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Speaker 1: What's good people with questlove and as you know. In

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Speaker 1: honor of Women's History Month, each Friday, we'll be releasing

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Speaker 1: an episode from my new podcast with the story Pirates

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Speaker 1: Historical Records. It's an explosive fusion of hip hop and history,

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Speaker 1: tailor made for music loving kids and families. In today's episode,

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Speaker 1: Nemine travels to Texas to witness Emma Teneyuka fight for workers' rights,

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Speaker 1: and Broadway star Mandy Gonzalez performs a brand new hip

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Speaker 1: hop track about the pioneering labor activists. This is Historical Records,

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Speaker 1: the show that proves in order to make history, you

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Speaker 1: have to make some noise.

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Speaker 2: Hey, listeners, Niminy here, what's that ringling sound? You ask? Oh? Nothing,

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Speaker 2: Just this awesome scooter I found. Can you believe it

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Speaker 2: was just lying on the floor of the bunker. Perfect

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Speaker 2: timing too, you see. I woke up this morning and

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Speaker 2: realize just how much history there is. There is so

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Speaker 2: much work to do when here at Historical Records are

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Speaker 2: simply not working fast enough. But this scooter will help

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Speaker 2: me get it all done. First, let me put on

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Speaker 2: my helmet. Then let's see just how fast I can go. Hey,

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Speaker 2: robot voice.

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Speaker 3: Roll that voice initiating.

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Speaker 2: Initiating, hurry up, robot voice. I need you to time

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Speaker 2: me while I scoop to the other end of the hall.

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Speaker 2: There's no time to lose, Okay, start the clock in

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Speaker 2: three two one go what.

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Speaker 4: And so?

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Speaker 2: How long was that?

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Speaker 5: Four point three seconds?

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Speaker 3: A new record.

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Speaker 6: I've got a need to speed.

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Speaker 2: Indeed, think of how much work I can get done,

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Speaker 2: all the historical figures I can learn about, all the

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Speaker 2: songs I can write. Oh, this is going to be

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Speaker 2: my most productive episode ever. Listeners, it's time to get

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Speaker 2: this show on the road.

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Speaker 3: Historical Record.

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Speaker 7: You are now listening to Historical.

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Speaker 2: To make history, you got to have struggles to make history.

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Speaker 2: You got to show toys. Cannot be quiet loud as

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Speaker 2: the riot. To make history, you gotta make some noise.

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Speaker 2: Welcome back to Historical Records, where we conduct highly experimental

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Speaker 2: experiments combining history and hip hop. Working at top speed

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Speaker 2: gets me a bit winded.

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Speaker 6: But those are the.

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Speaker 2: Breaks, or I guess these are the breaks anyway. Today's

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Speaker 2: episode is about labor activist Emma tenne Yuka, but.

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Speaker 6: Before we get to her, there's so much work to do.

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Speaker 2: First order of business, check in on Tina and the

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Speaker 2: rest of the raccoons and see how today's beat is

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Speaker 2: coming along. I'll just give a knock here on.

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Speaker 6: The studio door.

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Speaker 2: Hey, Tina, I hope you don't mind that I opened

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Speaker 2: the door, but I couldn't wait for you to open it.

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Speaker 2: Time waiting is time wasted? Anyway, I'm checking in on

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Speaker 2: today's beat.

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Speaker 6: And whoa, what is going on?

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Speaker 2: You're doing yoga?

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Speaker 6: There's no time for yoga. TikTok, Tina. We have to

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Speaker 6: finish this song. Cut out.

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Speaker 2: Well, if you already finished the first half of today's beat,

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Speaker 2: you'd better get started on the second half. Chop chop

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Speaker 2: hop to it.

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Speaker 6: No time to waste.

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Speaker 2: Let me turn off these yoga tunes so you can focus.

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Speaker 2: I said, no time. I'm off to check on Phil

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Speaker 2: the hype Man. We need Phil to be ready with

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Speaker 2: his A plus hype game or we'll fall behind schedule.

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Speaker 2: Off to film office. I can't believe I caught those

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Speaker 2: raccoons slipping. How are we gonna get everything done if

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Speaker 2: we don't do it fast, fast, fast. Hey, maybe I

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Speaker 2: should look into adding a laptop connection to the scooter

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Speaker 2: so I can get even more work done on the go. Oh,

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Speaker 2: look at that I'm already at Feel's office, even though

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Speaker 2: Robot Voice and the raccoons were doing some new age lollygagon.

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Speaker 6: There's no need to worry about Phil.

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Speaker 2: It's basically a human energy drink, so that's absolutely.

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Speaker 6: No way he'll be fast asleep.

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Speaker 8: Part of people say what ye woo oh?

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Speaker 6: He even hipes when he snores.

