1 00:00:04,040 --> 00:00:08,039 Speaker 1: Hi, guys, Nancy Grace here, Welcome back to Killers amongst Us, 2 00:00:08,200 --> 00:00:12,840 Speaker 1: a production of iHeartMedia and Crime Online. The disappearance of 3 00:00:12,840 --> 00:00:17,840 Speaker 1: a beautiful young barista, Samantha Koneg joining us to help 4 00:00:17,920 --> 00:00:22,640 Speaker 1: crack the case. Investigative reporter Casey Grow from Alaska and 5 00:00:23,400 --> 00:00:28,160 Speaker 1: FBI special agent Bobby Chicone who's actually in on the 6 00:00:28,200 --> 00:00:32,879 Speaker 1: FBI investigation to analyze the clues left behind. Cheryl McCullum, 7 00:00:33,200 --> 00:00:37,199 Speaker 1: director of the Cold Case Research Institute, and doctor Bethany Marshall, 8 00:00:37,479 --> 00:00:42,000 Speaker 1: renowned La psychoanalysts. As you know by now, we learned 9 00:00:42,040 --> 00:00:46,240 Speaker 1: Samantha's kidnap was caught on camera and the critical role 10 00:00:46,320 --> 00:00:50,360 Speaker 1: that surveillance tape played in the ongoing investigation. In sub 11 00:00:50,479 --> 00:00:54,040 Speaker 1: zero temperatures, we take a look at all the suspects 12 00:00:54,040 --> 00:00:56,800 Speaker 1: of the red herring is emerging in the hours and 13 00:00:56,920 --> 00:01:02,480 Speaker 1: days after she goes missing, and then when it seems 14 00:01:02,520 --> 00:01:07,319 Speaker 1: as if police and detectives were hitting a wall, a 15 00:01:07,480 --> 00:01:12,200 Speaker 1: ransom note emerges. Investigators on the hunt for Samantha and 16 00:01:12,400 --> 00:01:15,160 Speaker 1: her abductor. You can see the individual jumping in through 17 00:01:15,160 --> 00:01:17,600 Speaker 1: the window. You can tell she's sort of going along 18 00:01:17,640 --> 00:01:19,679 Speaker 1: with them because he thinks that he's going to rob 19 00:01:19,760 --> 00:01:22,200 Speaker 1: the place. It just didn't come across to her that 20 00:01:22,319 --> 00:01:25,640 Speaker 1: she was in danger until he starts locking her out 21 00:01:25,680 --> 00:01:36,560 Speaker 1: of Nancy Grace killers amongst us. Across the city of Anchorage, 22 00:01:36,600 --> 00:01:39,840 Speaker 1: police and volunteers are braving subfreezing temperatures in an all 23 00:01:39,880 --> 00:01:43,000 Speaker 1: out search for eighteen year old Samantha Konick. The longer 24 00:01:43,040 --> 00:01:47,080 Speaker 1: we go without knowing where Samantha is, the more difficult 25 00:01:47,120 --> 00:01:50,360 Speaker 1: the case becomes. Police know nothing about her whereabouts, but 26 00:01:50,400 --> 00:01:53,360 Speaker 1: they have one terrifying clue. She was last seen on 27 00:01:53,400 --> 00:01:56,720 Speaker 1: her surveillance camera being marched away from work by an 28 00:01:56,840 --> 00:01:59,680 Speaker 1: armed man. They left on foot. We know that much 29 00:02:00,080 --> 00:02:03,840 Speaker 1: beyond that, her disappearance became a complete mystery at that point. 30 00:02:04,080 --> 00:02:06,520 Speaker 1: It happened here at this drive up coffee stand where 31 00:02:06,520 --> 00:02:10,080 Speaker 1: Samantha worked. When her boyfriend arrived Wednesday night, she was gone. 32 00:02:10,200 --> 00:02:12,000 Speaker 1: When I got off work, I wanted to go get him, 33 00:02:12,200 --> 00:02:15,080 Speaker 1: get her, and she wasn't there was It was a mess. 34 00:02:15,280 --> 00:02:19,040 Speaker 1: Her father's been frantically searching for her ever since. Investigators 35 00:02:19,040 --> 00:02:21,640 Speaker 1: are not yet releasing the surveillance tape, they will only 36 00:02:21,680 --> 00:02:24,480 Speaker 1: say the abductor was wearing a dark hooded sweatshirt and 37 00:02:24,639 --> 00:02:28,640 Speaker 1: possibly a baseball cap hampering the investigation. This is Alaska 38 00:02:28,680 --> 00:02:30,960 Speaker 1: in the dead middle of winter. The snow piled up 39 00:02:31,000 --> 00:02:34,160 Speaker 1: blocked motorists from seeing the coffee shop from the road. 40 00:02:34,360 --> 00:02:37,080 Speaker 1: An interesting footnote here, the missing eighteen year old filed 41 00:02:37,080 --> 00:02:39,720 Speaker 1: a restraining order against a man in November, but never 42 00:02:39,760 --> 00:02:42,160 Speaker 1: followed through with core proceedings. At least up there maybe 43 00:02:42,160 --> 00:02:44,639 Speaker 1: more surveillance videos from maybe other businesses in the area 44 00:02:44,720 --> 00:02:46,720 Speaker 1: that might lead to some extra clues. In a very 45 00:02:46,800 --> 00:02:51,520 Speaker 1: extra harsh Alaska winter, what happened to Samantha Koenig? Her 46 00:02:51,680 --> 00:02:57,440 Speaker 1: father who doated on his young daughter is beside himself 47 00:02:57,480 --> 00:03:03,320 Speaker 1: as the community pulls together, look king for Samantha. Cheryl McCollum, 48 00:03:03,360 --> 00:03:06,600 Speaker 1: director of the Coal Case Research Institute, How many times 49 00:03:06,639 --> 00:03:09,640 Speaker 1: did I argue to a jury? What do you want 50 00:03:09,840 --> 00:03:12,880 Speaker 1: a video of the crime? I don't have a video. 51 00:03:13,120 --> 00:03:15,760 Speaker 1: You have to put two and two together and come 52 00:03:15,840 --> 00:03:19,959 Speaker 1: up with four. But in this case, we have a video, 53 00:03:20,160 --> 00:03:23,680 Speaker 1: but it's telling me nothing. Cheryl. It's a money tree. 54 00:03:23,720 --> 00:03:26,119 Speaker 1: We don't ever get video, and if we do, it's 55 00:03:26,200 --> 00:03:29,920 Speaker 1: grainy or it's just outside the parameter of what you 56 00:03:29,919 --> 00:03:33,680 Speaker 1: can really see. It doesn't give you much here, not 57 00:03:33,800 --> 00:03:37,680 Speaker 1: only do we have video. It's from the inside, and Nancy, 58 00:03:37,720 --> 00:03:39,440 Speaker 1: you can tell us an awful on. Let me go 59 00:03:39,520 --> 00:03:44,320 Speaker 1: to doctor Bethany Marshall, renowned California psycho analystic, joining me 60 00:03:44,360 --> 00:03:49,800 Speaker 1: today along with reporter from Alaska Public Media Casey Grove, 61 00:03:50,000 --> 00:03:54,040 Speaker 1: John Lemley, Crime Online dot Com investigative reporter and special 62 00:03:54,080 --> 00:03:59,080 Speaker 1: guest FBI special Agent Bobby Chicon at Bobby Chicone dot com. Dodger. 63 00:03:59,160 --> 00:04:02,120 Speaker 1: Bethany One really stuck out in my mind when the 64 00:04:02,120 --> 00:04:09,000 Speaker 1: reporter said she marched. Now, that tells me that this 65 00:04:09,080 --> 00:04:14,720 Speaker 1: is someone she fears. This is someone that she's not 66 00:04:14,840 --> 00:04:18,280 Speaker 1: struggling because she knows he's not going to shoot her 67 00:04:18,320 --> 00:04:22,640 Speaker 1: with that gun. She says, the gun, she sees the 68 00:04:22,760 --> 00:04:28,000 Speaker 1: disguise and she marches. What eighteen year old does that? 69 00:04:28,240 --> 00:04:30,159 Speaker 1: I mean, because all they know at this point in 70 00:04:30,200 --> 00:04:34,000 Speaker 1: their life is friendship and fun and family. I can 71 00:04:34,040 --> 00:04:38,839 Speaker 1: see that she is absolutely terrified. I can only imagine 72 00:04:38,920 --> 00:04:42,560 Speaker 1: what is going through her mind. And I wonder if 73 00:04:42,600 --> 00:04:45,760 Speaker 1: she has been told that if she struggles, she'll die, 74 00:04:46,400 --> 00:04:50,400 Speaker 1: and so she is in some dissociated state of shock 75 00:04:50,800 --> 00:04:54,240 Speaker 1: where she's complying with the perpetrator, trying to think as 76 00:04:54,279 --> 00:04:57,480 Speaker 1: fast as she can, but just doing whatever he asks 77 00:04:57,480 --> 00:05:00,320 Speaker 1: her to do. But what more can we learn from 78 00:05:00,320 --> 00:05:03,760 Speaker 1: the video? What sex can we glean? Listen? As daybreak 79 00:05:03,839 --> 00:05:07,279 Speaker 1: so for Anchorage, Samantha's dad calls the local police to 80 00:05:07,360 --> 00:05:11,120 Speaker 1: report his only daughter missing. One of our officers contacted 81 00:05:11,200 --> 00:05:14,400 Speaker 1: the owner of common Grounds Coffee shot and she was 82 00:05:14,440 --> 00:05:18,520 Speaker 1: able to show them video. A man came to the 83 00:05:18,600 --> 00:05:22,919 Speaker 1: little kiosk window at eight o'clock. Samantha made a coffee 84 00:05:22,960 --> 00:05:26,280 Speaker 1: drink for him, turned back around, and then you can 85 00:05:26,279 --> 00:05:29,800 Speaker 1: tell she's shocked. You see her body language change. She 86 00:05:29,920 --> 00:05:32,200 Speaker 1: goes from someone who's just serving someone a coffee to 87 00:05:32,279 --> 00:05:35,599 Speaker 1: being very nervous and very concerned. Samantha turns out the 88 00:05:35,680 --> 00:05:38,440 Speaker 1: lights and you can see the individual jumping in through 89 00:05:38,440 --> 00:05:40,840 Speaker 1: the window. You can tell she's sort of going along 90 00:05:40,920 --> 00:05:42,920 Speaker 1: with them because he thinks that he's going to rob 91 00:05:43,040 --> 00:05:45,440 Speaker 1: the place. It just didn't come across to her that 92 00:05:45,600 --> 00:05:48,920 Speaker 1: she was in danger until he starts walking her out 93 00:05:48,920 --> 00:05:51,560 Speaker 1: of the Samantha the individual leave the coffee stand and 94 00:05:51,560 --> 00:05:53,359 Speaker 1: then disappear from the line of sight from the camera. 