1 00:00:02,000 --> 00:00:05,720 Speaker 1: Welcome back to another episode of Alchemy, this COVID nineteen 2 00:00:06,559 --> 00:00:09,320 Speaker 1: one audition. I am your host, Cold Stratton, stepping in 3 00:00:09,440 --> 00:00:12,520 Speaker 1: for some guy named Kevin while he's out working on 4 00:00:12,640 --> 00:00:15,840 Speaker 1: a very slow newsday to day. Let's meet our how 5 00:00:15,920 --> 00:00:22,400 Speaker 1: Chemist Shelley in no particular order, say hello to Craig Takowski. Craig, 6 00:00:22,960 --> 00:00:27,880 Speaker 1: what was your prom theme? And did it blow '? 7 00:00:28,000 --> 00:00:32,560 Speaker 1: Let me take the second part first. Yes, well, I 8 00:00:32,680 --> 00:00:34,600 Speaker 1: think of what the first one was that I think 9 00:00:34,600 --> 00:00:38,440 Speaker 1: it might have been. Ain't nobody going to break my stride? 10 00:00:40,920 --> 00:00:47,519 Speaker 1: Matthew prom? He was in all Matthew Welder theme. Uh 11 00:00:47,600 --> 00:00:50,919 Speaker 1: and uh, and nobody did break my stride. I strode 12 00:00:51,080 --> 00:00:54,560 Speaker 1: into prom like the king of the world. You gotta 13 00:00:54,640 --> 00:00:59,520 Speaker 1: keep on moving, all right, Let's welcome back Mr James. 14 00:00:59,560 --> 00:01:03,080 Speaker 1: Heney James, if you could design a video game, what 15 00:01:03,160 --> 00:01:05,560 Speaker 1: would it be about? What would it be called. It's 16 00:01:05,600 --> 00:01:09,279 Speaker 1: called Roommate Melee. It's a fighting game, much like Mortal 17 00:01:09,360 --> 00:01:13,720 Speaker 1: Kombat or any fighting game, except the regular people that 18 00:01:13,840 --> 00:01:16,720 Speaker 1: live together, and you can take anything from the apartment 19 00:01:16,760 --> 00:01:19,600 Speaker 1: as a weapon. I've thought about it and I want 20 00:01:19,640 --> 00:01:22,000 Speaker 1: to develop it. I just don't have the hard skills 21 00:01:22,040 --> 00:01:27,160 Speaker 1: I got the soft skills. Well, you know no one 22 00:01:27,520 --> 00:01:29,760 Speaker 1: will possibly take that idea and that you set it 23 00:01:29,800 --> 00:01:33,360 Speaker 1: on a big podcast, so you're good. Copy right right now, James, 24 00:01:33,400 --> 00:01:39,400 Speaker 1: copyright it. I don't. All right. Look over there, it's 25 00:01:39,480 --> 00:01:43,800 Speaker 1: Chris Alvarado. Chris, what's the coolest place you've ever been? 26 00:01:47,280 --> 00:01:49,560 Speaker 1: I mean, I've been some cool places I've been to, 27 00:01:49,760 --> 00:01:55,240 Speaker 1: like Fiji and wise stuff, but I'd probably say this 28 00:01:55,280 --> 00:01:57,880 Speaker 1: is so dorky. I think the coolest place I've ever 29 00:01:57,920 --> 00:02:03,680 Speaker 1: been is backstage before opening night, you know what I mean. 30 00:02:04,200 --> 00:02:07,080 Speaker 1: It's you know, even all those rehearsals, all that stuff 31 00:02:07,640 --> 00:02:12,600 Speaker 1: opening night. I'm done, I'm done talking. All right, So 32 00:02:12,720 --> 00:02:20,160 Speaker 1: Fiji and it's Joey Greer. Joey, could you take him all? 33 00:02:20,240 --> 00:02:23,760 Speaker 1: Let's read us some of your friends fan fix. Uh 34 00:02:23,760 --> 00:02:26,320 Speaker 1: this is my friends fans. Before I get into it, 35 00:02:26,400 --> 00:02:29,320 Speaker 1: let me just say I've had a long conversation with 36 00:02:29,360 --> 00:02:31,920 Speaker 1: my buddy about the fan fiction that he's he's he's 37 00:02:31,960 --> 00:02:35,239 Speaker 1: putting out there because he wants the Bridge Star Wars 38 00:02:36,280 --> 00:02:40,120 Speaker 1: with John from Mars, and I don't. I'm like, that's 39 00:02:40,120 --> 00:02:42,639 Speaker 1: a that's not even the same. I'm like, yes, it's 40 00:02:42,680 --> 00:02:45,040 Speaker 1: sci fi. Yes, they go to he goes to another 41 00:02:45,080 --> 00:02:48,440 Speaker 1: planet and all that. But it's like it's a contemporary timeline, right, 42 00:02:48,480 --> 00:02:50,919 Speaker 1: like he's in like the undred John, and then Star 43 00:02:50,960 --> 00:02:54,720 Speaker 1: Wars is like millions of years ago. It doesn't make 44 00:02:54,720 --> 00:02:57,160 Speaker 1: any sense. And and to think that like I'm gonna 45 00:02:57,160 --> 00:02:59,359 Speaker 1: I'm assuming, I mean, I'm gonna stop you there. We're 46 00:02:59,360 --> 00:03:03,239 Speaker 1: talking about John Carter, right, just got some random job 47 00:03:03,400 --> 00:03:07,320 Speaker 1: from Mars. I don't know John Carter. I don't know 48 00:03:07,360 --> 00:03:14,440 Speaker 1: if John Carter and John from Cincinnati. Those are two 49 00:03:14,440 --> 00:03:17,440 Speaker 1: worlds that we have to combine, that's for sure. All right, 50 00:03:17,840 --> 00:03:20,480 Speaker 1: let's do a damn show. All of our scene suggestions 51 00:03:20,480 --> 00:03:23,200 Speaker 1: are gathered from listeners, emails, or from our Patreon v 52 00:03:23,280 --> 00:03:25,680 Speaker 1: I p s. To become a Patreon supporter of the 53 00:03:25,680 --> 00:03:28,880 Speaker 1: show and enjoy exclusive content and other perks, just head 54 00:03:28,919 --> 00:03:32,480 Speaker 1: on over to Patreon dot com slash alchemy this. You'd 55 00:03:32,520 --> 00:03:35,280 Speaker 1: like to submit a scene suggestion via email, please write 56 00:03:35,280 --> 00:03:38,440 Speaker 1: to the podcast at your name here at alchemy this 57 00:03:38,600 --> 00:03:45,080 Speaker 1: dot com. That's your name here at alchemy This scene 58 00:03:45,160 --> 00:03:48,800 Speaker 1: one comes from Kristen Kelly, who wrote, due to a typo, 59 00:03:49,080 --> 00:03:51,880 Speaker 1: the special effects team on a high budget action movie 60 00:03:51,960 --> 00:03:54,320 Speaker 1: have mistakenly rigged up the stunt man in the big 61 00:03:54,400 --> 00:04:01,760 Speaker 1: shootout scene with squids instead of squids. All right, we 62 00:04:01,800 --> 00:04:08,720 Speaker 1: ready to go, hold holding losing the light. These things 63 00:04:08,840 --> 00:04:12,960 Speaker 1: keep slipping off my chest. I don't think that the 64 00:04:13,000 --> 00:04:16,800 Speaker 1: tape isn't holding them. Look, we're about to go. Okay, 65 00:04:16,800 --> 00:04:18,599 Speaker 1: I don't worry about it, right, all right, I don't 66 00:04:18,600 --> 00:04:23,600 Speaker 1: think I don't think they're in place. Are we talking 67 00:04:23,600 --> 00:04:27,240 Speaker 1: to myself? Sorry? Okay, hey, sorry, I'm just having a 68 00:04:27,240 --> 00:04:31,080 Speaker 1: little problem with the background. They're refusing to listen to me, 69 00:04:31,120 --> 00:04:33,040 Speaker 1: if I'm being honest, They're refusing to take my orders, 70 00:04:33,040 --> 00:04:34,760 Speaker 1: and I keep telling them I'm the king of the background. 71 00:04:34,800 --> 00:04:36,400 Speaker 1: I'm the king in the background. But they're having we're 72 00:04:36,400 --> 00:04:38,240 Speaker 1: having a hard time, all right, Sean. That might be 73 00:04:38,279 --> 00:04:39,520 Speaker 1: one of the problems if you keep on saying to 74 00:04:39,520 --> 00:04:41,279 Speaker 1: your king in the background, all right, let's just get 75 00:04:41,279 --> 00:04:43,800 Speaker 1: this p a seany don't you go over to the 76 00:04:44,600 --> 00:04:46,400 Speaker 1: scot over to like the cafeteria. Get you get a 77 00:04:46,440 --> 00:04:48,560 Speaker 1: couple of yogurts and a couple of fruit salads, get 78 00:04:48,560 --> 00:04:50,800 Speaker 1: a couple of place and bring it over to the background. Okay, okay, 79 00:04:50,839 --> 00:04:53,600 Speaker 1: why don't we keep Can you believe the way that 80 00:04:53,640 --> 00:04:57,440 Speaker 1: guy treated us I mean we are the kings of 81 00:04:57,480 --> 00:05:01,039 Speaker 1: the background because we're in the background round, Okay, I 82 00:05:01,080 --> 00:05:04,520 Speaker 1: mean yeah, I mean we are at the background. So like, 83 00:05:04,600 --> 00:05:06,320 Speaker 1: if anyone's going to be the king of the background, 84 00:05:06,360 --> 00:05:08,560 Speaker 1: it's gonna be all of us. We're all the king, 85 00:05:09,320 --> 00:05:12,359 Speaker 1: because if there's gonna be one king, it should be 86 00:05:12,400 --> 00:05:14,960 Speaker 1: all of us. Because we're in the background. It's like 87 00:05:15,000 --> 00:05:17,800 Speaker 1: he doesn't even know what we've done. I mean, I 88 00:05:17,839 --> 00:05:20,719 Speaker 1: was on season two a party of five. Okay, I 89 00:05:20,800 --> 00:05:24,240 Speaker 1: waved behind Matthew Fox at a big party. I had 90 00:05:24,279 --> 00:05:28,520 Speaker 1: about half a second of dedicated camera time. You know, Wow, 91 00:05:29,400 --> 00:05:32,360 Speaker 1: I need to crush your dreams losers, but you're king 92 00:05:32,400 --> 00:05:35,479 Speaker 1: of the losers. I might be background right now, but 93 00:05:35,520 --> 00:05:37,839 Speaker 1: when they start rolling the camera, I'm gonna step into 94 00:05:37,880 --> 00:05:43,600 Speaker 1: the light. What's wrong with the jaw? Your jaw is broken? 