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Speaker 1: I am all in. Oh oh, that's just you. I

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Speaker 1: am all in with Scott Pattison and I heart Radio podcast.

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Speaker 1: So listen, guys. Thank you so much for all the

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Speaker 1: kind messages. Oh my god, it's uh, it's it's an

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Speaker 1: incredible thing that's happening. For the team at my heart

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Speaker 1: and myself and anybody associated with putting this show together.

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Speaker 1: It's uh, it's overwhelming that that the global community of

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Speaker 1: Gilmore fans has come together to to to download this

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Speaker 1: podcast and and really really big ways, and so thank

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Speaker 1: you so much. We're we're working hard, we're not getting

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Speaker 1: any sleep, but it's worth it because we love you guys,

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Speaker 1: and you're sending love back, and it's it's amazing and

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Speaker 1: it's fun and we want to have fun with you

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Speaker 1: and engage you in uh, in humorous and delightful and

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Speaker 1: informative way. So you deserve it, you're gonna get it,

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Speaker 1: and you're giving it back to us. So thank you,

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Speaker 1: very very very much. So now we're gonna get into

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Speaker 1: listener questions. Let's get right into it. You know you've

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Speaker 1: d m us, you have emailed us, you have you've

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Speaker 1: left all kinds of comments on all kinds of platforms

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Speaker 1: and we're we're seeing every single one of them, and

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Speaker 1: there's a lot of them, but they're all interesting and

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Speaker 1: we love them. And let's get to the first one,

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Speaker 1: and this is from Alex. Was the food real at

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Speaker 1: Luke's Diner? Who ate it? Did people eat the prop food?

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Speaker 1: Let me tell you something. The food was real, yes,

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Speaker 1: but it was old. They would cook it fresh, right,

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Speaker 1: and maybe on that first day that it was coming out,

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Speaker 1: it may have been edible for the maybe the first

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Speaker 1: ten minutes, but after that it was like next day,

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Speaker 1: same food, next day, same food, next day. So my episode,

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Speaker 1: you know, it took us eight days to shoot one episode.

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Speaker 1: But so by that fifth, six seventh day, when extras

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Speaker 1: was get a little bored, little hungry sitting around, they

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Speaker 1: butt into a burger, they'd get a rude awakening that

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Speaker 1: it was cold, hard, and and not terribly fresh. Um.

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Speaker 1: So those were kind of shocking and humorous moments on

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Speaker 1: the set. Who ate it? Yeah it was the extras

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Speaker 1: um and yes, the food was real. Okay. Second question

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Speaker 1: from Christie. I liked the podcast theme song, Oh oh,

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Speaker 1: is it Scot's music? What is the name of the

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Speaker 1: song and is it available? Yes? That is a I recently,

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Speaker 1: during the pandemic, you know, I sold my house. We

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Speaker 1: moved into my wife's parents condo, a huge condo in

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Speaker 1: Santa Monica. They were away on vacation for a long time,

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Speaker 1: so we're in there. So I was writing a lot

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Speaker 1: of songs in there while my new home was being remodeled.

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Speaker 1: Um and I just you know, I was sitting in

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Speaker 1: a room where the songs just kept flowing. And I

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Speaker 1: had wor old my producer's guitar, and there were a

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Speaker 1: lot of songs in that guitar, and I just kept

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Speaker 1: coming out. So I wrote all these songs. We went

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Speaker 1: in the studio and recorded three songs. That's one of

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Speaker 1: the songs. So I sent it to UH. I sent

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Speaker 1: it to our our main producer, Amy, who is with us,

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Speaker 1: and and I said, what do you think about this

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Speaker 1: for the theme song? She and she loved it, and

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Speaker 1: so we went with it. I was worried at first.

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Speaker 1: I was like, what, it just sucks. What am I

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Speaker 1: gonna do this? Am I going to tell him this

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Speaker 1: song blows? I know, I know how many times have

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Speaker 1: you ever been in that situation your life where it's

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Speaker 1: like you gotta be honest with people because you love them,

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Speaker 1: but you don't want it to screw up your business. Uh,

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Speaker 1: it's important. So uh but it's a good song. Yeah.

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Speaker 1: So I wrote it, and you know, I I changed

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Speaker 1: my I changed my sort of take on songwriting, and

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Speaker 1: I wanted to know. I was listening to a lot

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Speaker 1: of early beatles. It was two minute, happy songs with

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Speaker 1: great hooks, and I was like, really, just trying to

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Speaker 1: you know, it's a pandemic. I don't want to get

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Speaker 1: you know, commiserate or or be depressing because those songs

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Speaker 1: are easy to write. And uh, I just saw challenge yourself,

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Speaker 1: right right, happier music, right right, love songs. So it

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Speaker 1: was all love songs. Okay. So here's a question from

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Speaker 1: j Hi J. Was the hot coffee real in Luke's diner? Yes,

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Speaker 1: but then it would cool off. Like I said about

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Speaker 1: the food, it would cool off, and then you'd be

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Speaker 1: drinking either lukewarm or cold coffee the rest of the day.

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Speaker 1: Alexis drink coke. I think she did. I think, you know,

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Speaker 1: my memories of her were on the set where she

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Speaker 1: was a little more she was healthy, but um, yeah,

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Speaker 1: I guess at times she probably drank coke. We all

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Speaker 1: needed something to trust me because we're like nodding out,

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Speaker 1: you know after lunch, after lunch, if you had to

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Speaker 1: shoot a scene and you were like, oh boy, you know,

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Speaker 1: oh boy? Uh So how many times did you have

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Speaker 1: to pour a cup of coffee for a scene? Jeez?

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Speaker 1: I mean every time in the diner. That was my

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Speaker 1: go to stick. You know, I'm pouring the coffee, pouring

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Speaker 1: the cof one of the coffee. It was my excuse

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Speaker 1: to go to go over to the table that you know,

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Speaker 1: the director says, Scott, how are you gonna get over

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Speaker 1: the table? We can have someone pourk cup of coffee.

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Speaker 1: What do you think? Don't you watch a show? What's

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Speaker 1: wrong with you? So that's what I did. Uh, here

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Speaker 1: we go, Jessica. Jessica has a question. Who came up

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Speaker 1: with the idea of no phones at loose? Good question.

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Speaker 1: I can't take credit for that. That's that's a that's

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Speaker 1: a a Sherman Palladino. Uh move right there. So there

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Speaker 1: you go. That's their their commentary on encroaching technology and

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Speaker 1: it works like a charm. And Alessandra, when it snowed,

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Speaker 1: was the snow actually real? And did it actually? What

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Speaker 1: did it actually smell like Unfortunately, Alessandra, it was not real.

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Speaker 1: They have these very sophisticated companies that come in and

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Speaker 1: do snow for a film and TV and they're made

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Speaker 1: of paper there. It's like confetti almost. It's tiny little

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Speaker 1: uh uh squares of paper and they rain them down

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Speaker 1: and there's a lot of it, and they lay down

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Speaker 1: these sort of white mats uh to make it look fluffy,

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Speaker 1: and then they pour that stuff from a a giant

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Speaker 1: machine on top. It's it's a much larger machine than

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Speaker 1: you even realize. You walk on seting go what the

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Speaker 1: heck is that thing? Um, it looks like I'm like

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Speaker 1: they're putting up a huge building or something. But then

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Speaker 1: they just rain little paper down on everything looks it

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Speaker 1: really looks really good. Um. So that's how they do it.

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Speaker 1: And it gets in your nose and it gets in

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Speaker 1: your clothes and it gets everywhere. It's kind of like

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Speaker 1: sand Alright, guys, thank you for your questions. Awesome questions.

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Speaker 1: I hope you learned something. Um. I had fun answering,

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Speaker 1: So keep them coming, um And we're gonna get into

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Speaker 1: breaking down the episode uh a little later. But first

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Speaker 1: we have the iconic Sally Struthers, who is making her

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Speaker 1: debut appearance in episode two as bad Bett, the wife

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Speaker 1: of Mori and Uh, a Laurelai neighbor and the gnome

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Speaker 1: owner of Gnomes best Gnome collection. Probably in stars Hollow,

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Speaker 1: I would say, and maybe in that entire county. I

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Speaker 1: don't know. Um, if anybody knows, let us know, uh,

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Speaker 1: somebody with Gnome knowledge, because I certainly you know, I'm

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Speaker 1: I'm versed in Gnomes, but I'm sure there's somebody out

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Speaker 1: there that could. What did you think when they told

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Speaker 1: you Sally Struthers was joining the cast? I mean I

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Speaker 1: grew up on all in the family. I mean, what

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Speaker 1: a what a fantastic show. And she was you know,

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Speaker 1: she was glorious, she was she was like this this

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Speaker 1: I don't know, just this bright light in television and

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Speaker 1: such a positive force and such a funny actress and

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Speaker 1: such a great actress and all of those. I mean,

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Speaker 1: it's like almost every scene in all of the Family

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Speaker 1: was iconic. I mean it's like you can't watch an

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Speaker 1: episode of that and not go, wow, that was you.

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Speaker 1: That was huge. I remember that one, huge, huge, huge.

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Speaker 1: It's like going to a Beach Boys concert. Every song

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Speaker 1: is a hit and you're like, what is going on here?

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Speaker 1: So um, so it was Sally Struthers. And then when

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Speaker 1: we met her it was even better because you know,

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Speaker 1: you don't know what to expect from people, and she's

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Speaker 1: so funny and so loving and so like everybody's mom

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Speaker 1: and everybody's best friend and all the great stories and

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Speaker 1: and no pretensions about her at all, just the best

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Speaker 1: person you could ever meet. And also also joining us.

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Speaker 1: Even though she doesn't come on until season two, we

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Speaker 1: don't see her make her first appearance until season two.

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Speaker 1: Rose Abdu, the brilliant improvisational actress and comedian Rose Abdu,

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Speaker 1: will be joining us with Sally, So it's gonna be

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Speaker 1: raucous affair. Let me tell you, it's gonna be filled

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Speaker 1: with laughter. And we'll be back with them after a

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Speaker 1: quick break. Hello ladies, Hi baby, Ice guy. How are you?

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Speaker 1: It's so good to see you, guys. What is happening?

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Speaker 1: What is going on? Sally? What have you been up to?

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Speaker 1: Are you doing your theater? You're doing your musical theater,

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Speaker 1: You're doing youring a pandemic? Now you can't gather in

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Speaker 1: the theater. I am laid up, as they say, Oh

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Speaker 1: my god, Oh my god. It's tough, right, I mean,

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Speaker 1: you gotta, you gotta. It's been torture, but thank you Rose.

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Speaker 1: Rose won't drag about herself. But Rose is working constantly

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Speaker 1: because she's all the big films, she's a wanted commodity.

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Speaker 1: She's amazing and everything she doesn't she's guesting on all

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Speaker 1: of these shows. If you go to Second City and

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Speaker 1: get those chops, then you're gonna be in demand, right,

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Speaker 1: it's gonna that's like, that's like an investment into your

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Speaker 1: future long term. Oh that's so nice. I love it.

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Speaker 1: I mean, I got really lucky and got to work

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Speaker 1: on Hacks, which is a new HBO Max show that's

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Speaker 1: going to start May thirteen. Nice. But everyone, I mean,

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Speaker 1: how many times Scott do you get asked about like,

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Speaker 1: are there going to be more? Like so many people

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Speaker 1: every day, right, they want a Christmas movie or something,

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Speaker 1: just something. So I always feel like I'm disappointing everybody

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Speaker 1: by going back. I don't know, I mean, is it

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Speaker 1: beyond the realm of possibility? I don't know. I don't

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Speaker 1: want to give people false help. Are we starting did

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Speaker 1: we start yet? And we're going We're wing? What it

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Speaker 1: is we're here just we're just chopping it up, you know,

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Speaker 1: just you know, it's like it's going to be a

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Speaker 1: little trip down memory lane. So welcome you guys. People

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Speaker 1: stop you on the street, Scott, stop me stop. I

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Speaker 1: mean they might follow and hello. They're always pleasant. Stop

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Speaker 1: oh stop me, stop me. Do they recognize you and

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Speaker 1: stop you to talk to you? Oh? Sure, yeah, they

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Speaker 1: come up. They're very friendly. I've always only had very

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Speaker 1: pleasant encounters. I mean, do your fans know that from

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Speaker 1: Gilmore girl fans that before you were on Gilmore girls

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Speaker 1: who were a professional baseball player. Some do some do this.

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Speaker 1: Some of the guys are like, hey, you know, I

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Speaker 1: you know, I know I played with Chucky, you know,

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Speaker 1: and you know I remember him and you played with him.

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Speaker 1: He said, you know, you're pretty good this. You know,

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Speaker 1: it's all that stuff is your son. Now he's he's

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Speaker 1: going to be seven in wolaying him. Nah, he's an artist.

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Speaker 1: You should and and he's you should see his drawings.

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Speaker 1: They are amazing that he started out a couple of

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Speaker 1: years ago, very boskiyat kind of stuff, and now he's

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Speaker 1: he's a he's a into realism. So he's drawing these

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Speaker 1: exact things that wonderful stuff. He's not. He's not a

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Speaker 1: you know. It's like and and he has all the talent.

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Speaker 1: I've thrown the ball with him and he wings it

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Speaker 1: back at seven miles an hour and the whole deal.

