WEBVTT - An Interview with the Creators of Homestar Runner

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<v Speaker 1>In text with Technology with tech Stuff from dot Com.

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<v Speaker 1>Hey there, and welcome to Tech Stuff. I am your host,

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<v Speaker 1>Jonathan Strickland, Executive producer. I love all things tech and

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<v Speaker 1>today I've got a real special treat for you guys,

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<v Speaker 1>or at least it was a special treat for me.

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<v Speaker 1>I got to talk with the creators of Homestar Runner.

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<v Speaker 1>It's a flash based web cartoon, uh network. Really, when

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<v Speaker 1>you think about it's not just a series or lots

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<v Speaker 1>of different little offshoots that came out of it that

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<v Speaker 1>premiered in the late nineties early two thousand's, and anyone

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<v Speaker 1>who was around on the Internet of those days probably

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<v Speaker 1>as at least encountered some sort of reference to the

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<v Speaker 1>Homestar Runner universe. And uh, Mike and Matt Chapman, the

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<v Speaker 1>Brothers Chaps, came into the studio and we got to

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<v Speaker 1>talk a lot about how they got into this and

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<v Speaker 1>how it evolved over time and where it's going in

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<v Speaker 1>the future. So sit back, relax, and enjoy this interview

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<v Speaker 1>with the Brothers Chaps. I am overjoyed to be joined

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<v Speaker 1>in the studio by Matt and Mike Chapman, also known

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<v Speaker 1>as the Brothers Chaps. The creators of Homestar Runner as

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<v Speaker 1>well as many other projects. And uh, it's a bit

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<v Speaker 1>of a fanning out, geek out moment for me. I've

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<v Speaker 1>been a fan of Homestar Runner since before I was

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<v Speaker 1>working at How Stuff Works. And really it's great to

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<v Speaker 1>have two people here who they there work preceded the

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<v Speaker 1>age of YouTube web series because YouTube didn't exist when

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<v Speaker 1>you guys launched Homestar Runner. And anyone who has been

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<v Speaker 1>on the Internet for any length of time has at

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<v Speaker 1>least encountered Homestar Runner references if they're not deeply familiar

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<v Speaker 1>with the incredible lore and mythology, the the the deep

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<v Speaker 1>legends of Homestar Runner that have found their way into

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<v Speaker 1>all sorts of other mythos. I mean, you're part of

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<v Speaker 1>the Buffy verse, guys, Yeah, that was somehow We're responsible

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<v Speaker 1>for the Doge meme, even though we didn't really have

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<v Speaker 1>anything to do with that. Yeah. Well, and you have

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<v Speaker 1>a you have an incredible couple of bonus tracks on

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<v Speaker 1>Guitar Hero two which have confounded me on numerous occasions. So,

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<v Speaker 1>I mean, you're the influence just keeps on going. But

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<v Speaker 1>for people who have never seen a Homestar Runner cartoon.

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<v Speaker 1>They they're not familiar with it. I can't wait. Don't

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<v Speaker 1>bother at this point, you missed the boat. Sorry, guys.

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<v Speaker 1>Just go go to know your meme dot com and

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<v Speaker 1>dope find stuff. No, I want to hear from you guys,

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<v Speaker 1>because I'm really curious to hear your elevator pitch for

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<v Speaker 1>what is Homestar Runner. Homestar Runner, I like the Mattsford

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<v Speaker 1>brow right now. It struggles with This is a series

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<v Speaker 1>of animated shorts following the exploits of non humanoid, ageless

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<v Speaker 1>h organisms that have uh that interact with one another

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<v Speaker 1>in meaningful and humorous ways to the delight of several

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<v Speaker 1>of literally dozens of people. Uh. That's the elevator pitch.

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<v Speaker 1>And that's why we just did this ourselves. That any

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<v Speaker 1>I mean, I'm starting to get get a glean of

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<v Speaker 1>the the marketing brilliance exactly that has been part of

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<v Speaker 1>home Start Runners since the very beginning. So I know

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<v Speaker 1>you guys have talked about this in other interviews, but

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<v Speaker 1>I would love it if you could kind of walk

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<v Speaker 1>people through the origin of where this all came from,

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<v Speaker 1>because it's all I mean, I know, it's kind of

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<v Speaker 1>a mishmash story because home Star Runner itself ends up

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<v Speaker 1>being a reference to a weird joke that kind of

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<v Speaker 1>came up of a local Atlanta ad spot. Right. Yeah,

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<v Speaker 1>So our friend Jamie Huggins was nicking a Kroger or

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<v Speaker 1>Win Dixie ad that Mark Lemke was on and probably

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<v Speaker 1>or something. Jamie doesn't know a lot about sports. So

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<v Speaker 1>instead of saying all Star second Basement for the Braves,

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<v Speaker 1>Mark Limpy, he was trying to parody this commercial and said,

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<v Speaker 1>and now Homestar running for the Braves, Mark Lemki. And

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<v Speaker 1>we're also like, Jamie, what is the Homestar Runner? And

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<v Speaker 1>so then a couple of years later, um, we kept

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<v Speaker 1>using that phrase and decided to use it as a

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<v Speaker 1>you know, the name of a character when we were

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<v Speaker 1>born one day and made a story involving the Homestar Runner.

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<v Speaker 1>This is great because you know, it's it's the sort

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<v Speaker 1>of thing. I think it's an inspirational story, honestly, because

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<v Speaker 1>I know I've got lots of friends. We goof off

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<v Speaker 1>and we make you know, you'll make a joke, and

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<v Speaker 1>every now and then a joke is just it's sticky.

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<v Speaker 1>It's something that that for some reason resonates beyond just

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<v Speaker 1>the moment of making UH an offhand absurd reference, and

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<v Speaker 1>then it kind of snowballs from there and it can grow.

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<v Speaker 1>And to me, that's sort of what Homestar Runner sounds like.

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<v Speaker 1>It was something that Begans just sort of this one off,

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<v Speaker 1>little goof, but it ended up inspiring UH a huge

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<v Speaker 1>number of shorts. So after the the little joking about

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<v Speaker 1>a local ad spot and by the way, if you

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<v Speaker 1>ever really need to mind for comedy gold, you just

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<v Speaker 1>have to find some some great Atlanta local Atlanta UH commercials.

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<v Speaker 1>I've seen so many amazing ones, including people I know

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<v Speaker 1>have showed up in them, like Chris Blair of Dad's

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<v Speaker 1>Garage character. But if you guys, UH then went on

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<v Speaker 1>and started looking at things like a children's books and

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<v Speaker 1>seeing how terrible children's books can be, and thought, we

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<v Speaker 1>can do a terrible children's book. UH, and Homestar Runner

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<v Speaker 1>had a spot in that. But beyond that, we get

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<v Speaker 1>into the you know, late nineties, early two thousand's, and

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<v Speaker 1>the Worldwide Web was really just starting to get some

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<v Speaker 1>really serious traction at that point, right we're s's seeing

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<v Speaker 1>kind of the the end phase of what people later

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<v Speaker 1>on would call the web one point oh era where

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<v Speaker 1>everything was very static, nothing was interactive. You would probably

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<v Speaker 1>have a web page and it wouldn't change from one

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<v Speaker 1>month to the next, so there's no reason to ever

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<v Speaker 1>go back. You go once and that's it. You made

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<v Speaker 1>a new web page. You didn't update your webpage. Right,

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<v Speaker 1>here's my new webpage, and you would have to have

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<v Speaker 1>the little under construction at the very top, right, because

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<v Speaker 1>it's never finished, except for the fact that it's always

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<v Speaker 1>kind of finished. So you got interested in in UH

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<v Speaker 1>in flash animation and flash in general, and UH this

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<v Speaker 1>is interesting to me because it gave an opportunity to

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<v Speaker 1>have a more dynamic experience on the web, something that

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<v Speaker 1>was totally new at that time. Today we take it

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<v Speaker 1>for granted. You know, every website is dynamic in some

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<v Speaker 1>way or another, or it has some sort of dynamic

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<v Speaker 1>element worked into it. But at that time, it was

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<v Speaker 1>pretty new. And the concept of creating UH episodic content

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<v Speaker 1>that you could very easily see, you know, the next episode,

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<v Speaker 1>that was new as well. There weren't a whole lot

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<v Speaker 1>of examples of that before you get into say the

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<v Speaker 1>mid two thousand's, when UH stuff like YouTube started to

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<v Speaker 1>show up. So from what I understand is it true

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<v Speaker 1>that essentially the reason why Homestar Runner exists as a

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<v Speaker 1>cartoon is that it was kind of a way to uh,

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<v Speaker 1>to practice with Flash. Like you were, you needed to

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<v Speaker 1>animate something, so why not use this character. We're really

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<v Speaker 1>learning web development stuff like that's why we were learning

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<v Speaker 1>Flash and graphic design and stuff like that was like

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<v Speaker 1>for job type stuff, and we just used the Homestar

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<v Speaker 1>characters as like, how are we gonna learn this new

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<v Speaker 1>software Flash? And well and more so than we need

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<v Speaker 1>to animate something, it was like we need to make something.

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<v Speaker 1>I mean, I graduated from film school and moved back

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<v Speaker 1>to Atlanta from Tallahassee, Florida, and uh, you know, they

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<v Speaker 1>weren't shooting Avengers movies and or whenever that would have been. Um,

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<v Speaker 1>they weren't really shooting much of anything other than fantastic

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<v Speaker 1>Local Dixie. Uh and so I you know, there wasn't

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<v Speaker 1>a whole lot to do, and like there was you

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<v Speaker 1>were not ever going to try and put video on

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<v Speaker 1>the web at that point, Like there was just I mean,

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<v Speaker 1>lots of people still had dial upe modems. It was

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<v Speaker 1>just not um something that you could afford the bandwidth

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<v Speaker 1>for either. So I mean we just wanted to make stuff.

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<v Speaker 1>Mike moved back from he dropped out of grad school

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<v Speaker 1>and moved back and anytime we've always we've been together,

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<v Speaker 1>from when your kids, we've made stuff together. And so

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<v Speaker 1>we were like, all right, well what are we making?

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<v Speaker 1>And Flash was away that was like, oh wait, we

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<v Speaker 1>don't need you know, a budget, we don't need a crew,

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<v Speaker 1>we don't need you know, to go Rento camera, we

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<v Speaker 1>don't need film sc or whatever. We can start making content. Um.

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<v Speaker 1>And so it was like, all right, well, I guess

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<v Speaker 1>we're gonna learn how to animate because and we had

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<v Speaker 1>done stop motion stuff we were kids, and we're fans

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<v Speaker 1>of animation. Obviously Maria Mario pained for the Supernintendo, but

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<v Speaker 1>we never um, that wasn't what either of us were

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<v Speaker 1>like schooled in UM. We were always artists and creators

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<v Speaker 1>of something, but never specifically animation. So we didn't look

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<v Speaker 1>at it. Initially I was like, oh, we are we

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<v Speaker 1>can't wait to start animating. It was more like, this

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<v Speaker 1>is a way to tell stories, So what is the

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<v Speaker 1>best thing we have for that medium? And it was like, oh,

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<v Speaker 1>what if we turned that homestyle run our character and

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<v Speaker 1>his friends into a cartoon? UM? And so that was

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<v Speaker 1>kind of what it was born out of. Um and

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<v Speaker 1>the same reason that we would, you know, leave each

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<v Speaker 1>other dumb answering machine messages, voicemail messages. It's like, oh, wait,

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<v Speaker 1>here's some content. I have a medium to produce something on.

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<v Speaker 1>It's the thirty seconds before the beat happens. Here, Mike,

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<v Speaker 1>here's my little narrative I'm gonna give you when I'm

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<v Speaker 1>asking you if you remember to get some high life

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<v Speaker 1>at the publix or whatever. So anyways, so flash was

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<v Speaker 1>kind of the next one of those, you know, was

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<v Speaker 1>the next. And flash was also easy. I mean it

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<v Speaker 1>was easy enough for people that weren't animators to you know,

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<v Speaker 1>stumble their way through and produce something that was, you know,

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<v Speaker 1>halfway decent. So two guys in their apartment with like

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<v Speaker 1>a couple of keyboards could like make something that sounded

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<v Speaker 1>you know, as good as the like. At that time,

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<v Speaker 1>you know, there're were these studios making flash things that

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<v Speaker 1>had like you'd watched the credits of a thirty second

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<v Speaker 1>flash cartoon and it had like thirty people involved, um

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<v Speaker 1>one for each second of the cartoon, right right. And

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<v Speaker 1>this is so interesting to me because it parallels so

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<v Speaker 1>nicely with the rise of computer games. I did a

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<v Speaker 1>an episode recently about Sierra Games, which I know you

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<v Speaker 1>guys love. Yeah, I got to talk to Ken Williams

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<v Speaker 1>and he actually came on. He tried to get Roberta. Now,

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<v Speaker 1>he tried to, but she she was busy trying to

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<v Speaker 1>figure out how to work their cable box. So uh, yeah,

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<v Speaker 1>all of that is actually in the episode too, So

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<v Speaker 1>it's great, but uh and I was very thankful for

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<v Speaker 1>him to participate. But it was so interesting because the

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<v Speaker 1>whole reason why Sierra Games got started was that he

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<v Speaker 1>was programming. Roberta had started to encounter games, and a

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<v Speaker 1>lot of those games were being written by people who

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<v Speaker 1>were teaching themselves how to code. So games were great

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<v Speaker 1>because it was something that had structure, right, you had

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<v Speaker 1>an idea, you didn't have to learn how to bring

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<v Speaker 1>that idea to fruition, and so the game was really

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<v Speaker 1>the the tool they were using in order to educate

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<v Speaker 1>themselves on how to code. And then eventually a whole

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<v Speaker 1>industry kind of grew out of that. And it's very

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<v Speaker 1>similar to what you guys are saying, like necessity is

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<v Speaker 1>the mother of invention. You had this this tool there

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<v Speaker 1>you need to learn how to use the tool. You

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<v Speaker 1>had certain limitations placed on you, but those limitations ended

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<v Speaker 1>up just shaping the direction, didn't hold you back neces

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<v Speaker 1>sterile um, And in fact, I could argue that without

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<v Speaker 1>those limitations, you could end up being paralyzed by choice. Right.