95 00:05:43,640 --> 00:05:47,640 Speaker 1: Are you okay or no? It's it's I just have 96 00:05:47,720 --> 00:05:52,000 Speaker 1: a strong jaw. What do you mean? Hi? Um, you're 97 00:05:52,000 --> 00:05:57,560 Speaker 1: heard at the squid department correct? Yeah? Um, So, first 98 00:05:57,600 --> 00:06:01,200 Speaker 1: of all, you're so appreciated on Uh I'm a I'm 99 00:06:01,200 --> 00:06:05,320 Speaker 1: a pa here um so um that uh, not too 100 00:06:05,360 --> 00:06:07,600 Speaker 1: often that people actually call for squids like I'm here 101 00:06:07,640 --> 00:06:11,880 Speaker 1: When they need me. But uh, we do a lot 102 00:06:11,920 --> 00:06:14,120 Speaker 1: of big budget movies on this lot, and you know 103 00:06:14,160 --> 00:06:17,520 Speaker 1: no one's called for squids and years. Yeah, well this 104 00:06:17,600 --> 00:06:19,840 Speaker 1: is exciting then. Um. One thing is they said there 105 00:06:20,440 --> 00:06:23,080 Speaker 1: they're losing light. If we could get those squids um 106 00:06:23,279 --> 00:06:26,280 Speaker 1: um attached half, that would be great. Yeah, well they'll 107 00:06:26,320 --> 00:06:29,799 Speaker 1: they'll attach themselves. I mean they've got yeah, they've got suction. 108 00:06:30,520 --> 00:06:33,240 Speaker 1: Um so I think you know he's got You know, 109 00:06:33,279 --> 00:06:36,480 Speaker 1: they're pretty intelligent, you know, to be honest with you, 110 00:06:36,480 --> 00:06:38,400 Speaker 1: you know, do you want to do what? They'll do? 111 00:06:38,440 --> 00:06:41,360 Speaker 1: What you want? You want to handle the principle he's 112 00:06:41,000 --> 00:06:45,720 Speaker 1: should I be on step? Should Why don't you come 113 00:06:45,720 --> 00:06:47,800 Speaker 1: on this way? I raised all those squids from the 114 00:06:47,800 --> 00:06:51,640 Speaker 1: time that they were just follow me. Eggs flying in, 115 00:06:51,839 --> 00:06:54,880 Speaker 1: flying in, squid man flying in the Yes, squid guy 116 00:06:55,200 --> 00:06:59,440 Speaker 1: flying in. Squid guy. Okay, this is Hey, these things 117 00:06:59,520 --> 00:07:02,520 Speaker 1: keep slipped and down my chest. I well, you're scared. 118 00:07:02,560 --> 00:07:06,440 Speaker 1: I pressed him. Go ahead, you're scaring him to him 119 00:07:06,480 --> 00:07:09,160 Speaker 1: make them feel comfortable, Yes you are. I'm a fucking star. 120 00:07:09,360 --> 00:07:12,240 Speaker 1: They should feel lucky to be here here. Look what 121 00:07:12,280 --> 00:07:18,600 Speaker 1: happens when I pressed too hard? O, don't don't do that. 122 00:07:18,680 --> 00:07:21,320 Speaker 1: To Cocoa. Don't do that to Coco. Well, I mean, 123 00:07:21,680 --> 00:07:25,320 Speaker 1: how else are you supposed to get it to Adhes? Look, 124 00:07:25,360 --> 00:07:28,040 Speaker 1: they will adhere themselves. Have you been rigged with squids before? 125 00:07:29,000 --> 00:07:33,520 Speaker 1: I've I mean, I don't know. I like Taylor Laudner. 126 00:07:33,560 --> 00:07:35,280 Speaker 1: I think he's good. I think the numbers, you know, 127 00:07:35,360 --> 00:07:38,040 Speaker 1: support why he's casting. But he's not taking to the 128 00:07:38,080 --> 00:07:39,720 Speaker 1: squids and the squids aren't taken to him. I mean, 129 00:07:39,760 --> 00:07:42,400 Speaker 1: we might need to do a recast. Maybe we need 130 00:07:42,400 --> 00:07:44,800 Speaker 1: to get Robert Pattins said, maybe at the squids are 131 00:07:45,160 --> 00:07:48,640 Speaker 1: Team Edward. Maybe, I mean, maybe we could do some 132 00:07:48,720 --> 00:07:50,480 Speaker 1: kind of like screen tests, but the squids on him, 133 00:07:50,520 --> 00:07:52,320 Speaker 1: see what, see what if they're sucking or not. I mean, 134 00:07:52,440 --> 00:07:55,160 Speaker 1: we've already got six d and fifty billion dollars into 135 00:07:55,160 --> 00:07:58,400 Speaker 1: this film, all right. I mean, like, you tell me 136 00:07:58,680 --> 00:08:01,600 Speaker 1: what we should do because if we pull the plug, now, 137 00:08:01,720 --> 00:08:05,640 Speaker 1: that's money wasted. I agree, Mr Geffen, but I just don't. 138 00:08:06,000 --> 00:08:08,400 Speaker 1: I don't know how we're gonna turn to profit on 139 00:08:08,440 --> 00:08:11,680 Speaker 1: this no matter what you do. Background background. I know 140 00:08:12,160 --> 00:08:14,240 Speaker 1: we started off on the wrong foot, and I admit 141 00:08:14,360 --> 00:08:16,960 Speaker 1: I am not your king, But to make up for it, 142 00:08:17,280 --> 00:08:19,400 Speaker 1: I have some very interesting news you might want to hear. 143 00:08:20,520 --> 00:08:22,920 Speaker 1: It looks like it looks like they might want to 144 00:08:22,960 --> 00:08:25,120 Speaker 1: pull one of you guys up. I'm talking full sag. 145 00:08:27,640 --> 00:08:31,840 Speaker 1: We're getting a bub. I mean, this guy's jaws pretty 146 00:08:31,840 --> 00:08:33,679 Speaker 1: messed up. Maybe if you want to bring over here. 147 00:08:34,160 --> 00:08:36,000 Speaker 1: This is how my jaw is. It's a strong jaw. 148 00:08:36,320 --> 00:08:40,520 Speaker 1: It's a prominent chin. Come on, all right, look talk 149 00:08:41,559 --> 00:08:43,760 Speaker 1: you need to. I don't need to move my lips. 150 00:08:44,200 --> 00:08:47,040 Speaker 1: You all have cell phones, right, I say, just to 151 00:08:47,080 --> 00:08:49,120 Speaker 1: make it safe, put yourself on tape right now, do 152 00:08:49,200 --> 00:08:51,280 Speaker 1: a quick audition. Send it to me. I'll give it 153 00:08:51,280 --> 00:08:55,319 Speaker 1: to the director right now. What I don't I give 154 00:08:55,400 --> 00:08:57,040 Speaker 1: here all the information I know. I gotta get these 155 00:08:57,080 --> 00:08:59,280 Speaker 1: others back. We have to audition. This guy was on 156 00:08:59,360 --> 00:09:02,199 Speaker 1: season five A Party of two? Wait is that true? 157 00:09:02,840 --> 00:09:05,280 Speaker 1: Season two A Party of five? I was on the 158 00:09:05,320 --> 00:09:12,520 Speaker 1: season one Party of two. Okay, okay, okay, okay. That 159 00:09:12,520 --> 00:09:14,880 Speaker 1: shouldn't that shouldn't be an advantage, Like you don't know 160 00:09:14,920 --> 00:09:18,400 Speaker 1: what my my my restume. You haven't even asked? All right, 161 00:09:18,480 --> 00:09:25,199 Speaker 1: just send you myself tape? What creative distraction? I shot 162 00:09:25,200 --> 00:09:27,640 Speaker 1: a self tape and said it to us. Good mine too. 163 00:09:27,840 --> 00:09:34,280 Speaker 1: There you go, Okay, that's mine. Excuse me? I mean 164 00:09:34,360 --> 00:09:36,680 Speaker 1: that's really because if we think about, like what is 165 00:09:36,720 --> 00:09:38,960 Speaker 1: the give me one teking, If we think about, like, 166 00:09:39,240 --> 00:09:41,839 Speaker 1: why are they coming into just because they're entering the 167 00:09:42,120 --> 00:09:44,560 Speaker 1: give me give me one? If they're if they're coming 168 00:09:44,679 --> 00:09:47,760 Speaker 1: into if they're coming into town, right and we're gonna 169 00:09:47,800 --> 00:09:49,440 Speaker 1: get that crane shot down. It's gonna go into an 170 00:09:49,440 --> 00:09:51,520 Speaker 1: eagle eye, it's gonna pop right back. Will you give 171 00:09:51,600 --> 00:09:55,000 Speaker 1: me a damn circuit? What is your name? I can't 172 00:09:55,080 --> 00:09:58,959 Speaker 1: What is your name? P A? Your name is p A? Yes, sir, 173 00:09:59,320 --> 00:10:02,440 Speaker 1: your name is pe Okay, you know what do me? 174 00:10:02,800 --> 00:10:04,280 Speaker 1: Do you remember? Every one? Can we just stop for 175 00:10:04,320 --> 00:10:14,040 Speaker 1: a second, can huddle around? But somebody here who wants 176 00:10:14,080 --> 00:10:17,679 Speaker 1: to stop production because for some reason they think it's 177 00:10:17,720 --> 00:10:19,760 Speaker 1: so important to talk to me when I'm talking to 178 00:10:19,800 --> 00:10:21,960 Speaker 1: this cactus right now, all right, And this cactus is 179 00:10:22,000 --> 00:10:24,600 Speaker 1: my muse and this cactus is my inspiration, all right? 180 00:10:24,600 --> 00:10:29,600 Speaker 1: So what do you got? What? What? What is it? Hi? Hi? Everyone? 181 00:10:30,800 --> 00:10:34,880 Speaker 1: I'm p A. I want to say that it's no 182 00:10:35,000 --> 00:10:39,000 Speaker 1: secret that this production of Roommate Melee is in trouble. 183 00:10:39,920 --> 00:10:43,160 Speaker 1: I took it upon myself since our star is having 184 00:10:43,200 --> 00:10:45,600 Speaker 1: a problem forming your relationship with the squid. I took 185 00:10:45,600 --> 00:10:48,000 Speaker 1: it upon myself to get a couple of self tapes 186 00:10:48,080 --> 00:10:50,960 Speaker 1: from some real passion and actors I got playing for 187 00:10:50,960 --> 00:10:52,760 Speaker 1: you right now, maybe we could do a quick switch 188 00:10:52,760 --> 00:10:55,960 Speaker 1: out and I can say a second, this is bullshit. 189 00:10:56,120 --> 00:10:57,599 Speaker 1: I'm the star of this. What do you mean you 190 00:10:57,679 --> 00:11:02,040 Speaker 1: got auditions such this one? It's don't move The squids 191 00:11:02,080 --> 00:11:08,800 Speaker 1: are falling out? What the fund is going on? I 192 00:11:09,040 --> 00:11:14,439 Speaker 1: listened Thompson um five ft seven here in my profiles 193 00:11:15,040 --> 00:11:20,560 Speaker 1: my hands. I'm willing to shave um. Hey man, don't 194 00:11:20,559 --> 00:11:25,080 Speaker 1: you be shooting me with your gun? Thank you. I'm repped, 195 00:11:25,120 --> 00:11:28,440 Speaker 1: repped by myself. Okay, I have one more to show 196 00:11:28,440 --> 00:11:33,000 Speaker 1: you real quick. How about this one? Hi, Kurt Schmoker 197 00:11:33,480 --> 00:11:37,720 Speaker 1: five ft one. This is my self tape, not willing 198 00:11:37,760 --> 00:11:42,880 Speaker 1: to shave. Hey, that was filmed on seven here that 199 00:11:43,000 --> 00:11:47,080 Speaker 1: was that was filmed. This fullshit is at the end 200 00:11:47,080 --> 00:11:49,800 Speaker 1: of his self tape, but just him yelling there's there's 201 00:11:49,800 --> 00:11:53,360 Speaker 1: one more. Alright, could you hold this camera and facing 202 00:11:53,400 --> 00:11:59,600 Speaker 1: towards me? Please? Thank you? P A seven two said, 203 00:11:59,640 --> 00:12:08,000 Speaker 1: I just kind for you. Wow, pretty good with that gun. 204 00:12:08,760 --> 00:12:10,559 Speaker 1: Don't shoot me? With that guy. I got a lot 205 00:12:10,600 --> 00:12:14,520 Speaker 1: to live for. Don't shoot me the gun. This is great. 