95 00:05:53,560 --> 00:05:56,800 Speaker 1: The next day, her dad was raising hell about this, 96 00:05:56,960 --> 00:05:59,120 Speaker 1: trying to figure out where his daughter went. Used this 97 00:05:59,279 --> 00:06:02,000 Speaker 1: area as a meeting place because this is where my 98 00:06:02,080 --> 00:06:05,080 Speaker 1: daughter was taken from. People were just literally like, whose 99 00:06:05,080 --> 00:06:06,920 Speaker 1: basement is she in? Whose door do we have to 100 00:06:06,960 --> 00:06:09,880 Speaker 1: go knock down to find her? There wasn't any narrative 101 00:06:09,920 --> 00:06:14,400 Speaker 1: for people to understand what happened. Very upsetting. We knew 102 00:06:14,400 --> 00:06:16,680 Speaker 1: she had to be here somewhere. We had people who 103 00:06:16,680 --> 00:06:20,599 Speaker 1: were donating money, thousands of dollars. We had t shirts made, 104 00:06:20,680 --> 00:06:24,320 Speaker 1: pens made, We had people who were putting flyers throughout 105 00:06:24,360 --> 00:06:26,839 Speaker 1: the state of Alaska. These people need to give my 106 00:06:26,920 --> 00:06:29,160 Speaker 1: daughter back so we can get back with our lives. 107 00:06:29,520 --> 00:06:33,080 Speaker 1: I will do anything. Take me from our friends at Oxygen. 108 00:06:33,240 --> 00:06:36,640 Speaker 1: Method of a Serial Killer out to John Liley, Crime 109 00:06:36,720 --> 00:06:40,279 Speaker 1: online dot Com investigative reporter. What do we learn from 110 00:06:40,279 --> 00:06:43,799 Speaker 1: the video? Well, in the video, Nancy, you can see 111 00:06:43,839 --> 00:06:48,520 Speaker 1: that someone approaches from a distance, A dark figure approaches 112 00:06:48,600 --> 00:06:52,400 Speaker 1: that little kiosk, that little coffee shop. It's around eight 113 00:06:52,440 --> 00:06:57,920 Speaker 1: pm the timestamp. Samantha makes him a coffee drink, which 114 00:06:57,960 --> 00:07:01,200 Speaker 1: is very normal. She turns back around and it's at 115 00:07:01,200 --> 00:07:05,240 Speaker 1: this point you can tell that she is really surprised 116 00:07:05,240 --> 00:07:09,520 Speaker 1: by something. Her body language stiffens. She goes from a 117 00:07:09,600 --> 00:07:14,640 Speaker 1: barista to someone who is obviously very nervous and concerned. 118 00:07:14,720 --> 00:07:18,560 Speaker 1: She backs up, She even puts her hands up. Then 119 00:07:18,640 --> 00:07:22,240 Speaker 1: she very quickly goes across the room and turns out 120 00:07:22,280 --> 00:07:25,280 Speaker 1: all the lights. And it's at this point you can 121 00:07:25,320 --> 00:07:29,000 Speaker 1: see a dark figure comes in through that little window. 122 00:07:29,760 --> 00:07:32,480 Speaker 1: You can tell that she seems to be going along 123 00:07:32,800 --> 00:07:35,920 Speaker 1: with what the person is asking her to do. She's 124 00:07:36,080 --> 00:07:38,600 Speaker 1: most likely just trying to do whatever is necessary to 125 00:07:38,640 --> 00:07:43,520 Speaker 1: get through this. However, she most likely became really frightened 126 00:07:43,760 --> 00:07:46,960 Speaker 1: when he begins walking her out of that little shop. 127 00:07:47,320 --> 00:07:50,840 Speaker 1: Samantha and the individual leave the coffee shop, and then 128 00:07:51,360 --> 00:07:53,559 Speaker 1: the last thing you see is the two of them 129 00:07:53,720 --> 00:07:57,440 Speaker 1: disappearing out of the line of sight of that surveillance camera. 130 00:07:57,640 --> 00:08:01,720 Speaker 1: Cheryl mccolluman, director of the Coal Case Research Institute. Something 131 00:08:01,840 --> 00:08:04,800 Speaker 1: is just sticking in my mind, and that's that half 132 00:08:05,040 --> 00:08:09,560 Speaker 1: made Americano coffee. I don't know why that's sticking in 133 00:08:09,600 --> 00:08:14,000 Speaker 1: my mind. Something about it is poignant. But what am 134 00:08:14,000 --> 00:08:18,080 Speaker 1: I learning? I'm learning that he comes up and he 135 00:08:18,680 --> 00:08:22,040 Speaker 1: asked for a coffee. She's making that, but didn't she 136 00:08:22,160 --> 00:08:25,560 Speaker 1: notice anything was wrong when he was hiding himself in 137 00:08:25,560 --> 00:08:29,720 Speaker 1: that manner? I mean, what led her to go along? 138 00:08:29,800 --> 00:08:32,320 Speaker 1: With it to a certain point. What's your analysis of 139 00:08:32,320 --> 00:08:34,800 Speaker 1: what you see in the video, Cheryl McCallum. The first 140 00:08:34,840 --> 00:08:38,040 Speaker 1: thing that strikes me is he walks up. He doesn't 141 00:08:38,120 --> 00:08:42,640 Speaker 1: drive up. Second thing, she does not greet him. So 142 00:08:42,720 --> 00:08:46,280 Speaker 1: if this was somebody she sees every Wednesday, she would smile, 143 00:08:46,400 --> 00:08:49,960 Speaker 1: she would acknowledge that she recognizes this person. She doesn't 144 00:08:50,000 --> 00:08:53,480 Speaker 1: do that. He hands her a cup. That's the third thing. 145 00:08:54,120 --> 00:08:57,880 Speaker 1: So he takes something with him to get her to 146 00:08:57,920 --> 00:09:01,280 Speaker 1: do something. Wrote she takes the offe, she immediately turns 147 00:09:01,280 --> 00:09:05,360 Speaker 1: her back to start making the cup. I think that's 148 00:09:05,400 --> 00:09:09,520 Speaker 1: when his action plan is put into place. When she 149 00:09:09,679 --> 00:09:12,959 Speaker 1: turns around, he's got a weapon and at that moment 150 00:09:13,440 --> 00:09:16,200 Speaker 1: he's telling her shut the light out, because Zancy, there's 151 00:09:16,240 --> 00:09:18,880 Speaker 1: no way an eighteen year old frightened is going to 152 00:09:18,880 --> 00:09:23,479 Speaker 1: cut the light out. She does that to hide his features. 153 00:09:24,160 --> 00:09:27,720 Speaker 1: So he has planned this thing pretty smoothly so far, 154 00:09:28,200 --> 00:09:31,920 Speaker 1: Doctor Bethany Marshall. In a case like this, with a 155 00:09:31,960 --> 00:09:34,760 Speaker 1: girl's life on the line, you have to look at 156 00:09:34,800 --> 00:09:41,800 Speaker 1: every suspect, including boyfriends, past boyfriend's, current stalkers. People that 157 00:09:42,280 --> 00:09:44,719 Speaker 1: come into the come to the coffee shop on a 158 00:09:44,800 --> 00:09:48,120 Speaker 1: regular basis, but you can't get away from the fact 159 00:09:48,200 --> 00:09:52,200 Speaker 1: that this is a goal mine of evidence. This video, 160 00:09:52,679 --> 00:09:57,160 Speaker 1: Samantha disappears into the night and all we have is 161 00:09:57,240 --> 00:10:02,280 Speaker 1: this grainy image of her being marched out late at night. 162 00:10:02,720 --> 00:10:06,120 Speaker 1: What do you see, Well, I see what Cheryl McCollum 163 00:10:06,200 --> 00:10:09,840 Speaker 1: sees in that she greets him normally, as if he 164 00:10:09,920 --> 00:10:13,240 Speaker 1: were any other customer. She acts like an eighteen year 165 00:10:13,240 --> 00:10:16,320 Speaker 1: old wood She calmly goes about her job. She starts 166 00:10:16,360 --> 00:10:19,760 Speaker 1: making a coffee. This tells me that she does not 167 00:10:20,000 --> 00:10:24,040 Speaker 1: know him. You know, most homicides are intimate homicides, right, 168 00:10:24,360 --> 00:10:29,119 Speaker 1: We know that an abductions are intimate abductions. Strange abductions 169 00:10:29,160 --> 00:10:32,000 Speaker 1: are really rare. But when you watch this surveillance tape, 170 00:10:32,559 --> 00:10:35,240 Speaker 1: she did not know this guy, Nancy. And again, she's 171 00:10:35,320 --> 00:10:38,720 Speaker 1: eighteen years old, she's young, she's naive. There is a 172 00:10:38,760 --> 00:10:42,240 Speaker 1: moment of shock when she throws up her hands, she 173 00:10:42,440 --> 00:10:46,439 Speaker 1: backs up against the counter, and you can see that 174 00:10:46,520 --> 00:10:50,400 Speaker 1: she is disoriented and she has no idea what's going on. 175 00:10:50,880 --> 00:10:53,560 Speaker 1: And it brings to mind at the definition of trauma 176 00:10:53,720 --> 00:10:56,520 Speaker 1: in my field, trauma is when there is a sudden, 177 00:10:57,080 --> 00:11:02,920 Speaker 1: unexpected event, for there is no prior learning so something 178 00:11:03,240 --> 00:11:06,920 Speaker 1: happens to a person and they have absolutely no idea 179 00:11:07,000 --> 00:11:09,200 Speaker 1: what to do. She has no idea what to do 180 00:11:09,320 --> 00:11:12,560 Speaker 1: other than to try to protect, defend, and get as 181 00:11:12,600 --> 00:11:21,640 Speaker 1: far away from the sky as possible with me right now, 182 00:11:22,000 --> 00:11:25,160 Speaker 1: FBI special Agent Bobby to come. Bobby, just looking at 183 00:11:25,160 --> 00:11:28,360 Speaker 1: the video, which is extremely rare when someone just disappears. 184 00:11:29,040 --> 00:11:32,760 Speaker 1: It must be breaking the father's heart to look at 185 00:11:32,760 --> 00:11:38,080 Speaker 1: this video and see the images of his daughter, possibly 186 00:11:38,320 --> 00:11:42,319 Speaker 1: the very last images of his daughter in life. Absolutely, 187 00:11:42,360 --> 00:11:44,320 Speaker 1: I mean, obviously that's what's probably going to his head. 188 00:11:44,360 --> 00:11:47,240 Speaker 1: At this point, She's gone, who is this person at 189 00:11:47,240 --> 00:11:50,240 Speaker 1: this window that's causing his daughter so much fear and 190 00:11:50,360 --> 00:11:53,520 Speaker 1: so much apprehension that she immediately puts her hands up 191 00:11:53,520 --> 00:11:57,240 Speaker 1: and steps back, steps back away from the window. Tells 192 00:11:57,280 --> 00:12:00,200 Speaker 1: me as an investigator that he probably was brandish a 193 00:12:00,200 --> 00:12:03,600 Speaker 1: weapon of some kind, because to instill that kind of 194 00:12:03,640 --> 00:12:06,480 Speaker 1: fear so quickly and to garner that kind of reaction 195 00:12:06,520 --> 00:12:09,600 Speaker 1: so quickly, I mean she saw something physically that made 196 00:12:09,600 --> 00:12:14,880 Speaker 1: her step back. Just a verbal threat from somebody through 197 00:12:14,920 --> 00:12:16,839 Speaker 1: a small window like that would not cause that. It 198 00:12:16,840 --> 00:12:19,240 Speaker 1: would tell me that he was probabishly branding a weapon. 