WEBVTT - Historical Records: Emma Tenayuca (feat. Mandy Gonzalez)

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<v Speaker 1>What's good people with questlove and as you know. In

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<v Speaker 1>honor of Women's History Month, each Friday, we'll be releasing

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<v Speaker 1>an episode from my new podcast with the story Pirates

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<v Speaker 1>Historical Records. It's an explosive fusion of hip hop and history,

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<v Speaker 1>tailor made for music loving kids and families. In today's episode,

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<v Speaker 1>Nemine travels to Texas to witness Emma Teneyuka fight for workers' rights,

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<v Speaker 1>and Broadway star Mandy Gonzalez performs a brand new hip

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<v Speaker 1>hop track about the pioneering labor activists. This is Historical Records,

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<v Speaker 1>the show that proves in order to make history, you

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<v Speaker 1>have to make some noise.

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<v Speaker 2>Hey, listeners, Niminy here, what's that ringling sound? You ask? Oh? Nothing,

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<v Speaker 2>Just this awesome scooter I found. Can you believe it

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<v Speaker 2>was just lying on the floor of the bunker. Perfect

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<v Speaker 2>timing too, you see. I woke up this morning and

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<v Speaker 2>realize just how much history there is. There is so

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<v Speaker 2>much work to do when here at Historical Records are

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<v Speaker 2>simply not working fast enough. But this scooter will help

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<v Speaker 2>me get it all done. First, let me put on

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<v Speaker 2>my helmet. Then let's see just how fast I can go. Hey,

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<v Speaker 2>robot voice.

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<v Speaker 3>Roll that voice initiating.

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<v Speaker 2>Initiating, hurry up, robot voice. I need you to time

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<v Speaker 2>me while I scoop to the other end of the hall.

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<v Speaker 2>There's no time to lose, Okay, start the clock in

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<v Speaker 2>three two one go what.

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<v Speaker 4>And so?

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<v Speaker 2>How long was that?

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<v Speaker 5>Four point three seconds?

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<v Speaker 3>A new record.

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<v Speaker 6>I've got a need to speed.

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<v Speaker 2>Indeed, think of how much work I can get done,

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<v Speaker 2>all the historical figures I can learn about, all the

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<v Speaker 2>songs I can write. Oh, this is going to be

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<v Speaker 2>my most productive episode ever. Listeners, it's time to get

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<v Speaker 2>this show on the road.

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<v Speaker 3>Historical Record.

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<v Speaker 7>You are now listening to Historical.

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<v Speaker 2>To make history, you got to have struggles to make history.

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<v Speaker 2>You got to show toys. Cannot be quiet loud as

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<v Speaker 2>the riot. To make history, you gotta make some noise.

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<v Speaker 2>Welcome back to Historical Records, where we conduct highly experimental

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<v Speaker 2>experiments combining history and hip hop. Working at top speed

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<v Speaker 2>gets me a bit winded.

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<v Speaker 6>But those are the.

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<v Speaker 2>Breaks, or I guess these are the breaks anyway. Today's

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<v Speaker 2>episode is about labor activist Emma tenne Yuka, but.

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<v Speaker 6>Before we get to her, there's so much work to do.

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<v Speaker 2>First order of business, check in on Tina and the

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<v Speaker 2>rest of the raccoons and see how today's beat is

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<v Speaker 2>coming along. I'll just give a knock here on.

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<v Speaker 6>The studio door.

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<v Speaker 2>Hey, Tina, I hope you don't mind that I opened

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<v Speaker 2>the door, but I couldn't wait for you to open it.

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<v Speaker 2>Time waiting is time wasted? Anyway, I'm checking in on

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<v Speaker 2>today's beat.

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<v Speaker 6>And whoa, what is going on?

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<v Speaker 2>You're doing yoga?

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<v Speaker 6>There's no time for yoga. TikTok, Tina. We have to

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<v Speaker 6>finish this song. Cut out.

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<v Speaker 2>Well, if you already finished the first half of today's beat,

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<v Speaker 2>you'd better get started on the second half. Chop chop

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<v Speaker 2>hop to it.

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<v Speaker 6>No time to waste.

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<v Speaker 2>Let me turn off these yoga tunes so you can focus.

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<v Speaker 2>I said, no time. I'm off to check on Phil

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<v Speaker 2>the hype Man. We need Phil to be ready with

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<v Speaker 2>his A plus hype game or we'll fall behind schedule.

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<v Speaker 2>Off to film office. I can't believe I caught those

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<v Speaker 2>raccoons slipping. How are we gonna get everything done if

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<v Speaker 2>we don't do it fast, fast, fast. Hey, maybe I

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<v Speaker 2>should look into adding a laptop connection to the scooter

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<v Speaker 2>so I can get even more work done on the go. Oh,

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<v Speaker 2>look at that I'm already at Feel's office, even though

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<v Speaker 2>Robot Voice and the raccoons were doing some new age lollygagon.

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<v Speaker 6>There's no need to worry about Phil.

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<v Speaker 2>It's basically a human energy drink, so that's absolutely.

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<v Speaker 6>No way he'll be fast asleep.

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<v Speaker 8>Part of people say what ye woo oh?

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<v Speaker 6>He even hipes when he snores.

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<v Speaker 2>All right, niminy, don't be distracted by how cute Phil

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<v Speaker 2>is when he's sleep HIPing. Get back to work and

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<v Speaker 2>wake this man up so we can get to work,

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<v Speaker 2>I said, Sila, Oh he's still fast asleep, Thank goodness.

