>I disagree, I should pick them all. It was brilliant that.

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<v Speaker 2>Has been taken away from you.

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<v Speaker 1>Well, ten hot soldiers, line up and give me ten.

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<v Speaker 1>Because we were reviewing nineteen eighties The Ghosts of Buxley Hall,

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<v Speaker 1>a supernatural comedy that I swear to God, I picked

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<v Speaker 1>solely on the poster. It came up on my feed.

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<v Speaker 1>I've wanted to watch some of the older kind of movies. Yeah,

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<v Speaker 1>this one popped up. I knew nothing about it, and

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<v Speaker 1>I was like, let's do this one. And I'm glad

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<v Speaker 1>I did, because what a film. It was originally broadcast

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<v Speaker 1>as a two part episode of Disney's Wonderful World. That

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<v Speaker 1>is a first for us, and they aired them a

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<v Speaker 1>week apart, so part one was on December twenty first,

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<v Speaker 1>and part two was on the twenty eighth of nineteen eighty.

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<v Speaker 1>Nineteen eighty was a tough year, but we'll get into

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<v Speaker 1>that later. The movie was filmed at the Banning House,

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<v Speaker 1>which is a historic Greek Revival Victorian home in the

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<v Speaker 1>Wilmington section of Los Angeles. It was originally built in

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<v Speaker 1>eighteen sixty three by an early Los Angeles pioneer.

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<v Speaker 3>And you know it's early when.

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<v Speaker 1>The first name is Phineas Phineas Banning, you know that

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<v Speaker 1>we are talking about a while ago. It is now

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<v Speaker 1>a museum that has been designated a California Historic Landmark

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<v Speaker 1>as well as federally listed on the National Registry of

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<v Speaker 1>Historic Places. And none of that is for being the

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<v Speaker 1>filming location for the Ghosts of Buxley Hall.

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<v Speaker 3>It also just happened to be filmed there.

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<v Speaker 1>This is obviously the building itself is a big important

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<v Speaker 1>set piece, so the movie is basically shaped around the

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<v Speaker 1>entire building. In addition to the double broadcast, it was

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<v Speaker 1>released on wait for it, folk, and you're gonna have

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<v Speaker 1>to google this a lot of you listening on something

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<v Speaker 1>called VHS in nineteen eighty in the eighties as part

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<v Speaker 1>of the very popular Walt Disney Home Video line, which

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<v Speaker 1>a lot of people remember. And then in twenty twelve

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<v Speaker 1>it was released on DVD, which is another digital video disc.

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<v Speaker 1>Some people don't even know what that is anymore, as

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<v Speaker 1>a Disney Movie Club exclusive, only available to club members,

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<v Speaker 1>making the physical copy a bit of a collector's item.

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<v Speaker 1>And oh yes, you gotta love this. Turner Classic Movies

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<v Speaker 1>aired it back in twenty fifteen as part of their

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<v Speaker 1>Treasures from the Disney Vault series. But now, folks, and again,

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<v Speaker 1>you're welcome. It is on Disney Plus to watch, so

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<v Speaker 1>you can go watch it now before we get into it,

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<v Speaker 1>or just wait till we're done.

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<v Speaker 3>Neither's rude. We're not gonna judge it either way. I'm

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<v Speaker 3>gunn you.

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<v Speaker 1>I'm actually gonna judge you, and not even silently. I'm

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<v Speaker 1>gonna come to your house and just openly judge you.

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<v Speaker 1>Does this movie, involving characters from the Civil War era,

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<v Speaker 1>depict sexism and thinly veiled racism?

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<v Speaker 3>Uh huh, yeah, yeah, sure does one hundred percent.

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<v Speaker 1>Have we now hit our third Disney movie that involves drinking.

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<v Speaker 3>Yes, yes, certainly have.

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<v Speaker 1>But in all fairness, we don't have any deaths from DUIs,

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<v Speaker 1>which will stay solely with Susie Q for now, which

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<v Speaker 1>holds the I think most characters killed.

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<v Speaker 3>In the beginning of a Disney movie trophy.

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<v Speaker 2>Uh we have more, Yes, yes, we had them. That

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<v Speaker 2>was the whole thing. At Tower or Tair, we lost

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<v Speaker 2>four people.

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<v Speaker 3>Oh my god, we lost the whole cast.

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<v Speaker 2>You're right, seconds in.

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<v Speaker 1>I take it back ninety seconds in and the entire

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<v Speaker 1>cast is killed.

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<v Speaker 3>You're one hundred percent the entire cast is gone, jeez,

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<v Speaker 3>well remembered.

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<v Speaker 1>And it was shot in nineteen eighty so similarly to

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<v Speaker 1>the Leftovers, the footage does look like it's being projected

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<v Speaker 1>from a VHS tape that was bathed in mud on

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<v Speaker 1>the back of a broken burlap sack that you found

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<v Speaker 1>in your basement.

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<v Speaker 3>But hey, that is the era. And not trying to

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<v Speaker 3>color our.

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<v Speaker 1>Own feelings here, but this is one of the more

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<v Speaker 1>dismally rotten Tomato scores we've received for any movie so far.

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<v Speaker 1>It is twenty eight percent. I think that was a

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<v Speaker 1>little harsh, but that's we'll get into that. But again,

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<v Speaker 1>they should not sway us either way. And first Arena,

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<v Speaker 1>I think I can guess the answer to this. But

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<v Speaker 1>I'm not even gonna ask if you knew about the

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<v Speaker 1>Ghost of Bucksley Hall. I'm just gonna say, how much

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<v Speaker 1>did you know about the Ghost of Bucksley Hall?

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<v Speaker 3>One of your favorite films of all time? Before the podcast?

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<v Speaker 2>Nothing.

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<v Speaker 4>I was actually excited because I grew up, you know,

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<v Speaker 4>at my grandparents' house watching kind of Western movies, you know,

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<v Speaker 4>war type stuff, and so I was kind of excited

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<v Speaker 4>for it from the poster, not anything that I thought

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<v Speaker 4>it was gonna end up being where it takes us immediately,

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<v Speaker 4>with the amount of children that are in the movie, Like,

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<v Speaker 4>I just was not expecting that at all.

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<v Speaker 2>No, I was thinking more John Wayne.

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<v Speaker 1>Really for a Disney movie, it's any kids, Hey, maybe

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<v Speaker 1>he would want to do something kind of like that.

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<v Speaker 4>I don't know, you know, but I just I mean,

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<v Speaker 4>from the poster itself, I was shocked when it started

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<v Speaker 4>to reveal what this movie was gonna be.

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<v Speaker 3>I think that's so funny.

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<v Speaker 1>I had not heard of this movie. I again, I know,

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<v Speaker 1>old timey movie, which is so horrible to say. In

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<v Speaker 1>nineteen eighty I was four, but I wanted to watch

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<v Speaker 1>an old school movie.

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<v Speaker 3>That's what are the joys of this podcast.

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<v Speaker 1>When we first started this podcast, I didn't want to

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<v Speaker 1>just do awesome new movies like Zombies and and you know, Descendants.

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<v Speaker 1>I wanted to go back and see kind of where

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<v Speaker 1>it all started. So yes, unfortunately, one of the things

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<v Speaker 1>that we're running into, and this is a deal we've

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<v Speaker 1>made with ourselves, with the producers and also with our audience,

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<v Speaker 1>is that We're not gonna watch any movie that is

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<v Speaker 1>so difficult to find that Hey, we got one random

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<v Speaker 1>copy of a VHS that you and I shared and

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<v Speaker 1>nobody can watch along with us.

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<v Speaker 3>We're not gonna do that.

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<v Speaker 1>So we're gonna we're watching even the old ones. We

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<v Speaker 1>find our movies that are accessible to our to our audience.

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<v Speaker 1>So Ghost to Bucksley Hall popped up. I'm like, this

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<v Speaker 1>is perfect. It's right there on Disney Plus, it's got

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<v Speaker 1>a great poster. Let's get into it.

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<v Speaker 4>It's so interesting to me though, that it did get

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<v Speaker 4>such a low score, knowing that it's on Disney Plus

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<v Speaker 4>and all the things that it was brought back and

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<v Speaker 4>the Disney Club often, Yeah, all that stuff into to

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<v Speaker 4>see that it got like a low rating is interesting

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<v Speaker 4>that they would then, I mean, you know, but maybe

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<v Speaker 4>at the time it didn't get that kind of rating

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<v Speaker 4>right that to me, it was more of a newer

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<v Speaker 4>rating system from it wasn't happening in the eighties.

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<v Speaker 1>Also, and we can we can address this right at

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<v Speaker 1>the top. I am forty eight years old. This movie

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<v Speaker 1>to me, this the quality of this movie, the acting

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<v Speaker 1>in this movie, the look of this movie, all of

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<v Speaker 1>this is exactly the type of movie I would watch

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<v Speaker 1>when I was eleven or twelve years old. Okay, so

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<v Speaker 1>this was like the dcom of its day for me.

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<v Speaker 1>Were these kind of movies like the one we watched

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<v Speaker 1>was sean Aston where they they're at the military base.

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<v Speaker 1>The other one we watched, Yes, like movies like that

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<v Speaker 1>were the movies that I grew up watching. So this

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<v Speaker 1>looked like my kid kind of movie. All right, this

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<v Speaker 1>was my Descendants, not this movie specifically, but the look

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<v Speaker 1>of this kind of movie. These are like my kind

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<v Speaker 1>of Descendants. So I was I was excited.

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<v Speaker 2>I gonna need you to pull back from comparing it

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<v Speaker 2>to Descendants.

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<v Speaker 3>I know exactly.

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<v Speaker 1>Wow, I met in that they're both movies with actors,

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<v Speaker 1>which is probably where where the where that stops?

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<v Speaker 2>But starts and stops.

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<v Speaker 3>It's true.

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<v Speaker 1>All right. So before we chug some wine from the

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<v Speaker 1>bottle we're hiding in the library, let's get into the synopsis.

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<v Speaker 1>The ghostly founders of a military academy try to undo

0:10:23.240 --> 0:10:26.840
<v Speaker 1>a merger with a girls school, girls EH and save

0:10:26.920 --> 0:10:30.040
<v Speaker 1>their legacy, while some family members of a newly orphaned

0:10:30.080 --> 0:10:33.640
<v Speaker 1>student have ulterior motives for trying to gain his custody

0:10:33.640 --> 0:10:36.640
<v Speaker 1>and if even the synopsis was confusing, wait until we

0:10:36.679 --> 0:10:37.960
<v Speaker 1>get into the film.

0:10:38.080 --> 0:10:39.880
<v Speaker 3>Early thoughts, Sabrina, what did you think?

0:10:41.080 --> 0:10:43.160
<v Speaker 4>I want you to know this is one of my

0:10:43.160 --> 0:10:44.800
<v Speaker 4>spring seas. But it just has to be said right

0:10:44.840 --> 0:10:47.160
<v Speaker 4>from the start. As soon as the trumpet started playing,

0:10:47.280 --> 0:10:49.720
<v Speaker 4>I rolled my eyes and was like, I hate you will.

0:10:51.960 --> 0:10:55.840
<v Speaker 2>Started. The second the trumpet starts playing, I'm like, oh God,

0:10:57.160 --> 0:11:00.600
<v Speaker 2>oh God, here we go. And it did it much

0:11:00.640 --> 0:11:02.960
<v Speaker 2>farther up from that, but that's all right.

0:11:05.040 --> 0:11:09.080
<v Speaker 1>I thought much differently about this film. This is the

0:11:09.080 --> 0:11:13.200
<v Speaker 1>best movie we see. No you know what again brought me.

0:11:13.280 --> 0:11:15.880
<v Speaker 1>The style of film brought me right back to my childhood.

0:11:15.920 --> 0:11:21.240
<v Speaker 1>The big cartoony acting, Yeah, kind of one two three,

0:11:21.240 --> 0:11:23.839
<v Speaker 1>blocking of everything stand here, I will shoot you with

0:11:23.960 --> 0:11:26.160
<v Speaker 1>camera brought me right back to the movies that I

0:11:26.200 --> 0:11:26.760
<v Speaker 1>grew up watching.

0:11:26.840 --> 0:11:29.120
<v Speaker 3>Yeah, I think I had a much more nostalgic field thing.

0:11:29.280 --> 0:11:29.480
<v Speaker 6>Yeah.

0:11:29.520 --> 0:11:32.120
<v Speaker 4>The nostalgic field for me again felt like I was

0:11:32.160 --> 0:11:34.480
<v Speaker 4>sort of kind of back at my grandparents house, staying

0:11:34.520 --> 0:11:36.640
<v Speaker 4>over for the weekend, and this is the movie that

0:11:36.679 --> 0:11:37.800
<v Speaker 4>we sat down and watched.

0:11:37.880 --> 0:11:38.640
<v Speaker 3>You know, I forget.

0:11:38.679 --> 0:11:42.480
<v Speaker 2>By the way, how old were you in nineteen eighty none?

0:11:43.000 --> 0:11:45.120
<v Speaker 3>Yeah, you were nine years old. That's what I thought.

0:11:45.160 --> 0:11:47.719
<v Speaker 4>I was nine years old here none you had your

0:11:47.800 --> 0:11:51.719
<v Speaker 4>non birthday that year, you is my non birthday? Yeah, yay,

0:11:51.760 --> 0:11:54.080
<v Speaker 4>but same though. But honestly, that was what I was

0:11:54.120 --> 0:11:56.520
<v Speaker 4>watching when I was going to my grandparents' house.

0:11:56.559 --> 0:11:57.720
<v Speaker 2>That was like again, the.

0:11:58.080 --> 0:12:01.240
<v Speaker 4>Look and the feel of all of it, that costume,

0:12:01.320 --> 0:12:04.240
<v Speaker 4>the like you said, the acting, the very over.

0:12:04.040 --> 0:12:05.280
<v Speaker 3>The top acting.

0:12:05.280 --> 0:12:07.400
<v Speaker 4>I think when I if I had watched this at

0:12:07.440 --> 0:12:10.120
<v Speaker 4>sitting on there, you know, the floor of their family room,

0:12:10.160 --> 0:12:13.840
<v Speaker 4>I probably would have been cracking up because I loved

0:12:13.920 --> 0:12:16.000
<v Speaker 4>that when I was little, that kind of acting was

0:12:16.160 --> 0:12:19.600
<v Speaker 4>so funny to me. Just yeah, And then my grandparents

0:12:19.600 --> 0:12:21.360
<v Speaker 4>would crack up because they loved when I did my

0:12:21.440 --> 0:12:22.440
<v Speaker 4>belly giggle.

0:12:22.280 --> 0:12:23.800
<v Speaker 2>Like that kind of stuff was really fun of me.

0:12:24.200 --> 0:12:25.200
<v Speaker 5>That's what. So I agree.

0:12:25.240 --> 0:12:27.240
<v Speaker 2>But the trumpet plane, it's they just got me right

0:12:27.280 --> 0:12:27.960
<v Speaker 2>into that life.

0:12:28.679 --> 0:12:29.280
<v Speaker 3>Damn you for.

0:12:31.120 --> 0:12:31.400
<v Speaker 5>Nice.

0:12:31.640 --> 0:12:34.920
<v Speaker 1>This movie was directed by Bruce Bilson, a high profile

0:12:34.920 --> 0:12:37.640
<v Speaker 1>TV director from the sixties and the seventies, working heavily

0:12:37.679 --> 0:12:40.360
<v Speaker 1>on Oh and now I'm I'm going to say, folks,

0:12:40.520 --> 0:12:45.040
<v Speaker 1>some television shows and stuff with our actors, directors, everything

0:12:45.160 --> 0:12:47.480
<v Speaker 1>we're doing here that we really need to get into

0:12:47.559 --> 0:12:49.480
<v Speaker 1>because it is some of my favorite things of all times,

0:12:49.520 --> 0:12:52.600
<v Speaker 1>so working heavily on Get Smart, which you want an Emmy,

0:12:52.600 --> 0:12:56.320
<v Speaker 1>four Hogan's Heroes, The Odd Couple and Mash my favorite

0:12:56.320 --> 0:12:58.840
<v Speaker 1>show of all time. And a fun fact about Bilson

0:12:59.240 --> 0:13:03.319
<v Speaker 1>Slash as hr Nightmare. Just months after filming the Ghost

0:13:03.320 --> 0:13:06.719
<v Speaker 1>of Bucksley Hall, he would end up marrying actress Renee Jarrett,

0:13:06.880 --> 0:13:10.320
<v Speaker 1>who played Miss Emily Wakefield and then only acted maybe

0:13:10.320 --> 0:13:13.000
<v Speaker 1>one or two more times after this and they are

0:13:13.120 --> 0:13:17.720
<v Speaker 1>still married to Wow since nineteen eighty If you do

0:13:17.760 --> 0:13:21.679
<v Speaker 1>the math, that's almost twenty years ago in my head.

0:13:21.720 --> 0:13:22.040
<v Speaker 3>Anyway.

0:13:22.200 --> 0:13:26.640
<v Speaker 1>Movie stars Dick O'Neil as General. It's supposed to sound

0:13:26.679 --> 0:13:30.720
<v Speaker 1>like Ulysses, but it's Ulis d Bucksley. O'Neill is best

0:13:30.760 --> 0:13:33.360
<v Speaker 1>known for his roles in the original Taking a Pelm, one, two, three,

0:13:33.400 --> 0:13:36.920
<v Speaker 1>and The Jerk, but was also a massive veteran of TV,

0:13:37.240 --> 0:13:41.880
<v Speaker 1>appearing on everything from Three's Company to Mash two, Boy

0:13:41.880 --> 0:13:45.880
<v Speaker 1>Meets World, Yes, Wow, Alan and Eric by Alan, Eric

0:13:45.880 --> 0:13:48.600
<v Speaker 1>and Amy really by the Wilderness store Front. Then you

0:13:48.640 --> 0:13:51.360
<v Speaker 1>got Victor French played Sergeant Major Chester b.

0:13:51.520 --> 0:13:51.880
<v Speaker 3>Sweet.

0:13:52.200 --> 0:13:54.720
<v Speaker 1>French was the star of Highway to Heaven, Little House

0:13:54.720 --> 0:13:57.800
<v Speaker 1>on the Prairie where he played Isaiah Edwards. They were

0:13:57.840 --> 0:14:00.960
<v Speaker 1>both totally iconic roles and amazing television shows, but he

0:14:01.000 --> 0:14:04.800
<v Speaker 1>appeared in so much more, including Gun Smoke, Bonanza, and Tarzan.

0:14:04.920 --> 0:14:06.840
<v Speaker 1>This is one of the reasons why I love doing

0:14:06.880 --> 0:14:09.679
<v Speaker 1>older movies because these actors were in some of the

0:14:09.720 --> 0:14:12.960
<v Speaker 1>most influential television movies of all time.

0:14:13.760 --> 0:14:14.240
<v Speaker 5>So cool.

0:14:14.720 --> 0:14:19.560
<v Speaker 1>Louise Latham, another huge just banger, played Bettina Bucksley, and

0:14:19.600 --> 0:14:22.480
<v Speaker 1>she was seen in classic movies like Alfred Hitchcock's Marnie,

0:14:22.640 --> 0:14:25.880
<v Speaker 1>The Philadelphia Experiment, and basically every TV show over the era,

0:14:26.280 --> 0:14:30.400
<v Speaker 1>including The Waltons and The Six Million Dollar Man. My brother,

0:14:30.480 --> 0:14:32.960
<v Speaker 1>by the way, little off story, until he was nine

0:14:33.000 --> 0:14:35.720
<v Speaker 1>years old, didn't ever run without going no no no

0:14:35.720 --> 0:14:37.280
<v Speaker 1>no no no no no no no no no no

0:14:37.280 --> 0:14:38.240
<v Speaker 1>no no no no, no no no.

0:14:38.480 --> 0:14:40.240
<v Speaker 3>Which is how The Six Million Dollar Man ran.

0:14:40.320 --> 0:14:42.600
<v Speaker 1>So he would literally run in slow motion while doing

0:14:42.640 --> 0:14:44.560
<v Speaker 1>the own sound effects for himself until he was like.