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Speaker 1: And it's like, but my thing with that is, it's like, gosh,

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Speaker 1: there's so much more to life, and there's so many

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Speaker 1: other skills that I know that he has, and I

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Speaker 1: want to bring those out, you know, and and allow

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Speaker 1: those to develop and flourish. And well, it's like if

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Speaker 1: you get into that sports thing, it's very limiting. And

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Speaker 1: not that it doesn't have its benefits. It does, it

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Speaker 1: really does. But I mean my fear is that he's

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Speaker 1: like really good at it and we're gonna make a decision.

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Speaker 1: I don't want him go in that room. Look he'll decide, right,

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Speaker 1: I mean, if if it's meant to be, it'll be.

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Speaker 1: But you know, he's a very good student. He loves

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Speaker 1: to read, he loves to create. He's got a real

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Speaker 1: big creative side. Did you know that is an artist?

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Speaker 1: Oh yeah, I mean she did the background for this

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Speaker 1: this back. She did the background for the background. I

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Speaker 1: know I was cheesy, but I'm I sculpt miniature, I

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Speaker 1: sculpt managers, and and it's been so fun this pandemic

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Speaker 1: because I don't know, I decided to make little cars

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Speaker 1: out of food, and somebody said, oh, do you do

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Speaker 1: you do cars because you're gypsy to auto mechanic. I

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Speaker 1: was like, I never even thought of that, But I

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Speaker 1: just I got obsessed with making like tiny animals driving

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Speaker 1: tiny cars. There you go, he know, and when she

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Speaker 1: says tiny, she means tiny. When she finishes one of

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Speaker 1: her pieces, which you can't understand, like adult fingers are

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Speaker 1: just too big to be able to make this, she

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Speaker 1: photographs it with the penny next to it so that

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Speaker 1: you can see that it's it's about the size of

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Speaker 1: a penny, and it's it's detailed and it's perfect. It's

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Speaker 1: a house driving a piece of cheese. It's a thank

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Speaker 1: you at least, like the perfect art agent. You're you're

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Speaker 1: a great pr person. Ground we're doing it. We're really

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Speaker 1: meeting to other. This is part of a town meeting,

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Speaker 1: the three of us. Well, you have you have a

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Speaker 1: seven year old, so I kind of know a lot

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Speaker 1: about what you've been doing during pandemic. Rose has been

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Speaker 1: working a lot um not to be a Debbie downer.

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Speaker 1: But Rose and I both recently lost our dogs. Oh

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Speaker 1: I'm so sorry, and it's been pretty awful. But the

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Speaker 1: only satisfaction her dog was Monkey and my dog was

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Speaker 1: Brad is that now we know that Monkey or Brad

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Speaker 1: are playing together and Doggie heaven there you have any

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Speaker 1: thoughts about getting up? How do you feel about that? Sally?

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Speaker 1: I wanted to ask you that I counted on my

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Speaker 1: fingers today and I ran out of fingers the amount

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Speaker 1: of dogs that I have had in my adulthood, and

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Speaker 1: and uh, I have had a leaven Wow. And before

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Speaker 1: I got Brad, I went a whole year without a

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Speaker 1: dog because my first my two before that were Scotty

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Speaker 1: dogs and one was Bob and one was banana Is.

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Speaker 1: And Bob died of cancer. And three months later Banana's

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Speaker 1: drowned in my swimming pool, and my heart was so broken.

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Speaker 1: I was so damaged from that, I went there's time

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Speaker 1: in my adult life. I went an entire year without

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Speaker 1: choosing another God's gifts dogs are gifts from God to

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Speaker 1: live with. And then I found Brad at a at

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Speaker 1: a rescue place in New Hampshire while I was working

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Speaker 1: Maine and now my heart so broken again. I don't

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Speaker 1: think I can get one right away, but I'm sure

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Speaker 1: I will. What about you, Rose, I mean, I just

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Speaker 1: he was so perfect that I don't really I can't

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Speaker 1: imagine getting another one. It was just Please tell Scott

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Speaker 1: how we were working together on when the reunion, when

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Speaker 1: we were making the Gilmore Girls reunions, and you and

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Speaker 1: John went to the Pasadena dog shelter and find a dog.

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Speaker 1: Amy six. Scott Amy would have put Monkey in the

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Speaker 1: winter in a year in the life, like I got

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Speaker 1: a dog, and everyone's like, oh, how's your dog? I go, well,

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Speaker 1: we had him for four hours and he ran away.

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Speaker 1: Every that whole time. I had to stand there on

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Speaker 1: my mark. You were in that scene, and Amy was like,

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Speaker 1: my mind was wandering so badly because something. I just

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Speaker 1: met this flipping dog. It took me fifteen years pick

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Speaker 1: out a dog and he ran away. But I knew

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Speaker 1: you got a dog, and so I gave you a

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Speaker 1: plaid collar for him. She gave me a green plant collar.

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Speaker 1: The dog ran away. Long story short, someone found the job.

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Speaker 1: We put it on lost pause l A. The lady

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Speaker 1: wasn't going to give up the dog, and we go

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Speaker 1: please please it's got a green plant collar or a

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Speaker 1: gift from Sally Struther's godmother. She goes, I have your dog.

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Speaker 1: So if Sally hadn't given me the plant collar, they

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Speaker 1: never would have found the dog. Very I'm going to

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Speaker 1: write it in a book because it really is an

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Speaker 1: amazing story. But back to our life. In our town meetings,

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Speaker 1: Sally turned to me one of the first times I

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Speaker 1: worked with you, Sally, and she looked at me and

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Speaker 1: just I didn't know her. I was like, she's from

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Speaker 1: all in the family. I love sitting next to her.

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Speaker 1: I can't believe this is happening. And she just goes,

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Speaker 1: do you want to see my dog's driver's license? And

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Speaker 1: I was like, yeah, your dog is a driver's life.

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Speaker 1: And she pulled out of California license with the perfect

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Speaker 1: picture of Bob. It was so silly and wonderful that

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Speaker 1: I was like, yes, this is great. You still have

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Speaker 1: it in your wallet. Fantastic Bob's driver's license. There. She goes,

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Speaker 1: she's gonna find it. She's got it, so I do

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Speaker 1: want another one, But I just feel like he was

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Speaker 1: so perfect, And it was my first dog. I was

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Speaker 1: fifty three. I've never had a dog before and Amy.

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Speaker 1: Amy actually said to me their dog passed away right

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Speaker 1: before we started filming A Year in the Life, and

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Speaker 1: she goes, they'll break your heart. My husband said, they

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Speaker 1: bring you joy a million times, they only break your

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Speaker 1: heart once, right, right, right, Well, the time will come. Yes,

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Speaker 1: I can't find it. But there's a company you can

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Speaker 1: write to and you send them your dog's picture and

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Speaker 1: your dog's height, and wait and birthdays, and they make

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Speaker 1: the driver's license for you for whatever state you actually

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Speaker 1: live in using When I got stopped by a policeman

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Speaker 1: for I don't know what I was doing, but a

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Speaker 1: police will stop me, he said, driver's license play. So

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Speaker 1: I handed him the one with my dog on it,

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Speaker 1: thinking that it would charm me him. And that was,

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Speaker 1: you know, the two I gotta I gotta tell you

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Speaker 1: while I have you, Guys, the two biggest thrills of

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Speaker 1: my entire career are when I was in Carnegie Hall

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Speaker 1: taken Repetition with Robert Modica and he was dating Louise

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Speaker 1: Lasser at the time, and I was a huge Mary

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Speaker 1: Hartman Mary Hart Show. Remember that show? What That show

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Speaker 1: was mind blowing great. It was just the greatest thing.

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Speaker 1: And because it never should have been on television. It

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Speaker 1: was just it was it was like it was like

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Speaker 1: Theater of the absurd. It was how did that get

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Speaker 1: on network television? But it was just she was great

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Speaker 1: at it, and she was in the class. And I

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Speaker 1: just done a repetition exercise where I, you know, dug

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Speaker 1: real deep and had a big breakthrough in the whole deal.

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Speaker 1: And I was I sat down, I was like, uh,

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Speaker 1: And she turned her Louise Lasser herself turned around and

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Speaker 1: looked at me, and she said, You're going to get

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Speaker 1: everything you want. And I have never felt so supported

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Speaker 1: or blessed or validate you were. You were put a

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Speaker 1: stamp on me and ship me out. I mean, it

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Speaker 1: was just a wonderful moment. And then the day I

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Speaker 1: walked onto the set and there you were, Sally from

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Speaker 1: All in the Family, another show that I grew up with,

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Speaker 1: just like worshiping the writing and the acting, and and

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Speaker 1: I got to work with you. And and the story

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Speaker 1: I always tell is on my birthday, and you were

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Speaker 1: so kind to do this because you knew my birthday

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Speaker 1: fell on a very tragic day in our nation's history.

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Speaker 1: Even you would pick me up because I never celebrated it.

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Speaker 1: On my on that day because out of respect for

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Speaker 1: the people who lost their lives. But um, you would

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Speaker 1: pick me up. And people don't know this about Sally.

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Speaker 1: You're very you're physically very strong. I was shocked and

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Speaker 1: I was going about to ten at that time. And

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Speaker 1: you would pick me up, throw me over his shoulder

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Speaker 1: and take me around the set and say, smack him

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Speaker 1: on the acids his birthday. You go to every single

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Speaker 1: bring day, walloped me and I'd have red marks every year.

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Speaker 1: Oh my god, what all you're good at that? She

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Speaker 1: can fireman's carry? She doesn't. Oh yeah, you did it

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Speaker 1: with you, remember, And no, she just threw me over

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Speaker 1: her shoulder. She was a fireman. No, it wasn't like

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Speaker 1: a no, she didn't put me around her neck. She

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Speaker 1: just threw me over one shoulder. And then she had

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Speaker 1: a free hand to smack at will you know, and

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Speaker 1: then let others have their turns. You're the person to

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Speaker 1: be with if there's God forbid of burning building, because

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Speaker 1: I will throw you all out. And let me tell

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Speaker 1: you why. I am Scottish and Scandinavian, and both of

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Speaker 1: those people are built to pull the slay through the snow.

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Speaker 1: If the horse drops dead and we're just unnaturally strong.

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Speaker 1: So are you? Are you a Scottish Highlander or a Lowlander?

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Speaker 1: I'd like to take the high road, but it's not

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Speaker 1: any fun. The low road passes cut by a couple

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Speaker 1: of bars, a discotheq. And because did you know that

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Speaker 1: that Sean Gunn and Lauren Graham are Highlanders? Did you

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Speaker 1: know that? Yeah? If they have Scottish blood, and I

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Speaker 1: think they both do. Yeah, and their tribes are still

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Speaker 1: vital in a lot. My grandfather came from a town

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Speaker 1: in Scotland called Motherwell, and I honestly don't know if

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Speaker 1: they were Highlanders or Lowlanders. I don't know this right right?

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Speaker 1: Do you have a kilt? I had one, but I

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00:22:03,640 --> 00:22:05,840
Speaker 1: lost it. I think you will look quite nice in

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Speaker 1: a kilt. If I don't know, I think maybe you know,

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Speaker 1: considering Milo's recent thigh flashing pensant, I could probably get

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Speaker 1: away with wearing a kilt now. It really gives me

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Speaker 1: a lot of freedom. Yes, at least usually have very

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Speaker 1: nice knees. They have nice legs. Those guys filmore guys.

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Speaker 1: I don't know. So So tell me your favorite scenes

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Speaker 1: the Favorite Days? Do you remember the favorite scenes in

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Speaker 1: the Favorite Days? On set. Any day I was with

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Speaker 1: Rose was my favorite day. The Rose made every day fun.

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Speaker 1: Thank you and you. I felt the same way about

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Speaker 1: you and Scott. I felt the same way when I

399
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Speaker 1: just thought I'm working with Sally and Liz, like it

400
00:22:56,320 --> 00:22:59,160
Speaker 1: was my my life revolved around that night of television

401
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Speaker 1: with all in the family, and I was just It

402
00:23:00,800 --> 00:23:02,480
Speaker 1: still blows my mind that I can call her a

403
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Speaker 1: very dear friend that because I was such a fan

404
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Speaker 1: for so many years, but we had so much fun.

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00:23:06,840 --> 00:23:09,959
Speaker 1: I remember more about year in the life because of

406
00:23:09,960 --> 00:23:13,240
Speaker 1: course it was more recent, and I just remember, like

407
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Speaker 1: one one day that really struck me was we as Gypsy.

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Speaker 1: I never got to be in the mansion, but of

409
00:23:18,600 --> 00:23:20,040
Speaker 1: course I got to play for that, so I got

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Speaker 1: to be in the house the day that they unveiled.

