WEBVTT - Episode 126 w/ Royce da 5'9"

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<v Speaker 1>And it's Drink Chas motherfucking podcast. He's a legendary queen's rapper.

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<v Speaker 1>He's like, that's your boy in o R. He's a

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<v Speaker 1>Miami hippop pioneer. What up is d J e FN?

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<v Speaker 1>Together they drinking up with some of the biggest players

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<v Speaker 1>in the most professional, unprofessional podcast and your number one

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<v Speaker 1>sorts for drunk fact drink Chas motherfucking poda. Every day

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<v Speaker 1>is New Year's e. That's it's time for drink Champs.

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<v Speaker 1>Drink up, motherfuck motherfuck would it could be? Hopefully what

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<v Speaker 1>this should be? This is your boy in R. What

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<v Speaker 1>up is d J e F? This militum motherfucking podcast.

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<v Speaker 1>I know what I'm saying it wrong, this is crazy

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<v Speaker 1>Ward Radio. I know what I'm saying this motherfucking drink

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<v Speaker 1>Chat motherfucker two year anniversary at least now. The Nightest

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<v Speaker 1>Guess is one of my personal w UM favorite lyricists.

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<v Speaker 1>Um the guy has had countless uh things that he's

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<v Speaker 1>accomplished to this game. Started out in Tommy Boy Records,

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<v Speaker 1>turned down a dr DRE deal that could have changed

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<v Speaker 1>his life. Him rhyme. He's probably the only person who

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<v Speaker 1>ever rhyme next side to Embinem and they didn't say

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<v Speaker 1>that Emmine embodied them. And I'm telling hither, they got

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<v Speaker 1>like nine thousand records together and not one like the

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<v Speaker 1>nigga said that he bought it. Maybe it's a couple

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<v Speaker 1>and maybe it's not. But I mean every record of

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<v Speaker 1>the Eminem rhyme and anybody they say that he demolishes them.

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<v Speaker 1>He's probably the only guy that stands a chance. He

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<v Speaker 1>said with part of a legendary rat group that even

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<v Speaker 1>they were beefing at one point, and then they came

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<v Speaker 1>together and they made What's for the better cause of

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<v Speaker 1>hip hop. Let's big of the Lord House and the

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<v Speaker 1>case you guys don't know. Then he made another group

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<v Speaker 1>with a legendary dj't and they made two. I was

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<v Speaker 1>not one prime, but it's fantastic. And then he goes

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<v Speaker 1>on funk Master Flex. Let me write my sweat. I'm

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<v Speaker 1>sweating at the beginning, and sweat because because it's almost

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<v Speaker 1>I respect him. And he goes on Funk Flex and

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<v Speaker 1>it was crazy because a lot of my younger homies

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<v Speaker 1>and a lot of my people, they were coming up

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<v Speaker 1>to me and they were showing me this footage and

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<v Speaker 1>they were shocked, and I wanted to respect their shocknus,

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<v Speaker 1>but I also wanted to say this ain't nothing no like,

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<v Speaker 1>and you know, I don't want to be disrespectful to

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<v Speaker 1>what you did, but I'm like, this dude been doing

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<v Speaker 1>this for years. So in case you don't know who

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<v Speaker 1>we're talking about, we told my motherfucking voice to find ken.

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<v Speaker 1>You have such a rich hip hop history, and so

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<v Speaker 1>I want to take it from the beginning. I want

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<v Speaker 1>the fans to actually understand your flight, your struggle, how

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<v Speaker 1>you got to this very moment right here. So but

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<v Speaker 1>because I just I just took it from the beginning

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<v Speaker 1>and I fast folded you very bad. I'm so sorry.

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<v Speaker 1>But let's take it from the beginning. So how is

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<v Speaker 1>a young Royce keep getting into this game? Well, let

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<v Speaker 1>me just give you, oh yes, please please please what

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<v Speaker 1>one you got? You got what size? Don't worry about myself.

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<v Speaker 1>So let's take it from the very right. Yes, yes, okay,

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<v Speaker 1>So what you want from the very beginning, like, how

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<v Speaker 1>what is your start? What is your origins? How how

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<v Speaker 1>does this happen? Well, I come from Detroit, shout out

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<v Speaker 1>to Detroit. Absolutely, yeo, man, I started. It's crazy because

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<v Speaker 1>I just bumped into my man's scam up and knowing

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<v Speaker 1>scam for the long family that he created the drink Champs. No, goddamnit,

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<v Speaker 1>make some bro. I started rapping. I was playing basketball

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<v Speaker 1>in high school. I started writing my own raps probably

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<v Speaker 1>some time around the eleventh grade. And I never told nobody,

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<v Speaker 1>But why you said writing your own wraps? It sounds

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<v Speaker 1>I was helping you before that. Oh yeah, you might

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<v Speaker 1>have been reciting other than you were hearing me. Let

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<v Speaker 1>me make sure clear everybody, because you know, people gonna

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<v Speaker 1>be out there like what. I started off mimicking people,

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<v Speaker 1>so like l L co J, I'm bad, like used

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<v Speaker 1>to like I memorized the whole video choreography and everything,

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<v Speaker 1>so my bad choreography and everything I'm bad was choreography.

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<v Speaker 1>B Yeah, I didn't think about it like you were

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<v Speaker 1>doing that, you know queens, and we didn't look at

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<v Speaker 1>it like that. That's the technically way of because they

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<v Speaker 1>were doing that was for My father used to have

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<v Speaker 1>his friends and shipped over and he used to be

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<v Speaker 1>like Ryan, Dude, I'm bad bad, So I set the

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<v Speaker 1>stool up and I wrapped the ship and I'll be

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<v Speaker 1>doing all the moves and that's like how I started

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<v Speaker 1>running up like I could eat forty bringing yellow tape.

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<v Speaker 1>I used to wrap that ship exactly like forty like

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<v Speaker 1>exactly why So like that, That's how I fell in

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<v Speaker 1>love with hip hop. So I started writing wraps for

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<v Speaker 1>myself to say for myself sometime around in high school.

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<v Speaker 1>So when niggas used to be doing cipherst and ship,

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<v Speaker 1>I never would tell nobody that I was writing. Right,

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<v Speaker 1>So right around twelfth grade, me and one of my

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<v Speaker 1>boys went to the hip Hop Shop in Detroit. I've

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<v Speaker 1>been at the hip hop shop and they had no

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<v Speaker 1>security there. Picked them up the hipop shop for those

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<v Speaker 1>the hip hop shop. This this like like s O

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<v Speaker 1>B S. It's like a real underground thing. So this

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<v Speaker 1>is the first time I came to a club and

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<v Speaker 1>they actually had no security nowhere. Like like I'm not

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<v Speaker 1>I don't care about security. What I'm just saying, like

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<v Speaker 1>I'm just used to that, and these niggas they just

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<v Speaker 1>they just was in there. Rhyme. Bro. It's like a

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<v Speaker 1>it's a clothing store the street from Um, it's a

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<v Speaker 1>chicken spot. I love a chicken from from the hip

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<v Speaker 1>hop shop. Yeah, on my bucket. He went to a

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<v Speaker 1>different hill what's the st Andrews, what's the street? I

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<v Speaker 1>love that Chicken the Coros Street. I'm a hood nigga.

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<v Speaker 1>You can tell that's what everybody doing it and they're

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<v Speaker 1>like yo, sweetwater. But yeah, so this this is like

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<v Speaker 1>so this is like my first time seeing this is

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<v Speaker 1>before the internet was like popping and ship. This is

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<v Speaker 1>my first time seeing niggas battle and like rap about

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<v Speaker 1>what you're wearing battle back and for I've never seen

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<v Speaker 1>that before. So I'm looking at els I eminem Proof

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<v Speaker 1>these niggas is like, how old are there this time?

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<v Speaker 1>They probably in their twenties. I'm still a teenager. When

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<v Speaker 1>not els I, I was still young. And this is

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<v Speaker 1>the which is this is mart He's malans for me. Yeah,

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<v Speaker 1>this is where like that our whole generation came from.

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<v Speaker 1>It's kind of like birth from there. I didn't flourish

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<v Speaker 1>there though, because, like they Proof was the host. He

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<v Speaker 1>had to Mike passing. Yeah, he had to Mike passing

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<v Speaker 1>it around. So you get to Mike and you can

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<v Speaker 1>wrap and you got like a few seconds to kind

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<v Speaker 1>of like captivate the crowd or DJ here to put

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<v Speaker 1>this gone music on, and you gotta pass the money

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<v Speaker 1>it's like the public. So when I when I first

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<v Speaker 1>got like the courage to rap there, after I went

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<v Speaker 1>a couple of times, I got goned, so I got

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<v Speaker 1>gone and I ain't never wrapped there again. So I

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<v Speaker 1>started going to this other place called the Ebony Showcase.

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<v Speaker 1>After that I got a little bit older. The environment

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<v Speaker 1>was a little bit different. You wasn't standing around the

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<v Speaker 1>circle of killer a smcs. It was more like just

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<v Speaker 1>a crowd looking at you. And then stage was a

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<v Speaker 1>little elevated. So when I wrapped there, I got a

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<v Speaker 1>better response. If it wasn't for the BNY Showcase, I

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<v Speaker 1>never would have because that gave your confidence back. Hip

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<v Speaker 1>hop shop almost broke me, okay, but let me ask you.

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<v Speaker 1>Let me ask you that because, um, for artists that's

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<v Speaker 1>starting out right now, and they had that same experience

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<v Speaker 1>with you, where maybe they had the wrong DJ, maybe

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<v Speaker 1>they played the wrong beasts at the time, I said

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<v Speaker 1>the wrong rap, and you said, how how does the

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<v Speaker 1>artist bounce back from that? Because um, I think my

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<v Speaker 1>first show I ever did suck too. But I just

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<v Speaker 1>had a gun on me, and I just felt like

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<v Speaker 1>everybody knew I had a gun on me. And I

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<v Speaker 1>was like you're gonna bounce if you're going to bounce.

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<v Speaker 1>So but I was like, I don't expect every artist

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<v Speaker 1>to do that. So how do you bounce back from

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<v Speaker 1>whose first show is supposed to be really good? New

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<v Speaker 1>one's first show is good? Come on? One part of pain? Dude,

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<v Speaker 1>we don't But as an artist, we don't know that.

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<v Speaker 1>It's just like anything, man Like, like I told you,

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<v Speaker 1>I came up playing basketball boxing. It all applies as confidence.

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<v Speaker 1>It's all confidence. You have to figure out a way

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<v Speaker 1>to keep your confidence up and not be inside your

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<v Speaker 1>own head, not kind of you know what I'm saying, Like,

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<v Speaker 1>you can't let nothing break you. Mr lee Can you

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<v Speaker 1>open that? Mr leaad you look at he looks his job.

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<v Speaker 1>Mr Lea, you open up? So all right? So now,

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<v Speaker 1>so don't I understand this? Correct that you your first

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<v Speaker 1>look in the game is Tommy Boy. Um yeah, but

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<v Speaker 1>you actually didn't drop an album? No? I mean wait,

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<v Speaker 1>so he was here signing Tommy Boy. Yeah, that's the

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<v Speaker 1>best year in my life. Wait what year is it,

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<v Speaker 1>Tommy Boy? Deal? This is an album and if it's

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<v Speaker 1>thanks and you were going by Royce at this time? Bro? Yeah,

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<v Speaker 1>as a DJ, I don't really remember this. No, I remember,

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<v Speaker 1>I remember the announce I think it was thought it

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<v Speaker 1>was more like I don't think it was ninety eight

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<v Speaker 1>bro okay, but it could have been, like you know,

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<v Speaker 1>it could have been eight is somewhere late nineties, okay, nineties,

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<v Speaker 1>early two thousand's. Um, I went out. I started staying

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<v Speaker 1>in New York with a friend of mine and we

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<v Speaker 1>started trying to shop a deal. At that time, you

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<v Speaker 1>had to get a record deal that was like that

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<v Speaker 1>was like it was there was yeah. So I went

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<v Speaker 1>and took meetings with all the labels Tommy Boy included

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<v Speaker 1>played on my demo. Basically I turned down by all

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<v Speaker 1>of them. So I went out there and started working

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<v Speaker 1>with Dre and that's when we started writing for the

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<v Speaker 1>Chronic album. This is my second This is another question,

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<v Speaker 1>but I'm glad we will take care. Okay, a relative

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<v Speaker 1>This is prior to m messing with Dre. Yes, because

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<v Speaker 1>see what happened. Wait wait, I didn't know that because

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<v Speaker 1>and I'd be drunk at already excuse um, yes, yes,

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<v Speaker 1>if you have this is blowing my mind. This is

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<v Speaker 1>I got already you think that I didn't know. I

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<v Speaker 1>thought you were going to dre through. I was okay, okay,

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<v Speaker 1>my bad. So I kind of skipped over that. So

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<v Speaker 1>let me let me walk you through it. Okay, ahead,

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<v Speaker 1>and if I if I start getting scot a brain

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<v Speaker 1>and I gotta go back out, scatter brain, definitely welcome here.

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<v Speaker 1>I met Mark. I've seen Marshall the first time I

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<v Speaker 1>went to the hip hop shop, but I didn't meet

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<v Speaker 1>him until ninety seven. So I was doing this acapella

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<v Speaker 1>on stage and I said this whack ass rap. I

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<v Speaker 1>know you. I'm gonna keep calling all my old raps whack,

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<v Speaker 1>but they was kind of cool back then. So I

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<v Speaker 1>said this, I said this line. I said, I'm Iller

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<v Speaker 1>Thant standing in front of a guerrilla holding the banana.

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<v Speaker 1>That was around cannabis time. That's when cannabis kind of

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<v Speaker 1>like killing the future. Yeah, so my man, my man

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<v Speaker 1>um introduced me and uh Me and Marshall on ship.

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<v Speaker 1>So he was like, yo, did you just say yeah?

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<v Speaker 1>He was like, did you just say you Iller Than't

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<v Speaker 1>standing in front of a guerrilla holding the banana. I

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<v Speaker 1>was like yeah, Like we both thought that was ill.

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<v Speaker 1>So it was like we should work. So we started

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<v Speaker 1>talking on the phone and ship like that and We

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<v Speaker 1>eventually got into the studio. So we did a song

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<v Speaker 1>called bad Me's Evil, which became a group. Yeah, so

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<v Speaker 1>Marshall said that to you or who said that to you?

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<v Speaker 1>What about the line about the banana? Oh? I said

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<v Speaker 1>the line on stage and then he said something to

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<v Speaker 1>me about saying the line because he was at the Yeah,

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<v Speaker 1>he was at the show. He was selling his local

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<v Speaker 1>slimshady Oh. Yeah, but he already put out the Infinite Project. Okay,

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<v Speaker 1>I had all that ship. But we never met. We

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<v Speaker 1>never officially. I knew exactly who he was. He didn't

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<v Speaker 1>know what was So we got in the studio. We

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<v Speaker 1>did Bad Metivil the song, but it was just two

0:12:31.080 --> 0:12:35.319
<v Speaker 1>local dudes getting together working on some ship. He what

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<v Speaker 1>was he trying to body him? Because I feel like

0:12:37.120 --> 0:12:41.320
<v Speaker 1>you'd be trying to body I feel like I'm just

0:12:41.360 --> 0:12:43.320
<v Speaker 1>like I feel like you'd be acting like you don't

0:12:43.360 --> 0:12:48.080
<v Speaker 1>have like but you get on the record, nig like

0:12:48.120 --> 0:12:50.080
<v Speaker 1>as a fan, I'm a fan, like I feel like

0:12:50.080 --> 0:12:54.560
<v Speaker 1>you like the Floyd Mayweather this ship and were getting

0:12:54.559 --> 0:12:56.679
<v Speaker 1>the boxing too. Was I respect your boxing game that

0:12:56.880 --> 0:12:59.599
<v Speaker 1>I appreciate that? Yo. We we remember being in the

0:12:59.640 --> 0:13:01.800
<v Speaker 1>studio was a long time ago, humble may Weather, that's

0:13:01.880 --> 0:13:06.800
<v Speaker 1>it's your name. Thank you, We thank a dope name.

0:13:07.160 --> 0:13:09.000
<v Speaker 1>I remember, I remember being able to. I remember being

0:13:09.040 --> 0:13:10.880
<v Speaker 1>in the lab and some of my niggas was in

0:13:10.880 --> 0:13:15.040
<v Speaker 1>the studio and the vibe and there was that the

0:13:15.040 --> 0:13:17.880
<v Speaker 1>white boy's body and me see, I was always this

0:13:17.960 --> 0:13:20.000
<v Speaker 1>is the beginning. Yeah, this is when we did bad

0:13:20.040 --> 0:13:23.360
<v Speaker 1>me see with the first song. Yeah, because they was

0:13:23.400 --> 0:13:26.040
<v Speaker 1>always used to me wrapping better than everybody in the studident.

0:13:26.520 --> 0:13:29.640
<v Speaker 1>So this nigga comes in with the song concept already,

0:13:29.640 --> 0:13:31.240
<v Speaker 1>He telling me what I should say on the hook.

0:13:31.320 --> 0:13:34.760
<v Speaker 1>Keep telling me. He teaching me about the way words

0:13:34.880 --> 0:13:36.920
<v Speaker 1>roll off the tongue and ship like that, because I

0:13:37.000 --> 0:13:40.000
<v Speaker 1>remember like he wrote the hook and it was like

0:13:40.080 --> 0:13:42.559
<v Speaker 1>when we hit the trees till we look like Vietnamese people.

0:13:42.880 --> 0:13:45.839
<v Speaker 1>So I kept saying, we hit the trees, We hit

0:13:45.880 --> 0:13:47.679
<v Speaker 1>the trees till we looked like and he was like, yo,

0:13:47.800 --> 0:13:51.120
<v Speaker 1>you gotta combine we and hit we hit the trees.

0:13:51.360 --> 0:13:52.960
<v Speaker 1>He was like, it rolled off the tongue better. Like

0:13:53.000 --> 0:13:55.720
<v Speaker 1>he was teaching me ship. He wasn't even thinking about

0:13:55.760 --> 0:13:58.000
<v Speaker 1>yea so and then when he laid his verse, they

0:13:58.040 --> 0:14:00.600
<v Speaker 1>was kind of like, dam it sound like he rapping

0:14:00.640 --> 0:14:02.240
<v Speaker 1>better than you. You You know what I'm saying. I remember

0:14:02.280 --> 0:14:04.760
<v Speaker 1>that being the vibe in the studio. So shortly after

0:14:04.800 --> 0:14:07.079
<v Speaker 1>that he got his deal with Dre. So the way

0:14:07.120 --> 0:14:09.720
<v Speaker 1>we started binding was we was always talking on the

0:14:09.720 --> 0:14:11.720
<v Speaker 1>phone and every time I record something, send it out

0:14:11.760 --> 0:14:12.959
<v Speaker 1>there to him, you know what I'm saying, so he

0:14:13.000 --> 0:14:15.560
<v Speaker 1>could listen to it. So when he played Dre everything

0:14:15.600 --> 0:14:17.680
<v Speaker 1>he had on his demo, out of all of the

0:14:17.720 --> 0:14:19.680
<v Speaker 1>features he had on the Dre was like, Yo, that

0:14:19.800 --> 0:14:21.520
<v Speaker 1>one song right there is the one you should put

0:14:21.560 --> 0:14:26.400
<v Speaker 1>on the album, which was featuring me. Right this nigger

0:14:26.480 --> 0:14:28.520
<v Speaker 1>was playing Drede my demo and I didn't even know it.

0:14:29.000 --> 0:14:30.840
<v Speaker 1>So I'm at my mom's crib. I'm standing in my

0:14:30.840 --> 0:14:33.320
<v Speaker 1>mom's crib at the time, and I'm in the room.

0:14:33.360 --> 0:14:34.760
<v Speaker 1>I don't know what I'm doing. I'm in my room

0:14:34.760 --> 0:14:36.880
<v Speaker 1>and ship my dad just coming the room like, hey,

0:14:37.120 --> 0:14:40.480
<v Speaker 1>it's a doctor Dre on the phone for you. No,

0:14:42.400 --> 0:14:44.560
<v Speaker 1>gotting a point now, It's not it's your dad. Your

0:14:44.640 --> 0:14:47.600
<v Speaker 1>dad knows that this could be Dr Dre, Dr Dre

0:14:47.880 --> 0:14:49.680
<v Speaker 1>or is he one of those guys that don't know

0:14:49.800 --> 0:14:54.160
<v Speaker 1>at all? No, my dad young, because the way he

0:14:54.200 --> 0:14:56.640
<v Speaker 1>said it I knew it was Dre the way he

0:14:56.640 --> 0:14:58.640
<v Speaker 1>said it, because you know, he know Dre, he know

0:14:58.840 --> 0:15:01.080
<v Speaker 1>his voice. He probably was like, Yo, this nigga sounds

0:15:01.120 --> 0:15:05.120
<v Speaker 1>like the doctor Tred that I see on TV. But

0:15:05.160 --> 0:15:07.000
<v Speaker 1>that's how Dre is. He just called, yo, how you know?

0:15:07.000 --> 0:15:09.880
<v Speaker 1>How you doing this? Royce? There? Doctor Dre. You know

0:15:09.960 --> 0:15:11.440
<v Speaker 1>what I'm saying. So he's like, it's a doctor Dre

0:15:11.520 --> 0:15:13.360
<v Speaker 1>on the phone. So I'm like what. So I get

0:15:13.360 --> 0:15:15.560
<v Speaker 1>the phone hello and he's like, Yo, what's up? It

0:15:15.640 --> 0:15:19.440
<v Speaker 1>is Dre. That's never met him, never met a celebrity

0:15:19.440 --> 0:15:22.080
<v Speaker 1>in my life, and how long did it? Just called

0:15:22.080 --> 0:15:26.600
<v Speaker 1>my mom's house? That is really Dre? Immediately expect nor

0:15:27.040 --> 0:15:33.880
<v Speaker 1>the media. So I'm like, yo, man, how you doing?

0:15:33.880 --> 0:15:36.000
<v Speaker 1>This's an honor to talk to you. And he was like, yo, man,

0:15:36.040 --> 0:15:39.400
<v Speaker 1>I really like your ship. He was like, M been

0:15:39.400 --> 0:15:41.360
<v Speaker 1>playing me some ship and M didn't tell me he

0:15:41.400 --> 0:15:43.960
<v Speaker 1>was playing it, so that's why I didn't. I didn't know.

0:15:44.000 --> 0:15:46.800
<v Speaker 1>He was the last thing I was expecting. So he

0:15:46.920 --> 0:15:48.880
<v Speaker 1>was like, I want you to come out to Cali,

0:15:49.000 --> 0:15:50.640
<v Speaker 1>you know if you can, and I've never been to

0:15:50.680 --> 0:15:53.520
<v Speaker 1>Cali before either, and help me out with some ship

0:15:53.560 --> 0:15:57.240
<v Speaker 1>that were doing so I flew out there and I

0:15:57.320 --> 0:16:00.920
<v Speaker 1>started writing, and then I also had to re record

0:16:00.960 --> 0:16:04.120
<v Speaker 1>my vocals on M song for his album. So that's

0:16:04.160 --> 0:16:06.520
<v Speaker 1>because it wasn't up to PAF with Dre's because we

0:16:06.520 --> 0:16:08.240
<v Speaker 1>just did it. We did we did it at my

0:16:08.280 --> 0:16:10.280
<v Speaker 1>man's studio. But we were just babies, man. You know

0:16:10.320 --> 0:16:12.080
<v Speaker 1>what I'm saying, Like when he got that deal, he

0:16:12.120 --> 0:16:16.880
<v Speaker 1>turned into d standards of recording. Yeah, yeah, yeah, so

0:16:16.200 --> 0:16:18.760
<v Speaker 1>he's so yo. I mean that's how I ended up

0:16:19.000 --> 0:16:21.960
<v Speaker 1>starting to work on the chronic, start bonding with him more,

0:16:22.240 --> 0:16:25.240
<v Speaker 1>start being MS hype man. Now when all this ship

0:16:25.280 --> 0:16:27.640
<v Speaker 1>starts transpiring, you know, the business is small, man, Like

0:16:27.720 --> 0:16:31.160
<v Speaker 1>we're getting around real fast. So all the labels was like, yo,

0:16:31.840 --> 0:16:35.480
<v Speaker 1>you want to do another meeting? Tommy Boy included. So

0:16:35.520 --> 0:16:38.080
<v Speaker 1>when I went out there to talk to Tommy that yeah,

0:16:38.160 --> 0:16:41.680
<v Speaker 1>I played with my nigga. Listen, I played the voice.

0:16:41.760 --> 0:16:47.160
<v Speaker 1>It was hard to resist that. Yeah, you see, but

0:16:47.160 --> 0:16:49.720
<v Speaker 1>but what but in your heart? Let me ask you

0:16:49.760 --> 0:16:54.760
<v Speaker 1>something because a lot of people don't understand this that

0:16:55.160 --> 0:16:59.400
<v Speaker 1>sometimes like I heard Drey offered you two fifty? Is

0:16:59.440 --> 0:17:02.360
<v Speaker 1>this correct? And time girl? For you? One point to

0:17:02.600 --> 0:17:05.359
<v Speaker 1>something around the area in that ballpark. Man. I just

0:17:05.400 --> 0:17:08.480
<v Speaker 1>remember it was they kept saying a million dollars. Okay,

0:17:08.600 --> 0:17:11.520
<v Speaker 1>you don't kid, point nothing, A million dollars point whatever.

0:17:11.560 --> 0:17:14.520
<v Speaker 1>He was like, all I kept hearing with million dollars,

0:17:14.560 --> 0:17:18.520
<v Speaker 1>A million dollars, so that he was offering that no, no,

0:17:18.600 --> 0:17:22.840
<v Speaker 1>they got the bank. I'm thinking penalty, my bad. Tommy

0:17:22.880 --> 0:17:30.080
<v Speaker 1>Boy crack time, Tommy Boys the Father company exactly, so

0:17:30.119 --> 0:17:32.719
<v Speaker 1>I knew they was cracking the I was meeting directly

0:17:32.760 --> 0:17:36.280
<v Speaker 1>with Tom Silverman. It was like, it was like, so,

0:17:36.359 --> 0:17:38.440
<v Speaker 1>it is that one of your biggest regrets that you

0:17:38.480 --> 0:17:41.560
<v Speaker 1>went for the money and you didn't go for the opportunity. No, not,

0:17:41.560 --> 0:17:43.800
<v Speaker 1>not really a regret, man, It's not really regret. I

0:17:43.840 --> 0:17:45.720
<v Speaker 1>mean it's it's just something. It's one of the things

0:17:45.760 --> 0:17:48.320
<v Speaker 1>you think about as an adult, like, wow, if I

0:17:48.359 --> 0:17:50.040
<v Speaker 1>was a little bit more mature, you know how this

0:17:50.160 --> 0:17:52.800
<v Speaker 1>business is. Man, It's like, you don't know, it was

0:17:52.840 --> 0:17:54.879
<v Speaker 1>a little more mature. I was a little bit more mature,

0:17:54.920 --> 0:17:57.400
<v Speaker 1>I probably would have done certain things different. You would

0:17:57.400 --> 0:18:01.720
<v Speaker 1>have would a lot of times, like a lot of

0:18:01.720 --> 0:18:04.520
<v Speaker 1>times when I go for the money play, it's really

0:18:04.560 --> 0:18:06.800
<v Speaker 1>not the play every single time. It's when I go

0:18:06.880 --> 0:18:10.159
<v Speaker 1>for the passion play. It always works out for me.

0:18:10.200 --> 0:18:12.119
<v Speaker 1>But when you when you're young, when you're young, you

0:18:12.119 --> 0:18:14.840
<v Speaker 1>don't even you don't even have a full understanding of

0:18:14.840 --> 0:18:17.840
<v Speaker 1>what your passion is yet, you know, like I didn't

0:18:17.880 --> 0:18:20.760
<v Speaker 1>have the foresight to be able to see the Dredre

0:18:20.960 --> 0:18:23.720
<v Speaker 1>was starting a real movement. He was starting something that

0:18:23.760 --> 0:18:26.080
<v Speaker 1>you want to be a part of the music, you

0:18:26.119 --> 0:18:28.800
<v Speaker 1>know what I'm saying, Like that his album and Marshall's

0:18:28.840 --> 0:18:31.399
<v Speaker 1>album and then that Chronic tour was a movement. It

0:18:31.560 --> 0:18:34.080
<v Speaker 1>was the biggest thing moving. The big thing about it

0:18:34.200 --> 0:18:37.080
<v Speaker 1>was the thing about it was you. But I'm sorry

0:18:37.160 --> 0:18:38.959
<v Speaker 1>to say this. I don't want you to feel bad

0:18:38.960 --> 0:18:44.360
<v Speaker 1>about your mistaken but you actually fit in the aftermath.

0:18:44.800 --> 0:18:48.400
<v Speaker 1>You're actually went alone there. That's that's That's the only

0:18:48.480 --> 0:18:50.679
<v Speaker 1>part that that bothers me when I look at that

0:18:50.760 --> 0:18:53.280
<v Speaker 1>history is that I look at him like I know

0:18:53.600 --> 0:18:55.480
<v Speaker 1>because to you, I'm thinking, like you, if I'm a

0:18:55.560 --> 0:18:58.240
<v Speaker 1>kid from the hood, that's seven hundred and fifty thousand

0:18:58.359 --> 0:19:01.280
<v Speaker 1>more than what I'm hid. But the thing is, you

0:19:01.320 --> 0:19:05.399
<v Speaker 1>would have probably made triple that I absolutely would have.

0:19:06.240 --> 0:19:07.439
<v Speaker 1>You don't think you don't think it would have been

0:19:07.440 --> 0:19:10.120
<v Speaker 1>a fifty fifty look what happened with rock Kim being

0:19:10.200 --> 0:19:13.360
<v Speaker 1>on their buster Eve. That's that's a good point, I mean,

0:19:13.600 --> 0:19:19.000
<v Speaker 1>and I'm sure he probably took that because that's the

0:19:19.040 --> 0:19:22.600
<v Speaker 1>one thing about aftermath is you can be the star

0:19:22.760 --> 0:19:26.560
<v Speaker 1>there or you can be the fucking guy that's on well,

0:19:26.560 --> 0:19:29.680
<v Speaker 1>I know, playing third base coach. I know for a

0:19:29.760 --> 0:19:33.240
<v Speaker 1>fact by my experiences were working with Dre, I definitely

0:19:33.280 --> 0:19:35.800
<v Speaker 1>would have made better music, right Like the music that

0:19:35.840 --> 0:19:37.960
<v Speaker 1>I came up with on Tommy Boy it was good,

0:19:38.840 --> 0:19:41.960
<v Speaker 1>but as a producer, right like I would have, I

0:19:42.000 --> 0:19:43.960
<v Speaker 1>would have made the album that defined me at the

0:19:44.000 --> 0:19:46.640
<v Speaker 1>early age. That's one that's one benefit that I think

0:19:46.680 --> 0:19:50.399
<v Speaker 1>I I missed out on, you know. But looking at

0:19:50.400 --> 0:19:53.600
<v Speaker 1>it in retrospect too, though, man, it's like if he

0:19:53.720 --> 0:19:56.159
<v Speaker 1>just if he just would have told me, like, yo,

0:19:56.200 --> 0:19:58.199
<v Speaker 1>I don't think you should do that, I would have

0:20:00.040 --> 0:20:03.600
<v Speaker 1>a m yeah, either one of them. Either one of them.

0:20:03.640 --> 0:20:05.400
<v Speaker 1>Nobody around me made me feel like I was making

0:20:05.400 --> 0:20:09.399
<v Speaker 1>a bad decision at one point. Something that's like it

0:20:09.520 --> 0:20:10.919
<v Speaker 1>was just like, all right, what do your album over there?

0:20:10.960 --> 0:20:14.240
<v Speaker 1>I wish I was your friend back there? What you

0:20:14.280 --> 0:20:19.800
<v Speaker 1>have about like yo, listen? And I got that, like

0:20:19.880 --> 0:20:24.760
<v Speaker 1>I started to realize that going for the money, sometimes

0:20:25.280 --> 0:20:33.280
<v Speaker 1>you're happy for three weeks. Yeah, you learn. I'm from Detroit, man,

0:20:33.359 --> 0:20:36.719
<v Speaker 1>Like I had a terrible time. You know. It's like

0:20:36.760 --> 0:20:38.879
<v Speaker 1>when you when when we'd get out that you got

0:20:38.920 --> 0:20:42.600
<v Speaker 1>a million dollars in Detroit. Detroit, Oh my god, you

0:20:42.680 --> 0:20:45.199
<v Speaker 1>might as well have that ship in your pocket in

0:20:45.280 --> 0:20:47.920
<v Speaker 1>cash and rubber bands everywhere you go, no matter where

0:20:47.920 --> 0:20:49.399
<v Speaker 1>you go, you know what I mean. And it's like

0:20:49.480 --> 0:20:53.159
<v Speaker 1>it's a very competitive city. And at that time, getting

0:20:53.160 --> 0:20:56.000
<v Speaker 1>a record deal was unheard of, unheard of when I

0:20:56.000 --> 0:20:58.520
<v Speaker 1>told my mom and my people from Detroit, when I

0:20:58.520 --> 0:21:02.720
<v Speaker 1>told the first artist from Detroit that I put on um,

0:21:02.800 --> 0:21:06.159
<v Speaker 1>what up drink Champs Army. It's wine time, you know.

0:21:06.280 --> 0:21:09.600
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0:21:09.640 --> 0:21:13.240
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0:23:33.440 --> 0:23:35.399
<v Speaker 1>gotta probably go back to like boss right, you know,

0:23:36.119 --> 0:23:43.560
<v Speaker 1>Oh yeahs dope too. At that time, it was like

0:23:43.760 --> 0:23:47.600
<v Speaker 1>Sean was like a big independent seller, you know what

0:23:47.600 --> 0:23:49.440
<v Speaker 1>I mean. But he didn't have a major record. He

0:23:49.560 --> 0:23:51.000
<v Speaker 1>was like he was, he's a legend, you know what

0:23:51.040 --> 0:23:53.119
<v Speaker 1>I'm saying. But when Marshall got his deal, it was

0:23:53.200 --> 0:23:56.199
<v Speaker 1>like the first in years, you know, it was like

0:23:56.920 --> 0:24:00.880
<v Speaker 1>since like, um, what was it not multily from the time.

0:24:01.720 --> 0:24:04.080
<v Speaker 1>It's a competitive city, man, it's a competitive city. So

0:24:04.119 --> 0:24:06.320
<v Speaker 1>I ran into a lot of problems. So I watched

0:24:06.440 --> 0:24:10.639
<v Speaker 1>a couple of your interviews, UM and UM to do

0:24:10.720 --> 0:24:15.080
<v Speaker 1>my research. And the thing that nobody really UM pointed

0:24:15.119 --> 0:24:19.680
<v Speaker 1>out is your glasses game is happy. Thank you man.

0:24:19.800 --> 0:24:24.639
<v Speaker 1>You have on custom card frames with Heaven, which is

0:24:24.680 --> 0:24:27.800
<v Speaker 1>the name of your studio. Correct and my correct, you

0:24:27.840 --> 0:24:32.560
<v Speaker 1>are correct. I've never seen car t air frames. I

0:24:32.640 --> 0:24:35.080
<v Speaker 1>watched rap Radar interview and I said, look at these guys.