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<v Speaker 1>You have so many options open to you don't even

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<v Speaker 1>know what to tackle next. That's why Homestar cartoons are

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<v Speaker 1>still five fifty four because that was the default and

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<v Speaker 1>Flash and still animated at twelve frames a second. Limitations

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<v Speaker 1>are still seventeen years later. Wow. Yeah, And it's it's

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<v Speaker 1>interesting now because we're in an era that sort of

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<v Speaker 1>the post Flash era as well, where we're starting to

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<v Speaker 1>see Flash being you know, pushed further and further away,

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<v Speaker 1>and there's not really any development development on that. And

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<v Speaker 1>I know that has posed something of a challenge or

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<v Speaker 1>Homestar Runner as well, because you know, that whole archive

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<v Speaker 1>it's all in Flash, so I'm sure there's the the

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<v Speaker 1>Some of it has been poured it over to YouTube, obviously,

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<v Speaker 1>which is great because you know, that's a fantastic way

0:12:49.280 --> 0:12:52.440
<v Speaker 1>for people to find it. Although I think you guys

0:12:52.640 --> 0:12:57.520
<v Speaker 1>ended up following a strategy that I've heard several creators say,

0:12:57.920 --> 0:13:01.480
<v Speaker 1>is uh incredibly important you it was necessary, which was

0:13:01.559 --> 0:13:03.959
<v Speaker 1>that you create your own space where stuff would go

0:13:04.000 --> 0:13:07.760
<v Speaker 1>and live in that homestar runners own domain. Uh. The

0:13:08.240 --> 0:13:10.800
<v Speaker 1>Bernie Burns of Rooster Teeth has talked about the same thing,

0:13:10.880 --> 0:13:13.440
<v Speaker 1>that you need to have a space that's your own,

0:13:13.720 --> 0:13:16.640
<v Speaker 1>because if you start depending upon someone else's platform and

0:13:16.679 --> 0:13:19.920
<v Speaker 1>that platform changes, you're at their mercy. So you were

0:13:19.960 --> 0:13:22.400
<v Speaker 1>actually ahead of the game, but only because really because

0:13:22.520 --> 0:13:27.920
<v Speaker 1>that was that was the only way forward pioneers, because

0:13:28.040 --> 0:13:32.400
<v Speaker 1>what else was there to do? But ended up being

0:13:32.559 --> 0:13:35.439
<v Speaker 1>again like that that inspired Bernie Burns over at Rooster

0:13:35.520 --> 0:13:37.480
<v Speaker 1>Teeth to do the same sort of thing. He he

0:13:37.559 --> 0:13:40.480
<v Speaker 1>knew he didn't want to put everything just on another

0:13:40.559 --> 0:13:42.600
<v Speaker 1>platform like at that time it would have been like

0:13:42.640 --> 0:13:46.679
<v Speaker 1>my Space or YouTube. Um, so it's it's something that

0:13:46.720 --> 0:13:51.680
<v Speaker 1>has since gone on to inspire others. So uh, you

0:13:51.760 --> 0:13:55.200
<v Speaker 1>go in, you start making this cartoon and uh, you're

0:13:55.200 --> 0:13:57.640
<v Speaker 1>having a good time, and what at what point during

0:13:57.679 --> 0:14:00.959
<v Speaker 1>the process did you start to feel like this was

0:14:01.000 --> 0:14:04.280
<v Speaker 1>gonna be something bigger than just a fun project to

0:14:04.360 --> 0:14:08.840
<v Speaker 1>do occasionally, uh, and become something a little more serious

0:14:08.840 --> 0:14:12.679
<v Speaker 1>than that. So we're we're what early two thousands here,

0:14:12.679 --> 0:14:14.280
<v Speaker 1>We've been doing it for a couple of years. Maybe

0:14:14.280 --> 0:14:16.760
<v Speaker 1>two thousand, two thousand one was sort of when we

0:14:16.760 --> 0:14:19.640
<v Speaker 1>were just uh, that was the sort of early years.

0:14:19.680 --> 0:14:22.120
<v Speaker 1>And I think it was sometime in two thousand one

0:14:22.160 --> 0:14:27.080
<v Speaker 1>when we started doing strong bad emails every yeah, every week. Yeah,

0:14:27.240 --> 0:14:29.320
<v Speaker 1>I think that was a turning point. Um, And it

0:14:29.360 --> 0:14:32.200
<v Speaker 1>certainly didn't feel like it at the time, but I

0:14:32.200 --> 0:14:35.080
<v Speaker 1>think looking back, having giving the fans a week like

0:14:35.160 --> 0:14:37.000
<v Speaker 1>something to look forward to every week, and knowing, Okay,

0:14:37.040 --> 0:14:39.000
<v Speaker 1>I'm gonna check back on Monday morning, gonna check back

0:14:39.000 --> 0:14:43.040
<v Speaker 1>on Monday morning, that sort of snowballed into sort of

0:14:43.040 --> 0:14:46.160
<v Speaker 1>where we I don't know, yeah, and then we sort

0:14:46.160 --> 0:14:49.000
<v Speaker 1>of think of the point where we realize, like, oh wait,

0:14:49.040 --> 0:14:51.840
<v Speaker 1>I think lots of people are watching this, and more

0:14:51.880 --> 0:14:55.440
<v Speaker 1>than maybe maybe we thought was when for the first

0:14:55.480 --> 0:14:57.120
<v Speaker 1>couple of years we were just on like a Yahoo

0:14:57.160 --> 0:14:59.880
<v Speaker 1>shared hosting account. It was supposed to be like the

0:15:00.000 --> 0:15:02.320
<v Speaker 1>thirty bucks a month and you've got like five gigs

0:15:02.320 --> 0:15:04.840
<v Speaker 1>of bandwidth or something, and I don't know how many

0:15:04.840 --> 0:15:06.680
<v Speaker 1>cartoons would have been on the website at that point,

0:15:07.080 --> 0:15:10.320
<v Speaker 1>but um, I remember printing out this thing and I

0:15:10.360 --> 0:15:12.040
<v Speaker 1>think we got kind of a tip off, right from

0:15:12.080 --> 0:15:14.400
<v Speaker 1>somebody at Yahoo that was just like, hey, I'm a

0:15:14.400 --> 0:15:16.120
<v Speaker 1>fan of what you guys are doing. You're gonna have

0:15:16.200 --> 0:15:18.400
<v Speaker 1>to find another solution. And he was like, I've been

0:15:18.440 --> 0:15:21.520
<v Speaker 1>looking the other way for a while now. And so

0:15:21.920 --> 0:15:25.200
<v Speaker 1>I get onto our accountant download the like you know whatever,

0:15:25.320 --> 0:15:29.160
<v Speaker 1>just bandwidth chart thing, and we've done like thirteen terabytes

0:15:29.200 --> 0:15:33.760
<v Speaker 1>of transfer or something on our thirty or five games whatever.

0:15:33.840 --> 0:15:36.640
<v Speaker 1>So there's we always just pictured this UM server in

0:15:36.680 --> 0:15:39.960
<v Speaker 1>the back of some Yahoo data centers, like smoking sparking

0:15:39.960 --> 0:15:43.600
<v Speaker 1>in the back. Yeah, and that's when it, uh, we've

0:15:43.640 --> 0:15:45.600
<v Speaker 1>got shut down at some point, right, that's when the

0:15:45.600 --> 0:15:47.440
<v Speaker 1>system is down. So the site was actually down for

0:15:47.480 --> 0:15:50.960
<v Speaker 1>a day or two. Yeah, um and uh, but that

0:15:51.000 --> 0:15:52.600
<v Speaker 1>was kind of when we were like, oh, wow, okay,

0:15:52.720 --> 0:15:54.360
<v Speaker 1>you know, we've gotten some emails and people. We knew

0:15:54.360 --> 0:15:55.920
<v Speaker 1>that there were some, you know, but we just sort

0:15:55.920 --> 0:15:57.760
<v Speaker 1>of assumed it was like, oh, these few people that

0:15:57.840 --> 0:16:00.320
<v Speaker 1>know about flash animation on the web have found our stuff,

0:16:00.320 --> 0:16:02.240
<v Speaker 1>and that's awesome, and we thought that was great. Um.

0:16:02.280 --> 0:16:04.040
<v Speaker 1>I think that was when that was kind of the

0:16:04.040 --> 0:16:05.840
<v Speaker 1>moment where were like, oh, wait, maybe this is something

0:16:05.880 --> 0:16:07.960
<v Speaker 1>we could do we could continue to do and because

0:16:08.000 --> 0:16:11.200
<v Speaker 1>at the time we still had regular day jobs and

0:16:11.240 --> 0:16:13.000
<v Speaker 1>I think that was probably about the same time we

0:16:13.120 --> 0:16:16.080
<v Speaker 1>decided to sell some merch and and then a year

0:16:16.120 --> 0:16:19.520
<v Speaker 1>or so into that was when our dad, who was

0:16:19.520 --> 0:16:22.360
<v Speaker 1>was a c p a um like basically told his

0:16:22.440 --> 0:16:25.840
<v Speaker 1>two screw up artists sons to quit their jobs. He

0:16:26.000 --> 0:16:27.760
<v Speaker 1>was like, this is dumb. You quit your jobs and

0:16:27.760 --> 0:16:30.400
<v Speaker 1>make these cartoons for living, would you? Which is We've

0:16:30.400 --> 0:16:32.440
<v Speaker 1>always feel like it's the probably the best moment you

0:16:32.480 --> 0:16:35.200
<v Speaker 1>could you could ask for from a father's son. Oh yeah,

0:16:35.280 --> 0:16:38.080
<v Speaker 1>when you got a churn public account and saying, hey, guys,

0:16:38.240 --> 0:16:42.240
<v Speaker 1>no you know that that regular steady gig you have

0:16:42.920 --> 0:16:47.640
<v Speaker 1>quit it? What that's amazing? Make cartoons with your brother

0:16:47.680 --> 0:16:50.160
<v Speaker 1>in the basement? Good grief. That's like, yeah, dream come

0:16:50.200 --> 0:17:00.120
<v Speaker 1>true moment, right there? Tons and tons of short that

0:17:00.240 --> 0:17:03.360
<v Speaker 1>you guys have made, lots of wonderful characters, not to

0:17:03.400 --> 0:17:07.080
<v Speaker 1>mention all the alternate versions of those characters. Was always

0:17:07.119 --> 0:17:08.760
<v Speaker 1>the most fun was to sort of world build and

0:17:08.800 --> 0:17:10.919
<v Speaker 1>do other Yeah, yeah, I was enjoying. I love the

0:17:10.920 --> 0:17:14.480
<v Speaker 1>old timey ones. Always like people that like that. That's

0:17:14.520 --> 0:17:17.280
<v Speaker 1>my favorite too. So well, there's a sort of polarizing.

0:17:17.880 --> 0:17:21.080
<v Speaker 1>It's no I to me, it's just the level of

0:17:21.119 --> 0:17:27.760
<v Speaker 1>absurdity coupled with the Transatlantic accent. My favorite. There's a

0:17:28.880 --> 0:17:31.040
<v Speaker 1>there's a video that that we did here at How

0:17:31.080 --> 0:17:33.720
<v Speaker 1>Stuff Works about the Transatlantic accent. They got me to

0:17:33.760 --> 0:17:36.440
<v Speaker 1>be the one to do it, and I have to say, like,

0:17:36.600 --> 0:17:41.840
<v Speaker 1>there's certain certain influences that went into the absolute nonsense

0:17:41.960 --> 0:17:44.879
<v Speaker 1>that I was spouting off randomly at the end of

0:17:44.880 --> 0:17:47.320
<v Speaker 1>the video, just to kind of give examples of Transatlantic

0:17:47.359 --> 0:17:50.680
<v Speaker 1>accent and the old timey homestar runner ones were way

0:17:50.760 --> 0:17:53.600
<v Speaker 1>up there, and it's like, I know what I'm saying

0:17:53.680 --> 0:17:56.320
<v Speaker 1>has no meaning, but it doesn't matter. So and also,

0:17:56.359 --> 0:17:59.159
<v Speaker 1>it's just fun to do until somebody really tells you

0:17:59.200 --> 0:18:01.199
<v Speaker 1>to knock it off, and then it's actually fun to

0:18:01.200 --> 0:18:03.320
<v Speaker 1>do for about another five minutes. Yeah, you gotta, Yeah,

0:18:03.400 --> 0:18:06.360
<v Speaker 1>you gotta get past that point, right. It's the whole

0:18:06.400 --> 0:18:08.760
<v Speaker 1>thing where you you tell a joke until it's being funny,

0:18:08.760 --> 0:18:12.280
<v Speaker 1>and you keep telling it gets funny again. Yeah, repetition

0:18:12.320 --> 0:18:17.399
<v Speaker 1>get louder to remember the I always think of the

0:18:18.200 --> 0:18:21.320
<v Speaker 1>side show Bob Stepping on the Rakes and the Simpsons.

0:18:21.359 --> 0:18:23.120
<v Speaker 1>It's like it's like quak, he's gonna do it again.

0:18:23.160 --> 0:18:25.440
<v Speaker 1>It's like happened so many times and it's like, whoa,

0:18:25.560 --> 0:18:28.720
<v Speaker 1>we did it one more time. So it was wow.

0:18:28.760 --> 0:18:29.879
<v Speaker 1>I didn't you know, I thought they were going to

0:18:30.000 --> 0:18:34.880
<v Speaker 1>draw the line of nineteen. Uh. Well, out of all

0:18:34.920 --> 0:18:37.280
<v Speaker 1>that massive amount of stuff that you guys have done,

0:18:37.280 --> 0:18:39.480
<v Speaker 1>are there any things that just stand out in particular

0:18:39.520 --> 0:18:42.080
<v Speaker 1>in your in your minds as things like when you

0:18:42.160 --> 0:18:45.080
<v Speaker 1>came up with it or when you first animated it. Uh,

0:18:45.240 --> 0:18:49.800
<v Speaker 1>it brought you, guys just just genuine joy and whether

0:18:49.960 --> 0:18:51.920
<v Speaker 1>whether or not it went on to have a life

0:18:51.960 --> 0:18:54.800
<v Speaker 1>of its own afterward. I'm always interested to hear the

0:18:54.840 --> 0:18:56.879
<v Speaker 1>kind of stuff that when someone writes it and I

0:18:56.920 --> 0:18:58.960
<v Speaker 1>know this gets self indulgent, but when you write it

0:18:59.000 --> 0:19:02.160
<v Speaker 1>and you just think that's great, that's just a great

0:19:02.200 --> 0:19:04.879
<v Speaker 1>little moment there, you know, even if even if you

0:19:05.119 --> 0:19:07.560
<v Speaker 1>have to associate yourself with it a little bit, Is

0:19:07.560 --> 0:19:09.720
<v Speaker 1>there anything like that stands out in your mind for

0:19:09.800 --> 0:19:11.200
<v Speaker 1>me and it Maybe I don't know if it's the

0:19:11.240 --> 0:19:14.639
<v Speaker 1>same for Matt. You mentioned Sierra Games. We did a

0:19:14.680 --> 0:19:17.600
<v Speaker 1>Peasant's Quest, which was a riff on King's Quest sort

0:19:17.600 --> 0:19:20.080
<v Speaker 1>of in the Drug Door universe, and to me, making

0:19:20.119 --> 0:19:23.080
<v Speaker 1>that whole game was probably the most fun thing we

0:19:23.160 --> 0:19:26.640
<v Speaker 1>ever did. And Homestar related, um, just making the graphics

0:19:26.720 --> 0:19:29.239
<v Speaker 1>for it, making the puzzles, do I mean just an

0:19:29.240 --> 0:19:31.320
<v Speaker 1>implement it may being able to make a game that

0:19:31.440 --> 0:19:34.879
<v Speaker 1>was not only it wasn't a parody of those games.