199 00:12:19,280 --> 00:12:22,240 Speaker 1: She saw the weapon and she immediately stepped back and 200 00:12:22,280 --> 00:12:25,000 Speaker 1: put her hands up. And so as a father looking 201 00:12:25,000 --> 00:12:28,280 Speaker 1: at that, you know there can't be any more concerned 202 00:12:28,320 --> 00:12:30,320 Speaker 1: that would make you cause it. I mean, you would 203 00:12:30,360 --> 00:12:32,560 Speaker 1: look at this and say, my daughter's in danger. When 204 00:12:32,600 --> 00:12:36,960 Speaker 1: you get a video like this, train professionals come over 205 00:12:37,160 --> 00:12:39,920 Speaker 1: every detail. What more do we learn? Just a few 206 00:12:40,000 --> 00:12:43,199 Speaker 1: days into the search, police discover a promising lead new 207 00:12:43,240 --> 00:12:46,679 Speaker 1: surveillance footage captured by a neighboring business from the night 208 00:12:46,720 --> 00:12:50,040 Speaker 1: of Samantha's abduction. We're able to determine that Samantha walked 209 00:12:50,080 --> 00:12:52,760 Speaker 1: to a white pickup truck and then the truck drives away. 210 00:12:52,960 --> 00:12:56,199 Speaker 1: They could estimate about the year that it was built. 211 00:12:56,240 --> 00:12:58,280 Speaker 1: It was like a ninety nine through two thousand and 212 00:12:58,280 --> 00:13:01,640 Speaker 1: seven Chevrolet pickup truck. So at that point it's a 213 00:13:01,679 --> 00:13:04,320 Speaker 1: matter of trying to track found how many of those 214 00:13:04,440 --> 00:13:07,720 Speaker 1: vehicles are in the Anchorage Bowl and there were several 215 00:13:07,720 --> 00:13:11,000 Speaker 1: thousand of them that from our friends at auction method 216 00:13:11,040 --> 00:13:14,679 Speaker 1: of a serial killer. So now we're learning that video 217 00:13:14,760 --> 00:13:20,559 Speaker 1: surveillance in the area is picking up more data, more evidence. 218 00:13:20,600 --> 00:13:23,520 Speaker 1: How does that work? Cheryl McCullum Nancy, They're gonna look 219 00:13:23,640 --> 00:13:28,080 Speaker 1: for tire tracks, foot prints in the snow. Then again 220 00:13:28,280 --> 00:13:32,640 Speaker 1: the looking for that particular vehicle where there's a thousand 221 00:13:32,720 --> 00:13:37,800 Speaker 1: other in the general vicinity. You're talked about a painstaking 222 00:13:38,400 --> 00:13:40,520 Speaker 1: You know, he's got a work budo, We'll how does 223 00:13:40,559 --> 00:13:43,120 Speaker 1: everybody else in Alaska? He's got a white truck? Well, 224 00:13:43,120 --> 00:13:45,840 Speaker 1: how does everybody else in Alaska? So this is the 225 00:13:45,920 --> 00:13:48,840 Speaker 1: kind of thing they've got to weed out the evidence 226 00:13:48,840 --> 00:13:52,880 Speaker 1: that they do have. But you know, this guy has 227 00:13:52,880 --> 00:13:57,640 Speaker 1: obviously put some thought into what I'm gonna wear, what 228 00:13:57,679 --> 00:13:59,520 Speaker 1: I'm gonna drive them? I gonna walk up? Am I 229 00:13:59,520 --> 00:14:03,640 Speaker 1: gonna drive up? So law enforcement had to go through 230 00:14:03,679 --> 00:14:09,160 Speaker 1: an eliminated, quite frankly obvious elements that just put them 231 00:14:09,160 --> 00:14:11,600 Speaker 1: behind the eight ball looking for who this person is. 232 00:14:11,720 --> 00:14:14,640 Speaker 1: Back to John Limley, Crime online dot Com investigative reporter 233 00:14:14,720 --> 00:14:17,920 Speaker 1: John Limley again in a nutshell, What was he wearing? 234 00:14:17,920 --> 00:14:21,160 Speaker 1: What was his disguise? He is wearing a ski mask 235 00:14:21,400 --> 00:14:24,360 Speaker 1: and is in all black. I guess the fact Bobby 236 00:14:24,480 --> 00:14:29,040 Speaker 1: Chican FBI that he was wearing a ski mask. In 237 00:14:29,080 --> 00:14:33,840 Speaker 1: most places that would send up a red flag of alarm. 238 00:14:33,960 --> 00:14:38,680 Speaker 1: But in Alaska at night, when you're surrounded by you know, 239 00:14:38,880 --> 00:14:44,400 Speaker 1: twelve fifteen foot snowdrifts. I guess somebody wearing a ski 240 00:14:44,440 --> 00:14:48,120 Speaker 1: mask may not have disturbed her, that's right. And you 241 00:14:48,160 --> 00:14:50,640 Speaker 1: don't see a disturbance in her initially in the first 242 00:14:50,640 --> 00:14:53,200 Speaker 1: few minutes, so a person wearing a ski mask coming 243 00:14:53,240 --> 00:14:56,280 Speaker 1: up to the kiosk was probably not uncommon, and so 244 00:14:56,320 --> 00:15:00,000 Speaker 1: she doesn't react to his initial appearance. How he looked 245 00:15:00,640 --> 00:15:03,560 Speaker 1: wearing a hood and wearing a mask in that weather 246 00:15:03,680 --> 00:15:06,960 Speaker 1: is probably totally appropriate. It's only a few minutes into 247 00:15:07,080 --> 00:15:10,360 Speaker 1: the video that you see a dramatic change in her posture, 248 00:15:10,480 --> 00:15:12,800 Speaker 1: and that would lead me to believe it. At that 249 00:15:13,000 --> 00:15:16,320 Speaker 1: point he brandished a weapon through that small window. And oh, 250 00:15:16,480 --> 00:15:20,800 Speaker 1: during this her dad going bizarre, out of his mind, 251 00:15:21,680 --> 00:15:24,840 Speaker 1: out of fear. I want to ask for her captors, 252 00:15:24,840 --> 00:15:28,360 Speaker 1: if they would please send my daughter home. I will 253 00:15:28,400 --> 00:15:32,240 Speaker 1: give you anything in this world. Call me anonymously, if 254 00:15:32,280 --> 00:15:34,400 Speaker 1: you don't have to go through the police, I will 255 00:15:34,400 --> 00:15:37,000 Speaker 1: meet you. I will give you whatever you want. Just 256 00:15:37,200 --> 00:15:40,640 Speaker 1: please bring my daughter back. I just need her home. 257 00:15:40,720 --> 00:15:44,760 Speaker 1: Every day she's gone, we're the odds are against us, 258 00:15:45,440 --> 00:15:47,640 Speaker 1: and I need the whole community to come together and 259 00:15:47,680 --> 00:15:51,360 Speaker 1: find my daughter. Go door to door every neighborhood and 260 00:15:51,600 --> 00:15:54,760 Speaker 1: anything suspicious, no matter how small you think it is, 261 00:15:55,600 --> 00:15:59,040 Speaker 1: call the police, call me. I will investigate it. Just 262 00:15:59,280 --> 00:16:05,280 Speaker 1: please help find my daughter. Not good. I don't think 263 00:16:05,320 --> 00:16:07,920 Speaker 1: any of us are holding up in this. I don't 264 00:16:07,920 --> 00:16:10,440 Speaker 1: know if my daughter's being fed, taken care of, if 265 00:16:10,440 --> 00:16:14,240 Speaker 1: she's still alive, if she's getting any sleep. I don't 266 00:16:14,240 --> 00:16:17,680 Speaker 1: think any of us are. That is Samantha's father, James 267 00:16:17,800 --> 00:16:21,840 Speaker 1: Koenick speaking out and just hearing his voice, doctor Bethany. 268 00:16:22,440 --> 00:16:25,120 Speaker 1: You know every morning when I take the children to school, 269 00:16:25,280 --> 00:16:29,040 Speaker 1: I say a prayer, please keep the twins safe from 270 00:16:29,080 --> 00:16:33,600 Speaker 1: everything dangerous, evil, naughty or hurtful, which is a lot. 271 00:16:34,360 --> 00:16:38,760 Speaker 1: And that is me just dropping them at school. Here 272 00:16:38,800 --> 00:16:42,920 Speaker 1: as a dad, his daughter lives with him. She's the 273 00:16:43,000 --> 00:16:47,240 Speaker 1: apple of his eye, his heart, his air, and his 274 00:16:47,360 --> 00:16:51,840 Speaker 1: music everything. What can he do? Nothing? How many times 275 00:16:51,840 --> 00:16:54,960 Speaker 1: do you think he went over and over and over 276 00:16:55,040 --> 00:16:59,520 Speaker 1: are this video, doctor Bethany, Nancy. He has agonized over it, 277 00:16:59,560 --> 00:17:03,800 Speaker 1: and one sentence he utters stands out to me, I 278 00:17:03,880 --> 00:17:06,960 Speaker 1: don't know if she's getting any sleep. And then I 279 00:17:07,000 --> 00:17:09,760 Speaker 1: don't know if she's dead or alive. And when he says, 280 00:17:09,840 --> 00:17:13,199 Speaker 1: I don't know if she's getting any sleep. It's reminiscent 281 00:17:13,240 --> 00:17:16,000 Speaker 1: to me that she was once his baby. I mean, 282 00:17:16,480 --> 00:17:21,080 Speaker 1: her whole existence depended on him. He's still thinking about 283 00:17:21,080 --> 00:17:23,840 Speaker 1: her basic needs. Is she's sleeping, is she eating? Is 284 00:17:23,880 --> 00:17:26,680 Speaker 1: somebody taking care of him? So he's thinking about all 285 00:17:26,720 --> 00:17:31,560 Speaker 1: the more benign considerations, like her basics needs met, and 286 00:17:31,600 --> 00:17:34,760 Speaker 1: then he flips to is she dead or alive? It's 287 00:17:34,800 --> 00:17:38,920 Speaker 1: like his mind is vacillating back and forth between her 288 00:17:38,960 --> 00:17:42,919 Speaker 1: primary needs and then life and death. What a horrific, 289 00:17:43,119 --> 00:17:48,320 Speaker 1: shattering experience for a parent. Oh, I can't even imagine. 290 00:17:48,640 --> 00:17:50,639 Speaker 1: You know what I get, Cheryl. You've been with me 291 00:17:50,720 --> 00:17:54,440 Speaker 1: through many, many felony trials. When I get in that 292 00:17:54,520 --> 00:17:59,199 Speaker 1: spot and I'm thinking about the pain and the suffering 293 00:17:59,320 --> 00:18:02,760 Speaker 1: and the anxiety, the only thing I can do to 294 00:18:02,800 --> 00:18:05,159 Speaker 1: work through that is to go back to the facts 295 00:18:05,160 --> 00:18:07,280 Speaker 1: and go over and over and over, kind of like 296 00:18:07,760 --> 00:18:10,399 Speaker 1: a robot. So at this juncture, a guy comes up. 297 00:18:10,400 --> 00:18:13,320 Speaker 1: He's wearing a ski mask, he's all in black. But 298 00:18:13,520 --> 00:18:17,360 Speaker 1: come on, I remember this a trial, and I think 299 00:18:17,400 --> 00:18:19,399 Speaker 1: it was when I tried the red rapist. If you 300 00:18:19,440 --> 00:18:23,679 Speaker 1: remember him, he had raped women all across Atlanta, and 301 00:18:23,800 --> 00:18:26,520 Speaker 1: he had a particular m O and the ones I 302 00:18:26,560 --> 00:18:30,199 Speaker 1: couldn't get DNA for which were many. I matched up 303 00:18:30,240 --> 00:18:34,719 Speaker 1: with a modus operandi method of operation, and that was 304 00:18:34,880 --> 00:18:39,080 Speaker 1: climbing in through a window it was hot outside in Atlanta. 