1 00:00:00,760 --> 00:00:17,279 Speaker 1: I am all in. Oh, just you more. I am 2 00:00:17,320 --> 00:00:20,600 Speaker 1: all in with Scott Pattison and I heart radio podcast. 3 00:00:22,600 --> 00:00:27,760 Speaker 1: All right, everybody, We've got a special bonus episode for you. Uh. 4 00:00:28,000 --> 00:00:31,760 Speaker 1: Some fans have have gotten in touch with us and 5 00:00:31,800 --> 00:00:34,680 Speaker 1: they want they have questions, then I'm going to answer them. 6 00:00:34,680 --> 00:00:36,879 Speaker 1: And we've invited them on and we're very excited to 7 00:00:36,880 --> 00:00:39,239 Speaker 1: meet them and and we can't wait to get to it. 8 00:00:39,400 --> 00:00:43,120 Speaker 1: So let's bring on the group. So first we have 9 00:00:43,159 --> 00:00:45,920 Speaker 1: a Michael and Brandy, Um their husband and wife, and 10 00:00:45,960 --> 00:00:51,240 Speaker 1: they actually used quotes from Gilmore Girls and their vows, 11 00:00:49,960 --> 00:00:54,360 Speaker 1: so we'll bring them in. Here they come. It's Michael 12 00:00:54,400 --> 00:00:58,920 Speaker 1: and Brandy. Hi, welcome to the show. How are you doing? Where? 13 00:00:59,000 --> 00:01:03,880 Speaker 1: Where are you? Salt like? Are you? Are you getting 14 00:01:03,920 --> 00:01:07,920 Speaker 1: ready for skiing? You do? Are you skiers? I'm really 15 00:01:07,959 --> 00:01:13,560 Speaker 1: not a skier skiter, but as long as you're out 16 00:01:13,560 --> 00:01:16,319 Speaker 1: in the cold weather, that's that's all that matters, Right Michael, 17 00:01:16,360 --> 00:01:18,600 Speaker 1: how about you join the snow but not much ski 18 00:01:18,640 --> 00:01:21,600 Speaker 1: in a snowboard? Alright? Alright, alright, I I come out 19 00:01:21,640 --> 00:01:27,240 Speaker 1: to Park City and enjoy those glorious mountains over there. 20 00:01:27,560 --> 00:01:32,119 Speaker 1: Um they are. So, how you guys doing you? You 21 00:01:32,120 --> 00:01:36,240 Speaker 1: you use some Gilmore dialogue in your wedding vowels. From 22 00:01:36,240 --> 00:01:40,080 Speaker 1: what I understand, which which particular pieces of dialogue did 23 00:01:40,080 --> 00:01:44,840 Speaker 1: you use? So I actually used yours in mine, the 24 00:01:44,920 --> 00:01:47,040 Speaker 1: name of your podcasts. Actually, at the end of mine, 25 00:01:47,040 --> 00:01:49,160 Speaker 1: I said, well, like your other favorite man in plaid, 26 00:01:49,200 --> 00:01:53,640 Speaker 1: I am all in. And then she used a little 27 00:01:53,640 --> 00:01:56,000 Speaker 1: bit ahead in the series She's the t J a 28 00:01:56,720 --> 00:02:00,160 Speaker 1: t J reference, um where she looked at me and 29 00:02:00,240 --> 00:02:02,600 Speaker 1: she said, well, you know the great thing about dresses, 30 00:02:02,920 --> 00:02:05,640 Speaker 1: they're all comfortable, but they don't have any pockets. And 31 00:02:05,680 --> 00:02:07,920 Speaker 1: then and then she continue to say, and I love 32 00:02:08,000 --> 00:02:17,079 Speaker 1: you so so romantic. Wow. Well that's great guys. Um, 33 00:02:17,120 --> 00:02:19,919 Speaker 1: so you so what is what is your question nor 34 00:02:20,000 --> 00:02:25,440 Speaker 1: questions that you have for me about season one? Um My, 35 00:02:26,240 --> 00:02:28,160 Speaker 1: I mean I've been listening to your whole podcast and 36 00:02:28,160 --> 00:02:30,600 Speaker 1: I understand you don't like Max, and I get that 37 00:02:30,639 --> 00:02:34,239 Speaker 1: whole aspect, but my whole thing is is that Max 38 00:02:34,400 --> 00:02:36,800 Speaker 1: was there for Laura Lee when she needed him to 39 00:02:36,919 --> 00:02:40,840 Speaker 1: be there for Laura Lee. So they came together because 40 00:02:41,480 --> 00:02:44,200 Speaker 1: that's what she needed at the time, so she could 41 00:02:44,200 --> 00:02:48,120 Speaker 1: see the difference between her old world and her new world. 42 00:02:48,880 --> 00:02:51,200 Speaker 1: And I understand the whole aspect. I have a son, 43 00:02:51,360 --> 00:02:54,280 Speaker 1: so I understand the whole thing of well, if my 44 00:02:54,320 --> 00:02:58,120 Speaker 1: son's teacher came at me, maybe like what is wrong 45 00:02:58,160 --> 00:03:02,840 Speaker 1: with you? Because that's incorrect. But um, I don't know. 46 00:03:02,880 --> 00:03:06,480 Speaker 1: I just I think season one is such a base 47 00:03:06,800 --> 00:03:11,280 Speaker 1: of what Gilmore has come to be. Um, it was 48 00:03:11,320 --> 00:03:14,839 Speaker 1: a huge part of my life before I met him, 49 00:03:14,960 --> 00:03:17,320 Speaker 1: and I got my sister and my mom involved, and 50 00:03:17,400 --> 00:03:20,520 Speaker 1: so we would watch it as a whole. Um, So 51 00:03:20,680 --> 00:03:24,360 Speaker 1: what was your favorite part about doing this whole season? 52 00:03:24,440 --> 00:03:27,800 Speaker 1: And actually, even with you watching it now, what do 53 00:03:27,840 --> 00:03:33,760 Speaker 1: you remember? What's your favorite part reminiscing in season one? Um? 54 00:03:33,800 --> 00:03:36,840 Speaker 1: You know that, and I've said it before. It's always 55 00:03:36,840 --> 00:03:40,360 Speaker 1: gonna be the pilot episode and the first day I 56 00:03:40,520 --> 00:03:44,160 Speaker 1: came to set because the first day I came to set, 57 00:03:44,200 --> 00:03:47,880 Speaker 1: I came a little early, uh, because I was just 58 00:03:47,920 --> 00:03:49,880 Speaker 1: so anxious to get out of the hotel and get 59 00:03:49,920 --> 00:03:51,480 Speaker 1: on the set. And I was you know, I wasn't 60 00:03:51,480 --> 00:03:53,360 Speaker 1: a series regular. I was just a guest star on 61 00:03:53,400 --> 00:03:55,560 Speaker 1: the pilot. So I had a little more you know, 62 00:03:55,600 --> 00:03:58,200 Speaker 1: I just had all this enthusiasm like, Hey, I want 63 00:03:58,200 --> 00:04:00,720 Speaker 1: to be a part of this, and and uh, I 64 00:04:00,760 --> 00:04:02,720 Speaker 1: want to see these two girls in action, because I 65 00:04:02,760 --> 00:04:06,520 Speaker 1: knew that, uh, Lauren and Alexis were doing a scene 66 00:04:06,560 --> 00:04:09,680 Speaker 1: as a diner before Lauren and I did our first scene. 67 00:04:09,760 --> 00:04:11,680 Speaker 1: You know, I need coffee and I said, you're a junkie. 68 00:04:11,720 --> 00:04:14,680 Speaker 1: That kind of scene, that scene. Um, So I wanted 69 00:04:14,720 --> 00:04:16,280 Speaker 1: to see those two work and I did. I got 70 00:04:16,279 --> 00:04:18,320 Speaker 1: there early, and I got on the set. I watched 71 00:04:18,320 --> 00:04:21,760 Speaker 1: them rehearse, and I just remember thinking, God, this is 72 00:04:21,880 --> 00:04:25,120 Speaker 1: the chemistry between those two is so great, and this 73 00:04:25,200 --> 00:04:27,840 Speaker 1: thing's got a real special feel about it. And then 74 00:04:27,839 --> 00:04:29,720 Speaker 1: when I did, you know, I went through hair and 75 00:04:29,800 --> 00:04:31,960 Speaker 1: makeup and the wardrobe and the whole thing, and and 76 00:04:32,279 --> 00:04:34,040 Speaker 1: came on the set and rehearsed. I just got even 77 00:04:34,120 --> 00:04:37,520 Speaker 1: even better feeling working with Lauren and uh when we 78 00:04:37,560 --> 00:04:41,080 Speaker 1: started shooting, And that's really when it hit me that 79 00:04:41,080 --> 00:04:44,760 Speaker 1: that there was something very special here, um, between the 80 00:04:44,760 --> 00:04:46,960 Speaker 1: two of us. And it was just a very easy, 81 00:04:47,080 --> 00:04:51,760 Speaker 1: natural kind of chemistry that you know, we as actors 82 00:04:51,920 --> 00:04:55,440 Speaker 1: hoped for, um and it doesn't always happen. It doesn't 83 00:04:55,480 --> 00:05:00,599 Speaker 1: mean anything other than you know, um, um, you know, 84 00:05:00,600 --> 00:05:02,880 Speaker 1: it's just not the one in a million kind of 85 00:05:02,920 --> 00:05:05,760 Speaker 1: a coupling. And this kind of felt that way. So 86 00:05:07,240 --> 00:05:08,919 Speaker 1: I was it's always going to be the pilot for 87 00:05:08,960 --> 00:05:11,880 Speaker 1: me in that first scene. How was it to see 88 00:05:12,200 --> 00:05:14,200 Speaker 1: I mean because I I we all noticed it's like 89 00:05:14,200 --> 00:05:17,320 Speaker 1: how much the set especially changes as the series develops. 