1 00:00:02,360 --> 00:00:08,160 Speaker 1: Hey, welcome to episode one. And I'll say this entire 2 00:00:08,240 --> 00:00:12,760 Speaker 1: episode was inspired by the guests we're gonna have later 3 00:00:12,880 --> 00:00:16,800 Speaker 1: because I wanted to get Aubrey Sellers on and I 4 00:00:16,880 --> 00:00:18,439 Speaker 1: was like, hey, we should get Abrey Sellers on and 5 00:00:18,440 --> 00:00:21,600 Speaker 1: talk to her. And then she's done a full Bobby 6 00:00:21,600 --> 00:00:22,560 Speaker 1: cast before, and I was like, I don't want we 7 00:00:22,560 --> 00:00:26,400 Speaker 1: could build around Aubrey Sellers and um, you know, her 8 00:00:26,440 --> 00:00:28,440 Speaker 1: mom is Lean Wolmack, and she's been able to kind 9 00:00:28,480 --> 00:00:32,279 Speaker 1: of create her own identity outside of being Lean Wolmack's kid. 10 00:00:32,400 --> 00:00:34,159 Speaker 1: As a matter of fact, I think whenever you can 11 00:00:34,200 --> 00:00:36,240 Speaker 1: go back and check an old Bobby cast of Aubrey 12 00:00:36,240 --> 00:00:38,199 Speaker 1: and I talking even then, I was like, you know, 13 00:00:38,320 --> 00:00:41,000 Speaker 1: we'll talk about it. I know this isn't like for me. 14 00:00:41,040 --> 00:00:42,880 Speaker 1: I don't think of you as just Lean when next daughter, 15 00:00:43,320 --> 00:00:45,040 Speaker 1: But we do talk about that there and we'll talk 16 00:00:45,040 --> 00:00:46,920 Speaker 1: to her. She got some great new music out. But 17 00:00:47,040 --> 00:00:49,960 Speaker 1: this whole episode was inspired by her, and that's going well. 18 00:00:49,960 --> 00:00:51,680 Speaker 1: Talked to Aubrey and then Mike Dy and I go in, 19 00:00:52,240 --> 00:00:53,960 Speaker 1: we should do a whole thing about people with the 20 00:00:53,960 --> 00:00:55,959 Speaker 1: famous parents and sometimes you forget about them. We got 21 00:00:55,960 --> 00:00:57,840 Speaker 1: a whole crew in for the podcast today to talk 22 00:00:57,840 --> 00:01:00,320 Speaker 1: about this. First of all, Mike do who produces the show, 23 00:01:01,040 --> 00:01:05,600 Speaker 1: which I'll say this, I think this idea was mine, 24 00:01:05,640 --> 00:01:08,000 Speaker 1: but Mike deeded the heavy lifting on a lot of 25 00:01:08,000 --> 00:01:10,560 Speaker 1: the research. Is that accurate? That is accurate? And I 26 00:01:10,600 --> 00:01:12,240 Speaker 1: think that's kind of how we do some of these. 27 00:01:12,280 --> 00:01:14,080 Speaker 1: I'm like, oh, you know'll be cool, Mike, what if 28 00:01:14,080 --> 00:01:17,279 Speaker 1: we did artists who wore blue jeans on a Tuesday? 29 00:01:17,319 --> 00:01:18,880 Speaker 1: Go find every one of them? I got it. And 30 00:01:18,880 --> 00:01:20,319 Speaker 1: then he goes and does a lot of the research 31 00:01:20,360 --> 00:01:23,920 Speaker 1: and we talked about it. Also bringing in producer Eddie 32 00:01:24,040 --> 00:01:26,480 Speaker 1: who's a part of the Sore Losers podcast. You like 33 00:01:26,520 --> 00:01:28,640 Speaker 1: sports check that out. And also we'll have an episode 34 00:01:28,640 --> 00:01:30,919 Speaker 1: coming up with Brent Michaels, who is the program director 35 00:01:30,920 --> 00:01:33,440 Speaker 1: of our station, The Bull and Bakersfield. And also Kay's 36 00:01:33,480 --> 00:01:35,680 Speaker 1: Easy so he's actually here too, and so we thought 37 00:01:35,680 --> 00:01:39,280 Speaker 1: we'd let you hang out and say stuff too. So, um, 38 00:01:39,400 --> 00:01:44,200 Speaker 1: let's talk about musicians with parents who are also famous musicians. 39 00:01:44,240 --> 00:01:46,679 Speaker 1: This is a pretty cool topic, Eddie. If I say that, 40 00:01:46,760 --> 00:01:56,000 Speaker 1: and I'll go I'll do Aubrey Sellers first. Yeah, okay, 41 00:01:56,000 --> 00:01:59,920 Speaker 1: so that's Aubrey. She has the parents Jason Sellers and 42 00:02:00,080 --> 00:02:02,400 Speaker 1: Leanne Womack and as a step daughter of the music 43 00:02:02,440 --> 00:02:04,960 Speaker 1: produce of Frankloadel did a lot of Miranda stuff. So 44 00:02:06,080 --> 00:02:08,480 Speaker 1: she's like, hey, listen, I've had a lot of chances 45 00:02:08,520 --> 00:02:10,240 Speaker 1: to and she sounds like her mom. I'm just rock 46 00:02:10,280 --> 00:02:20,600 Speaker 1: and rolled up this and is the inspiration to this podcast. Eddie. 47 00:02:20,639 --> 00:02:23,000 Speaker 1: I'll come to you first. When I say, because you 48 00:02:23,040 --> 00:02:24,360 Speaker 1: don't know who I have on the list here, I 49 00:02:24,400 --> 00:02:27,440 Speaker 1: don't when I say artists that have parents that were 50 00:02:27,480 --> 00:02:29,880 Speaker 1: also musicians, who do you have right off the bat? 51 00:02:29,919 --> 00:02:31,800 Speaker 1: Is one of my favorites. I mean, I'm a huge 52 00:02:31,840 --> 00:02:34,120 Speaker 1: Bob Dylan fan, and when I found out that Jacob 53 00:02:34,160 --> 00:02:37,840 Speaker 1: Dylan was Bob Dylan's son the wall Flowers, You've got 54 00:02:37,960 --> 00:02:48,639 Speaker 1: to have him on your list, right And here is 55 00:02:48,720 --> 00:02:59,680 Speaker 1: Jacob Dilan from the wall Flowers. And maybe people didn't 56 00:02:59,680 --> 00:03:01,640 Speaker 1: know that. Do you know that, Brent? I did know that, 57 00:03:02,200 --> 00:03:03,800 Speaker 1: making sure, making sure you're over there. So we're all 58 00:03:03,840 --> 00:03:05,840 Speaker 1: kind of music nerds here, though, I feel like some 59 00:03:05,880 --> 00:03:08,320 Speaker 1: people lived their whole life not knowing that the son 60 00:03:08,720 --> 00:03:11,400 Speaker 1: of Bob Dylan is Jacob Dylan, the lead singer of 61 00:03:11,440 --> 00:03:14,760 Speaker 1: The wall Flowers, And as a solo artist. Um. The 62 00:03:14,800 --> 00:03:16,200 Speaker 1: fact that the group takes his name for one of 63 00:03:16,200 --> 00:03:19,280 Speaker 1: Bob's songs is only one of the similarities the wall Flowers, 64 00:03:19,320 --> 00:03:22,240 Speaker 1: What song is that? What might do? What song is that? 65 00:03:23,800 --> 00:03:27,079 Speaker 1: You just copy and paste that line? I mean, that's 66 00:03:27,080 --> 00:03:30,600 Speaker 1: a good tidbit there. But I don't know what books. 67 00:03:30,919 --> 00:03:33,000 Speaker 1: I've read his books, and I like his hits. His 68 00:03:33,080 --> 00:03:36,240 Speaker 1: books are weird because it's almost like, I mean, and 69 00:03:36,280 --> 00:03:38,200 Speaker 1: you you you have a couple of books too, so 70 00:03:38,400 --> 00:03:40,560 Speaker 1: you understand. But I think when I when I read 71 00:03:40,560 --> 00:03:43,600 Speaker 1: the Bob Dylan book, it's like he's scatter brained and 72 00:03:43,600 --> 00:03:45,360 Speaker 1: and it's he's all over the place, and I feel 73 00:03:45,400 --> 00:03:47,480 Speaker 1: like that's kind of how he is. He's very stream 74 00:03:47,520 --> 00:03:51,520 Speaker 1: of consciousness, yes, and funny and funny. Story. When I 75 00:03:51,600 --> 00:03:53,880 Speaker 1: met Willie Nelson, I mean we hung out for like 76 00:03:53,920 --> 00:03:55,760 Speaker 1: an hour, hour and a half with Willie Nelson, and 77 00:03:55,760 --> 00:03:58,240 Speaker 1: it's right around the time that Bob Dylan released his 78 00:03:58,240 --> 00:04:01,880 Speaker 1: book Chronicles, and so I asked him, like, you know you, Bob, like, 79 00:04:02,000 --> 00:04:04,119 Speaker 1: so what what you read the