WEBVTT - Nuclear Semiotics: How to Talk to Future Humans

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<v Speaker 1>Hello, Maine in Greater New England. We're coming to see

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<v Speaker 1>you guys in Portland and we can't wait. We would

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<v Speaker 1>love to see you there. Yep, we'll be at the

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<v Speaker 1>State Theater on August. If you're interested, you can get

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<v Speaker 1>tickets and information at s y s K live dot com.

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<v Speaker 1>There's some lobster at us. Welcome to Stuff You Should Know,

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<v Speaker 1>a production of I Heart Radios How Stuff Works. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, There's Charles

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<v Speaker 1>W Chuck Bryant, there's Jerry over there, and this is

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<v Speaker 1>Stuff you should Know, Uh, the podcast. And you're about

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<v Speaker 1>to say that the Blank Edition. Yeah, I was, but

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<v Speaker 1>I couldn't think of anything. It was literally the blank Edition,

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<v Speaker 1>was it? I mean, you couldn't think of anything? You

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<v Speaker 1>were blacked. Oh no, that's right, it was the blank Edition.

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<v Speaker 1>Oh gosh, it's a terrible start, Chuck. So how about this,

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<v Speaker 1>just to uh divert ourselves from that disaster, what was

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<v Speaker 1>not a disaster where our live shows we just did.

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<v Speaker 1>Oh yeah, we we finally got up on stage everyone

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<v Speaker 1>since first time since January kick the Rust off in

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<v Speaker 1>Chicago and Toronto, and both of them were we just killed.

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<v Speaker 1>They were great. Yeah, everybody were great. Everyone had a

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<v Speaker 1>really great time. Yeah, they told us so. They seemed

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<v Speaker 1>to be legitimately meaning what they were saying. Yeah, it

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<v Speaker 1>was really really great to get back on stage with you,

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<v Speaker 1>my friend. And also also also hats off to Chicago

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<v Speaker 1>for showing up. They showed up, Like we called you

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<v Speaker 1>guys out and you responded, thank you very and thank

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<v Speaker 1>you Toronto for not making us call you out. But

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<v Speaker 1>there are still tickets remaining for August twenty nine than

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<v Speaker 1>Boston at the Wilbur in Portland, Maine. You know, we're

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<v Speaker 1>venturing up into the hinterlands of America next after that,

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<v Speaker 1>but August thirty, if there are still plenty of great

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<v Speaker 1>tickets left there, and then the same can be said

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<v Speaker 1>in October and Orlando and October tenth. I think I

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<v Speaker 1>said October nine right in Orlando, October tenth in New Orleans. Yep,

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<v Speaker 1>that's right, Brooklyn. I'm not worried about that. Already, all

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<v Speaker 1>sold out, the whole thing, all three nights. Man, should

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<v Speaker 1>we had a fourth, jeez, I don't know. We'll talk

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<v Speaker 1>about it anyway. Thanks to everyone who came out. It

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<v Speaker 1>was a lot of fun and this is a good one,

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<v Speaker 1>so you don't want you don't want to miss it. Yeah,

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<v Speaker 1>so come on out, especially Portland, Maine. Let's get with

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<v Speaker 1>it all right now, Nuclear Semiotics, which I didn't know

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<v Speaker 1>I loved, but I do. Really Do you remember Visible

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<v Speaker 1>did a very famous episode on this very topic. I

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<v Speaker 1>didn't hear that. I specifically avoided going back and listening

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<v Speaker 1>to it because I don't want to be um stunk

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<v Speaker 1>upon by its taint. Does that make sense? You don't

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<v Speaker 1>want Roman Mars is taint um thinking on you. It's

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<v Speaker 1>more like it's just such a classic episode that I

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<v Speaker 1>don't want it to like leak in. I don't want

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<v Speaker 1>to actually rip it off. Yeah, well we we certainly

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<v Speaker 1>can't Invisible this thing, because that is a show that

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<v Speaker 1>exists at that hop echelon this industry. Sure so so

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<v Speaker 1>so do we Sure we're up there all right? But

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<v Speaker 1>if you like this one, if this stuff like floats

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<v Speaker 1>your boat and you're like, I want to know more,

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<v Speaker 1>go listen to the Visible episode. Yeah, this thing really

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<v Speaker 1>triggered a lot of like synapsis firing for me, and

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<v Speaker 1>I think, like I think I really enjoy this kind

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<v Speaker 1>of thought experiment, problem solving stuff. I think I would

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<v Speaker 1>really dig like that. Part of the zombie Apocalypse is

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<v Speaker 1>figuring the stuff out as a team. Because the whole

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<v Speaker 1>time I was reading this, I was saying, great idea,

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<v Speaker 1>terrible idea. They should do this, they shouldn't do that.

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<v Speaker 1>Go sit down. Yeah you I like the cut of

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<v Speaker 1>your gym. It was really cool. I dug this. I've

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<v Speaker 1>never heard of it, so thank you. Oh You're very welcome.

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<v Speaker 1>I actually heard of it before Roman Mars made the episode,

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<v Speaker 1>so I can't really thank him. But well, not before

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<v Speaker 1>he heard of it, because I think it's well known

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<v Speaker 1>that Roman's first words were nuclear semiotics. That's true. Yeah,

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<v Speaker 1>even before or Mama's um. I could totally believe that. Actually,

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<v Speaker 1>uh so, what we're talking about, is, Chuck said a

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<v Speaker 1>couple of times, for those of you who don't know,

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<v Speaker 1>is nuclear semiotics. And that is a very specialized branch,

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<v Speaker 1>interdisciplinary branch of I guess science that involves also basically

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<v Speaker 1>any field of research that you can throw at the

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<v Speaker 1>wall would probably have some function to play in the

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<v Speaker 1>field of nuclear semiotics. And to to make a long

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<v Speaker 1>story short, to do the too long, didn't read version

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<v Speaker 1>of this TL Semicolon dr um is nuclear semiotics seeks

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<v Speaker 1>to figure out how to warn the future humans to

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<v Speaker 1>come or whatever is here. Sure, good point. I mean,

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<v Speaker 1>why discriminate right to warn the future humans or the

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<v Speaker 1>future super intelligent jellyfish whatever to come. Hey, this is

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<v Speaker 1>a very dangerous radioactive dump site that we've put here.

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<v Speaker 1>Stay away. Yeah, it's that easy. It sounds easy. The

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<v Speaker 1>problem is is if you presume that it's easy, you're

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<v Speaker 1>making a lot of assumptions that aren't necessarily going to

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<v Speaker 1>hold up. Oh yeah, like a lot of times and

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<v Speaker 1>are like they should just do And I would even

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<v Speaker 1>stop halfway through my thought. It was like, now that

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<v Speaker 1>that wouldn't work. It's true because our languages might be

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<v Speaker 1>gone by then. Our symbols don't necessarily make sense outside

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<v Speaker 1>of the context that we understand them in. Um civilization

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<v Speaker 1>might be ridiculously advanced by them. Civilization might be in

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<v Speaker 1>a state of collapse by then. We have no idea.

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<v Speaker 1>But the point of nuclear semiotics is to figure out

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<v Speaker 1>how to come up with a um a message that

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<v Speaker 1>is understandable to everybody in any situation in the future.

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<v Speaker 1>And the current state of the art is let's figure

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<v Speaker 1>out how to speak as far as ten thousand years

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<v Speaker 1>into the future. Yeah, I mean, and that's like being generous.

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<v Speaker 1>It needs to go beyond that. It does, because the

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<v Speaker 1>whole point of nuclear semiotics, the whole porn of warning

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<v Speaker 1>the future, is this stuff, this nuclear waste that we're

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<v Speaker 1>putting into the ground now, is going to be dangerous

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<v Speaker 1>for tens and tens of thousands of years. Plutonium two

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<v Speaker 1>thirty nine has a half life of twenty four thousand years.

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<v Speaker 1>There's something called um Technetium ninety nine has a half

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<v Speaker 1>life of two hundred and eleven thousand years, So another

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<v Speaker 1>one is like one point seven million year half life.

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<v Speaker 1>This is the nuclear waste that we're creating now and

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<v Speaker 1>are putting in the ground. Yeah. And uh, Julia Layton,

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<v Speaker 1>who was one of our writers who does great work

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<v Speaker 1>for us, she made a lot of great points, which

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<v Speaker 1>is like the history of human evolution is two hundred

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<v Speaker 1>thousand years, and like we've only been like reading and

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<v Speaker 1>writing for how long about five thousand, less than six

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<v Speaker 1>thousand years. Yeah, So it's it sounds like like you said,

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<v Speaker 1>it sounds simple. And so many times I thought I

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<v Speaker 1>had I thought I had it cracked, only to think

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<v Speaker 1>like I was, like, why don't they just uh do

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<v Speaker 1>something purely visual and and stage a play of people

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<v Speaker 1>at that site digging in and then dying. And it's like,

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<v Speaker 1>what what do you do with it? Well, I'll just

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<v Speaker 1>put it on a DVD that just plays on a loop.

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<v Speaker 1>It's like, how are you gonna power that thing? You

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<v Speaker 1>know what happens when everybody's converted to blue ray? Yeah exactly?

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<v Speaker 1>Or you know, well, then solar put a solar panel up.

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<v Speaker 1>He's got the last forever. But what have it done?

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<v Speaker 1>What if there's like a forever nuclear storm or whatever.

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<v Speaker 1>But if the sun never shines again on Earth in

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<v Speaker 1>eight thousand years, that's could happen. That's the cool thing

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<v Speaker 1>about thinking into the deep future is all the things

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<v Speaker 1>that will go wrong. Yeah, it makes you realize like

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<v Speaker 1>how specific everything you think and know and understand really

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<v Speaker 1>is to your current time. Yeah, it's very cool. She

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<v Speaker 1>brings up the point about an apple, like when you

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<v Speaker 1>see the word apple, you don't see the word apple,

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<v Speaker 1>you see visualize the symbol of that is an apple.

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<v Speaker 1>So it's like it's almost like the words and very

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<v Speaker 1>much of the words will just not have meaning anymore

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<v Speaker 1>at some point. Man. Well, let's dig into this stuff.

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<v Speaker 1>You're ready, let's do it. So to start, we should

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<v Speaker 1>talk about where this all came from. It came from

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<v Speaker 1>a new type of nuclear storage solution, nuclear waste storage

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<v Speaker 1>solution called UM long term geological repositories, and it is

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<v Speaker 1>basically digging into the earth a couple of miles into

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<v Speaker 1>the earth, putting our nuclear waste there, again, waste that's

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<v Speaker 1>going to be harmful the health for tens of thousands,

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<v Speaker 1>hundreds of thousands of years, and sealing it up and

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<v Speaker 1>then covering over the site and then putting a warning

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<v Speaker 1>on there. And right now, the general consensus is that

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<v Speaker 1>salt beds are the best place to put that nuclear waste.

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<v Speaker 1>And there's actually some pretty good reasons why. Yeah, we

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<v Speaker 1>could do an episode on nuclear storage. I think I

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<v Speaker 1>really want to in and of itself. Yeah, I don't

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<v Speaker 1>know if that's a shorty or a long it's probably

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<v Speaker 1>a long. But just briefly, the reason salt beds are

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<v Speaker 1>preferable is because the fact that they're even there suggests

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<v Speaker 1>that there's no water. If they if there was water,

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<v Speaker 1>they would have been dissolved long ago. It's really relatively

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<v Speaker 1>easy to mine into them. And then what's awesome about

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<v Speaker 1>salt is that when you mine a shaft into a

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<v Speaker 1>salt bed and you put your deposit there, then you

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<v Speaker 1>pull back out, Um, the salt bed actually heals itself over,

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<v Speaker 1>like just a few decades, seals itself back up, right, Yes,

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<v Speaker 1>So you put a container that's been engineered to hold

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<v Speaker 1>the nuclear waste inside for ten thousand years. Yeah, it's

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<v Speaker 1>also in a container. You should point that out, right,

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<v Speaker 1>You're putting it into a borehole in the salt. The

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<v Speaker 1>salt is going to grow back around it and intubate,

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<v Speaker 1>perhaps permanently in this salt very strong to right, Yeah,

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<v Speaker 1>it is fairly strong. I mean, like if you're mining

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<v Speaker 1>using modern mining equipment, it's it's really easy to mine into.

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<v Speaker 1>But if you have like a pickaxe or something is

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<v Speaker 1>rock to salt. Rock is what it's called. Right. So

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<v Speaker 1>there's a lot of reasons why people have figured out

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<v Speaker 1>like this is not a bad idea to intomb nuclear waste.