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Speaker 2: All right, niminy, don't be distracted by how cute Phil

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Speaker 2: is when he's sleep HIPing. Get back to work and

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Speaker 2: wake this man up so we can get to work,

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Speaker 2: I said, Sila, Oh he's still fast asleep, Thank goodness.

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Speaker 2: Phil is a textbook hype man, so he always keeps

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Speaker 2: an airhorn nearby and in three two one, Hello, hey Phil,

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Speaker 2: quick question for you.

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Speaker 8: I bet it's a good world. Lay it on me, Sure.

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Speaker 6: Thing, Phil? What were you doing sleeping?

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Speaker 8: Huh, tough butt fare. I just felt like my batteries

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Speaker 8: be did recharge, And you know, since there wasn't any

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Speaker 8: hype in to do, I thought maybe I'd make like

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Speaker 8: a cat and take a quick nap.

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Speaker 2: Miro, Philip, there is always hyping to do. Coffee deal,

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Speaker 2: seize the day, Rise and.

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Speaker 8: Grind, okay, rise and grind. What am I grinding.

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Speaker 2: I don't know, coffee beans.

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Speaker 6: Maybe here?

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Speaker 2: Take these are.

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Speaker 8: These coffee beans? Yeah, but you don't drink coffee.

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Speaker 2: Philly, my man? Is that what a hype man would say?

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Speaker 8: I mean, yeah, coffee. You know, I'm always on the

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Speaker 8: coffee grind, espresso drip.

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Speaker 2: Wo, that's more like it. Gosh, I'm glad I found

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Speaker 2: this scooter. I'm getting so much done. Now, off to

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Speaker 2: the library to check on Gabe Today's Historian. And look,

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Speaker 2: I'm gonna have a schedule.

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Speaker 6: I'm doing it. I'm working faster and smarter.

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Speaker 2: I'm headed for the library. Good thing I was wearing

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Speaker 2: my helmet.

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Speaker 3: Nimity, I heard a huge crash. Are you okay?

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Speaker 2: I'm fine.

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Speaker 6: Sorry about your books, Gabe.

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Speaker 2: No worries.

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Speaker 3: The books are fine. I'll clean them up after lunch.

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Speaker 6: Lunch.

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Speaker 3: Yeah, this is my lunch break, Today's Panini day. Yum game.

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Speaker 2: There's no time for my historian to take lunch. We

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Speaker 2: have to explore the life of Emma Tenna Yuka, write

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Speaker 2: a song, and now we have to put away these books.

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Speaker 6: We can't fall behind schedule.

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Speaker 8: What schedule?

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Speaker 2: The one that we don't want to fall behind.

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Speaker 3: Niminy, really don't worry about it. You just crashed a scooter.

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Speaker 3: You should sit and take a break. Have some of

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Speaker 3: my panini.

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Speaker 6: I've got extra.

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Speaker 2: Panini more like punin no as in no time. We

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Speaker 2: have to get to today's historical figure. If you're still hungry,

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Speaker 2: I have a great idea for eating on the go,

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Speaker 2: on the go, gulp tube for gulping food on the go.

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Speaker 2: That sounds awful, Bye awful? Do you mean efficient?

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Speaker 8: I do not.

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Speaker 3: Food isn't meant to be gulped on the go. Lunch

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Speaker 3: breaks are good for people, and they're good for workers.

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Speaker 2: They are they are.

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Speaker 3: There's something Emma tana Yuka would have passionately supported too.

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Speaker 3: Did you know she believed in workers' rights so strongly

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Speaker 3: that she went to jail.

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Speaker 2: Really, that's amazing. I need to see that. Where's this

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Speaker 2: week's history simulator?

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Speaker 3: You're standing on it the scooter? Yep, I was wondering

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Speaker 3: where I left it. Let me just flip the simulator

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Speaker 3: switch on.

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Speaker 8: Ready to go?

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Speaker 2: Aren't you forgetting something?

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Speaker 3: All right?

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Speaker 8: My helmet?

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Speaker 6: Now we're ready to go.

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Speaker 3: Welcome to San Antonio, nineteen twenty.

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Speaker 6: Woo, this place is I'm busy.

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Speaker 2: They're singers, speakers, people waving newspapers. Are we in some

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Speaker 2: kind of plaza.

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Speaker 3: We are in the Plaza Plaza del Zacapte, to be exact.

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Speaker 3: It's known today as Millam Park, but in the nineteen

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Speaker 3: twenties it was the place for Mexican Americans to exchange

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Speaker 3: news and ideas. It was where a lot of socialists

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Speaker 3: and anarchists would come and spread their ideas about radical

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Speaker 3: social change.

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Speaker 2: I've heard the phrase getting on your soapbox, but I've

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Speaker 2: never seen anyone actually do it.

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Speaker 6: What do Look at that guy over there with the newspaper.