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<v Speaker 2>Phil is a textbook hype man, so he always keeps

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<v Speaker 2>an airhorn nearby and in three two one, Hello, hey Phil,

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<v Speaker 2>quick question for you.

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<v Speaker 8>I bet it's a good world. Lay it on me, Sure.

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<v Speaker 6>Thing, Phil? What were you doing sleeping?

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<v Speaker 8>Huh, tough butt fare. I just felt like my batteries

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<v Speaker 8>be did recharge, And you know, since there wasn't any

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<v Speaker 8>hype in to do, I thought maybe I'd make like

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<v Speaker 8>a cat and take a quick nap.

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<v Speaker 2>Miro, Philip, there is always hyping to do. Coffee deal,

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<v Speaker 2>seize the day, Rise and.

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<v Speaker 8>Grind, okay, rise and grind. What am I grinding.

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<v Speaker 2>I don't know, coffee beans.

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<v Speaker 6>Maybe here?

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<v Speaker 2>Take these are.

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<v Speaker 8>These coffee beans? Yeah, but you don't drink coffee.

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<v Speaker 2>Philly, my man? Is that what a hype man would say?

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<v Speaker 8>I mean, yeah, coffee. You know, I'm always on the

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<v Speaker 8>coffee grind, espresso drip.

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<v Speaker 2>Wo, that's more like it. Gosh, I'm glad I found

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<v Speaker 2>this scooter. I'm getting so much done. Now, off to

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<v Speaker 2>the library to check on Gabe Today's Historian. And look,

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<v Speaker 2>I'm gonna have a schedule.

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<v Speaker 6>I'm doing it. I'm working faster and smarter.

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<v Speaker 2>I'm headed for the library. Good thing I was wearing

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<v Speaker 2>my helmet.

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<v Speaker 3>Nimity, I heard a huge crash. Are you okay?

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<v Speaker 2>I'm fine.

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<v Speaker 6>Sorry about your books, Gabe.

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<v Speaker 2>No worries.

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<v Speaker 3>The books are fine. I'll clean them up after lunch.

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<v Speaker 6>Lunch.

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<v Speaker 3>Yeah, this is my lunch break, Today's Panini day. Yum game.

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<v Speaker 2>There's no time for my historian to take lunch. We

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<v Speaker 2>have to explore the life of Emma Tenna Yuka, write

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<v Speaker 2>a song, and now we have to put away these books.

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<v Speaker 6>We can't fall behind schedule.

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<v Speaker 8>What schedule?

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<v Speaker 2>The one that we don't want to fall behind.

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<v Speaker 3>Niminy, really don't worry about it. You just crashed a scooter.

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<v Speaker 3>You should sit and take a break. Have some of

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<v Speaker 3>my panini.

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<v Speaker 6>I've got extra.

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<v Speaker 2>Panini more like punin no as in no time. We

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<v Speaker 2>have to get to today's historical figure. If you're still hungry,

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<v Speaker 2>I have a great idea for eating on the go,

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<v Speaker 2>on the go, gulp tube for gulping food on the go.

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<v Speaker 2>That sounds awful, Bye awful? Do you mean efficient?

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<v Speaker 8>I do not.

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<v Speaker 3>Food isn't meant to be gulped on the go. Lunch

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<v Speaker 3>breaks are good for people, and they're good for workers.

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<v Speaker 2>They are they are.

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<v Speaker 3>There's something Emma tana Yuka would have passionately supported too.

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<v Speaker 3>Did you know she believed in workers' rights so strongly

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<v Speaker 3>that she went to jail.

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<v Speaker 2>Really, that's amazing. I need to see that. Where's this

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<v Speaker 2>week's history simulator?

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<v Speaker 3>You're standing on it the scooter? Yep, I was wondering

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<v Speaker 3>where I left it. Let me just flip the simulator

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<v Speaker 3>switch on.

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<v Speaker 8>Ready to go?

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<v Speaker 2>Aren't you forgetting something?

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<v Speaker 3>All right?

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<v Speaker 8>My helmet?

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<v Speaker 6>Now we're ready to go.

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<v Speaker 3>Welcome to San Antonio, nineteen twenty.

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<v Speaker 6>Woo, this place is I'm busy.

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<v Speaker 2>They're singers, speakers, people waving newspapers. Are we in some

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<v Speaker 2>kind of plaza.

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<v Speaker 3>We are in the Plaza Plaza del Zacapte, to be exact.

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<v Speaker 3>It's known today as Millam Park, but in the nineteen

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<v Speaker 3>twenties it was the place for Mexican Americans to exchange

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<v Speaker 3>news and ideas. It was where a lot of socialists

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<v Speaker 3>and anarchists would come and spread their ideas about radical

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<v Speaker 3>social change.

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<v Speaker 2>I've heard the phrase getting on your soapbox, but I've

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<v Speaker 2>never seen anyone actually do it.

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<v Speaker 6>What do Look at that guy over there with the newspaper.

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<v Speaker 2>What's he doing?

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<v Speaker 3>He's reading the latest news from Mexico. There was a

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<v Speaker 3>recent revolution where people fought against the government. Some people

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<v Speaker 3>had to flee, and a lot of them ended up

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<v Speaker 3>here in San Antonio. So they're anxious to hear the

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<v Speaker 3>latest news about the new government back in Mexico.

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<v Speaker 6>Hey, I see a little girl. Is that who I

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<v Speaker 6>think it is?

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<v Speaker 2>It?

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<v Speaker 8>Sure is.

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<v Speaker 3>That's a young Amatanayuka here with her grandfather. He's helping

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<v Speaker 3>to raise Emma and he's making sure she learns everything,

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<v Speaker 3>so he brings her here. Mika, go and listen to

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<v Speaker 3>the different speakers and bring me back some interesting news.