305 00:18:39,320 --> 00:18:43,159 Speaker 1: He would rape the person. Often he would recite Bible 306 00:18:43,320 --> 00:18:48,840 Speaker 1: verses and then he would leave, sometimes leave a red rose. 307 00:18:48,920 --> 00:18:52,560 Speaker 1: He would also wear red, hence the name red rapists. 308 00:18:52,560 --> 00:18:56,520 Speaker 1: So long story short, and some of those he would 309 00:18:56,560 --> 00:19:01,639 Speaker 1: put pantyhose over his head. And in a surprise move 310 00:19:01,880 --> 00:19:07,160 Speaker 1: on a now very well known prosecutor, Clint Rucker, who 311 00:19:07,240 --> 00:19:10,160 Speaker 1: was assisting me in the trial, I brought a pair 312 00:19:10,200 --> 00:19:14,280 Speaker 1: of pantyhose and in closing argument put them over Clint's face. 313 00:19:14,760 --> 00:19:17,960 Speaker 1: Let's just say he was not happy, but he didn't 314 00:19:18,000 --> 00:19:19,800 Speaker 1: show it in front of the jury. I couldn't want 315 00:19:19,800 --> 00:19:21,280 Speaker 1: an ahead of time because I knew you wouldn't go 316 00:19:21,320 --> 00:19:23,439 Speaker 1: along with it. Long story short, you could look right 317 00:19:23,480 --> 00:19:25,960 Speaker 1: at him and you knew it was him. The jury 318 00:19:26,040 --> 00:19:29,040 Speaker 1: been looking at him for two weeks, so they knew 319 00:19:29,400 --> 00:19:33,119 Speaker 1: it was him. So in my ladies identified the purp. 320 00:19:33,720 --> 00:19:36,000 Speaker 1: The defense would say, hey, but ye had pantyo's over 321 00:19:36,040 --> 00:19:40,000 Speaker 1: his head. I'm like, and that's all you got go ahead, 322 00:19:40,240 --> 00:19:44,560 Speaker 1: hit me with that. So here my point is a 323 00:19:44,960 --> 00:19:48,080 Speaker 1: long story to make this point, Cheryl, if this had 324 00:19:48,119 --> 00:19:52,720 Speaker 1: been her boyfriend, or an X or a regular, a 325 00:19:52,800 --> 00:19:56,639 Speaker 1: ski mask would not have hidden his identity right. She 326 00:19:56,640 --> 00:20:00,000 Speaker 1: would have known them. She would and this person clearly 327 00:20:00,000 --> 00:20:02,520 Speaker 1: he spoke to her, he told her to cut out 328 00:20:02,520 --> 00:20:06,040 Speaker 1: the light. He as soon as he jumped over the counter. 329 00:20:06,119 --> 00:20:10,320 Speaker 1: She would have recognized clothing, the stature. She would know 330 00:20:10,520 --> 00:20:14,399 Speaker 1: him by his eyes. She did not know this person, 331 00:20:14,840 --> 00:20:17,240 Speaker 1: not when he first walked up. I mean, come on, Cheryl, 332 00:20:17,320 --> 00:20:19,520 Speaker 1: might call him if you came up with a ski 333 00:20:19,560 --> 00:20:21,639 Speaker 1: mask on. I'm not gonna say how I would know 334 00:20:21,680 --> 00:20:23,640 Speaker 1: it was you, but I would know it was you. 335 00:20:24,200 --> 00:20:27,320 Speaker 1: Doctor Bethany Marshall. I don't know if you've met Bethany 336 00:20:27,359 --> 00:20:30,560 Speaker 1: in the flesh, Cheryl, but she has. Let me just say, 337 00:20:30,760 --> 00:20:35,600 Speaker 1: an hourglass figure. If there was ever an hourglass figure, 338 00:20:36,040 --> 00:20:39,280 Speaker 1: it's Bethany Marshall. So if she comes up to me 339 00:20:39,320 --> 00:20:42,600 Speaker 1: with a ski mask, I'm gonna know that's Bethany because 340 00:20:42,640 --> 00:20:45,240 Speaker 1: I know how she is shaped, I know the way 341 00:20:45,320 --> 00:20:50,520 Speaker 1: she walks. I could recognize her voice anywhere. So who 342 00:20:51,119 --> 00:20:56,800 Speaker 1: are suspect? What? Nancy? You're identifiable your eyes are very 343 00:20:56,840 --> 00:21:01,240 Speaker 1: beautiful and unique. Your voice, you're actually if you walked 344 00:21:01,320 --> 00:21:04,920 Speaker 1: up to me a chaosk and said, bail this cup 345 00:21:05,000 --> 00:21:07,720 Speaker 1: up with coffee, I would know it was you. But 346 00:21:07,920 --> 00:21:12,119 Speaker 1: she did not greet this person. There was nothing familiar 347 00:21:12,200 --> 00:21:15,320 Speaker 1: about him for her. In the studio, Jackie Howard is 348 00:21:15,480 --> 00:21:18,200 Speaker 1: mimicking the way I walks. I think she would recognize 349 00:21:18,200 --> 00:21:22,520 Speaker 1: it anywhere if I can jompnop, jump go. Well, all 350 00:21:22,560 --> 00:21:26,399 Speaker 1: of us have greeting responses. Dogs do, cats do? Humans do? 351 00:21:26,680 --> 00:21:29,160 Speaker 1: We don't just walk up to somebody without saying something. 352 00:21:29,480 --> 00:21:31,479 Speaker 1: A dog will jump all over you, a cat will 353 00:21:31,560 --> 00:21:35,119 Speaker 1: rub up against you. A human vocalizes he's Samantha, how 354 00:21:35,119 --> 00:21:37,560 Speaker 1: are you doing? How are you feeling? I just thought 355 00:21:37,600 --> 00:21:40,919 Speaker 1: to combine and say hi. All he does is comes 356 00:21:41,000 --> 00:21:44,159 Speaker 1: and orders a coffee. So that is definitely a stranger 357 00:21:44,200 --> 00:21:46,960 Speaker 1: because he doesn't greet her verbally. If he had greeted 358 00:21:46,960 --> 00:21:49,800 Speaker 1: her verbally, she would have known him and known exactly 359 00:21:49,800 --> 00:21:52,560 Speaker 1: who he was if they were already acquaintances. So who 360 00:21:53,280 --> 00:21:56,640 Speaker 1: are the suspects? Who is it? She would not know 361 00:21:56,880 --> 00:22:01,320 Speaker 1: behind a ski mask. Well, it's obvious that she has 362 00:22:01,400 --> 00:22:05,600 Speaker 1: taken away against her will, by her reactions, What indication, 363 00:22:05,640 --> 00:22:08,760 Speaker 1: if any, was there that this was someone that she 364 00:22:08,920 --> 00:22:11,520 Speaker 1: would have that she knew, you know, that there was 365 00:22:11,560 --> 00:22:14,080 Speaker 1: some in that interaction that this was someone that was 366 00:22:14,160 --> 00:22:16,639 Speaker 1: not a stranger her that she knew. You know, I 367 00:22:16,680 --> 00:22:20,080 Speaker 1: don't think that anything that we released has been characterized 368 00:22:20,160 --> 00:22:23,320 Speaker 1: like that, and I'd be really careful of that because 369 00:22:23,520 --> 00:22:25,800 Speaker 1: we don't know. We don't know one way or the 370 00:22:25,840 --> 00:22:28,199 Speaker 1: other whether she knew this person or she didn't know 371 00:22:28,320 --> 00:22:30,600 Speaker 1: this person. But if you think about it, once again, 372 00:22:30,720 --> 00:22:34,560 Speaker 1: from the perspective of what her job is, she's going 373 00:22:34,640 --> 00:22:37,800 Speaker 1: to have contact with hundreds of people a day, and she, 374 00:22:38,280 --> 00:22:41,480 Speaker 1: you know, she might know people just by recognizing they 375 00:22:41,560 --> 00:22:44,080 Speaker 1: may have stopped her copy once or twice. We don't know. 376 00:22:44,280 --> 00:22:46,800 Speaker 1: So we'll have to wait till the case because further 377 00:22:46,800 --> 00:22:49,880 Speaker 1: along before we can make any determination as to whether 378 00:22:49,920 --> 00:22:52,040 Speaker 1: there was a relationship. Does this appear to be a 379 00:22:52,080 --> 00:22:55,080 Speaker 1: crime of opportunity where someone saw her and abducted her, 380 00:22:55,280 --> 00:22:58,679 Speaker 1: or whether or not this was someone who specifically sought 381 00:22:58,760 --> 00:23:01,080 Speaker 1: to you know, knew some at knew who she was, 382 00:23:01,200 --> 00:23:04,080 Speaker 1: sought about her in particular, it could go either work 383 00:23:04,200 --> 00:23:09,040 Speaker 1: you're hearing from Lieutenant David Parker, there in Anchorage. But 384 00:23:09,400 --> 00:23:13,280 Speaker 1: what about the boyfriend? Is it just too convenient that 385 00:23:13,320 --> 00:23:16,160 Speaker 1: he shows up that night she's not there, and then 386 00:23:16,480 --> 00:23:19,840 Speaker 1: he's the one that raises the alarm? Straight to Casey Grove, 387 00:23:19,920 --> 00:23:24,560 Speaker 1: reporter with the Alaska Public Media, Casey, what about the boyfriend? 388 00:23:24,720 --> 00:23:28,760 Speaker 1: And I think early on, when she was reported missing 389 00:23:29,080 --> 00:23:33,000 Speaker 1: and people were kind of speculating about what might have happened, 390 00:23:34,280 --> 00:23:36,720 Speaker 1: I think there was some question of maybe whether or 391 00:23:36,720 --> 00:23:40,520 Speaker 1: not she had run off with her boyfriend, and pretty 392 00:23:40,600 --> 00:23:44,520 Speaker 1: quickly became apparent that the boyfriend was very worried and 393 00:23:44,680 --> 00:23:47,719 Speaker 1: not with her. And as time went on, you know, 394 00:23:48,000 --> 00:23:52,960 Speaker 1: there was kind of less speculation about his involvement, and 395 00:23:54,160 --> 00:23:56,840 Speaker 1: you know, information about the video sort of being leaked 396 00:23:56,840 --> 00:24:01,040 Speaker 1: out by the family, that there was this other abductor 397 00:24:01,960 --> 00:24:06,920 Speaker 1: that had been involved, another abductor involved. But the reality 398 00:24:07,200 --> 00:24:10,919 Speaker 1: is you always look, do you not? To Bobby Chicon, 399 00:24:11,240 --> 00:24:14,920 Speaker 1: former FBI special agent at Bobby chicon dot com, Bobby, 400 00:24:14,960 --> 00:24:17,800 Speaker 1: you always look at the husband, the boyfriend, the lover, 401 00:24:18,000 --> 00:24:22,000 Speaker 1: the x. Why Well, because in the overwhelming majority of 402 00:24:22,040 --> 00:24:24,560 Speaker 1: these types of cases, not homicides that I've worked, the 403 