0:24:35.080 --> 0:24:38.040
<v Speaker 1>They didn't even point out out, they didn't take no

0:24:38.119 --> 0:24:41.800
<v Speaker 1>mention to this guy's classes. These are called diamond cut body,

0:24:41.840 --> 0:24:44.680
<v Speaker 1>look like that all those prescriptions or those just fly

0:24:45.320 --> 0:24:54.880
<v Speaker 1>These are just fly. Yes, yes, I could have gotten

0:24:54.880 --> 0:24:56.480
<v Speaker 1>my prescription and them. I just didn't want to wait

0:24:56.480 --> 0:24:58.399
<v Speaker 1>for him. When I see them, I had to wear

0:24:58.480 --> 0:25:00.679
<v Speaker 1>them immediately because I knew that this style he just

0:25:00.760 --> 0:25:02.400
<v Speaker 1>came out, and I wanted to be the first one.

0:25:02.440 --> 0:25:04.520
<v Speaker 1>I still ain't see nobody with him. I see you

0:25:04.520 --> 0:25:08.679
<v Speaker 1>all right, right off? Listen, he said, I was the

0:25:08.680 --> 0:25:12.280
<v Speaker 1>first one with him, So let's make sure that that's

0:25:10.400 --> 0:25:15.800
<v Speaker 1>not I'm sure somebody don't try to the first figure.

0:25:15.880 --> 0:25:20.600
<v Speaker 1>I was looking like, damn, those are different. Okay, So

0:25:21.760 --> 0:25:30.000
<v Speaker 1>now you and him, something happens where there's a fallout.

0:25:31.440 --> 0:25:34.800
<v Speaker 1>Now for this brief moment was a heartbreaking for me

0:25:34.880 --> 0:25:38.919
<v Speaker 1>because again, I don't I've met you. I met him,

0:25:38.960 --> 0:25:41.399
<v Speaker 1>but I don't really know you guys, but I understand

0:25:42.520 --> 0:25:47.040
<v Speaker 1>the relationship from you guys in the public's eyes. Did

0:25:47.080 --> 0:25:51.720
<v Speaker 1>you guys have this falling out? Why wasn't this falling

0:25:51.760 --> 0:26:00.720
<v Speaker 1>out even happen? Um? Okay, the biggest the biggest part

0:26:00.720 --> 0:26:05.399
<v Speaker 1>of it was communication, I would say, lack thereof, you know,

0:26:05.520 --> 0:26:08.960
<v Speaker 1>like we didn't get the opportunity to say to each

0:26:09.000 --> 0:26:12.520
<v Speaker 1>other how we felt about the situation. It was so

0:26:12.560 --> 0:26:16.159
<v Speaker 1>many people, so many people kind of like instigating it

0:26:17.080 --> 0:26:19.320
<v Speaker 1>and saying what they could say. The kind of like

0:26:19.400 --> 0:26:22.400
<v Speaker 1>fuel it did it. I think it turned it got

0:26:22.440 --> 0:26:25.360
<v Speaker 1>a little bit easier for him to just not deal

0:26:25.400 --> 0:26:27.600
<v Speaker 1>with it at all. Then to try to deal with

0:26:27.640 --> 0:26:30.800
<v Speaker 1>it and please all of these people. And on my end,

0:26:31.000 --> 0:26:33.120
<v Speaker 1>it was like I wasn't doing my part to keep

0:26:33.200 --> 0:26:35.600
<v Speaker 1>it peaceful. I was kind of fueling it too, because

0:26:35.920 --> 0:26:37.560
<v Speaker 1>at that time, I felt like I was kind of

0:26:37.560 --> 0:26:39.879
<v Speaker 1>like defending myself. I was standing up for myself. You

0:26:39.880 --> 0:26:41.960
<v Speaker 1>know what I'm saying our fans, because our fans is

0:26:42.000 --> 0:26:44.000
<v Speaker 1>a little bit slow. And I'm sorry to hate when

0:26:44.000 --> 0:26:48.800
<v Speaker 1>I say that. They hate when I say that, because yeah, So,

0:26:49.040 --> 0:26:53.200
<v Speaker 1>what what we were saying is that when the problems occurred,

0:26:53.640 --> 0:26:57.520
<v Speaker 1>there was other people who came in who fueled your mind,

0:26:57.920 --> 0:27:02.399
<v Speaker 1>fueled his mind. Is that what it was because the

0:27:02.440 --> 0:27:07.040
<v Speaker 1>situation was between it was between me and his crew

0:27:07.200 --> 0:27:12.800
<v Speaker 1>detoiled right now? What Na, that's the thing too, Like, yeah,

0:27:12.800 --> 0:27:15.760
<v Speaker 1>it kind of it kind of during like to tell

0:27:15.920 --> 0:27:18.679
<v Speaker 1>end of it, it kind of turned into me me

0:27:18.840 --> 0:27:22.119
<v Speaker 1>versus Proof. It kind of got perceived that way just

0:27:22.160 --> 0:27:24.439
<v Speaker 1>because of how vocal he is, how popular he is,

0:27:25.080 --> 0:27:28.480
<v Speaker 1>and how popular I was at the time. Within that situation,

0:27:29.400 --> 0:27:33.000
<v Speaker 1>it really stems back from an issue between me and Bizarre.

0:27:33.119 --> 0:27:36.640
<v Speaker 1>That's what That's what it comes down to. Bizarre Bizarre,

0:27:36.720 --> 0:27:38.560
<v Speaker 1>Me and Bizarre both went to the same high school.

0:27:39.400 --> 0:27:41.639
<v Speaker 1>He was real cool. Well he wasn't real cool, but

0:27:41.680 --> 0:27:44.280
<v Speaker 1>he was. He knew my big brother, my big brother's age.

0:27:44.640 --> 0:27:46.920
<v Speaker 1>They didn't like each other, you know what I mean.

0:27:47.000 --> 0:27:50.720
<v Speaker 1>So you remember I told you nobody knew how wrapped, right,

0:27:51.640 --> 0:27:54.320
<v Speaker 1>So this nigga Bazarre was like the man in high

0:27:54.320 --> 0:27:57.440
<v Speaker 1>school and rapping. So as soon as he left, he

0:27:57.600 --> 0:28:00.880
<v Speaker 1>found out that I was rapping now right, you don't

0:28:00.920 --> 0:28:04.240
<v Speaker 1>like that. He didn't like that, so he came back

0:28:04.440 --> 0:28:09.359
<v Speaker 1>like I don't like that. So yeah, he wasn't no

0:28:09.400 --> 0:28:11.760
<v Speaker 1>no hating ship and that he's just a competitive Yeah,

0:28:11.800 --> 0:28:13.840
<v Speaker 1>so he he came back and I was at the

0:28:13.920 --> 0:28:16.840
<v Speaker 1>part he approached me and ship to battle, you know

0:28:16.880 --> 0:28:18.679
<v Speaker 1>what I'm saying. So we battled like that was my

0:28:18.760 --> 0:28:23.000
<v Speaker 1>first time actually like knowing the niggasm. We battled, right,

0:28:23.080 --> 0:28:25.159
<v Speaker 1>We did that. So years later I would see him

0:28:25.160 --> 0:28:26.639
<v Speaker 1>at the hip hop shop. I'll see him out. So

0:28:26.680 --> 0:28:30.680
<v Speaker 1>we was cool. When I started hanging with him, everything

0:28:30.800 --> 0:28:32.680
<v Speaker 1>changed with me and everybody, you know what I mean.

0:28:32.760 --> 0:28:36.040
<v Speaker 1>So it was just like once everybody started getting deals,

0:28:36.080 --> 0:28:39.240
<v Speaker 1>everybody was so competitive instead of supportive. That's why I

0:28:39.360 --> 0:28:43.240
<v Speaker 1>always try to teach, not teach, but always try to

0:28:43.280 --> 0:28:47.200
<v Speaker 1>like advocate unity within our community in Detroit with the

0:28:47.280 --> 0:28:50.720
<v Speaker 1>young artist, because when we started getting deals, we were

0:28:50.720 --> 0:28:54.760
<v Speaker 1>the first batch of nigga's getting deals in Detroit in years.

0:28:55.280 --> 0:28:57.200
<v Speaker 1>So instead of us unified with each other, we all

0:28:57.240 --> 0:29:03.040
<v Speaker 1>just competed with each other. Happens in Miami, happened York,

0:29:03.080 --> 0:29:05.239
<v Speaker 1>happens in Queen. So just it just so happened with

0:29:05.240 --> 0:29:09.160
<v Speaker 1>this certain situation. We were competing with each other too

0:29:09.240 --> 0:29:12.160
<v Speaker 1>close under the same umbrella, and it put him in

0:29:12.600 --> 0:29:14.560
<v Speaker 1>put him in the position where he pretty much had

0:29:14.840 --> 0:29:18.040
<v Speaker 1>to choose, you know what I'm saying. So, um, it

0:29:18.040 --> 0:29:20.000
<v Speaker 1>could have been it could have been rectified, but nobody

0:29:20.080 --> 0:29:22.560
<v Speaker 1>was taking those steps. Everybody was just standing their ground,

0:29:22.720 --> 0:29:25.000
<v Speaker 1>you know what I mean. So, so once you do

0:29:25.080 --> 0:29:28.400
<v Speaker 1>that and you don't funk with the communication, everybody around

0:29:28.480 --> 0:29:30.440
<v Speaker 1>is trying to fuel it. They just make it worse

0:29:30.440 --> 0:29:32.120
<v Speaker 1>and worse, worse and worse and worse and worse. So

0:29:32.160 --> 0:29:33.640
<v Speaker 1>every time we've seen each other, they got more and

0:29:33.640 --> 0:29:35.400
<v Speaker 1>more weird. You know what I'm saying. Niggas were saying

0:29:35.400 --> 0:29:37.640
<v Speaker 1>this about each other. Niggs was saying that about each other.

0:29:37.720 --> 0:29:39.400
<v Speaker 1>And I can't blame nobody because I know I did

0:29:39.480 --> 0:29:42.560
<v Speaker 1>my part and the next thing, you know, this record

0:29:42.560 --> 0:29:44.800
<v Speaker 1>got made then I made it was the first thing

0:29:45.000 --> 0:29:47.680
<v Speaker 1>they dissed you first. It was detwolve this you first

0:29:47.720 --> 0:29:50.160
<v Speaker 1>they put out the first record, but not am You

0:29:50.200 --> 0:29:53.600
<v Speaker 1>and M didn't have no it was everybody else and

0:29:53.760 --> 0:29:56.239
<v Speaker 1>M never had a problem. Me and Mr Porter never

0:29:56.320 --> 0:29:59.280
<v Speaker 1>had a problem being Proof never had a problem. It

0:29:59.400 --> 0:30:02.320
<v Speaker 1>was something between and me and bizarre And then it

0:30:02.440 --> 0:30:05.600
<v Speaker 1>just grew. I just grew into something that it shouldn't

0:30:05.600 --> 0:30:07.520
<v Speaker 1>have been, you know what I mean, How did you

0:30:07.720 --> 0:30:10.640
<v Speaker 1>fix it? I think it was time, you know what

0:30:10.680 --> 0:30:14.000
<v Speaker 1>I mean, Like a lot of time went by, nobody's

0:30:14.000 --> 0:30:16.960
<v Speaker 1>speaking to each other. Then when we finally uh was

0:30:17.000 --> 0:30:20.400
<v Speaker 1>improof passing. That was one of the things. That was

0:30:20.440 --> 0:30:24.120
<v Speaker 1>one of the things. I mean, seeing him in that coffin, man,

0:30:24.120 --> 0:30:27.920
<v Speaker 1>it was just like, yeah, yeah, God blessed. Seeing him

0:30:27.920 --> 0:30:29.960
<v Speaker 1>in that coffin was just like, it's just too surreal,

0:30:30.200 --> 0:30:32.800
<v Speaker 1>you know what I mean, Like at one point I

0:30:32.920 --> 0:30:36.080
<v Speaker 1>thought I didn't like him at one point, but seeing

0:30:36.160 --> 0:30:38.280
<v Speaker 1>him in that coffin and it broke my heart so much,

0:30:38.320 --> 0:30:42.040
<v Speaker 1>and seeing them all in the front row and seeing

0:30:42.160 --> 0:30:45.000
<v Speaker 1>what the family went through and all of these different

0:30:45.400 --> 0:30:48.720
<v Speaker 1>feelings and emotions. It just it makes you feel like

0:30:48.760 --> 0:30:50.640
<v Speaker 1>life is short, Like what the funk are we beating for?

0:30:50.760 --> 0:30:53.400
<v Speaker 1>You know what I mean? So, I mean that was

0:30:53.440 --> 0:30:54.640
<v Speaker 1>one of the things. I think that was one of

0:30:54.720 --> 0:30:58.040
<v Speaker 1>the things that helped Marshall kind of because me improof,

0:30:58.040 --> 0:31:01.080
<v Speaker 1>me improof pieced it up way before he passed. He

0:31:01.160 --> 0:31:03.200
<v Speaker 1>was like real cool. We went back on tour together

0:31:03.240 --> 0:31:05.080
<v Speaker 1>and ship like that. Poof was like one of the

0:31:05.120 --> 0:31:07.200
<v Speaker 1>happiest guys. I don't know, like he was always was

0:31:07.240 --> 0:31:11.320
<v Speaker 1>happy every time. I forget what strip club I shot.

0:31:11.360 --> 0:31:14.480
<v Speaker 1>I filmed. I keep I hate saying shot. Um. I

0:31:14.600 --> 0:31:17.520
<v Speaker 1>filmed in Detroit. Um it was about an eight mile

0:31:17.920 --> 0:31:22.960
<v Speaker 1>and I did the movie. Um what what was the movie?

0:31:22.560 --> 0:31:25.800
<v Speaker 1>Not hard movie? No, no, nothing hard movie. It was,

0:31:25.960 --> 0:31:31.200
<v Speaker 1>um Jerry Ride. Yeah, yeah, I'm I'm enjoy Ride Detroit.

0:31:31.320 --> 0:31:34.880
<v Speaker 1>I was out there. I holed to joint and before

0:31:34.880 --> 0:31:37.440
<v Speaker 1>I get to the Joe buttons, Joe button and all

0:31:37.480 --> 0:31:44.800
<v Speaker 1>that stuff, checking in. Checking in was basically almost invented

0:31:45.480 --> 0:31:52.360
<v Speaker 1>by Detroit niggers. Right. How I visualized checking in was

0:31:52.680 --> 0:31:58.320
<v Speaker 1>this was my homies anyway, So check my niggas is

0:31:58.360 --> 0:32:02.280
<v Speaker 1>my niggas. I never felt landing in Detroit and say Yo,

0:32:02.400 --> 0:32:05.200
<v Speaker 1>nig I'm here because that's what they required. They asked me.

0:32:05.240 --> 0:32:07.760
<v Speaker 1>They didn't demand it. They they say nigga checking in,

0:32:07.880 --> 0:32:10.440
<v Speaker 1>nigga mother. They they just say yo, nigga, when you

0:32:10.600 --> 0:32:13.280
<v Speaker 1>in my city. I want to know because I know

0:32:13.440 --> 0:32:16.720
<v Speaker 1>that there's other grammy niggas running around this city that

0:32:16.880 --> 0:32:19.080
<v Speaker 1>might get you because they know you work with me.

0:32:21.040 --> 0:32:23.680
<v Speaker 1>So I've always came to Detroit and I've always and

0:32:24.080 --> 0:32:26.800
<v Speaker 1>most of the time these niggles to be busy anyway,

0:32:26.840 --> 0:32:30.880
<v Speaker 1>So these niggas are, But Detroit is kind of like

0:32:31.000 --> 0:32:36.920
<v Speaker 1>the people who patterned that checking in. What do you

0:32:36.920 --> 0:32:38.680
<v Speaker 1>feel about that right now? Because this is this is

0:32:38.720 --> 0:32:41.400
<v Speaker 1>a big controversy about checking in. Yeah, I don't know.

0:32:41.480 --> 0:32:43.880
<v Speaker 1>I don't understand why such a controversy. I think it's

0:32:43.920 --> 0:32:49.600
<v Speaker 1>just a lot of people they're they're measuring stick on

0:32:49.680 --> 0:32:54.400
<v Speaker 1>what respect is. It's just completely different. It's just completely different,

0:32:54.480 --> 0:32:56.880
<v Speaker 1>you know what I mean. Like I learned respect in

0:32:56.880 --> 0:32:59.720
<v Speaker 1>the household, like my dad was. My dad ran the

0:32:59.720 --> 0:33:02.720
<v Speaker 1>house with the iron fist, you know what I mean.

0:33:02.800 --> 0:33:05.600
<v Speaker 1>So I got punched in the face at home before

0:33:05.640 --> 0:33:07.360
<v Speaker 1>I ever could get punched in the face in the street.

0:33:07.720 --> 0:33:09.640
<v Speaker 1>I mean, I think that. I think that should happen

0:33:09.640 --> 0:33:12.360
<v Speaker 1>to every kid. I should happen every get punch in

0:33:12.360 --> 0:33:17.240
<v Speaker 1>your face? Is the fact we spreading it or drink kids,

0:33:17.280 --> 0:33:20.200
<v Speaker 1>you get punch in the base. Everyone including your own,

0:33:20.800 --> 0:33:23.280
<v Speaker 1>get punch in the base. Once. Let's go. When you

0:33:23.280 --> 0:33:25.720
<v Speaker 1>go to somebody's city, you're going to the house. I

0:33:25.760 --> 0:33:29.240
<v Speaker 1>said here as a girl, girls should not. It's like

0:33:29.320 --> 0:33:31.480
<v Speaker 1>it's like it's like, you know, somebody, if somebody come

0:33:31.560 --> 0:33:33.400
<v Speaker 1>to your house. Man, you know, like if I go

0:33:33.480 --> 0:33:36.479
<v Speaker 1>to somebody's house, I'm thinking, damn, man. The first thing

0:33:36.520 --> 0:33:38.000
<v Speaker 1>I do is I look at the carpet, like should

0:33:38.000 --> 0:33:41.400
<v Speaker 1>I be taking my shoes off? This guy got white carpet.

0:33:41.480 --> 0:33:42.880
<v Speaker 1>Let me take my shoes. I can go to your

0:33:42.880 --> 0:33:45.480
<v Speaker 1>house for five thousand years, and I still will ask

0:33:45.520 --> 0:33:47.480
<v Speaker 1>you can I go to the frigerator? Yes, Like I

0:33:47.560 --> 0:33:50.120
<v Speaker 1>still be like yo, I will never go on someone's frigerator.

0:33:50.440 --> 0:33:52.120
<v Speaker 1>Like I sort of go. I can go to your house,

0:33:52.480 --> 0:33:54.560
<v Speaker 1>I said, I sort of. I still ask you can

0:33:54.640 --> 0:33:57.000
<v Speaker 1>I use the bathroom? Like that's just who I am.

0:33:57.160 --> 0:33:59.760
<v Speaker 1>Not everybody has that common sense, but not everybody was

0:34:00.080 --> 0:34:09.800
<v Speaker 1>He's right, customs. I don't know before I even messed

0:34:09.840 --> 0:34:11.680
<v Speaker 1>up I mean, like, yo, bru, when I go to

0:34:11.719 --> 0:34:13.399
<v Speaker 1>somebody and you know what else, it was like that

0:34:13.760 --> 0:34:17.680
<v Speaker 1>Styles piece. I came to my crib, this nigga cleaned

0:34:17.719 --> 0:34:21.080
<v Speaker 1>up a mess that he didn't even make, like I'm

0:34:21.120 --> 0:34:23.319
<v Speaker 1>just out there. And that's how the styles he was

0:34:23.320 --> 0:34:25.560
<v Speaker 1>a killer. Off top the nigga came. I was like

0:34:25.760 --> 0:34:27.759
<v Speaker 1>the hold on ory and this thing. I was like

0:34:27.960 --> 0:34:30.600
<v Speaker 1>just just like some bottles I had from drinking, and

0:34:30.640 --> 0:34:32.279
<v Speaker 1>like I was going to clean it up. But he

0:34:32.400 --> 0:34:34.120
<v Speaker 1>got the first thing he did. He walked in my

0:34:34.120 --> 0:34:36.759
<v Speaker 1>house and say, oh, scoose me. He didn't, he didn't

0:34:36.760 --> 0:34:39.000
<v Speaker 1>say somebody's violing, and he just picked this shut up.

0:34:39.080 --> 0:34:43.160
<v Speaker 1>I said, this nigga's like killer because anything is that's

0:34:43.280 --> 0:34:48.759
<v Speaker 1>nice like that oh his other side. And so I

0:34:48.880 --> 0:34:51.160
<v Speaker 1>knew that on top of me being a screen nigger,

0:34:51.160 --> 0:34:52.759
<v Speaker 1>and I'm like, yo, you know what i mean, I'm

0:34:52.760 --> 0:34:55.400
<v Speaker 1>sorry I went I went a little crazy. Kay? What

0:34:55.600 --> 0:34:57.719
<v Speaker 1>that was? That was my new son was a great

0:34:57.800 --> 0:35:00.759
<v Speaker 1>nigga's uh. I mean yeah, I think it's just a

0:35:00.800 --> 0:35:06.480
<v Speaker 1>respect thing. I totally understand it. Just because I'm from Detroit.

0:35:06.600 --> 0:35:09.439
<v Speaker 1>Maybe if I came from somewhere else, the lines would

0:35:09.480 --> 0:35:11.239
<v Speaker 1>be a little skewed. Maybe I would look at it like,

0:35:11.280 --> 0:35:12.560
<v Speaker 1>damn what they're trying to say, you know what I mean?

0:35:12.600 --> 0:35:16.279
<v Speaker 1>So I understand why some people don't understand, but I mean,

0:35:17.320 --> 0:35:19.879
<v Speaker 1>everything ain't for you to understand. No, But the thing

0:35:19.880 --> 0:35:24.640
<v Speaker 1>about it is Royce, right, you being from being from

0:35:24.640 --> 0:35:27.400
<v Speaker 1>not even from Detroit, you being from hip hop. And

0:35:27.440 --> 0:35:30.080
<v Speaker 1>you know when I got an album called The Warrior

0:35:30.160 --> 0:35:36.360
<v Speaker 1>Port and I have a partner who's from Queensbridge and

0:35:36.400 --> 0:35:39.360
<v Speaker 1>it's from left right, and you go to Queensbridge and

0:35:39.440 --> 0:35:43.120
<v Speaker 1>left right because your record label tells you you gotta

0:35:43.160 --> 0:35:46.200
<v Speaker 1>go out there and go promote in this restaurant and

0:35:46.239 --> 0:35:50.120
<v Speaker 1>then go promote and this guy's and I gotta retail store.

0:35:50.760 --> 0:35:53.600
<v Speaker 1>One of the first things you shouldn't do. It's called

0:35:53.680 --> 0:35:57.759
<v Speaker 1>the two Motherfucker's, you know from that spot. So I

0:35:57.840 --> 0:36:02.080
<v Speaker 1>gotta say your Royce, man, it's like reflect, reflect, I'm

0:36:02.080 --> 0:36:05.120
<v Speaker 1>not even going out there right now, and you can

0:36:05.160 --> 0:36:07.839
<v Speaker 1>make a decision right from there and then but now

0:36:07.840 --> 0:36:10.680
<v Speaker 1>you don't make that call, and ship happens. This is

0:36:10.680 --> 0:36:14.600
<v Speaker 1>the reason why, Like I'm just I'm just debating the cost.

0:36:14.680 --> 0:36:17.000
<v Speaker 1>But do you think that's the same context that they're

0:36:17.040 --> 0:36:19.239
<v Speaker 1>using it now? Just to be devils. Yeah, I didn't

0:36:19.239 --> 0:36:22.320
<v Speaker 1>think that case. I checked in with you for the

0:36:22.400 --> 0:36:24.319
<v Speaker 1>for the whole time. I got my drugs from you

0:36:24.480 --> 0:36:30.319
<v Speaker 1>for twelve years straight. Let's make the norm I used

0:36:30.320 --> 0:36:32.840
<v Speaker 1>to spend in Miami. I try to. I said, you

0:36:32.880 --> 0:36:35.480
<v Speaker 1>know what, I drop's gonna give me the dry He'll

0:36:35.480 --> 0:36:38.040
<v Speaker 1>give me the way, he'll ednie gigs, he won't bring

0:36:38.040 --> 0:36:41.200
<v Speaker 1>it personally gigs and what I wanted to see, you

0:36:41.239 --> 0:36:48.439
<v Speaker 1>brought it too. God makes a lot of time about

0:36:48.440 --> 0:36:51.239
<v Speaker 1>what I'm saying that. But no, let me people can

0:36:51.280 --> 0:36:53.680
<v Speaker 1>say that was checking antie. I know, no, I'm gonna

0:36:53.680 --> 0:36:55.839
<v Speaker 1>say that when I landed in Miami and I said,

0:36:57.120 --> 0:37:00.400
<v Speaker 1>when I'm landing in Miami and I wanted to do yeah,

0:37:00.440 --> 0:37:04.200
<v Speaker 1>I hate you. You you what you're saying, that's called

0:37:04.280 --> 0:37:07.000
<v Speaker 1>checking what I'm trying to do. Devil's an avocate, the

0:37:07.080 --> 0:37:09.480
<v Speaker 1>devil's advocate. The context is different because you're saying you

0:37:09.600 --> 0:37:12.200
<v Speaker 1>check them with people you knew. These people now are

0:37:12.280 --> 0:37:14.760
<v Speaker 1>arguing over checking when people they don't know. Well, guess

0:37:14.760 --> 0:37:17.320
<v Speaker 1>what if you go to a person city, that's exactly

0:37:17.400 --> 0:37:19.799
<v Speaker 1>what's gonna happen. This is their city. You don't know

0:37:19.880 --> 0:37:22.120
<v Speaker 1>these people in the city. You have to meet them.

0:37:22.400 --> 0:37:24.399
<v Speaker 1>You have meeting. It is different, you know what I'm saying,

0:37:24.480 --> 0:37:27.640
<v Speaker 1>especially if you're gonna continue to go to that city.

0:37:27.880 --> 0:37:30.680
<v Speaker 1>It's nothing wrong with saying your trick, trick, what's up,

0:37:30.920 --> 0:37:32.640
<v Speaker 1>chad of boys with something? I know, I'm old school.

0:37:32.640 --> 0:37:34.719
<v Speaker 1>I know. You know what I'm saying. You know it's

0:37:34.760 --> 0:37:36.920
<v Speaker 1>so very old school, you know what I mean, But

0:37:37.120 --> 0:37:38.640
<v Speaker 1>it is not wrong. You know what's up. I'm here,

0:37:38.680 --> 0:37:41.239
<v Speaker 1>but I'm gonna eat over here. I'm going to be

0:37:41.320 --> 0:37:43.920
<v Speaker 1>over there, like all right. Cool, Because now if something

0:37:44.000 --> 0:37:45.840
<v Speaker 1>happened in the city and then you're gonna rush to

0:37:45.920 --> 0:37:48.680
<v Speaker 1>them after, then it's like, Nigga, you should have said that.

0:37:48.760 --> 0:37:51.680
<v Speaker 1>You know they're gonna call after you, so you might

0:37:51.680 --> 0:37:54.279
<v Speaker 1>as gonna say from the beginning. And I don't see

0:37:54.320 --> 0:37:56.880
<v Speaker 1>nothing wrong with that, but I can I could also

0:37:56.920 --> 0:38:00.440
<v Speaker 1>see where a young person is also saying, well, I

0:38:00.480 --> 0:38:03.680
<v Speaker 1>ain't gotta you know whatever, whatever, Like I can see

0:38:03.680 --> 0:38:07.160
<v Speaker 1>what they're saying. But it's that that's actually the wrong

0:38:07.239 --> 0:38:09.040
<v Speaker 1>thing the way to think. You know what I'm saying.

0:38:09.080 --> 0:38:11.360
<v Speaker 1>If you're coming on mob, if you're coming on my

0:38:11.480 --> 0:38:14.400
<v Speaker 1>basketball court, please wear the shoes that I request you

0:38:14.440 --> 0:38:19.280
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0:40:25.760 --> 0:40:29.000
<v Speaker 1>because they don't have to be nice. Could be whatever

0:40:29.040 --> 0:40:31.719
<v Speaker 1>it could be, whatever, you know, whatever the people from

0:40:31.719 --> 0:40:33.239
<v Speaker 1>that city wanted to be. That's what it could be.

0:40:33.360 --> 0:40:38.680
<v Speaker 1>That's what people don't realize. It's like right. So so now,

0:40:38.920 --> 0:40:44.399
<v Speaker 1>Joe butten, you guys were actually beefing right before y'all

0:40:44.440 --> 0:40:48.600
<v Speaker 1>started slaughter House. You guys are actually coming at each other.

0:40:49.680 --> 0:40:51.880
<v Speaker 1>Not not not technically. I mean, he didn't come at me.

0:40:51.960 --> 0:40:54.919
<v Speaker 1>He didn't come back at me. I was firing off

0:40:54.920 --> 0:40:58.000
<v Speaker 1>on him on my mixtape because he started. He just

0:40:58.000 --> 0:41:01.000
<v Speaker 1>dissed me for no reason. That's how he is, big

0:41:01.080 --> 0:41:06.839
<v Speaker 1>him up. He's a bergo. That's how we are. I'm sorry.

0:41:06.840 --> 0:41:08.759
<v Speaker 1>I'm sorry this in case Joe Thaw was coming that

0:41:08.880 --> 0:41:11.839
<v Speaker 1>had my hurgos and he just dissed me for no reason. Bro,

0:41:11.880 --> 0:41:13.640
<v Speaker 1>I was like, I gotta call out of nowhere, like, hell,

0:41:13.719 --> 0:41:15.640
<v Speaker 1>you you know this is Joe Button nigger. I was like,

0:41:15.719 --> 0:41:18.359
<v Speaker 1>Joe Button, Oh, you didn't know him. I had never

0:41:18.400 --> 0:41:20.680
<v Speaker 1>met him, because I felt like all y'all knew each

0:41:20.680 --> 0:41:23.479
<v Speaker 1>other in the mind. Man, Bro, I didn't know Joe.

0:41:23.600 --> 0:41:25.480
<v Speaker 1>I didn't know. I didn't know him. I wasn't following

0:41:25.520 --> 0:41:28.000
<v Speaker 1>him like I wasn't. I'm not gonna say I wasn't

0:41:28.040 --> 0:41:31.120
<v Speaker 1>a fan because I did. Um. My wife liked his

0:41:31.280 --> 0:41:34.200
<v Speaker 1>first album. She used she used to play it, so

0:41:34.239 --> 0:41:37.080
<v Speaker 1>I used to hear some of the songs. Yea pump

0:41:37.080 --> 0:41:38.239
<v Speaker 1>it up, AM when I used to hear some of

0:41:38.280 --> 0:41:39.560
<v Speaker 1>the songs and be like, you know, this is a

0:41:39.560 --> 0:41:41.880
<v Speaker 1>crap like this. So I was aware that he was

0:41:41.920 --> 0:41:44.000
<v Speaker 1>a high level with MC. I was aware, but I

0:41:44.000 --> 0:41:47.759
<v Speaker 1>wouldn't like following his his his independent initially started y'all

0:41:47.760 --> 0:41:50.560
<v Speaker 1>to even start sparring, bro, What did he say? I

0:41:50.560 --> 0:41:52.960
<v Speaker 1>wouldn't did this thing. I got myself in this situation, bro,

0:41:53.080 --> 0:41:55.359
<v Speaker 1>where I was in the battle with Mr Fab. Y'all

0:41:55.360 --> 0:41:57.319
<v Speaker 1>talked about it on here before Mr I was in

0:41:57.320 --> 0:41:59.839
<v Speaker 1>the battle with Mr Fab. He smoked me, smoked me,

0:42:00.120 --> 0:42:03.040
<v Speaker 1>smoked me. So Joe was supposed to be there. I

0:42:03.080 --> 0:42:04.520
<v Speaker 1>didn't know I was gonna be in the battle. I

0:42:04.600 --> 0:42:07.080
<v Speaker 1>wasn't prepared to battle because I can't free stop, so

0:42:07.120 --> 0:42:08.520
<v Speaker 1>I ain't had nothing written for it. So I was

0:42:08.520 --> 0:42:13.120
<v Speaker 1>just doing like regular raps and ship Yeah, shout out

0:42:13.120 --> 0:42:14.799
<v Speaker 1>the chuck from all hip hop. Because he told me

0:42:15.040 --> 0:42:17.600
<v Speaker 1>I wasn't coming to a battle. He told me something

0:42:17.640 --> 0:42:21.000
<v Speaker 1>totally different than when I got there. I was just yeah.

0:42:21.040 --> 0:42:23.839
<v Speaker 1>So Joe never showed up. I was supposed Mr Bab

0:42:23.960 --> 0:42:27.640
<v Speaker 1>said he put on the show. He said he put

0:42:28.239 --> 0:42:31.759
<v Speaker 1>slowed the house together. He's one of the he's one

0:42:31.800 --> 0:42:34.320
<v Speaker 1>of the kind of like the kid he kind of

0:42:34.360 --> 0:42:43.120
<v Speaker 1>like the catalyst continue and shot. So you know, so

0:42:43.200 --> 0:42:45.239
<v Speaker 1>the whole time, you know, like if Joe would have

0:42:45.280 --> 0:42:48.440
<v Speaker 1>showed up, he was the one, because the whole place

0:42:48.600 --> 0:42:52.839
<v Speaker 1>was just like Joe. Yeah, he kept saying, he kept

0:42:52.880 --> 0:42:54.719
<v Speaker 1>saying he was on his way. This nigga kept telling

0:42:54.800 --> 0:42:56.680
<v Speaker 1>Chuck he was on his way, knowing he wasn't coming.

0:42:57.320 --> 0:42:59.360
<v Speaker 1>So the whole places like built up in that and

0:42:59.440 --> 0:43:01.839
<v Speaker 1>we took some from all hip from all hip hop.

0:43:01.840 --> 0:43:05.000
<v Speaker 1>My nigga's my nigg even though he lied to me.

0:43:06.880 --> 0:43:09.000
<v Speaker 1>So he blatantly knew that it was a battle because

0:43:09.000 --> 0:43:12.360
<v Speaker 1>he knew I wouldn't be in it, like Fante Fante

0:43:12.480 --> 0:43:14.920
<v Speaker 1>was in it, and then Fante pulled out at the

0:43:15.000 --> 0:43:17.120
<v Speaker 1>last minute. So I knew something was fishing because everybody

0:43:17.160 --> 0:43:20.560
<v Speaker 1>kept pull little brother. Yeah. I didn't even know Mr

0:43:20.600 --> 0:43:23.000
<v Speaker 1>Fab at that point, so it was like they told

0:43:23.040 --> 0:43:25.719
<v Speaker 1>he was definitely unknown. He was unknown, So I'm like,

0:43:25.800 --> 0:43:29.560
<v Speaker 1>I'm not knowing this nigg is a freestyle wizard, you know. Yeah,

0:43:30.360 --> 0:43:32.080
<v Speaker 1>that's my kid. Yeah, So it's like so I'm like

0:43:32.280 --> 0:43:35.200
<v Speaker 1>I'm like they like, you're just gonna rhyme versus you're

0:43:35.200 --> 0:43:37.319
<v Speaker 1>gonna rhyme versus and the crowd is gonna judge him.

