1 00:00:02,560 --> 00:00:06,600 Speaker 1: Two Teas in a Pod with Teddy Mellencamp and camera judge. 2 00:00:15,400 --> 00:00:18,480 Speaker 2: Hi, guys, welcome to another episode of Two Teas in 3 00:00:18,520 --> 00:00:20,960 Speaker 2: a Pod with myself, Teddy Mellencamp. 4 00:00:20,560 --> 00:00:22,400 Speaker 1: And Jama Judge. 5 00:00:23,320 --> 00:00:27,280 Speaker 2: Tamra, you're tired and you're tired, tired. 6 00:00:27,320 --> 00:00:30,080 Speaker 1: It's just been non stop going, Like I had the flu, 7 00:00:30,240 --> 00:00:33,080 Speaker 1: put me down for five days, and now I'm like 8 00:00:33,600 --> 00:00:35,279 Speaker 1: working overtime to get caught up. 9 00:00:36,000 --> 00:00:39,000 Speaker 2: Well, you look hot in your confessional look yesterday. I 10 00:00:39,159 --> 00:00:39,400 Speaker 2: like you. 11 00:00:40,240 --> 00:00:43,040 Speaker 1: I am not one to wear my hair straight behind 12 00:00:43,080 --> 00:00:44,760 Speaker 1: my ears because I have a big old forehead. 13 00:00:46,159 --> 00:00:48,280 Speaker 2: I think if we were to have a forehead competition, 14 00:00:48,400 --> 00:00:50,600 Speaker 2: I would win. Mine's not even a four, it's a five. 15 00:00:51,120 --> 00:00:52,640 Speaker 1: Mine's huge. 16 00:00:53,440 --> 00:00:57,120 Speaker 2: Tamera and I have a widow's peak, which is like 17 00:00:57,200 --> 00:00:58,920 Speaker 2: a double way amy of a sech. 18 00:01:02,440 --> 00:01:05,120 Speaker 1: I know Sophia or the but we're both like I 19 00:01:05,120 --> 00:01:07,399 Speaker 1: feel like I'm like bald up at the top right here, 20 00:01:07,440 --> 00:01:08,600 Speaker 1: like an old man. 21 00:01:09,640 --> 00:01:12,560 Speaker 2: Oh yeah, I'm like that right now too. I need like, 22 00:01:12,680 --> 00:01:17,280 Speaker 2: you know, yeah, like this is just I don't know my. 23 00:01:17,040 --> 00:01:22,120 Speaker 1: Airline goes by back so far, but whatever, whatever it is, 24 00:01:22,160 --> 00:01:24,400 Speaker 1: what it is. So I went out, I went out 25 00:01:24,400 --> 00:01:28,080 Speaker 1: of my comfort zone and let the girls do whatever. 26 00:01:28,160 --> 00:01:31,840 Speaker 1: And I liked it off off, I liked it, but 27 00:01:31,880 --> 00:01:32,880 Speaker 1: it took a village man. 28 00:01:33,160 --> 00:01:35,800 Speaker 2: And well it always does for all of us. But 29 00:01:37,160 --> 00:01:39,919 Speaker 2: oh my gosh, I can't when it. When our producers 30 00:01:39,959 --> 00:01:42,040 Speaker 2: write things and they want us to say it, then 31 00:01:42,160 --> 00:01:45,319 Speaker 2: I die, what do you mean? Like when they said 32 00:01:46,319 --> 00:01:49,280 Speaker 2: let's do a poll, did Tarma look beat? And then 33 00:01:49,360 --> 00:01:51,880 Speaker 2: Tarma gets mad because she thinks beat is a bad 34 00:01:51,960 --> 00:01:52,800 Speaker 2: thing and it's not. 35 00:01:53,440 --> 00:01:53,960 Speaker 1: To beat this. 36 00:01:54,880 --> 00:01:55,680 Speaker 3: I don't. 37 00:01:56,080 --> 00:01:58,960 Speaker 1: I'm not up on all these new scenes. You look 38 00:01:59,000 --> 00:02:01,080 Speaker 1: beat that, Tamera. 39 00:02:01,760 --> 00:02:02,200 Speaker 2: You ate? 40 00:02:03,520 --> 00:02:06,400 Speaker 1: No, I don't like that, but you gagged. You want 41 00:02:06,440 --> 00:02:10,680 Speaker 1: to know where my mind is? So I was his mother? 42 00:02:11,440 --> 00:02:14,240 Speaker 1: Oh god, icons only one I can associate with. 43 00:02:15,480 --> 00:02:15,519 Speaker 4: No. 44 00:02:15,720 --> 00:02:18,400 Speaker 1: I had contractors come over because we're having the outside 45 00:02:18,440 --> 00:02:20,640 Speaker 1: of the house painted in big Bear, and so we 46 00:02:20,680 --> 00:02:22,680 Speaker 1: were talking this one guy and I'm like, yeah, this 47 00:02:22,760 --> 00:02:25,960 Speaker 1: house has not been touched since the eighties, like twenty 48 00:02:26,000 --> 00:02:28,600 Speaker 1: five years. Nothing's been done to the outside of the house. 49 00:02:29,280 --> 00:02:33,640 Speaker 1: And then after I said it, I went, oh, the 50 00:02:33,680 --> 00:02:36,920 Speaker 1: eighties are like forty years ago. Yeah, I thought they 51 00:02:36,960 --> 00:02:38,880 Speaker 1: were like twenty five years ago. 52 00:02:39,120 --> 00:02:39,200 Speaker 4: No. 53 00:02:39,280 --> 00:02:41,000 Speaker 2: I hate to be the bear of bad news. I 54 00:02:41,040 --> 00:02:43,760 Speaker 2: was born in eighty one, and I am turning forty 55 00:02:43,760 --> 00:02:45,480 Speaker 2: three and like less than a month. 56 00:02:45,720 --> 00:02:47,560 Speaker 1: Well, I thought about Ryan, who's born in eighty five, 57 00:02:48,040 --> 00:02:50,840 Speaker 1: you know, and he's thirty eight. So I'm like, wait 58 00:02:50,880 --> 00:02:53,280 Speaker 1: a minute, shit, how did. 59 00:02:53,160 --> 00:02:55,760 Speaker 2: I get so old? I mean, and we're pretty close 60 00:02:55,800 --> 00:02:58,920 Speaker 2: to twenty forty. We're closer to twenty forty than we 61 00:02:58,960 --> 00:03:02,800 Speaker 2: are to the eightiesh God, what a thought. 62 00:03:03,040 --> 00:03:04,239 Speaker 1: Time just flies by. 63 00:03:04,760 --> 00:03:06,760 Speaker 2: Time does fly by. But I can also say that 64 00:03:06,840 --> 00:03:10,600 Speaker 2: I'm in no place to be ready for like teenagers, 65 00:03:10,919 --> 00:03:13,959 Speaker 2: because you know how I like to go to bed early, 66 00:03:14,000 --> 00:03:16,160 Speaker 2: and I was already planning my one night of the 67 00:03:16,160 --> 00:03:19,519 Speaker 2: week to be awake late to be at the Janet 68 00:03:19,600 --> 00:03:23,960 Speaker 2: Jackson concert. And then yesterday Slate went to Disney with 69 00:03:24,000 --> 00:03:26,680 Speaker 2: her friends and I assumed, I mean with them. There 70 00:03:26,720 --> 00:03:29,520 Speaker 2: was parents there, so it's fine, but I assumed like 71 00:03:29,680 --> 00:03:31,160 Speaker 2: they were like, we're going to stay late. I thought 72 00:03:31,200 --> 00:03:35,840 Speaker 2: they meant like eight o'clock. At eight forty. I text 73 00:03:35,920 --> 00:03:37,920 Speaker 2: the mom and Slate and I'm like, hey, guys, just 74 00:03:38,000 --> 00:03:41,080 Speaker 2: checking in around what time are you thinking you'll be back? 75 00:03:41,080 --> 00:03:43,880 Speaker 2: And they're like, probably around midnight, twelve thirty. 