book? It's like, yeah, 80 00:04:04,120 --> 00:04:06,080 Speaker 1: I read that crap. I was like, wait, what do 81 00:04:06,080 --> 00:04:07,920 Speaker 1: you think you know? Willy say, it's just a bunch 82 00:04:07,920 --> 00:04:10,680 Speaker 1: of bs, you know, like as Bob Dylan man a 83 00:04:10,680 --> 00:04:13,520 Speaker 1: bunch of bs, and it's like I love that. And 84 00:04:13,560 --> 00:04:16,920 Speaker 1: I think Bob Dylan too has kind of uh evolved 85 00:04:17,000 --> 00:04:19,039 Speaker 1: and and growing up and been like, yeah, man, that 86 00:04:19,200 --> 00:04:20,960 Speaker 1: is a bunch of bs. Me as a young kid 87 00:04:21,040 --> 00:04:23,040 Speaker 1: is a bunch of bs, you know. I like from 88 00:04:23,040 --> 00:04:25,159 Speaker 1: The wall Flowers, like sixth Avenue Heartache as a jam 89 00:04:25,360 --> 00:04:27,800 Speaker 1: that was like Avenue huh and Adam durt saying background 90 00:04:27,800 --> 00:04:29,200 Speaker 1: in that song. I feel like we covered this in 91 00:04:29,200 --> 00:04:32,800 Speaker 1: one of our podcast famous background singers and songs. Um okay, 92 00:04:32,800 --> 00:04:34,799 Speaker 1: I have two points I want to make one about. First, 93 00:04:34,920 --> 00:04:37,000 Speaker 1: I want to do Jacob Diylan and Willie Nelson rolled 94 00:04:37,000 --> 00:04:39,280 Speaker 1: Willi Nels because I have a story about him. Um So, 95 00:04:39,360 --> 00:04:42,000 Speaker 1: Jacob Dilan whenever he first started, did not want people 96 00:04:42,000 --> 00:04:44,000 Speaker 1: to know he's Bob Dylan's son, correct, so he would 97 00:04:44,000 --> 00:04:45,840 Speaker 1: just he would do different last names, different names he 98 00:04:45,880 --> 00:04:47,960 Speaker 1: would He wanted to be an artist on his own 99 00:04:48,279 --> 00:04:50,920 Speaker 1: and did make it, and before The Wallflower is really known, 100 00:04:50,920 --> 00:04:53,000 Speaker 1: he wasn't Jacob Dylan and was like, all right, people know, 101 00:04:53,360 --> 00:04:55,760 Speaker 1: I'm gonna go ahead be Jacob Delan. That's good. I mean, 102 00:04:55,800 --> 00:04:57,680 Speaker 1: I feel for an artist, like, that's a good thing, 103 00:04:57,760 --> 00:05:00,280 Speaker 1: that's what you want. You're gonna your dad's a one 104 00:05:00,320 --> 00:05:02,960 Speaker 1: of the I would say, the most famous songwriter of 105 00:05:03,000 --> 00:05:05,000 Speaker 1: all times. To Bob Dylan's known for is like the 106 00:05:05,040 --> 00:05:10,640 Speaker 1: first real uh folk songwriter. Um, I mean, and you 107 00:05:10,720 --> 00:05:12,039 Speaker 1: gotta you have to. You have to have a career 108 00:05:12,040 --> 00:05:13,840 Speaker 1: and live up to that. It's hard that that would 109 00:05:13,839 --> 00:05:16,640 Speaker 1: be tough. Willie Nelson's story because I'm right in the 110 00:05:16,640 --> 00:05:19,600 Speaker 1: middle of watching this documentary about the history of country 111 00:05:19,680 --> 00:05:22,120 Speaker 1: music and Willie Nelson talks about in it he was 112 00:05:22,160 --> 00:05:25,360 Speaker 1: booking I think Bob Wills and the Playboys, the Texas Playboys. 113 00:05:25,560 --> 00:05:27,520 Speaker 1: He was fourteen to fifteen years old. He's a concert promoter, 114 00:05:27,560 --> 00:05:29,640 Speaker 1: and he was like, you know what we He was like, 115 00:05:29,680 --> 00:05:32,240 Speaker 1: os fourteen, I would just tell artists I pay up 116 00:05:32,240 --> 00:05:35,360 Speaker 1: center fifty bucks and I'd hope that I got made 117 00:05:35,480 --> 00:05:36,920 Speaker 1: enough money at the door to pay him. And he 118 00:05:36,920 --> 00:05:38,760 Speaker 1: was talking about when he was fourteen years old booking 119 00:05:38,800 --> 00:05:41,440 Speaker 1: shows in Texas as a promoter. I thought that was 120 00:05:41,440 --> 00:05:46,039 Speaker 1: pretty crazy. Yeah, speaking of Willie Nelson, Willie's on the list. 121 00:05:46,040 --> 00:05:53,960 Speaker 1: So here you go, here's Willie. Watch cry Right, one 122 00:05:53,960 --> 00:05:56,479 Speaker 1: of my favorite songs ever and here is his son, 123 00:05:56,880 --> 00:06:09,799 Speaker 1: Lucas Nelson. I think for a lot of people, Lucas 124 00:06:09,920 --> 00:06:15,560 Speaker 1: kind of pierced that mainstream and the movie Stars Stars. 125 00:06:15,920 --> 00:06:18,640 Speaker 1: That was his band, Yes, Yes, that was his band. 126 00:06:18,640 --> 00:06:20,040 Speaker 1: And I think he wrote a lot of the songs 127 00:06:20,040 --> 00:06:22,880 Speaker 1: in that movie. Did he? Yeah? Is that true? Why? 128 00:06:22,920 --> 00:06:26,680 Speaker 1: Why don't you believe me? And I do say? I 129 00:06:26,800 --> 00:06:28,719 Speaker 1: think in front of everything I said, you're just saying, 130 00:06:30,760 --> 00:06:32,640 Speaker 1: did you see the Stars Born, Brent? I did? Did 131 00:06:32,640 --> 00:06:34,240 Speaker 1: you like it? I did? That was really good? Did 132 00:06:34,240 --> 00:06:35,520 Speaker 1: you like it because everybody el said it was good? 133 00:06:35,600 --> 00:06:37,400 Speaker 1: Or did you like it because you really thought liked it? 134 00:06:37,560 --> 00:06:39,960 Speaker 1: I saw it probably a year after everybody saw it, 135 00:06:40,040 --> 00:06:43,320 Speaker 1: But it was really good. So Willie Nelson, his son, 136 00:06:43,440 --> 00:06:45,800 Speaker 1: Lucas Nelson. He's the lead singer of Lucas Nelson in 137 00:06:45,839 --> 00:06:48,400 Speaker 1: the Promise of the Real And I saw him on 138 00:06:48,400 --> 00:06:50,200 Speaker 1: the Southwest flight once, Lucas else in his whole band. 139 00:06:50,240 --> 00:06:52,440 Speaker 1: You saw him on the flight? Yeah, that miked and 140 00:06:52,440 --> 00:06:53,920 Speaker 1: are sent on the plane Luke's Nelson. All the guys 141 00:06:54,040 --> 00:06:57,320 Speaker 1: walked by. Really did they smell like? No, they smelled 142 00:06:57,320 --> 00:07:00,080 Speaker 1: pretty good. Well, it didn't smell bad. Uh No, I 143 00:07:00,080 --> 00:07:02,160 Speaker 1: meant like that. They smell like, that's what I'm saying. Okay. 144 00:07:03,720 --> 00:07:06,880 Speaker 1: In October two, Lucas stop at the College. He wrote 145 00:07:06,960 --> 00:07:09,240 Speaker 1: music for A Star Is Born and also appeared in 146 00:07:09,279 --> 00:07:13,160 Speaker 1: the movie with Bradley's backing band. So there's one Brenna 147 00:07:13,200 --> 00:07:17,200 Speaker 1: company you. When you think of artists singers that have 148 00:07:17,240 --> 00:07:19,640 Speaker 1: famous parents, who do you have country otherwise matter or 149 00:07:19,640 --> 00:07:21,840 Speaker 1: anything you want? Man? Right off the top of my head, 150 00:07:21,960 --> 00:07:26,160 Speaker 1: Will Smith Jaden Smith? You know what? Wow, I wouldn't 151 00:07:26,160 --> 00:07:27,800 Speaker 1: have thought of that. I didn't think that one either. 152 00:07:28,320 --> 00:07:32,520 Speaker 1: Interesting because Jaden what has he done? He's an actor? 153 00:07:32,640 --> 00:07:34,840 Speaker 1: I don't know. He's a rapper though, does he have 154 00:07:34,840 --> 00:07:36,840 Speaker 1: any songs? Yeah? He has like a legit rap career. 