1 00:00:00,080 --> 00:00:11,960 Speaker 1: This Day in History Class is a production of iHeartRadio, Hello, 2 00:00:12,119 --> 00:00:15,600 Speaker 1: and Welcome to This Day in History Class, a show 3 00:00:15,640 --> 00:00:20,400 Speaker 1: for those whose mothers always liked them best. I'm Gay, Bluesier, 4 00:00:20,600 --> 00:00:23,880 Speaker 1: and today we're looking at the untimely end of The 5 00:00:23,960 --> 00:00:28,280 Speaker 1: Smothers Brothers Comedy Hour, a variety show that challenge the 6 00:00:28,320 --> 00:00:33,000 Speaker 1: powers that be with slapstick humor, cutting commentary, and an 7 00:00:33,120 --> 00:00:44,599 Speaker 1: unhealthy dose of sibling rivalry. The day was April third, 8 00:00:44,720 --> 00:00:50,960 Speaker 1: nineteen sixty nine. CBS Television canceled The Smothers Brothers Comedy Hour, 9 00:00:51,280 --> 00:00:56,720 Speaker 1: a popular, yet controversial variety show. According to network president 10 00:00:56,800 --> 00:01:00,320 Speaker 1: William Paley, the brothers were fired because they had failed 11 00:01:00,320 --> 00:01:03,440 Speaker 1: to submit a review tape of an upcoming show before 12 00:01:03,480 --> 00:01:07,520 Speaker 1: they agreed upon deadline. However, that was just a cover. 13 00:01:08,080 --> 00:01:11,440 Speaker 1: The real reason was that the show had persistently featured 14 00:01:11,480 --> 00:01:16,600 Speaker 1: anti establishment humor, poking fun at the government, politics, religion, 15 00:01:16,880 --> 00:01:20,640 Speaker 1: and just about everything else. By the time Tom and 16 00:01:20,800 --> 00:01:24,480 Speaker 1: Dick Smothers got their own weekly variety show, the brothers 17 00:01:24,520 --> 00:01:28,319 Speaker 1: were already a well known musical comedy duo. They were 18 00:01:28,360 --> 00:01:32,440 Speaker 1: regular players on the nightclub circuit, made frequent guest appearances 19 00:01:32,480 --> 00:01:36,119 Speaker 1: on TV talk shows, and released several hit albums throughout 20 00:01:36,160 --> 00:01:40,880 Speaker 1: the nineteen sixties. Professionally known as the Smothers Brothers, their 21 00:01:40,920 --> 00:01:44,000 Speaker 1: act was a unique mix of folk singing and stand 22 00:01:44,040 --> 00:01:47,720 Speaker 1: up comedy. They made plenty of jokes about topical issues, 23 00:01:47,920 --> 00:01:50,720 Speaker 1: but many of their most famous bits took the form 24 00:01:50,800 --> 00:01:55,440 Speaker 1: of scripted sibling arguments. The best example probably comes from 25 00:01:55,680 --> 00:01:59,520 Speaker 1: Mom Always liked You Best, the smothers eighth comedy album, 26 00:02:00,080 --> 00:02:02,960 Speaker 1: Least in nineteen sixty five. Take a list, what do 27 00:02:03,000 --> 00:02:05,240 Speaker 1: you My mama is like my brother best and she 28 00:02:05,360 --> 00:02:07,400 Speaker 1: never liked me mom? And why do you keep telling 29 00:02:07,440 --> 00:02:10,440 Speaker 1: me Mom always likes you? Because every time you get back, 30 00:02:10,480 --> 00:02:14,799 Speaker 1: you say, mom always liked you best. Oh, yeah, my 31 00:02:15,040 --> 00:02:17,359 Speaker 1: mama if liked you bet. You want to know I've 32 00:02:17,480 --> 00:02:20,600 Speaker 1: picked on me? You, my mom and my back get together. 