0:14:44.720 --> 0:14:48.240
<v Speaker 2>No, that is the cutest thing I have ever.

0:14:48.480 --> 0:14:50.240
<v Speaker 3>Until you're in a race, and then it's awful.

0:14:50.880 --> 0:14:52.920
<v Speaker 1>The three of them played the ghosts of the movie

0:14:52.920 --> 0:14:56.400
<v Speaker 1>and were all established amazing workers in Hollywood at the time.

0:14:56.480 --> 0:14:59.120
<v Speaker 1>Then we've got Monty Markham, who plays Colonel Joe Bucksley,

0:14:59.440 --> 0:15:02.400
<v Speaker 1>also a big TV mainstay on things like Dallas, The

0:15:02.480 --> 0:15:05.760
<v Speaker 1>Love Boat, Fantasy Island, and so many more. But most importantly,

0:15:05.760 --> 0:15:08.840
<v Speaker 1>he would appear on over forty episodes of Baywatch as

0:15:08.960 --> 0:15:10.520
<v Speaker 1>Captain Don Thorpe.

0:15:11.160 --> 0:15:12.760
<v Speaker 3>They've just been in all the greatest stuff ever.

0:15:13.400 --> 0:15:15.000
<v Speaker 2>Baywatch a classic for you.

0:15:15.120 --> 0:15:17.400
<v Speaker 3>It is, well, you know the funny thing.

0:15:17.640 --> 0:15:21.680
<v Speaker 1>So we just had Kelly Packard on Podmets World and

0:15:22.160 --> 0:15:24.560
<v Speaker 1>I told her I've known her for years. I've never

0:15:24.680 --> 0:15:27.400
<v Speaker 1>seen a single episode of Baywatch in my entire life.

0:15:27.800 --> 0:15:28.080
<v Speaker 5>Wow.

0:15:28.480 --> 0:15:30.600
<v Speaker 3>I never seen a single episode of Baywatch. Isn't that true?

0:15:30.680 --> 0:15:31.080
<v Speaker 2>Wow?

0:15:31.240 --> 0:15:32.520
<v Speaker 3>Well, I know never.

0:15:33.000 --> 0:15:37.320
<v Speaker 1>Vito Scotti played the ridiculous Count Sergio Luceesi di Gonzini,

0:15:38.160 --> 0:15:40.520
<v Speaker 1>And this guy was in so much great stuff.

0:15:40.800 --> 0:15:44.120
<v Speaker 3>He played Nazarene and The Godfather, big kind of film.

0:15:44.160 --> 0:15:44.480
<v Speaker 2>Wow.

0:15:44.520 --> 0:15:47.320
<v Speaker 1>And he was one of the voices in Disney's The Aristocrats.

0:15:47.640 --> 0:15:48.160
<v Speaker 2>So cool.

0:15:49.120 --> 0:15:50.960
<v Speaker 1>There's also a bunch of child actors that went on

0:15:50.960 --> 0:15:52.560
<v Speaker 1>to do other things. We'll talk about them a little

0:15:52.600 --> 0:15:54.840
<v Speaker 1>bit later. Because the kids didn't play as big a

0:15:54.920 --> 0:15:56.320
<v Speaker 1>role in this as I thought they were going to.

0:15:56.400 --> 0:15:58.200
<v Speaker 1>For a Disney movie They kind of came and went,

0:15:58.240 --> 0:16:01.760
<v Speaker 1>but here we go. The mo movie, when set as

0:16:01.920 --> 0:16:04.200
<v Speaker 1>just one part instead of the two parts Broken Up,

0:16:04.360 --> 0:16:08.960
<v Speaker 1>is ninety two minutes too off from the celebrated Bullseye.

0:16:09.080 --> 0:16:12.160
<v Speaker 1>It was written by cy Gomberg, who was an outspooken

0:16:12.200 --> 0:16:16.840
<v Speaker 1>activist against quote gratuitous and unpunished violence unquote in movies

0:16:16.880 --> 0:16:17.200
<v Speaker 1>and TV.

0:16:17.800 --> 0:16:19.520
<v Speaker 3>Sounds like he'd be fun to hang with that parties.

0:16:19.680 --> 0:16:22.600
<v Speaker 1>He also won the nineteen fifty one OSCAR for Best

0:16:22.600 --> 0:16:25.640
<v Speaker 1>Story with When Willie Comes Marching Home, and again that

0:16:25.680 --> 0:16:28.480
<v Speaker 1>same year he was nominated for Best Screenplay with Summerstock,

0:16:28.800 --> 0:16:32.920
<v Speaker 1>starring Judy Garland and Gene Kelly Man. He left us

0:16:33.000 --> 0:16:34.600
<v Speaker 1>in two thousand and one, but I'm sure he will

0:16:34.640 --> 0:16:36.920
<v Speaker 1>be rolling over in his grave as I also mentioned

0:16:36.920 --> 0:16:40.840
<v Speaker 1>that he wrote an episode of Small Wonder, which, next

0:16:40.920 --> 0:16:44.280
<v Speaker 1>to Mama's Family, might be the worst sitcom of all time.

0:16:45.680 --> 0:16:48.160
<v Speaker 3>Oh that was a tough one to get through, and

0:16:48.200 --> 0:16:49.960
<v Speaker 3>he shared the credit with Rick Middleman.

0:16:50.640 --> 0:16:53.000
<v Speaker 1>Like most people involved in this movie, Middleman was a

0:16:53.040 --> 0:16:57.360
<v Speaker 1>TV veteran with scripts on Mash, Karen mcgever and Welcome

0:16:57.400 --> 0:17:00.560
<v Speaker 1>Back Codter, Welcome Back, Miss got it?

0:17:01.000 --> 0:17:03.080
<v Speaker 3>Okay, did you get any of what I just said, Srina.

0:17:03.080 --> 0:17:04.639
<v Speaker 3>You didn't get any of those references, did.

0:17:04.520 --> 0:17:05.639
<v Speaker 2>You, mister Carter?

0:17:05.800 --> 0:17:07.440
<v Speaker 3>Yes, you watched Welcome Back Carter?

0:17:07.800 --> 0:17:10.040
<v Speaker 2>I did. I watched NICKD Night a lot when I

0:17:10.080 --> 0:17:10.360
<v Speaker 2>was young.

0:17:10.400 --> 0:17:12.359
<v Speaker 3>Okay, our good, I'd love to hear it. Yeah, So

0:17:13.160 --> 0:17:14.879
<v Speaker 3>now I know. I tried my hardest to give this

0:17:14.920 --> 0:17:15.720
<v Speaker 3>movie a synopsis.

0:17:15.720 --> 0:17:19.159
<v Speaker 1>But also there are a ton of storylines going on

0:17:19.240 --> 0:17:19.760
<v Speaker 1>at one time.

0:17:20.000 --> 0:17:22.560
<v Speaker 3>God, was this movie easy to follo over you?

0:17:22.600 --> 0:17:26.280
<v Speaker 4>No, I'm telling you, this movie took me seven hundred

0:17:26.440 --> 0:17:30.000
<v Speaker 4>hours to watch Will because there.

0:17:29.960 --> 0:17:33.160
<v Speaker 2>Was just so it just kind of it almost over.

0:17:33.359 --> 0:17:36.119
<v Speaker 3>Like did you stop and start and stop and starts.

0:17:36.160 --> 0:17:38.879
<v Speaker 4>I had to or kind of go wait and like

0:17:39.000 --> 0:17:42.520
<v Speaker 4>went back because I felt like I missed something, because

0:17:42.560 --> 0:17:44.119
<v Speaker 4>how come how did we not finish.

0:17:43.960 --> 0:17:46.200
<v Speaker 2>That conversation exactly? You know what I mean.

0:17:46.560 --> 0:17:48.919
<v Speaker 4>It was just like it took me so long, and

0:17:48.960 --> 0:17:51.359
<v Speaker 4>then I was like overstimulated at some point, so I

0:17:51.400 --> 0:17:54.000
<v Speaker 4>had to go back. I just was, you know, and

0:17:54.040 --> 0:17:56.800
<v Speaker 4>then I started it again the next day. It just

0:17:56.880 --> 0:17:58.800
<v Speaker 4>kind of it took me a long time to get

0:17:58.840 --> 0:18:03.000
<v Speaker 4>through this. And then the second time I definitely did

0:18:03.040 --> 0:18:05.600
<v Speaker 4>a quick skimming of you know, got it, got it,

0:18:05.600 --> 0:18:06.640
<v Speaker 4>got it, got it type of thing.

0:18:06.760 --> 0:18:08.960
<v Speaker 1>I'm going to admit to you it took me. I

0:18:09.240 --> 0:18:12.360
<v Speaker 1>did it in piecemeal as well. Yeah, and I only

0:18:12.400 --> 0:18:16.000
<v Speaker 1>watched it once.

0:18:16.119 --> 0:18:18.320
<v Speaker 4>Well, I was just trying to get as many like

0:18:18.440 --> 0:18:21.760
<v Speaker 4>Sabrina seas that weren't just like kind of dumb, you know.

0:18:22.119 --> 0:18:26.360
<v Speaker 2>And I really did probably still didn't about it because.

0:18:26.119 --> 0:18:28.960
<v Speaker 4>It was it was rough, Okay, I like I tell

0:18:29.040 --> 0:18:31.639
<v Speaker 4>you, I don't disagree. It takes me a lot to not

0:18:31.880 --> 0:18:33.800
<v Speaker 4>text people when I'm irritated with them.

0:18:33.800 --> 0:18:36.640
<v Speaker 2>And I really held back for like an entire week.

0:18:36.720 --> 0:18:42.879
<v Speaker 2>Here will just kidding, who is it irritated? I so wish.

0:18:43.080 --> 0:18:45.960
<v Speaker 4>I mean, this is what happens when you literally pick

0:18:46.040 --> 0:18:46.760
<v Speaker 4>from a poster.

0:18:47.080 --> 0:18:47.280
<v Speaker 1>I know.

0:18:47.760 --> 0:18:47.960
<v Speaker 3>Well.

0:18:48.040 --> 0:18:49.480
<v Speaker 1>I also, for the record, I don't know if this

0:18:49.560 --> 0:18:51.600
<v Speaker 1>is this is a side tangent, but I've been told

0:18:51.600 --> 0:18:53.439
<v Speaker 1>that from from now on, I will be picking all

0:18:53.480 --> 0:18:53.879
<v Speaker 1>the films.

0:18:53.920 --> 0:18:58.639
<v Speaker 2>I disagree. I disagree.

0:18:59.320 --> 0:18:59.880
<v Speaker 3>Oh it's so fun.

0:19:00.160 --> 0:19:01.879
<v Speaker 1>So does the idea that the film is now the

0:19:01.880 --> 0:19:04.639
<v Speaker 1>color of dull crayon and everyone involved in it was

0:19:04.680 --> 0:19:07.080
<v Speaker 1>famous from shows that even gen xer is barely remembered.

0:19:07.080 --> 0:19:08.640
<v Speaker 3>Did that make it a tough watch for you? Yes?

0:19:08.920 --> 0:19:10.439
<v Speaker 3>Did it make it kind of a tough watch for me.

0:19:10.800 --> 0:19:23.520
<v Speaker 1>Yeah, but folks, let's buckle up, Harry jeez. We open

0:19:23.600 --> 0:19:26.800
<v Speaker 1>outside of Bucksley Military Academy and the sign reads established

0:19:26.840 --> 0:19:29.760
<v Speaker 1>eighteen seventy six by General Bucksley. And then we hear

0:19:29.800 --> 0:19:32.560
<v Speaker 1>the sound you'll get very, very used to Sabrina's favorite sound,

0:19:33.320 --> 0:19:37.520
<v Speaker 1>terrible bugle playing a meager group of military school students,

0:19:37.520 --> 0:19:38.960
<v Speaker 1>and there are they're like fifteen of them, but they're

0:19:38.960 --> 0:19:39.399
<v Speaker 1>supposed to be.

0:19:39.440 --> 0:19:41.200
<v Speaker 3>It's not a budget thing. They're supposed to be.

0:19:41.280 --> 0:19:44.159
<v Speaker 1>The school on a downslide watches the American flag as

0:19:44.160 --> 0:19:47.119
<v Speaker 1>it's raised. Then the Colonel, a Bucksley descendant, watches on.

0:19:47.480 --> 0:19:49.800
<v Speaker 1>He's accompanied by the manager of a local bank and

0:19:49.840 --> 0:19:52.880
<v Speaker 1>it's loan officer. They don't seem happy about the attendance

0:19:53.000 --> 0:19:56.280
<v Speaker 1>or financial state of the institution. The students leave for

0:19:56.359 --> 0:19:58.639
<v Speaker 1>class just as a school bus pulls in. It reads

0:19:58.680 --> 0:19:59.960
<v Speaker 1>Wakefield School for Girls.

0:20:00.119 --> 0:20:00.720
<v Speaker 3>On the side.

0:20:01.000 --> 0:20:03.560
<v Speaker 1>We also see that the janitor is changing the front sign.

0:20:03.640 --> 0:20:05.560
<v Speaker 1>It's becoming the Bucksley Academy for.

0:20:05.560 --> 0:20:06.640
<v Speaker 3>Boys and Girls.

0:20:07.560 --> 0:20:10.240
<v Speaker 1>And they didn't even think about adding the Wakefield's name,

0:20:10.320 --> 0:20:12.320
<v Speaker 1>but we will get to that later. It's because she's

0:20:12.359 --> 0:20:14.720
<v Speaker 1>a woman and women suck that seems to be an

0:20:14.760 --> 0:20:17.480
<v Speaker 1>ongoing thing in the film. So there's going to be

0:20:17.520 --> 0:20:19.760
<v Speaker 1>a merger between these two schools to help the Academy's

0:20:19.800 --> 0:20:23.040
<v Speaker 1>financial troubles, and that's the reason that the big brass

0:20:23.119 --> 0:20:26.280
<v Speaker 1>bankers are there in the first place. But the giggly

0:20:26.359 --> 0:20:29.120
<v Speaker 1>nature of these new girls and their principle, the confident

0:20:29.119 --> 0:20:32.479
<v Speaker 1>and bouncy Miss Wakefield, have a totally opposite vibe. Then

0:20:32.520 --> 0:20:36.639
<v Speaker 1>the armed boys of Bucksley, Miss Wakefield and Colonel Bucksley

0:20:36.680 --> 0:20:39.719
<v Speaker 1>start to bump heads almost immediately, but all the teens

0:20:39.800 --> 0:20:42.760
<v Speaker 1>are noticeably stoked because you know, boys and girls, and

0:20:42.800 --> 0:20:44.640
<v Speaker 1>they're all going through puberty, and it's a whole new

0:20:44.640 --> 0:20:47.600
<v Speaker 1>situation which is going to lead to Shenanigan's goings on

0:20:48.000 --> 0:20:48.760
<v Speaker 1>and trouble.

0:20:49.680 --> 0:20:52.199
<v Speaker 3>The bankers have doubts about this merger helping anyone.

0:20:52.240 --> 0:20:55.240
<v Speaker 1>Both schools are in financial trouble, but Buxley and Miss

0:20:55.280 --> 0:20:57.480
<v Speaker 1>Wakefield think now that the school is going co ed,

0:20:57.760 --> 0:21:00.399
<v Speaker 1>it'll see a spike in enrollment. And so how the

0:21:00.440 --> 0:21:02.639
<v Speaker 1>president of the bank agrees, and he recommends a lone

0:21:02.640 --> 0:21:06.120
<v Speaker 1>extension of six months. But what seems like a charitable

0:21:06.160 --> 0:21:08.440
<v Speaker 1>gesture is really just giving the building enough time to

0:21:08.480 --> 0:21:10.959
<v Speaker 1>get on its feet and even fetch more money when

0:21:11.000 --> 0:21:12.760
<v Speaker 1>they dump it for profit. This was one of the

0:21:12.760 --> 0:21:16.480
<v Speaker 1>first times where I went, Okay, wait, they're merging the

0:21:16.600 --> 0:21:21.560
<v Speaker 1>schools together. That's great, But why isn't it then a

0:21:21.600 --> 0:21:24.960
<v Speaker 1>military school for boys and girls or a non military

0:21:24.960 --> 0:21:26.159
<v Speaker 1>school for boys and girls.

0:21:27.160 --> 0:21:30.080
<v Speaker 3>Why is it that it's a.

0:21:30.200 --> 0:21:34.360
<v Speaker 1>Regular school for the girls but still a military school

0:21:34.520 --> 0:21:35.800
<v Speaker 1>for the boys.

0:21:36.200 --> 0:21:40.040
<v Speaker 4>When I watched it the second time, it's an obvious.

0:21:40.320 --> 0:21:44.080
<v Speaker 4>It's very much a situation of they just did it

0:21:44.240 --> 0:21:45.080
<v Speaker 4>and thought.

0:21:44.960 --> 0:21:48.400
<v Speaker 2>We would work out the kinks as we go.

0:21:48.920 --> 0:21:54.320
<v Speaker 4>Yeah, there was no actual clear direction or anything settled on.

0:21:54.520 --> 0:21:57.600
<v Speaker 4>It was literally just bring the girls to the dormitory

0:21:58.080 --> 0:22:03.000
<v Speaker 4>and the school and we'll just go from there. Yeah,

0:22:03.240 --> 0:22:06.720
<v Speaker 4>it's just it's instantly like, of course, there's gonna be chaos.

0:22:06.760 --> 0:22:08.720
<v Speaker 2>You guys don't know what the hell is going on.

0:22:09.160 --> 0:22:10.160
<v Speaker 3>Also, the bankers.

0:22:10.160 --> 0:22:12.760
<v Speaker 2>They set the bankers up as being bad as the villains.

0:22:12.920 --> 0:22:15.280
<v Speaker 4>You think this is where we're meeting the villains, and

0:22:15.320 --> 0:22:16.960
<v Speaker 4>then we don't see them till the very end of

0:22:17.000 --> 0:22:17.320
<v Speaker 4>the movie.

0:22:17.400 --> 0:22:19.040
<v Speaker 3>Yeah, and they're kind of good.

0:22:19.400 --> 0:22:23.200
<v Speaker 4>The one the guy that suggests about making a bigger profit,

0:22:23.880 --> 0:22:26.520
<v Speaker 4>completely goes away and then comes back and he doesn't

0:22:26.560 --> 0:22:28.280
<v Speaker 4>seem like a bad guy at all.

0:22:28.400 --> 0:22:31.239
<v Speaker 3>Right, It's like, yeah, so okay, it's a little jar.

0:22:31.400 --> 0:22:35.840
<v Speaker 4>It's already getting very foggy, Yeah, very strang we're and

0:22:35.880 --> 0:22:36.760
<v Speaker 4>we're two and a half.

0:22:36.680 --> 0:22:39.879
<v Speaker 1>Minutes in, so right, wonder already lost lost the plot.

0:22:40.000 --> 0:22:42.639
<v Speaker 1>We're about ninety seconds in we are back at the

0:22:42.640 --> 0:22:45.640
<v Speaker 1>Bucksley Academy. We get our first Disney drinking scene as

0:22:45.640 --> 0:22:48.280
<v Speaker 1>the custodian from earlier finds his wine or whiskey whatever

0:22:48.320 --> 0:22:50.040
<v Speaker 1>it is, stashed in the study and takes a big

0:22:50.040 --> 0:22:52.680
<v Speaker 1>old swig of it in front of two very realistic

0:22:52.720 --> 0:22:56.560
<v Speaker 1>portraits of the school's founding fathers. So we've now seen

0:22:56.600 --> 0:22:58.439
<v Speaker 1>some drinking and dcoms, and I have to say it

0:22:58.520 --> 0:23:00.000
<v Speaker 1>still shocks me every time we see it.

0:23:00.280 --> 0:23:04.960
<v Speaker 4>Yes, yes, this was by far the biggest drinking situation.

0:23:05.760 --> 0:23:07.160
<v Speaker 3>But bo, he's a raging alcoholic.

0:23:07.640 --> 0:23:13.320
<v Speaker 4>He's a alcoholic and just drunk and the like the

0:23:13.359 --> 0:23:15.800
<v Speaker 4>president of the schools, everyone knows about it.