155 00:07:37,520 --> 00:07:40,440 Speaker 1: Is he up on the wall? Okay? But we have 156 00:07:40,480 --> 00:07:44,120 Speaker 1: Brian Latrelle's kid, but we don't have Jaden Smith, Brian 157 00:07:44,200 --> 00:07:46,120 Speaker 1: Latrup Backstreet Boys. This is one of the ones Mike 158 00:07:46,200 --> 00:07:48,320 Speaker 1: and I were talking about. We were like, who's who 159 00:07:48,680 --> 00:07:55,440 Speaker 1: Brian Latrelle by by the way back? What's his kid? 160 00:07:55,560 --> 00:07:59,760 Speaker 1: Bailey Latrelle He's like thirteen, fourteen, sixteen, Okay, he's a singer. 161 00:07:59,760 --> 00:08:02,000 Speaker 1: He's to open up for the Batteryway, No idea. He's 162 00:08:02,040 --> 00:08:10,760 Speaker 1: a country singer too. Really, who are you drafting? Church? Maybe? 163 00:08:10,840 --> 00:08:19,680 Speaker 1: Just maybe? Yeah, that's a Bailey Latrell Backstreet boy. Bailey 164 00:08:19,720 --> 00:08:23,160 Speaker 1: Latreuill isn't the only musically inclined when the article says 165 00:08:23,200 --> 00:08:25,520 Speaker 1: his sixteen year old son Bailey jumped into action with 166 00:08:25,680 --> 00:08:28,760 Speaker 1: Don't Knock It. He made his Broadway debut in the 167 00:08:28,840 --> 00:08:31,760 Speaker 1: musical Disaster in Seen, and he's opening up for the 168 00:08:31,760 --> 00:08:34,040 Speaker 1: back Street Boys on their DNA World tour. That's cool, 169 00:08:35,520 --> 00:08:38,920 Speaker 1: so Jaden Smith works, I would say more so than 170 00:08:38,960 --> 00:08:43,040 Speaker 1: Bailey Latrell. I guess I went way off the board. No, 171 00:08:43,280 --> 00:08:46,040 Speaker 1: good for you. Um, here's one. Here's an interesting for you. 172 00:08:46,440 --> 00:08:51,120 Speaker 1: Interesting one is Miley and Billy Ray. It probably would 173 00:08:51,160 --> 00:08:57,760 Speaker 1: have thought about for a minute. Don't just don't you 174 00:08:57,800 --> 00:09:06,600 Speaker 1: don't stand And obviously Miley I came in. So her 175 00:09:06,679 --> 00:09:08,480 Speaker 1: name is real name? Is what Eddie? Can you name it? Oh? 176 00:09:08,520 --> 00:09:12,439 Speaker 1: It's not Miley Samantha. Do you know Miley's real name? 177 00:09:12,480 --> 00:09:18,360 Speaker 1: Brett Brandy? Brandy is her sister. Her sister. Yeah, her 178 00:09:18,400 --> 00:09:21,960 Speaker 1: name is Destiny Hope Cyrus Destiny Hope. She was born 179 00:09:22,000 --> 00:09:26,800 Speaker 1: with Supra Ventrilliker. I don't know. Is that like a puppet? Yeah? 180 00:09:26,800 --> 00:09:30,360 Speaker 1: I know, it's a condition with an abnormal resting heart rate. 181 00:09:30,880 --> 00:09:33,560 Speaker 1: Oh wow. Her birth name Destiny Hope expressed her parents 182 00:09:33,559 --> 00:09:37,560 Speaker 1: belief she would accomplish great things. Her parents nicknamed her Smiley, 183 00:09:37,679 --> 00:09:41,679 Speaker 1: which it later shortened to Mile. So that's interesting, man, 184 00:09:41,679 --> 00:09:44,680 Speaker 1: that you didn't know which you know her? Her godmother 185 00:09:44,760 --> 00:09:51,520 Speaker 1: is Brant Trivia, Miley Cyrus is godmother is Dolly. Look 186 00:09:51,559 --> 00:09:53,800 Speaker 1: at you now, now, do you think? Let me ask 187 00:09:53,840 --> 00:09:57,679 Speaker 1: you a question here. Do you think Miley has surpassed 188 00:09:57,800 --> 00:10:01,520 Speaker 1: Billy Ray? Yes? Okay, because that because this is unique 189 00:10:01,520 --> 00:10:04,480 Speaker 1: in that in that sense, Billy has had three careers 190 00:10:05,240 --> 00:10:09,040 Speaker 1: at least three, like three generations of who he is? Um, 191 00:10:09,320 --> 00:10:12,000 Speaker 1: Belly Ray Cyrus with a can Break Your Heart basically 192 00:10:12,080 --> 00:10:14,560 Speaker 1: a one hit wonder. I've had a couple of other 193 00:10:14,600 --> 00:10:17,560 Speaker 1: songs in country, but people really just know, like I 194 00:10:17,559 --> 00:10:20,320 Speaker 1: would know that song about um, what am I gonna 195 00:10:20,360 --> 00:10:22,720 Speaker 1: do when I get home? Do we have in the system? 196 00:10:22,760 --> 00:10:24,160 Speaker 1: What am I gonna do when I get home? Or 197 00:10:24,160 --> 00:10:25,560 Speaker 1: where am I gonna go when I get home? Belly 198 00:10:25,640 --> 00:10:27,520 Speaker 1: Ray Cyrus? Let me know if we have any other 199 00:10:27,559 --> 00:10:30,320 Speaker 1: Billy Ray is that off that album that some give all. 200 00:10:32,080 --> 00:10:33,720 Speaker 1: I'm not even gonna pick what out do we do 201 00:10:33,880 --> 00:10:35,800 Speaker 1: were you play? Would you mind hitting it? I'm pulling 202 00:10:35,840 --> 00:10:37,880 Speaker 1: it up right now. Okay if you if we do 203 00:10:37,960 --> 00:10:39,560 Speaker 1: have it, let me hear it. But again, if I 204 00:10:39,559 --> 00:10:41,240 Speaker 1: say that, you don't even know it right right now, 205 00:10:41,640 --> 00:10:45,440 Speaker 1: because and then he came back again for Miley Cyrus 206 00:10:45,440 --> 00:10:47,839 Speaker 1: in Hannah, Montana, which she was a part of, but 207 00:10:47,960 --> 00:10:50,280 Speaker 1: she was the star. And then he came back in 208 00:10:50,320 --> 00:10:53,160 Speaker 1: an old town Road as the second guy. I'm current now, 209 00:10:53,280 --> 00:10:57,160 Speaker 1: I would say Miley has far surpassed Billy Ray. I 210 00:10:57,200 --> 00:10:59,960 Speaker 1: agree with that. We only got a couple in the system. Okay, 211 00:11:00,080 --> 00:11:03,680 Speaker 1: could have been me. Some gave all Okay, make your poison, 212 00:11:04,040 --> 00:11:07,360 Speaker 1: not the one pick your poison. No. I just think 213 00:11:07,400 --> 00:11:10,400 Speaker 1: it's unique in in this in this list because most 214 00:11:10,440 --> 00:11:11,760 Speaker 1: of us just like these kids that have to live 215 00:11:11,840 --> 00:11:14,199 Speaker 1: up to their parents or what they did here, it's 216 00:11:14,240 --> 00:11:16,960 Speaker 1: like you have a kid that kind of Yeah, she 217 00:11:17,040 --> 00:11:19,960 Speaker 1: became what they wanted her to do. She wants they 218 00:11:19,960 --> 00:11:21,840 Speaker 1: wanted her to do big things that she did. She's 219 00:11:21,840 --> 00:11:24,800 Speaker 1: a superstar. Yeah, Eddie, can you name another one over 220 00:11:24,800 --> 00:11:29,400 Speaker 1: to you? Yeah, um, Hank Williams Junior Senior. Yeah, and 221 00:11:29,440 --> 00:11:32,000 Speaker 1: I guess you could even go Hank the third you 222 00:11:32,080 --> 00:11:34,920 Speaker 1: wanted to. That's kind of and you know what, I 223 00:11:34,960 --> 00:11:37,680 Speaker 1: think they may even Hank the fourth is there. I 224 00:11:37,679 --> 00:11:42,480 Speaker 1: don't know if there's not. The next one. Yes, here 225 00:11:42,520 --> 00:11:54,800 Speaker 1: you go. Here is Hank Williams counted five. Do you 226 00:11:54,800 --> 00:11:57,920 Speaker 1: guys remember tearing my beer? Yeah, there's a t and 227 00:11:58,080 --> 00:11:59,760 Speaker 1: he had his dad in the song. It was one 228 00:11:59,800 --> 00:12:02,840 Speaker 1: of the oh Matt King Cole things when Natalie and 229 00:12:02,920 --> 00:12:05,440 Speaker 1: Natty she brought her dead dad back to sing with her. 230 00:12:05,440 --> 00:12:06,960 Speaker 1: It was old version. I always like it when they 231 00:12:07,000 --> 00:12:09,080 Speaker 1: do that. I did too, And because they both sang 232 00:12:09,320 --> 00:12:11,400 Speaker 1: there's a tear in my beer, and you know, there's 233 00:12:11,440 --> 00:12:13,120 Speaker 1: the thing to where like they have tear in my 234 00:12:13,160 --> 00:12:16,240 Speaker 1: beer and they're from Hank Jr. There's a tear in 235 00:12:16,360 --> 00:12:27,120 Speaker 1: my beer, and I'm crying for you, dear, Oh my alone, 236 00:12:27,760 --> 00:12:36,559 Speaker 1: I'm crying for you, dear. You are my alone. My dad. 237 00:12:37,720 --> 00:12:42,880 Speaker 1: They say, keep drinking, get it about my wheelhouse not singing. 