90 00:05:17,600 --> 00:05:20,400 Speaker 1: But that very first pilot episode, especially at like Emily 91 00:05:20,400 --> 00:05:23,560 Speaker 1: and Richard's house, you see, okay, when the house completely 92 00:05:23,680 --> 00:05:28,360 Speaker 1: changes from like episode one to the last episode. Where 93 00:05:28,440 --> 00:05:30,560 Speaker 1: how fun does it to see just the show develop 94 00:05:30,640 --> 00:05:33,719 Speaker 1: and as you watch it develop at being behind the scenes, 95 00:05:33,760 --> 00:05:36,400 Speaker 1: you go, okay, we've got something here. How how fun 96 00:05:36,480 --> 00:05:40,360 Speaker 1: is that as an actor to see that happening? Um, well, 97 00:05:40,400 --> 00:05:42,960 Speaker 1: it's it's thrilling. I mean, it was just thrilling to 98 00:05:43,160 --> 00:05:48,360 Speaker 1: experience something that, um, you know, doesn't happen very often 99 00:05:48,360 --> 00:05:50,880 Speaker 1: in Hollywood, where you get on not only a hit show, 100 00:05:50,920 --> 00:05:53,599 Speaker 1: but a show that you kind of feel is going 101 00:05:53,640 --> 00:05:55,400 Speaker 1: to stand the test of time and it's going to 102 00:05:55,480 --> 00:05:59,120 Speaker 1: be iconic. And you know, it felt that way. It 103 00:05:59,200 --> 00:06:03,359 Speaker 1: felt this could really become a seminal show in the 104 00:06:03,440 --> 00:06:06,119 Speaker 1: history of television. Not that we you know, obsessed about 105 00:06:06,120 --> 00:06:07,800 Speaker 1: it or thought about it and talked about it too much, 106 00:06:07,880 --> 00:06:10,440 Speaker 1: but it was just it was of such quality that 107 00:06:11,120 --> 00:06:13,159 Speaker 1: you know, we thought maybe we had a chance, and 108 00:06:13,600 --> 00:06:16,440 Speaker 1: the fact that it's all come to fruition is all 109 00:06:16,520 --> 00:06:19,839 Speaker 1: the more delightful because you know, especially in getting back 110 00:06:19,839 --> 00:06:22,119 Speaker 1: to how the sets have changed. To come full circle 111 00:06:22,160 --> 00:06:25,480 Speaker 1: around to your question, um, part of your question was 112 00:06:25,640 --> 00:06:28,520 Speaker 1: that the floor and Luke's Diner, to be very specific, 113 00:06:29,120 --> 00:06:33,480 Speaker 1: changed over time. It started out squeaky, it got squeak 114 00:06:33,520 --> 00:06:36,520 Speaker 1: air and that meant we had to redo those lines 115 00:06:36,520 --> 00:06:41,960 Speaker 1: and looping stages, um every single episode. And then when 116 00:06:42,000 --> 00:06:44,600 Speaker 1: Netflix came around, they built they had to rebuild the 117 00:06:44,640 --> 00:06:47,240 Speaker 1: sets because those old Gilmore sets have been torn down 118 00:06:47,240 --> 00:06:49,720 Speaker 1: and other productions were going in their movies or d 119 00:06:49,800 --> 00:06:53,080 Speaker 1: V shows or that, so they had to completely rebuild 120 00:06:53,080 --> 00:06:55,840 Speaker 1: all the sets. And they put in these very spongy 121 00:06:55,960 --> 00:07:00,440 Speaker 1: quiet floors in Luke's Diner. So that was really comfortable, uh, 122 00:07:00,480 --> 00:07:05,040 Speaker 1: and very very quiet. So in fact, you could sit 123 00:07:05,080 --> 00:07:07,240 Speaker 1: down and lie down and you know, you'd be comfortable 124 00:07:07,240 --> 00:07:09,720 Speaker 1: on the floors at Luke's, whereas before you'd be very 125 00:07:09,760 --> 00:07:12,800 Speaker 1: cramped and uncomfortable and squeaky. Well, I mean, I've heard 126 00:07:13,080 --> 00:07:15,840 Speaker 1: I have read different things. I've had the background, um, 127 00:07:16,040 --> 00:07:18,480 Speaker 1: the d ds, the behind the scene and stuff like that. 128 00:07:19,160 --> 00:07:22,400 Speaker 1: How did you ever sit on the really super uncomfortable 129 00:07:22,600 --> 00:07:26,360 Speaker 1: couch at Lower Life House. Ah yeah, many times. And 130 00:07:26,440 --> 00:07:29,040 Speaker 1: let me tell you something, at two o'clock in the morning, 131 00:07:29,080 --> 00:07:37,360 Speaker 1: that is like wonderfully comfortable bed. It's really soft, and 132 00:07:37,520 --> 00:07:40,440 Speaker 1: you know, you take a load off and you get 133 00:07:40,440 --> 00:07:42,040 Speaker 1: on that thing and you're happy to be there. It's 134 00:07:42,200 --> 00:07:45,520 Speaker 1: it's not uncomfortable to take your little breaks because you're 135 00:07:45,520 --> 00:07:47,679 Speaker 1: standing all the time. Your back starts to hurt. Maybe. 136 00:07:47,680 --> 00:07:49,440 Speaker 1: I mean I was, you know, in my forties, so 137 00:07:49,520 --> 00:07:52,280 Speaker 1: my back started. It's sort of like, Okay, you gotta 138 00:07:52,320 --> 00:07:55,920 Speaker 1: sit down on the couch now. One of the um 139 00:07:55,960 --> 00:07:59,440 Speaker 1: one of the interviews with well Suki Melissam Carthy, she 140 00:07:59,520 --> 00:08:03,000 Speaker 1: said that that couch was it felt like bricks when 141 00:08:03,000 --> 00:08:06,280 Speaker 1: you sat on it. Really. I wonder if it changed different, 142 00:08:06,520 --> 00:08:08,840 Speaker 1: if they were different couch. I always love that couch. 143 00:08:10,000 --> 00:08:13,280 Speaker 1: I love that couch. And whenever we did a scene 144 00:08:13,360 --> 00:08:14,800 Speaker 1: Laura and I did a scene in there and we're 145 00:08:14,800 --> 00:08:17,520 Speaker 1: sitting there watching TV and dinner or whatever. I love 146 00:08:17,560 --> 00:08:20,440 Speaker 1: those scenes because you just sit there. Great, you have 147 00:08:20,440 --> 00:08:23,240 Speaker 1: to move around. You just eat and talk and have 148 00:08:23,400 --> 00:08:25,600 Speaker 1: fun and sit on that couch. Yeah, I know, I 149 00:08:25,680 --> 00:08:28,800 Speaker 1: always loved it. Well, I must say, like we I 150 00:08:28,840 --> 00:08:31,760 Speaker 1: appreciate the show because it's kind of brought us closer 151 00:08:31,800 --> 00:08:34,240 Speaker 1: together when we first started dating. That's kind of what 152 00:08:34,400 --> 00:08:38,280 Speaker 1: she would watch and kind of almost every day, every night, 153 00:08:38,400 --> 00:08:40,520 Speaker 1: kind almost it almost became like a background show, and 154 00:08:40,600 --> 00:08:42,880 Speaker 1: she was going throughout the night and stuff, and then 155 00:08:42,960 --> 00:08:45,040 Speaker 1: I would just I just got hooked, and I was like, 156 00:08:45,040 --> 00:08:48,040 Speaker 1: this is just so quick and so funny, witty, and 157 00:08:48,080 --> 00:08:51,640 Speaker 1: the little one miners and the things that the Palladinos, 158 00:08:51,720 --> 00:08:53,680 Speaker 1: just those little innuendos every now and then that they 159 00:08:53,720 --> 00:08:55,640 Speaker 1: would try to get away with on the U B 160 00:08:55,880 --> 00:08:58,560 Speaker 1: or c W. I was just like, Okay, this show 161 00:08:58,600 --> 00:09:01,680 Speaker 1: pushes the envelope a little. Oh yeah, it was. It's 162 00:09:01,679 --> 00:09:04,240 Speaker 1: funny to me. It's just it was amazing. And that's what. 163 00:09:04,880 --> 00:09:09,360 Speaker 1: It's such a high quality comfort show that people must 164 00:09:09,400 --> 00:09:12,760 Speaker 1: have it on at all times because nothing bad can 165 00:09:12,840 --> 00:09:16,720 Speaker 1: happen on that show. Nothing boring really ever happens on 166 00:09:16,720 --> 00:09:21,200 Speaker 1: that show. It's all, you know, if it's not if 167 00:09:21,240 --> 00:09:25,600 Speaker 1: it's not really dramatic and compelling, it's funny, it's lighthearted, 168 00:09:25,640 --> 00:09:29,120 Speaker 1: it's you know, it's everything. But anyway, alright, so guys, 169 00:09:30,160 --> 00:09:32,800 Speaker 1: we have somebody waiting in the wings. Thank you, so 170 00:09:32,920 --> 00:09:36,160 Speaker 1: much for your questions. Maybe I'll run into you out 171 00:09:36,160 --> 00:09:37,599 Speaker 1: there on the ski slope when you get all on 172 00:09:37,640 --> 00:09:42,440 Speaker 1: the ski slopes just waiting for Oh yeah, no, I 173 00:09:42,480 --> 00:09:46,240 Speaker 1: enjoyed meeting you guys, and U uh and thank you 174 00:09:46,280 --> 00:09:59,000 Speaker 1: for your questions. Okay, keep watching, bye guys. Okay, yeah, alright. 