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Speaker 1: Hey, when you were a kid, if you ever did

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Speaker 1: anything wrong? Were you ever threatened with military school?

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Speaker 2: No?

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Speaker 3: No, you never had that. You never was never like

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Speaker 3: we will send you off to military school.

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Speaker 2: No, no, no military, no boarding. Nothing.

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Speaker 4: It was like you'll you don't get to go to dance,

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Speaker 4: probably or I honestly I don't remember what my threats were.

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Speaker 3: I'm so funny.

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Speaker 1: That was my biggest threat too, is my parents being like,

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Speaker 1: will you don't get to dance? And I was like, what,

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Speaker 1: You're not gonna where dancing? And that's when the music

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Speaker 1: started and it was like footloosing in my bedroom.

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Speaker 2: Yeah, no, I honestly don't remember.

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Speaker 4: It probably was candy sweets have been a thing for

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Speaker 4: me my whole life, which is hilarious.

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Speaker 1: So you're you're you're a so you're a sweet person,

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Speaker 1: Like if you had the best sweet next to the

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Speaker 1: best burger, you're going to take the best sweet every time.

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Speaker 4: When I was little, yes, but it's definitely my daughter

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Speaker 4: now but now I it depends am I pregnant?

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Speaker 2: Because if I am, I need that ice cream like pronto.

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Speaker 1: That was well, first of all, hopefully you're not asking

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Speaker 1: me if you're pregnant, because I would say, how would

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Speaker 1: I know?

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Speaker 4: I mean, like, sweets were everything on both pregnancies, but

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Speaker 4: not really as an adult.

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Speaker 3: What was your weirdest craving when you were pregnant.

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Speaker 2: I didn't have weird cravings.

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Speaker 4: I just literally had at least one, like scoop of

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Speaker 4: ice cream every night, Okay every night.

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Speaker 1: There's a famous Fordell family story where my mother was

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Speaker 1: so craving and eating jelly donuts with one of us

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Speaker 1: that my dad had a nightmare where he woke up

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Speaker 1: in the midlight screaming because my mom had turned into

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Speaker 1: a jelly donut.

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Speaker 2: Hilarious. Yeah, I know.

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Speaker 4: I was really stoked about the weird cravings. The only

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Speaker 4: thing I think I got that was weird was I

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Speaker 4: would either do cream cheese or sour cream and then

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Speaker 4: put green salsa on it and dip it with Freedo chips.

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Speaker 3: Okay, I could see that.

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Speaker 4: But when I think about it, I feel like that

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Speaker 4: was an eighties slash nineties appetizer where you do like.

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Speaker 2: A block of a block of cream cheese with.

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Speaker 3: Salsa melted in the microwave and then dip with a

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Speaker 3: free Yeah.

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Speaker 2: So I guess I kind of brought that back from

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Speaker 2: my childhood.

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Speaker 3: I like it.

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Speaker 1: Well, we've gotten far afield from if you were ever

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Speaker 1: threatened with military school, how we end up, dipp, I

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Speaker 1: will not understand.

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Speaker 4: Did you get threatened with mill Schorel You kind of

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Speaker 4: had to write you were like living that life a

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Speaker 4: little bit.

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Speaker 1: Yeah, my dad was in the military, but no, because

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Speaker 1: my parents would never have sent us away.

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Speaker 3: Nothing we would have done would have had my parents

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Speaker 3: center right.

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Speaker 2: My parents say, I think if they even tried, that would.

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Speaker 1: Be like yeah, okay, yeah, good luck with that.

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Speaker 2: You could live without me. That's hilarious.

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Speaker 3: Good luck with that.

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Speaker 2: Good luck.

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Speaker 5: Wow.

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Speaker 1: Well, welcome back to Magical Rewind, the show that makes

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Speaker 1: you want to grab your friends, your pj's and your

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Speaker 1: popcorn and go back to a time when all the

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Speaker 1: houses were smart, the waves, Tsunamis and the high School's musical.

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Speaker 3: I'm Will Dell and I'm Sabrina Brian and Sabrina.

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Speaker 1: I'd like to start today by saying you're welcome because

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Speaker 1: I picked the film we watched today and we're going

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Speaker 1: to get into it. So you don't have to send

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Speaker 1: me gifts. Don't send them right to the house because

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Speaker 1: you are welcome.

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Speaker 4: Oh well, well, I think I speak for the producers

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Speaker 4: as well, that you are no longer allowed to pick

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Speaker 4: any movies.

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Speaker 1: I disagree, I should pick them all. It was brilliant that.

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Speaker 2: Has been taken away from you.

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Speaker 1: Well, ten hot soldiers, line up and give me ten.

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Speaker 1: Because we were reviewing nineteen eighties The Ghosts of Buxley Hall,

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Speaker 1: a supernatural comedy that I swear to God, I picked

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Speaker 1: solely on the poster. It came up on my feed.

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Speaker 1: I've wanted to watch some of the older kind of movies. Yeah,

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Speaker 1: this one popped up. I knew nothing about it, and

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Speaker 1: I was like, let's do this one. And I'm glad

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Speaker 1: I did, because what a film. It was originally broadcast

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Speaker 1: as a two part episode of Disney's Wonderful World. That

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Speaker 1: is a first for us, and they aired them a

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Speaker 1: week apart, so part one was on December twenty first,

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Speaker 1: and part two was on the twenty eighth of nineteen eighty.

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Speaker 1: Nineteen eighty was a tough year, but we'll get into

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Speaker 1: that later. The movie was filmed at the Banning House,

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Speaker 1: which is a historic Greek Revival Victorian home in the

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Speaker 1: Wilmington section of Los Angeles. It was originally built in

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Speaker 1: eighteen sixty three by an early Los Angeles pioneer.

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Speaker 3: And you know it's early when.

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Speaker 1: The first name is Phineas Phineas Banning, you know that

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Speaker 1: we are talking about a while ago. It is now

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Speaker 1: a museum that has been designated a California Historic Landmark

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Speaker 1: as well as federally listed on the National Registry of

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Speaker 1: Historic Places. And none of that is for being the

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Speaker 1: filming location for the Ghosts of Buxley Hall.

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Speaker 3: It also just happened to be filmed there.

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Speaker 1: This is obviously the building itself is a big important

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Speaker 1: set piece, so the movie is basically shaped around the

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Speaker 1: entire building. In addition to the double broadcast, it was

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Speaker 1: released on wait for it, folk, and you're gonna have

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Speaker 1: to google this a lot of you listening on something

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Speaker 1: called VHS in nineteen eighty in the eighties as part

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Speaker 1: of the very popular Walt Disney Home Video line, which

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Speaker 1: a lot of people remember. And then in twenty twelve

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Speaker 1: it was released on DVD, which is another digital video disc.

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Speaker 1: Some people don't even know what that is anymore, as

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Speaker 1: a Disney Movie Club exclusive, only available to club members,

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Speaker 1: making the physical copy a bit of a collector's item.

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Speaker 1: And oh yes, you gotta love this. Turner Classic Movies

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Speaker 1: aired it back in twenty fifteen as part of their

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Speaker 1: Treasures from the Disney Vault series. But now, folks, and again,

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Speaker 1: you're welcome. It is on Disney Plus to watch, so

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Speaker 1: you can go watch it now before we get into it,

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Speaker 1: or just wait till we're done.

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Speaker 3: Neither's rude. We're not gonna judge it either way. I'm

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Speaker 3: gunn you.

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Speaker 1: I'm actually gonna judge you, and not even silently. I'm

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Speaker 1: gonna come to your house and just openly judge you.

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Speaker 1: Does this movie, involving characters from the Civil War era,

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Speaker 1: depict sexism and thinly veiled racism?

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Speaker 3: Uh huh, yeah, yeah, sure does one hundred percent.

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Speaker 1: Have we now hit our third Disney movie that involves drinking.

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Speaker 3: Yes, yes, certainly have.

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Speaker 1: But in all fairness, we don't have any deaths from DUIs,

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Speaker 1: which will stay solely with Susie Q for now, which

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Speaker 1: holds the I think most characters killed.

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Speaker 3: In the beginning of a Disney movie trophy.

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Speaker 2: Uh we have more, Yes, yes, we had them. That

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Speaker 2: was the whole thing. At Tower or Tair, we lost

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Speaker 2: four people.

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Speaker 3: Oh my god, we lost the whole cast.

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Speaker 2: You're right, seconds in.

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Speaker 1: I take it back ninety seconds in and the entire

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Speaker 1: cast is killed.

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Speaker 3: You're one hundred percent the entire cast is gone, jeez,

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Speaker 3: well remembered.

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Speaker 1: And it was shot in nineteen eighty so similarly to

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Speaker 1: the Leftovers, the footage does look like it's being projected

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Speaker 1: from a VHS tape that was bathed in mud on

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Speaker 1: the back of a broken burlap sack that you found

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Speaker 1: in your basement.

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Speaker 3: But hey, that is the era. And not trying to

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Speaker 3: color our.

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Speaker 1: Own feelings here, but this is one of the more

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Speaker 1: dismally rotten Tomato scores we've received for any movie so far.

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Speaker 1: It is twenty eight percent. I think that was a

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Speaker 1: little harsh, but that's we'll get into that. But again,

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Speaker 1: they should not sway us either way. And first Arena,

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Speaker 1: I think I can guess the answer to this. But

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Speaker 1: I'm not even gonna ask if you knew about the

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Speaker 1: Ghost of Bucksley Hall. I'm just gonna say, how much

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Speaker 1: did you know about the Ghost of Bucksley Hall?

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Speaker 3: One of your favorite films of all time? Before the podcast?

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Speaker 2: Nothing.

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Speaker 4: I was actually excited because I grew up, you know,

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Speaker 4: at my grandparents' house watching kind of Western movies, you know,

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Speaker 4: war type stuff, and so I was kind of excited

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Speaker 4: for it from the poster, not anything that I thought

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Speaker 4: it was gonna end up being where it takes us immediately,

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Speaker 4: with the amount of children that are in the movie, Like,

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Speaker 4: I just was not expecting that at all.

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Speaker 2: No, I was thinking more John Wayne.

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Speaker 1: Really for a Disney movie, it's any kids, Hey, maybe

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Speaker 1: he would want to do something kind of like that.

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Speaker 4: I don't know, you know, but I just I mean,

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Speaker 4: from the poster itself, I was shocked when it started

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Speaker 4: to reveal what this movie was gonna be.

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Speaker 3: I think that's so funny.

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Speaker 1: I had not heard of this movie. I again, I know,

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Speaker 1: old timey movie, which is so horrible to say. In

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Speaker 1: nineteen eighty I was four, but I wanted to watch

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Speaker 1: an old school movie.

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Speaker 3: That's what are the joys of this podcast.

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Speaker 1: When we first started this podcast, I didn't want to

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Speaker 1: just do awesome new movies like Zombies and and you know, Descendants.

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Speaker 1: I wanted to go back and see kind of where

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Speaker 1: it all started. So yes, unfortunately, one of the things

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Speaker 1: that we're running into, and this is a deal we've

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Speaker 1: made with ourselves, with the producers and also with our audience,

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Speaker 1: is that We're not gonna watch any movie that is

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Speaker 1: so difficult to find that Hey, we got one random

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Speaker 1: copy of a VHS that you and I shared and

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Speaker 1: nobody can watch along with us.

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Speaker 3: We're not gonna do that.

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Speaker 1: So we're gonna we're watching even the old ones. We

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Speaker 1: find our movies that are accessible to our to our audience.

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Speaker 1: So Ghost to Bucksley Hall popped up. I'm like, this

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Speaker 1: is perfect. It's right there on Disney Plus, it's got

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Speaker 1: a great poster. Let's get into it.

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Speaker 4: It's so interesting to me though, that it did get

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Speaker 4: such a low score, knowing that it's on Disney Plus

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Speaker 4: and all the things that it was brought back and

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Speaker 4: the Disney Club often, Yeah, all that stuff into to

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Speaker 4: see that it got like a low rating is interesting

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Speaker 4: that they would then, I mean, you know, but maybe

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Speaker 4: at the time it didn't get that kind of rating

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Speaker 4: right that to me, it was more of a newer

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Speaker 4: rating system from it wasn't happening in the eighties.

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Speaker 1: Also, and we can we can address this right at

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Speaker 1: the top. I am forty eight years old. This movie

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Speaker 1: to me, this the quality of this movie, the acting

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Speaker 1: in this movie, the look of this movie, all of

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Speaker 1: this is exactly the type of movie I would watch

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Speaker 1: when I was eleven or twelve years old. Okay, so

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Speaker 1: this was like the dcom of its day for me.

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Speaker 1: Were these kind of movies like the one we watched

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Speaker 1: was sean Aston where they they're at the military base.

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Speaker 1: The other one we watched, Yes, like movies like that

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Speaker 1: were the movies that I grew up watching. So this

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Speaker 1: looked like my kid kind of movie. All right, this

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Speaker 1: was my Descendants, not this movie specifically, but the look

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Speaker 1: of this kind of movie. These are like my kind

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Speaker 1: of Descendants. So I was I was excited.

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Speaker 2: I gonna need you to pull back from comparing it

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Speaker 2: to Descendants.

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Speaker 3: I know exactly.

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Speaker 1: Wow, I met in that they're both movies with actors,

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Speaker 1: which is probably where where the where that stops?

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Speaker 2: But starts and stops.

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Speaker 3: It's true.

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Speaker 1: All right. So before we chug some wine from the

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Speaker 1: bottle we're hiding in the library, let's get into the synopsis.

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Speaker 1: The ghostly founders of a military academy try to undo

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Speaker 1: a merger with a girls school, girls EH and save

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Speaker 1: their legacy, while some family members of a newly orphaned

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Speaker 1: student have ulterior motives for trying to gain his custody

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Speaker 1: and if even the synopsis was confusing, wait until we

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Speaker 1: get into the film.

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Speaker 3: Early thoughts, Sabrina, what did you think?

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Speaker 4: I want you to know this is one of my

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Speaker 4: spring seas. But it just has to be said right

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Speaker 4: from the start. As soon as the trumpet started playing,

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Speaker 4: I rolled my eyes and was like, I hate you will.

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Speaker 2: Started. The second the trumpet starts playing, I'm like, oh God,

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Speaker 2: oh God, here we go. And it did it much

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Speaker 2: farther up from that, but that's all right.

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Speaker 1: I thought much differently about this film. This is the

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Speaker 1: best movie we see. No you know what again brought me.

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Speaker 1: The style of film brought me right back to my childhood.

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Speaker 1: The big cartoony acting, Yeah, kind of one two three,

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Speaker 1: blocking of everything stand here, I will shoot you with

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Speaker 1: camera brought me right back to the movies that I

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Speaker 1: grew up watching.

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Speaker 3: Yeah, I think I had a much more nostalgic field thing.

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Speaker 6: Yeah.

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Speaker 4: The nostalgic field for me again felt like I was

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Speaker 4: sort of kind of back at my grandparents house, staying

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Speaker 4: over for the weekend, and this is the movie that

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Speaker 4: we sat down and watched.

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Speaker 3: You know, I forget.

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Speaker 2: By the way, how old were you in nineteen eighty none?

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Speaker 3: Yeah, you were nine years old. That's what I thought.

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Speaker 4: I was nine years old here none you had your

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Speaker 4: non birthday that year, you is my non birthday? Yeah, yay,

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Speaker 4: but same though. But honestly, that was what I was

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Speaker 4: watching when I was going to my grandparents' house.

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Speaker 2: That was like again, the.

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Speaker 4: Look and the feel of all of it, that costume,

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Speaker 4: the like you said, the acting, the very over.

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Speaker 3: The top acting.

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Speaker 4: I think when I if I had watched this at

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Speaker 4: sitting on there, you know, the floor of their family room,

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Speaker 4: I probably would have been cracking up because I loved

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Speaker 4: that when I was little, that kind of acting was

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Speaker 4: so funny to me. Just yeah, And then my grandparents

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Speaker 4: would crack up because they loved when I did my

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Speaker 4: belly giggle.

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Speaker 2: Like that kind of stuff was really fun of me.

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Speaker 5: That's what. So I agree.

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Speaker 2: But the trumpet plane, it's they just got me right

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Speaker 2: into that life.

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Speaker 3: Damn you for.

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Speaker 5: Nice.

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Speaker 1: This movie was directed by Bruce Bilson, a high profile

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Speaker 1: TV director from the sixties and the seventies, working heavily

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Speaker 1: on Oh and now I'm I'm going to say, folks,

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Speaker 1: some television shows and stuff with our actors, directors, everything

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Speaker 1: we're doing here that we really need to get into

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Speaker 1: because it is some of my favorite things of all times,

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Speaker 1: so working heavily on Get Smart, which you want an Emmy,

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Speaker 1: four Hogan's Heroes, The Odd Couple and Mash my favorite

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Speaker 1: show of all time. And a fun fact about Bilson

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Speaker 1: Slash as hr Nightmare. Just months after filming the Ghost

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Speaker 1: of Bucksley Hall, he would end up marrying actress Renee Jarrett,

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Speaker 1: who played Miss Emily Wakefield and then only acted maybe

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Speaker 1: one or two more times after this and they are

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Speaker 1: still married to Wow since nineteen eighty If you do

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Speaker 1: the math, that's almost twenty years ago in my head.

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Speaker 3: Anyway.

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Speaker 1: Movie stars Dick O'Neil as General. It's supposed to sound

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Speaker 1: like Ulysses, but it's Ulis d Bucksley. O'Neill is best

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Speaker 1: known for his roles in the original Taking a Pelm, one, two, three,

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Speaker 1: and The Jerk, but was also a massive veteran of TV,

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Speaker 1: appearing on everything from Three's Company to Mash two, Boy

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Speaker 1: Meets World, Yes, Wow, Alan and Eric by Alan, Eric

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Speaker 1: and Amy really by the Wilderness store Front. Then you

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Speaker 1: got Victor French played Sergeant Major Chester b.

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Speaker 3: Sweet.

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Speaker 1: French was the star of Highway to Heaven, Little House

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Speaker 1: on the Prairie where he played Isaiah Edwards. They were

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Speaker 1: both totally iconic roles and amazing television shows, but he

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Speaker 1: appeared in so much more, including Gun Smoke, Bonanza, and Tarzan.

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Speaker 1: This is one of the reasons why I love doing

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Speaker 1: older movies because these actors were in some of the

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Speaker 1: most influential television movies of all time.

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Speaker 5: So cool.

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Speaker 1: Louise Latham, another huge just banger, played Bettina Bucksley, and

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Speaker 1: she was seen in classic movies like Alfred Hitchcock's Marnie,

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Speaker 1: The Philadelphia Experiment, and basically every TV show over the era,

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Speaker 1: including The Waltons and The Six Million Dollar Man. My brother,

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Speaker 1: by the way, little off story, until he was nine

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Speaker 1: years old, didn't ever run without going no no no

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Speaker 1: no no no no no no no no no no

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Speaker 1: no no no no, no no no.

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Speaker 3: Which is how The Six Million Dollar Man ran.

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Speaker 1: So he would literally run in slow motion while doing

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Speaker 1: the own sound effects for himself until he was like.

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Speaker 2: No, that is the cutest thing I have ever.

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Speaker 3: Until you're in a race, and then it's awful.

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Speaker 1: The three of them played the ghosts of the movie

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Speaker 1: and were all established amazing workers in Hollywood at the time.

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Speaker 1: Then we've got Monty Markham, who plays Colonel Joe Bucksley,

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Speaker 1: also a big TV mainstay on things like Dallas, The

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Speaker 1: Love Boat, Fantasy Island, and so many more. But most importantly,

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Speaker 1: he would appear on over forty episodes of Baywatch as

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Speaker 1: Captain Don Thorpe.