238 00:12:42,920 --> 00:12:46,640 Speaker 1: But I just feel like Hank Williams Junior and and 239 00:12:46,920 --> 00:12:49,880 Speaker 1: the third or whatever, and I feel like they've all 240 00:12:50,080 --> 00:12:53,120 Speaker 1: embraced the fact that their family is all in music. 241 00:12:53,160 --> 00:12:55,560 Speaker 1: You know, kind of like the difference between that artist 242 00:12:55,600 --> 00:12:57,480 Speaker 1: trying to get away from oh my, my dad was 243 00:12:57,520 --> 00:12:59,440 Speaker 1: an artist. I don't want I want my I want 244 00:12:59,440 --> 00:13:02,120 Speaker 1: my identity here. They're just like, yeah, man, this is us. Well, 245 00:13:02,160 --> 00:13:03,839 Speaker 1: they were also named after them, so they's not like 246 00:13:03,920 --> 00:13:08,360 Speaker 1: they could Hank Hanking hand away from that did and 247 00:13:08,440 --> 00:13:12,160 Speaker 1: Hank June. You know, Hank one died in his twenties. 248 00:13:12,480 --> 00:13:17,360 Speaker 1: I believe alcohol poison about poison, I mean probably cross 249 00:13:17,559 --> 00:13:19,800 Speaker 1: something like that. He's something to do with alcohol. He 250 00:13:19,840 --> 00:13:23,080 Speaker 1: died super young, Mike, Do we see what what what 251 00:13:23,200 --> 00:13:25,000 Speaker 1: deal was with him? Hank william Junior was born in 252 00:13:25,720 --> 00:13:28,000 Speaker 1: nine jr. Remember when we talked about Hank wim Jior 253 00:13:28,000 --> 00:13:30,120 Speaker 1: fell off a mountain and bust of his face and hit. 254 00:13:30,800 --> 00:13:32,240 Speaker 1: That's why he grows a beard. Because I didn't hear 255 00:13:32,240 --> 00:13:34,320 Speaker 1: about that. His face was split open from one end 256 00:13:34,320 --> 00:13:36,320 Speaker 1: to the other. Accident. They thought he was gonna die. 257 00:13:36,559 --> 00:13:40,280 Speaker 1: Hank Jr. Um Hank Williams first step on stage to 258 00:13:40,280 --> 00:13:41,840 Speaker 1: saying his father's songs when he was eight years old, 259 00:13:41,960 --> 00:13:45,760 Speaker 1: Junior saying senior songs. Mikey, how old was Hank Senior 260 00:13:45,760 --> 00:13:49,960 Speaker 1: when he died? He was twenty nine? Crazy? Huhn? And 261 00:13:50,000 --> 00:13:51,960 Speaker 1: to hear the Billy Joe Shavers story because Billy Joe 262 00:13:51,960 --> 00:13:54,880 Speaker 1: Shaver saw Hank Senior playing like in a bar, and 263 00:13:54,920 --> 00:13:56,840 Speaker 1: that's how he got interested in music. He climbed a pole. 264 00:13:57,040 --> 00:13:58,960 Speaker 1: He was a kid and saw Hank Senior and was like, 265 00:13:59,040 --> 00:14:01,240 Speaker 1: I gotta do this, and so he did it. You 266 00:14:01,240 --> 00:14:04,079 Speaker 1: said you saw Lucas Nelson on Southwest. I read an 267 00:14:04,160 --> 00:14:07,800 Speaker 1: article about him on Southwest on the Southwest magazine and 268 00:14:07,840 --> 00:14:10,360 Speaker 1: that they asked him, you know, like what made him 269 00:14:10,360 --> 00:14:12,240 Speaker 1: out of everything that his dad did, like what made 270 00:14:12,320 --> 00:14:15,319 Speaker 1: him love music? He said his dad would go and 271 00:14:15,360 --> 00:14:17,400 Speaker 1: would take him to shows. But he said he loved 272 00:14:17,480 --> 00:14:21,160 Speaker 1: watching what the crowd, how the crowd reacted to one note, 273 00:14:21,520 --> 00:14:23,720 Speaker 1: you know, just what the power of music did to 274 00:14:23,800 --> 00:14:26,880 Speaker 1: those people. He said, he fell in love automatically. So 275 00:14:26,880 --> 00:14:30,400 Speaker 1: it's cool to see the girls. That's like what everyone goes. 276 00:14:31,320 --> 00:14:33,520 Speaker 1: And I was wondering if parents want their kids to 277 00:14:33,640 --> 00:14:37,160 Speaker 1: be artists. No, for the most part, no, I never 278 00:14:37,360 --> 00:14:39,160 Speaker 1: asked a lot of artist that question. It's just a 279 00:14:39,280 --> 00:14:44,400 Speaker 1: weird profession. It's there's no success in it. It's a 280 00:14:44,680 --> 00:14:48,080 Speaker 1: thousand of one. Even if you have a famous parent 281 00:14:48,280 --> 00:14:51,920 Speaker 1: or sibling or uncle, you're always gonna be compared to them. 282 00:14:51,960 --> 00:14:54,320 Speaker 1: You know, I would say. Almost all artists that I 283 00:14:54,360 --> 00:14:56,280 Speaker 1: know I've told their kids this. You probably I don't 284 00:14:56,280 --> 00:14:57,640 Speaker 1: want you to do something else, Like, if you want 285 00:14:57,640 --> 00:14:59,320 Speaker 1: to do it, I'm not gonna stop you from doing it, 286 00:14:59,320 --> 00:15:01,400 Speaker 1: but I would like you to something it's more stable, 287 00:15:02,200 --> 00:15:04,000 Speaker 1: because you know, if they have money, they're gonna put 288 00:15:04,000 --> 00:15:06,240 Speaker 1: them to good, nice schools. You don't want them to. Yeah, 289 00:15:06,440 --> 00:15:09,720 Speaker 1: most artists that I know have told would not recommend 290 00:15:09,760 --> 00:15:11,080 Speaker 1: their kids do it. If they want to do it, 291 00:15:11,120 --> 00:15:13,440 Speaker 1: that's fine, but they're not going to push them to 292 00:15:13,480 --> 00:15:16,960 Speaker 1: They're not pursuing a um, Brent back over to you. 293 00:15:17,000 --> 00:15:19,000 Speaker 1: Can you name another artist that we have that has 294 00:15:19,040 --> 00:15:22,480 Speaker 1: a famous man, I don't know that I have another 295 00:15:22,480 --> 00:15:24,360 Speaker 1: one off the top of my head. The four or 296 00:15:24,360 --> 00:15:28,000 Speaker 1: five are the ones that have a pretty older artists. No, 297 00:15:28,120 --> 00:15:31,880 Speaker 1: there's one, there's still Yeah, there's still one really current 298 00:15:31,880 --> 00:15:34,840 Speaker 1: country artists, super current. I'll walk you to it. I'll 299 00:15:34,880 --> 00:15:36,760 Speaker 1: walk you to it. We had We've had both of 300 00:15:36,800 --> 00:15:40,400 Speaker 1: them on the show in the past six months, not together. 301 00:15:40,960 --> 00:15:44,360 Speaker 1: They've come in as as guests at different times. You 302 00:15:44,440 --> 00:15:47,200 Speaker 1: got this one, Brett, I know you do. I'll give 303 00:15:47,200 --> 00:15:49,240 Speaker 1: you another hint. The Dad is opening for the Sun 304 00:15:49,360 --> 00:15:52,440 Speaker 1: right now. On tour Red Akins and Thomas FRETTI there 305 00:15:52,480 --> 00:16:01,520 Speaker 1: you go, so here you go. Here's Red Akins, Here's 306 00:16:01,520 --> 00:16:08,240 Speaker 1: Thomas Rhett. Never get to see the no So Thomas 307 00:16:08,320 --> 00:16:10,800 Speaker 1: Rrett was born about Austin, Georgia, grew up in Nashville. 