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<v Speaker 6>Yes, well, look at her run.

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<v Speaker 2>She's so eager to hear the news.

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<v Speaker 8>Oh.

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<v Speaker 3>She soaks up all the energy and political discussion in

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<v Speaker 3>the plaza like a sponge. The plaza is her school

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<v Speaker 3>outside of school, where she learns about religion, socialism, labor movements,

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<v Speaker 3>the injustice of segregation, and the struggle of the poor

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<v Speaker 3>all over the world.

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<v Speaker 2>Ooh, here's your gums, and she is ronic. I wonder

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<v Speaker 2>what she heard, A Wilow.

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<v Speaker 6>The railroad workers have voted to go on strike.

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<v Speaker 3>Very good, Mica, very good.

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<v Speaker 2>She can't be more than one eight. How amazing that

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<v Speaker 2>she is learning all this stuff at such a young age.

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<v Speaker 3>She's off to a radical start. Wait until you see

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<v Speaker 3>her in high school.

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<v Speaker 6>Now.

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<v Speaker 3>It's nineteen thirty three, right smack in the middle of

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<v Speaker 3>the Great Depression. People all over the United States and

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<v Speaker 3>the rest of the world are having a really hard

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<v Speaker 3>time making a living and getting enough to eat.

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<v Speaker 2>I see Emma, she's under that tree reading a book.

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<v Speaker 3>Emma is always reading books. She's a junior in high school,

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<v Speaker 3>where she's both a star athlete and a star scholar.

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<v Speaker 3>Did you know she formed an afterschool reading club.

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<v Speaker 6>Awesome?

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<v Speaker 3>I love books, so do I, and so does Emma

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<v Speaker 3>looks like she's reading The Advancing Proletariats.

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<v Speaker 8>What is that?

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<v Speaker 3>It's a booklet published by the Industrial Workers of the World.

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<v Speaker 3>The IWW, also known as the Wobblies, are an international workers'

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<v Speaker 3>union that was founded in nineteen oh five. That pamphlet

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<v Speaker 3>is encouraging workers to unite and use their collective power

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<v Speaker 3>to fight for better treatment.

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<v Speaker 2>She's learning about workers' unions at sixteen.

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<v Speaker 3>Oh yeah, she's learning all kinds of advanced stuff. She

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<v Speaker 3>reads enthusiastically about the Wobbleys, Thomas Paine, Karl Marx, Tolstoy,

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<v Speaker 3>Charles A. Beard and Moore. Do you see the size

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<v Speaker 3>of her book bag?

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<v Speaker 6>How does she even carry it?

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<v Speaker 2>Santa could never Hey, who's that boy approaching Emma? Oh?

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<v Speaker 3>That's one of her classmates. He's a member of one

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<v Speaker 3>of the school's Latino groups, Ulla Eima gomostas Ola.

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<v Speaker 8>Hmm.

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<v Speaker 2>He looks like he wants to ask her something, but

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<v Speaker 2>he's hesitating.

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<v Speaker 3>Probably because he already knows the answers.

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<v Speaker 4>No.

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<v Speaker 3>He's part of the League of United Latin American Citizens

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<v Speaker 3>and he wants Emma to join their cause.

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<v Speaker 2>But why would she say no?

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<v Speaker 3>Because this group and other groups like it advocate for

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<v Speaker 3>something called assimilation.

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<v Speaker 6>What does that mean?

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<v Speaker 3>They want to gain acceptance in society by acting more

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<v Speaker 3>like the white people who often treat them unfairly. Emma

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<v Speaker 3>knows that they want her to join just because she

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<v Speaker 3>has lighter skin, meaning white people might be more willing

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<v Speaker 3>to acceps. But she's only interested in a movement that

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<v Speaker 3>helps all people.

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<v Speaker 6>Ah, I see.

0:12:05.800 --> 0:12:08.480
<v Speaker 2>Oh, now she's getting up and packing her book away.

0:12:08.760 --> 0:12:09.600
<v Speaker 2>Where's she off to?

0:12:10.120 --> 0:12:13.040
<v Speaker 3>She's on her way to the Fink Cigar Company to

0:12:13.200 --> 0:12:14.600
<v Speaker 3>join the picket line.

0:12:15.000 --> 0:12:16.160
<v Speaker 2>What's a picket line?

0:12:16.600 --> 0:12:17.200
<v Speaker 8>I'll show you.

0:12:17.600 --> 0:12:18.079
<v Speaker 6>Let's go.

0:12:22.400 --> 0:12:25.960
<v Speaker 3>We've arrived at the Fink Cigar Company. See that big

0:12:26.000 --> 0:12:28.239
<v Speaker 3>group of people walking in front of the factory.

0:12:28.440 --> 0:12:32.120
<v Speaker 2>They're holding signs enchanting strike, Strike.

0:12:32.440 --> 0:12:35.800
<v Speaker 3>That's a picket line. It's one way that workers fight

0:12:35.840 --> 0:12:38.720
<v Speaker 3>for better treatment. They refuse to go into the building

0:12:38.720 --> 0:12:41.840
<v Speaker 3>to work and instead stay outside and protest the low

0:12:41.920 --> 0:12:43.920
<v Speaker 3>pay and the bad working conditions.

0:12:44.160 --> 0:12:44.920
<v Speaker 6>And there's Emma.

0:12:45.120 --> 0:12:46.840
<v Speaker 2>She's holding a sign yup.