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Speaker 3: They've just been in all the greatest stuff ever.

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Speaker 2: Baywatch a classic for you.

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Speaker 3: It is, well, you know the funny thing.

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Speaker 1: So we just had Kelly Packard on Podmets World and

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Speaker 1: I told her I've known her for years. I've never

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Speaker 1: seen a single episode of Baywatch in my entire life.

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Speaker 5: Wow.

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Speaker 3: I never seen a single episode of Baywatch. Isn't that true?

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Speaker 2: Wow?

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Speaker 3: Well, I know never.

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Speaker 1: Vito Scotti played the ridiculous Count Sergio Luceesi di Gonzini,

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Speaker 1: And this guy was in so much great stuff.

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Speaker 3: He played Nazarene and The Godfather, big kind of film.

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Speaker 2: Wow.

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Speaker 1: And he was one of the voices in Disney's The Aristocrats.

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Speaker 2: So cool.

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Speaker 1: There's also a bunch of child actors that went on

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Speaker 1: to do other things. We'll talk about them a little

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Speaker 1: bit later. Because the kids didn't play as big a

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Speaker 1: role in this as I thought they were going to.

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Speaker 1: For a Disney movie They kind of came and went,

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Speaker 1: but here we go. The mo movie, when set as

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Speaker 1: just one part instead of the two parts Broken Up,

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00:16:04,360 --> 00:16:08,960
Speaker 1: is ninety two minutes too off from the celebrated Bullseye.

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Speaker 1: It was written by cy Gomberg, who was an outspooken

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Speaker 1: activist against quote gratuitous and unpunished violence unquote in movies

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Speaker 1: and TV.

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Speaker 3: Sounds like he'd be fun to hang with that parties.

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Speaker 1: He also won the nineteen fifty one OSCAR for Best

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Speaker 1: Story with When Willie Comes Marching Home, and again that

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Speaker 1: same year he was nominated for Best Screenplay with Summerstock,

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Speaker 1: starring Judy Garland and Gene Kelly Man. He left us

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Speaker 1: in two thousand and one, but I'm sure he will

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Speaker 1: be rolling over in his grave as I also mentioned

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Speaker 1: that he wrote an episode of Small Wonder, which, next

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Speaker 1: to Mama's Family, might be the worst sitcom of all time.

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Speaker 3: Oh that was a tough one to get through, and

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Speaker 3: he shared the credit with Rick Middleman.

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Speaker 1: Like most people involved in this movie, Middleman was a

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Speaker 1: TV veteran with scripts on Mash, Karen mcgever and Welcome

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Speaker 1: Back Codter, Welcome Back, Miss got it?

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Speaker 3: Okay, did you get any of what I just said, Srina.

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Speaker 3: You didn't get any of those references, did.

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Speaker 2: You, mister Carter?

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00:17:05,800 --> 00:17:07,440
Speaker 3: Yes, you watched Welcome Back Carter?

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Speaker 2: I did. I watched NICKD Night a lot when I

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Speaker 2: was young.

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Speaker 3: Okay, our good, I'd love to hear it. Yeah, So

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Speaker 3: now I know. I tried my hardest to give this

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Speaker 3: movie a synopsis.

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Speaker 1: But also there are a ton of storylines going on

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Speaker 1: at one time.

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Speaker 3: God, was this movie easy to follo over you?

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Speaker 4: No, I'm telling you, this movie took me seven hundred

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Speaker 4: hours to watch Will because there.

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Speaker 2: Was just so it just kind of it almost over.

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Speaker 3: Like did you stop and start and stop and starts.

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Speaker 4: I had to or kind of go wait and like

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Speaker 4: went back because I felt like I missed something, because

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Speaker 4: how come how did we not finish.

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Speaker 2: That conversation exactly? You know what I mean.

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Speaker 4: It was just like it took me so long, and

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Speaker 4: then I was like overstimulated at some point, so I

400
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Speaker 4: had to go back. I just was, you know, and

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00:17:54,040 --> 00:17:56,800
Speaker 4: then I started it again the next day. It just

402
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Speaker 4: kind of it took me a long time to get

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Speaker 4: through this. And then the second time I definitely did

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00:18:03,040 --> 00:18:05,600
Speaker 4: a quick skimming of you know, got it, got it,

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Speaker 4: got it, got it type of thing.

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Speaker 1: I'm going to admit to you it took me. I

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Speaker 1: did it in piecemeal as well. Yeah, and I only

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Speaker 1: watched it once.

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Speaker 4: Well, I was just trying to get as many like

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Speaker 4: Sabrina seas that weren't just like kind of dumb, you know.

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Speaker 2: And I really did probably still didn't about it because.

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Speaker 4: It was it was rough, Okay, I like I tell

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Speaker 4: you, I don't disagree. It takes me a lot to not

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Speaker 4: text people when I'm irritated with them.

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Speaker 2: And I really held back for like an entire week.

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Speaker 2: Here will just kidding, who is it irritated? I so wish.

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Speaker 4: I mean, this is what happens when you literally pick

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Speaker 4: from a poster.

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Speaker 1: I know.

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Speaker 3: Well.

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Speaker 1: I also, for the record, I don't know if this

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Speaker 1: is this is a side tangent, but I've been told

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Speaker 1: that from from now on, I will be picking all

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Speaker 1: the films.

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Speaker 2: I disagree. I disagree.

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Speaker 3: Oh it's so fun.

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Speaker 1: So does the idea that the film is now the

428
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Speaker 1: color of dull crayon and everyone involved in it was

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Speaker 1: famous from shows that even gen xer is barely remembered.

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Speaker 3: Did that make it a tough watch for you? Yes?

431
00:19:08,920 --> 00:19:10,439
Speaker 3: Did it make it kind of a tough watch for me.

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00:19:10,800 --> 00:19:23,520
Speaker 1: Yeah, but folks, let's buckle up, Harry jeez. We open

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Speaker 1: outside of Bucksley Military Academy and the sign reads established

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Speaker 1: eighteen seventy six by General Bucksley. And then we hear

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00:19:29,800 --> 00:19:32,560
Speaker 1: the sound you'll get very, very used to Sabrina's favorite sound,

436
00:19:33,320 --> 00:19:37,520
Speaker 1: terrible bugle playing a meager group of military school students,

437
00:19:37,520 --> 00:19:38,960
Speaker 1: and there are they're like fifteen of them, but they're

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Speaker 1: supposed to be.

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00:19:39,440 --> 00:19:41,200
Speaker 3: It's not a budget thing. They're supposed to be.

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Speaker 1: The school on a downslide watches the American flag as

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Speaker 1: it's raised. Then the Colonel, a Bucksley descendant, watches on.

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Speaker 1: He's accompanied by the manager of a local bank and

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00:19:49,840 --> 00:19:52,880
Speaker 1: it's loan officer. They don't seem happy about the attendance

444
00:19:53,000 --> 00:19:56,280
Speaker 1: or financial state of the institution. The students leave for

445
00:19:56,359 --> 00:19:58,639
Speaker 1: class just as a school bus pulls in. It reads

446
00:19:58,680 --> 00:19:59,960
Speaker 1: Wakefield School for Girls.

447
00:20:00,119 --> 00:20:00,720
Speaker 3: On the side.

448
00:20:01,000 --> 00:20:03,560
Speaker 1: We also see that the janitor is changing the front sign.

449
00:20:03,640 --> 00:20:05,560
Speaker 1: It's becoming the Bucksley Academy for.

450
00:20:05,560 --> 00:20:06,640
Speaker 3: Boys and Girls.

451
00:20:07,560 --> 00:20:10,240
Speaker 1: And they didn't even think about adding the Wakefield's name,

452
00:20:10,320 --> 00:20:12,320
Speaker 1: but we will get to that later. It's because she's

453
00:20:12,359 --> 00:20:14,720
Speaker 1: a woman and women suck that seems to be an

454
00:20:14,760 --> 00:20:17,480
Speaker 1: ongoing thing in the film. So there's going to be

455
00:20:17,520 --> 00:20:19,760
Speaker 1: a merger between these two schools to help the Academy's

456
00:20:19,800 --> 00:20:23,040
Speaker 1: financial troubles, and that's the reason that the big brass

457
00:20:23,119 --> 00:20:26,280
Speaker 1: bankers are there in the first place. But the giggly

458
00:20:26,359 --> 00:20:29,120
Speaker 1: nature of these new girls and their principle, the confident

459
00:20:29,119 --> 00:20:32,479
Speaker 1: and bouncy Miss Wakefield, have a totally opposite vibe. Then

460
00:20:32,520 --> 00:20:36,639
Speaker 1: the armed boys of Bucksley, Miss Wakefield and Colonel Bucksley

461
00:20:36,680 --> 00:20:39,719
Speaker 1: start to bump heads almost immediately, but all the teens

462
00:20:39,800 --> 00:20:42,760
Speaker 1: are noticeably stoked because you know, boys and girls, and

463
00:20:42,800 --> 00:20:44,640
Speaker 1: they're all going through puberty, and it's a whole new

464
00:20:44,640 --> 00:20:47,600
Speaker 1: situation which is going to lead to Shenanigan's goings on

465
00:20:48,000 --> 00:20:48,760
Speaker 1: and trouble.

466
00:20:49,680 --> 00:20:52,199
Speaker 3: The bankers have doubts about this merger helping anyone.

467
00:20:52,240 --> 00:20:55,240
Speaker 1: Both schools are in financial trouble, but Buxley and Miss

468
00:20:55,280 --> 00:20:57,480
Speaker 1: Wakefield think now that the school is going co ed,

469
00:20:57,760 --> 00:21:00,399
Speaker 1: it'll see a spike in enrollment. And so how the

470
00:21:00,440 --> 00:21:02,639
Speaker 1: president of the bank agrees, and he recommends a lone

471
00:21:02,640 --> 00:21:06,120
Speaker 1: extension of six months. But what seems like a charitable

472
00:21:06,160 --> 00:21:08,440
Speaker 1: gesture is really just giving the building enough time to

473
00:21:08,480 --> 00:21:10,959
Speaker 1: get on its feet and even fetch more money when

474
00:21:11,000 --> 00:21:12,760
Speaker 1: they dump it for profit. This was one of the

475
00:21:12,760 --> 00:21:16,480
Speaker 1: first times where I went, Okay, wait, they're merging the

476
00:21:16,600 --> 00:21:21,560
Speaker 1: schools together. That's great, But why isn't it then a

477
00:21:21,600 --> 00:21:24,960
Speaker 1: military school for boys and girls or a non military

478
00:21:24,960 --> 00:21:26,159
Speaker 1: school for boys and girls.

479
00:21:27,160 --> 00:21:30,080
Speaker 3: Why is it that it's a.

480
00:21:30,200 --> 00:21:34,360
Speaker 1: Regular school for the girls but still a military school

481
00:21:34,520 --> 00:21:35,800
Speaker 1: for the boys.

482
00:21:36,200 --> 00:21:40,040
Speaker 4: When I watched it the second time, it's an obvious.

483
00:21:40,320 --> 00:21:44,080
Speaker 4: It's very much a situation of they just did it

484
00:21:44,240 --> 00:21:45,080
Speaker 4: and thought.

485
00:21:44,960 --> 00:21:48,400
Speaker 2: We would work out the kinks as we go.

486
00:21:48,920 --> 00:21:54,320
Speaker 4: Yeah, there was no actual clear direction or anything settled on.

487
00:21:54,520 --> 00:21:57,600
Speaker 4: It was literally just bring the girls to the dormitory

488
00:21:58,080 --> 00:22:03,000
Speaker 4: and the school and we'll just go from there. Yeah,

489
00:22:03,240 --> 00:22:06,720
Speaker 4: it's just it's instantly like, of course, there's gonna be chaos.

490
00:22:06,760 --> 00:22:08,720
Speaker 2: You guys don't know what the hell is going on.

491
00:22:09,160 --> 00:22:10,160
Speaker 3: Also, the bankers.

492
00:22:10,160 --> 00:22:12,760
Speaker 2: They set the bankers up as being bad as the villains.

493
00:22:12,920 --> 00:22:15,280
Speaker 4: You think this is where we're meeting the villains, and

494
00:22:15,320 --> 00:22:16,960
Speaker 4: then we don't see them till the very end of

495
00:22:17,000 --> 00:22:17,320
Speaker 4: the movie.

496
00:22:17,400 --> 00:22:19,040
Speaker 3: Yeah, and they're kind of good.

497
00:22:19,400 --> 00:22:23,200
Speaker 4: The one the guy that suggests about making a bigger profit,

498
00:22:23,880 --> 00:22:26,520
Speaker 4: completely goes away and then comes back and he doesn't

499
00:22:26,560 --> 00:22:28,280
Speaker 4: seem like a bad guy at all.

500
00:22:28,400 --> 00:22:31,239
Speaker 3: Right, It's like, yeah, so okay, it's a little jar.

501
00:22:31,400 --> 00:22:35,840
Speaker 4: It's already getting very foggy, Yeah, very strang we're and

502
00:22:35,880 --> 00:22:36,760
Speaker 4: we're two and a half.

503
00:22:36,680 --> 00:22:39,879
Speaker 1: Minutes in, so right, wonder already lost lost the plot.

504
00:22:40,000 --> 00:22:42,639
Speaker 1: We're about ninety seconds in we are back at the

505
00:22:42,640 --> 00:22:45,640
Speaker 1: Bucksley Academy. We get our first Disney drinking scene as

506
00:22:45,640 --> 00:22:48,280
Speaker 1: the custodian from earlier finds his wine or whiskey whatever

507
00:22:48,320 --> 00:22:50,040
Speaker 1: it is, stashed in the study and takes a big

508
00:22:50,040 --> 00:22:52,680
Speaker 1: old swig of it in front of two very realistic

509
00:22:52,720 --> 00:22:56,560
Speaker 1: portraits of the school's founding fathers. So we've now seen

510
00:22:56,600 --> 00:22:58,439
Speaker 1: some drinking and dcoms, and I have to say it

511
00:22:58,520 --> 00:23:00,000
Speaker 1: still shocks me every time we see it.

512
00:23:00,280 --> 00:23:04,960
Speaker 4: Yes, yes, this was by far the biggest drinking situation.

513
00:23:05,760 --> 00:23:07,160
Speaker 3: But bo, he's a raging alcoholic.

514
00:23:07,640 --> 00:23:13,320
Speaker 4: He's a alcoholic and just drunk and the like the

515
00:23:13,359 --> 00:23:15,800
Speaker 4: president of the schools, everyone knows about it.

516
00:23:15,880 --> 00:23:17,000
Speaker 2: I mean, it's not a secret.

517
00:23:17,480 --> 00:23:19,480
Speaker 4: You don't even know why he even bothers putting it

518
00:23:19,520 --> 00:23:21,720
Speaker 4: in the trophy, because you might as well just have

519
00:23:21,760 --> 00:23:23,680
Speaker 4: it right there on his workstation bench.

520
00:23:23,760 --> 00:23:26,440
Speaker 3: Openly drink, yes at this point.

521
00:23:26,680 --> 00:23:30,720
Speaker 4: But again, back then that was a funny thing. It

522
00:23:30,880 --> 00:23:33,960
Speaker 4: wasn't a serious thing like it's looked at now at all.

523
00:23:34,200 --> 00:23:36,159
Speaker 2: You know, it's a funny thing. It made somebody a

524
00:23:36,200 --> 00:23:37,360
Speaker 2: funny character.

525
00:23:37,280 --> 00:23:39,600
Speaker 3: Yeah, as opposed to horribly horribly ill.

526
00:23:40,520 --> 00:23:40,639
Speaker 7: Right.

527
00:23:40,760 --> 00:23:43,720
Speaker 1: So, the painted pioneers we see in these these wonderful

528
00:23:43,760 --> 00:23:46,840
Speaker 1: portraits are the great great grandfather and grandmother are the

529
00:23:46,880 --> 00:23:51,080
Speaker 1: current headmaster Buxley and his sergeant, Major Sweet, which is

530
00:23:51,119 --> 00:23:53,760
Speaker 1: a great name for a candy stort. Just as the

531
00:23:53,880 --> 00:23:56,879
Speaker 1: now drunk custodian leaves, the portraits come to life.

532
00:23:56,920 --> 00:23:58,200
Speaker 3: Boom, they jump out of the painting.

533
00:23:58,240 --> 00:24:00,840
Speaker 1: They have a real Vigo Ghostbusters two things going on,

534
00:24:01,000 --> 00:24:03,840
Speaker 1: Oh but thy wood. The men start complaining about girls

535
00:24:03,920 --> 00:24:06,480
Speaker 1: joining the academy because their deathbed promise was to keep

536
00:24:06,520 --> 00:24:09,920
Speaker 1: the school as it was forever, which is of course

537
00:24:10,080 --> 00:24:14,680
Speaker 1: a big old sausage party. The great grandmother, Betina Bucksley,

538
00:24:14,720 --> 00:24:16,840
Speaker 1: seems interested in women's rights, but the men could care

539
00:24:16,920 --> 00:24:19,120
Speaker 1: less about our opinion. And in the process of sexism,

540
00:24:19,160 --> 00:24:21,439
Speaker 1: we learned that the ghosts can't be seen or heard

541
00:24:21,520 --> 00:24:26,000
Speaker 1: by any living humans unless they will it. Keep that

542
00:24:26,080 --> 00:24:28,160
Speaker 1: in mind, because it's going to get confusing and yet

543
00:24:28,200 --> 00:24:31,280
Speaker 1: come back in the future. So the painting ghosts freely

544
00:24:31,280 --> 00:24:33,760
Speaker 1: walk the halls, impressed by the indoor plumbing because this

545
00:24:33,840 --> 00:24:36,840
Speaker 1: is the first time ever out of the paintings.

546
00:24:37,400 --> 00:24:40,480
Speaker 2: There was so I guess that's what I mean.

547
00:24:40,520 --> 00:24:45,200
Speaker 4: I guess they've never been out of the paintings, which

548
00:24:45,240 --> 00:24:49,720
Speaker 4: they've been there for so long. There's a h already

549
00:24:49,760 --> 00:24:55,360
Speaker 4: sort of a dynamic between the janitor and the sergeant.

550
00:24:54,960 --> 00:24:59,919
Speaker 2: Right right, but they but yeah, I don't know.

551
00:25:00,080 --> 00:25:02,840
Speaker 4: I get I was confused too, because there's another part

552
00:25:02,840 --> 00:25:04,679
Speaker 4: where he goes and looks at a gun when he

553
00:25:04,720 --> 00:25:06,400
Speaker 4: picks up when he gets the gun, and he's.

554
00:25:06,200 --> 00:25:07,040
Speaker 3: Like, oh, what's this?

555
00:25:07,200 --> 00:25:11,480
Speaker 1: What's wait a minute a lot.

556
00:25:11,640 --> 00:25:13,040
Speaker 2: Yeah, it was kind of strange.

557
00:25:13,280 --> 00:25:15,320
Speaker 3: It didn't make any sense, didn't make sense.

558
00:25:15,359 --> 00:25:17,600
Speaker 1: And it's like they've been they could leave whenever they

559
00:25:17,640 --> 00:25:19,640
Speaker 1: want to, but they'd never walk the halls of their

560
00:25:19,680 --> 00:25:20,440
Speaker 1: own institution.

561
00:25:20,680 --> 00:25:23,040
Speaker 3: I didn't understand.