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<v Speaker 1>But but here's the thing. We can't just intumbate and

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<v Speaker 1>walk away, Like we have a responsibility for those of

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<v Speaker 1>us generating this waste today to warn the future. And

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<v Speaker 1>it's on the future if they listen to us or not.

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<v Speaker 1>That's on them, right, But we have to make them

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<v Speaker 1>able to listen to us exactly, Like we have a

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<v Speaker 1>responsibility to do that because some people are proposed like, hey,

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<v Speaker 1>let's just bury and forget about it. The chances of

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<v Speaker 1>somebody actually finding it are pretty slim. Just bury and

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<v Speaker 1>forget about it, and that's probably the best, the best

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<v Speaker 1>way to go. And people said, it's not a bad idea,

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<v Speaker 1>but it's actually pretty bad ideas. He actually, I thought

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<v Speaker 1>that one wasn't the worst idea. It's not that was

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<v Speaker 1>the behavioral psychologists. He was like, And he wasn't like

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<v Speaker 1>just forget about it. He was like, maybe the smartest

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<v Speaker 1>thing to do is to leave it unmarked, right because,

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<v Speaker 1>as we'll see, attracting attention to something like exactly attracts attention.

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<v Speaker 1>It's interesting thought experiment, right. That was that psychologist. By

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<v Speaker 1>the way, is Dr Percy Tannenbaum Really no, no wonder

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<v Speaker 1>I like that of the East Hampton tenembombs. So we

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<v Speaker 1>should point out that there's a couple of a couple

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<v Speaker 1>of big times that these um that this has been commissioned, like, hey,

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<v Speaker 1>we need to think of something one for a site

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<v Speaker 1>that never happened, uh, And one for a site that

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<v Speaker 1>has happened, the one that has happened. It's only one

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<v Speaker 1>in the United States right now, the only one in

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<v Speaker 1>the world as far as they know now, it's number three.

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<v Speaker 1>It's the third largest. I didn't see what the other

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<v Speaker 1>two were. It must have been the first in the world. Then, yeah,

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<v Speaker 1>probably the first in the world. Yeah, which makes sense

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<v Speaker 1>because the other two are bigger. But this is in

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<v Speaker 1>New Mexico. It's called the Whip the Waist Isolation Pilot Plant,

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<v Speaker 1>and this one they are, uh, they're actively guarding for

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<v Speaker 1>They've committed the Department of Energy is committed to guarding

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<v Speaker 1>it with people for a hundred years. They have hired

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<v Speaker 1>Barney five year contract to look over this nuclear for

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<v Speaker 1>it least a hundred years. It's not like at the

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<v Speaker 1>end of the hundred years are gonna just like put

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<v Speaker 1>a padlock on it and walk away. I imagine they

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<v Speaker 1>will keep guarding it as long as they feel like

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<v Speaker 1>it needs guarding. I don't know if that's something I

0:12:12.000 --> 0:12:14.080
<v Speaker 1>don't know, man. I mean, we're talking about a government

0:12:14.120 --> 0:12:17.080
<v Speaker 1>run program here. At least a hundred years. We can

0:12:17.120 --> 0:12:21.480
<v Speaker 1>at least say that, yes, they agreed to that, so uh,

0:12:21.559 --> 0:12:25.160
<v Speaker 1>you know, the whole idea arose um before that, though,

0:12:25.800 --> 0:12:29.199
<v Speaker 1>what was the other one in Nevada. That's the Yucky

0:12:29.280 --> 0:12:31.120
<v Speaker 1>Mountain one. That was the first one, right, that's the

0:12:31.120 --> 0:12:34.880
<v Speaker 1>first one that that never happened. But that's when, you know,

0:12:34.920 --> 0:12:37.680
<v Speaker 1>in the seventies is when this idea sort of came about.

0:12:37.880 --> 0:12:40.400
<v Speaker 1>And I think it was two when it was sort

0:12:40.400 --> 0:12:45.880
<v Speaker 1>of codified as an official um I guess science or yeah,

0:12:45.960 --> 0:12:48.800
<v Speaker 1>it is. It's a branch. It's an interdisciplinary branch of science.

0:12:48.880 --> 0:12:52.240
<v Speaker 1>Nuclear semionics is, and it is. It's because the e

0:12:52.360 --> 0:12:55.760
<v Speaker 1>p A came up with a rule in two a law.

0:12:55.880 --> 0:12:57.600
<v Speaker 1>Really that's the eighty one. I got that wrong, by

0:12:57.640 --> 0:12:59.440
<v Speaker 1>the way, So it's eighty one that they came up

0:12:59.440 --> 0:13:01.800
<v Speaker 1>with the law. Uh well, it became a discipline in

0:13:01.840 --> 0:13:06.120
<v Speaker 1>nineteen eighty one with that Yucky Mountain Repository project. And

0:13:06.160 --> 0:13:09.280
<v Speaker 1>I think from that Yucky Mountain Repository project, because we

0:13:09.280 --> 0:13:11.720
<v Speaker 1>were starting to figure out how to deposit the stuff

0:13:11.720 --> 0:13:14.160
<v Speaker 1>for for a long time, the e p A came

0:13:14.200 --> 0:13:16.760
<v Speaker 1>up with a rule I think it was two that said,

0:13:16.920 --> 0:13:19.520
<v Speaker 1>if you're going to create these kind of repositories for

0:13:19.640 --> 0:13:22.200
<v Speaker 1>nuclear waste, you also have to figure out how to

0:13:22.559 --> 0:13:26.280
<v Speaker 1>come up with a permanent warning sign. And everybody was like,

0:13:26.320 --> 0:13:28.319
<v Speaker 1>that's no problem, of course, and then the EPs to

0:13:28.440 --> 0:13:30.800
<v Speaker 1>think about it. It's harder than you think. He said,

0:13:30.840 --> 0:13:35.120
<v Speaker 1>just slap that, uh, that nuclear waste logo that everyone knows.

0:13:35.880 --> 0:13:38.679
<v Speaker 1>And everyone was like, everyone doesn't know that. It's been

0:13:38.679 --> 0:13:42.360
<v Speaker 1>around forever. Everyone doesn't know that now, right, much less

0:13:42.840 --> 0:13:45.600
<v Speaker 1>in two hundred thousand years. Yeah, did you see the

0:13:45.760 --> 0:13:49.120
<v Speaker 1>how that was created? Yeah? It was. It was a

0:13:49.120 --> 0:13:51.440
<v Speaker 1>a group doodle. I don't know how that happens. I

0:13:51.440 --> 0:13:53.680
<v Speaker 1>think that means they can't ascribe it to one person.

0:13:53.880 --> 0:13:55.600
<v Speaker 1>They know there was like five people on one of

0:13:55.600 --> 0:14:00.000
<v Speaker 1>those giants like silver spoons, pencils. Yeah, this is an

0:14:00.080 --> 0:14:04.240
<v Speaker 1>nineteen six was it at Berkeley? And it was a

0:14:04.240 --> 0:14:08.480
<v Speaker 1>group doodle in the science class? And is that a

0:14:08.600 --> 0:14:13.079
<v Speaker 1>a band name group dood Wiggles or something? Yeah, I

0:14:13.120 --> 0:14:15.480
<v Speaker 1>think it's an album title for sure. So the Wiggles

0:14:15.720 --> 0:14:19.640
<v Speaker 1>group doodle. Absolutely, that's probably a real thing. That's our

0:14:19.680 --> 0:14:21.960
<v Speaker 1>gift to you, Wiggles. But I saw this was interesting

0:14:22.000 --> 0:14:26.240
<v Speaker 1>in the symbol came under consideration for wider use because

0:14:26.280 --> 0:14:29.480
<v Speaker 1>at first it was just a group doodle and then

0:14:29.520 --> 0:14:34.520
<v Speaker 1>the Brookhaven National Laboratory requested a standardized symbol of standardized

0:14:34.560 --> 0:14:38.840
<v Speaker 1>colors for their radiation safety program, and there was more

0:14:38.920 --> 0:14:43.280
<v Speaker 1>argument about the colors than the actual symbol um because

0:14:43.600 --> 0:14:45.160
<v Speaker 1>at first we're like, you can't use yellow because we

0:14:45.240 --> 0:14:47.080
<v Speaker 1>use yellow for a lot of stuff. Yeah, they wanted

0:14:47.120 --> 0:14:50.160
<v Speaker 1>to make sure that it didn't get overused so people

0:14:50.160 --> 0:14:52.040
<v Speaker 1>would just become kind of blind to because they saw

0:14:52.080 --> 0:14:53.320
<v Speaker 1>it so much. And they were like, have you heard

0:14:53.320 --> 0:14:57.040
<v Speaker 1>a striper get easy? Yellow and black? They're like, no,

0:14:57.120 --> 0:14:58.880
<v Speaker 1>I haven't heard him. And give us forty years. You

0:14:59.080 --> 0:15:01.200
<v Speaker 1>have heard of them, believe, and then in forty two

0:15:01.280 --> 0:15:04.080
<v Speaker 1>years no one will have heard of them. So I

0:15:04.080 --> 0:15:08.600
<v Speaker 1>think the original design was um, it was. I saw

0:15:08.640 --> 0:15:12.640
<v Speaker 1>them in concert. We won't even believe it was. Magenta

0:15:12.680 --> 0:15:16.480
<v Speaker 1>blades on a blue background was the original design, and

0:15:16.560 --> 0:15:18.920
<v Speaker 1>it was chosen because it was uncommon. But then an

0:15:18.960 --> 0:15:22.840
<v Speaker 1>oak Ridge, Tennessee at the oak Ridge National Laboratory, they

0:15:22.840 --> 0:15:26.880
<v Speaker 1>went with the yellow background in later on in and

0:15:26.920 --> 0:15:28.920
<v Speaker 1>I guess it's stuck. That's where the oak Ridge boys

0:15:28.920 --> 0:15:33.280
<v Speaker 1>were all scientists, that's right. So it was originally magenta

0:15:33.320 --> 0:15:36.480
<v Speaker 1>on blue, right, Yes, And the logo we're talking about

0:15:36.520 --> 0:15:38.640
<v Speaker 1>for those of you, I know, it's called the nuclear trefoil.

0:15:38.800 --> 0:15:43.320
<v Speaker 1>You know, it's a circle and then three cortial circles

0:15:43.320 --> 0:15:45.640
<v Speaker 1>around the blades. And from what I saw, one of

0:15:45.640 --> 0:15:49.800
<v Speaker 1>the original group doodlers explained it as um it's supposed

0:15:49.840 --> 0:15:53.520
<v Speaker 1>to be an atom with activity around it. Yeah, that's it,

0:15:53.760 --> 0:15:55.840
<v Speaker 1>which I never saw it before, but now that I've

0:15:55.880 --> 0:15:58.600
<v Speaker 1>read that, I can't unsee it. And that is really

0:15:58.640 --> 0:16:00.200
<v Speaker 1>what it looks like. It's a pretty great it will

0:16:00.240 --> 0:16:02.960
<v Speaker 1>doodle but it's like you said, that is not a

0:16:03.080 --> 0:16:07.120
<v Speaker 1>universally accepted symbol, which is a big problem. And it

0:16:07.240 --> 0:16:10.520
<v Speaker 1>doesn't it doesn't evoke like, oh, an atom. Of course,

0:16:10.640 --> 0:16:12.360
<v Speaker 1>I know what an atom looks like. I just saw

0:16:12.480 --> 0:16:14.280
<v Speaker 1>one go down the street a second ago, and this

0:16:14.400 --> 0:16:18.160
<v Speaker 1>looks like an atom. It's a symbolic representation of an atom,

0:16:18.360 --> 0:16:21.840
<v Speaker 1>which means that after people stop thinking about what atoms

0:16:21.920 --> 0:16:25.200
<v Speaker 1>look like, maybe a thousand years or five thousand years

0:16:25.240 --> 0:16:27.720
<v Speaker 1>down the road, if something happens, no one's going to

0:16:27.760 --> 0:16:30.000
<v Speaker 1>look at that and be like, oh, it's an atom.

0:16:30.040 --> 0:16:32.960
<v Speaker 1>Activity around an atom, that must mean there's radiation here.

0:16:33.160 --> 0:16:36.920
<v Speaker 1>Hence this is a dangerous sign that's not going to happen. Uh.