0:19:34.880 --> 0:19:37.800
<v Speaker 1>It was an homage to those games, and it was

0:19:37.920 --> 0:19:41.359
<v Speaker 1>those games, you know, like it was functional, it wasn't

0:19:41.400 --> 0:19:46.359
<v Speaker 1>just a joke. Yeah. I feel like when we made

0:19:46.359 --> 0:19:52.040
<v Speaker 1>there's a emails at one eighteen What's virus one nineteen

0:19:53.200 --> 0:19:56.040
<v Speaker 1>where he gets a computer virus and all this kind

0:19:56.080 --> 0:19:57.840
<v Speaker 1>of crazy stuff happens and it gets a little like

0:19:58.040 --> 0:20:00.280
<v Speaker 1>meta and uh, and it ends up with him getting

0:20:00.280 --> 0:20:02.440
<v Speaker 1>a new computer in the next one because he asked

0:20:02.480 --> 0:20:04.840
<v Speaker 1>to sacrifice this computer. But I remember that was one

0:20:04.840 --> 0:20:07.720
<v Speaker 1>where we we stayed up all night we did. Uh.

0:20:07.840 --> 0:20:10.040
<v Speaker 1>Is that another one where we messed with the frame? Yeah,

0:20:11.880 --> 0:20:14.119
<v Speaker 1>we re sized the size of the movie, but the

0:20:14.200 --> 0:20:16.160
<v Speaker 1>viewer wouldn't know because we still always have this black

0:20:16.240 --> 0:20:18.040
<v Speaker 1>border around it. But then at some point in it,

0:20:18.240 --> 0:20:20.520
<v Speaker 1>that like border moves until like kind of messes with

0:20:20.560 --> 0:20:23.720
<v Speaker 1>your head in the cartoon. And then we there's a

0:20:23.760 --> 0:20:25.720
<v Speaker 1>part where pop up ads start showing up in the

0:20:25.720 --> 0:20:27.640
<v Speaker 1>cartoon and then we made a real pop up ad

0:20:27.720 --> 0:20:29.760
<v Speaker 1>like we did some like I forget what it was

0:20:29.920 --> 0:20:32.360
<v Speaker 1>action script like made one cap and in your browser too,

0:20:32.359 --> 0:20:34.359
<v Speaker 1>so it was this broke broke the fourth wall, you know,

0:20:34.400 --> 0:20:37.840
<v Speaker 1>outside of your normal computer realm. And um, I just

0:20:37.840 --> 0:20:40.000
<v Speaker 1>remember finishing that one up, like I'm pretty sure we

0:20:40.040 --> 0:20:42.240
<v Speaker 1>stayed up all night for that one. And uh. And

0:20:42.280 --> 0:20:45.640
<v Speaker 1>then the next day, um, we went to what Steak

0:20:45.680 --> 0:20:47.320
<v Speaker 1>and Shake because I want would always like we'd like

0:20:47.320 --> 0:20:48.840
<v Speaker 1>finish it up and be like, yeah, that's good and

0:20:48.960 --> 0:20:50.320
<v Speaker 1>kind of good feeling. And we didn't even like go

0:20:50.359 --> 0:20:52.399
<v Speaker 1>look because we we tried not to be we always

0:20:52.400 --> 0:20:54.320
<v Speaker 1>want to know, stay in touch with the fans, but

0:20:54.400 --> 0:20:57.800
<v Speaker 1>never like tried to you know, we didn't like dissect

0:20:57.840 --> 0:20:59.720
<v Speaker 1>every comment or every at the time it would have

0:20:59.720 --> 0:21:01.920
<v Speaker 1>been like live journal page or something like there weren't

0:21:01.960 --> 0:21:05.080
<v Speaker 1>just like message boards, uh or comments sections like there

0:21:05.080 --> 0:21:08.000
<v Speaker 1>are now. But um, I don't even I think we

0:21:08.040 --> 0:21:09.800
<v Speaker 1>didn't even look at like anything. We're just like we

0:21:09.880 --> 0:21:12.280
<v Speaker 1>just they're all gonna love it because everybody's gonna love

0:21:12.320 --> 0:21:13.480
<v Speaker 1>this one, and we love this one. We had a

0:21:13.520 --> 0:21:15.520
<v Speaker 1>really good time when then let's go get take and

0:21:15.560 --> 0:21:20.360
<v Speaker 1>shake that. I don't know, that sort of moment where

0:21:20.400 --> 0:21:23.080
<v Speaker 1>you're like confident enough in yourself to be like I think,

0:21:23.200 --> 0:21:25.320
<v Speaker 1>I think we did a home run here, and then

0:21:25.680 --> 0:21:27.919
<v Speaker 1>you know, and then you went back and it was like, oh,

0:21:27.960 --> 0:21:30.040
<v Speaker 1>I think people did like it. Like I remember always

0:21:30.080 --> 0:21:32.440
<v Speaker 1>thinking along those lines when you would make a good one,

0:21:32.560 --> 0:21:34.080
<v Speaker 1>it was like, okay, we did a good one. People

0:21:34.119 --> 0:21:36.919
<v Speaker 1>liked it. And then that my thinking was that, okay,

0:21:36.920 --> 0:21:39.159
<v Speaker 1>that just buys us three or four bad ones now

0:21:39.280 --> 0:21:41.399
<v Speaker 1>the five for bad ones every game. When you do

0:21:41.440 --> 0:21:44.199
<v Speaker 1>it's like, okay, I've got a little more currency to

0:21:44.720 --> 0:21:47.840
<v Speaker 1>mess up. Well, you know. That also brings me There

0:21:47.880 --> 0:21:51.199
<v Speaker 1>was a recent piece I read that was interesting. It

0:21:51.240 --> 0:21:55.879
<v Speaker 1>was about um uh people who are in the creative industry.

0:21:56.359 --> 0:21:58.879
<v Speaker 1>They were specifically focusing on YouTubers, but to me, it

0:21:59.040 --> 0:22:03.960
<v Speaker 1>really would be anyone from twitch streamers to podcasters to cartoonists, really,

0:22:03.960 --> 0:22:06.720
<v Speaker 1>any any creative endeavor, especially a creative endeavor where you're

0:22:06.720 --> 0:22:11.320
<v Speaker 1>trying to deliver consistent um content on on like a schedule.

0:22:12.080 --> 0:22:15.680
<v Speaker 1>That one of the dangers is always this fear of burnout.

0:22:15.800 --> 0:22:18.560
<v Speaker 1>That's not just it's not just the idea of writer's block,

0:22:18.600 --> 0:22:20.360
<v Speaker 1>which is something that we all deal with at one

0:22:20.359 --> 0:22:22.240
<v Speaker 1>time or another where you're just you're staring at the

0:22:22.240 --> 0:22:25.480
<v Speaker 1>empty page and there's just nothing coming to you. But

0:22:25.640 --> 0:22:29.679
<v Speaker 1>just that that pressure of delivering, especially when you've built

0:22:29.760 --> 0:22:32.720
<v Speaker 1>up a reputation of certain kind of material. Was that

0:22:32.760 --> 0:22:34.919
<v Speaker 1>ever anything that was threatening you guys while you were

0:22:34.960 --> 0:22:37.840
<v Speaker 1>working on it? Yeah, I mean it definitely made things.

0:22:38.160 --> 0:22:40.920
<v Speaker 1>You know, early on we made cartoons because they were fun,

0:22:41.400 --> 0:22:43.400
<v Speaker 1>and then you know, there was definitely a period where

0:22:43.520 --> 0:22:46.800
<v Speaker 1>Saturday Sunday came around and we're like, we don't have

0:22:46.840 --> 0:22:48.879
<v Speaker 1>no ideas for this strong bade email, we have to

0:22:48.920 --> 0:22:50.399
<v Speaker 1>make one, and then you just kind of have to

0:22:51.720 --> 0:22:55.199
<v Speaker 1>power through. Yeah, um, which is it wasn't really that

0:22:55.240 --> 0:22:57.840
<v Speaker 1>big of a deal. But like, if it wasn't for

0:22:57.840 --> 0:23:00.240
<v Speaker 1>the expectation that was there, you wouldn't have on it,

0:23:00.320 --> 0:23:03.600
<v Speaker 1>you know. Yeah, I mean it's tough when you're trying,

0:23:03.640 --> 0:23:06.879
<v Speaker 1>when your goal is to entertain someone and it feels

0:23:06.960 --> 0:23:08.600
<v Speaker 1>like you know you're gonna have to push through it.

0:23:08.640 --> 0:23:11.520
<v Speaker 1>Then that adds that extra layer, right, like you're like,

0:23:11.800 --> 0:23:13.199
<v Speaker 1>it's not just that I need to do it, I

0:23:13.240 --> 0:23:16.080
<v Speaker 1>need to do it and make someone laugh and I'm

0:23:16.119 --> 0:23:20.439
<v Speaker 1>not having I don't want to be doing Yeah, yeah, um,

0:23:20.480 --> 0:23:23.080
<v Speaker 1>but I mean that's I think working in that the

0:23:23.080 --> 0:23:25.600
<v Speaker 1>way we worked where most of the stuff we did

0:23:25.640 --> 0:23:27.960
<v Speaker 1>we made in the forty eight hours or so before

0:23:27.960 --> 0:23:31.040
<v Speaker 1>it was you know, thrown out into the world. You know,

0:23:31.080 --> 0:23:35.080
<v Speaker 1>we made most everything from Friday to Sunday. Um, So

0:23:35.119 --> 0:23:37.560
<v Speaker 1>it was a double edged short. I mean sometimes it

0:23:37.600 --> 0:23:40.639
<v Speaker 1>was terrible. You know, probably the results were terrible. But

0:23:40.680 --> 0:23:43.080
<v Speaker 1>other times you use that same energy and it's like

0:23:43.560 --> 0:23:46.400
<v Speaker 1>if you sit there for two weeks and overthink things,

0:23:46.400 --> 0:23:48.560
<v Speaker 1>you're you're gonna talk yourself out of something that's some

0:23:48.680 --> 0:23:50.800
<v Speaker 1>dumb idea that you know could have. You know, drog

0:23:50.880 --> 0:23:53.359
<v Speaker 1>door for instance, is probably something that you think about

0:23:53.400 --> 0:23:54.720
<v Speaker 1>it long, and I was like, I don't know, maybe

0:23:54.760 --> 0:23:56.560
<v Speaker 1>we can just maybe he shouldn't have this beefy arm

0:23:56.600 --> 0:23:58.439
<v Speaker 1>sticking out his back that when you gout, you know,

0:23:58.600 --> 0:24:01.240
<v Speaker 1>fifteen minutes before you're gonna put it, let's leave it in,

0:24:01.280 --> 0:24:05.760
<v Speaker 1>let's do it. It's a design choice. At this point. Uh,

0:24:05.920 --> 0:24:08.359
<v Speaker 1>we also had the I feel like we had the

0:24:08.440 --> 0:24:11.560
<v Speaker 1>luxury of being able to do kind of whatever we wanted.

0:24:11.600 --> 0:24:13.520
<v Speaker 1>And so even if there are those times where we

0:24:13.520 --> 0:24:15.840
<v Speaker 1>were like out of ideas, for a strong bad email

0:24:15.880 --> 0:24:18.359
<v Speaker 1>or something. That's when we'd be like, well, let's do

0:24:18.560 --> 0:24:20.120
<v Speaker 1>an old time what do we want to do. Let's

0:24:20.160 --> 0:24:22.159
<v Speaker 1>do an old timing cartoon this week, Let's do uh,

0:24:22.359 --> 0:24:26.000
<v Speaker 1>you know, we invented like eighties hair metal band for

0:24:26.080 --> 0:24:28.880
<v Speaker 1>the Homestar Universe. We invented a like indie rock band

0:24:28.920 --> 0:24:31.040
<v Speaker 1>because that's kind of where we were in high school

0:24:31.040 --> 0:24:32.720
<v Speaker 1>and college, and so it's just sort of like, I

0:24:32.800 --> 0:24:34.680
<v Speaker 1>just want to make it like indie rock song. This week.

0:24:34.760 --> 0:24:36.200
<v Speaker 1>It's was like, all right, let's invent a band and

0:24:36.200 --> 0:24:37.840
<v Speaker 1>put it in a cartoon and then that's you know,

0:24:37.960 --> 0:24:40.159
<v Speaker 1>so we it was kind of nice where we just

0:24:40.200 --> 0:24:43.680
<v Speaker 1>have to stop thinking of like we're delivering this formula

0:24:44.080 --> 0:24:46.159
<v Speaker 1>everybody and a lot of you know, especially if it

0:24:46.200 --> 0:24:47.760
<v Speaker 1>wasn't in the form of a strong bad email. I'm

0:24:47.760 --> 0:24:50.440
<v Speaker 1>sure there were fans that were disappointed, but it was like,

0:24:50.680 --> 0:24:52.199
<v Speaker 1>all right, well that's what you gotta put up with.

0:24:52.320 --> 0:24:54.679
<v Speaker 1>For like I, I didn't get burned out and hated

0:24:54.720 --> 0:24:57.119
<v Speaker 1>the thing that you like that I do because I

0:24:57.119 --> 0:24:59.840
<v Speaker 1>got like re energized by taking a little flight of

0:25:00.000 --> 0:25:02.680
<v Speaker 1>and see or whatever and doing something kind of um

0:25:02.720 --> 0:25:06.560
<v Speaker 1>out of our normal wheelhouse or whatever, um, and so

0:25:06.680 --> 0:25:10.400
<v Speaker 1>I think that we would um employ that I think

0:25:10.560 --> 0:25:12.960
<v Speaker 1>a good bit too, kind of helped stave off any

0:25:12.960 --> 0:25:15.080
<v Speaker 1>sort of burnout where it was just like, all right,

0:25:15.119 --> 0:25:17.080
<v Speaker 1>I should have shut up, because like, not only do

0:25:17.119 --> 0:25:19.800
<v Speaker 1>I get to make cartoons for a living, but I

0:25:19.840 --> 0:25:22.000
<v Speaker 1>got to like blow off making cartoons and go do

0:25:22.160 --> 0:25:27.200
<v Speaker 1>you know, makeup game like eighties hair metal song this week?