0:12:47.160 --> 0:12:50.439
<v Speaker 3>At the young age of sixteen, Emma is joining the

0:12:50.480 --> 0:12:52.200
<v Speaker 3>Fink Cigar Company strike.

0:12:53.920 --> 0:12:56.560
<v Speaker 2>Police whistles, What are the police doing here?

0:12:56.600 --> 0:12:57.920
<v Speaker 6>Nobody here is in danger?

0:12:58.320 --> 0:13:00.880
<v Speaker 3>Business owners don't like it, but work go on strike

0:13:01.080 --> 0:13:03.800
<v Speaker 3>it costs them money, so they often use the police

0:13:04.000 --> 0:13:06.480
<v Speaker 3>to try to break up the picket lines and force

0:13:06.559 --> 0:13:08.200
<v Speaker 3>the workers to give up their cause.

0:13:08.600 --> 0:13:10.200
<v Speaker 8>You're there, you're under arrest.

0:13:10.679 --> 0:13:13.840
<v Speaker 2>Oh, they're arresting Emma, but she didn't do anything wrong.

0:13:14.240 --> 0:13:17.480
<v Speaker 3>It'll be okay, and Emma will be okay. In fact,

0:13:17.760 --> 0:13:20.400
<v Speaker 3>getting crested is what inspires her to go on to

0:13:20.480 --> 0:13:28.120
<v Speaker 3>make history. Let's go to nineteen thirty eight. Okay, it's

0:13:28.240 --> 0:13:31.920
<v Speaker 3>January thirty first, nineteen thirty eight, and we're outside of

0:13:31.960 --> 0:13:33.800
<v Speaker 3>the Delicious Pecan Company.

0:13:34.240 --> 0:13:38.760
<v Speaker 2>Oooh pecans. That explains the delicious smell. Are we stopping

0:13:38.800 --> 0:13:39.360
<v Speaker 2>for a snack?

0:13:39.840 --> 0:13:43.440
<v Speaker 3>No, we're here because this is where Emma Tenayuka made

0:13:43.480 --> 0:13:47.640
<v Speaker 3>her biggest contribution to the workers' rights movement. Niminy, what

0:13:47.679 --> 0:13:49.400
<v Speaker 3>do you know about shelling pecans?

0:13:49.800 --> 0:13:51.240
<v Speaker 6>P conzabt sholls?

0:13:51.280 --> 0:13:54.000
<v Speaker 3>Not once these workers are through with them. But shelling

0:13:54.080 --> 0:13:58.160
<v Speaker 3>pecans is hard, dangerous work. These women work seven days

0:13:58.160 --> 0:14:02.800
<v Speaker 3>a week, all will being exposed respiratory diseases like tuberculosis,

0:14:03.120 --> 0:14:05.440
<v Speaker 3>and they get paid less than two dollars a week.

0:14:05.840 --> 0:14:07.360
<v Speaker 2>Oh that is so unfair.

0:14:07.880 --> 0:14:10.520
<v Speaker 3>Emma thought so too, which is why she took up

0:14:10.559 --> 0:14:13.360
<v Speaker 3>the cause. Look there she is giving one of her

0:14:13.400 --> 0:14:15.280
<v Speaker 3>trademark passionate speeches.

0:14:15.600 --> 0:14:19.640
<v Speaker 7>Workers, we must unite against these unfair conditions.

0:14:20.440 --> 0:14:22.880
<v Speaker 6>Copita laitana.

0:14:25.000 --> 0:14:26.040
<v Speaker 2>What are they calling her?

0:14:26.320 --> 0:14:30.920
<v Speaker 3>La capitana, which means the captain. They've unanimously elected Emma

0:14:30.960 --> 0:14:33.400
<v Speaker 3>as their leader, and they're about to follow her to

0:14:33.560 --> 0:14:34.480
<v Speaker 3>the picket line.

0:14:35.040 --> 0:14:39.440
<v Speaker 2>We can no longer tolerate these terrible working conditions.

0:14:39.840 --> 0:14:45.560
<v Speaker 6>We are on strike stright, there are so many of them.

0:14:46.000 --> 0:14:50.360
<v Speaker 3>Almost twelve thousand workers walked off the job. It's the

0:14:50.560 --> 0:14:54.040
<v Speaker 3>largest strike in San Antonio history, and it was the

0:14:54.040 --> 0:14:59.200
<v Speaker 3>first major Mexican American action for civil rights and economic justice.

0:14:59.360 --> 0:15:02.720
<v Speaker 2>I can't believe if Emma is leading this huge movement,

0:15:02.920 --> 0:15:07.600
<v Speaker 2>she's only twenty two. Oh no, the police are coming

0:15:07.640 --> 0:15:09.360
<v Speaker 2>to this strike too. Yep.

0:15:09.760 --> 0:15:12.560
<v Speaker 3>The mayor of San Antonio sent the police out with

0:15:12.680 --> 0:15:15.600
<v Speaker 3>tear gas and clubs to break up the picket lines.

0:15:16.920 --> 0:15:18.280
<v Speaker 3>This is an illegal gathering.

0:15:18.320 --> 0:15:23.400
<v Speaker 6>You are ordered to disperse immediately, right right, These workers

0:15:23.440 --> 0:15:25.960
<v Speaker 6>are not backing down, That's right.

0:15:26.280 --> 0:15:29.680
<v Speaker 3>The Pecan shullers went on strike for a whole three months.

0:15:29.840 --> 0:15:33.640
<v Speaker 3>Tenna Yuka's passionate speeches brought national attention to the strike

0:15:33.800 --> 0:15:37.080
<v Speaker 3>and earned her the nickname La facion Naria that Dejas.