0:16:36.960 --> 0:16:39.040
<v Speaker 1>The other thing you would think, is just just put

0:16:39.120 --> 0:16:42.480
<v Speaker 1>up in a bunch of languages. Done. Ye, here's the thing.

0:16:42.960 --> 0:16:46.480
<v Speaker 1>Languages are disappearing. I'm gonna ask you, actually, what is

0:16:46.520 --> 0:16:53.800
<v Speaker 1>your best guess? A language dies out every blank nine

0:16:54.040 --> 0:16:59.640
<v Speaker 1>million seconds? Is that right? Did I nail it? Jerk?

0:17:01.400 --> 0:17:03.600
<v Speaker 1>I gotta get out of calculator. A language dies out

0:17:03.600 --> 0:17:06.640
<v Speaker 1>every fourteen days. I'm pretty sure that's nine millions. Isn't

0:17:06.640 --> 0:17:08.720
<v Speaker 1>that staggering? God? What if it was? Are you about

0:17:08.760 --> 0:17:11.120
<v Speaker 1>to do that? Yeah? You keep talking. So that's about

0:17:11.119 --> 0:17:14.080
<v Speaker 1>twenty five languages per year that die out. And um,

0:17:14.160 --> 0:17:17.320
<v Speaker 1>that's really sad, it is, and it is very sad.

0:17:17.359 --> 0:17:20.520
<v Speaker 1>And granted these aren't you know, major languages, but they're

0:17:20.560 --> 0:17:23.600
<v Speaker 1>important to the people who speak them. Um. But that's

0:17:23.640 --> 0:17:27.480
<v Speaker 1>just sort of to uh to to get across the

0:17:27.560 --> 0:17:30.480
<v Speaker 1>point that throwing it up in a bunch of languages

0:17:30.480 --> 0:17:34.680
<v Speaker 1>there's no guarantee and in fact, in all likelihood and

0:17:34.720 --> 0:17:38.320
<v Speaker 1>in fifty thousand years, there won't be English or German

0:17:38.440 --> 0:17:42.800
<v Speaker 1>or French, there may not even be humans. That's we

0:17:42.920 --> 0:17:46.280
<v Speaker 1>maybe what what's the calculation? Six days? I was a

0:17:46.280 --> 0:17:49.960
<v Speaker 1>little lot. Okay there there there, Maybe we may all

0:17:50.000 --> 0:17:53.480
<v Speaker 1>be like post biological humans. You know, uploaded our consciousness

0:17:53.480 --> 0:17:56.399
<v Speaker 1>onto like the Internet or something, in which point that

0:17:56.440 --> 0:17:58.320
<v Speaker 1>really won't matter to tell you the truth. Where the

0:17:58.400 --> 0:18:00.879
<v Speaker 1>nuclear waste is buried? But who knows? It could be

0:18:00.880 --> 0:18:03.359
<v Speaker 1>an intelligent species, It could be humans who don't know

0:18:03.400 --> 0:18:06.000
<v Speaker 1>how to read or write. The fact is is the

0:18:06.040 --> 0:18:09.560
<v Speaker 1>stuff that we take for granted changes a lot faster

0:18:09.680 --> 0:18:12.840
<v Speaker 1>than you think. UM, And even if it doesn't necessarily

0:18:12.880 --> 0:18:16.359
<v Speaker 1>die out, the changes that come along are pretty alarming.

0:18:16.640 --> 0:18:19.159
<v Speaker 1>I found a UM. I've been watching a lot of

0:18:19.200 --> 0:18:24.479
<v Speaker 1>Silicon Valley lately. I told you I my UM vocal

0:18:24.520 --> 0:18:29.120
<v Speaker 1>delivery sounds a lot like Jared's. It's a currently think

0:18:29.359 --> 0:18:34.200
<v Speaker 1>a lot, and I never really put those two together.

0:18:34.200 --> 0:18:36.120
<v Speaker 1>We keep an ear out for it. Now and see

0:18:36.119 --> 0:18:39.560
<v Speaker 1>what you think I mean? Tell me I'm wrong. I mean,

0:18:39.600 --> 0:18:42.359
<v Speaker 1>I would have to dissociate so much because I like

0:18:42.440 --> 0:18:46.600
<v Speaker 1>you and Jared is like such a pedantic bureaucrat him.

0:18:47.040 --> 0:18:49.960
<v Speaker 1>I mean, he's fun to watch, but I wouldn't say

0:18:50.000 --> 0:18:52.960
<v Speaker 1>that he's like the most likable character. Maybe he is,

0:18:53.000 --> 0:18:55.600
<v Speaker 1>I don't know. I would say pedantic bureaucrat is not

0:18:56.520 --> 0:19:00.840
<v Speaker 1>entirely off for me. Jared needs a girlfriend that's just okay,

0:19:01.160 --> 0:19:03.359
<v Speaker 1>So I do not, because I have a fine wife.

0:19:04.200 --> 0:19:05.920
<v Speaker 1>Uh So let me give you an example of how

0:19:05.960 --> 0:19:08.800
<v Speaker 1>English has changed. This is a quote from Sir Gawain

0:19:08.880 --> 0:19:13.840
<v Speaker 1>and the Green Knight. It was written in thirty fifty

0:19:13.920 --> 0:19:18.080
<v Speaker 1>years ago. This is in English. The steel of a

0:19:18.160 --> 0:19:22.040
<v Speaker 1>stiff staff, the stern hit gripped that was wounded with

0:19:22.119 --> 0:19:25.400
<v Speaker 1>iron into the wand's end, and i'll be graven with

0:19:25.480 --> 0:19:29.120
<v Speaker 1>green and gravy as works. And you should see it spelled.

0:19:29.200 --> 0:19:30.960
<v Speaker 1>Oh yeah, I mean I was an English major. We

0:19:30.960 --> 0:19:32.520
<v Speaker 1>had to go through this stuff. It was a slog.

0:19:32.720 --> 0:19:34.960
<v Speaker 1>Do you have a guess at what I just said? Yeah,

0:19:35.000 --> 0:19:37.840
<v Speaker 1>you said that? He uh, the Green Knights sat down

0:19:37.840 --> 0:19:41.199
<v Speaker 1>and watch some Silicon valley. That's right. It's that the

0:19:41.280 --> 0:19:44.520
<v Speaker 1>grim man gripped it by its strong handle, which was

0:19:44.560 --> 0:19:47.080
<v Speaker 1>wound with iron all the way to the end, engraven

0:19:47.080 --> 0:19:51.320
<v Speaker 1>and green with graceful designs. So like, that's English fifty

0:19:51.359 --> 0:19:54.160
<v Speaker 1>years ago. English is still around six hundred and fifty years.

0:19:54.160 --> 0:19:57.600
<v Speaker 1>We're talking about thousands, tens of thousands of years exactly.

0:19:57.680 --> 0:20:01.000
<v Speaker 1>So that's a problem. Languages evolved. Language is die. Symbols

0:20:01.040 --> 0:20:03.600
<v Speaker 1>don't quite make sense out of context, so there's a

0:20:03.600 --> 0:20:06.920
<v Speaker 1>lot of challenges that face the people who to try

0:20:06.960 --> 0:20:10.600
<v Speaker 1>to explain this stuff or figure out how to, um

0:20:10.640 --> 0:20:13.040
<v Speaker 1>explain it to future people. I think it's a better

0:20:13.080 --> 0:20:15.760
<v Speaker 1>way to put it, that's right. Uh, they have looked

0:20:15.840 --> 0:20:20.000
<v Speaker 1>in simio semioticians for people who who really want on

0:20:20.040 --> 0:20:23.520
<v Speaker 1>this stuff. Um. I think I'm an amateur simiotician after

0:20:23.560 --> 0:20:26.520
<v Speaker 1>reading this. But one thing that they're looking for, because

0:20:26.560 --> 0:20:29.760
<v Speaker 1>what you want is ideally is instant recognition and not

0:20:29.920 --> 0:20:32.200
<v Speaker 1>something I mean, yeah maybe if you have to figure

0:20:32.240 --> 0:20:34.840
<v Speaker 1>it out, but what you want is something that conveys

0:20:34.960 --> 0:20:37.679
<v Speaker 1>danger right when you look at it, Like just steer

0:20:37.760 --> 0:20:41.240
<v Speaker 1>clear of this place, not come closer and start poking around.

0:20:41.359 --> 0:20:44.439
<v Speaker 1>Just go away, that's right. So um. She makes a

0:20:44.440 --> 0:20:47.640
<v Speaker 1>great point though that, like it's a double edged sword,

0:20:47.640 --> 0:20:50.840
<v Speaker 1>like you're talking about earlier. If you you know, human beings,

0:20:51.160 --> 0:20:53.520
<v Speaker 1>if you show an extreme skier or a sign this

0:20:53.600 --> 0:20:56.360
<v Speaker 1>is danger, don't ski this way. He's gonna say, bra,

0:20:56.960 --> 0:20:59.919
<v Speaker 1>let's do it. Yeah, you know, give me some Hamma

0:21:00.040 --> 0:21:03.200
<v Speaker 1>side power drink. So there's a very very fine line

0:21:04.000 --> 0:21:09.320
<v Speaker 1>between warning people and enticing people. Yeah, even inadvertently exactly,

0:21:09.400 --> 0:21:11.560
<v Speaker 1>you know. I mean, there's um, she she points out

0:21:11.560 --> 0:21:13.560
<v Speaker 1>haunted houses because I'm like, yeah, not everybody's like a

0:21:13.560 --> 0:21:16.879
<v Speaker 1>red Bull extreme sports person, but people do like it.

0:21:17.000 --> 0:21:20.359
<v Speaker 1>Haunted houses too, So that abandoned like scary place is

0:21:20.400 --> 0:21:23.480
<v Speaker 1>so creepy. Let's go there for Halloween because maybe Halloween

0:21:23.520 --> 0:21:27.240
<v Speaker 1>survived but the English language didn't. Who knows. Um So yeah,

0:21:27.280 --> 0:21:29.919
<v Speaker 1>you you you really walk a fine line here between

0:21:30.040 --> 0:21:34.160
<v Speaker 1>warning people away and saying I dare you? Right? Yeah,

0:21:34.200 --> 0:21:38.480
<v Speaker 1>My whole jam is I think they need to uh

0:21:38.840 --> 0:21:41.680
<v Speaker 1>the what will survive if there are humans at all

0:21:41.880 --> 0:21:44.639
<v Speaker 1>is emotion, So I think they need to appeal to

0:21:44.720 --> 0:21:50.880
<v Speaker 1>human emotions like fear, ah, more than words and symbols. Okay, well,

0:21:50.960 --> 0:21:52.560
<v Speaker 1>let's take a break and we'll get back into this

0:21:52.560 --> 0:22:21.040
<v Speaker 1>all right, because this is fun. Yes, sorry, all right, Tuck.

0:22:21.080 --> 0:22:23.800
<v Speaker 1>So we've kind of talked about how things go away,

0:22:23.920 --> 0:22:28.840
<v Speaker 1>languages fall away, symbols don't make sense anyway, it is

0:22:29.480 --> 0:22:34.000
<v Speaker 1>it really is, right, um, so what what will last?

0:22:34.080 --> 0:22:37.720
<v Speaker 1>What have nuclear semioticians come up with? And should we explain? With?

0:22:37.760 --> 0:22:42.480
<v Speaker 1>Semiotics is in general, what is it? I don't even know, oh,

0:22:42.640 --> 0:22:45.680
<v Speaker 1>just kind of in shorthand. Semiotics is basically the study

0:22:45.760 --> 0:22:51.000
<v Speaker 1>of how and why UM signs have meanings, right, Like

0:22:51.040 --> 0:22:54.600
<v Speaker 1>you were saying, earlier. How the word apple doesn't evoke

0:22:54.720 --> 0:22:58.760
<v Speaker 1>thoughts of the word apple. It evokes thoughts of the round, shiny,

0:22:58.840 --> 0:23:01.560
<v Speaker 1>tasty fruit that grows on a tree. That's a sign

0:23:02.119 --> 0:23:06.280
<v Speaker 1>in semiotics, that's right, specifically a cursive sign because it

0:23:06.359 --> 0:23:10.200
<v Speaker 1>uses language. So what they've done, um and in many

0:23:10.720 --> 0:23:14.080
<v Speaker 1>cases is and this is a great idea for stuff

0:23:14.119 --> 0:23:17.280
<v Speaker 1>like this, is to have a competition. UM. They had

0:23:17.280 --> 0:23:19.439
<v Speaker 1>one at U c. L A. I think in two

0:23:19.480 --> 0:23:24.080
<v Speaker 1>thousand one calls it called the Desert Space Competition. UM.