562
00:25:22,600 --> 00:25:24,760
Speaker 1: What was going on. So, yeah, why would they have

563
00:25:24,760 --> 00:25:27,520
Speaker 1: never popped out in a hundred years? Yea, And our

564
00:25:27,560 --> 00:25:30,000
Speaker 1: girls entering the academy must be so big that they

565
00:25:30,160 --> 00:25:31,359
Speaker 1: have to leave their paint.

566
00:25:33,200 --> 00:25:33,840
Speaker 5: Believe it or not.

567
00:25:34,040 --> 00:25:36,280
Speaker 3: It started to not really make sense at this point.

568
00:25:36,760 --> 00:25:39,320
Speaker 3: They had me until here and also.

569
00:25:39,480 --> 00:25:42,360
Speaker 2: For four minutes, right, But it's good for you.

570
00:25:43,720 --> 00:25:46,359
Speaker 1: They don't know the rules of anything, so the people

571
00:25:46,359 --> 00:25:49,159
Speaker 1: can see the ghost actions, like they'll see an invisible

572
00:25:49,200 --> 00:25:51,680
Speaker 1: person drinking from the water fountain, like they'll see the

573
00:25:51,680 --> 00:25:53,879
Speaker 1: water fountain or just the gun floating like you said.

574
00:25:54,400 --> 00:25:56,800
Speaker 1: But the rules are totally arbitrary. They just kind of

575
00:25:57,200 --> 00:26:00,240
Speaker 1: it's whatever they need whenever it is. And yeah, I

576
00:26:00,280 --> 00:26:02,920
Speaker 1: would they know when how would anyone know if they've

577
00:26:02,960 --> 00:26:03,680
Speaker 1: left the paintings.

578
00:26:03,680 --> 00:26:04,920
Speaker 3: But if they didn't, then.

579
00:26:04,760 --> 00:26:08,359
Speaker 4: What Sometimes Yeah, sometimes it doesn't make it. It doesn't

580
00:26:08,359 --> 00:26:10,159
Speaker 4: seem like it matters for them to get back to

581
00:26:10,200 --> 00:26:14,359
Speaker 4: the painting, right because you would think with how often

582
00:26:14,400 --> 00:26:16,639
Speaker 4: they're out of the painting throughout this movie, that they

583
00:26:16,640 --> 00:26:19,040
Speaker 4: would that would have been noticed more than just the

584
00:26:19,080 --> 00:26:20,719
Speaker 4: one time that the janitor sees it.

585
00:26:21,200 --> 00:26:23,840
Speaker 3: Yeah, it's it's strange. I I don't know what's going on.

586
00:26:23,880 --> 00:26:26,159
Speaker 1: But this is why, Sabrina, why I'm never gonna let

587
00:26:26,160 --> 00:26:27,960
Speaker 1: you just pick a movie for us based on a poster.

588
00:26:28,000 --> 00:26:31,640
Speaker 3: Again, so strange that you picked this one. It's fine.

589
00:26:32,000 --> 00:26:34,800
Speaker 2: By this time, I've rewound it four times to try to.

590
00:26:35,240 --> 00:26:37,639
Speaker 3: Hell's going on either way.

591
00:26:38,040 --> 00:26:41,119
Speaker 1: The mostly tipsy janitor who only sees things floating in

592
00:26:41,200 --> 00:26:44,239
Speaker 1: the air and such, and he's constantly running away when

593
00:26:44,280 --> 00:26:48,000
Speaker 1: you sees something it's it's an actually does fifty thousand

594
00:26:48,080 --> 00:26:49,560
Speaker 1: times in this movie. I'm not even gonna tell you

595
00:26:49,600 --> 00:26:52,119
Speaker 1: how many times he does it, but it talk about

596
00:26:52,119 --> 00:26:53,160
Speaker 1: cartoony performances.

597
00:26:53,400 --> 00:26:57,280
Speaker 3: At one point he literally goes full scooby doo. Yeah,

598
00:26:57,359 --> 00:27:04,560
Speaker 3: really it is straight up. The only thing missing was

599
00:27:04,560 --> 00:27:05,080
Speaker 3: pulling the.

600
00:27:05,000 --> 00:27:07,440
Speaker 1: Mask off somebody and going old man cheevers Ooh, I

601
00:27:07,440 --> 00:27:08,960
Speaker 1: would have gotten away with it if worn for you

602
00:27:09,000 --> 00:27:13,760
Speaker 1: meddling kids, I mean full scooby doo. Oh. So Miss

603
00:27:13,840 --> 00:27:17,040
Speaker 1: Wakefield and Colonel Bucksley continue to clash with the idea

604
00:27:17,040 --> 00:27:20,080
Speaker 1: of integrating women into the military school. He wants separate

605
00:27:20,080 --> 00:27:22,520
Speaker 1: but equal. She wants everything shared. But with the one

606
00:27:22,560 --> 00:27:24,960
Speaker 1: hundred years of history the school has, even the male

607
00:27:25,040 --> 00:27:28,800
Speaker 1: ghost agree to keep them women away. They have vaginas,

608
00:27:28,840 --> 00:27:33,720
Speaker 1: and vaginas are gross. Meanwhile, a new recruit has arrived,

609
00:27:33,800 --> 00:27:38,080
Speaker 1: the Air of Ross Industries, Jeremy, the six foot tall

610
00:27:38,200 --> 00:27:41,160
Speaker 1: kid compared to everybody else to the school. He's a big,

611
00:27:41,359 --> 00:27:43,800
Speaker 1: rich Nepo baby, and the school is dying to sign

612
00:27:43,880 --> 00:27:45,879
Speaker 1: him up. He's accompanied by his uncle George and his

613
00:27:45,920 --> 00:27:49,120
Speaker 1: aunt Ernestine, who is married to this big, over the top,

614
00:27:49,160 --> 00:27:53,520
Speaker 1: real quote unquote count from Italy named Sergio, who is

615
00:27:54,640 --> 00:27:57,080
Speaker 1: another It's like, yes, do CARTOONI.

616
00:27:57,040 --> 00:27:59,720
Speaker 2: Yeah, I know, as soon as he started talking as like,

617
00:27:59,720 --> 00:28:01,800
Speaker 2: oh man, will is gonna rip him?

618
00:28:02,080 --> 00:28:05,040
Speaker 3: Oh man? It's just so cartoony.

619
00:28:05,080 --> 00:28:09,119
Speaker 4: It's on a character level. I don't think I've ever

620
00:28:09,240 --> 00:28:10,960
Speaker 4: felt so bad.

621
00:28:10,840 --> 00:28:13,320
Speaker 2: For a character in one of the movies we've seen.

622
00:28:13,800 --> 00:28:19,160
Speaker 4: He every everyone disrespects this guy. He is the most

623
00:28:19,200 --> 00:28:22,480
Speaker 4: disrespected character we have ever had in our deeper ship. Yes,

624
00:28:22,960 --> 00:28:27,160
Speaker 4: it is so sad how much his wife doesn't care,

625
00:28:27,520 --> 00:28:29,600
Speaker 4: His wife's chauffeur doesn't give it.

626
00:28:31,160 --> 00:28:33,479
Speaker 2: Nobody cares about Sergio.

627
00:28:33,560 --> 00:28:33,720
Speaker 1: And.

628
00:28:35,440 --> 00:28:39,840
Speaker 3: Even the ghosts leave him alone. It's nerd. So it is.

629
00:28:40,120 --> 00:28:43,360
Speaker 1: While Jeremy's family chats with the colonel alone, Jeremy meets

630
00:28:43,480 --> 00:28:46,080
Speaker 1: Posey Taylor, a firecracker little girl in a feminist T

631
00:28:46,240 --> 00:28:48,600
Speaker 1: shirt who offers him gum who has a real Tatum

632
00:28:48,600 --> 00:28:52,320
Speaker 1: O'Neill vibe going on. Yes, And I actually googled her

633
00:28:52,400 --> 00:28:53,560
Speaker 1: because I was like, what's going on?

634
00:28:53,640 --> 00:28:54,520
Speaker 3: She's so Tatum O'Neil.

635
00:28:54,560 --> 00:28:56,880
Speaker 1: It turns out she actually took over Tatum O'Neill's role

636
00:28:57,360 --> 00:29:00,200
Speaker 1: in Bad News Bears from the movie. She did the

637
00:29:00,240 --> 00:29:03,200
Speaker 1: same role on the television show, so other people obviously

638
00:29:03,240 --> 00:29:07,120
Speaker 1: saw her as a little Tatum O'Neill as well. She's

639
00:29:07,160 --> 00:29:09,360
Speaker 1: a firegracker little girl in a feminist shirt who offers

640
00:29:09,400 --> 00:29:09,760
Speaker 1: him gum.

641
00:29:09,840 --> 00:29:10,800
Speaker 3: Jeremy admits he's.

642
00:29:10,640 --> 00:29:12,320
Speaker 1: Been kicked out of a ton of schools, and we

643
00:29:12,360 --> 00:29:15,479
Speaker 1: get the feeling that both his parents are dead. We

644
00:29:15,560 --> 00:29:19,240
Speaker 1: also meet the kiss Butt Cadet Captain Hubert Fletcher, an

645
00:29:19,240 --> 00:29:22,600
Speaker 1: overachieving student who already has problems with Posey and Ross.

646
00:29:23,360 --> 00:29:25,640
Speaker 1: Inside the meeting with the Ross family and Bucksley, Uncle

647
00:29:25,680 --> 00:29:28,360
Speaker 1: George wants him to enroll immediately. He loves the school,

648
00:29:28,600 --> 00:29:33,080
Speaker 1: but Aunt Ernestine and her perfume Jigglo seventh husband want

649
00:29:33,120 --> 00:29:35,120
Speaker 1: to take him back to their house. They are fighting

650
00:29:35,120 --> 00:29:37,560
Speaker 1: over legal guardianship, and we find out it's because Ernestine

651
00:29:37,560 --> 00:29:40,440
Speaker 1: are Italian. Dude just want the resulting ten million dollars

652
00:29:40,480 --> 00:29:42,480
Speaker 1: inheritance he's going to get. They want to control it,

653
00:29:42,800 --> 00:29:44,680
Speaker 1: and the back and forth is all in front of

654
00:29:44,720 --> 00:29:47,760
Speaker 1: the ghost great grandfather Bucksley, who they can't see he's

655
00:29:47,840 --> 00:29:50,520
Speaker 1: learning what he's up against. We talked a little bit

656
00:29:50,560 --> 00:29:53,040
Speaker 1: about Count Sergio, but what else did you think of him?

657
00:29:54,040 --> 00:29:56,360
Speaker 2: I mean, I thought he was so funny.

658
00:29:56,720 --> 00:30:01,840
Speaker 4: Obviously, again, him and the Janitor both took me into

659
00:30:01,960 --> 00:30:06,680
Speaker 4: that over the top comedies from the eighties that you

660
00:30:06,840 --> 00:30:09,880
Speaker 4: saw and that was really funny at the time.

661
00:30:10,040 --> 00:30:11,920
Speaker 2: You know now and.

662
00:30:11,920 --> 00:30:14,440
Speaker 3: You Atga Goga Ghosts, right.

663
00:30:14,360 --> 00:30:16,680
Speaker 4: It did not now obviously if you put it into

664
00:30:16,760 --> 00:30:19,320
Speaker 4: like a current movie, it would be too much, it

665
00:30:19,320 --> 00:30:22,800
Speaker 4: wouldn't be taken well. But back then it worked and

666
00:30:22,880 --> 00:30:25,200
Speaker 4: you just that was again, we have to do it

667
00:30:25,320 --> 00:30:27,680
Speaker 4: with so many of these movies, especially the older ones,

668
00:30:27,720 --> 00:30:32,640
Speaker 4: for me to remind myself kid kid comedy. And then

669
00:30:32,760 --> 00:30:35,600
Speaker 4: now it's like in the eighties, you know, you gotta

670
00:30:35,800 --> 00:30:38,200
Speaker 4: kind of put yourself when this movie was made.

671
00:30:38,520 --> 00:30:41,880
Speaker 1: So in the end, Jeremy decides, thanks to Posey, he

672
00:30:41,920 --> 00:30:44,320
Speaker 1: will stay at Bucksley, which is now infested with girls.

673
00:30:45,680 --> 00:30:50,720
Speaker 1: The count yells Mozzarella, as all Italian people do when they.

674
00:30:50,720 --> 00:30:54,240
Speaker 3: Leave a room, literally yells Mozzarella.

675
00:30:54,480 --> 00:30:56,959
Speaker 4: There's a there's a different one from a different character

676
00:30:57,000 --> 00:30:58,200
Speaker 4: that just randomly happens.

677
00:30:58,280 --> 00:31:00,360
Speaker 2: Later, I can't wait to say it's Sabrina sea because

678
00:31:00,360 --> 00:31:01,920
Speaker 2: it's just like, it's.

679
00:31:01,800 --> 00:31:03,600
Speaker 3: Like, what the hell is going on? There are a

680
00:31:03,640 --> 00:31:04,800
Speaker 3: lot of what the hell was that.

681
00:31:04,720 --> 00:31:08,640
Speaker 4: Moment hits just random line Mazarella.

682
00:31:09,680 --> 00:31:14,840
Speaker 1: See Mazla who says that Uncle George says, if Bucksley

683
00:31:14,920 --> 00:31:17,600
Speaker 1: can keep Jeremy in school, he promises a massive donation

684
00:31:17,680 --> 00:31:20,680
Speaker 1: that would cover their debt, an idea that thrills Colonel Bucksley.

685
00:31:20,880 --> 00:31:23,000
Speaker 1: This would mean they won't need to merge with Wakefield

686
00:31:23,080 --> 00:31:24,840
Speaker 1: to save the school, though it's too late to change

687
00:31:24,840 --> 00:31:27,920
Speaker 1: it now. However, he thinks the females will be so

688
00:31:28,040 --> 00:31:31,080
Speaker 1: exhausted following their new military schedule that they will drop

689
00:31:31,120 --> 00:31:33,120
Speaker 1: out by the end of the week because girls have

690
00:31:33,200 --> 00:31:37,800
Speaker 1: weak arms and the male painting ghosts love this idea.

691
00:31:37,920 --> 00:31:40,720
Speaker 1: They love the plan, especially after hearing that West Point

692
00:31:40,760 --> 00:31:44,560
Speaker 1: and Annapolis now let in women because again they hate women.

693
00:31:45,080 --> 00:31:47,760
Speaker 1: This is a big kind of theme through this, like

694
00:31:47,880 --> 00:31:50,360
Speaker 1: Girls Bad. I get what they were going for to

695
00:31:50,440 --> 00:31:53,000
Speaker 1: show how strong girls were, but it was a real

696
00:31:53,200 --> 00:31:53,960
Speaker 1: girl's bad.

697
00:31:53,840 --> 00:31:54,320
Speaker 3: Kind of movie.

698
00:31:54,480 --> 00:31:57,320
Speaker 1: Yeah, the ghost Sergeant Chester will make sure the new

699
00:31:57,320 --> 00:31:59,360
Speaker 1: cadets love the school, but they need to keep the

700
00:31:59,560 --> 00:32:02,040
Speaker 1: quote um quote haunting to a minimum in order to

701
00:32:02,120 --> 00:32:04,920
Speaker 1: keep the building's value up, because no one is going

702
00:32:05,000 --> 00:32:07,080
Speaker 1: to buy a haunted house, unless, of course, it's twenty

703
00:32:07,080 --> 00:32:10,440
Speaker 1: twenty four and true crime podcasts are hot and you

704
00:32:10,480 --> 00:32:12,360
Speaker 1: want to be in multiple murder house.

705
00:32:13,600 --> 00:32:14,000
Speaker 3: Yikes.

706
00:32:14,640 --> 00:32:18,160
Speaker 1: Back at school, there's a party and it's it seemed

707
00:32:18,200 --> 00:32:20,960
Speaker 1: to involve drinking in loud music. Did you think the

708
00:32:21,040 --> 00:32:22,840
Speaker 1: kids were drinking the same vibe?

709
00:32:23,360 --> 00:32:27,240
Speaker 2: Well, what are they doing? What's happening? I mean, are

710
00:32:27,280 --> 00:32:29,120
Speaker 2: we in the Can't Hardly Wait movie?

711
00:32:29,200 --> 00:32:29,600
Speaker 3: Right now?

712
00:32:29,760 --> 00:32:30,080
Speaker 2: What's that?

713
00:32:31,040 --> 00:32:33,800
Speaker 3: Yeah, it seemed like the little kids are boozing to me.

714
00:32:34,120 --> 00:32:35,080
Speaker 3: I'm sure they weren't.

715
00:32:35,480 --> 00:32:38,280
Speaker 1: No, but maybe you red Solo Cup hadn't caught on

716
00:32:38,400 --> 00:32:40,240
Speaker 1: as just meaning drinking back in the day.

717
00:32:40,320 --> 00:32:44,080
Speaker 5: But I will say sorry to cut in here. Yeah,

718
00:32:44,160 --> 00:32:46,840
Speaker 5: the janitor does say you guys can't drink that. What

719
00:32:46,920 --> 00:32:48,480
Speaker 5: else would he be referencing.

720
00:32:49,240 --> 00:32:52,200
Speaker 2: That's a good it's a great call. So they're drinking right, Yeah?

721
00:32:52,280 --> 00:32:52,520
Speaker 6: Soda?

722
00:32:52,600 --> 00:32:54,640
Speaker 5: I mean, you can't be drinking soda. It seems weird.

723
00:32:54,800 --> 00:32:56,480
Speaker 3: Yeah, I think all these kids are boozing.

724
00:32:56,840 --> 00:32:59,280
Speaker 5: The middles just wasted in the middle of the day.

725
00:32:59,520 --> 00:33:02,480
Speaker 2: In the middle the day, that isn't that where?

726
00:33:02,480 --> 00:33:02,600
Speaker 6: Well?

727
00:33:02,600 --> 00:33:03,680
Speaker 3: You know, Sabena in nineteen eighty.

728
00:33:03,720 --> 00:33:05,959
Speaker 1: The drinking age was sixteen, So I mean, you're not

729
00:33:06,000 --> 00:33:08,080
Speaker 1: that it's not that different from where it was.

730
00:33:08,280 --> 00:33:12,440
Speaker 5: So it was, it was well, not everywhere, not like Federally.

731
00:33:12,840 --> 00:33:14,600
Speaker 1: You know what, dude, I was trying to get her

732
00:33:14,680 --> 00:33:16,040
Speaker 1: and you just jumped in and saved it.

733
00:33:16,160 --> 00:33:18,680
Speaker 5: Don't worry. We still love the quiz to go.

734
00:33:19,080 --> 00:33:21,120
Speaker 3: I know I had her though I had her for

735
00:33:21,120 --> 00:33:21,840
Speaker 3: two seconds.

736
00:33:22,120 --> 00:33:24,480
Speaker 2: I know you are lying. I knew it.

737
00:33:24,800 --> 00:33:27,360
Speaker 5: I was saying. My problem with it is that it

738
00:33:27,400 --> 00:33:29,720
Speaker 5: was thirteen Federally exactly.

739
00:33:30,880 --> 00:33:36,480
Speaker 2: See these guys, but it seemed like they were drinking.

740
00:33:36,560 --> 00:33:45,200
Speaker 3: Yeah. Painting Ghost.

741
00:33:45,240 --> 00:33:48,520
Speaker 1: Grandma Betina is interested in what's going on in the school.