0:43:37.320 --> 0:43:41.800
<v Speaker 1>I get there. Craig g as the host that should

0:43:41.800 --> 0:43:47.640
<v Speaker 1>have been a flat specialist all the time queens Bridge

0:43:47.640 --> 0:43:50.920
<v Speaker 1>by the way, all the battles, he was like you ready,

0:43:50.920 --> 0:43:52.759
<v Speaker 1>you got your raps ready for the battle. I'm like, yo,

0:43:52.840 --> 0:43:54.880
<v Speaker 1>I'm not here the battle. And he was looking at

0:43:54.920 --> 0:43:58.000
<v Speaker 1>me like like he knew. He knew, you know what

0:43:58.040 --> 0:43:59.759
<v Speaker 1>I'm saying. So it was like and then Joe kept

0:43:59.760 --> 0:44:01.960
<v Speaker 1>saying he was on the way. He never showed up,

0:44:02.080 --> 0:44:03.760
<v Speaker 1>you know what I'm saying. Like they was like Joe's

0:44:03.800 --> 0:44:06.680
<v Speaker 1>brother had just got shot or some ship like that.

0:44:07.520 --> 0:44:10.320
<v Speaker 1>So it ended up just being me and Mr Fab

0:44:10.800 --> 0:44:17.400
<v Speaker 1>No other contestants was directly at you. No, no, he freestyles.

0:44:18.120 --> 0:44:21.000
<v Speaker 1>Know if if he would have directed his raps at me,

0:44:21.040 --> 0:44:23.320
<v Speaker 1>which he could have did because he's a freestyler, he

0:44:23.360 --> 0:44:25.359
<v Speaker 1>would have killed me even worse. So he held back

0:44:25.400 --> 0:44:28.480
<v Speaker 1>and saying I told him, don't direct no raps at

0:44:29.680 --> 0:44:31.200
<v Speaker 1>I told him before that. I was like, bro, I

0:44:31.400 --> 0:44:34.200
<v Speaker 1>come in to battle. You know what I'm saying, don't

0:44:34.280 --> 0:44:37.080
<v Speaker 1>face me, say nothing about me. And he was just like,

0:44:37.040 --> 0:44:39.520
<v Speaker 1>all right, cool, I respect that we shook hands. He

0:44:39.600 --> 0:44:42.040
<v Speaker 1>was cool, so he wrapped his raps, but he was

0:44:42.400 --> 0:44:44.839
<v Speaker 1>he was kicking battle raps, but he wasn't saying my name.

0:44:45.400 --> 0:44:47.279
<v Speaker 1>So I just remember him saying something like I get

0:44:47.320 --> 0:44:49.640
<v Speaker 1>you shot like Choe Brother did or something, you know

0:44:49.680 --> 0:44:51.840
<v Speaker 1>what I'm saying. Like it was like he was freestyling.

0:44:51.880 --> 0:44:54.239
<v Speaker 1>So he was already talking about Joe Brother is just

0:44:54.280 --> 0:44:56.640
<v Speaker 1>good man, you know what I'm saying. So all while

0:44:56.640 --> 0:44:58.719
<v Speaker 1>he rapping, I'm sitting and thinking to myself, this is bad.

0:44:59.520 --> 0:45:01.680
<v Speaker 1>This is bad. So I'll go. I get to Mike

0:45:01.760 --> 0:45:04.200
<v Speaker 1>and I'm rapping Versus off of my album that I

0:45:04.320 --> 0:45:06.480
<v Speaker 1>worked I was working on at that time. In the

0:45:06.520 --> 0:45:08.680
<v Speaker 1>crowd was just like, all right, we came to see

0:45:08.680 --> 0:45:11.760
<v Speaker 1>a battle, you know what I'm saying. So it's hot.

0:45:10.719 --> 0:45:14.239
<v Speaker 1>But literally the only person in the room who don't

0:45:14.280 --> 0:45:26.120
<v Speaker 1>realize who don't realize the battle so so so you know,

0:45:26.200 --> 0:45:30.440
<v Speaker 1>like halfway through fab Mr Fab first verse, I realized, Okay,

0:45:30.480 --> 0:45:33.200
<v Speaker 1>I'm not gonna I'm not gonna win this so um

0:45:33.239 --> 0:45:35.480
<v Speaker 1>because that I was told you will win up like

0:45:35.520 --> 0:45:40.040
<v Speaker 1>a prize to win determined though the crowd, judge crowd.

0:45:40.360 --> 0:45:41.920
<v Speaker 1>It was a pro New York crowd. This is the

0:45:41.920 --> 0:45:48.920
<v Speaker 1>reason why I actually to all the respect to was.

0:45:49.040 --> 0:45:50.600
<v Speaker 1>That's the reason why I took a liking to Mr

0:45:50.680 --> 0:45:54.759
<v Speaker 1>fab was because he had an l a accent, uh

0:45:54.840 --> 0:45:58.520
<v Speaker 1>you know California actually excuse me, and he had all

0:45:58.600 --> 0:46:01.520
<v Speaker 1>this and he kind of like challenged everybody in the crowd,

0:46:02.480 --> 0:46:04.040
<v Speaker 1>and I was just like, all right, cool. That was

0:46:04.080 --> 0:46:07.640
<v Speaker 1>dope to me because he was the exact opposite of

0:46:07.640 --> 0:46:09.719
<v Speaker 1>what we're used to seeing, Like I like, I'm a

0:46:09.719 --> 0:46:12.320
<v Speaker 1>fan of about a rap. I don't want to battle

0:46:12.320 --> 0:46:17.400
<v Speaker 1>nobody though. He was like he had on the shirt

0:46:17.520 --> 0:46:20.080
<v Speaker 1>I think he had on the shirt with like airbrush

0:46:20.160 --> 0:46:23.000
<v Speaker 1>on it and shape. He just didn't look he didn't

0:46:23.000 --> 0:46:25.680
<v Speaker 1>look like nobody that I felt like compete with me

0:46:25.719 --> 0:46:27.040
<v Speaker 1>and wrapping, you know what I mean. So I was

0:46:27.080 --> 0:46:28.560
<v Speaker 1>just looking at him like all right, I should be

0:46:28.560 --> 0:46:29.880
<v Speaker 1>all right, it's just me and this guy. You know

0:46:29.880 --> 0:46:31.880
<v Speaker 1>what I'm saying, Like I've never heard of him, you

0:46:31.880 --> 0:46:34.759
<v Speaker 1>know what I'm saying, Like the nigger start rapping? And

0:46:36.040 --> 0:46:39.880
<v Speaker 1>how did how did you and Joe? That is that

0:46:39.960 --> 0:46:42.400
<v Speaker 1>how you meet? You and Joe became cool? Yeah? Because okay,

0:46:42.440 --> 0:46:45.120
<v Speaker 1>so look so after he won that battle, you know,

0:46:45.120 --> 0:46:47.760
<v Speaker 1>it was footage of it, so it went on YouTube. Joe,

0:46:47.920 --> 0:46:50.719
<v Speaker 1>knowing he didn't show up, goes and looks at the footage.

0:46:51.680 --> 0:46:53.719
<v Speaker 1>So I guess maybe he was a fan of me

0:46:53.800 --> 0:46:57.040
<v Speaker 1>before and he felt like, oh Royce fell off because

0:46:57.040 --> 0:46:59.400
<v Speaker 1>look how he looked in this battle. So you know,

0:46:59.520 --> 0:47:01.719
<v Speaker 1>Joe came just keep his feelings to itself. He got

0:47:01.719 --> 0:47:04.080
<v Speaker 1>to go public and say the ship and this ain't

0:47:04.080 --> 0:47:07.360
<v Speaker 1>even podcast Joe, this is just it's just troublemaker Joe.

0:47:08.280 --> 0:47:11.120
<v Speaker 1>So he um. He went in interview with DJ Envy

0:47:11.880 --> 0:47:14.839
<v Speaker 1>and he said some ship about the battle and talked

0:47:14.880 --> 0:47:17.160
<v Speaker 1>about how I looked like ship in the battle, and

0:47:17.280 --> 0:47:19.080
<v Speaker 1>Envy was agreeing with him, like yeah, he didn't look

0:47:19.080 --> 0:47:20.839
<v Speaker 1>realty bad, you know what I'm saying. Like, so there's

0:47:20.840 --> 0:47:23.360
<v Speaker 1>this whole conversation about how bad I looked in the battle,

0:47:24.120 --> 0:47:25.600
<v Speaker 1>and I don't have no mic to be able to

0:47:25.640 --> 0:47:28.120
<v Speaker 1>clarify what really happened. It was just an l I

0:47:28.200 --> 0:47:31.600
<v Speaker 1>just had to take. So um. And then Joe makes

0:47:31.600 --> 0:47:34.480
<v Speaker 1>a song and then in the song he's like, uh

0:47:35.080 --> 0:47:37.320
<v Speaker 1>something something something something about Mr fab because him and

0:47:37.400 --> 0:47:39.160
<v Speaker 1>Mr Fad was having words too, and he was like

0:47:39.320 --> 0:47:41.080
<v Speaker 1>and Royce failed the funk off. So I ain't gonna

0:47:41.120 --> 0:47:44.120
<v Speaker 1>mention him and none, no, no, done. My phone blew

0:47:44.200 --> 0:47:45.759
<v Speaker 1>up like crazy to tell me about the song. So

0:47:45.800 --> 0:47:48.880
<v Speaker 1>I'm like this niggod, this nig is actually saying my

0:47:49.000 --> 0:47:51.799
<v Speaker 1>name didn't show up for the battle that he did.

0:47:52.000 --> 0:47:55.520
<v Speaker 1>He didn't show la that's what you're saying. Yeah, So

0:47:55.560 --> 0:47:57.720
<v Speaker 1>I'm just taking ls all across the board at this point.

0:47:59.640 --> 0:48:04.160
<v Speaker 1>So like, so, um, I did, like what the m

0:48:04.160 --> 0:48:05.480
<v Speaker 1>c s do? You know what I'm saying. I picked

0:48:05.520 --> 0:48:08.880
<v Speaker 1>up a pen and I told myself, I'm not gonna

0:48:08.960 --> 0:48:14.400
<v Speaker 1>let up on Joe Button until he responds. He's not

0:48:14.440 --> 0:48:17.440
<v Speaker 1>gonna say my name. You like five records, right, I

0:48:17.440 --> 0:48:20.080
<v Speaker 1>can't remember how many. I didn't write no records about him.

0:48:21.040 --> 0:48:22.759
<v Speaker 1>I just because at that point it was like in

0:48:22.800 --> 0:48:24.040
<v Speaker 1>my mind it was like I got I want to

0:48:24.040 --> 0:48:26.800
<v Speaker 1>beat him. I want to beat him. So like whatever

0:48:26.800 --> 0:48:29.279
<v Speaker 1>I'm gonna battle somebody, I never just I never just

0:48:29.280 --> 0:48:32.640
<v Speaker 1>shoot the full clip immediately out the gate. I'll say

0:48:32.640 --> 0:48:36.279
<v Speaker 1>a line, if you respond, if you respond to it,

0:48:36.280 --> 0:48:39.960
<v Speaker 1>then I'm gonna go. You know what I'm saying, I

0:48:40.160 --> 0:48:45.960
<v Speaker 1>really right now, that's the young girl. So I mentioned

0:48:45.960 --> 0:48:48.760
<v Speaker 1>his name a few times on my mixtape Bar exam

0:48:48.800 --> 0:48:52.680
<v Speaker 1>and he did some interviews, he said some more stuff.

0:48:52.880 --> 0:48:55.200
<v Speaker 1>Whatever the case, it didn't seem like that he really

0:48:55.200 --> 0:48:57.520
<v Speaker 1>wanted the battle. I ended up finding out later that

0:48:57.640 --> 0:48:59.439
<v Speaker 1>he was just like he was gonna respond. He wrote

0:48:59.480 --> 0:49:03.839
<v Speaker 1>some ship. He just never put it out. So, um,

0:49:03.960 --> 0:49:06.840
<v Speaker 1>the ship that I was dissing him on, he heard

0:49:06.880 --> 0:49:08.279
<v Speaker 1>that and he was a fan of that. So I

0:49:08.280 --> 0:49:10.160
<v Speaker 1>guess he heard it and was like, oh, so this

0:49:10.239 --> 0:49:12.799
<v Speaker 1>nigga didn't fall off. And his boys was telling him, man,

0:49:12.840 --> 0:49:14.920
<v Speaker 1>I don't think you should dis him, and Keno was

0:49:14.960 --> 0:49:17.399
<v Speaker 1>telling me stop dissing him. I don't think you should

0:49:17.440 --> 0:49:20.040
<v Speaker 1>dis him. Y'all should work together. So this nigga caused

0:49:20.080 --> 0:49:24.520
<v Speaker 1>me out of nowhere. I'm I'm at the hospital. My

0:49:24.560 --> 0:49:33.520
<v Speaker 1>first daughter is being born. So he Um, we get

0:49:33.520 --> 0:49:36.919
<v Speaker 1>on the phone, Joe called, Yeah, and Joe because Keno

0:49:37.000 --> 0:49:39.040
<v Speaker 1>told me, he was like yo, he he reached out

0:49:39.080 --> 0:49:44.840
<v Speaker 1>to me through Chuck, who look like the guy. I

0:49:44.840 --> 0:49:47.680
<v Speaker 1>don't sense to up. I don't sex to up set up.

0:49:47.719 --> 0:49:51.000
<v Speaker 1>Chuck set me up, fab killed me, and then Joe

0:49:51.000 --> 0:49:54.160
<v Speaker 1>didn't show up. He sold me out. So so um,

0:49:54.320 --> 0:49:55.799
<v Speaker 1>we get on the phone and he's like, yo, man,

0:49:55.840 --> 0:49:57.680
<v Speaker 1>what's up? Man? Like I want to. I got this song.

0:49:57.760 --> 0:49:59.040
<v Speaker 1>I want to. I want to. I want you to

0:49:59.040 --> 0:50:01.719
<v Speaker 1>get on. I started to be like, yo, what's up

0:50:01.719 --> 0:50:03.680
<v Speaker 1>with that ship? You've been talking? You know what I'm saying.

0:50:03.680 --> 0:50:06.919
<v Speaker 1>But I just was like, I'm in the hospital about

0:50:06.960 --> 0:50:12.200
<v Speaker 1>to have my first girl. Keo was like Keno was like,

0:50:12.239 --> 0:50:14.160
<v Speaker 1>you shouldn't. You shouldn't be dissing him because I wrote

0:50:14.160 --> 0:50:16.239
<v Speaker 1>some more ships I was about to put out and

0:50:16.239 --> 0:50:17.520
<v Speaker 1>he was like, no, I don't put that out. You

0:50:17.520 --> 0:50:20.040
<v Speaker 1>shouldn't put that out. So I didn't want to feel

0:50:20.040 --> 0:50:21.440
<v Speaker 1>like I was a troublemaker because I think I was

0:50:21.440 --> 0:50:23.920
<v Speaker 1>fighting a lot at that time. So I was just like,

0:50:23.920 --> 0:50:26.880
<v Speaker 1>all right, man, I just pretended like nothing never happened,

0:50:26.880 --> 0:50:29.600
<v Speaker 1>because that's how Joe is. If you don't like bring it,

0:50:29.760 --> 0:50:32.840
<v Speaker 1>bring it up to him, he won't talk about it

0:50:32.840 --> 0:50:35.080
<v Speaker 1>because it's nothing to him, Like it's not. I took

0:50:35.120 --> 0:50:37.640
<v Speaker 1>it personal. He didn't. I took the ship real personal.

0:50:37.680 --> 0:50:39.560
<v Speaker 1>I was mad, you know, me and my little brothers

0:50:39.600 --> 0:50:41.120
<v Speaker 1>to talk about like my seat of snigger, you know

0:50:41.120 --> 0:50:44.120
<v Speaker 1>what I'm saying, Like he's totally oblivious to him. It's

0:50:44.120 --> 0:50:45.799
<v Speaker 1>just rap, you know what I'm saying. So I learned

0:50:45.800 --> 0:50:47.319
<v Speaker 1>that about him. Once I got to know him, so

0:50:47.840 --> 0:50:49.439
<v Speaker 1>I was like, well, who's gonna be on the song?

0:50:50.120 --> 0:50:54.360
<v Speaker 1>He was like, I'm putting you Crooked Eye Joel Ortiz.

0:50:55.360 --> 0:50:56.680
<v Speaker 1>And I was like, man, that should sound like a

0:50:56.719 --> 0:50:58.799
<v Speaker 1>slaughter House. And he was like, oh shoot, I think

0:50:58.840 --> 0:51:02.160
<v Speaker 1>I'm gonna call the song that. So I went, I

0:51:02.239 --> 0:51:05.879
<v Speaker 1>left the hospital. I left the hospital that night, went

0:51:06.000 --> 0:51:08.480
<v Speaker 1>later diverse real quick, came right back to the hospital

0:51:08.480 --> 0:51:10.000
<v Speaker 1>and sent it to him. He put it out the

0:51:10.040 --> 0:51:16.720
<v Speaker 1>next day, and that's how slaughter House was for him.

0:51:13.280 --> 0:51:21.960
<v Speaker 1>I'm not I thought, we're just gonna have to be

0:51:22.040 --> 0:51:25.960
<v Speaker 1>seven questions later. How you put the grove together? That

0:51:25.960 --> 0:51:30.200
<v Speaker 1>that's an amazing that's an amazing story, best ship I've

0:51:30.239 --> 0:51:35.680
<v Speaker 1>ever heard. Look at that and it works. But you

0:51:35.719 --> 0:51:37.360
<v Speaker 1>know what I learned from that, man, It's like, you

0:51:37.440 --> 0:51:40.680
<v Speaker 1>gotta stop taking everything personal. Yep, you have to keep

0:51:41.000 --> 0:51:44.239
<v Speaker 1>you gotta keep an open mind about relationships. Sometimes we

0:51:44.400 --> 0:51:48.000
<v Speaker 1>don't run around on everybody's dick, but don't close yourself

0:51:48.040 --> 0:51:50.680
<v Speaker 1>off from people. I did that for many years. Once

0:51:50.680 --> 0:51:53.600
<v Speaker 1>I started collaborating with people and being open to just

0:51:54.280 --> 0:51:57.200
<v Speaker 1>getting to know other sides of people instead of judging

0:51:57.239 --> 0:51:59.480
<v Speaker 1>them before you really get to know him. I got

0:51:59.480 --> 0:52:02.120
<v Speaker 1>to meet some good people. I learned a lot from collaborating,

0:52:02.239 --> 0:52:05.240
<v Speaker 1>and I achieved a lot of successful ship just standing

0:52:05.280 --> 0:52:08.040
<v Speaker 1>next to people and playing my playing my position, and

0:52:08.080 --> 0:52:10.200
<v Speaker 1>also being willing to learn from people. You know what

0:52:10.239 --> 0:52:11.879
<v Speaker 1>I'm saying. You think you would have made that same

0:52:11.920 --> 0:52:14.280
<v Speaker 1>decision without the people around you that was telling you,

0:52:14.280 --> 0:52:17.000
<v Speaker 1>you know, just do it played a part. But I

0:52:17.040 --> 0:52:19.080
<v Speaker 1>think I had I was. I was at the right age.

0:52:19.320 --> 0:52:21.799
<v Speaker 1>I had been through enough. You know, I certainly didn't

0:52:21.800 --> 0:52:23.920
<v Speaker 1>want to have problems with nobody at that point, you

0:52:23.960 --> 0:52:27.279
<v Speaker 1>know what I mean. But you know, I still I'm competitive.

0:52:27.480 --> 0:52:29.800
<v Speaker 1>I'm an m C. I'm certainly not the type of

0:52:29.920 --> 0:52:31.600
<v Speaker 1>MC you could just say my name, you know what

0:52:31.640 --> 0:52:33.520
<v Speaker 1>I mean, Like we're gonna you say my name. We're

0:52:33.520 --> 0:52:41.560
<v Speaker 1>gonna battle all year. How honored are you so? Um

0:52:41.760 --> 0:52:43.759
<v Speaker 1>be on the list of people that they say that

0:52:43.800 --> 0:52:46.440
<v Speaker 1>Eminem didn't body on the record, they said they the

0:52:46.840 --> 0:52:50.720
<v Speaker 1>list that he bodied people on the record, It's phenomenal.

0:52:51.360 --> 0:52:53.279
<v Speaker 1>I'm honored just to work with him, man, You know,

0:52:53.320 --> 0:52:55.919
<v Speaker 1>I'm honored. I'm honored to work with him. Every time

0:52:55.920 --> 0:52:57.759
<v Speaker 1>we do something. Every time we do something, I still

0:52:57.840 --> 0:53:02.000
<v Speaker 1>feel it's the same with Preme. I never really like, goddamn,

0:53:02.000 --> 0:53:08.839
<v Speaker 1>make some noise for me, we get into that, let's

0:53:08.840 --> 0:53:12.480
<v Speaker 1>don't work. Yeah, I mean, I just I just you know,

0:53:12.520 --> 0:53:14.160
<v Speaker 1>when we started working with each other, it was just

0:53:15.560 --> 0:53:17.560
<v Speaker 1>respect for each other as m c S. I didn't

0:53:17.800 --> 0:53:19.759
<v Speaker 1>have no idea he was gonna become what he what

0:53:19.880 --> 0:53:26.280
<v Speaker 1>he became, you know. So um, once we started working

0:53:26.320 --> 0:53:29.560
<v Speaker 1>and he became like this phenomenon and yeah he was

0:53:29.640 --> 0:53:31.520
<v Speaker 1>body and everybody, you know, like when he was doing

0:53:31.560 --> 0:53:33.520
<v Speaker 1>a lot of features with people, that was like his thing.

0:53:33.719 --> 0:53:37.879
<v Speaker 1>But um, I don't know, man, I kinda we used

0:53:37.880 --> 0:53:39.480
<v Speaker 1>to do songs. I just didn't used to feel like

0:53:39.960 --> 0:53:41.600
<v Speaker 1>I always felt like he killed me on every song.

0:53:41.840 --> 0:53:44.279
<v Speaker 1>Oh yeah I did. I didn't realize people was gonna

0:53:44.280 --> 0:53:46.360
<v Speaker 1>be like, yo, you're the only person who body marshal

0:53:46.400 --> 0:53:49.720
<v Speaker 1>on songs or you still test the time. I couldn't.

0:53:49.880 --> 0:53:53.160
<v Speaker 1>I can't think on one time my body, not one time. Well, um,

0:53:54.120 --> 0:53:57.560
<v Speaker 1>now let me ask you the life long hip hop

0:53:57.719 --> 0:54:02.440
<v Speaker 1>question all time, and I want you to take yourself

0:54:02.640 --> 0:54:06.560
<v Speaker 1>out of your friendship mode. And I'm just I'm asking

0:54:06.960 --> 0:54:14.879
<v Speaker 1>the hip hop fan who had the better verse? Are

0:54:15.000 --> 0:54:19.400
<v Speaker 1>in a game that's been an ongoing conversation here. Come on,

0:54:21.640 --> 0:54:23.560
<v Speaker 1>if you was drinking right now, this is every time

0:54:23.600 --> 0:54:26.000
<v Speaker 1>I'll give you a shot, but I'm not gonna take

0:54:26.040 --> 0:54:31.879
<v Speaker 1>a shot. I'm drinking this delicious mindstanding you drink. Hopefully

0:54:31.880 --> 0:54:37.160
<v Speaker 1>they shot over picked them up. But come on, or

0:54:38.120 --> 0:54:41.680
<v Speaker 1>we really need you to keep it real because this

0:54:41.760 --> 0:54:45.080
<v Speaker 1>is I know you did other podcast before, we've seen it.

0:54:46.680 --> 0:54:52.080
<v Speaker 1>We get it. Listen, you're on the real podcast. Okay,

0:54:52.120 --> 0:54:55.200
<v Speaker 1>listen to me as a fan. Drink champce on me.

0:54:55.239 --> 0:54:57.960
<v Speaker 1>You want to talk about something serious. This is not

0:54:59.000 --> 0:55:02.400
<v Speaker 1>a live read an ad to to make some paper

0:55:02.400 --> 0:55:04.880
<v Speaker 1>off of, but this is just something that affects a

0:55:04.920 --> 0:55:08.399
<v Speaker 1>lot of people, might be somebody you even know. An

0:55:08.520 --> 0:55:12.280
<v Speaker 1>estimated five percent of the world's population, that's four million

0:55:12.320 --> 0:55:16.360
<v Speaker 1>adults and thirty four million children, have disabling hearing loss,

0:55:16.400 --> 0:55:19.640
<v Speaker 1>with the greatest prevalence in low and middle income populations.

0:55:20.480 --> 0:55:23.520
<v Speaker 1>The impact of hearing loss not only affects the individuals,

0:55:23.560 --> 0:55:27.680
<v Speaker 1>but their family, their community, country, and the world at large.

0:55:28.360 --> 0:55:32.160
<v Speaker 1>Star Key Hearing Foundation provides hearing aids and hearing related

0:55:32.200 --> 0:55:35.120
<v Speaker 1>healthcare to millions of patients in over a hundred countries,

0:55:35.600 --> 0:55:40.879
<v Speaker 1>empowering them to achieve their full potential. Founded in star

0:55:40.960 --> 0:55:44.960
<v Speaker 1>Key Hearing Foundation provides complementary hearing care to more than

0:55:45.000 --> 0:55:52.720
<v Speaker 1>one point one million patients worldwide, and I mean seriously worldwide. Afghanistan, Cambodia, Canada,

0:55:53.120 --> 0:55:59.520
<v Speaker 1>Democratic Republic of the Congo, El Salvador, Guyana, India, Nicarawa, Peru,

0:55:59.800 --> 0:56:03.120
<v Speaker 1>the United States, Vietnam, and Zambia, just to name a

0:56:03.160 --> 0:56:06.960
<v Speaker 1>few countries. Star Key Hearing Foundation is a five h

0:56:07.040 --> 0:56:10.520
<v Speaker 1>one seed three public charity. Donations are tax deductible to

0:56:10.560 --> 0:56:14.120
<v Speaker 1>the fullest extent allowed, but by the law. Star Key

0:56:14.120 --> 0:56:16.880
<v Speaker 1>Hearing Foundation is rated four out of four stars by

0:56:16.960 --> 0:56:21.360
<v Speaker 1>Charity Navigator, the highest score in any organization that receives

0:56:21.600 --> 0:56:26.400
<v Speaker 1>from the trusted charity evaluator. This month, star Key Hearing

0:56:26.440 --> 0:56:30.640
<v Speaker 1>Foundation and an Audio Boom, who are audio distributors, are

0:56:30.719 --> 0:56:34.720
<v Speaker 1>launching the Listen In campaign and they're asking Drink Champs

0:56:34.760 --> 0:56:39.120
<v Speaker 1>listeners to help them reach twenty thousand and fundraising goals.

0:56:40.120 --> 0:56:42.400
<v Speaker 1>Let's let's show them that the Drink Champs Army is

0:56:42.400 --> 0:56:43.800
<v Speaker 1>more than just a bunch of people who like to

0:56:43.840 --> 0:56:47.200
<v Speaker 1>get drunk and here legendary hip hop stories. Let's actually

0:56:47.239 --> 0:56:51.040
<v Speaker 1>help people out there. If you can't, we we feel

0:56:51.040 --> 0:56:55.320
<v Speaker 1>the drink Champs Army could help contribute to this fundraising

0:56:55.320 --> 0:56:58.880
<v Speaker 1>goal and fundraise from the Listen In campaign will support

0:56:58.880 --> 0:57:01.719
<v Speaker 1>the next round of global outreach. You can help start

0:57:01.800 --> 0:57:05.680
<v Speaker 1>Keep Hearing Foundation reach goal by the donating to the

0:57:05.760 --> 0:57:09.360
<v Speaker 1>listen in campaign today. To give the gift of hearing,

0:57:09.680 --> 0:57:13.080
<v Speaker 1>go to listen in campaign dot org. That's l I

0:57:13.360 --> 0:57:16.520
<v Speaker 1>S T N I N C A M P A

0:57:17.120 --> 0:57:21.360
<v Speaker 1>I g N dot org. Go to listen in campaign

0:57:21.440 --> 0:57:26.439
<v Speaker 1>dot org to give the gift of hearing today. Yes, please,

0:57:27.640 --> 0:57:29.600
<v Speaker 1>we'll put it to you like this, my nigga. First

0:57:29.600 --> 0:57:33.960
<v Speaker 1>of all, the real answer is there is no There

0:57:34.080 --> 0:57:36.920
<v Speaker 1>is no answer to that question. It's like asked. It's

0:57:36.960 --> 0:57:43.240
<v Speaker 1>like asking somebody better between big and it's keep. It's

0:57:43.280 --> 0:57:47.320
<v Speaker 1>based off your your preference. They provided you two different

0:57:47.360 --> 0:57:49.840
<v Speaker 1>things that you can't really compare now. If you want

0:57:49.840 --> 0:57:52.360
<v Speaker 1>to go if you want to go deeper, I'm a

0:57:52.440 --> 0:57:56.360
<v Speaker 1>whole stand that retigate whole versus light work for whole,

0:57:56.680 --> 0:58:04.560
<v Speaker 1>light work, light work, light work, kind of listen that

0:58:04.840 --> 0:58:07.919
<v Speaker 1>m verse light work. Me and M did that song

0:58:08.640 --> 0:58:10.560
<v Speaker 1>and just threw it away. We did the song. It

0:58:10.600 --> 0:58:15.120
<v Speaker 1>was like you was the actually that was my record.

0:58:15.240 --> 0:58:18.200
<v Speaker 1>He produced it right and he produced it, right, So

0:58:18.360 --> 0:58:22.560
<v Speaker 1>your versus was whole with Hold. Water was taking my

0:58:22.640 --> 0:58:25.600
<v Speaker 1>verses out and Hold. He sent it to Hold with

0:58:25.680 --> 0:58:28.200
<v Speaker 1>holes in it, and Hold just wrapped and filled it in.

0:58:29.800 --> 0:58:33.560
<v Speaker 1>Damn right, damn right, you fucking sucking up the whole poet.

0:58:36.120 --> 0:58:44.640
<v Speaker 1>You came here for a reason. Don't hit them, Okay.

0:58:44.840 --> 0:58:48.160
<v Speaker 1>So that describe subscribe how this happens you. You guys

0:58:48.440 --> 0:58:52.360
<v Speaker 1>do the record. Jay Z flies to Detroit, I imagine,

0:58:53.160 --> 0:58:57.280
<v Speaker 1>no California. They sent the records, sent it, sent it

0:58:58.280 --> 0:59:01.480
<v Speaker 1>and m sends Jay there. It's just just what it was,

0:59:01.520 --> 0:59:04.040
<v Speaker 1>the same as act record. Yeah, he had been asking,

0:59:04.120 --> 0:59:06.800
<v Speaker 1>He had been asking them, and they've been both. Their

0:59:06.800 --> 0:59:09.640
<v Speaker 1>schedules was crazy, so they kept missing each other. So

0:59:09.800 --> 0:59:14.160
<v Speaker 1>um he asked him. Him called me, was like, Yo,

0:59:14.280 --> 0:59:17.120
<v Speaker 1>I'm I'm thinking about giving jay Z this Renegade record.

0:59:17.160 --> 0:59:19.480
<v Speaker 1>What you think would you be cool with that? And

0:59:19.520 --> 0:59:21.080
<v Speaker 1>I just felt like it was cool to he even

0:59:21.080 --> 0:59:23.440
<v Speaker 1>asked me because technically it wasn't my record no more.

0:59:24.440 --> 0:59:27.520
<v Speaker 1>We we did two records, and I was supposed to

0:59:27.560 --> 0:59:30.000
<v Speaker 1>just pick one of them for me to use the

0:59:30.040 --> 0:59:32.040
<v Speaker 1>other one, but you know what I mean, Like Renegade

0:59:32.160 --> 0:59:33.800
<v Speaker 1>was just something we felt like we can, we could

0:59:33.840 --> 0:59:36.120
<v Speaker 1>do better. I felt like we could do better, you know,

0:59:36.200 --> 0:59:47.080
<v Speaker 1>So we took my verses off, took my listen, you yo,

0:59:48.240 --> 0:59:50.960
<v Speaker 1>I'm not saying we was right. I'm not saying it

0:59:51.080 --> 0:59:54.160
<v Speaker 1>was right. I just I'm just saying, maybe maybe they

0:59:56.600 --> 1:00:00.880
<v Speaker 1>just said that's what you basically said. Listen. Maybe it's

1:00:00.920 --> 1:00:02.720
<v Speaker 1>maybe we just had like a maybe I had like

1:00:02.760 --> 1:00:05.120
<v Speaker 1>a picture in my head, or maybe I had something

1:00:05.120 --> 1:00:06.920
<v Speaker 1>in my mind that I felt like we needed to

1:00:06.960 --> 1:00:10.360
<v Speaker 1>be doing at that time. And maybe I was just

1:00:10.360 --> 1:00:14.320
<v Speaker 1>trying to shape ship according to my album, but I wasn't.

1:00:14.360 --> 1:00:17.040
<v Speaker 1>I mean, I felt like it was good. It became

1:00:17.120 --> 1:00:19.000
<v Speaker 1>great when they did it, when we were doing it,

1:00:19.040 --> 1:00:20.800
<v Speaker 1>I felt like it was good, you know what I mean.

1:00:20.840 --> 1:00:22.560
<v Speaker 1>Like I didn't think it. I didn't think it was that,

1:00:22.760 --> 1:00:25.200
<v Speaker 1>you know what I mean. So my part of the

1:00:25.240 --> 1:00:27.760
<v Speaker 1>hook got taken out, My verses got taken out, and

1:00:27.760 --> 1:00:31.080
<v Speaker 1>he sent it to Jay like that. We still and

1:00:31.160 --> 1:00:33.720
<v Speaker 1>when Jay says his part, that's never been afraid to

1:00:33.800 --> 1:00:36.320
<v Speaker 1>say what's on my mind? I mean, I still I

1:00:36.440 --> 1:00:39.680
<v Speaker 1>still said that. I said that part, but my version

1:00:39.720 --> 1:00:42.800
<v Speaker 1>of it. Old took it and rewrote his part to

1:00:42.960 --> 1:00:47.120
<v Speaker 1>say Cove's way but it was the same words, just

1:00:47.320 --> 1:00:49.320
<v Speaker 1>never been afraid to say just the same words. It's

1:00:51.280 --> 1:00:59.800
<v Speaker 1>oh yeah, because he was like because jigga, jigga like

1:00:59.840 --> 1:01:02.960
<v Speaker 1>that part. At first it was because royce'ster can't get

1:01:03.000 --> 1:01:05.640
<v Speaker 1>Detroit and I'm just saying this to Mr kiss my

1:01:05.760 --> 1:01:08.800
<v Speaker 1>asses Justice. So he just switched. As the version exists somewhere,

1:01:10.400 --> 1:01:17.600
<v Speaker 1>what's all long? Would you? Yeah? Well that put that

1:01:17.680 --> 1:01:24.720
<v Speaker 1>up doubt Now what what what do you feel about

1:01:24.720 --> 1:01:30.440
<v Speaker 1>the ghost right and ship? Because it's very favorite stories.

