WEBVTT - I Think It's Good You Turned Him Down (S1, E2 "The Lorelais' First Day at Chilton)

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<v Speaker 1>I am all in. Oh oh, that's just you. I

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<v Speaker 1>am all in with Scott Pattison and I heart Radio podcast.

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<v Speaker 1>So listen, guys. Thank you so much for all the

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<v Speaker 1>kind messages. Oh my god, it's uh, it's it's an

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<v Speaker 1>incredible thing that's happening. For the team at my heart

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<v Speaker 1>and myself and anybody associated with putting this show together.

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<v Speaker 1>It's uh, it's overwhelming that that the global community of

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<v Speaker 1>Gilmore fans has come together to to to download this

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<v Speaker 1>podcast and and really really big ways, and so thank

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<v Speaker 1>you so much. We're we're working hard, we're not getting

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<v Speaker 1>any sleep, but it's worth it because we love you guys,

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<v Speaker 1>and you're sending love back, and it's it's amazing and

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<v Speaker 1>it's fun and we want to have fun with you

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<v Speaker 1>and engage you in uh, in humorous and delightful and

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<v Speaker 1>informative way. So you deserve it, you're gonna get it,

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<v Speaker 1>and you're giving it back to us. So thank you,

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<v Speaker 1>very very very much. So now we're gonna get into

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<v Speaker 1>listener questions. Let's get right into it. You know you've

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<v Speaker 1>d m us, you have emailed us, you have you've

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<v Speaker 1>left all kinds of comments on all kinds of platforms

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<v Speaker 1>and we're we're seeing every single one of them, and

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<v Speaker 1>there's a lot of them, but they're all interesting and

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<v Speaker 1>we love them. And let's get to the first one,

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<v Speaker 1>and this is from Alex. Was the food real at

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<v Speaker 1>Luke's Diner? Who ate it? Did people eat the prop food?

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<v Speaker 1>Let me tell you something. The food was real, yes,

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<v Speaker 1>but it was old. They would cook it fresh, right,

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<v Speaker 1>and maybe on that first day that it was coming out,

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<v Speaker 1>it may have been edible for the maybe the first

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<v Speaker 1>ten minutes, but after that it was like next day,

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<v Speaker 1>same food, next day, same food, next day. So my episode,

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<v Speaker 1>you know, it took us eight days to shoot one episode.

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<v Speaker 1>But so by that fifth, six seventh day, when extras

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<v Speaker 1>was get a little bored, little hungry sitting around, they

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<v Speaker 1>butt into a burger, they'd get a rude awakening that

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<v Speaker 1>it was cold, hard, and and not terribly fresh. Um.

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<v Speaker 1>So those were kind of shocking and humorous moments on

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<v Speaker 1>the set. Who ate it? Yeah it was the extras

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<v Speaker 1>um and yes, the food was real. Okay. Second question

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<v Speaker 1>from Christie. I liked the podcast theme song, Oh oh,

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<v Speaker 1>is it Scot's music? What is the name of the

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<v Speaker 1>song and is it available? Yes? That is a I recently,

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<v Speaker 1>during the pandemic, you know, I sold my house. We

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<v Speaker 1>moved into my wife's parents condo, a huge condo in

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<v Speaker 1>Santa Monica. They were away on vacation for a long time,

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<v Speaker 1>so we're in there. So I was writing a lot

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<v Speaker 1>of songs in there while my new home was being remodeled.

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<v Speaker 1>Um and I just you know, I was sitting in

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<v Speaker 1>a room where the songs just kept flowing. And I

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<v Speaker 1>had wor old my producer's guitar, and there were a

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<v Speaker 1>lot of songs in that guitar, and I just kept

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<v Speaker 1>coming out. So I wrote all these songs. We went

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<v Speaker 1>in the studio and recorded three songs. That's one of

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<v Speaker 1>the songs. So I sent it to UH. I sent

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<v Speaker 1>it to our our main producer, Amy, who is with us,

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<v Speaker 1>and and I said, what do you think about this

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<v Speaker 1>for the theme song? She and she loved it, and

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<v Speaker 1>so we went with it. I was worried at first.

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<v Speaker 1>I was like, what, it just sucks. What am I

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<v Speaker 1>gonna do this? Am I going to tell him this

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<v Speaker 1>song blows? I know, I know how many times have

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<v Speaker 1>you ever been in that situation your life where it's

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<v Speaker 1>like you gotta be honest with people because you love them,

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<v Speaker 1>but you don't want it to screw up your business. Uh,

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<v Speaker 1>it's important. So uh but it's a good song. Yeah.

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<v Speaker 1>So I wrote it, and you know, I I changed

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<v Speaker 1>my I changed my sort of take on songwriting, and

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<v Speaker 1>I wanted to know. I was listening to a lot

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<v Speaker 1>of early beatles. It was two minute, happy songs with

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<v Speaker 1>great hooks, and I was like, really, just trying to

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<v Speaker 1>you know, it's a pandemic. I don't want to get

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<v Speaker 1>you know, commiserate or or be depressing because those songs

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<v Speaker 1>are easy to write. And uh, I just saw challenge yourself,

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<v Speaker 1>right right, happier music, right right, love songs. So it

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<v Speaker 1>was all love songs. Okay. So here's a question from

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<v Speaker 1>j Hi J. Was the hot coffee real in Luke's diner? Yes,

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<v Speaker 1>but then it would cool off. Like I said about

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<v Speaker 1>the food, it would cool off, and then you'd be

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<v Speaker 1>drinking either lukewarm or cold coffee the rest of the day.

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<v Speaker 1>Alexis drink coke. I think she did. I think, you know,

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<v Speaker 1>my memories of her were on the set where she

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<v Speaker 1>was a little more she was healthy, but um, yeah,

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<v Speaker 1>I guess at times she probably drank coke. We all

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<v Speaker 1>needed something to trust me because we're like nodding out,

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<v Speaker 1>you know after lunch, after lunch, if you had to

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<v Speaker 1>shoot a scene and you were like, oh boy, you know,

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<v Speaker 1>oh boy? Uh So how many times did you have

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<v Speaker 1>to pour a cup of coffee for a scene? Jeez?

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<v Speaker 1>I mean every time in the diner. That was my

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<v Speaker 1>go to stick. You know, I'm pouring the coffee, pouring

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<v Speaker 1>the cof one of the coffee. It was my excuse

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<v Speaker 1>to go to go over to the table that you know,

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<v Speaker 1>the director says, Scott, how are you gonna get over

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<v Speaker 1>the table? We can have someone pourk cup of coffee.

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<v Speaker 1>What do you think? Don't you watch a show? What's

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<v Speaker 1>wrong with you? So that's what I did. Uh, here

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<v Speaker 1>we go, Jessica. Jessica has a question. Who came up

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<v Speaker 1>with the idea of no phones at loose? Good question.

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<v Speaker 1>I can't take credit for that. That's that's a that's

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<v Speaker 1>a a Sherman Palladino. Uh move right there. So there

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<v Speaker 1>you go. That's their their commentary on encroaching technology and

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<v Speaker 1>it works like a charm. And Alessandra, when it snowed,

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<v Speaker 1>was the snow actually real? And did it actually? What

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<v Speaker 1>did it actually smell like Unfortunately, Alessandra, it was not real.

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<v Speaker 1>They have these very sophisticated companies that come in and

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<v Speaker 1>do snow for a film and TV and they're made

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<v Speaker 1>of paper there. It's like confetti almost. It's tiny little

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<v Speaker 1>uh uh squares of paper and they rain them down

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<v Speaker 1>and there's a lot of it, and they lay down

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<v Speaker 1>these sort of white mats uh to make it look fluffy,

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<v Speaker 1>and then they pour that stuff from a a giant

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<v Speaker 1>machine on top. It's it's a much larger machine than

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<v Speaker 1>you even realize. You walk on seting go what the

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<v Speaker 1>heck is that thing? Um, it looks like I'm like

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<v Speaker 1>they're putting up a huge building or something. But then

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<v Speaker 1>they just rain little paper down on everything looks it

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<v Speaker 1>really looks really good. Um. So that's how they do it.

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<v Speaker 1>And it gets in your nose and it gets in

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<v Speaker 1>your clothes and it gets everywhere. It's kind of like

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<v Speaker 1>sand Alright, guys, thank you for your questions. Awesome questions.

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<v Speaker 1>I hope you learned something. Um. I had fun answering,

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<v Speaker 1>So keep them coming, um And we're gonna get into

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<v Speaker 1>breaking down the episode uh a little later. But first

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<v Speaker 1>we have the iconic Sally Struthers, who is making her

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<v Speaker 1>debut appearance in episode two as bad Bett, the wife

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<v Speaker 1>of Mori and Uh, a Laurelai neighbor and the gnome

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<v Speaker 1>owner of Gnomes best Gnome collection. Probably in stars Hollow,

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<v Speaker 1>I would say, and maybe in that entire county. I

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<v Speaker 1>don't know. Um, if anybody knows, let us know, uh,

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<v Speaker 1>somebody with Gnome knowledge, because I certainly you know, I'm

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<v Speaker 1>I'm versed in Gnomes, but I'm sure there's somebody out

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<v Speaker 1>there that could. What did you think when they told

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<v Speaker 1>you Sally Struthers was joining the cast? I mean I

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<v Speaker 1>grew up on all in the family. I mean, what

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<v Speaker 1>a what a fantastic show. And she was you know,

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<v Speaker 1>she was glorious, she was she was like this this

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<v Speaker 1>I don't know, just this bright light in television and

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<v Speaker 1>such a positive force and such a funny actress and

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<v Speaker 1>such a great actress and all of those. I mean,

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<v Speaker 1>it's like almost every scene in all of the Family

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<v Speaker 1>was iconic. I mean it's like you can't watch an

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<v Speaker 1>episode of that and not go, wow, that was you.

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<v Speaker 1>That was huge. I remember that one, huge, huge, huge.

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<v Speaker 1>It's like going to a Beach Boys concert. Every song

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<v Speaker 1>is a hit and you're like, what is going on here?

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<v Speaker 1>So um, so it was Sally Struthers. And then when

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<v Speaker 1>we met her it was even better because you know,

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<v Speaker 1>you don't know what to expect from people, and she's

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<v Speaker 1>so funny and so loving and so like everybody's mom

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<v Speaker 1>and everybody's best friend and all the great stories and

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<v Speaker 1>and no pretensions about her at all, just the best

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<v Speaker 1>person you could ever meet. And also also joining us.

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<v Speaker 1>Even though she doesn't come on until season two, we

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<v Speaker 1>don't see her make her first appearance until season two.

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<v Speaker 1>Rose Abdu, the brilliant improvisational actress and comedian Rose Abdu,

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<v Speaker 1>will be joining us with Sally, So it's gonna be

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<v Speaker 1>raucous affair. Let me tell you, it's gonna be filled

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<v Speaker 1>with laughter. And we'll be back with them after a

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<v Speaker 1>quick break. Hello ladies, Hi baby, Ice guy. How are you?

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<v Speaker 1>It's so good to see you, guys. What is happening?

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<v Speaker 1>What is going on? Sally? What have you been up to?

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<v Speaker 1>Are you doing your theater? You're doing your musical theater,

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<v Speaker 1>You're doing youring a pandemic? Now you can't gather in

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<v Speaker 1>the theater. I am laid up, as they say, Oh

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<v Speaker 1>my god, Oh my god. It's tough, right, I mean,

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<v Speaker 1>you gotta, you gotta. It's been torture, but thank you Rose.

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<v Speaker 1>Rose won't drag about herself. But Rose is working constantly

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<v Speaker 1>because she's all the big films, she's a wanted commodity.

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<v Speaker 1>She's amazing and everything she doesn't she's guesting on all

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<v Speaker 1>of these shows. If you go to Second City and

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<v Speaker 1>get those chops, then you're gonna be in demand, right,

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<v Speaker 1>it's gonna that's like, that's like an investment into your

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<v Speaker 1>future long term. Oh that's so nice. I love it.

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<v Speaker 1>I mean, I got really lucky and got to work

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<v Speaker 1>on Hacks, which is a new HBO Max show that's

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<v Speaker 1>going to start May thirteen. Nice. But everyone, I mean,

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<v Speaker 1>how many times Scott do you get asked about like,

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<v Speaker 1>are there going to be more? Like so many people

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<v Speaker 1>every day, right, they want a Christmas movie or something,

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<v Speaker 1>just something. So I always feel like I'm disappointing everybody

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<v Speaker 1>by going back. I don't know, I mean, is it

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<v Speaker 1>beyond the realm of possibility? I don't know. I don't

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<v Speaker 1>want to give people false help. Are we starting did

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<v Speaker 1>we start yet? And we're going We're wing? What it

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<v Speaker 1>is we're here just we're just chopping it up, you know,

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<v Speaker 1>just you know, it's like it's going to be a

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<v Speaker 1>little trip down memory lane. So welcome you guys. People

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<v Speaker 1>stop you on the street, Scott, stop me stop. I

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<v Speaker 1>mean they might follow and hello. They're always pleasant. Stop

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<v Speaker 1>oh stop me, stop me. Do they recognize you and

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<v Speaker 1>stop you to talk to you? Oh? Sure, yeah, they

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<v Speaker 1>come up. They're very friendly. I've always only had very

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<v Speaker 1>pleasant encounters. I mean, do your fans know that from

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<v Speaker 1>Gilmore girl fans that before you were on Gilmore girls

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<v Speaker 1>who were a professional baseball player. Some do some do this.

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<v Speaker 1>Some of the guys are like, hey, you know, I

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<v Speaker 1>you know, I know I played with Chucky, you know,

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<v Speaker 1>and you know I remember him and you played with him.

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<v Speaker 1>He said, you know, you're pretty good this. You know,

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<v Speaker 1>it's all that stuff is your son. Now he's he's

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<v Speaker 1>going to be seven in wolaying him. Nah, he's an artist.

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<v Speaker 1>You should and and he's you should see his drawings.

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<v Speaker 1>They are amazing that he started out a couple of

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<v Speaker 1>years ago, very boskiyat kind of stuff, and now he's

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<v Speaker 1>he's a he's a into realism. So he's drawing these

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<v Speaker 1>exact things that wonderful stuff. He's not. He's not a

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<v Speaker 1>you know. It's like and and he has all the talent.

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<v Speaker 1>I've thrown the ball with him and he wings it

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<v Speaker 1>back at seven miles an hour and the whole deal.

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<v Speaker 1>And it's like, but my thing with that is, it's like, gosh,

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<v Speaker 1>there's so much more to life, and there's so many

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<v Speaker 1>other skills that I know that he has, and I

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<v Speaker 1>want to bring those out, you know, and and allow

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<v Speaker 1>those to develop and flourish. And well, it's like if

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<v Speaker 1>you get into that sports thing, it's very limiting. And

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<v Speaker 1>not that it doesn't have its benefits. It does, it

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<v Speaker 1>really does. But I mean my fear is that he's

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<v Speaker 1>like really good at it and we're gonna make a decision.