33 00:02:20,639 --> 00:02:24,360 Speaker 1: I say, Wait, I like you because mom liked you best. 34 00:02:24,400 --> 00:02:26,760 Speaker 1: You know why like me? Wait? Do you know why 35 00:02:26,840 --> 00:02:33,280 Speaker 1: she liked me best? She? Oh? Would you like to 36 00:02:33,320 --> 00:02:40,440 Speaker 1: know why she liked me best? I don't know Mom 37 00:02:40,520 --> 00:02:45,960 Speaker 1: liked you back. In light of the brother's success, CBS 38 00:02:46,120 --> 00:02:49,280 Speaker 1: hired them to host an hour long comedy variety series 39 00:02:49,480 --> 00:02:53,359 Speaker 1: beginning in nineteen sixty seven. The network was in desperate 40 00:02:53,440 --> 00:02:56,240 Speaker 1: need of a hit show that could peel away younger 41 00:02:56,320 --> 00:03:01,840 Speaker 1: viewers from NBC's popular Western series, but nan CBS believe 42 00:03:01,919 --> 00:03:04,400 Speaker 1: the Smothers Brothers were their right act for the job, 43 00:03:04,840 --> 00:03:08,560 Speaker 1: so on February fifth, nineteen sixty seven, the two shows 44 00:03:08,600 --> 00:03:11,760 Speaker 1: began airing head to head in the same time slot 45 00:03:11,960 --> 00:03:17,120 Speaker 1: nine pm on Sunday evenings on CBS. The Smothers Brothers 46 00:03:17,160 --> 00:03:20,600 Speaker 1: Comedy Hour aired right after the popular Ed Sullivan Show. 47 00:03:21,080 --> 00:03:25,160 Speaker 1: In fact, Sullivan himself introduced the show's premiere, calling the 48 00:03:25,240 --> 00:03:30,359 Speaker 1: young hosts quote typical American kids average in every way. 49 00:03:31,320 --> 00:03:35,600 Speaker 1: That was undoubtedly what CBS was hoping for, a pair 50 00:03:35,680 --> 00:03:39,640 Speaker 1: of wholesome, clean cut hosts to deliver some lighthearted comedy 51 00:03:39,640 --> 00:03:43,360 Speaker 1: and family friendly music. And to be fair, sometimes that 52 00:03:43,520 --> 00:03:47,280 Speaker 1: was exactly what the Smothers gave them. However, over the 53 00:03:47,320 --> 00:03:51,280 Speaker 1: course of three contentious seasons, they leaned more and more 54 00:03:51,400 --> 00:03:56,080 Speaker 1: into biting, satirical humor and political commentary, a whole lot 55 00:03:56,160 --> 00:04:00,240 Speaker 1: more than CBS had bargained for. The show's format at 56 00:04:00,280 --> 00:04:03,560 Speaker 1: was similar to many variety shows of the era. Each 57 00:04:03,600 --> 00:04:06,480 Speaker 1: episode began with the brothers doing a kind of monologue, 58 00:04:06,800 --> 00:04:09,760 Speaker 1: a few jokes, maybe a parody, song, and, of course, 59 00:04:09,840 --> 00:04:13,080 Speaker 1: some of their trademark bickering. The rest of the show 60 00:04:13,200 --> 00:04:17,920 Speaker 1: consisted of a mix of comedic sketches and live musical performances, 61 00:04:17,960 --> 00:04:21,400 Speaker 1: some from the Smothers Brothers and others from celebrity guests. 62 00:04:22,080 --> 00:04:24,839 Speaker 1: Some of the scripts and sketches were written and performed 63 00:04:24,880 --> 00:04:27,680 Speaker 1: by the brothers themselves, but many were the work of 64 00:04:27,720 --> 00:04:31,360 Speaker 1: a talented staff recruited from the Los Angeles comedy scene. 65 00:04:31,880 --> 00:04:35,039 Speaker 1: Although they were mostly unknowns at the time, many of 66 00:04:35,040 --> 00:04:38,480 Speaker 1: the show's writers and performers went on to become stars 67 00:04:38,480 --> 00:04:43,080 Speaker 1: and their own rights, including Steve Martin, Rob Reiner, Pat Paulson, 68 00:04:43,440 --> 00:04:48,160 Speaker 1: Lee French, and Lorenzo Music. The show's guest stars were 69 00:04:48,200 --> 00:04:52,400 Speaker 1: an eclectic blend of old and new faces, featuring counterculture 70 00:04:52,440 --> 00:04:55,520 Speaker 1: idols like George Harrison and The Doors, as well as 71 00:04:55,640 --> 00:05:01,040 Speaker 1: legendary favorites like Mickey Rooney and Kate Smith. That multigenerational 72 00:05:01,080 --> 00:05:04,359 Speaker 1: approach proved to be the right one. The Smothers Brothers 73 00:05:04,400 --> 00:05:08,320 Speaker 1: Comedy Hour delivered the younger, hipper audience that CBS was after, 74 00:05:08,640 --> 00:05:11,479 Speaker 1: and quite a few of their parents as well. The 75 00:05:11,560 --> 00:05:14,719 Speaker 1: show even passed the ultimate test. By the end of 76 00:05:14,760 --> 00:05:19,839 Speaker 1: its first season, it was routinely drawing more viewers than Bonanza, 77 00:05:20,160 --> 00:05:23,479 Speaker 1: riding high as the twelfth most watched show in America. 