0:15:37.400 --> 0:15:41.000
<v Speaker 3>Historians today regard the strike as the first successful large

0:15:41.000 --> 0:15:45.520
<v Speaker 3>scale act of Mexican American struggle for civil rights and justice.

0:15:45.840 --> 0:15:46.480
<v Speaker 6>Amazing.

0:15:46.880 --> 0:15:49.320
<v Speaker 2>I can't believe someone would care so much about fair

0:15:49.400 --> 0:15:53.040
<v Speaker 2>working conditions that they risk getting arrested or beaten.

0:15:52.760 --> 0:15:56.320
<v Speaker 3>Up or something worse. Emma received a lot of threats

0:15:56.320 --> 0:16:01.240
<v Speaker 3>of violence and death just for striking. Emma was a

0:16:01.280 --> 0:16:05.360
<v Speaker 3>member of something called the Communist Party in the nineteen thirties.

0:16:05.520 --> 0:16:08.600
<v Speaker 3>People were very afraid of the Communists and believed that

0:16:08.680 --> 0:16:11.400
<v Speaker 3>they had to stop them at all costs. It made

0:16:11.440 --> 0:16:15.440
<v Speaker 3>Emma's work very dangerous. Even the FBI came to spy

0:16:15.520 --> 0:16:15.920
<v Speaker 3>on her.

0:16:16.160 --> 0:16:19.240
<v Speaker 2>Oh my goodness, did she go onto hiding. Nope.

0:16:19.680 --> 0:16:21.920
<v Speaker 3>She left the picket lines, but spent the rest of

0:16:21.920 --> 0:16:25.280
<v Speaker 3>her life teaching and mentoring other activists. A lot of

0:16:25.280 --> 0:16:28.000
<v Speaker 3>people say that without Emma Tenayuka, there may have been

0:16:28.000 --> 0:16:31.960
<v Speaker 3>no Deloresquerta or Caesar Chavez. Let's check out what she

0:16:32.040 --> 0:16:33.960
<v Speaker 3>said in an interview in her seventies.

0:16:38.480 --> 0:16:41.480
<v Speaker 2>She still has such fire in her eyes.

0:16:41.360 --> 0:16:42.400
<v Speaker 3>And a lot to say.

0:16:42.960 --> 0:16:46.640
<v Speaker 9>What started out as a movement for organizing for equal

0:16:46.760 --> 0:16:52.640
<v Speaker 9>wages turned into a mass movement against starvation, for civil rights,

0:16:52.800 --> 0:16:56.320
<v Speaker 9>for a minimum wage law, and it changed the character

0:16:56.760 --> 0:16:58.320
<v Speaker 9>of West Side San Antonio.

0:16:58.680 --> 0:17:01.560
<v Speaker 3>The goal of her activism It wasn't a certain ideology

0:17:01.840 --> 0:17:05.119
<v Speaker 3>or an abstract concept, but simply food.

0:17:06.040 --> 0:17:09.199
<v Speaker 2>Food, as in food that should be eaten on a

0:17:09.280 --> 0:17:14.679
<v Speaker 2>RESTful lunch break and not gulped on the go exactly. Hmm,

0:17:14.720 --> 0:17:16.800
<v Speaker 2>this gives me a lot to think about. I think

0:17:16.840 --> 0:17:18.960
<v Speaker 2>I might need to make some changes to the way

0:17:19.160 --> 0:17:26.280
<v Speaker 2>I've been working. Let's head back to the bunker. Oh,

0:17:26.320 --> 0:17:29.160
<v Speaker 2>we made him back. Oh hey, all the raccoons are here.

0:17:29.440 --> 0:17:32.160
<v Speaker 2>I can't wait to tell you all about Emma Tenna Yuka.

0:17:35.160 --> 0:17:36.920
<v Speaker 6>Yes, it is time for the song.

0:17:37.200 --> 0:17:42.600
<v Speaker 2>Indeed, let's turn this history into an epic showstopping song

0:17:42.720 --> 0:17:47.480
<v Speaker 2>for the ages, featuring Broadway legend Mandy Gonzalez.

0:18:03.600 --> 0:18:06.239
<v Speaker 6>So here's what you need to know.

0:18:06.720 --> 0:18:10.840
<v Speaker 7>Year's nineteen thirty eight and San Antonio striking for our

0:18:10.960 --> 0:18:14.280
<v Speaker 7>right to get what we're old. Strikes running long, though,

0:18:14.400 --> 0:18:17.119
<v Speaker 7>and the mood is low. Just want to little mo

0:18:17.400 --> 0:18:20.439
<v Speaker 7>but they still say no. Up to twenty thousand strong,

0:18:20.560 --> 0:18:23.360
<v Speaker 7>our numbers grow reason by the men, they will hit

0:18:23.359 --> 0:18:24.600
<v Speaker 7>it stick they mayical.

0:18:24.920 --> 0:18:28.879
<v Speaker 6>This ain't ever happened in the us Pibo. Three months

0:18:28.880 --> 0:18:30.159
<v Speaker 6>with thousand, we've been.

0:18:30.200 --> 0:18:33.000
<v Speaker 7>Off to flow and we don't know how long that.

0:18:33.040 --> 0:18:36.600
<v Speaker 4>The throng can go, like a powder cake that's about

0:18:36.680 --> 0:18:37.119
<v Speaker 4>to blow.

0:18:37.320 --> 0:18:39.879
<v Speaker 6>But thank god we got a leader to control the

0:18:39.960 --> 0:18:43.880
<v Speaker 6>flow management. How that's working long even on the weekends.