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Speaker 2: What's he doing?

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Speaker 3: He's reading the latest news from Mexico. There was a

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Speaker 3: recent revolution where people fought against the government. Some people

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Speaker 3: had to flee, and a lot of them ended up

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Speaker 3: here in San Antonio. So they're anxious to hear the

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Speaker 3: latest news about the new government back in Mexico.

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Speaker 6: Hey, I see a little girl. Is that who I

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Speaker 6: think it is?

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Speaker 2: It?

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Speaker 8: Sure is.

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Speaker 3: That's a young Amatanayuka here with her grandfather. He's helping

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Speaker 3: to raise Emma and he's making sure she learns everything,

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Speaker 3: so he brings her here. Mika, go and listen to

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Speaker 3: the different speakers and bring me back some interesting news.

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Speaker 6: Yes, well, look at her run.

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Speaker 2: She's so eager to hear the news.

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Speaker 8: Oh.

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Speaker 3: She soaks up all the energy and political discussion in

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Speaker 3: the plaza like a sponge. The plaza is her school

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Speaker 3: outside of school, where she learns about religion, socialism, labor movements,

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Speaker 3: the injustice of segregation, and the struggle of the poor

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Speaker 3: all over the world.

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Speaker 2: Ooh, here's your gums, and she is ronic. I wonder

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Speaker 2: what she heard, A Wilow.

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Speaker 6: The railroad workers have voted to go on strike.

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Speaker 3: Very good, Mica, very good.

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Speaker 2: She can't be more than one eight. How amazing that

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Speaker 2: she is learning all this stuff at such a young age.

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Speaker 3: She's off to a radical start. Wait until you see

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Speaker 3: her in high school.

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Speaker 6: Now.

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Speaker 3: It's nineteen thirty three, right smack in the middle of

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Speaker 3: the Great Depression. People all over the United States and

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Speaker 3: the rest of the world are having a really hard

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Speaker 3: time making a living and getting enough to eat.

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Speaker 2: I see Emma, she's under that tree reading a book.

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Speaker 3: Emma is always reading books. She's a junior in high school,

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Speaker 3: where she's both a star athlete and a star scholar.

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Speaker 3: Did you know she formed an afterschool reading club.

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Speaker 6: Awesome?

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Speaker 3: I love books, so do I, and so does Emma

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Speaker 3: looks like she's reading The Advancing Proletariats.

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Speaker 8: What is that?

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Speaker 3: It's a booklet published by the Industrial Workers of the World.

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Speaker 3: The IWW, also known as the Wobblies, are an international workers'

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Speaker 3: union that was founded in nineteen oh five. That pamphlet

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Speaker 3: is encouraging workers to unite and use their collective power

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Speaker 3: to fight for better treatment.

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Speaker 2: She's learning about workers' unions at sixteen.

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Speaker 3: Oh yeah, she's learning all kinds of advanced stuff. She

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Speaker 3: reads enthusiastically about the Wobbleys, Thomas Paine, Karl Marx, Tolstoy,

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Speaker 3: Charles A. Beard and Moore. Do you see the size

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Speaker 3: of her book bag?

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Speaker 6: How does she even carry it?

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Speaker 2: Santa could never Hey, who's that boy approaching Emma? Oh?

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Speaker 3: That's one of her classmates. He's a member of one

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Speaker 3: of the school's Latino groups, Ulla Eima gomostas Ola.

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Speaker 8: Hmm.

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Speaker 2: He looks like he wants to ask her something, but

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Speaker 2: he's hesitating.

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Speaker 3: Probably because he already knows the answers.

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Speaker 4: No.

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Speaker 3: He's part of the League of United Latin American Citizens

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Speaker 3: and he wants Emma to join their cause.

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Speaker 2: But why would she say no?

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Speaker 3: Because this group and other groups like it advocate for

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Speaker 3: something called assimilation.

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Speaker 6: What does that mean?

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Speaker 3: They want to gain acceptance in society by acting more

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Speaker 3: like the white people who often treat them unfairly. Emma

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Speaker 3: knows that they want her to join just because she

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Speaker 3: has lighter skin, meaning white people might be more willing

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Speaker 3: to acceps. But she's only interested in a movement that

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Speaker 3: helps all people.

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Speaker 6: Ah, I see.

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Speaker 2: Oh, now she's getting up and packing her book away.

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Speaker 2: Where's she off to?

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Speaker 3: She's on her way to the Fink Cigar Company to

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Speaker 3: join the picket line.

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Speaker 2: What's a picket line?

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Speaker 8: I'll show you.

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Speaker 6: Let's go.

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Speaker 3: We've arrived at the Fink Cigar Company. See that big

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Speaker 3: group of people walking in front of the factory.

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Speaker 2: They're holding signs enchanting strike, Strike.