78 00:05:23,680 --> 00:05:27,400 Speaker 1: The Smothers Brothers and their writing staff grew increasingly bold 79 00:05:27,480 --> 00:05:31,000 Speaker 1: in their second season. They started working key issues of 80 00:05:31,000 --> 00:05:35,520 Speaker 1: the day into their sketches, including racism, drugs, the Vietnam War, 81 00:05:35,920 --> 00:05:40,600 Speaker 1: and the ever unpopular policies of Richard Nixon. CBS had 82 00:05:40,600 --> 00:05:44,720 Speaker 1: promised the brothers full creative control, but once the scripts 83 00:05:44,760 --> 00:05:49,400 Speaker 1: became more message oriented, the network bosses and censors began 84 00:05:49,480 --> 00:05:53,760 Speaker 1: to muscle in. They clashed with the brothers on numerous occasions, 85 00:05:54,000 --> 00:05:58,359 Speaker 1: forcing rewrites or flat out omissions of entire sketches. The 86 00:05:58,440 --> 00:06:02,039 Speaker 1: sensors flagged jokes for all kinds of reasons, for portraying 87 00:06:02,080 --> 00:06:05,240 Speaker 1: the hippie drug culture and too positive alight, or for 88 00:06:05,320 --> 00:06:10,719 Speaker 1: being irreverent toward organized religion. They also scrutinized every mention 89 00:06:10,800 --> 00:06:14,600 Speaker 1: of the word sex, eventually banning the phrase sex education 90 00:06:14,880 --> 00:06:18,120 Speaker 1: and cutting even the mildest of gags, like joking that 91 00:06:18,200 --> 00:06:22,680 Speaker 1: someone was a known heterosexual. But the biggest source of 92 00:06:22,720 --> 00:06:26,720 Speaker 1: conflict by far was the war in Vietnam. In the 93 00:06:26,760 --> 00:06:30,520 Speaker 1: show second and third seasons, the Smothers welcomed guest with 94 00:06:30,640 --> 00:06:35,039 Speaker 1: openly anti war messages, including folk singers Joan Bayez and 95 00:06:35,120 --> 00:06:38,440 Speaker 1: Pete Seeger. They were the subject of two of the 96 00:06:38,480 --> 00:06:43,559 Speaker 1: show's most infamous cases of censorship. Seeger was first, having 97 00:06:43,600 --> 00:06:46,680 Speaker 1: been invited to appear in the second season premiere to 98 00:06:46,720 --> 00:06:50,480 Speaker 1: sing his anti war song Waist Deep in the Big Muddy. 99 00:06:51,120 --> 00:06:53,240 Speaker 1: If you've never heard it, the song is about a 100 00:06:53,279 --> 00:06:57,000 Speaker 1: bullheaded World War Two army captain who forces his men 101 00:06:57,120 --> 00:07:00,160 Speaker 1: to cross a muddy river, only to be drowned or 102 00:07:00,200 --> 00:07:04,480 Speaker 1: misjudging the water's depth. In the song's final verse, Seeger 103 00:07:04,640 --> 00:07:08,080 Speaker 1: draws a not so subtle parallel between the story and 104 00:07:08,120 --> 00:07:12,400 Speaker 1: the Vietnam policies of President Lyndon Johnson, and for that reason, 105 00:07:12,720 --> 00:07:16,960 Speaker 1: CBS refused to let him perform it on the air. Thankfully, 106 00:07:17,160 --> 00:07:20,200 Speaker 1: the censoring of Pete Seeger got so much attention in 107 00:07:20,240 --> 00:07:23,440 Speaker 1: the press that the network ultimately relented and allowed the 108 00:07:23,480 --> 00:07:26,160 Speaker 1: singer to perform the song on a later episode of 109 00:07:26,200 --> 00:07:30,360 Speaker 1: The Comedy Hour. The full performance is now available online, 110 00:07:30,680 --> 00:07:34,480 Speaker 1: but in the meantime, here's the taste. Well. The sargeant said, sir, 111 00:07:34,880 --> 00:07:37,320 Speaker 1: are you sure this is the best way back to 112 00:07:37,360 --> 00:07:41,880 Speaker 1: the basin sargeant, go on, I've boarded this river about 113 00:07:41,920 --> 00:07:45,720 Speaker 1: a mile above this place. It'll be a little soggy, 114 00:07:45,920 --> 00:07:49,280 Speaker 1: but just keep slogging. We'll soon be on dry ground. 