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<v Speaker 1>I don't want him go in that room. Look he'll decide, right,

0:12:44.120 --> 0:12:46.680
<v Speaker 1>I mean, if if it's meant to be, it'll be.

0:12:46.760 --> 0:12:50.079
<v Speaker 1>But you know, he's a very good student. He loves

0:12:50.120 --> 0:12:52.520
<v Speaker 1>to read, he loves to create. He's got a real

0:12:52.600 --> 0:12:55.600
<v Speaker 1>big creative side. Did you know that is an artist?

0:12:56.520 --> 0:12:58.560
<v Speaker 1>Oh yeah, I mean she did the background for this

0:12:59.800 --> 0:13:04.880
<v Speaker 1>this back. She did the background for the background. I

0:13:05.040 --> 0:13:07.840
<v Speaker 1>know I was cheesy, but I'm I sculpt miniature, I

0:13:07.880 --> 0:13:11.480
<v Speaker 1>sculpt managers, and and it's been so fun this pandemic

0:13:11.520 --> 0:13:13.760
<v Speaker 1>because I don't know, I decided to make little cars

0:13:13.800 --> 0:13:15.520
<v Speaker 1>out of food, and somebody said, oh, do you do

0:13:15.559 --> 0:13:18.000
<v Speaker 1>you do cars because you're gypsy to auto mechanic. I

0:13:18.040 --> 0:13:19.520
<v Speaker 1>was like, I never even thought of that, But I

0:13:19.559 --> 0:13:23.040
<v Speaker 1>just I got obsessed with making like tiny animals driving

0:13:23.040 --> 0:13:27.200
<v Speaker 1>tiny cars. There you go, he know, and when she

0:13:27.280 --> 0:13:31.080
<v Speaker 1>says tiny, she means tiny. When she finishes one of

0:13:31.120 --> 0:13:36.040
<v Speaker 1>her pieces, which you can't understand, like adult fingers are

0:13:36.120 --> 0:13:39.840
<v Speaker 1>just too big to be able to make this, she

0:13:39.960 --> 0:13:42.200
<v Speaker 1>photographs it with the penny next to it so that

0:13:42.240 --> 0:13:45.120
<v Speaker 1>you can see that it's it's about the size of

0:13:45.160 --> 0:13:49.400
<v Speaker 1>a penny, and it's it's detailed and it's perfect. It's

0:13:49.440 --> 0:13:52.320
<v Speaker 1>a house driving a piece of cheese. It's a thank

0:13:52.400 --> 0:13:55.679
<v Speaker 1>you at least, like the perfect art agent. You're you're

0:13:55.720 --> 0:13:59.200
<v Speaker 1>a great pr person. Ground we're doing it. We're really

0:13:59.320 --> 0:14:01.720
<v Speaker 1>meeting to other. This is part of a town meeting,

0:14:01.760 --> 0:14:03.600
<v Speaker 1>the three of us. Well, you have you have a

0:14:03.640 --> 0:14:05.680
<v Speaker 1>seven year old, so I kind of know a lot

0:14:05.720 --> 0:14:10.400
<v Speaker 1>about what you've been doing during pandemic. Rose has been

0:14:10.440 --> 0:14:13.440
<v Speaker 1>working a lot um not to be a Debbie downer.

0:14:13.520 --> 0:14:17.319
<v Speaker 1>But Rose and I both recently lost our dogs. Oh

0:14:17.360 --> 0:14:21.800
<v Speaker 1>I'm so sorry, and it's been pretty awful. But the

0:14:21.840 --> 0:14:24.720
<v Speaker 1>only satisfaction her dog was Monkey and my dog was

0:14:24.800 --> 0:14:27.880
<v Speaker 1>Brad is that now we know that Monkey or Brad

0:14:27.880 --> 0:14:31.840
<v Speaker 1>are playing together and Doggie heaven there you have any

0:14:31.840 --> 0:14:36.200
<v Speaker 1>thoughts about getting up? How do you feel about that? Sally?

0:14:36.200 --> 0:14:39.240
<v Speaker 1>I wanted to ask you that I counted on my

0:14:39.280 --> 0:14:41.800
<v Speaker 1>fingers today and I ran out of fingers the amount

0:14:41.840 --> 0:14:45.680
<v Speaker 1>of dogs that I have had in my adulthood, and

0:14:45.680 --> 0:14:50.840
<v Speaker 1>and uh, I have had a leaven Wow. And before

0:14:50.920 --> 0:14:54.120
<v Speaker 1>I got Brad, I went a whole year without a

0:14:54.200 --> 0:14:57.720
<v Speaker 1>dog because my first my two before that were Scotty

0:14:57.800 --> 0:15:00.160
<v Speaker 1>dogs and one was Bob and one was banana Is.

0:15:01.120 --> 0:15:04.560
<v Speaker 1>And Bob died of cancer. And three months later Banana's

0:15:04.760 --> 0:15:08.640
<v Speaker 1>drowned in my swimming pool, and my heart was so broken.

0:15:09.520 --> 0:15:12.400
<v Speaker 1>I was so damaged from that, I went there's time

0:15:12.440 --> 0:15:16.560
<v Speaker 1>in my adult life. I went an entire year without

0:15:16.680 --> 0:15:21.840
<v Speaker 1>choosing another God's gifts dogs are gifts from God to

0:15:21.960 --> 0:15:24.760
<v Speaker 1>live with. And then I found Brad at a at

0:15:24.760 --> 0:15:27.520
<v Speaker 1>a rescue place in New Hampshire while I was working

0:15:27.720 --> 0:15:31.120
<v Speaker 1>Maine and now my heart so broken again. I don't

0:15:31.160 --> 0:15:33.320
<v Speaker 1>think I can get one right away, but I'm sure

0:15:33.360 --> 0:15:35.880
<v Speaker 1>I will. What about you, Rose, I mean, I just

0:15:36.040 --> 0:15:38.520
<v Speaker 1>he was so perfect that I don't really I can't

0:15:38.520 --> 0:15:42.960
<v Speaker 1>imagine getting another one. It was just Please tell Scott

0:15:43.000 --> 0:15:46.040
<v Speaker 1>how we were working together on when the reunion, when

0:15:46.040 --> 0:15:48.960
<v Speaker 1>we were making the Gilmore Girls reunions, and you and

0:15:49.080 --> 0:15:52.400
<v Speaker 1>John went to the Pasadena dog shelter and find a dog.

0:15:52.600 --> 0:15:56.240
<v Speaker 1>Amy six. Scott Amy would have put Monkey in the

0:15:56.280 --> 0:15:58.840
<v Speaker 1>winter in a year in the life, like I got

0:15:58.840 --> 0:16:01.320
<v Speaker 1>a dog, and everyone's like, oh, how's your dog? I go, well,

0:16:01.360 --> 0:16:02.920
<v Speaker 1>we had him for four hours and he ran away.

0:16:04.760 --> 0:16:07.000
<v Speaker 1>Every that whole time. I had to stand there on

0:16:07.080 --> 0:16:09.760
<v Speaker 1>my mark. You were in that scene, and Amy was like,

0:16:10.040 --> 0:16:11.920
<v Speaker 1>my mind was wandering so badly because something. I just

0:16:11.920 --> 0:16:13.760
<v Speaker 1>met this flipping dog. It took me fifteen years pick

0:16:13.760 --> 0:16:15.480
<v Speaker 1>out a dog and he ran away. But I knew

0:16:15.480 --> 0:16:17.600
<v Speaker 1>you got a dog, and so I gave you a

0:16:17.720 --> 0:16:22.520
<v Speaker 1>plaid collar for him. She gave me a green plant collar.

0:16:22.640 --> 0:16:25.120
<v Speaker 1>The dog ran away. Long story short, someone found the job.

0:16:25.160 --> 0:16:27.160
<v Speaker 1>We put it on lost pause l A. The lady

0:16:27.200 --> 0:16:28.560
<v Speaker 1>wasn't going to give up the dog, and we go

0:16:28.760 --> 0:16:30.760
<v Speaker 1>please please it's got a green plant collar or a

0:16:30.760 --> 0:16:33.560
<v Speaker 1>gift from Sally Struther's godmother. She goes, I have your dog.

0:16:33.680 --> 0:16:35.600
<v Speaker 1>So if Sally hadn't given me the plant collar, they

0:16:35.600 --> 0:16:37.920
<v Speaker 1>never would have found the dog. Very I'm going to

0:16:38.000 --> 0:16:39.280
<v Speaker 1>write it in a book because it really is an

0:16:39.280 --> 0:16:42.760
<v Speaker 1>amazing story. But back to our life. In our town meetings,

0:16:43.080 --> 0:16:44.840
<v Speaker 1>Sally turned to me one of the first times I

0:16:44.840 --> 0:16:47.240
<v Speaker 1>worked with you, Sally, and she looked at me and

0:16:47.280 --> 0:16:49.960
<v Speaker 1>just I didn't know her. I was like, she's from

0:16:50.000 --> 0:16:52.040
<v Speaker 1>all in the family. I love sitting next to her.

0:16:52.080 --> 0:16:53.840
<v Speaker 1>I can't believe this is happening. And she just goes,

0:16:54.000 --> 0:16:57.080
<v Speaker 1>do you want to see my dog's driver's license? And

0:16:57.120 --> 0:16:59.960
<v Speaker 1>I was like, yeah, your dog is a driver's life.

0:17:00.160 --> 0:17:02.360
<v Speaker 1>And she pulled out of California license with the perfect

0:17:02.360 --> 0:17:07.840
<v Speaker 1>picture of Bob. It was so silly and wonderful that

0:17:07.920 --> 0:17:10.000
<v Speaker 1>I was like, yes, this is great. You still have

0:17:10.080 --> 0:17:15.200
<v Speaker 1>it in your wallet. Fantastic Bob's driver's license. There. She goes,

0:17:15.840 --> 0:17:19.199
<v Speaker 1>she's gonna find it. She's got it, so I do

0:17:19.359 --> 0:17:21.359
<v Speaker 1>want another one, But I just feel like he was

0:17:21.400 --> 0:17:23.520
<v Speaker 1>so perfect, And it was my first dog. I was

0:17:23.560 --> 0:17:25.879
<v Speaker 1>fifty three. I've never had a dog before and Amy.

0:17:25.920 --> 0:17:28.639
<v Speaker 1>Amy actually said to me their dog passed away right

0:17:28.640 --> 0:17:30.560
<v Speaker 1>before we started filming A Year in the Life, and

0:17:30.600 --> 0:17:32.520
<v Speaker 1>she goes, they'll break your heart. My husband said, they

0:17:32.560 --> 0:17:34.520
<v Speaker 1>bring you joy a million times, they only break your

0:17:34.520 --> 0:17:38.879
<v Speaker 1>heart once, right, right, right, Well, the time will come. Yes,

0:17:39.119 --> 0:17:43.560
<v Speaker 1>I can't find it. But there's a company you can

0:17:43.600 --> 0:17:45.359
<v Speaker 1>write to and you send them your dog's picture and

0:17:45.400 --> 0:17:49.240
<v Speaker 1>your dog's height, and wait and birthdays, and they make

0:17:49.320 --> 0:17:51.960
<v Speaker 1>the driver's license for you for whatever state you actually

0:17:51.960 --> 0:17:55.800
<v Speaker 1>live in using When I got stopped by a policeman

0:17:56.320 --> 0:17:57.840
<v Speaker 1>for I don't know what I was doing, but a

0:17:57.840 --> 0:18:00.439
<v Speaker 1>police will stop me, he said, driver's license play. So

0:18:00.480 --> 0:18:02.400
<v Speaker 1>I handed him the one with my dog on it,

0:18:03.359 --> 0:18:05.399
<v Speaker 1>thinking that it would charm me him. And that was,

0:18:07.119 --> 0:18:09.320
<v Speaker 1>you know, the two I gotta I gotta tell you

0:18:09.320 --> 0:18:11.439
<v Speaker 1>while I have you, Guys, the two biggest thrills of

0:18:11.480 --> 0:18:16.040
<v Speaker 1>my entire career are when I was in Carnegie Hall

0:18:16.080 --> 0:18:21.960
<v Speaker 1>taken Repetition with Robert Modica and he was dating Louise

0:18:22.080 --> 0:18:24.680
<v Speaker 1>Lasser at the time, and I was a huge Mary

0:18:24.720 --> 0:18:28.879
<v Speaker 1>Hartman Mary Hart Show. Remember that show? What That show

0:18:29.119 --> 0:18:33.720
<v Speaker 1>was mind blowing great. It was just the greatest thing.

0:18:34.359 --> 0:18:37.520
<v Speaker 1>And because it never should have been on television. It

0:18:37.600 --> 0:18:39.560
<v Speaker 1>was just it was it was like it was like

0:18:39.720 --> 0:18:42.400
<v Speaker 1>Theater of the absurd. It was how did that get

0:18:42.400 --> 0:18:44.560
<v Speaker 1>on network television? But it was just she was great

0:18:44.560 --> 0:18:46.919
<v Speaker 1>at it, and she was in the class. And I

0:18:47.080 --> 0:18:50.280
<v Speaker 1>just done a repetition exercise where I, you know, dug

0:18:50.320 --> 0:18:53.040
<v Speaker 1>real deep and had a big breakthrough in the whole deal.

0:18:53.080 --> 0:18:56.160
<v Speaker 1>And I was I sat down, I was like, uh,

0:18:56.200 --> 0:19:00.560
<v Speaker 1>And she turned her Louise Lasser herself turned around and

0:19:00.680 --> 0:19:03.920
<v Speaker 1>looked at me, and she said, You're going to get

0:19:03.960 --> 0:19:11.800
<v Speaker 1>everything you want. And I have never felt so supported

0:19:12.200 --> 0:19:19.439
<v Speaker 1>or blessed or validate you were. You were put a

0:19:19.520 --> 0:19:21.679
<v Speaker 1>stamp on me and ship me out. I mean, it

0:19:21.760 --> 0:19:25.960
<v Speaker 1>was just a wonderful moment. And then the day I

0:19:26.080 --> 0:19:30.160
<v Speaker 1>walked onto the set and there you were, Sally from

0:19:30.240 --> 0:19:32.840
<v Speaker 1>All in the Family, another show that I grew up with,

0:19:32.920 --> 0:19:37.480
<v Speaker 1>just like worshiping the writing and the acting, and and

0:19:37.560 --> 0:19:39.919
<v Speaker 1>I got to work with you. And and the story

0:19:40.000 --> 0:19:43.080
<v Speaker 1>I always tell is on my birthday, and you were

0:19:43.160 --> 0:19:46.240
<v Speaker 1>so kind to do this because you knew my birthday

0:19:46.480 --> 0:19:49.560
<v Speaker 1>fell on a very tragic day in our nation's history.