1:01:30.680 --> 1:01:35.080
<v Speaker 1>You ghost writing for a lot of people? Really, I

1:01:35.080 --> 1:01:38.800
<v Speaker 1>think he mentioned a couple of them already. Yeah, I

1:01:38.800 --> 1:01:42.560
<v Speaker 1>mean everybody who who I wrote without? It's pretty much

1:01:42.600 --> 1:01:44.920
<v Speaker 1>public knowledge. I tweeted this the other day too. I

1:01:45.040 --> 1:01:48.680
<v Speaker 1>never secretly wrote for nobody, contrary to popular belief. I

1:01:48.680 --> 1:01:51.520
<v Speaker 1>don't know why people think that, but I really haven't.

1:01:52.120 --> 1:01:54.680
<v Speaker 1>So who did you write for? Publicly? I wrote for Puff,

1:01:54.960 --> 1:01:58.680
<v Speaker 1>that's right, Hen't afraid to say that? Not Yeah, I

1:01:58.680 --> 1:02:00.840
<v Speaker 1>wrote for Dre I wrote them. Afraid to say that

1:02:00.880 --> 1:02:03.160
<v Speaker 1>I wrote the message on the chronic album I wrote.

1:02:03.480 --> 1:02:06.680
<v Speaker 1>I wrote tell Me with Christina Aguilera for Puff on

1:02:06.680 --> 1:02:08.880
<v Speaker 1>the Space Hold On You A R and B Burgers Too.

1:02:10.640 --> 1:02:15.640
<v Speaker 1>Version I thought you made Christina. I said, what on

1:02:15.680 --> 1:02:17.400
<v Speaker 1>the song that I know? I thought you make you

1:02:17.440 --> 1:02:21.720
<v Speaker 1>wrote with Christina Alara. I'm like, Nick, what's the one? Okay?

1:02:22.080 --> 1:02:25.120
<v Speaker 1>I wish, but um, yeah, I wrote that. I wrote

1:02:25.200 --> 1:02:30.400
<v Speaker 1>up the original Exploment. Oh yeah, yeah, I wrote yeah

1:02:30.800 --> 1:02:32.160
<v Speaker 1>with some of the Ship that I wrote on Dre

1:02:32.280 --> 1:02:33.800
<v Speaker 1>album that didn't make the album. Some of that is

1:02:33.840 --> 1:02:38.160
<v Speaker 1>like on he said, the original Explosion record another I

1:02:40.600 --> 1:02:45.520
<v Speaker 1>took a I'm trying. Is there anybody else? I don't

1:02:45.520 --> 1:02:49.480
<v Speaker 1>think I wrote for nobody else? Oh yeah, bro, for

1:02:49.560 --> 1:02:58.720
<v Speaker 1>who cannabis? Cannabis? Say that? Oh yeah, who, Who's who?

1:02:58.840 --> 1:03:08.000
<v Speaker 1>You write for cannabis? Come on? He got serious. I

1:03:08.080 --> 1:03:12.920
<v Speaker 1>totally forgot all about that. Man. It's something serious, right,

1:03:13.360 --> 1:03:15.040
<v Speaker 1>it was. I was in I was in the lab

1:03:15.120 --> 1:03:17.040
<v Speaker 1>one time. Oh my god, he's gonna he's gonna want

1:03:17.040 --> 1:03:18.080
<v Speaker 1>to kill me for this. But I was in the

1:03:18.120 --> 1:03:22.200
<v Speaker 1>lab with cannabis back in the day and ships and

1:03:22.280 --> 1:03:25.440
<v Speaker 1>he um, I don't know, man, he must have reached

1:03:25.440 --> 1:03:27.120
<v Speaker 1>like a point in his life man where he just

1:03:27.200 --> 1:03:29.360
<v Speaker 1>kind of like throwing his hands up with this ship.

1:03:29.480 --> 1:03:30.960
<v Speaker 1>So he was like, we were like working on the

1:03:31.000 --> 1:03:32.880
<v Speaker 1>song and ship, and I laid my verse, and he

1:03:32.960 --> 1:03:36.280
<v Speaker 1>was like, yeah, man, that ship sounds crazy. And he

1:03:36.400 --> 1:03:38.600
<v Speaker 1>was like should You can probably just go ahead and

1:03:38.600 --> 1:03:42.040
<v Speaker 1>write the whole song if you want to. And I

1:03:42.120 --> 1:03:44.760
<v Speaker 1>was like, what you know, you hear somebody say some

1:03:44.800 --> 1:03:47.320
<v Speaker 1>ships just can't quite believe it, so you make him

1:03:47.320 --> 1:03:49.800
<v Speaker 1>repeat it just to make sure you ain't tripping. So

1:03:49.840 --> 1:03:52.680
<v Speaker 1>I was like you, what'd you say? So he basically

1:03:52.680 --> 1:03:54.320
<v Speaker 1>was asking me to write the whole song, so I

1:03:54.360 --> 1:03:57.520
<v Speaker 1>would just I was like, listen, bro, you a legend.

1:03:57.560 --> 1:04:00.360
<v Speaker 1>Bro Like, I started just talking him off the edge,

1:04:01.520 --> 1:04:02.960
<v Speaker 1>talking to him off the ledge, and I was just

1:04:03.200 --> 1:04:05.040
<v Speaker 1>in my mind thinking to myself, I can't do this.

1:04:05.160 --> 1:04:07.760
<v Speaker 1>You know, like you cannabis, my nigger, You're a cannabis.

1:04:08.560 --> 1:04:10.360
<v Speaker 1>So it's just like we end up we did. We

1:04:10.400 --> 1:04:12.200
<v Speaker 1>did the song, and he ended up writing his verse.

1:04:12.240 --> 1:04:14.600
<v Speaker 1>But if he if he, if I would have wrote it,

1:04:14.600 --> 1:04:18.160
<v Speaker 1>he would have let me this cannabis is cannabis, of course.

1:04:18.280 --> 1:04:21.320
<v Speaker 1>And before the battle that he did, this is what

1:04:21.320 --> 1:04:27.800
<v Speaker 1>I'm saying after this is this is post post alien cannabis.

1:04:28.160 --> 1:04:30.640
<v Speaker 1>That's that's the good the alien is. When he had

1:04:30.760 --> 1:04:33.800
<v Speaker 1>he had the battle with no rhymes, cannabis, Oh my god,

1:04:34.040 --> 1:04:36.240
<v Speaker 1>did you see that for this. Come on, man, let's

1:04:36.240 --> 1:04:38.480
<v Speaker 1>not that's my man. I love him, I know, I know,

1:04:38.560 --> 1:04:41.480
<v Speaker 1>but I'm just saying, but he did this before. It

1:04:41.520 --> 1:04:43.360
<v Speaker 1>was before that. It was before. It was a while back.

1:04:43.400 --> 1:04:45.280
<v Speaker 1>It was a while back. It has to be before that.

1:04:45.840 --> 1:04:49.200
<v Speaker 1>So cannabis actually the writers wrong. I forgot all about it.

1:04:49.200 --> 1:04:51.200
<v Speaker 1>This just brought it back to my testa. Man. I

1:04:51.240 --> 1:04:57.200
<v Speaker 1>wanted to forget it. Keno got un. I'm saying out

1:04:57.200 --> 1:05:00.439
<v Speaker 1>to cannabis to take cannabis, want to take in a way.

1:05:00.600 --> 1:05:04.720
<v Speaker 1>But Royce did get asked to right as around one day.

1:05:03.600 --> 1:05:06.520
<v Speaker 1>I'm just saying that that's it. That's one time. That's

1:05:07.880 --> 1:05:14.520
<v Speaker 1>just kind of crazy. Bro. Now, slaughter House, you and

1:05:14.680 --> 1:05:22.200
<v Speaker 1>Joey have this little quarrel. How does joe I mean, uh,

1:05:22.600 --> 1:05:25.720
<v Speaker 1>we don't understand the song, but and then we understand

1:05:25.720 --> 1:05:27.920
<v Speaker 1>that the name of the song was actually called slaughter

1:05:28.600 --> 1:05:30.480
<v Speaker 1>How do y'all take it serious? From there? How do

1:05:30.560 --> 1:05:34.640
<v Speaker 1>y'all say all? You know what? It went so fast, bro,

1:05:34.960 --> 1:05:38.840
<v Speaker 1>we um as soon as the reaction happened to the

1:05:38.880 --> 1:05:42.840
<v Speaker 1>song that was back, I was just starting to become

1:05:42.880 --> 1:05:45.640
<v Speaker 1>a little bit in that savvy. Joe was already in

1:05:45.680 --> 1:05:49.560
<v Speaker 1>that savvy from from the gate. He had a really

1:05:49.600 --> 1:05:53.040
<v Speaker 1>really really good understanding how to market things via the Internet,

1:05:53.680 --> 1:05:57.280
<v Speaker 1>and just he was he had a good day, he

1:05:57.320 --> 1:05:59.960
<v Speaker 1>had a good gage, just when things were special verses,

1:06:00.000 --> 1:06:02.200
<v Speaker 1>when they were just regular verses and it didn't matter

1:06:02.280 --> 1:06:07.240
<v Speaker 1>at all. So he hit me back with Keeno on

1:06:07.240 --> 1:06:09.880
<v Speaker 1>the three way again. So he says, he says, yo,

1:06:10.040 --> 1:06:12.200
<v Speaker 1>he said, he said, you see that. You see the reaction, right,

1:06:12.240 --> 1:06:13.480
<v Speaker 1>And I was like, I kind of seen it a

1:06:13.520 --> 1:06:15.880
<v Speaker 1>little bit. He was like, yeah, man, we gotta do

1:06:15.920 --> 1:06:18.040
<v Speaker 1>more ship, We got to do more stuff. I was like,

1:06:18.080 --> 1:06:21.320
<v Speaker 1>all right, man, I'm cool. I'm cool with that. He

1:06:21.400 --> 1:06:23.760
<v Speaker 1>was like I told him. I was like me and

1:06:23.760 --> 1:06:25.439
<v Speaker 1>you should me and you should do some more ship,

1:06:25.520 --> 1:06:28.320
<v Speaker 1>like we should do an album or something. And Keno

1:06:28.480 --> 1:06:31.600
<v Speaker 1>was like, all, y'all nigga should do an album. Y'all

1:06:31.600 --> 1:06:37.040
<v Speaker 1>all should do it. He's saying the house. So I

1:06:37.120 --> 1:06:39.960
<v Speaker 1>was like, I was like, now, at that time, I'm

1:06:39.960 --> 1:06:42.240
<v Speaker 1>gonna go even deeper. I forgot about this. Yeah, I

1:06:42.280 --> 1:06:45.720
<v Speaker 1>was a drunk. So at that time I heard of

1:06:45.800 --> 1:06:48.600
<v Speaker 1>Joe l Ortiz and I was aware that he was

1:06:48.640 --> 1:06:52.960
<v Speaker 1>a monster, right crooked. I was aware that he was

1:06:53.000 --> 1:06:56.200
<v Speaker 1>a monster Crooked I didn't really like because I asked

1:06:56.200 --> 1:06:58.160
<v Speaker 1>that negg to do a song and he told me, yeah,

1:06:58.280 --> 1:06:59.960
<v Speaker 1>he never did it. So I took that ship first.

1:07:01.280 --> 1:07:03.880
<v Speaker 1>I mean, yeah, that's how I used to be. That's

1:07:03.880 --> 1:07:05.640
<v Speaker 1>how I used to be. I used to take everything personal,

1:07:08.280 --> 1:07:10.960
<v Speaker 1>all right, all right, so um and Crook that is

1:07:11.000 --> 1:07:14.200
<v Speaker 1>coming off of death Row. Yeah now he was yeah,

1:07:14.280 --> 1:07:17.360
<v Speaker 1>yeah it was it was was he still yeah, it

1:07:17.440 --> 1:07:20.080
<v Speaker 1>was kind of okay. Yeah. So um, I was like,

1:07:20.080 --> 1:07:22.400
<v Speaker 1>all right, man, whatever we could do that. So we

1:07:22.440 --> 1:07:24.920
<v Speaker 1>started every time I would go to New York. She

1:07:24.960 --> 1:07:27.360
<v Speaker 1>basically wasn't feeling that idea. No, I was not that

1:07:27.440 --> 1:07:31.680
<v Speaker 1>I wasn't feeling it just wasn't like now I was.

1:07:31.960 --> 1:07:33.920
<v Speaker 1>I was in to do whatever. I was in to

1:07:34.000 --> 1:07:37.960
<v Speaker 1>do whatever. But my first impulse, my first instinct was

1:07:38.000 --> 1:07:40.520
<v Speaker 1>for me and Joe to do more ship. So when

1:07:40.640 --> 1:07:42.760
<v Speaker 1>when it when it came, like, when the idea came,

1:07:42.760 --> 1:07:45.760
<v Speaker 1>now you should stay working with all of them, yeah,

1:07:45.800 --> 1:07:47.560
<v Speaker 1>just do it do it like that, like okay, So

1:07:47.600 --> 1:07:49.240
<v Speaker 1>I was like cool. I was cool with that idea too,

1:07:49.960 --> 1:07:51.320
<v Speaker 1>but I just knew I had to kind of like

1:07:51.400 --> 1:07:53.840
<v Speaker 1>get to know dudes and ship like that. So what

1:07:53.840 --> 1:07:56.280
<v Speaker 1>we did was we ran an idea by everybody, and

1:07:56.320 --> 1:07:58.800
<v Speaker 1>everybody was with it. So we were just all whenever

1:07:59.400 --> 1:08:01.120
<v Speaker 1>we were playing times to go to New York and

1:08:01.120 --> 1:08:04.280
<v Speaker 1>then we would meet up at Joe's crib talk about

1:08:04.440 --> 1:08:06.680
<v Speaker 1>forming a group on camera and ship like that and

1:08:07.000 --> 1:08:09.920
<v Speaker 1>let the internet kind of follow ship as it manifested

1:08:09.920 --> 1:08:13.360
<v Speaker 1>itself organically into whatever it was gonna be, you know.

1:08:13.480 --> 1:08:15.400
<v Speaker 1>So and then it was like, in the meantime, we'll

1:08:15.640 --> 1:08:18.080
<v Speaker 1>we'll continue to do music together. So the next song

1:08:18.160 --> 1:08:22.720
<v Speaker 1>we did was a song called Onslaught, And that's when

1:08:22.760 --> 1:08:25.880
<v Speaker 1>we realized that, you know, like, because I was at

1:08:25.880 --> 1:08:27.840
<v Speaker 1>the very beginning when we all of us felt like

1:08:27.880 --> 1:08:29.559
<v Speaker 1>we want to each of us felt like we want

1:08:29.560 --> 1:08:31.639
<v Speaker 1>to have the best verse on every song. So that's

1:08:31.680 --> 1:08:36.280
<v Speaker 1>when we got a dose motherfucking Crooked Eye. He came

1:08:36.280 --> 1:08:40.240
<v Speaker 1>in late, heard our verses, laid his ship, and I

1:08:40.320 --> 1:08:42.280
<v Speaker 1>was just like, all right, man, well if he had

1:08:42.320 --> 1:08:45.680
<v Speaker 1>the best version over, you know what I'm saying. So,

1:08:46.640 --> 1:08:49.080
<v Speaker 1>I mean it just started working like that. So before

1:08:49.120 --> 1:08:52.320
<v Speaker 1>we even did the album, we was already doing the

1:08:52.400 --> 1:08:55.360
<v Speaker 1>Rock the Bells tour. We was already touring together as

1:08:55.400 --> 1:08:59.960
<v Speaker 1>a group. So I had heard that um I had

1:09:00.040 --> 1:09:03.280
<v Speaker 1>read obviously, I forget what your magazine that it was like,

1:09:03.880 --> 1:09:11.479
<v Speaker 1>uh uh, Slaughterhouse was Eminem's version of the Firm, Like

1:09:11.520 --> 1:09:13.759
<v Speaker 1>I forget what. Yeah, but keep in mind they were

1:09:13.880 --> 1:09:18.320
<v Speaker 1>successful independently before I'm assuming before m even thought about

1:09:18.360 --> 1:09:21.680
<v Speaker 1>sign firm. Yeah, as soon as um, as soon as

1:09:21.680 --> 1:09:23.200
<v Speaker 1>we put the album out on EAT one. In the

1:09:23.200 --> 1:09:28.559
<v Speaker 1>first album I thought the first album was on Yeah,

1:09:28.640 --> 1:09:32.320
<v Speaker 1>that's the second second they were touring. I remember, y'all. Yeah,

1:09:32.360 --> 1:09:34.120
<v Speaker 1>I saw like a lot of stuff on the internet

1:09:34.160 --> 1:09:38.240
<v Speaker 1>that y'all, it was really successful independently. Yeah, we pretty much. Um,

1:09:38.280 --> 1:09:41.439
<v Speaker 1>we found the sailing, We found our sailing independently. Yeah,

1:09:41.560 --> 1:09:44.599
<v Speaker 1>I'm told with Tech nine, right, we put the shout

1:09:44.600 --> 1:09:47.160
<v Speaker 1>out the Tech nine that's my guy. We put the

1:09:47.160 --> 1:09:50.240
<v Speaker 1>album out on EAT one, and there's a number one

1:09:50.280 --> 1:09:52.360
<v Speaker 1>independent album in the country and makes a noise of

1:09:52.400 --> 1:09:58.240
<v Speaker 1>that guy, Darren. So when we did that, when we

1:09:58.280 --> 1:10:00.760
<v Speaker 1>did that, that got the attention to Shape, That got

1:10:00.760 --> 1:10:04.760
<v Speaker 1>the attention of all the major labels. And that he

1:10:04.840 --> 1:10:08.000
<v Speaker 1>was already like, no, friends with the people from Shady

1:10:08.000 --> 1:10:12.600
<v Speaker 1>he was friends with them. No, not really, And just

1:10:12.960 --> 1:10:14.960
<v Speaker 1>sit backtrack a little bit. Why hadn't you had a

1:10:15.000 --> 1:10:18.679
<v Speaker 1>project on Shady. I mean we talked about it because

1:10:18.680 --> 1:10:20.960
<v Speaker 1>me and Marshall stopped talking. So that was the reason

1:10:20.960 --> 1:10:25.960
<v Speaker 1>why it was gonna happen. If that hadn't happened, Oh well, yeah,

1:10:26.120 --> 1:10:30.720
<v Speaker 1>I think so, because uh he he established that company

1:10:31.000 --> 1:10:32.800
<v Speaker 1>a little bit after I saw him. You remember, like

1:10:32.840 --> 1:10:36.160
<v Speaker 1>I got a deal right after him. It was like yeah,

1:10:36.160 --> 1:10:37.680
<v Speaker 1>and I saw good Man said I'm used to it,

1:10:38.120 --> 1:10:40.360
<v Speaker 1>so we we um he got a deal, he got

1:10:40.360 --> 1:10:42.479
<v Speaker 1>his deal. I started working with him, and I immediately

1:10:42.520 --> 1:10:52.599
<v Speaker 1>signed this deal with Tommy Boy. Seeing me, they're saying,

1:10:52.600 --> 1:10:55.559
<v Speaker 1>I'm sorry when I got When I got to deal

1:10:55.640 --> 1:10:59.519
<v Speaker 1>with Tommy Boy, I never had a problem getting a

1:10:59.560 --> 1:11:01.519
<v Speaker 1>deal again. After that, I went right to Sony. After

1:11:01.600 --> 1:11:03.200
<v Speaker 1>time By dropped me, I went to Sony and got

1:11:03.240 --> 1:11:05.400
<v Speaker 1>another million dollars, you know what I'm saying. So I

1:11:05.560 --> 1:11:08.479
<v Speaker 1>did that. By that time, Shady was already established, but

1:11:08.560 --> 1:11:10.559
<v Speaker 1>I never was in a position where it was like, yeah,

1:11:10.560 --> 1:11:13.400
<v Speaker 1>I need a record deal. He executive produced my album

1:11:13.439 --> 1:11:15.240
<v Speaker 1>on Sony, so he was always a part of it,

1:11:16.040 --> 1:11:18.000
<v Speaker 1>but we just never did it on his on his label.

1:11:18.320 --> 1:11:22.400
<v Speaker 1>So after we stopped talking, ship, so many years went by,

1:11:22.520 --> 1:11:24.360
<v Speaker 1>so much happened in his life, so much happened in

1:11:24.400 --> 1:11:27.439
<v Speaker 1>my life. So when we formed slaughter House, that when

1:11:27.479 --> 1:11:30.200
<v Speaker 1>we signed the deal with Shady with slaughter House, that

1:11:30.280 --> 1:11:34.200
<v Speaker 1>was me and M's first time actually sitting down like

1:11:34.400 --> 1:11:36.479
<v Speaker 1>in this manner. We talked on the phone a couple

1:11:36.479 --> 1:11:38.080
<v Speaker 1>of times, but just the way we're sitting and talking

1:11:38.160 --> 1:11:41.200
<v Speaker 1>now and just reflecting as men. It was after the

1:11:41.240 --> 1:11:44.519
<v Speaker 1>slaughter House deal. Yeah, but how many other niggas was hey,

1:11:44.560 --> 1:11:47.160
<v Speaker 1>and let's just keep it real, Hayden, Like who like,

1:11:47.280 --> 1:11:49.720
<v Speaker 1>you know, because all of them niggas know that you know,

1:11:49.960 --> 1:11:55.080
<v Speaker 1>ever House, Like I mean, like I mean this is

1:11:56.240 --> 1:11:58.240
<v Speaker 1>because I know a lot of niggs were like, damn,

1:11:59.040 --> 1:12:03.040
<v Speaker 1>like you noticed, we don't bro you know what? Many

1:12:03.360 --> 1:12:07.320
<v Speaker 1>everybody was just so happy, just so happy to be. Yeah.

1:12:07.360 --> 1:12:09.280
<v Speaker 1>It was kind of like we was in our We

1:12:09.439 --> 1:12:11.439
<v Speaker 1>was in this in this situation in our lives where

1:12:11.479 --> 1:12:14.559
<v Speaker 1>it was like Motherfucker's had wrote us off years ago,

1:12:14.880 --> 1:12:16.639
<v Speaker 1>you know, So it was like it was like another

1:12:16.680 --> 1:12:20.000
<v Speaker 1>shot at this ship on a major scale, you know

1:12:20.000 --> 1:12:22.719
<v Speaker 1>what I mean. So everybody was just happy to everything

1:12:22.800 --> 1:12:25.559
<v Speaker 1>we went through individually to form this group out of nowhere.

1:12:25.640 --> 1:12:27.880
<v Speaker 1>We didn't plan it. It just happened. And now we're

1:12:27.880 --> 1:12:30.000
<v Speaker 1>sitting in the room with this motherfucker who was like

1:12:30.120 --> 1:12:33.000
<v Speaker 1>a megastar. Hey, you know, man, Like you can't really

1:12:33.080 --> 1:12:37.280
<v Speaker 1>gauge how anybody feels their first time sitting around him,

1:12:37.280 --> 1:12:39.519
<v Speaker 1>because whenever I'm around them and I see people meet

1:12:39.600 --> 1:12:44.479
<v Speaker 1>him for the first time, they're never theirselves. People weirdest

1:12:44.479 --> 1:12:47.920
<v Speaker 1>funk around him, man. So it's like it's all yeah, man,

1:12:47.960 --> 1:12:51.519
<v Speaker 1>it's like it's crazy to see some Beatles, you know

1:12:52.360 --> 1:12:54.640
<v Speaker 1>that type of yeah. So it was just, you know,

1:12:55.240 --> 1:12:58.519
<v Speaker 1>definitely no, definitely, no hate. Everybody was just everybody was happy. Man.

1:12:58.800 --> 1:13:04.000
<v Speaker 1>So now Joe Biden again, he has a show. His

1:13:04.120 --> 1:13:08.240
<v Speaker 1>show is lit. He can choose to use his platform

1:13:09.160 --> 1:13:14.680
<v Speaker 1>in a way where if his opinion matters, and his

1:13:14.800 --> 1:13:18.040
<v Speaker 1>opinion because swayed people a certain way, he shouldn't, but

1:13:18.200 --> 1:13:26.200
<v Speaker 1>he doesn't. Eminem drops this album, Joe goes on, and

1:13:26.400 --> 1:13:30.960
<v Speaker 1>Joe says, I don't remember. I don't want to word

1:13:31.040 --> 1:13:34.160
<v Speaker 1>for word his words, so I don't remember. But it basically,

1:13:34.439 --> 1:13:37.040
<v Speaker 1>in power phrasing, he's saying this album is not m

1:13:38.240 --> 1:13:42.200
<v Speaker 1>it's not good. Everyone is mad. If he sent goes on,

1:13:43.240 --> 1:13:45.519
<v Speaker 1>he threatens him, say he's gonna get an ask whipping,

1:13:46.439 --> 1:13:49.080
<v Speaker 1>and you as a sort of house brother, you as

1:13:49.120 --> 1:13:52.160
<v Speaker 1>a brother to Eminem, you as a friend of Eminem

1:13:52.560 --> 1:13:55.200
<v Speaker 1>and as a friend of Joey. Where do you stand

1:13:55.320 --> 1:13:57.920
<v Speaker 1>in that? How do you feel at that very moment?

1:13:59.600 --> 1:14:01.800
<v Speaker 1>I mean told him how I felt. I'm kind of

1:14:01.880 --> 1:14:05.479
<v Speaker 1>like man told I told Joey how I felt about it?

1:14:05.560 --> 1:14:08.960
<v Speaker 1>You know, like has one second? Let me interrupt for

1:14:09.000 --> 1:14:12.800
<v Speaker 1>a quick Drink Champs message. Did you know that every

1:14:12.880 --> 1:14:15.080
<v Speaker 1>single episode of Drink Champs and I'm talking to you,

1:14:15.200 --> 1:14:18.880
<v Speaker 1>Drink Champs Army, every single episode of Drink Champs is

1:14:18.960 --> 1:14:21.960
<v Speaker 1>now on Spotify. That's right, the same appter that has

1:14:22.000 --> 1:14:26.400
<v Speaker 1>millions of songs now also has thousands of podcasts. You

1:14:26.439 --> 1:14:28.760
<v Speaker 1>don't really need to listen to all those podcasts, but

1:14:28.840 --> 1:14:31.519
<v Speaker 1>they're on Spotify. You can listen to all your favorite

1:14:31.560 --> 1:14:35.599
<v Speaker 1>shows and discover new ones. Like I said, just don't

1:14:35.600 --> 1:14:37.920
<v Speaker 1>go too deep. Just stick with the Drink Champs and

1:14:38.040 --> 1:14:39.960
<v Speaker 1>we got you covered. But of course, you know, we

1:14:40.040 --> 1:14:42.280
<v Speaker 1>got friends in affiliate that you could check out to

1:14:42.360 --> 1:14:46.479
<v Speaker 1>subscribe to our show. Search for Drink Champs, tap follow

1:14:46.880 --> 1:14:49.760
<v Speaker 1>and get every new episode delivered to you while you're

1:14:49.760 --> 1:14:52.160
<v Speaker 1>on Spotify. You know, don't forget to check out nor

1:14:52.280 --> 1:14:55.000
<v Speaker 1>He's page and all his music on there, and also

1:14:55.080 --> 1:14:58.120
<v Speaker 1>myself d J E. F F. Follow us on Spotify

1:14:58.200 --> 1:15:02.720
<v Speaker 1>as well. But check out Drink Champs the podcast on Spotify.

1:15:03.200 --> 1:15:07.160
<v Speaker 1>They're streaming it right now, so don't wait. Michael being Bone,

1:15:09.520 --> 1:15:11.120
<v Speaker 1>I'm at a point man where I don't really like

1:15:11.280 --> 1:15:13.000
<v Speaker 1>talking about it, and we're gonna talk about it. But

1:15:13.479 --> 1:15:16.800
<v Speaker 1>I'm just gonna tell you why before. Every time I

1:15:16.840 --> 1:15:19.559
<v Speaker 1>say something about it, man, it's like this, the topic

1:15:19.680 --> 1:15:23.960
<v Speaker 1>excelf itself grows new legs again. Like Joey got this

1:15:24.080 --> 1:15:28.759
<v Speaker 1>thing man, where he can't stop. He can't stop mentioning

1:15:28.880 --> 1:15:32.479
<v Speaker 1>things for views, even at the expense of like how

1:15:32.640 --> 1:15:34.880
<v Speaker 1>his friends feel and ship like that, Like he caught

1:15:34.960 --> 1:15:37.720
<v Speaker 1>up in his world right now. So it's like, that's

1:15:37.720 --> 1:15:40.240
<v Speaker 1>not really my character, it's not my personality. It's like

1:15:41.120 --> 1:15:43.439
<v Speaker 1>to keep talking about something that's not even really it's

1:15:43.479 --> 1:15:46.040
<v Speaker 1>not important to him. He hasn't talked about it, you

1:15:46.080 --> 1:15:48.320
<v Speaker 1>know what I'm saying. Like Joe went on there and

1:15:48.360 --> 1:15:51.320
<v Speaker 1>he said something about the song. It's a song, Um

1:15:51.680 --> 1:15:54.960
<v Speaker 1>that input out. Joe said a bunch of badshit about

1:15:54.960 --> 1:15:57.280
<v Speaker 1>the song. I felt like Joe went a little too hard,

1:15:58.439 --> 1:16:01.000
<v Speaker 1>especially especially knowing you have a deal with this. Yeah,

1:16:01.000 --> 1:16:03.320
<v Speaker 1>I mean, I feel like I feel like he entitled

1:16:03.320 --> 1:16:05.360
<v Speaker 1>to his opinion. You know, he's entitled to his opinion.

1:16:06.040 --> 1:16:09.760
<v Speaker 1>It's very difficult to talk about it and talk about

1:16:09.800 --> 1:16:12.000
<v Speaker 1>the execution of it without it looking like you're trying

1:16:12.040 --> 1:16:14.680
<v Speaker 1>to tell him he can't have his opinion, you know

1:16:14.720 --> 1:16:17.519
<v Speaker 1>what I'm saying. So it's like I'm always real careful

1:16:17.600 --> 1:16:20.479
<v Speaker 1>with what I um, what I say, and what I

1:16:20.560 --> 1:16:22.840
<v Speaker 1>don't say in regards to him, you know what I mean,

1:16:22.920 --> 1:16:26.600
<v Speaker 1>Because this is like the sting looming now, where's like

1:16:26.680 --> 1:16:28.920
<v Speaker 1>every time I say something, everybody is like looking at

1:16:29.000 --> 1:16:32.080
<v Speaker 1>me like I'm just rights again, keeping keeping for the

1:16:32.120 --> 1:16:35.519
<v Speaker 1>white boy, like being being too loyal that they're trying

1:16:35.560 --> 1:16:39.840
<v Speaker 1>to say. Yeah. But the thing about it is when

1:16:39.960 --> 1:16:42.880
<v Speaker 1>we have a sense of history, we have to sort

1:16:42.920 --> 1:16:47.479
<v Speaker 1>of respect that history. Meaning it's like, and I'm gonna

1:16:47.479 --> 1:16:49.960
<v Speaker 1>say this, and I'm probably sure he's gonna be mad

1:16:50.040 --> 1:16:52.880
<v Speaker 1>for saying me saying this, but trag is my man,

1:16:53.120 --> 1:16:59.439
<v Speaker 1>right and trash. You know, he recently called me about

1:16:59.520 --> 1:17:03.800
<v Speaker 1>something said and I immediately said sorry because I didn't

1:17:03.800 --> 1:17:05.840
<v Speaker 1>mean to say what I said what it got us

1:17:05.920 --> 1:17:09.200
<v Speaker 1>or what I said and so immediately I said sorry,

1:17:09.240 --> 1:17:12.160
<v Speaker 1>And I think he didn't even was expecting that. I

1:17:12.240 --> 1:17:14.360
<v Speaker 1>think he was just like, oh ship what like he

1:17:14.439 --> 1:17:16.400
<v Speaker 1>wanted me to be the old normy where I was

1:17:16.479 --> 1:17:19.840
<v Speaker 1>like and I was so so what I'm what I'm

1:17:19.840 --> 1:17:27.519
<v Speaker 1>trying to say is you, on one hand, jokes should

1:17:27.560 --> 1:17:30.599
<v Speaker 1>have he should have his opinion. But on the second hand,

1:17:30.760 --> 1:17:33.759
<v Speaker 1>it's a it's a it's a sort, it's a sign

1:17:33.880 --> 1:17:38.160
<v Speaker 1>of disloyalty. It's a sign because at the end of

1:17:38.200 --> 1:17:41.880
<v Speaker 1>the day. And if I'm just use you for example,

1:17:41.920 --> 1:17:44.320
<v Speaker 1>because you just came from the bathroom, right, if and

1:17:44.439 --> 1:17:51.080
<v Speaker 1>you open up a pizza shop, right, your piece is hard, right,

1:17:51.120 --> 1:17:56.719
<v Speaker 1>I appreciate what I'm just saying. Please just use PiZZ Sorry,

1:17:57.280 --> 1:18:00.280
<v Speaker 1>I'm still gonna over there on Wednesdays because my brother,

1:18:00.400 --> 1:18:03.240
<v Speaker 1>because I'm your brother, and I'm gonna just open up,

1:18:03.760 --> 1:18:05.600
<v Speaker 1>like if you ever asked me, you know, how do

1:18:05.680 --> 1:18:08.680
<v Speaker 1>you like the pizza, then I'm gonna tell you, not

1:18:08.760 --> 1:18:12.400
<v Speaker 1>in front of people though, from the public, and no, no, no,

1:18:12.439 --> 1:18:15.840
<v Speaker 1>if it's a camera around, But guess what, as a brother,

1:18:16.640 --> 1:18:18.280
<v Speaker 1>I'm gonna be honest. I'm gonna still go to a

1:18:18.320 --> 1:18:23.040
<v Speaker 1>piece of shop on Wednesdays. That's just it was one

1:18:23.080 --> 1:18:25.640
<v Speaker 1>of those things where it was like, Okay, when I

1:18:25.880 --> 1:18:30.360
<v Speaker 1>when I first seen it, loyalty wasn't really what popped

1:18:30.400 --> 1:18:33.120
<v Speaker 1>into my head. It was more like a respect respect thing,

1:18:33.360 --> 1:18:37.400
<v Speaker 1>you know what I mean, respecting loyal brother. Yeah, yeah, yeah, yeah,

1:18:37.520 --> 1:18:41.400
<v Speaker 1>so um than just you know, the verbis has been

1:18:41.479 --> 1:18:45.559
<v Speaker 1>like the verbiage that's been used. It's been sparkling all

1:18:45.640 --> 1:18:49.639
<v Speaker 1>kinds of different different conversations and opening up all kinds

1:18:49.640 --> 1:18:51.680
<v Speaker 1>of different new narratives and ship like that. It's just

1:18:51.840 --> 1:18:54.519
<v Speaker 1>been like it's like a it's like a playground for

1:18:54.640 --> 1:18:57.000
<v Speaker 1>like semantics and you know what I'm saying, like twisting

1:18:57.040 --> 1:18:59.599
<v Speaker 1>words around and ship like that. But the very rawest

1:18:59.680 --> 1:19:03.360
<v Speaker 1>way look at it, it's just you use the wrong

1:19:03.479 --> 1:19:06.920
<v Speaker 1>words talking about somebody. You don't have to be loyal,

1:19:07.560 --> 1:19:11.240
<v Speaker 1>just be respectful, not just with Marshall, with anybody, you

1:19:11.320 --> 1:19:13.360
<v Speaker 1>know what I mean. Like there's a difference in me

1:19:13.520 --> 1:19:17.519
<v Speaker 1>saying I'm not feeling that than me saying that ship

1:19:17.600 --> 1:19:19.719
<v Speaker 1>trash throw it in rice, you know what I'm saying.