115 00:07:49,800 --> 00:07:53,040 Speaker 1: We were waist deep in the big muddy and the 116 00:07:53,120 --> 00:08:01,280 Speaker 1: big pool said, well, I'm not going to play it 117 00:08:01,360 --> 00:08:06,240 Speaker 1: any moral. I'll leave that for yourself. Maybe y'all still walking, 118 00:08:06,560 --> 00:08:10,240 Speaker 1: y'all still talking, you'd like to keep your health. But 119 00:08:10,480 --> 00:08:14,760 Speaker 1: every time I read the paper, them all feelings come on. 120 00:08:15,440 --> 00:08:18,600 Speaker 1: Where waist deep in the big muddy, to the big 121 00:08:18,600 --> 00:08:22,880 Speaker 1: fool assess to push on waist deep and the big Muddy. 122 00:08:23,200 --> 00:08:26,400 Speaker 1: In early March of nineteen sixty nine, it was folk 123 00:08:26,440 --> 00:08:30,280 Speaker 1: singer and anti war activist Joan Baiaz's turn to be censored. 124 00:08:30,960 --> 00:08:34,079 Speaker 1: During her performance, she dedicated a song to her husband, 125 00:08:34,200 --> 00:08:36,679 Speaker 1: who was about to go to prison for draft dodging. 126 00:08:37,320 --> 00:08:41,560 Speaker 1: CBS claimed that made the material overtly political and therefore 127 00:08:41,800 --> 00:08:46,679 Speaker 1: unsuitable for an entertainment based variety show. The Smothers Brothers 128 00:08:46,720 --> 00:08:49,600 Speaker 1: refused to cut the performance, so the network aired a 129 00:08:49,679 --> 00:08:54,080 Speaker 1: rerun that night instead. CBS was happy with the show's 130 00:08:54,160 --> 00:08:58,600 Speaker 1: ratings and with the critical reviews, which were largely positive. However, 131 00:08:58,840 --> 00:09:01,480 Speaker 1: they were less pleased with the hundreds of letters they 132 00:09:01,480 --> 00:09:04,680 Speaker 1: would receive from viewers on a weekly basis anytime a 133 00:09:04,720 --> 00:09:08,600 Speaker 1: controversial sketch or song made it to air. The long 134 00:09:08,679 --> 00:09:12,200 Speaker 1: months of fighting over the program's content finally came to 135 00:09:12,280 --> 00:09:16,280 Speaker 1: a head on April third, nineteen sixty nine, when CBS 136 00:09:16,360 --> 00:09:19,640 Speaker 1: abruptly canceled the show, just one week before the end 137 00:09:19,679 --> 00:09:23,240 Speaker 1: of the third season. The pretense for the firing was 138 00:09:23,280 --> 00:09:25,640 Speaker 1: that the Smothers had not submitted a tape of the 139 00:09:25,679 --> 00:09:28,360 Speaker 1: final show in time for the censors to review it, 140 00:09:28,720 --> 00:09:33,440 Speaker 1: but of course everyone knew the real reason. The cancelation 141 00:09:33,520 --> 00:09:36,880 Speaker 1: of The Smothers Brothers Comedy Hour came as a huge shock, 142 00:09:37,120 --> 00:09:39,480 Speaker 1: as it was still one of the most popular shows 143 00:09:39,480 --> 00:09:43,800 Speaker 1: on television. Its sudden disappearance from the airwaves was reported 144 00:09:43,840 --> 00:09:46,280 Speaker 1: on the front page of The New York Times and 145 00:09:46,360 --> 00:09:50,360 Speaker 1: was even covered by Walter Cronkite on CBS Evening News. 146 00:09:51,120 --> 00:09:54,640 Speaker 1: As for Tom and Dick Smothers, they responded by suing 147 00:09:54,720 --> 00:09:58,800 Speaker 1: CBS for breach of contract. According to Tom, the show 148 00:09:58,840 --> 00:10:01,400 Speaker 1: had already been renewed for a fourth season when the 