0:23:15.880 --> 0:23:17.000
<v Speaker 2>I mean, it's not a secret.

0:23:17.480 --> 0:23:19.480
<v Speaker 4>You don't even know why he even bothers putting it

0:23:19.520 --> 0:23:21.720
<v Speaker 4>in the trophy, because you might as well just have

0:23:21.760 --> 0:23:23.680
<v Speaker 4>it right there on his workstation bench.

0:23:23.760 --> 0:23:26.440
<v Speaker 3>Openly drink, yes at this point.

0:23:26.680 --> 0:23:30.720
<v Speaker 4>But again, back then that was a funny thing. It

0:23:30.880 --> 0:23:33.960
<v Speaker 4>wasn't a serious thing like it's looked at now at all.

0:23:34.200 --> 0:23:36.159
<v Speaker 2>You know, it's a funny thing. It made somebody a

0:23:36.200 --> 0:23:37.360
<v Speaker 2>funny character.

0:23:37.280 --> 0:23:39.600
<v Speaker 3>Yeah, as opposed to horribly horribly ill.

0:23:40.520 --> 0:23:40.639
<v Speaker 7>Right.

0:23:40.760 --> 0:23:43.720
<v Speaker 1>So, the painted pioneers we see in these these wonderful

0:23:43.760 --> 0:23:46.840
<v Speaker 1>portraits are the great great grandfather and grandmother are the

0:23:46.880 --> 0:23:51.080
<v Speaker 1>current headmaster Buxley and his sergeant, Major Sweet, which is

0:23:51.119 --> 0:23:53.760
<v Speaker 1>a great name for a candy stort. Just as the

0:23:53.880 --> 0:23:56.879
<v Speaker 1>now drunk custodian leaves, the portraits come to life.

0:23:56.920 --> 0:23:58.200
<v Speaker 3>Boom, they jump out of the painting.

0:23:58.240 --> 0:24:00.840
<v Speaker 1>They have a real Vigo Ghostbusters two things going on,

0:24:01.000 --> 0:24:03.840
<v Speaker 1>Oh but thy wood. The men start complaining about girls

0:24:03.920 --> 0:24:06.480
<v Speaker 1>joining the academy because their deathbed promise was to keep

0:24:06.520 --> 0:24:09.920
<v Speaker 1>the school as it was forever, which is of course

0:24:10.080 --> 0:24:14.680
<v Speaker 1>a big old sausage party. The great grandmother, Betina Bucksley,

0:24:14.720 --> 0:24:16.840
<v Speaker 1>seems interested in women's rights, but the men could care

0:24:16.920 --> 0:24:19.120
<v Speaker 1>less about our opinion. And in the process of sexism,

0:24:19.160 --> 0:24:21.439
<v Speaker 1>we learned that the ghosts can't be seen or heard

0:24:21.520 --> 0:24:26.000
<v Speaker 1>by any living humans unless they will it. Keep that

0:24:26.080 --> 0:24:28.160
<v Speaker 1>in mind, because it's going to get confusing and yet

0:24:28.200 --> 0:24:31.280
<v Speaker 1>come back in the future. So the painting ghosts freely

0:24:31.280 --> 0:24:33.760
<v Speaker 1>walk the halls, impressed by the indoor plumbing because this

0:24:33.840 --> 0:24:36.840
<v Speaker 1>is the first time ever out of the paintings.

0:24:37.400 --> 0:24:40.480
<v Speaker 2>There was so I guess that's what I mean.

0:24:40.520 --> 0:24:45.200
<v Speaker 4>I guess they've never been out of the paintings, which

0:24:45.240 --> 0:24:49.720
<v Speaker 4>they've been there for so long. There's a h already

0:24:49.760 --> 0:24:55.360
<v Speaker 4>sort of a dynamic between the janitor and the sergeant.

0:24:54.960 --> 0:24:59.919
<v Speaker 2>Right right, but they but yeah, I don't know.

0:25:00.080 --> 0:25:02.840
<v Speaker 4>I get I was confused too, because there's another part

0:25:02.840 --> 0:25:04.679
<v Speaker 4>where he goes and looks at a gun when he

0:25:04.720 --> 0:25:06.400
<v Speaker 4>picks up when he gets the gun, and he's.

0:25:06.200 --> 0:25:07.040
<v Speaker 3>Like, oh, what's this?

0:25:07.200 --> 0:25:11.480
<v Speaker 1>What's wait a minute a lot.

0:25:11.640 --> 0:25:13.040
<v Speaker 2>Yeah, it was kind of strange.

0:25:13.280 --> 0:25:15.320
<v Speaker 3>It didn't make any sense, didn't make sense.

0:25:15.359 --> 0:25:17.600
<v Speaker 1>And it's like they've been they could leave whenever they

0:25:17.640 --> 0:25:19.640
<v Speaker 1>want to, but they'd never walk the halls of their

0:25:19.680 --> 0:25:20.440
<v Speaker 1>own institution.

0:25:20.680 --> 0:25:23.040
<v Speaker 3>I didn't understand.

0:25:22.600 --> 0:25:24.760
<v Speaker 1>What was going on. So, yeah, why would they have

0:25:24.760 --> 0:25:27.520
<v Speaker 1>never popped out in a hundred years? Yea, And our

0:25:27.560 --> 0:25:30.000
<v Speaker 1>girls entering the academy must be so big that they

0:25:30.160 --> 0:25:31.359
<v Speaker 1>have to leave their paint.

0:25:33.200 --> 0:25:33.840
<v Speaker 5>Believe it or not.

0:25:34.040 --> 0:25:36.280
<v Speaker 3>It started to not really make sense at this point.

0:25:36.760 --> 0:25:39.320
<v Speaker 3>They had me until here and also.

0:25:39.480 --> 0:25:42.360
<v Speaker 2>For four minutes, right, But it's good for you.

0:25:43.720 --> 0:25:46.359
<v Speaker 1>They don't know the rules of anything, so the people

0:25:46.359 --> 0:25:49.159
<v Speaker 1>can see the ghost actions, like they'll see an invisible

0:25:49.200 --> 0:25:51.680
<v Speaker 1>person drinking from the water fountain, like they'll see the

0:25:51.680 --> 0:25:53.879
<v Speaker 1>water fountain or just the gun floating like you said.

0:25:54.400 --> 0:25:56.800
<v Speaker 1>But the rules are totally arbitrary. They just kind of

0:25:57.200 --> 0:26:00.240
<v Speaker 1>it's whatever they need whenever it is. And yeah, I

0:26:00.280 --> 0:26:02.920
<v Speaker 1>would they know when how would anyone know if they've

0:26:02.960 --> 0:26:03.680
<v Speaker 1>left the paintings.

0:26:03.680 --> 0:26:04.920
<v Speaker 3>But if they didn't, then.

0:26:04.760 --> 0:26:08.359
<v Speaker 4>What Sometimes Yeah, sometimes it doesn't make it. It doesn't

0:26:08.359 --> 0:26:10.159
<v Speaker 4>seem like it matters for them to get back to

0:26:10.200 --> 0:26:14.359
<v Speaker 4>the painting, right because you would think with how often

0:26:14.400 --> 0:26:16.639
<v Speaker 4>they're out of the painting throughout this movie, that they

0:26:16.640 --> 0:26:19.040
<v Speaker 4>would that would have been noticed more than just the

0:26:19.080 --> 0:26:20.719
<v Speaker 4>one time that the janitor sees it.

0:26:21.200 --> 0:26:23.840
<v Speaker 3>Yeah, it's it's strange. I I don't know what's going on.

0:26:23.880 --> 0:26:26.159
<v Speaker 1>But this is why, Sabrina, why I'm never gonna let

0:26:26.160 --> 0:26:27.960
<v Speaker 1>you just pick a movie for us based on a poster.

0:26:28.000 --> 0:26:31.640
<v Speaker 3>Again, so strange that you picked this one. It's fine.

0:26:32.000 --> 0:26:34.800
<v Speaker 2>By this time, I've rewound it four times to try to.

0:26:35.240 --> 0:26:37.639
<v Speaker 3>Hell's going on either way.

0:26:38.040 --> 0:26:41.119
<v Speaker 1>The mostly tipsy janitor who only sees things floating in

0:26:41.200 --> 0:26:44.239
<v Speaker 1>the air and such, and he's constantly running away when

0:26:44.280 --> 0:26:48.000
<v Speaker 1>you sees something it's it's an actually does fifty thousand

0:26:48.080 --> 0:26:49.560
<v Speaker 1>times in this movie. I'm not even gonna tell you

0:26:49.600 --> 0:26:52.119
<v Speaker 1>how many times he does it, but it talk about

0:26:52.119 --> 0:26:53.160
<v Speaker 1>cartoony performances.

0:26:53.400 --> 0:26:57.280
<v Speaker 3>At one point he literally goes full scooby doo. Yeah,

0:26:57.359 --> 0:27:04.560
<v Speaker 3>really it is straight up. The only thing missing was

0:27:04.560 --> 0:27:05.080
<v Speaker 3>pulling the.

0:27:05.000 --> 0:27:07.440
<v Speaker 1>Mask off somebody and going old man cheevers Ooh, I

0:27:07.440 --> 0:27:08.960
<v Speaker 1>would have gotten away with it if worn for you

0:27:09.000 --> 0:27:13.760
<v Speaker 1>meddling kids, I mean full scooby doo. Oh. So Miss

0:27:13.840 --> 0:27:17.040
<v Speaker 1>Wakefield and Colonel Bucksley continue to clash with the idea

0:27:17.040 --> 0:27:20.080
<v Speaker 1>of integrating women into the military school. He wants separate

0:27:20.080 --> 0:27:22.520
<v Speaker 1>but equal. She wants everything shared. But with the one

0:27:22.560 --> 0:27:24.960
<v Speaker 1>hundred years of history the school has, even the male

0:27:25.040 --> 0:27:28.800
<v Speaker 1>ghost agree to keep them women away. They have vaginas,

0:27:28.840 --> 0:27:33.720
<v Speaker 1>and vaginas are gross. Meanwhile, a new recruit has arrived,

0:27:33.800 --> 0:27:38.080
<v Speaker 1>the Air of Ross Industries, Jeremy, the six foot tall

0:27:38.200 --> 0:27:41.160
<v Speaker 1>kid compared to everybody else to the school. He's a big,

0:27:41.359 --> 0:27:43.800
<v Speaker 1>rich Nepo baby, and the school is dying to sign

0:27:43.880 --> 0:27:45.879
<v Speaker 1>him up. He's accompanied by his uncle George and his

0:27:45.920 --> 0:27:49.120
<v Speaker 1>aunt Ernestine, who is married to this big, over the top,

0:27:49.160 --> 0:27:53.520
<v Speaker 1>real quote unquote count from Italy named Sergio, who is

0:27:54.640 --> 0:27:57.080
<v Speaker 1>another It's like, yes, do CARTOONI.

0:27:57.040 --> 0:27:59.720
<v Speaker 2>Yeah, I know, as soon as he started talking as like,

0:27:59.720 --> 0:28:01.800
<v Speaker 2>oh man, will is gonna rip him?

0:28:02.080 --> 0:28:05.040
<v Speaker 3>Oh man? It's just so cartoony.

0:28:05.080 --> 0:28:09.119
<v Speaker 4>It's on a character level. I don't think I've ever

0:28:09.240 --> 0:28:10.960
<v Speaker 4>felt so bad.

0:28:10.840 --> 0:28:13.320
<v Speaker 2>For a character in one of the movies we've seen.

0:28:13.800 --> 0:28:19.160
<v Speaker 4>He every everyone disrespects this guy. He is the most

0:28:19.200 --> 0:28:22.480
<v Speaker 4>disrespected character we have ever had in our deeper ship. Yes,

0:28:22.960 --> 0:28:27.160
<v Speaker 4>it is so sad how much his wife doesn't care,

0:28:27.520 --> 0:28:29.600
<v Speaker 4>His wife's chauffeur doesn't give it.

0:28:31.160 --> 0:28:33.479
<v Speaker 2>Nobody cares about Sergio.

0:28:33.560 --> 0:28:33.720
<v Speaker 1>And.

0:28:35.440 --> 0:28:39.840
<v Speaker 3>Even the ghosts leave him alone. It's nerd. So it is.

0:28:40.120 --> 0:28:43.360
<v Speaker 1>While Jeremy's family chats with the colonel alone, Jeremy meets

0:28:43.480 --> 0:28:46.080
<v Speaker 1>Posey Taylor, a firecracker little girl in a feminist T

0:28:46.240 --> 0:28:48.600
<v Speaker 1>shirt who offers him gum who has a real Tatum

0:28:48.600 --> 0:28:52.320
<v Speaker 1>O'Neill vibe going on. Yes, And I actually googled her

0:28:52.400 --> 0:28:53.560
<v Speaker 1>because I was like, what's going on?

0:28:53.640 --> 0:28:54.520
<v Speaker 3>She's so Tatum O'Neil.

0:28:54.560 --> 0:28:56.880
<v Speaker 1>It turns out she actually took over Tatum O'Neill's role

0:28:57.360 --> 0:29:00.200
<v Speaker 1>in Bad News Bears from the movie. She did the

0:29:00.240 --> 0:29:03.200
<v Speaker 1>same role on the television show, so other people obviously

0:29:03.240 --> 0:29:07.120
<v Speaker 1>saw her as a little Tatum O'Neill as well. She's

0:29:07.160 --> 0:29:09.360
<v Speaker 1>a firegracker little girl in a feminist shirt who offers

0:29:09.400 --> 0:29:09.760
<v Speaker 1>him gum.

0:29:09.840 --> 0:29:10.800
<v Speaker 3>Jeremy admits he's.

0:29:10.640 --> 0:29:12.320
<v Speaker 1>Been kicked out of a ton of schools, and we

0:29:12.360 --> 0:29:15.479
<v Speaker 1>get the feeling that both his parents are dead. We

0:29:15.560 --> 0:29:19.240
<v Speaker 1>also meet the kiss Butt Cadet Captain Hubert Fletcher, an

0:29:19.240 --> 0:29:22.600
<v Speaker 1>overachieving student who already has problems with Posey and Ross.

0:29:23.360 --> 0:29:25.640
<v Speaker 1>Inside the meeting with the Ross family and Bucksley, Uncle

0:29:25.680 --> 0:29:28.360
<v Speaker 1>George wants him to enroll immediately. He loves the school,

0:29:28.600 --> 0:29:33.080
<v Speaker 1>but Aunt Ernestine and her perfume Jigglo seventh husband want

0:29:33.120 --> 0:29:35.120
<v Speaker 1>to take him back to their house. They are fighting

0:29:35.120 --> 0:29:37.560
<v Speaker 1>over legal guardianship, and we find out it's because Ernestine

0:29:37.560 --> 0:29:40.440
<v Speaker 1>are Italian. Dude just want the resulting ten million dollars

0:29:40.480 --> 0:29:42.480
<v Speaker 1>inheritance he's going to get. They want to control it,

0:29:42.800 --> 0:29:44.680
<v Speaker 1>and the back and forth is all in front of

0:29:44.720 --> 0:29:47.760
<v Speaker 1>the ghost great grandfather Bucksley, who they can't see he's

0:29:47.840 --> 0:29:50.520
<v Speaker 1>learning what he's up against. We talked a little bit

0:29:50.560 --> 0:29:53.040
<v Speaker 1>about Count Sergio, but what else did you think of him?

0:29:54.040 --> 0:29:56.360
<v Speaker 2>I mean, I thought he was so funny.

0:29:56.720 --> 0:30:01.840
<v Speaker 4>Obviously, again, him and the Janitor both took me into

0:30:01.960 --> 0:30:06.680
<v Speaker 4>that over the top comedies from the eighties that you

0:30:06.840 --> 0:30:09.880
<v Speaker 4>saw and that was really funny at the time.

0:30:10.040 --> 0:30:11.920
<v Speaker 2>You know now and.

0:30:11.920 --> 0:30:14.440
<v Speaker 3>You Atga Goga Ghosts, right.

0:30:14.360 --> 0:30:16.680
<v Speaker 4>It did not now obviously if you put it into

0:30:16.760 --> 0:30:19.320
<v Speaker 4>like a current movie, it would be too much, it

0:30:19.320 --> 0:30:22.800
<v Speaker 4>wouldn't be taken well. But back then it worked and

0:30:22.880 --> 0:30:25.200
<v Speaker 4>you just that was again, we have to do it

0:30:25.320 --> 0:30:27.680
<v Speaker 4>with so many of these movies, especially the older ones,

0:30:27.720 --> 0:30:32.640
<v Speaker 4>for me to remind myself kid kid comedy. And then

0:30:32.760 --> 0:30:35.600
<v Speaker 4>now it's like in the eighties, you know, you gotta

0:30:35.800 --> 0:30:38.200
<v Speaker 4>kind of put yourself when this movie was made.

0:30:38.520 --> 0:30:41.880
<v Speaker 1>So in the end, Jeremy decides, thanks to Posey, he

0:30:41.920 --> 0:30:44.320
<v Speaker 1>will stay at Bucksley, which is now infested with girls.

0:30:45.680 --> 0:30:50.720
<v Speaker 1>The count yells Mozzarella, as all Italian people do when they.

0:30:50.720 --> 0:30:54.240
<v Speaker 3>Leave a room, literally yells Mozzarella.

0:30:54.480 --> 0:30:56.959
<v Speaker 4>There's a there's a different one from a different character

0:30:57.000 --> 0:30:58.200
<v Speaker 4>that just randomly happens.

0:30:58.280 --> 0:31:00.360
<v Speaker 2>Later, I can't wait to say it's Sabrina sea because

0:31:00.360 --> 0:31:01.920
<v Speaker 2>it's just like, it's.

0:31:01.800 --> 0:31:03.600
<v Speaker 3>Like, what the hell is going on? There are a

0:31:03.640 --> 0:31:04.800
<v Speaker 3>lot of what the hell was that.

0:31:04.720 --> 0:31:08.640
<v Speaker 4>Moment hits just random line Mazarella.

0:31:09.680 --> 0:31:14.840
<v Speaker 1>See Mazla who says that Uncle George says, if Bucksley

0:31:14.920 --> 0:31:17.600
<v Speaker 1>can keep Jeremy in school, he promises a massive donation

0:31:17.680 --> 0:31:20.680
<v Speaker 1>that would cover their debt, an idea that thrills Colonel Bucksley.

0:31:20.880 --> 0:31:23.000
<v Speaker 1>This would mean they won't need to merge with Wakefield

0:31:23.080 --> 0:31:24.840
<v Speaker 1>to save the school, though it's too late to change

0:31:24.840 --> 0:31:27.920
<v Speaker 1>it now. However, he thinks the females will be so

0:31:28.040 --> 0:31:31.080
<v Speaker 1>exhausted following their new military schedule that they will drop

0:31:31.120 --> 0:31:33.120
<v Speaker 1>out by the end of the week because girls have

0:31:33.200 --> 0:31:37.800
<v Speaker 1>weak arms and the male painting ghosts love this idea.

0:31:37.920 --> 0:31:40.720
<v Speaker 1>They love the plan, especially after hearing that West Point

0:31:40.760 --> 0:31:44.560
<v Speaker 1>and Annapolis now let in women because again they hate women.

0:31:45.080 --> 0:31:47.760
<v Speaker 1>This is a big kind of theme through this, like

0:31:47.880 --> 0:31:50.360
<v Speaker 1>Girls Bad. I get what they were going for to

0:31:50.440 --> 0:31:53.000
<v Speaker 1>show how strong girls were, but it was a real

0:31:53.200 --> 0:31:53.960
<v Speaker 1>girl's bad.

0:31:53.840 --> 0:31:54.320
<v Speaker 3>Kind of movie.