76 00:03:44,040 --> 00:03:45,120 Speaker 1: And then you have to stay awake. 77 00:03:45,560 --> 00:03:48,880 Speaker 2: Well, I had to set an alarm clock, I know. 78 00:03:49,960 --> 00:03:52,640 Speaker 2: Like I was like, okay, so twelve thirty. So then 79 00:03:52,640 --> 00:03:54,839 Speaker 2: I set it for eleven forty five just in case 80 00:03:54,880 --> 00:03:56,800 Speaker 2: I got back early. And then I texted and She's like, no, 81 00:03:56,840 --> 00:03:58,160 Speaker 2: we haven't left yet, and I was like. 82 00:04:00,960 --> 00:04:02,800 Speaker 1: I know, I trust me. I've gone through it with 83 00:04:02,800 --> 00:04:07,160 Speaker 1: all my kids. Sophia, luckily, isn't one that goes out 84 00:04:07,200 --> 00:04:09,600 Speaker 1: late at night. So and now she's got the casita 85 00:04:09,720 --> 00:04:10,520 Speaker 1: so she can. 86 00:04:11,160 --> 00:04:13,800 Speaker 2: She can come and go. Well, she's an adult now, right. 87 00:04:13,720 --> 00:04:17,680 Speaker 1: She's eighteen and a half. So yeah, buth, my gosh, 88 00:04:17,680 --> 00:04:18,160 Speaker 1: what girl? 89 00:04:18,560 --> 00:04:20,880 Speaker 2: At what age do we stop saying halves? Like I know, 90 00:04:21,000 --> 00:04:23,719 Speaker 2: I'm not like, I'm forty two and three quarters. 91 00:04:24,279 --> 00:04:27,520 Speaker 1: I'm already saying I'm sixty and I'm fifty six. I'm like, 92 00:04:27,600 --> 00:04:29,640 Speaker 1: I just round them off. And I'm like, god, how 93 00:04:29,680 --> 00:04:32,160 Speaker 1: did I get so old? What am I doing with 94 00:04:32,200 --> 00:04:32,799 Speaker 1: my life? 95 00:04:33,240 --> 00:04:48,279 Speaker 2: I can't. We're getting old. We're back. We are going 96 00:04:48,360 --> 00:04:49,880 Speaker 2: to be seeing each other. We have a lot of 97 00:04:49,960 --> 00:04:52,400 Speaker 2: fun pods coming out this week, so make sure that 98 00:04:52,480 --> 00:04:56,200 Speaker 2: you guys stay tuned. Not to mention, the Eds had 99 00:04:56,279 --> 00:04:58,080 Speaker 2: Joe Gorga. 100 00:04:57,480 --> 00:05:01,320 Speaker 1: On, oh god, we were in Big Bang when they 101 00:05:01,360 --> 00:05:05,240 Speaker 1: were filming, and oh my god, just the talking I 102 00:05:05,279 --> 00:05:08,000 Speaker 1: could hear. I was actually in the backyard and I 103 00:05:08,040 --> 00:05:12,479 Speaker 1: could hear Eddie talking and laughing, and he tried. He 104 00:05:12,520 --> 00:05:16,560 Speaker 1: started playing the podcast last night, and I'm like, I 105 00:05:16,880 --> 00:05:18,840 Speaker 1: can't go to bed to this, Like, can you just 106 00:05:18,880 --> 00:05:22,400 Speaker 1: put your earbuds in? Like I I really. 107 00:05:23,080 --> 00:05:26,080 Speaker 2: I could hear them talking and asking questions. And then 108 00:05:26,120 --> 00:05:28,640 Speaker 2: in the middle of the pod, Edwin texted me, is 109 00:05:28,680 --> 00:05:30,760 Speaker 2: it okay if I share how many people you've had 110 00:05:30,800 --> 00:05:34,279 Speaker 2: sex with? I was like, what are you all talking? 111 00:05:34,320 --> 00:05:34,440 Speaker 4: Well? 112 00:05:34,480 --> 00:05:36,920 Speaker 1: I heard Eddie talk about our sex chair that we bought, 113 00:05:37,160 --> 00:05:38,760 Speaker 1: and then he's like, yeah, now I just use it 114 00:05:38,760 --> 00:05:39,320 Speaker 1: to stretch. 115 00:05:39,640 --> 00:05:44,640 Speaker 2: I'm like, really, did I use it to stretch a 116 00:05:44,640 --> 00:05:45,239 Speaker 2: little tight? 117 00:05:45,560 --> 00:05:46,320 Speaker 1: Yeah? 118 00:05:46,520 --> 00:05:49,400 Speaker 2: Oh my gosh, okay, I guess they did two pods. 119 00:05:49,440 --> 00:05:51,400 Speaker 2: So they did one with Joe Gorga and then they 120 00:05:51,400 --> 00:05:54,159 Speaker 2: did a sex and intimacy pod. I can't wait to 121 00:05:54,200 --> 00:05:54,719 Speaker 2: hear that one. 122 00:05:54,760 --> 00:05:56,800 Speaker 1: Oh god, whose idea was that? 123 00:05:57,800 --> 00:06:02,640 Speaker 2: Definitely not mine? Eddie accident. He said he likes Bush 124 00:06:03,080 --> 00:06:06,760 Speaker 2: and he does not like Bush well unless he's talking 125 00:06:06,800 --> 00:06:07,479 Speaker 2: about the band. 126 00:06:08,600 --> 00:06:11,400 Speaker 1: I'm going to text him right now. I'm gonna call him. 127 00:06:11,600 --> 00:06:13,560 Speaker 1: I'm gonna call him. He's downstairs. 128 00:06:14,600 --> 00:06:17,960 Speaker 2: I need to know. I need to know, and then 129 00:06:18,000 --> 00:06:20,560 Speaker 2: I need to check what you're working with when I 130 00:06:20,560 --> 00:06:23,480 Speaker 2: get there tonight. Because of this pull Bush, we're gonna 131 00:06:23,520 --> 00:06:24,480 Speaker 2: have to have a conversation. 132 00:06:25,160 --> 00:06:26,840 Speaker 1: Yeah, maybe he likes his own Bush. 133 00:06:27,720 --> 00:06:28,000 Speaker 4: Maybe. 134 00:06:28,360 --> 00:06:32,200 Speaker 1: Hey, so I have Tuddy here. Did you say on 135 00:06:32,240 --> 00:06:37,720 Speaker 1: your podcast that you like Bush? What do you mean accidentally? 136 00:06:37,800 --> 00:06:39,320 Speaker 1: How do you accidentally like Bush? 137 00:06:39,760 --> 00:06:42,840 Speaker 3: Because it was a fire session where you answer the 138 00:06:42,920 --> 00:06:44,359 Speaker 3: question and I misunderstood it. 139 00:06:44,640 --> 00:06:46,920 Speaker 1: So do I need to grow my bush out? 140 00:06:47,800 --> 00:06:49,400 Speaker 4: I said, no, I don't like Bush. 141 00:06:49,520 --> 00:06:53,000 Speaker 1: Oh okay, just a Fredian slip. 142 00:06:53,600 --> 00:06:57,320 Speaker 4: Yeah, slip on his mistake. I do not like flust 143 00:06:57,400 --> 00:06:58,320 Speaker 4: my teeth down there? 