149 00:10:01,440 --> 00:10:04,920 Speaker 1: network decided to pull the plug for that reason, he 150 00:10:05,040 --> 00:10:08,160 Speaker 1: was always quick to note that they had been quote fired, 151 00:10:08,480 --> 00:10:13,079 Speaker 1: not canceled. It took four years, but the Smothers eventually 152 00:10:13,160 --> 00:10:16,559 Speaker 1: won their case, with the judge ruling that CBS showed 153 00:10:16,640 --> 00:10:19,960 Speaker 1: them just under a million dollars. A good chunk of 154 00:10:19,960 --> 00:10:22,840 Speaker 1: that payment went to legal fees, but according to the brothers, 155 00:10:22,960 --> 00:10:25,800 Speaker 1: the lawsuit was never about the money in the first place. 156 00:10:26,760 --> 00:10:30,440 Speaker 1: After their firing, Tom and Dick's mothers went back to touring, 157 00:10:30,720 --> 00:10:33,800 Speaker 1: sometimes performing as many as two hundred dates each year. 158 00:10:34,559 --> 00:10:38,359 Speaker 1: They also attempted to revive their variety show on other networks, 159 00:10:38,520 --> 00:10:43,439 Speaker 1: including ABC in nineteen seventy and NBC in nineteen seventy five, 160 00:10:43,960 --> 00:10:47,400 Speaker 1: though neither effort fared as well as their first. In 161 00:10:47,480 --> 00:10:50,760 Speaker 1: nineteen eighty eight, the brothers made a triumphant return to 162 00:10:50,840 --> 00:10:54,560 Speaker 1: CBS when the Comedy Hour was briefly revived during an 163 00:10:54,679 --> 00:10:58,360 Speaker 1: especially lengthy writers strike that had left the network scrambling 164 00:10:58,400 --> 00:11:02,160 Speaker 1: to fill its schedule. The revival show was canceled again 165 00:11:02,240 --> 00:11:05,000 Speaker 1: after a single season, but that time because of low 166 00:11:05,120 --> 00:11:09,440 Speaker 1: ratings rather than content disputes. A few years later, the 167 00:11:09,520 --> 00:11:13,120 Speaker 1: brothers re edited their original shows and began airing them 168 00:11:13,160 --> 00:11:16,200 Speaker 1: on the E cable channel, complete with behind the scenes 169 00:11:16,280 --> 00:11:21,920 Speaker 1: interviews and explanations about the various controversies. Diehard Smothers fans 170 00:11:22,040 --> 00:11:25,080 Speaker 1: may disagree, but I don't think it's all that surprising 171 00:11:25,160 --> 00:11:28,240 Speaker 1: that their show never caught fire quite the same way. Again, 172 00:11:28,960 --> 00:11:32,160 Speaker 1: that's not to say they stopped being funny. They still are, 173 00:11:32,360 --> 00:11:35,280 Speaker 1: even now in their mid eighties. It's just that the 174 00:11:35,280 --> 00:11:39,480 Speaker 1: original show appeared at such a singular moment in American history, 175 00:11:39,920 --> 00:11:43,080 Speaker 1: at a time when social and cultural upheaval was everywhere 176 00:11:43,120 --> 00:11:47,000 Speaker 1: you looked. The Smothers recognized that feeling of change in 177 00:11:47,040 --> 00:11:49,760 Speaker 1: the air and tried to channel it into a primetime 178 00:11:49,840 --> 00:11:53,080 Speaker 1: TV show that actually commented on what was happening in 179 00:11:53,120 --> 00:11:57,160 Speaker 1: the world. For the disaffected youth protesting in the streets, 180 00:11:57,400 --> 00:12:00,880 Speaker 1: it had to be energizing to see anti establish politics 181 00:12:00,920 --> 00:12:05,239 Speaker 1: embraced by mainstream performers. But in the decades that followed, 182 00:12:05,480 --> 00:12:10,320 Speaker 1: the lines between entertainment, politics, and social issues all blurred together. 