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Speaker 3: That's a picket line. It's one way that workers fight

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Speaker 3: for better treatment. They refuse to go into the building

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Speaker 3: to work and instead stay outside and protest the low

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Speaker 3: pay and the bad working conditions.

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Speaker 6: And there's Emma.

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Speaker 2: She's holding a sign yup.

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Speaker 3: At the young age of sixteen, Emma is joining the

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Speaker 3: Fink Cigar Company strike.

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Speaker 2: Police whistles, What are the police doing here?

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Speaker 6: Nobody here is in danger?

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Speaker 3: Business owners don't like it, but work go on strike

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Speaker 3: it costs them money, so they often use the police

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Speaker 3: to try to break up the picket lines and force

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Speaker 3: the workers to give up their cause.

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Speaker 8: You're there, you're under arrest.

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Speaker 2: Oh, they're arresting Emma, but she didn't do anything wrong.

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Speaker 3: It'll be okay, and Emma will be okay. In fact,

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Speaker 3: getting crested is what inspires her to go on to

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Speaker 3: make history. Let's go to nineteen thirty eight. Okay, it's

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Speaker 3: January thirty first, nineteen thirty eight, and we're outside of

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Speaker 3: the Delicious Pecan Company.

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Speaker 2: Oooh pecans. That explains the delicious smell. Are we stopping

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Speaker 2: for a snack?

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Speaker 3: No, we're here because this is where Emma Tenayuka made

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Speaker 3: her biggest contribution to the workers' rights movement. Niminy, what

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Speaker 3: do you know about shelling pecans?

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Speaker 6: P conzabt sholls?

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Speaker 3: Not once these workers are through with them. But shelling

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Speaker 3: pecans is hard, dangerous work. These women work seven days

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Speaker 3: a week, all will being exposed respiratory diseases like tuberculosis,

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Speaker 3: and they get paid less than two dollars a week.

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Speaker 2: Oh that is so unfair.

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Speaker 3: Emma thought so too, which is why she took up

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Speaker 3: the cause. Look there she is giving one of her

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Speaker 3: trademark passionate speeches.

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Speaker 7: Workers, we must unite against these unfair conditions.

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Speaker 6: Copita laitana.

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Speaker 2: What are they calling her?

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Speaker 3: La capitana, which means the captain. They've unanimously elected Emma

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Speaker 3: as their leader, and they're about to follow her to

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Speaker 3: the picket line.

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Speaker 2: We can no longer tolerate these terrible working conditions.

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Speaker 6: We are on strike stright, there are so many of them.

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Speaker 3: Almost twelve thousand workers walked off the job. It's the

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Speaker 3: largest strike in San Antonio history, and it was the

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Speaker 3: first major Mexican American action for civil rights and economic justice.

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Speaker 2: I can't believe if Emma is leading this huge movement,

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Speaker 2: she's only twenty two. Oh no, the police are coming

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Speaker 2: to this strike too. Yep.

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Speaker 3: The mayor of San Antonio sent the police out with

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Speaker 3: tear gas and clubs to break up the picket lines.

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Speaker 3: This is an illegal gathering.

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Speaker 6: You are ordered to disperse immediately, right right, These workers

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Speaker 6: are not backing down, That's right.

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Speaker 3: The Pecan shullers went on strike for a whole three months.

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Speaker 3: Tenna Yuka's passionate speeches brought national attention to the strike

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Speaker 3: and earned her the nickname La facion Naria that Dejas.

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Speaker 3: Historians today regard the strike as the first successful large

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Speaker 3: scale act of Mexican American struggle for civil rights and justice.

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Speaker 6: Amazing.

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Speaker 2: I can't believe someone would care so much about fair

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Speaker 2: working conditions that they risk getting arrested or beaten.

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Speaker 3: Up or something worse. Emma received a lot of threats

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Speaker 3: of violence and death just for striking. Emma was a

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00:16:01,280 --> 00:16:05,360
Speaker 3: member of something called the Communist Party in the nineteen thirties.

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00:16:05,520 --> 00:16:08,600
Speaker 3: People were very afraid of the Communists and believed that

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Speaker 3: they had to stop them at all costs. It made

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Speaker 3: Emma's work very dangerous. Even the FBI came to spy

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Speaker 3: on her.

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Speaker 2: Oh my goodness, did she go onto hiding. Nope.

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00:16:19,680 --> 00:16:21,920
Speaker 3: She left the picket lines, but spent the rest of

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Speaker 3: her life teaching and mentoring other activists. A lot of

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Speaker 3: people say that without Emma Tenayuka, there may have been

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Speaker 3: no Deloresquerta or Caesar Chavez. Let's check out what she

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Speaker 3: said in an interview in her seventies.

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Speaker 2: She still has such fire in her eyes.