0:25:27.280 --> 0:25:30.399
<v Speaker 1>So but yeah, and you guys also had stuff on

0:25:30.440 --> 0:25:33.400
<v Speaker 1>the site that went beyond like you like the games

0:25:33.680 --> 0:25:36.399
<v Speaker 1>are a good example. There were various interactive elements on

0:25:36.400 --> 0:25:39.960
<v Speaker 1>the website. Besides games and little sound boards and things

0:25:40.000 --> 0:25:45.080
<v Speaker 1>like that. You had the live action Troug Door uh trailer,

0:25:45.160 --> 0:25:48.439
<v Speaker 1>which is one of my favorites. And partly because I

0:25:48.480 --> 0:25:52.359
<v Speaker 1>know some of the people were, I was like, se

0:25:53.600 --> 0:25:57.080
<v Speaker 1>so fun and uh, that's the beauty of living in Atlanta.

0:25:57.200 --> 0:25:59.480
<v Speaker 1>And you guys got to to work with some great

0:25:59.520 --> 0:26:03.119
<v Speaker 1>Atlanta talent, which I I imagine is is just exploding

0:26:03.160 --> 0:26:05.520
<v Speaker 1>at this point because we've got so many things happening

0:26:05.520 --> 0:26:07.320
<v Speaker 1>in Atlanta. I'm sure that opens up a lot of

0:26:07.359 --> 0:26:12.680
<v Speaker 1>different opportunities as well, um, which is fantastic. But I

0:26:12.760 --> 0:26:15.760
<v Speaker 1>also want to thank you guys for this idea of

0:26:15.800 --> 0:26:18.240
<v Speaker 1>being able to branch out and try different things and

0:26:18.240 --> 0:26:20.840
<v Speaker 1>and open up different universes, because I like to imagine

0:26:20.840 --> 0:26:22.480
<v Speaker 1>that it was one of those weeks where we got

0:26:22.720 --> 0:26:25.760
<v Speaker 1>blessed with Teen Girl Squad, which is probably my favorite

0:26:25.760 --> 0:26:29.720
<v Speaker 1>of all of the variations that have come out. It's

0:26:29.800 --> 0:26:34.080
<v Speaker 1>one my wife and I still quote consistently, so we're

0:26:34.080 --> 0:26:38.360
<v Speaker 1>always happy whenever we get a teen Girl Squad. Uh. So,

0:26:38.680 --> 0:26:41.760
<v Speaker 1>you know, the popularity of Homestar grew and grew and

0:26:41.760 --> 0:26:44.879
<v Speaker 1>and it's really interesting that you guys were you know,

0:26:44.920 --> 0:26:48.119
<v Speaker 1>you weren't really focused on the analytics. It's not like

0:26:48.160 --> 0:26:51.320
<v Speaker 1>you were, you know, watching those counts, like you know,

0:26:51.359 --> 0:26:53.840
<v Speaker 1>there are people who are are obsessed over that, whether

0:26:53.880 --> 0:26:55.560
<v Speaker 1>it was back in the old web days where you

0:26:55.600 --> 0:26:58.160
<v Speaker 1>had the little visitor counter that would go up by

0:26:58.200 --> 0:27:00.560
<v Speaker 1>one little digit counter to go up every time, or

0:27:00.720 --> 0:27:03.560
<v Speaker 1>now it's obviously like YouTube views and subscriptions, that kind

0:27:03.560 --> 0:27:06.480
<v Speaker 1>of thing. It seems like that was never really, uh,

0:27:06.640 --> 0:27:10.080
<v Speaker 1>something that you guys were terribly focused on or concerned with.

0:27:10.200 --> 0:27:12.119
<v Speaker 1>You were just you know, looking at the content and

0:27:12.119 --> 0:27:13.879
<v Speaker 1>creating that. Yeah, and we didn't want we sort of

0:27:13.920 --> 0:27:16.720
<v Speaker 1>actively didn't look at that because we didn't want you know,

0:27:16.840 --> 0:27:20.120
<v Speaker 1>if we did something that we liked that it maybe

0:27:20.119 --> 0:27:22.080
<v Speaker 1>didn't get the views. That's something else, like we didn't

0:27:22.080 --> 0:27:24.720
<v Speaker 1>want that to affect like Okay, let's just make another

0:27:24.800 --> 0:27:27.399
<v Speaker 1>trout door or make another stinco man or something. So

0:27:27.440 --> 0:27:29.920
<v Speaker 1>we would actively sort of try to distance ourselves from

0:27:29.920 --> 0:27:32.320
<v Speaker 1>knowing what was hitting and what wasn't, just so that

0:27:32.359 --> 0:27:36.200
<v Speaker 1>we could so it wouldn't mess with the creative process. Yeah.

0:27:36.240 --> 0:27:39.760
<v Speaker 1>We talked to uh YouTube a couple of younger YouTube

0:27:39.760 --> 0:27:43.000
<v Speaker 1>guys a few years ago, and uh they were talking

0:27:43.040 --> 0:27:45.240
<v Speaker 1>about how like, you know, they used the live thing.

0:27:45.280 --> 0:27:47.560
<v Speaker 1>There's like a live analytics thing on YouTube, like you

0:27:47.600 --> 0:27:49.679
<v Speaker 1>can upload your video and then right then it's showing you.

0:27:49.760 --> 0:27:51.880
<v Speaker 1>It's just like any other you know, Google analytics thing

0:27:51.880 --> 0:27:53.720
<v Speaker 1>where you can see who is watching it right now

0:27:54.080 --> 0:27:56.040
<v Speaker 1>and if they and you know, if they commented. I

0:27:56.040 --> 0:27:58.160
<v Speaker 1>don't know if you know exactly who did what comment.

0:27:58.240 --> 0:28:00.440
<v Speaker 1>You know, they're interacting with the comments or liked or

0:28:00.440 --> 0:28:02.919
<v Speaker 1>they did the thumbs down or whatever, or the moment

0:28:02.920 --> 0:28:07.560
<v Speaker 1>they stopped watching. Yeah. Yeah, and so he said it

0:28:07.600 --> 0:28:10.440
<v Speaker 1>was like it's like he's immediately watching this like focus group,

0:28:10.600 --> 0:28:12.640
<v Speaker 1>but this is not. He didn't he's not testing this.

0:28:12.640 --> 0:28:14.199
<v Speaker 1>This is he this guy just made this thing and

0:28:14.280 --> 0:28:16.199
<v Speaker 1>uploaded into the world, and now he's having to like

0:28:16.200 --> 0:28:19.000
<v Speaker 1>watch this judgment happen like user and time. And I

0:28:19.040 --> 0:28:20.879
<v Speaker 1>was just like, how can you do that? He's like,

0:28:21.040 --> 0:28:22.920
<v Speaker 1>I know it's terrifying, but I can't, like I can't

0:28:22.920 --> 0:28:25.040
<v Speaker 1>look away, Like I just like embraved as part of

0:28:25.040 --> 0:28:27.879
<v Speaker 1>the process. And I'm happy that we didn't even we

0:28:27.880 --> 0:28:30.480
<v Speaker 1>were just for a long time. It was um, I

0:28:30.480 --> 0:28:32.960
<v Speaker 1>mean it was this will sound like a humble brag

0:28:33.040 --> 0:28:34.800
<v Speaker 1>or whatever, but it was like we actually were doing

0:28:35.320 --> 0:28:37.159
<v Speaker 1>crazy enough amounts of traffic that are I don't know

0:28:37.160 --> 0:28:39.200
<v Speaker 1>if it was just that our web hosting guy was

0:28:39.240 --> 0:28:42.040
<v Speaker 1>like lazy and didn't want to like compile these logs.

0:28:42.120 --> 0:28:44.000
<v Speaker 1>So we could see that, like because we occasionally we

0:28:44.000 --> 0:28:45.600
<v Speaker 1>would ask were like, so what can we give us

0:28:45.640 --> 0:28:47.400
<v Speaker 1>our actual numbers and stuff like what are we doing?

0:28:47.960 --> 0:28:50.720
<v Speaker 1>Um and uh, and he'd always be like, it's gonna

0:28:50.760 --> 0:28:52.480
<v Speaker 1>take like a couple of days because it's all these

0:28:52.520 --> 0:28:55.000
<v Speaker 1>like log files and it kind of like chokes on them.

0:28:55.000 --> 0:28:57.200
<v Speaker 1>And so we just never had those numbers. So I

0:28:57.560 --> 0:28:59.600
<v Speaker 1>kind of feel fortunate that we didn't, because I think

0:28:59.600 --> 0:29:02.360
<v Speaker 1>we could have obsessed over that stuff, and now it's

0:29:02.400 --> 0:29:04.560
<v Speaker 1>carried into even though we are you know, we're putting

0:29:04.560 --> 0:29:06.840
<v Speaker 1>stuff on YouTube now and have a Twitter account and

0:29:06.840 --> 0:29:09.040
<v Speaker 1>stuff like that, but like we just don't care. I

0:29:09.440 --> 0:29:14.120
<v Speaker 1>like it kind of helps inform, uh, those decisions now

0:29:14.160 --> 0:29:16.080
<v Speaker 1>where I don't think we'll be affected by it, even

0:29:16.080 --> 0:29:17.880
<v Speaker 1>though it seems like that is the way that if

0:29:17.880 --> 0:29:19.480
<v Speaker 1>you're gonna make money on this stuff, you need to

0:29:19.600 --> 0:29:21.720
<v Speaker 1>like get a million viewers, and you need to have

0:29:21.800 --> 0:29:24.400
<v Speaker 1>ad revenue and all that stuff. But it's kind of like,

0:29:24.440 --> 0:29:26.520
<v Speaker 1>I'm glad that I'm not sweating that even if it's

0:29:26.520 --> 0:29:29.800
<v Speaker 1>not sure, it's not like crushing if we put up

0:29:29.840 --> 0:29:32.960
<v Speaker 1>a new cartoon and it doesn't hit well. Yeah, I mean,

0:29:33.000 --> 0:29:36.360
<v Speaker 1>like again going back to the example of not not

0:29:36.480 --> 0:29:39.600
<v Speaker 1>putting all your eggs in one basket. With the YouTube example,

0:29:39.640 --> 0:29:44.240
<v Speaker 1>we've just seen YouTube change their policies that in my mind,

0:29:44.680 --> 0:29:48.120
<v Speaker 1>really hurt people who who specialize in short form content

0:29:48.240 --> 0:29:51.640
<v Speaker 1>because a lot of the metrics that they're using is

0:29:51.720 --> 0:29:56.440
<v Speaker 1>the number of collective hours watched per given amount of time,

0:29:56.520 --> 0:29:59.520
<v Speaker 1>like per month or whatever. And obviously, if you're producing

0:29:59.520 --> 0:30:02.520
<v Speaker 1>short form content, you need to have way more people

0:30:02.600 --> 0:30:05.600
<v Speaker 1>watching your stuff. To get that collective number of hours up.

0:30:06.160 --> 0:30:09.680
<v Speaker 1>And it's not it's not a comment on the quality

0:30:09.720 --> 0:30:13.040
<v Speaker 1>of the content so much is just the quantity of it,

0:30:13.400 --> 0:30:15.400
<v Speaker 1>which seems kind of backwards to me. Yes, and now

0:30:15.400 --> 0:30:17.480
<v Speaker 1>if you just I didn't realize that that's I knew

0:30:17.480 --> 0:30:20.120
<v Speaker 1>there was a change recently. Yeah, it was something along

0:30:20.120 --> 0:30:22.240
<v Speaker 1>the lines of life. I think. It's like, in order

0:30:22.280 --> 0:30:25.960
<v Speaker 1>to even be considered for monetization at this point, your

0:30:26.240 --> 0:30:29.760
<v Speaker 1>videos need to have achieved something like four thousand hours

0:30:29.840 --> 0:30:32.320
<v Speaker 1>worth of viewing time, which obviously, if you're doing short

0:30:32.400 --> 0:30:36.480
<v Speaker 1>form and even if you have an engaged, dedicated audience,

0:30:36.600 --> 0:30:39.920
<v Speaker 1>you've got to write a whole bunch of different episodes

0:30:40.040 --> 0:30:43.800
<v Speaker 1>or or instances in order to achieve that. Whereas if

0:30:43.840 --> 0:30:48.160
<v Speaker 1>you are someone who maybe you you record a two

0:30:48.160 --> 0:30:51.959
<v Speaker 1>hour or three hour gaming session and you upload it

0:30:52.040 --> 0:30:55.200
<v Speaker 1>and there's you know, there's a proven audience for that

0:30:55.280 --> 0:30:57.920
<v Speaker 1>content because it's three hours, and because a lot of

0:30:57.920 --> 0:31:01.120
<v Speaker 1>those people will watch the entire three hours and material

0:31:01.680 --> 0:31:06.600
<v Speaker 1>you rack those alums video and you're set, you right,

0:31:07.000 --> 0:31:10.520
<v Speaker 1>just watch it yourself. It's just wow, Like I remember

0:31:10.520 --> 0:31:13.560
<v Speaker 1>when that little black spot was an orange and uh,

0:31:13.920 --> 0:31:18.240
<v Speaker 1>now here we are and then it's just desiccated into nothing. Um,

0:31:18.800 --> 0:31:22.920
<v Speaker 1>this isn't good, but it's consistent. Uh yeah, it's it's

0:31:23.680 --> 0:31:27.640
<v Speaker 1>it's well again. A great reason why why going into

0:31:27.720 --> 0:31:30.720
<v Speaker 1>any one platform is a bit of a you know,

0:31:30.720 --> 0:31:33.680
<v Speaker 1>a danger, because you might you might end up having

0:31:33.720 --> 0:31:36.760
<v Speaker 1>a policy change that you have no control over. And

0:31:36.800 --> 0:31:40.400
<v Speaker 1>it's not that your stuff isn't great or that it

0:31:40.600 --> 0:31:43.080
<v Speaker 1>doesn't have an audience. It's just that because the rules

0:31:43.160 --> 0:31:46.840
<v Speaker 1>changed above you, you suddenly have a door closed in

0:31:46.880 --> 0:31:50.920
<v Speaker 1>your face, which seems kind of unfair for anyone who's

0:31:51.000 --> 0:31:54.080
<v Speaker 1>not like a big time content creator, like one of

0:31:54.080 --> 0:31:58.040
<v Speaker 1>the one of the superstars. Um. And obviously YouTube has

0:31:58.080 --> 0:32:01.840
<v Speaker 1>gone through numerous changes over it's it's history. I did

0:32:01.880 --> 0:32:05.880
<v Speaker 1>a three part series about YouTube recently and really talked

0:32:05.880 --> 0:32:09.360
<v Speaker 1>about how it's changed dramatically. So there's no guarantee that's

0:32:09.400 --> 0:32:12.120
<v Speaker 1>going to keep that policy. Maybe if there's enough resistance,

0:32:12.160 --> 0:32:15.840
<v Speaker 1>they'll change it again, but it's one that draws concern

0:32:15.920 --> 0:32:18.440
<v Speaker 1>from people who maybe they want to get a start.