00:24:24,600 --> 00:24:27,200 Speaker 1: offender comes from one of two worlds. It's the world 404 00:24:27,200 --> 00:24:29,840 Speaker 1: of the location. In other words, had they hung out 405 00:24:29,880 --> 00:24:32,760 Speaker 1: at that location and someone just the victim just wandered 406 00:24:32,800 --> 00:24:35,240 Speaker 1: through that area, or it comes from the world of 407 00:24:35,240 --> 00:24:38,600 Speaker 1: the victim, so they know the victim in some way, 408 00:24:38,680 --> 00:24:43,040 Speaker 1: and that's you know, that's the offenders come from one 409 00:24:43,040 --> 00:24:46,159 Speaker 1: of those two worlds. And so you know, this is 410 00:24:46,200 --> 00:24:50,119 Speaker 1: where investigators have to play the extremely delicate balance of 411 00:24:50,680 --> 00:24:53,720 Speaker 1: looking into the boyfriend, looking into the father, looking into 412 00:24:53,840 --> 00:24:56,760 Speaker 1: friends at the same time when these people are basically 413 00:24:56,840 --> 00:25:00,560 Speaker 1: grieving or in in a terrible state of emotional the stress, 414 00:25:00,840 --> 00:25:03,280 Speaker 1: and yet you still have to treat them as persons 415 00:25:03,320 --> 00:25:06,000 Speaker 1: of interest. So the police and the investigators play a 416 00:25:06,240 --> 00:25:09,760 Speaker 1: very delicate game here because at the same time you 417 00:25:09,840 --> 00:25:13,479 Speaker 1: want to be sympathetic to their plight, you also are 418 00:25:13,520 --> 00:25:16,320 Speaker 1: still looking at them as possible suspects. It's a very 419 00:25:16,520 --> 00:25:20,280 Speaker 1: very difficult line to tell. Back to Casey Grove, reporter 420 00:25:20,320 --> 00:25:24,960 Speaker 1: with the Alaska Public Media, how did you ever dig 421 00:25:25,119 --> 00:25:29,159 Speaker 1: up the restraining order which plays a major role in 422 00:25:29,200 --> 00:25:32,600 Speaker 1: this When I think back about this case, I was 423 00:25:33,160 --> 00:25:35,840 Speaker 1: still I mean, I had a couple of years of reporting, 424 00:25:36,000 --> 00:25:40,480 Speaker 1: experienced journalism, experienced professionally under my belt, but I didn't 425 00:25:40,480 --> 00:25:44,320 Speaker 1: really know how to go about sort of reporting on 426 00:25:44,440 --> 00:25:47,920 Speaker 1: a case like this, and some of my fellow colleagues 427 00:25:48,160 --> 00:25:50,760 Speaker 1: there at the Anchorage Daily News who had more experience, 428 00:25:51,080 --> 00:25:54,000 Speaker 1: suggested that I go just start looking through any kind 429 00:25:54,040 --> 00:25:59,080 Speaker 1: of court filings whatsoever that anybody that we know, any 430 00:25:59,200 --> 00:26:03,440 Speaker 1: name that had come up so far, but definitely Samantha Konig. 431 00:26:04,320 --> 00:26:09,879 Speaker 1: And in the civil court she had filed you for 432 00:26:09,920 --> 00:26:14,439 Speaker 1: a restraining order against someone by the name of Christopher Bird, 433 00:26:14,920 --> 00:26:20,679 Speaker 1: and he she had filed for this restraining order and 434 00:26:20,880 --> 00:26:24,359 Speaker 1: written a lot of information in the application for this 435 00:26:24,480 --> 00:26:28,919 Speaker 1: restraining order, and I believe got maybe a temporary version 436 00:26:28,920 --> 00:26:33,000 Speaker 1: of that that didn't involve her having to testify, because 437 00:26:33,000 --> 00:26:35,360 Speaker 1: if I remember correctly, I don't think that she came 438 00:26:35,440 --> 00:26:39,920 Speaker 1: back to testify and get the sort of the stronger 439 00:26:40,080 --> 00:26:44,159 Speaker 1: long term protective order. But there was this information in 440 00:26:44,200 --> 00:26:49,600 Speaker 1: this filing that indicated that some kind of at least 441 00:26:49,600 --> 00:26:51,880 Speaker 1: according to her, at least some kind of a sexual 442 00:26:51,920 --> 00:26:55,640 Speaker 1: assault or some kind of encounter along those lines had 443 00:26:55,680 --> 00:27:00,760 Speaker 1: happened between Christopher Bird and Samantha Konig just a month 444 00:27:00,840 --> 00:27:05,080 Speaker 1: or two prior to her disappearance. Oh my stars, Okay, 445 00:27:05,280 --> 00:27:08,639 Speaker 1: talk about a coincidence. In my book, there is no 446 00:27:08,720 --> 00:27:14,480 Speaker 1: coincidence in criminal law. To Bobby Chicomb FBI, she takes 447 00:27:14,480 --> 00:27:18,479 Speaker 1: out of restraining order on a guy that allegedly commits 448 00:27:18,480 --> 00:27:21,679 Speaker 1: a sex crime on her, or tries to anyway, and 449 00:27:21,720 --> 00:27:26,919 Speaker 1: then suddenly she goes missing as this winds its way 450 00:27:27,160 --> 00:27:30,000 Speaker 1: toward court potentially, right, I mean, this will be a 451 00:27:30,000 --> 00:27:32,040 Speaker 1: first what you would consider as an invest to give 452 00:27:32,040 --> 00:27:34,840 Speaker 1: your first big break, your first big lead. That she 453 00:27:35,000 --> 00:27:39,000 Speaker 1: had an adversary relationship with a man who she felt 454 00:27:39,080 --> 00:27:41,440 Speaker 1: threatened her enough that she filed this kind of paperwork. 455 00:27:41,480 --> 00:27:46,280 Speaker 1: So obviously, once this was discovered, all a lot of 456 00:27:46,320 --> 00:27:51,399 Speaker 1: effort would be put into finding this person. I mean, really, Bobby, 457 00:27:51,480 --> 00:27:53,840 Speaker 1: I mean a t r Oh, you have to go 458 00:27:53,880 --> 00:27:57,919 Speaker 1: to court, Cheryl McCollum and beg the court to protect you. Right, Well, 459 00:27:57,920 --> 00:27:59,800 Speaker 1: it sounds like what she did is she went in 460 00:28:00,240 --> 00:28:04,680 Speaker 1: the initial temporary protectible order, which didn't make her testify, 461 00:28:04,840 --> 00:28:07,200 Speaker 1: she didn't have to go through that part, But when 462 00:28:07,200 --> 00:28:09,280 Speaker 1: it got closer to that, she didn't follow up for 463 00:28:09,400 --> 00:28:13,760 Speaker 1: whatever reason. But there's no question in a case like 464 00:28:13,920 --> 00:28:16,440 Speaker 1: this you would put all you've got on this guy 465 00:28:16,480 --> 00:28:19,760 Speaker 1: until you can rule him out. I mean, how many 466 00:28:19,800 --> 00:28:23,120 Speaker 1: case I can't even count them. Where women go forward 467 00:28:23,359 --> 00:28:26,320 Speaker 1: to start with in a battery or assault and then 468 00:28:26,320 --> 00:28:30,280 Speaker 1: as it gets closer and closer and closer, they back out. 469 00:28:30,640 --> 00:28:33,879 Speaker 1: I've had a woman, doctor Bethany Marshall, California. It's like, oh, well, 470 00:28:33,960 --> 00:28:36,639 Speaker 1: let's come into court with a broken leg and a 471 00:28:36,720 --> 00:28:40,880 Speaker 1: cast from the hip down and crutches with her boyfriend 472 00:28:41,320 --> 00:28:44,520 Speaker 1: trying to drop charges. Of course I did not drop them. 473 00:28:44,520 --> 00:28:48,240 Speaker 1: I said, blame me, not her, But I mean anything 474 00:28:48,280 --> 00:28:50,640 Speaker 1: could have affected her decision not to drop charges. She 475 00:28:50,640 --> 00:28:53,480 Speaker 1: could have been afraid of the guy. Well, Nancy, first 476 00:28:53,520 --> 00:28:57,320 Speaker 1: of all, remember again she is eighteen years old, Samantha, 477 00:28:57,560 --> 00:28:59,440 Speaker 1: So this is just a month or two prior to 478 00:28:59,480 --> 00:29:02,880 Speaker 1: the abduct and she goes to court. What eighteen year 479 00:29:02,880 --> 00:29:06,040 Speaker 1: old has the wherewithal to go to court to file 480 00:29:06,120 --> 00:29:09,400 Speaker 1: a tro against somebody? And then, not only that, she 481 00:29:09,640 --> 00:29:12,719 Speaker 1: is frightened enough of whoever this perpetrator is, that she 482 00:29:12,760 --> 00:29:14,960 Speaker 1: doesn't even want to face him. She wants to file 483 00:29:15,000 --> 00:29:17,440 Speaker 1: the version where you don't have to go to court. 484 00:29:17,560 --> 00:29:20,360 Speaker 1: A lot of women don't want to face their perpetrators. 485 00:29:20,360 --> 00:29:22,800 Speaker 1: Sometimes they feel guilty, they're afraid that they're going to 486 00:29:22,840 --> 00:29:25,600 Speaker 1: get their boyfriend or whoever it is in trouble, they're 487 00:29:25,600 --> 00:29:30,440 Speaker 1: afraid of repercussions. But in this case, fancy, whatever this 488 00:29:30,560 --> 00:29:33,520 Speaker 1: assault was at the hands of this purp may have 489 00:29:33,560 --> 00:29:35,520 Speaker 1: been so bad she didn't even want to see him 490 00:29:35,760 --> 00:29:38,960 Speaker 1: in the halls of hallways of the court. Casey Grove, 491 00:29:39,400 --> 00:29:43,000 Speaker 1: reporter with the Alaska Public Media. I mean, how can 492 00:29:43,040 --> 00:29:46,000 Speaker 1: that be a coincidence that a few weeks before she 493 00:29:46,200 --> 00:29:51,640 Speaker 1: disappears into thin air, she's filing for protection after an 494 00:29:51,640 --> 00:29:54,160 Speaker 1: alleged sex is sought by this guy. You know, you 495 00:29:54,200 --> 00:29:57,840 Speaker 1: got to remember, the tension and anchorage is just ratcheted 496 00:29:57,880 --> 00:30:02,360 Speaker 1: way up because people think maybe she's still alive. There's 497 00:30:02,400 --> 00:30:05,440 Speaker 1: this reward fund to just try to you know, get 498 00:30:05,520 --> 00:30:09,120 Speaker 1: information to try to find her. And then you know, 499 00:30:09,520 --> 00:30:12,240 Speaker 1: it comes out that there's this guy that she found 500 00:30:12,240 --> 00:30:14,520 Speaker 1: a restraining order against. The kind of like one of 501 00:30:14,520 --> 00:30:17,720 Speaker 1: the only court filings that is in Samantha Koenig's name, 502 00:30:18,320 --> 00:30:21,640 Speaker 1: and it's about this incident where you know, she sort 503 00:30:21,640 --> 00:30:25,960 