144 00:06:58,680 --> 00:06:59,880 Speaker 1: Okay. 145 00:06:59,160 --> 00:07:02,680 Speaker 2: O God, I wish you could hear me right now. 146 00:07:02,800 --> 00:07:04,760 Speaker 1: I'mad Teddy's dying right now. 147 00:07:05,520 --> 00:07:06,719 Speaker 2: This is so good. 148 00:07:07,360 --> 00:07:09,760 Speaker 1: We were just talking about your podcast with Joe Gorga. 149 00:07:09,880 --> 00:07:10,840 Speaker 1: It was really good. 150 00:07:11,360 --> 00:07:13,680 Speaker 4: Oh good, good. Yeah, we had a great time with him. 151 00:07:14,000 --> 00:07:20,200 Speaker 1: What was the best and best question you asked him? 152 00:07:20,400 --> 00:07:21,360 Speaker 2: Was it about sucks? 153 00:07:22,760 --> 00:07:26,440 Speaker 4: No? No, no, we had a really candid conversation about 154 00:07:26,840 --> 00:07:28,480 Speaker 4: you know, O life, and I. 155 00:07:28,520 --> 00:07:31,520 Speaker 3: Think the best question I asked him was you know 156 00:07:31,880 --> 00:07:34,280 Speaker 3: where did you get your motivation from? To work your 157 00:07:34,320 --> 00:07:36,520 Speaker 3: ass off and work so hard? And you know what 158 00:07:36,560 --> 00:07:39,880 Speaker 3: made you which is what made you successful? And he 159 00:07:40,440 --> 00:07:42,800 Speaker 3: told us that And the best thing that came out 160 00:07:42,800 --> 00:07:45,560 Speaker 3: of it is that his dad, you know, just drilled 161 00:07:45,600 --> 00:07:47,440 Speaker 3: it in him and taught him how to be a 162 00:07:47,480 --> 00:07:50,640 Speaker 3: man and how to treat women. And the way he 163 00:07:50,880 --> 00:07:54,120 Speaker 3: holds Melissa on a pedestal, that's sweet. 164 00:07:54,800 --> 00:07:59,320 Speaker 1: Sweet. Serious journals, you guys are serious journalism. I did 165 00:07:59,360 --> 00:08:02,520 Speaker 1: hear Edwin at one point say, I just like your motivation, dude, 166 00:08:02,520 --> 00:08:08,920 Speaker 1: your jacked. Okay, as much as I'd love to talk 167 00:08:08,920 --> 00:08:11,120 Speaker 1: to you, but this is our podcast, not yours, so 168 00:08:11,240 --> 00:08:11,680 Speaker 1: we have. 169 00:08:11,640 --> 00:08:13,440 Speaker 2: To go enough promoting you guys. 170 00:08:15,600 --> 00:08:16,240 Speaker 1: Okay, bye bye. 171 00:08:18,000 --> 00:08:23,400 Speaker 2: The fact that Joey Gorga, ed and Eddie are discussing 172 00:08:23,400 --> 00:08:25,640 Speaker 2: how to treat women, like, are they going to write 173 00:08:25,680 --> 00:08:28,880 Speaker 2: a book next? You're gonna be pissed because she didn't 174 00:08:28,880 --> 00:08:29,440 Speaker 2: get it sent. 175 00:08:30,080 --> 00:08:31,000 Speaker 1: I'll send her one. 176 00:08:32,120 --> 00:08:33,960 Speaker 2: We'll send her their group book. 177 00:08:34,640 --> 00:08:38,439 Speaker 1: Eddie such a teacher, So it was funny his delivery 178 00:08:38,480 --> 00:08:42,280 Speaker 1: is a little off, right. So Sophia got a check 179 00:08:43,520 --> 00:08:47,720 Speaker 1: from working. Yeah, and so we met somebody were on 180 00:08:47,720 --> 00:08:50,880 Speaker 1: a walk last night and we come in and he's like, girls, 181 00:08:51,000 --> 00:08:52,600 Speaker 1: you need to come in here right now and sit down. 182 00:08:53,320 --> 00:08:55,640 Speaker 1: And we look at each other and we're like, why 183 00:08:56,160 --> 00:08:57,920 Speaker 1: just get in here and sit down. We need to talk. 184 00:08:58,440 --> 00:09:00,719 Speaker 1: And I'm like, oh my god, I go, are we 185 00:09:00,800 --> 00:09:02,800 Speaker 1: going to the principal's office? What the hell means? Sofia 186 00:09:02,800 --> 00:09:04,880 Speaker 1: look at each other. He wanted to give Sophia a 187 00:09:04,960 --> 00:09:08,680 Speaker 1: lesson on taxes and you know, if you're ten ninety nine, 188 00:09:08,720 --> 00:09:11,760 Speaker 1: you have to pay taxes, and I went, Sofia goes, 189 00:09:11,800 --> 00:09:13,200 Speaker 1: you really need to work on your delivery. 190 00:09:13,240 --> 00:09:13,440 Speaker 2: Man. 191 00:09:15,120 --> 00:09:17,680 Speaker 1: I mean, your message is good. I appreciate you teaching 192 00:09:17,720 --> 00:09:20,240 Speaker 1: me this, but you make us feel like we're in trouble. 193 00:09:20,679 --> 00:09:25,200 Speaker 2: And also sound bites. Yeah, I tell And when anytime 194 00:09:25,240 --> 00:09:27,199 Speaker 2: you want to talk about money, it's you got to 195 00:09:27,200 --> 00:09:30,000 Speaker 2: do it in five to ten seconds, yes, or I'll sign. 196 00:09:30,840 --> 00:09:32,240 Speaker 1: The Well that's way. He was getting deep into it. 197 00:09:32,240 --> 00:09:34,120 Speaker 1: And if you're ninety nine, and if you don't do 198 00:09:34,320 --> 00:09:35,959 Speaker 1: you need to send the irs money right away. You 199 00:09:36,000 --> 00:09:38,439 Speaker 1: don't want to get in trouble with it. And I'm like, dude, 200 00:09:38,440 --> 00:09:41,000 Speaker 1: she doesn't even know what you're talking about. Well, the 201 00:09:41,040 --> 00:09:43,000 Speaker 1: best part is after all that she opened up her 202 00:09:43,040 --> 00:09:44,840 Speaker 1: check and she's like, oh, they already took the taxes out. 203 00:09:44,880 --> 00:09:46,840 Speaker 1: He goes, okay, disregard everything. I said. 204 00:09:48,160 --> 00:10:02,040 Speaker 2: Well, I'm good. This is episode two. I was kind 205 00:10:02,040 --> 00:10:04,880 Speaker 2: of hoping it would be more of like a continuation 206 00:10:06,000 --> 00:10:09,840 Speaker 2: in a better way of episode one, but this episode 207 00:10:09,840 --> 00:10:14,400 Speaker 2: felt a little forced to me in all areas. It 208 00:10:14,440 --> 00:10:18,200 Speaker 2: starts with Brooks and Sara meet up at Toleane's house. 