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Speaker 3: And a lot to say.

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Speaker 9: What started out as a movement for organizing for equal

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00:16:46,760 --> 00:16:52,640
Speaker 9: wages turned into a mass movement against starvation, for civil rights,

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00:16:52,800 --> 00:16:56,320
Speaker 9: for a minimum wage law, and it changed the character

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Speaker 9: of West Side San Antonio.

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Speaker 3: The goal of her activism It wasn't a certain ideology

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Speaker 3: or an abstract concept, but simply food.

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Speaker 2: Food, as in food that should be eaten on a

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00:17:09,280 --> 00:17:14,679
Speaker 2: RESTful lunch break and not gulped on the go exactly. Hmm,

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Speaker 2: this gives me a lot to think about. I think

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00:17:16,840 --> 00:17:18,960
Speaker 2: I might need to make some changes to the way

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00:17:19,160 --> 00:17:26,280
Speaker 2: I've been working. Let's head back to the bunker. Oh,

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00:17:26,320 --> 00:17:29,160
Speaker 2: we made him back. Oh hey, all the raccoons are here.

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Speaker 2: I can't wait to tell you all about Emma Tenna Yuka.

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00:17:35,160 --> 00:17:36,920
Speaker 6: Yes, it is time for the song.

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00:17:37,200 --> 00:17:42,600
Speaker 2: Indeed, let's turn this history into an epic showstopping song

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Speaker 2: for the ages, featuring Broadway legend Mandy Gonzalez.

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Speaker 6: So here's what you need to know.

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Speaker 7: Year's nineteen thirty eight and San Antonio striking for our

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00:18:10,960 --> 00:18:14,280
Speaker 7: right to get what we're old. Strikes running long, though,

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Speaker 7: and the mood is low. Just want to little mo

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00:18:17,400 --> 00:18:20,439
Speaker 7: but they still say no. Up to twenty thousand strong,

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Speaker 7: our numbers grow reason by the men, they will hit

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Speaker 7: it stick they mayical.

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Speaker 6: This ain't ever happened in the us Pibo. Three months

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Speaker 6: with thousand, we've been.

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Speaker 7: Off to flow and we don't know how long that.

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Speaker 4: The throng can go, like a powder cake that's about

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Speaker 4: to blow.

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Speaker 6: But thank god we got a leader to control the

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Speaker 6: flow management. How that's working long even on the weekends.

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Speaker 7: Make your only peanuts yet we even selling peek can't

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Speaker 7: need it some hope.

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Speaker 6: A young sister the beacon and Emma Tennor, you got.

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Speaker 2: Here's what you speaking for?

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Speaker 8: They treated how they.

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Speaker 6: And the tota simple too.

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00:19:02,040 --> 00:19:13,359
Speaker 5: For kness, and you reduce for demasuras, dream big holiday.

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Speaker 6: Yours a Latina.

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00:19:16,680 --> 00:19:20,479
Speaker 7: Emma's parents more poor but practical, But in the buzza

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Speaker 7: at night with her.

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00:19:21,680 --> 00:19:24,000
Speaker 2: Bramps, she would listen to the radicals.

365
00:19:24,200 --> 00:19:27,679
Speaker 7: She read words magical, picked up common sense from Thomas.

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00:19:27,520 --> 00:19:30,960
Speaker 6: Paine, and from Mark she learned of capital first joining.

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00:19:30,800 --> 00:19:34,199
Speaker 7: To strike at sixteen, she wasn't natural a residents at

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Speaker 7: the protest, which made her fight more fanatical.

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00:19:37,160 --> 00:19:39,480
Speaker 8: Her flight was rational, living.

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00:19:39,440 --> 00:19:42,639
Speaker 7: Under the fists of capitalists with their backing all she

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00:19:42,840 --> 00:19:45,840
Speaker 7: joined an org found a lack in the leadership, especially

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00:19:45,920 --> 00:19:49,639
Speaker 7: bat At reaching the Latina membership after high school.

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Speaker 6: She led more and led more.

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Speaker 7: Read more manifestos, no emmsn as red, the PA can't strike.

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Speaker 7: She runs it at twenty one workers getting four conditions.

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Speaker 6: The low front. Emma's on the front line. The crowd

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00:20:02,840 --> 00:20:05,040
Speaker 6: is at a low hump on the vega phone.

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00:20:05,200 --> 00:20:06,560
Speaker 2: She is shouting on the door.

379
00:20:09,760 --> 00:20:13,919
Speaker 5: Were they treated how they do? Had a totus simple

380
00:20:14,040 --> 00:20:27,280
Speaker 5: tude for nasson, you produce for strongmus dreamdig halliday.

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Speaker 2: Yours.