1:19:19.760 --> 1:19:22.439
<v Speaker 1>It's like, so when I looked at that, it wasn't

1:19:22.479 --> 1:19:24.560
<v Speaker 1>you know, Marsha was mad. It was ill because I

1:19:24.600 --> 1:19:26.519
<v Speaker 1>didn't really even talk to him about it like that.

1:19:26.840 --> 1:19:29.320
<v Speaker 1>Not that big of a deal, But it's just kind

1:19:29.320 --> 1:19:32.880
<v Speaker 1>of unfortunate to see somebody that you cool with to

1:19:33.040 --> 1:19:35.439
<v Speaker 1>do that kind of ship at this juncture in our careers,

1:19:35.680 --> 1:19:37.960
<v Speaker 1>you know what I'm saying. It's just like, damn, it's

1:19:38.000 --> 1:19:40.840
<v Speaker 1>like you're just throwing relationships away for no reason, you

1:19:40.880 --> 1:19:42.720
<v Speaker 1>know what I'm saying. So it's just like, it's just

1:19:42.800 --> 1:19:45.200
<v Speaker 1>from where I was sitting, how I felt it just

1:19:45.280 --> 1:19:47.400
<v Speaker 1>so happened. It Right after it happened, I go on

1:19:47.520 --> 1:19:50.439
<v Speaker 1>this press run and it's it's getting brought up to

1:19:50.520 --> 1:19:52.920
<v Speaker 1>me and I'm mentioning it, and I guess I'm not

1:19:53.040 --> 1:19:54.880
<v Speaker 1>being as as careful as I could have been with

1:19:55.240 --> 1:19:57.040
<v Speaker 1>the words I'm choosing, you know what I'm saying. So

1:19:57.560 --> 1:20:00.880
<v Speaker 1>that's why it keeps turning into the conversation over and

1:20:00.960 --> 1:20:02.320
<v Speaker 1>over again. But at the end of the day, it's

1:20:02.360 --> 1:20:04.559
<v Speaker 1>not that big of a deal. It's just he gave

1:20:04.680 --> 1:20:07.360
<v Speaker 1>his opinion, he did it his way, it got received

1:20:07.400 --> 1:20:09.280
<v Speaker 1>a certain way. I've seen it. I picked up on it.

1:20:09.640 --> 1:20:11.240
<v Speaker 1>I told him how I felt about it, and that

1:20:11.360 --> 1:20:16.120
<v Speaker 1>was really it. It wasn't really Yeah, we'll see, that's bizarre.

1:20:16.320 --> 1:20:19.080
<v Speaker 1>You know, it's a it's a personal thing. We don't

1:20:19.160 --> 1:20:22.759
<v Speaker 1>like niggas. Don't like niggas talking like that about their friends.

1:20:23.000 --> 1:20:24.880
<v Speaker 1>I'm the same way about all my friends or even

1:20:24.920 --> 1:20:27.080
<v Speaker 1>when Joe, you know, like that's my that's my nigga.

1:20:27.160 --> 1:20:30.120
<v Speaker 1>So it's like when he did the battle, um, when

1:20:30.280 --> 1:20:32.360
<v Speaker 1>when he did my battle, the shady battle, the shady

1:20:32.360 --> 1:20:34.960
<v Speaker 1>battle with hollow the dun huh shop. I looked the

1:20:35.000 --> 1:20:37.960
<v Speaker 1>world right and they face and Ebro asked me in

1:20:38.040 --> 1:20:41.760
<v Speaker 1>front of the whole world, who just won that. I

1:20:41.920 --> 1:20:44.200
<v Speaker 1>was like, ship Joe did. Now, I'm not gonna lie

1:20:44.280 --> 1:20:52.360
<v Speaker 1>you out of your mind. You I'm gonna tell you

1:20:52.400 --> 1:20:56.600
<v Speaker 1>what it wasn't it was. It wasn't a soul that

1:20:56.720 --> 1:20:59.320
<v Speaker 1>could get me to say that my nigga just lost it.

1:21:00.160 --> 1:21:02.519
<v Speaker 1>All that's because you were the lawyer said that's it.

1:21:02.680 --> 1:21:04.760
<v Speaker 1>That's all I'm saying. So it's like, pardon me for

1:21:04.840 --> 1:21:06.439
<v Speaker 1>looking at it like that. It's just the type of

1:21:06.479 --> 1:21:08.000
<v Speaker 1>person that I am. But don't mean I'm right. It

1:21:08.120 --> 1:21:09.599
<v Speaker 1>just mean that's how I feel. You know what I'm saying.

1:21:09.640 --> 1:21:14.000
<v Speaker 1>Nothing's gonna sway my judgment from that, So right, I

1:21:14.160 --> 1:21:16.720
<v Speaker 1>respect that man. That's grown man talk. You know what

1:21:16.760 --> 1:21:20.000
<v Speaker 1>I'm saying. And you know, as a journalist, you know,

1:21:20.080 --> 1:21:22.960
<v Speaker 1>I had to look at and and um, you know,

1:21:23.320 --> 1:21:26.559
<v Speaker 1>thinking what Joe but Come was coming from. But um,

1:21:26.840 --> 1:21:28.599
<v Speaker 1>you know, and I respect to shut out of him,

1:21:28.640 --> 1:21:30.600
<v Speaker 1>you know what I mean. But sometimes it's just like,

1:21:31.560 --> 1:21:33.880
<v Speaker 1>you know, my opinion with my family is just gonna

1:21:34.040 --> 1:21:36.680
<v Speaker 1>be my opinion with my family. And and that's just

1:21:36.880 --> 1:21:39.519
<v Speaker 1>basically it, you know what I mean. I want to

1:21:39.560 --> 1:21:43.120
<v Speaker 1>respect him. I understand what he does. I actually acknowledge

1:21:43.200 --> 1:21:45.280
<v Speaker 1>what he does. And I actually think what he do

1:21:45.479 --> 1:21:48.240
<v Speaker 1>is is dope and his world, you know what I'm saying,

1:21:48.240 --> 1:21:51.360
<v Speaker 1>He's on his world and when we get the same

1:21:51.880 --> 1:21:54.880
<v Speaker 1>and but you know, when it comes to family, I

1:21:54.920 --> 1:21:57.960
<v Speaker 1>would rather keep family business within family. Like there's a

1:21:57.960 --> 1:21:59.400
<v Speaker 1>whole bunch of ship I can tell you about the

1:21:59.479 --> 1:22:05.120
<v Speaker 1>poem right down. I'm gonna wait until next week. The

1:22:05.160 --> 1:22:07.120
<v Speaker 1>first time I seen that's between me and then that's

1:22:07.160 --> 1:22:09.559
<v Speaker 1>my brother. I love him, and that's that's it's gonna ride.

1:22:09.640 --> 1:22:11.120
<v Speaker 1>And he canna tell you a bunch of ship about me,

1:22:11.200 --> 1:22:13.240
<v Speaker 1>And that's great. The first time I saying Capone, you know,

1:22:13.280 --> 1:22:16.639
<v Speaker 1>I never met him. I never met Capone. The first

1:22:16.680 --> 1:22:19.160
<v Speaker 1>time I seen him was here in Miami, way back

1:22:19.160 --> 1:22:20.799
<v Speaker 1>in the day when they used to rent the scooters

1:22:20.840 --> 1:22:24.040
<v Speaker 1>when we came here. I've seen him, bro. He was

1:22:24.400 --> 1:22:28.360
<v Speaker 1>wow wilding out on the police, wilding out on the police,

1:22:28.400 --> 1:22:30.920
<v Speaker 1>and he got arrested. Goddamn it, that's like the middle

1:22:33.400 --> 1:22:38.519
<v Speaker 1>then you can rest was he was wilding out on

1:22:38.600 --> 1:22:41.519
<v Speaker 1>the pet arrested. And I'm gonna tell you something. The

1:22:41.560 --> 1:22:44.840
<v Speaker 1>police are scared of ship. They're scared of ship. Remember

1:22:45.000 --> 1:22:49.000
<v Speaker 1>that he was crazy. Remember that you here with me

1:22:49.080 --> 1:22:52.760
<v Speaker 1>when that when Capone was down here wilder, They're gonna

1:22:52.760 --> 1:22:57.439
<v Speaker 1>shoot you out here, right. That's let's sake some looise

1:22:57.479 --> 1:23:02.479
<v Speaker 1>for those days when you could talk about I don't

1:23:02.479 --> 1:23:09.720
<v Speaker 1>know that and be black. But nowadays, drosprepable is not

1:23:10.400 --> 1:23:14.760
<v Speaker 1>happening that sweet Let's be quiet and know that's real, man,

1:23:14.840 --> 1:23:19.360
<v Speaker 1>because Ferguson how you feel about things like that, man, U,

1:23:19.520 --> 1:23:21.400
<v Speaker 1>you know, being a black man, like you know, I'm

1:23:21.479 --> 1:23:23.400
<v Speaker 1>being honest with you. I said this on the podcast

1:23:23.640 --> 1:23:27.840
<v Speaker 1>a couple of times. Um. One time I just left

1:23:27.880 --> 1:23:29.840
<v Speaker 1>my house and I had it to the store. My

1:23:29.920 --> 1:23:32.040
<v Speaker 1>wife was like, I'll drive You's like all right, cool.

1:23:32.360 --> 1:23:35.040
<v Speaker 1>I jumped in the drain of my wife. My wife

1:23:35.080 --> 1:23:39.360
<v Speaker 1>put on a hoodie, she had no makeup, and she

1:23:40.080 --> 1:23:43.640
<v Speaker 1>sincerely just drove to the store on a hoodie. I

1:23:43.760 --> 1:23:46.639
<v Speaker 1>can't do that as a black man. As a black man,

1:23:47.479 --> 1:23:57.080
<v Speaker 1>if I get in a car, I got the Yeah. Like,

1:23:57.200 --> 1:23:59.240
<v Speaker 1>I literally looked at my wife. I hated on my

1:23:59.439 --> 1:24:02.439
<v Speaker 1>wife for twelve seconds. Yeah, I was like, I kind

1:24:02.439 --> 1:24:06.120
<v Speaker 1>of hate you. You know, she's a Latina's you know,

1:24:06.280 --> 1:24:10.840
<v Speaker 1>she's Cubans Puerto Rican and the cops don't people funk

1:24:10.880 --> 1:24:15.439
<v Speaker 1>about her having a hoodie on, and that ship fucked

1:24:15.520 --> 1:24:18.800
<v Speaker 1>me up. I mean, it's it's it's it's disheartening, man,

1:24:18.960 --> 1:24:21.560
<v Speaker 1>it's disheartening. It's it's just and it's it's not just

1:24:21.720 --> 1:24:23.880
<v Speaker 1>now happening, man. Like if you think back, if you

1:24:24.000 --> 1:24:26.320
<v Speaker 1>think back then when Iced team made cop Killer, because

1:24:26.720 --> 1:24:29.479
<v Speaker 1>these guys from these errors, man, they put their lives

1:24:29.520 --> 1:24:31.680
<v Speaker 1>on the line, like Iced Tea took the cops to

1:24:31.720 --> 1:24:34.960
<v Speaker 1>war for us so we can have more freedom in

1:24:35.000 --> 1:24:41.639
<v Speaker 1>our speech. Yeah, so cop Killer, cop Killer came from

1:24:42.240 --> 1:24:45.320
<v Speaker 1>cops killing black kids, you know what I mean. So

1:24:45.520 --> 1:24:47.800
<v Speaker 1>this is something that always was going on. We just

1:24:47.840 --> 1:24:50.200
<v Speaker 1>got the internet, so we were privy to the information

1:24:50.320 --> 1:24:53.599
<v Speaker 1>faster and you can't that you can't sneak that ship

1:24:53.680 --> 1:24:55.800
<v Speaker 1>past us. We see more of it. I mean, it's

1:24:55.800 --> 1:25:01.920
<v Speaker 1>happening more, but it's always fucking existing, bro always. My

1:25:02.000 --> 1:25:04.320
<v Speaker 1>big brother, My big brother just got arrested. Um, he

1:25:04.400 --> 1:25:06.080
<v Speaker 1>had a gun on him. He was at the liquor store.

1:25:06.200 --> 1:25:08.880
<v Speaker 1>The first thing I thought of was like, shoot, that

1:25:08.920 --> 1:25:11.400
<v Speaker 1>could have been way worse. He could have died because

1:25:11.400 --> 1:25:13.479
<v Speaker 1>it was like, you know, they just they seen him

1:25:13.479 --> 1:25:17.280
<v Speaker 1>walking to the door and they just ran down on him,

1:25:17.920 --> 1:25:19.560
<v Speaker 1>grabbed him up. Said he looked like he had a

1:25:19.600 --> 1:25:21.000
<v Speaker 1>pistol on him. Grab him up and he had a

1:25:21.040 --> 1:25:22.720
<v Speaker 1>pistol on him. What if he to try to run?

1:25:23.360 --> 1:25:25.599
<v Speaker 1>The shot him, you know what I mean? So it's

1:25:26.160 --> 1:25:29.560
<v Speaker 1>God bless. Now, being from Michigan, I would like you

1:25:29.760 --> 1:25:36.280
<v Speaker 1>to describe the Flint what a crisis and what because

1:25:36.520 --> 1:25:38.920
<v Speaker 1>a lot of people think that this is still unresolved.

1:25:39.080 --> 1:25:41.160
<v Speaker 1>It's still unresolved. A lot of people think this is

1:25:41.280 --> 1:25:44.080
<v Speaker 1>actually like an Instagram thing. A lot of people don't

1:25:44.120 --> 1:25:46.280
<v Speaker 1>think this is real. A lot of people think that

1:25:46.520 --> 1:25:49.439
<v Speaker 1>this is like color correction. This is um what's it

1:25:49.560 --> 1:25:55.280
<v Speaker 1>called photo shop? Can you describe or what's what's going on?

1:25:55.360 --> 1:25:58.600
<v Speaker 1>Off there to your nomics. You want me to describe it,

1:25:59.200 --> 1:26:00.880
<v Speaker 1>like you want me to run down, like what's going

1:26:00.920 --> 1:26:03.920
<v Speaker 1>on or what where they are with it? Is they're

1:26:03.920 --> 1:26:06.599
<v Speaker 1>getting better? You know, it's not it's it's it's definitely

1:26:06.680 --> 1:26:09.479
<v Speaker 1>not getting better. It's it's definitely a it's a corrupt

1:26:09.880 --> 1:26:13.160
<v Speaker 1>it's a corruption situation. It's a political thing. Yeah, of course,

1:26:13.320 --> 1:26:15.800
<v Speaker 1>of course, just like with anything else. And I don't

1:26:15.840 --> 1:26:18.240
<v Speaker 1>really know what the funk we could do to rectify it.

1:26:18.280 --> 1:26:20.640
<v Speaker 1>I know a lot of people donated money. I'm not

1:26:20.800 --> 1:26:23.400
<v Speaker 1>so sure where the money went, you know what I mean, Like,

1:26:23.520 --> 1:26:25.439
<v Speaker 1>I don't I don't know where they are with fixing it.

1:26:25.840 --> 1:26:27.599
<v Speaker 1>I don't know, man, Like the world is so fucked

1:26:27.640 --> 1:26:29.920
<v Speaker 1>up and there's so much stuff happening. It's kind of

1:26:30.000 --> 1:26:33.960
<v Speaker 1>hard to keep up with everything that's sucked up, you know,

1:26:34.160 --> 1:26:36.960
<v Speaker 1>Like Detroit is just coming we're just coming back from bankruptcy. Man,

1:26:37.080 --> 1:26:40.360
<v Speaker 1>it's a city. There's so much going on. There's so

1:26:40.479 --> 1:26:42.760
<v Speaker 1>much going on in our story. But I remember I

1:26:42.800 --> 1:26:45.680
<v Speaker 1>went to Detroit one night and I went to like

1:26:45.800 --> 1:26:49.000
<v Speaker 1>a casino and it was lit. And then I drove

1:26:49.040 --> 1:26:52.599
<v Speaker 1>off the casino for six blocks there was no lights.

1:26:54.200 --> 1:26:57.280
<v Speaker 1>Six blocks straight. I was like, oh, I thought it

1:26:57.840 --> 1:27:00.160
<v Speaker 1>was lined up. Ever, I was like, oh, they on it,

1:27:00.240 --> 1:27:05.000
<v Speaker 1>get us like somebody's coming from somewhere and six and

1:27:05.000 --> 1:27:07.840
<v Speaker 1>then and then it looked back up again, and I

1:27:08.000 --> 1:27:10.840
<v Speaker 1>was like, this is amazing. But no one never put

1:27:10.920 --> 1:27:13.519
<v Speaker 1>that on the news back then. No one never, like,

1:27:13.640 --> 1:27:16.360
<v Speaker 1>because they don't want to expose the whole They called

1:27:16.439 --> 1:27:19.439
<v Speaker 1>motor City for a reason. The whole industry was destroyed

1:27:19.479 --> 1:27:20.720
<v Speaker 1>in that area, and they don't want to put that

1:27:20.800 --> 1:27:22.720
<v Speaker 1>on the news and destroys the old country. You know,

1:27:22.800 --> 1:27:25.120
<v Speaker 1>we we own a resurgence right now. You know, usually

1:27:25.160 --> 1:27:28.200
<v Speaker 1>when things get that bad, only good ship can happen

1:27:28.320 --> 1:27:30.400
<v Speaker 1>after that. That's right. So that's right. We got a

1:27:30.439 --> 1:27:32.439
<v Speaker 1>lot of we got a lot of artists doing their thing,

1:27:32.560 --> 1:27:35.160
<v Speaker 1>a lot of artists deals, a lot of artists getting recognition.

1:27:35.439 --> 1:27:38.680
<v Speaker 1>Big big up, big up, my brochean. It's like, you know,

1:27:38.760 --> 1:27:41.240
<v Speaker 1>and it's it's a lot the areas are improving, you

1:27:41.320 --> 1:27:42.800
<v Speaker 1>know what I mean, Like it's a good it's a

1:27:42.880 --> 1:27:45.360
<v Speaker 1>good place to buy real estate. You know, it's just

1:27:45.479 --> 1:27:48.200
<v Speaker 1>it's just turning. It's turning back into that beautiful motown

1:27:48.600 --> 1:27:51.360
<v Speaker 1>fielded it used to be. That's in our lineage. Okay,

1:27:51.400 --> 1:27:53.559
<v Speaker 1>so I gotta come more questions before I go, because

1:27:53.560 --> 1:27:55.000
<v Speaker 1>I'll take a bathroom break. I seemed to go a

1:27:55.040 --> 1:28:01.000
<v Speaker 1>bathroom break. It's cheating, um, But this is one of

1:28:01.040 --> 1:28:04.720
<v Speaker 1>the funniest questions I've been wanting to ask forever. Right now,

1:28:04.920 --> 1:28:11.560
<v Speaker 1>I'm not talking status. I'm not talking money. Who's the

1:28:11.680 --> 1:28:18.160
<v Speaker 1>most famous rapper in the world. I say Snoop Dogg

1:28:18.360 --> 1:28:21.320
<v Speaker 1>in the world, in the world. Now, I'm not talking Look,

1:28:21.439 --> 1:28:26.640
<v Speaker 1>jay Z, PAULF and m they're all famous, and but

1:28:26.760 --> 1:28:29.519
<v Speaker 1>that that's all. We're talking money. No, No, you just

1:28:29.600 --> 1:28:40.320
<v Speaker 1>meaning this. You're man, who's the most famous rapper currently? Period?

1:28:40.600 --> 1:28:45.320
<v Speaker 1>Because if you're talking fame, you gotta that's Snoop is

1:28:45.400 --> 1:28:49.559
<v Speaker 1>the most every Snoop is one of Snoop is one

1:28:49.600 --> 1:28:53.360
<v Speaker 1>of the most iconic. For sure. I'm I'm not saying

1:28:53.560 --> 1:28:56.520
<v Speaker 1>like like like business wise. I'm saying you're saying recognizable.

1:28:56.560 --> 1:29:01.360
<v Speaker 1>You're recognizable. It's gotta be Snoop man. Come on, Royce,

1:29:01.400 --> 1:29:06.920
<v Speaker 1>go rode me, Royce, come on, Chris Eminem though you

1:29:06.960 --> 1:29:08.920
<v Speaker 1>think about it, let me think about it. Bro I

1:29:09.000 --> 1:29:13.519
<v Speaker 1>don't think about it. But now it's not gonna be

1:29:14.280 --> 1:29:18.920
<v Speaker 1>not right now, right, I don't think right now now,

1:29:19.160 --> 1:29:22.040
<v Speaker 1>right now, right now in general is now everybody is

1:29:23.280 --> 1:29:28.720
<v Speaker 1>grandmother says something about Snoop doggy Dog's not generational. You

1:29:28.800 --> 1:29:31.799
<v Speaker 1>just mean it's kind of his famous. Everyone knows what snoopid.

1:29:31.800 --> 1:29:37.200
<v Speaker 1>You would be hard pressed if somebody didn't recognize Drake anywhere. No, no, okay,

1:29:38.439 --> 1:29:42.800
<v Speaker 1>I don't agree. I don't know. I don't agree. He's

1:29:42.840 --> 1:29:45.160
<v Speaker 1>still like ten years in the game, so you have

1:29:45.280 --> 1:29:49.720
<v Speaker 1>to have ten years of listening to music. Snoop is yeah,

1:29:49.920 --> 1:29:52.040
<v Speaker 1>of course, of course Stoopid is up there. But I

1:29:52.080 --> 1:29:55.479
<v Speaker 1>don't know why. I say, Eminem Marshall, Marshall, Marshall King,

1:29:57.280 --> 1:30:01.240
<v Speaker 1>but Kanye is still kind of his kind and definitely nothing.

1:30:01.320 --> 1:30:03.920
<v Speaker 1>That's what. No one knows who the fund he is

1:30:03.960 --> 1:30:06.960
<v Speaker 1>in Marshall Marshall can't even he can't even wear like

1:30:07.040 --> 1:30:10.000
<v Speaker 1>a costume and not get recognized. I think all they

1:30:10.040 --> 1:30:11.599
<v Speaker 1>have to see it's like his chain in his nose

1:30:11.640 --> 1:30:13.240
<v Speaker 1>and they know. And I'm telling you from the country's

1:30:13.240 --> 1:30:16.600
<v Speaker 1>I've been to. No but I think I think Snoop

1:30:16.640 --> 1:30:20.280
<v Speaker 1>is a good choice. Though brout there listen his hands

1:30:20.320 --> 1:30:25.760
<v Speaker 1>in is first off, he's probably one of the most

1:30:25.840 --> 1:30:29.719
<v Speaker 1>famous people ever, right, I think he went diamond in Ireland.

1:30:30.479 --> 1:30:33.559
<v Speaker 1>There was something crazy like what I'm saying is even

1:30:33.720 --> 1:30:36.640
<v Speaker 1>him he has a particular crowd. Jay Z has a

1:30:36.720 --> 1:30:42.760
<v Speaker 1>particular crowd. Snoop doesn't. He's like ungentrified. I don't know

1:30:42.840 --> 1:30:45.120
<v Speaker 1>if that's the word. I'm pretty sure we know what

1:30:45.200 --> 1:30:48.679
<v Speaker 1>you mean. Yeah, I still think it's I think Emmin

1:30:48.800 --> 1:30:53.160
<v Speaker 1>and stop actually are I think is this is this

1:30:53.320 --> 1:30:56.440
<v Speaker 1>just limited to two artists because we had this conversation

1:30:56.560 --> 1:30:59.200
<v Speaker 1>partist hip hop, we had this conversation. We had this

1:30:59.280 --> 1:31:01.880
<v Speaker 1>conversation about celebrities period. I want to see what you

1:31:01.960 --> 1:31:03.840
<v Speaker 1>mean these people we were gonna get. That's I mean

1:31:03.840 --> 1:31:08.360
<v Speaker 1>a little different though you're all ready for this Barack Obama.

1:31:08.960 --> 1:31:12.400
<v Speaker 1>It's the most recognizable person, yes, okay, I agree in

1:31:12.479 --> 1:31:16.080
<v Speaker 1>this motherfucker in years. Yes, there is no there is

1:31:16.160 --> 1:31:19.320
<v Speaker 1>nobody that's more recognized. He's the most missed right now. Yeah,

1:31:27.439 --> 1:31:31.160
<v Speaker 1>but I still think Snoop is the most Listen his

1:31:31.360 --> 1:31:38.080
<v Speaker 1>voice too, his voice too, Listen, Sloop. Everyone knows who

1:31:38.160 --> 1:31:41.400
<v Speaker 1>we are. They're like they like even if your grandma's

1:31:41.439 --> 1:31:46.519
<v Speaker 1>corner like Snoopy, Snoop like a cool like Jade, look

1:31:46.600 --> 1:31:50.600
<v Speaker 1>at me jade pop, and they did the best financially,

1:31:51.000 --> 1:31:56.040
<v Speaker 1>you know best financially, but they all got reach still

1:31:56.240 --> 1:32:01.240
<v Speaker 1>level of finances and kind of fell back. Snoop just never.

1:32:01.880 --> 1:32:04.400
<v Speaker 1>Snoop does all kinds of different genres of music and

1:32:04.960 --> 1:32:09.479
<v Speaker 1>he got it. Just drive the gospel album he's killing.

1:32:09.600 --> 1:32:14.240
<v Speaker 1>Just make noise for Snoop the week from Bill Red

1:32:14.400 --> 1:32:18.920
<v Speaker 1>Sloop driving the Gospel out. Drenk Champs alumni, Drink Champs

1:32:18.960 --> 1:32:21.080
<v Speaker 1>and alumni, thank you for being the part of Drink

1:32:21.160 --> 1:32:24.799
<v Speaker 1>Champs early. But um, I just for me, for me personally,

1:32:24.920 --> 1:32:27.439
<v Speaker 1>I think Snoop is the most famous. I think his

1:32:27.520 --> 1:32:29.880
<v Speaker 1>neck and neck him and them. I think I think

1:32:29.920 --> 1:32:34.040
<v Speaker 1>his neck and neck with him and Barack about rappers. Bro,

1:32:34.360 --> 1:32:36.080
<v Speaker 1>you're going to a whole the world, all right, But

1:32:36.280 --> 1:32:38.479
<v Speaker 1>I just say there, but he said, he said in general,

1:32:39.040 --> 1:32:41.800
<v Speaker 1>I'm saying Snoop and Rock is neck and neck. They

1:32:41.840 --> 1:32:44.240
<v Speaker 1>can both go to Hawaii and Snoop by your mom

1:32:44.640 --> 1:32:50.479
<v Speaker 1>before Barack. I'm just throwing it out there. I'm just

1:32:50.640 --> 1:32:54.200
<v Speaker 1>I'm just telling you be I've been with Snoop everywhere

1:32:54.920 --> 1:32:57.320
<v Speaker 1>like I have to, but the only place they don't

1:32:57.360 --> 1:32:59.040
<v Speaker 1>marvel was in l A. Because they're just like I

1:32:59.160 --> 1:33:03.400
<v Speaker 1>think it was. Yeah is that listen listen the other day, right,

1:33:04.680 --> 1:33:08.080
<v Speaker 1>it must be three hundred and sixteen pounds, right, So yeah,

1:33:09.200 --> 1:33:13.360
<v Speaker 1>So I used to place that I moved to a

1:33:13.560 --> 1:33:17.200
<v Speaker 1>jogged every day six six like almost six years. I

1:33:17.320 --> 1:33:20.800
<v Speaker 1>tried to just jogging, right And when I first moved there,

1:33:21.520 --> 1:33:24.639
<v Speaker 1>all these guys they would love to see me. Yo,

1:33:27.240 --> 1:33:33.400
<v Speaker 1>I just jogged in yesterday. The things is likely what

1:33:33.640 --> 1:33:38.240
<v Speaker 1>was this? That? What is? But what I'm trying to

1:33:38.280 --> 1:33:41.840
<v Speaker 1>say is they get tired of everybody. But what I'm

1:33:41.840 --> 1:33:44.960
<v Speaker 1>trying and if you understand what I just said, they

1:33:45.040 --> 1:33:48.760
<v Speaker 1>get used to you. They so I'm nothing to see

1:33:48.800 --> 1:33:57.800
<v Speaker 1>these guys right now, I jogged birthday on you show.

1:33:58.000 --> 1:34:00.679
<v Speaker 1>Once you show them you accessible, that's it it because

1:34:00.720 --> 1:34:03.800
<v Speaker 1>maybe you become you become a person now you that

1:34:04.000 --> 1:34:09.479
<v Speaker 1>hip hop? Yeah, of course you know a after they

1:34:09.560 --> 1:34:12.519
<v Speaker 1>get like after they get used to you, they really

1:34:12.800 --> 1:34:15.519
<v Speaker 1>just like you actually either have to have another hustle,

1:34:15.600 --> 1:34:19.400
<v Speaker 1>another scheme, another oil. They don't they really don't funk

1:34:19.439 --> 1:34:21.920
<v Speaker 1>with you. They like that with the verses, the songs.

1:34:23.520 --> 1:34:25.880
<v Speaker 1>Even when I got a car, like the first car

1:34:25.920 --> 1:34:27.640
<v Speaker 1>I bought, when I started making money again, it was

1:34:27.720 --> 1:34:29.519
<v Speaker 1>like I was driving it and it was like, damn,

1:34:29.560 --> 1:34:32.680
<v Speaker 1>they go Royce that car. Two weeks later it was like,

1:34:32.760 --> 1:34:38.240
<v Speaker 1>I ain't nothing but a cart car, ain't I'm saying. So,

1:34:38.320 --> 1:34:40.599
<v Speaker 1>it's just like you put out a song, they loved

1:34:40.600 --> 1:34:42.880
<v Speaker 1>the song, put you put it out again. It's kind

1:34:42.920 --> 1:34:45.519
<v Speaker 1>of in the same chamber. Then it's like, all right,

1:34:45.600 --> 1:34:48.240
<v Speaker 1>now what else can you do? But that ever bothered

1:34:48.280 --> 1:34:50.840
<v Speaker 1>you about rap? When you where after they get used

1:34:50.880 --> 1:34:55.760
<v Speaker 1>to you, you're not really as appreciated because even whole

1:34:56.000 --> 1:34:58.759
<v Speaker 1>like hold four for fourth, it was as a dope album,

1:34:59.000 --> 1:35:00.680
<v Speaker 1>but they gave one week go than a half a

1:35:00.720 --> 1:35:03.120
<v Speaker 1>week or two. They moved on this. This is the

1:35:03.200 --> 1:35:05.880
<v Speaker 1>generation we live and it's the disposable. But I don't

1:35:05.880 --> 1:35:07.760
<v Speaker 1>think it exclusive to hip hop right now. I think

1:35:07.800 --> 1:35:13.760
<v Speaker 1>that's yeah, yeah, I'm just saying that. Yeah, they don't

1:35:13.760 --> 1:35:15.519
<v Speaker 1>bother me at all, you know what I mean? Like,

1:35:15.600 --> 1:35:19.120
<v Speaker 1>if anything, it gives you a better understanding of what

1:35:19.240 --> 1:35:21.640
<v Speaker 1>you're dealing with, and you you know you can you

1:35:21.920 --> 1:35:25.040
<v Speaker 1>learned man that it's not really it's much about you

1:35:25.160 --> 1:35:28.080
<v Speaker 1>what you think it is as artists, it's more about

1:35:29.360 --> 1:35:32.640
<v Speaker 1>the service you could provide. I would say, you know,

1:35:33.200 --> 1:35:34.679
<v Speaker 1>but you know you know, I don't think what we're

1:35:34.720 --> 1:35:38.320
<v Speaker 1>realizing that's happening right now. We could literally put out

1:35:38.479 --> 1:35:42.519
<v Speaker 1>something wait a second, and put it out again. Yeah,

1:35:42.640 --> 1:35:44.920
<v Speaker 1>that's the crazy motherfucker's new. People will be like, oh,

1:35:45.000 --> 1:35:46.519
<v Speaker 1>this is a new ship that just came out. Now

1:35:46.560 --> 1:35:49.719
<v Speaker 1>you're not gonna say it's news, but you can literally

1:35:49.760 --> 1:35:52.599
<v Speaker 1>put it out again, and it's like it's new guys.

1:35:53.640 --> 1:35:57.120
<v Speaker 1>Algorithms are changing and it's just hitting new people. And

1:35:57.280 --> 1:35:59.479
<v Speaker 1>that's something that I think people aren't realizing that's happening

1:35:59.600 --> 1:36:01.560
<v Speaker 1>right now. You don't know because we're not We're not

1:36:01.640 --> 1:36:03.519
<v Speaker 1>the ones making the technology, because you know why, I

1:36:03.560 --> 1:36:06.000
<v Speaker 1>don't know exactly what you mean, what what it means

1:36:06.000 --> 1:36:07.519
<v Speaker 1>is like back in the days, we just thought the

1:36:07.560 --> 1:36:10.000
<v Speaker 1>record and you would know within that first month or

1:36:10.000 --> 1:36:13.000
<v Speaker 1>two if this record is reacted or not, and then

1:36:13.520 --> 1:36:15.320
<v Speaker 1>you would move on. You would say I'm moving to

1:36:15.400 --> 1:36:17.400
<v Speaker 1>the next single, or you say I'm gonna keep pushing

1:36:17.439 --> 1:36:21.920
<v Speaker 1>this tell us all six of months later. But here's

1:36:21.920 --> 1:36:24.280
<v Speaker 1>the crazy thing. We I just threw out the record,

1:36:24.360 --> 1:36:29.000
<v Speaker 1>what for real? And I'm thinking, okay, it did fair

1:36:29.120 --> 1:36:33.559
<v Speaker 1>then decent, you know, we gotta whatever, And the guys

1:36:33.680 --> 1:36:37.000
<v Speaker 1>just like so I keep pushing to drop the video

1:36:37.080 --> 1:36:39.680
<v Speaker 1>with me, and for which this is, this is, this

1:36:39.800 --> 1:36:43.200
<v Speaker 1>is right now, this recond this is this is so

1:36:43.479 --> 1:36:46.240
<v Speaker 1>I said, and the guys that said please, we don't

1:36:46.439 --> 1:36:48.840
<v Speaker 1>actually want to drop the video. So I'm like, why,

1:36:49.280 --> 1:36:52.000
<v Speaker 1>like because we have seven million streams on the actually

1:36:52.040 --> 1:36:56.360
<v Speaker 1>record and once we dropped the video like the ship drop,

1:36:56.560 --> 1:36:58.280
<v Speaker 1>and I was just like, the moment is not the

1:36:58.479 --> 1:37:04.600
<v Speaker 1>error I come not know. I'm a dinosaurs saying, we

1:37:04.680 --> 1:37:08.479
<v Speaker 1>got to realize this. I don't have a plaque. I'm

1:37:08.560 --> 1:37:10.439
<v Speaker 1>middle rolled, I'm right in the middle of my rollout

1:37:10.520 --> 1:37:12.400
<v Speaker 1>right now, and I'm learning new ship because you know,

1:37:12.560 --> 1:37:15.880
<v Speaker 1>just introducing the whole streaming aspect into it, it just changes.