0:18:44.000 --> 0:18:46.960
<v Speaker 7>Make your only peanuts yet we even selling peek can't

0:18:47.040 --> 0:18:48.040
<v Speaker 7>need it some hope.

0:18:48.200 --> 0:18:51.680
<v Speaker 6>A young sister the beacon and Emma Tennor, you got.

0:18:51.880 --> 0:18:53.240
<v Speaker 2>Here's what you speaking for?

0:18:56.119 --> 0:18:57.080
<v Speaker 8>They treated how they.

0:18:59.000 --> 0:19:00.560
<v Speaker 6>And the tota simple too.

0:19:02.040 --> 0:19:13.359
<v Speaker 5>For kness, and you reduce for demasuras, dream big holiday.

0:19:14.400 --> 0:19:15.440
<v Speaker 6>Yours a Latina.

0:19:16.680 --> 0:19:20.479
<v Speaker 7>Emma's parents more poor but practical, But in the buzza

0:19:20.600 --> 0:19:21.600
<v Speaker 7>at night with her.

0:19:21.680 --> 0:19:24.000
<v Speaker 2>Bramps, she would listen to the radicals.

0:19:24.200 --> 0:19:27.679
<v Speaker 7>She read words magical, picked up common sense from Thomas.

0:19:27.520 --> 0:19:30.960
<v Speaker 6>Paine, and from Mark she learned of capital first joining.

0:19:30.800 --> 0:19:34.199
<v Speaker 7>To strike at sixteen, she wasn't natural a residents at

0:19:34.240 --> 0:19:36.800
<v Speaker 7>the protest, which made her fight more fanatical.

0:19:37.160 --> 0:19:39.480
<v Speaker 8>Her flight was rational, living.

0:19:39.440 --> 0:19:42.639
<v Speaker 7>Under the fists of capitalists with their backing all she

0:19:42.840 --> 0:19:45.840
<v Speaker 7>joined an org found a lack in the leadership, especially

0:19:45.920 --> 0:19:49.639
<v Speaker 7>bat At reaching the Latina membership after high school.

0:19:49.760 --> 0:19:51.440
<v Speaker 6>She led more and led more.

0:19:51.640 --> 0:19:55.760
<v Speaker 7>Read more manifestos, no emmsn as red, the PA can't strike.

0:19:55.920 --> 0:19:59.800
<v Speaker 7>She runs it at twenty one workers getting four conditions.

0:20:00.080 --> 0:20:02.720
<v Speaker 6>The low front. Emma's on the front line. The crowd

0:20:02.840 --> 0:20:05.040
<v Speaker 6>is at a low hump on the vega phone.

0:20:05.200 --> 0:20:06.560
<v Speaker 2>She is shouting on the door.

0:20:09.760 --> 0:20:13.919
<v Speaker 5>Were they treated how they do? Had a totus simple

0:20:14.040 --> 0:20:27.280
<v Speaker 5>tude for nasson, you produce for strongmus dreamdig halliday.

0:20:28.240 --> 0:20:28.560
<v Speaker 2>Yours.

0:20:31.040 --> 0:20:34.240
<v Speaker 7>We used to get actions of factions, had enough, we

0:20:34.359 --> 0:20:38.040
<v Speaker 7>outper deals. But they still be passing up sick the boar.

0:20:38.200 --> 0:20:41.520
<v Speaker 7>Oh honest, they harassing us. We marching mass, but the

0:20:41.680 --> 0:20:43.320
<v Speaker 7>breast here gassing us.

0:20:43.520 --> 0:20:46.159
<v Speaker 6>So now they're targeting our comrade.

0:20:46.320 --> 0:20:50.360
<v Speaker 7>Emma feature so powerful they are like an antenna raw

0:20:50.520 --> 0:20:53.119
<v Speaker 7>casted wide from the press to the wrong manner.

0:20:53.240 --> 0:20:56.960
<v Speaker 6>This creates in the movement a wrong dilemma. There's a

0:20:57.080 --> 0:20:59.600
<v Speaker 6>rift afraid the public would be nipped if.

0:20:59.520 --> 0:21:01.560
<v Speaker 7>They knew the leader of the strike was get The

0:21:01.680 --> 0:21:05.399
<v Speaker 7>communist just applied to try to make the people stop,

0:21:05.520 --> 0:21:08.000
<v Speaker 7>but consequently Emma lost her stuff.

0:21:08.040 --> 0:21:10.400
<v Speaker 6>She stayed on unofficial to combat.

0:21:10.520 --> 0:21:13.560
<v Speaker 7>The regime won the battle, but at a toll for

0:21:13.840 --> 0:21:17.160
<v Speaker 7>Archie secured rais until the greedy came and stole ardream.

0:21:17.240 --> 0:21:19.720
<v Speaker 6>A few months later, we're replaced with machines.

0:21:20.960 --> 0:21:27.280
<v Speaker 5>Fucking courier before they treated how they do and at

0:21:27.320 --> 0:21:35.960
<v Speaker 5>a simple toua for roast, order organizing you redusor for

0:21:36.200 --> 0:21:42.720
<v Speaker 5>struggle the Mazukas dream big Halliuia yours.

0:21:42.480 --> 0:21:43.800
<v Speaker 6>A montena k.

0:21:45.200 --> 0:21:51.480
<v Speaker 4>I continue to organize for a few boy years. The

0:21:51.720 --> 0:22:00.480
<v Speaker 4>cruiser time from the woodside box. I left, the party left,

0:22:00.560 --> 0:22:06.080
<v Speaker 4>the chimps left, the tears, became a teacher, and this is.