0:23:24.119 --> 0:23:28.639
<v Speaker 1>And what one that year was a cactus, a yucca

0:23:29.160 --> 0:23:33.879
<v Speaker 1>cacti glowing blue. And then the idea was plant a

0:23:33.960 --> 0:23:38.560
<v Speaker 1>field of these regular green cacti, and then over the

0:23:38.960 --> 0:23:42.040
<v Speaker 1>place where you know the waist is the repository. And

0:23:42.080 --> 0:23:44.160
<v Speaker 1>then if you see the sign of a glowing blue one,

0:23:45.720 --> 0:23:47.640
<v Speaker 1>I mean, I don't think I didn't see the rest

0:23:47.680 --> 0:23:49.800
<v Speaker 1>of them, but I didn't think this one was that great.

0:23:50.640 --> 0:23:52.359
<v Speaker 1>I'm sorry to the person who came up with it

0:23:52.440 --> 0:23:55.119
<v Speaker 1>that I know. I think that something they should do

0:23:55.240 --> 0:23:58.960
<v Speaker 1>is go even further back to younger children, because sometimes

0:23:58.960 --> 0:24:00.840
<v Speaker 1>like go to like an l entry school and ask

0:24:00.920 --> 0:24:03.520
<v Speaker 1>kids or a high school, right, or you just take

0:24:03.720 --> 0:24:06.000
<v Speaker 1>each kid out and rub their face in the sand

0:24:06.040 --> 0:24:08.159
<v Speaker 1>and be like you see this, you stay out of here. No,

0:24:08.320 --> 0:24:11.240
<v Speaker 1>I mean, have the kids like throw out ideas because

0:24:11.280 --> 0:24:14.360
<v Speaker 1>I think, oh yeah, I think the like my idea.

0:24:15.040 --> 0:24:17.680
<v Speaker 1>I think a lot of times children can cut through

0:24:17.720 --> 0:24:20.840
<v Speaker 1>the to the simplicity of something much better than adults

0:24:20.840 --> 0:24:23.719
<v Speaker 1>can easily. So that's my idea. Throw it out as

0:24:23.760 --> 0:24:26.080
<v Speaker 1>a as a science fair project. Well, I think that's

0:24:26.080 --> 0:24:28.440
<v Speaker 1>one of the cool things about nuclear semionics is it's

0:24:28.480 --> 0:24:32.119
<v Speaker 1>so inviting to like, anybody can come up with a

0:24:32.200 --> 0:24:36.720
<v Speaker 1>great idea. It's just so confounding, but it's also so accessible. Yeah,

0:24:36.760 --> 0:24:39.480
<v Speaker 1>we'll get ideas. In fact, we want to hear from you.

0:24:39.800 --> 0:24:41.320
<v Speaker 1>If you think you have a cool idea, it's a

0:24:41.320 --> 0:24:43.600
<v Speaker 1>good idea. Like, I guarantee you we're gonna get some

0:24:43.640 --> 0:24:46.040
<v Speaker 1>good ones. We're not gonna pass them along or anything.

0:24:46.320 --> 0:24:49.919
<v Speaker 1>So rather than just like pooh pooing the glowing yucka one,

0:24:50.240 --> 0:24:53.479
<v Speaker 1>there's a here's the problem with the glowing yucka idea.

0:24:54.040 --> 0:24:59.639
<v Speaker 1>It requires explanation, right somebody, So part of the glowing

0:24:59.720 --> 0:25:02.880
<v Speaker 1>yuck is to say, these things have been genetically engineered

0:25:02.920 --> 0:25:06.040
<v Speaker 1>so that when there's radiation present, they glow so if

0:25:06.080 --> 0:25:08.880
<v Speaker 1>you see this yucka glowing, it means that there's radiation here.

0:25:09.000 --> 0:25:13.600
<v Speaker 1>Stay away. If you lose that that additional story that

0:25:13.640 --> 0:25:16.040
<v Speaker 1>has to go along with the glowing yucka, then you

0:25:16.080 --> 0:25:18.520
<v Speaker 1>just have glowing yucca. And I can't think of a

0:25:18.560 --> 0:25:20.760
<v Speaker 1>more attractive thing is going to draw people to a

0:25:20.840 --> 0:25:24.440
<v Speaker 1>site than the legendary glowing yucka that only glows and

0:25:24.520 --> 0:25:27.880
<v Speaker 1>this one spot on Earth. That's kind of the problem

0:25:27.920 --> 0:25:30.080
<v Speaker 1>with it, you know. I like this other idea from

0:25:30.080 --> 0:25:32.440
<v Speaker 1>that same year a little better that did not win.

0:25:33.320 --> 0:25:37.879
<v Speaker 1>Fields of Asphodel, which is a Eurasian lily. They said,

0:25:38.040 --> 0:25:41.400
<v Speaker 1>let's just cover the site with metal blades that screech

0:25:41.560 --> 0:25:44.120
<v Speaker 1>when the wind blows. It makes it horrible noise, right,

0:25:44.320 --> 0:25:48.440
<v Speaker 1>not bad. Here's the problem with that. Moving parts. Okay,

0:25:48.880 --> 0:25:51.439
<v Speaker 1>it's been pretty well established that if you're trying to

0:25:51.520 --> 0:25:55.479
<v Speaker 1>convey something to the people into the distant future, you

0:25:55.600 --> 0:25:59.000
<v Speaker 1>need to have something that's monolithic and made of one piece,

0:25:59.440 --> 0:26:03.000
<v Speaker 1>because if you have multiple parts, that's an opportunity for

0:26:03.119 --> 0:26:06.320
<v Speaker 1>weathering to occur through the place where the two parts meet,

0:26:06.440 --> 0:26:08.480
<v Speaker 1>or three parts or five parts. And if it's a

0:26:08.520 --> 0:26:12.320
<v Speaker 1>moving part, just kiss the movement goodbye. What about this.

0:26:13.280 --> 0:26:17.160
<v Speaker 1>I've had the thought earlier today about just a mountain

0:26:17.240 --> 0:26:21.520
<v Speaker 1>of razor wire. Okay, here's the problem with that. And

0:26:21.560 --> 0:26:23.760
<v Speaker 1>this is the same problem also with the What is

0:26:23.800 --> 0:26:26.439
<v Speaker 1>the problem the steel? The steel, stuff that move and everything.

0:26:26.760 --> 0:26:28.880
<v Speaker 1>You want to use you I know, but you want

0:26:28.880 --> 0:26:33.800
<v Speaker 1>to use stuff that has no value whatsoever, not just financially,

0:26:33.800 --> 0:26:36.600
<v Speaker 1>but usefulness because someone will say, I can harvest that

0:26:36.680 --> 0:26:38.960
<v Speaker 1>razor wire, Yeah, I can go use that to keep

0:26:39.000 --> 0:26:41.320
<v Speaker 1>the cows in in my house next door. Yeah. But

0:26:41.359 --> 0:26:44.080
<v Speaker 1>if you have so much of it over time, over

0:26:44.119 --> 0:26:47.760
<v Speaker 1>ten thousand years, people like take and take, and I

0:26:47.800 --> 0:26:50.240
<v Speaker 1>mean that's why the pyramids are stripped of, like they're

0:26:50.240 --> 0:26:53.159
<v Speaker 1>more attractive outer. They used to have like a white

0:26:53.600 --> 0:26:58.520
<v Speaker 1>I think limestone shell encasement. It's gone because the locals

0:26:58.520 --> 0:26:59.840
<v Speaker 1>were like, oh, I can use that to build a

0:27:00.880 --> 0:27:04.880
<v Speaker 1>pizza hut. That's exactly That's what people will do if

0:27:04.920 --> 0:27:08.560
<v Speaker 1>you play something of any kind of usefulness Like that

0:27:08.760 --> 0:27:12.800
<v Speaker 1>is the beauty of every idea is wrong as a whole.

0:27:13.119 --> 0:27:16.680
<v Speaker 1>It's so great, it's pretty great. I love it so

0:27:16.840 --> 0:27:19.600
<v Speaker 1>the um One of the most often uh sided bodies

0:27:19.600 --> 0:27:22.720
<v Speaker 1>of work is from eighty three, and this was a

0:27:22.720 --> 0:27:26.680
<v Speaker 1>call for ideas from the German Journal of Semiotics that

0:27:26.800 --> 0:27:28.760
<v Speaker 1>basically said the same thing. It's like, you know, what

0:27:28.800 --> 0:27:31.600
<v Speaker 1>are your ideas? This one got a little goofy, to

0:27:31.640 --> 0:27:35.480
<v Speaker 1>say the least. Someone suggested an artificial moon as a

0:27:35.520 --> 0:27:39.320
<v Speaker 1>storage vessel. There's just a huge flaw on that one.

0:27:39.359 --> 0:27:41.880
<v Speaker 1>If you ask me, I mean, you don't even get that. Well,

0:27:41.920 --> 0:27:44.040
<v Speaker 1>it was like, how do you make sure that the

0:27:44.160 --> 0:27:49.199
<v Speaker 1>information about this site stays protected? Put it into an

0:27:49.280 --> 0:27:52.000
<v Speaker 1>artificial moon in orbit around Earth? But it's like, how

0:27:52.000 --> 0:27:53.880
<v Speaker 1>do you get to the artificial I didn't get that's

0:27:53.880 --> 0:27:56.240
<v Speaker 1>what they meant that that, Yeah, that doesn't make any sense.

0:27:56.320 --> 0:27:58.080
<v Speaker 1>That's what I think I guess they were. I mean

0:27:58.240 --> 0:28:00.640
<v Speaker 1>it said, uh, well, will they be aiming it down

0:28:00.640 --> 0:28:03.879
<v Speaker 1>to a TV that won't play? That's a different one. Yeah,

0:28:03.960 --> 0:28:06.720
<v Speaker 1>And then I just don't understand this at all. I

0:28:06.720 --> 0:28:10.159
<v Speaker 1>don't understand the Radioactive Cats either, even though that's a

0:28:10.200 --> 0:28:13.040
<v Speaker 1>decent band name. So there there. That was a big

0:28:13.080 --> 0:28:17.280
<v Speaker 1>part of the invisible episode Nuclear Semiotics. They talked about

0:28:17.280 --> 0:28:20.119
<v Speaker 1>the ray Cats um and I think they actually hired

0:28:20.160 --> 0:28:23.320
<v Speaker 1>a musician to create a song, because just like with

0:28:23.359 --> 0:28:26.560
<v Speaker 1>the Glowing Yucka, you have to explain what's going on

0:28:26.640 --> 0:28:28.800
<v Speaker 1>when the cats glow, you need to stay away. So

0:28:28.880 --> 0:28:30.640
<v Speaker 1>they had somebody come up with a ray cat song

0:28:30.680 --> 0:28:33.200
<v Speaker 1>I believe for the episode. Was it Hoodie and the Blowfish?

0:28:33.280 --> 0:28:36.040
<v Speaker 1>Yes it was. That was a good guess. Now this

0:28:36.080 --> 0:28:38.160
<v Speaker 1>one I thought was had a little I thought it

0:28:38.200 --> 0:28:42.080
<v Speaker 1>was interesting at least this SIMI edition named Thomas C.

0:28:42.280 --> 0:28:47.400
<v Speaker 1>Bac He said this what has survived more than anything

0:28:47.440 --> 0:28:51.240
<v Speaker 1>else religion, religious texts that date back, you know, a

0:28:51.240 --> 0:28:53.440
<v Speaker 1>couple of thousand years in the Catholic Church. Not a

0:28:53.480 --> 0:28:56.600
<v Speaker 1>bad start. Yeah, the ideas that you hear at Catholic

0:28:56.640 --> 0:28:59.760
<v Speaker 1>Mass today are a couple of thousand years old and something.

0:29:00.520 --> 0:29:02.640
<v Speaker 1>And if you go back to the original text, which

0:29:02.680 --> 0:29:05.960
<v Speaker 1>we can still read fortunately, you can say, yep, this

0:29:06.040 --> 0:29:08.680
<v Speaker 1>is what they're talking about. Like those ideas have survived

0:29:08.720 --> 0:29:12.640
<v Speaker 1>that long because of the practices they use. So interesting idea.