742
00:33:48,560 --> 00:33:51,719
Speaker 1: She's obviously intrigued by the girls and the invention of

743
00:33:51,800 --> 00:33:54,680
Speaker 1: the hair dryer, something that once again scares the janitor

744
00:33:54,720 --> 00:33:56,000
Speaker 1: when she comes in and picks it up and he

745
00:33:56,040 --> 00:33:58,760
Speaker 1: just sees a floating hair dryer. But weirdly here she

746
00:33:58,840 --> 00:34:00,720
Speaker 1: does it in front of all the girls, but none

747
00:34:00,800 --> 00:34:03,680
Speaker 1: of them notice it or say anything about them floating.

748
00:34:03,800 --> 00:34:07,200
Speaker 4: They don't even show them. After the shot they show

749
00:34:07,440 --> 00:34:11,040
Speaker 4: the hairdryer. The janitor sees it, he runs out end

750
00:34:11,080 --> 00:34:15,360
Speaker 4: of scene. That's again another thing. What are the girls

751
00:34:15,400 --> 00:34:17,799
Speaker 4: freaked out because that would have probably freaked out a

752
00:34:17,880 --> 00:34:20,440
Speaker 4: bunch of girls, right, I think, And girls get more

753
00:34:20,560 --> 00:34:21,239
Speaker 4: jittery than.

754
00:34:21,280 --> 00:34:23,520
Speaker 1: What would have freaked you out more though at that age,

755
00:34:24,080 --> 00:34:28,120
Speaker 1: floating hair dryer in the middle of the room, or

756
00:34:28,320 --> 00:34:32,200
Speaker 1: drunken old man janitor in the middle of your room without.

757
00:34:31,920 --> 00:34:38,359
Speaker 4: Knocking right, well, I imagine he again was kind of

758
00:34:39,280 --> 00:34:40,440
Speaker 4: everywhere all the time.

759
00:34:40,560 --> 00:34:42,560
Speaker 1: I know, but now you've got girls in the school, man,

760
00:34:42,560 --> 00:34:44,640
Speaker 1: you can't just be opening random doors anymore.

761
00:34:44,680 --> 00:34:45,839
Speaker 3: Bro, nobody cares out.

762
00:34:45,840 --> 00:34:48,080
Speaker 2: In the eighties, they feel like that was not a thing.

763
00:34:48,239 --> 00:34:49,200
Speaker 3: Probably No.

764
00:34:49,400 --> 00:34:51,879
Speaker 1: The janitor, by the way, whose name is Ben Ben,

765
00:34:52,000 --> 00:34:55,680
Speaker 1: he even goes and he sees the empty paintings since

766
00:34:55,719 --> 00:34:57,480
Speaker 1: the ghost you're out walking around the school, but he

767
00:34:57,480 --> 00:34:59,680
Speaker 1: can't prove it to anyone else in time. He's so

768
00:35:00,080 --> 00:35:03,239
Speaker 1: don knots mister Furley, Oh Jay, the goth I mean,

769
00:35:03,280 --> 00:35:06,560
Speaker 1: it was so over the top and it's a ton

770
00:35:06,600 --> 00:35:06,919
Speaker 1: of fun.

771
00:35:07,239 --> 00:35:07,520
Speaker 3: Yes.

772
00:35:07,880 --> 00:35:11,200
Speaker 1: The Count and Count Tessa return home to have very

773
00:35:11,320 --> 00:35:13,680
Speaker 1: cheap cold duck wine, which was the thing, because the

774
00:35:13,719 --> 00:35:16,600
Speaker 1: truth is, we find out they are actually broke. They

775
00:35:16,719 --> 00:35:19,640
Speaker 1: need to control the nephew's fortune just or survive, so

776
00:35:19,680 --> 00:35:22,400
Speaker 1: she plans on making an offer for the school, but

777
00:35:23,040 --> 00:35:26,080
Speaker 1: her condition is the girls have to leave, knowing she

778
00:35:26,120 --> 00:35:28,440
Speaker 1: doesn't have the money. Once the girls leave, she'll pull

779
00:35:28,480 --> 00:35:30,840
Speaker 1: her fake offer. It is a very convoluted kind of

780
00:35:30,840 --> 00:35:32,960
Speaker 1: way of doing this, but she does. She'll pull her

781
00:35:32,960 --> 00:35:36,240
Speaker 1: fake offer, and Bucksley will have to close, now footing

782
00:35:36,360 --> 00:35:39,440
Speaker 1: the entire mortgage. The closure will of course leave Jeremy

783
00:35:39,440 --> 00:35:41,440
Speaker 1: without a school or a reason to be there with

784
00:35:41,520 --> 00:35:43,920
Speaker 1: his bachelor uncle, so.

785
00:35:43,800 --> 00:35:46,160
Speaker 3: He's gonna move again. I'm just going, wait, what's the plan.

786
00:35:46,320 --> 00:35:48,680
Speaker 1: And then to really escalate this plan, this is where

787
00:35:48,719 --> 00:35:50,640
Speaker 1: I'm like, are you you get ready to beleeve?

788
00:35:50,640 --> 00:35:52,640
Speaker 3: Because I literally yelled are you me?

789
00:35:55,600 --> 00:36:00,480
Speaker 1: The plan when Jeremy then turns twenty one in eight years,

790
00:36:00,719 --> 00:36:04,280
Speaker 1: he gets control of his bank account. But the aunt

791
00:36:04,400 --> 00:36:08,640
Speaker 1: Ernestine says, essentially, well, what if he doesn't make it

792
00:36:08,640 --> 00:36:12,279
Speaker 1: to twenty one, she's planning on killing it.

793
00:36:12,239 --> 00:36:14,880
Speaker 5: It's not essentially she's planning on killing him.

794
00:36:15,000 --> 00:36:16,480
Speaker 3: She's planning on killing him.

795
00:36:16,520 --> 00:36:21,440
Speaker 1: She's going to kill her nephew in a Disney movie, Yes,

796
00:36:22,200 --> 00:36:26,320
Speaker 1: to gain his fortune. And she even already has the goon.

797
00:36:27,200 --> 00:36:29,239
Speaker 1: She's like, this is why I hire exits.

798
00:36:29,560 --> 00:36:34,560
Speaker 4: Yeah, but this then then it alludes to her other husbands,

799
00:36:34,640 --> 00:36:36,239
Speaker 4: like what happened to them?

800
00:36:36,320 --> 00:36:39,759
Speaker 2: Why is she on number seven? Has she killed six men?

801
00:36:40,280 --> 00:36:42,120
Speaker 3: Yeah? This is a serial killer.

802
00:36:42,200 --> 00:36:44,600
Speaker 2: Got a serial killer on a Disney movie.

803
00:36:44,719 --> 00:36:46,440
Speaker 5: She definitely killed her husband six.

804
00:36:46,760 --> 00:36:50,880
Speaker 4: Yes, we have a serial killer on a Disney movie

805
00:36:51,640 --> 00:36:56,400
Speaker 4: Running Free. Yeah, just it was it was wow, wow

806
00:36:56,719 --> 00:36:58,360
Speaker 4: a n A n as.

807
00:36:58,560 --> 00:36:59,840
Speaker 3: This movie was bananas.

808
00:37:00,080 --> 00:37:02,680
Speaker 1: But again, think about old school Disney. You're talking Kuela

809
00:37:02,719 --> 00:37:06,840
Speaker 1: Deville making a jacket out of dogs villains.

810
00:37:07,400 --> 00:37:09,799
Speaker 3: But this so, this is the crazy aunt who wants to.

811
00:37:09,800 --> 00:37:14,680
Speaker 2: Kill the guy her nephew nephew.

812
00:37:15,520 --> 00:37:18,000
Speaker 1: Meanwhile, Jeremy can't sleep at school, so he wakes up

813
00:37:18,040 --> 00:37:19,800
Speaker 1: Posey to talk. He just walks into a room in

814
00:37:19,800 --> 00:37:21,960
Speaker 1: the middle of the night, and she doesn't want to

815
00:37:22,000 --> 00:37:24,359
Speaker 1: wake up any of her roommates, so she suggests they

816
00:37:24,440 --> 00:37:27,239
Speaker 1: go to his room, even though he says his room

817
00:37:27,280 --> 00:37:28,920
Speaker 1: is probably a jinx and that's why both of his

818
00:37:29,000 --> 00:37:32,640
Speaker 1: parents died in a car accident, that he's a drink anyway,

819
00:37:32,800 --> 00:37:35,759
Speaker 1: he gives it. The military kids and girls, all of

820
00:37:35,800 --> 00:37:37,680
Speaker 1: a sudden, they get into a big fight upstairs because

821
00:37:37,680 --> 00:37:39,919
Speaker 1: the guys were trying to prank them. The girls pull

822
00:37:39,960 --> 00:37:43,799
Speaker 1: the prank like double prank, and they becomes a pillow fight,

823
00:37:44,440 --> 00:37:46,719
Speaker 1: causing Colonel Buxley and Miss Wakefield to wake up and

824
00:37:46,760 --> 00:37:49,920
Speaker 1: they bust Posey and Jeremy for being in the same room. Now,

825
00:37:50,200 --> 00:37:53,680
Speaker 1: I'm gonna be honest, up until this point, I didn't

826
00:37:53,719 --> 00:37:56,560
Speaker 1: really see them as love interests, did you, because it

827
00:37:56,640 --> 00:37:59,720
Speaker 1: seemed like they were kind of way different in age.

828
00:37:59,760 --> 00:38:02,879
Speaker 1: They might not have been, but just the casting made

829
00:38:02,960 --> 00:38:05,520
Speaker 1: them look like way different in age to me.

830
00:38:06,000 --> 00:38:08,480
Speaker 2: Yeah, yeah, I guess did.

831
00:38:08,360 --> 00:38:10,799
Speaker 3: You think they were? It was a love interesting It.

832
00:38:10,760 --> 00:38:13,400
Speaker 2: Didn't surprise me that it. I mean, when it happened,

833
00:38:13,640 --> 00:38:14,520
Speaker 2: I don't know.

834
00:38:14,600 --> 00:38:16,279
Speaker 5: I'm asking still is it?

835
00:38:17,280 --> 00:38:19,680
Speaker 1: I don't know, because I mean he says things like

836
00:38:19,920 --> 00:38:21,640
Speaker 1: if she leaves, I don't know what I'll do. I'm

837
00:38:21,640 --> 00:38:24,000
Speaker 1: not leaving without her. He's holding her hand as they're

838
00:38:24,000 --> 00:38:26,840
Speaker 1: going up the hill. I mean she might just be short.

839
00:38:27,280 --> 00:38:29,160
Speaker 2: Yeah, I guess. Yeah.

840
00:38:29,280 --> 00:38:31,720
Speaker 4: Maybe that's why I wasn't too worried about it, because

841
00:38:31,719 --> 00:38:32,400
Speaker 4: that was just me.

842
00:38:33,520 --> 00:38:36,000
Speaker 2: I just everyone was so tall. I looked eight years

843
00:38:36,040 --> 00:38:36,799
Speaker 2: younger than ever.

844
00:38:37,120 --> 00:38:39,680
Speaker 3: Maybe that's what it is. How tall are you?

845
00:38:40,080 --> 00:38:42,240
Speaker 2: I'm five foot okay?

846
00:38:42,960 --> 00:38:44,880
Speaker 1: How tall were you when you were say? At a

847
00:38:44,920 --> 00:38:50,799
Speaker 1: military school in the eighties. None none none fee exactly

848
00:38:50,840 --> 00:38:51,839
Speaker 1: you are none fee.

849
00:38:52,360 --> 00:38:54,200
Speaker 3: Yeah, so still I still don't know.

850
00:38:54,360 --> 00:38:55,360
Speaker 2: Yeah, No, it was weird.

851
00:38:55,560 --> 00:39:00,000
Speaker 4: There was no actual development. It just kind of stays

852
00:39:00,160 --> 00:39:03,840
Speaker 4: at this one level of whatever it is. He definitely

853
00:39:03,880 --> 00:39:07,719
Speaker 4: cared about her. It seemed more than friends. But that

854
00:39:07,760 --> 00:39:09,319
Speaker 4: could be brother and sister and not.

855
00:39:09,920 --> 00:39:10,920
Speaker 3: I don't know. I don't know.

856
00:39:11,160 --> 00:39:13,319
Speaker 5: It felt brothers sister to me, even when the credits roll.

857
00:39:14,000 --> 00:39:15,520
Speaker 3: I don't disagree with that sentiment.

858
00:39:15,560 --> 00:39:17,000
Speaker 1: It kind of felt that way to me too, But

859
00:39:17,040 --> 00:39:18,840
Speaker 1: then it also felt weird at times.

860
00:39:19,320 --> 00:39:20,440
Speaker 3: Yeah, I don't know.

861
00:39:20,640 --> 00:39:21,040
Speaker 5: I don't know.

862
00:39:21,160 --> 00:39:25,680
Speaker 1: Anyway, Bucksley wants Posey expelled, but he's no reason why

863
00:39:25,719 --> 00:39:28,120
Speaker 1: he's gonna bust Jeremy because he's the school's mill ticket.

864
00:39:28,400 --> 00:39:29,160
Speaker 3: The ghost General.

865
00:39:29,160 --> 00:39:31,640
Speaker 1: Bucksley loves the infighting with the girls school, but his

866
00:39:31,680 --> 00:39:36,040
Speaker 1: wife Bertina is starting to speak up about how women belong,

867
00:39:36,120 --> 00:39:38,600
Speaker 1: and this causes her ghost husband to say, quote, you're

868
00:39:38,719 --> 00:39:41,200
Speaker 1: just a woman. You can't expect to understand these things,

869
00:39:41,200 --> 00:39:43,600
Speaker 1: then send her off to make his brandy. With one

870
00:39:43,680 --> 00:39:47,080
Speaker 1: last piece of encouragement, he does say, good woman.

871
00:39:46,880 --> 00:39:49,839
Speaker 4: Get him, Bertina, you get him, get him, get him.

872
00:39:50,280 --> 00:39:52,799
Speaker 1: Then Jeremy tries to run away because we've also learned

873
00:39:52,800 --> 00:39:54,680
Speaker 1: that he's run away from many, many, many of these

874
00:39:54,719 --> 00:39:58,239
Speaker 1: schools before he's completely shaking the ghost sergeant that is

875
00:39:58,280 --> 00:40:00,360
Speaker 1: supposed to be following him, but remember he does know

876
00:40:00,400 --> 00:40:03,040
Speaker 1: that he is a shadow. He eventually finds a nearby

877
00:40:03,120 --> 00:40:05,160
Speaker 1: barn and hides in it because it's hees headlights, so

878
00:40:05,200 --> 00:40:07,120
Speaker 1: he's trying to get away from it. The sergeant does

879
00:40:07,160 --> 00:40:10,319
Speaker 1: eventually catch up, and instead of letting Jeremy leave for

880
00:40:10,360 --> 00:40:12,959
Speaker 1: his aunts, he decides, ooh, he's gonna break the ghost

881
00:40:13,080 --> 00:40:17,799
Speaker 1: rules and show himself. The ghost gig is up. Did

882
00:40:17,840 --> 00:40:19,160
Speaker 1: this at this point kind of feel like the whole

883
00:40:19,160 --> 00:40:21,319
Speaker 1: premise for the movie was over. It kind of felt

884
00:40:21,360 --> 00:40:23,560
Speaker 1: like it just the ghost guy gave up real quick.

885
00:40:23,600 --> 00:40:25,359
Speaker 1: He didn't do anything ghostly. It's just like, here, I'm

886
00:40:25,360 --> 00:40:26,799
Speaker 1: just gonna show you myself and then tell you what's

887
00:40:26,800 --> 00:40:27,160
Speaker 1: going on.

888
00:40:28,360 --> 00:40:30,680
Speaker 2: No, I mean, I feel there was nothing else he

889
00:40:30,719 --> 00:40:31,160
Speaker 2: could do.

890
00:40:31,520 --> 00:40:35,520
Speaker 1: How about tripping him or I mean, yeah, I guess

891
00:40:35,719 --> 00:40:38,279
Speaker 1: we're knocking his bag away or for me, it.

892
00:40:38,239 --> 00:40:40,080
Speaker 4: Was the scene of what he was gonna do with

893
00:40:40,160 --> 00:40:42,440
Speaker 4: the car and him seeing a car for the first time.

894
00:40:43,360 --> 00:40:45,640
Speaker 1: But yeah, he waits a hundred years to get out

895
00:40:45,640 --> 00:40:47,520
Speaker 1: of the painting and then gives up in ten minutes.

896
00:40:47,840 --> 00:40:49,759
Speaker 3: Yeah, it's being private about it.

897
00:40:49,840 --> 00:40:51,839
Speaker 2: Yeah, he just needed a friend. I feel like he

898
00:40:51,880 --> 00:40:53,680
Speaker 2: needed a friend just as much as Jeremy.

899
00:40:54,640 --> 00:40:57,400
Speaker 1: So straight maybe they're the friendship that really what was

900
00:40:57,480 --> 00:40:58,400
Speaker 1: what this film was about?

901
00:40:59,160 --> 00:41:00,640
Speaker 3: Yeah, was strange.

902
00:41:00,960 --> 00:41:03,560
Speaker 1: I'm gonna say it's strange or weird or bizarre a

903
00:41:03,600 --> 00:41:04,840
Speaker 1: thousand times in this episode.

904
00:41:05,040 --> 00:41:05,480
Speaker 2: Yeah.

905
00:41:05,520 --> 00:41:08,520
Speaker 1: When Posey herself eventually arrives at the barm, she convinces

906
00:41:08,600 --> 00:41:11,440
Speaker 1: Jeremy to return to school and doesn't see the ghost

907
00:41:11,520 --> 00:41:13,880
Speaker 1: because he the sergeant, is not letting her see them.

908
00:41:14,360 --> 00:41:16,480
Speaker 1: The Count and Countess run into the janitor at a

909
00:41:16,480 --> 00:41:20,480
Speaker 1: local restaurant and he gets drunk more drinking and he

910
00:41:20,560 --> 00:41:25,000
Speaker 1: spills the beans he's been seeing the ghosts, but they

911
00:41:25,000 --> 00:41:27,640
Speaker 1: don't believe him. However, this does lead the Countess to

912
00:41:27,680 --> 00:41:31,440
Speaker 1: an idea, let's personally haunt the school because that is

913
00:41:31,480 --> 00:41:33,560
Speaker 1: a good way to get the girls to leave.

914
00:41:33,880 --> 00:41:36,480
Speaker 3: Everyone wants these girls to leave. They go home. They

915
00:41:36,520 --> 00:41:38,840
Speaker 3: throw a sheet over the count again.

916
00:41:39,200 --> 00:41:42,160
Speaker 1: Straight up Scooby Doo throw a sheet over the count

917
00:41:42,239 --> 00:41:44,440
Speaker 1: and the hip man security guard and boom, just like

918
00:41:44,480 --> 00:41:47,160
Speaker 1: that they are ghosts. We also get a Mamma Mia

919
00:41:47,360 --> 00:41:50,600
Speaker 1: from the Count that once again is proving the Italians

920
00:41:50,640 --> 00:41:52,479
Speaker 1: only know things that super Mario has said.

921
00:41:52,719 --> 00:41:53,040
Speaker 3: Yes.

922
00:41:53,440 --> 00:41:57,680
Speaker 1: The next day at school, it's our first class, the

923
00:41:57,719 --> 00:42:01,319
Speaker 1: first class ever, which is sex bed.

924
00:42:02,040 --> 00:42:03,640
Speaker 3: It's crazy timing to.

925
00:42:03,560 --> 00:42:04,080
Speaker 5: Go co ed.

926
00:42:04,719 --> 00:42:07,640
Speaker 1: Jeremy arrives late with his invisible sergeant chaperone, and Bucksley

927
00:42:07,719 --> 00:42:10,400
Speaker 1: is teaching. He's very bad at this touchy subject. He

928
00:42:10,960 --> 00:42:13,439
Speaker 1: not eludes, he flat out says, you know your teacher's gone.