175 00:09:59,120 --> 00:10:02,520 Speaker 1: So next up have Felicity and she is a big 176 00:10:02,559 --> 00:10:05,440 Speaker 1: fan and she loves the deep dive into the characters 177 00:10:05,480 --> 00:10:07,760 Speaker 1: and their growth and who they are. So we'll bring 178 00:10:07,760 --> 00:10:12,800 Speaker 1: in Felicity. Hi, that's my sister. Hi, Felicity, And what's 179 00:10:12,800 --> 00:10:17,040 Speaker 1: your sister's name? Hi? Madeline? Where are you guys? Calling 180 00:10:17,120 --> 00:10:23,120 Speaker 1: in from Toronto? Wow? It's getting little Is it getting 181 00:10:23,120 --> 00:10:27,600 Speaker 1: a little chilly up there? Is? It's insane. I walk 182 00:10:27,640 --> 00:10:30,720 Speaker 1: into school with like three layers on and end up stripping. 183 00:10:30,720 --> 00:10:36,440 Speaker 1: Now it's so weird. No, I know, I know. So 184 00:10:36,760 --> 00:10:41,719 Speaker 1: how are you guys doing great? How long have you 185 00:10:41,760 --> 00:10:46,440 Speaker 1: been fans of the show? For me? Six years I 186 00:10:46,480 --> 00:10:51,679 Speaker 1: think and probably like five years? So, so so what 187 00:10:51,960 --> 00:10:52,959 Speaker 1: do you have? What do you have for me? You 188 00:10:53,440 --> 00:10:57,600 Speaker 1: have some questions about the show? Season one? Season one? 189 00:10:58,160 --> 00:11:00,559 Speaker 1: Can I just say thank you for reading my Oh 190 00:11:00,600 --> 00:11:03,280 Speaker 1: you're very welcome. I didn't want it to sound too mean, 191 00:11:04,080 --> 00:11:07,079 Speaker 1: because I wasn't sure whether you thought I was criticizing you, 192 00:11:07,200 --> 00:11:10,839 Speaker 1: which I was, but in a very loving way. I 193 00:11:10,880 --> 00:11:15,200 Speaker 1: mean about the podcast, about the podcast, because Luke, you 194 00:11:15,240 --> 00:11:19,560 Speaker 1: can't really change like that's done, you know, Yeah, I look, 195 00:11:19,600 --> 00:11:22,000 Speaker 1: I I knew I was taking a chance doing this 196 00:11:22,160 --> 00:11:27,360 Speaker 1: because Luke is such an iconic sort of perfect guy. Uh. 197 00:11:27,440 --> 00:11:30,640 Speaker 1: And you know I'm a little different. I mean I 198 00:11:30,840 --> 00:11:35,920 Speaker 1: I and and that's getting you know, people are adjusting 199 00:11:35,960 --> 00:11:37,560 Speaker 1: to that. I guess that's all it is. They're just 200 00:11:37,600 --> 00:11:40,360 Speaker 1: they're just sort of adjusting to it. You can't be 201 00:11:40,480 --> 00:11:43,000 Speaker 1: you can't go through your life that tight. You can't 202 00:11:43,040 --> 00:11:46,080 Speaker 1: be Luke. It doesn't work in real life. I mean, 203 00:11:46,120 --> 00:11:48,280 Speaker 1: that guy was so hard to play because he was 204 00:11:48,360 --> 00:11:52,080 Speaker 1: so tight, you know what I mean, he really really was. 205 00:11:52,240 --> 00:11:55,560 Speaker 1: And and that's compelling to watch once in a while 206 00:11:55,800 --> 00:11:59,080 Speaker 1: when he pops on for an hour every week or 207 00:11:59,080 --> 00:12:01,840 Speaker 1: however many times you watch a show, and that's necessary 208 00:12:01,920 --> 00:12:03,560 Speaker 1: and you get all that other color from all the 209 00:12:03,559 --> 00:12:06,560 Speaker 1: other characters. But his color he had to be, you know, 210 00:12:06,679 --> 00:12:10,120 Speaker 1: he had to be those muted sort of earthy tones, right. 211 00:12:10,120 --> 00:12:13,040 Speaker 1: He had to be grounded and earthy and weighty and 212 00:12:13,080 --> 00:12:16,080 Speaker 1: tight all that stuff. You can't live your life that way. 213 00:12:16,240 --> 00:12:17,960 Speaker 1: You can you can you can be you can be 214 00:12:17,960 --> 00:12:20,800 Speaker 1: a great TV character that way. And I'm sure there 215 00:12:20,800 --> 00:12:23,640 Speaker 1: are some people that are that way, but that's not me. 216 00:12:23,760 --> 00:12:27,280 Speaker 1: I mean that was that was an acting gig. Yeah, totally, 217 00:12:27,320 --> 00:12:31,240 Speaker 1: And I just um, I love Luke and he is 218 00:12:31,320 --> 00:12:33,400 Speaker 1: pretty great. It just seems to be that he has 219 00:12:33,440 --> 00:12:37,480 Speaker 1: a character arc, like do you realize that? Like, no, 220 00:12:37,640 --> 00:12:41,040 Speaker 1: because I know you haven't watched it back, right, No, 221 00:12:41,840 --> 00:12:43,680 Speaker 1: watching it back, I feel like you might realize this 222 00:12:43,720 --> 00:12:45,720 Speaker 1: a lot more. But the more I watch it, the 223 00:12:45,760 --> 00:12:48,840 Speaker 1: more I like, the more it becomes clear that in 224 00:12:48,920 --> 00:12:51,920 Speaker 1: season one he gets stronger and stronger and stronger, and 225 00:12:51,920 --> 00:12:54,320 Speaker 1: then he gets with more La and he's become like 226 00:12:54,640 --> 00:12:57,400 Speaker 1: this powerhouse and you love him and you love them. 227 00:12:57,440 --> 00:12:59,719 Speaker 1: And then at one point, I'm not sure if we 228 00:12:59,760 --> 00:13:06,040 Speaker 1: should say it, say it when Vanessa Rano shows up, 229 00:13:06,240 --> 00:13:09,240 Speaker 1: not going to reveal the character, but when Vanessa Rano 230 00:13:09,480 --> 00:13:12,880 Speaker 1: a lovely actress and she's so great and sparks fly 231 00:13:13,040 --> 00:13:17,559 Speaker 1: and great, awesome, But when she shows up, it was 232 00:13:17,600 --> 00:13:20,880 Speaker 1: almost written to be this great character development with Luke, 233 00:13:20,960 --> 00:13:24,920 Speaker 1: and it seemed to be the opposite because the more 234 00:13:25,880 --> 00:13:29,080 Speaker 1: the more he got invested with that relationship, the less 235 00:13:29,120 --> 00:13:32,400 Speaker 1: investity he got in like with the rest, and then 236 00:13:32,480 --> 00:13:34,760 Speaker 1: it seemed like he was off based with himself. Is 237 00:13:34,800 --> 00:13:39,000 Speaker 1: that just me? No? No, no, that she wasn't warmly 238 00:13:39,040 --> 00:13:41,560 Speaker 1: embraced as a character. And I think for the reasons 239 00:13:41,600 --> 00:13:46,440 Speaker 1: that you stated, very very very intelligently. By the way, 240 00:13:46,440 --> 00:13:50,000 Speaker 1: you're very very stute observer um and one heck of 241 00:13:50,040 --> 00:13:53,480 Speaker 1: a TV critic. Boy, you might have a future my 242 00:13:53,520 --> 00:13:59,520 Speaker 1: parents stop you, so obviously great influences. So yeah, she 243 00:13:59,760 --> 00:14:03,640 Speaker 1: was warmly received by the fan base, and I always 244 00:14:03,679 --> 00:14:06,319 Speaker 1: defended her because I thought it gave First of all, 245 00:14:06,360 --> 00:14:08,360 Speaker 1: she was great to work with. She was always prepared, 246 00:14:08,360 --> 00:14:11,800 Speaker 1: she always knew her lines called, she was perfect in rehearsal, 247 00:14:11,840 --> 00:14:15,600 Speaker 1: She was perfect when we were filming. She was you know, 248 00:14:15,679 --> 00:14:17,480 Speaker 1: she'd bring her mom on the set because she was 249 00:14:17,520 --> 00:14:19,760 Speaker 1: young at that time and she had a little sister too, 250 00:14:19,760 --> 00:14:21,600 Speaker 1: and they were just fantastic to hang out with. So 251 00:14:21,640 --> 00:14:24,080 Speaker 1: it was it was just such a a plus positive 252 00:14:24,120 --> 00:14:28,920 Speaker 1: experience with Vanessa Um. And uh, the work was great, 253 00:14:28,920 --> 00:14:31,240 Speaker 1: and I thought it gave Luke some depth and dimension, 254 00:14:31,520 --> 00:14:34,280 Speaker 1: And I mean that's what it felt like at the time, 255 00:14:34,920 --> 00:14:38,720 Speaker 1: I didn't know how it was gonna land in audience Bill, 256 00:14:39,880 --> 00:14:44,680 Speaker 1: and it obviously didn't land well um um, And that's 257 00:14:44,800 --> 00:14:47,080 Speaker 1: you know, and that's not for me to judge. I 258 00:14:47,160 --> 00:14:49,520 Speaker 1: just loved working with her and I loved having her 259 00:14:50,040 --> 00:14:52,280 Speaker 1: add another dimension to Luke, and there was there was 260 00:14:52,360 --> 00:14:54,800 Speaker 1: really no it was. It was the first time and 261 00:14:55,000 --> 00:14:58,320 Speaker 1: maybe the only time that Luke was given a little development, 262 00:14:58,360 --> 00:15:01,720 Speaker 1: you know, in that way. So yeah, I mean, I 263 00:15:01,720 --> 00:15:04,160 Speaker 1: feel like we're the odd balls out because as much 264 00:15:04,200 --> 00:15:07,400 Speaker 1: as I can, as much as we both criticize these characters, 265 