308 00:16:11,240 --> 00:16:14,960 Speaker 1: He is the son of Red Aikins and grew up 309 00:16:15,000 --> 00:16:17,000 Speaker 1: knowing other singers like Tim Mgrawl, Reeba Brooks and Done 310 00:16:17,040 --> 00:16:18,640 Speaker 1: as a kid at t R and I talked about 311 00:16:18,680 --> 00:16:20,120 Speaker 1: this in TRS Park. I've done a podcast with both 312 00:16:20,120 --> 00:16:23,040 Speaker 1: of them and they're both great. The red one was 313 00:16:23,080 --> 00:16:25,280 Speaker 1: big for us. It got a ton so I would 314 00:16:25,320 --> 00:16:27,640 Speaker 1: encourage you to check those out after this one. After 315 00:16:27,720 --> 00:16:30,800 Speaker 1: learning to play drums later one on stage, I started 316 00:16:30,840 --> 00:16:34,240 Speaker 1: playing with his dad. So that's a good one. Let's 317 00:16:34,240 --> 00:16:43,040 Speaker 1: do Elvis and Elvis's daughter was She did not do 318 00:16:43,200 --> 00:16:46,800 Speaker 1: a lot, not very well. No, I can't be very famous. 319 00:16:46,960 --> 00:16:50,880 Speaker 1: But she's the only child of Elvis and Priscilla Pressley. 320 00:16:51,200 --> 00:16:54,240 Speaker 1: As well as the sole artor father's estate, she has 321 00:16:54,280 --> 00:16:56,240 Speaker 1: developed a career of music business. Is this you? Three albums? 322 00:16:56,240 --> 00:16:58,720 Speaker 1: I don't know any of the songs she's done. I'm 323 00:16:58,720 --> 00:17:00,800 Speaker 1: trying to see if I know. She's been married and 324 00:17:00,840 --> 00:17:04,560 Speaker 1: divorced four times, including Michael Jackson and Nicholas Cage. Oh wow, 325 00:17:04,600 --> 00:17:07,720 Speaker 1: I forgot about that. Which one? Uh, Nicolas Cage? I 326 00:17:07,760 --> 00:17:10,560 Speaker 1: remember the Michael Jackson. That was huge. I think that's 327 00:17:10,560 --> 00:17:13,080 Speaker 1: how we all knew who she was. Right in n 328 00:17:14,160 --> 00:17:16,320 Speaker 1: twenty birthday, she inherited the estate, which had grown to 329 00:17:16,359 --> 00:17:18,879 Speaker 1: over a hundred million dollars. In two thousand four, she 330 00:17:18,920 --> 00:17:21,960 Speaker 1: sold of her father's estate. But yeah, I guess I 331 00:17:21,960 --> 00:17:23,760 Speaker 1: don't know it really is a musician. I know she's tried, 332 00:17:23,760 --> 00:17:25,680 Speaker 1: but that's one of those that even with the name, 333 00:17:26,359 --> 00:17:30,320 Speaker 1: I wasn't able to do it. Um, Okay, Brent, I'm 334 00:17:30,320 --> 00:17:32,600 Speaker 1: gonna play this one. You tell me first to see 335 00:17:32,600 --> 00:17:46,520 Speaker 1: if you can just name the artist Wilson Phillips. Wilson Phillips. Now, 336 00:17:46,560 --> 00:17:50,160 Speaker 1: how does this fall into this this episode? Okay, So, 337 00:17:50,640 --> 00:17:55,560 Speaker 1: Brian Wilson's daughter, Carney Wilson, right, is in Wilson Phillips. 338 00:17:55,560 --> 00:18:06,639 Speaker 1: Good job, Ban Wilson from the Beach Boy. So Carney 339 00:18:06,720 --> 00:18:09,119 Speaker 1: Wilson is the daughter of Brian Wilson and the Beach Boys, 340 00:18:09,960 --> 00:18:13,120 Speaker 1: and she co founded Wilson Phillips their younger sister, who, 341 00:18:13,119 --> 00:18:19,159 Speaker 1: by the way, as another Wilson oh, she's also and 342 00:18:19,359 --> 00:18:22,840 Speaker 1: China Phillips, so it's too Wilson's and a Phillips and 343 00:18:22,880 --> 00:18:25,600 Speaker 1: they weren't their teens. They released two albums and I 344 00:18:25,640 --> 00:18:28,200 Speaker 1: did Miss America. I Judgments America with Corney. Wilson was 345 00:18:28,240 --> 00:18:30,679 Speaker 1: called other on Instagram super nice, but I could not 346 00:18:30,680 --> 00:18:32,320 Speaker 1: sew everyone look at her. I want to do on 347 00:18:32,400 --> 00:18:38,000 Speaker 1: purpose stuck in your head. Yeah, I would see you 348 00:18:38,040 --> 00:18:39,760 Speaker 1: and I would just think every time and I'd be like, Carney, 349 00:18:39,760 --> 00:18:41,840 Speaker 1: I'm so sorry, and she was like, yeah, you should 350 00:18:41,880 --> 00:18:45,800 Speaker 1: be just fine. Um, Shooter Jennings wayl and Jennings. You know, shoot, 351 00:18:46,040 --> 00:18:50,640 Speaker 1: I think just produced the record from Tanya Tucker. Right, 352 00:18:51,520 --> 00:18:56,240 Speaker 1: was that Shooter Jenny's that produced that with um, I 353 00:18:56,280 --> 00:18:58,720 Speaker 1: don't know, I have might be look that up because 354 00:19:00,000 --> 00:19:02,520 Speaker 1: go ahead, Mike d I believe Brandy carl sh Shoot 355 00:19:02,600 --> 00:19:06,200 Speaker 1: Jennings produced the record for Kny Tucker. Wow, Brandy Carlos. 356 00:19:07,240 --> 00:19:08,879 Speaker 1: I don't know. I got a lot of info in 357 00:19:08,880 --> 00:19:10,480 Speaker 1: that ahead of years. I'm not even sure of it. 358 00:19:10,560 --> 00:19:16,200 Speaker 1: Sometimes when the kind of Marilyn Manson, he was h oh, 359 00:19:16,359 --> 00:19:19,000 Speaker 1: look at that very diverse Shooter Jennings born May nine, 360 00:19:19,720 --> 00:19:23,320 Speaker 1: seventy nine. I mean, I knew Shooter ready from what 361 00:19:23,440 --> 00:19:25,280 Speaker 1: used to do Emmy television. He'd come in a lot, 362 00:19:25,400 --> 00:19:27,840 Speaker 1: he'd come in a lot. We'd see him have his 363 00:19:27,880 --> 00:19:31,560 Speaker 1: sunglasses on in em television is a regional tell. That's 364 00:19:31,560 --> 00:19:33,320 Speaker 1: how Eddie and I met. We were doing TV together 365 00:19:33,840 --> 00:19:36,920 Speaker 1: and it was a regional Texas show and we did 366 00:19:36,920 --> 00:19:40,120 Speaker 1: a whole Shooter Jenning special, a whole live concert. Yeah, 367 00:19:40,119 --> 00:19:41,840 Speaker 1: he did was a concert and we kind of put 368 00:19:41,840 --> 00:19:44,320 Speaker 1: it all together and broadcast that. But I don't. I 369 00:19:44,359 --> 00:19:46,439 Speaker 1: never I mean, I met him probably five times, but 370 00:19:46,480 --> 00:19:48,600 Speaker 1: I never got to know him. He wasn't He didn't 371 00:19:48,600 --> 00:19:51,520 Speaker 1: talk very much. So I don't know what he's like. 372 00:19:51,640 --> 00:19:55,719 Speaker 1: It's kind of scared of him. He looks like, but 373 00:19:55,800 --> 00:19:59,800 Speaker 1: I don't he may not be. Okay, how about which 374 00:19:59,800 --> 00:20:03,800 Speaker 1: one the Beatles has his son? That did music? Okay? Um? 375 00:20:03,960 --> 00:20:09,040 Speaker 1: From John and Sean. Hey, Jude not so much. Sean. 376 00:20:09,240 --> 00:20:16,600 Speaker 1: Julian did more. Really, that's Julian. That's Julian. Wow. He 377 00:20:16,600 --> 00:20:18,360 Speaker 1: sounds just like his dad, just like his dad more 378 00:20:18,359 --> 00:20:21,840 Speaker 1: than Sean does. Julian Lennon is an English musician a photographer, 379 00:20:22,320 --> 00:20:26,960 Speaker 1: son of John Lennon and Cynthia, and Julian was the 380 00:20:27,000 --> 00:20:31,400 Speaker 1: direct inspiration for three Beatles songs Ready, Lucy and This 381 00:20:31,520 --> 00:20:38,120 Speaker 1: Guy with Diamonds, Hey, Jude, Julian Billiant written by Paul McCartney, 382 00:20:38,160 --> 00:20:41,119 Speaker 1: and good Night his parents divorced. The nineteen sixty eight 383 00:20:41,200 --> 00:20:43,640 Speaker 1: Julian Lennon inspired one of his father's most famous songs, 384 00:20:43,760 --> 00:20:45,560 Speaker 1: Lucy and This Guy with Diamonds, whose lyrics described a 385 00:20:45,600 --> 00:20:47,680 Speaker 1: picture of a boy, that picture that he had drawn 386 00:20:47,880 --> 00:20:52,720 Speaker 1: a watercolor painting of his friend Lucy. O'Donnell, it's Lucy 387 00:20:52,760 --> 00:20:54,639 Speaker 1: and this Guy with Diamonds is a picture that his 388 00:20:54,720 --> 00:20:58,880 Speaker 1: son had painted with finger paints of a girl named Lucy. Yeah, 389 00:20:58,880 --> 00:21:00,560 Speaker 1: but I love how the media to that one, and 390 00:21:00,560 --> 00:21:04,040 Speaker 1: when it like it is l S D. Right, how 391 00:21:04,040 --> 00:21:08,680 Speaker 1: about this one? Do you know who this is? Brent Good, 392 00:21:11,800 --> 00:21:18,480 Speaker 1: Mike d good job on this. Eddie and I went 393 00:21:18,520 --> 00:21:21,639 Speaker 1: as Halloween, we did, and I did that. There's a 394 00:21:21,640 --> 00:21:26,960 Speaker 1: white guy in this song, and there's a Mexicanish singing 395 00:21:27,160 --> 00:21:29,720 Speaker 1: right now? You know that is no? I think I'm stumped. 