206 00:12:15,000 --> 00:12:18,319 Speaker 1: Send me that video, Send me that video. And because 207 00:12:18,400 --> 00:12:23,520 Speaker 1: that's our Peter Arthur Robinson, you come to the dinner 208 00:12:23,520 --> 00:12:25,360 Speaker 1: table now or you're gonna be king of the dishes, 209 00:12:25,440 --> 00:12:28,679 Speaker 1: young man. Okay, look, I know you dream of being 210 00:12:28,679 --> 00:12:31,040 Speaker 1: a Hollywood star, but it's probably not gonna happen. Your 211 00:12:31,160 --> 00:12:37,439 Speaker 1: room is filthy. Well now that attitude. Okay, Well, I'm 212 00:12:37,440 --> 00:12:40,520 Speaker 1: your mother, so I would really like you to to 213 00:12:40,640 --> 00:12:44,440 Speaker 1: go and you know, continue your education. It's very important, 214 00:12:44,559 --> 00:12:47,520 Speaker 1: you know, even though you have an opportunity in Hollywood, now, 215 00:12:47,520 --> 00:12:51,040 Speaker 1: it's not gonna last. Okay, kid, it's because your baby. 216 00:12:51,240 --> 00:12:53,520 Speaker 1: This is why he's not listening to you. Hank, Hank, 217 00:12:53,559 --> 00:12:55,880 Speaker 1: you let me handle this. Okay, you're just a stepfather. 218 00:12:57,440 --> 00:13:00,160 Speaker 1: Because that's not my scene in there. I'll tell you what. 219 00:13:00,520 --> 00:13:02,280 Speaker 1: If that was my scene, you would have grown into 220 00:13:02,320 --> 00:13:07,880 Speaker 1: a strong cactus. If I read your diary, I know 221 00:13:08,120 --> 00:13:10,440 Speaker 1: you had I know you had dreams that you let go. 222 00:13:10,960 --> 00:13:15,000 Speaker 1: And I know, Hank smash those dreams. Mm hmmm, Kee's 223 00:13:15,040 --> 00:13:19,960 Speaker 1: smashing like every plate in this house. I mean, yes, 224 00:13:20,000 --> 00:13:23,520 Speaker 1: I had I had dreams. I I wanted to be 225 00:13:23,520 --> 00:13:27,160 Speaker 1: behind the camera as a writer. But you know, I 226 00:13:27,240 --> 00:13:31,000 Speaker 1: just I had to raise you guys up and and 227 00:13:31,000 --> 00:13:35,360 Speaker 1: and Hank. That includes you too. You're not very emotionally mature, 228 00:13:35,640 --> 00:13:42,040 Speaker 1: and you raise me up so I could stand on that. Dude, 229 00:13:44,040 --> 00:13:48,880 Speaker 1: I thought that was gonna build due course, Look, p 230 00:13:49,040 --> 00:13:52,400 Speaker 1: a alla, I'm going to hand you this script, the 231 00:13:52,440 --> 00:13:56,040 Speaker 1: first one I ever wrote, and you know you read 232 00:13:56,040 --> 00:13:58,120 Speaker 1: this for inspiration and maybe you keep this with you 233 00:13:58,400 --> 00:14:02,360 Speaker 1: on set or wherever you go. It's called don't shoot 234 00:14:02,400 --> 00:14:06,640 Speaker 1: me with that gun? Please. What do you think? What 235 00:14:06,679 --> 00:14:09,080 Speaker 1: do you think they thought of my audition? Do you 236 00:14:09,080 --> 00:14:12,520 Speaker 1: think they do? You think they liked it? I mean 237 00:14:13,400 --> 00:14:15,560 Speaker 1: I I don't think that any of you guys put 238 00:14:15,600 --> 00:14:18,960 Speaker 1: forth the heart that I would have put for it. Listen, 239 00:14:19,000 --> 00:14:22,360 Speaker 1: I was the star of this video before they fucking 240 00:14:22,640 --> 00:14:25,640 Speaker 1: brought a background character to be. I don't know how 241 00:14:25,680 --> 00:14:27,480 Speaker 1: they're going to take all the shots that I had 242 00:14:27,520 --> 00:14:33,680 Speaker 1: before out so good news and bad news. Bad news 243 00:14:33,800 --> 00:14:37,720 Speaker 1: is I think it's the role. Good news is Smoker? 244 00:14:37,760 --> 00:14:49,560 Speaker 1: Did this is bullshit? Yes? Yes, Smoker, all of you, 245 00:14:49,800 --> 00:14:53,000 Speaker 1: buck of you have hated every minute of this. I'll 246 00:14:53,040 --> 00:14:55,080 Speaker 1: give me the star. I was always destined to be 247 00:14:58,480 --> 00:15:01,120 Speaker 1: Smoker Party of Doo right this way. I just want 248 00:15:01,120 --> 00:15:03,240 Speaker 1: to say I loved your film and I can't wait 249 00:15:03,280 --> 00:15:06,840 Speaker 1: to see Yes, sir, Yes, sir. Here you are a 250 00:15:06,880 --> 00:15:11,560 Speaker 1: complimentary bottle of champagne, and we also have some diamond ice. Uh. 251 00:15:11,760 --> 00:15:15,040 Speaker 1: Can I get the Calabari please on its way, sir? 252 00:15:15,080 --> 00:15:19,320 Speaker 1: On it? Hey, just so you know, we're we're running 253 00:15:19,320 --> 00:15:24,240 Speaker 1: a little little light on Calamari. We're we've had to 254 00:15:24,400 --> 00:15:26,960 Speaker 1: had to shoot a lot of big budget movies this 255 00:15:27,000 --> 00:15:33,120 Speaker 1: week with squid action sequences. Uh and so what the 256 00:15:33,760 --> 00:15:37,120 Speaker 1: squids are not available to be click? No, they're rather 257 00:15:37,280 --> 00:15:42,640 Speaker 1: starting in the movie. So anything squid related in town, 258 00:15:42,680 --> 00:15:45,720 Speaker 1: That's that's what I'm charge of. You know, movies, restaurants, 259 00:15:46,360 --> 00:15:50,880 Speaker 1: what have you? Well, what do you have? Uh? Well, 260 00:15:52,960 --> 00:15:55,720 Speaker 1: there's a nice Uh there's a nice rice cake with 261 00:15:56,040 --> 00:16:00,240 Speaker 1: with raw tune on top. I don't want that. We're 262 00:16:00,240 --> 00:16:04,720 Speaker 1: all gathered here too late ter us, Mr Smoker. You're 263 00:16:04,760 --> 00:16:10,560 Speaker 1: all fans that Rice Hattie did him in h you 264 00:16:10,560 --> 00:16:13,080 Speaker 1: want to say a few words. Yeah, he was an asshole? 265 00:16:13,840 --> 00:16:19,800 Speaker 1: All right, that guy was an asshole. Thank you. It's 266 00:16:19,800 --> 00:16:23,160 Speaker 1: pretty short ceremony. If nobody else I'd like to just 267 00:16:23,240 --> 00:16:26,560 Speaker 1: say that, uh, I was surprised when he took my 268 00:16:26,720 --> 00:16:29,680 Speaker 1: role in Roommate Melee that he did as well as 269 00:16:29,680 --> 00:16:33,480 Speaker 1: he could, and I honestly feel bad. Then I'll probably 270 00:16:33,520 --> 00:16:37,920 Speaker 1: have to be the main lead in the sequel. God 271 00:16:38,000 --> 00:16:40,880 Speaker 1: rushed Smoker, just stays stay still. The squids are falling 272 00:16:40,880 --> 00:16:46,280 Speaker 1: out of your What is it's you've trained these squids 273 00:16:46,280 --> 00:16:48,240 Speaker 1: to fall off. You're trying to ruin my career, aren't 274 00:16:48,280 --> 00:16:50,560 Speaker 1: you know they're trained, they're trained to hold on. You 275 00:16:50,560 --> 00:16:57,040 Speaker 1: know you haven't rigged for squids before, right, you were 276 00:16:57,080 --> 00:16:58,680 Speaker 1: the one who tried to rig me last time and 277 00:16:58,720 --> 00:17:01,400 Speaker 1: they fell off. It seems like this is a youth thing, 278 00:17:01,520 --> 00:17:05,640 Speaker 1: not a meaning. Both Mr London are going by your 279 00:17:06,119 --> 00:17:09,600 Speaker 1: your charts here, Um well, it looks like you've been 280 00:17:10,840 --> 00:17:15,840 Speaker 1: laid with squid eggs insaide your chest abdomen. No no no, no, 281 00:17:15,840 --> 00:17:20,920 Speaker 1: no no no, no entire entire, like I want to say, 282 00:17:21,000 --> 00:17:23,520 Speaker 1: chinned down, chin down, all the way down to your 283 00:17:23,680 --> 00:17:26,760 Speaker 1: your waist. Medically there's a turn for it escapes me. 284 00:17:27,240 --> 00:17:33,600 Speaker 1: But are you sure? Oh? Let me? Actually yes, they are? 285 00:17:33,640 --> 00:17:38,760 Speaker 1: You got me? You got I mean, do you do? 286 00:17:41,160 --> 00:17:44,320 Speaker 1: Thank you everybody for gathering here as we lay Mr 287 00:17:44,400 --> 00:17:50,000 Speaker 1: Lawtner to rest um. Though he and his body have died, 288 00:17:50,880 --> 00:17:57,159 Speaker 1: they have became become I'm nervous, they have become for 289 00:17:57,240 --> 00:18:00,680 Speaker 1: the squids, thank you that were born in him and 290 00:18:00,840 --> 00:18:06,280 Speaker 1: on and around him. And that's our first scene. That's 291 00:18:06,320 --> 00:18:17,120 Speaker 1: so gross, showing gross the OUTPGGS C two is from 292 00:18:17,160 --> 00:18:20,919 Speaker 1: patriar v I Toivo, who wrote, hello again, Dear Alan 293 00:18:20,960 --> 00:18:23,920 Speaker 1: the Chemists, It's been wonderful to hear Vanessa returning to 294 00:18:23,960 --> 00:18:27,119 Speaker 1: the roster. Not today in Tobo. I'm sorry. Thanks to 295 00:18:27,160 --> 00:18:29,360 Speaker 1: all of you for keeping up the great craziness. Since 296 00:18:29,440 --> 00:18:31,680 Speaker 1: November is closing in while I'm writing this, I wish 297 00:18:31,680 --> 00:18:34,520 Speaker 1: you people the best in the ongoing election. Funny you 298 00:18:34,520 --> 00:18:37,399 Speaker 1: should say that. Next up in my scene Suggestions, an 299 00:18:37,400 --> 00:18:39,719 Speaker 1: old radio show host is preparing to get on the 300 00:18:39,760 --> 00:18:43,720 Speaker 1: air one more time before retiring. Remote hugs for everyone 301 00:18:43,720 --> 00:18:49,240 Speaker 1: who wants them too. Okay, yeah, you gotta pack everything. 