1:37:16.280 --> 1:37:18.439
<v Speaker 1>It changes everything from what it used to be. When

1:37:18.439 --> 1:37:23.840
<v Speaker 1>I first got to the bas we survived like three

1:37:24.200 --> 1:37:30.000
<v Speaker 1>different three different So when they told me that, they're like,

1:37:30.360 --> 1:37:32.720
<v Speaker 1>they're like because because I couldn't believe it, Like I

1:37:32.840 --> 1:37:35.560
<v Speaker 1>was like, they weren't in the rush to come to

1:37:35.640 --> 1:37:37.719
<v Speaker 1>put out the video I'm talking about we're like almost

1:37:37.760 --> 1:37:41.360
<v Speaker 1>like six seven months away away, and they're like, he'll

1:37:41.360 --> 1:37:44.360
<v Speaker 1>look glory through because in their minds they're like, fun,

1:37:44.520 --> 1:37:47.760
<v Speaker 1>let's just keep getting the streams it pays other and

1:37:47.800 --> 1:37:50.880
<v Speaker 1>I understand it, but I just don't understand it because

1:37:51.560 --> 1:37:58.000
<v Speaker 1>how much I'm traditionally trained how the business ran. And

1:37:58.200 --> 1:38:00.680
<v Speaker 1>I realized I was a dinosaur. I should the funk up.

1:38:01.400 --> 1:38:03.559
<v Speaker 1>I shut the funk up. And I was like, all right, cool,

1:38:04.080 --> 1:38:05.840
<v Speaker 1>you know what I mean. But at the same time,

1:38:05.880 --> 1:38:08.640
<v Speaker 1>so now hold on, hold on, hold on, you keep

1:38:08.680 --> 1:38:12.720
<v Speaker 1>it going. I see you take a piss. I ain't

1:38:12.720 --> 1:38:18.760
<v Speaker 1>gonna You're gonna move Royce out to take a pisall. Yeah,

1:38:19.200 --> 1:38:24.320
<v Speaker 1>I want to forget. So scams down here, Scam, just

1:38:24.479 --> 1:38:27.680
<v Speaker 1>just walk over at least over here. So this is

1:38:27.720 --> 1:38:31.040
<v Speaker 1>my brother, Scam. You guys know each other. Can you

1:38:31.160 --> 1:38:35.960
<v Speaker 1>tell me a little something about how you met scam? Scam?

1:38:36.040 --> 1:38:38.000
<v Speaker 1>You gonna tell you? Tell us how you met each other.

1:38:40.400 --> 1:38:42.519
<v Speaker 1>I don't even remember. Oh you know what, I'll tell

1:38:42.520 --> 1:38:47.920
<v Speaker 1>you what I do remember? Shaky Green Game? Was it

1:38:48.040 --> 1:38:51.040
<v Speaker 1>game Records? Right when they was doing Bad Meat to EV?

1:38:51.200 --> 1:38:54.800
<v Speaker 1>Weren't even talking about those projects too? Were those independent joints?

1:38:55.320 --> 1:38:58.720
<v Speaker 1>Just Vinyl? Yeah, just find with but you had like

1:38:58.800 --> 1:39:02.760
<v Speaker 1>singles with just saying just you by yourself? Um? Yeah,

1:39:03.120 --> 1:39:06.160
<v Speaker 1>well actually and this during the timing, boy, this is

1:39:06.240 --> 1:39:08.839
<v Speaker 1>this is during my next deal, the Sony deal. Okay,

1:39:09.080 --> 1:39:11.439
<v Speaker 1>so um yeah, one of the one of the one

1:39:11.479 --> 1:39:14.320
<v Speaker 1>of the singles from off of there. What we would

1:39:14.360 --> 1:39:17.400
<v Speaker 1>do was I did the album before I gave it

1:39:17.520 --> 1:39:20.160
<v Speaker 1>to Sony and then Shaky Green from Gang Records. He

1:39:20.240 --> 1:39:23.200
<v Speaker 1>had the rights to do the singles from off the album,

1:39:23.720 --> 1:39:25.920
<v Speaker 1>so he had like this vinylity he would do where

1:39:25.960 --> 1:39:28.280
<v Speaker 1>he would put like the half naked girls on the

1:39:28.400 --> 1:39:30.080
<v Speaker 1>on the cover. I thought there was a point coming

1:39:30.240 --> 1:39:35.759
<v Speaker 1>trade up like that. You know, they were actually porn

1:39:35.920 --> 1:39:38.519
<v Speaker 1>stars on the cover. I don't know if it was

1:39:38.880 --> 1:39:42.040
<v Speaker 1>something sometimes it was on my cover. DJ. I enjoyed

1:39:42.080 --> 1:39:44.640
<v Speaker 1>getting those those records. Yeah, that was that was that

1:39:44.760 --> 1:39:51.679
<v Speaker 1>was the plan. That was amazing records. You doing CrossFit

1:39:51.760 --> 1:39:53.479
<v Speaker 1>right now. I was trying to man, I was trying

1:39:53.520 --> 1:39:58.719
<v Speaker 1>to up up. So um, you can't interrupt. I'm so sorry. Definitely,

1:39:58.800 --> 1:40:02.240
<v Speaker 1>I will not CONTI he was finishing up. But we're

1:40:02.280 --> 1:40:05.720
<v Speaker 1>bringing up out him and scamming to each other. So

1:40:07.000 --> 1:40:09.640
<v Speaker 1>I remember, I mean, I'm seeing the past and you

1:40:09.640 --> 1:40:14.720
<v Speaker 1>know what I'm saying, like Detroit, scam scared Miami, Carol City, Man,

1:40:14.840 --> 1:40:21.640
<v Speaker 1>how did you meet? What type of listen documentary? But

1:40:21.720 --> 1:40:23.840
<v Speaker 1>scam got a whole story with M and everything that

1:40:23.920 --> 1:40:27.680
<v Speaker 1>goes on. So so all right, I mean me and him.

1:40:29.280 --> 1:40:31.120
<v Speaker 1>He wasn't from New York, so he was just like

1:40:31.640 --> 1:40:35.760
<v Speaker 1>none of us met M. Follows your lawyer, right yeah?

1:40:36.040 --> 1:40:38.760
<v Speaker 1>He was like, uh yeah, all of that. He was

1:40:38.840 --> 1:40:43.439
<v Speaker 1>the undergrounds lawyer, like all the underground dudes. Is he

1:40:43.520 --> 1:40:48.320
<v Speaker 1>your lawyer too? Nah? He? Um, I met Paul through

1:40:48.479 --> 1:40:52.280
<v Speaker 1>M two. He was he was a M's lawyer and um,

1:40:52.680 --> 1:40:55.439
<v Speaker 1>M should started taking off. He he just start focusing

1:40:55.479 --> 1:40:58.000
<v Speaker 1>on management full time. He actually worked at the firm.

1:40:59.080 --> 1:41:02.120
<v Speaker 1>Um cutlers at him. Yeah, with DEO set up lawyer.

1:41:02.240 --> 1:41:07.800
<v Speaker 1>Yeah no you know yeah, yeah, so THEO was my

1:41:07.920 --> 1:41:10.120
<v Speaker 1>lawyer and he worked at the front. Paul worked at

1:41:10.120 --> 1:41:14.160
<v Speaker 1>the firm. Yeah. Did you you got to meet though

1:41:14.200 --> 1:41:17.920
<v Speaker 1>when you took him to the source, right, Na, Na,

1:41:19.320 --> 1:41:23.599
<v Speaker 1>I'm Royce just came through. I don't know, I don't

1:41:23.640 --> 1:41:25.880
<v Speaker 1>know what you was you traveling with us when he

1:41:25.960 --> 1:41:30.360
<v Speaker 1>was starting. Na. We we did a couple of stops

1:41:30.439 --> 1:41:33.040
<v Speaker 1>when he before he got the deal, Like when he

1:41:33.080 --> 1:41:35.599
<v Speaker 1>went to Swaye. I was with ya all that night.

1:41:35.680 --> 1:41:42.280
<v Speaker 1>Y'all went up the stretching Bob. But they Paul kind

1:41:42.280 --> 1:41:45.920
<v Speaker 1>of wanted it to be like just Detroit and the

1:41:46.400 --> 1:41:50.439
<v Speaker 1>excluded Miami or he thought of he was New York Paul. Yeah, no,

1:41:50.720 --> 1:41:55.120
<v Speaker 1>he just he was a yeah, they were pro Detroit.

1:41:55.320 --> 1:41:58.280
<v Speaker 1>Like you know what I'm saying, you can't even had them,

1:41:59.320 --> 1:42:01.800
<v Speaker 1>you know what I'm saying. But like he was saying,

1:42:01.880 --> 1:42:04.479
<v Speaker 1>when you when you were younger, you like, what the

1:42:04.520 --> 1:42:09.479
<v Speaker 1>fuss they got wrapped him? But you know, yeah, I

1:42:09.560 --> 1:42:11.400
<v Speaker 1>see what they was trying to do, you wrapped or

1:42:11.479 --> 1:42:15.160
<v Speaker 1>he was just he had a song. That song that's

1:42:15.560 --> 1:42:17.840
<v Speaker 1>I even got the underground ship that you do with scam.

1:42:18.160 --> 1:42:23.800
<v Speaker 1>That understand he's talking about scam. Oh that's the all

1:42:23.920 --> 1:42:28.080
<v Speaker 1>moment right there. And not to get too deep into it,

1:42:28.160 --> 1:42:32.880
<v Speaker 1>but you too source right, Yeah, I mean Rige Morales

1:42:33.000 --> 1:42:38.120
<v Speaker 1>unsigned hype that Riggs was in scam. Regor's was going on,

1:42:38.240 --> 1:42:40.080
<v Speaker 1>you're not paying for bills no more. Let's card to

1:42:40.120 --> 1:42:48.040
<v Speaker 1>be around. Come on, let's look my guy. Ain't Juli

1:42:48.080 --> 1:42:50.519
<v Speaker 1>agree one? He was like, Yo, you want to you

1:42:50.600 --> 1:42:53.040
<v Speaker 1>want to you know, rush on this before Stress magazine

1:42:53.080 --> 1:42:55.360
<v Speaker 1>puts it out shout to Stress, you know what saying.

1:42:55.439 --> 1:42:57.800
<v Speaker 1>Rigor was boom, you did it rand next month and

1:42:57.840 --> 1:43:00.920
<v Speaker 1>then it was just like, but you took him over them. Yeah,

1:43:01.320 --> 1:43:04.240
<v Speaker 1>me and took the stuff over there, took them to

1:43:04.560 --> 1:43:07.080
<v Speaker 1>to get on side the hype. This is, this is

1:43:07.280 --> 1:43:12.040
<v Speaker 1>very deep allegations. No, it's not allegations. This is this

1:43:12.120 --> 1:43:16.120
<v Speaker 1>is my brother, so it's very deep. Paul was just

1:43:16.280 --> 1:43:19.240
<v Speaker 1>passing the bar or I think he was just passing

1:43:19.320 --> 1:43:22.559
<v Speaker 1>the bar rick Posada. He was the and R e lecturer.

1:43:22.640 --> 1:43:24.960
<v Speaker 1>He hooked me up with him, and Paul didn't really

1:43:25.000 --> 1:43:29.080
<v Speaker 1>know the underground like that. So you want smoke brouse,

1:43:30.160 --> 1:43:35.080
<v Speaker 1>I think that's a silver Chad's the case. Man. You

1:43:35.160 --> 1:43:38.000
<v Speaker 1>know this is you know this eminem Stands is like Barbies.

1:43:38.479 --> 1:43:40.800
<v Speaker 1>I'm just throwing it out there. They were the first

1:43:40.880 --> 1:43:44.439
<v Speaker 1>Barbies stands. You don't want the Stands in your comments

1:43:45.200 --> 1:43:48.200
<v Speaker 1>right now. You better make sure everything you say is correct.

1:43:50.760 --> 1:43:53.080
<v Speaker 1>I'm just saying, you know what I'm saying. The bottom line,

1:43:53.080 --> 1:43:56.000
<v Speaker 1>he didn't really know the underground, dude, so he gave

1:43:56.040 --> 1:43:58.040
<v Speaker 1>it to me. You know what I'm saying. I heard it.

1:43:58.640 --> 1:44:01.200
<v Speaker 1>And you know the Detroit Cats they say things kind

1:44:01.240 --> 1:44:05.400
<v Speaker 1>of like Miami. They say Finnim get stuck stole. I

1:44:05.520 --> 1:44:07.880
<v Speaker 1>never heard nobody that wasn't from Miami. To say any

1:44:07.920 --> 1:44:11.360
<v Speaker 1>of that is true, Royce, you finna get stuff stolen

1:44:11.400 --> 1:44:14.000
<v Speaker 1>and stuff because I just don't give a fuck, you

1:44:14.040 --> 1:44:16.120
<v Speaker 1>know what I'm saying. So I was like, Okay, I

1:44:16.160 --> 1:44:18.640
<v Speaker 1>can tell he was white, just like Front of Tonality.

1:44:19.040 --> 1:44:21.160
<v Speaker 1>But I was like, Yo, it was dope, but this

1:44:21.240 --> 1:44:24.000
<v Speaker 1>is you're hearing it from Paul showing it too. You yeah, yeah,

1:44:24.320 --> 1:44:26.439
<v Speaker 1>And I was like, Yo, if it's dope, I get that.

1:44:26.479 --> 1:44:28.200
<v Speaker 1>Everybody need to get to you know what I'm saying.

1:44:28.280 --> 1:44:31.479
<v Speaker 1>Then he took it a stretch stretching Bob. So how

1:44:31.520 --> 1:44:34.880
<v Speaker 1>did you already have these connects with Oh, that's just

1:44:35.160 --> 1:44:37.000
<v Speaker 1>with my art, Like I was just in New York

1:44:37.120 --> 1:44:39.400
<v Speaker 1>just because you know he did damn I had to

1:44:39.479 --> 1:44:43.040
<v Speaker 1>tape and and then what stretching Bob making print calls?

1:44:43.400 --> 1:44:45.080
<v Speaker 1>I actually had that tape. No, but you know, he

1:44:45.160 --> 1:44:47.840
<v Speaker 1>did the artwork for be Trying in Life trip called

1:44:47.880 --> 1:44:51.120
<v Speaker 1>Quest goddamn It. And he did the first album all

1:44:51.160 --> 1:44:54.040
<v Speaker 1>the artwork inside goddamn It. So how did you go

1:44:54.200 --> 1:45:02.240
<v Speaker 1>from doing underground work with scam Scam? How did you

1:45:02.320 --> 1:45:07.479
<v Speaker 1>go from getting to do the to to doing the artwork.

1:45:07.560 --> 1:45:09.679
<v Speaker 1>That's what I'm saying. No, we was, We was hanging

1:45:09.680 --> 1:45:12.840
<v Speaker 1>out and you said, fucking I'm not gonna be an artist.

1:45:12.880 --> 1:45:16.479
<v Speaker 1>I could actually design. There was no separation between church

1:45:16.560 --> 1:45:18.760
<v Speaker 1>and state. For me. That's I'm art for music. I'm

1:45:18.840 --> 1:45:21.559
<v Speaker 1>all that ship and was a skater. He was he's

1:45:21.560 --> 1:45:26.640
<v Speaker 1>a skater, Yeah, a skater. Skate No not, he just

1:45:26.680 --> 1:45:31.960
<v Speaker 1>said he told me that about a little bit. Folasco man,

1:45:32.720 --> 1:45:42.959
<v Speaker 1>a little bit Folasco. I never I don't live in Fiansco.

1:45:43.040 --> 1:45:45.760
<v Speaker 1>He's that one Flasco A little bit, a little bit,

1:45:46.000 --> 1:45:49.000
<v Speaker 1>a little bit. But I tell you one thing, me

1:45:49.080 --> 1:45:53.439
<v Speaker 1>and him and him was in Tom Squares arguing about

1:45:53.640 --> 1:45:56.599
<v Speaker 1>whether jay Z was doping not so. At the time

1:45:56.680 --> 1:45:59.639
<v Speaker 1>of jay z Oh Ship, this was like very important

1:46:00.040 --> 1:46:02.840
<v Speaker 1>when he was still running college radio before like like

1:46:05.920 --> 1:46:08.560
<v Speaker 1>like well like all the underground stations they used to

1:46:08.600 --> 1:46:12.040
<v Speaker 1>play I understand what you're saying. I forgot dead President

1:46:12.560 --> 1:46:16.640
<v Speaker 1>Death President like a little after that. But they was like,

1:46:16.920 --> 1:46:19.479
<v Speaker 1>I was like, you know whatever, But he checked me,

1:46:20.200 --> 1:46:22.880
<v Speaker 1>and he's checked you both of that, mainly him. He

1:46:23.000 --> 1:46:24.960
<v Speaker 1>was just like, yo, I see it in his face.

1:46:25.040 --> 1:46:27.439
<v Speaker 1>He checked you. Definitely checked. He was like, but what

1:46:27.600 --> 1:46:29.720
<v Speaker 1>what what do you know? What? What songs you know?

1:46:30.120 --> 1:46:31.479
<v Speaker 1>And I was like, I don't need to know anything.

1:46:31.520 --> 1:46:33.120
<v Speaker 1>I know the singles, You're like, you don't need to

1:46:33.160 --> 1:46:36.400
<v Speaker 1>listen to it. So after that, I made it a

1:46:36.520 --> 1:46:39.599
<v Speaker 1>point to always listen to some ship before I talk

1:46:39.640 --> 1:46:42.000
<v Speaker 1>about it. You know what I'm saying. It was from

1:46:42.160 --> 1:46:44.680
<v Speaker 1>from that and that That's just always been my philosophy

1:46:44.760 --> 1:46:46.479
<v Speaker 1>ever since that. A lot of times I had to

1:46:46.560 --> 1:46:48.559
<v Speaker 1>come back and be like, oh, I see what they

1:46:48.560 --> 1:46:51.360
<v Speaker 1>were talking about. You know what I'm saying. Reasonable, that

1:46:51.520 --> 1:46:55.840
<v Speaker 1>was like a bible. Man, It's like a bible. I

1:46:56.000 --> 1:46:59.560
<v Speaker 1>fought for that album all barbershops. But boy said, I

1:46:59.600 --> 1:47:03.400
<v Speaker 1>wouldn't get back to the most genuine hip hop question

1:47:03.520 --> 1:47:07.160
<v Speaker 1>ever in hip hop because you said earlier, dodge the question,

1:47:07.439 --> 1:47:11.880
<v Speaker 1>Okay has down if you had to pick one unequivarate, Really,

1:47:12.720 --> 1:47:15.080
<v Speaker 1>it's not because it's your man. Is did not because

1:47:15.120 --> 1:47:17.439
<v Speaker 1>the guy you grew up with it for the sake

1:47:17.439 --> 1:47:19.360
<v Speaker 1>of hip hop. If you had to save hip hop,

1:47:20.360 --> 1:47:25.000
<v Speaker 1>he had to say who had the better verse? Oh

1:47:25.040 --> 1:47:28.719
<v Speaker 1>I dodged the question. Yeah, he didn't want to renegade

1:47:28.800 --> 1:47:31.280
<v Speaker 1>Joy because I got want more for him too. Because

1:47:31.439 --> 1:47:32.920
<v Speaker 1>I just want you to I want you to answer

1:47:32.960 --> 1:47:36.639
<v Speaker 1>it again. I want you to reiterate, Okay, you want

1:47:36.640 --> 1:47:40.760
<v Speaker 1>to go down that your hit past that away renegade

1:47:42.000 --> 1:47:46.320
<v Speaker 1>M one renegade like I I like him verse, I

1:47:46.439 --> 1:47:50.160
<v Speaker 1>like MS versus better right, because how he was rapping

1:47:50.200 --> 1:47:53.320
<v Speaker 1>on it is what I just prefer. Okay, but it's

1:47:53.520 --> 1:47:56.320
<v Speaker 1>you can't really say it's better than holes verse because

1:47:56.320 --> 1:47:58.960
<v Speaker 1>a lot of hood people relate to holes first. More

1:47:59.160 --> 1:48:02.519
<v Speaker 1>because what m was saying was super lyrical that it

1:48:02.600 --> 1:48:05.639
<v Speaker 1>kind of went over a lot of people's hat. Okay,

1:48:05.960 --> 1:48:11.919
<v Speaker 1>what was the better disrecord, nas etha or whole takeover comes?

1:48:12.640 --> 1:48:15.439
<v Speaker 1>That's a loaded question, BROO, don't know what that means?

1:48:16.000 --> 1:48:18.800
<v Speaker 1>Can I D I don't know. You better ask it

1:48:19.000 --> 1:48:25.800
<v Speaker 1>right because I'm from queen what Okay, relationship with Chance

1:48:25.920 --> 1:48:30.479
<v Speaker 1>I love that was? That was that bias? That was

1:48:31.160 --> 1:48:33.240
<v Speaker 1>Let let me tell you something. And I had the

1:48:33.360 --> 1:48:36.519
<v Speaker 1>longest argument in the studio with Jlek about this ship

1:48:38.800 --> 1:48:41.400
<v Speaker 1>your jail electronic. Let me just tell you something. And

1:48:41.439 --> 1:48:44.479
<v Speaker 1>when you love you, you are new rock him, You

1:48:44.560 --> 1:48:48.160
<v Speaker 1>are new nas Why are you dodging a dipping needs

1:48:48.680 --> 1:48:51.679
<v Speaker 1>to take place and put your crown on. We don't

1:48:51.760 --> 1:48:53.880
<v Speaker 1>understand that, We don't know that, but we want to

1:48:53.960 --> 1:48:57.040
<v Speaker 1>encourage you wherever you at to put your motherfucking crown

1:48:57.120 --> 1:48:59.719
<v Speaker 1>on and take fucking hip hop the way you're supposed

1:48:59.760 --> 1:49:02.479
<v Speaker 1>to take hip hop. Motherfucker, it's yours. Make some noise

1:49:02.520 --> 1:49:07.920
<v Speaker 1>for that, and that's a great brother talk right there.

1:49:08.479 --> 1:49:11.720
<v Speaker 1>I apausized, scared. No, it's all good. I agree. I'm

1:49:11.960 --> 1:49:24.640
<v Speaker 1>listening either one right one w O na ye like

1:49:25.880 --> 1:49:29.920
<v Speaker 1>like as in past are Ether one in the battle

1:49:30.000 --> 1:49:33.000
<v Speaker 1>that was the napalm bomb, So that song has to

1:49:33.040 --> 1:49:35.280
<v Speaker 1>get this respect as the best. Wait, I feel like

1:49:35.320 --> 1:49:37.679
<v Speaker 1>you're sending this up for the wrong way, and it's

1:49:37.880 --> 1:49:42.599
<v Speaker 1>very political way. He's sober, continue and we're talking about

1:49:42.640 --> 1:49:50.560
<v Speaker 1>the best record ether one right take over. If we

1:49:50.720 --> 1:49:57.880
<v Speaker 1>just analyzing songs, it had way more lines this we

1:49:57.960 --> 1:50:03.200
<v Speaker 1>would disagree. I just really it's a great record. Though

1:50:05.240 --> 1:50:08.880
<v Speaker 1>a great record, NAS had better execution and better timing,

1:50:09.720 --> 1:50:12.560
<v Speaker 1>and that those are two Those are two elements in

1:50:12.680 --> 1:50:16.280
<v Speaker 1>battles that are so important that people overlook. You mean,

1:50:16.400 --> 1:50:21.800
<v Speaker 1>you can why super Ugly wasn't taking because it wasn't

1:50:21.800 --> 1:50:24.920
<v Speaker 1>the wrong thing to say that at that time. Yes,

1:50:25.120 --> 1:50:28.839
<v Speaker 1>that's why I would murder move battle somebody. He wins

1:50:29.040 --> 1:50:31.760
<v Speaker 1>sometimes and it's not because he's being more lyrical is

1:50:31.800 --> 1:50:34.639
<v Speaker 1>because he's saying the right ship. You know what I'm saying.

1:50:35.240 --> 1:50:37.720
<v Speaker 1>It ain't always about being has something to do with it,

1:50:38.240 --> 1:50:40.160
<v Speaker 1>always about being the better MC. A lot of people

1:50:40.200 --> 1:50:42.720
<v Speaker 1>don't like the Ether beat a lot of people, I think,

1:50:42.760 --> 1:50:45.400
<v Speaker 1>and I think the way that they positive like they

1:50:45.479 --> 1:50:49.000
<v Speaker 1>did all the right. I like it because because of

1:50:49.040 --> 1:50:51.400
<v Speaker 1>what Nas did to it. I like because Nas did

1:50:51.479 --> 1:50:54.519
<v Speaker 1>to it, and I like it because he also made

1:50:54.640 --> 1:50:58.240
<v Speaker 1>jokes about it, because battling should be that serious. When

1:50:58.240 --> 1:51:01.240
<v Speaker 1>he called him j J Evans, you called you that

1:51:01.360 --> 1:51:04.080
<v Speaker 1>ship was sold, took it back. It was it was

1:51:04.200 --> 1:51:07.519
<v Speaker 1>snapping on on and at Homes took it so serious.

1:51:08.200 --> 1:51:12.360
<v Speaker 1>And I, hands down think Ether is better than UH

1:51:12.560 --> 1:51:15.280
<v Speaker 1>take Over. And I think it's better than Super Army.

1:51:15.680 --> 1:51:18.320
<v Speaker 1>And I love jay Z, I love Rockefeller. They've been

1:51:18.360 --> 1:51:21.080
<v Speaker 1>cutting me checks for over twenty years. I don't want

1:51:21.120 --> 1:51:25.000
<v Speaker 1>to stop our relationship at all. Yeah, but I also

1:51:25.080 --> 1:51:27.080
<v Speaker 1>have to be truthful, and I think that they respect

1:51:27.160 --> 1:51:30.320
<v Speaker 1>my truthfulness. Ether was more effective. It was more effective,

1:51:30.479 --> 1:51:32.720
<v Speaker 1>and because it is, and if you don't remember, I

1:51:32.800 --> 1:51:35.160
<v Speaker 1>see a lot of people wasn't really around that day

1:51:36.080 --> 1:51:40.519
<v Speaker 1>those days, but Nas was receiving blows from every single

1:51:40.720 --> 1:51:44.960
<v Speaker 1>plus you get. You can't that NAS was the underdog

1:51:45.040 --> 1:51:47.920
<v Speaker 1>at that point as well. I can't say the other dog.

1:51:48.000 --> 1:51:51.240
<v Speaker 1>I gotta say that game at that point. But let

1:51:51.320 --> 1:51:55.360
<v Speaker 1>me finish. I gotta say that when to your acknowledgement,

1:51:55.600 --> 1:51:57.920
<v Speaker 1>he was the other dog because Jay was right there

1:51:58.080 --> 1:52:01.080
<v Speaker 1>trying to beat it, trying to be right above him

1:52:01.160 --> 1:52:03.960
<v Speaker 1>at the left was now he was not at that

1:52:05.280 --> 1:52:07.400
<v Speaker 1>He tried to tell you something, it's all hip hop

1:52:07.439 --> 1:52:09.599
<v Speaker 1>and pinion. This is not at that point in time.

1:52:09.840 --> 1:52:12.280
<v Speaker 1>At that point in time, I was on Columbia with Nas,

1:52:13.760 --> 1:52:16.400
<v Speaker 1>people were treating. When his name came up, it was

1:52:16.479 --> 1:52:20.360
<v Speaker 1>coming up in the context of like he finished. So

1:52:20.479 --> 1:52:24.439
<v Speaker 1>then that's what I'm saying. He was was like running ship. Yeah,

1:52:24.600 --> 1:52:26.720
<v Speaker 1>that's jay Z was running ship. So it was like,

1:52:26.800 --> 1:52:28.360
<v Speaker 1>that's the reason why he took the shot of the

1:52:28.479 --> 1:52:30.080
<v Speaker 1>par take over. He was coming when he was coming,

1:52:30.120 --> 1:52:32.200
<v Speaker 1>and he felt that too. When he was coming at night,

1:52:32.280 --> 1:52:36.599
<v Speaker 1>he was everybody was like, Nas just finished, got hold

1:52:36.600 --> 1:52:39.200
<v Speaker 1>of coming at him, hold his bulletproof at that time.

1:52:39.880 --> 1:52:42.800
<v Speaker 1>That's what I'm saying that the press. The part that

1:52:42.840 --> 1:52:48.040
<v Speaker 1>you forget is that when when Takeover came out, Nas

1:52:48.080 --> 1:52:50.559
<v Speaker 1>waiting like two or three months and people were dissing

1:52:50.640 --> 1:52:52.880
<v Speaker 1>him for it, and back then you were supposed to

1:52:52.920 --> 1:52:55.679
<v Speaker 1>respond immediately, just like how this right now, I don't

1:52:55.720 --> 1:52:58.600
<v Speaker 1>think he was gonna respond that he did. It was

1:52:58.840 --> 1:53:01.280
<v Speaker 1>it wasn't going to be effective because it took Listen

1:53:01.360 --> 1:53:04.360
<v Speaker 1>to me, now, I sat back and kill and then

1:53:04.439 --> 1:53:09.360
<v Speaker 1>when the finally came out, it did, and it was.

1:53:09.920 --> 1:53:12.400
<v Speaker 1>It was the exact thing like when I seen Meek

1:53:12.439 --> 1:53:17.160
<v Speaker 1>and Drake battling and I heard um Rick Ross say

1:53:17.200 --> 1:53:21.479
<v Speaker 1>to me, yo, you don't have to respond immediately, wait

1:53:22.080 --> 1:53:25.320
<v Speaker 1>and take your time, and me still did what he did.

1:53:26.280 --> 1:53:29.519
<v Speaker 1>I reminisced of that very moment of nas just sitting

1:53:29.560 --> 1:53:32.240
<v Speaker 1>back and just he just not saying nothing, and he

1:53:32.400 --> 1:53:35.639
<v Speaker 1>waited and he like I heard the original ether case

1:53:35.680 --> 1:53:39.920
<v Speaker 1>you not. I said this on the podcast that one

1:53:40.120 --> 1:53:43.080
<v Speaker 1>he um I feel like he went to personally, that

1:53:43.160 --> 1:53:47.920
<v Speaker 1>was the angry version right about this. He heard about this.

1:53:48.360 --> 1:53:52.120
<v Speaker 1>It wasn't good. It was good, but it was angry.

1:53:52.439 --> 1:53:56.240
<v Speaker 1>So you can't really appreciate a lyricist being angry, Like

1:53:56.360 --> 1:53:59.519
<v Speaker 1>a lyricist should never be angry. A lyricist knows that

1:53:59.680 --> 1:54:02.360
<v Speaker 1>you at it. That's why your flex rest out. You're

1:54:02.360 --> 1:54:04.200
<v Speaker 1>sitting there and you're going like this and you're laughing

1:54:04.520 --> 1:54:08.360
<v Speaker 1>and between them balls. It's like when I'm watching I

1:54:08.439 --> 1:54:10.840
<v Speaker 1>like when I'm watching battles and the battle that could

1:54:10.840 --> 1:54:16.320
<v Speaker 1>provide like the comedy exactly be conversational. Takeover. Takeover was

1:54:16.439 --> 1:54:18.640
<v Speaker 1>like you know what I'm saying. It was like a

1:54:18.720 --> 1:54:23.160
<v Speaker 1>flow now. It was just all in different pockets conversation

1:54:23.240 --> 1:54:26.759
<v Speaker 1>on either you know what I'm saying, Like your argument

1:54:26.920 --> 1:54:30.679
<v Speaker 1>four Ether or four Takeover, I think either was. Ether

1:54:30.880 --> 1:54:34.480
<v Speaker 1>was more effective. Takeover. It was more like a record.

1:54:36.560 --> 1:54:41.040
<v Speaker 1>When you say it's a great record, it's it's just

1:54:41.120 --> 1:54:43.360
<v Speaker 1>the truth. It's a great record. It is a takeover.

1:54:43.600 --> 1:54:46.640
<v Speaker 1>Takeover is going Takeover as a part of a classic album. Bro,

1:54:47.280 --> 1:54:49.160
<v Speaker 1>that's a classic song. That ship is going down to

1:54:49.280 --> 1:54:51.720
<v Speaker 1>history forever. But you gotta pick one. You gotta pick

1:54:51.800 --> 1:54:54.160
<v Speaker 1>one now. I just told you Ether is more effective.

1:54:54.920 --> 1:54:56.560
<v Speaker 1>You know what I'm saying. If I'm putting on, if

1:54:56.560 --> 1:54:58.960
<v Speaker 1>I'm putting on, if I'm putting on one or the

1:54:59.040 --> 1:55:01.200
<v Speaker 1>other in my car, I'm probably gonna play Ether more

1:55:02.120 --> 1:55:05.120
<v Speaker 1>if I'm if I'm listening to the Blueprint, might not

1:55:05.240 --> 1:55:07.080
<v Speaker 1>skip go straight to take Over. You know what I'm

1:55:07.080 --> 1:55:11.160
<v Speaker 1>saying like, that's a whole classic album. So I pick

1:55:11.240 --> 1:55:14.480
<v Speaker 1>I picked either. Yeah, I would pick Ether too. It

1:55:14.600 --> 1:55:21.240
<v Speaker 1>just makes some voice to pick a Hope was my

1:55:21.360 --> 1:55:25.360
<v Speaker 1>man as well. And I tried to do this. No, no,

1:55:25.840 --> 1:55:28.080
<v Speaker 1>this is hip hop. Can you put that back into

1:55:28.080 --> 1:55:30.520
<v Speaker 1>their police I definitely want to come on. This is

1:55:30.600 --> 1:55:33.160
<v Speaker 1>pure hip hop fans ship, and this is pure hip

1:55:33.160 --> 1:55:38.400
<v Speaker 1>hop discussion ship like a lot of us. Like, the

1:55:38.480 --> 1:55:41.880
<v Speaker 1>craziest thing is everyone is mad at me because I

1:55:41.960 --> 1:55:45.040
<v Speaker 1>don't say that embody j on Reddy Game. He didn't

1:55:45.080 --> 1:55:51.440
<v Speaker 1>body him don't body and didn't say it again. People

1:55:51.560 --> 1:55:57.600
<v Speaker 1>feel like I should admit that Jay got bodied. I

1:55:57.640 --> 1:56:00.280
<v Speaker 1>don't feel like that because and I just know that

1:56:00.360 --> 1:56:02.240
<v Speaker 1>if I was to say, yo, I related to Jay

1:56:02.360 --> 1:56:05.360
<v Speaker 1>Z's verse a little bit more than him, it's because

1:56:05.440 --> 1:56:07.800
<v Speaker 1>I would get a lot of hate, right. And the

1:56:07.920 --> 1:56:12.000
<v Speaker 1>thing about it is I was against the wall awkward lefty,

1:56:12.800 --> 1:56:16.080
<v Speaker 1>you know, the ship that he was saying, the ship

1:56:16.160 --> 1:56:19.480
<v Speaker 1>that m was saying. I knew it was lyrical ship,

1:56:19.840 --> 1:56:23.520
<v Speaker 1>but I actually didn't live that me personally, I didn't

1:56:23.600 --> 1:56:29.280
<v Speaker 1>live you know, I didn't live what he was saying. Well,

1:56:29.320 --> 1:56:32.560
<v Speaker 1>when Jay said I boxed the wall boxing lefty. But

1:56:32.640 --> 1:56:35.160
<v Speaker 1>I realized if I was to ever say that publicly,

1:56:35.360 --> 1:56:39.320
<v Speaker 1>I seemed like a jay Z writer as opposed to

1:56:39.880 --> 1:56:43.280
<v Speaker 1>and my fucking five fox with him and them, I

1:56:43.400 --> 1:56:47.040
<v Speaker 1>know his ship just as good as him. But this record,

1:56:47.280 --> 1:56:49.520
<v Speaker 1>I feel like, this is what I say, and it

1:56:49.600 --> 1:56:53.560
<v Speaker 1>makes me seem like a foul not a foul dude.