0:29:12.840 --> 0:29:15.400
<v Speaker 1>But it gets a little goofy because he thought, why

0:29:15.400 --> 0:29:20.560
<v Speaker 1>don't we almost create a fake religion around this thing?

0:29:21.360 --> 0:29:25.280
<v Speaker 1>Um a fearful myth that you can generate appointing an

0:29:25.280 --> 0:29:30.000
<v Speaker 1>atomic priesthood two tell people and tell them to tell

0:29:30.080 --> 0:29:34.320
<v Speaker 1>future generations. But I mean, I guess the idea is

0:29:34.400 --> 0:29:37.360
<v Speaker 1>that it's all false and it's just a big made

0:29:37.440 --> 0:29:40.160
<v Speaker 1>up story. Yeah, this the atomic priesthood would know the

0:29:40.200 --> 0:29:43.560
<v Speaker 1>truth and they would indoctrinate people, but out in society

0:29:43.600 --> 0:29:47.360
<v Speaker 1>around them, it would be a closely guarded secret because

0:29:47.360 --> 0:29:50.840
<v Speaker 1>everybody else thinks that whatever, this fake myth about why

0:29:50.880 --> 0:29:53.880
<v Speaker 1>you have to stay away from this haunted, evil area

0:29:54.680 --> 0:29:57.640
<v Speaker 1>is true, when really the atomic priests are the ones

0:29:57.680 --> 0:30:01.840
<v Speaker 1>who know, uh no, actually there's there's radioactive stuff. They're here.

0:30:02.200 --> 0:30:04.200
<v Speaker 1>They just came up with this three thousand years ago

0:30:04.480 --> 0:30:07.920
<v Speaker 1>to scare everybody away. But initially a decent idea as

0:30:07.920 --> 0:30:10.680
<v Speaker 1>far as trying to make it or incorporate like what

0:30:10.760 --> 0:30:14.280
<v Speaker 1>religion does. But it just definitely strange. It is to

0:30:14.440 --> 0:30:17.520
<v Speaker 1>me though, it is at its base despicable. It's a

0:30:17.560 --> 0:30:24.160
<v Speaker 1>despicable idea because it is purposefully introducing fearful, false superstition

0:30:24.240 --> 0:30:28.640
<v Speaker 1>into the future, Like we're gonna purposefully introduce fearful false

0:30:28.640 --> 0:30:32.240
<v Speaker 1>superstition into the future just to scare people off from radioactivity,

0:30:32.320 --> 0:30:35.520
<v Speaker 1>Like what kind of sweeping side effects? What kind of

0:30:35.600 --> 0:30:38.680
<v Speaker 1>wars might start over this? Many people will die to

0:30:38.800 --> 0:30:41.360
<v Speaker 1>defend this fake thing that they don't realize is fake.

0:30:41.560 --> 0:30:44.440
<v Speaker 1>Because Thomas Cebia came up with this idea to keep

0:30:44.480 --> 0:30:48.200
<v Speaker 1>people away from a single site in New Mexico. That's crazy.

0:30:48.400 --> 0:30:51.160
<v Speaker 1>It didn't fare too well either among his colleagues, and

0:30:51.320 --> 0:30:54.120
<v Speaker 1>rightfully so, because again it's a despicable idea. So he

0:30:54.240 --> 0:30:57.280
<v Speaker 1>was on the Human Interference task Force. We mentioned them

0:30:57.440 --> 0:31:00.960
<v Speaker 1>the Nevada site. That was what was uh what was

0:31:01.040 --> 0:31:05.080
<v Speaker 1>launched for that yucka mountain side back in from eighty three.

0:31:05.480 --> 0:31:10.400
<v Speaker 1>So whatever cbo original idea was, he had like some

0:31:10.520 --> 0:31:15.120
<v Speaker 1>other closely related ideas that were great. Though, Like he's

0:31:15.120 --> 0:31:17.480
<v Speaker 1>not like it's a total nut job happened. He's like,

0:31:17.600 --> 0:31:20.400
<v Speaker 1>I think it was just a misfire for in an

0:31:20.400 --> 0:31:23.240
<v Speaker 1>otherwise illustrious career. I think I don't know that much

0:31:23.240 --> 0:31:27.720
<v Speaker 1>about him. But um, one of his other ideas was, Okay,

0:31:27.880 --> 0:31:30.640
<v Speaker 1>well let's take the the atomic priesthood away, let's take

0:31:31.000 --> 0:31:34.080
<v Speaker 1>the religion and all that stuff away, and let's just

0:31:34.120 --> 0:31:37.120
<v Speaker 1>give them like the facts, but let's figure out a

0:31:37.120 --> 0:31:39.400
<v Speaker 1>way to make sure that those facts get passed down.

0:31:40.000 --> 0:31:42.720
<v Speaker 1>And what he came up with was called the meta message,

0:31:42.840 --> 0:31:46.680
<v Speaker 1>where it's a message that says this is this place

0:31:46.720 --> 0:31:49.240
<v Speaker 1>has nuclear radiation, it can kill you. You need to

0:31:49.240 --> 0:31:52.600
<v Speaker 1>stay away. From it, and we invite you to take

0:31:52.640 --> 0:31:56.160
<v Speaker 1>this message and translated into whatever languages you guys have

0:31:56.240 --> 0:31:59.080
<v Speaker 1>on earth at the time, assuming you can read this right,

0:31:59.480 --> 0:32:02.400
<v Speaker 1>But if you do that often enough, there will always

0:32:02.400 --> 0:32:06.240
<v Speaker 1>be somebody who can translate it. And then that way

0:32:06.280 --> 0:32:09.200
<v Speaker 1>you form a bridge between now and as far into

0:32:09.200 --> 0:32:12.040
<v Speaker 1>the future as people are around to read and add

0:32:12.080 --> 0:32:15.600
<v Speaker 1>their own interpretation or their own translation of it. But

0:32:15.640 --> 0:32:17.800
<v Speaker 1>then you want to leave the original so that if

0:32:17.840 --> 0:32:21.120
<v Speaker 1>there's ever like a disagreement about what some what word meant,

0:32:21.600 --> 0:32:25.520
<v Speaker 1>hopefully somebody can go back language language language and connect

0:32:25.560 --> 0:32:29.480
<v Speaker 1>them so that they can see the original version. Yeah,

0:32:29.480 --> 0:32:33.040
<v Speaker 1>but like what if a society develops an isolation that

0:32:33.240 --> 0:32:37.480
<v Speaker 1>knows none of these languages, you're just totally toast. Yeah,

0:32:37.680 --> 0:32:40.640
<v Speaker 1>that's when the symbols come in. Right. So what they

0:32:40.680 --> 0:32:43.600
<v Speaker 1>settled on as a panel though from one to eighty

0:32:43.600 --> 0:32:47.720
<v Speaker 1>three was what's called long term communication was going to

0:32:47.800 --> 0:32:49.360
<v Speaker 1>be the most effective thing, like kind of what you

0:32:49.400 --> 0:32:51.960
<v Speaker 1>were just talking about. And they said, a system that

0:32:52.000 --> 0:32:55.400
<v Speaker 1>combines physical markers and archives that cover the two major

0:32:55.440 --> 0:33:00.440
<v Speaker 1>forms of this long term communicate direct and successive. Direct

0:33:00.640 --> 0:33:06.640
<v Speaker 1>utilizes markers, and uh, successive is humans like you were

0:33:06.640 --> 0:33:08.800
<v Speaker 1>talking about I guess with this meta message, I guess

0:33:08.800 --> 0:33:10.960
<v Speaker 1>you could write it down, but it's still humans carrying

0:33:11.000 --> 0:33:13.600
<v Speaker 1>a message through time. Well, it's more like a direct one,

0:33:13.720 --> 0:33:16.760
<v Speaker 1>is that, Like you can write an inscription on a

0:33:16.880 --> 0:33:20.560
<v Speaker 1>monument and that monument is going to deliver that message

0:33:20.640 --> 0:33:23.400
<v Speaker 1>directly to people ten thousand years from now. Yeah, I

0:33:23.400 --> 0:33:26.280
<v Speaker 1>mean it's a physical thing, right, whereas with successive it's

0:33:26.360 --> 0:33:29.400
<v Speaker 1>kind of passed along like a game of telephone exactly.

0:33:29.440 --> 0:33:31.560
<v Speaker 1>And you know how that goes, right, It can get

0:33:31.560 --> 0:33:34.160
<v Speaker 1>a little hinky, that's right, but it's always fun at

0:33:34.160 --> 0:33:38.040
<v Speaker 1>a somber party. Sure. So they came up with multiple ones,

0:33:38.080 --> 0:33:41.240
<v Speaker 1>like you were saying, um that they settled on a

0:33:41.320 --> 0:33:46.320
<v Speaker 1>monument that had um massive stone structures. Remember, you want monoliths,

0:33:46.720 --> 0:33:50.560
<v Speaker 1>they're engraved with warnings in all currently known languages. It's

0:33:50.560 --> 0:33:53.400
<v Speaker 1>a lot of languages. You want a buried vault that

0:33:53.480 --> 0:33:56.440
<v Speaker 1>has all the info you need about radioactivity, about the site,

0:33:56.520 --> 0:33:59.600
<v Speaker 1>all that stuff. You want a bunch of barriers around

0:33:59.600 --> 0:34:03.080
<v Speaker 1>the site, not necessarily to definitely keep people out, but

0:34:03.200 --> 0:34:05.560
<v Speaker 1>enough to basically say, hey, hey, we're trying to impede

0:34:05.560 --> 0:34:07.680
<v Speaker 1>progress here. Yeah. I mean, to me, that's one of

0:34:07.680 --> 0:34:10.280
<v Speaker 1>the most obvious ones. If like you see a huge

0:34:10.320 --> 0:34:13.600
<v Speaker 1>wall again, it might entice you, but it for sure

0:34:13.640 --> 0:34:15.919
<v Speaker 1>indicates to any culture that you're like, you're not meant

0:34:15.960 --> 0:34:21.120
<v Speaker 1>to come beyond this. And then, um, the last one

0:34:21.200 --> 0:34:24.560
<v Speaker 1>is a network of archives basically the same information you

0:34:24.560 --> 0:34:27.880
<v Speaker 1>would have in that buried vault, but elsewhere scattered around

0:34:27.920 --> 0:34:29.920
<v Speaker 1>the world. So if something happens to the buried vault,

0:34:29.960 --> 0:34:32.120
<v Speaker 1>somebody can come across the archives somewhere and be like,

0:34:32.120 --> 0:34:33.759
<v Speaker 1>oh wait, wait, we want to stay out of there,

0:34:34.000 --> 0:34:36.200
<v Speaker 1>right And along with that, they said, while we're at it,

0:34:36.320 --> 0:34:38.920
<v Speaker 1>can we can we at least like all agree around

0:34:38.920 --> 0:34:41.680
<v Speaker 1>the world on a nuclear warning symbol, if it's the

0:34:41.719 --> 0:34:46.680
<v Speaker 1>trefoil or whatever, let's just all codify that as the thing,

0:34:46.840 --> 0:34:48.960
<v Speaker 1>which is not the case right now. Now there's was

0:34:49.000 --> 0:34:52.080
<v Speaker 1>a triangle with an arrow pointing down, and then in

0:34:52.160 --> 0:34:55.279
<v Speaker 1>the head of the arrow was the Biohezard symbol, which

0:34:55.320 --> 0:34:57.160
<v Speaker 1>is not great because you want something that's going to

0:34:57.200 --> 0:35:00.160
<v Speaker 1>be so simple that even as people affuse me, I

0:35:00.200 --> 0:35:02.120
<v Speaker 1>need to see it. I guess yeah. It's even when

0:35:02.160 --> 0:35:04.920
<v Speaker 1>you see it you're like wait what, um, But you

0:35:04.960 --> 0:35:07.200
<v Speaker 1>want something simple enough so that as people kind of

0:35:07.239 --> 0:35:09.880
<v Speaker 1>create a shorthand version of it. It's still retains its

0:35:09.880 --> 0:35:13.319
<v Speaker 1>its meaning rightly, all right. So that stuff was the

0:35:13.400 --> 0:35:16.920
<v Speaker 1>Yucca project in the early eighties. They decided not to

0:35:16.960 --> 0:35:21.280
<v Speaker 1>do that. They just packed it up, put it away,

0:35:21.680 --> 0:35:23.680
<v Speaker 1>and then it all came back again with this new

0:35:23.719 --> 0:35:28.240
<v Speaker 1>Mexico plant when the Department of Energy said once again, hey,

0:35:28.320 --> 0:35:30.320
<v Speaker 1>we need to think of a sign and a symbol

0:35:30.960 --> 0:35:33.359
<v Speaker 1>or or whatever you can, you know, come up with,

0:35:33.719 --> 0:35:35.640
<v Speaker 1>and we need the best in the brightest thinking of this.