302 00:18:49,280 --> 00:18:51,440 Speaker 1: It's gonna be out of here by this by tonight. Yeah, 303 00:18:51,480 --> 00:18:52,760 Speaker 1: we're just going over the list. We're just going on 304 00:18:52,920 --> 00:18:58,280 Speaker 1: list here. Uh, we've got microphones check test check. Okay, 305 00:18:58,400 --> 00:19:00,679 Speaker 1: looks good, Manny, Why don't we don't we boxed all 306 00:19:00,680 --> 00:19:02,600 Speaker 1: the microphones up now. I feel like that because they're 307 00:19:02,640 --> 00:19:06,359 Speaker 1: the most sensitive. I hate to say. We're actually gonna 308 00:19:06,400 --> 00:19:09,159 Speaker 1: do one more episode before tonight. We want to have 309 00:19:09,240 --> 00:19:12,200 Speaker 1: a good kickoff show, so if we could unpack this stuff, 310 00:19:12,200 --> 00:19:14,960 Speaker 1: we're gonna have one more. We'll do one more recording. 311 00:19:15,280 --> 00:19:18,960 Speaker 1: Our host is retiring after over sixty years in the 312 00:19:19,000 --> 00:19:22,680 Speaker 1: bizin sixty years, so let me just take these things 313 00:19:22,680 --> 00:19:25,720 Speaker 1: out of the box. So these are the only microphones. 314 00:19:26,960 --> 00:19:32,639 Speaker 1: I mean, it's a small studio. Yeah whatever. I just 315 00:19:32,680 --> 00:19:34,720 Speaker 1: wanted to stop in and say, how do you in 316 00:19:34,960 --> 00:19:38,280 Speaker 1: hiho as I'm heading into retirement city. But uh, that 317 00:19:38,400 --> 00:19:40,840 Speaker 1: show has been a thrill in a wonderful time working 318 00:19:40,920 --> 00:19:43,040 Speaker 1: with you all over so many years, even though I 319 00:19:43,080 --> 00:19:47,080 Speaker 1: never bothered to lend your names. I don't work here, 320 00:19:47,280 --> 00:19:51,480 Speaker 1: I'm I'm not to move, So did you for many 321 00:19:51,560 --> 00:19:55,719 Speaker 1: years you missed me for one of the boofers. No, no, 322 00:19:55,760 --> 00:19:58,159 Speaker 1: I I recognize your face, son, I just don't know 323 00:19:58,240 --> 00:20:00,320 Speaker 1: your name, and I never will. But that's a okay, 324 00:20:00,320 --> 00:20:02,959 Speaker 1: because I've got the golden pipes and I have been 325 00:20:03,040 --> 00:20:07,200 Speaker 1: laying down so wonderful radio ways all these years. All right, look, 326 00:20:07,280 --> 00:20:08,720 Speaker 1: here's all we can do for you because we're on 327 00:20:08,720 --> 00:20:13,840 Speaker 1: a schedule here. We can leave you one microphone, one chair, um, 328 00:20:13,880 --> 00:20:17,520 Speaker 1: a dinner TV trade desk, a little pop up and 329 00:20:17,720 --> 00:20:21,160 Speaker 1: uh and whatever you plug a microphone into that, we're 330 00:20:21,160 --> 00:20:23,000 Speaker 1: gonna have to stop you right there. My show is 331 00:20:23,040 --> 00:20:25,119 Speaker 1: called to Chair Charlie. And if I don't have that 332 00:20:25,160 --> 00:20:27,240 Speaker 1: second chair, well, I don't think I can go on 333 00:20:27,280 --> 00:20:29,720 Speaker 1: the air. All right, that's not our problems. But that's 334 00:20:29,760 --> 00:20:31,240 Speaker 1: not a problem, you know what I mean? Like, look, 335 00:20:31,280 --> 00:20:32,960 Speaker 1: you get one chair and then you get that PLoP 336 00:20:33,000 --> 00:20:35,600 Speaker 1: up desk. Gad, that's it. I mean, I can try 337 00:20:35,640 --> 00:20:38,280 Speaker 1: to do it, but I just I can't be responsible 338 00:20:38,359 --> 00:20:40,120 Speaker 1: for what happens on the air if I don't have 339 00:20:40,440 --> 00:20:44,320 Speaker 1: a second chair. Looks, Steve, I want you out of 340 00:20:44,359 --> 00:20:46,639 Speaker 1: my life. I want you out of this house. I 341 00:20:46,680 --> 00:20:49,400 Speaker 1: want you gone. Okay, and don't try to don't try 342 00:20:49,400 --> 00:20:51,160 Speaker 1: to tell me there's reasons why you need to stay. 343 00:20:51,320 --> 00:20:53,600 Speaker 1: I don't want to hear it. I've heard all the reasons. 344 00:20:54,359 --> 00:21:01,080 Speaker 1: So you're gone worth through, and don't tell me there's 345 00:21:01,080 --> 00:21:04,520 Speaker 1: one more episode left of two Chair Charlie, because I 346 00:21:04,560 --> 00:21:08,080 Speaker 1: don't know, well, there is only one episode left, Okay, 347 00:21:08,119 --> 00:21:11,000 Speaker 1: there's one episode left and then we can start focusing 348 00:21:11,000 --> 00:21:16,920 Speaker 1: on our dreams and we're done. But listen, you've infested 349 00:21:17,000 --> 00:21:19,280 Speaker 1: so much of your life into the loser version of me. 350 00:21:19,680 --> 00:21:25,359 Speaker 1: Give the winner version of me. One shinte one, I 351 00:21:25,359 --> 00:21:27,919 Speaker 1: don't know, go get it. It's pretty late for somebody 352 00:21:27,920 --> 00:21:31,679 Speaker 1: at the tour. Hello, Hey, is that Bianco here? I'm 353 00:21:31,720 --> 00:21:34,560 Speaker 1: supposed to take her to Prague. I think you have 354 00:21:34,720 --> 00:21:40,439 Speaker 1: the wrong house. Slam, What the hell is going on? 355 00:21:40,680 --> 00:21:47,200 Speaker 1: Get your hints off of me. You don't he owns me? Now? What? Yeah? 356 00:21:46,880 --> 00:21:53,000 Speaker 1: M Hello? You said slam in like a really soft way, 357 00:21:53,880 --> 00:21:56,479 Speaker 1: and uh, I didn't really have the effect I think 358 00:21:56,560 --> 00:21:57,840 Speaker 1: you wanted. I mean, I don't know if I'm supposed 359 00:21:57,840 --> 00:22:00,240 Speaker 1: to leave now? You know? What do you want? Said? 360 00:22:00,359 --> 00:22:12,760 Speaker 1: I'll be right there? Sits your name? What for us? Cincinnati? Listen, 361 00:22:12,840 --> 00:22:16,399 Speaker 1: you're not allowed in my house? Okay this I I 362 00:22:16,520 --> 00:22:19,280 Speaker 1: pay half of the rent on this house and you 363 00:22:19,320 --> 00:22:22,840 Speaker 1: are not allowed in it. Sid you can sit outside 364 00:22:22,840 --> 00:22:30,320 Speaker 1: the huh half the house. I don't want him in here, Bianca. 365 00:22:30,840 --> 00:22:34,160 Speaker 1: This guy's taking my woman. No, I'm not your woman's Okay, 366 00:22:34,160 --> 00:22:36,680 Speaker 1: So listen to your last episode. I hope it brings 367 00:22:36,680 --> 00:22:39,840 Speaker 1: you all the joy in the world, but Cincinnati and 368 00:22:39,880 --> 00:22:45,119 Speaker 1: I We're going to Prague tonight. Well, I'm not going 369 00:22:45,160 --> 00:22:47,760 Speaker 1: to give you guys a ride to the airport. That's 370 00:22:47,760 --> 00:22:50,640 Speaker 1: a real sad story, my friend, I understand. I lost 371 00:22:50,680 --> 00:22:54,639 Speaker 1: my wife to Joe Hio should be get on the 372 00:22:54,680 --> 00:22:57,920 Speaker 1: air sometime soon. People are probably jones in for what 373 00:22:57,960 --> 00:23:00,760 Speaker 1: we got in store because you are my last guest. 374 00:23:00,840 --> 00:23:03,440 Speaker 1: That's right, I'm having you on the show. Son, Charlie, 375 00:23:03,480 --> 00:23:06,680 Speaker 1: this is this is awful. I don't think I'm running 376 00:23:06,680 --> 00:23:08,639 Speaker 1: for this show to end. I didn't. I don't have 377 00:23:08,720 --> 00:23:12,720 Speaker 1: anything lined up. You're retiring. What am I doing? I'm 378 00:23:12,760 --> 00:23:17,440 Speaker 1: basically getting the nicer version of fired. We'll tell you what, Son, 379 00:23:17,520 --> 00:23:19,919 Speaker 1: I feel for your flight, I will filibuster on the 380 00:23:19,920 --> 00:23:22,879 Speaker 1: air until you find more employment. I'll just keep going 381 00:23:23,080 --> 00:23:28,600 Speaker 1: with the show. Chief Chief, who's just got an app? 382 00:23:29,000 --> 00:23:31,600 Speaker 1: Looks like that old radio station looking someone's been held 383 00:23:31,600 --> 00:23:35,600 Speaker 1: hostage on air? All right, if we just get all 384 00:23:35,600 --> 00:23:37,440 Speaker 1: the apps, you didn't have to run in here and 385 00:23:38,600 --> 00:23:42,920 Speaker 1: breathlessly tell me I didn't know I'm I'm the chief. 