0:31:54.480 --> 0:31:57.320
<v Speaker 1>Yeah, the ghost Sergeant Chester will make sure the new

0:31:57.320 --> 0:31:59.360
<v Speaker 1>cadets love the school, but they need to keep the

0:31:59.560 --> 0:32:02.040
<v Speaker 1>quote um quote haunting to a minimum in order to

0:32:02.120 --> 0:32:04.920
<v Speaker 1>keep the building's value up, because no one is going

0:32:05.000 --> 0:32:07.080
<v Speaker 1>to buy a haunted house, unless, of course, it's twenty

0:32:07.080 --> 0:32:10.440
<v Speaker 1>twenty four and true crime podcasts are hot and you

0:32:10.480 --> 0:32:12.360
<v Speaker 1>want to be in multiple murder house.

0:32:13.600 --> 0:32:14.000
<v Speaker 3>Yikes.

0:32:14.640 --> 0:32:18.160
<v Speaker 1>Back at school, there's a party and it's it seemed

0:32:18.200 --> 0:32:20.960
<v Speaker 1>to involve drinking in loud music. Did you think the

0:32:21.040 --> 0:32:22.840
<v Speaker 1>kids were drinking the same vibe?

0:32:23.360 --> 0:32:27.240
<v Speaker 2>Well, what are they doing? What's happening? I mean, are

0:32:27.280 --> 0:32:29.120
<v Speaker 2>we in the Can't Hardly Wait movie?

0:32:29.200 --> 0:32:29.600
<v Speaker 3>Right now?

0:32:29.760 --> 0:32:30.080
<v Speaker 2>What's that?

0:32:31.040 --> 0:32:33.800
<v Speaker 3>Yeah, it seemed like the little kids are boozing to me.

0:32:34.120 --> 0:32:35.080
<v Speaker 3>I'm sure they weren't.

0:32:35.480 --> 0:32:38.280
<v Speaker 1>No, but maybe you red Solo Cup hadn't caught on

0:32:38.400 --> 0:32:40.240
<v Speaker 1>as just meaning drinking back in the day.

0:32:40.320 --> 0:32:44.080
<v Speaker 5>But I will say sorry to cut in here. Yeah,

0:32:44.160 --> 0:32:46.840
<v Speaker 5>the janitor does say you guys can't drink that. What

0:32:46.920 --> 0:32:48.480
<v Speaker 5>else would he be referencing.

0:32:49.240 --> 0:32:52.200
<v Speaker 2>That's a good it's a great call. So they're drinking right, Yeah?

0:32:52.280 --> 0:32:52.520
<v Speaker 6>Soda?

0:32:52.600 --> 0:32:54.640
<v Speaker 5>I mean, you can't be drinking soda. It seems weird.

0:32:54.800 --> 0:32:56.480
<v Speaker 3>Yeah, I think all these kids are boozing.

0:32:56.840 --> 0:32:59.280
<v Speaker 5>The middles just wasted in the middle of the day.

0:32:59.520 --> 0:33:02.480
<v Speaker 2>In the middle the day, that isn't that where?

0:33:02.480 --> 0:33:02.600
<v Speaker 6>Well?

0:33:02.600 --> 0:33:03.680
<v Speaker 3>You know, Sabena in nineteen eighty.

0:33:03.720 --> 0:33:05.959
<v Speaker 1>The drinking age was sixteen, So I mean, you're not

0:33:06.000 --> 0:33:08.080
<v Speaker 1>that it's not that different from where it was.

0:33:08.280 --> 0:33:12.440
<v Speaker 5>So it was, it was well, not everywhere, not like Federally.

0:33:12.840 --> 0:33:14.600
<v Speaker 1>You know what, dude, I was trying to get her

0:33:14.680 --> 0:33:16.040
<v Speaker 1>and you just jumped in and saved it.

0:33:16.160 --> 0:33:18.680
<v Speaker 5>Don't worry. We still love the quiz to go.

0:33:19.080 --> 0:33:21.120
<v Speaker 3>I know I had her though I had her for

0:33:21.120 --> 0:33:21.840
<v Speaker 3>two seconds.

0:33:22.120 --> 0:33:24.480
<v Speaker 2>I know you are lying. I knew it.

0:33:24.800 --> 0:33:27.360
<v Speaker 5>I was saying. My problem with it is that it

0:33:27.400 --> 0:33:29.720
<v Speaker 5>was thirteen Federally exactly.

0:33:30.880 --> 0:33:36.480
<v Speaker 2>See these guys, but it seemed like they were drinking.

0:33:36.560 --> 0:33:45.200
<v Speaker 3>Yeah. Painting Ghost.

0:33:45.240 --> 0:33:48.520
<v Speaker 1>Grandma Betina is interested in what's going on in the school.

0:33:48.560 --> 0:33:51.719
<v Speaker 1>She's obviously intrigued by the girls and the invention of

0:33:51.800 --> 0:33:54.680
<v Speaker 1>the hair dryer, something that once again scares the janitor

0:33:54.720 --> 0:33:56.000
<v Speaker 1>when she comes in and picks it up and he

0:33:56.040 --> 0:33:58.760
<v Speaker 1>just sees a floating hair dryer. But weirdly here she

0:33:58.840 --> 0:34:00.720
<v Speaker 1>does it in front of all the girls, but none

0:34:00.800 --> 0:34:03.680
<v Speaker 1>of them notice it or say anything about them floating.

0:34:03.800 --> 0:34:07.200
<v Speaker 4>They don't even show them. After the shot they show

0:34:07.440 --> 0:34:11.040
<v Speaker 4>the hairdryer. The janitor sees it, he runs out end

0:34:11.080 --> 0:34:15.360
<v Speaker 4>of scene. That's again another thing. What are the girls

0:34:15.400 --> 0:34:17.799
<v Speaker 4>freaked out because that would have probably freaked out a

0:34:17.880 --> 0:34:20.440
<v Speaker 4>bunch of girls, right, I think, And girls get more

0:34:20.560 --> 0:34:21.239
<v Speaker 4>jittery than.

0:34:21.280 --> 0:34:23.520
<v Speaker 1>What would have freaked you out more though at that age,

0:34:24.080 --> 0:34:28.120
<v Speaker 1>floating hair dryer in the middle of the room, or

0:34:28.320 --> 0:34:32.200
<v Speaker 1>drunken old man janitor in the middle of your room without.

0:34:31.920 --> 0:34:38.359
<v Speaker 4>Knocking right, well, I imagine he again was kind of

0:34:39.280 --> 0:34:40.440
<v Speaker 4>everywhere all the time.

0:34:40.560 --> 0:34:42.560
<v Speaker 1>I know, but now you've got girls in the school, man,

0:34:42.560 --> 0:34:44.640
<v Speaker 1>you can't just be opening random doors anymore.

0:34:44.680 --> 0:34:45.839
<v Speaker 3>Bro, nobody cares out.

0:34:45.840 --> 0:34:48.080
<v Speaker 2>In the eighties, they feel like that was not a thing.

0:34:48.239 --> 0:34:49.200
<v Speaker 3>Probably No.

0:34:49.400 --> 0:34:51.879
<v Speaker 1>The janitor, by the way, whose name is Ben Ben,

0:34:52.000 --> 0:34:55.680
<v Speaker 1>he even goes and he sees the empty paintings since

0:34:55.719 --> 0:34:57.480
<v Speaker 1>the ghost you're out walking around the school, but he

0:34:57.480 --> 0:34:59.680
<v Speaker 1>can't prove it to anyone else in time. He's so

0:35:00.080 --> 0:35:03.239
<v Speaker 1>don knots mister Furley, Oh Jay, the goth I mean,

0:35:03.280 --> 0:35:06.560
<v Speaker 1>it was so over the top and it's a ton

0:35:06.600 --> 0:35:06.919
<v Speaker 1>of fun.

0:35:07.239 --> 0:35:07.520
<v Speaker 3>Yes.

0:35:07.880 --> 0:35:11.200
<v Speaker 1>The Count and Count Tessa return home to have very

0:35:11.320 --> 0:35:13.680
<v Speaker 1>cheap cold duck wine, which was the thing, because the

0:35:13.719 --> 0:35:16.600
<v Speaker 1>truth is, we find out they are actually broke. They

0:35:16.719 --> 0:35:19.640
<v Speaker 1>need to control the nephew's fortune just or survive, so

0:35:19.680 --> 0:35:22.400
<v Speaker 1>she plans on making an offer for the school, but

0:35:23.040 --> 0:35:26.080
<v Speaker 1>her condition is the girls have to leave, knowing she

0:35:26.120 --> 0:35:28.440
<v Speaker 1>doesn't have the money. Once the girls leave, she'll pull

0:35:28.480 --> 0:35:30.840
<v Speaker 1>her fake offer. It is a very convoluted kind of

0:35:30.840 --> 0:35:32.960
<v Speaker 1>way of doing this, but she does. She'll pull her

0:35:32.960 --> 0:35:36.240
<v Speaker 1>fake offer, and Bucksley will have to close, now footing

0:35:36.360 --> 0:35:39.440
<v Speaker 1>the entire mortgage. The closure will of course leave Jeremy

0:35:39.440 --> 0:35:41.440
<v Speaker 1>without a school or a reason to be there with

0:35:41.520 --> 0:35:43.920
<v Speaker 1>his bachelor uncle, so.

0:35:43.800 --> 0:35:46.160
<v Speaker 3>He's gonna move again. I'm just going, wait, what's the plan.

0:35:46.320 --> 0:35:48.680
<v Speaker 1>And then to really escalate this plan, this is where

0:35:48.719 --> 0:35:50.640
<v Speaker 1>I'm like, are you you get ready to beleeve?

0:35:50.640 --> 0:35:52.640
<v Speaker 3>Because I literally yelled are you me?

0:35:55.600 --> 0:36:00.480
<v Speaker 1>The plan when Jeremy then turns twenty one in eight years,

0:36:00.719 --> 0:36:04.280
<v Speaker 1>he gets control of his bank account. But the aunt

0:36:04.400 --> 0:36:08.640
<v Speaker 1>Ernestine says, essentially, well, what if he doesn't make it

0:36:08.640 --> 0:36:12.279
<v Speaker 1>to twenty one, she's planning on killing it.

0:36:12.239 --> 0:36:14.880
<v Speaker 5>It's not essentially she's planning on killing him.

0:36:15.000 --> 0:36:16.480
<v Speaker 3>She's planning on killing him.

0:36:16.520 --> 0:36:21.440
<v Speaker 1>She's going to kill her nephew in a Disney movie, Yes,

0:36:22.200 --> 0:36:26.320
<v Speaker 1>to gain his fortune. And she even already has the goon.

0:36:27.200 --> 0:36:29.239
<v Speaker 1>She's like, this is why I hire exits.

0:36:29.560 --> 0:36:34.560
<v Speaker 4>Yeah, but this then then it alludes to her other husbands,

0:36:34.640 --> 0:36:36.239
<v Speaker 4>like what happened to them?

0:36:36.320 --> 0:36:39.759
<v Speaker 2>Why is she on number seven? Has she killed six men?

0:36:40.280 --> 0:36:42.120
<v Speaker 3>Yeah? This is a serial killer.

0:36:42.200 --> 0:36:44.600
<v Speaker 2>Got a serial killer on a Disney movie.

0:36:44.719 --> 0:36:46.440
<v Speaker 5>She definitely killed her husband six.

0:36:46.760 --> 0:36:50.880
<v Speaker 4>Yes, we have a serial killer on a Disney movie

0:36:51.640 --> 0:36:56.400
<v Speaker 4>Running Free. Yeah, just it was it was wow, wow

0:36:56.719 --> 0:36:58.360
<v Speaker 4>a n A n as.

0:36:58.560 --> 0:36:59.840
<v Speaker 3>This movie was bananas.

0:37:00.080 --> 0:37:02.680
<v Speaker 1>But again, think about old school Disney. You're talking Kuela

0:37:02.719 --> 0:37:06.840
<v Speaker 1>Deville making a jacket out of dogs villains.

0:37:07.400 --> 0:37:09.799
<v Speaker 3>But this so, this is the crazy aunt who wants to.

0:37:09.800 --> 0:37:14.680
<v Speaker 2>Kill the guy her nephew nephew.

0:37:15.520 --> 0:37:18.000
<v Speaker 1>Meanwhile, Jeremy can't sleep at school, so he wakes up

0:37:18.040 --> 0:37:19.800
<v Speaker 1>Posey to talk. He just walks into a room in

0:37:19.800 --> 0:37:21.960
<v Speaker 1>the middle of the night, and she doesn't want to

0:37:22.000 --> 0:37:24.359
<v Speaker 1>wake up any of her roommates, so she suggests they

0:37:24.440 --> 0:37:27.239
<v Speaker 1>go to his room, even though he says his room

0:37:27.280 --> 0:37:28.920
<v Speaker 1>is probably a jinx and that's why both of his

0:37:29.000 --> 0:37:32.640
<v Speaker 1>parents died in a car accident, that he's a drink anyway,

0:37:32.800 --> 0:37:35.759
<v Speaker 1>he gives it. The military kids and girls, all of

0:37:35.800 --> 0:37:37.680
<v Speaker 1>a sudden, they get into a big fight upstairs because

0:37:37.680 --> 0:37:39.919
<v Speaker 1>the guys were trying to prank them. The girls pull

0:37:39.960 --> 0:37:43.799
<v Speaker 1>the prank like double prank, and they becomes a pillow fight,

0:37:44.440 --> 0:37:46.719
<v Speaker 1>causing Colonel Buxley and Miss Wakefield to wake up and

0:37:46.760 --> 0:37:49.920
<v Speaker 1>they bust Posey and Jeremy for being in the same room. Now,

0:37:50.200 --> 0:37:53.680
<v Speaker 1>I'm gonna be honest, up until this point, I didn't

0:37:53.719 --> 0:37:56.560
<v Speaker 1>really see them as love interests, did you, because it

0:37:56.640 --> 0:37:59.720
<v Speaker 1>seemed like they were kind of way different in age.

0:37:59.760 --> 0:38:02.879
<v Speaker 1>They might not have been, but just the casting made

0:38:02.960 --> 0:38:05.520
<v Speaker 1>them look like way different in age to me.

0:38:06.000 --> 0:38:08.480
<v Speaker 2>Yeah, yeah, I guess did.

0:38:08.360 --> 0:38:10.799
<v Speaker 3>You think they were? It was a love interesting It.

0:38:10.760 --> 0:38:13.400
<v Speaker 2>Didn't surprise me that it. I mean, when it happened,

0:38:13.640 --> 0:38:14.520
<v Speaker 2>I don't know.

0:38:14.600 --> 0:38:16.279
<v Speaker 5>I'm asking still is it?

0:38:17.280 --> 0:38:19.680
<v Speaker 1>I don't know, because I mean he says things like

0:38:19.920 --> 0:38:21.640
<v Speaker 1>if she leaves, I don't know what I'll do. I'm

0:38:21.640 --> 0:38:24.000
<v Speaker 1>not leaving without her. He's holding her hand as they're

0:38:24.000 --> 0:38:26.840
<v Speaker 1>going up the hill. I mean she might just be short.

0:38:27.280 --> 0:38:29.160
<v Speaker 2>Yeah, I guess. Yeah.

0:38:29.280 --> 0:38:31.720
<v Speaker 4>Maybe that's why I wasn't too worried about it, because

0:38:31.719 --> 0:38:32.400
<v Speaker 4>that was just me.

0:38:33.520 --> 0:38:36.000
<v Speaker 2>I just everyone was so tall. I looked eight years

0:38:36.040 --> 0:38:36.799
<v Speaker 2>younger than ever.

0:38:37.120 --> 0:38:39.680
<v Speaker 3>Maybe that's what it is. How tall are you?

0:38:40.080 --> 0:38:42.240
<v Speaker 2>I'm five foot okay?

0:38:42.960 --> 0:38:44.880
<v Speaker 1>How tall were you when you were say? At a

0:38:44.920 --> 0:38:50.799
<v Speaker 1>military school in the eighties. None none none fee exactly

0:38:50.840 --> 0:38:51.839
<v Speaker 1>you are none fee.

0:38:52.360 --> 0:38:54.200
<v Speaker 3>Yeah, so still I still don't know.

0:38:54.360 --> 0:38:55.360
<v Speaker 2>Yeah, No, it was weird.

0:38:55.560 --> 0:39:00.000
<v Speaker 4>There was no actual development. It just kind of stays

0:39:00.160 --> 0:39:03.840
<v Speaker 4>at this one level of whatever it is. He definitely

0:39:03.880 --> 0:39:07.719
<v Speaker 4>cared about her. It seemed more than friends. But that

0:39:07.760 --> 0:39:09.319
<v Speaker 4>could be brother and sister and not.

0:39:09.920 --> 0:39:10.920
<v Speaker 3>I don't know. I don't know.

0:39:11.160 --> 0:39:13.319
<v Speaker 5>It felt brothers sister to me, even when the credits roll.

0:39:14.000 --> 0:39:15.520
<v Speaker 3>I don't disagree with that sentiment.

0:39:15.560 --> 0:39:17.000
<v Speaker 1>It kind of felt that way to me too, But

0:39:17.040 --> 0:39:18.840
<v Speaker 1>then it also felt weird at times.

0:39:19.320 --> 0:39:20.440
<v Speaker 3>Yeah, I don't know.

0:39:20.640 --> 0:39:21.040
<v Speaker 5>I don't know.

0:39:21.160 --> 0:39:25.680
<v Speaker 1>Anyway, Bucksley wants Posey expelled, but he's no reason why

0:39:25.719 --> 0:39:28.120
<v Speaker 1>he's gonna bust Jeremy because he's the school's mill ticket.

0:39:28.400 --> 0:39:29.160
<v Speaker 3>The ghost General.

0:39:29.160 --> 0:39:31.640
<v Speaker 1>Bucksley loves the infighting with the girls school, but his

0:39:31.680 --> 0:39:36.040
<v Speaker 1>wife Bertina is starting to speak up about how women belong,

0:39:36.120 --> 0:39:38.600
<v Speaker 1>and this causes her ghost husband to say, quote, you're

0:39:38.719 --> 0:39:41.200
<v Speaker 1>just a woman. You can't expect to understand these things,

0:39:41.200 --> 0:39:43.600
<v Speaker 1>then send her off to make his brandy. With one

0:39:43.680 --> 0:39:47.080
<v Speaker 1>last piece of encouragement, he does say, good woman.

0:39:46.880 --> 0:39:49.839
<v Speaker 4>Get him, Bertina, you get him, get him, get him.

0:39:50.280 --> 0:39:52.799
<v Speaker 1>Then Jeremy tries to run away because we've also learned

0:39:52.800 --> 0:39:54.680
<v Speaker 1>that he's run away from many, many, many of these

0:39:54.719 --> 0:39:58.239
<v Speaker 1>schools before he's completely shaking the ghost sergeant that is

0:39:58.280 --> 0:40:00.360
<v Speaker 1>supposed to be following him, but remember he does know

0:40:00.400 --> 0:40:03.040
<v Speaker 1>that he is a shadow. He eventually finds a nearby

0:40:03.120 --> 0:40:05.160
<v Speaker 1>barn and hides in it because it's hees headlights, so

0:40:05.200 --> 0:40:07.120
<v Speaker 1>he's trying to get away from it. The sergeant does

0:40:07.160 --> 0:40:10.319
<v Speaker 1>eventually catch up, and instead of letting Jeremy leave for

0:40:10.360 --> 0:40:12.959
<v Speaker 1>his aunts, he decides, ooh, he's gonna break the ghost

0:40:13.080 --> 0:40:17.799
<v Speaker 1>rules and show himself. The ghost gig is up. Did

0:40:17.840 --> 0:40:19.160
<v Speaker 1>this at this point kind of feel like the whole

0:40:19.160 --> 0:40:21.319
<v Speaker 1>premise for the movie was over. It kind of felt

0:40:21.360 --> 0:40:23.560
<v Speaker 1>like it just the ghost guy gave up real quick.

0:40:23.600 --> 0:40:25.359
<v Speaker 1>He didn't do anything ghostly. It's just like, here, I'm

0:40:25.360 --> 0:40:26.799
<v Speaker 1>just gonna show you myself and then tell you what's

0:40:26.800 --> 0:40:27.160
<v Speaker 1>going on.

0:40:28.360 --> 0:40:30.680
<v Speaker 2>No, I mean, I feel there was nothing else he

0:40:30.719 --> 0:40:31.160
<v Speaker 2>could do.