209 00:10:18,679 --> 00:10:21,959 Speaker 2: Brooks says to Lene and Sara are the most authentic 210 00:10:22,120 --> 00:10:24,720 Speaker 2: in the group. Brook says she goes back and forth 211 00:10:24,760 --> 00:10:28,360 Speaker 2: and wanting to heal to being shady. Sara says Chanel 212 00:10:28,559 --> 00:10:32,920 Speaker 2: is not a victim as an adult. Brook says Stanberry 213 00:10:33,000 --> 00:10:36,480 Speaker 2: is a hypocrite about Tolene's behavior. Do you feel like 214 00:10:36,559 --> 00:10:39,640 Speaker 2: Brooke really cares about what Stanbury said about Tolene or 215 00:10:39,720 --> 00:10:41,120 Speaker 2: is just trying to create drama. 216 00:10:41,200 --> 00:10:45,360 Speaker 1: She's just trying to create trauma. What she said was 217 00:10:45,400 --> 00:10:48,200 Speaker 1: not that bad. It wasn't like she was like, oh 218 00:10:48,240 --> 00:10:50,480 Speaker 1: my god, her pea was out and things were hanging 219 00:10:50,480 --> 00:10:53,880 Speaker 1: in my husband saw it and Sergio was gagging like she. 220 00:10:54,480 --> 00:10:57,760 Speaker 2: Was turned on flirting with him. Nothing. 221 00:10:58,040 --> 00:11:00,000 Speaker 1: It just was like, I think Brooks is trying too hard. 222 00:11:00,080 --> 00:11:02,960 Speaker 1: To create drama for the show, or she's just she's 223 00:11:02,960 --> 00:11:04,400 Speaker 1: just not doing herself any favors. 224 00:11:04,720 --> 00:11:07,200 Speaker 2: Well, I feel like every time she speaks, like the 225 00:11:07,280 --> 00:11:10,400 Speaker 2: cross gets like bigger around her neck. Every time that 226 00:11:10,520 --> 00:11:14,240 Speaker 2: Sara mentioned spiritual, like she's like, yes, me too. And 227 00:11:14,240 --> 00:11:16,760 Speaker 2: then in the confessional they're like, how many times have 228 00:11:16,800 --> 00:11:19,480 Speaker 2: you seen the spiritual healer Brooks And she's like, oh, 229 00:11:19,559 --> 00:11:20,880 Speaker 2: once once. 230 00:11:21,040 --> 00:11:22,040 Speaker 1: I just saw her once. 231 00:11:23,160 --> 00:11:24,079 Speaker 2: Yeah, I don't know. 232 00:11:24,160 --> 00:11:27,680 Speaker 1: I mean she's working the time, she's just coming off 233 00:11:27,760 --> 00:11:30,120 Speaker 1: like she wants to stir the stir the pod and 234 00:11:30,160 --> 00:11:32,959 Speaker 1: there's just nothing yet to stir, like she's trying to 235 00:11:33,000 --> 00:11:34,360 Speaker 1: create drama that's not there. 236 00:11:34,720 --> 00:11:38,320 Speaker 2: I think. And this continues on as the episode goes, 237 00:11:38,520 --> 00:11:41,480 Speaker 2: but I think what the problem is. I think she's 238 00:11:42,640 --> 00:11:44,920 Speaker 2: using a little liquid courage. 239 00:11:44,640 --> 00:11:45,880 Speaker 1: Oh for sure. 240 00:11:46,240 --> 00:11:49,560 Speaker 2: And it's before like when you see her like at 241 00:11:49,600 --> 00:11:52,400 Speaker 2: a party and it's liquid courage. It's it can be funny. 242 00:11:52,760 --> 00:11:55,720 Speaker 2: But it's now been all three scenes we've seen of 243 00:11:55,760 --> 00:11:58,040 Speaker 2: her except for when she was in her off like 244 00:11:58,160 --> 00:12:06,000 Speaker 2: her business, and it's coming off like just so much 245 00:12:06,120 --> 00:12:08,200 Speaker 2: and so over the top that you're like you can't 246 00:12:08,200 --> 00:12:10,320 Speaker 2: even relate to the conversation nor. 247 00:12:10,320 --> 00:12:13,640 Speaker 1: Care no, no, and then Chanelle is starting your own 248 00:12:13,640 --> 00:12:16,640 Speaker 1: beauty line. Now, she sent you some products, right, yeah, 249 00:12:16,720 --> 00:12:18,880 Speaker 1: she sent it to me. She tried to send to me, 250 00:12:18,960 --> 00:12:22,319 Speaker 1: but you had to sign. I hate when maybe it's international, 251 00:12:22,360 --> 00:12:23,760 Speaker 1: I don't know, but I hate when you have to 252 00:12:23,760 --> 00:12:26,520 Speaker 1: sign because I'm rarely home. But I didn't get them, 253 00:12:26,559 --> 00:12:29,600 Speaker 1: so she's supposed to resend them. But we're happy for her. 254 00:12:29,760 --> 00:12:32,120 Speaker 1: A lot of Chanelle's models are Somali because she wants 255 00:12:32,240 --> 00:12:35,000 Speaker 1: to give the girls like her hope. So that's why. 256 00:12:35,280 --> 00:12:38,239 Speaker 2: Well, I think there is clearly a lot of housewife 257 00:12:38,320 --> 00:12:41,679 Speaker 2: products throughout the years that we've seen. But I do 258 00:12:41,760 --> 00:12:45,880 Speaker 2: think ion beauty really makes a lot of sense, and 259 00:12:45,960 --> 00:12:48,679 Speaker 2: you see those pictures, you see all of it. But also, 260 00:12:49,520 --> 00:12:51,680 Speaker 2: since we were just talking about Eddie, I felt like 261 00:12:51,720 --> 00:12:54,680 Speaker 2: when her husband was explaining the finances to her, it 262 00:12:54,800 --> 00:12:58,160 Speaker 2: was probably like Eddie explaining the finances to Sophia. 263 00:12:58,360 --> 00:13:01,080 Speaker 1: Yes, well, I will say that that Chanelle is back 264 00:13:01,120 --> 00:13:03,560 Speaker 1: on social media. So does that mean she's home from 265 00:13:03,600 --> 00:13:07,240 Speaker 1: Scotland or she's having somebody else do her socials? 266 00:13:07,400 --> 00:13:10,240 Speaker 2: I don't know, because maybe they're lightening up the rules 267 00:13:10,280 --> 00:13:13,200 Speaker 2: because we've got Tom Sandvall back on socials, we've got 268 00:13:13,280 --> 00:13:14,720 Speaker 2: ion on socials. 269 00:13:14,840 --> 00:13:18,880 Speaker 1: Well, I will tell you. I will tell you that 270 00:13:19,840 --> 00:13:22,360 Speaker 1: you are not allowed to go on social media until 271 00:13:22,400 --> 00:13:25,800 Speaker 1: the show is over, until they are done filming. 272 00:13:26,360 --> 00:13:29,320 Speaker 2: That's so maybe they're done film Well no, no. 273 00:13:29,160 --> 00:13:31,440 Speaker 1: No, when the show is done filming, not them, because 274 00:13:31,600 --> 00:13:33,439 Speaker 1: you can't give it away, right. 275 00:13:33,280 --> 00:13:36,360 Speaker 2: But that's my question. Do we even know when Traders 276 00:13:36,440 --> 00:13:37,400 Speaker 2: started filming? 277 00:13:37,520 --> 00:13:39,199 Speaker 1: It takes three to four weeks. It's like three and 278 00:13:39,200 --> 00:13:40,440 Speaker 1: a half weeks of filming. 