1:56:53.600 --> 1:56:55.800
<v Speaker 1>It makes me seem like I don't want to keep it.

1:56:55.880 --> 1:57:01.160
<v Speaker 1>Real is, when I look at a masterpiece record, I

1:57:01.240 --> 1:57:03.680
<v Speaker 1>don't care a butt who has the better verse? Yeah

1:57:03.800 --> 1:57:07.560
<v Speaker 1>you shouldn't. You shouldn't. It's a masterpiece record. So people

1:57:07.600 --> 1:57:10.080
<v Speaker 1>ask me every day who had the better verse or

1:57:10.120 --> 1:57:12.480
<v Speaker 1>bad from TV? And you know what I really say,

1:57:12.560 --> 1:57:17.040
<v Speaker 1>in my heart, bad from TV the best verse. It's

1:57:17.520 --> 1:57:19.680
<v Speaker 1>because if you're taking one of them out and you

1:57:19.800 --> 1:57:21.760
<v Speaker 1>say one of them is more important than that, that

1:57:21.880 --> 1:57:26.280
<v Speaker 1>record is. It's not a class no more. If you

1:57:26.360 --> 1:57:28.840
<v Speaker 1>ask the best of who shot your with the firm

1:57:29.680 --> 1:57:32.440
<v Speaker 1>all these classic records with you know, Symphony and all

1:57:32.480 --> 1:57:34.720
<v Speaker 1>these classic records. Anyway, let me not get into it.

1:57:34.880 --> 1:57:36.680
<v Speaker 1>And you say who you's got the best verse? You

1:57:36.800 --> 1:57:40.840
<v Speaker 1>actually take away from the actual record. It's just fun

1:57:40.920 --> 1:57:42.560
<v Speaker 1>to do as a fan, you know, trying to get it.

1:57:43.360 --> 1:57:45.480
<v Speaker 1>These monsters on the same song. It's like, that's what

1:57:45.520 --> 1:57:48.280
<v Speaker 1>you're gonna do. You your favorite, but maybe what you're

1:57:48.280 --> 1:57:50.360
<v Speaker 1>saying is like the best or whatever. It's like it's

1:57:50.400 --> 1:57:52.080
<v Speaker 1>all subjected at the end of day. I get it.

1:57:52.120 --> 1:57:53.800
<v Speaker 1>But at the end of the day, you actually take

1:57:53.840 --> 1:57:56.680
<v Speaker 1>away from the actually record when you're not saying because

1:57:56.720 --> 1:57:59.840
<v Speaker 1>if you say alright, cool, you take that record away,

1:57:59.880 --> 1:58:03.040
<v Speaker 1>it's that record and not still a classicsoutely you know

1:58:03.080 --> 1:58:05.720
<v Speaker 1>what I'm saying. And that's the thing is I started

1:58:05.760 --> 1:58:08.080
<v Speaker 1>to realize that. I started to realize I was always

1:58:08.120 --> 1:58:11.840
<v Speaker 1>a fan until I became a fan artist, because as

1:58:11.920 --> 1:58:14.520
<v Speaker 1>an artist, I still was a fan. I still like

1:58:14.640 --> 1:58:16.840
<v Speaker 1>to listen to this ship. I don't give a funk.

1:58:17.120 --> 1:58:20.520
<v Speaker 1>If I was platinum and you were fucking you know, um,

1:58:21.240 --> 1:58:23.640
<v Speaker 1>you know you sold three records. If I was in

1:58:23.840 --> 1:58:26.200
<v Speaker 1>your ship, I'm gonna dig get ship. That's just who

1:58:26.280 --> 1:58:29.320
<v Speaker 1>I am, you know what I'm saying. So I'm I

1:58:29.400 --> 1:58:31.960
<v Speaker 1>don't know, man. I went in a little crissy a

1:58:32.040 --> 1:58:33.800
<v Speaker 1>little bit. Yeah, this is the first time I had

1:58:33.840 --> 1:58:41.600
<v Speaker 1>green cups. This is the same Patrick Sting. So now, Pride,

1:58:42.120 --> 1:58:44.640
<v Speaker 1>how the fund did you and the cream even initially

1:58:44.840 --> 1:58:48.240
<v Speaker 1>DJ motherfucking Familiar, DJ motherfucking Man. So now how do

1:58:48.320 --> 1:58:52.360
<v Speaker 1>you I mean we um ever since we did like

1:58:52.480 --> 1:58:54.440
<v Speaker 1>the first Ship, when we did Boom way back in

1:58:54.480 --> 1:58:57.960
<v Speaker 1>the day, it was like people was kind of like

1:58:58.200 --> 1:59:00.720
<v Speaker 1>a classic record brother, thank you man. People kind of

1:59:00.760 --> 1:59:03.360
<v Speaker 1>like you hold on, I gotta ask you Orice. That

1:59:03.480 --> 1:59:06.360
<v Speaker 1>was on your album Boom, Yeah, that was your beat, bro,

1:59:06.880 --> 1:59:10.640
<v Speaker 1>where this is freestyle? Boom was your beat? Damn, Bro,

1:59:11.720 --> 1:59:14.000
<v Speaker 1>he don't even know what I'm saying. When I when

1:59:14.040 --> 1:59:15.680
<v Speaker 1>I got to the studio when Prime, when me and

1:59:15.720 --> 1:59:19.280
<v Speaker 1>Prim was working, He's supposed to work. He was making

1:59:19.320 --> 1:59:25.120
<v Speaker 1>the Boom beat for seeing that. Damn know this star continue.

1:59:25.160 --> 1:59:32.360
<v Speaker 1>I didn't even know we were going there now it hurts. Yeah.

1:59:32.440 --> 1:59:35.200
<v Speaker 1>So I get to the studio and he's making the beat.

1:59:35.240 --> 1:59:37.960
<v Speaker 1>So I'm like, damn, I'm happy. I'm like this is

1:59:38.000 --> 1:59:40.920
<v Speaker 1>the beat. I'm I'm thinking the lines. I'm right, I'm

1:59:41.000 --> 1:59:44.160
<v Speaker 1>jumping down. He was like, no, I'm making this for Funority,

1:59:44.280 --> 1:59:46.840
<v Speaker 1>Nori and component them, And I'm like, I'm looking around,

1:59:47.000 --> 1:59:52.520
<v Speaker 1>like Ship that's used to be a DA was looking

1:59:52.520 --> 1:59:55.440
<v Speaker 1>around like where they at? You know what I'm saying,

1:59:55.680 --> 1:59:59.120
<v Speaker 1>You're just so you know, please remember exactly where you

1:59:59.280 --> 2:00:02.160
<v Speaker 1>was at. You know, I hate it Premier the first

2:00:02.200 --> 2:00:05.560
<v Speaker 1>time I worked because we paid him off front. We

2:00:05.720 --> 2:00:07.760
<v Speaker 1>was just so much fans. They were like, yo, he

2:00:07.800 --> 2:00:11.080
<v Speaker 1>wants his money up front. He was like Garret. And

2:00:11.200 --> 2:00:15.520
<v Speaker 1>then he just wouldn't just see us every day. He

2:00:15.560 --> 2:00:17.640
<v Speaker 1>would be like, y'all working on a beat for you.

2:00:17.960 --> 2:00:19.680
<v Speaker 1>And this is back in the days where you can't

2:00:19.760 --> 2:00:23.920
<v Speaker 1>tweet it, you can working for you. I thought he

2:00:24.080 --> 2:00:31.320
<v Speaker 1>was getting me, my dude, but I'm not saying he's

2:00:31.360 --> 2:00:36.240
<v Speaker 1>from Brooklyn. You know, this is this is what they know. Yes,

2:00:36.320 --> 2:00:38.480
<v Speaker 1>this is what they knowing the I'm like, oh, he

2:00:38.680 --> 2:00:42.160
<v Speaker 1>might be getting me. And he would call me, like

2:00:42.560 --> 2:00:45.160
<v Speaker 1>I'll call you on on on Tuesday, He'll call me

2:00:45.280 --> 2:00:50.440
<v Speaker 1>on Thursday. It just didn't seem right. So I actually

2:00:50.520 --> 2:00:53.480
<v Speaker 1>came to the studio. Sorry please right now. Actually came

2:00:53.520 --> 2:00:55.920
<v Speaker 1>to the studio. And this, this is what hurt my

2:00:55.960 --> 2:00:58.880
<v Speaker 1>feelings even more, was I walked in the studio. He

2:00:59.000 --> 2:01:04.240
<v Speaker 1>was like, and he's playing He's not playing, He's not

2:01:04.440 --> 2:01:07.400
<v Speaker 1>he's not playing ship off for this, He's actually making

2:01:07.440 --> 2:01:10.280
<v Speaker 1>it live and he's like this, And I went like this,

2:01:12.240 --> 2:01:15.040
<v Speaker 1>And then when I sat down, I didn't beat. Then

2:01:15.080 --> 2:01:26.120
<v Speaker 1>they said, and he rates the beating. I want you know,

2:01:26.920 --> 2:01:29.640
<v Speaker 1>because the thing about me is if I'm not bopping

2:01:29.680 --> 2:01:32.480
<v Speaker 1>this because I'm writing like I'm righting in my head.

2:01:32.640 --> 2:01:35.360
<v Speaker 1>But don't get me wrong, I'm not a full potential

2:01:36.600 --> 2:01:38.680
<v Speaker 1>bar right in the head. So I get six in

2:01:38.800 --> 2:01:41.560
<v Speaker 1>my head. I go like this, but I might get

2:01:41.640 --> 2:01:45.280
<v Speaker 1>quiet on you. I might get quiet maybe like right.

2:01:46.640 --> 2:01:53.760
<v Speaker 1>And then they looked at me and he said, and

2:01:53.880 --> 2:01:57.160
<v Speaker 1>he got my full check, so I'm like, y'all hold up.

2:01:58.120 --> 2:02:00.600
<v Speaker 1>And then he played in another one, and then the

2:02:00.760 --> 2:02:04.120
<v Speaker 1>poem did the same as he erased that one too,

2:02:09.920 --> 2:02:13.040
<v Speaker 1>and then it was the third one that he was

2:02:13.080 --> 2:02:15.240
<v Speaker 1>like boom. He was like, yeah, I like this, and

2:02:15.320 --> 2:02:17.680
<v Speaker 1>it was like yo, boom. And this was by this time,

2:02:17.680 --> 2:02:20.200
<v Speaker 1>it's four o'clock in the morning. We're all beat. It's

2:02:20.240 --> 2:02:23.720
<v Speaker 1>like your tomorrow morning, you're coming here and we'll happen.

2:02:24.120 --> 2:02:26.320
<v Speaker 1>And then that's tomorrow morning. He came in and that's

2:02:26.360 --> 2:02:29.280
<v Speaker 1>what he put in all the scratches, which this is

2:02:29.320 --> 2:02:35.440
<v Speaker 1>the invincible, but but that that that that was the

2:02:35.520 --> 2:02:38.480
<v Speaker 1>first he had droned, be ready for y'all listen. I

2:02:38.560 --> 2:02:42.960
<v Speaker 1>was probably you know listen, you know Listen, I'm so

2:02:43.120 --> 2:02:47.320
<v Speaker 1>happy that you told me this because listen previous my brother. Right,

2:02:48.040 --> 2:02:51.480
<v Speaker 1>but that first week of our relationship, I thought he

2:02:51.680 --> 2:02:55.000
<v Speaker 1>really tried to be like I thought he really bullshitted

2:02:55.120 --> 2:02:57.720
<v Speaker 1>me because like we were going and he was just like,

2:02:57.840 --> 2:03:02.000
<v Speaker 1>it's not the night. And then I would see Biggie

2:03:02.040 --> 2:03:05.200
<v Speaker 1>and Junior Mafia and I'm like, I sure, it's not tonight, nigger.

2:03:05.560 --> 2:03:08.400
<v Speaker 1>You know this is this is big becoming big, and

2:03:08.520 --> 2:03:12.360
<v Speaker 1>then Jay but I'm continued, so you are Ceah. I

2:03:12.400 --> 2:03:14.600
<v Speaker 1>mean that that was basically if I went in there,

2:03:15.440 --> 2:03:17.600
<v Speaker 1>he said he was making a beat for y'all. So

2:03:17.680 --> 2:03:20.240
<v Speaker 1>I had just put I put a prime together. Just

2:03:20.360 --> 2:03:27.280
<v Speaker 1>give me that props, the rules, the rule, you know,

2:03:28.600 --> 2:03:30.920
<v Speaker 1>we put them together ahead. I'm sorry, I'm I'm sorry,

2:03:31.000 --> 2:03:32.720
<v Speaker 1>right yeah, I mean that's the that's that's the day

2:03:32.760 --> 2:03:34.520
<v Speaker 1>that we did Boom, and that was like one of

2:03:34.600 --> 2:03:36.640
<v Speaker 1>the first things we did together. So it just so

2:03:36.760 --> 2:03:40.040
<v Speaker 1>happened like after I when I kept doing albums, you know,

2:03:40.120 --> 2:03:42.960
<v Speaker 1>we kept in touch and we got cool. You know

2:03:43.000 --> 2:03:44.480
<v Speaker 1>what I'm saying, Like I didn't expect for us to

2:03:44.520 --> 2:03:47.720
<v Speaker 1>get cool. So we had like a lasting relationship from

2:03:48.360 --> 2:03:53.840
<v Speaker 1>whatever that was nine whatever it was all the way

2:03:53.880 --> 2:03:56.600
<v Speaker 1>up until now so and Premiers a realized dude, Like

2:03:56.880 --> 2:03:59.000
<v Speaker 1>once you have a relationship with him, yeah, I mean

2:03:59.040 --> 2:04:01.120
<v Speaker 1>we got to point where were just friends, you know

2:04:01.160 --> 2:04:04.360
<v Speaker 1>what I'm saying. It's like he executive produced one of

2:04:04.440 --> 2:04:07.320
<v Speaker 1>my albums before a car Streethart. So we worked. Yeah,

2:04:07.360 --> 2:04:09.920
<v Speaker 1>we worked pretty much in every capacity. You know, he

2:04:10.000 --> 2:04:12.040
<v Speaker 1>did ship a slaughter House, you know what I mean.

2:04:12.120 --> 2:04:14.440
<v Speaker 1>So it was like, this is like the obvious next

2:04:14.480 --> 2:04:16.280
<v Speaker 1>step for me and him if we were gonna take

2:04:16.440 --> 2:04:20.720
<v Speaker 1>you know, take the creativity any further. So, um, my man,

2:04:20.840 --> 2:04:25.680
<v Speaker 1>Mike Haran had an idea yeah, yeah, yeah, So he

2:04:25.800 --> 2:04:29.520
<v Speaker 1>had an idea to to take for somebody who was

2:04:29.600 --> 2:04:33.880
<v Speaker 1>like a master a chopping shopping samples, having them pull

2:04:34.080 --> 2:04:37.720
<v Speaker 1>music from one source and making an album like that.

2:04:37.840 --> 2:04:40.680
<v Speaker 1>So the idea was initially for slaughter House because Mike

2:04:40.840 --> 2:04:44.440
<v Speaker 1>is an r over there shady, So that was the idea.

2:04:44.480 --> 2:04:46.600
<v Speaker 1>We're gonna use Adrian Young. This is a whole It

2:04:46.720 --> 2:04:48.680
<v Speaker 1>just came out of nowhere and use Adrian Young, and

2:04:48.720 --> 2:04:50.920
<v Speaker 1>he was like popping. Remember when Timberland did Adrian Young

2:04:50.960 --> 2:04:54.640
<v Speaker 1>sample being it was a magnet Carter. So, um, it

2:04:54.760 --> 2:04:56.160
<v Speaker 1>was like all right, cool, so we're gonna do this.

2:04:56.280 --> 2:04:57.760
<v Speaker 1>I thought the idea was crazy. I thought it was

2:04:57.800 --> 2:04:59.960
<v Speaker 1>a great idea, so we bought it the slaughter house.

2:05:00.480 --> 2:05:02.440
<v Speaker 1>They wasn't really super excited about it, but you could

2:05:02.480 --> 2:05:04.400
<v Speaker 1>tell they was willing to work and do it. We

2:05:04.480 --> 2:05:07.000
<v Speaker 1>all got on the call with Adrian and Ship. Adrian

2:05:07.040 --> 2:05:09.840
<v Speaker 1>sent a couple of ideas. I rapped right on the

2:05:09.880 --> 2:05:11.600
<v Speaker 1>ship sent it out to them, and they didn't move.

2:05:13.040 --> 2:05:16.720
<v Speaker 1>When Crookett don't move immediately on something because he threw

2:05:16.880 --> 2:05:18.520
<v Speaker 1>verses like that, you know what I'm saying. So if

2:05:18.520 --> 2:05:20.880
<v Speaker 1>he ain't sent in the verse immediately, I know, okay,

2:05:20.920 --> 2:05:23.120
<v Speaker 1>they're probably not that crazy about the idea. And how

2:05:23.120 --> 2:05:25.920
<v Speaker 1>I work with slaughter houses this, if everybody is crazy

2:05:25.960 --> 2:05:28.560
<v Speaker 1>about the idea, whatever were about to do is gonna

2:05:28.560 --> 2:05:33.120
<v Speaker 1>be classic. If everybody just showing up to work, you

2:05:33.240 --> 2:05:35.400
<v Speaker 1>never know how it's gonna turn out. So I just

2:05:35.480 --> 2:05:37.080
<v Speaker 1>felt like I didn't want to ruin the idea. I

2:05:37.120 --> 2:05:39.400
<v Speaker 1>didn't want to twist their arms and kind of like

2:05:39.520 --> 2:05:41.160
<v Speaker 1>forced him to do some ship that they wouldn't really

2:05:41.280 --> 2:05:43.720
<v Speaker 1>that into. Because I got I'm the dude in the group.

2:05:43.760 --> 2:05:45.720
<v Speaker 1>We got the relationship with everybody. I can talk everybody

2:05:45.720 --> 2:05:47.960
<v Speaker 1>in the group into doing whatever, you know what I'm saying.

2:05:48.040 --> 2:05:49.839
<v Speaker 1>So I didn't want to put them in that position.

2:05:50.720 --> 2:05:53.720
<v Speaker 1>So I took the idea to print what do you

2:05:53.800 --> 2:05:55.800
<v Speaker 1>think about doing it? Because he was already open to

2:05:55.920 --> 2:05:58.400
<v Speaker 1>do it for Slaughterhouse? What do you think about just

2:05:58.480 --> 2:06:02.800
<v Speaker 1>me and you doing it? And he was like all right.

2:06:02.880 --> 2:06:04.920
<v Speaker 1>So we started out just as idea as an EP

2:06:05.480 --> 2:06:10.400
<v Speaker 1>and then we recorded like four songs and Keno was like, man,

2:06:10.440 --> 2:06:14.680
<v Speaker 1>we we need more. You know what I'm saying. He

2:06:14.800 --> 2:06:17.120
<v Speaker 1>was like, we need more. So I talked preim and

2:06:17.320 --> 2:06:19.440
<v Speaker 1>doing a few more, and then eventually I got on

2:06:19.520 --> 2:06:20.760
<v Speaker 1>the phone with him and was like, what if we

2:06:20.880 --> 2:06:23.800
<v Speaker 1>just called ourselves something else besides just stej a Premier

2:06:23.880 --> 2:06:25.840
<v Speaker 1>Royce to five nine. So that's when I was like,

2:06:25.880 --> 2:06:28.600
<v Speaker 1>why don't we call ourselves Prim's make the PRR capital

2:06:29.160 --> 2:06:32.360
<v Speaker 1>for Premium Royce and then prime you know what I'm

2:06:32.360 --> 2:06:33.920
<v Speaker 1>saying that. He was just like all right, cool, and

2:06:34.000 --> 2:06:38.240
<v Speaker 1>then from there were just a group okay, But then

2:06:42.120 --> 2:06:45.800
<v Speaker 1>what happens this guys come out with Part one. People

2:06:45.960 --> 2:06:49.880
<v Speaker 1>hear it, well, hip hops this understand what's going on

2:06:50.040 --> 2:06:52.640
<v Speaker 1>a lot of people slept on it. But then you

2:06:52.760 --> 2:07:01.600
<v Speaker 1>go upstairs the Master Flex Hot nineties seven and you

2:07:05.800 --> 2:07:09.800
<v Speaker 1>but you're doing it's such a comfortable level. It's like

2:07:10.040 --> 2:07:13.360
<v Speaker 1>I could look at it and say, that's a real m. See,

2:07:13.960 --> 2:07:15.320
<v Speaker 1>like a lot of people would be like he she

2:07:15.520 --> 2:07:19.760
<v Speaker 1>went this little thing. She was just like, you're looking

2:07:19.800 --> 2:07:23.160
<v Speaker 1>at you just the way you You were just telling

2:07:23.280 --> 2:07:25.480
<v Speaker 1>like you used to this, like this is what I do.

2:07:27.520 --> 2:07:33.440
<v Speaker 1>But and it made me actually like, look at how

2:07:33.520 --> 2:07:36.040
<v Speaker 1>many people started to respect you from that moment, as

2:07:36.120 --> 2:07:39.000
<v Speaker 1>if you ain't been doing this for years. But there

2:07:39.080 --> 2:07:42.360
<v Speaker 1>was so many people like y'all did you shep rice then?

2:07:42.760 --> 2:07:45.040
<v Speaker 1>And I'm just like, damn, but how did you feel

2:07:45.040 --> 2:07:47.960
<v Speaker 1>at that moment? Like I knew I wanted to do

2:07:48.120 --> 2:07:51.040
<v Speaker 1>my best, you know what I'm saying, Like, and I

2:07:51.160 --> 2:07:53.240
<v Speaker 1>got into it. I got to a point in my career, man,

2:07:53.280 --> 2:07:55.080
<v Speaker 1>where I just start telling myself and like, I don't

2:07:55.120 --> 2:07:58.240
<v Speaker 1>want to really do nothing else if I can't make

2:07:58.280 --> 2:08:00.520
<v Speaker 1>an impact when I do it. So basically what I'm

2:08:00.560 --> 2:08:03.760
<v Speaker 1>telling myself is do your best with no matter what

2:08:03.880 --> 2:08:06.280
<v Speaker 1>you do, just put your best foot forward. So when

2:08:06.320 --> 2:08:10.000
<v Speaker 1>Flex hit me about coming up there, which everybody had

2:08:10.040 --> 2:08:11.840
<v Speaker 1>pretty much been spamming, I'm saying Yo, you need to

2:08:11.880 --> 2:08:14.120
<v Speaker 1>get Royce up there. After Tarik did what he did,

2:08:14.120 --> 2:08:16.960
<v Speaker 1>after Black Thought did what he did up it was like,

2:08:17.080 --> 2:08:19.200
<v Speaker 1>it's not really too many other mcs you can call

2:08:19.880 --> 2:08:22.880
<v Speaker 1>to go up there and do something even remotely close

2:08:22.920 --> 2:08:25.480
<v Speaker 1>to the magnitude of what that man did. So he

2:08:25.640 --> 2:08:27.160
<v Speaker 1>was just hitting me like, Yo, you know it's time.

2:08:27.200 --> 2:08:29.360
<v Speaker 1>You know it's time. And I just kept telling him like, look, man,

2:08:29.960 --> 2:08:33.280
<v Speaker 1>I'm gonna come up there when the time is right,

2:08:33.440 --> 2:08:34.920
<v Speaker 1>you know what I'm saying, Like, I'm still working on

2:08:35.000 --> 2:08:36.880
<v Speaker 1>an album, working on like a bunch of different things

2:08:36.920 --> 2:08:39.360
<v Speaker 1>at the same time. I promise you, bro, as soon

2:08:39.400 --> 2:08:41.600
<v Speaker 1>as I'm ready for rollout, I'm coming to see you,

2:08:41.720 --> 2:08:44.000
<v Speaker 1>I promise you. And then, you know, when when I

2:08:44.200 --> 2:08:45.800
<v Speaker 1>finally got done with the albums and I had a

2:08:45.880 --> 2:08:47.600
<v Speaker 1>little bit of breathing room and I had some time

2:08:47.640 --> 2:08:50.760
<v Speaker 1>to like memorize a few things, I was like, fucking

2:08:50.760 --> 2:08:53.680
<v Speaker 1>I'm gonna go do it. What was it like ten

2:08:53.760 --> 2:09:04.120
<v Speaker 1>minutes something like that. But mind you, the first time

2:09:04.320 --> 2:09:09.240
<v Speaker 1>was successful. It was a successful yea, independent It wasn't.

2:09:09.280 --> 2:09:13.240
<v Speaker 1>It wasn't like like the thing about it was the

2:09:13.360 --> 2:09:16.080
<v Speaker 1>second if I felt like this is me personally just

2:09:16.200 --> 2:09:19.000
<v Speaker 1>looking from the outside, there was I felt like from

2:09:19.080 --> 2:09:22.080
<v Speaker 1>that freestyle on like it was like the industry went

2:09:22.240 --> 2:09:26.680
<v Speaker 1>back and like rediscovered there that particularly discovery discography. It

2:09:26.880 --> 2:09:29.760
<v Speaker 1>was like you know what, and then now brob Want

2:09:29.840 --> 2:09:31.920
<v Speaker 1>is a classic. And now I'm just saying that this

2:09:32.040 --> 2:09:35.440
<v Speaker 1>is just the way these fans are they from. Yeah,

2:09:35.480 --> 2:09:38.880
<v Speaker 1>we we you know, we're speaking, we speaking. We're speaking

2:09:38.920 --> 2:09:43.680
<v Speaker 1>to a whole different demographic of people, like different, they're different.

2:09:43.720 --> 2:09:46.600
<v Speaker 1>Now you're speaking to people that want beats and rhymes,

2:09:46.920 --> 2:09:51.680
<v Speaker 1>and unfortunately those people are not at the forefront. The forefront.

2:09:51.720 --> 2:09:54.960
<v Speaker 1>People want to do the name they yeah, they want

2:09:54.960 --> 2:09:58.480
<v Speaker 1>to just say they want to do was that dance?

2:10:01.240 --> 2:10:06.720
<v Speaker 1>What was that? I wasn't listening to this Yeah yeah,

2:10:07.480 --> 2:10:10.080
<v Speaker 1>yeah I was. I can't do this, ship man, whatever

2:10:10.160 --> 2:10:19.320
<v Speaker 1>you do, I can't do it. I'm I was up. Yeah,

2:10:19.560 --> 2:10:22.280
<v Speaker 1>what I'm saying, it's a different generation, man, this is

2:10:22.320 --> 2:10:28.040
<v Speaker 1>a different generation. But um, what did you love? All right? Um?

2:10:28.560 --> 2:10:30.920
<v Speaker 1>What do you love about the new generation? Like I

2:10:31.240 --> 2:10:34.200
<v Speaker 1>heard you big up Big Sean. I like that, you know, um,

2:10:34.480 --> 2:10:38.280
<v Speaker 1>you know you're being the older G from Detroit at

2:10:38.360 --> 2:10:40.800
<v Speaker 1>him being a younger G from Detroit, And I love

2:10:40.880 --> 2:10:42.320
<v Speaker 1>with Big Sean is doing. Me and him had a

2:10:42.400 --> 2:10:45.880
<v Speaker 1>little crazy ship. But if you know, I'm done, We're done.

2:10:46.240 --> 2:10:49.880
<v Speaker 1>We saw each other. But um, but I like the

2:10:50.040 --> 2:10:54.640
<v Speaker 1>fact that you co signed your younger generation. Why isn't

2:10:54.720 --> 2:10:57.160
<v Speaker 1>that more of that happening in the hip hop where

2:10:57.200 --> 2:11:00.360
<v Speaker 1>people just see their their younger geez and say, you

2:11:00.400 --> 2:11:02.440
<v Speaker 1>know what, I'm a I'm a big big that up

2:11:04.280 --> 2:11:08.160
<v Speaker 1>me personally, man, I learned. I learned how important it

2:11:08.280 --> 2:11:14.240
<v Speaker 1>is so um to get support from your peers, you know,

2:11:14.520 --> 2:11:17.040
<v Speaker 1>like this, the few the few people that supported me

2:11:17.120 --> 2:11:21.000
<v Speaker 1>when I was young, like the way it affected me.

2:11:21.080 --> 2:11:24.960
<v Speaker 1>It spoke abundantly to me, Like Bumby did that. He

2:11:25.040 --> 2:11:27.200
<v Speaker 1>called me out of nowhere. I never met him before.

2:11:28.080 --> 2:11:29.800
<v Speaker 1>I just I was it was way back in the day.

2:11:29.800 --> 2:11:32.560
<v Speaker 1>I was like releasing freestyles and ship online and it

2:11:32.680 --> 2:11:34.280
<v Speaker 1>was kind of like tearing it up, you know what

2:11:34.320 --> 2:11:37.400
<v Speaker 1>I'm saying. And he called me Mr Porter hit me

2:11:37.600 --> 2:11:40.560
<v Speaker 1>was like, yo, Bumby is looking for you. So I'm like, oh, ship.

2:11:40.680 --> 2:11:42.120
<v Speaker 1>So I get on the phone with Bunn and Bun

2:11:42.320 --> 2:11:44.800
<v Speaker 1>is basically like, look, I don't want nothing. I'll just

2:11:44.880 --> 2:11:47.280
<v Speaker 1>call him to let you know that you're doing good

2:11:47.320 --> 2:11:50.000
<v Speaker 1>out there. So whatever you're doing Just keep doing that

2:11:50.120 --> 2:11:52.600
<v Speaker 1>and you're gonna be all right right there, he said.

2:11:53.080 --> 2:11:55.120
<v Speaker 1>He said, if you ever need anything for me, this

2:11:55.320 --> 2:11:57.160
<v Speaker 1>is my number. And I just want you to know

2:11:57.280 --> 2:11:58.720
<v Speaker 1>that I support you and I want you to keep

2:11:58.720 --> 2:12:02.320
<v Speaker 1>doing what you're doing. And that ship, like y'all took

2:12:02.360 --> 2:12:03.880
<v Speaker 1>a page from his book and was like, Yo, this

2:12:04.000 --> 2:12:06.120
<v Speaker 1>is how I want to be. So when I started

2:12:06.120 --> 2:12:08.280
<v Speaker 1>getting a little bit up there in age and the

2:12:08.400 --> 2:12:10.520
<v Speaker 1>younger artists, I wanted to be viewed by them as

2:12:10.640 --> 2:12:13.320
<v Speaker 1>that I don't want to be. This just looked at

2:12:13.400 --> 2:12:15.280
<v Speaker 1>is this old bider guy who got a problem with

2:12:15.440 --> 2:12:17.320
<v Speaker 1>not being able to have alarm light all the time.

2:12:17.360 --> 2:12:19.680
<v Speaker 1>You can't. I can't let go of what he used

2:12:19.720 --> 2:12:22.320
<v Speaker 1>to be or what he his capabilities could have been.

2:12:22.800 --> 2:12:25.440
<v Speaker 1>You know what I'm saying, Like, I'm really happy with

2:12:25.600 --> 2:12:27.960
<v Speaker 1>my journey and I want to I wanna I want to.

2:12:28.120 --> 2:12:30.320
<v Speaker 1>I want the way that I moved and my energy

2:12:30.400 --> 2:12:32.800
<v Speaker 1>to reflect that ship. You know what I'm saying. When

2:12:32.840 --> 2:12:34.560
<v Speaker 1>I was when I was talking a bun, I felt

2:12:34.600 --> 2:12:36.480
<v Speaker 1>like I was talking to a nigger who was comfortable

2:12:36.520 --> 2:12:38.960
<v Speaker 1>in his skin. You know what I'm saying, Like, that's

2:12:39.000 --> 2:12:40.720
<v Speaker 1>what success is to me. You know what I'm saying.

2:12:40.920 --> 2:12:44.040
<v Speaker 1>So that's why he shows big. That's one of the reasons.

2:12:44.120 --> 2:12:47.400
<v Speaker 1>And then you know, like Detroit is we always lack unity,

2:12:47.720 --> 2:12:49.960
<v Speaker 1>you know what I mean. So everything that happened, yeah,

2:12:50.000 --> 2:12:52.080
<v Speaker 1>every everything that happened with me and detwelve and ship

2:12:52.240 --> 2:12:54.400
<v Speaker 1>like that, and how it affected me and M's personal

2:12:54.440 --> 2:12:58.480
<v Speaker 1>relationship and how it affected our success and the way

2:12:58.560 --> 2:13:03.080
<v Speaker 1>we reviewed. Feel like every generation that came after us

2:13:03.160 --> 2:13:05.200
<v Speaker 1>needs to look at us, what came out of it,

2:13:05.960 --> 2:13:07.800
<v Speaker 1>Look at us. What can you learn from it? How

2:13:07.880 --> 2:13:09.560
<v Speaker 1>can we make the city better, How can we do

2:13:09.680 --> 2:13:11.960
<v Speaker 1>better as a city, And how can you do better

2:13:12.040 --> 2:13:14.160
<v Speaker 1>as an artist? When your city is in the know

2:13:14.320 --> 2:13:16.440
<v Speaker 1>as well? Like in the city, when your city knows

2:13:16.520 --> 2:13:18.520
<v Speaker 1>how to do better, you'll do better, you know what

2:13:18.600 --> 2:13:20.960
<v Speaker 1>I mean. So we got to support each other, you

2:13:21.000 --> 2:13:23.240
<v Speaker 1>know what I mean. Like that's just part of it.

2:13:23.280 --> 2:13:25.920
<v Speaker 1>And even you look at like the way Miami, you know,

2:13:26.000 --> 2:13:28.440
<v Speaker 1>when Miami came together and they you know, Calid had

2:13:28.480 --> 2:13:31.120
<v Speaker 1>everybody on records at the same time, and he was

2:13:31.200 --> 2:13:33.640
<v Speaker 1>pushing unity and ship like that, and how much it

2:13:33.800 --> 2:13:36.360
<v Speaker 1>helped the culture, how much it helped Miami is a

2:13:36.400 --> 2:13:41.760
<v Speaker 1>city and little she from from Detroit So what happened

2:13:42.080 --> 2:13:45.520
<v Speaker 1>because recently I've seen that the city of Detroit gave

2:13:45.720 --> 2:13:50.960
<v Speaker 1>Cardi B. Yeah, the Detroit Citizen of the Year water,

2:13:51.120 --> 2:13:54.040
<v Speaker 1>So what was it? It gave her Citizen of the

2:13:54.160 --> 2:13:57.800
<v Speaker 1>year like that they gave her. I'm one point one point.