0:22:06.200 --> 0:22:07.159
<v Speaker 8>What I taught.

0:22:10.200 --> 0:22:17.000
<v Speaker 5>Pass sucking courier, bully treated hobby and a totus simple

0:22:17.200 --> 0:22:25.159
<v Speaker 5>una for non. Asked the order organizing you producer for

0:22:25.440 --> 0:22:29.040
<v Speaker 5>stronger than assulaus dream big.

0:22:29.000 --> 0:22:33.400
<v Speaker 6>Hallua yours a montenau.

0:22:34.840 --> 0:22:44.199
<v Speaker 5>Basking bully treated Habyja and a dotis simple junior for none.

0:22:44.240 --> 0:22:45.600
<v Speaker 6>Asked the order.

0:22:46.720 --> 0:22:54.600
<v Speaker 5>Organizing you producer for stronger than massukus dream big Halloluna

0:22:55.920 --> 0:22:57.800
<v Speaker 5>yours a montena uku.

0:23:01.760 --> 0:23:04.240
<v Speaker 6>We'll be right back after a few words for the

0:23:04.359 --> 0:23:04.920
<v Speaker 6>grown ups.

0:23:07.640 --> 0:23:07.880
<v Speaker 8>Whow.

0:23:08.320 --> 0:23:11.200
<v Speaker 2>I could really feel Emma's passion coming through in every

0:23:11.320 --> 0:23:17.119
<v Speaker 2>beat and every note. Great work, raccoons. One other thing,

0:23:17.800 --> 0:23:20.320
<v Speaker 2>I'm sorry I was pushing you all so hard Earlier,

0:23:20.840 --> 0:23:23.480
<v Speaker 2>seeing how hard Emma Tenna Yuka fought for workers to

0:23:23.520 --> 0:23:26.800
<v Speaker 2>be treated fairly made me realize I was taking fair

0:23:26.920 --> 0:23:30.560
<v Speaker 2>working conditions for granted. People fought to earn those rights,

0:23:30.600 --> 0:23:35.280
<v Speaker 2>and I shouldn't be so quick to forget that. Thanks. Hey,

0:23:35.440 --> 0:23:39.520
<v Speaker 2>have you guys ever thought of starting a union? Yeah,

0:23:39.880 --> 0:23:42.879
<v Speaker 2>here's a pamphlet. It's called so You're a Raccoon who

0:23:42.920 --> 0:23:46.560
<v Speaker 2>wants to start a union? I got it from Gabe.

0:23:47.000 --> 0:23:48.600
<v Speaker 6>I know it's pretty specific.

0:23:49.040 --> 0:23:52.040
<v Speaker 2>Leave it to Gabe to find the perfect literature for

0:23:52.200 --> 0:23:57.639
<v Speaker 2>the moment. I feel just the hype man I was

0:23:57.680 --> 0:23:58.040
<v Speaker 2>looking for.

0:23:58.440 --> 0:24:00.840
<v Speaker 8>I don't need to finish that, Senches, I know exactly

0:24:00.920 --> 0:24:03.520
<v Speaker 8>what you want to hear. Don't worry. I've been hyping

0:24:03.800 --> 0:24:06.520
<v Speaker 8>non stop since we had a little talk. I told

0:24:06.560 --> 0:24:09.080
<v Speaker 8>Tina that she made the sikest beat I've ever heard.

0:24:09.359 --> 0:24:11.920
<v Speaker 8>I told some birds outside the bunker that their nest

0:24:12.119 --> 0:24:15.080
<v Speaker 8>was off the hook, and I told robot boys I

0:24:15.160 --> 0:24:18.440
<v Speaker 8>won't stop hyping until it Giga works.

0:24:19.800 --> 0:24:23.800
<v Speaker 2>Who actually, Phil, I was going to ask you to

0:24:23.920 --> 0:24:28.000
<v Speaker 2>take a break. Well, I want to apologize for interrupting

0:24:28.040 --> 0:24:31.000
<v Speaker 2>your nap earlier. Going forward, you can take all the

0:24:31.080 --> 0:24:34.240
<v Speaker 2>naps you need, as long as we are too behind

0:24:34.280 --> 0:24:34.800
<v Speaker 2>the schedule.

0:24:34.920 --> 0:24:38.120
<v Speaker 8>Of course, of course I'll wear this giant alarm clock

0:24:38.200 --> 0:24:39.040
<v Speaker 8>for a reason.

0:24:38.840 --> 0:24:42.200
<v Speaker 2>You know, Oh I'm not wearing clocks. Was just the

0:24:42.280 --> 0:24:43.760
<v Speaker 2>standard hype man uniform.

0:24:44.080 --> 0:24:47.080
<v Speaker 8>It is, but it's because being a hype man requires

0:24:47.240 --> 0:24:51.440
<v Speaker 8>impeccable timing, including getting up from naps right on time.

0:24:52.359 --> 0:24:57.720
<v Speaker 2>Yeah awesome. Oh hey, are you interested in joining a union?

0:24:58.080 --> 0:24:58.840
<v Speaker 2>Here's a pamphlet.

0:24:59.119 --> 0:25:01.080
<v Speaker 3>So you're a hype man man who wants to join

0:25:01.119 --> 0:25:03.639
<v Speaker 3>a union that's made up of mostly raccoons.

0:25:04.040 --> 0:25:06.000
<v Speaker 8>Simony, how did you know?

0:25:06.560 --> 0:25:09.320
<v Speaker 2>Holla? Peruse that at your leisure.

0:25:09.280 --> 0:25:11.920
<v Speaker 8>At my leisure. Shouldn't we ride and grudge?