00:15:07,480 --> 00:15:10,240 Speaker 1: we still love to see them on the screen because 266 00:15:10,240 --> 00:15:12,560 Speaker 1: each one has a little piece of that, like a 267 00:15:12,600 --> 00:15:15,320 Speaker 1: little piece of you. Like we were just watching the 268 00:15:15,360 --> 00:15:19,440 Speaker 1: season one finale and um, it was funny. Now I'm 269 00:15:19,440 --> 00:15:23,840 Speaker 1: staring at the screen and she's going but like all 270 00:15:23,880 --> 00:15:26,640 Speaker 1: of them, you drink a million times coffees today and 271 00:15:26,680 --> 00:15:29,440 Speaker 1: you talk really fast like lore Live. But you also 272 00:15:29,480 --> 00:15:33,200 Speaker 1: are so dramatic, and I love that that's what we 273 00:15:33,280 --> 00:15:36,240 Speaker 1: see when we watch it. And I also the show 274 00:15:36,440 --> 00:15:41,120 Speaker 1: is so so well written because Will and I don't 275 00:15:41,160 --> 00:15:44,400 Speaker 1: think a lot of people nowadays understand that because we 276 00:15:44,440 --> 00:15:46,880 Speaker 1: grew up watching a lot of old movies. Hence the 277 00:15:46,920 --> 00:15:50,360 Speaker 1: posters behind it with Carrie Grant. Let me see what 278 00:15:50,400 --> 00:16:00,800 Speaker 1: they are. Hang on if you see, there's Yeah, Audrey Hapburn, 279 00:16:00,840 --> 00:16:05,640 Speaker 1: Carragrat and Sight and then there's real rear Window and 280 00:16:06,760 --> 00:16:11,360 Speaker 1: Jimmie Stewart. And so when we're watching back especially not 281 00:16:11,480 --> 00:16:14,560 Speaker 1: only see Mary and Ross playing are like the first, 282 00:16:14,560 --> 00:16:17,560 Speaker 1: but hear her on your podcast after watching Happy Days. 283 00:16:19,320 --> 00:16:24,080 Speaker 1: Oh my god, it's fantastic. It's fantastic writing. It's so 284 00:16:24,120 --> 00:16:27,720 Speaker 1: good I know, I know, and it's effortless and breezy 285 00:16:28,200 --> 00:16:32,040 Speaker 1: and free, and it'll go in places that you never 286 00:16:32,080 --> 00:16:35,000 Speaker 1: expected to go to and it's just yeah, it's just fun, 287 00:16:35,360 --> 00:16:41,400 Speaker 1: really fun. Um what else you got for me? Um? Okay? Basically, 288 00:16:41,480 --> 00:16:44,720 Speaker 1: I just I just wanted you to take a step 289 00:16:44,760 --> 00:16:47,240 Speaker 1: back when you watch it, because I see, like you 290 00:16:47,320 --> 00:16:50,440 Speaker 1: look like Luke and you seem to be like regular 291 00:16:50,480 --> 00:16:54,440 Speaker 1: guy A plus you know you're great, but you always 292 00:16:54,440 --> 00:16:56,400 Speaker 1: watch it, and you watch it and as if you're 293 00:16:56,400 --> 00:16:59,720 Speaker 1: like defending the Gilmore Girls before you even know the POC, 294 00:17:03,160 --> 00:17:06,240 Speaker 1: Like guy, who do you think you take it personally? 295 00:17:07,040 --> 00:17:11,879 Speaker 1: Could just be called critic. You're like, well, you go 296 00:17:11,960 --> 00:17:15,719 Speaker 1: on and you're like Dean who he is talking to Lorelai, 297 00:17:15,920 --> 00:17:18,639 Speaker 1: talking to you, but don't but wait a minute, wait 298 00:17:18,640 --> 00:17:21,120 Speaker 1: a wute, wait a minute. I am. I am giving 299 00:17:21,240 --> 00:17:25,520 Speaker 1: a voice, don't you think in a way to the 300 00:17:25,600 --> 00:17:30,000 Speaker 1: fan base, in a nostalgic way, because that was their 301 00:17:30,080 --> 00:17:35,000 Speaker 1: reaction when they first experienced those episodes in the year 302 00:17:35,119 --> 00:17:39,000 Speaker 1: two thousand, right, I mean, how I'm gonna Collectively, they 303 00:17:39,040 --> 00:17:43,520 Speaker 1: probably all gasped when he said to Laurel, I, uh 304 00:17:43,920 --> 00:17:46,040 Speaker 1: was in my turn to speak? Yeah? Can I talk 305 00:17:46,080 --> 00:17:49,040 Speaker 1: to you know? I'm just like, wow, the Cajonis on 306 00:17:49,080 --> 00:17:51,920 Speaker 1: this kid to say something like that to Laurel I, 307 00:17:52,000 --> 00:17:55,359 Speaker 1: who's an obviously you know, you know, the mam a 308 00:17:55,440 --> 00:17:59,479 Speaker 1: lion there and uh flexing her muscles to that kid, like, hey, 309 00:17:59,720 --> 00:18:03,119 Speaker 1: you know, watch your step because this is a small town. 310 00:18:03,280 --> 00:18:08,200 Speaker 1: And and I think, I'm just you know, I'm I've 311 00:18:08,240 --> 00:18:12,160 Speaker 1: never seen it. I legit. I've never seen the episodes, right, 312 00:18:12,280 --> 00:18:14,840 Speaker 1: um um. I was there fifteen hours a day, twelve 313 00:18:14,920 --> 00:18:18,399 Speaker 1: hours a day. You know, I don't want to consume it. 314 00:18:18,440 --> 00:18:20,760 Speaker 1: When I come home. I need to just shower and 315 00:18:20,800 --> 00:18:24,080 Speaker 1: eat and go to bed and learn my lines for tomorrow. 316 00:18:24,480 --> 00:18:25,840 Speaker 1: And that's all you have time to do. You don't 317 00:18:25,840 --> 00:18:27,760 Speaker 1: have time to do anything else, So the last thing 318 00:18:27,800 --> 00:18:31,960 Speaker 1: I want to do is watch the show. Um, but 319 00:18:32,040 --> 00:18:35,200 Speaker 1: now it makes perfect sense. Something from Felicity And are 320 00:18:35,240 --> 00:18:39,680 Speaker 1: you Madeline or Madeline Madeleine Madeline? We first of all, Felicity. 321 00:18:39,720 --> 00:18:43,040 Speaker 1: Are you named after the iconic television character? I am 322 00:18:43,080 --> 00:18:46,919 Speaker 1: actually not watched the show. And let me say I 323 00:18:46,960 --> 00:18:49,960 Speaker 1: got some notes on that chair. Should we do a 324 00:18:49,960 --> 00:18:53,359 Speaker 1: podcast on Felicity? Even though it's on it? So I 325 00:18:53,400 --> 00:18:55,679 Speaker 1: won't say your ages, but you both look young? So 326 00:18:55,760 --> 00:19:01,080 Speaker 1: are you under twenty? Yeah? I'm not. I tun So 327 00:19:01,400 --> 00:19:05,000 Speaker 1: here is my question for you, and and thanks to Riley, 328 00:19:05,080 --> 00:19:07,760 Speaker 1: we're going through all the pop culture references. So as 329 00:19:07,800 --> 00:19:10,600 Speaker 1: you guys watch the show, do you know most of them? 330 00:19:10,960 --> 00:19:14,159 Speaker 1: We do? Yeah? Or are some do look them up? 331 00:19:14,240 --> 00:19:16,800 Speaker 1: Are they confusing? Or do most of them make sense? 332 00:19:18,200 --> 00:19:21,359 Speaker 1: So most of them we understand. The ones that we 333 00:19:21,440 --> 00:19:24,000 Speaker 1: don't will typically go to our mom because she's the 334 00:19:24,040 --> 00:19:26,600 Speaker 1: one who is like full of knowledge about the old movies, 335 00:19:26,600 --> 00:19:29,119 Speaker 1: old TV shows, stuff like that, and so she'll usually 336 00:19:29,160 --> 00:19:31,840 Speaker 1: phillis in and then Felicity has a list going, Yeah, 337 00:19:31,920 --> 00:19:35,280 Speaker 1: I do the movies we have to watch to understand 338 00:19:35,440 --> 00:19:40,280 Speaker 1: all the references. That's amazing. Yeah, we ended up watching 339 00:19:40,280 --> 00:19:42,800 Speaker 1: a bunch of old classics like Bringing a Baby and 340 00:19:42,880 --> 00:19:45,520 Speaker 1: the way we were, Like, we're not huge big fans 341 00:19:45,560 --> 00:19:48,120 Speaker 1: of like Barber streisand but we had to watch um 342 00:19:48,280 --> 00:19:51,399 Speaker 1: the way we were And funny face, we have the DVD, 343 00:19:51,720 --> 00:19:54,360 Speaker 1: but strangely we had never seen before and it's more 344 00:19:54,440 --> 00:19:58,040 Speaker 1: life's favorite movie, so we had to watch it and 345 00:19:58,040 --> 00:20:00,680 Speaker 1: then we're getting all of these extra clues and it's 346 00:20:01,280 --> 00:20:03,840 Speaker 1: we put a lot of effort into understanding that pop 347 00:20:03,880 --> 00:20:07,280 Speaker 1: culture references because every time we go back, it's so 348 00:20:07,359 --> 00:20:12,480 Speaker 1: much funnier. M h, It's so much funnier. That's when 349 00:20:12,520 --> 00:20:17,880 Speaker 1: you get the references. It changes the whole thing. Yeah, 350 00:20:18,080 --> 00:20:20,879 Speaker 1: that isn't a wonderful how Gilmour is really uh in 351 00:20:20,880 --> 00:20:24,680 Speaker 1: a certain sense of love letter to great literature, film 352 00:20:24,680 --> 00:20:30,200 Speaker 1: and TV for sure. Yeah, and