279 00:13:40,800 --> 00:13:42,960 Speaker 2: So June, we're only on June. 280 00:13:43,040 --> 00:13:45,120 Speaker 1: Yeah, but as of now, there's probably a good four 281 00:13:45,200 --> 00:13:46,480 Speaker 1: or five people gone. 282 00:13:46,800 --> 00:13:53,920 Speaker 2: Yeah who Okay. Then we get to Lisa's mom, Juliette, 283 00:13:54,040 --> 00:13:57,600 Speaker 2: coming to town. Lisa feels guilty since her mother wants 284 00:13:57,600 --> 00:14:00,880 Speaker 2: her to move back to Miami. Lisa's great mother raised 285 00:14:00,920 --> 00:14:03,839 Speaker 2: her and not having her own mother, Carrie on that 286 00:14:03,880 --> 00:14:06,560 Speaker 2: tradition with her son's as hard. I thought this was 287 00:14:06,559 --> 00:14:08,960 Speaker 2: a heartfelt moment, like when they were wit Like, I 288 00:14:09,040 --> 00:14:12,280 Speaker 2: loved that Lisa was like in her sweats, They're sitting 289 00:14:12,280 --> 00:14:14,800 Speaker 2: there with balloons, like they're so excited, and then you 290 00:14:14,880 --> 00:14:16,600 Speaker 2: saw how excited her kids were. 291 00:14:17,600 --> 00:14:21,600 Speaker 1: She has the absolute cutest family, cutest family like that, 292 00:14:22,120 --> 00:14:23,680 Speaker 1: if my husband is adorable. 293 00:14:24,240 --> 00:14:25,240 Speaker 2: I know he's handsome. 294 00:14:25,560 --> 00:14:26,840 Speaker 1: For some reason, he looked really young. 295 00:14:27,520 --> 00:14:29,720 Speaker 2: Well I don't I could be wrong, and this is 296 00:14:29,720 --> 00:14:31,960 Speaker 2: coming from someone who has faked teeth because I knocked 297 00:14:31,960 --> 00:14:34,880 Speaker 2: mine out in the eighth grade. But it looks maybe 298 00:14:34,920 --> 00:14:37,400 Speaker 2: like he got his teeth done or something like something 299 00:14:37,520 --> 00:14:40,280 Speaker 2: looks a little different, which I'm not in a good way. 300 00:14:40,560 --> 00:14:42,600 Speaker 2: Or maybe he looks exactly the same. I just noticed, 301 00:14:42,600 --> 00:14:43,240 Speaker 2: how straight. 302 00:14:43,080 --> 00:14:45,000 Speaker 1: Is I just had a dentist reach out to me 303 00:14:45,080 --> 00:14:47,280 Speaker 1: to say I would like to perfect your smile, and I'm. 304 00:14:47,080 --> 00:14:48,840 Speaker 2: Like, what's wrong with my smile? 305 00:14:49,800 --> 00:14:49,880 Speaker 3: You? 306 00:14:50,600 --> 00:14:52,200 Speaker 2: I'm like, wait, do I need new teeth? 307 00:14:52,880 --> 00:14:54,000 Speaker 1: I don't have faked teeth? 308 00:14:54,720 --> 00:14:55,560 Speaker 2: Well, I only have. 309 00:14:55,760 --> 00:14:57,400 Speaker 1: I still have a cracked crown in the back. 310 00:14:57,440 --> 00:15:00,360 Speaker 2: I have to still I still have a wisdom tooth 311 00:15:00,400 --> 00:15:01,920 Speaker 2: that needs to come out that I was taking it 312 00:15:02,000 --> 00:15:07,200 Speaker 2: out myself. Then Chanelle and Sarah meet for lunch. Chanelle 313 00:15:07,240 --> 00:15:10,760 Speaker 2: tells Sarah she feels bad after their fight and wants 314 00:15:10,800 --> 00:15:14,560 Speaker 2: to apologize with her letter. Chanelle reads the letter out 315 00:15:14,600 --> 00:15:18,920 Speaker 2: loud Sarah, but Chanelle pretending that she wrote the letter 316 00:15:18,960 --> 00:15:23,320 Speaker 2: herself after it and then they edit to like her 317 00:15:23,400 --> 00:15:25,120 Speaker 2: with I can't remember it was with their husband or 318 00:15:25,120 --> 00:15:27,680 Speaker 2: who she was with. Like writing the letter, I was like, 319 00:15:27,920 --> 00:15:30,000 Speaker 2: this is so good. The next time I get in 320 00:15:30,040 --> 00:15:32,880 Speaker 2: an argument with you, I'm gonna have Matt write me notes. 321 00:15:33,040 --> 00:15:35,320 Speaker 1: And I'm gonna gel cute. I think it's cute. I 322 00:15:35,320 --> 00:15:37,960 Speaker 1: think she might be somebody that has a hard time 323 00:15:38,000 --> 00:15:40,760 Speaker 1: getting her words out, so if you write it down, 324 00:15:41,040 --> 00:15:44,080 Speaker 1: it's you know, it comes across from your heart instead 325 00:15:44,080 --> 00:15:46,800 Speaker 1: of saying it straight to your face. And I think 326 00:15:46,840 --> 00:15:50,080 Speaker 1: she felt like she's getting her true self across. I 327 00:15:50,080 --> 00:15:51,240 Speaker 1: don't think she was being shady. 328 00:15:51,320 --> 00:15:53,000 Speaker 2: No, I don't think she was being shady either. I 329 00:15:53,000 --> 00:15:53,840 Speaker 2: think she was trying. 330 00:15:54,240 --> 00:15:56,640 Speaker 1: I thought, and I did think that her apology was sincere. 331 00:15:56,720 --> 00:15:59,480 Speaker 2: Do you yeah, I think she meant her apology. I 332 00:15:59,520 --> 00:16:02,480 Speaker 2: think I think they went by the headlines and not 333 00:16:02,640 --> 00:16:05,480 Speaker 2: by an actual conversation. But how did you feel about 334 00:16:05,480 --> 00:16:07,280 Speaker 2: the miniature angel? 335 00:16:07,840 --> 00:16:09,760 Speaker 1: I thought it was cute. Now you could see, like, 336 00:16:09,840 --> 00:16:15,280 Speaker 1: I think Chanelle is very sensitive. Yeah, she's super sensitive. 337 00:16:15,320 --> 00:16:18,440 Speaker 1: I think she carries along carries a lot of baggage 338 00:16:18,480 --> 00:16:21,480 Speaker 1: within her that she probably hasn't dealt with, and it 339 00:16:21,560 --> 00:16:24,680 Speaker 1: comes out in different ways. And she's an easy girl 340 00:16:24,760 --> 00:16:26,960 Speaker 1: to be like, Oh, I can't deal with her because 341 00:16:26,960 --> 00:16:29,720 Speaker 1: she's always like, I look gorgeous and she walks in 342 00:16:29,720 --> 00:16:32,520 Speaker 1: the room in a full gown. But it's just I'm finan, 343 00:16:32,560 --> 00:16:33,640 Speaker 1: It's just part of her charm. 