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Speaker 1: You know, the painting of of ed Herman was just

412
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Speaker 1: so enormous. If we all gathered in the living room

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Speaker 1: and the painting a part of the joke of it

414
00:23:29,640 --> 00:23:32,120
Speaker 1: was wife that painting so big, and everyone just looked

415
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Speaker 1: at it, and I felt like his presence was almost

416
00:23:34,160 --> 00:23:36,960
Speaker 1: there like that. That just was a day that I

417
00:23:37,040 --> 00:23:40,199
Speaker 1: just remember. I remember feeling so close to the you know,

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Speaker 1: Lauren and and Alexis and and Kelly, And it was

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Speaker 1: just a very emotional day that I felt he's not here,

420
00:23:47,800 --> 00:23:50,760
Speaker 1: but he's here, you know it, truly you did feel

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00:23:50,760 --> 00:23:54,520
Speaker 1: his presence and hum you know, the scenes that I

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Speaker 1: would do in the diner with Lauren or whomever, those

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00:23:57,200 --> 00:24:00,080
Speaker 1: were very intense scenes because there was so much to

424
00:24:00,160 --> 00:24:03,000
Speaker 1: do in terms of blocking and and the handling of

425
00:24:03,040 --> 00:24:05,520
Speaker 1: the plates and the you know and hitting your marks,

426
00:24:05,520 --> 00:24:07,520
Speaker 1: and it was like ten page scenes and they would

427
00:24:07,520 --> 00:24:09,959
Speaker 1: shoot the master over and over and over you as

428
00:24:10,080 --> 00:24:13,479
Speaker 1: you will know this. And then on the days that uh,

429
00:24:13,640 --> 00:24:15,960
Speaker 1: and so there was like there was this intensity and

430
00:24:16,000 --> 00:24:19,359
Speaker 1: there was sort of this burnout almost um where it

431
00:24:19,440 --> 00:24:21,760
Speaker 1: was like, wow, this is you know, because acting can

432
00:24:21,800 --> 00:24:25,200
Speaker 1: be hard endurance wise, and just to sort of keep

433
00:24:25,240 --> 00:24:28,480
Speaker 1: that focus. But on the days that that that, Sally

434
00:24:28,680 --> 00:24:31,399
Speaker 1: and Liz were together in the diner and Rosey were

435
00:24:31,440 --> 00:24:35,680
Speaker 1: there sometimes and and it was just all so much fun.

436
00:24:35,760 --> 00:24:39,800
Speaker 1: It was like, thank God they're here, because now we

437
00:24:39,880 --> 00:24:43,359
Speaker 1: can laugh because you guys would sit around and tell

438
00:24:43,400 --> 00:24:47,000
Speaker 1: those stories and and tell jokes and just be great

439
00:24:47,000 --> 00:24:51,760
Speaker 1: with everybody. And it was such a joy. Rose said

440
00:24:51,760 --> 00:24:56,080
Speaker 1: to me, we were sitting in our actors director chairs

441
00:24:56,119 --> 00:24:59,320
Speaker 1: that had our names on them. Also Fancy and um

442
00:24:59,560 --> 00:25:01,680
Speaker 1: there were before was in the group of Rosa said

443
00:25:01,680 --> 00:25:05,560
Speaker 1: to me, give us a show, Sally, what you've got

444
00:25:05,680 --> 00:25:09,919
Speaker 1: your purse. And I don't think you knew what I

445
00:25:09,960 --> 00:25:12,000
Speaker 1: had in my purse, but I think there was a

446
00:25:12,000 --> 00:25:14,399
Speaker 1: lot of job dropping going on because my purse is

447
00:25:14,440 --> 00:25:18,800
Speaker 1: filled with things to make unhappy children stop crying on airplanes.

448
00:25:20,520 --> 00:25:22,840
Speaker 1: But you have to go pass all of the props

449
00:25:22,840 --> 00:25:28,359
Speaker 1: and the jokes to find my wallet. So I I proceeded.

450
00:25:28,400 --> 00:25:31,280
Speaker 1: I proceeded to take the things out of my I've

451
00:25:31,320 --> 00:25:35,800
Speaker 1: got my purse out of my purse, and you had

452
00:25:36,240 --> 00:25:39,399
Speaker 1: all kinds of stuff. Well, first of all, this always

453
00:25:39,520 --> 00:25:41,480
Speaker 1: shocks the child when you when you come back to

454
00:25:41,480 --> 00:25:45,640
Speaker 1: talk to them and you say hi, Hi, and they

455
00:25:45,640 --> 00:25:47,760
Speaker 1: either cry harder or they look at base and they

456
00:25:47,800 --> 00:25:51,320
Speaker 1: stopped crying. And if that doesn't work, you put on

457
00:25:51,320 --> 00:25:53,919
Speaker 1: one of your little hands and you you sneak the

458
00:25:54,040 --> 00:25:56,280
Speaker 1: little hand around the edge of the seat, and we

459
00:25:56,359 --> 00:25:58,320
Speaker 1: kept the child on the shoulder and they look and

460
00:25:58,400 --> 00:26:01,560
Speaker 1: they get very quiet. I've got a pair of those.

461
00:26:01,640 --> 00:26:04,680
Speaker 1: And you think, sy, didn't you do you? You hand

462
00:26:04,720 --> 00:26:07,000
Speaker 1: the crossword puzzle as bad bat. That was your real

463
00:26:07,040 --> 00:26:10,840
Speaker 1: crossword puzzle right there, we're working out yes, and then

464
00:26:10,960 --> 00:26:14,000
Speaker 1: and then always, when the meal comes, you have the

465
00:26:14,040 --> 00:26:16,479
Speaker 1: extend of fork because it makes it so much easier

466
00:26:16,480 --> 00:26:18,840
Speaker 1: to eat off of someone else's plate if what they

467
00:26:18,840 --> 00:26:21,000
Speaker 1: have looks good that you say, oh, you don't mind,

468
00:26:21,040 --> 00:26:26,120
Speaker 1: do you? If I just take a bite. So there's that,

469
00:26:26,720 --> 00:26:30,359
Speaker 1: and then there's um. And then there's always the chicken.

470
00:26:30,400 --> 00:26:33,080
Speaker 1: I love chickens. And I say, oh, I have a chicken.

471
00:26:33,400 --> 00:26:37,280
Speaker 1: I have a chicken, and and she um, she's about

472
00:26:37,320 --> 00:26:45,320
Speaker 1: to make me a grand oh oh oh, we're pulling

473
00:26:45,320 --> 00:26:47,239
Speaker 1: out all the stuffs here on. I am all in,

474
00:26:47,280 --> 00:26:51,960
Speaker 1: aren't we Look at this? Look at this. You're not

475
00:26:52,000 --> 00:26:54,960
Speaker 1: gonna get this level of entertainment anywhere. It's not going

476
00:26:55,000 --> 00:26:57,600
Speaker 1: to happen anywhere else. See, this is why it was great.

477
00:26:57,680 --> 00:26:59,720
Speaker 1: And if if the hand goes over to night, then

478
00:26:59,760 --> 00:27:02,280
Speaker 1: the what coming around the corner of the airline seat

479
00:27:02,280 --> 00:27:09,360
Speaker 1: works too. And you just walked along their tray, that's

480
00:27:09,400 --> 00:27:12,960
Speaker 1: what's it? My pirst what roads that's and we didn't

481
00:27:12,960 --> 00:27:15,000
Speaker 1: play the game what's in Sally's purse? And I really

482
00:27:15,040 --> 00:27:17,639
Speaker 1: do think a show about celebrity purses would really be

483
00:27:17,800 --> 00:27:22,560
Speaker 1: I think. I mean I watched that, haven't you what's

484
00:27:22,560 --> 00:27:25,760
Speaker 1: in Queen Elizabeth's spurs? She carries that purse everywhere? I

485
00:27:25,760 --> 00:27:28,239
Speaker 1: want to know what's in the I mean, is there

486
00:27:28,280 --> 00:27:32,560
Speaker 1: a credit card that says the Queen? And does she

487
00:27:32,680 --> 00:27:35,360
Speaker 1: have clean xt or does she actually carry a real hanky?

488
00:27:35,560 --> 00:27:39,600
Speaker 1: Real hanky for sure? Yeah. I think one of my

489
00:27:39,640 --> 00:27:42,360
Speaker 1: favorite scenes that I'm most proud of is we did

490
00:27:42,400 --> 00:27:45,879
Speaker 1: one together Scott where I think, oh, the fans know

491
00:27:46,040 --> 00:27:47,800
Speaker 1: every single one, they know him by name, they know

492
00:27:47,840 --> 00:27:53,239
Speaker 1: exactly which episode, which season, but you had a you

493
00:27:53,280 --> 00:27:55,040
Speaker 1: had to ask me if he brought a bag of

494
00:27:55,119 --> 00:27:58,080
Speaker 1: money whatever it was. It was the longest scene and

495
00:27:58,480 --> 00:28:01,320
Speaker 1: under the line, guys are stupid. They stripped their gears,

496
00:28:01,320 --> 00:28:02,960
Speaker 1: they ride the breaks and if they don't laugh when

497
00:28:03,000 --> 00:28:06,440
Speaker 1: we make a joke, they think we're stupid. Marks to

498
00:28:06,560 --> 00:28:10,720
Speaker 1: hit and it was we did it like about nineteen times.

499
00:28:11,880 --> 00:28:13,800
Speaker 1: I'm most proud of that because when I see it,

500
00:28:13,920 --> 00:28:17,000
Speaker 1: you don't see all the technical like stand here. No, no,

501
00:28:18,080 --> 00:28:21,960
Speaker 1: it's not as easy as it looks, that is for sure. Okay, guys,

502
00:28:22,000 --> 00:28:27,119
Speaker 1: it's time for rapid fire. You're ready? Oh, okay, Sally

503
00:28:27,240 --> 00:28:29,639
Speaker 1: ready here's the first question. It's rapid fire. How do

504
00:28:29,680 --> 00:28:34,720
Speaker 1: you take your coffee quick? Uh, cream and chocolate milk? Rose?

505
00:28:34,760 --> 00:28:39,680
Speaker 1: How do you take your coffee black with? Sally? Can

506
00:28:39,720 --> 00:28:43,320
Speaker 1: you smell snow? I've never tried, Sally. Are you team

507
00:28:43,400 --> 00:28:49,920
Speaker 1: Logan team Jess or team Dean team Jess? All the way?

508
00:28:52,040 --> 00:28:55,920
Speaker 1: Who's the daddy, Sally? Who's the daddy of Rory's baby,

509
00:28:57,640 --> 00:29:04,520
Speaker 1: of of of of Rory's bay? Be correct? Um, Prince Philip.

510
00:29:08,280 --> 00:29:11,880
Speaker 1: I was going to say Piers Morgan, But anyway, Rose

511
00:29:12,720 --> 00:29:16,120
Speaker 1: Logan is Logan is the daddy? H what's the best Sally?

512
00:29:16,240 --> 00:29:23,080
Speaker 1: Was the best memory of Gilmore girls? Um uh? Running

513
00:29:23,120 --> 00:29:26,479
Speaker 1: across the town square at night and it hurt my

514
00:29:26,520 --> 00:29:32,680
Speaker 1: breasts and so I held them the whole way. That's

515
00:29:32,720 --> 00:29:36,840
Speaker 1: more pleasure, bold and holding your own breasts when all

516
00:29:36,880 --> 00:29:39,440
Speaker 1: the lights twinkling lights of stars hollow On and Sally

517
00:29:39,480 --> 00:29:41,160
Speaker 1: and I were in the golf cart together and we

518
00:29:41,160 --> 00:29:43,680
Speaker 1: looked at each other and went, can you believe we're

519
00:29:43,720 --> 00:29:48,080
Speaker 1: really doing this right? That was my favorite favorite Friday

520
00:29:48,160 --> 00:29:52,840
Speaker 1: night dinner meal, favorite Friday night dinner meal. Sally on

521
00:29:52,880 --> 00:29:56,200
Speaker 1: the set are Friday night my home? Are you talking?

522
00:29:56,200 --> 00:30:00,040
Speaker 1: Gilmore Girls? Questions. This is a Gilmore Emily and and

523
00:30:01,320 --> 00:30:06,080
Speaker 1: Richard Friday night meal was Unfortunately Bet Bet was never

524
00:30:06,160 --> 00:30:08,800
Speaker 1: invited to the Gilmore Hall. Okay, what about in your

525
00:30:08,880 --> 00:30:12,200
Speaker 1: in your life, in Sally's life, favorite Friday night meal

526
00:30:12,880 --> 00:30:16,800
Speaker 1: fried chicken, thank you, thank you. Yes, I'll be over

527
00:30:16,880 --> 00:30:22,040
Speaker 1: Friday night. But okay, okay, by far the mystery meat

528
00:30:22,320 --> 00:30:27,040
Speaker 1: or mystery mush that Berna made. What's the show, Sally

529
00:30:27,160 --> 00:30:35,960
Speaker 1: that you are binge watching right now? I've binge watched

530
00:30:36,760 --> 00:30:41,240
Speaker 1: The Queen's Gambit. I love that Rose. I am now

531
00:30:41,360 --> 00:30:44,320
Speaker 1: binge watching Call my Agent, this French series that I'm

532
00:30:44,320 --> 00:30:47,040
Speaker 1: obsessed with. I just love it. I wish to the

533
00:30:47,080 --> 00:30:51,760
Speaker 1: American version of it, right okay? Cast member you texted

534
00:30:51,920 --> 00:30:59,600
Speaker 1: most recently Sally Rose, Sally Rose, Sally, there you go.

535
00:31:00,800 --> 00:31:05,440
Speaker 1: Thank you. That's it. Know that I don't even have

536
00:31:05,520 --> 00:31:09,320
Speaker 1: anybody else's phone number. Really, I have this tourist phone number,

537
00:31:09,480 --> 00:31:12,760
Speaker 1: yet you have mine. I do have your phone number.

538
00:31:12,760 --> 00:31:14,720
Speaker 1: But you know, you're so young and you have a

539
00:31:14,760 --> 00:31:16,640
Speaker 1: young child, and I never want to bother you, and

540
00:31:16,640 --> 00:31:21,120
Speaker 1: I think I'm stopping you. I always heard a lot

541
00:31:21,160 --> 00:31:26,160
Speaker 1: a bit of a crush. You bother me for you?

542
00:31:26,160 --> 00:31:30,360
Speaker 1: You know. Come on, Dally just confessed her crush Rose.