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00:20:31,040 --> 00:20:34,240
Speaker 7: We used to get actions of factions, had enough, we

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00:20:34,359 --> 00:20:38,040
Speaker 7: outper deals. But they still be passing up sick the boar.

384
00:20:38,200 --> 00:20:41,520
Speaker 7: Oh honest, they harassing us. We marching mass, but the

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00:20:41,680 --> 00:20:43,320
Speaker 7: breast here gassing us.

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Speaker 6: So now they're targeting our comrade.

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Speaker 7: Emma feature so powerful they are like an antenna raw

388
00:20:50,520 --> 00:20:53,119
Speaker 7: casted wide from the press to the wrong manner.

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00:20:53,240 --> 00:20:56,960
Speaker 6: This creates in the movement a wrong dilemma. There's a

390
00:20:57,080 --> 00:20:59,600
Speaker 6: rift afraid the public would be nipped if.

391
00:20:59,520 --> 00:21:01,560
Speaker 7: They knew the leader of the strike was get The

392
00:21:01,680 --> 00:21:05,399
Speaker 7: communist just applied to try to make the people stop,

393
00:21:05,520 --> 00:21:08,000
Speaker 7: but consequently Emma lost her stuff.

394
00:21:08,040 --> 00:21:10,400
Speaker 6: She stayed on unofficial to combat.

395
00:21:10,520 --> 00:21:13,560
Speaker 7: The regime won the battle, but at a toll for

396
00:21:13,840 --> 00:21:17,160
Speaker 7: Archie secured rais until the greedy came and stole ardream.

397
00:21:17,240 --> 00:21:19,720
Speaker 6: A few months later, we're replaced with machines.

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00:21:20,960 --> 00:21:27,280
Speaker 5: Fucking courier before they treated how they do and at

399
00:21:27,320 --> 00:21:35,960
Speaker 5: a simple toua for roast, order organizing you redusor for

400
00:21:36,200 --> 00:21:42,720
Speaker 5: struggle the Mazukas dream big Halliuia yours.

401
00:21:42,480 --> 00:21:43,800
Speaker 6: A montena k.

402
00:21:45,200 --> 00:21:51,480
Speaker 4: I continue to organize for a few boy years. The

403
00:21:51,720 --> 00:22:00,480
Speaker 4: cruiser time from the woodside box. I left, the party left,

404
00:22:00,560 --> 00:22:06,080
Speaker 4: the chimps left, the tears, became a teacher, and this is.

405
00:22:06,200 --> 00:22:07,159
Speaker 8: What I taught.

406
00:22:10,200 --> 00:22:17,000
Speaker 5: Pass sucking courier, bully treated hobby and a totus simple

407
00:22:17,200 --> 00:22:25,159
Speaker 5: una for non. Asked the order organizing you producer for

408
00:22:25,440 --> 00:22:29,040
Speaker 5: stronger than assulaus dream big.

409
00:22:29,000 --> 00:22:33,400
Speaker 6: Hallua yours a montenau.

410
00:22:34,840 --> 00:22:44,199
Speaker 5: Basking bully treated Habyja and a dotis simple junior for none.

411
00:22:44,240 --> 00:22:45,600
Speaker 6: Asked the order.

412
00:22:46,720 --> 00:22:54,600
Speaker 5: Organizing you producer for stronger than massukus dream big Halloluna

413
00:22:55,920 --> 00:22:57,800
Speaker 5: yours a montena uku.

414
00:23:01,760 --> 00:23:04,240
Speaker 6: We'll be right back after a few words for the

415
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Speaker 6: grown ups.

416
00:23:07,640 --> 00:23:07,880
Speaker 8: Whow.

417
00:23:08,320 --> 00:23:11,200
Speaker 2: I could really feel Emma's passion coming through in every

418
00:23:11,320 --> 00:23:17,119
Speaker 2: beat and every note. Great work, raccoons. One other thing,

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00:23:17,800 --> 00:23:20,320
Speaker 2: I'm sorry I was pushing you all so hard Earlier,

420
00:23:20,840 --> 00:23:23,480
Speaker 2: seeing how hard Emma Tenna Yuka fought for workers to

421
00:23:23,520 --> 00:23:26,800
Speaker 2: be treated fairly made me realize I was taking fair

422
00:23:26,920 --> 00:23:30,560
Speaker 2: working conditions for granted. People fought to earn those rights,

423
00:23:30,600 --> 00:23:35,280
Speaker 2: and I shouldn't be so quick to forget that. Thanks. Hey,

424
00:23:35,440 --> 00:23:39,520
Speaker 2: have you guys ever thought of starting a union? Yeah,

425
00:23:39,880 --> 00:23:42,879
Speaker 2: here's a pamphlet. It's called so You're a Raccoon who

426
00:23:42,920 --> 00:23:46,560
Speaker 2: wants to start a union? I got it from Gabe.