even like when when 353 00:20:30,400 --> 00:20:33,280 Speaker 1: Tristan exits and Chad Michael Murray goes off and they 354 00:20:33,320 --> 00:20:36,359 Speaker 1: find their own way to like put an ode to 355 00:20:36,359 --> 00:20:38,920 Speaker 1: a literature and hit in his new show. And that's 356 00:20:39,200 --> 00:20:42,000 Speaker 1: it's so great because these two thousand shows they're so 357 00:20:42,160 --> 00:20:45,719 Speaker 1: touching too. There's into they're just so much better than 358 00:20:45,760 --> 00:20:50,639 Speaker 1: shows nowadays. Really really Yeah, there's nothing like them. You 359 00:20:50,720 --> 00:20:54,520 Speaker 1: two are adorable. We do like to compare ourselves to 360 00:20:54,720 --> 00:21:00,920 Speaker 1: Lorelai and Rory because she's parenting me. But but sometimes 361 00:21:00,920 --> 00:21:06,320 Speaker 1: she's more lowrily with the spunk. Anyway, guys, you're a 362 00:21:06,320 --> 00:21:08,720 Speaker 1: lot of fun and uh, you know, we should we 363 00:21:08,720 --> 00:21:13,320 Speaker 1: should have them back on. They are insightful info because yeah, 364 00:21:13,320 --> 00:21:16,560 Speaker 1: you gotta come back one question. Oh you gotta get 365 00:21:16,600 --> 00:21:21,000 Speaker 1: that question. Yeah, sorry, I wanted to know. Um, what 366 00:21:21,320 --> 00:21:25,639 Speaker 1: like what you seeest Luke's biggest flaw? Flaw? Yeah? What 367 00:21:25,640 --> 00:21:28,520 Speaker 1: what you see is his biggest flaw? And which decision 368 00:21:28,680 --> 00:21:30,679 Speaker 1: it comes out in that you'd want to go back 369 00:21:30,720 --> 00:21:35,160 Speaker 1: and change? Sorry, that's loaded. Yeah, I mean I don't 370 00:21:35,160 --> 00:21:40,320 Speaker 1: know that it's just one flaw. I think that, Um, well, 371 00:21:40,359 --> 00:21:43,320 Speaker 1: he's a bit closed off, isn't he. I he wouldn't 372 00:21:43,320 --> 00:21:46,479 Speaker 1: be Luke if he was open and friendly and happy. 373 00:21:46,640 --> 00:21:52,680 Speaker 1: And I just I think he's just a dark look 374 00:21:52,720 --> 00:21:55,320 Speaker 1: he's a Northeast kind of guy. He's a he's a 375 00:21:55,359 --> 00:21:58,280 Speaker 1: throwback kind of guy. He's a you know, only the 376 00:21:58,320 --> 00:22:00,680 Speaker 1: northeastern part of the United States can produce a guy 377 00:22:00,760 --> 00:22:06,119 Speaker 1: like that who's just so steeped in in in in 378 00:22:06,320 --> 00:22:09,680 Speaker 1: historical significance. I mean, Stars Hollow is an historic town. 379 00:22:09,800 --> 00:22:12,160 Speaker 1: I grew up in a historic town in southern New Jersey. 380 00:22:12,160 --> 00:22:16,399 Speaker 1: I know what that's like. But um, with all the 381 00:22:16,440 --> 00:22:20,359 Speaker 1: eccentric characters and the closeness of the community and the 382 00:22:20,440 --> 00:22:22,879 Speaker 1: smallness of the community and how important that is and 383 00:22:23,000 --> 00:22:28,399 Speaker 1: everybody being accountable, and I just think that he he 384 00:22:28,520 --> 00:22:30,440 Speaker 1: just seems I don't know if it's a flaw, but 385 00:22:30,480 --> 00:22:32,760 Speaker 1: it seems to me he suffered. And that's the way 386 00:22:32,760 --> 00:22:37,280 Speaker 1: I always played it, that he suffered, you know, extraordinary trauma. 387 00:22:38,440 --> 00:22:42,000 Speaker 1: Uh And whether it's emotional or whether he's just too 388 00:22:42,000 --> 00:22:44,040 Speaker 1: sensitive a guy and he's covering up too much, and 389 00:22:44,119 --> 00:22:47,240 Speaker 1: maybe whether the breakups of Rachel and girls before him 390 00:22:47,280 --> 00:22:50,400 Speaker 1: have caused him, you know, to to to to sort 391 00:22:50,440 --> 00:22:53,760 Speaker 1: of grow this very hard shell around himself and be 392 00:22:53,880 --> 00:22:57,400 Speaker 1: so guarded. Um because and I think that's why it's 393 00:22:57,720 --> 00:23:01,120 Speaker 1: so compelling to watch him draw up his guard and 394 00:23:01,160 --> 00:23:05,840 Speaker 1: an attempt to be uh um, real and honest with 395 00:23:05,960 --> 00:23:11,480 Speaker 1: his feelings towards Laurela and uh so yea for his flaws, 396 00:23:11,560 --> 00:23:14,000 Speaker 1: you know, yea for his damage. And it's all very 397 00:23:14,119 --> 00:23:18,080 Speaker 1: useful in a dramatic sense and a comedic sense. Um, 398 00:23:18,119 --> 00:23:20,800 Speaker 1: but anyway, you guys are fantastic. It was great talking 399 00:23:20,840 --> 00:23:25,320 Speaker 1: to a great meeting you. I got a feeling Amy, 400 00:23:25,359 --> 00:23:27,160 Speaker 1: We're gonna be in touch with these two. These are 401 00:23:27,240 --> 00:23:30,840 Speaker 1: these are these are astute young just saying, if you 402 00:23:30,920 --> 00:23:33,320 Speaker 1: ever have to go on vacation, I now know who 403 00:23:33,320 --> 00:23:38,479 Speaker 1: will be filling in for you. Waiting maybe if I 404 00:23:38,520 --> 00:23:44,000 Speaker 1: have to go on vacation for you, I think I 405 00:23:44,080 --> 00:23:47,920 Speaker 1: think we have some superstars, some budding superstars here. Anyway, 406 00:23:49,000 --> 00:23:54,960 Speaker 1: great meeting you, girls, Okay, good talking to you. All right, 407 00:23:55,359 --> 00:23:59,520 Speaker 1: all the best. So next we have Justin and he 408 00:23:59,640 --> 00:24:02,840 Speaker 1: was a Warner Brothers tour guide and two of you 409 00:24:02,920 --> 00:24:05,240 Speaker 1: actually briefly met at a pop up for the Gilmore 410 00:24:05,359 --> 00:24:10,720 Speaker 1: revival in two thousand and sixteen. So we'll bring in Justin. Justin, 411 00:24:10,840 --> 00:24:13,440 Speaker 1: I can hear you, I can't see you. But are 412 00:24:13,440 --> 00:24:16,600 Speaker 1: you still working over Warner Brothers? No, No, I was. 413 00:24:16,800 --> 00:24:20,720 Speaker 1: I was there, uh like two thousand and eleven or 414 00:24:20,760 --> 00:24:23,680 Speaker 1: like two thousand thirteen. It's been a little bit. Yeah, 415 00:24:23,880 --> 00:24:29,320 Speaker 1: all right, and we met. There's photographic evidence there is. Yeah. 416 00:24:29,359 --> 00:24:33,000 Speaker 1: I think I think it's actually it's like five years 417 00:24:33,040 --> 00:24:36,800 Speaker 1: to the day because it was October. I only know 418 00:24:36,880 --> 00:24:41,120 Speaker 1: this because I was doing scrolling back through my photo role. Um, 419 00:24:41,160 --> 00:24:44,280 Speaker 1: and it was right around the revival because there were 420 00:24:44,359 --> 00:24:46,679 Speaker 1: some pop up shops that Netflix had done with the 421 00:24:46,680 --> 00:24:49,840 Speaker 1: coffee shop, so we met there. Oh so we met 422 00:24:49,840 --> 00:24:53,920 Speaker 1: in Beverly Hills at that pop up, right. I think 423 00:24:53,960 --> 00:24:59,280 Speaker 1: if you if you google your name and Netflix Revival, 424 00:24:59,400 --> 00:25:02,879 Speaker 1: like there we sometimes. Yeah, that was God. There were 425 00:25:02,880 --> 00:25:06,120 Speaker 1: a lot of people there. Wow. Yeah, that was shocking. 426 00:25:06,359 --> 00:25:08,239 Speaker 1: The cops were there trying to clear the street. They 427 00:25:08,240 --> 00:25:10,240 Speaker 1: were like, get out of the street. You know, it's like, hey, 428 00:25:10,320 --> 00:25:13,240 Speaker 1: wait a minute, these are gut more fans back off. 429 00:25:16,800 --> 00:25:18,760 Speaker 1: I think you had come out at one point to 430 00:25:18,840 --> 00:25:22,920 Speaker 1: like meet the overflow crowd because it was way more 431 00:25:23,000 --> 00:25:27,040 Speaker 1: than people were anticipating, you know. I think that, Yeah, 432 00:25:27,040 --> 00:25:30,640 Speaker 1: it was triple what anybody expected. So you have a question. 433 00:25:30,800 --> 00:25:34,920 Speaker 1: But you know, being on the on the back lot, 434 00:25:35,160 --> 00:25:40,040 Speaker 1: I guess and from my perspective and obviously many things 435 00:25:40,119 --> 00:25:44,080 Speaker 1: I have filmed there were were there anything that you 436 00:25:45,160 --> 00:25:49,359 Speaker 1: while filming, like uh found interesting about the particular sets, 437 00:25:49,400 --> 00:25:54,760 Speaker 1: the practical sets, or about this studio in general that um, 438 00:25:54,800 --> 00:25:58,879 Speaker 1: maybe you wouldn't know before or other people wouldn't realize. No, 439 00:25:59,000 --> 00:26:03,000 Speaker 1: because at that point. I was pretty much a seasoned actor. 