0:32:18.480 --> 0:32:20.760
<v Speaker 1>They have an idea and they want to indulge in

0:32:20.800 --> 0:32:23.520
<v Speaker 1>that idea and they hope that it brings delight to

0:32:23.600 --> 0:32:26.360
<v Speaker 1>others and maybe one day they can make a living

0:32:26.520 --> 0:32:30.080
<v Speaker 1>out of it. But it's it. Not only is discovery

0:32:30.120 --> 0:32:32.680
<v Speaker 1>difficult now, but when the rules change like that, it's

0:32:32.760 --> 0:32:34.160
<v Speaker 1>difficult to even get to the point where you can

0:32:34.160 --> 0:32:39.080
<v Speaker 1>start monetizing it. You guys, however, had this monetized your

0:32:39.200 --> 0:32:43.640
<v Speaker 1>your stuff through mostly through merchandise and without advertising. Uh.

0:32:43.720 --> 0:32:47.800
<v Speaker 1>That was also interesting to me because like I own

0:32:47.920 --> 0:32:50.640
<v Speaker 1>some homestar runner stuff, but it was the sort of

0:32:50.640 --> 0:32:53.120
<v Speaker 1>thing that I went and searched for, as opposed to

0:32:53.400 --> 0:32:56.800
<v Speaker 1>you know, watching a cartoon where halfway through it tells me, hey,

0:32:56.840 --> 0:32:58.320
<v Speaker 1>by the way, if you want a shirt that has

0:32:58.360 --> 0:33:00.280
<v Speaker 1>that funny thing that's strong bad just said you need

0:33:00.320 --> 0:33:02.360
<v Speaker 1>to click the sleeks here or even at the end

0:33:02.360 --> 0:33:04.920
<v Speaker 1>where they wouldn't have really been obtrusive in anyway. Our

0:33:05.000 --> 0:33:06.560
<v Speaker 1>dad always wanted us to do that, and we were

0:33:06.600 --> 0:33:11.880
<v Speaker 1>always to our street cred was too valuable. Yes, yeah,

0:33:11.920 --> 0:33:15.360
<v Speaker 1>we kind of shot ourselves in the foot. We admit

0:33:15.480 --> 0:33:18.360
<v Speaker 1>that now. Amazed that people found because it's almost like

0:33:18.600 --> 0:33:20.440
<v Speaker 1>the store was this easter egg that you had. If

0:33:20.440 --> 0:33:22.440
<v Speaker 1>you really searched for a hung Star shirt, you could

0:33:22.440 --> 0:33:24.440
<v Speaker 1>you could find it. It. Like we were very reluctant

0:33:24.480 --> 0:33:27.880
<v Speaker 1>to well it's funny in like two thousand one or two. Uh,

0:33:28.200 --> 0:33:31.239
<v Speaker 1>we were approached by someone from Hot Topic. And this

0:33:31.320 --> 0:33:32.840
<v Speaker 1>wasn't like they walked up to us, was like a

0:33:32.920 --> 0:33:34.520
<v Speaker 1>contract for like, hey, we want to join you know,

0:33:34.560 --> 0:33:37.000
<v Speaker 1>your your characters into T shirts and make millions of dollars.

0:33:37.000 --> 0:33:39.280
<v Speaker 1>But they weren't starting a conversation that could have led

0:33:39.320 --> 0:33:42.840
<v Speaker 1>to any you know, any different variation of that scenario.

0:33:43.000 --> 0:33:46.520
<v Speaker 1>And we just wanted nothing, you know, we didn't want

0:33:46.520 --> 0:33:48.400
<v Speaker 1>to do it, and we we kind of pitched him like,

0:33:48.400 --> 0:33:50.360
<v Speaker 1>oh what if we did these other kind of weirder

0:33:50.760 --> 0:33:53.320
<v Speaker 1>like jokes from our website that weren't like the characters,

0:33:53.360 --> 0:33:55.280
<v Speaker 1>like they want to do Team Girl squad shirts and

0:33:55.320 --> 0:33:57.760
<v Speaker 1>this other stuff, and and we ultimately said no. And

0:33:57.800 --> 0:33:59.840
<v Speaker 1>I forget who I was talking to, but it was

0:34:00.080 --> 0:34:01.960
<v Speaker 1>got small, not like an audience I was talking to,

0:34:02.200 --> 0:34:04.600
<v Speaker 1>but there's a lot younger kids, and I like I

0:34:04.600 --> 0:34:06.840
<v Speaker 1>said it thinking that. Uh. I was like yeah, Then

0:34:06.840 --> 0:34:09.440
<v Speaker 1>we got approached by hot Topic and like, you know,

0:34:09.480 --> 0:34:11.319
<v Speaker 1>so of course we said no to that. And then

0:34:11.360 --> 0:34:13.000
<v Speaker 1>they were all just like stared at me, just like

0:34:13.520 --> 0:34:14.759
<v Speaker 1>why did you say no to that? And I was

0:34:14.760 --> 0:34:16.960
<v Speaker 1>like it was hot hoppic. Hot Topic came to us.

0:34:17.000 --> 0:34:18.359
<v Speaker 1>I was like you like that would have just killed

0:34:18.400 --> 0:34:20.520
<v Speaker 1>us instantly, Like it's like, yeah, maybe a bunch of

0:34:20.600 --> 0:34:23.160
<v Speaker 1>kids would have bought stuff and whatever, and they're like yeah,

0:34:23.200 --> 0:34:26.439
<v Speaker 1>and you would have like made a million dollars. Well

0:34:26.440 --> 0:34:28.480
<v Speaker 1>I don't know that, and uh and then I probably

0:34:28.520 --> 0:34:30.200
<v Speaker 1>would have hated what I did after that, And they're

0:34:30.200 --> 0:34:33.719
<v Speaker 1>just like, that was a bad decision. You made a

0:34:33.760 --> 0:34:35.600
<v Speaker 1>bad decision, and you should have put your stuff in

0:34:35.600 --> 0:34:39.400
<v Speaker 1>hot topics good to have life life lessons. It comes.

0:34:39.400 --> 0:34:41.640
<v Speaker 1>I don't know, I get I like to think that

0:34:41.719 --> 0:34:44.160
<v Speaker 1>the homestar runner is therefore responsible for they shut up

0:34:44.200 --> 0:34:49.799
<v Speaker 1>and take my money. Mean, but but I mean that

0:34:50.160 --> 0:34:53.120
<v Speaker 1>I appreciate that too, because again, it was that sort

0:34:53.120 --> 0:34:58.160
<v Speaker 1>of uh philosophy, that sort of it. While it wasn't

0:34:58.200 --> 0:35:00.960
<v Speaker 1>something that was being overtly stated, it was something that

0:35:01.000 --> 0:35:03.400
<v Speaker 1>a lot of fans appreciate it, and you know, taking

0:35:03.400 --> 0:35:06.440
<v Speaker 1>the effort to try and find a way of supporting

0:35:06.600 --> 0:35:10.080
<v Speaker 1>was great because it was it was a show early

0:35:10.120 --> 0:35:12.240
<v Speaker 1>on that you know, I think a lot of stories

0:35:12.280 --> 0:35:16.040
<v Speaker 1>about internet content focus on the negatives, like the idea

0:35:16.040 --> 0:35:18.080
<v Speaker 1>of people who don't want to pay for content, so

0:35:18.120 --> 0:35:20.080
<v Speaker 1>they find work around so that they can get it

0:35:20.120 --> 0:35:24.080
<v Speaker 1>for free. But the opposite is also true, where you'll

0:35:24.080 --> 0:35:28.200
<v Speaker 1>find people who are encountering content that is seemingly being presented.

0:35:28.480 --> 0:35:31.400
<v Speaker 1>I mean there's no there there's no advertising, you know,

0:35:31.440 --> 0:35:33.680
<v Speaker 1>there was there's nothing where there was like a donate

0:35:33.680 --> 0:35:35.360
<v Speaker 1>button or anything. It was like there's a store and

0:35:35.400 --> 0:35:37.480
<v Speaker 1>you could go there and you could purchase things. And

0:35:37.520 --> 0:35:39.920
<v Speaker 1>they said, you know, I want to support the content

0:35:40.280 --> 0:35:42.600
<v Speaker 1>creators that I love and the stuff I love. I

0:35:42.640 --> 0:35:45.480
<v Speaker 1>want them to keep making the stuff because I'm enjoying it.

0:35:45.880 --> 0:35:48.959
<v Speaker 1>And it tells you that there's there's really a place

0:35:48.960 --> 0:35:51.480
<v Speaker 1>for that too. And of course now we see platforms

0:35:51.560 --> 0:35:55.040
<v Speaker 1>like Patreon that have come out to do more direct

0:35:55.080 --> 0:35:58.640
<v Speaker 1>supportive artists that have proven that point that there are

0:35:58.640 --> 0:36:00.759
<v Speaker 1>people who are willing to do that if you give

0:36:00.840 --> 0:36:03.040
<v Speaker 1>them the opportunity. Right. We've had people tell us like, yeah,

0:36:03.080 --> 0:36:06.160
<v Speaker 1>about ten Homestar Runner shirts I never wear, didn't after

0:36:06.200 --> 0:36:10.040
<v Speaker 1>the second one. I didn't need anymore to support you. Yeah, Well,

0:36:10.080 --> 0:36:12.799
<v Speaker 1>and people will say like, you know, I have I've

0:36:13.120 --> 0:36:15.239
<v Speaker 1>purchased enough merch Like I'm not. It's not that I

0:36:15.239 --> 0:36:18.200
<v Speaker 1>don't love you, but I don't need any more T shirts. Uh,

0:36:18.440 --> 0:36:20.480
<v Speaker 1>can you please start a Patreon or something, so I

0:36:20.480 --> 0:36:22.040
<v Speaker 1>can give you some money every once in a while

0:36:22.040 --> 0:36:25.520
<v Speaker 1>when I want to. I just don't need another homes uh.

0:36:25.520 --> 0:36:27.480
<v Speaker 1>And so that's that's good to hear that people are

0:36:27.520 --> 0:36:30.040
<v Speaker 1>willing to do that. Every kid at my local elementary

0:36:30.040 --> 0:36:33.239
<v Speaker 1>school now has a homestore Runner exactly the thrift store

0:36:33.360 --> 0:36:38.040
<v Speaker 1>my stuck. But that's a that's a great I mean,

0:36:38.040 --> 0:36:40.799
<v Speaker 1>that's a great story because it tells you that what

0:36:40.880 --> 0:36:44.000
<v Speaker 1>you have created has actually had a meaningful impact on people.

0:36:44.080 --> 0:36:46.080
<v Speaker 1>And I know it sounds weird to call it a

0:36:46.080 --> 0:36:49.040
<v Speaker 1>meaningful impact when you're talking about a world that has

0:36:49.040 --> 0:36:52.960
<v Speaker 1>a character called the poop Smith, But it's true and

0:36:52.960 --> 0:36:57.920
<v Speaker 1>and it's it's great because it's again, I think it

0:36:57.960 --> 0:37:01.560
<v Speaker 1>illustrates that positive side of the internet. We so well

0:37:01.680 --> 0:37:04.239
<v Speaker 1>so quickly focus on that negative side, and it's good

0:37:04.280 --> 0:37:06.319
<v Speaker 1>to have something you can point out and say, well,

0:37:06.480 --> 0:37:09.279
<v Speaker 1>you know, look at this. It shows that if you

0:37:09.400 --> 0:37:11.400
<v Speaker 1>have the structure in place, and if you have the

0:37:11.480 --> 0:37:14.879
<v Speaker 1>right content in place, people flocked to it and people

0:37:14.880 --> 0:37:17.880
<v Speaker 1>want to support it. And you guys have also you know,

0:37:17.920 --> 0:37:20.280
<v Speaker 1>I mentioned you know, you were incorporated into the Buffy

0:37:20.400 --> 0:37:24.319
<v Speaker 1>verse in an episode um You've got you had lots

0:37:24.360 --> 0:37:27.200
<v Speaker 1>of references in various types of pop culture. What was

0:37:27.280 --> 0:37:29.760
<v Speaker 1>that like seeing the thing that you had created start

0:37:29.800 --> 0:37:36.280
<v Speaker 1>to get referenced by by other like like pop culture icons,

0:37:36.360 --> 0:37:39.400
<v Speaker 1>everything from and they might be giants, I mean, you know,

0:37:40.080 --> 0:37:42.879
<v Speaker 1>making music for you. That one was pretty amazing because

0:37:42.880 --> 0:37:44.800
<v Speaker 1>I was we were huge. They might be giant fans

0:37:45.080 --> 0:37:47.640
<v Speaker 1>giants fans growing up. So when they emailed us, that

0:37:47.719 --> 0:37:51.160
<v Speaker 1>was pretty mind blowing. Yeah. Um, yeah, we heard from

0:37:51.239 --> 0:37:54.000
<v Speaker 1>the Buffy thing I think was like somebody in Fox

0:37:54.120 --> 0:37:56.600
<v Speaker 1>was like, hey, don't see us. We they don't like,

0:37:56.680 --> 0:37:59.080
<v Speaker 1>nobody here knows what you guys are, but don't we

0:37:59.080 --> 0:38:01.400
<v Speaker 1>We put a drop door reference in this upcoming episode.

0:38:01.560 --> 0:38:03.719
<v Speaker 1>Josh is a big fan and they sent us there

0:38:03.800 --> 0:38:05.359
<v Speaker 1>or no, it was it was it an entertainment weekly.

0:38:05.360 --> 0:38:07.360
<v Speaker 1>There was some picture that they referenced there was he

0:38:07.400 --> 0:38:09.319
<v Speaker 1>had a strong bad shirt on and like on set

0:38:09.360 --> 0:38:12.120
<v Speaker 1>of something he was shooting. Um, and so that was

0:38:12.160 --> 0:38:15.360
<v Speaker 1>really cool. Uh but yeah, that was at the time.

0:38:15.400 --> 0:38:17.640
<v Speaker 1>That was that was pretty mind blowing, just to know

0:38:17.760 --> 0:38:20.839
<v Speaker 1>that it's like, Okay, so people outside of you know,

0:38:21.200 --> 0:38:23.880
<v Speaker 1>whatever weird world we thought we existed in as far

0:38:23.920 --> 0:38:26.879
<v Speaker 1>as fan bases go, people were finding that stuff, and

0:38:26.960 --> 0:38:30.959
<v Speaker 1>we've since found out things like UMU. At that time

0:38:31.000 --> 0:38:33.320
<v Speaker 1>when it was a friend of ours worked with Damon

0:38:33.400 --> 0:38:35.480
<v Speaker 1>Lindelof and said that he it was like me and

0:38:35.520 --> 0:38:37.279
<v Speaker 1>jose Weeden would get in trouble. I was supposed to

0:38:37.280 --> 0:38:39.760
<v Speaker 1>be writing Lost episodes and we'd been quoting strong backing

0:38:39.840 --> 0:38:43.000
<v Speaker 1>each other something. I was like, holy crap, watching when

0:38:43.040 --> 0:38:46.200
<v Speaker 1>you were wasting time watching when I was making that's amazing.