427
00:23:47,000 --> 00:23:48,600
Speaker 6: I know it's pretty specific.

428
00:23:49,040 --> 00:23:52,040
Speaker 2: Leave it to Gabe to find the perfect literature for

429
00:23:52,200 --> 00:23:57,639
Speaker 2: the moment. I feel just the hype man I was

430
00:23:57,680 --> 00:23:58,040
Speaker 2: looking for.

431
00:23:58,440 --> 00:24:00,840
Speaker 8: I don't need to finish that, Senches, I know exactly

432
00:24:00,920 --> 00:24:03,520
Speaker 8: what you want to hear. Don't worry. I've been hyping

433
00:24:03,800 --> 00:24:06,520
Speaker 8: non stop since we had a little talk. I told

434
00:24:06,560 --> 00:24:09,080
Speaker 8: Tina that she made the sikest beat I've ever heard.

435
00:24:09,359 --> 00:24:11,920
Speaker 8: I told some birds outside the bunker that their nest

436
00:24:12,119 --> 00:24:15,080
Speaker 8: was off the hook, and I told robot boys I

437
00:24:15,160 --> 00:24:18,440
Speaker 8: won't stop hyping until it Giga works.

438
00:24:19,800 --> 00:24:23,800
Speaker 2: Who actually, Phil, I was going to ask you to

439
00:24:23,920 --> 00:24:28,000
Speaker 2: take a break. Well, I want to apologize for interrupting

440
00:24:28,040 --> 00:24:31,000
Speaker 2: your nap earlier. Going forward, you can take all the

441
00:24:31,080 --> 00:24:34,240
Speaker 2: naps you need, as long as we are too behind

442
00:24:34,280 --> 00:24:34,800
Speaker 2: the schedule.

443
00:24:34,920 --> 00:24:38,120
Speaker 8: Of course, of course I'll wear this giant alarm clock

444
00:24:38,200 --> 00:24:39,040
Speaker 8: for a reason.

445
00:24:38,840 --> 00:24:42,200
Speaker 2: You know, Oh I'm not wearing clocks. Was just the

446
00:24:42,280 --> 00:24:43,760
Speaker 2: standard hype man uniform.

447
00:24:44,080 --> 00:24:47,080
Speaker 8: It is, but it's because being a hype man requires

448
00:24:47,240 --> 00:24:51,440
Speaker 8: impeccable timing, including getting up from naps right on time.

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00:24:52,359 --> 00:24:57,720
Speaker 2: Yeah awesome. Oh hey, are you interested in joining a union?

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00:24:58,080 --> 00:24:58,840
Speaker 2: Here's a pamphlet.

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00:24:59,119 --> 00:25:01,080
Speaker 3: So you're a hype man man who wants to join

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00:25:01,119 --> 00:25:03,639
Speaker 3: a union that's made up of mostly raccoons.

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Speaker 8: Simony, how did you know?

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00:25:06,560 --> 00:25:09,320
Speaker 2: Holla? Peruse that at your leisure.

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00:25:09,280 --> 00:25:11,920
Speaker 8: At my leisure. Shouldn't we ride and grudge?

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00:25:12,359 --> 00:25:15,280
Speaker 2: Nope, I hereby declare that we have finished our work

457
00:25:15,320 --> 00:25:17,000
Speaker 2: for the day, and so we can spend the rest

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00:25:17,040 --> 00:25:18,480
Speaker 2: of the day taking care of ourselves.

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00:25:18,880 --> 00:25:22,080
Speaker 6: In fact, I think today is the perfect day.

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00:25:22,880 --> 00:25:25,560
Speaker 8: Oh she's pausing, so you know the rest of this

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00:25:25,720 --> 00:25:27,480
Speaker 8: sentence is gonna be good.

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00:25:28,440 --> 00:25:33,560
Speaker 2: To open up the bunker pool. Yay, Robie voice, Please

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00:25:33,760 --> 00:25:39,879
Speaker 2: open the door to the bunker pool activating door, and

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00:25:40,000 --> 00:25:42,640
Speaker 2: when you're done, take a nice long break and join

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00:25:42,720 --> 00:25:45,240
Speaker 2: us pool side. You've earned it. Thank you.

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00:25:45,880 --> 00:25:48,000
Speaker 3: I am overcome with emotion.

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00:25:48,800 --> 00:25:51,080
Speaker 6: All right, y'all, last one in the pool and.

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00:25:53,240 --> 00:25:57,960
Speaker 8: Who I play? Marco? Hey? All right, robot voice, you're

469
00:25:58,080 --> 00:25:59,240
Speaker 8: rid Michael?

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00:26:00,760 --> 00:26:04,040
Speaker 3: Where mycos who?