0:35:36.160 --> 0:35:39.880
<v Speaker 1>So call up Carl Sagan, Get me Sagan, give me Sagan,

0:35:40.120 --> 0:35:43.040
<v Speaker 1>give me Percy Tannenbaum, stat uh. And this guy named

0:35:43.080 --> 0:35:46.680
<v Speaker 1>John Lomberg who's a science writer and space illustrator, and

0:35:46.800 --> 0:35:49.719
<v Speaker 1>he had worked in semiotics before for NASA on their

0:35:49.719 --> 0:35:52.440
<v Speaker 1>mission to Mars. Sagan was an ill health so he

0:35:52.520 --> 0:35:56.240
<v Speaker 1>declined to come, but he sent a message from the present.

0:35:56.320 --> 0:36:02.200
<v Speaker 1>I guess that said skull and crossbones done universal. Everyone

0:36:02.280 --> 0:36:04.480
<v Speaker 1>knows it. He gave a really good example. He said,

0:36:04.640 --> 0:36:08.760
<v Speaker 1>it has um. It's marked the lintels of cannibal dwellings,

0:36:08.760 --> 0:36:11.680
<v Speaker 1>the flags of pirates, the insignia of s S divisions,

0:36:11.680 --> 0:36:14.680
<v Speaker 1>and motorcycle gangs. Like. He makes a pretty good point.

0:36:15.080 --> 0:36:17.000
<v Speaker 1>A lot of people out there see a skull and

0:36:17.040 --> 0:36:23.840
<v Speaker 1>crossbones and no, it means like danger problems. Yes, you know,

0:36:23.960 --> 0:36:27.120
<v Speaker 1>you'll be a skull. And so the working group for

0:36:27.200 --> 0:36:31.520
<v Speaker 1>the whip Um project they said, now that doesn't work.

0:36:31.640 --> 0:36:34.400
<v Speaker 1>It's a young Ian archetype. It doesn't really exist outside

0:36:34.440 --> 0:36:37.400
<v Speaker 1>of the West. To me, I'm like, no, Segan was

0:36:37.480 --> 0:36:40.200
<v Speaker 1>definitely onto something. I think so. I mean, tell me,

0:36:40.239 --> 0:36:43.640
<v Speaker 1>if you go to China and hold up a sign

0:36:43.640 --> 0:36:47.319
<v Speaker 1>with a skull and crossbones, I would think so, wouldn't they.

0:36:47.360 --> 0:36:49.680
<v Speaker 1>I mean, that's a dire warning, isn't it. I think

0:36:49.760 --> 0:36:51.799
<v Speaker 1>their point is is that the skull used to be

0:36:51.840 --> 0:36:55.719
<v Speaker 1>like a Memento movie where it meant like rebirth and death,

0:36:55.760 --> 0:36:57.440
<v Speaker 1>so they could be like, oh, wonderful a skull and

0:36:57.480 --> 0:37:04.120
<v Speaker 1>cross bus. But to me, that is the one enduring

0:37:04.200 --> 0:37:06.959
<v Speaker 1>symbol that's always going to be around as long as

0:37:07.040 --> 0:37:10.359
<v Speaker 1>there are humans, because what happens when you die and

0:37:10.480 --> 0:37:14.359
<v Speaker 1>rot what's left your skull. Every human knows that even

0:37:14.480 --> 0:37:16.719
<v Speaker 1>humans in the future are going to know that. Even

0:37:16.840 --> 0:37:21.040
<v Speaker 1>ones that are in like a post collapse tribes were

0:37:21.120 --> 0:37:23.359
<v Speaker 1>running around like and and have lost all of the

0:37:23.480 --> 0:37:25.600
<v Speaker 1>languages that are around today, they're gonna know what a

0:37:25.680 --> 0:37:28.000
<v Speaker 1>skull looks like or what a skull means, or at

0:37:28.080 --> 0:37:29.560
<v Speaker 1>least one of them is going to be like wait,

0:37:29.920 --> 0:37:33.080
<v Speaker 1>I don't think this is saying that the rainbow is coming. Um,

0:37:33.120 --> 0:37:35.759
<v Speaker 1>I think it means like death or danger. All right,

0:37:35.800 --> 0:37:39.200
<v Speaker 1>let's take another break. Yeah, we'll come back and talk

0:37:39.239 --> 0:37:42.600
<v Speaker 1>about the the approach that the whip panel took and

0:37:42.640 --> 0:38:10.440
<v Speaker 1>what they came up with right after this. Sorry, you know,

0:38:10.480 --> 0:38:14.200
<v Speaker 1>I gotta defend Sagan. It's my boy. I love that guy.

0:38:14.400 --> 0:38:19.400
<v Speaker 1>Someone should ask U Neil de grass Tyson. Why not.

0:38:19.480 --> 0:38:22.000
<v Speaker 1>I bet he's got a good idea or two. I'll

0:38:22.040 --> 0:38:25.680
<v Speaker 1>bet they have asked although Atlanta for a show. Oh yeah,

0:38:25.680 --> 0:38:30.080
<v Speaker 1>where Fox? I think a cop Energy Center. Oh yeah, yeah,

0:38:30.160 --> 0:38:32.360
<v Speaker 1>well I think that's even more seats than the phone. No,

0:38:32.480 --> 0:38:36.120
<v Speaker 1>it's less. Oh sorry, I think it's like three thousand people,

0:38:36.280 --> 0:38:40.640
<v Speaker 1>which is nothing to you know, put up a stink about.

0:38:40.680 --> 0:38:42.759
<v Speaker 1>That's a lot of folks. We have not hit that.

0:38:43.040 --> 0:38:45.840
<v Speaker 1>No we're not, No, we haven't. Did you hear the

0:38:45.920 --> 0:38:48.680
<v Speaker 1>Star talk I was on? Oh no, it was it good?

0:38:48.760 --> 0:38:50.680
<v Speaker 1>It was pretty good. Yeah. If I do say so myself,

0:38:50.840 --> 0:38:54.960
<v Speaker 1>if it was supposed to be like rapid fast responses.

0:38:55.880 --> 0:38:58.800
<v Speaker 1>We got to like four questions in an hour because

0:38:58.800 --> 0:39:01.839
<v Speaker 1>you're like, rapid fast response is not my specialty. Deal,

0:39:02.280 --> 0:39:07.120
<v Speaker 1>let me just do a distracting here, a more deliberate alright. So,

0:39:07.280 --> 0:39:10.440
<v Speaker 1>speaking of deliberate, the WHIP panel was very deliberate and methodical.

0:39:10.520 --> 0:39:14.520
<v Speaker 1>They divided into teams and um approached it from the

0:39:14.719 --> 0:39:17.040
<v Speaker 1>two things we were talking about, direct and successive forms

0:39:17.080 --> 0:39:22.240
<v Speaker 1>of communication. Debated a lot, deliberated a lot the recommendations.

0:39:22.520 --> 0:39:26.000
<v Speaker 1>They had two proposals, and they did overlap a little bit. Uh.

0:39:26.040 --> 0:39:28.239
<v Speaker 1>What I thought was pretty smart is they both had

0:39:28.239 --> 0:39:32.440
<v Speaker 1>a multi leveled approach from the surface down that got

0:39:32.480 --> 0:39:35.520
<v Speaker 1>more specific and intense as you went down. Yeah, the

0:39:35.560 --> 0:39:39.160
<v Speaker 1>first one was basically like you, ding Dong, this is dangerous,

0:39:39.160 --> 0:39:42.040
<v Speaker 1>go away exactly. That's like level one, and then level

0:39:42.080 --> 0:39:45.000
<v Speaker 1>two is like, okay, ding Dong, and you're kind of smart.

0:39:45.040 --> 0:39:47.759
<v Speaker 1>Friend explained to ding Dong that the reason this is

0:39:47.800 --> 0:39:50.520
<v Speaker 1>dangerous because there's something buried here and it's gonna hurt you.

0:39:50.960 --> 0:39:52.520
<v Speaker 1>All right, we should we should. We don't talk about

0:39:52.560 --> 0:39:55.680
<v Speaker 1>the real things. Oh sure, I thought I was. Uh

0:39:55.719 --> 0:40:00.319
<v Speaker 1>so Group A this was their's. They studied the face

0:40:00.400 --> 0:40:03.960
<v Speaker 1>of the site with what they called menacing earthworks, so

0:40:04.080 --> 0:40:07.560
<v Speaker 1>a field of spikes and then a big massive disk

0:40:08.160 --> 0:40:11.160
<v Speaker 1>painted to look like a black hole. I didn't quite

0:40:11.160 --> 0:40:13.480
<v Speaker 1>get that part. That's so dumb. I get the spikes.

0:40:14.239 --> 0:40:17.320
<v Speaker 1>I I think it's the yeah, of course, But the

0:40:17.800 --> 0:40:19.480
<v Speaker 1>black hole. I think it's supposed to just mean like

0:40:19.520 --> 0:40:22.120
<v Speaker 1>a void or chaos. I don't know. I'm not sure

0:40:22.360 --> 0:40:24.120
<v Speaker 1>I could see how you would think that that was

0:40:24.200 --> 0:40:26.759
<v Speaker 1>kind of universal, like nobody wants to fall into a

0:40:26.800 --> 0:40:28.960
<v Speaker 1>hole or something, and maybe it evokes that kind of

0:40:29.000 --> 0:40:32.320
<v Speaker 1>like stay away, all right. Then they have large markers

0:40:32.600 --> 0:40:34.759
<v Speaker 1>all around the site, which, like you said, are the

0:40:34.800 --> 0:40:38.399
<v Speaker 1>really basic messages and the warnings, including and I thought

0:40:38.440 --> 0:40:43.200
<v Speaker 1>this is so interesting, uh faces that invoke Edvard Munch's

0:40:43.320 --> 0:40:48.080
<v Speaker 1>The Scream, the ones I saw a word at the scream. Yeah,

0:40:48.200 --> 0:40:49.759
<v Speaker 1>like it was a line drawing of the guy from

0:40:49.760 --> 0:40:53.520
<v Speaker 1>the people. Yeah, like in great agony and pain. That

0:40:53.680 --> 0:40:56.480
<v Speaker 1>to me not bad. It isn't bad. I don't know

0:40:56.560 --> 0:41:01.120
<v Speaker 1>there was that more universally understood than a skull and crossbones.

0:41:01.120 --> 0:41:03.320
<v Speaker 1>I don't know, or or or if art survives or

0:41:03.360 --> 0:41:05.680
<v Speaker 1>people like, Oh, I wonder if that paintings down there, well,

0:41:05.719 --> 0:41:08.200
<v Speaker 1>I think what they're saying is and simuticians kind of

0:41:08.200 --> 0:41:12.200
<v Speaker 1>feel this way. Is that Edvard Monk so perfectly nailed

0:41:12.239 --> 0:41:14.920
<v Speaker 1>the scream that even without the art, like if you

0:41:14.960 --> 0:41:17.279
<v Speaker 1>see that, you understand that that person you're seeing is

0:41:17.320 --> 0:41:20.719
<v Speaker 1>in agony. Did I say Munch? No, I think you

0:41:20.719 --> 0:41:23.400
<v Speaker 1>said monk. Did I say much? You said Monk. I

0:41:23.520 --> 0:41:25.600
<v Speaker 1>might have said much. No, you said I think he

0:41:25.680 --> 0:41:28.799
<v Speaker 1>said monk. Is it Munch? I think it's probably Monk.

0:41:29.200 --> 0:41:31.600
<v Speaker 1>There's no way his name as much. I'm almost positive

0:41:31.640 --> 0:41:35.720
<v Speaker 1>you said monk. Jerry, can you rewind for a second. Much?