0:19:49.840 --> 0:19:52.919
<v Speaker 1>Even you would pick me up because I never celebrated it.

0:19:52.960 --> 0:19:55.159
<v Speaker 1>On my on that day because out of respect for

0:19:55.240 --> 0:19:57.640
<v Speaker 1>the people who lost their lives. But um, you would

0:19:57.680 --> 0:19:59.840
<v Speaker 1>pick me up. And people don't know this about Sally.

0:20:00.040 --> 0:20:03.199
<v Speaker 1>You're very you're physically very strong. I was shocked and

0:20:03.240 --> 0:20:06.239
<v Speaker 1>I was going about to ten at that time. And

0:20:06.320 --> 0:20:08.000
<v Speaker 1>you would pick me up, throw me over his shoulder

0:20:08.480 --> 0:20:10.640
<v Speaker 1>and take me around the set and say, smack him

0:20:10.640 --> 0:20:14.119
<v Speaker 1>on the acids his birthday. You go to every single

0:20:14.160 --> 0:20:21.600
<v Speaker 1>bring day, walloped me and I'd have red marks every year.

0:20:22.560 --> 0:20:27.520
<v Speaker 1>Oh my god, what all you're good at that? She

0:20:27.600 --> 0:20:30.439
<v Speaker 1>can fireman's carry? She doesn't. Oh yeah, you did it

0:20:30.480 --> 0:20:33.480
<v Speaker 1>with you, remember, And no, she just threw me over

0:20:33.680 --> 0:20:36.679
<v Speaker 1>her shoulder. She was a fireman. No, it wasn't like

0:20:36.680 --> 0:20:38.720
<v Speaker 1>a no, she didn't put me around her neck. She

0:20:38.760 --> 0:20:41.159
<v Speaker 1>just threw me over one shoulder. And then she had

0:20:41.200 --> 0:20:44.719
<v Speaker 1>a free hand to smack at will you know, and

0:20:44.760 --> 0:20:47.919
<v Speaker 1>then let others have their turns. You're the person to

0:20:47.920 --> 0:20:50.160
<v Speaker 1>be with if there's God forbid of burning building, because

0:20:51.280 --> 0:20:53.160
<v Speaker 1>I will throw you all out. And let me tell

0:20:53.200 --> 0:20:58.480
<v Speaker 1>you why. I am Scottish and Scandinavian, and both of

0:20:58.520 --> 0:21:03.119
<v Speaker 1>those people are built to pull the slay through the snow.

0:21:03.280 --> 0:21:08.119
<v Speaker 1>If the horse drops dead and we're just unnaturally strong.

0:21:08.440 --> 0:21:12.080
<v Speaker 1>So are you? Are you a Scottish Highlander or a Lowlander?

0:21:13.240 --> 0:21:15.280
<v Speaker 1>I'd like to take the high road, but it's not

0:21:15.359 --> 0:21:22.480
<v Speaker 1>any fun. The low road passes cut by a couple

0:21:22.520 --> 0:21:31.880
<v Speaker 1>of bars, a discotheq. And because did you know that

0:21:31.880 --> 0:21:34.600
<v Speaker 1>that Sean Gunn and Lauren Graham are Highlanders? Did you

0:21:34.720 --> 0:21:39.800
<v Speaker 1>know that? Yeah? If they have Scottish blood, and I

0:21:39.800 --> 0:21:44.240
<v Speaker 1>think they both do. Yeah, and their tribes are still

0:21:44.359 --> 0:21:48.080
<v Speaker 1>vital in a lot. My grandfather came from a town

0:21:48.119 --> 0:21:53.120
<v Speaker 1>in Scotland called Motherwell, and I honestly don't know if

0:21:53.160 --> 0:21:56.800
<v Speaker 1>they were Highlanders or Lowlanders. I don't know this right right?

0:21:57.840 --> 0:22:03.520
<v Speaker 1>Do you have a kilt? I had one, but I

0:22:03.640 --> 0:22:05.840
<v Speaker 1>lost it. I think you will look quite nice in

0:22:05.880 --> 0:22:10.560
<v Speaker 1>a kilt. If I don't know, I think maybe you know,

0:22:10.680 --> 0:22:17.200
<v Speaker 1>considering Milo's recent thigh flashing pensant, I could probably get

0:22:17.200 --> 0:22:20.239
<v Speaker 1>away with wearing a kilt now. It really gives me

0:22:20.280 --> 0:22:23.360
<v Speaker 1>a lot of freedom. Yes, at least usually have very

0:22:23.480 --> 0:22:29.000
<v Speaker 1>nice knees. They have nice legs. Those guys filmore guys.

0:22:29.840 --> 0:22:36.479
<v Speaker 1>I don't know. So So tell me your favorite scenes

0:22:37.119 --> 0:22:39.560
<v Speaker 1>the Favorite Days? Do you remember the favorite scenes in

0:22:39.600 --> 0:22:42.439
<v Speaker 1>the Favorite Days? On set. Any day I was with

0:22:42.560 --> 0:22:47.600
<v Speaker 1>Rose was my favorite day. The Rose made every day fun.

0:22:48.359 --> 0:22:50.359
<v Speaker 1>Thank you and you. I felt the same way about

0:22:50.359 --> 0:22:51.879
<v Speaker 1>you and Scott. I felt the same way when I

0:22:51.920 --> 0:22:56.159
<v Speaker 1>just thought I'm working with Sally and Liz, like it

0:22:56.320 --> 0:22:59.160
<v Speaker 1>was my my life revolved around that night of television

0:22:59.160 --> 0:23:00.720
<v Speaker 1>with all in the family, and I was just It

0:23:00.800 --> 0:23:02.480
<v Speaker 1>still blows my mind that I can call her a

0:23:02.560 --> 0:23:04.480
<v Speaker 1>very dear friend that because I was such a fan

0:23:04.560 --> 0:23:06.760
<v Speaker 1>for so many years, but we had so much fun.

0:23:06.840 --> 0:23:09.959
<v Speaker 1>I remember more about year in the life because of

0:23:09.960 --> 0:23:13.240
<v Speaker 1>course it was more recent, and I just remember, like

0:23:13.359 --> 0:23:16.879
<v Speaker 1>one one day that really struck me was we as Gypsy.

0:23:16.920 --> 0:23:18.560
<v Speaker 1>I never got to be in the mansion, but of

0:23:18.600 --> 0:23:20.040
<v Speaker 1>course I got to play for that, so I got

0:23:20.119 --> 0:23:22.720
<v Speaker 1>to be in the house the day that they unveiled.

0:23:22.720 --> 0:23:25.000
<v Speaker 1>You know, the painting of of ed Herman was just

0:23:25.040 --> 0:23:27.960
<v Speaker 1>so enormous. If we all gathered in the living room

0:23:28.000 --> 0:23:29.600
<v Speaker 1>and the painting a part of the joke of it

0:23:29.640 --> 0:23:32.120
<v Speaker 1>was wife that painting so big, and everyone just looked

0:23:32.119 --> 0:23:34.159
<v Speaker 1>at it, and I felt like his presence was almost

0:23:34.160 --> 0:23:36.960
<v Speaker 1>there like that. That just was a day that I

0:23:37.040 --> 0:23:40.199
<v Speaker 1>just remember. I remember feeling so close to the you know,

0:23:40.320 --> 0:23:44.240
<v Speaker 1>Lauren and and Alexis and and Kelly, And it was

0:23:44.280 --> 0:23:47.800
<v Speaker 1>just a very emotional day that I felt he's not here,

0:23:47.800 --> 0:23:50.760
<v Speaker 1>but he's here, you know it, truly you did feel

0:23:50.760 --> 0:23:54.520
<v Speaker 1>his presence and hum you know, the scenes that I

0:23:54.560 --> 0:23:57.160
<v Speaker 1>would do in the diner with Lauren or whomever, those

0:23:57.200 --> 0:24:00.080
<v Speaker 1>were very intense scenes because there was so much to

0:24:00.160 --> 0:24:03.000
<v Speaker 1>do in terms of blocking and and the handling of

0:24:03.040 --> 0:24:05.520
<v Speaker 1>the plates and the you know and hitting your marks,

0:24:05.520 --> 0:24:07.520
<v Speaker 1>and it was like ten page scenes and they would

0:24:07.520 --> 0:24:09.959
<v Speaker 1>shoot the master over and over and over you as

0:24:10.080 --> 0:24:13.479
<v Speaker 1>you will know this. And then on the days that uh,

0:24:13.640 --> 0:24:15.960
<v Speaker 1>and so there was like there was this intensity and

0:24:16.000 --> 0:24:19.359
<v Speaker 1>there was sort of this burnout almost um where it

0:24:19.440 --> 0:24:21.760
<v Speaker 1>was like, wow, this is you know, because acting can

0:24:21.800 --> 0:24:25.200
<v Speaker 1>be hard endurance wise, and just to sort of keep

0:24:25.240 --> 0:24:28.480
<v Speaker 1>that focus. But on the days that that that, Sally

0:24:28.680 --> 0:24:31.399
<v Speaker 1>and Liz were together in the diner and Rosey were

0:24:31.440 --> 0:24:35.680
<v Speaker 1>there sometimes and and it was just all so much fun.

0:24:35.760 --> 0:24:39.800
<v Speaker 1>It was like, thank God they're here, because now we

0:24:39.880 --> 0:24:43.359
<v Speaker 1>can laugh because you guys would sit around and tell

0:24:43.400 --> 0:24:47.000
<v Speaker 1>those stories and and tell jokes and just be great

0:24:47.000 --> 0:24:51.760
<v Speaker 1>with everybody. And it was such a joy. Rose said

0:24:51.760 --> 0:24:56.080
<v Speaker 1>to me, we were sitting in our actors director chairs

0:24:56.119 --> 0:24:59.320
<v Speaker 1>that had our names on them. Also Fancy and um

0:24:59.560 --> 0:25:01.680
<v Speaker 1>there were before was in the group of Rosa said

0:25:01.680 --> 0:25:05.560
<v Speaker 1>to me, give us a show, Sally, what you've got

0:25:05.680 --> 0:25:09.919
<v Speaker 1>your purse. And I don't think you knew what I

0:25:09.960 --> 0:25:12.000
<v Speaker 1>had in my purse, but I think there was a

0:25:12.000 --> 0:25:14.399
<v Speaker 1>lot of job dropping going on because my purse is

0:25:14.440 --> 0:25:18.800
<v Speaker 1>filled with things to make unhappy children stop crying on airplanes.

0:25:20.520 --> 0:25:22.840
<v Speaker 1>But you have to go pass all of the props

0:25:22.840 --> 0:25:28.359
<v Speaker 1>and the jokes to find my wallet. So I I proceeded.

0:25:28.400 --> 0:25:31.280
<v Speaker 1>I proceeded to take the things out of my I've

0:25:31.320 --> 0:25:35.800
<v Speaker 1>got my purse out of my purse, and you had

0:25:36.240 --> 0:25:39.399
<v Speaker 1>all kinds of stuff. Well, first of all, this always

0:25:39.520 --> 0:25:41.480
<v Speaker 1>shocks the child when you when you come back to

0:25:41.480 --> 0:25:45.640
<v Speaker 1>talk to them and you say hi, Hi, and they

0:25:45.640 --> 0:25:47.760
<v Speaker 1>either cry harder or they look at base and they

0:25:47.800 --> 0:25:51.320
<v Speaker 1>stopped crying. And if that doesn't work, you put on

0:25:51.320 --> 0:25:53.919
<v Speaker 1>one of your little hands and you you sneak the

0:25:54.040 --> 0:25:56.280
<v Speaker 1>little hand around the edge of the seat, and we

0:25:56.359 --> 0:25:58.320
<v Speaker 1>kept the child on the shoulder and they look and

0:25:58.400 --> 0:26:01.560
<v Speaker 1>they get very quiet. I've got a pair of those.

0:26:01.640 --> 0:26:04.680
<v Speaker 1>And you think, sy, didn't you do you? You hand

0:26:04.720 --> 0:26:07.000
<v Speaker 1>the crossword puzzle as bad bat. That was your real

0:26:07.040 --> 0:26:10.840
<v Speaker 1>crossword puzzle right there, we're working out yes, and then

0:26:10.960 --> 0:26:14.000
<v Speaker 1>and then always, when the meal comes, you have the

0:26:14.040 --> 0:26:16.479
<v Speaker 1>extend of fork because it makes it so much easier

0:26:16.480 --> 0:26:18.840
<v Speaker 1>to eat off of someone else's plate if what they

0:26:18.840 --> 0:26:21.000
<v Speaker 1>have looks good that you say, oh, you don't mind,

0:26:21.040 --> 0:26:26.120
<v Speaker 1>do you? If I just take a bite. So there's that,

0:26:26.720 --> 0:26:30.359
<v Speaker 1>and then there's um. And then there's always the chicken.

0:26:30.400 --> 0:26:33.080
<v Speaker 1>I love chickens. And I say, oh, I have a chicken.

0:26:33.400 --> 0:26:37.280
<v Speaker 1>I have a chicken, and and she um, she's about

0:26:37.320 --> 0:26:45.320
<v Speaker 1>to make me a grand oh oh oh, we're pulling

0:26:45.320 --> 0:26:47.239
<v Speaker 1>out all the stuffs here on. I am all in,

0:26:47.280 --> 0:26:51.960
<v Speaker 1>aren't we Look at this? Look at this. You're not

0:26:52.000 --> 0:26:54.960
<v Speaker 1>gonna get this level of entertainment anywhere. It's not going

0:26:55.000 --> 0:26:57.600
<v Speaker 1>to happen anywhere else. See, this is why it was great.

0:26:57.680 --> 0:26:59.720
<v Speaker 1>And if if the hand goes over to night, then

0:26:59.760 --> 0:27:02.280
<v Speaker 1>the what coming around the corner of the airline seat

0:27:02.280 --> 0:27:09.360
<v Speaker 1>works too. And you just walked along their tray, that's

0:27:09.400 --> 0:27:12.960
<v Speaker 1>what's it? My pirst what roads that's and we didn't

0:27:12.960 --> 0:27:15.000
<v Speaker 1>play the game what's in Sally's purse? And I really

0:27:15.040 --> 0:27:17.639
<v Speaker 1>do think a show about celebrity purses would really be

0:27:17.800 --> 0:27:22.560
<v Speaker 1>I think. I mean I watched that, haven't you what's

0:27:22.560 --> 0:27:25.760
<v Speaker 1>in Queen Elizabeth's spurs? She carries that purse everywhere? I

0:27:25.760 --> 0:27:28.239
<v Speaker 1>want to know what's in the I mean, is there

0:27:28.280 --> 0:27:32.560
<v Speaker 1>a credit card that says the Queen? And does she

0:27:32.680 --> 0:27:35.360
<v Speaker 1>have clean xt or does she actually carry a real hanky?