929
00:42:13,480 --> 00:42:15,279
Speaker 1: We've no money, so I'm essentially gonna be I'm the

930
00:42:15,320 --> 00:42:16,920
Speaker 1: mister Feenie of the School'm gonna be teaching.

931
00:42:16,800 --> 00:42:19,439
Speaker 2: Every Yeah, mister Fenie.

932
00:42:19,239 --> 00:42:19,840
Speaker 3: It's true.

933
00:42:19,960 --> 00:42:23,120
Speaker 1: Then all of the Wakefield girls enter and Bucksley is

934
00:42:23,120 --> 00:42:24,959
Speaker 1: forced to teach them about sex too.

935
00:42:25,080 --> 00:42:26,799
Speaker 3: It is his nightmare personified.

936
00:42:27,120 --> 00:42:29,960
Speaker 1: He's nervous and is so bad because he's clear this

937
00:42:30,040 --> 00:42:32,600
Speaker 1: man has never had sex before in his life. When

938
00:42:32,640 --> 00:42:34,719
Speaker 1: he asks if there are any questions, all of the

939
00:42:34,760 --> 00:42:38,640
Speaker 1: girls raise their hands. Jeremy and the ghost bodyguard Sergeant Chester,

940
00:42:38,760 --> 00:42:40,680
Speaker 1: meet back up, only for Posey to see him talking

941
00:42:40,719 --> 00:42:42,879
Speaker 1: to himself again, and then Jeremy gets in trouble when

942
00:42:42,880 --> 00:42:45,560
Speaker 1: the cadet and his cronies bust him for sitting on

943
00:42:45,600 --> 00:42:48,640
Speaker 1: the upper classman's bench, also embarrassing him in front of

944
00:42:48,640 --> 00:42:52,120
Speaker 1: his either love interest or little sister friend not sure,

945
00:42:52,360 --> 00:42:54,960
Speaker 1: we still don't know. With this in mind, Jeremy wants

946
00:42:55,040 --> 00:42:57,640
Speaker 1: the ghost sergeant to teach him how to box. He

947
00:42:57,719 --> 00:42:59,520
Speaker 1: wants to beat up the bullies, or at least be

948
00:42:59,560 --> 00:43:03,960
Speaker 1: able to hecked his little friend girlfriend. So as he

949
00:43:04,040 --> 00:43:07,759
Speaker 1: trains once again, the janitor arrives to see him and

950
00:43:07,800 --> 00:43:11,240
Speaker 1: some more ghostly activities and runs away. I'm not mentioning

951
00:43:11,280 --> 00:43:12,920
Speaker 1: all the times it happens where he runs away, but

952
00:43:12,960 --> 00:43:16,279
Speaker 1: it's like fifty percent of the film. Colonel Bucksley and

953
00:43:16,280 --> 00:43:18,959
Speaker 1: Wakefield decide, by the way, it's the worst boxing one

954
00:43:19,120 --> 00:43:21,440
Speaker 1: lesson in boxing ever in the history.

955
00:43:21,200 --> 00:43:23,799
Speaker 2: Of Oh oh my gosh, so funny.

956
00:43:23,680 --> 00:43:26,600
Speaker 3: Just awful. The sergeant couldn't throw a punch himself. It

957
00:43:26,640 --> 00:43:27,040
Speaker 3: was weird.

958
00:43:27,360 --> 00:43:27,920
Speaker 2: Yeah.

959
00:43:28,000 --> 00:43:28,280
Speaker 3: Yeah.

960
00:43:28,320 --> 00:43:31,280
Speaker 1: Colonel Bucksley and Wakefield are getting closer, though. They decide

961
00:43:31,280 --> 00:43:33,359
Speaker 1: to share their first names with each other, and the

962
00:43:33,400 --> 00:43:37,879
Speaker 1: flirting has officially begun, especially after she sees how good

963
00:43:37,920 --> 00:43:39,560
Speaker 1: he is with kids, what he wants to be. And

964
00:43:39,600 --> 00:43:41,359
Speaker 1: this is something I want to point out here. The

965
00:43:41,440 --> 00:43:45,399
Speaker 1: little kid that runs in totally over the top and says,

966
00:43:45,440 --> 00:43:48,719
Speaker 1: I'm sick my throat, I can't do this. Huh. Is

967
00:43:48,800 --> 00:43:51,480
Speaker 1: the guy from who becomes the best friend on Parker

968
00:43:51,560 --> 00:43:53,920
Speaker 1: Lewis Can't Lose That We've talked about one hundred times

969
00:43:54,360 --> 00:43:57,400
Speaker 1: and was the brother in just one of the guys.

970
00:43:58,000 --> 00:43:59,040
Speaker 3: So I don't know if.

971
00:43:58,920 --> 00:44:02,520
Speaker 1: This was his first ever performance, but I guarantee you

972
00:44:02,600 --> 00:44:03,160
Speaker 1: that was him.

973
00:44:03,280 --> 00:44:04,960
Speaker 3: I would recognize him anywhere.

974
00:44:05,000 --> 00:44:06,919
Speaker 1: I don't know his name, but that was the guy

975
00:44:07,000 --> 00:44:09,319
Speaker 1: that was the wow, So it was by the first time.

976
00:44:09,320 --> 00:44:11,040
Speaker 5: That's Billy Jane, right.

977
00:44:11,400 --> 00:44:13,359
Speaker 3: Yes, isn't that his name? Yeah, Billy Jane right.

978
00:44:13,640 --> 00:44:15,719
Speaker 5: Yeah. He was also in the Burbs, but he's like

979
00:44:15,760 --> 00:44:17,600
Speaker 5: an extra in the Burbs, which is the reason I

980
00:44:17,640 --> 00:44:18,319
Speaker 5: even know who he is.

981
00:44:19,040 --> 00:44:21,319
Speaker 1: I also thought, and we could be wrong, but the

982
00:44:21,400 --> 00:44:25,640
Speaker 1: guy who plays the main kiss up, yeah, the Cadet.

983
00:44:26,040 --> 00:44:29,640
Speaker 3: The Cadet looked so much like him that I think

984
00:44:29,680 --> 00:44:31,319
Speaker 3: that could be his older brother in real life.

985
00:44:31,760 --> 00:44:32,960
Speaker 5: Oh really, I don't know.

986
00:44:33,040 --> 00:44:36,040
Speaker 1: They looked so similar to me that it was like,

987
00:44:36,239 --> 00:44:40,239
Speaker 1: I wonder if those two people are related, because when

988
00:44:40,280 --> 00:44:41,960
Speaker 1: he ran in, I was like, oh my god, just

989
00:44:42,000 --> 00:44:42,520
Speaker 1: one of the guys.

990
00:44:42,600 --> 00:44:44,520
Speaker 3: Yeah, that's that's him.

991
00:44:44,440 --> 00:44:46,920
Speaker 4: Like that was a Lawrence situation. He just happened to

992
00:44:46,920 --> 00:44:48,120
Speaker 4: be on set and.

993
00:44:48,360 --> 00:44:50,560
Speaker 3: On set and let's make a kid, Let's make your

994
00:44:50,600 --> 00:44:52,960
Speaker 3: starf yes.

995
00:44:53,080 --> 00:44:56,000
Speaker 1: So anyway, He also reveals that it is the night

996
00:44:56,280 --> 00:45:01,880
Speaker 1: before Suicide Hill the most extreme for Buxley students, and

997
00:45:01,960 --> 00:45:04,719
Speaker 1: both the boys and girls will participate this year. This

998
00:45:04,800 --> 00:45:07,479
Speaker 1: is another dickish plan to get the girls to leave,

999
00:45:07,760 --> 00:45:10,279
Speaker 1: and the ghost General his great great grandfather loves it.

1000
00:45:11,440 --> 00:45:14,200
Speaker 1: Suicide Hill not a name they would put in anything

1001
00:45:14,680 --> 00:45:15,040
Speaker 1: at all.

1002
00:45:15,120 --> 00:45:20,200
Speaker 4: Did I mean and hurt missus Wakefield like response, suicide Hill?

1003
00:45:20,360 --> 00:45:24,720
Speaker 2: Yeah. I also think they're still in high school.

1004
00:45:24,760 --> 00:45:29,080
Speaker 4: They still do Hell Week, which when it's said sometimes

1005
00:45:29,120 --> 00:45:31,279
Speaker 4: in front of certain parents, they kind of get a

1006
00:45:31,360 --> 00:45:34,360
Speaker 4: little weird. I mean, we're so sensitive to those chains

1007
00:45:34,400 --> 00:45:38,080
Speaker 4: of words. Yeah, those words. So suicide Hill would just

1008
00:45:38,760 --> 00:45:43,680
Speaker 4: absolutely never be said no in a movie or any

1009
00:45:44,400 --> 00:45:48,080
Speaker 4: situation ever. Isn't that what you kind of think of

1010
00:45:48,120 --> 00:45:51,440
Speaker 4: when when like you said, parents, use you're gonna go

1011
00:45:51,480 --> 00:45:54,240
Speaker 4: to boarding school, you're gonna go to military school because

1012
00:45:54,280 --> 00:45:56,680
Speaker 4: they have things like suicide.

1013
00:45:56,160 --> 00:45:58,000
Speaker 1: Suicide Well you know the other one, ye, the other

1014
00:45:58,000 --> 00:45:59,760
Speaker 1: one that was used in all that. It was always

1015
00:46:00,000 --> 00:46:04,200
Speaker 1: dead Man's Curve, yeah, or dead Man's Hill, Like, oh no,

1016
00:46:04,440 --> 00:46:06,399
Speaker 1: they lost their lives on dead Man's Curve.

1017
00:46:06,440 --> 00:46:09,200
Speaker 3: He was always working. But you're right.

1018
00:46:09,360 --> 00:46:14,360
Speaker 4: Never ever military esque, military school esque or whatever.

1019
00:46:14,200 --> 00:46:16,239
Speaker 3: Would suicide Hill. You'd never hear that.

1020
00:46:17,000 --> 00:46:20,359
Speaker 1: Now the Count is murderous chauffeur finally arrived to haunt

1021
00:46:20,360 --> 00:46:22,000
Speaker 1: the Buxley School in the middle of the night.

1022
00:46:22,040 --> 00:46:24,360
Speaker 3: But they're shenanigans and goings on wake.

1023
00:46:24,160 --> 00:46:28,719
Speaker 1: The painting ghosts, who consider them impostures, hope them with

1024
00:46:28,960 --> 00:46:33,080
Speaker 1: swords and actually scare them as true to life dead spirits.

1025
00:46:33,960 --> 00:46:38,560
Speaker 3: So the sword he's using is a real sword he

1026
00:46:38,600 --> 00:46:39,040
Speaker 3: can use.

1027
00:46:39,040 --> 00:46:41,160
Speaker 1: It's not a ghost sword like he could literally if

1028
00:46:41,200 --> 00:46:43,920
Speaker 1: he wanted to run that guy through with his ghost sword,

1029
00:46:44,040 --> 00:46:45,000
Speaker 1: actually kill him.

1030
00:46:44,880 --> 00:46:49,040
Speaker 2: I guess. So that's a new rule that we're finding

1031
00:46:49,160 --> 00:46:49,719
Speaker 2: as we go.

1032
00:46:50,000 --> 00:46:51,040
Speaker 3: I couldn't get the rules.

1033
00:46:51,320 --> 00:46:54,359
Speaker 2: Yeah, they weren't set. No, they were not fly at

1034
00:46:54,400 --> 00:46:55,759
Speaker 2: the seat of your pants.

1035
00:46:56,080 --> 00:46:59,960
Speaker 3: Yes, the rules were fluent. The two bad guys run

1036
00:47:00,080 --> 00:47:00,960
Speaker 3: way in absolute fear.

1037
00:47:01,080 --> 00:47:03,640
Speaker 1: Sergeant Chester follows them out, and here's the Count read

1038
00:47:04,400 --> 00:47:09,080
Speaker 1: the falls them out, and here's the Count reiterating their entire.

1039
00:47:09,160 --> 00:47:10,640
Speaker 3: Devious plan for the school.

1040
00:47:11,239 --> 00:47:13,879
Speaker 1: Word for word, leaving out no details, because of course,

1041
00:47:13,920 --> 00:47:17,760
Speaker 1: bad guys always just repeat their plans loudly when they're scared.

1042
00:47:18,160 --> 00:47:21,839
Speaker 1: Either way, now the painting ghosts know exactly what's going on, well,

1043
00:47:21,840 --> 00:47:22,480
Speaker 1: not to mention.

1044
00:47:22,600 --> 00:47:27,400
Speaker 4: They're screaming. They've left this this this boarding school that

1045
00:47:28,200 --> 00:47:32,400
Speaker 4: everyone is sleeping. They are screaming, get off my face.

1046
00:47:32,440 --> 00:47:34,879
Speaker 4: They're on top of each other, they're having this old thing.

1047
00:47:35,320 --> 00:47:37,680
Speaker 3: No, you're standing on my handella.

1048
00:47:38,080 --> 00:47:38,840
Speaker 2: Yeah.

1049
00:47:38,880 --> 00:47:44,120
Speaker 4: And then again he gets completely disrespected because the chauffeur

1050
00:47:44,160 --> 00:47:48,560
Speaker 4: is about to leave him like later out Poor poor

1051
00:47:48,600 --> 00:47:52,440
Speaker 4: fake County, poor guy oh Man.

1052
00:48:00,440 --> 00:48:02,919
Speaker 1: Back in the school, Wakefield and Bucksley argue again over

1053
00:48:02,920 --> 00:48:05,879
Speaker 1: who's behind the haunting, the boys or the girls. They

1054
00:48:05,920 --> 00:48:07,880
Speaker 1: ditch the first Dame basis and it looks like they

1055
00:48:07,880 --> 00:48:10,319
Speaker 1: will never get a chance to make love and this

1056
00:48:10,400 --> 00:48:13,000
Speaker 1: man will never understand the touch of a woman or

1057
00:48:13,040 --> 00:48:15,920
Speaker 1: how to teach such an education. Did you want to

1058
00:48:15,960 --> 00:48:17,440
Speaker 1: become a couple at this point? Were you rooting for

1059
00:48:17,480 --> 00:48:18,920
Speaker 1: them in any way, shape or form.

1060
00:48:18,800 --> 00:48:19,439
Speaker 2: A little bit?

1061
00:48:19,600 --> 00:48:19,839
Speaker 1: Yeah?

1062
00:48:19,920 --> 00:48:23,160
Speaker 4: I mean I think I think he would kind of

1063
00:48:23,600 --> 00:48:26,920
Speaker 4: calm her down in a sense, she would soften him

1064
00:48:26,960 --> 00:48:31,520
Speaker 4: up and curve his women can't do anything they should.

1065
00:48:31,360 --> 00:48:35,359
Speaker 2: Be it should be thrown away species than us type

1066
00:48:35,400 --> 00:48:37,680
Speaker 2: of thing. You know, you could see how they could

1067
00:48:37,680 --> 00:48:39,120
Speaker 2: benefit from the relationship.

1068
00:48:39,280 --> 00:48:41,000
Speaker 3: Yeah, I would like to see them together.

1069
00:48:41,400 --> 00:48:41,680
Speaker 2: Yeah.

1070
00:48:41,719 --> 00:48:44,600
Speaker 1: Posey unfortunately thinks that the two schools are about to

1071
00:48:44,640 --> 00:48:47,400
Speaker 1: head for a divorce, and Jeremy says, if she's gone,

1072
00:48:47,680 --> 00:48:51,000
Speaker 1: he'll run away from Bucksley again. I do not know

1073
00:48:51,040 --> 00:48:52,480
Speaker 1: if it's a little sister thing or is in love

1074
00:48:52,480 --> 00:48:54,719
Speaker 1: with her, But the painting goes. Bettina hears this and

1075
00:48:54,760 --> 00:48:57,200
Speaker 1: reports back they need Jeremy to stay at school. To

1076
00:48:57,280 --> 00:49:01,920
Speaker 1: save the school. Everyone has to serve Suicide Hill, no

1077
00:49:01,960 --> 00:49:03,840
Speaker 1: matter what the sergeant thinks about the girls being in

1078
00:49:03,840 --> 00:49:06,560
Speaker 1: the academy. They have to keep it together. So now

1079
00:49:06,600 --> 00:49:09,439
Speaker 1: we cut to Suicide Hill day. Everybody is ready, even

1080
00:49:09,480 --> 00:49:12,200
Speaker 1: the painting ghosts, but Colonel Bucksley and his great great

1081
00:49:12,200 --> 00:49:13,840
Speaker 1: grandfather Ghosts have no plans.

1082
00:49:13,880 --> 00:49:15,440
Speaker 3: I'm taking it easy on the girls.

1083
00:49:15,719 --> 00:49:18,200
Speaker 1: The general is not listening to his wife, Big Shock

1084
00:49:18,480 --> 00:49:21,319
Speaker 1: or Sergeant Chester. And then we get your favorite, which

1085
00:49:21,320 --> 00:49:26,240
Speaker 1: is another horribly off key bugle sound and Suicide Hill begins.

1086
00:49:26,719 --> 00:49:28,160
Speaker 1: I'm trying to set the stage for you. The girls

1087
00:49:28,200 --> 00:49:30,200
Speaker 1: are trying to keep up with the course, which frankly

1088
00:49:30,280 --> 00:49:32,560
Speaker 1: just looks like some rocks and weeds until they get

1089
00:49:32,600 --> 00:49:36,359
Speaker 1: to the death defying rope slide above the ravine, which is.

1090
00:49:36,320 --> 00:49:39,520
Speaker 2: At best a puddle, a mud puddle.

1091
00:49:39,640 --> 00:49:42,520
Speaker 1: It's a mud puddle, and so yeah, might I suggest

1092
00:49:42,560 --> 00:49:45,080
Speaker 1: calling this the you could get a hangnail hill instead

1093
00:49:45,080 --> 00:49:47,400
Speaker 1: of suicide hill, but it is what it is, possibly

1094
00:49:47,400 --> 00:49:50,799
Speaker 1: twist an ankle hill. Yeah, so they slide down. He

1095
00:49:50,920 --> 00:49:53,480
Speaker 1: slides down first Colonel Bucksley and he lands with a

1096
00:49:53,520 --> 00:49:57,320
Speaker 1: flourished boom. Miss Wakefield jumps on and falls in the

1097
00:49:57,400 --> 00:50:00,520
Speaker 1: mud puddle and then playfully brings Bucksley in with her.

1098
00:50:00,920 --> 00:50:03,799
Speaker 1: He then does one of the best ever in the

1099
00:50:03,840 --> 00:50:08,520
Speaker 1: history of film that is not hyperbole incredible face plants ever.

1100
00:50:09,120 --> 00:50:10,840
Speaker 1: You see him, He's like shaking. It almost looks like

1101
00:50:10,880 --> 00:50:14,480
Speaker 1: they speed up the film. He goes face first. It's unbelievable.

1102
00:50:14,840 --> 00:50:17,799
Speaker 1: But the flirting is back on and the kids are

1103
00:50:17,920 --> 00:50:20,319
Speaker 1: loving it. We are now back with the again. I

1104
00:50:20,360 --> 00:50:22,239
Speaker 1: said lots of stories, so if I'm saying back to

1105
00:50:22,320 --> 00:50:24,439
Speaker 1: your back here, it's because this is how it went.

1106
00:50:24,680 --> 00:50:26,240
Speaker 3: It gets We are.