0:38:46.880 --> 0:38:48.759
<v Speaker 1>Um So that kind of stuff has been super cool.

0:38:48.840 --> 0:38:51.680
<v Speaker 1>What was the show those that show the Magicians that's

0:38:51.719 --> 0:38:54.000
<v Speaker 1>on now? This was It was nice because it felt

0:38:54.040 --> 0:38:56.319
<v Speaker 1>like a little a nice little like a bookend to

0:38:56.400 --> 0:38:58.799
<v Speaker 1>the like Buffy thing where I guess they referenced Trong

0:38:58.880 --> 0:39:01.959
<v Speaker 1>Door and I think it's the season to finale or something,

0:39:02.000 --> 0:39:03.880
<v Speaker 1>and I actually haven't even seen it. I just people

0:39:03.880 --> 0:39:06.719
<v Speaker 1>everybody told me what the SENDI little clips of it

0:39:06.840 --> 0:39:10.360
<v Speaker 1>or whatever, which that's always so it's it's always cool

0:39:10.440 --> 0:39:12.960
<v Speaker 1>to see that stuff. Yeah, and then that actually led

0:39:13.000 --> 0:39:15.680
<v Speaker 1>to other things like collaborations where you guys did uh

0:39:15.920 --> 0:39:20.040
<v Speaker 1>the animations for um uh for They Might Be Giants video,

0:39:20.600 --> 0:39:25.640
<v Speaker 1>which is fantastic, And and you've appeared on well, yeah,

0:39:25.680 --> 0:39:28.520
<v Speaker 1>we've done several collaborations with them, the characters have appeared

0:39:28.560 --> 0:39:30.239
<v Speaker 1>on stage where they might be giants, because I've been

0:39:30.280 --> 0:39:32.560
<v Speaker 1>to some of those shows and the variety of playoffs,

0:39:32.560 --> 0:39:35.640
<v Speaker 1>and that was always a joy, uh to the point

0:39:35.719 --> 0:39:37.799
<v Speaker 1>where you I would imagine that was part of the

0:39:37.840 --> 0:39:40.440
<v Speaker 1>inspiration for them to come up out with their band,

0:39:40.560 --> 0:39:46.160
<v Speaker 1>the Them band, the sock Puppets. They where they would

0:39:46.600 --> 0:39:49.680
<v Speaker 1>wow when I would see that come out, and it's like,

0:39:50.040 --> 0:39:53.160
<v Speaker 1>this is this is mind boy, this is happening right now.

0:39:53.760 --> 0:39:57.000
<v Speaker 1>Um and uh and seeing seeing Home Star and Strong

0:39:57.040 --> 0:39:59.480
<v Speaker 1>Bad in Uh in person is always a big thrill

0:39:59.600 --> 0:40:02.920
<v Speaker 1>for for me. Despite it's so weird to say that

0:40:02.960 --> 0:40:04.840
<v Speaker 1>out loud to the people who actually made that, but

0:40:04.960 --> 0:40:09.919
<v Speaker 1>it's absolutely true. So you you go through, You're you're

0:40:09.920 --> 0:40:13.200
<v Speaker 1>doing the the series it's got you know, it's got

0:40:13.280 --> 0:40:16.760
<v Speaker 1>some some not just just fan support, but it's also

0:40:17.600 --> 0:40:21.280
<v Speaker 1>blossoming in various areas of pop culture. We see trock

0:40:21.400 --> 0:40:25.600
<v Speaker 1>Door get into Guitar Hero two, which is still another

0:40:26.360 --> 0:40:28.440
<v Speaker 1>amazing thing when that when I found out that that

0:40:28.480 --> 0:40:31.319
<v Speaker 1>was a bonus track, I was so thrilled Immediately, I

0:40:31.320 --> 0:40:35.319
<v Speaker 1>was like, this is my quest to master Door. That's

0:40:35.360 --> 0:40:38.480
<v Speaker 1>solo by the way impossible, and you want to know something,

0:40:38.520 --> 0:40:40.920
<v Speaker 1>this is what. We didn't find this out until later,

0:40:41.200 --> 0:40:42.920
<v Speaker 1>or I think we knew it, but we didn't realize it.

0:40:43.040 --> 0:40:46.239
<v Speaker 1>So we played as Limousine, the band that plays other

0:40:46.280 --> 0:40:49.240
<v Speaker 1>ones live, and so the we play with these guys

0:40:49.239 --> 0:40:51.319
<v Speaker 1>that are in this band yacht Rock in another band

0:40:51.320 --> 0:40:55.359
<v Speaker 1>called Saved by the band um and are uh. They

0:40:55.440 --> 0:40:58.200
<v Speaker 1>learned the song and um And so our friend that

0:40:58.280 --> 0:41:01.160
<v Speaker 1>does that plays the guitar for us, Chris Harris, and

0:41:01.239 --> 0:41:05.400
<v Speaker 1>he learned the song. He's like, those really knows this

0:41:05.400 --> 0:41:08.080
<v Speaker 1>stuff as far as like squeally wanky guitar. It's all

0:41:08.080 --> 0:41:10.000
<v Speaker 1>like he's that's amazing. You can do the tapping. He

0:41:10.040 --> 0:41:12.640
<v Speaker 1>can do all this stuff and it's incredible. And so

0:41:12.719 --> 0:41:15.840
<v Speaker 1>he learned tron door and then we came into practice

0:41:15.840 --> 0:41:17.560
<v Speaker 1>and he played it and he's like, nails that solo.

0:41:17.880 --> 0:41:19.279
<v Speaker 1>And then one of the other guys was like, you

0:41:19.320 --> 0:41:21.319
<v Speaker 1>know when we originally recorded that, because he wasn't on

0:41:21.360 --> 0:41:25.719
<v Speaker 1>that song, he was like, that's like that's keyboard was

0:41:25.800 --> 0:41:28.160
<v Speaker 1>just like played four notes yeah, and he was like

0:41:28.200 --> 0:41:29.960
<v Speaker 1>wait what and he was like yeah, no one can

0:41:29.960 --> 0:41:32.080
<v Speaker 1>play that fast. And he's like, oh, I learned it

0:41:32.880 --> 0:41:35.440
<v Speaker 1>so yeah, but so it doesn't. It didn't surprise me

0:41:35.480 --> 0:41:37.799
<v Speaker 1>when I learned that. I think we kind of told

0:41:37.800 --> 0:41:39.440
<v Speaker 1>the Harmonics people that at the time and they're like,

0:41:39.680 --> 0:41:44.439
<v Speaker 1>that's fine, we'll just make it the guitar solo and there.

0:41:44.520 --> 0:41:47.000
<v Speaker 1>And I've watched YouTube videos of people who have done

0:41:47.000 --> 0:41:49.920
<v Speaker 1>the perfect run on that on the hardest setting, and

0:41:49.960 --> 0:41:53.759
<v Speaker 1>it's just mind blowing. I can't I can't even I

0:41:53.840 --> 0:41:56.560
<v Speaker 1>can't see as fast as they're playing, which is the

0:41:56.600 --> 0:42:07.160
<v Speaker 1>craziest thing. But then we get up to about and

0:42:07.200 --> 0:42:09.279
<v Speaker 1>it was then when you guys were starting to get

0:42:09.320 --> 0:42:13.120
<v Speaker 1>other opportunities that that also we're pulling you away from

0:42:13.200 --> 0:42:15.400
<v Speaker 1>Home Star. And as I understand it, it it was getting

0:42:15.400 --> 0:42:18.600
<v Speaker 1>to a situation where it wasn't that you wanted to

0:42:18.600 --> 0:42:22.320
<v Speaker 1>to leave the series. It was that you were having,

0:42:22.560 --> 0:42:24.520
<v Speaker 1>you know, other demands on your time, whether it was

0:42:24.600 --> 0:42:27.839
<v Speaker 1>family or it was other other gigs that were coming up,

0:42:28.239 --> 0:42:32.160
<v Speaker 1>and it just became one of those things where, uh,

0:42:32.360 --> 0:42:35.040
<v Speaker 1>week after week it just wasn't you just didn't have

0:42:35.120 --> 0:42:39.640
<v Speaker 1>the time to dedicate to making more content for Homestar Runner. Uh.

0:42:39.760 --> 0:42:41.600
<v Speaker 1>Is that is that more or less accurate for how

0:42:41.640 --> 0:42:43.600
<v Speaker 1>things turned out? Yeah, I mean, we had no idea

0:42:43.640 --> 0:42:45.400
<v Speaker 1>how long it was going to be either when we

0:42:45.640 --> 0:42:48.320
<v Speaker 1>matt second daughter was born. I think that was basically

0:42:48.400 --> 0:42:50.399
<v Speaker 1>when we when we stopped doing stuff and we didn't

0:42:50.440 --> 0:42:51.680
<v Speaker 1>know if it was going to be out. Let's take

0:42:51.680 --> 0:42:57.160
<v Speaker 1>a break for two months, yeah, four years. Well, and

0:42:57.200 --> 0:42:58.799
<v Speaker 1>that's the thing is that, you know, you you take

0:42:58.840 --> 0:43:01.200
<v Speaker 1>those breaks, and then there are things come up and

0:43:01.200 --> 0:43:04.520
<v Speaker 1>and obviously you've got all these commitments on your time. Uh,

0:43:04.560 --> 0:43:08.120
<v Speaker 1>and and then you're you're thinking, well, how how do

0:43:08.160 --> 0:43:10.879
<v Speaker 1>I how do I communicate this to a fan base? Yeah,

0:43:10.880 --> 0:43:12.600
<v Speaker 1>and then at some point it was like, wait, we've

0:43:12.640 --> 0:43:15.040
<v Speaker 1>waited too long, or like is it weird to try

0:43:15.080 --> 0:43:16.640
<v Speaker 1>to say something when we don't know what we're saying?

0:43:16.680 --> 0:43:19.080
<v Speaker 1>We don't know, you know, like if we're gonna say, hey,

0:43:19.120 --> 0:43:21.960
<v Speaker 1>we'll do some Homestar stuff in a year, we you know, Yeah,

0:43:21.960 --> 0:43:23.839
<v Speaker 1>there was no definitive answer. And then at that time

0:43:23.880 --> 0:43:26.799
<v Speaker 1>we didn't know we had like a development deal at

0:43:26.800 --> 0:43:29.560
<v Speaker 1>Disney and a development deal at Nickelodeon, and we were

0:43:29.560 --> 0:43:32.399
<v Speaker 1>gonna make some Yo Gabba Gabba episodes and these things

0:43:32.400 --> 0:43:34.319
<v Speaker 1>that were just like that doesn't mean anything to a

0:43:34.320 --> 0:43:37.200
<v Speaker 1>Homestar fan, and maybe we undervalue that maybe they would

0:43:37.200 --> 0:43:39.120
<v Speaker 1>have been excited to hear that stuff, but then it

0:43:39.200 --> 0:43:41.880
<v Speaker 1>was like that Nickelodeon thing went nowhere and that Disney

0:43:41.920 --> 0:43:43.440
<v Speaker 1>thing went nowhere, and so that would have been like

0:43:43.520 --> 0:43:45.040
<v Speaker 1>after the fact would have been like depressing, and I

0:43:45.120 --> 0:43:46.520
<v Speaker 1>was like, oh, they were like, oh yeah, so they're

0:43:46.560 --> 0:43:49.600
<v Speaker 1>Disney thing didn't work Outdan thing didn't work out, and

0:43:50.200 --> 0:43:53.120
<v Speaker 1>that like Nyo Gabba Christmas episode they directed it was

0:43:53.360 --> 0:43:57.000
<v Speaker 1>horrible and like, I don't know, so it just felt weird,

0:43:57.200 --> 0:44:00.880
<v Speaker 1>especially because we never aside from being like we intimated that,

0:44:00.960 --> 0:44:02.880
<v Speaker 1>like we'd had babies and so we're gonna take some

0:44:02.920 --> 0:44:05.080
<v Speaker 1>time off. That's kind of the only time Mike and

0:44:05.120 --> 0:44:08.280
<v Speaker 1>I ever sort of inserted are like creator lives ensure

0:44:08.440 --> 0:44:10.839
<v Speaker 1>the fans heads. I mean, we always intentionally aside from

0:44:10.880 --> 0:44:13.680
<v Speaker 1>some like fake things on a DVD where we're like

0:44:13.719 --> 0:44:16.799
<v Speaker 1>spoofing how we make things, Um, we wanted us to

0:44:16.840 --> 0:44:18.440
<v Speaker 1>be separate from it. We never wanted to have the

0:44:18.520 --> 0:44:21.640
<v Speaker 1>like creator blog side of it, and definitely not the

0:44:21.719 --> 0:44:24.760
<v Speaker 1>like the way that most of the like YouTube personalities

0:44:24.760 --> 0:44:26.799
<v Speaker 1>are like even if their content is not that they're

0:44:26.840 --> 0:44:28.759
<v Speaker 1>like always after the facts, like hey, I'm the star

0:44:28.800 --> 0:44:31.080
<v Speaker 1>of the YouTube thing you just watched Remember to go

0:44:31.120 --> 0:44:32.600
<v Speaker 1>to the store and buy the new merch and blah

0:44:32.640 --> 0:44:34.880
<v Speaker 1>blah blah. It's always just like we didn't want to

0:44:34.920 --> 0:44:37.920
<v Speaker 1>be the face of any of it, you know. UM.

0:44:37.960 --> 0:44:40.640
<v Speaker 1>So it felt weird to then have that conversation, after

0:44:40.840 --> 0:44:43.080
<v Speaker 1>like never really talking to the fans as Mike and

0:44:43.120 --> 0:44:45.520
<v Speaker 1>Matt Um at least through the website, to like give

0:44:46.040 --> 0:44:49.279
<v Speaker 1>a weird half ass explanation of like, I don't know,

0:44:49.400 --> 0:44:51.520
<v Speaker 1>we don't know that was, you know, And then that

0:44:51.600 --> 0:44:53.560
<v Speaker 1>just felt like I would be super unsatisfied if I

0:44:53.600 --> 0:44:55.600
<v Speaker 1>just gotta we don't know what's going on from the

0:44:55.600 --> 0:44:58.320
<v Speaker 1>creator of my thing that I liked, So I don't know.