0:27:35.560 --> 0:27:39.600
<v Speaker 1>Real hanky for sure? Yeah. I think one of my

0:27:39.640 --> 0:27:42.360
<v Speaker 1>favorite scenes that I'm most proud of is we did

0:27:42.400 --> 0:27:45.879
<v Speaker 1>one together Scott where I think, oh, the fans know

0:27:46.040 --> 0:27:47.800
<v Speaker 1>every single one, they know him by name, they know

0:27:47.840 --> 0:27:53.239
<v Speaker 1>exactly which episode, which season, but you had a you

0:27:53.280 --> 0:27:55.040
<v Speaker 1>had to ask me if he brought a bag of

0:27:55.119 --> 0:27:58.080
<v Speaker 1>money whatever it was. It was the longest scene and

0:27:58.480 --> 0:28:01.320
<v Speaker 1>under the line, guys are stupid. They stripped their gears,

0:28:01.320 --> 0:28:02.960
<v Speaker 1>they ride the breaks and if they don't laugh when

0:28:03.000 --> 0:28:06.440
<v Speaker 1>we make a joke, they think we're stupid. Marks to

0:28:06.560 --> 0:28:10.720
<v Speaker 1>hit and it was we did it like about nineteen times.

0:28:11.880 --> 0:28:13.800
<v Speaker 1>I'm most proud of that because when I see it,

0:28:13.920 --> 0:28:17.000
<v Speaker 1>you don't see all the technical like stand here. No, no,

0:28:18.080 --> 0:28:21.960
<v Speaker 1>it's not as easy as it looks, that is for sure. Okay, guys,

0:28:22.000 --> 0:28:27.119
<v Speaker 1>it's time for rapid fire. You're ready? Oh, okay, Sally

0:28:27.240 --> 0:28:29.639
<v Speaker 1>ready here's the first question. It's rapid fire. How do

0:28:29.680 --> 0:28:34.720
<v Speaker 1>you take your coffee quick? Uh, cream and chocolate milk? Rose?

0:28:34.760 --> 0:28:39.680
<v Speaker 1>How do you take your coffee black with? Sally? Can

0:28:39.720 --> 0:28:43.320
<v Speaker 1>you smell snow? I've never tried, Sally. Are you team

0:28:43.400 --> 0:28:49.920
<v Speaker 1>Logan team Jess or team Dean team Jess? All the way?

0:28:52.040 --> 0:28:55.920
<v Speaker 1>Who's the daddy, Sally? Who's the daddy of Rory's baby,

0:28:57.640 --> 0:29:04.520
<v Speaker 1>of of of of Rory's bay? Be correct? Um, Prince Philip.

0:29:08.280 --> 0:29:11.880
<v Speaker 1>I was going to say Piers Morgan, But anyway, Rose

0:29:12.720 --> 0:29:16.120
<v Speaker 1>Logan is Logan is the daddy? H what's the best Sally?

0:29:16.240 --> 0:29:23.080
<v Speaker 1>Was the best memory of Gilmore girls? Um uh? Running

0:29:23.120 --> 0:29:26.479
<v Speaker 1>across the town square at night and it hurt my

0:29:26.520 --> 0:29:32.680
<v Speaker 1>breasts and so I held them the whole way. That's

0:29:32.720 --> 0:29:36.840
<v Speaker 1>more pleasure, bold and holding your own breasts when all

0:29:36.880 --> 0:29:39.440
<v Speaker 1>the lights twinkling lights of stars hollow On and Sally

0:29:39.480 --> 0:29:41.160
<v Speaker 1>and I were in the golf cart together and we

0:29:41.160 --> 0:29:43.680
<v Speaker 1>looked at each other and went, can you believe we're

0:29:43.720 --> 0:29:48.080
<v Speaker 1>really doing this right? That was my favorite favorite Friday

0:29:48.160 --> 0:29:52.840
<v Speaker 1>night dinner meal, favorite Friday night dinner meal. Sally on

0:29:52.880 --> 0:29:56.200
<v Speaker 1>the set are Friday night my home? Are you talking?

0:29:56.200 --> 0:30:00.040
<v Speaker 1>Gilmore Girls? Questions. This is a Gilmore Emily and and

0:30:01.320 --> 0:30:06.080
<v Speaker 1>Richard Friday night meal was Unfortunately Bet Bet was never

0:30:06.160 --> 0:30:08.800
<v Speaker 1>invited to the Gilmore Hall. Okay, what about in your

0:30:08.880 --> 0:30:12.200
<v Speaker 1>in your life, in Sally's life, favorite Friday night meal

0:30:12.880 --> 0:30:16.800
<v Speaker 1>fried chicken, thank you, thank you. Yes, I'll be over

0:30:16.880 --> 0:30:22.040
<v Speaker 1>Friday night. But okay, okay, by far the mystery meat

0:30:22.320 --> 0:30:27.040
<v Speaker 1>or mystery mush that Berna made. What's the show, Sally

0:30:27.160 --> 0:30:35.960
<v Speaker 1>that you are binge watching right now? I've binge watched

0:30:36.760 --> 0:30:41.240
<v Speaker 1>The Queen's Gambit. I love that Rose. I am now

0:30:41.360 --> 0:30:44.320
<v Speaker 1>binge watching Call my Agent, this French series that I'm

0:30:44.320 --> 0:30:47.040
<v Speaker 1>obsessed with. I just love it. I wish to the

0:30:47.080 --> 0:30:51.760
<v Speaker 1>American version of it, right okay? Cast member you texted

0:30:51.920 --> 0:30:59.600
<v Speaker 1>most recently Sally Rose, Sally Rose, Sally, there you go.

0:31:00.800 --> 0:31:05.440
<v Speaker 1>Thank you. That's it. Know that I don't even have

0:31:05.520 --> 0:31:09.320
<v Speaker 1>anybody else's phone number. Really, I have this tourist phone number,

0:31:09.480 --> 0:31:12.760
<v Speaker 1>yet you have mine. I do have your phone number.

0:31:12.760 --> 0:31:14.720
<v Speaker 1>But you know, you're so young and you have a

0:31:14.760 --> 0:31:16.640
<v Speaker 1>young child, and I never want to bother you, and

0:31:16.640 --> 0:31:21.120
<v Speaker 1>I think I'm stopping you. I always heard a lot

0:31:21.160 --> 0:31:26.160
<v Speaker 1>a bit of a crush. You bother me for you?

0:31:26.160 --> 0:31:30.360
<v Speaker 1>You know. Come on, Dally just confessed her crush Rose.

0:31:30.480 --> 0:31:33.400
<v Speaker 1>I also have a crush on your husband. Why wouldn't

0:31:33.440 --> 0:31:36.560
<v Speaker 1>you he loves you so much. Okay, there, I got

0:31:36.560 --> 0:31:39.800
<v Speaker 1>it out of my system. I feel better, Thank you.

0:31:39.440 --> 0:31:43.240
<v Speaker 1>Oh can I just say one of my favorite other things,

0:31:43.280 --> 0:31:45.480
<v Speaker 1>Scott was one take we did over and over again

0:31:45.680 --> 0:31:47.840
<v Speaker 1>and you went heroes when you were supposed to say

0:31:47.840 --> 0:31:50.680
<v Speaker 1>hey Gypsy, and it made me laugh so hard. You

0:31:50.720 --> 0:31:53.440
<v Speaker 1>were like Gypsy Rose. I'm just thinking Gypsy Rose. Of

0:31:53.480 --> 0:31:58.880
<v Speaker 1>course it's Gypsy. I really miss it. I mean I

0:31:58.880 --> 0:32:01.640
<v Speaker 1>would do it again. Yeah, I would do it again.

0:32:01.680 --> 0:32:04.240
<v Speaker 1>They should do it again. I mean the demand is there.

0:32:05.360 --> 0:32:07.600
<v Speaker 1>Let's do like a holiday movie. So it's a one

0:32:07.640 --> 0:32:09.719
<v Speaker 1>and done thing, just the three of us. We'll do

0:32:09.760 --> 0:32:12.920
<v Speaker 1>all the characters. Well, you guys can do most of

0:32:12.960 --> 0:32:14.960
<v Speaker 1>them and I'll just do my character. Let's just keep

0:32:14.960 --> 0:32:18.120
<v Speaker 1>it at that. I love thinking the first season. Maybe

0:32:18.120 --> 0:32:21.840
<v Speaker 1>it was the second where my cats Cinnamon dies and

0:32:21.880 --> 0:32:24.640
<v Speaker 1>every everyone comes to my house for a wake, and

0:32:26.120 --> 0:32:29.479
<v Speaker 1>Laurela I realize this for the first time, that everything

0:32:29.480 --> 0:32:31.920
<v Speaker 1>in that house was built to scale for me because

0:32:31.960 --> 0:32:35.520
<v Speaker 1>I'm five ft tall and so everyone was hitting their

0:32:35.560 --> 0:32:37.840
<v Speaker 1>hands on the overhang, and I said, well, yeah, Mary,

0:32:37.880 --> 0:32:39.720
<v Speaker 1>when he first moved in and he had himself time,

0:32:39.760 --> 0:32:42.760
<v Speaker 1>he had a few concussions, but he's fine that But

0:32:43.840 --> 0:32:47.400
<v Speaker 1>I love that scene in their house and because she

0:32:47.560 --> 0:32:50.440
<v Speaker 1>had gnomes all over her yard. I have two gnomes

0:32:50.480 --> 0:32:54.560
<v Speaker 1>here at my house now. Under my days on Gilmore Girls,

0:32:54.880 --> 0:33:00.920
<v Speaker 1>did you guys lift stuff from the set? I shouldn't

0:33:00.960 --> 0:33:05.160
<v Speaker 1>take anything nothing. Yeah, I didn't lift it, per se.

0:33:05.200 --> 0:33:07.720
<v Speaker 1>I was. I was offered if I wanted to take

0:33:07.760 --> 0:33:13.000
<v Speaker 1>any of that yarn home, and I had a I

0:33:13.120 --> 0:33:15.680
<v Speaker 1>had a young lady living with me from Minnesota who

0:33:15.720 --> 0:33:18.480
<v Speaker 1>was quite a knitter, Rebecca Trout, and so I brought

0:33:18.480 --> 0:33:21.160
<v Speaker 1>her home like thirty skeins of yarn, and she thought

0:33:21.200 --> 0:33:25.960
<v Speaker 1>I was all that different strokes for different folks. Ladies.

0:33:27.320 --> 0:33:30.400
<v Speaker 1>That the popularity of car I read an article saying

0:33:30.440 --> 0:33:34.200
<v Speaker 1>that the uprise in young people wanting coffee and revolving

0:33:34.240 --> 0:33:36.880
<v Speaker 1>their mornings around the coffee and everything had to do

0:33:36.960 --> 0:33:40.520
<v Speaker 1>with your diner, with Luke's Diner, and the popularity of

0:33:40.560 --> 0:33:43.560
<v Speaker 1>coffee happened because Gilmore Girls was so popular, like it,

0:33:43.560 --> 0:33:47.040
<v Speaker 1>it really boosted the whole coffee. Uh. The idea of

0:33:47.080 --> 0:33:50.160
<v Speaker 1>like young people drinking coffee. You know, I had a

0:33:50.240 --> 0:33:54.000
<v Speaker 1>couple of meetings with Warner Brothers business affairs about opening

0:33:54.320 --> 0:33:57.280
<v Speaker 1>a bunch of diners. Oh wow, well those would be

0:33:57.400 --> 0:34:01.320
<v Speaker 1>so popular. Everybody go to Luke's dinner of her coffee. Everybody.

0:34:01.480 --> 0:34:05.360
<v Speaker 1>Everybody wants that experience of having that, you know, corner diner.

0:34:06.880 --> 0:34:11.440
<v Speaker 1>It still might happen. Ladies, thank you so much. It

0:34:11.520 --> 0:34:17.759
<v Speaker 1>was a pleasure, so nice to see you. Thank you. Sally. Yeah,

0:34:22.000 --> 0:34:27.040
<v Speaker 1>we're back. Wasn't she fantas? Oh my god? Her purse?

0:34:27.400 --> 0:34:31.120
<v Speaker 1>Like what what was going on? I can't tell people,

0:34:31.160 --> 0:34:35.320
<v Speaker 1>like we put the video of that up because crazy

0:34:35.360 --> 0:34:38.640
<v Speaker 1>crap out of her purse. And you know, they don't

0:34:38.640 --> 0:34:40.759
<v Speaker 1>know it's Sally Struthers. Probably, I mean maybe they do,

0:34:40.840 --> 0:34:42.480
<v Speaker 1>but a lot of people would on a plane. But

0:34:42.520 --> 0:34:44.480
<v Speaker 1>you know, some little kid, isn't I mean, she's she's

0:34:44.520 --> 0:34:47.000
<v Speaker 1>coming with that crawley, that that hand, that that hand

0:34:47.040 --> 0:34:51.839
<v Speaker 1>scratching people grabbing their food. Oh my god, my god,

0:34:51.840 --> 0:34:54.319
<v Speaker 1>they're awesome. What a genius to both of them. Right,

0:34:54.360 --> 0:34:56.839
<v Speaker 1>Oh my god. Did you know Rose was like this

0:34:57.480 --> 0:35:00.960
<v Speaker 1>like this serious, like like she joined Second City I

0:35:01.000 --> 0:35:06.399
<v Speaker 1>think in Chicago. Se talented talented, actual like actors. Oh No, No,

0:35:06.480 --> 0:35:09.320
<v Speaker 1>they're they're they're bringing they're they're like, you know, full

0:35:09.400 --> 0:35:14.160
<v Speaker 1>on skill. Just monster actresses. I mean, just fantastic with

0:35:14.200 --> 0:35:17.319
<v Speaker 1>all the they can bring it. They can all bring it.

0:35:17.400 --> 0:35:20.160
<v Speaker 1>So that's why the show was so great. Let's get

0:35:20.160 --> 0:35:24.520
<v Speaker 1>into it. Riley, will you read what episode two was

0:35:24.560 --> 0:35:27.440
<v Speaker 1>all about? This is episode to the Laurelized First Day

0:35:27.440 --> 0:35:31.720
<v Speaker 1>at Chiltern air Day, October twelve, two thousand. Synopsis. Roy's

0:35:31.719 --> 0:35:34.080
<v Speaker 1>first day at Chiltern Prep begins badly when laurel Lae

0:35:34.120 --> 0:35:37.360
<v Speaker 1>oversleeps and accompanies her daughter into the intimidating school wearing

0:35:37.360 --> 0:35:39.480
<v Speaker 1>a T shirt, cut off jeans, and cowboy boots and

0:35:39.520 --> 0:35:43.400
<v Speaker 1>outfit which draws disapproving stairs from the other mothers and

0:35:43.520 --> 0:35:46.120
<v Speaker 1>from her own mother, Emily. All Right, gangs, So let's

0:35:46.120 --> 0:35:50.080
<v Speaker 1>get into it. Laurelize first day at Chilton. Here we go.