1107
00:50:26,160 --> 00:50:28,960
Speaker 1: Back with the count and Countess and drunk Janitor Ben

1108
00:50:29,000 --> 00:50:31,480
Speaker 1: is still spilling the tea about the ghosts and giving

1109
00:50:31,520 --> 00:50:35,160
Speaker 1: her an idea. She runs to a judge Let's make

1110
00:50:35,200 --> 00:50:38,879
Speaker 1: it legal people, her good friend, and pleads for his help.

1111
00:50:38,920 --> 00:50:41,480
Speaker 1: She says, Jeremy's in deep trouble. He may do something

1112
00:50:41,640 --> 00:50:45,640
Speaker 1: drastic to himself. More suicide talking and Disney gone. She

1113
00:50:45,840 --> 00:50:48,520
Speaker 1: needs the judge to see Jeremy. He eventually agrees and

1114
00:50:48,560 --> 00:50:50,520
Speaker 1: sets up an appointment at her house the next day.

1115
00:50:50,680 --> 00:50:54,520
Speaker 1: Back at Bucksley, Jeremy's looking for Posy, but instead runs

1116
00:50:54,560 --> 00:50:56,960
Speaker 1: into the bullies again, but this time he finally stands

1117
00:50:57,000 --> 00:50:58,840
Speaker 1: up for himself with his new boxing skills.

1118
00:50:58,880 --> 00:51:02,240
Speaker 3: That one lesson, that one time for thirty seconds.

1119
00:51:01,560 --> 00:51:04,239
Speaker 1: He learned from the ghost sergeant, and like in any

1120
00:51:04,239 --> 00:51:07,640
Speaker 1: good fight, he knocks out the cadet twice while counting

1121
00:51:07,719 --> 00:51:11,000
Speaker 1: his punches, completely telegraphing.

1122
00:51:10,520 --> 00:51:16,919
Speaker 7: The same spot every single literally one two three, one

1123
00:51:17,160 --> 00:51:20,439
Speaker 7: two three, crump, Like, wouldn't you realize to just back

1124
00:51:20,480 --> 00:51:22,239
Speaker 7: away three times and then move to the left to

1125
00:51:22,320 --> 00:51:23,759
Speaker 7: the crumber right?

1126
00:51:24,080 --> 00:51:24,960
Speaker 3: How hard would that be?

1127
00:51:25,320 --> 00:51:28,200
Speaker 1: Swivel, I might as well be going up left left

1128
00:51:28,280 --> 00:51:32,040
Speaker 1: left right, left left left. Just then Posey walks up

1129
00:51:32,040 --> 00:51:35,800
Speaker 1: and breaks the news, Oh no, they are leaving Bucksley.

1130
00:51:35,880 --> 00:51:38,200
Speaker 1: Jeremy needs the sergeant to help or he is leaving.

1131
00:51:38,280 --> 00:51:41,279
Speaker 1: So finally the sergeant reveals himself to posey. He says,

1132
00:51:41,320 --> 00:51:42,719
Speaker 1: you don't want you don't want me to do a lad,

1133
00:51:43,719 --> 00:51:47,480
Speaker 1: She's gonna scream. Girls always scream, so he releaals enough

1134
00:51:47,560 --> 00:51:51,480
Speaker 1: who only does a small scream. So maybe she's one

1135
00:51:51,480 --> 00:51:52,240
Speaker 1: of the good ones.

1136
00:51:52,600 --> 00:51:54,800
Speaker 3: But then immediately she falls in line with the idea

1137
00:51:54,840 --> 00:51:55,560
Speaker 3: that ghosts exists.

1138
00:51:55,600 --> 00:51:58,719
Speaker 1: Kids are pliable. Uh So, I was gonna say, is

1139
00:51:58,719 --> 00:52:01,200
Speaker 1: it weird? It's not weird. Kids pick it up right away.

1140
00:52:01,280 --> 00:52:03,480
Speaker 1: But I have one question which we haven't addressed at all.

1141
00:52:03,560 --> 00:52:06,440
Speaker 3: Are they dating? What's happening?

1142
00:52:07,120 --> 00:52:08,480
Speaker 2: I know I feel that.

1143
00:52:08,640 --> 00:52:12,680
Speaker 4: I mean, this is when I'm definitely thinking they're a couple.

1144
00:52:13,040 --> 00:52:17,160
Speaker 4: You guys still seemed confused. I felt like, first of all,

1145
00:52:17,280 --> 00:52:21,160
Speaker 4: the kid's adorable. She's a cutie too, she's cute. Sure

1146
00:52:21,280 --> 00:52:24,080
Speaker 4: it has to be. There's just it's gotta be. I

1147
00:52:24,160 --> 00:52:26,000
Speaker 4: don't think it's the sister brother thing.

1148
00:52:26,320 --> 00:52:28,360
Speaker 5: We know that. Can we guess on the ages?

1149
00:52:28,680 --> 00:52:32,000
Speaker 1: I would say they're both twelve. Maybe they're both twelve,

1150
00:52:32,400 --> 00:52:34,360
Speaker 1: that would be my guess. Maybe he's fourteen.

1151
00:52:34,800 --> 00:52:37,200
Speaker 2: Yeah, I would say he was fourteen. She was alive.

1152
00:52:37,360 --> 00:52:38,399
Speaker 5: I honestly think she's ten.

1153
00:52:38,960 --> 00:52:40,719
Speaker 3: You think she's ten? Oh gee, I.

1154
00:52:40,719 --> 00:52:42,640
Speaker 5: Think she's ten and he's fifteen. And that's why I

1155
00:52:42,680 --> 00:52:43,560
Speaker 5: was like, this is crazy.

1156
00:52:44,160 --> 00:52:46,160
Speaker 4: Oh no, I don't think he was as old as fifteen.

1157
00:52:46,520 --> 00:52:50,800
Speaker 4: He was probably thirteen, thirteen eleven. I think it's thirteen eleven.

1158
00:52:50,920 --> 00:52:51,680
Speaker 3: Okay, that's good.

1159
00:52:51,719 --> 00:52:53,840
Speaker 1: Well he's clearly looking for a pocket full of posy,

1160
00:52:54,800 --> 00:52:58,759
Speaker 1: Thank you very much. Jeremy doesn't end up needing the

1161
00:52:58,760 --> 00:53:02,920
Speaker 1: sergeant or posy. He decides he's going to buy the

1162
00:53:03,000 --> 00:53:04,279
Speaker 1: school himself.

1163
00:53:04,400 --> 00:53:06,880
Speaker 2: Wait did you just do that? Just out of nowhere?

1164
00:53:07,000 --> 00:53:07,560
Speaker 3: Was that I did?

1165
00:53:08,160 --> 00:53:08,359
Speaker 1: Oh?

1166
00:53:08,600 --> 00:53:09,120
Speaker 3: My god?

1167
00:53:09,160 --> 00:53:14,800
Speaker 4: I will yes, will yes, Yes, that's what it's gonna

1168
00:53:14,680 --> 00:53:16,240
Speaker 4: Sorry called.

1169
00:53:17,560 --> 00:53:19,080
Speaker 3: Fuck yes.

1170
00:53:19,719 --> 00:53:22,319
Speaker 1: He decides, though, he's gonna buy the school himself and

1171
00:53:22,440 --> 00:53:26,040
Speaker 1: uses oh kids looking up a payphone to calm get

1172
00:53:26,080 --> 00:53:28,440
Speaker 1: the money, but he can't reach anyone, so he screwed.

1173
00:53:28,480 --> 00:53:30,399
Speaker 1: And that's how the nineteen eighties was no one called.

1174
00:53:30,440 --> 00:53:32,080
Speaker 1: If you called, no one was there.

1175
00:53:32,320 --> 00:53:33,200
Speaker 3: That's it. You give it.

1176
00:53:33,320 --> 00:53:34,440
Speaker 2: You used your one quarter.

1177
00:53:34,760 --> 00:53:36,120
Speaker 5: I have an answer on their actor ages.

1178
00:53:36,160 --> 00:53:38,040
Speaker 3: Guys, Wait, you have an answer on their actor ages?

1179
00:53:38,080 --> 00:53:38,520
Speaker 3: What are they?

1180
00:53:38,880 --> 00:53:40,360
Speaker 5: He was fourteen, she was thirteen?

1181
00:53:40,920 --> 00:53:41,520
Speaker 2: Okay, see.

1182
00:53:41,640 --> 00:53:43,520
Speaker 3: Okay, so that's not to but she was just.

1183
00:53:43,520 --> 00:53:46,240
Speaker 4: Sure to stop hating on the short girls. O case

1184
00:53:46,320 --> 00:53:48,120
Speaker 4: takes us a little bit of time to get there.

1185
00:53:48,400 --> 00:53:50,799
Speaker 3: Ah, you're still waiting on your girls friends.

1186
00:53:50,880 --> 00:53:51,960
Speaker 2: I'm still waiting on it.

1187
00:53:52,000 --> 00:53:55,120
Speaker 4: At my quarter of an inch that got me to

1188
00:53:55,160 --> 00:53:59,319
Speaker 4: five foot happened my sophomore year. There were eleven and

1189
00:53:59,400 --> 00:54:02,640
Speaker 4: three quarters of an inch for two years, and I

1190
00:54:02,800 --> 00:54:06,680
Speaker 4: finally sophomore year got to that five foot and I

1191
00:54:06,800 --> 00:54:09,359
Speaker 4: was fine. I said, God, if this is all you got,

1192
00:54:09,400 --> 00:54:11,040
Speaker 4: that's okay, as long as I'm five foot.

1193
00:54:11,480 --> 00:54:13,319
Speaker 1: Take this however you want to take it. But a

1194
00:54:13,440 --> 00:54:15,200
Speaker 1: quarter of an inch can make all the difference.

1195
00:54:16,440 --> 00:54:17,600
Speaker 5: It's just true.

1196
00:54:18,840 --> 00:54:24,360
Speaker 3: Just then, I don't know what You're probably good.

1197
00:54:25,000 --> 00:54:28,720
Speaker 1: So just then the Countess comes and takes Jeremy away

1198
00:54:29,040 --> 00:54:31,520
Speaker 1: for the meeting with the judge, but she pretends it's

1199
00:54:31,600 --> 00:54:32,120
Speaker 1: just a dinner.

1200
00:54:32,200 --> 00:54:32,719
Speaker 5: This is bad.

1201
00:54:32,840 --> 00:54:36,120
Speaker 1: It's gonna be bad people. Sergeant Chester and Patina. I'm

1202
00:54:36,120 --> 00:54:38,200
Speaker 1: hopping back because this is how they're doing it. Sergeant

1203
00:54:38,239 --> 00:54:40,520
Speaker 1: Chester and Patina then hitch a ride to her house

1204
00:54:40,560 --> 00:54:44,040
Speaker 1: with jender Ben in the bus and just start randomly

1205
00:54:44,080 --> 00:54:47,200
Speaker 1: pressing buttons while he's driving. Once again, making him feel insane.

1206
00:54:47,239 --> 00:54:49,240
Speaker 1: They're trying to drive this man, if not to drink,

1207
00:54:49,480 --> 00:54:53,640
Speaker 1: then to suicide Hill. As always, he sprints away, screaming

1208
00:54:53,640 --> 00:54:54,640
Speaker 1: goga ga ghosts.

1209
00:54:54,680 --> 00:54:55,920
Speaker 3: The movie is just one.

1210
00:54:55,840 --> 00:54:59,680
Speaker 1: Big gas lighting session on a poor, sick, drunk customing it.

1211
00:55:00,560 --> 00:55:02,400
Speaker 1: By the way, he was driving, yeah, probably should not

1212
00:55:02,440 --> 00:55:05,239
Speaker 1: be behind the wheel of a large but no. While

1213
00:55:05,280 --> 00:55:07,800
Speaker 1: the bus speeds through town causing some very intense and

1214
00:55:08,320 --> 00:55:12,480
Speaker 1: unneeded crash stuns. They also never actually they They showed

1215
00:55:12,480 --> 00:55:16,440
Speaker 1: a reaction shot of somebody watching the bus without people driving,

1216
00:55:17,000 --> 00:55:20,000
Speaker 1: but they don't actually show the bus without people driving,

1217
00:55:20,000 --> 00:55:23,360
Speaker 1: which I thought was very interesting. Yeah, because probably couldn't

1218
00:55:23,360 --> 00:55:25,560
Speaker 1: afford to get like a fake steering. I don't know,

1219
00:55:25,640 --> 00:55:27,640
Speaker 1: but they just didn't do it. They arrive at the

1220
00:55:27,680 --> 00:55:29,720
Speaker 1: count of his house. She uses some of the ghost

1221
00:55:29,800 --> 00:55:32,279
Speaker 1: infos she got from jandor Ben and encourages him to

1222
00:55:32,360 --> 00:55:35,399
Speaker 1: talk about everything. Come on, Jeremy, tell me what you meant.

1223
00:55:35,400 --> 00:55:38,480
Speaker 1: So the judge is listening from another room and none

1224
00:55:38,520 --> 00:55:41,120
Speaker 1: of it makes sense. It makes Jeremy look mentally ill,

1225
00:55:41,200 --> 00:55:44,600
Speaker 1: and now the judge is ready to change custody so

1226
00:55:44,640 --> 00:55:47,759
Speaker 1: that his aunt can take control. The bus, now, of

1227
00:55:47,800 --> 00:55:50,880
Speaker 1: course driven by ghost misses the judge by seconds and

1228
00:55:51,000 --> 00:55:54,880
Speaker 1: attacks the hitman, chauffeur and the count to enter the

1229
00:55:54,920 --> 00:55:58,120
Speaker 1: house so the ghosts can punch.

1230
00:55:57,880 --> 00:55:59,760
Speaker 3: People too, which was interesting.

1231
00:56:00,000 --> 00:56:04,239
Speaker 1: Now inside, Betina and Sergeant Chester make themselves visible to

1232
00:56:04,360 --> 00:56:07,640
Speaker 1: throw a pie in the aunt's face, and she reacts

1233
00:56:07,680 --> 00:56:11,160
Speaker 1: like she got shot and the shotgun at a foot away.

1234
00:56:11,920 --> 00:56:14,440
Speaker 1: It is such an overreaction to getting hit in the

1235
00:56:14,480 --> 00:56:18,320
Speaker 1: face by a pie. Oh man, it was great. Jeremy

1236
00:56:18,320 --> 00:56:20,560
Speaker 1: finally gets to another payphone because they were around all

1237
00:56:20,560 --> 00:56:23,000
Speaker 1: the time people, they really were. And now he's told

1238
00:56:23,239 --> 00:56:27,080
Speaker 1: you can't buy the school, but his uncle says he

1239
00:56:27,160 --> 00:56:30,200
Speaker 1: might be able to set up a trust fund so

1240
00:56:30,239 --> 00:56:32,920
Speaker 1: that they can keep the school going. And so the

1241
00:56:32,960 --> 00:56:35,440
Speaker 1: payphone did work. Go nineteen eighty. It's just the way

1242
00:56:35,440 --> 00:56:38,080
Speaker 1: it is. Yes, barely able to make it to her

1243
00:56:38,080 --> 00:56:41,080
Speaker 1: feet because she was horribly covered in pie. The Countess

1244
00:56:41,160 --> 00:56:44,520
Speaker 1: is now obsessed on buying the school and tearing it down.

1245
00:56:44,920 --> 00:56:47,279
Speaker 1: She doesn't even care how much that will cost her.

1246
00:56:48,640 --> 00:56:49,960
Speaker 1: This is where the time speeds up.

1247
00:56:50,040 --> 00:56:52,320
Speaker 2: She says, she doesn't care how much of his money.

1248
00:56:52,120 --> 00:56:54,439
Speaker 1: It'll Yes, I don't care how much of his money

1249
00:56:54,440 --> 00:56:55,279
Speaker 1: it's gonna cost me.

1250
00:56:56,200 --> 00:56:58,399
Speaker 3: Back at the school. Emily is packing her things to leave.

1251
00:56:58,400 --> 00:57:00,799
Speaker 1: Colonel Bucksley tribes one last time time to keep her around,

1252
00:57:00,800 --> 00:57:02,680
Speaker 1: because after that sex said class, he'd really like.

1253
00:57:02,640 --> 00:57:03,080
Speaker 3: To try it.

1254
00:57:03,440 --> 00:57:06,880
Speaker 1: He says, he'll build a separate but equal campus next door.

1255
00:57:06,880 --> 00:57:09,440
Speaker 1: But she's just not having it. He doesn't get that

1256
00:57:09,480 --> 00:57:12,000
Speaker 1: she wants her name on the sign. She wants to share,

1257
00:57:12,239 --> 00:57:14,759
Speaker 1: not be a part of his school. Her mind is

1258
00:57:14,760 --> 00:57:17,760
Speaker 1: made up. The girls are moving, and so will Jeremy soon.

1259
00:57:18,280 --> 00:57:21,840
Speaker 1: Posey says goodbye to her boyfriend, lover, brother or sister, whatever,

1260
00:57:22,480 --> 00:57:27,920
Speaker 1: and things are looking very dim. Just then Sergeant Chester

1261
00:57:28,000 --> 00:57:30,360
Speaker 1: and Bettina quickly tell the ghost General the girls can't

1262
00:57:30,440 --> 00:57:32,880
Speaker 1: leave because then Jeremy will leave. And then he quickly

1263
00:57:33,040 --> 00:57:34,960
Speaker 1: just accepts it. The thing he's been fighting for the

1264
00:57:35,000 --> 00:57:37,560
Speaker 1: whole movie, in his whole life, turned around in one second.

1265
00:57:37,840 --> 00:57:39,560
Speaker 1: Why couldn't they have told him that earlier in the movie.

1266
00:57:39,560 --> 00:57:41,280
Speaker 1: They try at one point, but he's.

1267
00:57:41,040 --> 00:57:42,360
Speaker 3: Like, I don't want to hear it. You're a woman.

1268
00:57:42,440 --> 00:57:44,960
Speaker 3: Women don't speak, and that's the way that happened.

1269
00:57:45,880 --> 00:57:50,520
Speaker 1: Then, like you do in this world, you make one

1270
00:57:50,600 --> 00:57:56,240
Speaker 1: phone call to the bank, the several hours later, it

1271
00:57:56,320 --> 00:58:00,360
Speaker 1: seems like you arrive as aunt Ernestine does at the

1272
00:58:00,360 --> 00:58:02,840
Speaker 1: school with bulldozers.

1273
00:58:02,040 --> 00:58:02,600
Speaker 3: And a crew.

1274
00:58:02,720 --> 00:58:03,800
Speaker 2: They full crew.

1275
00:58:04,280 --> 00:58:08,360
Speaker 1: It is that quick, nothing legal, there's no chance to hey,

1276
00:58:08,400 --> 00:58:10,720
Speaker 1: wait a minute, you can't do this. She makes one

1277
00:58:10,800 --> 00:58:14,520
Speaker 1: phone call and is somehow able to destroy the school.

1278
00:58:14,600 --> 00:58:16,280
Speaker 1: She bought the school from the banker who she has

1279
00:58:16,280 --> 00:58:19,560
Speaker 1: intimidated with her hitman chowffeur, and she's ready to destroy

1280
00:58:19,600 --> 00:58:23,120
Speaker 1: the campus because of course that's how it legally works.

1281
00:58:23,480 --> 00:58:26,840
Speaker 1: The students and the painting ghosts, they all get to work. Okay,

1282
00:58:26,920 --> 00:58:29,640
Speaker 1: quick note here we get more bad bugling, But finally

1283
00:58:29,640 --> 00:58:32,720
Speaker 1: the Sergeant Chester just rips it from the kid's hands

1284
00:58:32,760 --> 00:58:35,920
Speaker 1: and starts to bugle perfectly. By the way, Sabrina, keep

1285
00:58:35,920 --> 00:58:38,040
Speaker 1: an eye out for Amazon. I ordered you a bugle.