386 00:23:43,000 --> 00:23:44,560 Speaker 1: I know. Hey, I'm I'm a rookie and I just 387 00:23:44,640 --> 00:23:46,840 Speaker 1: want to do my part to my second day of 388 00:23:46,880 --> 00:23:52,240 Speaker 1: the job. What's your name son? My name, sir, it's uh, Mikeyami, 389 00:23:53,440 --> 00:23:58,200 Speaker 1: mikey Yai. Yes, yes, yes, sir. Is that all one word? 390 00:23:58,320 --> 00:24:05,040 Speaker 1: Like U there? Okay? Um? Yeah. This is actually as 391 00:24:05,119 --> 00:24:10,040 Speaker 1: my last day as chief. I've been chief for sixty years. Yeah. 392 00:24:10,320 --> 00:24:13,000 Speaker 1: Actually my first day was the first day of two 393 00:24:13,040 --> 00:24:15,399 Speaker 1: chair Charlotte. I mean, it's really it's it's it's an 394 00:24:15,400 --> 00:24:19,520 Speaker 1: amazing coincidence. That's the radio. So that's that's that has 395 00:24:19,560 --> 00:24:22,720 Speaker 1: a hostage. I know, that's why I brought it up. Oh, 396 00:24:23,840 --> 00:24:28,359 Speaker 1: I'm sorry. I'm a rookie. It's my second day. I 397 00:24:28,520 --> 00:24:30,399 Speaker 1: I know. I got that. I got that. I'm not 398 00:24:31,200 --> 00:24:34,760 Speaker 1: I'm not cheap for nothing. Thank you for meeting me 399 00:24:34,920 --> 00:24:38,399 Speaker 1: here today. Gentlemen, ladies, you are all the heads of 400 00:24:38,480 --> 00:24:46,600 Speaker 1: all the major bands. Dog yes, yes, uh, the dog 401 00:24:46,840 --> 00:24:50,119 Speaker 1: is recognized now listen. Um, we had the head of 402 00:24:50,200 --> 00:24:52,919 Speaker 1: Time Warner here, we had the head of Spectrum right 403 00:24:52,960 --> 00:24:55,840 Speaker 1: over there, with the head of Comcast over there. I 404 00:24:55,920 --> 00:25:00,040 Speaker 1: don't need to go on and ruffles and ruffles and 405 00:25:00,200 --> 00:25:05,520 Speaker 1: ruffles and ruffles. No, you're all very important figures in media, 406 00:25:06,119 --> 00:25:24,880 Speaker 1: and I'm here to tell you I'm losing. That guy 407 00:25:25,119 --> 00:25:26,760 Speaker 1: was mald to death. And that's why I have my 408 00:25:26,880 --> 00:25:31,240 Speaker 1: position here on to chair Charlie. Wonderful believe you never 409 00:25:31,440 --> 00:25:34,919 Speaker 1: told that story, Charlie. That's what I'm telling right now. 410 00:25:35,040 --> 00:25:37,840 Speaker 1: So I'm gonna let everything out. It's the time to do. 411 00:25:37,960 --> 00:25:41,920 Speaker 1: So what are they gonna do? Fire me? That's not 412 00:25:43,000 --> 00:25:46,840 Speaker 1: but you said that you were gonna filibuster until I 413 00:25:46,920 --> 00:25:49,920 Speaker 1: got employment. How exactly? Should probably get off the show 414 00:25:50,000 --> 00:25:52,840 Speaker 1: right now and go look for a job. Althoughwise really 415 00:25:52,880 --> 00:25:54,880 Speaker 1: wasting some time here. I can just take some collars 416 00:25:54,960 --> 00:25:59,240 Speaker 1: and see what happens. So I'm gonna leave and look 417 00:25:59,320 --> 00:26:03,280 Speaker 1: for a job. Well, you continue the show. Yes, that's 418 00:26:03,320 --> 00:26:05,399 Speaker 1: what it is what I offered. I in retrospect, it 419 00:26:05,440 --> 00:26:08,159 Speaker 1: doesn't make much sense, but I thought that maybe you 420 00:26:08,240 --> 00:26:10,280 Speaker 1: were gonna get callers that could hook me up with 421 00:26:10,359 --> 00:26:12,959 Speaker 1: a radio job. I don't want just a job at 422 00:26:13,160 --> 00:26:15,840 Speaker 1: just anywhere. I want to radio job. I want to 423 00:26:15,920 --> 00:26:19,119 Speaker 1: be the golden voice. Well we can try that. Might 424 00:26:19,119 --> 00:26:21,200 Speaker 1: as well take some collars. As you know, radio is 425 00:26:21,480 --> 00:26:26,480 Speaker 1: always hiring. Lines. Aren't exactly lighten up. It's called to 426 00:26:26,680 --> 00:26:29,240 Speaker 1: chair Charlie shows. Oh you know what, We're gonna have 427 00:26:29,280 --> 00:26:31,239 Speaker 1: to give my cell phone out because they wrapped up 428 00:26:31,240 --> 00:26:34,639 Speaker 1: all the lines. There's no lines here anymore. Said that 429 00:26:34,760 --> 00:26:36,840 Speaker 1: right off the top, right, and sorry, you have to 430 00:26:36,960 --> 00:26:39,320 Speaker 1: stand for this entire thing. We only have one chat today. 431 00:26:42,040 --> 00:26:43,520 Speaker 1: I don't know. I haven't given it out, so I 432 00:26:43,560 --> 00:26:48,399 Speaker 1: don't have to hello put it on speaker phone, uh 433 00:26:49,359 --> 00:26:54,399 Speaker 1: with Bianca um. I have a question about like is 434 00:26:54,440 --> 00:26:57,440 Speaker 1: there like is there do you know if there's like 435 00:26:57,600 --> 00:27:02,560 Speaker 1: any like good restaurants in Prague? Er, Charlie, this is 436 00:27:02,640 --> 00:27:04,760 Speaker 1: I think a call for me, and this is bullshit. 437 00:27:04,920 --> 00:27:06,879 Speaker 1: This is the guy that took my wife. Well, she 438 00:27:07,000 --> 00:27:10,200 Speaker 1: wasn't my wife, She wasn't really anything excepted. We were 439 00:27:10,440 --> 00:27:12,200 Speaker 1: what will you call it when you you lived together 440 00:27:12,280 --> 00:27:14,720 Speaker 1: for more than eight years? So it's common law. She 441 00:27:14,920 --> 00:27:19,520 Speaker 1: was my common law wife. Now one gross thank you, 442 00:27:20,160 --> 00:27:23,399 Speaker 1: thank you. You know you do have the option of 443 00:27:23,720 --> 00:27:25,560 Speaker 1: hanging up on the call there, so we don't have 444 00:27:25,680 --> 00:27:27,679 Speaker 1: to get it's the only caller we have so far. 445 00:27:27,760 --> 00:27:29,960 Speaker 1: Are you going to tell him something in Praguer? Well, 446 00:27:30,080 --> 00:27:32,240 Speaker 1: you could give a number and then we would get 447 00:27:32,280 --> 00:27:34,840 Speaker 1: some more. But you're looking for a good pills now 448 00:27:34,960 --> 00:27:39,320 Speaker 1: in Prague? Something to do there? Yeah? All right, well 449 00:27:40,119 --> 00:27:44,920 Speaker 1: try there's a new new I got a call the 450 00:27:45,000 --> 00:27:52,440 Speaker 1: other line of life. Hello, Yeah, maybe is Charlie there. 451 00:27:53,800 --> 00:27:56,359 Speaker 1: I'm with Charlie right now. Actually you're on speaker phone 452 00:27:56,400 --> 00:28:00,280 Speaker 1: with just This is the this is the police, so 453 00:28:00,560 --> 00:28:04,680 Speaker 1: long time, first time? Oh the Police? Hung Staying. Gordon 454 00:28:04,680 --> 00:28:08,600 Speaker 1: Sumner who we're talking to here? My name is Gordon Sumner. 455 00:28:08,680 --> 00:28:11,080 Speaker 1: But I'm not the bass player known as Staying who 456 00:28:11,119 --> 00:28:12,800 Speaker 1: was in the band the Police. But I am Chief 457 00:28:12,880 --> 00:28:16,159 Speaker 1: Gordon Sumner. Uh, the local chief of police here in 458 00:28:16,240 --> 00:28:19,760 Speaker 1: this city. Uh. Big fan, been listening to your show 459 00:28:19,840 --> 00:28:24,040 Speaker 1: for sixty years. I understand there's a hostage situation going on. 460 00:28:24,160 --> 00:28:27,360 Speaker 1: Can you explain to me who has taken whom hostage? Well? 461 00:28:27,480 --> 00:28:31,879 Speaker 1: I think that was grossly exaggerated. Here, Mr Chief of Police, 462 00:28:32,000 --> 00:28:35,959 Speaker 1: Mrs Suh, my long time radio tech and assistant. Uh, 463 00:28:36,440 --> 00:28:38,400 Speaker 1: I just call him son. I don't actually know his name. 464 00:28:38,840 --> 00:28:41,480 Speaker 1: He's here right now and he's just trying to find 465 00:28:41,480 --> 00:28:44,200 Speaker 1: a new employment before everything gets done. I'm not really 466 00:28:44,320 --> 00:28:46,400 Speaker 1: holding him hostage. I'm just keeping the show on the 467 00:28:46,440 --> 00:28:48,320 Speaker 1: air until he finds a new job. Charlie, I think 468 00:28:48,360 --> 00:28:50,720 Speaker 1: that what it is is you're holding the listener hostage. 469 00:28:50,760 --> 00:28:53,000 Speaker 1: It's that's the filibuster side of it right. We're not 470 00:28:53,040 --> 00:28:55,040 Speaker 1: gonna let him stop listening until I have a job 471 00:28:55,120 --> 00:28:58,440 Speaker 1: in radio. I don't really know how we would enforce that, 472 00:28:58,680 --> 00:29:04,560 Speaker 1: but hey, rookie, was it Mike Ammy? Is that right? Yeah? Yeah, 473 00:29:04,640 --> 00:29:09,120 Speaker 1: welcome to the force. Come here, thanks, What are you 474 00:29:09,120 --> 00:29:11,600 Speaker 1: afraid of? Come here? Come nothing. I'm just not supposed 475 00:29:11,600 --> 00:29:15,080 Speaker 1: to say candy from strangers, come in, come in, come here. Okay, 476 00:29:15,400 --> 00:29:18,800 Speaker 1: all right, all right, like a lot of pumps. Yeah, 477 00:29:18,960 --> 00:29:22,479 Speaker 1: of course, all right, come in, come close. All right. 478 00:29:22,960 --> 00:29:29,360 Speaker 1: So you're rookie, Yeah, second day person, second day okay, 479 00:29:30,160 --> 00:29:34,680 Speaker 1: So you what like? You like jolly renchers? Joys are 480 00:29:34,720 --> 00:29:40,600 Speaker 1: my favorite. I love hard candy, hard candy, hard candy. 481 00:29:41,120 --> 00:29:44,680 Speaker 1: That's right, that's right, that's right. So I'm like, if 482 00:29:44,680 --> 00:29:48,000 Speaker 1: you one of that's right now. There's plenty more where 483 00:29:48,040 --> 00:29:53,240 Speaker 1: that came from. All I need, all right, Mikeyammy? That 484 00:29:53,400 --> 00:29:58,360 Speaker 1: was that was Officer Sinclair from Internal Affairs trying to 485 00:29:58,440 --> 00:30:01,040 Speaker 1: lure you with candy, and uh and you fell for 486 00:30:01,120 --> 00:30:04,920 Speaker 1: it right away. I mean that that was just jeez jeeves, 487 00:30:05,680 --> 00:30:11,280 Speaker 1: Oh jeez, I just wanted so canny. What's the first 488 00:30:11,320 --> 00:30:15,920 Speaker 1: thing they teach you at the police again, Always draw 489 00:30:15,960 --> 00:30:21,080 Speaker 1: your weapon, Always draw your weapons. Okay? Yeah? At number two, um, 490 00:30:21,760 --> 00:30:26,960 Speaker 1: walk politely and uh and then blink softly. Right? And 491 00:30:27,400 --> 00:30:30,680 Speaker 1: what's the third thing they teach you? If you're ever 492 00:30:30,800 --> 00:30:33,400 Speaker 1: outside and it's getting to be dusk, remember to look 493 00:30:33,480 --> 00:30:37,400 Speaker 1: up at the sky and say thank you. Okay. At 494 00:30:37,480 --> 00:30:43,160 Speaker 1: number four, I remember that this one, right, number four, sir, 495 00:30:44,240 --> 00:30:47,120 Speaker 1: tie your boots so they're tight so when you're running 496 00:30:47,640 --> 00:30:52,200 Speaker 1: they don't slip off. Just right. That's right, that's right. 