0:25:12.359 --> 0:25:15.280
<v Speaker 2>Nope, I hereby declare that we have finished our work

0:25:15.320 --> 0:25:17.000
<v Speaker 2>for the day, and so we can spend the rest

0:25:17.040 --> 0:25:18.480
<v Speaker 2>of the day taking care of ourselves.

0:25:18.880 --> 0:25:22.080
<v Speaker 6>In fact, I think today is the perfect day.

0:25:22.880 --> 0:25:25.560
<v Speaker 8>Oh she's pausing, so you know the rest of this

0:25:25.720 --> 0:25:27.480
<v Speaker 8>sentence is gonna be good.

0:25:28.440 --> 0:25:33.560
<v Speaker 2>To open up the bunker pool. Yay, Robie voice, Please

0:25:33.760 --> 0:25:39.879
<v Speaker 2>open the door to the bunker pool activating door, and

0:25:40.000 --> 0:25:42.640
<v Speaker 2>when you're done, take a nice long break and join

0:25:42.720 --> 0:25:45.240
<v Speaker 2>us pool side. You've earned it. Thank you.

0:25:45.880 --> 0:25:48.000
<v Speaker 3>I am overcome with emotion.

0:25:48.800 --> 0:25:51.080
<v Speaker 6>All right, y'all, last one in the pool and.

0:25:53.240 --> 0:25:57.960
<v Speaker 8>Who I play? Marco? Hey? All right, robot voice, you're

0:25:58.080 --> 0:25:59.240
<v Speaker 8>rid Michael?

0:26:00.760 --> 0:26:04.040
<v Speaker 3>Where mycos who?

0:26:05.080 --> 0:26:07.920
<v Speaker 7>It's going to be difficult to win this game without

0:26:07.960 --> 0:26:09.200
<v Speaker 7>a corporeal on.

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<v Speaker 6>How's the water felt quarter is?

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<v Speaker 8>Go come out in and play around on Marco Polo

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<v Speaker 8>with us.

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<v Speaker 2>I will just give me one second to end this episode. Listeners,

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<v Speaker 2>Thanks for joining in today and for going on a

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<v Speaker 2>journey with me to learn about legendary labor activists and

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<v Speaker 2>a tena Yoka, and a huge thanks to today's musical guest,

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<v Speaker 2>Mandy Gonzalez. We'll be back next week with another episode,

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<v Speaker 2>another song, and another hero.

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<v Speaker 6>For now, it's time to get in the pool because

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<v Speaker 6>it's my turn to be Marco.

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<v Speaker 2>Until next time, remember to make history, you gotta make

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<v Speaker 2>some noise.

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<v Speaker 8>Bye.

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<v Speaker 10>Historical Records is produced in partnership with Story Pirate Studios,

0:27:08.440 --> 0:27:13.520
<v Speaker 10>Questlove's two one five Entertainment, John Glickman and iHeart Podcasts.

0:27:14.119 --> 0:27:19.240
<v Speaker 10>Executive produced by Emir Questlove, Thompson, John Glickman, Lee Overtree

0:27:19.480 --> 0:27:24.240
<v Speaker 10>and Benjamin Salga. Executive produced for iHeart Podcasts by Noel Brown,

0:27:24.640 --> 0:27:28.680
<v Speaker 10>Producers for Story Pirate Studios are Isabella Riccio, Sam Bear,

0:27:29.160 --> 0:27:33.520
<v Speaker 10>Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware.

0:27:34.119 --> 0:27:37.520
<v Speaker 10>Producers for two one five are Sean g Brittany Benjamin

0:27:37.680 --> 0:27:41.359
<v Speaker 10>and Sarah Zolman. Hosted by niminy Ware. Our head writer

0:27:41.600 --> 0:27:45.800
<v Speaker 10>is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus.

0:27:46.440 --> 0:27:50.160
<v Speaker 10>Music supervision for two one five by Stroe Elliott. Scoring

0:27:50.280 --> 0:27:53.600
<v Speaker 10>and music supervision for Story Pirate Studios by Eric Gerson.

0:27:54.119 --> 0:27:56.560
<v Speaker 10>Sound designed and mixing by Sam Bear at the Relic

0:27:56.680 --> 0:27:59.840
<v Speaker 10>Room in New York City. Additional recording by Brett Tuban,

0:28:00.400 --> 0:28:04.080
<v Speaker 10>Song mastering by Josh Han. Theme song by Dan Foster

0:28:04.200 --> 0:28:08.000
<v Speaker 10>and Eric Gerson and produced by Eric Erson. Production coordination

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<v Speaker 10>by Isabelle Riccio, Production management by Maggie Lee. The line

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<v Speaker 10>producer for Story Pirate Studios is Glennis Brault. Pr for

0:28:16.000 --> 0:28:20.000
<v Speaker 10>Story Pirate Studios is provided by Naomi Shaw. Episode artwork

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<v Speaker 10>by Camilla Franklin. This episode was written by Alexis Simpson.

0:28:24.240 --> 0:28:26.879
<v Speaker 10>The song Emma Tenna Yuka was written by Dan Foster

0:28:27.080 --> 0:28:31.040
<v Speaker 10>and Eric Gerson and produced by Micah James. Special guest

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<v Speaker 10>Mandy Gonzalez. This episode features performances by Peter McNerney, Kento,

0:28:35.880 --> 0:28:40.560
<v Speaker 10>Marita Lee Overtree, Gabe Pacheco, Rebecca Roblaze, Austin Sanders, and

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<v Speaker 10>Matt Sombrano