543
00:31:30,480 --> 00:31:33,400
Speaker 1: I also have a crush on your husband. Why wouldn't

544
00:31:33,440 --> 00:31:36,560
Speaker 1: you he loves you so much. Okay, there, I got

545
00:31:36,560 --> 00:31:39,800
Speaker 1: it out of my system. I feel better, Thank you.

546
00:31:39,440 --> 00:31:43,240
Speaker 1: Oh can I just say one of my favorite other things,

547
00:31:43,280 --> 00:31:45,480
Speaker 1: Scott was one take we did over and over again

548
00:31:45,680 --> 00:31:47,840
Speaker 1: and you went heroes when you were supposed to say

549
00:31:47,840 --> 00:31:50,680
Speaker 1: hey Gypsy, and it made me laugh so hard. You

550
00:31:50,720 --> 00:31:53,440
Speaker 1: were like Gypsy Rose. I'm just thinking Gypsy Rose. Of

551
00:31:53,480 --> 00:31:58,880
Speaker 1: course it's Gypsy. I really miss it. I mean I

552
00:31:58,880 --> 00:32:01,640
Speaker 1: would do it again. Yeah, I would do it again.

553
00:32:01,680 --> 00:32:04,240
Speaker 1: They should do it again. I mean the demand is there.

554
00:32:05,360 --> 00:32:07,600
Speaker 1: Let's do like a holiday movie. So it's a one

555
00:32:07,640 --> 00:32:09,719
Speaker 1: and done thing, just the three of us. We'll do

556
00:32:09,760 --> 00:32:12,920
Speaker 1: all the characters. Well, you guys can do most of

557
00:32:12,960 --> 00:32:14,960
Speaker 1: them and I'll just do my character. Let's just keep

558
00:32:14,960 --> 00:32:18,120
Speaker 1: it at that. I love thinking the first season. Maybe

559
00:32:18,120 --> 00:32:21,840
Speaker 1: it was the second where my cats Cinnamon dies and

560
00:32:21,880 --> 00:32:24,640
Speaker 1: every everyone comes to my house for a wake, and

561
00:32:26,120 --> 00:32:29,479
Speaker 1: Laurela I realize this for the first time, that everything

562
00:32:29,480 --> 00:32:31,920
Speaker 1: in that house was built to scale for me because

563
00:32:31,960 --> 00:32:35,520
Speaker 1: I'm five ft tall and so everyone was hitting their

564
00:32:35,560 --> 00:32:37,840
Speaker 1: hands on the overhang, and I said, well, yeah, Mary,

565
00:32:37,880 --> 00:32:39,720
Speaker 1: when he first moved in and he had himself time,

566
00:32:39,760 --> 00:32:42,760
Speaker 1: he had a few concussions, but he's fine that But

567
00:32:43,840 --> 00:32:47,400
Speaker 1: I love that scene in their house and because she

568
00:32:47,560 --> 00:32:50,440
Speaker 1: had gnomes all over her yard. I have two gnomes

569
00:32:50,480 --> 00:32:54,560
Speaker 1: here at my house now. Under my days on Gilmore Girls,

570
00:32:54,880 --> 00:33:00,920
Speaker 1: did you guys lift stuff from the set? I shouldn't

571
00:33:00,960 --> 00:33:05,160
Speaker 1: take anything nothing. Yeah, I didn't lift it, per se.

572
00:33:05,200 --> 00:33:07,720
Speaker 1: I was. I was offered if I wanted to take

573
00:33:07,760 --> 00:33:13,000
Speaker 1: any of that yarn home, and I had a I

574
00:33:13,120 --> 00:33:15,680
Speaker 1: had a young lady living with me from Minnesota who

575
00:33:15,720 --> 00:33:18,480
Speaker 1: was quite a knitter, Rebecca Trout, and so I brought

576
00:33:18,480 --> 00:33:21,160
Speaker 1: her home like thirty skeins of yarn, and she thought

577
00:33:21,200 --> 00:33:25,960
Speaker 1: I was all that different strokes for different folks. Ladies.

578
00:33:27,320 --> 00:33:30,400
Speaker 1: That the popularity of car I read an article saying

579
00:33:30,440 --> 00:33:34,200
Speaker 1: that the uprise in young people wanting coffee and revolving

580
00:33:34,240 --> 00:33:36,880
Speaker 1: their mornings around the coffee and everything had to do

581
00:33:36,960 --> 00:33:40,520
Speaker 1: with your diner, with Luke's Diner, and the popularity of

582
00:33:40,560 --> 00:33:43,560
Speaker 1: coffee happened because Gilmore Girls was so popular, like it,

583
00:33:43,560 --> 00:33:47,040
Speaker 1: it really boosted the whole coffee. Uh. The idea of

584
00:33:47,080 --> 00:33:50,160
Speaker 1: like young people drinking coffee. You know, I had a

585
00:33:50,240 --> 00:33:54,000
Speaker 1: couple of meetings with Warner Brothers business affairs about opening

586
00:33:54,320 --> 00:33:57,280
Speaker 1: a bunch of diners. Oh wow, well those would be

587
00:33:57,400 --> 00:34:01,320
Speaker 1: so popular. Everybody go to Luke's dinner of her coffee. Everybody.

588
00:34:01,480 --> 00:34:05,360
Speaker 1: Everybody wants that experience of having that, you know, corner diner.

589
00:34:06,880 --> 00:34:11,440
Speaker 1: It still might happen. Ladies, thank you so much. It

590
00:34:11,520 --> 00:34:17,759
Speaker 1: was a pleasure, so nice to see you. Thank you. Sally. Yeah,

591
00:34:22,000 --> 00:34:27,040
Speaker 1: we're back. Wasn't she fantas? Oh my god? Her purse?

592
00:34:27,400 --> 00:34:31,120
Speaker 1: Like what what was going on? I can't tell people,

593
00:34:31,160 --> 00:34:35,320
Speaker 1: like we put the video of that up because crazy

594
00:34:35,360 --> 00:34:38,640
Speaker 1: crap out of her purse. And you know, they don't

595
00:34:38,640 --> 00:34:40,759
Speaker 1: know it's Sally Struthers. Probably, I mean maybe they do,

596
00:34:40,840 --> 00:34:42,480
Speaker 1: but a lot of people would on a plane. But

597
00:34:42,520 --> 00:34:44,480
Speaker 1: you know, some little kid, isn't I mean, she's she's

598
00:34:44,520 --> 00:34:47,000
Speaker 1: coming with that crawley, that that hand, that that hand

599
00:34:47,040 --> 00:34:51,839
Speaker 1: scratching people grabbing their food. Oh my god, my god,

600
00:34:51,840 --> 00:34:54,319
Speaker 1: they're awesome. What a genius to both of them. Right,

601
00:34:54,360 --> 00:34:56,839
Speaker 1: Oh my god. Did you know Rose was like this

602
00:34:57,480 --> 00:35:00,960
Speaker 1: like this serious, like like she joined Second City I

603
00:35:01,000 --> 00:35:06,399
Speaker 1: think in Chicago. Se talented talented, actual like actors. Oh No, No,

604
00:35:06,480 --> 00:35:09,320
Speaker 1: they're they're they're bringing they're they're like, you know, full

605
00:35:09,400 --> 00:35:14,160
Speaker 1: on skill. Just monster actresses. I mean, just fantastic with

606
00:35:14,200 --> 00:35:17,319
Speaker 1: all the they can bring it. They can all bring it.

607
00:35:17,400 --> 00:35:20,160
Speaker 1: So that's why the show was so great. Let's get

608
00:35:20,160 --> 00:35:24,520
Speaker 1: into it. Riley, will you read what episode two was

609
00:35:24,560 --> 00:35:27,440
Speaker 1: all about? This is episode to the Laurelized First Day

610
00:35:27,440 --> 00:35:31,720
Speaker 1: at Chiltern air Day, October twelve, two thousand. Synopsis. Roy's

611
00:35:31,719 --> 00:35:34,080
Speaker 1: first day at Chiltern Prep begins badly when laurel Lae

612
00:35:34,120 --> 00:35:37,360
Speaker 1: oversleeps and accompanies her daughter into the intimidating school wearing

613
00:35:37,360 --> 00:35:39,480
Speaker 1: a T shirt, cut off jeans, and cowboy boots and

614
00:35:39,520 --> 00:35:43,400
Speaker 1: outfit which draws disapproving stairs from the other mothers and

615
00:35:43,520 --> 00:35:46,120
Speaker 1: from her own mother, Emily. All Right, gangs, So let's

616
00:35:46,120 --> 00:35:50,080
Speaker 1: get into it. Laurelize first day at Chilton. Here we go.

617
00:35:51,480 --> 00:35:54,919
Speaker 1: So Scott, okay, right off the top, the jeep that

618
00:35:55,080 --> 00:36:00,880
Speaker 1: was very prominent, the iconic jeep. Tell us about the jeep.

619
00:36:01,000 --> 00:36:02,879
Speaker 1: What do you remember about the jeep? Did you drive

620
00:36:02,920 --> 00:36:06,040
Speaker 1: the jeep? Did the jeep drive? Like everything about the jeep?

621
00:36:06,120 --> 00:36:09,040
Speaker 1: You know that cheap and I think jeeps in general

622
00:36:09,280 --> 00:36:12,759
Speaker 1: have a real magnetic power for some reason. But that

623
00:36:12,880 --> 00:36:14,840
Speaker 1: cheap in particular because it was a sort of a

624
00:36:14,880 --> 00:36:18,400
Speaker 1: particular shade of of of yellow. It was kind of

625
00:36:18,440 --> 00:36:21,280
Speaker 1: a lighter it was like a sort of a lighter

626
00:36:21,360 --> 00:36:25,560
Speaker 1: mustardy color. And it was just everybody gravitated to that cheap.

627
00:36:25,560 --> 00:36:27,719
Speaker 1: We all hung around that cheap when we're shooting at

628
00:36:27,880 --> 00:36:30,799
Speaker 1: uh Loyalized sethouse, and it was always parked in the back,

629
00:36:30,840 --> 00:36:33,160
Speaker 1: and everyone's like, man, that's a really cool cheap It

630
00:36:33,200 --> 00:36:35,319
Speaker 1: wasn't like, oh, it's Loyalized jeep. It was like, that's

631
00:36:35,400 --> 00:36:37,759
Speaker 1: just a cool vehicle. So we're like, we're doing like

632
00:36:37,800 --> 00:36:39,600
Speaker 1: an ad for jeeps right now and we shouldn't be.

633
00:36:39,640 --> 00:36:42,560
Speaker 1: But it was like, do you ever eventually drive it?

634
00:36:43,239 --> 00:36:47,840
Speaker 1: I I did take it off set and went to

635
00:36:47,920 --> 00:36:50,360
Speaker 1: lunch with it was like with I think it was

636
00:36:50,400 --> 00:36:52,960
Speaker 1: with Michael Winners. We escaped and you know Michael Winners,

637
00:36:53,000 --> 00:36:56,919
Speaker 1: he played Taylor Dozy my my nemesis boy. We were reprimanded,

638
00:36:57,120 --> 00:37:00,399
Speaker 1: Oh my god. Yeah, the transpo and and the guy

639
00:37:00,440 --> 00:37:03,440
Speaker 1: that was ahead of transfer. Michael was like the greatest

640
00:37:03,480 --> 00:37:05,520
Speaker 1: guy in the world, just the nicest guy. I mean,

641
00:37:05,520 --> 00:37:07,560
Speaker 1: he goes around the world on missions and that kind

642
00:37:07,560 --> 00:37:11,439
Speaker 1: of things, and just the most charitable, generous, goodhearted, good

643
00:37:11,520 --> 00:37:13,799
Speaker 1: natured guy. But he said, Scotti p Scottie pay. You

644
00:37:13,800 --> 00:37:15,520
Speaker 1: can't take that thing off them. You can't take it

645
00:37:15,520 --> 00:37:17,520
Speaker 1: off the set. I said, yeah, but I was just

646
00:37:17,520 --> 00:37:19,880
Speaker 1: showing Michael Winners always said, oh god, well then and

647
00:37:20,000 --> 00:37:22,160
Speaker 1: get in that case. That's fine, and I said, don't

648
00:37:22,160 --> 00:37:27,000
Speaker 1: do it again. So anyway, UM, what do you think

649
00:37:27,000 --> 00:37:31,520
Speaker 1: of this episode in general? I thought it's set up

650
00:37:31,560 --> 00:37:34,759
Speaker 1: all the conflict for the entire series. I mean, it

651
00:37:34,840 --> 00:37:38,080
Speaker 1: really set it up beautifully. I mean, you've got you've got,

652
00:37:38,480 --> 00:37:41,920
Speaker 1: you know, Emily trying to interject yourself in more in

653
00:37:42,000 --> 00:37:44,520
Speaker 1: Laurelized life and inappropriate ways. But I mean, I mean

654
00:37:44,560 --> 00:37:47,520
Speaker 1: I understand it why she was doing it, and of

655
00:37:47,560 --> 00:37:50,840
Speaker 1: course you want to provide better clothes for her and

656
00:37:50,920 --> 00:37:53,400
Speaker 1: have her fit in and we get her a car.

657
00:37:53,440 --> 00:37:55,600
Speaker 1: She want to ride the bus, you know drug Taylor's

658
00:37:55,680 --> 00:37:57,760
Speaker 1: righte the bus. What are you doing with our our granddaughter?