0:40:31.520 --> 0:40:35.520
<v Speaker 1>How about tripping him or I mean, yeah, I guess

0:40:35.719 --> 0:40:38.279
<v Speaker 1>we're knocking his bag away or for me, it.

0:40:38.239 --> 0:40:40.080
<v Speaker 4>Was the scene of what he was gonna do with

0:40:40.160 --> 0:40:42.440
<v Speaker 4>the car and him seeing a car for the first time.

0:40:43.360 --> 0:40:45.640
<v Speaker 1>But yeah, he waits a hundred years to get out

0:40:45.640 --> 0:40:47.520
<v Speaker 1>of the painting and then gives up in ten minutes.

0:40:47.840 --> 0:40:49.759
<v Speaker 3>Yeah, it's being private about it.

0:40:49.840 --> 0:40:51.839
<v Speaker 2>Yeah, he just needed a friend. I feel like he

0:40:51.880 --> 0:40:53.680
<v Speaker 2>needed a friend just as much as Jeremy.

0:40:54.640 --> 0:40:57.400
<v Speaker 1>So straight maybe they're the friendship that really what was

0:40:57.480 --> 0:40:58.400
<v Speaker 1>what this film was about?

0:40:59.160 --> 0:41:00.640
<v Speaker 3>Yeah, was strange.

0:41:00.960 --> 0:41:03.560
<v Speaker 1>I'm gonna say it's strange or weird or bizarre a

0:41:03.600 --> 0:41:04.840
<v Speaker 1>thousand times in this episode.

0:41:05.040 --> 0:41:05.480
<v Speaker 2>Yeah.

0:41:05.520 --> 0:41:08.520
<v Speaker 1>When Posey herself eventually arrives at the barm, she convinces

0:41:08.600 --> 0:41:11.440
<v Speaker 1>Jeremy to return to school and doesn't see the ghost

0:41:11.520 --> 0:41:13.880
<v Speaker 1>because he the sergeant, is not letting her see them.

0:41:14.360 --> 0:41:16.480
<v Speaker 1>The Count and Countess run into the janitor at a

0:41:16.480 --> 0:41:20.480
<v Speaker 1>local restaurant and he gets drunk more drinking and he

0:41:20.560 --> 0:41:25.000
<v Speaker 1>spills the beans he's been seeing the ghosts, but they

0:41:25.000 --> 0:41:27.640
<v Speaker 1>don't believe him. However, this does lead the Countess to

0:41:27.680 --> 0:41:31.440
<v Speaker 1>an idea, let's personally haunt the school because that is

0:41:31.480 --> 0:41:33.560
<v Speaker 1>a good way to get the girls to leave.

0:41:33.880 --> 0:41:36.480
<v Speaker 3>Everyone wants these girls to leave. They go home. They

0:41:36.520 --> 0:41:38.840
<v Speaker 3>throw a sheet over the count again.

0:41:39.200 --> 0:41:42.160
<v Speaker 1>Straight up Scooby Doo throw a sheet over the count

0:41:42.239 --> 0:41:44.440
<v Speaker 1>and the hip man security guard and boom, just like

0:41:44.480 --> 0:41:47.160
<v Speaker 1>that they are ghosts. We also get a Mamma Mia

0:41:47.360 --> 0:41:50.600
<v Speaker 1>from the Count that once again is proving the Italians

0:41:50.640 --> 0:41:52.479
<v Speaker 1>only know things that super Mario has said.

0:41:52.719 --> 0:41:53.040
<v Speaker 3>Yes.

0:41:53.440 --> 0:41:57.680
<v Speaker 1>The next day at school, it's our first class, the

0:41:57.719 --> 0:42:01.319
<v Speaker 1>first class ever, which is sex bed.

0:42:02.040 --> 0:42:03.640
<v Speaker 3>It's crazy timing to.

0:42:03.560 --> 0:42:04.080
<v Speaker 5>Go co ed.

0:42:04.719 --> 0:42:07.640
<v Speaker 1>Jeremy arrives late with his invisible sergeant chaperone, and Bucksley

0:42:07.719 --> 0:42:10.400
<v Speaker 1>is teaching. He's very bad at this touchy subject. He

0:42:10.960 --> 0:42:13.439
<v Speaker 1>not eludes, he flat out says, you know your teacher's gone.

0:42:13.480 --> 0:42:15.279
<v Speaker 1>We've no money, so I'm essentially gonna be I'm the

0:42:15.320 --> 0:42:16.920
<v Speaker 1>mister Feenie of the School'm gonna be teaching.

0:42:16.800 --> 0:42:19.439
<v Speaker 2>Every Yeah, mister Fenie.

0:42:19.239 --> 0:42:19.840
<v Speaker 3>It's true.

0:42:19.960 --> 0:42:23.120
<v Speaker 1>Then all of the Wakefield girls enter and Bucksley is

0:42:23.120 --> 0:42:24.959
<v Speaker 1>forced to teach them about sex too.

0:42:25.080 --> 0:42:26.799
<v Speaker 3>It is his nightmare personified.

0:42:27.120 --> 0:42:29.960
<v Speaker 1>He's nervous and is so bad because he's clear this

0:42:30.040 --> 0:42:32.600
<v Speaker 1>man has never had sex before in his life. When

0:42:32.640 --> 0:42:34.719
<v Speaker 1>he asks if there are any questions, all of the

0:42:34.760 --> 0:42:38.640
<v Speaker 1>girls raise their hands. Jeremy and the ghost bodyguard Sergeant Chester,

0:42:38.760 --> 0:42:40.680
<v Speaker 1>meet back up, only for Posey to see him talking

0:42:40.719 --> 0:42:42.879
<v Speaker 1>to himself again, and then Jeremy gets in trouble when

0:42:42.880 --> 0:42:45.560
<v Speaker 1>the cadet and his cronies bust him for sitting on

0:42:45.600 --> 0:42:48.640
<v Speaker 1>the upper classman's bench, also embarrassing him in front of

0:42:48.640 --> 0:42:52.120
<v Speaker 1>his either love interest or little sister friend not sure,

0:42:52.360 --> 0:42:54.960
<v Speaker 1>we still don't know. With this in mind, Jeremy wants

0:42:55.040 --> 0:42:57.640
<v Speaker 1>the ghost sergeant to teach him how to box. He

0:42:57.719 --> 0:42:59.520
<v Speaker 1>wants to beat up the bullies, or at least be

0:42:59.560 --> 0:43:03.960
<v Speaker 1>able to hecked his little friend girlfriend. So as he

0:43:04.040 --> 0:43:07.759
<v Speaker 1>trains once again, the janitor arrives to see him and

0:43:07.800 --> 0:43:11.240
<v Speaker 1>some more ghostly activities and runs away. I'm not mentioning

0:43:11.280 --> 0:43:12.920
<v Speaker 1>all the times it happens where he runs away, but

0:43:12.960 --> 0:43:16.279
<v Speaker 1>it's like fifty percent of the film. Colonel Bucksley and

0:43:16.280 --> 0:43:18.959
<v Speaker 1>Wakefield decide, by the way, it's the worst boxing one

0:43:19.120 --> 0:43:21.440
<v Speaker 1>lesson in boxing ever in the history.

0:43:21.200 --> 0:43:23.799
<v Speaker 2>Of Oh oh my gosh, so funny.

0:43:23.680 --> 0:43:26.600
<v Speaker 3>Just awful. The sergeant couldn't throw a punch himself. It

0:43:26.640 --> 0:43:27.040
<v Speaker 3>was weird.

0:43:27.360 --> 0:43:27.920
<v Speaker 2>Yeah.

0:43:28.000 --> 0:43:28.280
<v Speaker 3>Yeah.

0:43:28.320 --> 0:43:31.280
<v Speaker 1>Colonel Bucksley and Wakefield are getting closer, though. They decide

0:43:31.280 --> 0:43:33.359
<v Speaker 1>to share their first names with each other, and the

0:43:33.400 --> 0:43:37.879
<v Speaker 1>flirting has officially begun, especially after she sees how good

0:43:37.920 --> 0:43:39.560
<v Speaker 1>he is with kids, what he wants to be. And

0:43:39.600 --> 0:43:41.359
<v Speaker 1>this is something I want to point out here. The

0:43:41.440 --> 0:43:45.399
<v Speaker 1>little kid that runs in totally over the top and says,

0:43:45.440 --> 0:43:48.719
<v Speaker 1>I'm sick my throat, I can't do this. Huh. Is

0:43:48.800 --> 0:43:51.480
<v Speaker 1>the guy from who becomes the best friend on Parker

0:43:51.560 --> 0:43:53.920
<v Speaker 1>Lewis Can't Lose That We've talked about one hundred times

0:43:54.360 --> 0:43:57.400
<v Speaker 1>and was the brother in just one of the guys.

0:43:58.000 --> 0:43:59.040
<v Speaker 3>So I don't know if.

0:43:58.920 --> 0:44:02.520
<v Speaker 1>This was his first ever performance, but I guarantee you

0:44:02.600 --> 0:44:03.160
<v Speaker 1>that was him.

0:44:03.280 --> 0:44:04.960
<v Speaker 3>I would recognize him anywhere.

0:44:05.000 --> 0:44:06.919
<v Speaker 1>I don't know his name, but that was the guy

0:44:07.000 --> 0:44:09.319
<v Speaker 1>that was the wow, So it was by the first time.

0:44:09.320 --> 0:44:11.040
<v Speaker 5>That's Billy Jane, right.

0:44:11.400 --> 0:44:13.359
<v Speaker 3>Yes, isn't that his name? Yeah, Billy Jane right.

0:44:13.640 --> 0:44:15.719
<v Speaker 5>Yeah. He was also in the Burbs, but he's like

0:44:15.760 --> 0:44:17.600
<v Speaker 5>an extra in the Burbs, which is the reason I

0:44:17.640 --> 0:44:18.319
<v Speaker 5>even know who he is.

0:44:19.040 --> 0:44:21.319
<v Speaker 1>I also thought, and we could be wrong, but the

0:44:21.400 --> 0:44:25.640
<v Speaker 1>guy who plays the main kiss up, yeah, the Cadet.

0:44:26.040 --> 0:44:29.640
<v Speaker 3>The Cadet looked so much like him that I think

0:44:29.680 --> 0:44:31.319
<v Speaker 3>that could be his older brother in real life.

0:44:31.760 --> 0:44:32.960
<v Speaker 5>Oh really, I don't know.

0:44:33.040 --> 0:44:36.040
<v Speaker 1>They looked so similar to me that it was like,

0:44:36.239 --> 0:44:40.239
<v Speaker 1>I wonder if those two people are related, because when

0:44:40.280 --> 0:44:41.960
<v Speaker 1>he ran in, I was like, oh my god, just

0:44:42.000 --> 0:44:42.520
<v Speaker 1>one of the guys.

0:44:42.600 --> 0:44:44.520
<v Speaker 3>Yeah, that's that's him.

0:44:44.440 --> 0:44:46.920
<v Speaker 4>Like that was a Lawrence situation. He just happened to

0:44:46.920 --> 0:44:48.120
<v Speaker 4>be on set and.

0:44:48.360 --> 0:44:50.560
<v Speaker 3>On set and let's make a kid, Let's make your

0:44:50.600 --> 0:44:52.960
<v Speaker 3>starf yes.

0:44:53.080 --> 0:44:56.000
<v Speaker 1>So anyway, He also reveals that it is the night

0:44:56.280 --> 0:45:01.880
<v Speaker 1>before Suicide Hill the most extreme for Buxley students, and

0:45:01.960 --> 0:45:04.719
<v Speaker 1>both the boys and girls will participate this year. This

0:45:04.800 --> 0:45:07.479
<v Speaker 1>is another dickish plan to get the girls to leave,

0:45:07.760 --> 0:45:10.279
<v Speaker 1>and the ghost General his great great grandfather loves it.

0:45:11.440 --> 0:45:14.200
<v Speaker 1>Suicide Hill not a name they would put in anything

0:45:14.680 --> 0:45:15.040
<v Speaker 1>at all.

0:45:15.120 --> 0:45:20.200
<v Speaker 4>Did I mean and hurt missus Wakefield like response, suicide Hill?

0:45:20.360 --> 0:45:24.720
<v Speaker 2>Yeah. I also think they're still in high school.

0:45:24.760 --> 0:45:29.080
<v Speaker 4>They still do Hell Week, which when it's said sometimes

0:45:29.120 --> 0:45:31.279
<v Speaker 4>in front of certain parents, they kind of get a

0:45:31.360 --> 0:45:34.360
<v Speaker 4>little weird. I mean, we're so sensitive to those chains

0:45:34.400 --> 0:45:38.080
<v Speaker 4>of words. Yeah, those words. So suicide Hill would just

0:45:38.760 --> 0:45:43.680
<v Speaker 4>absolutely never be said no in a movie or any

0:45:44.400 --> 0:45:48.080
<v Speaker 4>situation ever. Isn't that what you kind of think of

0:45:48.120 --> 0:45:51.440
<v Speaker 4>when when like you said, parents, use you're gonna go

0:45:51.480 --> 0:45:54.240
<v Speaker 4>to boarding school, you're gonna go to military school because

0:45:54.280 --> 0:45:56.680
<v Speaker 4>they have things like suicide.

0:45:56.160 --> 0:45:58.000
<v Speaker 1>Suicide Well you know the other one, ye, the other

0:45:58.000 --> 0:45:59.760
<v Speaker 1>one that was used in all that. It was always

0:46:00.000 --> 0:46:04.200
<v Speaker 1>dead Man's Curve, yeah, or dead Man's Hill, Like, oh no,

0:46:04.440 --> 0:46:06.399
<v Speaker 1>they lost their lives on dead Man's Curve.

0:46:06.440 --> 0:46:09.200
<v Speaker 3>He was always working. But you're right.

0:46:09.360 --> 0:46:14.360
<v Speaker 4>Never ever military esque, military school esque or whatever.

0:46:14.200 --> 0:46:16.239
<v Speaker 3>Would suicide Hill. You'd never hear that.

0:46:17.000 --> 0:46:20.359
<v Speaker 1>Now the Count is murderous chauffeur finally arrived to haunt

0:46:20.360 --> 0:46:22.000
<v Speaker 1>the Buxley School in the middle of the night.

0:46:22.040 --> 0:46:24.360
<v Speaker 3>But they're shenanigans and goings on wake.

0:46:24.160 --> 0:46:28.719
<v Speaker 1>The painting ghosts, who consider them impostures, hope them with

0:46:28.960 --> 0:46:33.080
<v Speaker 1>swords and actually scare them as true to life dead spirits.

0:46:33.960 --> 0:46:38.560
<v Speaker 3>So the sword he's using is a real sword he

0:46:38.600 --> 0:46:39.040
<v Speaker 3>can use.

0:46:39.040 --> 0:46:41.160
<v Speaker 1>It's not a ghost sword like he could literally if

0:46:41.200 --> 0:46:43.920
<v Speaker 1>he wanted to run that guy through with his ghost sword,

0:46:44.040 --> 0:46:45.000
<v Speaker 1>actually kill him.

0:46:44.880 --> 0:46:49.040
<v Speaker 2>I guess. So that's a new rule that we're finding

0:46:49.160 --> 0:46:49.719
<v Speaker 2>as we go.

0:46:50.000 --> 0:46:51.040
<v Speaker 3>I couldn't get the rules.

0:46:51.320 --> 0:46:54.359
<v Speaker 2>Yeah, they weren't set. No, they were not fly at

0:46:54.400 --> 0:46:55.759
<v Speaker 2>the seat of your pants.

0:46:56.080 --> 0:46:59.960
<v Speaker 3>Yes, the rules were fluent. The two bad guys run

0:47:00.080 --> 0:47:00.960
<v Speaker 3>way in absolute fear.

0:47:01.080 --> 0:47:03.640
<v Speaker 1>Sergeant Chester follows them out, and here's the Count read

0:47:04.400 --> 0:47:09.080
<v Speaker 1>the falls them out, and here's the Count reiterating their entire.

0:47:09.160 --> 0:47:10.640
<v Speaker 3>Devious plan for the school.

0:47:11.239 --> 0:47:13.879
<v Speaker 1>Word for word, leaving out no details, because of course,

0:47:13.920 --> 0:47:17.760
<v Speaker 1>bad guys always just repeat their plans loudly when they're scared.

0:47:18.160 --> 0:47:21.839
<v Speaker 1>Either way, now the painting ghosts know exactly what's going on, well,

0:47:21.840 --> 0:47:22.480
<v Speaker 1>not to mention.

0:47:22.600 --> 0:47:27.400
<v Speaker 4>They're screaming. They've left this this this boarding school that

0:47:28.200 --> 0:47:32.400
<v Speaker 4>everyone is sleeping. They are screaming, get off my face.

0:47:32.440 --> 0:47:34.879
<v Speaker 4>They're on top of each other, they're having this old thing.

0:47:35.320 --> 0:47:37.680
<v Speaker 3>No, you're standing on my handella.

0:47:38.080 --> 0:47:38.840
<v Speaker 2>Yeah.

0:47:38.880 --> 0:47:44.120
<v Speaker 4>And then again he gets completely disrespected because the chauffeur

0:47:44.160 --> 0:47:48.560
<v Speaker 4>is about to leave him like later out Poor poor

0:47:48.600 --> 0:47:52.440
<v Speaker 4>fake County, poor guy oh Man.

0:48:00.440 --> 0:48:02.919
<v Speaker 1>Back in the school, Wakefield and Bucksley argue again over

0:48:02.920 --> 0:48:05.879
<v Speaker 1>who's behind the haunting, the boys or the girls. They

0:48:05.920 --> 0:48:07.880
<v Speaker 1>ditch the first Dame basis and it looks like they

0:48:07.880 --> 0:48:10.319
<v Speaker 1>will never get a chance to make love and this

0:48:10.400 --> 0:48:13.000
<v Speaker 1>man will never understand the touch of a woman or

0:48:13.040 --> 0:48:15.920
<v Speaker 1>how to teach such an education. Did you want to

0:48:15.960 --> 0:48:17.440
<v Speaker 1>become a couple at this point? Were you rooting for

0:48:17.480 --> 0:48:18.920
<v Speaker 1>them in any way, shape or form.

0:48:18.800 --> 0:48:19.439
<v Speaker 2>A little bit?

0:48:19.600 --> 0:48:19.839
<v Speaker 1>Yeah?

0:48:19.920 --> 0:48:23.160
<v Speaker 4>I mean I think I think he would kind of

0:48:23.600 --> 0:48:26.920
<v Speaker 4>calm her down in a sense, she would soften him

0:48:26.960 --> 0:48:31.520
<v Speaker 4>up and curve his women can't do anything they should.

0:48:31.360 --> 0:48:35.359
<v Speaker 2>Be it should be thrown away species than us type

0:48:35.400 --> 0:48:37.680
<v Speaker 2>of thing. You know, you could see how they could

0:48:37.680 --> 0:48:39.120
<v Speaker 2>benefit from the relationship.

0:48:39.280 --> 0:48:41.000
<v Speaker 3>Yeah, I would like to see them together.

0:48:41.400 --> 0:48:41.680
<v Speaker 2>Yeah.

0:48:41.719 --> 0:48:44.600
<v Speaker 1>Posey unfortunately thinks that the two schools are about to

0:48:44.640 --> 0:48:47.400
<v Speaker 1>head for a divorce, and Jeremy says, if she's gone,

0:48:47.680 --> 0:48:51.000
<v Speaker 1>he'll run away from Bucksley again. I do not know

0:48:51.040 --> 0:48:52.480
<v Speaker 1>if it's a little sister thing or is in love

0:48:52.480 --> 0:48:54.719
<v Speaker 1>with her, But the painting goes. Bettina hears this and

0:48:54.760 --> 0:48:57.200
<v Speaker 1>reports back they need Jeremy to stay at school. To

0:48:57.280 --> 0:49:01.920
<v Speaker 1>save the school. Everyone has to serve Suicide Hill, no

0:49:01.960 --> 0:49:03.840
<v Speaker 1>matter what the sergeant thinks about the girls being in

0:49:03.840 --> 0:49:06.560
<v Speaker 1>the academy. They have to keep it together. So now

0:49:06.600 --> 0:49:09.439
<v Speaker 1>we cut to Suicide Hill day. Everybody is ready, even

0:49:09.480 --> 0:49:12.200
<v Speaker 1>the painting ghosts, but Colonel Bucksley and his great great

0:49:12.200 --> 0:49:13.840
<v Speaker 1>grandfather Ghosts have no plans.