1286
00:58:38,240 --> 00:58:38,959
Speaker 1: You're gonna be great.

1287
00:58:39,040 --> 00:58:40,520
Speaker 2: I don't want it. I don't want it.

1288
00:58:40,560 --> 00:58:41,320
Speaker 3: You're gonna be great.

1289
00:58:41,680 --> 00:58:44,400
Speaker 1: The Countess wrecking Ball, of course, who she's brought, is

1290
00:58:44,400 --> 00:58:47,040
Speaker 1: set to demolish it. Seconds away from forever destroying the

1291
00:58:47,040 --> 00:58:50,400
Speaker 1: Bucksley Academy, when all of a sudden boom, water comes

1292
00:58:50,400 --> 00:58:51,880
Speaker 1: in from water hoses.

1293
00:58:51,920 --> 00:58:52,560
Speaker 3: We pan over.

1294
00:58:52,680 --> 00:58:55,160
Speaker 1: The girls who we thought had left have come back

1295
00:58:55,560 --> 00:58:58,560
Speaker 1: and they are on water canon duty while the boys

1296
00:58:58,800 --> 00:59:02,280
Speaker 1: have grabbed shovel and pickaxes and formed a battle line,

1297
00:59:02,320 --> 00:59:06,080
Speaker 1: and the fight is underway. The painting Ghosts are shooting

1298
00:59:06,280 --> 00:59:09,280
Speaker 1: from cannons from far away, but they're shooting like bubbles

1299
00:59:09,640 --> 00:59:12,120
Speaker 1: because drinking's okay in a Disney movie, but cannon balls

1300
00:59:12,120 --> 00:59:15,960
Speaker 1: are not. Colonel Bucksley then punches out the chauffeur, which

1301
00:59:16,040 --> 00:59:17,720
Speaker 1: of course, is gonna lead to a sequel where they're

1302
00:59:17,720 --> 00:59:19,720
Speaker 1: gonna track each other down like full on john Wick

1303
00:59:19,760 --> 00:59:22,480
Speaker 1: Matrix style. It's gonna be awesome. It's gonna be called

1304
00:59:22,640 --> 00:59:25,000
Speaker 1: Ghosts of Bucksley Hall two. This time it's bucks Ley Er.

1305
00:59:25,680 --> 00:59:30,160
Speaker 1: Miss Wakefield sees the punch and is obviously turned on.

1306
00:59:30,960 --> 00:59:33,440
Speaker 1: Someone get them back to that sex sid class. Yes,

1307
00:59:33,720 --> 00:59:35,280
Speaker 1: the Count and count has try to make a run

1308
00:59:35,280 --> 00:59:37,400
Speaker 1: for it, but the painting Ghosts make themselves visible and

1309
00:59:37,440 --> 00:59:39,080
Speaker 1: they scare them off the campus for good.

1310
00:59:39,440 --> 00:59:40,840
Speaker 3: Sergeant Chester does a.

1311
00:59:40,920 --> 00:59:43,560
Speaker 1: Very weird move where he appears all over the front

1312
00:59:43,560 --> 00:59:46,120
Speaker 1: steps making goofy faces. He's like jumping down the steps

1313
00:59:46,120 --> 00:59:48,280
Speaker 1: and then ends right in front of the camera. The

1314
00:59:48,360 --> 00:59:52,000
Speaker 1: married villains leave crying and sounding like they are off

1315
00:59:52,040 --> 00:59:55,640
Speaker 1: their nut. This, of course the judge is there, because

1316
00:59:55,920 --> 01:00:00,560
Speaker 1: why not. The judge then rejects the change of custody,

1317
01:00:00,920 --> 01:00:02,960
Speaker 1: and now Jeremy will go and live with his uncle,

1318
01:00:03,000 --> 01:00:05,640
Speaker 1: who apparently he really loved the entire time, which I

1319
01:00:05,720 --> 01:00:07,800
Speaker 1: never got that vibe at the beginning either, But he.

1320
01:00:07,760 --> 01:00:10,160
Speaker 3: Does and he stays at Bucksley.

1321
01:00:10,240 --> 01:00:12,040
Speaker 1: His uncle such a good guy that he's going to

1322
01:00:12,120 --> 01:00:15,160
Speaker 1: fund the school completely, of course, with Jeremy's money, but

1323
01:00:15,440 --> 01:00:18,800
Speaker 1: under one condition. It has to stay co ed on

1324
01:00:18,880 --> 01:00:23,240
Speaker 1: an equal shared level. Bucksley agrees, but he turns and

1325
01:00:23,320 --> 01:00:25,560
Speaker 1: needs Emily to agree as well.

1326
01:00:25,920 --> 01:00:29,040
Speaker 3: They will be partners. That's the new arrangement. She agrees.

1327
01:00:29,120 --> 01:00:33,200
Speaker 1: The school is saved. Maybe girls aren't so icky. The

1328
01:00:33,280 --> 01:00:37,360
Speaker 1: painting ghosts are happy. Everybody's happy. Josie and Jeremy either

1329
01:00:37,360 --> 01:00:39,160
Speaker 1: now best friends or boyfriend and girlfriend. They go and

1330
01:00:39,200 --> 01:00:43,440
Speaker 1: they find Chester, who breaks the news that, as happy

1331
01:00:43,440 --> 01:00:45,600
Speaker 1: as he is, he's supposed to go back to his

1332
01:00:45,640 --> 01:00:49,400
Speaker 1: painting now that the school is safe. However, last minute,

1333
01:00:49,480 --> 01:00:52,280
Speaker 1: he convinces General Bucksley to let him stand guard as

1334
01:00:52,320 --> 01:00:56,240
Speaker 1: a lookout for any future issues. Now alone, the General

1335
01:00:56,240 --> 01:00:58,640
Speaker 1: and his wife settle into their art, and the General

1336
01:00:58,640 --> 01:01:01,080
Speaker 1: says he just can't get used to women being equal.

1337
01:01:01,360 --> 01:01:04,040
Speaker 1: He liked when men were men and women knew their place.

1338
01:01:04,400 --> 01:01:06,520
Speaker 1: And then he says to Bettina, go open a bottle

1339
01:01:06,520 --> 01:01:10,240
Speaker 1: of sherry. But she says, open it yourself, you dick.

1340
01:01:10,280 --> 01:01:14,080
Speaker 3: We she does it. She just says open it herself.

1341
01:01:14,880 --> 01:01:19,520
Speaker 1: And that's how feminism was born, apparently. And there is

1342
01:01:19,600 --> 01:01:23,920
Speaker 1: your film roll credits. Once again, to everyone out there,

1343
01:01:24,040 --> 01:01:27,200
Speaker 1: I picked this film and you are welcome.

1344
01:01:27,360 --> 01:01:33,000
Speaker 4: Sabrina Gosh, I gotta stretch I gotta stretch it out.

1345
01:01:33,320 --> 01:01:44,479
Speaker 1: Who can we do some real reviews. I don't even

1346
01:01:44,520 --> 01:01:46,960
Speaker 1: know how anyone found a one star.

1347
01:01:46,880 --> 01:01:47,880
Speaker 3: Review of this film.

1348
01:01:48,480 --> 01:01:50,800
Speaker 2: Unbelievable, I don't know, but if you could read it,

1349
01:01:50,920 --> 01:01:51,360
Speaker 2: I don't.

1350
01:01:51,200 --> 01:01:54,760
Speaker 4: Know how many Jensen had to sort through to find

1351
01:01:54,840 --> 01:01:57,560
Speaker 4: this one, which is a gem. By the way, this

1352
01:01:57,600 --> 01:02:01,800
Speaker 4: one stars from Peter DM. I only watched this movie

1353
01:02:01,800 --> 01:02:06,080
Speaker 4: to get it out of my recommended list on Disney Plus.

1354
01:02:06,880 --> 01:02:12,400
Speaker 4: This movie is long and boring, with the same over

1355
01:02:12,520 --> 01:02:13,360
Speaker 4: and over again.

1356
01:02:13,680 --> 01:02:15,960
Speaker 2: There really isn't even a plot.

1357
01:02:16,120 --> 01:02:21,919
Speaker 4: It's not scary, it's not funny, it's not a drama.

1358
01:02:22,080 --> 01:02:24,880
Speaker 2: It just sits there like a pile of crap.

1359
01:02:25,320 --> 01:02:30,760
Speaker 8: Peter, you have been heard and you are agreed with

1360
01:02:31,200 --> 01:02:35,720
Speaker 8: Oh my god, it was all of the above.

1361
01:02:36,280 --> 01:02:38,520
Speaker 2: Thank you Peter, I disagree entirely.

1362
01:02:38,640 --> 01:02:39,919
Speaker 3: I'm gonna read the five star review.

1363
01:02:40,080 --> 01:02:43,920
Speaker 1: I agree with with MJ Bnate who said, my god,

1364
01:02:44,400 --> 01:02:45,480
Speaker 1: I'm reading this perfect good.

1365
01:02:46,400 --> 01:02:47,240
Speaker 3: My God.

1366
01:02:47,600 --> 01:02:50,200
Speaker 1: As a grown man who's seen plenty of scary films,

1367
01:02:50,240 --> 01:02:51,960
Speaker 1: I didn't think a movie could affect me like the

1368
01:02:51,960 --> 01:02:55,000
Speaker 1: Ghosts of Busley Hall. Yes, I expected to be scared,

1369
01:02:55,160 --> 01:02:57,720
Speaker 1: but I was not expecting to question my own sanity.

1370
01:02:58,280 --> 01:03:00,640
Speaker 1: From the moment the Civil War soldiers come down off

1371
01:03:00,640 --> 01:03:03,000
Speaker 1: the paintings to put a stop to the unthinkable concept

1372
01:03:03,040 --> 01:03:05,680
Speaker 1: of girls being admitted to their beloved Bucksley Hall School

1373
01:03:05,720 --> 01:03:09,120
Speaker 1: for Boys, the psychological siege on the viewer does not

1374
01:03:09,240 --> 01:03:11,920
Speaker 1: let up. But the moment you fully comprehend that you

1375
01:03:11,960 --> 01:03:14,760
Speaker 1: are watching a true masterpiece of horror is the scene

1376
01:03:14,760 --> 01:03:18,240
Speaker 1: where the hapless janitor witnesses a floating hair dryer. It's

1377
01:03:18,280 --> 01:03:20,680
Speaker 1: a scene that stays with you for weeks. No matter

1378
01:03:20,760 --> 01:03:23,560
Speaker 1: how big a horror fan you are, think twice about

1379
01:03:23,560 --> 01:03:26,360
Speaker 1: watching the Ghosts of Buxley Hall, and please do not

1380
01:03:27,360 --> 01:03:30,560
Speaker 1: watch it alone. If you're under thirty years.

1381
01:03:30,280 --> 01:03:33,280
Speaker 3: Old, do not watch it at all. You are not

1382
01:03:33,560 --> 01:03:36,720
Speaker 3: ready for this. Five stars. I don't think there was

1383
01:03:36,760 --> 01:03:38,400
Speaker 3: any hygh ferdu there by the way. I think that

1384
01:03:38,440 --> 01:03:39,080
Speaker 3: was a true review.

1385
01:03:39,160 --> 01:03:42,080
Speaker 8: All the pay through be fair to believe that was

1386
01:03:42,200 --> 01:03:44,120
Speaker 8: a bunch of bolt.

1387
01:03:45,080 --> 01:03:45,280
Speaker 3: MJ.

1388
01:03:46,400 --> 01:03:51,000
Speaker 4: Get off the commenting boards with your bs and your lies.

1389
01:03:51,200 --> 01:03:53,240
Speaker 2: You are a liar like Ann.

1390
01:03:53,480 --> 01:03:58,000
Speaker 1: I would put this MJ up with Michael Jordan, Michael Jackson,

1391
01:03:58,320 --> 01:04:02,600
Speaker 1: Montell Jordan, and now now MJ. Bnate for knowing what's

1392
01:04:02,720 --> 01:04:06,560
Speaker 1: up with film? Let's do our feature this week. Sabrina's

1393
01:04:06,560 --> 01:04:09,480
Speaker 1: favorite part of the podcast is our feature. Now with

1394
01:04:09,560 --> 01:04:12,280
Speaker 1: the Ghosts of Buxley Hall, we get the closest to

1395
01:04:12,360 --> 01:04:14,920
Speaker 1: modern warfare than really any other dcom will get us.

1396
01:04:15,000 --> 01:04:16,880
Speaker 1: So for this week, we'll be given the name of

1397
01:04:16,920 --> 01:04:19,960
Speaker 1: a war or historical battle, and we have to decide

1398
01:04:19,960 --> 01:04:21,520
Speaker 1: if this is the name of an actual conflict that

1399
01:04:21,600 --> 01:04:24,080
Speaker 1: happened or something completely made up. So again these names

1400
01:04:24,160 --> 01:04:27,480
Speaker 1: are real wars or completely fake. Get three out of

1401
01:04:27,520 --> 01:04:28,560
Speaker 1: five and win.

1402
01:04:31,040 --> 01:04:32,600
Speaker 2: Now we're going on to history.

1403
01:04:33,040 --> 01:04:35,919
Speaker 3: I love history. I do. I'm a big history fan.

1404
01:04:36,640 --> 01:04:39,240
Speaker 3: So here we go. Number one.

1405
01:04:39,720 --> 01:04:42,040
Speaker 1: Remember is this a real war or a fake war?

1406
01:04:42,720 --> 01:04:49,040
Speaker 1: The War of Jenkins's Ear? Sabrina, I think that's real.

1407
01:04:49,120 --> 01:04:52,520
Speaker 1: Actually it is real. This was actually a war that

1408
01:04:52,640 --> 01:04:55,160
Speaker 1: was based on I believe a Spanish soldier ended up

1409
01:04:55,160 --> 01:04:58,120
Speaker 1: cutting the ear off of a captain named Captain Jenkins,

1410
01:04:58,120 --> 01:05:00,640
Speaker 1: which started the War of In's Ear.

1411
01:05:00,680 --> 01:05:05,560
Speaker 5: Producer Jensen, You are right, but it's not a confirmed story.

1412
01:05:05,920 --> 01:05:08,000
Speaker 5: Oh really, yeah, it's like kind of a rumor. But

1413
01:05:08,120 --> 01:05:10,320
Speaker 5: it went on from seventeen thirty nine to seventeen forty

1414
01:05:10,320 --> 01:05:11,880
Speaker 5: eight between Great Britain and Spain.

1415
01:05:12,120 --> 01:05:15,920
Speaker 1: It was Britain in Spain, Okay, gotcha. Number two, the

1416
01:05:16,040 --> 01:05:18,040
Speaker 1: Battle for Captain Eckersley.

1417
01:05:20,080 --> 01:05:22,240
Speaker 2: I don't think so. I think this is fake.

1418
01:05:22,280 --> 01:05:28,000
Speaker 1: I'm gonna say that's fake. I'm gonna say it's fake. Wait, wait, no,

1419
01:05:28,000 --> 01:05:28,840
Speaker 1: I'm gonna say it's fake.

1420
01:05:29,160 --> 01:05:31,720
Speaker 5: It's fake. It's a reference to relief pitcher Dennis Secresy.

1421
01:05:31,760 --> 01:05:34,640
Speaker 1: It is okay, Dennis Secresy was great.

1422
01:05:34,880 --> 01:05:38,840
Speaker 3: I know this next one the Quasi War, the Quasi

1423
01:05:38,960 --> 01:05:41,720
Speaker 3: war or the quasi War.

1424
01:05:43,440 --> 01:05:44,560
Speaker 2: Let's go it true.

1425
01:05:44,800 --> 01:05:45,360
Speaker 3: It is true?

1426
01:05:46,000 --> 01:05:46,280
Speaker 2: Is it?

1427
01:05:46,680 --> 01:05:49,440
Speaker 5: Yeah, it's true. It's seventeen ninety eight to eighteen hundred

1428
01:05:49,480 --> 01:05:51,560
Speaker 5: between the US and France. And I can't believe they

1429
01:05:51,560 --> 01:05:53,400
Speaker 5: had it right in front of them, the Quasi Wardo.

1430
01:05:53,960 --> 01:05:56,320
Speaker 5: I can't believe it was right there. I can't believe

1431
01:05:56,280 --> 01:05:58,040
Speaker 5: it was right there right there?

1432
01:05:58,280 --> 01:06:01,600
Speaker 3: How does no one hit that pitch exactly?

1433
01:06:02,280 --> 01:06:02,600
Speaker 5: All right?

1434
01:06:02,640 --> 01:06:03,960
Speaker 3: So we're three for three? We just won.

1435
01:06:04,480 --> 01:06:06,040
Speaker 5: Well, I mean yeah, but let's see if you go

1436
01:06:06,040 --> 01:06:06,880
Speaker 5: five first time?

1437
01:06:06,920 --> 01:06:11,440
Speaker 3: Okay, all right? Just one Sabrina. The number four the

1438
01:06:11,480 --> 01:06:12,520
Speaker 3: Pork and Beans War.

1439
01:06:13,520 --> 01:06:14,960
Speaker 2: I bet you that's a real one.

1440
01:06:15,080 --> 01:06:17,000
Speaker 3: It is real if memory serves. I think we learned

1441
01:06:17,000 --> 01:06:18,600
Speaker 3: about this in history. Isn't the Pork and Beans War

1442
01:06:18,640 --> 01:06:19,160
Speaker 3: a real war?

1443
01:06:19,440 --> 01:06:22,120
Speaker 5: It is? And it's also called the Aroostook War eighteen

1444
01:06:22,200 --> 01:06:24,760
Speaker 5: thirty eight to eighteen thirty nine US versus New Brunswick.

1445
01:06:25,040 --> 01:06:28,760
Speaker 3: Okay? And number five the pastry War.

1446
01:06:29,040 --> 01:06:31,919
Speaker 2: That's a TV show, is it? Yeah?

1447
01:06:32,000 --> 01:06:32,200
Speaker 3: Right?

1448
01:06:32,800 --> 01:06:33,360
Speaker 2: I think so.

1449
01:06:33,560 --> 01:06:38,000
Speaker 1: It's called Kitchen Nightmares. I'm gonna I've never heard of

1450
01:06:38,040 --> 01:06:39,680
Speaker 1: this one. It could be real, but I'm gonna say

1451
01:06:39,680 --> 01:06:42,280
Speaker 1: fake just because we've only had one fake one so far.

1452
01:06:42,440 --> 01:06:43,520
Speaker 2: Yeah, I think it's fake.

1453
01:06:43,600 --> 01:06:46,680
Speaker 5: Two it's real. So we do not have a five

1454
01:06:46,720 --> 01:06:49,360
Speaker 5: out of five, damn it between Mexico and France in

1455
01:06:49,440 --> 01:06:52,000
Speaker 5: eighteen thirty eight. Damn four for.

1456
01:06:52,120 --> 01:06:56,000
Speaker 1: Five, And we're getting educated as we go. Thank you

1457
01:06:56,120 --> 01:07:02,360
Speaker 1: so much, Producer Jensen. Could we do some Sabrina sease?

1458
01:07:06,200 --> 01:07:06,439
Speaker 3: Yes?

1459
01:07:06,480 --> 01:07:07,360
Speaker 2: Because I'm not over it.