344 00:16:34,360 --> 00:16:37,760 Speaker 2: Yeah, like that over over the top. 345 00:16:37,800 --> 00:16:39,479 Speaker 1: I think she's over at the top. 346 00:16:39,360 --> 00:16:43,440 Speaker 2: And it's but really a big softy inside. Yeah, and 347 00:16:43,480 --> 00:16:45,920 Speaker 2: I like the time I feel like she feels like 348 00:16:45,920 --> 00:16:49,480 Speaker 2: someone's talking bad about her or I'm supporting her. That's 349 00:16:49,480 --> 00:16:50,840 Speaker 2: where she kind of lashes out. 350 00:16:51,040 --> 00:16:53,040 Speaker 1: I am just more and more in love with Tolene, 351 00:16:53,440 --> 00:16:56,280 Speaker 1: and she brings her daughter Gigi to Caroline Brooks Salon. 352 00:16:56,440 --> 00:17:00,480 Speaker 1: Telene is hosting a family gathering and is inviting Caroline stands. 353 00:17:00,880 --> 00:17:03,680 Speaker 1: Telene wants to move past everything and doesn't want to 354 00:17:03,720 --> 00:17:07,359 Speaker 1: hold a grudge. Caroline Brooks says Telene can move past 355 00:17:07,400 --> 00:17:10,919 Speaker 1: things quicker since she doesn't know Stansbury that well. I 356 00:17:10,920 --> 00:17:11,919 Speaker 1: mean holding a grudgin. 357 00:17:11,960 --> 00:17:15,679 Speaker 2: I thought we always call her Stansbury and it's Stanbury. 358 00:17:15,720 --> 00:17:16,040 Speaker 2: I do it. 359 00:17:17,000 --> 00:17:19,119 Speaker 1: I know I do too. Holding a grudge is a 360 00:17:19,160 --> 00:17:22,080 Speaker 1: worse trait for a housewife because you can never move on. 361 00:17:22,320 --> 00:17:25,320 Speaker 1: You hold on to it. You know, we have someone 362 00:17:25,359 --> 00:17:28,440 Speaker 1: on our cast like that cannot move on always brings 363 00:17:28,440 --> 00:17:30,240 Speaker 1: it up. If they ever do something for you, they 364 00:17:30,280 --> 00:17:31,960 Speaker 1: have to throw it in your face. I just it's 365 00:17:32,000 --> 00:17:32,680 Speaker 1: not a good look. 366 00:17:33,320 --> 00:17:35,040 Speaker 2: Did you think. I mean, I know, we just talked 367 00:17:35,080 --> 00:17:38,760 Speaker 2: about teeth two minutes ago, But what about when Brooks 368 00:17:39,080 --> 00:17:41,360 Speaker 2: is calling somebody toothy? 369 00:17:42,840 --> 00:17:43,520 Speaker 1: I miss that. 370 00:17:43,720 --> 00:17:47,600 Speaker 2: When she called Stanbury, well, she's toothy. Well. Then Caroline 371 00:17:47,680 --> 00:17:50,800 Speaker 2: and Sergio are a week out from moving into the house. 372 00:17:51,240 --> 00:17:53,760 Speaker 2: They were only meant to stay with Michael for two weeks. 373 00:17:53,760 --> 00:17:55,439 Speaker 1: But remind me who Michael is. 374 00:17:56,040 --> 00:18:00,240 Speaker 2: Michael's like her, like gay bestie. I think, okay that, Like, 375 00:18:00,400 --> 00:18:03,600 Speaker 2: remember they went and got like spa treatments together. They've 376 00:18:03,600 --> 00:18:06,119 Speaker 2: gone on all these trips like he seems like. But 377 00:18:06,240 --> 00:18:08,560 Speaker 2: I didn't actually realize that's who she was living with. 378 00:18:09,640 --> 00:18:11,600 Speaker 1: I didn't either, I didn't know where they were living. 379 00:18:12,600 --> 00:18:15,520 Speaker 2: And then Carolina is taking her daughter Yasmin to the 380 00:18:15,680 --> 00:18:20,640 Speaker 2: US to visit colleges. Siose we see we don't. 381 00:18:20,480 --> 00:18:23,280 Speaker 1: See her her kids very often or do we not 382 00:18:23,400 --> 00:18:24,240 Speaker 1: see them at all? 383 00:18:24,720 --> 00:18:27,199 Speaker 2: Well, I feel like we saw them one time. Like 384 00:18:28,160 --> 00:18:31,800 Speaker 2: this is the problem. I'm getting real like her Instagram 385 00:18:31,840 --> 00:18:36,040 Speaker 2: life confused with her television life. But I remember a 386 00:18:36,080 --> 00:18:38,119 Speaker 2: time when they went into a hotel and there was 387 00:18:38,160 --> 00:18:41,080 Speaker 2: like all these fish going around and they had this 388 00:18:41,200 --> 00:18:44,320 Speaker 2: big meal and her kids were there. But that could 389 00:18:44,359 --> 00:18:45,679 Speaker 2: have been an Instagram at. 390 00:18:45,760 --> 00:18:51,560 Speaker 1: Now her kids are in Dubai. Correct. I don't know, 391 00:18:51,960 --> 00:18:55,919 Speaker 1: because did you watch Ladies of London? No? Okay, So 392 00:18:55,960 --> 00:18:58,320 Speaker 1: she was married to her ex then and it was 393 00:18:58,400 --> 00:19:01,479 Speaker 1: basically a housewife show in London and you saw her 394 00:19:01,560 --> 00:19:04,000 Speaker 1: kids and her husband and all that, and then she 395 00:19:04,200 --> 00:19:05,880 Speaker 1: moved to Dubai. 396 00:19:07,080 --> 00:19:09,120 Speaker 2: Was her ex husband anything like Sergio? 397 00:19:09,680 --> 00:19:13,360 Speaker 1: No, No, they didn't. They do a flashback of them. 398 00:19:14,080 --> 00:19:14,840 Speaker 2: I don't remember. 399 00:19:14,920 --> 00:19:18,120 Speaker 1: I guess her family moved to Dubai in twenty seventeen. 400 00:19:18,119 --> 00:19:20,679 Speaker 1: They were still together, I believe at the time when 401 00:19:20,720 --> 00:19:21,200 Speaker 1: they moved. 402 00:19:21,920 --> 00:19:24,040 Speaker 2: Do you think that you would feel the same way 403 00:19:24,480 --> 00:19:27,560 Speaker 2: because Sergio was upset that he can't go and she's 404 00:19:27,600 --> 00:19:30,080 Speaker 2: going with her ex husband or do you think that 405 00:19:30,080 --> 00:19:32,000 Speaker 2: it's like, Sergio, you're fine. 406 00:19:33,440 --> 00:19:37,119 Speaker 1: Sergio, you're fine. But I love him. He's so sensitive 407 00:19:37,119 --> 00:19:38,440 Speaker 1: and usually I don't really like that. 408 00:19:38,480 --> 00:19:40,480 Speaker 2: And guys, you would eat him alive. 409 00:19:40,560 --> 00:19:43,280 Speaker 1: Ti, I know I would. I mean he started crying 410 00:19:43,800 --> 00:19:46,280 Speaker 1: and she's so funny. She's like, I get over it, 411 00:19:46,760 --> 00:19:48,680 Speaker 1: You'll be fine. What I never remember she said. 412 00:19:48,760 --> 00:19:51,040 Speaker 2: I'm like, oh my god, I know they have a 413 00:19:51,080 --> 00:19:51,880 Speaker 2: funny dynamic. 