0:41:36.360 --> 0:41:38.799
<v Speaker 1>Oh you did say much. I would have scorned you

0:41:38.800 --> 0:41:42.839
<v Speaker 1>said monk. So Group A below the surface, Uh, this

0:41:42.880 --> 0:41:45.400
<v Speaker 1>is when they actually start talking about nuclear waste to

0:41:45.440 --> 0:41:48.280
<v Speaker 1>what it does to you, the details about the structure

0:41:48.280 --> 0:41:52.400
<v Speaker 1>and all that stuff, right where where they teach you

0:41:52.400 --> 0:41:55.680
<v Speaker 1>a little bit about radio activity. So group B Uh,

0:41:55.719 --> 0:41:59.799
<v Speaker 1>this was they went super informative, and really what they

0:41:59.840 --> 0:42:01.920
<v Speaker 1>were light on was that people had a little bit

0:42:02.000 --> 0:42:04.319
<v Speaker 1>of knowledge in the future about stuff like this. But

0:42:04.400 --> 0:42:07.160
<v Speaker 1>they also trusted that the people didn't have to just

0:42:07.239 --> 0:42:10.200
<v Speaker 1>be spooked or scared or something like that. That that

0:42:10.440 --> 0:42:12.960
<v Speaker 1>it's like, here is the facts and information. That's why

0:42:13.040 --> 0:42:15.520
<v Speaker 1>you want to stay away from that. Yeah, they're big

0:42:15.520 --> 0:42:20.600
<v Speaker 1>above groundwork was these big earthen walls in the shape

0:42:20.600 --> 0:42:23.480
<v Speaker 1>of the nuclear trafoil. Not bad. I imagine you'd have

0:42:23.520 --> 0:42:25.000
<v Speaker 1>to see it from above to even know though what

0:42:25.080 --> 0:42:27.239
<v Speaker 1>it was. But that's that's part of the One of

0:42:27.239 --> 0:42:30.640
<v Speaker 1>the requirements was that you you wanted to be um

0:42:30.680 --> 0:42:34.640
<v Speaker 1>easily visible, not just with human cognition, but like remote

0:42:34.640 --> 0:42:38.879
<v Speaker 1>sensing to so like magnetic surveys. They they they said,

0:42:38.920 --> 0:42:41.440
<v Speaker 1>we should put some magnets in here, right, not just

0:42:41.520 --> 0:42:43.960
<v Speaker 1>from when you walk up to it, right, So, and

0:42:43.960 --> 0:42:45.120
<v Speaker 1>you also have to be able to see it from

0:42:45.160 --> 0:42:48.960
<v Speaker 1>your flying saucer exactly. Uh. And then inside the walls

0:42:49.000 --> 0:42:52.400
<v Speaker 1>they have at various steps have these big markers and

0:42:52.440 --> 0:42:56.200
<v Speaker 1>here's where these like symbols and pictographs, uh, all kinds

0:42:56.200 --> 0:43:02.480
<v Speaker 1>of languages, writing in different languages and in more human faces,

0:43:02.880 --> 0:43:07.480
<v Speaker 1>increasingly contorted in agony. As you go down, it looks

0:43:07.520 --> 0:43:11.640
<v Speaker 1>to me like the guy's getting drunker and drunker. Yeah, yeah,

0:43:12.719 --> 0:43:15.279
<v Speaker 1>that's what it looks like. Well, maybe that means there's

0:43:14.920 --> 0:43:17.799
<v Speaker 1>a happening bar exactly. That's how I would take it

0:43:17.840 --> 0:43:20.799
<v Speaker 1>if I were a future human post collapse. Gotta go

0:43:20.960 --> 0:43:24.279
<v Speaker 1>gotta go down here. There were also pictograms you're just

0:43:24.320 --> 0:43:26.759
<v Speaker 1>like digging through the sand to get to They're also

0:43:26.840 --> 0:43:31.040
<v Speaker 1>pictograms that showed like under the ground, like real easy

0:43:31.160 --> 0:43:36.000
<v Speaker 1>to understand drawings of the radioactive waste, the water groundwater

0:43:36.080 --> 0:43:39.920
<v Speaker 1>flowing through it, taking the radioactive waste up to the plants,

0:43:39.960 --> 0:43:42.080
<v Speaker 1>which are then eaten by the humans in the picture,

0:43:42.840 --> 0:43:46.319
<v Speaker 1>one of whom dies, which makes sense. You don't need

0:43:46.400 --> 0:43:48.960
<v Speaker 1>to understand anything about radioactivity. You don't need to be

0:43:49.000 --> 0:43:52.120
<v Speaker 1>able to read anything. It's a really like it makes sense,

0:43:52.360 --> 0:43:55.040
<v Speaker 1>especially if some people are sitting there thinking about it's

0:43:55.080 --> 0:43:57.560
<v Speaker 1>the final image is skulling crossbones or or a pile

0:43:57.560 --> 0:43:59.200
<v Speaker 1>of bones. You know. It was like a person, three

0:43:59.239 --> 0:44:01.160
<v Speaker 1>people standing in one of them. The last one was

0:44:01.239 --> 0:44:03.000
<v Speaker 1>like dead and I think he might even have excess

0:44:03.000 --> 0:44:04.600
<v Speaker 1>for eyes. Well I was about to say, though, I mean,

0:44:04.640 --> 0:44:07.239
<v Speaker 1>if you think about twenty years from now, maybe maybe

0:44:07.280 --> 0:44:10.799
<v Speaker 1>they're like, oh, this induces a nice nap. Maybe, Like

0:44:11.600 --> 0:44:14.359
<v Speaker 1>but to your point though, like the bones is where

0:44:14.400 --> 0:44:17.239
<v Speaker 1>you need to end up, right, Yeah, maybe somebody would

0:44:17.239 --> 0:44:18.960
<v Speaker 1>be like, oh this these veggies here give you a

0:44:19.000 --> 0:44:20.840
<v Speaker 1>great buzz if you grow them on this ground. That

0:44:21.000 --> 0:44:23.120
<v Speaker 1>excess for eyes right. Yeah, the bones do make a

0:44:23.120 --> 0:44:26.040
<v Speaker 1>lot more sense. I think Sagan was right. That's that

0:44:26.200 --> 0:44:28.440
<v Speaker 1>should be a T shirt. Stuff you should know t shirts.

0:44:28.440 --> 0:44:31.680
<v Speaker 1>Sagan was right, don't even need to have any context.

0:44:32.040 --> 0:44:34.160
<v Speaker 1>We're gonna be an email in a few days from

0:44:34.200 --> 0:44:36.279
<v Speaker 1>the guy from the estate of Karl Sagan saying do

0:44:36.360 --> 0:44:38.880
<v Speaker 1>not make that T shirt. So what did they go with?

0:44:38.920 --> 0:44:45.319
<v Speaker 1>In the end, though, they went with um a earthen work,

0:44:45.719 --> 0:44:49.880
<v Speaker 1>earthen berm basically to provide an obstacle um and to

0:44:50.280 --> 0:44:55.800
<v Speaker 1>block easy access some granite slabs, monoliths that have warnings

0:44:55.840 --> 0:44:59.960
<v Speaker 1>written in seven languages, yeah, Navajo and then the six

0:45:00.120 --> 0:45:03.960
<v Speaker 1>languages of the u n So Arabic, Chinese, English, Spanish, French,

0:45:04.000 --> 0:45:07.840
<v Speaker 1>and Russian. Um, which makes a lot of sense. But

0:45:08.040 --> 0:45:11.520
<v Speaker 1>then they took Thomas Cibiak up on his idea. They

0:45:11.600 --> 0:45:15.440
<v Speaker 1>kind of built on the earlier right exactly um, and

0:45:15.480 --> 0:45:18.600
<v Speaker 1>they left blank spaces or they play in their plan.

0:45:18.719 --> 0:45:22.200
<v Speaker 1>They leave blank spaces on these slabs for future generations

0:45:22.239 --> 0:45:26.719
<v Speaker 1>to add their own translations of the inscriptions. It's a

0:45:26.760 --> 0:45:31.080
<v Speaker 1>great idea. And the faces of humans and pain in

0:45:31.160 --> 0:45:34.400
<v Speaker 1>English that did survive in the end. So that was

0:45:34.440 --> 0:45:38.120
<v Speaker 1>the final report on this whip panel. It's a pretty

0:45:38.120 --> 0:45:41.680
<v Speaker 1>good idea, makes a lot of sense because not only so,

0:45:41.760 --> 0:45:44.240
<v Speaker 1>there are two two groups that they're trying to say

0:45:44.280 --> 0:45:48.279
<v Speaker 1>stay away, not not really like urban explorers or thrill

0:45:48.320 --> 0:45:51.960
<v Speaker 1>seekers or whatever they would have, they would have virtually

0:45:52.040 --> 0:45:55.000
<v Speaker 1>no chance of getting down to the actual radio at

0:45:55.000 --> 0:45:57.840
<v Speaker 1>the material. The people they were worried about, or technology

0:45:57.920 --> 0:46:02.920
<v Speaker 1>technological advanced civilizations that we're drilling for resources like accident

0:46:03.040 --> 0:46:06.959
<v Speaker 1>like God help this this um this this waste disposal site.

0:46:07.000 --> 0:46:10.480
<v Speaker 1>If salt becomes incredibly important in the future, and then

0:46:11.440 --> 0:46:17.160
<v Speaker 1>um less advanced civilizations that could accidentally um change the

0:46:17.160 --> 0:46:20.279
<v Speaker 1>flow of groundwater to go through the salt bed through

0:46:20.360 --> 0:46:23.799
<v Speaker 1>massive like irrigation projects. It covers all of it. Yeah,

0:46:23.800 --> 0:46:26.840
<v Speaker 1>my whole thing is just make it inaccessible. Why is

0:46:26.840 --> 0:46:29.879
<v Speaker 1>it in New Mexico? Why is it out you know, well,

0:46:29.920 --> 0:46:33.520
<v Speaker 1>that's I mean, that's pretty inaccessible. It's not as access

0:46:33.600 --> 0:46:37.319
<v Speaker 1>inaccessible as you know Siberia. No, some one of the

0:46:37.400 --> 0:46:41.719
<v Speaker 1>recommendations for nuclear waste disposal shooting it into space. Just

0:46:41.800 --> 0:46:43.960
<v Speaker 1>send it out in the outer space and forget about it.

0:46:44.200 --> 0:46:46.520
<v Speaker 1>And if you believe in the family paradox that it

0:46:46.600 --> 0:46:50.879
<v Speaker 1>says we're the only intelligent life in the universe. Man

0:46:50.960 --> 0:46:54.600
<v Speaker 1>more power to That's actually not that bad of an idea.

0:46:54.800 --> 0:46:56.840
<v Speaker 1>It's a horrific idea, but it's actually kind of a

0:46:56.840 --> 0:46:58.799
<v Speaker 1>good idea. Thing. Yeah, but then I wonder about the

0:46:58.880 --> 0:47:01.960
<v Speaker 1>danger and the risk and evolved. I mean, we've seen

0:47:02.040 --> 0:47:04.279
<v Speaker 1>rockets blow up and space shuttles blow up. That would

0:47:04.280 --> 0:47:06.160
<v Speaker 1>be bad. Like what if the thing that they're shooting

0:47:06.160 --> 0:47:08.480
<v Speaker 1>it out there malfunctioned or something that'd be really bad

0:47:08.560 --> 0:47:10.600
<v Speaker 1>would be really bad. That's a great points, Like all

0:47:10.640 --> 0:47:13.800
<v Speaker 1>of our nuclear waste has just been released, oh into

0:47:13.840 --> 0:47:18.480
<v Speaker 1>the atmosphere. Yeah, that's a great, great point. So here's

0:47:18.520 --> 0:47:21.200
<v Speaker 1>the thing, is all of this just wasted effort because

0:47:21.239 --> 0:47:23.560
<v Speaker 1>I was getting so into the stuff. And then the

0:47:23.640 --> 0:47:27.000
<v Speaker 1>end of this article was a real like sad trombone

0:47:27.160 --> 0:47:30.279
<v Speaker 1>because it seems like it seems like nobody really even

0:47:30.320 --> 0:47:33.000
<v Speaker 1>cares the people that matter. Well, the first the first

0:47:33.000 --> 0:47:36.319
<v Speaker 1>group like their whole thing will will probably never be

0:47:36.400 --> 0:47:39.759
<v Speaker 1>implemented because yuck, a mountain project got shut down. But

0:47:39.880 --> 0:47:43.719
<v Speaker 1>the Whip group may actually have their their plan come

0:47:43.760 --> 0:47:46.920
<v Speaker 1>to fruition because it is an ep A rule that

0:47:46.960 --> 0:47:49.319
<v Speaker 1>you have to create this kind of marker and they've