0:49:13.880 --> 0:49:15.440
<v Speaker 3>I'm taking it easy on the girls.

0:49:15.719 --> 0:49:18.200
<v Speaker 1>The general is not listening to his wife, Big Shock

0:49:18.480 --> 0:49:21.319
<v Speaker 1>or Sergeant Chester. And then we get your favorite, which

0:49:21.320 --> 0:49:26.240
<v Speaker 1>is another horribly off key bugle sound and Suicide Hill begins.

0:49:26.719 --> 0:49:28.160
<v Speaker 1>I'm trying to set the stage for you. The girls

0:49:28.200 --> 0:49:30.200
<v Speaker 1>are trying to keep up with the course, which frankly

0:49:30.280 --> 0:49:32.560
<v Speaker 1>just looks like some rocks and weeds until they get

0:49:32.600 --> 0:49:36.359
<v Speaker 1>to the death defying rope slide above the ravine, which is.

0:49:36.320 --> 0:49:39.520
<v Speaker 2>At best a puddle, a mud puddle.

0:49:39.640 --> 0:49:42.520
<v Speaker 1>It's a mud puddle, and so yeah, might I suggest

0:49:42.560 --> 0:49:45.080
<v Speaker 1>calling this the you could get a hangnail hill instead

0:49:45.080 --> 0:49:47.400
<v Speaker 1>of suicide hill, but it is what it is, possibly

0:49:47.400 --> 0:49:50.799
<v Speaker 1>twist an ankle hill. Yeah, so they slide down. He

0:49:50.920 --> 0:49:53.480
<v Speaker 1>slides down first Colonel Bucksley and he lands with a

0:49:53.520 --> 0:49:57.320
<v Speaker 1>flourished boom. Miss Wakefield jumps on and falls in the

0:49:57.400 --> 0:50:00.520
<v Speaker 1>mud puddle and then playfully brings Bucksley in with her.

0:50:00.920 --> 0:50:03.799
<v Speaker 1>He then does one of the best ever in the

0:50:03.840 --> 0:50:08.520
<v Speaker 1>history of film that is not hyperbole incredible face plants ever.

0:50:09.120 --> 0:50:10.840
<v Speaker 1>You see him, He's like shaking. It almost looks like

0:50:10.880 --> 0:50:14.480
<v Speaker 1>they speed up the film. He goes face first. It's unbelievable.

0:50:14.840 --> 0:50:17.799
<v Speaker 1>But the flirting is back on and the kids are

0:50:17.920 --> 0:50:20.319
<v Speaker 1>loving it. We are now back with the again. I

0:50:20.360 --> 0:50:22.239
<v Speaker 1>said lots of stories, so if I'm saying back to

0:50:22.320 --> 0:50:24.439
<v Speaker 1>your back here, it's because this is how it went.

0:50:24.680 --> 0:50:26.240
<v Speaker 3>It gets We are.

0:50:26.160 --> 0:50:28.960
<v Speaker 1>Back with the count and Countess and drunk Janitor Ben

0:50:29.000 --> 0:50:31.480
<v Speaker 1>is still spilling the tea about the ghosts and giving

0:50:31.520 --> 0:50:35.160
<v Speaker 1>her an idea. She runs to a judge Let's make

0:50:35.200 --> 0:50:38.879
<v Speaker 1>it legal people, her good friend, and pleads for his help.

0:50:38.920 --> 0:50:41.480
<v Speaker 1>She says, Jeremy's in deep trouble. He may do something

0:50:41.640 --> 0:50:45.640
<v Speaker 1>drastic to himself. More suicide talking and Disney gone. She

0:50:45.840 --> 0:50:48.520
<v Speaker 1>needs the judge to see Jeremy. He eventually agrees and

0:50:48.560 --> 0:50:50.520
<v Speaker 1>sets up an appointment at her house the next day.

0:50:50.680 --> 0:50:54.520
<v Speaker 1>Back at Bucksley, Jeremy's looking for Posy, but instead runs

0:50:54.560 --> 0:50:56.960
<v Speaker 1>into the bullies again, but this time he finally stands

0:50:57.000 --> 0:50:58.840
<v Speaker 1>up for himself with his new boxing skills.

0:50:58.880 --> 0:51:02.240
<v Speaker 3>That one lesson, that one time for thirty seconds.

0:51:01.560 --> 0:51:04.239
<v Speaker 1>He learned from the ghost sergeant, and like in any

0:51:04.239 --> 0:51:07.640
<v Speaker 1>good fight, he knocks out the cadet twice while counting

0:51:07.719 --> 0:51:11.000
<v Speaker 1>his punches, completely telegraphing.

0:51:10.520 --> 0:51:16.919
<v Speaker 7>The same spot every single literally one two three, one

0:51:17.160 --> 0:51:20.439
<v Speaker 7>two three, crump, Like, wouldn't you realize to just back

0:51:20.480 --> 0:51:22.239
<v Speaker 7>away three times and then move to the left to

0:51:22.320 --> 0:51:23.759
<v Speaker 7>the crumber right?

0:51:24.080 --> 0:51:24.960
<v Speaker 3>How hard would that be?

0:51:25.320 --> 0:51:28.200
<v Speaker 1>Swivel, I might as well be going up left left

0:51:28.280 --> 0:51:32.040
<v Speaker 1>left right, left left left. Just then Posey walks up

0:51:32.040 --> 0:51:35.800
<v Speaker 1>and breaks the news, Oh no, they are leaving Bucksley.

0:51:35.880 --> 0:51:38.200
<v Speaker 1>Jeremy needs the sergeant to help or he is leaving.

0:51:38.280 --> 0:51:41.279
<v Speaker 1>So finally the sergeant reveals himself to posey. He says,

0:51:41.320 --> 0:51:42.719
<v Speaker 1>you don't want you don't want me to do a lad,

0:51:43.719 --> 0:51:47.480
<v Speaker 1>She's gonna scream. Girls always scream, so he releaals enough

0:51:47.560 --> 0:51:51.480
<v Speaker 1>who only does a small scream. So maybe she's one

0:51:51.480 --> 0:51:52.240
<v Speaker 1>of the good ones.

0:51:52.600 --> 0:51:54.800
<v Speaker 3>But then immediately she falls in line with the idea

0:51:54.840 --> 0:51:55.560
<v Speaker 3>that ghosts exists.

0:51:55.600 --> 0:51:58.719
<v Speaker 1>Kids are pliable. Uh So, I was gonna say, is

0:51:58.719 --> 0:52:01.200
<v Speaker 1>it weird? It's not weird. Kids pick it up right away.

0:52:01.280 --> 0:52:03.480
<v Speaker 1>But I have one question which we haven't addressed at all.

0:52:03.560 --> 0:52:06.440
<v Speaker 3>Are they dating? What's happening?

0:52:07.120 --> 0:52:08.480
<v Speaker 2>I know I feel that.

0:52:08.640 --> 0:52:12.680
<v Speaker 4>I mean, this is when I'm definitely thinking they're a couple.

0:52:13.040 --> 0:52:17.160
<v Speaker 4>You guys still seemed confused. I felt like, first of all,

0:52:17.280 --> 0:52:21.160
<v Speaker 4>the kid's adorable. She's a cutie too, she's cute. Sure

0:52:21.280 --> 0:52:24.080
<v Speaker 4>it has to be. There's just it's gotta be. I

0:52:24.160 --> 0:52:26.000
<v Speaker 4>don't think it's the sister brother thing.

0:52:26.320 --> 0:52:28.360
<v Speaker 5>We know that. Can we guess on the ages?

0:52:28.680 --> 0:52:32.000
<v Speaker 1>I would say they're both twelve. Maybe they're both twelve,

0:52:32.400 --> 0:52:34.360
<v Speaker 1>that would be my guess. Maybe he's fourteen.

0:52:34.800 --> 0:52:37.200
<v Speaker 2>Yeah, I would say he was fourteen. She was alive.

0:52:37.360 --> 0:52:38.399
<v Speaker 5>I honestly think she's ten.

0:52:38.960 --> 0:52:40.719
<v Speaker 3>You think she's ten? Oh gee, I.

0:52:40.719 --> 0:52:42.640
<v Speaker 5>Think she's ten and he's fifteen. And that's why I

0:52:42.680 --> 0:52:43.560
<v Speaker 5>was like, this is crazy.

0:52:44.160 --> 0:52:46.160
<v Speaker 4>Oh no, I don't think he was as old as fifteen.

0:52:46.520 --> 0:52:50.800
<v Speaker 4>He was probably thirteen, thirteen eleven. I think it's thirteen eleven.

0:52:50.920 --> 0:52:51.680
<v Speaker 3>Okay, that's good.

0:52:51.719 --> 0:52:53.840
<v Speaker 1>Well he's clearly looking for a pocket full of posy,

0:52:54.800 --> 0:52:58.759
<v Speaker 1>Thank you very much. Jeremy doesn't end up needing the

0:52:58.760 --> 0:53:02.920
<v Speaker 1>sergeant or posy. He decides he's going to buy the

0:53:03.000 --> 0:53:04.279
<v Speaker 1>school himself.

0:53:04.400 --> 0:53:06.880
<v Speaker 2>Wait did you just do that? Just out of nowhere?

0:53:07.000 --> 0:53:07.560
<v Speaker 3>Was that I did?

0:53:08.160 --> 0:53:08.359
<v Speaker 1>Oh?

0:53:08.600 --> 0:53:09.120
<v Speaker 3>My god?

0:53:09.160 --> 0:53:14.800
<v Speaker 4>I will yes, will yes, Yes, that's what it's gonna

0:53:14.680 --> 0:53:16.240
<v Speaker 4>Sorry called.

0:53:17.560 --> 0:53:19.080
<v Speaker 3>Fuck yes.

0:53:19.719 --> 0:53:22.319
<v Speaker 1>He decides, though, he's gonna buy the school himself and

0:53:22.440 --> 0:53:26.040
<v Speaker 1>uses oh kids looking up a payphone to calm get

0:53:26.080 --> 0:53:28.440
<v Speaker 1>the money, but he can't reach anyone, so he screwed.

0:53:28.480 --> 0:53:30.399
<v Speaker 1>And that's how the nineteen eighties was no one called.

0:53:30.440 --> 0:53:32.080
<v Speaker 1>If you called, no one was there.

0:53:32.320 --> 0:53:33.200
<v Speaker 3>That's it. You give it.

0:53:33.320 --> 0:53:34.440
<v Speaker 2>You used your one quarter.

0:53:34.760 --> 0:53:36.120
<v Speaker 5>I have an answer on their actor ages.

0:53:36.160 --> 0:53:38.040
<v Speaker 3>Guys, Wait, you have an answer on their actor ages?

0:53:38.080 --> 0:53:38.520
<v Speaker 3>What are they?

0:53:38.880 --> 0:53:40.360
<v Speaker 5>He was fourteen, she was thirteen?

0:53:40.920 --> 0:53:41.520
<v Speaker 2>Okay, see.

0:53:41.640 --> 0:53:43.520
<v Speaker 3>Okay, so that's not to but she was just.

0:53:43.520 --> 0:53:46.240
<v Speaker 4>Sure to stop hating on the short girls. O case

0:53:46.320 --> 0:53:48.120
<v Speaker 4>takes us a little bit of time to get there.

0:53:48.400 --> 0:53:50.799
<v Speaker 3>Ah, you're still waiting on your girls friends.

0:53:50.880 --> 0:53:51.960
<v Speaker 2>I'm still waiting on it.

0:53:52.000 --> 0:53:55.120
<v Speaker 4>At my quarter of an inch that got me to

0:53:55.160 --> 0:53:59.319
<v Speaker 4>five foot happened my sophomore year. There were eleven and

0:53:59.400 --> 0:54:02.640
<v Speaker 4>three quarters of an inch for two years, and I

0:54:02.800 --> 0:54:06.680
<v Speaker 4>finally sophomore year got to that five foot and I

0:54:06.800 --> 0:54:09.359
<v Speaker 4>was fine. I said, God, if this is all you got,

0:54:09.400 --> 0:54:11.040
<v Speaker 4>that's okay, as long as I'm five foot.

0:54:11.480 --> 0:54:13.319
<v Speaker 1>Take this however you want to take it. But a

0:54:13.440 --> 0:54:15.200
<v Speaker 1>quarter of an inch can make all the difference.

0:54:16.440 --> 0:54:17.600
<v Speaker 5>It's just true.

0:54:18.840 --> 0:54:24.360
<v Speaker 3>Just then, I don't know what You're probably good.

0:54:25.000 --> 0:54:28.720
<v Speaker 1>So just then the Countess comes and takes Jeremy away

0:54:29.040 --> 0:54:31.520
<v Speaker 1>for the meeting with the judge, but she pretends it's

0:54:31.600 --> 0:54:32.120
<v Speaker 1>just a dinner.

0:54:32.200 --> 0:54:32.719
<v Speaker 5>This is bad.

0:54:32.840 --> 0:54:36.120
<v Speaker 1>It's gonna be bad people. Sergeant Chester and Patina. I'm

0:54:36.120 --> 0:54:38.200
<v Speaker 1>hopping back because this is how they're doing it. Sergeant

0:54:38.239 --> 0:54:40.520
<v Speaker 1>Chester and Patina then hitch a ride to her house

0:54:40.560 --> 0:54:44.040
<v Speaker 1>with jender Ben in the bus and just start randomly

0:54:44.080 --> 0:54:47.200
<v Speaker 1>pressing buttons while he's driving. Once again, making him feel insane.

0:54:47.239 --> 0:54:49.240
<v Speaker 1>They're trying to drive this man, if not to drink,

0:54:49.480 --> 0:54:53.640
<v Speaker 1>then to suicide Hill. As always, he sprints away, screaming

0:54:53.640 --> 0:54:54.640
<v Speaker 1>goga ga ghosts.

0:54:54.680 --> 0:54:55.920
<v Speaker 3>The movie is just one.

0:54:55.840 --> 0:54:59.680
<v Speaker 1>Big gas lighting session on a poor, sick, drunk customing it.

0:55:00.560 --> 0:55:02.400
<v Speaker 1>By the way, he was driving, yeah, probably should not

0:55:02.440 --> 0:55:05.239
<v Speaker 1>be behind the wheel of a large but no. While

0:55:05.280 --> 0:55:07.800
<v Speaker 1>the bus speeds through town causing some very intense and

0:55:08.320 --> 0:55:12.480
<v Speaker 1>unneeded crash stuns. They also never actually they They showed

0:55:12.480 --> 0:55:16.440
<v Speaker 1>a reaction shot of somebody watching the bus without people driving,

0:55:17.000 --> 0:55:20.000
<v Speaker 1>but they don't actually show the bus without people driving,

0:55:20.000 --> 0:55:23.360
<v Speaker 1>which I thought was very interesting. Yeah, because probably couldn't

0:55:23.360 --> 0:55:25.560
<v Speaker 1>afford to get like a fake steering. I don't know,

0:55:25.640 --> 0:55:27.640
<v Speaker 1>but they just didn't do it. They arrive at the

0:55:27.680 --> 0:55:29.720
<v Speaker 1>count of his house. She uses some of the ghost

0:55:29.800 --> 0:55:32.279
<v Speaker 1>infos she got from jandor Ben and encourages him to

0:55:32.360 --> 0:55:35.399
<v Speaker 1>talk about everything. Come on, Jeremy, tell me what you meant.

0:55:35.400 --> 0:55:38.480
<v Speaker 1>So the judge is listening from another room and none

0:55:38.520 --> 0:55:41.120
<v Speaker 1>of it makes sense. It makes Jeremy look mentally ill,

0:55:41.200 --> 0:55:44.600
<v Speaker 1>and now the judge is ready to change custody so

0:55:44.640 --> 0:55:47.759
<v Speaker 1>that his aunt can take control. The bus, now, of

0:55:47.800 --> 0:55:50.880
<v Speaker 1>course driven by ghost misses the judge by seconds and

0:55:51.000 --> 0:55:54.880
<v Speaker 1>attacks the hitman, chauffeur and the count to enter the

0:55:54.920 --> 0:55:58.120
<v Speaker 1>house so the ghosts can punch.

0:55:57.880 --> 0:55:59.760
<v Speaker 3>People too, which was interesting.

0:56:00.000 --> 0:56:04.239
<v Speaker 1>Now inside, Betina and Sergeant Chester make themselves visible to

0:56:04.360 --> 0:56:07.640
<v Speaker 1>throw a pie in the aunt's face, and she reacts

0:56:07.680 --> 0:56:11.160
<v Speaker 1>like she got shot and the shotgun at a foot away.

0:56:11.920 --> 0:56:14.440
<v Speaker 1>It is such an overreaction to getting hit in the

0:56:14.480 --> 0:56:18.320
<v Speaker 1>face by a pie. Oh man, it was great. Jeremy

0:56:18.320 --> 0:56:20.560
<v Speaker 1>finally gets to another payphone because they were around all

0:56:20.560 --> 0:56:23.000
<v Speaker 1>the time people, they really were. And now he's told

0:56:23.239 --> 0:56:27.080
<v Speaker 1>you can't buy the school, but his uncle says he

0:56:27.160 --> 0:56:30.200
<v Speaker 1>might be able to set up a trust fund so

0:56:30.239 --> 0:56:32.920
<v Speaker 1>that they can keep the school going. And so the

0:56:32.960 --> 0:56:35.440
<v Speaker 1>payphone did work. Go nineteen eighty. It's just the way

0:56:35.440 --> 0:56:38.080
<v Speaker 1>it is. Yes, barely able to make it to her

0:56:38.080 --> 0:56:41.080
<v Speaker 1>feet because she was horribly covered in pie. The Countess

0:56:41.160 --> 0:56:44.520
<v Speaker 1>is now obsessed on buying the school and tearing it down.

0:56:44.920 --> 0:56:47.279
<v Speaker 1>She doesn't even care how much that will cost her.

0:56:48.640 --> 0:56:49.960
<v Speaker 1>This is where the time speeds up.

0:56:50.040 --> 0:56:52.320
<v Speaker 2>She says, she doesn't care how much of his money.

0:56:52.120 --> 0:56:54.439
<v Speaker 1>It'll Yes, I don't care how much of his money

0:56:54.440 --> 0:56:55.279
<v Speaker 1>it's gonna cost me.

0:56:56.200 --> 0:56:58.399
<v Speaker 3>Back at the school. Emily is packing her things to leave.

0:56:58.400 --> 0:57:00.799
<v Speaker 1>Colonel Bucksley tribes one last time time to keep her around,

0:57:00.800 --> 0:57:02.680
<v Speaker 1>because after that sex said class, he'd really like.

0:57:02.640 --> 0:57:03.080
<v Speaker 3>To try it.

0:57:03.440 --> 0:57:06.880
<v Speaker 1>He says, he'll build a separate but equal campus next door.

0:57:06.880 --> 0:57:09.440
<v Speaker 1>But she's just not having it. He doesn't get that

0:57:09.480 --> 0:57:12.000
<v Speaker 1>she wants her name on the sign. She wants to share,

0:57:12.239 --> 0:57:14.759
<v Speaker 1>not be a part of his school. Her mind is

0:57:14.760 --> 0:57:17.760
<v Speaker 1>made up. The girls are moving, and so will Jeremy soon.

0:57:18.280 --> 0:57:21.840
<v Speaker 1>Posey says goodbye to her boyfriend, lover, brother or sister, whatever,

0:57:22.480 --> 0:57:27.920
<v Speaker 1>and things are looking very dim. Just then Sergeant Chester

0:57:28.000 --> 0:57:30.360
<v Speaker 1>and Bettina quickly tell the ghost General the girls can't

0:57:30.440 --> 0:57:32.880
<v Speaker 1>leave because then Jeremy will leave. And then he quickly

0:57:33.040 --> 0:57:34.960
<v Speaker 1>just accepts it. The thing he's been fighting for the

0:57:35.000 --> 0:57:37.560
<v Speaker 1>whole movie, in his whole life, turned around in one second.