414 00:19:51,960 --> 00:19:52,480 Speaker 3: I like you. 415 00:19:52,880 --> 00:19:55,880 Speaker 2: Yeah, I like them as a couple, and even when 416 00:19:55,880 --> 00:19:57,840 Speaker 2: there was like starting to be a fight later on 417 00:19:57,880 --> 00:20:00,199 Speaker 2: where he like walks out there like I think he 418 00:20:00,440 --> 00:20:01,760 Speaker 2: really really loves her. 419 00:20:02,280 --> 00:20:05,440 Speaker 1: Oh for sure, he really wants a baby. So I'm 420 00:20:05,480 --> 00:20:06,960 Speaker 1: curious to see what's going to happen. 421 00:20:07,560 --> 00:20:09,920 Speaker 2: Gosh, that's a that's a tough ye, Like, the age 422 00:20:09,920 --> 00:20:13,120 Speaker 2: gap with my kids is a lot, and my kids 423 00:20:13,119 --> 00:20:15,639 Speaker 2: aren't in like one going to college and then having 424 00:20:15,680 --> 00:20:16,800 Speaker 2: one now wosh. 425 00:20:17,640 --> 00:20:20,119 Speaker 1: Yeah, I mean I would get a surrogate for sure. 426 00:20:21,400 --> 00:20:25,560 Speaker 2: Then we get to Toleene's party, which also I did 427 00:20:25,600 --> 00:20:28,560 Speaker 2: you notice that Sarah said she wouldn't want to live 428 00:20:28,600 --> 00:20:33,480 Speaker 2: where Teleen lived? And they kept saying the ex pats And. 429 00:20:34,280 --> 00:20:37,040 Speaker 1: What is the expats is that people that have moved 430 00:20:37,080 --> 00:20:40,919 Speaker 1: to Dubai and lived there in a certain area. 431 00:20:41,480 --> 00:20:43,680 Speaker 2: I don't know, they live in the palm, That's all 432 00:20:43,720 --> 00:20:45,520 Speaker 2: I know. But I don't know what ex pats mean. 433 00:20:45,600 --> 00:20:48,879 Speaker 1: But the poms supposed to be the bomb, right the palm. 434 00:20:49,040 --> 00:20:51,320 Speaker 2: What they kind of make it seem like is the 435 00:20:51,359 --> 00:20:56,760 Speaker 2: palm is like feels like you're new not even new money, 436 00:20:56,760 --> 00:20:59,760 Speaker 2: but like you're bragging, Like where is that version in 437 00:20:59,880 --> 00:21:01,840 Speaker 2: or County? Like if you live in this part of 438 00:21:01,880 --> 00:21:04,000 Speaker 2: Orange County, it's even if you don't live in the 439 00:21:04,040 --> 00:21:06,200 Speaker 2: best house, it's because you want. 440 00:21:05,920 --> 00:21:12,359 Speaker 1: To Newport probably Newport area of Newport Coast, Okay. 441 00:21:12,400 --> 00:21:15,440 Speaker 2: So an expat is a person who lives somewhere outside 442 00:21:15,520 --> 00:21:17,879 Speaker 2: of their citizenship temporarily. 443 00:21:18,920 --> 00:21:23,560 Speaker 1: It was pretty interesting that Telene's husband's father was really 444 00:21:23,760 --> 00:21:25,560 Speaker 1: the one that's sort of building up Dubai. 445 00:21:26,760 --> 00:21:30,640 Speaker 2: I know, I thought was that her father father in. 446 00:21:30,640 --> 00:21:33,280 Speaker 1: Law, her father in law, yeah, her. 447 00:21:33,240 --> 00:21:39,320 Speaker 2: Father in law yeah. But then uh, Sarah thinks that 448 00:21:39,400 --> 00:21:42,359 Speaker 2: Brooke has been feeling the pressures of work and has 449 00:21:42,400 --> 00:21:45,919 Speaker 2: been drinking more. And then Brooks tells Stanbury she misses 450 00:21:45,960 --> 00:21:49,920 Speaker 2: her even though she's a little bitch. Stanberry says, that's 451 00:21:49,960 --> 00:21:53,360 Speaker 2: like calling the kettle black. Then Brooks asked Helene if 452 00:21:53,359 --> 00:21:56,280 Speaker 2: she's ever told her that Stanberry doesn't like her, and 453 00:21:56,280 --> 00:21:59,359 Speaker 2: Tolene says that Brooks told her that Stanbury is not 454 00:21:59,480 --> 00:22:01,960 Speaker 2: her fan. Then they like go in and get her. 455 00:22:02,440 --> 00:22:05,359 Speaker 2: They go in to have this conversation. Stanbury and Telene 456 00:22:05,400 --> 00:22:08,040 Speaker 2: agree that they're fine and Brooks needs to move on, 457 00:22:08,560 --> 00:22:10,480 Speaker 2: but you can in this moment tell me if I'm wrong. 458 00:22:10,720 --> 00:22:14,280 Speaker 2: I still felt like Tolene felt scared that Brooks was 459 00:22:14,320 --> 00:22:18,639 Speaker 2: gonna blow if she really stepped in there and was like, well. 460 00:22:18,520 --> 00:22:21,160 Speaker 1: I feel like it's Telene's party, She's being nice to everyone, 461 00:22:21,480 --> 00:22:24,800 Speaker 1: it's her house, she's hosting. What do they expect? 462 00:22:25,160 --> 00:22:29,479 Speaker 2: And also what would she even be mad about? Like 463 00:22:29,520 --> 00:22:32,639 Speaker 2: there's no there's nothing to be mad about. 464 00:22:32,800 --> 00:22:36,200 Speaker 1: Like she said that, you mean, remind me, did Telene 465 00:22:36,240 --> 00:22:38,040 Speaker 1: come in as Brooks's friend? 466 00:22:39,160 --> 00:22:42,520 Speaker 2: Yes? And I think Brooks was annoyed that Tolene was 467 00:22:42,520 --> 00:22:45,800 Speaker 2: being nice to everyone, but like, give her a second, 468 00:22:46,000 --> 00:22:47,880 Speaker 2: give her a second. 469 00:22:47,440 --> 00:22:50,320 Speaker 1: She doesn't have to do She doesn't have to hate 470 00:22:50,320 --> 00:22:52,840 Speaker 1: everybody just because you hate people like I hate that 471 00:22:52,880 --> 00:22:54,920 Speaker 1: mentality even on the show. 472 00:22:55,680 --> 00:23:02,040 Speaker 2: I mean, she had a pageant, wave pageant. I think 473 00:23:02,080 --> 00:23:05,600 Speaker 2: it's this. I don't know, I've never done a pageant. Weirdly, 474 00:23:08,359 --> 00:23:14,399 Speaker 2: Uh what else? What else? Then Stanbury gets up, walks away, 475 00:23:14,560 --> 00:23:17,960 Speaker 2: and Brooke calls her, I see you next Tuesday. 