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00:26:05,080 --> 00:26:07,920
Speaker 7: It's going to be difficult to win this game without

472
00:26:07,960 --> 00:26:09,200
Speaker 7: a corporeal on.

473
00:26:10,119 --> 00:26:11,920
Speaker 6: How's the water felt quarter is?

474
00:26:12,040 --> 00:26:14,600
Speaker 8: Go come out in and play around on Marco Polo

475
00:26:14,680 --> 00:26:15,000
Speaker 8: with us.

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00:26:15,240 --> 00:26:19,560
Speaker 2: I will just give me one second to end this episode. Listeners,

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00:26:19,800 --> 00:26:21,800
Speaker 2: Thanks for joining in today and for going on a

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00:26:21,880 --> 00:26:25,280
Speaker 2: journey with me to learn about legendary labor activists and

479
00:26:25,440 --> 00:26:28,960
Speaker 2: a tena Yoka, and a huge thanks to today's musical guest,

480
00:26:29,359 --> 00:26:33,280
Speaker 2: Mandy Gonzalez. We'll be back next week with another episode,

481
00:26:33,440 --> 00:26:35,400
Speaker 2: another song, and another hero.

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00:26:36,040 --> 00:26:38,200
Speaker 6: For now, it's time to get in the pool because

483
00:26:38,200 --> 00:26:39,560
Speaker 6: it's my turn to be Marco.

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00:26:40,320 --> 00:26:44,080
Speaker 2: Until next time, remember to make history, you gotta make

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00:26:44,160 --> 00:26:44,679
Speaker 2: some noise.

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00:26:45,440 --> 00:26:45,760
Speaker 8: Bye.

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00:27:03,960 --> 00:27:08,159
Speaker 10: Historical Records is produced in partnership with Story Pirate Studios,

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00:27:08,440 --> 00:27:13,520
Speaker 10: Questlove's two one five Entertainment, John Glickman and iHeart Podcasts.

489
00:27:14,119 --> 00:27:19,240
Speaker 10: Executive produced by Emir Questlove, Thompson, John Glickman, Lee Overtree

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00:27:19,480 --> 00:27:24,240
Speaker 10: and Benjamin Salga. Executive produced for iHeart Podcasts by Noel Brown,

491
00:27:24,640 --> 00:27:28,680
Speaker 10: Producers for Story Pirate Studios are Isabella Riccio, Sam Bear,

492
00:27:29,160 --> 00:27:33,520
Speaker 10: Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney and niminy Ware.

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00:27:34,119 --> 00:27:37,520
Speaker 10: Producers for two one five are Sean g Brittany Benjamin

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00:27:37,680 --> 00:27:41,359
Speaker 10: and Sarah Zolman. Hosted by niminy Ware. Our head writer

495
00:27:41,600 --> 00:27:45,800
Speaker 10: is Duke Doyle. Our historians are Gabe Pacheco and Lee Polus.

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00:27:46,440 --> 00:27:50,160
Speaker 10: Music supervision for two one five by Stroe Elliott. Scoring

497
00:27:50,280 --> 00:27:53,600
Speaker 10: and music supervision for Story Pirate Studios by Eric Gerson.

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00:27:54,119 --> 00:27:56,560
Speaker 10: Sound designed and mixing by Sam Bear at the Relic

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00:27:56,680 --> 00:27:59,840
Speaker 10: Room in New York City. Additional recording by Brett Tuban,

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00:28:00,400 --> 00:28:04,080
Speaker 10: Song mastering by Josh Han. Theme song by Dan Foster

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00:28:04,200 --> 00:28:08,000
Speaker 10: and Eric Gerson and produced by Eric Erson. Production coordination

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00:28:08,160 --> 00:28:12,320
Speaker 10: by Isabelle Riccio, Production management by Maggie Lee. The line

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00:28:12,359 --> 00:28:15,879
Speaker 10: producer for Story Pirate Studios is Glennis Brault. Pr for

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00:28:16,000 --> 00:28:20,000
Speaker 10: Story Pirate Studios is provided by Naomi Shaw. Episode artwork

505
00:28:20,040 --> 00:28:24,000
Speaker 10: by Camilla Franklin. This episode was written by Alexis Simpson.

506
00:28:24,240 --> 00:28:26,879
Speaker 10: The song Emma Tenna Yuka was written by Dan Foster

507
00:28:27,080 --> 00:28:31,040
Speaker 10: and Eric Gerson and produced by Micah James. Special guest

508
00:28:31,200 --> 00:28:35,760
Speaker 10: Mandy Gonzalez. This episode features performances by Peter McNerney, Kento,

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00:28:35,880 --> 00:28:40,560
Speaker 10: Marita Lee Overtree, Gabe Pacheco, Rebecca Roblaze, Austin Sanders, and

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00:28:40,760 --> 00:28:41,520
Speaker 10: Matt Sombrano