0:44:58.360 --> 0:45:00.680
<v Speaker 1>We always apologize I we didn't to handle it right.

0:45:00.680 --> 0:45:02.799
<v Speaker 1>We didn't know how to handle it right, and we

0:45:03.239 --> 0:45:05.400
<v Speaker 1>like there was it was so funny. The day before

0:45:05.920 --> 0:45:08.640
<v Speaker 1>we put up UM the first cartoon we made in Forever,

0:45:08.680 --> 0:45:13.279
<v Speaker 1>which was this April Fool's cartoon in UM, I got

0:45:13.320 --> 0:45:16.160
<v Speaker 1>a somebody found my like personal email address a fan.

0:45:16.200 --> 0:45:20.319
<v Speaker 1>It sent this like pages long thing like tearing us

0:45:20.360 --> 0:45:23.320
<v Speaker 1>apart and saying that it's like radio silent yeah and

0:45:23.400 --> 0:45:25.200
<v Speaker 1>four and just being like, here's this what this meant

0:45:25.200 --> 0:45:26.600
<v Speaker 1>to me here like every week like it was. It

0:45:26.719 --> 0:45:29.000
<v Speaker 1>was like the first half was like super awesome fans,

0:45:30.120 --> 0:45:32.000
<v Speaker 1>in the second half was like and here's why I

0:45:32.040 --> 0:45:35.360
<v Speaker 1>hate you. Will never support anything you've ever done ever again.

0:45:35.880 --> 0:45:38.240
<v Speaker 1>And uh and like literally we're finishing up this cartoon

0:45:38.360 --> 0:45:41.000
<v Speaker 1>to send like to upload it like midnight. I get

0:45:41.040 --> 0:45:43.760
<v Speaker 1>this at like I don't know, seven pm the day before,

0:45:44.200 --> 0:45:47.759
<v Speaker 1>and I think I just I forget. I think I

0:45:47.760 --> 0:45:49.640
<v Speaker 1>wrote back and I just said like, hey, I'm so sorry,

0:45:49.640 --> 0:45:51.719
<v Speaker 1>thanks for being a fan, and just kept it vague

0:45:51.719 --> 0:45:54.680
<v Speaker 1>and sort of hoping that then that maybe that cartoon

0:45:54.719 --> 0:45:56.600
<v Speaker 1>would happen and that they would be like, wait they

0:45:56.640 --> 0:46:00.799
<v Speaker 1>listen to me an amazing turn the last half an

0:46:00.800 --> 0:46:03.719
<v Speaker 1>hour they made this cartoon. Um so yeah, So that

0:46:03.800 --> 0:46:06.400
<v Speaker 1>was the main reason we never we just the explanation

0:46:06.480 --> 0:46:09.520
<v Speaker 1>was never like exciting enough to like to like feel

0:46:09.520 --> 0:46:11.160
<v Speaker 1>like to like peel behind the curtain and be like, hey,

0:46:11.160 --> 0:46:13.719
<v Speaker 1>look behind here, we're making a new project, because none

0:46:13.760 --> 0:46:19.800
<v Speaker 1>of those projects ever really happened. Um so yeah. Oh sorry,

0:46:19.800 --> 0:46:22.879
<v Speaker 1>I was gonna say we actually made a strong, bad

0:46:22.920 --> 0:46:25.560
<v Speaker 1>sort of addressing talking to the fans about it. I

0:46:25.600 --> 0:46:27.480
<v Speaker 1>forget when that was. That was maybe six months or

0:46:27.480 --> 0:46:29.560
<v Speaker 1>so after we had stopped doing stuff and we made

0:46:29.560 --> 0:46:31.520
<v Speaker 1>this thing and then never ended up putting it up

0:46:31.520 --> 0:46:33.440
<v Speaker 1>because we were just like, this is weird. We showed

0:46:33.480 --> 0:46:35.640
<v Speaker 1>it one time at a conference we were at last year.

0:46:36.000 --> 0:46:39.000
<v Speaker 1>I went over kind of weird. Yeah, I think we

0:46:39.080 --> 0:46:41.160
<v Speaker 1>made the right call. I think I think my favorite.

0:46:42.160 --> 0:46:46.719
<v Speaker 1>I'm also fortunate in that because Lincoln live in Atlanta. Um,

0:46:46.760 --> 0:46:50.759
<v Speaker 1>I'm I'm a frequent patron of Dad's Garage Theater, so

0:46:50.800 --> 0:46:54.040
<v Speaker 1>I actually got to see the Special Strong Bad Email

0:46:55.280 --> 0:46:58.520
<v Speaker 1>theater because I've I've been supporting them since two thousand's

0:46:58.520 --> 0:47:01.640
<v Speaker 1>so I was there their old theater and when they

0:47:01.760 --> 0:47:04.959
<v Speaker 1>went to uh move into seven Stages for a while,

0:47:05.000 --> 0:47:07.759
<v Speaker 1>and now they have their new theater, and they that

0:47:07.880 --> 0:47:09.960
<v Speaker 1>was one of the things they showed one night, and

0:47:10.040 --> 0:47:13.680
<v Speaker 1>the crowd reaction when that came on was pretty phenomenal.

0:47:13.719 --> 0:47:17.520
<v Speaker 1>They showed that the Fox Theater. They had a special event,

0:47:17.640 --> 0:47:19.640
<v Speaker 1>a special fundraiser at the Fox Theater, and it was

0:47:19.719 --> 0:47:22.080
<v Speaker 1>kind of a variety show of giving an example of

0:47:22.120 --> 0:47:24.960
<v Speaker 1>the sort of material that they would do, and they

0:47:25.000 --> 0:47:28.359
<v Speaker 1>showed the Strong Bad Special Email to Dad's Garage and

0:47:28.560 --> 0:47:31.120
<v Speaker 1>hearing the Fox Theater erupt an applause at a Strong

0:47:31.160 --> 0:47:34.480
<v Speaker 1>Bad Email was something really special. I think that was

0:47:34.520 --> 0:47:36.120
<v Speaker 1>the second cartoon. I think that was the next thing

0:47:36.160 --> 0:47:39.400
<v Speaker 1>we made after that April Fools in two thousand fourteen.

0:47:39.480 --> 0:47:41.480
<v Speaker 1>Was that, Yeah, strong Bad Email. So it had been

0:47:41.680 --> 0:47:43.200
<v Speaker 1>four or five years since we had made a strong

0:47:43.200 --> 0:47:46.439
<v Speaker 1>Bad Email. Was the reaction to that that April first,

0:47:46.440 --> 0:47:49.320
<v Speaker 1>two thousand and fourteen video? Was that something that uh

0:47:49.600 --> 0:47:53.920
<v Speaker 1>was really gratifying for you guys because I know, at

0:47:53.960 --> 0:47:56.640
<v Speaker 1>least in my own personal circle of friends, when people

0:47:57.080 --> 0:47:59.520
<v Speaker 1>found out that there was a new home Star Runner

0:47:59.600 --> 0:48:03.200
<v Speaker 1>cartoon up, Uh, it went nuts on my Facebook page

0:48:03.200 --> 0:48:05.479
<v Speaker 1>and like it was like it was like what half

0:48:05.520 --> 0:48:08.520
<v Speaker 1>of my friends were sharing. UM, so I imagined like

0:48:08.600 --> 0:48:11.279
<v Speaker 1>when you you know, you've been you've been kind of

0:48:11.320 --> 0:48:15.239
<v Speaker 1>away from it for four years. Uh. Was it surprising

0:48:15.239 --> 0:48:18.640
<v Speaker 1>to you to see a reaction has gotten I think

0:48:18.800 --> 0:48:21.080
<v Speaker 1>Gizmoto and some of the blogs and you know linked

0:48:21.080 --> 0:48:24.160
<v Speaker 1>to it. So that was surprising, and you know, yeah,

0:48:24.160 --> 0:48:25.759
<v Speaker 1>we didn't know. We just sort of assumed that the

0:48:26.239 --> 0:48:30.120
<v Speaker 1>few people that sadly still check Homestar runner dot com

0:48:30.880 --> 0:48:34.719
<v Speaker 1>entered this u r L into their um the yellow

0:48:34.800 --> 0:48:36.680
<v Speaker 1>keys of their mechanical because it was strong. But I

0:48:36.760 --> 0:48:38.719
<v Speaker 1>didn't have a Twitter yet or anything, right, I mean,

0:48:38.719 --> 0:48:41.200
<v Speaker 1>there's really no I guess we had a YouTube page,

0:48:41.239 --> 0:48:42.680
<v Speaker 1>but we didn't, so there was really no way to

0:48:42.719 --> 0:48:45.120
<v Speaker 1>communicate to the fans that hey, we've got this new

0:48:45.160 --> 0:48:47.440
<v Speaker 1>cartoon up and you went to the site, know if

0:48:47.480 --> 0:48:50.239
<v Speaker 1>anyone would really see it, and then if if then

0:48:50.360 --> 0:48:53.080
<v Speaker 1>people did stumble across it, if they would you know,

0:48:53.239 --> 0:48:55.280
<v Speaker 1>be excited about it or pass it on or whatever.

0:48:55.280 --> 0:48:57.120
<v Speaker 1>So that was that was cool, and that definitely led

0:48:57.160 --> 0:49:00.239
<v Speaker 1>to it just sort of coincided with the fact that

0:49:00.360 --> 0:49:01.920
<v Speaker 1>I was I was living in l A at the

0:49:01.960 --> 0:49:04.160
<v Speaker 1>time when we made that actually and then we u

0:49:04.640 --> 0:49:07.080
<v Speaker 1>I but I knew my family was moving back to

0:49:07.200 --> 0:49:10.040
<v Speaker 1>the Atlanta area, and so the fact that Mike and

0:49:10.080 --> 0:49:12.120
<v Speaker 1>now we're going to be back in the same town again,

0:49:12.600 --> 0:49:14.279
<v Speaker 1>and that like it was like, oh, it seems like

0:49:14.280 --> 0:49:16.800
<v Speaker 1>people don't hate us and maybe want to see more things.

0:49:16.840 --> 0:49:17.960
<v Speaker 1>That just kind of was like, all, right, well, we're

0:49:17.960 --> 0:49:19.719
<v Speaker 1>back in the same town again, we shouldt least start

0:49:19.719 --> 0:49:22.960
<v Speaker 1>doing stuff as you know often as we can, um

0:49:23.239 --> 0:49:25.279
<v Speaker 1>between whatever other gig we were doing. Yeah, so since

0:49:25.320 --> 0:49:27.640
<v Speaker 1>then we've been doing home Star stuff, you know, every

0:49:27.719 --> 0:49:30.160
<v Speaker 1>few months, or you know, depending on what the other

0:49:30.239 --> 0:49:33.000
<v Speaker 1>stuff we're working on is. So sure, So what other

0:49:33.040 --> 0:49:35.560
<v Speaker 1>stuff are you working on? Since uh, you know, we

0:49:35.640 --> 0:49:37.960
<v Speaker 1>know that Homestar Runner is in good hands. It's going

0:49:38.000 --> 0:49:41.600
<v Speaker 1>to continue coming out and and and keeping opal ives

0:49:41.600 --> 0:49:44.440
<v Speaker 1>so that when we do that that jumped Home Star Runner,

0:49:44.480 --> 0:49:46.319
<v Speaker 1>there's a there's a good chance there's gonna be something

0:49:46.320 --> 0:49:48.839
<v Speaker 1>new there. But what else are you guys working on? Um,

0:49:48.880 --> 0:49:51.120
<v Speaker 1>we're just talking to for the first time ever, we've

0:49:51.160 --> 0:49:54.319
<v Speaker 1>been talking with adults whom locally here, which is and

0:49:54.360 --> 0:49:56.080
<v Speaker 1>so we'll see. We have no idea if that will

0:49:56.080 --> 0:49:58.480
<v Speaker 1>go anywhere not, but we uh, we've known people that

0:49:58.560 --> 0:50:01.240
<v Speaker 1>have worked on shows there, have known you know, creators

0:50:01.239 --> 0:50:03.800
<v Speaker 1>of shows there and stuff before, but it never actually

0:50:04.200 --> 0:50:06.359
<v Speaker 1>spoken with them. And it's actually it's it's great because

0:50:06.360 --> 0:50:09.520
<v Speaker 1>there's a hilarious I think it's been debunked enough now.

0:50:09.560 --> 0:50:12.000
<v Speaker 1>But for a very long time, if we would ever

0:50:12.040 --> 0:50:13.920
<v Speaker 1>talk to people were not that we do so many interviews,

0:50:13.960 --> 0:50:15.560
<v Speaker 1>but it would come up to be like and I

0:50:15.600 --> 0:50:17.640
<v Speaker 1>heard that you guys stormed out of an adult swim

0:50:17.680 --> 0:50:21.360
<v Speaker 1>meeting to them, and we're like, no, I mean, I

0:50:21.400 --> 0:50:24.120
<v Speaker 1>don't know there was ever an overture either way, and

0:50:24.239 --> 0:50:27.719
<v Speaker 1>we love that. We love that channel and you probably

0:50:28.360 --> 0:50:34.239
<v Speaker 1>heard the hot topic story exactly. Um. But so so

0:50:34.239 --> 0:50:36.000
<v Speaker 1>that's exciting. So for the first we were just like, yeah,

0:50:36.040 --> 0:50:37.680
<v Speaker 1>they're down the street. It kind of makes sense, like

0:50:37.719 --> 0:50:39.520
<v Speaker 1>I moved to l A even though there was like

0:50:39.520 --> 0:50:42.600
<v Speaker 1>an entire cartoon network you know here as well. Yeah,

0:50:42.600 --> 0:50:44.560
<v Speaker 1>everyone assume when they find out we're from Atlanta, like,

0:50:44.600 --> 0:50:47.160
<v Speaker 1>oh you guys, must you know, work with cartoon networking

0:50:47.160 --> 0:50:52.719
<v Speaker 1>Adult swim And it's like, now we do stuff with this. Um.