396 00:21:29,720 --> 00:21:33,119 Speaker 1: That's Julio Iglesias. Okay, I was Willie Nelson. Eddie was 397 00:21:33,160 --> 00:21:43,639 Speaker 1: Julio Iglesis and his son is come on, Brent Enrique. Yeah, 398 00:21:41,040 --> 00:21:45,680 Speaker 1: he's a good one. I told Mike earlier. I was like, 399 00:21:45,720 --> 00:21:49,720 Speaker 1: that's a good one. Uh. Iglesia is born in Madrid, Spain. Ah, 400 00:21:49,760 --> 00:21:53,160 Speaker 1: he's not Mexican. My bad, that's why the Spanish, I thought. Dude. 401 00:21:53,160 --> 00:21:55,840 Speaker 1: But let's see like us some Mexicans. I'm Mexican American 402 00:21:55,920 --> 00:21:58,280 Speaker 1: and we're growing up like anyone. That spokes manashed like, yeah, 403 00:21:58,280 --> 00:22:02,480 Speaker 1: there's are people with Mexicans Blamo, which means let's dance, 404 00:22:02,800 --> 00:22:07,200 Speaker 1: that's right, yeah, Andy, Glaciers means church. Well. Enrique Iglesias 405 00:22:07,280 --> 00:22:10,359 Speaker 1: begin his career with the name Enrique Martinez because he 406 00:22:10,400 --> 00:22:13,200 Speaker 1: didn't want to be known as Julio Man. He didn't 407 00:22:13,240 --> 00:22:15,080 Speaker 1: he didn't want his dad to know about his plans 408 00:22:15,320 --> 00:22:17,600 Speaker 1: to be in music, and he didn't want the name 409 00:22:17,600 --> 00:22:20,080 Speaker 1: to help him advance to career. So he borrowed money 410 00:22:20,080 --> 00:22:23,080 Speaker 1: from his family nanny and recorded a demo which consisted 411 00:22:23,119 --> 00:22:25,560 Speaker 1: of a Spanish song in two English songs. Fun fact 412 00:22:25,560 --> 00:22:28,480 Speaker 1: about Enrique Iglesias. You know that song Custin not I'm 413 00:22:28,520 --> 00:22:32,280 Speaker 1: Loving You. That's not the original version. The original version 414 00:22:32,320 --> 00:22:35,560 Speaker 1: is Custin notam Effing you? Really? And they made a 415 00:22:35,640 --> 00:22:38,160 Speaker 1: radio edit. I remember you talking about this blown away 416 00:22:38,160 --> 00:22:39,359 Speaker 1: when I played it the first time, was like, oh 417 00:22:39,400 --> 00:22:45,080 Speaker 1: my god, because the song was effing you. That's weird too. 418 00:22:45,119 --> 00:22:51,080 Speaker 1: Whenever he's the songs like, uh, I've known from coast 419 00:22:51,160 --> 00:22:53,359 Speaker 1: to coast and let's say about them. He's got so 420 00:22:53,400 --> 00:22:55,800 Speaker 1: much coming, he goes and I know it may be rude, 421 00:22:55,880 --> 00:22:58,400 Speaker 1: but to not in you And I'm like, whoa does 422 00:22:58,440 --> 00:23:01,760 Speaker 1: he sing that live? That version? I don't think probably not. Okay, 423 00:23:01,800 --> 00:23:04,200 Speaker 1: it's too much. I mean, just to write that it's 424 00:23:04,200 --> 00:23:07,560 Speaker 1: a little much. Might it might? Yeah? That I felt 425 00:23:07,560 --> 00:23:10,760 Speaker 1: it was like who would say that? Yeah, no one, no, no, 426 00:23:10,760 --> 00:23:12,600 Speaker 1: no one, like in real life, no one would ever 427 00:23:12,640 --> 00:23:19,120 Speaker 1: do that. And finally I can't think of anymore. You'll 428 00:23:19,119 --> 00:23:23,800 Speaker 1: be like, oh crap o God. There's a lot of them. 429 00:23:24,560 --> 00:23:28,840 Speaker 1: Bob and all his sons, Bob Marley and Ziggy Marley 430 00:23:29,440 --> 00:23:32,359 Speaker 1: his most famous music son. All of them do a 431 00:23:32,400 --> 00:23:35,199 Speaker 1: lot of them do oh yeah, Damien Stephen Ziggy as 432 00:23:35,240 --> 00:23:37,280 Speaker 1: the leader of the band Ziggy Marley and the Melodymakers 433 00:23:37,560 --> 00:23:39,919 Speaker 1: and the son of Bob Marley and Rita Marley and 434 00:23:40,000 --> 00:23:43,080 Speaker 1: so again, he has a lot have sons that do music, 435 00:23:43,119 --> 00:23:46,160 Speaker 1: but Ziggy would be the A lot of kids, yeah, 436 00:23:46,240 --> 00:23:48,960 Speaker 1: with different women I was listening to an episode of 437 00:23:49,000 --> 00:23:51,159 Speaker 1: Just Graceland about Bob Marley. Did you hear that one, Mike, 438 00:23:51,200 --> 00:23:53,000 Speaker 1: I haven't heard that Bob Marley's people would go out 439 00:23:53,040 --> 00:23:55,240 Speaker 1: of these stations and like the Bahama isn't like have 440 00:23:55,280 --> 00:23:57,919 Speaker 1: a gun and make them play the music. Yeah, I 441 00:23:57,920 --> 00:24:03,320 Speaker 1: guess they have different rules. Yaful people don't worry. What 442 00:24:03,320 --> 00:24:07,640 Speaker 1: do you mean, man, you got a gun? So um, Yeah, 443 00:24:07,720 --> 00:24:10,720 Speaker 1: that's a that's a fun little topic there. And I 444 00:24:10,760 --> 00:24:12,760 Speaker 1: think what we're gonna do in a later episode, Brent's here, 445 00:24:12,760 --> 00:24:15,080 Speaker 1: we're gonna record. I think sometimes people like to hear 446 00:24:15,200 --> 00:24:17,879 Speaker 1: the back behind the scenes of radio and Brent against 447 00:24:17,880 --> 00:24:21,640 Speaker 1: a program director for two radio stations, country stations in Bakersville, California. 448 00:24:21,760 --> 00:24:24,160 Speaker 1: So we'll do a podcast about what it's like behind 449 00:24:24,160 --> 00:24:27,520 Speaker 1: the scenes for a radio program director. Co Um. That 450 00:24:27,600 --> 00:24:30,119 Speaker 1: being said, the inspiration of this whole podcast was me 451 00:24:30,200 --> 00:24:34,399 Speaker 1: wanting to talk to Aubrey Sellers and coming up and 452 00:24:34,560 --> 00:24:37,399 Speaker 1: just now we're we're gonna do it a spot quick break, 453 00:24:37,520 --> 00:24:39,720 Speaker 1: quick break, and on the other side of this break, 454 00:24:39,920 --> 00:24:50,159 Speaker 1: we'll talk with one of my favorite artists, Aubrey Sellers. Aubrey, Hello, 455 00:24:50,400 --> 00:24:53,879 Speaker 1: there she is, how are you Aubrey, God, how are you? 456 00:24:54,080 --> 00:24:57,520 Speaker 1: Where are you right now? I'm in my car in 457 00:24:57,680 --> 00:25:00,760 Speaker 1: l A. But I'm not driving yeah out because they'll 458 00:25:00,760 --> 00:25:03,639 Speaker 1: bust you quick in California for driving with it. And 459 00:25:03,680 --> 00:25:07,320 Speaker 1: like here in Nashville, we just started the hands free 460 00:25:07,440 --> 00:25:10,280 Speaker 1: so it kind of doesn't matter. Like sometimes I still 461 00:25:10,280 --> 00:25:12,280 Speaker 1: hold it in my hand, but if you do it 462 00:25:12,320 --> 00:25:17,159 Speaker 1: out there, yeah, they just passed like two months ago. Wow, 463 00:25:17,680 --> 00:25:21,520 Speaker 1: it's it's changed so much, Aubrey since you left. Yeah, 464 00:25:21,560 --> 00:25:24,840 Speaker 1: it's a completely different city. I didn't know. I have 465 00:25:24,920 --> 00:25:27,320 Speaker 1: been meaning to get you on for a couple of reasons. 