0:47:49.320 --> 0:47:52.320
<v Speaker 1>got until about forty until they estimate the place is

0:47:52.320 --> 0:47:54.920
<v Speaker 1>going to shut down. So it's entirely possible that in

0:47:56.120 --> 0:47:59.239
<v Speaker 1>or sometime in the hundred years after, when the d

0:47:59.320 --> 0:48:01.400
<v Speaker 1>O E stops protecting the site or the d O

0:48:01.480 --> 0:48:05.319
<v Speaker 1>d UM, they may implement this earthen works in the

0:48:05.400 --> 0:48:08.359
<v Speaker 1>sixteen granite slabs, and we we may live to see

0:48:08.400 --> 0:48:11.280
<v Speaker 1>something like this. Well, outside of the US, it seems

0:48:11.320 --> 0:48:14.640
<v Speaker 1>like no one is super concerned. Sweden in two thousand

0:48:14.640 --> 0:48:18.080
<v Speaker 1>eleven had an application to build a repository in force

0:48:18.160 --> 0:48:23.319
<v Speaker 1>Mark and in their in their literal application, they basically said,

0:48:24.040 --> 0:48:26.279
<v Speaker 1>you know what, we're gonna worry about that later in

0:48:26.360 --> 0:48:28.960
<v Speaker 1>seventy years, when this thing's finished. They said, see this,

0:48:29.080 --> 0:48:31.640
<v Speaker 1>can we just kicked the seventy years down. The ref

0:48:32.080 --> 0:48:35.960
<v Speaker 1>and the Swedish National Archives they consulted on their application,

0:48:36.760 --> 0:48:39.080
<v Speaker 1>they said, that's really insufficient. It said, it gives the

0:48:39.120 --> 0:48:43.720
<v Speaker 1>impression that one intends to postpone important documentation efforts until

0:48:43.760 --> 0:48:46.920
<v Speaker 1>the closure of the repository in seventy years. And it's like,

0:48:46.960 --> 0:48:50.920
<v Speaker 1>it doesn't give the impression. It literally said that, So, uh,

0:48:51.000 --> 0:48:55.200
<v Speaker 1>I think they're being ultrapolite. Yeah, I think, well Sweden, right, good,

0:48:55.200 --> 0:48:58.600
<v Speaker 1>people in the US, though, don't tell Asa Brocky that

0:48:58.600 --> 0:49:02.160
<v Speaker 1>that don't even know what that means. That's a singer, right, yeah,

0:49:02.160 --> 0:49:04.600
<v Speaker 1>he's he's a rapper. He's in prison in Sweden right now.

0:49:04.719 --> 0:49:06.759
<v Speaker 1>And I did not know that. Oh man, what would

0:49:06.760 --> 0:49:09.280
<v Speaker 1>he do. He got into a fight with some Swedish

0:49:09.320 --> 0:49:11.080
<v Speaker 1>kids and it may or may not have been their fault.

0:49:11.120 --> 0:49:13.880
<v Speaker 1>It looks on video like they definitely provoked it. But

0:49:13.920 --> 0:49:16.319
<v Speaker 1>the King of Sweden is like, sorry, rule of law

0:49:16.400 --> 0:49:21.920
<v Speaker 1>applies to everybody, including super famous Americans. Donald Trump called

0:49:21.960 --> 0:49:23.920
<v Speaker 1>him to try to get the thing resolved at the

0:49:23.960 --> 0:49:27.520
<v Speaker 1>behest of Kanye West God, and apparently I just made

0:49:27.520 --> 0:49:29.480
<v Speaker 1>everything worse. And now the King of Sweden is like,

0:49:29.520 --> 0:49:33.640
<v Speaker 1>there's no chance he's getting released early. Wow, man, where

0:49:33.680 --> 0:49:37.200
<v Speaker 1>have I been? This is reality. What I just said

0:49:37.360 --> 0:49:41.360
<v Speaker 1>is actual fact that actually happened here in two thousand nineteen. Everybody.

0:49:41.760 --> 0:49:46.440
<v Speaker 1>Humans of the far future? Can you believe it? Humans

0:49:46.480 --> 0:49:49.080
<v Speaker 1>of the near John Lomberg, that guy we were talking

0:49:49.080 --> 0:49:52.680
<v Speaker 1>about earlier, who was on that original panel, he told

0:49:52.800 --> 0:49:56.319
<v Speaker 1>Vice just a couple of years ago. Um, a lot

0:49:56.360 --> 0:49:58.440
<v Speaker 1>of us had been around the block a few times before,

0:49:58.480 --> 0:50:00.640
<v Speaker 1>because you know, he was back then doing the same

0:50:00.680 --> 0:50:02.520
<v Speaker 1>thing and knew this is going to be a report

0:50:02.560 --> 0:50:05.080
<v Speaker 1>the government only did and this is the US and

0:50:05.120 --> 0:50:08.040
<v Speaker 1>we're putting more thought towards this than anyone. Yeah, which

0:50:08.160 --> 0:50:10.959
<v Speaker 1>is really surprising. He said they only did this because

0:50:10.960 --> 0:50:13.120
<v Speaker 1>they needed to show compliance. They didn't really care what

0:50:13.200 --> 0:50:17.799
<v Speaker 1>we said. And then uh, and from the Human Interference

0:50:17.840 --> 0:50:21.080
<v Speaker 1>Task Force during the competition, they basically said, the most

0:50:21.080 --> 0:50:23.800
<v Speaker 1>effective sign will be the dead bodies of those foolish

0:50:23.880 --> 0:50:29.440
<v Speaker 1>enough to ignore whatever sign. So basically like who cares,

0:50:29.840 --> 0:50:31.680
<v Speaker 1>someone will do someone will get in there and they

0:50:31.800 --> 0:50:34.000
<v Speaker 1>all die and then that'll be the big morning, right,

0:50:34.040 --> 0:50:37.120
<v Speaker 1>which makes sense if if humans are in communication around

0:50:37.160 --> 0:50:39.279
<v Speaker 1>the globe and you've got the same morning around. But

0:50:39.320 --> 0:50:43.520
<v Speaker 1>if they're not, then it's catastrophe, catastrophe, catastrophe. But at

0:50:43.600 --> 0:50:45.880
<v Speaker 1>least we fulfilled our part of the bargain where we

0:50:45.920 --> 0:50:50.319
<v Speaker 1>really tried to warn everybody agreed, you got anything else? Yeah,

0:50:50.880 --> 0:50:53.880
<v Speaker 1>if you will indulge me, I would like to plug

0:50:54.200 --> 0:50:57.000
<v Speaker 1>the end of the world with Josh Clark. What the

0:50:57.120 --> 0:50:59.600
<v Speaker 1>end of the world with Josh Clark? If if like

0:50:59.719 --> 0:51:02.160
<v Speaker 1>thinking about things in like far deep time in the

0:51:02.200 --> 0:51:04.560
<v Speaker 1>future of humanity and all that stuff kind of floated

0:51:04.600 --> 0:51:07.640
<v Speaker 1>your boat. I would recommend my little podcast series The

0:51:07.719 --> 0:51:09.480
<v Speaker 1>End of the World of Josh Clark for sure. This

0:51:09.840 --> 0:51:12.719
<v Speaker 1>is right up your alley. Thank you, Chuck. Uh. And

0:51:12.760 --> 0:51:14.880
<v Speaker 1>since Chuck said write up your alley, it's time for

0:51:14.920 --> 0:51:20.080
<v Speaker 1>a listener mail. Hey guys, we are strangers, but we aren't.

0:51:20.560 --> 0:51:22.320
<v Speaker 1>You've been with me during the most challenging times of

0:51:22.360 --> 0:51:24.239
<v Speaker 1>my life. I've listened to your show for about seven years.

0:51:24.640 --> 0:51:28.279
<v Speaker 1>I'm an English teacher. My students retired and making fun

0:51:28.320 --> 0:51:30.520
<v Speaker 1>of me because I always start lessons with so I

0:51:30.560 --> 0:51:33.160
<v Speaker 1>was listening to stuff you should know. I went through

0:51:33.200 --> 0:51:35.320
<v Speaker 1>a huge life change recently. I was in a relationship

0:51:35.360 --> 0:51:38.040
<v Speaker 1>for five years, engage for four of them, uh, and

0:51:38.080 --> 0:51:40.960
<v Speaker 1>moved from Phoenix to Charlotte after ending that relationship, which

0:51:41.000 --> 0:51:43.879
<v Speaker 1>was incredibly difficult to do. During the drive, I listen

0:51:43.880 --> 0:51:46.719
<v Speaker 1>to you guys for the entire thirty four hours. Wow,

0:51:47.640 --> 0:51:52.080
<v Speaker 1>can you imagine? No, I honestly can't know music, just

0:51:52.200 --> 0:51:54.600
<v Speaker 1>you guys. My heart was so broken. I didn't think

0:51:55.239 --> 0:51:57.200
<v Speaker 1>I would ever be able to recover from that trauma,

0:51:57.239 --> 0:51:59.759
<v Speaker 1>but the trauma of listening to us for thirty four

0:52:00.880 --> 0:52:02.520
<v Speaker 1>But you didn't know that you were able to comfort

0:52:02.520 --> 0:52:05.040
<v Speaker 1>me and call me down. My brother, who helped me move,

0:52:05.600 --> 0:52:07.720
<v Speaker 1>asked me what I needed to listen to during the drive.

0:52:07.760 --> 0:52:09.600
<v Speaker 1>I told him I wanted to listen to stuff you

0:52:09.600 --> 0:52:11.520
<v Speaker 1>should Know. He had never heard of it. But now

0:52:11.680 --> 0:52:15.000
<v Speaker 1>my brother Nick is also a fan, whether he likes

0:52:15.000 --> 0:52:17.600
<v Speaker 1>it or not, and we almost always started our conversations

0:52:17.600 --> 0:52:19.040
<v Speaker 1>now with did you listen to the last stuff you

0:52:19.080 --> 0:52:21.279
<v Speaker 1>should Know? So I just want to give you guys

0:52:21.360 --> 0:52:24.480
<v Speaker 1>kudos kudos for being incredible. Please give a shout out

0:52:24.480 --> 0:52:26.879
<v Speaker 1>to Justin, a fan that learned about you guys from

0:52:26.920 --> 0:52:29.719
<v Speaker 1>me in case uh he didn't hear it the first time.

0:52:29.840 --> 0:52:34.160
<v Speaker 1>Hello Justin Potter. Wow, thanks for giving me common times

0:52:34.200 --> 0:52:36.600
<v Speaker 1>of adversity. I know we are strangers, but we are

0:52:36.600 --> 0:52:39.200
<v Speaker 1>not actually because you have been with me during struggles

0:52:39.200 --> 0:52:41.600
<v Speaker 1>of my life. Credit you for getting me through the

0:52:41.600 --> 0:52:44.279
<v Speaker 1>hardest times and I will be a lifelong fan of

0:52:44.320 --> 0:52:47.480
<v Speaker 1>you both. That is from Kate. Thanks Kate. I'm really

0:52:47.480 --> 0:52:50.440
<v Speaker 1>glad we got to play some small part in getting

0:52:50.440 --> 0:52:53.239
<v Speaker 1>you back on the road to Yeah, to happiness. Yeah.

0:52:53.239 --> 0:52:55.200
<v Speaker 1>I hope everything's going great for you. Yeah for real.

0:52:55.880 --> 0:52:57.279
<v Speaker 1>If you want to get in touch of this like

0:52:57.400 --> 0:52:59.560
<v Speaker 1>Kate did, just to say hi or to say thanks

0:52:59.640 --> 0:53:01.919
<v Speaker 1>or to say you guys really screwed up. It's cool.

0:53:02.239 --> 0:53:04.120
<v Speaker 1>You can go onto stuff you Should Know dot com

0:53:04.160 --> 0:53:06.760
<v Speaker 1>and check out our social links, and you can also

0:53:06.840 --> 0:53:09.880
<v Speaker 1>send us a good old fashioned email to stuff podcast

0:53:10.040 --> 0:53:15.600
<v Speaker 1>at iHeart radio dot com. Stuff you Should Know is

0:53:15.600 --> 0:53:18.200
<v Speaker 1>a production of iHeart Radios How Stuff Works. For more

0:53:18.239 --> 0:53:20.719
<v Speaker 1>podcasts for my heart Radio, visit the iHeart Radio app,

0:53:20.800 --> 0:53:23.400
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:53:26.600 --> 0:53:26.640
<v Speaker 1>H