1460
01:07:07,400 --> 01:07:09,920
Speaker 4: I'm gonna bring back I was calling it a trumpet

1461
01:07:09,960 --> 01:07:15,440
Speaker 4: and finding out that, which I can't believe because one

1462
01:07:15,440 --> 01:07:17,640
Speaker 4: of my favorite songs is the bugle Boy song.

1463
01:07:19,040 --> 01:07:22,560
Speaker 2: Yeah, yeah, so I've just that was funny.

1464
01:07:22,600 --> 01:07:25,840
Speaker 4: But I wanted to just make a note to let

1465
01:07:25,880 --> 01:07:28,800
Speaker 4: you know that the chances of either of my children

1466
01:07:28,880 --> 01:07:32,440
Speaker 4: ever being able to even try to learn an instrument

1467
01:07:32,560 --> 01:07:34,520
Speaker 4: of such sort will now never happen.

1468
01:07:34,560 --> 01:07:36,440
Speaker 3: I'm sending two bugles to your house immediately.

1469
01:07:36,560 --> 01:07:39,120
Speaker 4: I cannot live in a house with that going on

1470
01:07:39,800 --> 01:07:41,800
Speaker 4: terribly all day.

1471
01:07:42,080 --> 01:07:42,760
Speaker 2: So horrible.

1472
01:07:42,840 --> 01:07:44,560
Speaker 1: So if one of your kids comes to you and says, mom,

1473
01:07:44,880 --> 01:07:49,400
Speaker 1: I'm taking up the bugle, It's all I've ever wanted.

1474
01:07:49,080 --> 01:07:51,600
Speaker 2: To do, Oh my gosh.

1475
01:07:51,640 --> 01:07:54,240
Speaker 4: Okay, So of course you know I talked about the

1476
01:07:54,280 --> 01:07:56,200
Speaker 4: hairdryer with the girls, all that stuff. Everything we've all

1477
01:07:56,240 --> 01:07:58,960
Speaker 4: we've covered up until the part where I can't believe

1478
01:07:58,960 --> 01:08:02,560
Speaker 4: you didn't see it because it was so obvious. During

1479
01:08:02,640 --> 01:08:05,360
Speaker 4: the time where we find out that the count and

1480
01:08:05,400 --> 01:08:09,680
Speaker 4: Countess don't have money and it's around that champagne bottle

1481
01:08:09,720 --> 01:08:10,800
Speaker 4: that needs to be opened.

1482
01:08:11,680 --> 01:08:14,760
Speaker 2: Did you see that they screwed up with their scene plays.

1483
01:08:14,520 --> 01:08:16,320
Speaker 3: As far as uh oh, the continuity.

1484
01:08:16,439 --> 01:08:19,040
Speaker 4: The continuity takes it over to the coffee table. He

1485
01:08:19,160 --> 01:08:21,280
Speaker 4: has it, and then all of a sudden he doesn't,

1486
01:08:21,560 --> 01:08:24,200
Speaker 4: and she refers to the chauffeur to open it up.

1487
01:08:24,560 --> 01:08:27,639
Speaker 2: It like just disappears, like he takes it over, he.

1488
01:08:27,520 --> 01:08:30,240
Speaker 4: Has it in his hands, he's talking, and then all

1489
01:08:30,240 --> 01:08:34,800
Speaker 4: of a sudden, it's gone and it's in with the didn't. Yeah,

1490
01:08:35,680 --> 01:08:38,280
Speaker 4: it was because they also talk about it.

1491
01:08:38,320 --> 01:08:40,960
Speaker 2: They're talking about the champagne, then he has it.

1492
01:08:41,200 --> 01:08:43,840
Speaker 4: Then they're revealing that they don't have money, and then

1493
01:08:43,880 --> 01:08:46,720
Speaker 4: she tells the chauffeur, I went, I rewound, it went

1494
01:08:46,720 --> 01:08:48,920
Speaker 4: wait no, but he had it in his hands and

1495
01:08:48,920 --> 01:08:51,880
Speaker 4: he never walked back over there. So continuity issue was

1496
01:08:52,000 --> 01:08:56,040
Speaker 4: kind of awesome. Everything was kind of hilarious.

1497
01:08:56,080 --> 01:08:57,200
Speaker 2: I did love the.

1498
01:08:57,400 --> 01:09:00,880
Speaker 4: One line, I'm going to punch you out. So that's

1499
01:09:00,880 --> 01:09:02,479
Speaker 4: a line that I think I want to bring back

1500
01:09:03,000 --> 01:09:05,559
Speaker 4: to punch you out.

1501
01:09:05,920 --> 01:09:07,000
Speaker 2: That was kind of funny.

1502
01:09:07,680 --> 01:09:11,719
Speaker 4: One of the I referred to it earlier, the random

1503
01:09:11,840 --> 01:09:14,599
Speaker 4: It was very much like Mozzarella. Right before she goes

1504
01:09:14,640 --> 01:09:16,280
Speaker 4: down the ziplone, she goes.

1505
01:09:16,280 --> 01:09:25,000
Speaker 2: Pocahonda, pokas why why what? Why? What does that even mean?

1506
01:09:25,080 --> 01:09:25,720
Speaker 2: I don't know.

1507
01:09:26,479 --> 01:09:31,000
Speaker 4: Last thing because it was so funny. Was the pie

1508
01:09:31,000 --> 01:09:34,240
Speaker 4: in the face scene. Yes, this woman you can tell

1509
01:09:34,400 --> 01:09:37,439
Speaker 4: is clearly done up. She has lashes, not only on

1510
01:09:37,479 --> 01:09:41,160
Speaker 4: the top lids, she's got them down below. Is a

1511
01:09:41,360 --> 01:09:42,479
Speaker 4: very good looking woman.

1512
01:09:42,680 --> 01:09:43,120
Speaker 3: Yes, she.

1513
01:09:44,640 --> 01:09:47,200
Speaker 2: Is just done all the time. You can tell that's

1514
01:09:47,280 --> 01:09:49,280
Speaker 2: just her thing. She gets this.

1515
01:09:49,360 --> 01:09:53,040
Speaker 4: Pie in her face, Okay, obviously she freaks out, like

1516
01:09:53,040 --> 01:09:56,320
Speaker 4: you said, she thought she got shot. But then they

1517
01:09:56,360 --> 01:09:59,120
Speaker 4: go to again, then we cut to some other storyline.

1518
01:09:59,479 --> 01:10:01,839
Speaker 4: Go back to the storyline. When they're on the phone,

1519
01:10:01,920 --> 01:10:03,879
Speaker 4: she still has it as if it.

1520
01:10:03,680 --> 01:10:06,439
Speaker 2: Was just placed on her face making a call.

1521
01:10:06,720 --> 01:10:12,280
Speaker 4: This woman is way she is way, way not that person.

1522
01:10:12,439 --> 01:10:15,840
Speaker 4: She is far too vain to have a pie just

1523
01:10:15,880 --> 01:10:18,679
Speaker 4: sitting on her face. I was like, wait a minute, wait,

1524
01:10:19,080 --> 01:10:21,400
Speaker 4: Although I think it's funny, obviously, pie in the face,

1525
01:10:21,400 --> 01:10:24,400
Speaker 4: who doesn't love that, of course, But it was kind

1526
01:10:24,439 --> 01:10:27,280
Speaker 4: of a character flof issue, like choice for me for

1527
01:10:27,320 --> 01:10:30,200
Speaker 4: her because she would have been right away, I mean,

1528
01:10:30,560 --> 01:10:31,439
Speaker 4: getting that pie off.

1529
01:10:31,520 --> 01:10:33,200
Speaker 2: So that was my last funny thing.

1530
01:10:33,720 --> 01:10:34,720
Speaker 3: I like that quite a bit.

1531
01:10:34,800 --> 01:10:38,320
Speaker 1: Yeah, I actually googled her because she was stunning to me,

1532
01:10:38,479 --> 01:10:41,559
Speaker 1: and she was like a forties throwback movie star.

1533
01:10:42,080 --> 01:10:42,439
Speaker 2: Yeah.

1534
01:10:42,560 --> 01:10:46,280
Speaker 1: Really, what'd you find I think, I forget, I forget

1535
01:10:46,280 --> 01:10:46,840
Speaker 1: what I found out.

1536
01:10:47,080 --> 01:10:48,840
Speaker 3: Just it's like just the stuff she'd been in.

1537
01:10:48,920 --> 01:10:50,800
Speaker 1: She'd done so many great things and was you know,

1538
01:10:50,840 --> 01:10:51,840
Speaker 1: stunning when she was younger.

1539
01:10:51,840 --> 01:10:52,880
Speaker 3: But she was absolutely beautiful.

1540
01:10:52,880 --> 01:10:55,160
Speaker 2: She was just the like I loved those women in

1541
01:10:55,240 --> 01:10:55,599
Speaker 2: the movie.

1542
01:10:55,640 --> 01:11:01,120
Speaker 4: He's just like a classy eyelash, top eyelashes, down low makeup.

1543
01:11:01,200 --> 01:11:01,799
Speaker 2: Was beautiful.

1544
01:11:01,880 --> 01:11:04,880
Speaker 1: Oh, such class And now we of course have to

1545
01:11:04,920 --> 01:11:07,080
Speaker 1: come to rating our film when I know you're already

1546
01:11:07,080 --> 01:11:09,240
Speaker 1: giving this a ten, so I will just do it. No,

1547
01:11:09,520 --> 01:11:11,200
Speaker 1: we're gonna rate our movie one out of ten are

1548
01:11:11,240 --> 01:11:14,400
Speaker 1: options this week? One out of ten bad bugles, one

1549
01:11:14,439 --> 01:11:18,000
Speaker 1: out of ten, possible big brothers are possible boyfriends, one

1550
01:11:18,000 --> 01:11:21,680
Speaker 1: out of ten, drunk ghost lit janitors, one out of ten,

1551
01:11:21,800 --> 01:11:25,080
Speaker 1: sexist generals, one out of ten small puddles you can

1552
01:11:25,160 --> 01:11:28,240
Speaker 1: call a ravine, one out of ten payphones, or one

1553
01:11:28,280 --> 01:11:30,719
Speaker 1: out of ten hit in chow first. Which one would

1554
01:11:30,720 --> 01:11:31,719
Speaker 1: you like to do this week?

1555
01:11:32,040 --> 01:11:32,240
Speaker 5: Really?

1556
01:11:32,360 --> 01:11:34,479
Speaker 4: I think because I hated them so bad, the Bad

1557
01:11:34,479 --> 01:11:35,680
Speaker 4: Bugles is what we're gonna do.

1558
01:11:35,960 --> 01:11:36,640
Speaker 3: You got it.

1559
01:11:36,680 --> 01:11:39,280
Speaker 1: A Bad Bugles, by the way, is a great, great,

1560
01:11:39,479 --> 01:11:43,320
Speaker 1: great name for a ska band. So yeah, I think

1561
01:11:43,560 --> 01:11:45,760
Speaker 1: you went first last time, so I think I have

1562
01:11:45,880 --> 01:11:46,800
Speaker 1: to go first this time.

1563
01:11:46,880 --> 01:11:51,280
Speaker 3: Here we go. I loved this movie. I loved everything

1564
01:11:51,280 --> 01:11:51,680
Speaker 3: about No.

1565
01:11:51,880 --> 01:11:54,600
Speaker 1: Okay, this movie was the nostalgia of course, brought me

1566
01:11:54,680 --> 01:11:56,920
Speaker 1: right back to eighties movies. This is not a good

1567
01:11:57,400 --> 01:12:00,200
Speaker 1: it's the rules don't make any sense. The storyline are

1568
01:12:00,240 --> 01:12:02,639
Speaker 1: all over the place. The acting's kind of weird. It's

1569
01:12:02,800 --> 01:12:06,400
Speaker 1: very Scooby Doo. This movie just didn't know what it was. However,

1570
01:12:07,080 --> 01:12:09,760
Speaker 1: it was fun romp for the ninety two minutes we had.

1571
01:12:10,280 --> 01:12:14,559
Speaker 1: I'm gonna give this a solid four point five back.

1572
01:12:14,640 --> 01:12:17,519
Speaker 2: Okay, it's great, you were gonna go more and I

1573
01:12:17,840 --> 01:12:19,720
Speaker 2: just gotta.

1574
01:12:19,560 --> 01:12:21,519
Speaker 1: I've got to give this movie what this movie is,

1575
01:12:21,600 --> 01:12:24,439
Speaker 1: especially since we've been watching like Zombies and all these

1576
01:12:24,479 --> 01:12:27,200
Speaker 1: bangers lately that have just been so good. I'm trying

1577
01:12:27,200 --> 01:12:29,599
Speaker 1: to give movies like this the benefit of the doubt.

1578
01:12:29,600 --> 01:12:32,080
Speaker 1: But a lot of this movie just made no sense.

1579
01:12:33,080 --> 01:12:34,160
Speaker 1: It was all over the place.

1580
01:12:34,200 --> 01:12:36,800
Speaker 3: So four and a half bad bugles from me.

1581
01:12:37,640 --> 01:12:40,799
Speaker 2: Yes, okay, I am gonna go with four.

1582
01:12:41,560 --> 01:12:46,240
Speaker 4: And I at first wanted it to be a better movie.

1583
01:12:46,280 --> 01:12:48,160
Speaker 2: I was ready for the nostalgia of that.

1584
01:12:48,320 --> 01:12:50,360
Speaker 4: Like I said, it took me back to the times

1585
01:12:50,400 --> 01:12:53,120
Speaker 4: where I got to spend the night at my grandparents' house.

1586
01:12:53,200 --> 01:12:55,080
Speaker 4: These are the kind of movies they loved to watch.

1587
01:12:55,280 --> 01:12:57,519
Speaker 4: They liked to watch them with me. I liked the

1588
01:12:57,600 --> 01:13:00,599
Speaker 4: over the top acting back then, so I was really

1589
01:13:00,640 --> 01:13:03,200
Speaker 4: ready to love it. But because it was so confusing

1590
01:13:03,360 --> 01:13:05,360
Speaker 4: and so choppy, yeah.

1591
01:13:05,080 --> 01:13:08,519
Speaker 2: That I had to take breaks to go back to it.

1592
01:13:08,640 --> 01:13:10,400
Speaker 2: I got bored during a lot.

1593
01:13:10,200 --> 01:13:11,080
Speaker 4: Of the things.

1594
01:13:11,200 --> 01:13:12,719
Speaker 2: It just was tough to get through.

1595
01:13:12,920 --> 01:13:13,639
Speaker 3: It was a slog.

1596
01:13:14,160 --> 01:13:17,920
Speaker 2: Yeah, it really was just a slow, slow pace. Nothing

1597
01:13:18,000 --> 01:13:20,400
Speaker 2: really came out of it at the end. There was real,

1598
01:13:20,560 --> 01:13:23,800
Speaker 2: no big win, you know. Yeah they got this. I

1599
01:13:23,800 --> 01:13:24,120
Speaker 2: don't know.

1600
01:13:24,200 --> 01:13:26,840
Speaker 4: It just really I didn't care that much, you know,

1601
01:13:26,920 --> 01:13:28,200
Speaker 4: And that was hard for me.

1602
01:13:28,360 --> 01:13:30,320
Speaker 2: I have loved so many of these movies.

1603
01:13:30,320 --> 01:13:32,880
Speaker 4: There's very few of them that I haven't liked, even

1604
01:13:32,920 --> 01:13:35,840
Speaker 4: the funny parts of certain things. But yeah, and I

1605
01:13:36,000 --> 01:13:39,120
Speaker 4: just still can't it's still days after I've watched it

1606
01:13:39,200 --> 01:13:45,439
Speaker 4: that I can't get that sound of my four Yeah,

1607
01:13:45,479 --> 01:13:48,880
Speaker 4: my four bad bugles are just staying with me.

1608
01:13:49,160 --> 01:13:51,880
Speaker 2: So four Bad Bugles is my rating this week.

1609
01:13:52,160 --> 01:13:54,800
Speaker 3: Well, there you are, buddy. That is the Ghosts of

1610
01:13:54,880 --> 01:13:56,920
Speaker 3: Bucksley Hall. See it with a friend if you don't

1611
01:13:56,920 --> 01:13:59,920
Speaker 3: want to be friends with them anymore. Our next movie

1612
01:14:00,400 --> 01:14:02,600
Speaker 3: is the Even Stevens movie A.

1613
01:14:02,680 --> 01:14:05,479
Speaker 1: Dcom Class in two thousand and three, and we might

1614
01:14:05,840 --> 01:14:08,400
Speaker 1: just be joined by somebody that I have quite the

1615
01:14:08,520 --> 01:14:10,680
Speaker 1: history with and we will leave it at that and

1616
01:14:10,720 --> 01:14:11,000
Speaker 1: in the.

1617
01:14:10,960 --> 01:14:12,519
Speaker 2: Meantime love as well.

1618
01:14:12,920 --> 01:14:16,439
Speaker 1: I will see who knows in the meantime. This week

1619
01:14:16,479 --> 01:14:19,520
Speaker 1: on our dedicated magical rewind Feed, our Park Hooper episode

1620
01:14:19,560 --> 01:14:22,200
Speaker 1: is going back to Zombies, talk about a banger of

1621
01:14:22,240 --> 01:14:22,639
Speaker 1: a film.

1622
01:14:22,920 --> 01:14:24,800
Speaker 3: We couldn't just leave it there. We had to dig deeper.

1623
01:14:24,880 --> 01:14:28,200
Speaker 1: So this week we're talking to our favorite character, cheerleader

1624
01:14:28,400 --> 01:14:33,439
Speaker 1: Trevor Towrjman aka Bucky Buchanan fucking and we tried our

1625
01:14:33,479 --> 01:14:35,800
Speaker 1: hardest not to just keep saying you're the best, over

1626
01:14:35,920 --> 01:14:36,400
Speaker 1: and over.

1627
01:14:36,800 --> 01:14:39,719
Speaker 3: Let's hear a little snippet from that attempt.

1628
01:14:41,200 --> 01:14:45,320
Speaker 6: The audition, it just said untitled Zombies Musical, and I

1629
01:14:45,360 --> 01:14:47,400
Speaker 6: was like, what is this? And then you guys know

1630
01:14:47,439 --> 01:14:50,200
Speaker 6: how much of a trip Bucky is, right, So reading

1631
01:14:50,200 --> 01:14:52,800
Speaker 6: Bucky's lines, I'm like, what is he even saying? I

1632
01:14:52,880 --> 01:14:56,000
Speaker 6: was digesting the lines. I was like cajun or shaking bake.

1633
01:14:56,080 --> 01:14:58,000
Speaker 6: I was like I just need to make a joke

1634
01:14:58,040 --> 01:14:59,640
Speaker 6: out of this, you know what I mean. And I

1635
01:14:59,680 --> 01:15:02,200
Speaker 6: remember I was wearing my bathing suit and my now

1636
01:15:02,280 --> 01:15:04,719
Speaker 6: wife was taping with me. She's like, are you gonna

1637
01:15:04,760 --> 01:15:06,120
Speaker 6: change out of your bathing suit? I was like, no,

1638
01:15:06,280 --> 01:15:10,080
Speaker 6: run it, let's do it. You can and just did

1639
01:15:10,120 --> 01:15:13,479
Speaker 6: this whole thing and then the director was like, that's perfect.

1640
01:15:16,200 --> 01:15:17,040
Speaker 3: Oh so much fun.

1641
01:15:17,080 --> 01:15:18,920
Speaker 1: And remember to subscribe to our feet and you can

1642
01:15:18,960 --> 01:15:21,559
Speaker 1: follow us on the magical rewind Pod on the Instagram

1643
01:15:21,640 --> 01:15:35,000
Speaker 1: machine by everybody