440 00:26:03,040 --> 00:26:08,000 Speaker 1: I've been on a lot of sets, um and uh, 441 00:26:08,200 --> 00:26:10,760 Speaker 1: you know, the thing that did impress me and surprise 442 00:26:10,880 --> 00:26:14,320 Speaker 1: me the most was the size of our set. I 443 00:26:14,320 --> 00:26:17,520 Speaker 1: mean we took the the entire back lot at Warner Brothers. 444 00:26:17,520 --> 00:26:20,480 Speaker 1: I mean that it was just an extraordinary amount of 445 00:26:20,480 --> 00:26:23,719 Speaker 1: real estate. And it's just for that one show. And 446 00:26:23,720 --> 00:26:26,520 Speaker 1: Warner Brothers. Uh, you know they're producing I don't know 447 00:26:26,560 --> 00:26:29,360 Speaker 1: how many, they're producing, thirty shows a year on average. Right, 448 00:26:29,760 --> 00:26:32,480 Speaker 1: they're not all shot at Warner Brothers. But there's there's 449 00:26:32,960 --> 00:26:35,600 Speaker 1: shows on sound stages, there's but I mean we took 450 00:26:35,600 --> 00:26:39,760 Speaker 1: off this massive chunk of real estate over there, um, 451 00:26:39,840 --> 00:26:43,040 Speaker 1: and we had sound stages that were ours and dedicated. 452 00:26:43,080 --> 00:26:45,399 Speaker 1: I mean, it was just really a big commitment on 453 00:26:45,440 --> 00:26:49,000 Speaker 1: the studios part. Uh. And that's the thing that that 454 00:26:49,040 --> 00:26:53,120 Speaker 1: blew me away when we got there, was like the size, 455 00:26:53,400 --> 00:26:56,239 Speaker 1: the amount of real estate. We had the recreation of 456 00:26:57,359 --> 00:27:01,600 Speaker 1: Unionville up in Toronto right to create that, and it 457 00:27:01,720 --> 00:27:04,359 Speaker 1: was just so it was a replica of the place 458 00:27:04,400 --> 00:27:09,160 Speaker 1: and it was stunning. Um. I didn't know how good 459 00:27:10,200 --> 00:27:15,200 Speaker 1: the construction crews really were until I got on that set. 460 00:27:15,280 --> 00:27:19,240 Speaker 1: I want this is extraordinary work. Uh, and it helped 461 00:27:19,320 --> 00:27:22,840 Speaker 1: us to believe that we were in these places that 462 00:27:22,920 --> 00:27:25,840 Speaker 1: we had shot the pilot and it was it was extraordinary. 463 00:27:26,280 --> 00:27:29,240 Speaker 1: Um So yeah, that's probably the biggest impression that hit 464 00:27:29,320 --> 00:27:31,679 Speaker 1: me was the size of it and the detail of it. 465 00:27:31,760 --> 00:27:36,719 Speaker 1: And then was your was your apartment set? Was that 466 00:27:37,240 --> 00:27:40,600 Speaker 1: built inside the big practical that that high school area? 467 00:27:40,720 --> 00:27:43,439 Speaker 1: Or was that stage? Yeah? No, that was the high school. 468 00:27:43,800 --> 00:27:46,040 Speaker 1: It was inside the high school. Yeah. Yeah. I was 469 00:27:46,040 --> 00:27:49,320 Speaker 1: always impressed just you know, being on those sets every 470 00:27:49,400 --> 00:27:51,560 Speaker 1: day and bringing people around, you know, how much work 471 00:27:51,600 --> 00:27:57,000 Speaker 1: went into making that looked like Stars Hollow or you know, 472 00:27:57,080 --> 00:27:59,720 Speaker 1: any other small town that they that they made it 473 00:27:59,760 --> 00:28:02,720 Speaker 1: look like. There's a lot more work than you would 474 00:28:02,760 --> 00:28:05,239 Speaker 1: think watching it, you know at home on screen. So 475 00:28:05,600 --> 00:28:10,040 Speaker 1: I always try to impress that upon people when visiting 476 00:28:10,080 --> 00:28:13,080 Speaker 1: that it takes it literally takes a village. It does. No, 477 00:28:13,240 --> 00:28:16,200 Speaker 1: it's it's hundreds of workers that are you know, high 478 00:28:16,320 --> 00:28:20,119 Speaker 1: end people who are great craftsmen building all that stuff. 479 00:28:20,119 --> 00:28:24,080 Speaker 1: It takes a lot. It takes a lot. Anyway, listen, 480 00:28:24,560 --> 00:28:26,800 Speaker 1: we gotta go. We got one last guess they're waiting 481 00:28:26,800 --> 00:28:29,360 Speaker 1: in the wings. It was great catching up with you man, 482 00:28:29,600 --> 00:28:34,080 Speaker 1: and uh, all the best and thanks for your questions. 483 00:28:34,240 --> 00:28:43,840 Speaker 1: All right, buddy, continue listening. Okay, thanks man, I appreciate it. Bye. Yeah, Riley, 484 00:28:43,880 --> 00:28:46,800 Speaker 1: what do we have? We have another guest? Yes, we 485 00:28:46,840 --> 00:28:51,400 Speaker 1: have our final guest, Jacqueline and uh fun story her 486 00:28:51,440 --> 00:28:54,080 Speaker 1: and her best friend Kelsey. Um, this is the show 487 00:28:54,160 --> 00:28:56,600 Speaker 1: is what has kept them close to each other throughout 488 00:28:56,640 --> 00:29:01,120 Speaker 1: their childhood and um, Kelsey and Jacqueline haven't seen each 489 00:29:01,120 --> 00:29:03,840 Speaker 1: other in years because Jacqueline is active duty and station 490 00:29:04,000 --> 00:29:06,840 Speaker 1: across the country. So we'll get a little more on that. 491 00:29:07,440 --> 00:29:12,280 Speaker 1: Here comes Jacqueline. Jacqueline. Hello, Hey, how's it going. It's 492 00:29:12,320 --> 00:29:15,600 Speaker 1: going great. How you doing. I'm great. I'm so excited 493 00:29:15,640 --> 00:29:21,280 Speaker 1: to get to chat with you. We're excited to have you. Welcome, Welcome, welcome. Um, 494 00:29:21,360 --> 00:29:25,000 Speaker 1: So you have a friend that is a military person. 495 00:29:25,600 --> 00:29:28,400 Speaker 1: I'm a military you're a military person. And where where 496 00:29:28,400 --> 00:29:33,760 Speaker 1: are you stationed? I'm stan Northern California. Okay, Uh, well, 497 00:29:33,800 --> 00:29:37,080 Speaker 1: thank you for your service first and foremost, and thanks 498 00:29:37,120 --> 00:29:41,239 Speaker 1: for watching the show. And uh, apparently you grew up 499 00:29:41,280 --> 00:29:45,800 Speaker 1: with somebody who and you remain bonded over this show 500 00:29:45,880 --> 00:29:48,120 Speaker 1: all these years later. And tell us a little bit 501 00:29:48,120 --> 00:29:51,320 Speaker 1: about her her name is Kelsey. She's my best friend 502 00:29:51,320 --> 00:29:53,479 Speaker 1: from high school when we started swimming together when we 503 00:29:53,480 --> 00:29:57,080 Speaker 1: were fourteen, and we've stayed in touch all these years. 504 00:29:57,280 --> 00:29:59,600 Speaker 1: And she lives in New York City. UM, so actually 505 00:29:59,600 --> 00:30:01,840 Speaker 1: got to visit over last month and that's when we 506 00:30:02,000 --> 00:30:05,360 Speaker 1: emailed in. UM. But we send each other stuff back 507 00:30:05,400 --> 00:30:08,640 Speaker 1: and forth about Gilmore all the time, like any random 508 00:30:08,680 --> 00:30:10,360 Speaker 1: you know, posts that we see about it. She was 509 00:30:10,400 --> 00:30:13,479 Speaker 1: the one that told me about this podcast, UM. And 510 00:30:13,520 --> 00:30:15,480 Speaker 1: then we'll send like little games back and forth, like 511 00:30:15,520 --> 00:30:18,440 Speaker 1: she'll randomly text me and be like, hey, watch episode 512 00:30:18,480 --> 00:30:21,480 Speaker 1: seven of all seven seasons and we'll just kind of 513 00:30:21,560 --> 00:30:23,480 Speaker 1: kind of like go through it like that or look 514 00:30:23,520 --> 00:30:25,080 Speaker 1: for the clown pillow. And so it's just kind of 515 00:30:25,520 --> 00:30:28,160 Speaker 1: kept us connected over the years. That's nice. Watch our 516 00:30:28,200 --> 00:30:31,400 Speaker 1: favorite episodes every time we're together, right right. That's that's terrific. 517 00:30:31,480 --> 00:30:33,840 Speaker 1: That's true. And that's been going on for how many years? 518 00:30:33,840 --> 00:30:37,080 Speaker 1: I'm sorry, did you say ten years? Ten years? Wow? Decades? 519 00:30:37,200 --> 00:30:40,480 Speaker 1: A decade is worth of Gilmore and bonding. That's wonderful. UM. 520 00:30:40,560 --> 00:30:42,600 Speaker 1: Do you have so do you have a specific question 521 00:30:42,640 --> 00:30:45,680 Speaker 1: you just want to chat? I do have a specific 522 00:30:45,760 --> 00:30:47,720 Speaker 1: question of mine, So when we were like talking about 523 00:30:47,720 --> 00:30:49,920 Speaker 1: our Gilmore games that we sent back and forth. We're 524 00:30:49,920 --> 00:30:54,000 Speaker 1: wondering did the cast have any games, um, that they 525 00:30:54,480 --> 00:30:56,560 Speaker 1: like played to pass the time on set, or any 526 00:30:56,560 --> 00:30:59,240 Speaker 1: shenanigans they tried to get away with while you were filming. 