466 00:25:27,359 --> 00:25:29,960 Speaker 1: Reason number one. And I told Mike d I said, Hey, 467 00:25:29,960 --> 00:25:32,399 Speaker 1: I want to get Aubrey on because, um, you know 468 00:25:32,480 --> 00:25:34,040 Speaker 1: I'm a big fan of yours, right, I tell you 469 00:25:34,080 --> 00:25:35,920 Speaker 1: that every time I see I'm like, I'm your biggest fan. 470 00:25:36,920 --> 00:25:39,520 Speaker 1: And then you've been putting out some new stuff and 471 00:25:39,520 --> 00:25:41,239 Speaker 1: and I was like, man, I want get Aubrey talk 472 00:25:41,280 --> 00:25:44,400 Speaker 1: about these songs. So why don't we start with that first? Um, 473 00:25:44,720 --> 00:25:47,440 Speaker 1: I want to play this song that UM with Steve 474 00:25:47,440 --> 00:25:49,640 Speaker 1: Earle My Love will not Change. You want to play 475 00:25:49,640 --> 00:25:50,720 Speaker 1: a clip of it. I don't know if you're able 476 00:25:50,720 --> 00:25:52,200 Speaker 1: to hear this, but I'm gonna play a clips, so 477 00:25:52,240 --> 00:26:00,240 Speaker 1: we'll come right back to you. Did you hear that Aubrey? 478 00:26:00,280 --> 00:26:03,679 Speaker 1: Can you hear yourself? Okay? No, she can't. Okay. So 479 00:26:03,680 --> 00:26:04,960 Speaker 1: I'm gonna tell you this song is playing right. That 480 00:26:05,080 --> 00:26:06,680 Speaker 1: was real good. It's called My Love Will Not Change 481 00:26:06,680 --> 00:26:09,440 Speaker 1: My Aubrey Sellers, tell me about this song right here. 482 00:26:11,359 --> 00:26:13,160 Speaker 1: So this is the only song on my new record 483 00:26:13,160 --> 00:26:15,720 Speaker 1: that I didn't write. It was actually a bluegrass song. 484 00:26:15,760 --> 00:26:18,640 Speaker 1: A guy named Sean Camp wrote it with Billy Burnett 485 00:26:18,760 --> 00:26:22,119 Speaker 1: and do you know who Del McCurry is. Okay, So 486 00:26:22,240 --> 00:26:26,040 Speaker 1: Del McCurry did a kind of the quintessential version of it, 487 00:26:26,080 --> 00:26:28,000 Speaker 1: but it's a total bluegrass song. So people woul go 488 00:26:28,040 --> 00:26:30,960 Speaker 1: listen and like hear the original version. And when I 489 00:26:31,000 --> 00:26:32,280 Speaker 1: heard it, I was like, I want to kind of 490 00:26:32,280 --> 00:26:34,600 Speaker 1: do this in my own style, you know, kind of 491 00:26:34,680 --> 00:26:37,520 Speaker 1: rock it out a little bit. And when I decided 492 00:26:37,560 --> 00:26:39,560 Speaker 1: to record it, I was like, Feverles like one of 493 00:26:39,640 --> 00:26:43,160 Speaker 1: my ultimate heroes, and so I was like, I can't 494 00:26:43,200 --> 00:26:45,280 Speaker 1: hear anyone else I would like sing this song with 495 00:26:45,400 --> 00:26:48,280 Speaker 1: except him, So I like totally like stalked him to 496 00:26:48,320 --> 00:26:52,280 Speaker 1: try to figure out this song. And so it's kind 497 00:26:52,320 --> 00:26:54,680 Speaker 1: of a dream come true. I like, she's like, you know, 498 00:26:54,720 --> 00:26:56,480 Speaker 1: I decided to rock this one out. All she does 499 00:26:56,520 --> 00:26:59,199 Speaker 1: is rock things out like a bit. When you put 500 00:26:59,240 --> 00:27:03,200 Speaker 1: out your last record, it was all like electric, right yeah, 501 00:27:03,280 --> 00:27:05,280 Speaker 1: I was, Yeah, she's like this one I decided to No, no, 502 00:27:05,359 --> 00:27:09,680 Speaker 1: you rock everything out like um, Okay, I know Eddie. 503 00:27:09,680 --> 00:27:12,400 Speaker 1: Do you know Del McCarry? Of course I do. Okay, Yeah, 504 00:27:13,640 --> 00:27:16,480 Speaker 1: the White Hair and All and the bluegrass band. I dude, 505 00:27:16,520 --> 00:27:18,960 Speaker 1: he's just been rocking for so long, so good. Yeah, 506 00:27:19,000 --> 00:27:22,399 Speaker 1: Aubrey knows a lot of these old schoolers because she's 507 00:27:22,440 --> 00:27:24,560 Speaker 1: been around her whole life. Right, So, how do you 508 00:27:24,600 --> 00:27:29,000 Speaker 1: get introduced to like Steve Earl and Del McCurry. How 509 00:27:29,080 --> 00:27:30,560 Speaker 1: did I want? How do you get introduced to people 510 00:27:30,560 --> 00:27:33,400 Speaker 1: like Steve Earl and Del McCurry. Oh well, So it's 511 00:27:33,400 --> 00:27:35,840 Speaker 1: funny because my dad, growing up play blue grass with 512 00:27:35,920 --> 00:27:39,800 Speaker 1: Ricky Skaggs. So I just knew a lot of those people. 513 00:27:39,960 --> 00:27:42,119 Speaker 1: And you know, obviously my mom listened to a lot 514 00:27:42,119 --> 00:27:44,560 Speaker 1: of country music and things countries too, so I was 515 00:27:44,680 --> 00:27:46,920 Speaker 1: I just exposed all of that from a young age, 516 00:27:46,920 --> 00:27:49,320 Speaker 1: and so I have a really I have a real 517 00:27:49,359 --> 00:27:51,840 Speaker 1: appreciation for blue grass. In fact, if I didn't do 518 00:27:51,840 --> 00:27:53,840 Speaker 1: the kind of music I do. I at one point 519 00:27:53,880 --> 00:27:56,800 Speaker 1: in my life wanted to play blue grass. You know. 520 00:27:57,080 --> 00:27:59,600 Speaker 1: It's it's funny because I think you could have had 521 00:28:00,000 --> 00:28:01,639 Speaker 1: you probably have had plenty of opportunities to kind of 522 00:28:01,680 --> 00:28:05,800 Speaker 1: ride your parents hotails, but you chose just to go 523 00:28:06,200 --> 00:28:09,400 Speaker 1: kind of a different angle with that. I'm assuming that 524 00:28:09,520 --> 00:28:13,680 Speaker 1: was kind of on purpose. Yeah, I mean I've felt 525 00:28:13,720 --> 00:28:15,840 Speaker 1: a lot of pressure to like live up to not 526 00:28:15,960 --> 00:28:19,520 Speaker 1: only like what people I guess expected from my parents 527 00:28:19,560 --> 00:28:22,520 Speaker 1: being successful, but also just you know, I think still 528 00:28:22,800 --> 00:28:24,760 Speaker 1: when people hear me, they expect me to kind of 529 00:28:24,800 --> 00:28:28,040 Speaker 1: sound like my mom or whatever, and so I definitely 530 00:28:28,040 --> 00:28:31,359 Speaker 1: felt like a need to make a distinct stance in 531 00:28:31,359 --> 00:28:35,000 Speaker 1: the beginning and be like, I'm not my parents. You know, 532 00:28:35,520 --> 00:28:37,919 Speaker 1: I may have some similarities because of genetics, but like, 533 00:28:38,000 --> 00:28:39,800 Speaker 1: I want to do it my way, and you know, 534 00:28:39,880 --> 00:28:42,160 Speaker 1: I even tried to keep people from mentioning it, but 535 00:28:42,200 --> 00:28:45,080 Speaker 1: that's kind of impossible. So I kind of gave that 536 00:28:45,160 --> 00:28:48,520 Speaker 1: up quickly. Because sometimes you can look at a picture 537 00:28:49,120 --> 00:28:52,480 Speaker 1: and you can see, you know, wow, I do like when, 538 00:28:53,040 --> 00:28:55,719 Speaker 1: for example, Eddie, like you and your dad, you can 539 00:28:55,760 --> 00:28:57,280 Speaker 1: probably see your dad at your age and think it 540 00:28:57,280 --> 00:29:00,680 Speaker 1: looks like you now not not visual to Aubrey, can 541 00:29:00,760 --> 00:29:04,000 Speaker 1: you hear you? And here it sounds like your like 542 00:29:04,040 --> 00:29:07,520 Speaker 1: your voices sound similar for sure. Our voices, I think 543 00:29:07,560 --> 00:29:10,160 Speaker 1: sound really similar. Um. But that's