0:35:51.480 --> 0:35:54.919
<v Speaker 1>So Scott, okay, right off the top, the jeep that

0:35:55.080 --> 0:36:00.880
<v Speaker 1>was very prominent, the iconic jeep. Tell us about the jeep.

0:36:01.000 --> 0:36:02.879
<v Speaker 1>What do you remember about the jeep? Did you drive

0:36:02.920 --> 0:36:06.040
<v Speaker 1>the jeep? Did the jeep drive? Like everything about the jeep?

0:36:06.120 --> 0:36:09.040
<v Speaker 1>You know that cheap and I think jeeps in general

0:36:09.280 --> 0:36:12.759
<v Speaker 1>have a real magnetic power for some reason. But that

0:36:12.880 --> 0:36:14.840
<v Speaker 1>cheap in particular because it was a sort of a

0:36:14.880 --> 0:36:18.400
<v Speaker 1>particular shade of of of yellow. It was kind of

0:36:18.440 --> 0:36:21.280
<v Speaker 1>a lighter it was like a sort of a lighter

0:36:21.360 --> 0:36:25.560
<v Speaker 1>mustardy color. And it was just everybody gravitated to that cheap.

0:36:25.560 --> 0:36:27.719
<v Speaker 1>We all hung around that cheap when we're shooting at

0:36:27.880 --> 0:36:30.799
<v Speaker 1>uh Loyalized sethouse, and it was always parked in the back,

0:36:30.840 --> 0:36:33.160
<v Speaker 1>and everyone's like, man, that's a really cool cheap It

0:36:33.200 --> 0:36:35.319
<v Speaker 1>wasn't like, oh, it's Loyalized jeep. It was like, that's

0:36:35.400 --> 0:36:37.759
<v Speaker 1>just a cool vehicle. So we're like, we're doing like

0:36:37.800 --> 0:36:39.600
<v Speaker 1>an ad for jeeps right now and we shouldn't be.

0:36:39.640 --> 0:36:42.560
<v Speaker 1>But it was like, do you ever eventually drive it?

0:36:43.239 --> 0:36:47.840
<v Speaker 1>I I did take it off set and went to

0:36:47.920 --> 0:36:50.360
<v Speaker 1>lunch with it was like with I think it was

0:36:50.400 --> 0:36:52.960
<v Speaker 1>with Michael Winners. We escaped and you know Michael Winners,

0:36:53.000 --> 0:36:56.919
<v Speaker 1>he played Taylor Dozy my my nemesis boy. We were reprimanded,

0:36:57.120 --> 0:37:00.399
<v Speaker 1>Oh my god. Yeah, the transpo and and the guy

0:37:00.440 --> 0:37:03.440
<v Speaker 1>that was ahead of transfer. Michael was like the greatest

0:37:03.480 --> 0:37:05.520
<v Speaker 1>guy in the world, just the nicest guy. I mean,

0:37:05.520 --> 0:37:07.560
<v Speaker 1>he goes around the world on missions and that kind

0:37:07.560 --> 0:37:11.439
<v Speaker 1>of things, and just the most charitable, generous, goodhearted, good

0:37:11.520 --> 0:37:13.799
<v Speaker 1>natured guy. But he said, Scotti p Scottie pay. You

0:37:13.800 --> 0:37:15.520
<v Speaker 1>can't take that thing off them. You can't take it

0:37:15.520 --> 0:37:17.520
<v Speaker 1>off the set. I said, yeah, but I was just

0:37:17.520 --> 0:37:19.880
<v Speaker 1>showing Michael Winners always said, oh god, well then and

0:37:20.000 --> 0:37:22.160
<v Speaker 1>get in that case. That's fine, and I said, don't

0:37:22.160 --> 0:37:27.000
<v Speaker 1>do it again. So anyway, UM, what do you think

0:37:27.000 --> 0:37:31.520
<v Speaker 1>of this episode in general? I thought it's set up

0:37:31.560 --> 0:37:34.759
<v Speaker 1>all the conflict for the entire series. I mean, it

0:37:34.840 --> 0:37:38.080
<v Speaker 1>really set it up beautifully. I mean, you've got you've got,

0:37:38.480 --> 0:37:41.920
<v Speaker 1>you know, Emily trying to interject yourself in more in

0:37:42.000 --> 0:37:44.520
<v Speaker 1>Laurelized life and inappropriate ways. But I mean, I mean

0:37:44.560 --> 0:37:47.520
<v Speaker 1>I understand it why she was doing it, and of

0:37:47.560 --> 0:37:50.840
<v Speaker 1>course you want to provide better clothes for her and

0:37:50.920 --> 0:37:53.400
<v Speaker 1>have her fit in and we get her a car.

0:37:53.440 --> 0:37:55.600
<v Speaker 1>She want to ride the bus, you know drug Taylor's

0:37:55.680 --> 0:37:57.760
<v Speaker 1>righte the bus. What are you doing with our our granddaughter?

0:37:57.800 --> 0:38:01.720
<v Speaker 1>We don't we riding the bus? I totally relate that, Um.

0:38:01.800 --> 0:38:05.400
<v Speaker 1>And then the Paris conflict was one of the great scenes.

0:38:05.480 --> 0:38:08.880
<v Speaker 1>Is is one moments in that when when the girl

0:38:09.040 --> 0:38:11.400
<v Speaker 1>that Rory hands her folder off to the girl the

0:38:11.400 --> 0:38:13.080
<v Speaker 1>girl hands it out the window and there's Paris and

0:38:13.120 --> 0:38:15.840
<v Speaker 1>they start going through it. I mean it was just like, wow, okay,

0:38:15.960 --> 0:38:18.040
<v Speaker 1>now we now we're in for it. Now we're in

0:38:18.120 --> 0:38:21.840
<v Speaker 1>for a real ride. Uh. That that we see Tristan,

0:38:22.160 --> 0:38:26.600
<v Speaker 1>you know, he calls her everybody, you know, the moon

0:38:26.920 --> 0:38:30.919
<v Speaker 1>immediately right right, the striking, the striking brilliance of Chad

0:38:31.000 --> 0:38:34.440
<v Speaker 1>Michael Murray. Um, and he wasn't Chad Michael Murray then

0:38:34.440 --> 0:38:36.680
<v Speaker 1>this was like one of his first jobs. No, he was.

0:38:36.800 --> 0:38:39.120
<v Speaker 1>He was just Chad Michael Murray at that time. He wasn't.

0:38:39.320 --> 0:38:42.960
<v Speaker 1>He wasn't like one Tree Hill. He wasn't that guy. Uh,

0:38:43.760 --> 0:38:48.640
<v Speaker 1>but he was destined for that. We knew that, um,

0:38:48.640 --> 0:38:50.360
<v Speaker 1>you know, calling her Mary and then finding out what

0:38:50.480 --> 0:38:53.279
<v Speaker 1>Mary was and Laurel light so so is that legacy thing?

0:38:55.200 --> 0:38:58.560
<v Speaker 1>You know that It was just also great. And and

0:38:58.640 --> 0:39:03.080
<v Speaker 1>the way Laurel I was set up to where cut

0:39:03.120 --> 0:39:07.600
<v Speaker 1>off jeans and a tight eye shirt, the outfit. Laugh

0:39:08.040 --> 0:39:13.040
<v Speaker 1>every time, it's just and the zingers at her because

0:39:13.120 --> 0:39:21.520
<v Speaker 1>of the outfit, like like so rider zero horse and

0:39:21.520 --> 0:39:24.720
<v Speaker 1>then she says, no spurs for Friday night dinner. Spurs.

0:39:25.320 --> 0:39:28.000
<v Speaker 1>I will say, I think moms are rocking tight eye

0:39:28.000 --> 0:39:30.239
<v Speaker 1>shirts and cut off jean shorts to drop off their

0:39:30.320 --> 0:39:33.080
<v Speaker 1>kids at school. Nowadays, I feel like that's totally normal.

0:39:33.200 --> 0:39:35.640
<v Speaker 1>I saw that. I was like, yeah, look about not

0:39:35.840 --> 0:39:40.839
<v Speaker 1>at not in Connecticut, at those places. And then I

0:39:40.880 --> 0:39:43.719
<v Speaker 1>did love the flirty dads scene, you know, with the

0:39:44.480 --> 0:39:49.960
<v Speaker 1>kind of hot divorced dad is flirting. That was really

0:39:50.040 --> 0:39:54.600
<v Speaker 1>cute and you kind of start to see it's like, right, right,

0:39:54.719 --> 0:39:57.480
<v Speaker 1>what's the effect on on on the person that you're

0:39:57.520 --> 0:39:59.160
<v Speaker 1>asking out when you hand in the car said well,

0:39:59.160 --> 0:40:02.120
<v Speaker 1>I'll be in China for a week, and uh, why

0:40:02.120 --> 0:40:05.880
<v Speaker 1>don't you recall you know, this kind of thing, you know,

0:40:06.000 --> 0:40:08.879
<v Speaker 1>trying so hard, don't remember anything about that guy Nick Chinle.

0:40:09.600 --> 0:40:11.279
<v Speaker 1>Uh well, I didn't work with him, but I know

0:40:11.360 --> 0:40:15.120
<v Speaker 1>he's a really good working actor. You know, he works

0:40:15.160 --> 0:40:18.320
<v Speaker 1>a lot, he works in movies. He was in uh

0:40:18.400 --> 0:40:23.840
<v Speaker 1>he was in the Denzel Washington movie. He's really versatile actor. Yeah. Um, well,

0:40:23.880 --> 0:40:25.799
<v Speaker 1>you know, I think all of the best actors that

0:40:25.880 --> 0:40:29.280
<v Speaker 1>were available are all the best actors that we're working then,

0:40:30.040 --> 0:40:37.520
<v Speaker 1>um did our showing was the teacher, So everyone was

0:40:37.560 --> 0:40:40.919
<v Speaker 1>sort of somebody everybody yeah or they're they were well

0:40:41.040 --> 0:40:44.360
<v Speaker 1>established character actors. Or there were stars to be or

0:40:44.440 --> 0:40:46.640
<v Speaker 1>you know up and coming people. I mean, look at

0:40:46.640 --> 0:40:48.920
<v Speaker 1>the people that that did that show. It's like a

0:40:48.960 --> 0:40:53.759
<v Speaker 1>who's who? Um, it's amazing so um. But yeah, so

0:40:53.800 --> 0:40:58.360
<v Speaker 1>the conflict and then the conflict between Luke and Laurela

0:40:58.360 --> 0:41:00.480
<v Speaker 1>I was set up. I didn't realize was set up

0:41:00.520 --> 0:41:03.720
<v Speaker 1>that early. I didn't either. I couldn't believe we see

0:41:04.719 --> 0:41:08.880
<v Speaker 1>flirting between them and even at the end when Laurel

0:41:08.920 --> 0:41:11.840
<v Speaker 1>I says to Rory, do you think Luke is cute?

0:41:12.000 --> 0:41:13.799
<v Speaker 1>And she's like, oh my god, you can't date Luke.

0:41:13.840 --> 0:41:15.440
<v Speaker 1>We will be able to eat, to go to al

0:41:15.480 --> 0:41:18.759
<v Speaker 1>Pancake World or whatever. But you didn't realize it's an

0:41:18.800 --> 0:41:22.040
<v Speaker 1>episode two would be Laurel and Al or Alan Laurel

0:41:23.200 --> 0:41:27.279
<v Speaker 1>what so? But yeah, the stairs and did you Well,

0:41:27.320 --> 0:41:29.440
<v Speaker 1>you're not you can't go out with him, you know,

0:41:28.960 --> 0:41:32.359
<v Speaker 1>you know, writing writing up his ticket ready to the bill.

0:41:32.960 --> 0:41:35.160
<v Speaker 1>You can't. You can't, you can't. You're not gonna do that.

0:41:35.440 --> 0:41:37.840
<v Speaker 1>You can't do that. But I mean that that See,

0:41:37.880 --> 0:41:40.040
<v Speaker 1>that stuff is hard to play because you don't want to,

0:41:41.080 --> 0:41:42.520
<v Speaker 1>you know, you don't want to tip your min you

0:41:42.520 --> 0:41:44.399
<v Speaker 1>don't want to give everything away. But it's hard not

0:41:44.440 --> 0:41:47.400
<v Speaker 1>to because it's like, you know, that's the scene. Um,

0:41:47.440 --> 0:41:48.879
<v Speaker 1>but it's like you know, and is there a really

0:41:48.920 --> 0:41:54.160
<v Speaker 1>good direction there? Like but but everybody knows in that situation,

0:41:54.200 --> 0:41:56.000
<v Speaker 1>you gotta throw it away. You just have to throw

0:41:56.040 --> 0:41:59.400
<v Speaker 1>the line away because it's already the writing has already

0:41:59.400 --> 0:42:02.040
<v Speaker 1>done everything, or you don't have to work so hard, right,

0:42:02.520 --> 0:42:07.040
<v Speaker 1>you know what? I didn't remember that after Laura lyone

0:42:07.120 --> 0:42:09.200
<v Speaker 1>Roy at the very end of the episode talk about

0:42:09.239 --> 0:42:11.759
<v Speaker 1>do you think Luke's cute? You come. It's like you

0:42:11.800 --> 0:42:15.160
<v Speaker 1>saw them and you come out of the diner and

0:42:15.200 --> 0:42:18.279
<v Speaker 1>you're sort of in the doorway. I mean, it's so

0:42:18.360 --> 0:42:21.239
<v Speaker 1>much foreshadowing of like what we're in for from the

0:42:21.320 --> 0:42:26.799
<v Speaker 1>next years. I was being stalked. It was a role reversal.