497 00:30:52,560 --> 00:30:54,720 Speaker 1: And what is the fifth thing they teach you in 498 00:30:54,840 --> 00:30:59,600 Speaker 1: police academy? Can I get it? Tattoode? Your might as 499 00:30:59,640 --> 00:31:02,800 Speaker 1: well get of won the loose? Cool? Okay, it's been 500 00:31:02,840 --> 00:31:04,440 Speaker 1: a while since I was pleased together. When did they 501 00:31:04,480 --> 00:31:08,120 Speaker 1: teach you to think about cant? Oh that's something my 502 00:31:08,200 --> 00:31:15,840 Speaker 1: mother taught me. Sir, uh uh excuse me. I know 503 00:31:15,920 --> 00:31:18,840 Speaker 1: you're on the air right now, but we're with the 504 00:31:18,880 --> 00:31:21,200 Speaker 1: moving company. You gotta wrap this up. You got about 505 00:31:21,280 --> 00:31:24,080 Speaker 1: six show. I don't have a job yet, so we're 506 00:31:24,120 --> 00:31:26,040 Speaker 1: gonna keep going and tell him hired. It's kind of 507 00:31:26,080 --> 00:31:28,200 Speaker 1: like one of those telethons, but instead of raising money, 508 00:31:28,400 --> 00:31:31,680 Speaker 1: we're raising a job, which is kind of like raising money. Well, 509 00:31:32,160 --> 00:31:33,680 Speaker 1: i'm gonna I'm gonna say, I'm gonna have to start 510 00:31:33,720 --> 00:31:36,920 Speaker 1: unplugging things, you know what I mean. Well, let's try 511 00:31:36,960 --> 00:31:38,200 Speaker 1: to hurry this up. Then, why don't we go ahead 512 00:31:38,240 --> 00:31:40,360 Speaker 1: and give that number out. I feel like you've really 513 00:31:40,840 --> 00:31:43,200 Speaker 1: really made a mistake by not yet giving that number out, 514 00:31:43,240 --> 00:31:45,840 Speaker 1: So why don't you go ahead and give that number out? Okay? 515 00:31:46,320 --> 00:31:53,160 Speaker 1: Eight sixty six Morgan? How many times have I told you? Man? 516 00:31:53,160 --> 00:31:55,400 Speaker 1: All right, I'm trying to load everything up, but they're 517 00:31:55,400 --> 00:31:57,040 Speaker 1: still doing a damn show in there, so I can't 518 00:31:57,080 --> 00:32:01,400 Speaker 1: get everything. Okay, my truck has been idling for six hours. Man, 519 00:32:01,400 --> 00:32:03,360 Speaker 1: I'm running out of gas. I don't have a credit 520 00:32:03,400 --> 00:32:05,600 Speaker 1: card because you can't give me one, all right, So look, 521 00:32:05,680 --> 00:32:07,240 Speaker 1: the stuff is gonna get to the shop when it 522 00:32:07,320 --> 00:32:09,480 Speaker 1: gets to the shop, all right. That's just how it is, Morgan. 523 00:32:09,520 --> 00:32:11,320 Speaker 1: All right, all right, I'll talk to you later. God 524 00:32:11,440 --> 00:32:16,760 Speaker 1: damn it. Jeez, Hey you talked to him? What hey? Oh, 525 00:32:17,120 --> 00:32:20,360 Speaker 1: I'll tell your mind, buddy. Hey, I could be your buddy, 526 00:32:21,760 --> 00:32:26,360 Speaker 1: all right? You like candy? Yeah? Like candy? What are you? 527 00:32:26,480 --> 00:32:31,080 Speaker 1: Some kind of magical creature so much? I'm a pretty 528 00:32:31,160 --> 00:32:35,920 Speaker 1: lady magical creature? I don't know. You get this all 529 00:32:36,040 --> 00:32:38,840 Speaker 1: around you? Don't know how you from the center here? 530 00:32:39,280 --> 00:32:42,840 Speaker 1: Those are you? Just Johnning Pitt. Let's please Chief Gordon Sumner, 531 00:32:42,840 --> 00:32:45,160 Speaker 1: who's telling us some pretty crazy stories or things he's 532 00:32:45,200 --> 00:32:48,760 Speaker 1: seen on the streets all these years protecting off country. 533 00:32:49,520 --> 00:32:51,560 Speaker 1: Anything else you'd like to share with us, Mr Chief. 534 00:32:52,800 --> 00:32:56,920 Speaker 1: I once saw a giant UH lift and ice cream 535 00:32:56,960 --> 00:33:01,720 Speaker 1: truck over his head. That was quite sad to be 536 00:33:01,840 --> 00:33:04,960 Speaker 1: seen with no laws were broken. So I just I 537 00:33:05,120 --> 00:33:07,000 Speaker 1: just walked out down the street. But that was one 538 00:33:07,040 --> 00:33:11,520 Speaker 1: of the craziest things I've seen, Chief Chief. Just quick 539 00:33:11,680 --> 00:33:14,840 Speaker 1: quick information. As soon as the radio show ends, you 540 00:33:15,120 --> 00:33:18,640 Speaker 1: end your time here ends, So just letting you know, 541 00:33:18,760 --> 00:33:20,560 Speaker 1: that's what the that's what we held the way we 542 00:33:20,600 --> 00:33:22,600 Speaker 1: decided to play this seems kind of fun that way. 543 00:33:22,640 --> 00:33:25,200 Speaker 1: So as soon as the radi show ends, you're no 544 00:33:25,280 --> 00:33:32,440 Speaker 1: longer chief. Okay, have a good day, night life, retirement. Okay, 545 00:33:32,560 --> 00:33:37,160 Speaker 1: I've table for two teeth right this way, right this way. 546 00:33:37,320 --> 00:33:38,800 Speaker 1: I just have to see. I just want to say 547 00:33:38,880 --> 00:33:41,000 Speaker 1: that the city loves all the work that you put 548 00:33:41,040 --> 00:33:42,800 Speaker 1: in there, and so sorry that I had to end 549 00:33:42,840 --> 00:33:45,440 Speaker 1: in this in the dramatic fashion, but we have a 550 00:33:45,520 --> 00:33:47,320 Speaker 1: bottle of champagne for you, right here a little bit 551 00:33:47,360 --> 00:33:49,760 Speaker 1: of diamond ice and you sure we'll be with you 552 00:33:49,840 --> 00:33:52,800 Speaker 1: in one moment? All right? Great? Can I place? Ah? 553 00:33:54,840 --> 00:33:57,280 Speaker 1: They say it? No, I was gonna, I was gonna 554 00:33:57,320 --> 00:33:58,880 Speaker 1: just serve'll be with you, and once I was just 555 00:33:58,920 --> 00:34:03,680 Speaker 1: gonna get some Calamarister cheap? Is that you serious? Since 556 00:34:03,720 --> 00:34:08,279 Speaker 1: I lifted that ice cream truck in the air. Wow, 557 00:34:09,320 --> 00:34:15,520 Speaker 1: there's that giant. Please call me Pascal, Pascal. Wow. I 558 00:34:15,520 --> 00:34:18,000 Speaker 1: should have asked back then. Now, how long ago was that? 559 00:34:18,560 --> 00:34:21,080 Speaker 1: Oh boy, it must have been uh what wasn't been 560 00:34:21,120 --> 00:34:24,120 Speaker 1: the big ice cream boom of seven eight? So uh 561 00:34:24,680 --> 00:34:26,960 Speaker 1: forty over forty years? Wow, that was a year there 562 00:34:27,040 --> 00:34:30,120 Speaker 1: was ice cream trucks on every corner. That's right. Then 563 00:34:30,160 --> 00:34:33,680 Speaker 1: everyone got tired of it. Ah, well you were a 564 00:34:33,800 --> 00:34:38,320 Speaker 1: big fucking giant. I couldn't really seat me here, so 565 00:34:38,440 --> 00:34:40,160 Speaker 1: I'm just kind of standing with my head through the 566 00:34:40,200 --> 00:34:43,440 Speaker 1: ceiling of the restaurant. But you know it's it's they 567 00:34:43,520 --> 00:34:48,360 Speaker 1: can't not serve me, you know what I mean? He 568 00:34:48,600 --> 00:34:51,520 Speaker 1: is He is like seven to h Can I buy 569 00:34:51,560 --> 00:34:57,160 Speaker 1: you buy a cone? Friend? Sure? I'd like that. And 570 00:34:57,320 --> 00:35:08,160 Speaker 1: that's sorry, you'll never get a job. C three is 571 00:35:08,239 --> 00:35:11,800 Speaker 1: from Brian, who wrote dear alchemists. I'm always glad to 572 00:35:11,920 --> 00:35:15,560 Speaker 1: hear your podcast on my bicycle commute to and from work. Also, 573 00:35:15,680 --> 00:35:18,160 Speaker 1: I always get a jolt of laughter whenever anyone in 574 00:35:18,200 --> 00:35:21,560 Speaker 1: the scene says, let go of my arm anyway for 575 00:35:21,680 --> 00:35:31,400 Speaker 1: my suggestion, murder mystery party gone awry? Uh, okay, so 576 00:35:33,120 --> 00:35:38,080 Speaker 1: we're supposed to I guess we're okay. He might be 577 00:35:38,200 --> 00:35:44,880 Speaker 1: fucking dead. Right, we get it. You're a fucking actress. 578 00:35:44,920 --> 00:35:49,720 Speaker 1: We fucking get it. We know this is the first part. Okay, 579 00:35:50,760 --> 00:35:54,120 Speaker 1: he might be dead, you know what, Fuck you and 580 00:35:54,239 --> 00:35:56,879 Speaker 1: funk everybody for now putting the effort to make this real. 581 00:35:57,360 --> 00:36:01,880 Speaker 1: If we don't care about if we're gonna gentlemen, I 582 00:36:01,920 --> 00:36:04,640 Speaker 1: could direct your attention to the room at large. Perhaps 583 00:36:04,719 --> 00:36:08,320 Speaker 1: there is a clue that would inform you as to 584 00:36:08,400 --> 00:36:12,920 Speaker 1: the cause of death. He's good. He's good. That guys go, 585 00:36:13,160 --> 00:36:17,719 Speaker 1: he's good. You can take yeah, yeah, well he's hired him. 586 00:36:17,719 --> 00:36:20,320 Speaker 1: Hopefully he's good. Otherwise I'll put up it on the 587 00:36:20,400 --> 00:36:25,040 Speaker 1: hat in the scarf. Let's walk into the room. Okay, Well, 588 00:36:25,320 --> 00:36:32,080 Speaker 1: I don't wait, that's just a stapler. And you can't 589 00:36:32,200 --> 00:36:34,640 Speaker 1: carry a staple, can't You're just carrying a stapler, and 590 00:36:34,680 --> 00:36:38,360 Speaker 1: that's in a costume toys. It's the only character left. 591 00:36:38,920 --> 00:36:41,839 Speaker 1: Just grab a coat, put on a coat, and put 592 00:36:41,920 --> 00:36:45,680 Speaker 1: one of the tails on. Well that's the room is 593 00:36:45,840 --> 00:36:51,799 Speaker 1: literally a full of clues. God, I didn't know they 594 00:36:51,840 --> 00:36:55,440 Speaker 1: had hats on this rack. Look at don't put on 595 00:36:55,640 --> 00:36:57,239 Speaker 1: because you might look like dress like a butler and 596 00:36:57,239 --> 00:37:00,440 Speaker 1: then you know how that goes me. I don't want 597 00:37:00,440 --> 00:37:03,200 Speaker 1: to be the butler. I'd rather have the stapler. The 598 00:37:03,520 --> 00:37:11,080 Speaker 1: stapler is not a costume. You can't shole room bring 599 00:37:11,280 --> 00:37:13,640 Speaker 1: you can't bring your own boa. Okay, you gotta put 600 00:37:13,680 --> 00:37:14,920 Speaker 1: on what they have because we're all going to be 601 00:37:15,040 --> 00:37:17,640 Speaker 1: characters in this show. As soon as you found a 602 00:37:17,760 --> 00:37:21,560 Speaker 1: costume piece, please adjourn to the room to look for 603 00:37:21,760 --> 00:37:26,040 Speaker 1: clue and take off your cortesses because that's what you 604 00:37:26,120 --> 00:37:33,000 Speaker 1: period appropriate. Dad, Dad, if they figured it out yet, 605 00:37:33,000 --> 00:37:35,160 Speaker 1: I don't want to wait in the car anymore. Just 606 00:37:35,320 --> 00:37:38,239 Speaker 1: get get back in the goddamn car. It's it's just 607 00:37:38,400 --> 00:37:41,560 Speaker 1: it's hot outside. I didn't I give you a book 608 00:37:41,560 --> 00:37:45,040 Speaker 1: of puzzles. Yeah, it's solved them all. I'm a genius. 