659
00:37:57,800 --> 00:38:01,720
Speaker 1: We don't we riding the bus? I totally relate that, Um.

660
00:38:01,800 --> 00:38:05,400
Speaker 1: And then the Paris conflict was one of the great scenes.

661
00:38:05,480 --> 00:38:08,880
Speaker 1: Is is one moments in that when when the girl

662
00:38:09,040 --> 00:38:11,400
Speaker 1: that Rory hands her folder off to the girl the

663
00:38:11,400 --> 00:38:13,080
Speaker 1: girl hands it out the window and there's Paris and

664
00:38:13,120 --> 00:38:15,840
Speaker 1: they start going through it. I mean it was just like, wow, okay,

665
00:38:15,960 --> 00:38:18,040
Speaker 1: now we now we're in for it. Now we're in

666
00:38:18,120 --> 00:38:21,840
Speaker 1: for a real ride. Uh. That that we see Tristan,

667
00:38:22,160 --> 00:38:26,600
Speaker 1: you know, he calls her everybody, you know, the moon

668
00:38:26,920 --> 00:38:30,919
Speaker 1: immediately right right, the striking, the striking brilliance of Chad

669
00:38:31,000 --> 00:38:34,440
Speaker 1: Michael Murray. Um, and he wasn't Chad Michael Murray then

670
00:38:34,440 --> 00:38:36,680
Speaker 1: this was like one of his first jobs. No, he was.

671
00:38:36,800 --> 00:38:39,120
Speaker 1: He was just Chad Michael Murray at that time. He wasn't.

672
00:38:39,320 --> 00:38:42,960
Speaker 1: He wasn't like one Tree Hill. He wasn't that guy. Uh,

673
00:38:43,760 --> 00:38:48,640
Speaker 1: but he was destined for that. We knew that, um,

674
00:38:48,640 --> 00:38:50,360
Speaker 1: you know, calling her Mary and then finding out what

675
00:38:50,480 --> 00:38:53,279
Speaker 1: Mary was and Laurel light so so is that legacy thing?

676
00:38:55,200 --> 00:38:58,560
Speaker 1: You know that It was just also great. And and

677
00:38:58,640 --> 00:39:03,080
Speaker 1: the way Laurel I was set up to where cut

678
00:39:03,120 --> 00:39:07,600
Speaker 1: off jeans and a tight eye shirt, the outfit. Laugh

679
00:39:08,040 --> 00:39:13,040
Speaker 1: every time, it's just and the zingers at her because

680
00:39:13,120 --> 00:39:21,520
Speaker 1: of the outfit, like like so rider zero horse and

681
00:39:21,520 --> 00:39:24,720
Speaker 1: then she says, no spurs for Friday night dinner. Spurs.

682
00:39:25,320 --> 00:39:28,000
Speaker 1: I will say, I think moms are rocking tight eye

683
00:39:28,000 --> 00:39:30,239
Speaker 1: shirts and cut off jean shorts to drop off their

684
00:39:30,320 --> 00:39:33,080
Speaker 1: kids at school. Nowadays, I feel like that's totally normal.

685
00:39:33,200 --> 00:39:35,640
Speaker 1: I saw that. I was like, yeah, look about not

686
00:39:35,840 --> 00:39:40,839
Speaker 1: at not in Connecticut, at those places. And then I

687
00:39:40,880 --> 00:39:43,719
Speaker 1: did love the flirty dads scene, you know, with the

688
00:39:44,480 --> 00:39:49,960
Speaker 1: kind of hot divorced dad is flirting. That was really

689
00:39:50,040 --> 00:39:54,600
Speaker 1: cute and you kind of start to see it's like, right, right,

690
00:39:54,719 --> 00:39:57,480
Speaker 1: what's the effect on on on the person that you're

691
00:39:57,520 --> 00:39:59,160
Speaker 1: asking out when you hand in the car said well,

692
00:39:59,160 --> 00:40:02,120
Speaker 1: I'll be in China for a week, and uh, why

693
00:40:02,120 --> 00:40:05,880
Speaker 1: don't you recall you know, this kind of thing, you know,

694
00:40:06,000 --> 00:40:08,879
Speaker 1: trying so hard, don't remember anything about that guy Nick Chinle.

695
00:40:09,600 --> 00:40:11,279
Speaker 1: Uh well, I didn't work with him, but I know

696
00:40:11,360 --> 00:40:15,120
Speaker 1: he's a really good working actor. You know, he works

697
00:40:15,160 --> 00:40:18,320
Speaker 1: a lot, he works in movies. He was in uh

698
00:40:18,400 --> 00:40:23,840
Speaker 1: he was in the Denzel Washington movie. He's really versatile actor. Yeah. Um, well,

699
00:40:23,880 --> 00:40:25,799
Speaker 1: you know, I think all of the best actors that

700
00:40:25,880 --> 00:40:29,280
Speaker 1: were available are all the best actors that we're working then,

701
00:40:30,040 --> 00:40:37,520
Speaker 1: um did our showing was the teacher, So everyone was

702
00:40:37,560 --> 00:40:40,919
Speaker 1: sort of somebody everybody yeah or they're they were well

703
00:40:41,040 --> 00:40:44,360
Speaker 1: established character actors. Or there were stars to be or

704
00:40:44,440 --> 00:40:46,640
Speaker 1: you know up and coming people. I mean, look at

705
00:40:46,640 --> 00:40:48,920
Speaker 1: the people that that did that show. It's like a

706
00:40:48,960 --> 00:40:53,759
Speaker 1: who's who? Um, it's amazing so um. But yeah, so

707
00:40:53,800 --> 00:40:58,360
Speaker 1: the conflict and then the conflict between Luke and Laurela

708
00:40:58,360 --> 00:41:00,480
Speaker 1: I was set up. I didn't realize was set up

709
00:41:00,520 --> 00:41:03,720
Speaker 1: that early. I didn't either. I couldn't believe we see

710
00:41:04,719 --> 00:41:08,880
Speaker 1: flirting between them and even at the end when Laurel

711
00:41:08,920 --> 00:41:11,840
Speaker 1: I says to Rory, do you think Luke is cute?

712
00:41:12,000 --> 00:41:13,799
Speaker 1: And she's like, oh my god, you can't date Luke.

713
00:41:13,840 --> 00:41:15,440
Speaker 1: We will be able to eat, to go to al

714
00:41:15,480 --> 00:41:18,759
Speaker 1: Pancake World or whatever. But you didn't realize it's an

715
00:41:18,800 --> 00:41:22,040
Speaker 1: episode two would be Laurel and Al or Alan Laurel

716
00:41:23,200 --> 00:41:27,279
Speaker 1: what so? But yeah, the stairs and did you Well,

717
00:41:27,320 --> 00:41:29,440
Speaker 1: you're not you can't go out with him, you know,

718
00:41:28,960 --> 00:41:32,359
Speaker 1: you know, writing writing up his ticket ready to the bill.

719
00:41:32,960 --> 00:41:35,160
Speaker 1: You can't. You can't, you can't. You're not gonna do that.

720
00:41:35,440 --> 00:41:37,840
Speaker 1: You can't do that. But I mean that that See,

721
00:41:37,880 --> 00:41:40,040
Speaker 1: that stuff is hard to play because you don't want to,

722
00:41:41,080 --> 00:41:42,520
Speaker 1: you know, you don't want to tip your min you

723
00:41:42,520 --> 00:41:44,399
Speaker 1: don't want to give everything away. But it's hard not

724
00:41:44,440 --> 00:41:47,400
Speaker 1: to because it's like, you know, that's the scene. Um,

725
00:41:47,440 --> 00:41:48,879
Speaker 1: but it's like you know, and is there a really

726
00:41:48,920 --> 00:41:54,160
Speaker 1: good direction there? Like but but everybody knows in that situation,

727
00:41:54,200 --> 00:41:56,000
Speaker 1: you gotta throw it away. You just have to throw

728
00:41:56,040 --> 00:41:59,400
Speaker 1: the line away because it's already the writing has already

729
00:41:59,400 --> 00:42:02,040
Speaker 1: done everything, or you don't have to work so hard, right,

730
00:42:02,520 --> 00:42:07,040
Speaker 1: you know what? I didn't remember that after Laura lyone

731
00:42:07,120 --> 00:42:09,200
Speaker 1: Roy at the very end of the episode talk about

732
00:42:09,239 --> 00:42:11,759
Speaker 1: do you think Luke's cute? You come. It's like you

733
00:42:11,800 --> 00:42:15,160
Speaker 1: saw them and you come out of the diner and

734
00:42:15,200 --> 00:42:18,279
Speaker 1: you're sort of in the doorway. I mean, it's so

735
00:42:18,360 --> 00:42:21,239
Speaker 1: much foreshadowing of like what we're in for from the

736
00:42:21,320 --> 00:42:26,799
Speaker 1: next years. I was being stalked. It was a role reversal.

737
00:42:26,960 --> 00:42:29,799
Speaker 1: It's a it's it's it's the flipping, the flipping it

738
00:42:29,880 --> 00:42:33,319
Speaker 1: around me. You were a little stocky going out the

739
00:42:33,360 --> 00:42:36,319
Speaker 1: door too. I don't see if they were coming. Was

740
00:42:36,400 --> 00:42:39,520
Speaker 1: not stocky. I definitely got the vibe that you saw

741
00:42:39,640 --> 00:42:44,600
Speaker 1: them and you were kind of but okay, so that's

742
00:42:44,640 --> 00:42:46,880
Speaker 1: the choice that you have to make, right. You know,

743
00:42:47,040 --> 00:42:49,799
Speaker 1: you saw them, but you could make another choice in

744
00:42:49,880 --> 00:42:54,840
Speaker 1: that situation. It felt the flirty flirt felt mutual between them,

745
00:42:55,200 --> 00:42:59,680
Speaker 1: even though it was so subtle. It's like, whoa, but

746
00:43:00,640 --> 00:43:03,319
Speaker 1: are we in for? Yeah, you gotta just lean. You

747
00:43:03,440 --> 00:43:05,680
Speaker 1: just gotta ease way back on that stuff or it

748
00:43:05,719 --> 00:43:08,120
Speaker 1: just comes off badly. It's hard, it's it's hard to play,

749
00:43:08,120 --> 00:43:11,200
Speaker 1: but it's fun. Those moments are fun. I wanted to

750
00:43:11,200 --> 00:43:13,320
Speaker 1: know about the town, so we see a lot of

751
00:43:13,400 --> 00:43:15,600
Speaker 1: we're seeing a lot of the town in this episode

752
00:43:15,920 --> 00:43:18,800
Speaker 1: because they're driving around and they're walking around the town

753
00:43:18,920 --> 00:43:21,840
Speaker 1: is amazing, and so is Chilton. By the way, where

754
00:43:21,920 --> 00:43:29,919
Speaker 1: was Chilton? Chilton is help by Hartford? Isn't it when

755
00:43:29,920 --> 00:43:31,960
Speaker 1: you shot it? Is it on the same lot or

756
00:43:32,000 --> 00:43:36,040
Speaker 1: they have to go the um it is at Hartford.

757
00:43:36,360 --> 00:43:39,759
Speaker 1: I was never there. I think the exterior was, yeah,

758
00:43:39,800 --> 00:43:43,160
Speaker 1: somewhere in l A. But so not on the Warner

759
00:43:43,200 --> 00:43:45,400
Speaker 1: Brothers lot with the rest of Stars Hall. Of the

760
00:43:45,440 --> 00:43:49,560
Speaker 1: exterior shots. I don't I don't believe now, I don't

761
00:43:49,600 --> 00:43:54,080
Speaker 1: believe Chilton was an exterior but interior. Sure, you know

762
00:43:54,120 --> 00:43:58,120
Speaker 1: in the back lot they build out the entire back

763
00:43:58,200 --> 00:44:02,359
Speaker 1: lot of Warner Brothers. It was hours. It was hours,

764
00:44:02,840 --> 00:44:05,000
Speaker 1: and that was the stunning. That was the stunning thing

765
00:44:05,040 --> 00:44:08,400
Speaker 1: when we when we came on for episode one and

766
00:44:08,440 --> 00:44:12,520
Speaker 1: we're like, well, where's our little area of the studio. Well,

767
00:44:12,560 --> 00:44:15,600
Speaker 1: you've got stage twelve, you've got Stage fourteen, You've got

768
00:44:15,640 --> 00:44:19,600
Speaker 1: Stage sixteen, and the entire back lot of Warner Brothers

769
00:44:19,680 --> 00:44:24,439
Speaker 1: has been recreated to look like Stars Hollow. We're looking

770
00:44:24,480 --> 00:44:29,480
Speaker 1: at you, like, what so you know Disneyland on Main Street.

771
00:44:29,560 --> 00:44:32,719
Speaker 1: There's like little hidden secrets like if you know, you know,

772
00:44:32,880 --> 00:44:35,880
Speaker 1: like there's names in the windows. Is there anything in

773
00:44:35,960 --> 00:44:38,880
Speaker 1: Stars Hollow that like you guys hid or you guys

774
00:44:38,920 --> 00:44:43,120
Speaker 1: did that we wouldn't see as a first time viewer,

775
00:44:43,160 --> 00:44:45,120
Speaker 1: but if you tell us then we would notice it.