0:42:26.960 --> 0:42:29.799
<v Speaker 1>It's a it's it's it's the flipping, the flipping it

0:42:29.880 --> 0:42:33.319
<v Speaker 1>around me. You were a little stocky going out the

0:42:33.360 --> 0:42:36.319
<v Speaker 1>door too. I don't see if they were coming. Was

0:42:36.400 --> 0:42:39.520
<v Speaker 1>not stocky. I definitely got the vibe that you saw

0:42:39.640 --> 0:42:44.600
<v Speaker 1>them and you were kind of but okay, so that's

0:42:44.640 --> 0:42:46.880
<v Speaker 1>the choice that you have to make, right. You know,

0:42:47.040 --> 0:42:49.799
<v Speaker 1>you saw them, but you could make another choice in

0:42:49.880 --> 0:42:54.840
<v Speaker 1>that situation. It felt the flirty flirt felt mutual between them,

0:42:55.200 --> 0:42:59.680
<v Speaker 1>even though it was so subtle. It's like, whoa, but

0:43:00.640 --> 0:43:03.319
<v Speaker 1>are we in for? Yeah, you gotta just lean. You

0:43:03.440 --> 0:43:05.680
<v Speaker 1>just gotta ease way back on that stuff or it

0:43:05.719 --> 0:43:08.120
<v Speaker 1>just comes off badly. It's hard, it's it's hard to play,

0:43:08.120 --> 0:43:11.200
<v Speaker 1>but it's fun. Those moments are fun. I wanted to

0:43:11.200 --> 0:43:13.320
<v Speaker 1>know about the town, so we see a lot of

0:43:13.400 --> 0:43:15.600
<v Speaker 1>we're seeing a lot of the town in this episode

0:43:15.920 --> 0:43:18.800
<v Speaker 1>because they're driving around and they're walking around the town

0:43:18.920 --> 0:43:21.840
<v Speaker 1>is amazing, and so is Chilton. By the way, where

0:43:21.920 --> 0:43:29.919
<v Speaker 1>was Chilton? Chilton is help by Hartford? Isn't it when

0:43:29.920 --> 0:43:31.960
<v Speaker 1>you shot it? Is it on the same lot or

0:43:32.000 --> 0:43:36.040
<v Speaker 1>they have to go the um it is at Hartford.

0:43:36.360 --> 0:43:39.759
<v Speaker 1>I was never there. I think the exterior was, yeah,

0:43:39.800 --> 0:43:43.160
<v Speaker 1>somewhere in l A. But so not on the Warner

0:43:43.200 --> 0:43:45.400
<v Speaker 1>Brothers lot with the rest of Stars Hall. Of the

0:43:45.440 --> 0:43:49.560
<v Speaker 1>exterior shots. I don't I don't believe now, I don't

0:43:49.600 --> 0:43:54.080
<v Speaker 1>believe Chilton was an exterior but interior. Sure, you know

0:43:54.120 --> 0:43:58.120
<v Speaker 1>in the back lot they build out the entire back

0:43:58.200 --> 0:44:02.359
<v Speaker 1>lot of Warner Brothers. It was hours. It was hours,

0:44:02.840 --> 0:44:05.000
<v Speaker 1>and that was the stunning. That was the stunning thing

0:44:05.040 --> 0:44:08.400
<v Speaker 1>when we when we came on for episode one and

0:44:08.440 --> 0:44:12.520
<v Speaker 1>we're like, well, where's our little area of the studio. Well,

0:44:12.560 --> 0:44:15.600
<v Speaker 1>you've got stage twelve, you've got Stage fourteen, You've got

0:44:15.640 --> 0:44:19.600
<v Speaker 1>Stage sixteen, and the entire back lot of Warner Brothers

0:44:19.680 --> 0:44:24.439
<v Speaker 1>has been recreated to look like Stars Hollow. We're looking

0:44:24.480 --> 0:44:29.480
<v Speaker 1>at you, like, what so you know Disneyland on Main Street.

0:44:29.560 --> 0:44:32.719
<v Speaker 1>There's like little hidden secrets like if you know, you know,

0:44:32.880 --> 0:44:35.880
<v Speaker 1>like there's names in the windows. Is there anything in

0:44:35.960 --> 0:44:38.880
<v Speaker 1>Stars Hollow that like you guys hid or you guys

0:44:38.920 --> 0:44:43.120
<v Speaker 1>did that we wouldn't see as a first time viewer,

0:44:43.160 --> 0:44:45.120
<v Speaker 1>but if you tell us then we would notice it.

0:44:45.680 --> 0:44:49.440
<v Speaker 1>I think, well, you know, maybe, Okay, here's this is

0:44:49.480 --> 0:44:54.839
<v Speaker 1>really great. We actually we were shooting. I don't know

0:44:54.840 --> 0:44:57.240
<v Speaker 1>this is season two or three or four, I can't remember,

0:44:57.280 --> 0:45:01.759
<v Speaker 1>but um, you know, the our set was right off

0:45:01.800 --> 0:45:06.320
<v Speaker 1>to our right if you were facing the rest of

0:45:06.320 --> 0:45:08.360
<v Speaker 1>the lot and you're facing Barham, if you if you

0:45:08.440 --> 0:45:11.680
<v Speaker 1>looked off to your right behind Luke Steiner little Caddy

0:45:11.680 --> 0:45:13.839
<v Speaker 1>corner Luke Steiner was the was the e R set

0:45:14.280 --> 0:45:16.279
<v Speaker 1>And it was just kind of a small little thing,

0:45:16.640 --> 0:45:19.840
<v Speaker 1>such a big show. But then they started shooting Batman

0:45:19.920 --> 0:45:22.000
<v Speaker 1>back there and late at night they would do the

0:45:22.280 --> 0:45:30.520
<v Speaker 1>Batmobile and we actually had more power then a Batman movie.

0:45:31.080 --> 0:45:34.400
<v Speaker 1>Just say, guys, we're shooting over here. You need to

0:45:34.560 --> 0:45:38.399
<v Speaker 1>chill with the bloud Batman car so we'll be done

0:45:38.400 --> 0:45:39.799
<v Speaker 1>in a little bit. And then you could and then

0:45:39.840 --> 0:45:41.840
<v Speaker 1>you would go, oh, sorry, you know, so you know,

0:45:41.920 --> 0:45:45.000
<v Speaker 1>we kind of felt our oat slope and then we

0:45:45.040 --> 0:45:48.160
<v Speaker 1>go take pictures with the Batman car. Wait, which Batman

0:45:48.400 --> 0:45:55.759
<v Speaker 1>was it? Batman begins? Is that Bail? Is that Christian Baill? Yeah? No, no, no, no,

0:45:55.760 --> 0:45:58.839
<v Speaker 1>no no, he's like the greatest actor and you're telling

0:45:58.880 --> 0:46:01.960
<v Speaker 1>him to keep his Batmobile quiet. I know I didn't.

0:46:02.040 --> 0:46:06.279
<v Speaker 1>I didn't personally do it. No, we were disturbed by it, yes,

0:46:06.400 --> 0:46:10.279
<v Speaker 1>collectively as as a cast and crew. And somebody from

0:46:10.320 --> 0:46:12.759
<v Speaker 1>the crew went over and like waved a finger and said, hey,

0:46:12.920 --> 0:46:14.400
<v Speaker 1>you know you guys. I don't know. I was like,

0:46:14.480 --> 0:46:17.560
<v Speaker 1>you guys weren't supposed to start and we're finishing and chill.

0:46:18.560 --> 0:46:21.160
<v Speaker 1>I didn't personally go over and confront Christian Bale in

0:46:21.200 --> 0:46:24.879
<v Speaker 1>his bat suit and with with my flannel, I saying, listen, pal,

0:46:25.200 --> 0:46:27.319
<v Speaker 1>you know you may have got a big break when

0:46:27.320 --> 0:46:29.960
<v Speaker 1>you were seven years old by Steven Spielberg. But I

0:46:30.040 --> 0:46:35.640
<v Speaker 1>really fought for this so quiet that didn't happen. You know,

0:46:35.680 --> 0:46:37.480
<v Speaker 1>what else we learned in this episode right from the

0:46:37.480 --> 0:46:40.280
<v Speaker 1>start is what Rory wants to be. That she talks

0:46:40.320 --> 0:46:45.120
<v Speaker 1>about wanting to be a journalist, a reporter like Christiane Amanpour.

0:46:45.719 --> 0:46:47.399
<v Speaker 1>I didn't realize we learned that right from the start,

0:46:47.480 --> 0:46:54.400
<v Speaker 1>and that stays throughout too. Um yeah, I mean that

0:46:54.600 --> 0:46:57.640
<v Speaker 1>second episode it just sets into motion everything. You know,

0:46:57.800 --> 0:47:01.040
<v Speaker 1>you enter that new world and and all of the

0:47:01.400 --> 0:47:05.719
<v Speaker 1>potential and all of the pitfalls that she's bound, the

0:47:06.360 --> 0:47:09.000
<v Speaker 1>traps that are being set up for her and falling into.

0:47:09.080 --> 0:47:11.319
<v Speaker 1>I mean, it's just great writing. You know. You set

0:47:11.440 --> 0:47:14.080
<v Speaker 1>that stuff up for the actors, and and you set

0:47:14.200 --> 0:47:16.320
<v Speaker 1>up the conflict, and you set up the comedy and

0:47:16.440 --> 0:47:18.600
<v Speaker 1>and that's the thing about So here's the thing. I

0:47:18.719 --> 0:47:24.239
<v Speaker 1>am sure that Amy that happened to Amy where she

0:47:24.280 --> 0:47:25.920
<v Speaker 1>went to a meeting and she didn't have any clothes

0:47:26.000 --> 0:47:28.160
<v Speaker 1>and she had to wear something goofy, and you know,

0:47:28.440 --> 0:47:30.480
<v Speaker 1>and or somebody told her story. But but it all

0:47:30.560 --> 0:47:33.480
<v Speaker 1>comes from real life, I am sure, because that's how

0:47:33.560 --> 0:47:37.000
<v Speaker 1>they respond. That's why the writing feels so alive. And

0:47:37.080 --> 0:47:38.920
<v Speaker 1>so real. And that's why I think people because they

0:47:39.000 --> 0:47:41.719
<v Speaker 1>all they've all been in those situations. So it's it's

0:47:42.000 --> 0:47:45.799
<v Speaker 1>entirely relatable. And it's like people aren't just laughing at

0:47:45.840 --> 0:47:47.640
<v Speaker 1>the comedy they should be on on the screen, but

0:47:47.680 --> 0:47:49.759
<v Speaker 1>they're laughing at themselves because they remember the moments that

0:47:49.920 --> 0:47:52.680
<v Speaker 1>happened to them. So it's so it's so it's extraordinary

0:47:52.680 --> 0:47:56.040
<v Speaker 1>in that way. So, speaking of the dry cleaning, did

0:47:56.200 --> 0:48:01.040
<v Speaker 1>anyone notice in the scene where Worline now has her

0:48:01.120 --> 0:48:02.840
<v Speaker 1>dry cleaning and she goes into the house and her

0:48:02.880 --> 0:48:07.680
<v Speaker 1>mom's calling the creepy, creepy, creepy clown pillow. Oh my god,

0:48:08.960 --> 0:48:11.400
<v Speaker 1>you guys, we have to put it on the Instagram.

0:48:11.960 --> 0:48:15.239
<v Speaker 1>It's in the background of that scene carrying the oh

0:48:15.400 --> 0:48:18.920
<v Speaker 1>my god, it is the creepiest clown pillow. Look like,

0:48:20.560 --> 0:48:24.080
<v Speaker 1>we will put it on the Instagram. It was nobody

0:48:24.280 --> 0:48:27.440
<v Speaker 1>noticed that, well I could have. I was like, oh

0:48:27.520 --> 0:48:30.759
<v Speaker 1>my god, what is that? You look at Laurla and

0:48:30.800 --> 0:48:33.200
<v Speaker 1>cut off jeans? When are you looking at? You know,

0:48:34.480 --> 0:48:39.360
<v Speaker 1>the house is quirky, like inside her house, whoever designed

0:48:39.400 --> 0:48:41.600
<v Speaker 1>the set? Can you remember who did all that? Like

0:48:41.920 --> 0:48:45.960
<v Speaker 1>there's so much detail in each thing, like in their house.

0:48:46.480 --> 0:48:50.560
<v Speaker 1>Um at the end, like every little deep Yeah, it

0:48:50.680 --> 0:48:52.719
<v Speaker 1>was a crew of people. They didn't mess around, you know,

0:48:52.760 --> 0:48:55.600
<v Speaker 1>they they got the top people, you know. And and

0:48:55.680 --> 0:48:58.840
<v Speaker 1>those see, those are the things that those little details

0:48:59.200 --> 0:49:01.879
<v Speaker 1>as you know, or really really important and captivating, even

0:49:01.880 --> 0:49:04.359
<v Speaker 1>if you don't notice it, like the alarm didn't purr.

0:49:04.520 --> 0:49:06.520
<v Speaker 1>The alarm didn't purr, Like who would think to have

0:49:06.760 --> 0:49:12.400
<v Speaker 1>the furry alarm? The writers that's writing, that's in the script.

0:49:12.520 --> 0:49:15.239
<v Speaker 1>It's all in that clown pillow and that first thing

0:49:15.320 --> 0:49:21.160
<v Speaker 1>that's in the script, it's there. Oh my god. So

0:49:21.320 --> 0:49:26.040
<v Speaker 1>we're looking at the clown pillow. Now it's it's it,

0:49:26.400 --> 0:49:29.239
<v Speaker 1>like you know it like that right right, right, it's it.

0:49:29.800 --> 0:49:35.200
<v Speaker 1>It's it. Oh my god. And that was on the couch.

0:49:35.600 --> 0:49:39.440
<v Speaker 1>Looks disappointed to Yeah, it was on a chair behind

0:49:39.560 --> 0:49:42.160
<v Speaker 1>the couch. In this episode, I think that the maker

0:49:42.360 --> 0:49:47.719
<v Speaker 1>that that pillow gets huge residual checks from just bought

0:49:47.800 --> 0:49:50.839
<v Speaker 1>an island somewhere. We also meet Jackson for the first

0:49:50.880 --> 0:49:53.400
<v Speaker 1>time in this episode, which I didn't remember that Jackson

0:49:53.480 --> 0:49:58.280
<v Speaker 1>shows up this soon. Jackson played by Jackson. So Jackson

0:49:58.400 --> 0:50:01.040
<v Speaker 1>was played by Jackson Douglas, who the time was married

0:50:01.400 --> 0:50:09.200
<v Speaker 1>to Alex Borstein, the Harp Drella. Yes, remember about all that,

0:50:11.239 --> 0:50:13.840
<v Speaker 1>you know, just that he was a terrific comedic actor.

0:50:14.080 --> 0:50:17.160
<v Speaker 1>He he was just this you know, big bear of

0:50:17.239 --> 0:50:20.560
<v Speaker 1>a guy who was everybody's friend and just you know,

0:50:20.800 --> 0:50:26.200
<v Speaker 1>very gregarious, very open um and I always loved I

0:50:26.280 --> 0:50:28.880
<v Speaker 1>always loved we We actually did more scenes than I

0:50:29.000 --> 0:50:31.879
<v Speaker 1>realized together. Um, and it was always great working with him.