Speaker 1: of alleges that that there maybe was this sexual assault 504 00:30:25,960 --> 00:30:30,360 Speaker 1: that happened. Um at the time, it really people were 505 00:30:30,440 --> 00:30:33,960 Speaker 1: angry at him. They they they saw his videos, they 506 00:30:34,040 --> 00:30:36,640 Speaker 1: kind of saw this persona that he had as this 507 00:30:36,680 --> 00:30:40,960 Speaker 1: like hard edged kind of rapper guy. His rap name 508 00:30:40,960 --> 00:30:43,760 Speaker 1: was White Tyson, and that's that's kind of how he 509 00:30:43,800 --> 00:30:49,120 Speaker 1: went online. But I actually sat down with Christopher Bird 510 00:30:49,200 --> 00:30:51,960 Speaker 1: and a friend of his at a lawyer's office as 511 00:30:52,040 --> 00:30:55,000 Speaker 1: this was all going on, and talk to them for 512 00:30:55,400 --> 00:30:58,720 Speaker 1: at least an hour, you know about you know, where 513 00:30:58,840 --> 00:31:04,440 Speaker 1: where he was the night that she disappeared. Different confirmation 514 00:31:04,560 --> 00:31:09,040 Speaker 1: of his alibi, and he didn't really talk about the 515 00:31:09,080 --> 00:31:12,600 Speaker 1: incident that led to the restraining order, but sort of 516 00:31:12,600 --> 00:31:15,160 Speaker 1: played that down like that, you know, was sort of 517 00:31:15,200 --> 00:31:17,680 Speaker 1: her side of the story and that's not really what happened, 518 00:31:18,440 --> 00:31:21,120 Speaker 1: and that he just you know, said over and over 519 00:31:21,160 --> 00:31:23,520 Speaker 1: again that he had nothing to do with her disappearance. Well, 520 00:31:23,560 --> 00:31:26,760 Speaker 1: I mean, Casey Grove, Alaska, public media. Of course he's 521 00:31:26,760 --> 00:31:30,000 Speaker 1: going to tell you and some swanky lawyer's office he 522 00:31:30,040 --> 00:31:31,960 Speaker 1: had nothing to do with it. What did you think 523 00:31:31,960 --> 00:31:33,920 Speaker 1: he was going to confess to you right there and 524 00:31:34,160 --> 00:31:36,320 Speaker 1: hold up his wrists and say tough for me. For 525 00:31:36,440 --> 00:31:39,600 Speaker 1: Pete's say, well, now hold on, you can't just gloss 526 00:31:39,640 --> 00:31:43,320 Speaker 1: over this. What do you mean? White Tyson? He was 527 00:31:43,400 --> 00:31:48,920 Speaker 1: sort of a small time local rapper and had YouTube 528 00:31:48,960 --> 00:31:52,160 Speaker 1: videos of himself that were a little bit edgy. I 529 00:31:52,160 --> 00:31:54,640 Speaker 1: guess you could say like there was there was one 530 00:31:54,680 --> 00:31:56,800 Speaker 1: where he had like a hockey mask on, sort of 531 00:31:56,840 --> 00:32:00,840 Speaker 1: like Friday the thirteenth and pitbulls and stuff and kind 532 00:32:00,840 --> 00:32:05,120 Speaker 1: of like tough, tough rap stuff going on in his videos, 533 00:32:05,120 --> 00:32:07,520 Speaker 1: I guess for lack of a better explanation, So when 534 00:32:08,000 --> 00:32:10,520 Speaker 1: when we see that she has this straining order file 535 00:32:10,520 --> 00:32:12,680 Speaker 1: against this guy and he seems a little rough around 536 00:32:12,720 --> 00:32:15,880 Speaker 1: the edges and has this kind of at least persona 537 00:32:16,080 --> 00:32:19,480 Speaker 1: as this like tough, you know, rapper guy, it kind 538 00:32:19,480 --> 00:32:22,960 Speaker 1: of raised a lot of red flags. Jumpy CHERYLD Mike Tyson, 539 00:32:23,320 --> 00:32:26,440 Speaker 1: as you know, was also accused and convicted of a 540 00:32:26,480 --> 00:32:31,120 Speaker 1: sexual assault Mick Washington. So I think it's critical again 541 00:32:31,720 --> 00:32:34,520 Speaker 1: when you have a tear brave rejective order alleging that 542 00:32:35,120 --> 00:32:38,320 Speaker 1: and you have somebody kidnapped, because as you and I know, 543 00:32:38,960 --> 00:32:41,280 Speaker 1: normally sexual assault is going to be a part of it. 544 00:32:41,440 --> 00:32:44,680 Speaker 1: Another thing, Bobby Chicone, you're the specialist with the FBI. 545 00:32:45,160 --> 00:32:48,560 Speaker 1: What really got my attention was that in the videos 546 00:32:48,600 --> 00:32:52,680 Speaker 1: he wears a mask. Did you nobody hear that? Yeah? 547 00:32:52,680 --> 00:32:55,200 Speaker 1: There are you know, there are these obvious indications that 548 00:32:55,360 --> 00:32:58,320 Speaker 1: this person could be, you know, a solid person of 549 00:32:58,320 --> 00:33:01,120 Speaker 1: interest in the case. So I think early on reasonable 550 00:33:01,400 --> 00:33:04,960 Speaker 1: or a lot of resources were dedicated to ruling him 551 00:33:04,960 --> 00:33:08,680 Speaker 1: in or ruling him out initially, but after intense scrutiny 552 00:33:08,720 --> 00:33:14,200 Speaker 1: investigation Casey Grove with the Alaska Public Media, Christopher Bird 553 00:33:14,520 --> 00:33:17,120 Speaker 1: is ruled out and it happened pretty quickly. I think 554 00:33:17,160 --> 00:33:20,560 Speaker 1: that there was some pressure on the police to look 555 00:33:20,600 --> 00:33:26,680 Speaker 1: at this guy and you know, confirm or disprove his AUTBI, 556 00:33:26,760 --> 00:33:28,800 Speaker 1: and it turned out that they could confirm it and 557 00:33:29,480 --> 00:33:31,560 Speaker 1: figured out that he really didn't have anything to do 558 00:33:31,600 --> 00:33:34,120 Speaker 1: with it. And I do think that they put that 559 00:33:34,160 --> 00:33:37,240 Speaker 1: information out pretty pretty quickly after his name was sort 560 00:33:37,280 --> 00:33:42,040 Speaker 1: of out publicly to make sure that, you know, if 561 00:33:42,080 --> 00:33:44,040 Speaker 1: he was involved, they were going to make sure, you know, 562 00:33:44,080 --> 00:33:46,440 Speaker 1: they got the guy, and when they found out that 563 00:33:46,440 --> 00:33:48,280 Speaker 1: he wasn't involved, they wanted to make sure that the 564 00:33:48,320 --> 00:33:50,720 Speaker 1: public knew that this was not the guy. So now 565 00:33:50,880 --> 00:33:56,239 Speaker 1: we're back to square one. Every usual spast in an 566 00:33:56,240 --> 00:34:01,400 Speaker 1: operating procedure has failed. It's not the boy boyfriend, it's 567 00:34:01,440 --> 00:34:07,800 Speaker 1: not a customer, it's not the guy White Tyson, Christopher Bird, 568 00:34:07,880 --> 00:34:10,040 Speaker 1: the rapper, the bag guy she took out the t 569 00:34:10,239 --> 00:34:16,240 Speaker 1: r O four, So where does that leave me? Police 570 00:34:17,000 --> 00:34:21,360 Speaker 1: knocking their heads against the walls, a father going berserk, 571 00:34:21,880 --> 00:34:24,879 Speaker 1: and then out of the blue. Two and a half 572 00:34:24,920 --> 00:34:29,640 Speaker 1: weeks after Samantha's abduction, there's a chilling turn in the case. 573 00:34:29,800 --> 00:34:32,520 Speaker 1: Her boyfriend just goes sheet white, he's got his phone, 574 00:34:32,520 --> 00:34:35,560 Speaker 1: and there's a text from her phone. Basically it says 575 00:34:36,040 --> 00:34:41,080 Speaker 1: Connor's Park underneath Albert Pick, Ain't she purty? Authority's race 576 00:34:41,160 --> 00:34:45,120 Speaker 1: to Connor's Lake Park, just five miles southwest of downtown Anchorage, 577 00:34:45,680 --> 00:34:48,399 Speaker 1: not knowing what's waiting for them. When you enter that park, 578 00:34:48,520 --> 00:34:51,919 Speaker 1: there's a bulletin board and tech was a zip block 579 00:34:52,000 --> 00:34:55,120 Speaker 1: bag that had what ultimately was a photograph of Samantha 580 00:34:55,120 --> 00:34:57,360 Speaker 1: and a ransom note. The fact that there was a 581 00:34:57,440 --> 00:35:00,760 Speaker 1: ransom note really ratchets upon the tension because she's alive 582 00:35:01,360 --> 00:35:03,279 Speaker 1: and what are we going to do to get her back? 583 00:35:08,560 --> 00:35:12,799 Speaker 1: Two and a half weeks after Samantha's abduction, there's a 584 00:35:12,880 --> 00:35:15,960 Speaker 1: chilling turn in the case. Her boyfriend just goes sheet white, 585 00:35:16,040 --> 00:35:18,600 Speaker 1: he's got his phone, and there's a text from her phone. 586 00:35:18,880 --> 00:35:24,480 Speaker 1: Basically it says Connor's Park underneath Albert Pick. Ain't she pretty? 587 00:35:24,600 --> 00:35:28,280 Speaker 1: Authority's race to Connor's Lake Park, just five miles southwest 588 00:35:28,320 --> 00:35:31,799 Speaker 1: of downtown Anchorage, not knowing what's waiting for them. When 589 00:35:31,840 --> 00:35:35,200 Speaker 1: you enter that park, there's a bulletin board and tact 590 00:35:35,520 --> 00:35:38,279 Speaker 1: was a zip block bag that had what ultimately was 591 00:35:38,320 --> 00:35:40,640 Speaker 1: a photograph of Samantha and a ransom note. The fact 592 00:35:40,719 --> 00:35:44,400 Speaker 1: that there was a ransom note really ratchets upon the tension, because, Okay, 593 00:35:44,440 --> 00:35:47,000 Speaker 1: she's alive, and what are we going to do to 594 00:35:47,000 --> 00:35:51,759 Speaker 1: get her back? A fuzzy photo, a ransom note texted 595 00:35:52,160 --> 00:35:57,640 Speaker 1: saying ain't she pretty? Demanding thirty thousand dollars? What does 596 00:35:57,640 --> 00:36:03,000 Speaker 1: that some reveal her hair in braids? She never wore 597 00:36:03,320 --> 00:36:06,760 Speaker 1: her hair in braids. I haven't wore my hair in braids. 