0:50:52.760 --> 0:50:54.560
<v Speaker 1>But so that's exciting. So we'll see where that goes,

0:50:55.120 --> 0:50:57.960
<v Speaker 1>um and uh and what else And let's just we

0:50:57.960 --> 0:50:59.919
<v Speaker 1>haven't been doing other homestar stuff. You have a couple

0:51:00.000 --> 0:51:03.319
<v Speaker 1>of homestar like sort of top secrety things that will

0:51:03.360 --> 0:51:05.279
<v Speaker 1>be revealing soon that will be exciting that we've been

0:51:05.280 --> 0:51:07.040
<v Speaker 1>spending a lot of that take a lot of sort

0:51:07.040 --> 0:51:10.920
<v Speaker 1>of build up time, secret time, secret time. Fantastic And

0:51:11.719 --> 0:51:14.600
<v Speaker 1>I've been, um, speaking of Sierra Games. There's a park

0:51:14.600 --> 0:51:16.160
<v Speaker 1>down at the end of my street, and so I've

0:51:16.160 --> 0:51:18.800
<v Speaker 1>been making King's Quest style graphics of a couple of

0:51:18.800 --> 0:51:21.600
<v Speaker 1>little parts of the park waterfall, and so I made

0:51:21.600 --> 0:51:26.080
<v Speaker 1>this little King's Quest looking waterfall. Oh Man, does Roy

0:51:26.920 --> 0:51:30.720
<v Speaker 1>Roy Roy Moss Senior Memorial Garden. It's called the garden

0:51:30.760 --> 0:51:38.800
<v Speaker 1>and it is not a garden. Yeah, runoff retention. I

0:51:38.840 --> 0:51:40.759
<v Speaker 1>guess that doesn't have quite the same ring to it.

0:51:41.200 --> 0:51:43.319
<v Speaker 1>But it's actually it's featured. It's heavily featured in The

0:51:43.320 --> 0:51:49.200
<v Speaker 1>Peasants Quest Live. Actually Janka Cave, Yeah, oh man and uh.

0:51:50.040 --> 0:51:52.279
<v Speaker 1>I also have to give you guys props for two

0:51:52.360 --> 0:51:54.759
<v Speaker 1>more X because I've been Yeah, so that was we

0:51:54.800 --> 0:51:57.800
<v Speaker 1>did that with Disney for two years. We ended last

0:51:58.640 --> 0:52:00.880
<v Speaker 1>you know, summers or so. Um, but so that was

0:52:00.960 --> 0:52:03.920
<v Speaker 1>really good. That was great. We made ninety shorts little

0:52:03.920 --> 0:52:08.440
<v Speaker 1>shorts for Disney. Nice. That was our that was the

0:52:08.520 --> 0:52:11.640
<v Speaker 1>last five we did. Yeah, that was our most fun.

0:52:11.680 --> 0:52:13.960
<v Speaker 1>We did that with our daughters. Um so, our three

0:52:14.040 --> 0:52:17.400
<v Speaker 1>daughters voices and so that was Yeah, glad you liked that.

0:52:17.400 --> 0:52:19.520
<v Speaker 1>That was that was certainly fun to make. That was

0:52:19.560 --> 0:52:21.759
<v Speaker 1>good to know too. We we actually get we get

0:52:21.800 --> 0:52:24.279
<v Speaker 1>that back so we can actually try and take give

0:52:24.320 --> 0:52:26.279
<v Speaker 1>Panda practice some more life. A bunch of the stuff

0:52:26.320 --> 0:52:28.319
<v Speaker 1>we made for Disney like this they owned. Sure, we

0:52:28.320 --> 0:52:30.239
<v Speaker 1>can sure anything else with but Panda Bractice is one

0:52:30.280 --> 0:52:33.400
<v Speaker 1>of those few that's like, especially like meging cartoons with

0:52:33.440 --> 0:52:35.719
<v Speaker 1>your kids, there's nothing better than that. So maybe maybe

0:52:35.719 --> 0:52:40.320
<v Speaker 1>that'll find my daughters. Yeah, she's not gonna want to

0:52:40.320 --> 0:52:44.600
<v Speaker 1>do that with you anymore. Now, it's just are going

0:52:44.640 --> 0:52:46.080
<v Speaker 1>to be changing it. We're not gonna be able to

0:52:46.160 --> 0:52:49.120
<v Speaker 1>I recommend to my listeners if you have not seen

0:52:49.719 --> 0:52:52.680
<v Speaker 1>the series two More Eggs, go to YouTube, and especially

0:52:52.680 --> 0:52:56.480
<v Speaker 1>the Panda Bractice episodes. They are they are amazing. Uh

0:52:56.560 --> 0:52:58.560
<v Speaker 1>and and they will make you want to play drums

0:52:58.560 --> 0:53:01.759
<v Speaker 1>on people's faces. As as a local Atlanta too, did

0:53:01.800 --> 0:53:06.160
<v Speaker 1>you did you get our lowest? Yes? As I was

0:53:06.200 --> 0:53:11.200
<v Speaker 1>watching it, I was like, this is so clearly a

0:53:11.239 --> 0:53:16.839
<v Speaker 1>beautiful homage to the Atlanta treasure of Lois rights us.

0:53:17.760 --> 0:53:20.879
<v Speaker 1>I've been hearing that voice forever and uh and yeah,

0:53:20.920 --> 0:53:23.279
<v Speaker 1>it's not meant in any sort of insulting. Well, I

0:53:23.320 --> 0:53:25.840
<v Speaker 1>hope I do it. I hope I it's respectful. I

0:53:26.280 --> 0:53:28.000
<v Speaker 1>I could tell as I was listening, like this is

0:53:28.080 --> 0:53:31.680
<v Speaker 1>this is someone who has genuine affection for that voice.

0:53:31.719 --> 0:53:35.279
<v Speaker 1>It's not making fun of that voice. And she's also

0:53:35.400 --> 0:53:38.399
<v Speaker 1>a friend of dad's garage theater. So sometimes you hear

0:53:38.440 --> 0:53:40.319
<v Speaker 1>that voice if you go to see a show there,

0:53:40.600 --> 0:53:43.319
<v Speaker 1>which is amazing. So again, that's the other thing I

0:53:43.360 --> 0:53:46.520
<v Speaker 1>love about about watching your content is that it gives

0:53:46.560 --> 0:53:49.520
<v Speaker 1>me another connection to my home, so it's always fun.

0:53:49.920 --> 0:53:54.440
<v Speaker 1>And to occasionally explain to people where certain little things

0:53:54.520 --> 0:53:56.279
<v Speaker 1>come from is always kind of fun too, because it

0:53:56.280 --> 0:53:58.279
<v Speaker 1>gives them a chance to go down that rabbit hole.

0:53:58.680 --> 0:54:01.560
<v Speaker 1>Uh the Internet was really created for. Ultimately, that's what

0:54:01.600 --> 0:54:04.920
<v Speaker 1>the Internet is, right, It's just just one giant black

0:54:04.960 --> 0:54:08.440
<v Speaker 1>hole of information. Um. One of the series we did

0:54:08.480 --> 0:54:10.880
<v Speaker 1>for two more exits called Truncoles. It's this fake British

0:54:10.920 --> 0:54:13.759
<v Speaker 1>show and so there's a part with some of the

0:54:13.800 --> 0:54:16.719
<v Speaker 1>background drawings of buildings and structures in this town of

0:54:16.760 --> 0:54:20.680
<v Speaker 1>Truncoles are local buildings like around Decators wonderful. Keep your

0:54:20.680 --> 0:54:24.719
<v Speaker 1>eyes open for the library at Decatur High School, which

0:54:24.760 --> 0:54:28.399
<v Speaker 1>is this weird sort of that's face that appears. Yeah,

0:54:28.640 --> 0:54:32.520
<v Speaker 1>I know, I know it. Well oh man, Well, thank

0:54:32.560 --> 0:54:35.520
<v Speaker 1>you guys so much for coming on tech stuff and

0:54:35.600 --> 0:54:38.160
<v Speaker 1>spending this time. I really appreciate. It's been a thrill

0:54:38.239 --> 0:54:41.480
<v Speaker 1>for me and anyone out there who's not familiar with

0:54:41.480 --> 0:54:43.640
<v Speaker 1>with your work, they need to go out and seek

0:54:43.640 --> 0:54:48.279
<v Speaker 1>it out because it's that level of of surreal absurdity

0:54:48.440 --> 0:54:52.160
<v Speaker 1>that just the first time I think anyone watches anything,

0:54:52.160 --> 0:54:55.120
<v Speaker 1>they might just be confused. And then and then after

0:54:55.200 --> 0:54:57.560
<v Speaker 1>they watched the same thing a second time, they're like, Okay,

0:54:57.560 --> 0:54:59.160
<v Speaker 1>I'm starting to get it. And then next thing you know,

0:54:59.200 --> 0:55:01.399
<v Speaker 1>they've watched the same thing fifteen times. When you say,

0:55:01.440 --> 0:55:04.560
<v Speaker 1>you realize, there's nine right that you that you can

0:55:04.600 --> 0:55:07.520
<v Speaker 1>watch and and in sequence or out of sequence if

0:55:07.560 --> 0:55:09.880
<v Speaker 1>you prefer. You can really just jump around if you like.

0:55:10.840 --> 0:55:14.839
<v Speaker 1>But it's great. I can't wait to make um more

0:55:14.880 --> 0:55:17.000
<v Speaker 1>references with my friends. I really hope that we can

0:55:17.040 --> 0:55:22.840
<v Speaker 1>get that giant trog door uh portrait with the cutouts

0:55:22.880 --> 0:55:26.719
<v Speaker 1>over to the Georgia Renaissance Festival. I really think I'll

0:55:26.719 --> 0:55:28.799
<v Speaker 1>talk to the entertainment director. I know him, so we'll

0:55:28.800 --> 0:55:31.520
<v Speaker 1>see if we can go hitting somewhere like off like

0:55:31.560 --> 0:55:35.080
<v Speaker 1>in some forests somewhere we have to like I know

0:55:35.160 --> 0:55:38.720
<v Speaker 1>exactly where it should go. It's like it's like like listen,

0:55:39.360 --> 0:55:41.200
<v Speaker 1>I know it's a big hill, and I know it

0:55:41.200 --> 0:55:45.880
<v Speaker 1>looks like there's not much up there. You will find treasure, right, like,

0:55:46.360 --> 0:55:49.319
<v Speaker 1>trust me. Thank you so much for joining the show.

0:55:49.360 --> 0:55:55.760
<v Speaker 1>I really appreciate. Thank you. Yeah, so that's it Tex Stuff,

0:55:56.440 --> 0:55:59.960
<v Speaker 1>Thank you tuning in. Well, my guests were a small

0:56:00.400 --> 0:56:04.080
<v Speaker 1>piece of potato that has been sitting in Saturday Transistor

0:56:04.160 --> 0:56:10.600
<v Speaker 1>radio since the nineteen seventies. Thank you for being on potato. Yes,

0:56:10.840 --> 0:56:14.160
<v Speaker 1>that's that's that's nice potato, all right, and so join

0:56:14.239 --> 0:56:18.759
<v Speaker 1>me next week when my guests will be apparent. It

0:56:18.800 --> 0:56:21.879
<v Speaker 1>will be the same piece of potato next week. Thank

0:56:21.920 --> 0:56:24.799
<v Speaker 1>you very much. Don't forget to support this podcast if

0:56:24.840 --> 0:56:27.960
<v Speaker 1>you like what you're listening to next week. I hope

0:56:28.000 --> 0:56:31.480
<v Speaker 1>they and maybe the sixteen dollars. I'd like to thank

0:56:31.920 --> 0:56:35.200
<v Speaker 1>Mike and Matt and Strong Bad for coming on the

0:56:35.239 --> 0:56:38.600
<v Speaker 1>show and telling me all about the stuff that I

0:56:38.640 --> 0:56:41.320
<v Speaker 1>was enjoying years and years ago before I ever became

0:56:41.760 --> 0:56:44.319
<v Speaker 1>part of the house Stuff Works family. It was a

0:56:44.360 --> 0:56:46.120
<v Speaker 1>real special moment for me. And if you are not

0:56:46.280 --> 0:56:49.239
<v Speaker 1>familiar with their work, I highly recommend you seek it

0:56:49.280 --> 0:56:52.040
<v Speaker 1>out and find out if that brand of silliness is

0:56:52.160 --> 0:56:58.080
<v Speaker 1>up your wacky avenue, because I find endless hours of

0:56:58.200 --> 0:57:02.560
<v Speaker 1>enjoyment from that work. It's I can watch an old

0:57:02.640 --> 0:57:06.359
<v Speaker 1>cartoon again and find new things to laugh at, and

0:57:06.440 --> 0:57:09.719
<v Speaker 1>I think laughter is something that should never be in

0:57:09.800 --> 0:57:12.280
<v Speaker 1>short supply, so go check that out. If you guys

0:57:12.280 --> 0:57:15.040
<v Speaker 1>have suggestions for things I should cover in future episodes

0:57:15.040 --> 0:57:17.840
<v Speaker 1>of tech Stuff, whether it's a topic or a guest

0:57:17.880 --> 0:57:20.080
<v Speaker 1>I should have on the show, maybe a special co

0:57:20.160 --> 0:57:23.400
<v Speaker 1>host for a specific topic, let me know what you think.

0:57:23.480 --> 0:57:26.160
<v Speaker 1>Send me a message. The email for the show is

0:57:26.240 --> 0:57:29.160
<v Speaker 1>tech Stuff at how stuff Works dot com, or you

0:57:29.160 --> 0:57:31.800
<v Speaker 1>can drop me a line on Facebook or Twitter to

0:57:31.880 --> 0:57:34.720
<v Speaker 1>handle of both of those is tech Stuff HSW. Remember

0:57:34.760 --> 0:57:37.200
<v Speaker 1>we have an Instagram account now, so go check that out.

0:57:37.640 --> 0:57:41.640
<v Speaker 1>Crystal does great work uploading tons of great photos, including

0:57:41.840 --> 0:57:47.640
<v Speaker 1>pictures of stuff like interviews with famous internet comedy creators,

0:57:47.960 --> 0:57:50.200
<v Speaker 1>so you should make sure you go and add that

0:57:50.280 --> 0:57:54.640
<v Speaker 1>account to your Instagram account. And of course I stream

0:57:54.720 --> 0:57:57.720
<v Speaker 1>live frequently on Wednesdays and Fridays over at twitch dot

0:57:57.720 --> 0:58:00.360
<v Speaker 1>tv slash tech Stuff. Just visit that you r l.

0:58:00.400 --> 0:58:03.040
<v Speaker 1>You'll see the schedule there and you can actually watch

0:58:03.080 --> 0:58:07.200
<v Speaker 1>me make magic live and in person, including the parts

0:58:07.200 --> 0:58:09.480
<v Speaker 1>where I mess up. So I hope to see you

0:58:09.920 --> 0:58:12.760
<v Speaker 1>at that channel. You can chat with me and and

0:58:13.120 --> 0:58:16.680
<v Speaker 1>I might even acknowledge your existence. I know it's on

0:58:16.720 --> 0:58:19.640
<v Speaker 1>the bucket list, so go ahead and do it and

0:58:19.680 --> 0:58:29.040
<v Speaker 1>I'll talk to you guys again really soon for more

0:58:29.080 --> 0:58:31.400
<v Speaker 1>on this and thousands of other topics because it has

0:58:31.480 --> 0:58:42.160
<v Speaker 1>to works. Dot com