0:57:37.840 --> 0:57:39.560
<v Speaker 1>Why couldn't they have told him that earlier in the movie.

0:57:39.560 --> 0:57:41.280
<v Speaker 1>They try at one point, but he's.

0:57:41.040 --> 0:57:42.360
<v Speaker 3>Like, I don't want to hear it. You're a woman.

0:57:42.440 --> 0:57:44.960
<v Speaker 3>Women don't speak, and that's the way that happened.

0:57:45.880 --> 0:57:50.520
<v Speaker 1>Then, like you do in this world, you make one

0:57:50.600 --> 0:57:56.240
<v Speaker 1>phone call to the bank, the several hours later, it

0:57:56.320 --> 0:58:00.360
<v Speaker 1>seems like you arrive as aunt Ernestine does at the

0:58:00.360 --> 0:58:02.840
<v Speaker 1>school with bulldozers.

0:58:02.040 --> 0:58:02.600
<v Speaker 3>And a crew.

0:58:02.720 --> 0:58:03.800
<v Speaker 2>They full crew.

0:58:04.280 --> 0:58:08.360
<v Speaker 1>It is that quick, nothing legal, there's no chance to hey,

0:58:08.400 --> 0:58:10.720
<v Speaker 1>wait a minute, you can't do this. She makes one

0:58:10.800 --> 0:58:14.520
<v Speaker 1>phone call and is somehow able to destroy the school.

0:58:14.600 --> 0:58:16.280
<v Speaker 1>She bought the school from the banker who she has

0:58:16.280 --> 0:58:19.560
<v Speaker 1>intimidated with her hitman chowffeur, and she's ready to destroy

0:58:19.600 --> 0:58:23.120
<v Speaker 1>the campus because of course that's how it legally works.

0:58:23.480 --> 0:58:26.840
<v Speaker 1>The students and the painting ghosts, they all get to work. Okay,

0:58:26.920 --> 0:58:29.640
<v Speaker 1>quick note here we get more bad bugling, But finally

0:58:29.640 --> 0:58:32.720
<v Speaker 1>the Sergeant Chester just rips it from the kid's hands

0:58:32.760 --> 0:58:35.920
<v Speaker 1>and starts to bugle perfectly. By the way, Sabrina, keep

0:58:35.920 --> 0:58:38.040
<v Speaker 1>an eye out for Amazon. I ordered you a bugle.

0:58:38.240 --> 0:58:38.959
<v Speaker 1>You're gonna be great.

0:58:39.040 --> 0:58:40.520
<v Speaker 2>I don't want it. I don't want it.

0:58:40.560 --> 0:58:41.320
<v Speaker 3>You're gonna be great.

0:58:41.680 --> 0:58:44.400
<v Speaker 1>The Countess wrecking Ball, of course, who she's brought, is

0:58:44.400 --> 0:58:47.040
<v Speaker 1>set to demolish it. Seconds away from forever destroying the

0:58:47.040 --> 0:58:50.400
<v Speaker 1>Bucksley Academy, when all of a sudden boom, water comes

0:58:50.400 --> 0:58:51.880
<v Speaker 1>in from water hoses.

0:58:51.920 --> 0:58:52.560
<v Speaker 3>We pan over.

0:58:52.680 --> 0:58:55.160
<v Speaker 1>The girls who we thought had left have come back

0:58:55.560 --> 0:58:58.560
<v Speaker 1>and they are on water canon duty while the boys

0:58:58.800 --> 0:59:02.280
<v Speaker 1>have grabbed shovel and pickaxes and formed a battle line,

0:59:02.320 --> 0:59:06.080
<v Speaker 1>and the fight is underway. The painting Ghosts are shooting

0:59:06.280 --> 0:59:09.280
<v Speaker 1>from cannons from far away, but they're shooting like bubbles

0:59:09.640 --> 0:59:12.120
<v Speaker 1>because drinking's okay in a Disney movie, but cannon balls

0:59:12.120 --> 0:59:15.960
<v Speaker 1>are not. Colonel Bucksley then punches out the chauffeur, which

0:59:16.040 --> 0:59:17.720
<v Speaker 1>of course, is gonna lead to a sequel where they're

0:59:17.720 --> 0:59:19.720
<v Speaker 1>gonna track each other down like full on john Wick

0:59:19.760 --> 0:59:22.480
<v Speaker 1>Matrix style. It's gonna be awesome. It's gonna be called

0:59:22.640 --> 0:59:25.000
<v Speaker 1>Ghosts of Bucksley Hall two. This time it's bucks Ley Er.

0:59:25.680 --> 0:59:30.160
<v Speaker 1>Miss Wakefield sees the punch and is obviously turned on.

0:59:30.960 --> 0:59:33.440
<v Speaker 1>Someone get them back to that sex sid class. Yes,

0:59:33.720 --> 0:59:35.280
<v Speaker 1>the Count and count has try to make a run

0:59:35.280 --> 0:59:37.400
<v Speaker 1>for it, but the painting Ghosts make themselves visible and

0:59:37.440 --> 0:59:39.080
<v Speaker 1>they scare them off the campus for good.

0:59:39.440 --> 0:59:40.840
<v Speaker 3>Sergeant Chester does a.

0:59:40.920 --> 0:59:43.560
<v Speaker 1>Very weird move where he appears all over the front

0:59:43.560 --> 0:59:46.120
<v Speaker 1>steps making goofy faces. He's like jumping down the steps

0:59:46.120 --> 0:59:48.280
<v Speaker 1>and then ends right in front of the camera. The

0:59:48.360 --> 0:59:52.000
<v Speaker 1>married villains leave crying and sounding like they are off

0:59:52.040 --> 0:59:55.640
<v Speaker 1>their nut. This, of course the judge is there, because

0:59:55.920 --> 1:00:00.560
<v Speaker 1>why not. The judge then rejects the change of custody,

1:00:00.920 --> 1:00:02.960
<v Speaker 1>and now Jeremy will go and live with his uncle,

1:00:03.000 --> 1:00:05.640
<v Speaker 1>who apparently he really loved the entire time, which I

1:00:05.720 --> 1:00:07.800
<v Speaker 1>never got that vibe at the beginning either, But he.

1:00:07.760 --> 1:00:10.160
<v Speaker 3>Does and he stays at Bucksley.

1:00:10.240 --> 1:00:12.040
<v Speaker 1>His uncle such a good guy that he's going to

1:00:12.120 --> 1:00:15.160
<v Speaker 1>fund the school completely, of course, with Jeremy's money, but

1:00:15.440 --> 1:00:18.800
<v Speaker 1>under one condition. It has to stay co ed on

1:00:18.880 --> 1:00:23.240
<v Speaker 1>an equal shared level. Bucksley agrees, but he turns and

1:00:23.320 --> 1:00:25.560
<v Speaker 1>needs Emily to agree as well.

1:00:25.920 --> 1:00:29.040
<v Speaker 3>They will be partners. That's the new arrangement. She agrees.

1:00:29.120 --> 1:00:33.200
<v Speaker 1>The school is saved. Maybe girls aren't so icky. The

1:00:33.280 --> 1:00:37.360
<v Speaker 1>painting ghosts are happy. Everybody's happy. Josie and Jeremy either

1:00:37.360 --> 1:00:39.160
<v Speaker 1>now best friends or boyfriend and girlfriend. They go and

1:00:39.200 --> 1:00:43.440
<v Speaker 1>they find Chester, who breaks the news that, as happy

1:00:43.440 --> 1:00:45.600
<v Speaker 1>as he is, he's supposed to go back to his

1:00:45.640 --> 1:00:49.400
<v Speaker 1>painting now that the school is safe. However, last minute,

1:00:49.480 --> 1:00:52.280
<v Speaker 1>he convinces General Bucksley to let him stand guard as

1:00:52.320 --> 1:00:56.240
<v Speaker 1>a lookout for any future issues. Now alone, the General

1:00:56.240 --> 1:00:58.640
<v Speaker 1>and his wife settle into their art, and the General

1:00:58.640 --> 1:01:01.080
<v Speaker 1>says he just can't get used to women being equal.

1:01:01.360 --> 1:01:04.040
<v Speaker 1>He liked when men were men and women knew their place.

1:01:04.400 --> 1:01:06.520
<v Speaker 1>And then he says to Bettina, go open a bottle

1:01:06.520 --> 1:01:10.240
<v Speaker 1>of sherry. But she says, open it yourself, you dick.

1:01:10.280 --> 1:01:14.080
<v Speaker 3>We she does it. She just says open it herself.

1:01:14.880 --> 1:01:19.520
<v Speaker 1>And that's how feminism was born, apparently. And there is

1:01:19.600 --> 1:01:23.920
<v Speaker 1>your film roll credits. Once again, to everyone out there,

1:01:24.040 --> 1:01:27.200
<v Speaker 1>I picked this film and you are welcome.

1:01:27.360 --> 1:01:33.000
<v Speaker 4>Sabrina Gosh, I gotta stretch I gotta stretch it out.

1:01:33.320 --> 1:01:44.479
<v Speaker 1>Who can we do some real reviews. I don't even

1:01:44.520 --> 1:01:46.960
<v Speaker 1>know how anyone found a one star.

1:01:46.880 --> 1:01:47.880
<v Speaker 3>Review of this film.

1:01:48.480 --> 1:01:50.800
<v Speaker 2>Unbelievable, I don't know, but if you could read it,

1:01:50.920 --> 1:01:51.360
<v Speaker 2>I don't.

1:01:51.200 --> 1:01:54.760
<v Speaker 4>Know how many Jensen had to sort through to find

1:01:54.840 --> 1:01:57.560
<v Speaker 4>this one, which is a gem. By the way, this

1:01:57.600 --> 1:02:01.800
<v Speaker 4>one stars from Peter DM. I only watched this movie

1:02:01.800 --> 1:02:06.080
<v Speaker 4>to get it out of my recommended list on Disney Plus.

1:02:06.880 --> 1:02:12.400
<v Speaker 4>This movie is long and boring, with the same over

1:02:12.520 --> 1:02:13.360
<v Speaker 4>and over again.

1:02:13.680 --> 1:02:15.960
<v Speaker 2>There really isn't even a plot.

1:02:16.120 --> 1:02:21.919
<v Speaker 4>It's not scary, it's not funny, it's not a drama.

1:02:22.080 --> 1:02:24.880
<v Speaker 2>It just sits there like a pile of crap.

1:02:25.320 --> 1:02:30.760
<v Speaker 8>Peter, you have been heard and you are agreed with

1:02:31.200 --> 1:02:35.720
<v Speaker 8>Oh my god, it was all of the above.

1:02:36.280 --> 1:02:38.520
<v Speaker 2>Thank you Peter, I disagree entirely.

1:02:38.640 --> 1:02:39.919
<v Speaker 3>I'm gonna read the five star review.

1:02:40.080 --> 1:02:43.920
<v Speaker 1>I agree with with MJ Bnate who said, my god,

1:02:44.400 --> 1:02:45.480
<v Speaker 1>I'm reading this perfect good.

1:02:46.400 --> 1:02:47.240
<v Speaker 3>My God.

1:02:47.600 --> 1:02:50.200
<v Speaker 1>As a grown man who's seen plenty of scary films,

1:02:50.240 --> 1:02:51.960
<v Speaker 1>I didn't think a movie could affect me like the

1:02:51.960 --> 1:02:55.000
<v Speaker 1>Ghosts of Busley Hall. Yes, I expected to be scared,

1:02:55.160 --> 1:02:57.720
<v Speaker 1>but I was not expecting to question my own sanity.

1:02:58.280 --> 1:03:00.640
<v Speaker 1>From the moment the Civil War soldiers come down off

1:03:00.640 --> 1:03:03.000
<v Speaker 1>the paintings to put a stop to the unthinkable concept

1:03:03.040 --> 1:03:05.680
<v Speaker 1>of girls being admitted to their beloved Bucksley Hall School

1:03:05.720 --> 1:03:09.120
<v Speaker 1>for Boys, the psychological siege on the viewer does not

1:03:09.240 --> 1:03:11.920
<v Speaker 1>let up. But the moment you fully comprehend that you

1:03:11.960 --> 1:03:14.760
<v Speaker 1>are watching a true masterpiece of horror is the scene

1:03:14.760 --> 1:03:18.240
<v Speaker 1>where the hapless janitor witnesses a floating hair dryer. It's

1:03:18.280 --> 1:03:20.680
<v Speaker 1>a scene that stays with you for weeks. No matter

1:03:20.760 --> 1:03:23.560
<v Speaker 1>how big a horror fan you are, think twice about

1:03:23.560 --> 1:03:26.360
<v Speaker 1>watching the Ghosts of Buxley Hall, and please do not

1:03:27.360 --> 1:03:30.560
<v Speaker 1>watch it alone. If you're under thirty years.

1:03:30.280 --> 1:03:33.280
<v Speaker 3>Old, do not watch it at all. You are not

1:03:33.560 --> 1:03:36.720
<v Speaker 3>ready for this. Five stars. I don't think there was

1:03:36.760 --> 1:03:38.400
<v Speaker 3>any hygh ferdu there by the way. I think that

1:03:38.440 --> 1:03:39.080
<v Speaker 3>was a true review.

1:03:39.160 --> 1:03:42.080
<v Speaker 8>All the pay through be fair to believe that was

1:03:42.200 --> 1:03:44.120
<v Speaker 8>a bunch of bolt.

1:03:45.080 --> 1:03:45.280
<v Speaker 3>MJ.

1:03:46.400 --> 1:03:51.000
<v Speaker 4>Get off the commenting boards with your bs and your lies.

1:03:51.200 --> 1:03:53.240
<v Speaker 2>You are a liar like Ann.

1:03:53.480 --> 1:03:58.000
<v Speaker 1>I would put this MJ up with Michael Jordan, Michael Jackson,

1:03:58.320 --> 1:04:02.600
<v Speaker 1>Montell Jordan, and now now MJ. Bnate for knowing what's

1:04:02.720 --> 1:04:06.560
<v Speaker 1>up with film? Let's do our feature this week. Sabrina's

1:04:06.560 --> 1:04:09.480
<v Speaker 1>favorite part of the podcast is our feature. Now with

1:04:09.560 --> 1:04:12.280
<v Speaker 1>the Ghosts of Buxley Hall, we get the closest to

1:04:12.360 --> 1:04:14.920
<v Speaker 1>modern warfare than really any other dcom will get us.

1:04:15.000 --> 1:04:16.880
<v Speaker 1>So for this week, we'll be given the name of

1:04:16.920 --> 1:04:19.960
<v Speaker 1>a war or historical battle, and we have to decide

1:04:19.960 --> 1:04:21.520
<v Speaker 1>if this is the name of an actual conflict that

1:04:21.600 --> 1:04:24.080
<v Speaker 1>happened or something completely made up. So again these names

1:04:24.160 --> 1:04:27.480
<v Speaker 1>are real wars or completely fake. Get three out of

1:04:27.520 --> 1:04:28.560
<v Speaker 1>five and win.

1:04:31.040 --> 1:04:32.600
<v Speaker 2>Now we're going on to history.

1:04:33.040 --> 1:04:35.919
<v Speaker 3>I love history. I do. I'm a big history fan.

1:04:36.640 --> 1:04:39.240
<v Speaker 3>So here we go. Number one.

1:04:39.720 --> 1:04:42.040
<v Speaker 1>Remember is this a real war or a fake war?

1:04:42.720 --> 1:04:49.040
<v Speaker 1>The War of Jenkins's Ear? Sabrina, I think that's real.

1:04:49.120 --> 1:04:52.520
<v Speaker 1>Actually it is real. This was actually a war that

1:04:52.640 --> 1:04:55.160
<v Speaker 1>was based on I believe a Spanish soldier ended up

1:04:55.160 --> 1:04:58.120
<v Speaker 1>cutting the ear off of a captain named Captain Jenkins,

1:04:58.120 --> 1:05:00.640
<v Speaker 1>which started the War of In's Ear.

1:05:00.680 --> 1:05:05.560
<v Speaker 5>Producer Jensen, You are right, but it's not a confirmed story.

1:05:05.920 --> 1:05:08.000
<v Speaker 5>Oh really, yeah, it's like kind of a rumor. But

1:05:08.120 --> 1:05:10.320
<v Speaker 5>it went on from seventeen thirty nine to seventeen forty

1:05:10.320 --> 1:05:11.880
<v Speaker 5>eight between Great Britain and Spain.

1:05:12.120 --> 1:05:15.920
<v Speaker 1>It was Britain in Spain, Okay, gotcha. Number two, the

1:05:16.040 --> 1:05:18.040
<v Speaker 1>Battle for Captain Eckersley.

1:05:20.080 --> 1:05:22.240
<v Speaker 2>I don't think so. I think this is fake.

1:05:22.280 --> 1:05:28.000
<v Speaker 1>I'm gonna say that's fake. I'm gonna say it's fake. Wait, wait, no,

1:05:28.000 --> 1:05:28.840
<v Speaker 1>I'm gonna say it's fake.

1:05:29.160 --> 1:05:31.720
<v Speaker 5>It's fake. It's a reference to relief pitcher Dennis Secresy.

1:05:31.760 --> 1:05:34.640
<v Speaker 1>It is okay, Dennis Secresy was great.

1:05:34.880 --> 1:05:38.840
<v Speaker 3>I know this next one the Quasi War, the Quasi

1:05:38.960 --> 1:05:41.720
<v Speaker 3>war or the quasi War.

1:05:43.440 --> 1:05:44.560
<v Speaker 2>Let's go it true.

1:05:44.800 --> 1:05:45.360
<v Speaker 3>It is true?

1:05:46.000 --> 1:05:46.280
<v Speaker 2>Is it?

1:05:46.680 --> 1:05:49.440
<v Speaker 5>Yeah, it's true. It's seventeen ninety eight to eighteen hundred

1:05:49.480 --> 1:05:51.560
<v Speaker 5>between the US and France. And I can't believe they

1:05:51.560 --> 1:05:53.400
<v Speaker 5>had it right in front of them, the Quasi Wardo.

1:05:53.960 --> 1:05:56.320
<v Speaker 5>I can't believe it was right there. I can't believe

1:05:56.280 --> 1:05:58.040
<v Speaker 5>it was right there right there?

1:05:58.280 --> 1:06:01.600
<v Speaker 3>How does no one hit that pitch exactly?

1:06:02.280 --> 1:06:02.600
<v Speaker 5>All right?

1:06:02.640 --> 1:06:03.960
<v Speaker 3>So we're three for three? We just won.

1:06:04.480 --> 1:06:06.040
<v Speaker 5>Well, I mean yeah, but let's see if you go

1:06:06.040 --> 1:06:06.880
<v Speaker 5>five first time?

1:06:06.920 --> 1:06:11.440
<v Speaker 3>Okay, all right? Just one Sabrina. The number four the

1:06:11.480 --> 1:06:12.520
<v Speaker 3>Pork and Beans War.

1:06:13.520 --> 1:06:14.960
<v Speaker 2>I bet you that's a real one.

1:06:15.080 --> 1:06:17.000
<v Speaker 3>It is real if memory serves. I think we learned

1:06:17.000 --> 1:06:18.600
<v Speaker 3>about this in history. Isn't the Pork and Beans War

1:06:18.640 --> 1:06:19.160
<v Speaker 3>a real war?

1:06:19.440 --> 1:06:22.120
<v Speaker 5>It is? And it's also called the Aroostook War eighteen

1:06:22.200 --> 1:06:24.760
<v Speaker 5>thirty eight to eighteen thirty nine US versus New Brunswick.

1:06:25.040 --> 1:06:28.760
<v Speaker 3>Okay? And number five the pastry War.

1:06:29.040 --> 1:06:31.919
<v Speaker 2>That's a TV show, is it? Yeah?