0:50:32.360 --> 0:50:35.040
<v Speaker 1>Fun guy. Um. You know, he since moved to Spain.

0:50:36.320 --> 0:50:39.239
<v Speaker 1>He's in I believe he's in Spain now. He took

0:50:39.320 --> 0:50:42.520
<v Speaker 1>I think he took the kids to Spain. Um, and

0:50:42.640 --> 0:50:45.360
<v Speaker 1>wants to introduce him to that culture. So isn't that interesting?

0:50:46.040 --> 0:50:49.000
<v Speaker 1>So um would I'd love to get him on the

0:50:49.040 --> 0:50:52.360
<v Speaker 1>show talk about his experiences over there and what that's like,

0:50:52.640 --> 0:50:57.320
<v Speaker 1>you know, and and living there. So um. But yeah, No,

0:50:57.560 --> 0:50:59.200
<v Speaker 1>he was He was just a he was just a

0:50:59.239 --> 0:51:01.680
<v Speaker 1>good guy to hang out with. Nice, nice, kind of

0:51:01.760 --> 0:51:05.080
<v Speaker 1>mellow guy, but you know, always happy and you know,

0:51:05.160 --> 0:51:07.759
<v Speaker 1>good dude on the set. Yeah, and Kirk is in

0:51:07.840 --> 0:51:12.880
<v Speaker 1>this episode, but he's not Kirk. He's mixed right. Emily

0:51:12.960 --> 0:51:15.840
<v Speaker 1>sent him over to instill the DSL. He's he's bounced.

0:51:16.360 --> 0:51:18.439
<v Speaker 1>I don't know why they called why did they change

0:51:18.440 --> 0:51:20.879
<v Speaker 1>his name. I mean, Kirk is such a better name

0:51:22.080 --> 0:51:25.800
<v Speaker 1>than Mick. But I don't know the story behind that.

0:51:26.000 --> 0:51:32.840
<v Speaker 1>But you know, Sean Gun um who I mean, I

0:51:33.000 --> 0:51:36.480
<v Speaker 1>just think he's one of the most I mean, you know,

0:51:36.600 --> 0:51:38.960
<v Speaker 1>the good thing about doing a podcast is you get

0:51:39.000 --> 0:51:41.000
<v Speaker 1>to have all these people on the show, right, And

0:51:41.120 --> 0:51:44.400
<v Speaker 1>they were all unsung and they're so underrated and nobody

0:51:44.520 --> 0:51:47.520
<v Speaker 1>knows and I think the people appreciate them, the fans

0:51:47.560 --> 0:51:51.319
<v Speaker 1>appreciate them, but they're so skilled and they never got

0:51:51.400 --> 0:51:53.680
<v Speaker 1>any recognition. And Sean gun is one of the great

0:51:54.520 --> 0:52:00.280
<v Speaker 1>uh physical comedians that you that you will see working today.

0:52:00.400 --> 0:52:03.160
<v Speaker 1>The things that he can do other than what he was,

0:52:03.239 --> 0:52:04.920
<v Speaker 1>and he was great as Kirk. I mean, there was

0:52:05.040 --> 0:52:07.759
<v Speaker 1>just but there's a physicality with him. There's a very

0:52:07.800 --> 0:52:11.960
<v Speaker 1>specific physicality and everything he does so technically, you know,

0:52:12.200 --> 0:52:16.240
<v Speaker 1>from from kind of a wonky actor's perspective, just brilliant,

0:52:16.360 --> 0:52:20.200
<v Speaker 1>just absolutely brilliant. So anyway, let's get him on the show.

0:52:20.360 --> 0:52:22.799
<v Speaker 1>We gotta get him on the show. Um, all right,

0:52:22.800 --> 0:52:30.680
<v Speaker 1>we're gonna be right back, Okay, Gang, We're back, And

0:52:30.840 --> 0:52:35.799
<v Speaker 1>I think I think Danielle has a few items for us. Danielle, Yeah,

0:52:35.880 --> 0:52:38.440
<v Speaker 1>I feel like you missed two things from the episode

0:52:38.440 --> 0:52:41.520
<v Speaker 1>and we must cover them. So the first thing that

0:52:41.800 --> 0:52:45.240
<v Speaker 1>was groundbreaking for me, um was obviously Chad Michael Murray.

0:52:45.520 --> 0:52:49.920
<v Speaker 1>But um, there's a point where he calls Rory Mary,

0:52:50.400 --> 0:52:52.839
<v Speaker 1>and I was like, her name is Rory? Why does

0:52:52.880 --> 0:52:57.080
<v Speaker 1>he keep marry? And then they finally like explained it

0:52:57.280 --> 0:53:00.080
<v Speaker 1>were like second there. It was like so lost, and

0:53:00.160 --> 0:53:02.880
<v Speaker 1>I'm like, why does he keep calling her Mary? But

0:53:03.120 --> 0:53:06.920
<v Speaker 1>I did. I did refer to it early in the segment,

0:53:07.000 --> 0:53:10.399
<v Speaker 1>but I kind of ran ran through it. Um, yeah,

0:53:10.480 --> 0:53:12.560
<v Speaker 1>so did you not get that? How did you not

0:53:12.680 --> 0:53:15.520
<v Speaker 1>get it? I got it right away. I didn't get

0:53:15.560 --> 0:53:20.359
<v Speaker 1>it either. Get the marry thing. I had no idea either.

0:53:20.920 --> 0:53:23.960
<v Speaker 1>I had no idea either. How did you know? Did

0:53:24.000 --> 0:53:26.640
<v Speaker 1>you go to private because they're so young? They're so

0:53:26.800 --> 0:53:29.560
<v Speaker 1>young and innocent. No, I just figured it out right away.

0:53:29.640 --> 0:53:32.320
<v Speaker 1>Why is this like cool popular guy calling her the

0:53:32.400 --> 0:53:36.040
<v Speaker 1>sweet little thing Mary? Obviously? Really maybe I just know

0:53:36.200 --> 0:53:40.120
<v Speaker 1>mean kids. I don't know no idea what he's talking about.

0:53:41.320 --> 0:53:44.200
<v Speaker 1>To me, it was it was like, you know, like

0:53:44.360 --> 0:53:47.920
<v Speaker 1>the rich kids looking down on the newbie, and I'm

0:53:47.920 --> 0:53:49.640
<v Speaker 1>gonna call you Mary because I feel like calling your

0:53:49.640 --> 0:53:51.520
<v Speaker 1>Mary and I don't care what your name is kind

0:53:51.520 --> 0:53:54.440
<v Speaker 1>of thing. But oh so the virgin Mary, like the

0:53:54.480 --> 0:53:58.239
<v Speaker 1>little innocent girl, you guys know, I mean it was

0:53:58.320 --> 0:54:02.480
<v Speaker 1>just bad with names. Oh my god. Right, it was

0:54:02.560 --> 0:54:06.200
<v Speaker 1>like the attitude was more of the attitude. Um, I

0:54:06.239 --> 0:54:09.920
<v Speaker 1>didn't get that. Okay. So the next thing, which you

0:54:10.239 --> 0:54:14.520
<v Speaker 1>we kind of brushed over to, but Rory conflict with Paris,

0:54:15.040 --> 0:54:21.239
<v Speaker 1>the fact that she dropped her school project a heart attack, like,

0:54:21.520 --> 0:54:25.800
<v Speaker 1>oh my god, why did she do that? Um? And

0:54:25.920 --> 0:54:28.320
<v Speaker 1>then Paris was like trying to be all cool. I

0:54:28.440 --> 0:54:30.520
<v Speaker 1>don't know why, because if I was Paris, I would

0:54:30.520 --> 0:54:32.520
<v Speaker 1>have read it out. Rory it was like, this chick

0:54:32.680 --> 0:54:36.640
<v Speaker 1>dropped my project. But he was like she told the

0:54:36.719 --> 0:54:38.520
<v Speaker 1>teacher that she just didn't have it, and I was like,

0:54:38.640 --> 0:54:40.799
<v Speaker 1>what is happening? Like why would she do that? Why

0:54:40.800 --> 0:54:44.080
<v Speaker 1>would she come? But that happened, see for me, and

0:54:44.200 --> 0:54:47.200
<v Speaker 1>that's great drama and common you know, it's great drama

0:54:47.440 --> 0:54:50.719
<v Speaker 1>right there. But it happened all so quickly, and you

0:54:50.880 --> 0:54:53.360
<v Speaker 1>could have you could have dragged that stuff out for

0:54:53.960 --> 0:54:57.720
<v Speaker 1>the whole season, building that relationship up and building that conflict.

0:54:57.760 --> 0:55:01.719
<v Speaker 1>All of a sudden, you had Paris make that you know,

0:55:01.800 --> 0:55:04.640
<v Speaker 1>the move that you don't make where you show your cards.

0:55:05.480 --> 0:55:07.000
<v Speaker 1>And she got up in her face and said, you know,

0:55:07.040 --> 0:55:08.800
<v Speaker 1>I'm gonna make your life living hell because she was

0:55:08.840 --> 0:55:11.360
<v Speaker 1>answering all the questions before raising her hand and answering

0:55:11.360 --> 0:55:14.120
<v Speaker 1>all the questions before Paris had a chance to um.

0:55:15.280 --> 0:55:16.800
<v Speaker 1>And I don't think it was a misstep. I'm not

0:55:16.920 --> 0:55:20.319
<v Speaker 1>criticizing you know it, but it's just like, my god,

0:55:20.440 --> 0:55:22.600
<v Speaker 1>it was just like so in your face right away

0:55:22.680 --> 0:55:25.800
<v Speaker 1>that breaks her project answers the question Paris. It's just

0:55:25.960 --> 0:55:29.880
<v Speaker 1>like you see that Paris is not a cool customer.

0:55:30.760 --> 0:55:34.160
<v Speaker 1>She just got overheated real fast. And it's like Rory

0:55:34.760 --> 0:55:38.080
<v Speaker 1>won the war right away. But it was like, how

0:55:38.160 --> 0:55:40.000
<v Speaker 1>is this going to play out? So it was we're

0:55:40.080 --> 0:55:42.080
<v Speaker 1>left as an audience to see what kind of power

0:55:42.480 --> 0:55:45.800
<v Speaker 1>and how devious can can can Paris get? And she

0:55:46.800 --> 0:55:51.320
<v Speaker 1>the show doesn't beat around the bush around right away

0:55:52.000 --> 0:55:59.400
<v Speaker 1>right exactly. Paris is going to be like fun to

0:55:59.480 --> 0:56:04.279
<v Speaker 1>watch the out this season, like oh god, yeah, I know.

0:56:04.680 --> 0:56:07.759
<v Speaker 1>And when we did, uh, I mean that was, oh

0:56:07.800 --> 0:56:09.919
<v Speaker 1>my god. You know, the Paris days were always great

0:56:09.960 --> 0:56:12.680
<v Speaker 1>and and filming you know that Paris scene that you

0:56:12.760 --> 0:56:15.879
<v Speaker 1>know in year in the Life, which I've I've gone

0:56:15.920 --> 0:56:18.000
<v Speaker 1>on record and say I didn't like how it it

0:56:19.080 --> 0:56:24.120
<v Speaker 1>made Luke look but you can't deny the great the

0:56:24.760 --> 0:56:28.279
<v Speaker 1>funny scene and the great acting from Liza wheel in

0:56:28.360 --> 0:56:33.680
<v Speaker 1>the in the Year in Life as the fertility expert. Um,

0:56:34.719 --> 0:56:39.239
<v Speaker 1>very very funny stuff. Um, and she really delivered. UM. Okay, guys,

0:56:39.320 --> 0:56:41.680
<v Speaker 1>what do we have? So the first pop culture reference

0:56:41.719 --> 0:56:43.960
<v Speaker 1>we have, Loria is getting out of jeep in her

0:56:44.040 --> 0:56:46.320
<v Speaker 1>cut off shorts and she says, no, I look like

0:56:46.360 --> 0:56:52.480
<v Speaker 1>that chick from the Dukes of Hazzard. Catherine totally did that,

0:56:52.600 --> 0:56:54.400
<v Speaker 1>did you guys? Remember Dukes of Hazard are only the

0:56:54.480 --> 0:56:59.080
<v Speaker 1>older people. I remember Jessica Simpson. I know that Jessica

0:56:59.160 --> 0:57:05.799
<v Speaker 1>Simpson do so so weird. I remember both. Actually me too,

0:57:05.840 --> 0:57:09.200
<v Speaker 1>and that was a classic line. Classic. The next pop

0:57:09.239 --> 0:57:12.200
<v Speaker 1>culture reference we have Rory's talking to the headmaster and

0:57:12.280 --> 0:57:14.200
<v Speaker 1>when he asked her what she wants to do, she

0:57:14.360 --> 0:57:18.880
<v Speaker 1>refers to Christian Almapor. The headmaster says, not Oprah Rosie

0:57:19.360 --> 0:57:21.320
<v Speaker 1>or one of the women from the View. Yeah, they

0:57:21.360 --> 0:57:26.480
<v Speaker 1>talked about Christian almimpor COKEI Roberts, Oprah Rosie the View. Yeah,

0:57:26.480 --> 0:57:29.880
<v Speaker 1>because because at the time Christian Almimpor was becoming this

0:57:30.320 --> 0:57:35.080
<v Speaker 1>you know, superstar journalist um and Cokey Roberts was like legit,

0:57:35.360 --> 0:57:37.919
<v Speaker 1>she was she was Yeah. Coke Roberts was like number

0:57:37.960 --> 0:57:39.840
<v Speaker 1>one at that time too, you know, they were both

0:57:40.360 --> 0:57:43.960
<v Speaker 1>up there. Sure, So did the View start? When did

0:57:44.000 --> 0:57:45.920
<v Speaker 1>the View? How long has have you been around? Yeah?

0:57:46.000 --> 0:57:50.000
<v Speaker 1>The View premiered a couple of years before that, alright,

0:57:50.280 --> 0:57:52.800
<v Speaker 1>and I think it is still the number one daytime

0:57:52.880 --> 0:57:57.520
<v Speaker 1>talk show. Yeah, so that, like Oprah, obviously works as

0:57:57.560 --> 0:58:02.080
<v Speaker 1>well today as it did then. I mean, Rosie, do

0:58:02.160 --> 0:58:04.200
<v Speaker 1>you guys know that that's Rosie o'donald At the time,

0:58:04.280 --> 0:58:07.600
<v Speaker 1>she had a big talk exactly. I didn't know that.

0:58:08.840 --> 0:58:10.960
<v Speaker 1>I don't name Rosie, but I didn't know why did

0:58:11.080 --> 0:58:12.960
<v Speaker 1>why did she she was on the View? Why did

0:58:13.000 --> 0:58:15.960
<v Speaker 1>she leave the View? Well before the View, she had

0:58:16.240 --> 0:58:19.840
<v Speaker 1>her own time Rosio Donald. Then she was on the View,

0:58:19.880 --> 0:58:22.280
<v Speaker 1>and then there was that big drama with Elizabeth Hastle Back.