527 00:30:59,760 --> 00:31:01,760 Speaker 1: You when the days are getting long and the nights 528 00:31:01,760 --> 00:31:06,800 Speaker 1: are getting rather silly, Well, um, you know most people 529 00:31:06,920 --> 00:31:12,000 Speaker 1: just read. Uh, yeah, we would read a lot because 530 00:31:12,000 --> 00:31:15,840 Speaker 1: it was so much time downtime, right, they'd bring you there. 531 00:31:16,320 --> 00:31:19,040 Speaker 1: Let's say you had one scene to do in the afternoon, 532 00:31:19,080 --> 00:31:22,280 Speaker 1: they'd bring you there early in the morning because they 533 00:31:22,320 --> 00:31:25,040 Speaker 1: didn't know if they were going to get to the 534 00:31:25,080 --> 00:31:27,160 Speaker 1: other scenes and maybe they were going to move your 535 00:31:27,160 --> 00:31:30,640 Speaker 1: scene up or somebody's seen up to the morning and 536 00:31:30,720 --> 00:31:33,080 Speaker 1: they were there ready to go already through hair and 537 00:31:33,080 --> 00:31:37,760 Speaker 1: makeup and wardrobe, the whole thing. Um. So that's the job. 538 00:31:37,840 --> 00:31:39,760 Speaker 1: The job is that what they pay you for is 539 00:31:39,800 --> 00:31:42,240 Speaker 1: waiting around, and it's a lot of that. Were you 540 00:31:42,320 --> 00:31:47,160 Speaker 1: reading new books, papers and magazines? Books? Yeah? What have you? 541 00:31:47,280 --> 00:31:49,640 Speaker 1: I mean? Because it was the days before we could 542 00:31:49,680 --> 00:31:53,560 Speaker 1: watch shows on our foods correct correct um, and we 543 00:31:53,640 --> 00:31:56,600 Speaker 1: all had television sets in our trailers. But I don't 544 00:31:56,600 --> 00:32:00,400 Speaker 1: think anybody ever watched them. We had we had phones 545 00:32:00,440 --> 00:32:02,240 Speaker 1: we could call China with, but now I don't think 546 00:32:02,280 --> 00:32:05,120 Speaker 1: anybody ever used them. We had fax machines. I never 547 00:32:05,160 --> 00:32:08,760 Speaker 1: received a fact, you know in my trailer, but we 548 00:32:08,880 --> 00:32:13,240 Speaker 1: had all of this stuff. Um and uh, I you know, 549 00:32:13,320 --> 00:32:16,760 Speaker 1: I at one point played some practical jokes on a 550 00:32:16,840 --> 00:32:20,280 Speaker 1: few of the cast members over the course of a 551 00:32:20,320 --> 00:32:23,920 Speaker 1: couple of seasons. I nailed somebody's shoes to the floor 552 00:32:23,960 --> 00:32:26,920 Speaker 1: of their trailer. They didn't appreciate that too much, so 553 00:32:26,960 --> 00:32:30,880 Speaker 1: I stopped doing that. I put vassiline on the toilet 554 00:32:30,960 --> 00:32:33,400 Speaker 1: seat of a certain cast member and he fell in 555 00:32:33,480 --> 00:32:39,360 Speaker 1: and got stuck. Yeah, they will, they will. Uh, And 556 00:32:39,440 --> 00:32:41,160 Speaker 1: I'll take it to the grave. I'm not gonna I'm 557 00:32:41,160 --> 00:32:44,400 Speaker 1: not coughing up the inphoe um, you know, just a 558 00:32:44,400 --> 00:32:47,080 Speaker 1: little stuff like that, and uh, just to keep it 559 00:32:47,160 --> 00:32:49,000 Speaker 1: lively a little bit. I don't know if it was 560 00:32:49,880 --> 00:32:56,920 Speaker 1: all the way appreciated, but I tried so somehow. Yeah. 561 00:32:57,000 --> 00:32:58,560 Speaker 1: And it's a lot of pick you know. You go 562 00:32:58,640 --> 00:33:00,680 Speaker 1: to the craft service table and you pick around the 563 00:33:00,680 --> 00:33:04,520 Speaker 1: food a lot, and you eat bananas and eat grapes, 564 00:33:04,600 --> 00:33:07,680 Speaker 1: and then you start eating junkie stuff and it was 565 00:33:07,760 --> 00:33:10,840 Speaker 1: usually pretty good spreads and there wasn't unhealthy stuff at all, 566 00:33:10,840 --> 00:33:13,800 Speaker 1: but um, you know you could eat too many bags 567 00:33:13,840 --> 00:33:16,600 Speaker 1: of chips and get a tummy ache, right, Um, you 568 00:33:16,680 --> 00:33:19,240 Speaker 1: just you just don't realize how famished you get when 569 00:33:19,280 --> 00:33:21,320 Speaker 1: you're on set and you're just like burning up all 570 00:33:21,320 --> 00:33:23,440 Speaker 1: this energy, and just because you're not running or being 571 00:33:23,960 --> 00:33:26,800 Speaker 1: physically active, you don't realize how hungry you get, and 572 00:33:26,800 --> 00:33:29,280 Speaker 1: you just sit there and start wolfing down large quantities 573 00:33:29,320 --> 00:33:33,720 Speaker 1: of food standing up, like, wait a minute, really, you 574 00:33:33,840 --> 00:33:36,680 Speaker 1: have a favorite. Do both of you have a favorite episode? 575 00:33:36,720 --> 00:33:41,400 Speaker 1: One episode? Episode two hands down with the loyeralized first 576 00:33:41,440 --> 00:33:45,120 Speaker 1: day it Chiltern by far my favorite it was. I 577 00:33:45,160 --> 00:33:48,440 Speaker 1: would say it's like contender for top in this series too. 578 00:33:49,040 --> 00:33:51,520 Speaker 1: I just love it. I think it's so funny. My 579 00:33:51,760 --> 00:33:54,480 Speaker 1: second piado would be when the when they all reunite 580 00:33:54,520 --> 00:33:57,840 Speaker 1: after Rory like moves out of the Gilmore House and 581 00:33:57,880 --> 00:34:00,240 Speaker 1: they all have that argument, just kind of going back 582 00:34:00,280 --> 00:34:04,480 Speaker 1: and forth and they rehash everything. That's that's the other contender. 583 00:34:04,520 --> 00:34:06,719 Speaker 1: Those two are tops. Oh my god, that's so random. 584 00:34:06,720 --> 00:34:08,719 Speaker 1: You bring that up. I stumbled on that on YouTube. 585 00:34:09,080 --> 00:34:11,040 Speaker 1: Are you talking about the We're getting a hit of ourselves. 586 00:34:11,040 --> 00:34:13,440 Speaker 1: So but I talk about the Friday night dinner and 587 00:34:13,480 --> 00:34:15,680 Speaker 1: they like, cut to another scene, cut to another scene, 588 00:34:15,719 --> 00:34:17,480 Speaker 1: and she's like, I'm not quitting the d A R 589 00:34:17,719 --> 00:34:21,120 Speaker 1: that one. Yeah, and then and then lies I'll like 590 00:34:21,520 --> 00:34:24,640 Speaker 1: Mr Gilmare is like, so, how's Luke And he's like, oh, 591 00:34:24,840 --> 00:34:27,200 Speaker 1: he has a kid, just kind of sits there nodding. 592 00:34:27,280 --> 00:34:29,400 Speaker 1: So funny you're bringing that up. I weirdly saw that 593 00:34:29,440 --> 00:34:31,799 Speaker 1: on YouTube. So stay tuned, everybody, because in a couple 594 00:34:31,800 --> 00:34:36,880 Speaker 1: of years we'll get to that this is good and 595 00:34:36,880 --> 00:34:42,799 Speaker 1: they're all drunk and ripping on Logan ste Yeah, I 596 00:34:42,880 --> 00:34:46,520 Speaker 1: totally know you're talking about. Yeah, But my favorite line 597 00:34:46,560 --> 00:34:50,319 Speaker 1: from season one is definitely when um it was like 598 00:34:50,320 --> 00:34:51,880 Speaker 1: from it was from Kiss and Tell, and I remember 599 00:34:51,880 --> 00:34:54,160 Speaker 1: you guys were talking about this episode, but this line, 600 00:34:54,520 --> 00:34:56,080 Speaker 1: I don't think it got brought up, and I was 601 00:34:56,120 --> 00:34:59,120 Speaker 1: just like, no, it's my It's the best. When Rory 602 00:34:59,200 --> 00:35:03,279 Speaker 1: tells Laurela about her first kiss and she goes and 603 00:35:03,640 --> 00:35:05,759 Speaker 1: he said thank you, and where he goes yeah, and 604 00:35:05,760 --> 00:35:09,319 Speaker 1: she goes, well that was very polite, and I just 605 00:35:09,400 --> 00:35:12,600 Speaker 1: lost it. Now do you do you tell people about 606 00:35:12,600 --> 00:35:14,759 Speaker 1: the show, you try to turn them onto the show. 607 00:35:15,560 --> 00:35:19,879 Speaker 1: Oh absolutely, I've gotten many people involved. I work, even 608 00:35:19,960 --> 00:35:22,200 Speaker 1: like on the night watches. Sometimes we'll just have like 609 00:35:22,280 --> 00:35:24,400 Speaker 1: random TV shows on. I've learned that Gilmore comes on 610 00:35:24,440 --> 00:35:28,040 Speaker 1: at three in the morning. Um, so when I'm on 611 00:35:28,040 --> 00:35:29,960 Speaker 1: the night watches, will put that on and my like 612 00:35:30,120 --> 00:35:32,399 Speaker 1: fellow watch dandiers will be like, wait, what's happening now, 613 00:35:32,600 --> 00:35:34,080 Speaker 1: or like we'll come back a week later and they've 614 00:35:34,080 --> 00:35:36,440 Speaker 1: missed like three seasons because it just keeps playing, and 615 00:35:36,480 --> 00:35:38,160 Speaker 1: I'll be like, wait, I thought she was dating the 616 00:35:38,200 --> 00:35:42,400 Speaker 1: other guy. Pretty great, all right, all right, Jacqueline, it 617 00:35:42,480 --> 00:35:45,720 Speaker 1: was fun. Thanks for coming on. Thank you for your email. 