183 00:12:11,040 --> 00:12:15,280 Speaker 1: Questioning authority through comedy was no longer the groundbreaking act 184 00:12:15,360 --> 00:12:19,040 Speaker 1: it once was. In that sense, the Smother's fate was 185 00:12:19,160 --> 00:12:22,400 Speaker 1: much the same as that of other pioneers. They hewed 186 00:12:22,440 --> 00:12:25,120 Speaker 1: a path for others to follow, but never got to 187 00:12:25,160 --> 00:12:27,760 Speaker 1: travel it as far themselves as they would have liked. 188 00:12:28,600 --> 00:12:31,760 Speaker 1: For my part, I respect the way the Smothers traddled 189 00:12:31,760 --> 00:12:36,520 Speaker 1: the line between modern and antiquated, cool and lame. Even 190 00:12:36,600 --> 00:12:39,840 Speaker 1: before they tackled topical issues on their TV show, there 191 00:12:39,880 --> 00:12:43,360 Speaker 1: was a subversive quality to the Two Boy next Door Brothers. 192 00:12:43,880 --> 00:12:47,160 Speaker 1: Sure they sang about boiled cabbage and argued over who 193 00:12:47,160 --> 00:12:49,880 Speaker 1: had gotten the most Halloween candy as a kid, but 194 00:12:50,000 --> 00:12:53,400 Speaker 1: sometimes a darker sense of humor would creep in, and 195 00:12:53,520 --> 00:12:56,200 Speaker 1: since it was unexpected, it would be all the funnier. 196 00:12:56,800 --> 00:12:59,680 Speaker 1: I think a good example of that interplay between light 197 00:12:59,720 --> 00:13:03,959 Speaker 1: and darkness is their nineteen sixty four song Mediocre Fred. 198 00:13:04,640 --> 00:13:07,679 Speaker 1: Like much of the Smothers Brothers work, it's a reminder 199 00:13:07,720 --> 00:13:11,120 Speaker 1: that the social order can sometimes be disrupted by those 200 00:13:11,320 --> 00:13:14,680 Speaker 1: you'd least expect. Fred went to work from eight to 201 00:13:14,800 --> 00:13:17,360 Speaker 1: five and a fun to clock to show his live 202 00:13:17,760 --> 00:13:21,440 Speaker 1: went to church every Sunday morning. Sometimes he wondered why 203 00:13:21,480 --> 00:13:30,680 Speaker 1: he was born Mediocre Fred, Mediocre Dolfred. Fred went to 204 00:13:30,720 --> 00:13:33,240 Speaker 1: the movies every Saturday night. I'd like to watch TV 205 00:13:33,400 --> 00:13:36,120 Speaker 1: in the Western fights. And he paid his taxes most 206 00:13:36,160 --> 00:13:38,319 Speaker 1: every year. And on a hot summer day, while I 207 00:13:38,400 --> 00:13:47,440 Speaker 1: drank a little bear exciting mediocre Fred mediocre friend. Well, 208 00:13:47,440 --> 00:13:50,360 Speaker 1: the days went by all dulling grain. He didn't think 209 00:13:50,480 --> 00:13:52,400 Speaker 1: much and had little to say. And when the phone 210 00:13:52,400 --> 00:13:54,760 Speaker 1: will rose, he climb over. The monk finds some people 211 00:13:54,800 --> 00:14:17,680 Speaker 1: sleeping and a fight. Then ROLLO. I'm Gabe Louisier and 212 00:14:17,880 --> 00:14:21,160 Speaker 1: hopefully you now know a little more about history today 213 00:14:21,480 --> 00:14:25,400 Speaker 1: than you did yesterday. If you enjoy today's show, consider 214 00:14:25,440 --> 00:14:28,960 Speaker 1: following us on Twitter, Facebook, and Instagram. You can find 215 00:14:29,040 --> 00:14:34,080 Speaker 1: us at tedi HC Show Special. Thanks does Smother's Brothers 216 00:14:34,120 --> 00:14:38,400 Speaker 1: super fan Catherine Pittaw for suggesting today's episode, and if 217 00:14:38,480 --> 00:14:40,720 Speaker 1: you have a topic that you'd like to see covered 218 00:14:40,760 --> 00:14:43,200 Speaker 1: on the show, feel free to pass it along by 219 00:14:43,240 --> 00:14:47,480 Speaker 1: writing to this Day at iHeartMedia dot com. Thanks to 220 00:14:47,560 --> 00:14:50,320 Speaker 1: Chandler Mays for producing the show, and thanks to you 221 00:14:50,360 --> 00:14:53,480 Speaker 1: for listening. I'll see you back here again tomorrow for 222 00:14:53,520 --> 00:15:07,040 Speaker 1: another day in History Class