0:58:22.920 --> 0:58:27.520
<v Speaker 1>That was why they with Yes, oh my god, what

0:58:27.680 --> 0:58:31.480
<v Speaker 1>was the drama? Was like, uh, there was some sort

0:58:31.520 --> 0:58:35.960
<v Speaker 1>of incident where Rosie didn't defend Elizabeth and then they

0:58:36.040 --> 0:58:40.000
<v Speaker 1>got into this argument and then they double boxed them.

0:58:40.120 --> 0:58:42.600
<v Speaker 1>So they like put up Rosie and put up Elizabeth.

0:58:42.640 --> 0:58:44.800
<v Speaker 1>So because they sat at opposite ends of the table,

0:58:45.080 --> 0:58:48.360
<v Speaker 1>it was super dramatic. And then this is what happens

0:58:48.360 --> 0:58:51.240
<v Speaker 1>to people that asked for too much money when they renegotiate,

0:58:52.280 --> 0:58:54.200
<v Speaker 1>we're going to do so they had like a real

0:58:55.040 --> 0:58:59.120
<v Speaker 1>he really went at it over something. It wasn't just

0:58:59.320 --> 0:59:02.080
<v Speaker 1>like let's get rid of a how we're doing it. No,

0:59:02.440 --> 0:59:05.439
<v Speaker 1>this was legit. And then I think Rose, I don't

0:59:05.440 --> 0:59:07.000
<v Speaker 1>want to say it wrong, but I think she almost

0:59:07.040 --> 0:59:09.080
<v Speaker 1>kind of had had it. And then she left the

0:59:09.160 --> 0:59:12.440
<v Speaker 1>view and Elizabeth stayed. I don't remember exactly the details,

0:59:12.880 --> 0:59:19.280
<v Speaker 1>but the view reference definitely works. Definitely. Laurel is talking

0:59:19.280 --> 0:59:21.840
<v Speaker 1>about her outfit and her crazy morning, and she says

0:59:22.680 --> 0:59:24.920
<v Speaker 1>I was supposed to look together and fabulous and not

0:59:25.120 --> 0:59:30.360
<v Speaker 1>like I've been up on my playing quarters, which I

0:59:30.560 --> 0:59:37.960
<v Speaker 1>very much understood the drinking, you know, college drinking game. Yeah,

0:59:37.960 --> 0:59:43.320
<v Speaker 1>I don't know what quarters is. At the end, Lorea

0:59:43.360 --> 0:59:44.800
<v Speaker 1>Lie is trying to talk on the phone and Drilla

0:59:44.880 --> 0:59:48.040
<v Speaker 1>is playing on her harp. Laurea Lie says, Drilla, take

0:59:48.080 --> 0:59:51.040
<v Speaker 1>it down, and Drilla responds, Hey, do I look like

0:59:51.120 --> 0:59:57.280
<v Speaker 1>a Panasonic stamped on my ass? That was funny. I

0:59:57.360 --> 1:00:00.280
<v Speaker 1>mean that character, man, the potential for that Harry and

1:00:00.320 --> 1:00:03.880
<v Speaker 1>they eliminated the character. Was that just because Alex couldn't

1:00:03.880 --> 1:00:06.040
<v Speaker 1>do it? Yeah, because she was too busy? Oh god,

1:00:06.200 --> 1:00:09.480
<v Speaker 1>you know that character. And you know, Alex doing that

1:00:09.720 --> 1:00:13.920
<v Speaker 1>character of Drella would have been as iconic as anything

1:00:14.000 --> 1:00:16.080
<v Speaker 1>on that show, even if she just had one scene

1:00:16.120 --> 1:00:18.440
<v Speaker 1>an episode, because it was so funny. It was so

1:00:18.840 --> 1:00:23.320
<v Speaker 1>and we were concerned when we found out she couldn't

1:00:23.320 --> 1:00:25.000
<v Speaker 1>get out of her contract. That was the first time

1:00:25.080 --> 1:00:28.640
<v Speaker 1>we were all like, oh no, no, that's like, oh,

1:00:28.720 --> 1:00:30.760
<v Speaker 1>that's a that's a big hit. We just took there

1:00:30.840 --> 1:00:33.320
<v Speaker 1>because man, that girl was going to provide a ton

1:00:33.400 --> 1:00:35.920
<v Speaker 1>of comedy and how are we going to replace that?

1:00:35.960 --> 1:00:38.320
<v Speaker 1>And then Melissa McCarthy happened, so they're boomed. There you go,

1:00:39.120 --> 1:00:41.880
<v Speaker 1>that's how you do it. Well. I love she was

1:00:41.920 --> 1:00:43.880
<v Speaker 1>going going ham on the harp and that she was

1:00:44.000 --> 1:00:49.480
<v Speaker 1>undone and it just stops and walks away. Laurel I

1:00:49.600 --> 1:00:52.640
<v Speaker 1>walks by Miss Patties, and Miss Patty is telling her students,

1:00:52.920 --> 1:00:55.439
<v Speaker 1>walks smooth, that's the new Harry Potter on your head.

1:00:56.040 --> 1:00:58.520
<v Speaker 1>If they should drop, Harry will die and there won't

1:00:58.560 --> 1:01:03.120
<v Speaker 1>be any more books. Wow, it was solid because it's

1:01:03.120 --> 1:01:06.840
<v Speaker 1>still totally works and it probably scared the crap out

1:01:06.880 --> 1:01:09.600
<v Speaker 1>of those kids. That's old school, all right. There was

1:01:09.640 --> 1:01:14.000
<v Speaker 1>a good Dixie Chicks reference to which, Yeah, where was that?

1:01:14.200 --> 1:01:19.240
<v Speaker 1>It was when they were called didn't they change your

1:01:19.320 --> 1:01:21.560
<v Speaker 1>name a bunch of times? They're the Chicks now? But

1:01:21.640 --> 1:01:24.200
<v Speaker 1>they definitely mentioned Dixie Chicks in the episode and something

1:01:24.240 --> 1:01:27.160
<v Speaker 1>about that Laura like Gilmore was a stripper name? Who

1:01:27.240 --> 1:01:32.240
<v Speaker 1>said that? Who said that? My god, I just watched

1:01:32.280 --> 1:01:34.560
<v Speaker 1>this episode three times and it's like, that's the thing.

1:01:34.680 --> 1:01:37.440
<v Speaker 1>There's the scripts are so dense you can just rewatching

1:01:37.440 --> 1:01:39.960
<v Speaker 1>and rewatching and rewatch it all right. So so somebody

1:01:40.000 --> 1:01:41.640
<v Speaker 1>in the audience, you just send us the answer to

1:01:41.680 --> 1:01:47.200
<v Speaker 1>that question. Yeah, where did they say Dixie Chicks? Before

1:01:47.240 --> 1:01:52.240
<v Speaker 1>we go? Should everyone say their favorite line? Go ahead?

1:01:54.000 --> 1:01:56.600
<v Speaker 1>Even though I do love the end when we realized

1:01:56.640 --> 1:01:59.600
<v Speaker 1>she has a crush on Luke, my favorite was when

1:01:59.680 --> 1:02:03.840
<v Speaker 1>the already dad guy says, is your husband here, I'd

1:02:03.880 --> 1:02:06.080
<v Speaker 1>love to meet him, not married, I'd love to meet

1:02:06.120 --> 1:02:09.280
<v Speaker 1>your wife divorced, and then she says Shane, it's just

1:02:09.440 --> 1:02:16.360
<v Speaker 1>so fast, but it's so you're like, oh my god, good,

1:02:16.440 --> 1:02:19.640
<v Speaker 1>Who's next? Who's next? Mine was when Laura La was

1:02:19.680 --> 1:02:21.840
<v Speaker 1>talking to Rory about her first day and she says,

1:02:22.040 --> 1:02:23.520
<v Speaker 1>do you want me to talk to you one? A parent,

1:02:23.600 --> 1:02:31.160
<v Speaker 1>a teacher, a big guy named Moose, daughter from Laura Lee,

1:02:31.880 --> 1:02:33.600
<v Speaker 1>and it's my clothes were at the cleaners and I

1:02:33.680 --> 1:02:35.760
<v Speaker 1>had the fuzzy clock and it didn't purr on time.

1:02:36.760 --> 1:02:41.160
<v Speaker 1>There you go. Yeah, I have to go with the

1:02:41.240 --> 1:02:44.680
<v Speaker 1>Emily line. Uh did you did you drive her as

1:02:44.720 --> 1:02:47.120
<v Speaker 1>your horse tired up outside? I mean, I mean that

1:02:47.320 --> 1:02:53.920
<v Speaker 1>is just like spurs, just brilliant. Just I mean, Kelly

1:02:54.000 --> 1:03:00.439
<v Speaker 1>Bishop at her finest, it's just man unbelievable. Know she's

1:03:00.440 --> 1:03:03.240
<v Speaker 1>doing she's doing a new series. She's she's doing the

1:03:03.280 --> 1:03:08.800
<v Speaker 1>Halston thing with McGregor. Yeah, you and McGregor. Yeah. And

1:03:08.800 --> 1:03:12.400
<v Speaker 1>the trailer is fantastic, It's really fantastic. Um. Yeah, Kelly's

1:03:12.400 --> 1:03:18.880
<v Speaker 1>in that. She's so important in Gilmore world because she

1:03:19.040 --> 1:03:24.000
<v Speaker 1>is such the there's just so much because of her. Absolutely,

1:03:24.560 --> 1:03:26.000
<v Speaker 1>you know, they wanted to call it I think they

1:03:26.440 --> 1:03:29.840
<v Speaker 1>I think the studio wanted to call it the Gilmore

1:03:30.040 --> 1:03:34.800
<v Speaker 1>Way or something like that, and Amy fought for Gilmore Girls.

1:03:34.800 --> 1:03:36.600
<v Speaker 1>They didn't want to call it Gilmore Girls. They wanted,

1:03:36.760 --> 1:03:41.800
<v Speaker 1>they wanted a broader title title. UM, but I think

1:03:41.840 --> 1:03:46.080
<v Speaker 1>Gilmore Girls are good. Yeah, they made the right call everything.

1:03:46.320 --> 1:03:47.960
<v Speaker 1>I think they could have called it the you know,

1:03:49.760 --> 1:03:52.320
<v Speaker 1>you know anything. They could have called it the cable,

1:03:52.480 --> 1:03:54.919
<v Speaker 1>or could have called at the piano. Kay. It would

1:03:54.920 --> 1:03:56.560
<v Speaker 1>have still would have been a great show. Wouldn't matter,

1:03:57.080 --> 1:04:00.880
<v Speaker 1>you know, my guys. We're gonna wrap it up episode two.

1:04:01.360 --> 1:04:05.040
<v Speaker 1>What a what a gas? What a gas? Um, Listen,

1:04:05.240 --> 1:04:09.440
<v Speaker 1>send us your comments. We we love getting feedback. We

1:04:09.560 --> 1:04:13.080
<v Speaker 1>want to you know, implement great ideas, things that you

1:04:13.240 --> 1:04:15.560
<v Speaker 1>want to see and you want to hear us talk

1:04:15.600 --> 1:04:18.600
<v Speaker 1>about and see us talk about. UM. So we're completely

1:04:18.640 --> 1:04:22.840
<v Speaker 1>open to that. UM. This is a highly interactive fan

1:04:23.000 --> 1:04:27.280
<v Speaker 1>engagement type of podcasts, So we're open to all your ideas, so, um,

1:04:27.440 --> 1:04:31.080
<v Speaker 1>and your criticisms. We can take it, Yeah, we can

1:04:31.120 --> 1:04:33.640
<v Speaker 1>take it. We're you know, we're we're all a little

1:04:33.680 --> 1:04:36.040
<v Speaker 1>long in the tooth here except for like these two.

1:04:36.440 --> 1:04:38.720
<v Speaker 1>But but Amy and I are you know, we're we're

1:04:38.880 --> 1:04:40.600
<v Speaker 1>we're tough. We're tough. We can take it. We can

1:04:40.640 --> 1:04:44.640
<v Speaker 1>take it. But we're gonna protect you. We're gonna protect you,

1:04:44.800 --> 1:04:48.960
<v Speaker 1>all right. So, UM, but we we do read your comments.

1:04:49.000 --> 1:04:52.000
<v Speaker 1>We do appreciate all of the feedback. And you know,

1:04:53.160 --> 1:04:56.240
<v Speaker 1>at point nine is is over the Moon and there

1:04:56.320 --> 1:04:58.840
<v Speaker 1>there are some great comments we're getting in there. They're

1:04:58.880 --> 1:05:02.400
<v Speaker 1>helping shape the show a little, but so keep him coming. Alright, gang,

1:05:02.480 --> 1:05:04.920
<v Speaker 1>that's it. We're gonna wrap it up episode two and

1:05:05.040 --> 1:05:09.080
<v Speaker 1>episode three. Um. Listen, you're gonna be very happy about

1:05:09.120 --> 1:05:11.840
<v Speaker 1>our episode three guests. You d m us to death

1:05:12.680 --> 1:05:15.880
<v Speaker 1>about this guest. Uh. We have asked this guest and

1:05:15.960 --> 1:05:18.800
<v Speaker 1>this guest has agreed to come on. So you're gonna

1:05:18.800 --> 1:05:22.440
<v Speaker 1>be very happy about it. Um, And and we'll get

1:05:22.480 --> 1:05:25.960
<v Speaker 1>into episode three kill me now. Uh. So, this is

1:05:26.000 --> 1:05:30.520
<v Speaker 1>Scott Patterson I Am all In Podcast. Thanks for downloading.

1:05:30.640 --> 1:06:03.040
<v Speaker 1>Much much love to everybody by h Hey everybody, and

1:06:03.080 --> 1:06:06.560
<v Speaker 1>don't forget follow us on Instagram at I Am all

1:06:06.720 --> 1:06:10.840
<v Speaker 1>In Podcast and email us at Gilmore at I heart

1:06:11.000 --> 1:06:14.120
<v Speaker 1>radio dot com. Oh you Gilmore fans. If you're looking

1:06:14.120 --> 1:06:15.840
<v Speaker 1>for the best cup of coffee in the world, go

1:06:15.960 --> 1:06:19.680
<v Speaker 1>to my website for my company scott EP dot com,

1:06:19.840 --> 1:06:22.040
<v Speaker 1>s C O T T y P dot com, scott

1:06:22.040 --> 1:06:33.000
<v Speaker 1>EP dot com Grade one Specialty Coffee. Yeah,