598 00:36:06,920 --> 00:36:09,080 Speaker 1: So I was in grammar school. So what would it 599 00:36:09,160 --> 00:36:11,120 Speaker 1: mean if I came into the studio with my hair 600 00:36:11,200 --> 00:36:15,960 Speaker 1: in braids one morning? All of these facts matter to 601 00:36:16,320 --> 00:36:21,800 Speaker 1: Bobby Chicone, FBI Special Agent. Bobby, the case breaks wide 602 00:36:22,080 --> 00:36:24,759 Speaker 1: open and there's so many facts it's like drinking out 603 00:36:24,800 --> 00:36:26,440 Speaker 1: of a fire hydra. What does it mean that it 604 00:36:26,520 --> 00:36:29,120 Speaker 1: was texted? What does it mean that it went to 605 00:36:29,160 --> 00:36:32,399 Speaker 1: the boyfriend not the dad? What does it all mean? 606 00:36:32,520 --> 00:36:36,880 Speaker 1: There's a fuzzy picture. You can't really see her that well, 607 00:36:37,120 --> 00:36:42,360 Speaker 1: but it's enough to identify. It's some matha Bobby, what 608 00:36:42,440 --> 00:36:44,839 Speaker 1: do you make of it? Well, it's like you said, 609 00:36:44,840 --> 00:36:47,320 Speaker 1: it's a treasure trove of clues for us to follow. 610 00:36:47,360 --> 00:36:50,120 Speaker 1: I mean, the photograph would be immediately looked at by 611 00:36:50,120 --> 00:36:53,200 Speaker 1: our forensic photography people to try to glean to get 612 00:36:53,280 --> 00:36:55,879 Speaker 1: rid of that fuzziness. What else can we learn what's 613 00:36:55,920 --> 00:36:58,480 Speaker 1: in the background of that photo, where that might lead 614 00:36:58,520 --> 00:37:01,080 Speaker 1: to the location where she is, the type of location. 615 00:37:01,520 --> 00:37:03,640 Speaker 1: Is she inside? Is she outside? Is she in a vehicle? 616 00:37:03,760 --> 00:37:06,920 Speaker 1: Isn't she a house? You know, So we're looking at 617 00:37:06,960 --> 00:37:09,960 Speaker 1: all of those things, and then our forensic linguists are 618 00:37:10,000 --> 00:37:12,400 Speaker 1: looking at the language us Like you said, the language 619 00:37:12,480 --> 00:37:14,880 Speaker 1: use what does that mean? All of these things? So, 620 00:37:15,280 --> 00:37:18,600 Speaker 1: really a team is a virtual team is put on 621 00:37:18,640 --> 00:37:21,880 Speaker 1: something like this, and everybody takes a piece to determine 622 00:37:21,920 --> 00:37:24,799 Speaker 1: what this particular thing means, because every one of those 623 00:37:24,840 --> 00:37:27,239 Speaker 1: clues is very deep and you have to pull on 624 00:37:27,280 --> 00:37:30,040 Speaker 1: that string and take it and that requires a lot 625 00:37:30,040 --> 00:37:32,879 Speaker 1: of manpower. So I mean, we started looking at all 626 00:37:32,920 --> 00:37:35,759 Speaker 1: of those things you just mentioned and try to run 627 00:37:35,800 --> 00:37:39,120 Speaker 1: each of them out to doctor Bethany Marshall, psychoanalist out 628 00:37:39,160 --> 00:37:44,640 Speaker 1: of California, the words ain't she pretty? Well, it's hard 629 00:37:44,680 --> 00:37:48,560 Speaker 1: for me to determine. Is that ain't she pretty? Like 630 00:37:48,920 --> 00:37:52,200 Speaker 1: mocking the victim and mocking the family? Or is this 631 00:37:52,320 --> 00:37:56,920 Speaker 1: somebody who is very uneducated And this is the best 632 00:37:57,320 --> 00:38:00,600 Speaker 1: language he can produce, But certainly it tells me a 633 00:38:00,680 --> 00:38:03,080 Speaker 1: little bit about the emo of the crime. The m 634 00:38:03,400 --> 00:38:06,400 Speaker 1: is not just to extract money. I mean, thirty thousand 635 00:38:06,400 --> 00:38:09,000 Speaker 1: dollars is not a lot of money, or at least 636 00:38:09,000 --> 00:38:11,960 Speaker 1: not here in Beverly Hills where I practice. Well, I 637 00:38:11,960 --> 00:38:15,600 Speaker 1: don't know what world, Bethany Marshall, but come down to 638 00:38:15,719 --> 00:38:18,880 Speaker 1: earth with the rest of us. Thirty grant is a 639 00:38:19,040 --> 00:38:22,200 Speaker 1: lot of money. Well, that's more than what some people 640 00:38:22,280 --> 00:38:28,399 Speaker 1: make in an entire year, doctor Bethany Marshal. But look 641 00:38:28,400 --> 00:38:30,920 Speaker 1: at what he did to get it. I mean, he 642 00:38:31,320 --> 00:38:35,680 Speaker 1: abducted a young woman for thirty thousand dollars. That's a 643 00:38:35,719 --> 00:38:37,799 Speaker 1: lot of work. Wouldn't it be easier just to get 644 00:38:37,800 --> 00:38:40,480 Speaker 1: a job. I mean, you know, the emo here is 645 00:38:40,520 --> 00:38:45,719 Speaker 1: not just money, Nancy. The mo here is to be cruel, sadistic, 646 00:38:46,320 --> 00:38:49,520 Speaker 1: to mock the family and to say I possess her, 647 00:38:50,040 --> 00:38:53,600 Speaker 1: you don't have her anymore. I'm going to continue to 648 00:38:53,600 --> 00:38:57,600 Speaker 1: egg this crime on more and more and more by 649 00:38:57,680 --> 00:39:01,520 Speaker 1: just eking out all these little clues, like dangling them 650 00:39:01,520 --> 00:39:04,239 Speaker 1: like a little carrot in front of you, so I 651 00:39:04,280 --> 00:39:07,880 Speaker 1: can have fun at having power over this victim and 652 00:39:08,000 --> 00:39:12,279 Speaker 1: her entire family and the community. To Cheryl McCullum, the 653 00:39:12,880 --> 00:39:15,719 Speaker 1: ransom note and the words which put a chill down 654 00:39:15,760 --> 00:39:19,359 Speaker 1: my spine, ain't she pretty? And you know he's done 655 00:39:19,400 --> 00:39:22,000 Speaker 1: her hair because she did not break her hair, right. 656 00:39:22,400 --> 00:39:25,680 Speaker 1: He chose that, he chose the amount, he chose where 657 00:39:25,680 --> 00:39:29,720 Speaker 1: to leave, the ransom note. Everything is his choice, Nancy. 658 00:39:29,840 --> 00:39:33,799 Speaker 1: He chose the boyfriend. And to me, that tells you 659 00:39:33,880 --> 00:39:37,360 Speaker 1: he's been watching the news. He knows who that kid is. 660 00:39:37,880 --> 00:39:42,240 Speaker 1: He knows what's going on at the home base. The money, 661 00:39:42,440 --> 00:39:46,600 Speaker 1: the amount says to me, it's not about money. He 662 00:39:46,680 --> 00:39:50,080 Speaker 1: didn't take her to ransom her. He didn't ransom her immediately. 663 00:39:50,400 --> 00:39:52,759 Speaker 1: He's not asking for a hundred thousand dollars and known 664 00:39:52,840 --> 00:39:55,200 Speaker 1: more bills. He's not telling them where to leave it. 665 00:39:55,480 --> 00:39:58,480 Speaker 1: He's playing a game with them. Now, Oh okay, in 666 00:39:58,640 --> 00:40:02,240 Speaker 1: my mind. To Bobby J. Fbi, that makes it worse 667 00:40:02,719 --> 00:40:07,560 Speaker 1: because he is the kidnapper is playing a game, and 668 00:40:07,719 --> 00:40:13,520 Speaker 1: the pawn is Samantha Koenig, this teen girl. And it 669 00:40:13,600 --> 00:40:17,719 Speaker 1: was actually kind of elaborate because we know the boyfriend 670 00:40:17,719 --> 00:40:21,680 Speaker 1: gets a text and his face goes sheet white. But 671 00:40:21,800 --> 00:40:24,480 Speaker 1: John Limley, how does the text to the boyfriend relate 672 00:40:24,520 --> 00:40:27,319 Speaker 1: to the actual ransom note? Well, Nancy, it is a 673 00:40:27,440 --> 00:40:31,640 Speaker 1: bizarre text and as we've heard, just one jumbled sentence 674 00:40:31,680 --> 00:40:34,720 Speaker 1: if you can even call it? That Connor Park sign 675 00:40:35,160 --> 00:40:38,879 Speaker 1: under pick of Albert, ain't she purty? And I say 676 00:40:39,200 --> 00:40:42,200 Speaker 1: purty that way because it's spelled p u r t y. 677 00:40:42,280 --> 00:40:49,320 Speaker 1: So police rush to Connor's Lake Park right next to it. Conna, slowdown, 678 00:40:49,320 --> 00:40:52,320 Speaker 1: so down? Tell me that again. So there's the picture, 679 00:40:52,760 --> 00:40:56,640 Speaker 1: the photo taken of her fuzzy, but they can tell 680 00:40:56,680 --> 00:41:00,920 Speaker 1: it's her. And underneath the picture it says what Connor 681 00:41:01,160 --> 00:41:06,960 Speaker 1: Park sign under pick of Albert? Ain't she purty? Connor 682 00:41:07,280 --> 00:41:12,480 Speaker 1: Park sign under pick of Albert? What's Albert? Well? Police 683 00:41:12,600 --> 00:41:16,440 Speaker 1: rush to this Connor's Park, just a few miles away 684 00:41:16,440 --> 00:41:20,279 Speaker 1: from downtown Anchorage. As they enter the park, there is 685 00:41:20,320 --> 00:41:23,200 Speaker 1: a big bulletin board right there beside the road, and 686 00:41:23,480 --> 00:41:27,000 Speaker 1: sure enough, on it there is a memorial flyer for 687 00:41:27,200 --> 00:41:31,000 Speaker 1: a dog named Albert, and right under that is a 688 00:41:31,080 --> 00:41:33,960 Speaker 1: zip lock bag with the photo of Samantha and the 689 00:41:34,080 --> 00:41:37,960 Speaker 1: ransom note. Oh my stars is making my stomach hurt. 690 00:41:38,600 --> 00:41:44,920 Speaker 1: Bobby Chicon FBI. So this perp, this guy in a 691 00:41:44,960 --> 00:41:49,480 Speaker 1: ski mask that marches Samantha Knig out of the coffee 692 00:41:49,480 --> 00:41:59,240 Speaker 1: shop text the boyfriend gives him this information Connor Park 693 00:42:00,440 --> 00:42:07,640 Speaker 1: sign pick of Albert and under it under a picture 694 00:42:07,640 --> 00:42:13,440 Speaker 1: of a lost dog named Albert, ziplot bag with a 695 00:42:13,560 --> 00:42:18,920 Speaker 1: ransom note and a picture of Samantha Koinig. Huge, huge 696 00:42:18,920 --> 00:42:20,640 Speaker 1: part of the case, huge break in the case. So 697 00:42:20,880 --> 00:42:23,239 Speaker 1: as odd as it sounds, this was huge news for 698 00:42:23,320 --> 00:42:27,440 Speaker 1: us and good news that we don't have a abduction 699 00:42:27,560 --> 00:42:31,640 Speaker 1: murder of the night of the the videotape of that 700 00:42:31,800 --> 00:42:35,720 Speaker 1: she was taken. We may now have a kidnapping for ransom, 701 00:42:35,800 --> 00:42:39,560 Speaker 1: so we may now have a living victim. So this 702 00:42:40,000 --> 00:42:43,200 Speaker 1: energize the investigation. Not only do we and we may 703 00:42:43,239 --> 00:42:45,960 Speaker 1: have a living victim, we now have contact with the 704 00:42:46,000 --> 00:42:50,759 Speaker 1: perpetrator apparently. So this completely turned the investigation on its 705 00:42:50,800 --> 00:42:55,799 Speaker 1: head from a you know abduction and unknown you know 706 00:42:57,320 --> 00:43:00,120 Speaker 1: results