609 00:37:45,160 --> 00:37:50,120 Speaker 1: You sold them all. Yes, maybe the puzzles. Maybe in 610 00:37:50,239 --> 00:37:53,800 Speaker 1: the car, there's a few more clues for other puzzles. 611 00:37:54,160 --> 00:37:56,480 Speaker 1: What's the book of puzzles? Yeah, it's not just like 612 00:37:56,640 --> 00:37:58,520 Speaker 1: like you just see what they are like every page 613 00:37:58,640 --> 00:38:00,040 Speaker 1: is just like what it looks like. It's just a 614 00:38:00,120 --> 00:38:02,759 Speaker 1: picture is a picture of Like it's just like Jake 615 00:38:02,840 --> 00:38:06,359 Speaker 1: Saft pictures. Is that with my personal life? Has nothing 616 00:38:06,400 --> 00:38:09,400 Speaker 1: to do with the mystery at Is he really a genius? 617 00:38:09,840 --> 00:38:15,120 Speaker 1: Is this a clue? He's not. Let's go into his car. 618 00:38:15,200 --> 00:38:24,799 Speaker 1: Maybe there's so clued in the guys this way. Yeah, 619 00:38:24,880 --> 00:38:27,080 Speaker 1: I'm sorry I was dick earlier. Just that you know, 620 00:38:27,160 --> 00:38:31,400 Speaker 1: my own aspirations or back. You gotta be a staple 621 00:38:31,480 --> 00:38:37,800 Speaker 1: or guy. Okay, oh ship masa miaa Okay, there's not 622 00:38:37,880 --> 00:38:50,000 Speaker 1: gonna be a lot to look especial windows. Stop it, guys. Okay, 623 00:38:50,600 --> 00:39:05,200 Speaker 1: I got inside of the club compartment. There's an address. Address, Okay, 624 00:39:05,840 --> 00:39:10,760 Speaker 1: what's the address? What's the address? It's just twelve Yoaks 625 00:39:10,880 --> 00:39:14,960 Speaker 1: Road Road, give me, give me streets or Avenue streets? Avenue? Hey, kid, 626 00:39:16,160 --> 00:39:21,640 Speaker 1: your place? I just got figure it out quickly. It's 627 00:39:21,680 --> 00:39:25,479 Speaker 1: hard to get six people on this thing. I don't 628 00:39:25,480 --> 00:39:29,080 Speaker 1: know who's supposed to bring this kid with trash from 629 00:39:29,120 --> 00:39:37,080 Speaker 1: the floor something or like what rummage of the trash 630 00:39:37,239 --> 00:39:40,719 Speaker 1: there might clue? Rum I just I just put myself 631 00:39:40,719 --> 00:39:43,799 Speaker 1: on a needle. There's a some wrange down here. Find 632 00:39:43,840 --> 00:39:53,760 Speaker 1: that syringe. Find that syringe. Okay, what is this syringe? Needles? Needles? Surrender, surrender. 633 00:39:54,520 --> 00:40:02,840 Speaker 1: I found monopoly board piece from from McDonald's. Which one, Brendan, 634 00:40:02,880 --> 00:40:04,160 Speaker 1: what are you doing here? I thought you were with 635 00:40:04,280 --> 00:40:11,520 Speaker 1: your dad this weekends. Who are all these people? He's 636 00:40:11,520 --> 00:40:14,160 Speaker 1: holding another one of his murder mystery party things, and 637 00:40:14,480 --> 00:40:17,480 Speaker 1: you know, like they need to do so. Anyways, they 638 00:40:17,480 --> 00:40:22,000 Speaker 1: took it on the road and you, hey, hands up, 639 00:40:22,320 --> 00:40:25,800 Speaker 1: I'm not a clue. Okay, yeah, buddy, something's wrong with 640 00:40:25,920 --> 00:40:31,239 Speaker 1: your jaw. Looks like your jaws broken. They they beat me, 641 00:40:31,320 --> 00:40:33,920 Speaker 1: They took my car, that kidnapped my kids. They think 642 00:40:33,960 --> 00:40:37,279 Speaker 1: it's part of the mystery. Whoa, whoa, whoa. Hey, but 643 00:40:37,440 --> 00:40:39,279 Speaker 1: you're seeing a lot of crazy stuff right now. I 644 00:40:39,400 --> 00:40:43,360 Speaker 1: think you should just get that job looked at. This 645 00:40:43,560 --> 00:40:46,359 Speaker 1: might be a mystery for us to solve. Like I'm 646 00:40:46,400 --> 00:40:49,839 Speaker 1: sick of being just underbeat regular old cop. Let's be detectives. 647 00:40:51,640 --> 00:40:53,960 Speaker 1: You know what You're right, hey, buddy, you gotta figure 648 00:40:53,960 --> 00:40:56,680 Speaker 1: out your own ship. Alright, we gotta We're gonna stick 649 00:40:56,719 --> 00:40:59,080 Speaker 1: at this out for him. We're gonna solve this case, 650 00:41:00,040 --> 00:41:05,239 Speaker 1: real case. It's a red Miata, right, red Miata town. 651 00:41:05,280 --> 00:41:07,960 Speaker 1: How do you spell miyata? How do you spell miyata? 652 00:41:09,120 --> 00:41:13,200 Speaker 1: Is like, no, it's not like there's there's that a 653 00:41:13,440 --> 00:41:18,920 Speaker 1: zer age. Okay, we'll just call it red sports car, rich, 654 00:41:19,000 --> 00:41:21,440 Speaker 1: red sports car. It starts within him. I'll give you 655 00:41:21,560 --> 00:41:26,879 Speaker 1: that much. Oh you okay. I didn't get any clues 656 00:41:26,880 --> 00:41:29,520 Speaker 1: from her. Hey, little kid, can you like this somewhere? 657 00:41:29,640 --> 00:41:31,440 Speaker 1: Can you like she's crying? I don't know what to 658 00:41:31,520 --> 00:41:38,960 Speaker 1: do next? Ups, go upstairs? What are you doing? What 659 00:41:39,080 --> 00:41:43,439 Speaker 1: do you do? Huh? Oh ship? Is that a nine millimeter? Yes? 660 00:41:43,600 --> 00:41:47,200 Speaker 1: It is? And be loaded one in the chamber. Okay, alright, 661 00:41:47,960 --> 00:41:50,840 Speaker 1: let's oh my god, this druris filled with sex toys. 662 00:41:52,840 --> 00:41:56,560 Speaker 1: Hank focused on what we're doing the clue. But the 663 00:41:56,680 --> 00:41:59,880 Speaker 1: staplers grab the dildo for this God damn it. Just 664 00:42:00,000 --> 00:42:02,520 Speaker 1: carry both then carry bouth. Look, can I switch characters now? 665 00:42:02,560 --> 00:42:04,879 Speaker 1: I'm gonna I'm gonna put the stapler down. Up, I'm 666 00:42:04,920 --> 00:42:07,000 Speaker 1: gonna be a real stild. No, if you want to 667 00:42:07,000 --> 00:42:08,799 Speaker 1: switch characters, have to go back to the other place 668 00:42:08,880 --> 00:42:12,280 Speaker 1: to go to the character. Right, there's a whole costume 669 00:42:12,640 --> 00:42:15,760 Speaker 1: room in here. Look at this costume room. Oh ship, 670 00:42:16,160 --> 00:42:21,680 Speaker 1: look at this. Oh my gosh, coach shoes back, everything 671 00:42:21,800 --> 00:42:25,399 Speaker 1: is here. Oh my gosh. Okay, you need to get 672 00:42:25,440 --> 00:42:28,200 Speaker 1: out now. Okay, get your hands and guns and my 673 00:42:28,320 --> 00:42:40,920 Speaker 1: sex shut her shot shut. Alright. So if you were 674 00:42:40,960 --> 00:42:44,279 Speaker 1: a criminal and uh, you'd stolen your car, where would 675 00:42:44,280 --> 00:42:48,080 Speaker 1: you take it? You think? Look, they probably went to 676 00:42:48,160 --> 00:42:52,000 Speaker 1: my ex wife's place. That's the address on the the 677 00:42:52,360 --> 00:43:01,520 Speaker 1: the insurance you know what? What? What like I got 678 00:43:01,640 --> 00:43:07,000 Speaker 1: addicted to heroin? Okay, but somehow my kid every other weekend, 679 00:43:08,040 --> 00:43:10,560 Speaker 1: you gotta do that. Sounds like you just admit to 680 00:43:10,640 --> 00:43:15,120 Speaker 1: a crime. What alright? Alright, already calmed down. We've already 681 00:43:15,200 --> 00:43:17,640 Speaker 1: established the kid as a genius, so he could probably 682 00:43:17,640 --> 00:43:20,640 Speaker 1: see his mom's life and Debra's life. Alright, kid were 683 00:43:20,680 --> 00:43:32,439 Speaker 1: bleeding out, bleeding out? Alright, guys, but plade mom, take 684 00:43:32,520 --> 00:43:39,000 Speaker 1: that squid out. It was all squids. It was all squids. God, 685 00:43:39,120 --> 00:43:45,600 Speaker 1: what about where's this squid on me? That's real? Unfortunately, 686 00:43:45,680 --> 00:43:50,040 Speaker 1: so you weren't. You weren't dead on this Thank who. 687 00:43:50,080 --> 00:43:55,360 Speaker 1: Everyone who came to Debra's funeral. Does anybody would like 688 00:43:55,440 --> 00:43:58,040 Speaker 1: to say if he was of the deceased, this would 689 00:43:58,080 --> 00:44:00,600 Speaker 1: be this would be the right time. After this time 690 00:44:00,640 --> 00:44:03,719 Speaker 1: would be the wrong time. And before I said so 691 00:44:04,360 --> 00:44:06,919 Speaker 1: also would have been the wrong time. So this something, 692 00:44:07,040 --> 00:44:15,000 Speaker 1: this avenue ahead, say something and see Debra. Get about 693 00:44:15,000 --> 00:44:19,719 Speaker 1: of that coffee? Stand up Debora, run of everybody. Yes, 694 00:44:22,960 --> 00:44:31,840 Speaker 1: come on, seriously, look, son, I know that my script 695 00:44:31,920 --> 00:44:34,680 Speaker 1: has a lot of plot twists in the third act. 696 00:44:34,880 --> 00:44:38,320 Speaker 1: But you take this to set, okay, and you film 697 00:44:38,440 --> 00:44:42,160 Speaker 1: this alright, don't worry about roommate Melee. You gotta take 698 00:44:42,239 --> 00:44:45,239 Speaker 1: this as your passion project. Get please don't shoot me 699 00:44:45,320 --> 00:44:47,960 Speaker 1: with that gun made alright? Okay, so you're saying, don't 700 00:44:48,000 --> 00:44:50,200 Speaker 1: ask any more questions, just shoot the rest of it? 701 00:44:50,320 --> 00:44:52,359 Speaker 1: Is that right to shoot the rest of it? You're 702 00:44:52,400 --> 00:44:55,919 Speaker 1: doing a great chap. Well, I'm proud of you. I'm 703 00:44:56,080 --> 00:44:59,319 Speaker 1: proud of you, sons. You're the son I always had. 704 00:45:00,440 --> 00:45:05,040 Speaker 1: That's that's true. Okay, Okay, I'm gonna go back and 705 00:45:05,160 --> 00:45:07,640 Speaker 1: make this worsh I'm gonna go back and make this work. 706 00:45:08,160 --> 00:45:10,520 Speaker 1: I'm gonna go back and this. Yeah. Look, if we're 707 00:45:10,560 --> 00:45:12,799 Speaker 1: thinking about like okay, so they're coming in and there's 708 00:45:12,800 --> 00:45:15,680 Speaker 1: a hole and they're coming into. Give me a second. Okay, 709 00:45:15,719 --> 00:45:18,839 Speaker 1: So there we're we're focusing. We got that crane shot. 710 00:45:18,840 --> 00:45:20,120 Speaker 1: We're gonna go and do an eagle line. Then we're 711 00:45:20,160 --> 00:45:23,080 Speaker 1: gonna pop. Just just give me a second, and then 712 00:45:23,120 --> 00:45:24,520 Speaker 1: we're What we're gonna do is we're gonna well, we 713 00:45:24,600 --> 00:45:26,720 Speaker 1: gotta find that one shot that no one's ever done before. 714 00:45:26,920 --> 00:45:28,759 Speaker 1: And that's when we take the camera, we question, and 715 00:45:28,800 --> 00:45:31,480 Speaker 1: then we make the camera reappear. You know what I'm saying. 716 00:45:31,520 --> 00:45:33,640 Speaker 1: So what do you want? What do you need? Excuse um? 717 00:45:33,719 --> 00:45:35,080 Speaker 1: I just went hi. First of all, I brought you 718 00:45:35,120 --> 00:45:36,799 Speaker 1: these yogurts. The're go GURTs, so you can eat them 719 00:45:36,840 --> 00:45:38,080 Speaker 1: on the gun. They're all open. So what do you 720 00:45:38,120 --> 00:45:40,000 Speaker 1: want me to do? You can eat them or throw 721 00:45:40,000 --> 00:45:43,879 Speaker 1: them away. I'm the I'm p a wait a second, 722 00:45:43,920 --> 00:45:46,080 Speaker 1: you're you're that you're that actor who's audition tape. I 723 00:45:46,239 --> 00:45:50,719 Speaker 1: just saw also that we're shooting my mom's scripped. Oh 724 00:45:50,880 --> 00:45:53,920 Speaker 1: my god, looks like the stars have aligned. I want 725 00:45:53,960 --> 00:45:56,560 Speaker 1: you to start in this movie. Well before you go 726 00:45:56,560 --> 00:46:02,520 Speaker 1: an further happy birthday. This is an elaborate bruise. You're 727 00:46:02,560 --> 00:46:04,800 Speaker 1: not an actual director. This is not an actual project. 728 00:46:05,160 --> 00:46:09,399 Speaker 1: Your girlfriend is here, she threw this. Are all actors? Yes, 729 00:46:09,560 --> 00:46:14,440 Speaker 1: this is it. Come on out. Everybody's just costume all along. 730 00:46:14,760 --> 00:46:18,919 Speaker 1: Oh my god, Oh my god, I said some horrible things. 731 00:46:19,360 --> 00:46:22,719 Speaker 1: Oh my, hey son, it's nice to see you. It's 732 00:46:22,760 --> 00:46:26,400 Speaker 1: been so many years. Give you a papa hug. Your 733 00:46:26,480 --> 00:46:32,399 Speaker 1: dad's here too, Your dads two chair Charlie. That's right, 734 00:46:33,280 --> 00:46:37,000 Speaker 1: he just calls me a two chair dad. How are 735 00:46:37,080 --> 00:46:44,840 Speaker 1: you pretty good? Not quite the enthusiasm I expected, expect 736 00:46:44,880 --> 00:46:46,960 Speaker 1: that you ran out of us when I was a kid. Uh, 737 00:46:49,600 --> 00:46:51,680 Speaker 1: but you found me, okay, because you want to be 738 00:46:51,680 --> 00:46:54,040 Speaker 1: a part of this elaborate scheme to get attention for yourself. 739 00:46:54,680 --> 00:46:57,840 Speaker 1: I know that you know what. I've been wanting to 740 00:46:57,920 --> 00:47:00,880 Speaker 1: say this to you my whole damn life. This show sucks, 741 00:47:01,880 --> 00:47:07,000 Speaker 1: your idiot show sucks. Well, I really hurts. Like I 742 00:47:07,040 --> 00:47:10,040 Speaker 1: guess I'll take this onset firearm and use it against 743 00:47:10,080 --> 00:47:14,239 Speaker 1: myself because I just can't go on living knowing that no, no, no, no, no, 744 00:47:14,320 --> 00:47:17,319 Speaker 1: don't don't don't don't do it, ruffles, ruffles, stop him? 745 00:47:24,000 --> 00:47:31,719 Speaker 1: Oh shouldn't kill that dog with a slap? Oh no, ruffles, No, Well, 746 00:47:31,760 --> 00:47:35,160 Speaker 1: we're all here at the funeral for Ruffles, fantastic dog. 747 00:47:36,920 --> 00:47:38,680 Speaker 1: I see a lot of a lot of other dogs here. 748 00:47:38,680 --> 00:47:40,719 Speaker 1: I'm sure the dogs a lot of other dogs. New 749 00:47:40,800 --> 00:47:46,160 Speaker 1: Ruffles knew his his his butt smelling um and and 750 00:47:46,520 --> 00:47:48,680 Speaker 1: you know the scent that that followed with with that, 751 00:47:49,080 --> 00:47:51,239 Speaker 1: which would be the smell in the scent of the 752 00:47:51,280 --> 00:48:00,960 Speaker 1: same thing. The squids are hatching, the squids that show 753 00:48:01,960 --> 00:48:10,640 Speaker 1: every Thank you to our alchemists. Check in see what 754 00:48:10,719 --> 00:48:14,520 Speaker 1: they're up to. Joey Greer, first off, thank you so 755 00:48:14,719 --> 00:48:19,120 Speaker 1: much for having us cool. Do you blessed beast? I 756 00:48:19,200 --> 00:48:21,840 Speaker 1: want to say shout out to everybody in the US 757 00:48:21,920 --> 00:48:25,920 Speaker 1: of a happy Inauguration Day. That's that's when we're recording it. 758 00:48:26,800 --> 00:48:30,239 Speaker 1: Uh and check out Alchemy. This is Instagram. We're doing 759 00:48:30,320 --> 00:48:36,239 Speaker 1: some lives there, maybe some lives. I don't know, check 760 00:48:36,280 --> 00:48:39,920 Speaker 1: it out. Maybe there's gonna be some Instagram lives. So 761 00:48:39,960 --> 00:48:41,839 Speaker 1: I'm gonna cut me off. All right, Well we're gonna 762 00:48:41,840 --> 00:48:48,320 Speaker 1: be doing some Instagram everybody. Thanks for having me Instagram lives. 763 00:48:48,800 --> 00:48:54,520 Speaker 1: Thanks well, speaking Alchemy this Instagram. Also, you know, check 764 00:48:54,560 --> 00:48:58,520 Speaker 1: out my Instagram. Why don't you you know what I mean? Like? 765 00:48:58,880 --> 00:49:00,920 Speaker 1: All right, so here's a story. So I got I 766 00:49:01,000 --> 00:49:05,080 Speaker 1: just got engaged recently, okay, posting my engagement from I 767 00:49:05,200 --> 00:49:07,400 Speaker 1: got more likes than I've ever had on one photo. 768 00:49:08,120 --> 00:49:12,640 Speaker 1: Lost ten followers. That's what's up. No, No, that's not good. 769 00:49:13,440 --> 00:49:16,000 Speaker 1: It's all the single ladies. Look, Chris, if I can't 770 00:49:16,040 --> 00:49:18,600 Speaker 1: have you, I don't want to follow it. Why did 771 00:49:18,640 --> 00:49:21,080 Speaker 1: you want to follow me that? I know it's weird. 772 00:49:21,120 --> 00:49:23,719 Speaker 1: It's weird. Well, everybody else go back and follow me 773 00:49:23,800 --> 00:49:28,480 Speaker 1: at Chriss Albarado. I'm done, all right, James Ceeney. Uh well, 774 00:49:28,800 --> 00:49:34,520 Speaker 1: thank you guys for listening. There's a new walk through 775 00:49:34,680 --> 00:49:38,279 Speaker 1: on game Front of Resident Evil two. It's the new 776 00:49:38,480 --> 00:49:41,000 Speaker 1: HD one and we're just starting it up. It's a 777 00:49:41,040 --> 00:49:44,560 Speaker 1: great time to get in on it. Game Front YouTube 778 00:49:44,640 --> 00:49:49,880 Speaker 1: channel Mr Craig Kakowski at Kakowski on Twitter, see Kakowski 779 00:49:49,960 --> 00:49:58,239 Speaker 1: on Instagram. Social media is poison. If you're having a 780 00:49:58,320 --> 00:50:00,799 Speaker 1: lick stir, you can follow me at Cold Stratton. You're 781 00:50:00,800 --> 00:50:03,920 Speaker 1: at Stratton Cold depending on the thing. Uh go to 782 00:50:04,080 --> 00:50:06,160 Speaker 1: SF sketch Fest dot com or doing this giant benefit 783 00:50:06,239 --> 00:50:09,560 Speaker 1: show on janu to spread the festival Hunter plus performers. 784 00:50:09,600 --> 00:50:12,839 Speaker 1: It's gonna be pretty amazing, so check that out. Let's 785 00:50:12,880 --> 00:50:15,319 Speaker 1: give a big thanks to our engineer and producer Doug 786 00:50:15,400 --> 00:50:20,040 Speaker 1: Babe and the fine folks at I heart media dot 787 00:50:20,120 --> 00:50:25,239 Speaker 1: com and please write to us at your name here 788 00:50:25,280 --> 00:50:28,440 Speaker 1: at alchemy this dot com. That's your name here at 789 00:50:28,560 --> 00:51:01,600 Speaker 1: alchemy this. Until next time, better hot bar of