the thing too, it's 544 00:29:10,200 --> 00:29:11,680 Speaker 1: like I can't help that, you know. It's like I 545 00:29:11,840 --> 00:29:15,240 Speaker 1: literally have her DNA. But uh, and I grew up 546 00:29:15,280 --> 00:29:17,360 Speaker 1: on the road too, ladies. For you know, she homesuled 547 00:29:17,360 --> 00:29:19,120 Speaker 1: me like out of around her all the time, hearing 548 00:29:19,120 --> 00:29:20,640 Speaker 1: her sing all the time. So it's just gonna be 549 00:29:20,720 --> 00:29:22,560 Speaker 1: natural that I found like we're a little bit vocally, 550 00:29:22,680 --> 00:29:26,360 Speaker 1: but you know, musically obviously it's different. So I'm gonna 551 00:29:26,360 --> 00:29:29,000 Speaker 1: play another song here. This is called Drag You Down. 552 00:29:29,480 --> 00:29:31,600 Speaker 1: So Aubrey, you will hear silence, but we will be 553 00:29:31,640 --> 00:29:33,160 Speaker 1: nodding our head and listening to the song in our 554 00:29:33,200 --> 00:29:36,360 Speaker 1: ears because we don't have the technology yet for you 555 00:29:36,400 --> 00:29:38,160 Speaker 1: to hear it as well. Here's Drag You Down from 556 00:29:38,160 --> 00:29:50,600 Speaker 1: Aubrey tellers. Well, you can track stuff and I've always 557 00:29:50,640 --> 00:29:53,600 Speaker 1: had a sorry, that's drag you Down. Tell me about 558 00:29:53,600 --> 00:29:56,440 Speaker 1: this one, Aubrey. I heard that one, by the way, 559 00:29:56,440 --> 00:29:58,280 Speaker 1: Oh she did. We pushed a button so you can 560 00:29:58,280 --> 00:30:00,680 Speaker 1: hear it. Yeah, we're figured stuff. It is a man. 561 00:30:01,560 --> 00:30:03,440 Speaker 1: This podcast gotta go in, all right, So tell me 562 00:30:03,440 --> 00:30:07,520 Speaker 1: about Drag You Down. Um, So, Drag You Down is 563 00:30:07,960 --> 00:30:11,680 Speaker 1: uh it's kind of like a song about breaking someone 564 00:30:11,720 --> 00:30:14,400 Speaker 1: down to your level when they're not being very empathetic, 565 00:30:14,480 --> 00:30:16,280 Speaker 1: you know. I think we just like I think it's 566 00:30:16,360 --> 00:30:17,960 Speaker 1: kind of when you wrote it, like, I don't think 567 00:30:18,120 --> 00:30:20,120 Speaker 1: the world was as heated as it is right now 568 00:30:20,160 --> 00:30:22,440 Speaker 1: because I've read it a couple of years ago. But 569 00:30:22,680 --> 00:30:25,000 Speaker 1: now I feel like it's really a timely song because 570 00:30:25,040 --> 00:30:28,040 Speaker 1: it's like kind of about you know, people not seeing 571 00:30:28,040 --> 00:30:30,280 Speaker 1: eye to eye and and kind of that emotion you 572 00:30:30,320 --> 00:30:32,280 Speaker 1: feel when when you want to bring someone to your 573 00:30:32,320 --> 00:30:35,280 Speaker 1: level and kind of have them seekings through your eyes. 574 00:30:35,560 --> 00:30:37,800 Speaker 1: And uh, yeah, I wrote with a girl named Shannon 575 00:30:37,880 --> 00:30:39,840 Speaker 1: right and she's singing on it, and we had a 576 00:30:39,840 --> 00:30:41,880 Speaker 1: lot of fun with that one. So check out those 577 00:30:41,920 --> 00:30:43,840 Speaker 1: two songs from Aubrey. I'm gonna tell you I still 578 00:30:43,920 --> 00:30:48,560 Speaker 1: love this the whole New City Blues just so good, 579 00:30:49,160 --> 00:30:52,640 Speaker 1: so good. I feel the need to like take her 580 00:30:52,680 --> 00:30:54,760 Speaker 1: by the shoulders and look and go, you're so good 581 00:30:54,800 --> 00:30:56,360 Speaker 1: every time I see her and we don't see we 582 00:30:56,360 --> 00:30:57,800 Speaker 1: don't see each other often, but a couple of times 583 00:30:57,800 --> 00:30:59,240 Speaker 1: a year, We'll running each other somewhere. I think the 584 00:30:59,280 --> 00:31:00,760 Speaker 1: last time I'll reach we saw each other was at 585 00:31:00,800 --> 00:31:04,120 Speaker 1: Dirk's the show. Yeah, that's right, Yeah, in Los Angeles. 586 00:31:04,560 --> 00:31:08,000 Speaker 1: She what's that like being an art an artist living 587 00:31:08,040 --> 00:31:12,880 Speaker 1: in l A. So, I mean, I grew up in Nashville, 588 00:31:12,920 --> 00:31:15,320 Speaker 1: you know, I was born and raised there. So I 589 00:31:15,360 --> 00:31:17,800 Speaker 1: feel like it was a little bit time for me 590 00:31:17,840 --> 00:31:20,360 Speaker 1: to try to do something a little different for myself 591 00:31:20,400 --> 00:31:22,320 Speaker 1: and and kind of get out of my comfort zone 592 00:31:22,320 --> 00:31:23,840 Speaker 1: and get out of the Nashville bubble that I've been 593 00:31:23,880 --> 00:31:27,240 Speaker 1: living in my whole life. And and you know, I 594 00:31:27,280 --> 00:31:28,760 Speaker 1: actd here, so I came out here to kind of 595 00:31:28,800 --> 00:31:30,600 Speaker 1: pursue that a little bit. And I really like it 596 00:31:30,600 --> 00:31:33,440 Speaker 1: out here. I think like it's good. It's it's good 597 00:31:33,480 --> 00:31:35,040 Speaker 1: to kind of get in a different mindset and get 598 00:31:35,040 --> 00:31:38,120 Speaker 1: around some different people. And and I know everybody says 599 00:31:38,160 --> 00:31:40,120 Speaker 1: this and it seems like such a stupid thing, but 600 00:31:40,240 --> 00:31:43,960 Speaker 1: the weather is really incredible. But it makes me happy 601 00:31:44,040 --> 00:31:46,160 Speaker 1: every day. So I'm a really good time out here. 602 00:31:46,160 --> 00:31:49,080 Speaker 1: It's really creatively inspiring, and it's nice to kind of 603 00:31:49,400 --> 00:31:52,280 Speaker 1: break out of the Nashville show and kind of you know, 604 00:31:52,360 --> 00:31:54,600 Speaker 1: find find something else. You know, A follow you on 605 00:31:54,680 --> 00:31:57,560 Speaker 1: Instagram and all of your pictures aren't black and white anymore. 606 00:31:57,560 --> 00:31:59,280 Speaker 1: There's some color ones and when they pop up and 607 00:31:59,280 --> 00:32:01,760 Speaker 1: you're in color like she must be in an especially 608 00:32:01,840 --> 00:32:07,560 Speaker 1: chipper mood today. I know, yeah, playing a little color 609 00:32:07,600 --> 00:32:09,280 Speaker 1: into my life. I like it. But I'm still you know, 610 00:32:09,320 --> 00:32:12,240 Speaker 1: I still gotta I still have a majority by you 611 00:32:12,280 --> 00:32:17,000 Speaker 1: knows well everyone out there that's listening right now, I 612 00:32:17,040 --> 00:32:19,120 Speaker 1: just should. Uh. She's got a new record coming out 613 00:32:19,280 --> 00:32:23,800 Speaker 1: in February of am I accurate on that Aubrey that's 614 00:32:23,800 --> 00:32:26,960 Speaker 1: correct on the seventh seven, while we'll be in line 615 00:32:27,040 --> 00:32:31,360 Speaker 1: at the local record store demanding I get my Aubrey Sellers. 616 00:32:31,760 --> 00:32:33,080 Speaker 1: Check out the couple tracks she has that Now my 617 00:32:33,120 --> 00:32:34,960 Speaker 1: level not change with Steve Earle and drag you down 618 00:32:35,320 --> 00:32:38,520 Speaker 1: and Aubrey appreciate you. You know, I'll say it for 619 00:32:38,560 --> 00:32:41,200 Speaker 1: the third time in this uh fifteen minute interview. I'm 620 00:32:41,240 --> 00:32:42,920 Speaker 1: such a big fan. And if you ever need anything, 621 00:32:42,960 --> 00:32:45,040 Speaker 1: let me know. Thank you so much. Right there, she 622 00:32:45,080 --> 00:32:52,960 Speaker 1: has Aubrey Sellers by Aubrey by