776
00:44:45,680 --> 00:44:49,440
Speaker 1: I think, well, you know, maybe, Okay, here's this is

777
00:44:49,480 --> 00:44:54,839
Speaker 1: really great. We actually we were shooting. I don't know

778
00:44:54,840 --> 00:44:57,240
Speaker 1: this is season two or three or four, I can't remember,

779
00:44:57,280 --> 00:45:01,759
Speaker 1: but um, you know, the our set was right off

780
00:45:01,800 --> 00:45:06,320
Speaker 1: to our right if you were facing the rest of

781
00:45:06,320 --> 00:45:08,360
Speaker 1: the lot and you're facing Barham, if you if you

782
00:45:08,440 --> 00:45:11,680
Speaker 1: looked off to your right behind Luke Steiner little Caddy

783
00:45:11,680 --> 00:45:13,839
Speaker 1: corner Luke Steiner was the was the e R set

784
00:45:14,280 --> 00:45:16,279
Speaker 1: And it was just kind of a small little thing,

785
00:45:16,640 --> 00:45:19,840
Speaker 1: such a big show. But then they started shooting Batman

786
00:45:19,920 --> 00:45:22,000
Speaker 1: back there and late at night they would do the

787
00:45:22,280 --> 00:45:30,520
Speaker 1: Batmobile and we actually had more power then a Batman movie.

788
00:45:31,080 --> 00:45:34,400
Speaker 1: Just say, guys, we're shooting over here. You need to

789
00:45:34,560 --> 00:45:38,399
Speaker 1: chill with the bloud Batman car so we'll be done

790
00:45:38,400 --> 00:45:39,799
Speaker 1: in a little bit. And then you could and then

791
00:45:39,840 --> 00:45:41,840
Speaker 1: you would go, oh, sorry, you know, so you know,

792
00:45:41,920 --> 00:45:45,000
Speaker 1: we kind of felt our oat slope and then we

793
00:45:45,040 --> 00:45:48,160
Speaker 1: go take pictures with the Batman car. Wait, which Batman

794
00:45:48,400 --> 00:45:55,759
Speaker 1: was it? Batman begins? Is that Bail? Is that Christian Baill? Yeah? No, no, no, no,

795
00:45:55,760 --> 00:45:58,839
Speaker 1: no no, he's like the greatest actor and you're telling

796
00:45:58,880 --> 00:46:01,960
Speaker 1: him to keep his Batmobile quiet. I know I didn't.

797
00:46:02,040 --> 00:46:06,279
Speaker 1: I didn't personally do it. No, we were disturbed by it, yes,

798
00:46:06,400 --> 00:46:10,279
Speaker 1: collectively as as a cast and crew. And somebody from

799
00:46:10,320 --> 00:46:12,759
Speaker 1: the crew went over and like waved a finger and said, hey,

800
00:46:12,920 --> 00:46:14,400
Speaker 1: you know you guys. I don't know. I was like,

801
00:46:14,480 --> 00:46:17,560
Speaker 1: you guys weren't supposed to start and we're finishing and chill.

802
00:46:18,560 --> 00:46:21,160
Speaker 1: I didn't personally go over and confront Christian Bale in

803
00:46:21,200 --> 00:46:24,879
Speaker 1: his bat suit and with with my flannel, I saying, listen, pal,

804
00:46:25,200 --> 00:46:27,319
Speaker 1: you know you may have got a big break when

805
00:46:27,320 --> 00:46:29,960
Speaker 1: you were seven years old by Steven Spielberg. But I

806
00:46:30,040 --> 00:46:35,640
Speaker 1: really fought for this so quiet that didn't happen. You know,

807
00:46:35,680 --> 00:46:37,480
Speaker 1: what else we learned in this episode right from the

808
00:46:37,480 --> 00:46:40,280
Speaker 1: start is what Rory wants to be. That she talks

809
00:46:40,320 --> 00:46:45,120
Speaker 1: about wanting to be a journalist, a reporter like Christiane Amanpour.

810
00:46:45,719 --> 00:46:47,399
Speaker 1: I didn't realize we learned that right from the start,

811
00:46:47,480 --> 00:46:54,400
Speaker 1: and that stays throughout too. Um yeah, I mean that

812
00:46:54,600 --> 00:46:57,640
Speaker 1: second episode it just sets into motion everything. You know,

813
00:46:57,800 --> 00:47:01,040
Speaker 1: you enter that new world and and all of the

814
00:47:01,400 --> 00:47:05,719
Speaker 1: potential and all of the pitfalls that she's bound, the

815
00:47:06,360 --> 00:47:09,000
Speaker 1: traps that are being set up for her and falling into.

816
00:47:09,080 --> 00:47:11,319
Speaker 1: I mean, it's just great writing. You know. You set

817
00:47:11,440 --> 00:47:14,080
Speaker 1: that stuff up for the actors, and and you set

818
00:47:14,200 --> 00:47:16,320
Speaker 1: up the conflict, and you set up the comedy and

819
00:47:16,440 --> 00:47:18,600
Speaker 1: and that's the thing about So here's the thing. I

820
00:47:18,719 --> 00:47:24,239
Speaker 1: am sure that Amy that happened to Amy where she

821
00:47:24,280 --> 00:47:25,920
Speaker 1: went to a meeting and she didn't have any clothes

822
00:47:26,000 --> 00:47:28,160
Speaker 1: and she had to wear something goofy, and you know,

823
00:47:28,440 --> 00:47:30,480
Speaker 1: and or somebody told her story. But but it all

824
00:47:30,560 --> 00:47:33,480
Speaker 1: comes from real life, I am sure, because that's how

825
00:47:33,560 --> 00:47:37,000
Speaker 1: they respond. That's why the writing feels so alive. And

826
00:47:37,080 --> 00:47:38,920
Speaker 1: so real. And that's why I think people because they

827
00:47:39,000 --> 00:47:41,719
Speaker 1: all they've all been in those situations. So it's it's

828
00:47:42,000 --> 00:47:45,799
Speaker 1: entirely relatable. And it's like people aren't just laughing at

829
00:47:45,840 --> 00:47:47,640
Speaker 1: the comedy they should be on on the screen, but

830
00:47:47,680 --> 00:47:49,759
Speaker 1: they're laughing at themselves because they remember the moments that

831
00:47:49,920 --> 00:47:52,680
Speaker 1: happened to them. So it's so it's so it's extraordinary

832
00:47:52,680 --> 00:47:56,040
Speaker 1: in that way. So, speaking of the dry cleaning, did

833
00:47:56,200 --> 00:48:01,040
Speaker 1: anyone notice in the scene where Worline now has her

834
00:48:01,120 --> 00:48:02,840
Speaker 1: dry cleaning and she goes into the house and her

835
00:48:02,880 --> 00:48:07,680
Speaker 1: mom's calling the creepy, creepy, creepy clown pillow. Oh my god,

836
00:48:08,960 --> 00:48:11,400
Speaker 1: you guys, we have to put it on the Instagram.

837
00:48:11,960 --> 00:48:15,239
Speaker 1: It's in the background of that scene carrying the oh

838
00:48:15,400 --> 00:48:18,920
Speaker 1: my god, it is the creepiest clown pillow. Look like,

839
00:48:20,560 --> 00:48:24,080
Speaker 1: we will put it on the Instagram. It was nobody

840
00:48:24,280 --> 00:48:27,440
Speaker 1: noticed that, well I could have. I was like, oh

841
00:48:27,520 --> 00:48:30,759
Speaker 1: my god, what is that? You look at Laurla and

842
00:48:30,800 --> 00:48:33,200
Speaker 1: cut off jeans? When are you looking at? You know,

843
00:48:34,480 --> 00:48:39,360
Speaker 1: the house is quirky, like inside her house, whoever designed

844
00:48:39,400 --> 00:48:41,600
Speaker 1: the set? Can you remember who did all that? Like

845
00:48:41,920 --> 00:48:45,960
Speaker 1: there's so much detail in each thing, like in their house.

846
00:48:46,480 --> 00:48:50,560
Speaker 1: Um at the end, like every little deep Yeah, it

847
00:48:50,680 --> 00:48:52,719
Speaker 1: was a crew of people. They didn't mess around, you know,

848
00:48:52,760 --> 00:48:55,600
Speaker 1: they they got the top people, you know. And and

849
00:48:55,680 --> 00:48:58,840
Speaker 1: those see, those are the things that those little details

850
00:48:59,200 --> 00:49:01,879
Speaker 1: as you know, or really really important and captivating, even

851
00:49:01,880 --> 00:49:04,359
Speaker 1: if you don't notice it, like the alarm didn't purr.

852
00:49:04,520 --> 00:49:06,520
Speaker 1: The alarm didn't purr, Like who would think to have

853
00:49:06,760 --> 00:49:12,400
Speaker 1: the furry alarm? The writers that's writing, that's in the script.

854
00:49:12,520 --> 00:49:15,239
Speaker 1: It's all in that clown pillow and that first thing

855
00:49:15,320 --> 00:49:21,160
Speaker 1: that's in the script, it's there. Oh my god. So

856
00:49:21,320 --> 00:49:26,040
Speaker 1: we're looking at the clown pillow. Now it's it's it,

857
00:49:26,400 --> 00:49:29,239
Speaker 1: like you know it like that right right, right, it's it.

858
00:49:29,800 --> 00:49:35,200
Speaker 1: It's it. Oh my god. And that was on the couch.

859
00:49:35,600 --> 00:49:39,440
Speaker 1: Looks disappointed to Yeah, it was on a chair behind

860
00:49:39,560 --> 00:49:42,160
Speaker 1: the couch. In this episode, I think that the maker

861
00:49:42,360 --> 00:49:47,719
Speaker 1: that that pillow gets huge residual checks from just bought

862
00:49:47,800 --> 00:49:50,839
Speaker 1: an island somewhere. We also meet Jackson for the first

863
00:49:50,880 --> 00:49:53,400
Speaker 1: time in this episode, which I didn't remember that Jackson

864
00:49:53,480 --> 00:49:58,280
Speaker 1: shows up this soon. Jackson played by Jackson. So Jackson

865
00:49:58,400 --> 00:50:01,040
Speaker 1: was played by Jackson Douglas, who the time was married

866
00:50:01,400 --> 00:50:09,200
Speaker 1: to Alex Borstein, the Harp Drella. Yes, remember about all that,

867
00:50:11,239 --> 00:50:13,840
Speaker 1: you know, just that he was a terrific comedic actor.

868
00:50:14,080 --> 00:50:17,160
Speaker 1: He he was just this you know, big bear of

869
00:50:17,239 --> 00:50:20,560
Speaker 1: a guy who was everybody's friend and just you know,

870
00:50:20,800 --> 00:50:26,200
Speaker 1: very gregarious, very open um and I always loved I

871
00:50:26,280 --> 00:50:28,880
Speaker 1: always loved we We actually did more scenes than I

872
00:50:29,000 --> 00:50:31,879
Speaker 1: realized together. Um, and it was always great working with him.

873
00:50:32,360 --> 00:50:35,040
Speaker 1: Fun guy. Um. You know, he since moved to Spain.

874
00:50:36,320 --> 00:50:39,239
Speaker 1: He's in I believe he's in Spain now. He took

875
00:50:39,320 --> 00:50:42,520
Speaker 1: I think he took the kids to Spain. Um, and

876
00:50:42,640 --> 00:50:45,360
Speaker 1: wants to introduce him to that culture. So isn't that interesting?

877
00:50:46,040 --> 00:50:49,000
Speaker 1: So um would I'd love to get him on the

878
00:50:49,040 --> 00:50:52,360
Speaker 1: show talk about his experiences over there and what that's like,

879
00:50:52,640 --> 00:50:57,320
Speaker 1: you know, and and living there. So um. But yeah, No,

880
00:50:57,560 --> 00:50:59,200
Speaker 1: he was He was just a he was just a

881
00:50:59,239 --> 00:51:01,680
Speaker 1: good guy to hang out with. Nice, nice, kind of

882
00:51:01,760 --> 00:51:05,080
Speaker 1: mellow guy, but you know, always happy and you know,

883
00:51:05,160 --> 00:51:07,759
Speaker 1: good dude on the set. Yeah, and Kirk is in

884
00:51:07,840 --> 00:51:12,880
Speaker 1: this episode, but he's not Kirk. He's mixed right. Emily

885
00:51:12,960 --> 00:51:15,840
Speaker 1: sent him over to instill the DSL. He's he's bounced.

886
00:51:16,360 --> 00:51:18,439
Speaker 1: I don't know why they called why did they change

887
00:51:18,440 --> 00:51:20,879
Speaker 1: his name. I mean, Kirk is such a better name

888
00:51:22,080 --> 00:51:25,800
Speaker 1: than Mick. But I don't know the story behind that.

889
00:51:26,000 --> 00:51:32,840
Speaker 1: But you know, Sean Gun um who I mean, I

890
00:51:33,000 --> 00:51:36,480
Speaker 1: just think he's one of the most I mean, you know,

891
00:51:36,600 --> 00:51:38,960
Speaker 1: the good thing about doing a podcast is you get

892
00:51:39,000 --> 00:51:41,000
Speaker 1: to have all these people on the show, right, And

893
00:51:41,120 --> 00:51:44,400
Speaker 1: they were all unsung and they're so underrated and nobody

894
00:51:44,520 --> 00:51:47,520
Speaker 1: knows and I think the people appreciate them, the fans

895
00:51:47,560 --> 00:51:51,319
Speaker 1: appreciate them, but they're so skilled and they never got

896
00:51:51,400 --> 00:51:53,680
Speaker 1: any recognition. And Sean gun is one of the great

897
00:51:54,520 --> 00:52:00,280
Speaker 1: uh physical comedians that you that you will see working today.