1:06:32.000 --> 1:06:32.200
<v Speaker 3>Right?

1:06:32.800 --> 1:06:33.360
<v Speaker 2>I think so.

1:06:33.560 --> 1:06:38.000
<v Speaker 1>It's called Kitchen Nightmares. I'm gonna I've never heard of

1:06:38.040 --> 1:06:39.680
<v Speaker 1>this one. It could be real, but I'm gonna say

1:06:39.680 --> 1:06:42.280
<v Speaker 1>fake just because we've only had one fake one so far.

1:06:42.440 --> 1:06:43.520
<v Speaker 2>Yeah, I think it's fake.

1:06:43.600 --> 1:06:46.680
<v Speaker 5>Two it's real. So we do not have a five

1:06:46.720 --> 1:06:49.360
<v Speaker 5>out of five, damn it between Mexico and France in

1:06:49.440 --> 1:06:52.000
<v Speaker 5>eighteen thirty eight. Damn four for.

1:06:52.120 --> 1:06:56.000
<v Speaker 1>Five, And we're getting educated as we go. Thank you

1:06:56.120 --> 1:07:02.360
<v Speaker 1>so much, Producer Jensen. Could we do some Sabrina sease?

1:07:06.200 --> 1:07:06.439
<v Speaker 3>Yes?

1:07:06.480 --> 1:07:07.360
<v Speaker 2>Because I'm not over it.

1:07:07.400 --> 1:07:09.920
<v Speaker 4>I'm gonna bring back I was calling it a trumpet

1:07:09.960 --> 1:07:15.440
<v Speaker 4>and finding out that, which I can't believe because one

1:07:15.440 --> 1:07:17.640
<v Speaker 4>of my favorite songs is the bugle Boy song.

1:07:19.040 --> 1:07:22.560
<v Speaker 2>Yeah, yeah, so I've just that was funny.

1:07:22.600 --> 1:07:25.840
<v Speaker 4>But I wanted to just make a note to let

1:07:25.880 --> 1:07:28.800
<v Speaker 4>you know that the chances of either of my children

1:07:28.880 --> 1:07:32.440
<v Speaker 4>ever being able to even try to learn an instrument

1:07:32.560 --> 1:07:34.520
<v Speaker 4>of such sort will now never happen.

1:07:34.560 --> 1:07:36.440
<v Speaker 3>I'm sending two bugles to your house immediately.

1:07:36.560 --> 1:07:39.120
<v Speaker 4>I cannot live in a house with that going on

1:07:39.800 --> 1:07:41.800
<v Speaker 4>terribly all day.

1:07:42.080 --> 1:07:42.760
<v Speaker 2>So horrible.

1:07:42.840 --> 1:07:44.560
<v Speaker 1>So if one of your kids comes to you and says, mom,

1:07:44.880 --> 1:07:49.400
<v Speaker 1>I'm taking up the bugle, It's all I've ever wanted.

1:07:49.080 --> 1:07:51.600
<v Speaker 2>To do, Oh my gosh.

1:07:51.640 --> 1:07:54.240
<v Speaker 4>Okay, So of course you know I talked about the

1:07:54.280 --> 1:07:56.200
<v Speaker 4>hairdryer with the girls, all that stuff. Everything we've all

1:07:56.240 --> 1:07:58.960
<v Speaker 4>we've covered up until the part where I can't believe

1:07:58.960 --> 1:08:02.560
<v Speaker 4>you didn't see it because it was so obvious. During

1:08:02.640 --> 1:08:05.360
<v Speaker 4>the time where we find out that the count and

1:08:05.400 --> 1:08:09.680
<v Speaker 4>Countess don't have money and it's around that champagne bottle

1:08:09.720 --> 1:08:10.800
<v Speaker 4>that needs to be opened.

1:08:11.680 --> 1:08:14.760
<v Speaker 2>Did you see that they screwed up with their scene plays.

1:08:14.520 --> 1:08:16.320
<v Speaker 3>As far as uh oh, the continuity.

1:08:16.439 --> 1:08:19.040
<v Speaker 4>The continuity takes it over to the coffee table. He

1:08:19.160 --> 1:08:21.280
<v Speaker 4>has it, and then all of a sudden he doesn't,

1:08:21.560 --> 1:08:24.200
<v Speaker 4>and she refers to the chauffeur to open it up.

1:08:24.560 --> 1:08:27.639
<v Speaker 2>It like just disappears, like he takes it over, he.

1:08:27.520 --> 1:08:30.240
<v Speaker 4>Has it in his hands, he's talking, and then all

1:08:30.240 --> 1:08:34.800
<v Speaker 4>of a sudden, it's gone and it's in with the didn't. Yeah,

1:08:35.680 --> 1:08:38.280
<v Speaker 4>it was because they also talk about it.

1:08:38.320 --> 1:08:40.960
<v Speaker 2>They're talking about the champagne, then he has it.

1:08:41.200 --> 1:08:43.840
<v Speaker 4>Then they're revealing that they don't have money, and then

1:08:43.880 --> 1:08:46.720
<v Speaker 4>she tells the chauffeur, I went, I rewound, it went

1:08:46.720 --> 1:08:48.920
<v Speaker 4>wait no, but he had it in his hands and

1:08:48.920 --> 1:08:51.880
<v Speaker 4>he never walked back over there. So continuity issue was

1:08:52.000 --> 1:08:56.040
<v Speaker 4>kind of awesome. Everything was kind of hilarious.

1:08:56.080 --> 1:08:57.200
<v Speaker 2>I did love the.

1:08:57.400 --> 1:09:00.880
<v Speaker 4>One line, I'm going to punch you out. So that's

1:09:00.880 --> 1:09:02.479
<v Speaker 4>a line that I think I want to bring back

1:09:03.000 --> 1:09:05.559
<v Speaker 4>to punch you out.

1:09:05.920 --> 1:09:07.000
<v Speaker 2>That was kind of funny.

1:09:07.680 --> 1:09:11.719
<v Speaker 4>One of the I referred to it earlier, the random

1:09:11.840 --> 1:09:14.599
<v Speaker 4>It was very much like Mozzarella. Right before she goes

1:09:14.640 --> 1:09:16.280
<v Speaker 4>down the ziplone, she goes.

1:09:16.280 --> 1:09:25.000
<v Speaker 2>Pocahonda, pokas why why what? Why? What does that even mean?

1:09:25.080 --> 1:09:25.720
<v Speaker 2>I don't know.

1:09:26.479 --> 1:09:31.000
<v Speaker 4>Last thing because it was so funny. Was the pie

1:09:31.000 --> 1:09:34.240
<v Speaker 4>in the face scene. Yes, this woman you can tell

1:09:34.400 --> 1:09:37.439
<v Speaker 4>is clearly done up. She has lashes, not only on

1:09:37.479 --> 1:09:41.160
<v Speaker 4>the top lids, she's got them down below. Is a

1:09:41.360 --> 1:09:42.479
<v Speaker 4>very good looking woman.

1:09:42.680 --> 1:09:43.120
<v Speaker 3>Yes, she.

1:09:44.640 --> 1:09:47.200
<v Speaker 2>Is just done all the time. You can tell that's

1:09:47.280 --> 1:09:49.280
<v Speaker 2>just her thing. She gets this.

1:09:49.360 --> 1:09:53.040
<v Speaker 4>Pie in her face, Okay, obviously she freaks out, like

1:09:53.040 --> 1:09:56.320
<v Speaker 4>you said, she thought she got shot. But then they

1:09:56.360 --> 1:09:59.120
<v Speaker 4>go to again, then we cut to some other storyline.

1:09:59.479 --> 1:10:01.839
<v Speaker 4>Go back to the storyline. When they're on the phone,

1:10:01.920 --> 1:10:03.879
<v Speaker 4>she still has it as if it.

1:10:03.680 --> 1:10:06.439
<v Speaker 2>Was just placed on her face making a call.

1:10:06.720 --> 1:10:12.280
<v Speaker 4>This woman is way she is way, way not that person.

1:10:12.439 --> 1:10:15.840
<v Speaker 4>She is far too vain to have a pie just

1:10:15.880 --> 1:10:18.679
<v Speaker 4>sitting on her face. I was like, wait a minute, wait,

1:10:19.080 --> 1:10:21.400
<v Speaker 4>Although I think it's funny, obviously, pie in the face,

1:10:21.400 --> 1:10:24.400
<v Speaker 4>who doesn't love that, of course, But it was kind

1:10:24.439 --> 1:10:27.280
<v Speaker 4>of a character flof issue, like choice for me for

1:10:27.320 --> 1:10:30.200
<v Speaker 4>her because she would have been right away, I mean,

1:10:30.560 --> 1:10:31.439
<v Speaker 4>getting that pie off.

1:10:31.520 --> 1:10:33.200
<v Speaker 2>So that was my last funny thing.

1:10:33.720 --> 1:10:34.720
<v Speaker 3>I like that quite a bit.

1:10:34.800 --> 1:10:38.320
<v Speaker 1>Yeah, I actually googled her because she was stunning to me,

1:10:38.479 --> 1:10:41.559
<v Speaker 1>and she was like a forties throwback movie star.

1:10:42.080 --> 1:10:42.439
<v Speaker 2>Yeah.

1:10:42.560 --> 1:10:46.280
<v Speaker 1>Really, what'd you find I think, I forget, I forget

1:10:46.280 --> 1:10:46.840
<v Speaker 1>what I found out.

1:10:47.080 --> 1:10:48.840
<v Speaker 3>Just it's like just the stuff she'd been in.

1:10:48.920 --> 1:10:50.800
<v Speaker 1>She'd done so many great things and was you know,

1:10:50.840 --> 1:10:51.840
<v Speaker 1>stunning when she was younger.

1:10:51.840 --> 1:10:52.880
<v Speaker 3>But she was absolutely beautiful.

1:10:52.880 --> 1:10:55.160
<v Speaker 2>She was just the like I loved those women in

1:10:55.240 --> 1:10:55.599
<v Speaker 2>the movie.

1:10:55.640 --> 1:11:01.120
<v Speaker 4>He's just like a classy eyelash, top eyelashes, down low makeup.

1:11:01.200 --> 1:11:01.799
<v Speaker 2>Was beautiful.

1:11:01.880 --> 1:11:04.880
<v Speaker 1>Oh, such class And now we of course have to

1:11:04.920 --> 1:11:07.080
<v Speaker 1>come to rating our film when I know you're already

1:11:07.080 --> 1:11:09.240
<v Speaker 1>giving this a ten, so I will just do it. No,

1:11:09.520 --> 1:11:11.200
<v Speaker 1>we're gonna rate our movie one out of ten are

1:11:11.240 --> 1:11:14.400
<v Speaker 1>options this week? One out of ten bad bugles, one

1:11:14.439 --> 1:11:18.000
<v Speaker 1>out of ten, possible big brothers are possible boyfriends, one

1:11:18.000 --> 1:11:21.680
<v Speaker 1>out of ten, drunk ghost lit janitors, one out of ten,

1:11:21.800 --> 1:11:25.080
<v Speaker 1>sexist generals, one out of ten small puddles you can

1:11:25.160 --> 1:11:28.240
<v Speaker 1>call a ravine, one out of ten payphones, or one

1:11:28.280 --> 1:11:30.719
<v Speaker 1>out of ten hit in chow first. Which one would

1:11:30.720 --> 1:11:31.719
<v Speaker 1>you like to do this week?

1:11:32.040 --> 1:11:32.240
<v Speaker 5>Really?

1:11:32.360 --> 1:11:34.479
<v Speaker 4>I think because I hated them so bad, the Bad

1:11:34.479 --> 1:11:35.680
<v Speaker 4>Bugles is what we're gonna do.

1:11:35.960 --> 1:11:36.640
<v Speaker 3>You got it.

1:11:36.680 --> 1:11:39.280
<v Speaker 1>A Bad Bugles, by the way, is a great, great,

1:11:39.479 --> 1:11:43.320
<v Speaker 1>great name for a ska band. So yeah, I think

1:11:43.560 --> 1:11:45.760
<v Speaker 1>you went first last time, so I think I have

1:11:45.880 --> 1:11:46.800
<v Speaker 1>to go first this time.

1:11:46.880 --> 1:11:51.280
<v Speaker 3>Here we go. I loved this movie. I loved everything

1:11:51.280 --> 1:11:51.680
<v Speaker 3>about No.

1:11:51.880 --> 1:11:54.600
<v Speaker 1>Okay, this movie was the nostalgia of course, brought me

1:11:54.680 --> 1:11:56.920
<v Speaker 1>right back to eighties movies. This is not a good

1:11:57.400 --> 1:12:00.200
<v Speaker 1>it's the rules don't make any sense. The storyline are

1:12:00.240 --> 1:12:02.639
<v Speaker 1>all over the place. The acting's kind of weird. It's

1:12:02.800 --> 1:12:06.400
<v Speaker 1>very Scooby Doo. This movie just didn't know what it was. However,

1:12:07.080 --> 1:12:09.760
<v Speaker 1>it was fun romp for the ninety two minutes we had.

1:12:10.280 --> 1:12:14.559
<v Speaker 1>I'm gonna give this a solid four point five back.

1:12:14.640 --> 1:12:17.519
<v Speaker 2>Okay, it's great, you were gonna go more and I

1:12:17.840 --> 1:12:19.720
<v Speaker 2>just gotta.

1:12:19.560 --> 1:12:21.519
<v Speaker 1>I've got to give this movie what this movie is,

1:12:21.600 --> 1:12:24.439
<v Speaker 1>especially since we've been watching like Zombies and all these

1:12:24.479 --> 1:12:27.200
<v Speaker 1>bangers lately that have just been so good. I'm trying

1:12:27.200 --> 1:12:29.599
<v Speaker 1>to give movies like this the benefit of the doubt.

1:12:29.600 --> 1:12:32.080
<v Speaker 1>But a lot of this movie just made no sense.

1:12:33.080 --> 1:12:34.160
<v Speaker 1>It was all over the place.

1:12:34.200 --> 1:12:36.800
<v Speaker 3>So four and a half bad bugles from me.

1:12:37.640 --> 1:12:40.799
<v Speaker 2>Yes, okay, I am gonna go with four.

1:12:41.560 --> 1:12:46.240
<v Speaker 4>And I at first wanted it to be a better movie.

1:12:46.280 --> 1:12:48.160
<v Speaker 2>I was ready for the nostalgia of that.

1:12:48.320 --> 1:12:50.360
<v Speaker 4>Like I said, it took me back to the times

1:12:50.400 --> 1:12:53.120
<v Speaker 4>where I got to spend the night at my grandparents' house.

1:12:53.200 --> 1:12:55.080
<v Speaker 4>These are the kind of movies they loved to watch.

1:12:55.280 --> 1:12:57.519
<v Speaker 4>They liked to watch them with me. I liked the

1:12:57.600 --> 1:13:00.599
<v Speaker 4>over the top acting back then, so I was really

1:13:00.640 --> 1:13:03.200
<v Speaker 4>ready to love it. But because it was so confusing

1:13:03.360 --> 1:13:05.360
<v Speaker 4>and so choppy, yeah.

1:13:05.080 --> 1:13:08.519
<v Speaker 2>That I had to take breaks to go back to it.

1:13:08.640 --> 1:13:10.400
<v Speaker 2>I got bored during a lot.

1:13:10.200 --> 1:13:11.080
<v Speaker 4>Of the things.

1:13:11.200 --> 1:13:12.719
<v Speaker 2>It just was tough to get through.

1:13:12.920 --> 1:13:13.639
<v Speaker 3>It was a slog.

1:13:14.160 --> 1:13:17.920
<v Speaker 2>Yeah, it really was just a slow, slow pace. Nothing

1:13:18.000 --> 1:13:20.400
<v Speaker 2>really came out of it at the end. There was real,

1:13:20.560 --> 1:13:23.800
<v Speaker 2>no big win, you know. Yeah they got this. I

1:13:23.800 --> 1:13:24.120
<v Speaker 2>don't know.

1:13:24.200 --> 1:13:26.840
<v Speaker 4>It just really I didn't care that much, you know,

1:13:26.920 --> 1:13:28.200
<v Speaker 4>And that was hard for me.

1:13:28.360 --> 1:13:30.320
<v Speaker 2>I have loved so many of these movies.

1:13:30.320 --> 1:13:32.880
<v Speaker 4>There's very few of them that I haven't liked, even

1:13:32.920 --> 1:13:35.840
<v Speaker 4>the funny parts of certain things. But yeah, and I

1:13:36.000 --> 1:13:39.120
<v Speaker 4>just still can't it's still days after I've watched it

1:13:39.200 --> 1:13:45.439
<v Speaker 4>that I can't get that sound of my four Yeah,

1:13:45.479 --> 1:13:48.880
<v Speaker 4>my four bad bugles are just staying with me.

1:13:49.160 --> 1:13:51.880
<v Speaker 2>So four Bad Bugles is my rating this week.

1:13:52.160 --> 1:13:54.800
<v Speaker 3>Well, there you are, buddy. That is the Ghosts of

1:13:54.880 --> 1:13:56.920
<v Speaker 3>Bucksley Hall. See it with a friend if you don't

1:13:56.920 --> 1:13:59.920
<v Speaker 3>want to be friends with them anymore. Our next movie

1:14:00.400 --> 1:14:02.600
<v Speaker 3>is the Even Stevens movie A.

1:14:02.680 --> 1:14:05.479
<v Speaker 1>Dcom Class in two thousand and three, and we might

1:14:05.840 --> 1:14:08.400
<v Speaker 1>just be joined by somebody that I have quite the

1:14:08.520 --> 1:14:10.680
<v Speaker 1>history with and we will leave it at that and

1:14:10.720 --> 1:14:11.000
<v Speaker 1>in the.

1:14:10.960 --> 1:14:12.519
<v Speaker 2>Meantime love as well.

1:14:12.920 --> 1:14:16.439
<v Speaker 1>I will see who knows in the meantime. This week

1:14:16.479 --> 1:14:19.520
<v Speaker 1>on our dedicated magical rewind Feed, our Park Hooper episode

1:14:19.560 --> 1:14:22.200
<v Speaker 1>is going back to Zombies, talk about a banger of

1:14:22.240 --> 1:14:22.639
<v Speaker 1>a film.

1:14:22.920 --> 1:14:24.800
<v Speaker 3>We couldn't just leave it there. We had to dig deeper.

1:14:24.880 --> 1:14:28.200
<v Speaker 1>So this week we're talking to our favorite character, cheerleader

1:14:28.400 --> 1:14:33.439
<v Speaker 1>Trevor Towrjman aka Bucky Buchanan fucking and we tried our

1:14:33.479 --> 1:14:35.800
<v Speaker 1>hardest not to just keep saying you're the best, over

1:14:35.920 --> 1:14:36.400
<v Speaker 1>and over.

1:14:36.800 --> 1:14:39.719
<v Speaker 3>Let's hear a little snippet from that attempt.

1:14:41.200 --> 1:14:45.320
<v Speaker 6>The audition, it just said untitled Zombies Musical, and I

1:14:45.360 --> 1:14:47.400
<v Speaker 6>was like, what is this? And then you guys know

1:14:47.439 --> 1:14:50.200
<v Speaker 6>how much of a trip Bucky is, right, So reading

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<v Speaker 6>Bucky's lines, I'm like, what is he even saying? I

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<v Speaker 6>was digesting the lines. I was like cajun or shaking bake.

1:14:56.080 --> 1:14:58.000
<v Speaker 6>I was like I just need to make a joke

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<v Speaker 6>out of this, you know what I mean. And I

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<v Speaker 6>remember I was wearing my bathing suit and my now

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<v Speaker 6>wife was taping with me. She's like, are you gonna

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<v Speaker 6>change out of your bathing suit? I was like, no,

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<v Speaker 6>run it, let's do it. You can and just did

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<v Speaker 6>this whole thing and then the director was like, that's perfect.

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<v Speaker 3>Oh so much fun.

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<v Speaker 1>And remember to subscribe to our feet and you can

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<v Speaker 1>follow us on the magical rewind Pod on the Instagram

1:15:21.640 --> 1:15:35.000
<v Speaker 1>machine by everybody