476 00:23:20,359 --> 00:23:20,880 Speaker 4: I just. 477 00:23:23,720 --> 00:23:27,040 Speaker 2: I felt like this was equally as messy as how 478 00:23:28,200 --> 00:23:32,240 Speaker 2: Brooks was at Bravocon. Do I enjoy Brooks as a 479 00:23:32,240 --> 00:23:35,000 Speaker 2: person to hang out with, Yes, but I do think 480 00:23:35,160 --> 00:23:39,040 Speaker 2: she lives for the mess, whether she's filming a television 481 00:23:39,080 --> 00:23:42,120 Speaker 2: show or not. Yeah. 482 00:23:42,240 --> 00:23:45,400 Speaker 1: Yeah, And I think that her bringing t Lenan who 483 00:23:45,440 --> 00:23:48,199 Speaker 1: by the way, she's one of those housewives And I 484 00:23:48,240 --> 00:23:50,520 Speaker 1: think I might have said it before that just gets 485 00:23:50,560 --> 00:23:53,960 Speaker 1: in there and knows what she's doing. There's no like, 486 00:23:54,800 --> 00:23:57,840 Speaker 1: you know, learning curve. She knows what she's doing and 487 00:23:57,880 --> 00:24:00,560 Speaker 1: she's a good housewife and beautiful. 488 00:24:01,040 --> 00:24:05,040 Speaker 2: But here's the other thing with without Brooks, what would 489 00:24:05,040 --> 00:24:08,359 Speaker 2: have happened this episode? I mean think that's the problem. 490 00:24:08,440 --> 00:24:11,480 Speaker 2: So it's like, yes, Brooks, Brooks is annoying us, but 491 00:24:12,160 --> 00:24:14,480 Speaker 2: absolutely not one thing would have happened. 492 00:24:14,640 --> 00:24:16,639 Speaker 1: I'm not putting down a girl that's being messy on 493 00:24:16,680 --> 00:24:17,720 Speaker 1: a housewife show. 494 00:24:18,000 --> 00:24:19,960 Speaker 2: I'm not either. I just think we got to figure 495 00:24:19,960 --> 00:24:22,240 Speaker 2: out a new mess or else we're gonna be dealing 496 00:24:22,320 --> 00:24:24,200 Speaker 2: with something like I don't want. 497 00:24:24,040 --> 00:24:27,160 Speaker 1: To be talking about somebody's private parts the entire season. 498 00:24:27,240 --> 00:24:29,840 Speaker 2: Why are the girls none of the girls biting? Like 499 00:24:29,960 --> 00:24:32,200 Speaker 2: can't they pick up a new fight, Like can't they 500 00:24:32,840 --> 00:24:35,560 Speaker 2: transition this fight into something else? Listen, I don't need 501 00:24:35,600 --> 00:24:36,320 Speaker 2: them to fight yet. 502 00:24:36,400 --> 00:24:38,920 Speaker 1: I feel like this is a lifestyle show. 503 00:24:39,080 --> 00:24:40,000 Speaker 2: You guys don't need to fight. 504 00:24:40,080 --> 00:24:42,920 Speaker 1: Let's just see the fabulous trips, the outfits, the houses. 505 00:24:43,280 --> 00:24:46,360 Speaker 1: I'm fine with that, I am. 506 00:24:47,520 --> 00:24:50,760 Speaker 2: I'm so sure Tarmera then go to TLC. No. 507 00:24:51,040 --> 00:24:53,199 Speaker 1: No, I like the cantiness. But I don't need like 508 00:24:53,960 --> 00:24:55,480 Speaker 1: drag out fights with these brothers. 509 00:24:55,520 --> 00:25:00,199 Speaker 2: Well, I don't need fights that make absolutely I mean know, 510 00:25:01,160 --> 00:25:03,440 Speaker 2: have no bearing and listen, we've all been a part 511 00:25:03,480 --> 00:25:06,680 Speaker 2: of them. Yeah, but hopefully this is just. 512 00:25:06,720 --> 00:25:08,760 Speaker 1: I don't want petty fights. I really don't. 513 00:25:09,480 --> 00:25:15,960 Speaker 2: I want. I want real, heartbreaking, life changing, friendship ruining fights. Gosh, ladies, 514 00:25:17,040 --> 00:25:19,920 Speaker 2: damn it. But yeah, that way. 515 00:25:19,960 --> 00:25:21,800 Speaker 1: I don't even really truly understand what the issue is 516 00:25:21,840 --> 00:25:23,439 Speaker 1: between the Carolines. 517 00:25:22,880 --> 00:25:23,119 Speaker 3: Do you. 518 00:25:24,840 --> 00:25:26,879 Speaker 2: They had a fall They used to be good friends 519 00:25:26,920 --> 00:25:31,240 Speaker 2: and then they had a falling out. And now also, 520 00:25:31,359 --> 00:25:34,719 Speaker 2: I think because Ion and Stanburry have gotten closed. I 521 00:25:34,760 --> 00:25:38,480 Speaker 2: think clearly we know that Toleene likes Stanbury because she 522 00:25:38,640 --> 00:25:43,080 Speaker 2: was just on her podcast I saw it yesterday. I 523 00:25:43,119 --> 00:25:46,160 Speaker 2: don't know, And maybe Brooks feels like the odd man 524 00:25:46,240 --> 00:25:47,160 Speaker 2: out at this point. 525 00:25:47,280 --> 00:25:50,040 Speaker 1: How has Stanbury been mean to Brooks? I haven't seen that. 526 00:25:51,080 --> 00:25:52,280 Speaker 1: She's not making any sense. 527 00:25:53,160 --> 00:25:56,119 Speaker 2: Something must have happened last year. But I think she 528 00:25:56,320 --> 00:26:00,960 Speaker 2: also thinks like Stanberry is to curate it for her liking. 529 00:26:02,480 --> 00:26:04,040 Speaker 2: I mean, they don't even follow each other, so I 530 00:26:04,080 --> 00:26:06,720 Speaker 2: don't even know how she would know she was curated, 531 00:26:06,840 --> 00:26:08,879 Speaker 2: like with her reels and her blah blah blah, like 532 00:26:08,920 --> 00:26:09,520 Speaker 2: who isn't. 533 00:26:09,560 --> 00:26:12,679 Speaker 1: But do you think she's so jealous of her I 534 00:26:12,680 --> 00:26:14,639 Speaker 1: don't know jealous is the right word. 535 00:26:15,720 --> 00:26:19,719 Speaker 2: I think that she really just wants this job and 536 00:26:19,760 --> 00:26:22,000 Speaker 2: she wants the show to do well and this isn't 537 00:26:22,000 --> 00:26:24,240 Speaker 2: an excuse, and we got hell for talking about this 538 00:26:24,520 --> 00:26:28,760 Speaker 2: with Laala. But like, if no one's biting and you're 539 00:26:28,800 --> 00:26:29,679 Speaker 2: the sole one. 540 00:26:29,680 --> 00:26:32,640 Speaker 1: Fighting, yeah, you end up looking like the asshole. Trust me, 541 00:26:32,840 --> 00:26:34,960 Speaker 1: I have many seasons have been like that. 542 00:26:35,560 --> 00:26:39,120 Speaker 2: Mini So but that was the end of this episode. 543 00:26:40,000 --> 00:26:45,280 Speaker 2: You guys. Make sure we have Alexia and Alexis later 544 00:26:45,359 --> 00:26:49,360 Speaker 2: this week, so we're gonna have some juicy, juicy interviews, 545 00:26:49,880 --> 00:26:51,720 Speaker 2: So make sure to keep tuning in to to Teas 546 00:26:51,760 --> 00:26:53,520 Speaker 2: in a Pod and thanks for listening.