898
00:52:00,400 --> 00:52:03,160
Speaker 1: The things that he can do other than what he was,

899
00:52:03,239 --> 00:52:04,920
Speaker 1: and he was great as Kirk. I mean, there was

900
00:52:05,040 --> 00:52:07,759
Speaker 1: just but there's a physicality with him. There's a very

901
00:52:07,800 --> 00:52:11,960
Speaker 1: specific physicality and everything he does so technically, you know,

902
00:52:12,200 --> 00:52:16,240
Speaker 1: from from kind of a wonky actor's perspective, just brilliant,

903
00:52:16,360 --> 00:52:20,200
Speaker 1: just absolutely brilliant. So anyway, let's get him on the show.

904
00:52:20,360 --> 00:52:22,799
Speaker 1: We gotta get him on the show. Um, all right,

905
00:52:22,800 --> 00:52:30,680
Speaker 1: we're gonna be right back, Okay, Gang, We're back, And

906
00:52:30,840 --> 00:52:35,799
Speaker 1: I think I think Danielle has a few items for us. Danielle, Yeah,

907
00:52:35,880 --> 00:52:38,440
Speaker 1: I feel like you missed two things from the episode

908
00:52:38,440 --> 00:52:41,520
Speaker 1: and we must cover them. So the first thing that

909
00:52:41,800 --> 00:52:45,240
Speaker 1: was groundbreaking for me, um was obviously Chad Michael Murray.

910
00:52:45,520 --> 00:52:49,920
Speaker 1: But um, there's a point where he calls Rory Mary,

911
00:52:50,400 --> 00:52:52,839
Speaker 1: and I was like, her name is Rory? Why does

912
00:52:52,880 --> 00:52:57,080
Speaker 1: he keep marry? And then they finally like explained it

913
00:52:57,280 --> 00:53:00,080
Speaker 1: were like second there. It was like so lost, and

914
00:53:00,160 --> 00:53:02,880
Speaker 1: I'm like, why does he keep calling her Mary? But

915
00:53:03,120 --> 00:53:06,920
Speaker 1: I did. I did refer to it early in the segment,

916
00:53:07,000 --> 00:53:10,399
Speaker 1: but I kind of ran ran through it. Um, yeah,

917
00:53:10,480 --> 00:53:12,560
Speaker 1: so did you not get that? How did you not

918
00:53:12,680 --> 00:53:15,520
Speaker 1: get it? I got it right away. I didn't get

919
00:53:15,560 --> 00:53:20,359
Speaker 1: it either. Get the marry thing. I had no idea either.

920
00:53:20,920 --> 00:53:23,960
Speaker 1: I had no idea either. How did you know? Did

921
00:53:24,000 --> 00:53:26,640
Speaker 1: you go to private because they're so young? They're so

922
00:53:26,800 --> 00:53:29,560
Speaker 1: young and innocent. No, I just figured it out right away.

923
00:53:29,640 --> 00:53:32,320
Speaker 1: Why is this like cool popular guy calling her the

924
00:53:32,400 --> 00:53:36,040
Speaker 1: sweet little thing Mary? Obviously? Really maybe I just know

925
00:53:36,200 --> 00:53:40,120
Speaker 1: mean kids. I don't know no idea what he's talking about.

926
00:53:41,320 --> 00:53:44,200
Speaker 1: To me, it was it was like, you know, like

927
00:53:44,360 --> 00:53:47,920
Speaker 1: the rich kids looking down on the newbie, and I'm

928
00:53:47,920 --> 00:53:49,640
Speaker 1: gonna call you Mary because I feel like calling your

929
00:53:49,640 --> 00:53:51,520
Speaker 1: Mary and I don't care what your name is kind

930
00:53:51,520 --> 00:53:54,440
Speaker 1: of thing. But oh so the virgin Mary, like the

931
00:53:54,480 --> 00:53:58,239
Speaker 1: little innocent girl, you guys know, I mean it was

932
00:53:58,320 --> 00:54:02,480
Speaker 1: just bad with names. Oh my god. Right, it was

933
00:54:02,560 --> 00:54:06,200
Speaker 1: like the attitude was more of the attitude. Um, I

934
00:54:06,239 --> 00:54:09,920
Speaker 1: didn't get that. Okay. So the next thing, which you

935
00:54:10,239 --> 00:54:14,520
Speaker 1: we kind of brushed over to, but Rory conflict with Paris,

936
00:54:15,040 --> 00:54:21,239
Speaker 1: the fact that she dropped her school project a heart attack, like,

937
00:54:21,520 --> 00:54:25,800
Speaker 1: oh my god, why did she do that? Um? And

938
00:54:25,920 --> 00:54:28,320
Speaker 1: then Paris was like trying to be all cool. I

939
00:54:28,440 --> 00:54:30,520
Speaker 1: don't know why, because if I was Paris, I would

940
00:54:30,520 --> 00:54:32,520
Speaker 1: have read it out. Rory it was like, this chick

941
00:54:32,680 --> 00:54:36,640
Speaker 1: dropped my project. But he was like she told the

942
00:54:36,719 --> 00:54:38,520
Speaker 1: teacher that she just didn't have it, and I was like,

943
00:54:38,640 --> 00:54:40,799
Speaker 1: what is happening? Like why would she do that? Why

944
00:54:40,800 --> 00:54:44,080
Speaker 1: would she come? But that happened, see for me, and

945
00:54:44,200 --> 00:54:47,200
Speaker 1: that's great drama and common you know, it's great drama

946
00:54:47,440 --> 00:54:50,719
Speaker 1: right there. But it happened all so quickly, and you

947
00:54:50,880 --> 00:54:53,360
Speaker 1: could have you could have dragged that stuff out for

948
00:54:53,960 --> 00:54:57,720
Speaker 1: the whole season, building that relationship up and building that conflict.

949
00:54:57,760 --> 00:55:01,719
Speaker 1: All of a sudden, you had Paris make that you know,

950
00:55:01,800 --> 00:55:04,640
Speaker 1: the move that you don't make where you show your cards.

951
00:55:05,480 --> 00:55:07,000
Speaker 1: And she got up in her face and said, you know,

952
00:55:07,040 --> 00:55:08,800
Speaker 1: I'm gonna make your life living hell because she was

953
00:55:08,840 --> 00:55:11,360
Speaker 1: answering all the questions before raising her hand and answering

954
00:55:11,360 --> 00:55:14,120
Speaker 1: all the questions before Paris had a chance to um.

955
00:55:15,280 --> 00:55:16,800
Speaker 1: And I don't think it was a misstep. I'm not

956
00:55:16,920 --> 00:55:20,319
Speaker 1: criticizing you know it, but it's just like, my god,

957
00:55:20,440 --> 00:55:22,600
Speaker 1: it was just like so in your face right away

958
00:55:22,680 --> 00:55:25,800
Speaker 1: that breaks her project answers the question Paris. It's just

959
00:55:25,960 --> 00:55:29,880
Speaker 1: like you see that Paris is not a cool customer.

960
00:55:30,760 --> 00:55:34,160
Speaker 1: She just got overheated real fast. And it's like Rory

961
00:55:34,760 --> 00:55:38,080
Speaker 1: won the war right away. But it was like, how

962
00:55:38,160 --> 00:55:40,000
Speaker 1: is this going to play out? So it was we're

963
00:55:40,080 --> 00:55:42,080
Speaker 1: left as an audience to see what kind of power

964
00:55:42,480 --> 00:55:45,800
Speaker 1: and how devious can can can Paris get? And she

965
00:55:46,800 --> 00:55:51,320
Speaker 1: the show doesn't beat around the bush around right away

966
00:55:52,000 --> 00:55:59,400
Speaker 1: right exactly. Paris is going to be like fun to

967
00:55:59,480 --> 00:56:04,279
Speaker 1: watch the out this season, like oh god, yeah, I know.

968
00:56:04,680 --> 00:56:07,759
Speaker 1: And when we did, uh, I mean that was, oh

969
00:56:07,800 --> 00:56:09,919
Speaker 1: my god. You know, the Paris days were always great

970
00:56:09,960 --> 00:56:12,680
Speaker 1: and and filming you know that Paris scene that you

971
00:56:12,760 --> 00:56:15,879
Speaker 1: know in year in the Life, which I've I've gone

972
00:56:15,920 --> 00:56:18,000
Speaker 1: on record and say I didn't like how it it

973
00:56:19,080 --> 00:56:24,120
Speaker 1: made Luke look but you can't deny the great the

974
00:56:24,760 --> 00:56:28,279
Speaker 1: funny scene and the great acting from Liza wheel in

975
00:56:28,360 --> 00:56:33,680
Speaker 1: the in the Year in Life as the fertility expert. Um,

976
00:56:34,719 --> 00:56:39,239
Speaker 1: very very funny stuff. Um, and she really delivered. UM. Okay, guys,

977
00:56:39,320 --> 00:56:41,680
Speaker 1: what do we have? So the first pop culture reference

978
00:56:41,719 --> 00:56:43,960
Speaker 1: we have, Loria is getting out of jeep in her

979
00:56:44,040 --> 00:56:46,320
Speaker 1: cut off shorts and she says, no, I look like

980
00:56:46,360 --> 00:56:52,480
Speaker 1: that chick from the Dukes of Hazzard. Catherine totally did that,

981
00:56:52,600 --> 00:56:54,400
Speaker 1: did you guys? Remember Dukes of Hazard are only the

982
00:56:54,480 --> 00:56:59,080
Speaker 1: older people. I remember Jessica Simpson. I know that Jessica

983
00:56:59,160 --> 00:57:05,799
Speaker 1: Simpson do so so weird. I remember both. Actually me too,

984
00:57:05,840 --> 00:57:09,200
Speaker 1: and that was a classic line. Classic. The next pop

985
00:57:09,239 --> 00:57:12,200
Speaker 1: culture reference we have Rory's talking to the headmaster and

986
00:57:12,280 --> 00:57:14,200
Speaker 1: when he asked her what she wants to do, she

987
00:57:14,360 --> 00:57:18,880
Speaker 1: refers to Christian Almapor. The headmaster says, not Oprah Rosie

988
00:57:19,360 --> 00:57:21,320
Speaker 1: or one of the women from the View. Yeah, they

989
00:57:21,360 --> 00:57:26,480
Speaker 1: talked about Christian almimpor COKEI Roberts, Oprah Rosie the View. Yeah,

990
00:57:26,480 --> 00:57:29,880
Speaker 1: because because at the time Christian Almimpor was becoming this

991
00:57:30,320 --> 00:57:35,080
Speaker 1: you know, superstar journalist um and Cokey Roberts was like legit,

992
00:57:35,360 --> 00:57:37,919
Speaker 1: she was she was Yeah. Coke Roberts was like number

993
00:57:37,960 --> 00:57:39,840
Speaker 1: one at that time too, you know, they were both

994
00:57:40,360 --> 00:57:43,960
Speaker 1: up there. Sure, So did the View start? When did

995
00:57:44,000 --> 00:57:45,920
Speaker 1: the View? How long has have you been around? Yeah?

996
00:57:46,000 --> 00:57:50,000
Speaker 1: The View premiered a couple of years before that, alright,

997
00:57:50,280 --> 00:57:52,800
Speaker 1: and I think it is still the number one daytime

998
00:57:52,880 --> 00:57:57,520
Speaker 1: talk show. Yeah, so that, like Oprah, obviously works as

999
00:57:57,560 --> 00:58:02,080
Speaker 1: well today as it did then. I mean, Rosie, do

1000
00:58:02,160 --> 00:58:04,200
Speaker 1: you guys know that that's Rosie o'donald At the time,

1001
00:58:04,280 --> 00:58:07,600
Speaker 1: she had a big talk exactly. I didn't know that.

1002
00:58:08,840 --> 00:58:10,960
Speaker 1: I don't name Rosie, but I didn't know why did

1003
00:58:11,080 --> 00:58:12,960
Speaker 1: why did she she was on the View? Why did

1004
00:58:13,000 --> 00:58:15,960
Speaker 1: she leave the View? Well before the View, she had

1005
00:58:16,240 --> 00:58:19,840
Speaker 1: her own time Rosio Donald. Then she was on the View,

1006
00:58:19,880 --> 00:58:22,280
Speaker 1: and then there was that big drama with Elizabeth Hastle Back.

1007
00:58:22,920 --> 00:58:27,520
Speaker 1: That was why they with Yes, oh my god, what

1008
00:58:27,680 --> 00:58:31,480
Speaker 1: was the drama? Was like, uh, there was some sort

1009
00:58:31,520 --> 00:58:35,960
Speaker 1: of incident where Rosie didn't defend Elizabeth and then they

1010
00:58:36,040 --> 00:58:40,000
Speaker 1: got into this argument and then they double boxed them.

1011
00:58:40,120 --> 00:58:42,600
Speaker 1: So they like put up Rosie and put up Elizabeth.