of that too, now an active kidnapping case, the 707 00:43:00,200 --> 00:43:04,799 Speaker 1: ransom demand. So this really turned the entire investigation and 708 00:43:05,320 --> 00:43:09,400 Speaker 1: quite frankly brought whole back into a week's old investigation 709 00:43:09,560 --> 00:43:13,560 Speaker 1: that now we may have the ability to get Samantha back. Well, 710 00:43:13,560 --> 00:43:16,279 Speaker 1: what does it say to you? Because I feel like 711 00:43:17,600 --> 00:43:21,880 Speaker 1: it's like a cat playing with a little mouse, and 712 00:43:22,000 --> 00:43:25,600 Speaker 1: that look in its eyes as it's batting the mouse 713 00:43:25,719 --> 00:43:30,680 Speaker 1: back and forth, back and forth before it pounces and 714 00:43:30,880 --> 00:43:34,600 Speaker 1: kills that. There's something old on. I gotta go to 715 00:43:34,600 --> 00:43:37,880 Speaker 1: a shrink. Doctor. Bethany Marshall in the Stephen Avery case, 716 00:43:37,960 --> 00:43:42,720 Speaker 1: the media darling of making a murderer. He cut off 717 00:43:43,040 --> 00:43:47,640 Speaker 1: Teresa Halback's hair before he raped and murdered her. What 718 00:43:47,960 --> 00:43:51,040 Speaker 1: is it? And here we see Samantha's hair. We know 719 00:43:51,640 --> 00:43:54,759 Speaker 1: he braided it. She's never worn her hair like that. 720 00:43:55,640 --> 00:43:58,440 Speaker 1: What does that mean to you? It means to me 721 00:43:58,719 --> 00:44:03,480 Speaker 1: that these perpetrated treat their victims like dolls, like they 722 00:44:03,520 --> 00:44:08,120 Speaker 1: have complete control over them. Remember BTK, the BTK murderer. 723 00:44:09,120 --> 00:44:13,280 Speaker 1: Dolls featured prominently in the pictures that he took of himself. 724 00:44:13,680 --> 00:44:16,719 Speaker 1: When you have a doll, you have complete control over it. 725 00:44:16,880 --> 00:44:18,839 Speaker 1: You can toss it on the sidewalk, you can rip 726 00:44:18,840 --> 00:44:21,000 Speaker 1: its head off, you can do whatever you want with it. 727 00:44:21,000 --> 00:44:24,120 Speaker 1: It is not going to protest. And if you treat 728 00:44:24,280 --> 00:44:28,439 Speaker 1: a human being, an adult woman like a doll, you're 729 00:44:28,480 --> 00:44:32,120 Speaker 1: saying you're my possession. I own you, I can do 730 00:44:32,160 --> 00:44:34,120 Speaker 1: whatever I want with you. And if I was this 731 00:44:34,200 --> 00:44:36,879 Speaker 1: family and the police at this point, I would be 732 00:44:37,040 --> 00:44:41,120 Speaker 1: freaking out and I would be trying to prolong this 733 00:44:41,239 --> 00:44:45,880 Speaker 1: cat and mouse game as long as possible for fear 734 00:44:46,000 --> 00:44:47,920 Speaker 1: that he's about to move in and kill her. Well, 735 00:44:47,920 --> 00:44:51,360 Speaker 1: there's another factor too, John Linley. Wasn't there a newspaper? 736 00:44:51,640 --> 00:44:54,799 Speaker 1: Was she holding a newspaper in the photo? Yes, she 737 00:44:55,000 --> 00:44:58,879 Speaker 1: was posed with a copy of a local newspaper with 738 00:44:59,200 --> 00:45:03,279 Speaker 1: the date February thirteenth of twenty twelve. To give that 739 00:45:03,560 --> 00:45:07,080 Speaker 1: photo of a time stamp or a date stamp to 740 00:45:07,160 --> 00:45:12,799 Speaker 1: Bobby Chicone FBI special agent, Bobby, you rattled off so 741 00:45:12,840 --> 00:45:16,560 Speaker 1: many things that we got to look for in this photo. 742 00:45:16,920 --> 00:45:21,080 Speaker 1: You said, background, inside, outside, the language, use the money, sum, 743 00:45:21,320 --> 00:45:23,160 Speaker 1: What are you looking for? What are you trying to 744 00:45:23,200 --> 00:45:25,759 Speaker 1: find out? Do you look at every single word? And 745 00:45:25,880 --> 00:45:27,920 Speaker 1: sticking in my mind is the fact that he's spelled 746 00:45:28,120 --> 00:45:32,319 Speaker 1: ain't she pretty? He spelled it? Pu rt y I 747 00:45:32,360 --> 00:45:34,960 Speaker 1: think John Linley said, yeah, you're looking at language usee. 748 00:45:35,000 --> 00:45:38,640 Speaker 1: We have for linguists that determine what those words mean 749 00:45:38,719 --> 00:45:42,400 Speaker 1: and why. And we have had people means, most notably 750 00:45:42,400 --> 00:45:45,879 Speaker 1: the unibomber who misspell words on purpose to miss try 751 00:45:45,920 --> 00:45:49,520 Speaker 1: to mislead us as to their background. So the forensic 752 00:45:49,600 --> 00:45:51,840 Speaker 1: language are experts at pouring through that kind of stuff. 753 00:45:52,000 --> 00:45:55,880 Speaker 1: We have our forensic photography people going through that photograph 754 00:45:55,920 --> 00:45:57,640 Speaker 1: and seeing what else they can clean out of it. 755 00:45:58,560 --> 00:46:01,560 Speaker 1: We have a psychologist quite frankly, that are telling us 756 00:46:01,640 --> 00:46:04,600 Speaker 1: what the ransom demand might mean, what the braiding of 757 00:46:04,600 --> 00:46:06,960 Speaker 1: the hair might mean. So all of this is now 758 00:46:07,040 --> 00:46:12,319 Speaker 1: creating a picture of the possible perpetrator and possible motivations, 759 00:46:12,360 --> 00:46:14,680 Speaker 1: and all of that leads to you know who this 760 00:46:14,719 --> 00:46:17,080 Speaker 1: person is and therefore where they are. What does it 761 00:46:17,120 --> 00:46:20,160 Speaker 1: mean to you, Dr Bethanie Marshall that he uses the 762 00:46:20,719 --> 00:46:26,120 Speaker 1: slang ain't and ain't she pretty pu rt Why no 763 00:46:26,880 --> 00:46:31,640 Speaker 1: fat can be discounted, no clue can be overlooked. What 764 00:46:31,680 --> 00:46:34,319 Speaker 1: does that mean? To be honest with you. When John 765 00:46:34,400 --> 00:46:38,040 Speaker 1: Lemley was saying that, I thought, oh good lord, this 766 00:46:38,080 --> 00:46:40,919 Speaker 1: guy has the mentality of a junior high schooler, and 767 00:46:40,960 --> 00:46:43,839 Speaker 1: then I thought criminals are not that smart, and then 768 00:46:43,880 --> 00:46:47,000 Speaker 1: I thought they think they're so fascinating, but really they're 769 00:46:47,080 --> 00:46:51,360 Speaker 1: pretty boring. So it seems sort of scareotyped and rehearsed. 770 00:46:51,480 --> 00:46:54,680 Speaker 1: Ain't she Purty? Like he's been watching too many Western movies? 771 00:46:55,080 --> 00:46:58,440 Speaker 1: But somehow he thinks he's really fascinating, and he's reeling 772 00:46:58,480 --> 00:47:01,919 Speaker 1: everything and everybody in with this. Let's see, I disagree 773 00:47:02,239 --> 00:47:06,200 Speaker 1: because a guy that is so sophisticated that he can 774 00:47:06,680 --> 00:47:09,560 Speaker 1: send a text to the boyfriend who he obviously has 775 00:47:09,600 --> 00:47:12,480 Speaker 1: the boyfriend's cell number, he must have gotten that out 776 00:47:12,480 --> 00:47:17,040 Speaker 1: of her cell and then wisely, I mean, I'm assuming 777 00:47:17,080 --> 00:47:21,680 Speaker 1: that text came from Samantha's phone. Then he has gone 778 00:47:21,760 --> 00:47:26,400 Speaker 1: to a local park and he has hidden noess in 779 00:47:27,480 --> 00:47:30,680 Speaker 1: a plastic bag that they can't get prints off, and 780 00:47:30,680 --> 00:47:35,719 Speaker 1: in that is this same fuzzy picture printed out with 781 00:47:35,840 --> 00:47:39,520 Speaker 1: the ransom demand. See, I think he's a lot more 782 00:47:39,520 --> 00:47:48,319 Speaker 1: sophisticated in his deliberate choice to misspelled pretty Purty to 783 00:47:48,600 --> 00:47:53,560 Speaker 1: me is more chilling than any indicator that he can't spell. 784 00:47:53,600 --> 00:47:57,640 Speaker 1: He smelled every other word correctly, Bobby Chacone, that's right, 785 00:47:57,719 --> 00:48:00,920 Speaker 1: And you know we will look at that whether or 786 00:48:00,920 --> 00:48:03,600 Speaker 1: not this was misspelled on purpose, because that will tell 787 00:48:03,680 --> 00:48:06,960 Speaker 1: us another piece of the mindset of the perpetrator. So 788 00:48:07,320 --> 00:48:09,120 Speaker 1: you look at that kind of thing. But in the end, 789 00:48:09,840 --> 00:48:13,239 Speaker 1: it also we also know that it is unnecessary to 790 00:48:13,280 --> 00:48:16,200 Speaker 1: a ransom amand ransom demands many times are very businesslike 791 00:48:16,840 --> 00:48:19,680 Speaker 1: with instructions and things like that. This is a taunt, 792 00:48:20,000 --> 00:48:25,160 Speaker 1: so you know that ratchets up the concern that this 793 00:48:25,239 --> 00:48:28,680 Speaker 1: perpetrator is playing games. It's it's a taunt not normally 794 00:48:28,719 --> 00:48:32,640 Speaker 1: seen in a ransom Amand if your goal is to 795 00:48:32,680 --> 00:48:35,319 Speaker 1: get money for this person that you took and then 796 00:48:35,360 --> 00:48:37,480 Speaker 1: release the person once you get that money, there's no 797 00:48:37,560 --> 00:48:40,680 Speaker 1: reason to taunt the family. There's no reason to taunt 798 00:48:40,719 --> 00:48:44,560 Speaker 1: the police. So there that tells us there's an extra 799 00:48:44,640 --> 00:48:50,000 Speaker 1: motivation behind this perpetrator. Eighteen year old Samantha Sammy Kning vanishes. 800 00:48:50,680 --> 00:48:55,640 Speaker 1: A typed ransom note demanding thirty thousand dollars from Samantha's 801 00:48:55,680 --> 00:49:00,640 Speaker 1: family was on the back of a photocopy the photo 802 00:49:01,400 --> 00:49:06,239 Speaker 1: and he sends a text from Samantha's cell phone with 803 00:49:06,560 --> 00:49:12,000 Speaker 1: obscure directions to the note. What does the note reveal? 804 00:49:13,080 --> 00:49:18,400 Speaker 1: What do we learn about her kidnapper, and will this 805 00:49:18,480 --> 00:49:26,440 Speaker 1: clue be enough to bring Samantha home alive? Nancy Grace 806 00:49:27,440 --> 00:49:30,120 Speaker 1: signing off goodbye fr