618 00:35:45,920 --> 00:35:49,560 Speaker 1: Keep them coming in, keep listening. We love that you 619 00:35:49,680 --> 00:35:54,560 Speaker 1: love the show. Uh and uh we appreciate your time. Okay, 620 00:35:55,880 --> 00:35:58,920 Speaker 1: thank you, all right, good meeting you. Thanks me, all right, 621 00:35:59,000 --> 00:36:01,600 Speaker 1: take care. Are Gilmore fans the nicest people on the 622 00:36:01,600 --> 00:36:06,160 Speaker 1: whole planet? Like literally that everyone is the sweetest kind 623 00:36:06,160 --> 00:36:10,120 Speaker 1: of nicest people. I'm telling you, you know, every person 624 00:36:10,200 --> 00:36:12,920 Speaker 1: that has stopped me in the last twenty one years, 625 00:36:12,960 --> 00:36:16,040 Speaker 1: it's they've been just really great. They've been delightful, the 626 00:36:16,080 --> 00:36:18,319 Speaker 1: sweetest thing. I get why people love it because it's 627 00:36:18,320 --> 00:36:23,560 Speaker 1: minus minus A couple of emails, you know, but that 628 00:36:23,640 --> 00:36:25,200 Speaker 1: had nothing to do with the show. I had everything 629 00:36:25,200 --> 00:36:28,839 Speaker 1: to do with the podcast. So Scott, as we are 630 00:36:29,000 --> 00:36:33,880 Speaker 1: rapping season one, we wanted to start a fun new bit. Okay, okay, 631 00:36:34,160 --> 00:36:37,120 Speaker 1: what is this a shutter to think? Every few weeks 632 00:36:37,120 --> 00:36:39,880 Speaker 1: we're going to go through the the reviews of the 633 00:36:39,920 --> 00:36:45,719 Speaker 1: podcast wanting to read them. What so, Riley, We've got 634 00:36:45,800 --> 00:36:47,880 Speaker 1: We're not gonna We're gonna do a couple of good ones, 635 00:36:48,160 --> 00:36:51,400 Speaker 1: a couple of bad ones. Here we go, So what 636 00:36:51,480 --> 00:36:52,879 Speaker 1: kind of what kind of music? What do you want? 637 00:36:53,120 --> 00:36:56,879 Speaker 1: Something soft, something nice? Just for under Riley? Reading these 638 00:36:57,800 --> 00:37:03,680 Speaker 1: reviews some will be painful. I'm addicted to it, but 639 00:37:03,719 --> 00:37:06,799 Speaker 1: I'm not really impressed with the host. Mostly I find 640 00:37:06,840 --> 00:37:12,040 Speaker 1: them annoying. But I love the Some pop culture the 641 00:37:12,120 --> 00:37:17,000 Speaker 1: I heart producers are the worst, namely Riley. She is 642 00:37:17,480 --> 00:37:20,440 Speaker 1: too young and uninformed about the show and pop culture 643 00:37:20,560 --> 00:37:24,440 Speaker 1: culture overall. How are you hired for a job about 644 00:37:24,440 --> 00:37:27,319 Speaker 1: a show you haven't seen and to go over the 645 00:37:27,320 --> 00:37:34,960 Speaker 1: pop culture you aren't aware of? The good I love 646 00:37:35,000 --> 00:37:39,640 Speaker 1: the banter and the behind the scenes info, particularly particularly 647 00:37:39,760 --> 00:37:44,440 Speaker 1: like the deep dive into character's motivations. Honestly, though Riley 648 00:37:44,520 --> 00:37:49,400 Speaker 1: is the real envy. I just finished my umteen three 649 00:37:49,440 --> 00:37:53,160 Speaker 1: watch of Gilmore Girls when this podcast started. I am 650 00:37:53,200 --> 00:37:56,000 Speaker 1: now watching all over again one episode a week to 651 00:37:56,040 --> 00:38:00,560 Speaker 1: follow along hearing Scott's genuine excitement at the first time. 652 00:38:00,600 --> 00:38:04,799 Speaker 1: Fewer is my favorite part. Cannot wait to see how 653 00:38:04,840 --> 00:38:11,200 Speaker 1: he reacts to later seasons. See some are good, some 654 00:38:11,360 --> 00:38:14,919 Speaker 1: are pretty good. Yeah, so keep them coming because we 655 00:38:15,000 --> 00:38:19,200 Speaker 1: will read them, we take note of them. We will 656 00:38:19,239 --> 00:38:25,759 Speaker 1: try to improve in season two. We'll try to be 657 00:38:25,840 --> 00:38:50,239 Speaker 1: less annoying. This is the theme song for this bit. Hey, 658 00:38:50,239 --> 00:38:56,560 Speaker 1: everybody picking on my ax right now. We're gonna be 659 00:38:56,600 --> 00:39:03,840 Speaker 1: back breakdown season two. Just get a little groove on 660 00:39:05,000 --> 00:39:07,319 Speaker 1: and I think you're all groovy? Can you groove with me? 661 00:39:10,880 --> 00:39:27,520 Speaker 1: Oh yeah, let me take you. I love you all right, guys, listen, 662 00:39:28,000 --> 00:39:31,200 Speaker 1: we have got a very special treat for you all, 663 00:39:31,719 --> 00:39:38,440 Speaker 1: a virtual event that we would all like you to attend. Uh. 664 00:39:38,560 --> 00:39:41,200 Speaker 1: It's called are You All In? It's an I Am 665 00:39:41,239 --> 00:39:45,920 Speaker 1: All In Friends giving live virtual podcast with me, and 666 00:39:45,920 --> 00:39:52,160 Speaker 1: it's benefiting St. Jude's Children's Research Hospital and Baby Too. Baby. 667 00:39:52,640 --> 00:39:55,840 Speaker 1: Come celebrate with me and my fellow stars Hollow Friends 668 00:39:55,840 --> 00:40:01,600 Speaker 1: for the Ultimate holiday Celebration. Thursday, November eleven, five pm Pacific, 669 00:40:01,640 --> 00:40:06,160 Speaker 1: eight pm Eastern. We smell snow. People, come join us. 670 00:40:06,800 --> 00:40:10,720 Speaker 1: It's a smell of thon. It's gonna be a big event. 671 00:40:11,080 --> 00:40:14,200 Speaker 1: General admissions fifteen dollars v I P tickets including a 672 00:40:14,280 --> 00:40:17,000 Speaker 1: Q and A with me and the guest twenty five 673 00:40:17,080 --> 00:40:21,520 Speaker 1: dollars UM. And we can't wait. We are really revealing 674 00:40:21,640 --> 00:40:26,400 Speaker 1: our guests each week. We already announced Mrs Kim Emily 675 00:40:26,480 --> 00:40:30,040 Speaker 1: Coronda will be here. Mrs Kim Emily Corona will be 676 00:40:30,200 --> 00:40:35,360 Speaker 1: on the next week, we'll reveal our next guest. Hi, guys, uh, 677 00:40:35,400 --> 00:40:37,520 Speaker 1: thanks for tuning in. It's been a it's been a 678 00:40:37,680 --> 00:40:39,960 Speaker 1: it's been a really fun ride season one. Can't wait 679 00:40:40,000 --> 00:40:42,959 Speaker 1: to start season two. Hope you'll come aboard for season two. 680 00:40:43,960 --> 00:40:46,239 Speaker 1: I know you will, I trust you will. Um, you're 681 00:40:46,280 --> 00:40:48,200 Speaker 1: the best fans on the planet. Thank you so much 682 00:40:48,239 --> 00:40:53,879 Speaker 1: for downloading and sending in your very insightful comments. And 683 00:40:54,000 --> 00:40:56,200 Speaker 1: as a show, we grow when we read them and 684 00:40:56,239 --> 00:40:59,720 Speaker 1: we're exposed to them. So thank you, uh for taking 685 00:40:59,719 --> 00:41:04,080 Speaker 1: the time I'm and caring. We we really do appreciate it. Anyway, 686 00:41:04,120 --> 00:41:08,640 Speaker 1: Thanks everybody, We'll see uh next time. Episode one. Sadie 687 00:41:08,640 --> 00:41:12,400 Speaker 1: Sadie Season two, Episode one. I am Scott Patterson and 688 00:41:12,520 --> 00:41:14,759 Speaker 1: this is the I Am All In Podcast with our 689 00:41:14,840 --> 00:41:48,440 Speaker 1: Heart Radio and one eleven productions. Stay safe everyone, Hey, everybody, 690 00:41:48,480 --> 00:41:51,799 Speaker 1: and don't forget Follow us on Instagram at I Am 691 00:41:51,880 --> 00:41:55,880 Speaker 1: all In Podcast and email us at Gilmore at I 692 00:41:56,040 --> 00:41:59,279 Speaker 1: heart radio dot com. Oh you gil More fans. If 693 00:41:59,280 --> 00:42:01,239 Speaker 1: you're looking for the best cup of coffee in the world, 694 00:42:01,280 --> 00:42:05,239 Speaker 1: go to my website for my company, scott EP dot com, 695 00:42:05,360 --> 00:42:07,520 Speaker 1: s C O T T y P dot com, scott 696 00:42:07,520 --> 00:42:20,520 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.