1012
00:58:42,640 --> 00:58:44,800
Speaker 1: So because they sat at opposite ends of the table,

1013
00:58:45,080 --> 00:58:48,360
Speaker 1: it was super dramatic. And then this is what happens

1014
00:58:48,360 --> 00:58:51,240
Speaker 1: to people that asked for too much money when they renegotiate,

1015
00:58:52,280 --> 00:58:54,200
Speaker 1: we're going to do so they had like a real

1016
00:58:55,040 --> 00:58:59,120
Speaker 1: he really went at it over something. It wasn't just

1017
00:58:59,320 --> 00:59:02,080
Speaker 1: like let's get rid of a how we're doing it. No,

1018
00:59:02,440 --> 00:59:05,439
Speaker 1: this was legit. And then I think Rose, I don't

1019
00:59:05,440 --> 00:59:07,000
Speaker 1: want to say it wrong, but I think she almost

1020
00:59:07,040 --> 00:59:09,080
Speaker 1: kind of had had it. And then she left the

1021
00:59:09,160 --> 00:59:12,440
Speaker 1: view and Elizabeth stayed. I don't remember exactly the details,

1022
00:59:12,880 --> 00:59:19,280
Speaker 1: but the view reference definitely works. Definitely. Laurel is talking

1023
00:59:19,280 --> 00:59:21,840
Speaker 1: about her outfit and her crazy morning, and she says

1024
00:59:22,680 --> 00:59:24,920
Speaker 1: I was supposed to look together and fabulous and not

1025
00:59:25,120 --> 00:59:30,360
Speaker 1: like I've been up on my playing quarters, which I

1026
00:59:30,560 --> 00:59:37,960
Speaker 1: very much understood the drinking, you know, college drinking game. Yeah,

1027
00:59:37,960 --> 00:59:43,320
Speaker 1: I don't know what quarters is. At the end, Lorea

1028
00:59:43,360 --> 00:59:44,800
Speaker 1: Lie is trying to talk on the phone and Drilla

1029
00:59:44,880 --> 00:59:48,040
Speaker 1: is playing on her harp. Laurea Lie says, Drilla, take

1030
00:59:48,080 --> 00:59:51,040
Speaker 1: it down, and Drilla responds, Hey, do I look like

1031
00:59:51,120 --> 00:59:57,280
Speaker 1: a Panasonic stamped on my ass? That was funny. I

1032
00:59:57,360 --> 01:00:00,280
Speaker 1: mean that character, man, the potential for that Harry and

1033
01:00:00,320 --> 01:00:03,880
Speaker 1: they eliminated the character. Was that just because Alex couldn't

1034
01:00:03,880 --> 01:00:06,040
Speaker 1: do it? Yeah, because she was too busy? Oh god,

1035
01:00:06,200 --> 01:00:09,480
Speaker 1: you know that character. And you know, Alex doing that

1036
01:00:09,720 --> 01:00:13,920
Speaker 1: character of Drella would have been as iconic as anything

1037
01:00:14,000 --> 01:00:16,080
Speaker 1: on that show, even if she just had one scene

1038
01:00:16,120 --> 01:00:18,440
Speaker 1: an episode, because it was so funny. It was so

1039
01:00:18,840 --> 01:00:23,320
Speaker 1: and we were concerned when we found out she couldn't

1040
01:00:23,320 --> 01:00:25,000
Speaker 1: get out of her contract. That was the first time

1041
01:00:25,080 --> 01:00:28,640
Speaker 1: we were all like, oh no, no, that's like, oh,

1042
01:00:28,720 --> 01:00:30,760
Speaker 1: that's a that's a big hit. We just took there

1043
01:00:30,840 --> 01:00:33,320
Speaker 1: because man, that girl was going to provide a ton

1044
01:00:33,400 --> 01:00:35,920
Speaker 1: of comedy and how are we going to replace that?

1045
01:00:35,960 --> 01:00:38,320
Speaker 1: And then Melissa McCarthy happened, so they're boomed. There you go,

1046
01:00:39,120 --> 01:00:41,880
Speaker 1: that's how you do it. Well. I love she was

1047
01:00:41,920 --> 01:00:43,880
Speaker 1: going going ham on the harp and that she was

1048
01:00:44,000 --> 01:00:49,480
Speaker 1: undone and it just stops and walks away. Laurel I

1049
01:00:49,600 --> 01:00:52,640
Speaker 1: walks by Miss Patties, and Miss Patty is telling her students,

1050
01:00:52,920 --> 01:00:55,439
Speaker 1: walks smooth, that's the new Harry Potter on your head.

1051
01:00:56,040 --> 01:00:58,520
Speaker 1: If they should drop, Harry will die and there won't

1052
01:00:58,560 --> 01:01:03,120
Speaker 1: be any more books. Wow, it was solid because it's

1053
01:01:03,120 --> 01:01:06,840
Speaker 1: still totally works and it probably scared the crap out

1054
01:01:06,880 --> 01:01:09,600
Speaker 1: of those kids. That's old school, all right. There was

1055
01:01:09,640 --> 01:01:14,000
Speaker 1: a good Dixie Chicks reference to which, Yeah, where was that?

1056
01:01:14,200 --> 01:01:19,240
Speaker 1: It was when they were called didn't they change your

1057
01:01:19,320 --> 01:01:21,560
Speaker 1: name a bunch of times? They're the Chicks now? But

1058
01:01:21,640 --> 01:01:24,200
Speaker 1: they definitely mentioned Dixie Chicks in the episode and something

1059
01:01:24,240 --> 01:01:27,160
Speaker 1: about that Laura like Gilmore was a stripper name? Who

1060
01:01:27,240 --> 01:01:32,240
Speaker 1: said that? Who said that? My god, I just watched

1061
01:01:32,280 --> 01:01:34,560
Speaker 1: this episode three times and it's like, that's the thing.

1062
01:01:34,680 --> 01:01:37,440
Speaker 1: There's the scripts are so dense you can just rewatching

1063
01:01:37,440 --> 01:01:39,960
Speaker 1: and rewatching and rewatch it all right. So so somebody

1064
01:01:40,000 --> 01:01:41,640
Speaker 1: in the audience, you just send us the answer to

1065
01:01:41,680 --> 01:01:47,200
Speaker 1: that question. Yeah, where did they say Dixie Chicks? Before

1066
01:01:47,240 --> 01:01:52,240
Speaker 1: we go? Should everyone say their favorite line? Go ahead?

1067
01:01:54,000 --> 01:01:56,600
Speaker 1: Even though I do love the end when we realized

1068
01:01:56,640 --> 01:01:59,600
Speaker 1: she has a crush on Luke, my favorite was when

1069
01:01:59,680 --> 01:02:03,840
Speaker 1: the already dad guy says, is your husband here, I'd

1070
01:02:03,880 --> 01:02:06,080
Speaker 1: love to meet him, not married, I'd love to meet

1071
01:02:06,120 --> 01:02:09,280
Speaker 1: your wife divorced, and then she says Shane, it's just

1072
01:02:09,440 --> 01:02:16,360
Speaker 1: so fast, but it's so you're like, oh my god, good,

1073
01:02:16,440 --> 01:02:19,640
Speaker 1: Who's next? Who's next? Mine was when Laura La was

1074
01:02:19,680 --> 01:02:21,840
Speaker 1: talking to Rory about her first day and she says,

1075
01:02:22,040 --> 01:02:23,520
Speaker 1: do you want me to talk to you one? A parent,

1076
01:02:23,600 --> 01:02:31,160
Speaker 1: a teacher, a big guy named Moose, daughter from Laura Lee,

1077
01:02:31,880 --> 01:02:33,600
Speaker 1: and it's my clothes were at the cleaners and I

1078
01:02:33,680 --> 01:02:35,760
Speaker 1: had the fuzzy clock and it didn't purr on time.

1079
01:02:36,760 --> 01:02:41,160
Speaker 1: There you go. Yeah, I have to go with the

1080
01:02:41,240 --> 01:02:44,680
Speaker 1: Emily line. Uh did you did you drive her as

1081
01:02:44,720 --> 01:02:47,120
Speaker 1: your horse tired up outside? I mean, I mean that

1082
01:02:47,320 --> 01:02:53,920
Speaker 1: is just like spurs, just brilliant. Just I mean, Kelly

1083
01:02:54,000 --> 01:03:00,439
Speaker 1: Bishop at her finest, it's just man unbelievable. Know she's

1084
01:03:00,440 --> 01:03:03,240
Speaker 1: doing she's doing a new series. She's she's doing the

1085
01:03:03,280 --> 01:03:08,800
Speaker 1: Halston thing with McGregor. Yeah, you and McGregor. Yeah. And

1086
01:03:08,800 --> 01:03:12,400
Speaker 1: the trailer is fantastic, It's really fantastic. Um. Yeah, Kelly's

1087
01:03:12,400 --> 01:03:18,880
Speaker 1: in that. She's so important in Gilmore world because she

1088
01:03:19,040 --> 01:03:24,000
Speaker 1: is such the there's just so much because of her. Absolutely,

1089
01:03:24,560 --> 01:03:26,000
Speaker 1: you know, they wanted to call it I think they

1090
01:03:26,440 --> 01:03:29,840
Speaker 1: I think the studio wanted to call it the Gilmore

1091
01:03:30,040 --> 01:03:34,800
Speaker 1: Way or something like that, and Amy fought for Gilmore Girls.

1092
01:03:34,800 --> 01:03:36,600
Speaker 1: They didn't want to call it Gilmore Girls. They wanted,

1093
01:03:36,760 --> 01:03:41,800
Speaker 1: they wanted a broader title title. UM, but I think

1094
01:03:41,840 --> 01:03:46,080
Speaker 1: Gilmore Girls are good. Yeah, they made the right call everything.

1095
01:03:46,320 --> 01:03:47,960
Speaker 1: I think they could have called it the you know,

1096
01:03:49,760 --> 01:03:52,320
Speaker 1: you know anything. They could have called it the cable,

1097
01:03:52,480 --> 01:03:54,919
Speaker 1: or could have called at the piano. Kay. It would

1098
01:03:54,920 --> 01:03:56,560
Speaker 1: have still would have been a great show. Wouldn't matter,

1099
01:03:57,080 --> 01:04:00,880
Speaker 1: you know, my guys. We're gonna wrap it up episode two.

1100
01:04:01,360 --> 01:04:05,040
Speaker 1: What a what a gas? What a gas? Um, Listen,

1101
01:04:05,240 --> 01:04:09,440
Speaker 1: send us your comments. We we love getting feedback. We

1102
01:04:09,560 --> 01:04:13,080
Speaker 1: want to you know, implement great ideas, things that you

1103
01:04:13,240 --> 01:04:15,560
Speaker 1: want to see and you want to hear us talk

1104
01:04:15,600 --> 01:04:18,600
Speaker 1: about and see us talk about. UM. So we're completely

1105
01:04:18,640 --> 01:04:22,840
Speaker 1: open to that. UM. This is a highly interactive fan

1106
01:04:23,000 --> 01:04:27,280
Speaker 1: engagement type of podcasts, So we're open to all your ideas, so, um,

1107
01:04:27,440 --> 01:04:31,080
Speaker 1: and your criticisms. We can take it, Yeah, we can

1108
01:04:31,120 --> 01:04:33,640
Speaker 1: take it. We're you know, we're we're all a little

1109
01:04:33,680 --> 01:04:36,040
Speaker 1: long in the tooth here except for like these two.

1110
01:04:36,440 --> 01:04:38,720
Speaker 1: But but Amy and I are you know, we're we're

1111
01:04:38,880 --> 01:04:40,600
Speaker 1: we're tough. We're tough. We can take it. We can

1112
01:04:40,640 --> 01:04:44,640
Speaker 1: take it. But we're gonna protect you. We're gonna protect you,

1113
01:04:44,800 --> 01:04:48,960
Speaker 1: all right. So, UM, but we we do read your comments.

1114
01:04:49,000 --> 01:04:52,000
Speaker 1: We do appreciate all of the feedback. And you know,

1115
01:04:53,160 --> 01:04:56,240
Speaker 1: at point nine is is over the Moon and there

1116
01:04:56,320 --> 01:04:58,840
Speaker 1: there are some great comments we're getting in there. They're

1117
01:04:58,880 --> 01:05:02,400
Speaker 1: helping shape the show a little, but so keep him coming. Alright, gang,

1118
01:05:02,480 --> 01:05:04,920
Speaker 1: that's it. We're gonna wrap it up episode two and

1119
01:05:05,040 --> 01:05:09,080
Speaker 1: episode three. Um. Listen, you're gonna be very happy about

1120
01:05:09,120 --> 01:05:11,840
Speaker 1: our episode three guests. You d m us to death

1121
01:05:12,680 --> 01:05:15,880
Speaker 1: about this guest. Uh. We have asked this guest and

1122
01:05:15,960 --> 01:05:18,800
Speaker 1: this guest has agreed to come on. So you're gonna

1123
01:05:18,800 --> 01:05:22,440
Speaker 1: be very happy about it. Um, And and we'll get

1124
01:05:22,480 --> 01:05:25,960
Speaker 1: into episode three kill me now. Uh. So, this is

1125
01:05:26,000 --> 01:05:30,520
Speaker 1: Scott Patterson I Am all In Podcast. Thanks for downloading.

1126
01:05:30,640 --> 01:06:03,040
Speaker 1: Much much love to everybody by h Hey everybody, and

1127
01:06:03,080 --> 01:06:06,560
Speaker 1: don't forget follow us on Instagram at I Am all

1128
01:06:06,720 --> 01:06:10,840
Speaker 1: In Podcast and email us at Gilmore at I heart

1129
01:06:11,000 --> 01:06:14,120
Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking

1130
01:06:14,120 --> 01:06:15,840
Speaker 1: for the best cup of coffee in the world, go

1131
01:06:15,960 --> 01:06:19,680
Speaker 1: to my website for my company scott EP dot com,

1132
01:06:19,840 --> 01:06:22,040
Speaker 1: s C O T T y P dot com, scott

1133
01:06:22,040 --> 01:06:33,000
Speaker 1: EP dot com Grade one Specialty Coffee. Yeah,