2:13:58.280 --> 2:14:02.800
<v Speaker 1>They gave her what on my point? Where talking about

2:14:02.840 --> 2:14:04.680
<v Speaker 1>look at this, let me look at little I can't

2:14:04.680 --> 2:14:07.760
<v Speaker 1>remember the name of the world. It was like it

2:14:07.880 --> 2:14:11.400
<v Speaker 1>was like it was like the Detroit. It was a

2:14:11.480 --> 2:14:13.600
<v Speaker 1>Detroit a war. Like if you ain't from Detroit, you

2:14:13.840 --> 2:14:17.440
<v Speaker 1>you ain't. You shouldn't witness spirited Detroit. Spirited Detroit. I'm

2:14:17.520 --> 2:14:21.200
<v Speaker 1>fucking that's that's damn the same thing. Yeah, you gotta

2:14:21.240 --> 2:14:24.560
<v Speaker 1>be from the mode motherfucking city, but she's not. And

2:14:24.640 --> 2:14:27.160
<v Speaker 1>I love Let me just go this out there. I

2:14:27.400 --> 2:14:32.680
<v Speaker 1>love Cardi being Cardi B. As my sister graduates album.

2:14:35.160 --> 2:14:38.640
<v Speaker 1>Were looking at Cardi bees first time she was ever

2:14:38.800 --> 2:14:42.400
<v Speaker 1>on screen. You can look at the Towel Down video

2:14:42.520 --> 2:14:45.000
<v Speaker 1>if you want to revote TV. Right now, we will

2:14:45.000 --> 2:14:48.200
<v Speaker 1>be playing a clip of the Towel Down video featuring

2:14:48.280 --> 2:14:52.320
<v Speaker 1>Normy feature in French Montana when push your Tea and

2:14:52.560 --> 2:14:56.720
<v Speaker 1>two chains and Cardi B is actually in my video

2:14:57.160 --> 2:14:59.120
<v Speaker 1>the first time you ever see it. So I love

2:14:59.200 --> 2:15:01.160
<v Speaker 1>the ship out of So this is this is not

2:15:01.280 --> 2:15:05.200
<v Speaker 1>what I'm saying. But Cardi B did get the actual

2:15:05.440 --> 2:15:09.200
<v Speaker 1>spirit of Spirit of Detroit Awards. And what happened was

2:15:09.600 --> 2:15:13.200
<v Speaker 1>the city of Detroit ropted. They really didn't like that.

2:15:13.680 --> 2:15:16.520
<v Speaker 1>And as much of a support I am a Cardi

2:15:16.560 --> 2:15:19.320
<v Speaker 1>Bill as much I love it, I felt like just

2:15:19.480 --> 2:15:22.840
<v Speaker 1>the Detroit I did understood it because Detroit. Let's just

2:15:22.920 --> 2:15:25.280
<v Speaker 1>be clear, it should have went to a person from Detroit.

2:15:25.360 --> 2:15:28.120
<v Speaker 1>If it's a Detroit spirit, Yes, it's the mind frame.

2:15:28.880 --> 2:15:30.960
<v Speaker 1>It's the mind frame of the people in Detroit, like

2:15:31.080 --> 2:15:33.120
<v Speaker 1>some of the people in Detroit. That has to change

2:15:34.080 --> 2:15:36.400
<v Speaker 1>before we could like really get to where we need

2:15:36.480 --> 2:15:39.360
<v Speaker 1>to be as a city. Not individually. You know, I'm

2:15:39.400 --> 2:15:41.920
<v Speaker 1>gonna always achieve whatever I'm gonna achieve his Roice, you

2:15:41.960 --> 2:15:43.840
<v Speaker 1>know what I mean. But just us as a city,

2:15:44.480 --> 2:15:46.839
<v Speaker 1>you know, we got the whole Detroit versus Everybody movement.

2:15:47.520 --> 2:15:48.880
<v Speaker 1>And like I was saying on that clip that I

2:15:48.960 --> 2:15:51.560
<v Speaker 1>put on my Instagram, until everybody is in the right

2:15:51.640 --> 2:15:53.920
<v Speaker 1>mind frame, those are just letters on the on the shirt.

2:15:54.640 --> 2:15:57.360
<v Speaker 1>It don't really mean nothing. If we're not kind of

2:15:57.440 --> 2:15:59.280
<v Speaker 1>like standing by, like if you if you want to

2:15:59.320 --> 2:16:01.880
<v Speaker 1>just look at it for what it is. None of

2:16:01.920 --> 2:16:04.960
<v Speaker 1>these awards really mean anything, you know what I mean,

2:16:05.080 --> 2:16:09.600
<v Speaker 1>So it's like you're giving it the CARDI b. I'm

2:16:09.640 --> 2:16:13.400
<v Speaker 1>sure there's people in Detroit whom are deserving of it,

2:16:14.680 --> 2:16:19.240
<v Speaker 1>and they can somehow help boost their confidence into doing

2:16:19.320 --> 2:16:24.560
<v Speaker 1>something else. The whole city. It's the perfect word. The morale.

2:16:24.760 --> 2:16:26.680
<v Speaker 1>The morale is low in Detroit. That's what That's what

2:16:26.800 --> 2:16:30.120
<v Speaker 1>we're missing. So little things like that, looking out for

2:16:30.280 --> 2:16:32.480
<v Speaker 1>our own first like other cities do, looking out for

2:16:32.520 --> 2:16:34.520
<v Speaker 1>our own first, will help boost the morale and out

2:16:34.560 --> 2:16:36.120
<v Speaker 1>of help get us what we need to see. I

2:16:36.240 --> 2:16:38.520
<v Speaker 1>understood why they gave it a ward, because what they're

2:16:38.520 --> 2:16:40.760
<v Speaker 1>trying to say it's just coming from nothing and making

2:16:40.840 --> 2:16:43.800
<v Speaker 1>something out of it. But I also understood you guys

2:16:43.879 --> 2:16:46.560
<v Speaker 1>stance when he was like yo, you know, because you guys,

2:16:47.080 --> 2:16:55.880
<v Speaker 1>these guys, but they were just like, you know what,

2:16:56.400 --> 2:17:00.440
<v Speaker 1>dis awards should have stayed in Detroit to Troit. That's

2:17:01.560 --> 2:17:04.840
<v Speaker 1>the award is own let her own city. Sheree deserves

2:17:04.879 --> 2:17:06.320
<v Speaker 1>to be the spirit of New York. Let her get

2:17:06.440 --> 2:17:08.480
<v Speaker 1>let me. That's what I'm saying, Like it's the title.

2:17:08.560 --> 2:17:11.240
<v Speaker 1>That doesn't make really sense. Now, worts what kind of

2:17:11.320 --> 2:17:16.000
<v Speaker 1>watches that? Okay, I thought that was a blow because

2:17:16.480 --> 2:17:18.840
<v Speaker 1>because that's a Gucci jacket. That's correct. You guys are

2:17:18.879 --> 2:17:23.760
<v Speaker 1>talking man rich world coming, very rich, come all right,

2:17:24.160 --> 2:17:27.040
<v Speaker 1>very rich over. Thank you. Yeah, man, I'm gonna be honest.

2:17:29.520 --> 2:17:31.840
<v Speaker 1>You got the post. He was like the first nigga

2:17:32.360 --> 2:17:35.240
<v Speaker 1>that had the Panamera. I'm gonna be honest. No, I

2:17:35.360 --> 2:17:38.160
<v Speaker 1>was the first nigga with to CE seven vet see um.

2:17:38.840 --> 2:17:42.040
<v Speaker 1>I don't even know what that is. Corvette Corvette, Corvette

2:17:42.440 --> 2:17:44.720
<v Speaker 1>see seven when they first changed the body type. Okay,

2:17:45.120 --> 2:17:47.440
<v Speaker 1>so I got mine, and you know every that's a

2:17:47.560 --> 2:17:49.720
<v Speaker 1>white boy call just throwing it out. Not Detroit, No,

2:17:51.200 --> 2:17:58.040
<v Speaker 1>not from New Yorker, I don't care. So all right, cool,

2:17:58.120 --> 2:18:01.039
<v Speaker 1>So because I'm from Detroit, this is one time we're

2:18:01.080 --> 2:18:04.800
<v Speaker 1>being from Detroit. Worked in my favorite one time. So

2:18:05.040 --> 2:18:07.040
<v Speaker 1>since we don't have a lot of celebrities in Detroit,

2:18:07.400 --> 2:18:09.840
<v Speaker 1>we got this list that you can get on. So

2:18:10.000 --> 2:18:12.160
<v Speaker 1>just dude to on this Ferrari dealership who I'm cool with.

2:18:12.680 --> 2:18:15.680
<v Speaker 1>He got me on this list where he was like,

2:18:15.760 --> 2:18:17.400
<v Speaker 1>if you was on this list and Callie, you would

2:18:17.440 --> 2:18:19.040
<v Speaker 1>be on the list with like Robert de Niro and

2:18:19.120 --> 2:18:22.600
<v Speaker 1>names like that. So I got like the fifth Corvette

2:18:22.680 --> 2:18:24.760
<v Speaker 1>off the assembly line, so I was like the first.

2:18:24.800 --> 2:18:27.040
<v Speaker 1>I was. I had it before anybody could even lease it.

2:18:28.879 --> 2:18:31.240
<v Speaker 1>I was the first one. Just like how you say

2:18:31.320 --> 2:18:33.920
<v Speaker 1>with these glasses. I was driving it because I had

2:18:34.000 --> 2:18:35.680
<v Speaker 1>rigs on it before anybody even seen it. So I

2:18:35.760 --> 2:18:37.640
<v Speaker 1>was I was driving that. People thought it was a

2:18:37.680 --> 2:18:39.240
<v Speaker 1>Ferrari that was putting up next to me, like Yo,

2:18:39.280 --> 2:18:41.560
<v Speaker 1>what the fund is that? It's a Corvette. It's called

2:18:41.560 --> 2:18:44.120
<v Speaker 1>a C seven. So I just think everybody should know

2:18:44.120 --> 2:18:45.440
<v Speaker 1>that I was the first. You killed it. I'm going

2:18:45.440 --> 2:18:48.400
<v Speaker 1>on my car deal on top and we're like, yo,

2:18:48.440 --> 2:18:54.720
<v Speaker 1>what the fun is going on? Yeah? Yeah, yeah makes

2:18:54.760 --> 2:19:05.160
<v Speaker 1>a soil roye. Yes, sir. Hip hop it started out

2:19:05.200 --> 2:19:11.359
<v Speaker 1>in the park. M hm. You've seen every fucking shape

2:19:11.400 --> 2:19:14.440
<v Speaker 1>of hip hop. You've seen it. You see from where

2:19:14.440 --> 2:19:19.440
<v Speaker 1>it is now, you see from where it's going. What's

2:19:19.480 --> 2:19:22.640
<v Speaker 1>your favorite part of hip hop? My favorite part of it?

2:19:23.959 --> 2:19:28.600
<v Speaker 1>It doesn't matter anything, you mean, when you break down

2:19:28.720 --> 2:19:31.640
<v Speaker 1>like rapping, graffiti, break dance and ship like that, it

2:19:31.720 --> 2:19:34.080
<v Speaker 1>don't even it don't even matter. Yeah, I think that.

2:19:34.160 --> 2:19:36.800
<v Speaker 1>I think bars is always gonna be my favorite no

2:19:36.920 --> 2:19:41.040
<v Speaker 1>matter no matter what my ages, I never grow out

2:19:41.120 --> 2:19:45.360
<v Speaker 1>of dope. Bars bars are like that's that's like my

2:19:45.480 --> 2:19:49.160
<v Speaker 1>favorite component. That's why you know, like to me, bars

2:19:49.320 --> 2:19:52.840
<v Speaker 1>is like technique. It's what you're saying, but it's also

2:19:52.879 --> 2:19:55.560
<v Speaker 1>the technique is to flow. That's why I prefer M's

2:19:55.600 --> 2:19:59.600
<v Speaker 1>renegade versus over holes. I relate to homes more you

2:19:59.760 --> 2:20:04.720
<v Speaker 1>just him a technical standpoint. I prefer M because how

2:20:04.800 --> 2:20:06.360
<v Speaker 1>I fell in love with hip hop, you know, like

2:20:06.480 --> 2:20:08.480
<v Speaker 1>I fell in love with the cadences and the technique

2:20:08.560 --> 2:20:10.360
<v Speaker 1>somebody coming with a new voice, Like when Snoop came

2:20:10.400 --> 2:20:13.680
<v Speaker 1>out with that fucking voice doggy style, I mean, should

2:20:13.680 --> 2:20:18.320
<v Speaker 1>he change that change? Yeah? He was like we all

2:20:18.400 --> 2:20:23.160
<v Speaker 1>like it was something brand Yeah. So that's my favorite

2:20:23.160 --> 2:20:27.280
<v Speaker 1>aspect of it, you know, like something new with styles Drake.

2:20:27.360 --> 2:20:29.240
<v Speaker 1>Drake is real dope with that man like coming with

2:20:29.360 --> 2:20:31.560
<v Speaker 1>like new flows and ship I think gets you kind

2:20:31.600 --> 2:20:35.240
<v Speaker 1>of back excited about Dan. But I'm not standing up

2:20:35.240 --> 2:20:42.640
<v Speaker 1>the stage. He's he's something else beyond an MC after that,

2:20:42.920 --> 2:20:45.840
<v Speaker 1>Like he's he definitely could spit and he can make

2:20:46.000 --> 2:20:52.360
<v Speaker 1>songs altogether. What I'm saying, so word the greatest Box

2:20:52.480 --> 2:20:56.199
<v Speaker 1>up all times. I'm gonna go with Sugar Ray Robinson

2:20:56.280 --> 2:21:02.640
<v Speaker 1>without even thinking Sugar Ray Robinson killed a man in

2:21:02.680 --> 2:21:06.440
<v Speaker 1>the ring. Who you got he killed somebody in the ring? Yeah. See.

2:21:06.760 --> 2:21:10.160
<v Speaker 1>And I'm disagreeing with you, not because I think you're wrong.

2:21:11.080 --> 2:21:13.280
<v Speaker 1>I'm disagreeing with you because I just want to base

2:21:13.520 --> 2:21:16.240
<v Speaker 1>the greatest box of all time for all the fights

2:21:16.320 --> 2:21:19.120
<v Speaker 1>that I've seen in my own eyes. Okay, so this

2:21:19.240 --> 2:21:22.000
<v Speaker 1>is the reason why I don't pick Ali. I picked

2:21:22.040 --> 2:21:25.840
<v Speaker 1>Floyd Maywell. That's the greatest of all time in my opinion, Okay,

2:21:27.000 --> 2:21:31.080
<v Speaker 1>because I've seen all his fights, like all the Allies fights,

2:21:31.640 --> 2:21:35.080
<v Speaker 1>I probably seen them. But if I wasn't alive to

2:21:35.200 --> 2:21:37.680
<v Speaker 1>see someone live through those moments, I didn't live. So

2:21:37.879 --> 2:21:42.240
<v Speaker 1>I can't feel like like I lived through Tyson's all

2:21:42.440 --> 2:21:45.000
<v Speaker 1>the Tyson's moments, but I also lived through all the

2:21:45.080 --> 2:21:51.359
<v Speaker 1>Tyson's just you know, he's down, so I can't technically

2:21:51.560 --> 2:21:57.119
<v Speaker 1>root for him. I love him, but Floyd, I felt

2:21:57.160 --> 2:22:01.080
<v Speaker 1>like I grew up with him. We went through puberty

2:22:01.160 --> 2:22:07.360
<v Speaker 1>together and then we actually was grown people together, and

2:22:07.640 --> 2:22:11.360
<v Speaker 1>he hasn't disappointed me. I do not want him to

2:22:11.480 --> 2:22:15.160
<v Speaker 1>go to have one fight in the UFC. Do not.

2:22:17.080 --> 2:22:18.720
<v Speaker 1>If if that they could do that, I might cry.

2:22:19.320 --> 2:22:26.120
<v Speaker 1>Listen to me, I do not. I don't think he's

2:22:26.160 --> 2:22:32.320
<v Speaker 1>gonna do it what I didn't. He might be one

2:22:32.360 --> 2:22:41.560
<v Speaker 1>more seven, not one Floyd to ever fight you f C.

2:22:41.879 --> 2:22:44.360
<v Speaker 1>I think it might be trolling. Man. We won. Were

2:22:44.440 --> 2:22:48.400
<v Speaker 1>from the boxing community. They came into our world one time.

2:22:48.840 --> 2:22:51.360
<v Speaker 1>We won. Let's get our one and done and that's it.

2:22:52.600 --> 2:22:54.840
<v Speaker 1>Like I used to play handball, I'll beat your handball once.

2:22:54.879 --> 2:22:57.480
<v Speaker 1>So let's sit and whatever. That's it. You won't get

2:22:57.560 --> 2:23:01.920
<v Speaker 1>a remac. I got a gun. What do you want

2:23:01.959 --> 2:23:03.480
<v Speaker 1>to do from here? They're gonna try and hurt that

2:23:03.560 --> 2:23:05.200
<v Speaker 1>boy over there if you go. I'm trying to tell

2:23:05.240 --> 2:23:07.760
<v Speaker 1>it because it's not gonna be McGregor. McGregor is a

2:23:07.879 --> 2:23:11.080
<v Speaker 1>thumb now. He threw ship at these other people, so

2:23:11.200 --> 2:23:13.160
<v Speaker 1>it's not gonna be with Greg's some other day that's

2:23:13.240 --> 2:23:18.360
<v Speaker 1>focused that don't want pussy, right, and that's gonna go

2:23:18.440 --> 2:23:22.120
<v Speaker 1>on the ring. You're gonna kick the ship and I

2:23:22.160 --> 2:23:24.800
<v Speaker 1>don't want that. That's an l for boxing. Man. We

2:23:24.840 --> 2:23:28.720
<v Speaker 1>can't take that. We can't tell you. So, so me

2:23:28.800 --> 2:23:31.160
<v Speaker 1>and you are green, we agree, But your greatest of

2:23:31.160 --> 2:23:34.800
<v Speaker 1>all time. That's Sugar Ray, Sugar Ray Robinson, Robinson, I

2:23:34.840 --> 2:23:37.480
<v Speaker 1>mean boxing, it's a lot like it's a lot like

2:23:37.600 --> 2:23:39.440
<v Speaker 1>hip hop. Man, that s got to be. Don't watch

2:23:39.480 --> 2:23:41.160
<v Speaker 1>a lot of hip hop because you have mad people

2:23:41.280 --> 2:23:43.600
<v Speaker 1>hype you up. But when you actually go on that booth,

2:23:43.680 --> 2:23:50.520
<v Speaker 1>it's only you that's okay, Joshua or Wilder man easily.

2:23:50.560 --> 2:23:54.360
<v Speaker 1>I'm picking Wilder easy, easy work. I knew men you

2:23:54.400 --> 2:23:59.560
<v Speaker 1>get along. I knew that's easy work. That's easier Anthony

2:23:59.640 --> 2:24:02.720
<v Speaker 1>josh with Anthony josh easy work, though, that's easy work. No,

2:24:03.040 --> 2:24:05.840
<v Speaker 1>I can't say this easy work, easy work. Joshua is

2:24:06.000 --> 2:24:09.640
<v Speaker 1>hitting hard. Listen, listen, this ain't no knock on Joshua's

2:24:09.640 --> 2:24:14.160
<v Speaker 1>punching power. Bro Please Deontay Wilder, Deontay Wilder, gotta hear

2:24:14.240 --> 2:24:17.960
<v Speaker 1>that guy. He got a different kind of make He

2:24:18.080 --> 2:24:21.000
<v Speaker 1>make a lot of mistakes, but so do Anthony Joshua.

2:24:21.480 --> 2:24:24.400
<v Speaker 1>They both make a lot of technical boxer mistakes. But

2:24:24.560 --> 2:24:27.200
<v Speaker 1>Deontay got a fire in him. Okay, what was the

2:24:27.280 --> 2:24:33.560
<v Speaker 1>last fight on Wilder? Hat um? He just would you

2:24:33.640 --> 2:24:36.200
<v Speaker 1>see there was a couple of mistakes that Wilder made.

2:24:36.360 --> 2:24:38.640
<v Speaker 1>Louise or Chiz is a better boxing you're a better

2:24:38.680 --> 2:24:42.560
<v Speaker 1>boxing But but the mistakes that Wilder made, could it

2:24:42.600 --> 2:24:48.439
<v Speaker 1>be detrimental to to Joshua because josh was very technical.

2:24:49.200 --> 2:24:52.680
<v Speaker 1>Just keep it real. Look, he's not Ortiz. Like if

2:24:52.720 --> 2:24:55.000
<v Speaker 1>he would have made those mistakes with Joshua, it might

2:24:55.080 --> 2:24:57.640
<v Speaker 1>have it might have cost him. I'm just keeping it real.

2:24:57.760 --> 2:25:03.160
<v Speaker 1>Like Deontay want to win, man, he got it. That's

2:25:03.480 --> 2:25:06.320
<v Speaker 1>the day. At the end of the day, I'm they

2:25:06.640 --> 2:25:08.760
<v Speaker 1>make it the way the way that the state that

2:25:08.800 --> 2:25:11.240
<v Speaker 1>the heavyweight division is in, it makes you focus on

2:25:11.360 --> 2:25:14.400
<v Speaker 1>what I'm saying. Like they both they both make they

2:25:14.480 --> 2:25:16.480
<v Speaker 1>both make mistakes. It's not gonna come down to who

2:25:16.520 --> 2:25:19.160
<v Speaker 1>the better boxing. It's gonna come down to who land first,

2:25:19.879 --> 2:25:23.080
<v Speaker 1>who wanted more. But Deante got a right hand that

2:25:23.240 --> 2:25:25.840
<v Speaker 1>we have not seen in boxing probably since Tommy Hearns.

2:25:26.280 --> 2:25:28.880
<v Speaker 1>And they end in the heavyweight division. But and this

2:25:29.040 --> 2:25:33.119
<v Speaker 1>is the UK's first actual champion and its first actually

2:25:33.240 --> 2:25:37.320
<v Speaker 1>black champion take a champaign. There's something about that. They

2:25:37.360 --> 2:25:40.280
<v Speaker 1>are eighty thousand deep at his fucking They can't fight

2:25:40.360 --> 2:25:42.720
<v Speaker 1>for him, they can't fight for him. But but but Royce,

2:25:42.800 --> 2:25:47.680
<v Speaker 1>let's just be clear, that's something that's crazy because Joshua

2:25:47.800 --> 2:25:51.960
<v Speaker 1>can actually say I'll fight you, but in London. You

2:25:52.160 --> 2:25:54.320
<v Speaker 1>beat him in London. But what I'm trying to say

2:25:54.480 --> 2:25:58.120
<v Speaker 1>is we don't actually know that feeling when everybody is

2:25:58.160 --> 2:26:01.880
<v Speaker 1>coming out boying, you get how to performing that. I

2:26:01.920 --> 2:26:05.800
<v Speaker 1>mean as artists, as artists, unless we have real beef

2:26:05.879 --> 2:26:09.080
<v Speaker 1>with somebody, like you can't go to Poland and these

2:26:09.200 --> 2:26:13.560
<v Speaker 1>the whole Poland buoy you. Yeah, he got this fight happens.

2:26:13.959 --> 2:26:16.959
<v Speaker 1>And I'm just talking about because because Wilder, because Wilder

2:26:17.560 --> 2:26:21.680
<v Speaker 1>is young. Still, let's just be clear, like how old

2:26:21.720 --> 2:26:24.520
<v Speaker 1>are you don't have to answer that I'm forty two,

2:26:24.840 --> 2:26:30.840
<v Speaker 1>I'm not forty. I'm forty and I'm forty. That's but

2:26:31.000 --> 2:26:33.720
<v Speaker 1>what I'm saying is as a person that's twenty seven,

2:26:33.920 --> 2:26:36.320
<v Speaker 1>I'm not saying that said I don't even know the age.

2:26:36.959 --> 2:26:41.000
<v Speaker 1>But we all think we mature. You don't really mature.

2:26:41.040 --> 2:26:44.680
<v Speaker 1>On to thirty five. Thirty five is after that you're like, man,

2:26:45.760 --> 2:26:48.800
<v Speaker 1>fun everything, I'm want to go to costcos today. This

2:26:48.959 --> 2:26:51.880
<v Speaker 1>is the thirty five. You actually have to get hit

2:26:51.959 --> 2:26:59.879
<v Speaker 1>that thirty five. Everybody here thirty five. It looks like yeah, okay, alright,

2:27:00.240 --> 2:27:03.000
<v Speaker 1>good look you're not You're in the Costles days. All right,

2:27:03.680 --> 2:27:05.720
<v Speaker 1>so when you're a thirty file, you're a cop. But

2:27:06.920 --> 2:27:10.320
<v Speaker 1>what I'm trying to say is I think that Josh

2:27:11.520 --> 2:27:20.920
<v Speaker 1>who he was born in I gotta take my story back. Then,

2:27:21.560 --> 2:27:23.920
<v Speaker 1>I don't understand what I was trying to go. I

2:27:23.959 --> 2:27:28.160
<v Speaker 1>thought he was twenty five, he's not. He's on the team.

2:27:28.320 --> 2:27:31.120
<v Speaker 1>And then wasn't Anthony Josh ahead google that Now you

2:27:31.280 --> 2:27:34.320
<v Speaker 1>might be Josh was only like he only like twenty

2:27:34.440 --> 2:27:43.360
<v Speaker 1>oh right, yeah, no, he a beast Anthony josh with

2:27:43.440 --> 2:27:45.480
<v Speaker 1>a beast man. Please don't think that. I'm not saying that.

2:27:46.280 --> 2:27:53.080
<v Speaker 1>But Deonte just recently want to fight. But I didn't

2:27:53.120 --> 2:27:54.560
<v Speaker 1>watch that fight because I knew he was gonna win.

2:27:54.560 --> 2:27:58.040
<v Speaker 1>As I knew he's gonna win it, did you? Yeah,

2:27:58.080 --> 2:28:01.440
<v Speaker 1>of course? Okay, it's the fight we're talking about, the

2:28:01.520 --> 2:28:05.520
<v Speaker 1>Joseph Parker fight, right Okay, oh yeah, they ain't that

2:28:06.840 --> 2:28:12.879
<v Speaker 1>after there was much you though, there's much more yellow

2:28:13.000 --> 2:28:16.760
<v Speaker 1>though they don't much the other four years of wal

2:28:17.320 --> 2:28:20.600
<v Speaker 1>So now we're going on a while. Though Wilder bro

2:28:21.120 --> 2:28:24.080
<v Speaker 1>against the Joshua, of course, I think he's gonna he's

2:28:24.080 --> 2:28:28.800
<v Speaker 1>gonna stop him. Cannello just got caught. What did he

2:28:28.840 --> 2:28:31.160
<v Speaker 1>get called for Rice. He was taking some ship called

2:28:31.200 --> 2:28:36.280
<v Speaker 1>cli clim Bauteral. It disappoints me, Rice, Yeah, mom my mom.

2:28:36.400 --> 2:28:39.879
<v Speaker 1>The only cool we we were boxing fans. I'll look

2:28:39.959 --> 2:28:42.039
<v Speaker 1>at your Twitter feed and this is that's how. That's

2:28:42.040 --> 2:28:44.360
<v Speaker 1>how I know your real boxing thinking. I was looking

2:28:44.400 --> 2:28:48.280
<v Speaker 1>at Twitter freedom like this Nickels saying everything. I don't know.

2:28:49.160 --> 2:28:54.240
<v Speaker 1>Are you not disappointed of Cannello? Some ship called cli

2:28:54.480 --> 2:28:58.480
<v Speaker 1>clim Bauteral steroid. I don't even want to try to

2:28:58.560 --> 2:29:01.320
<v Speaker 1>impeat what that's calls. It's some kind of steroid. I

2:29:01.360 --> 2:29:05.480
<v Speaker 1>don't know exactly what it does. But twice, Yeah, man,

2:29:05.520 --> 2:29:09.000
<v Speaker 1>I was disappointed. I was disappointed. Go over twice the fighter.

2:29:09.440 --> 2:29:14.480
<v Speaker 1>They're not fighting now. They just canceled it. Fu he

2:29:14.560 --> 2:29:18.520
<v Speaker 1>suspended Canello like one of my favorite fighters too. Yeah.

2:29:20.440 --> 2:29:27.240
<v Speaker 1>Am how you say how you saying this Spanish call

2:29:27.320 --> 2:29:33.520
<v Speaker 1>them that's buddy. How How disappointed was you? I'm disappointed.

2:29:33.560 --> 2:29:34.880
<v Speaker 1>I mean, that's like one of the only fights that

2:29:34.959 --> 2:29:38.560
<v Speaker 1>I really want to I want not a little besides,

2:29:38.680 --> 2:29:43.560
<v Speaker 1>you know, like Spence Verse Crawford. You got Spence versus Crawford,

2:29:44.320 --> 2:29:49.320
<v Speaker 1>My home girl, Spence Spence Girl Spence Verse. In my opinion,

2:29:49.480 --> 2:29:54.320
<v Speaker 1>the new may Weather. He's the main Weather. Don't play around. Well.

2:29:54.360 --> 2:29:57.320
<v Speaker 1>I think Tarance Crawford is the new Mayweather. I think

2:29:57.480 --> 2:30:02.560
<v Speaker 1>Terrice Crawford is a beast here beast too. That's my

2:30:02.640 --> 2:30:09.080
<v Speaker 1>guy guy as well. But each other Charon's Cowford is

2:30:09.120 --> 2:30:13.240
<v Speaker 1>fighting who well I'm saying, I'm just talking about the pass. No, no, no,

2:30:13.400 --> 2:30:14.800
<v Speaker 1>I'm sorry. I don't want I don't want people to

2:30:14.840 --> 2:30:17.400
<v Speaker 1>think that. No, that's not happening yet. But you know,

2:30:17.560 --> 2:30:19.400
<v Speaker 1>like when you look at every division, you see what

2:30:19.560 --> 2:30:21.680
<v Speaker 1>the super fighter that movie I was supposed to be.

2:30:22.360 --> 2:30:24.280
<v Speaker 1>So sometime in the future, that fight is gonna have

2:30:24.360 --> 2:30:27.480
<v Speaker 1>to happen. They can't avoid each other because they they

2:30:27.600 --> 2:30:30.120
<v Speaker 1>movements are too powerful. They running through everything moving, you

2:30:30.160 --> 2:30:32.199
<v Speaker 1>know what I'm saying. And it's the same with Canelo,

2:30:32.240 --> 2:30:36.680
<v Speaker 1>Triple G, Wilder, Joshua, those are like everything that's happening

2:30:36.720 --> 2:30:39.240
<v Speaker 1>in these divisions are leading up to these fights. So

2:30:39.920 --> 2:30:42.280
<v Speaker 1>and especially with how good the Canelo the Triple G

2:30:42.440 --> 2:30:45.360
<v Speaker 1>first fight was, It's like, yo, bro, you just funked

2:30:45.400 --> 2:30:48.600
<v Speaker 1>up the opportunity. Who did you think won that fight?

2:30:48.720 --> 2:30:50.840
<v Speaker 1>In the opinion, I gave it to get I gave

2:30:50.879 --> 2:30:52.880
<v Speaker 1>it the Triple G I gave it a triple g.

2:30:53.680 --> 2:30:56.960
<v Speaker 1>I gave I gave it a triple I'm not. I

2:30:57.120 --> 2:31:00.880
<v Speaker 1>was rooting for Cannelo though. I If they fighting, it's

2:31:00.879 --> 2:31:03.480
<v Speaker 1>not rude for nobody. If they fight again, Canella's gonna

2:31:03.480 --> 2:31:08.840
<v Speaker 1>stop him. He's gonna stop him, stop him if they fight.

2:31:09.040 --> 2:31:12.880
<v Speaker 1>If they fight again, I'm on that, I think. And

2:31:12.959 --> 2:31:16.280
<v Speaker 1>then now that so, now, are you familiar with the

2:31:16.400 --> 2:31:18.560
<v Speaker 1>steroid that they saying that they caught him with. I

2:31:18.680 --> 2:31:20.680
<v Speaker 1>heard of it before. I'm not. I'm not familiar with

2:31:22.760 --> 2:31:25.880
<v Speaker 1>because the weed, because they do put steroids in the meat,

2:31:25.959 --> 2:31:29.960
<v Speaker 1>so that's a valid Yeah, that's a that's an excuse

2:31:30.320 --> 2:31:32.320
<v Speaker 1>they got cold. He got cold it twice. So yeah,

2:31:33.440 --> 2:31:36.840
<v Speaker 1>heats a lot of them. He eats a lot of meat.

2:31:38.200 --> 2:31:41.800
<v Speaker 1>That was you're gonna say, if one's this is a

2:31:41.920 --> 2:31:48.240
<v Speaker 1>poss friendly podcast, you can say pausing, No, I just

2:31:48.320 --> 2:31:51.039
<v Speaker 1>really want to know, because I don't want to It's

2:31:51.080 --> 2:31:53.920
<v Speaker 1>like when somebody calls somebody a snitch. People call people

2:31:53.920 --> 2:31:57.640
<v Speaker 1>a snitch and they don't have no fucking you know,

2:31:58.360 --> 2:31:59.959
<v Speaker 1>like back in the days, you can't call him by

2:32:00.000 --> 2:32:02.320
<v Speaker 1>that you out of the paperwork. You have to show

2:32:02.400 --> 2:32:04.720
<v Speaker 1>these people this is what these snitch is the days

2:32:04.760 --> 2:32:08.320
<v Speaker 1>snitch is obviously snitch too, But now there's anybody who

2:32:08.400 --> 2:32:11.560
<v Speaker 1>said anybody's a snitch and everybody has to looking on it.

2:32:12.320 --> 2:32:14.760
<v Speaker 1>So when you say that, I think they have the

2:32:14.879 --> 2:32:19.200
<v Speaker 1>actual information for sure. As I said, he's a lot

2:32:19.280 --> 2:32:22.520
<v Speaker 1>of meat. Yeah. No, I'm not saying plar. I'm saying

2:32:22.840 --> 2:32:27.240
<v Speaker 1>to the people like, if cano is that, show me

2:32:27.959 --> 2:32:31.240
<v Speaker 1>what it is. Obviously it has to be something real

2:32:31.360 --> 2:32:33.480
<v Speaker 1>because they say this is the second time they caught

2:32:33.560 --> 2:32:37.080
<v Speaker 1>him with Yeah, I mean it's from what I hear,

2:32:37.760 --> 2:32:39.959
<v Speaker 1>like just looking at interviews from guys like Freddie Roach

2:32:40.000 --> 2:32:43.720
<v Speaker 1>and Ship, they're basically saying that that's always their excuse,

2:32:43.800 --> 2:32:45.560
<v Speaker 1>like the Mexican fighters and ship like that, when they

2:32:45.600 --> 2:32:48.400
<v Speaker 1>get caught doing something, they always they got their excuse

2:32:48.440 --> 2:32:50.560
<v Speaker 1>ready already. So I don't know if he really was

2:32:50.640 --> 2:32:52.320
<v Speaker 1>doing it or not. I just know that ship don't

2:32:52.360 --> 2:32:58.640
<v Speaker 1>look good. I suspended happening. Um what happened? Um? But

2:32:58.800 --> 2:33:03.760
<v Speaker 1>the guy who had to the ship dude die? Oh

2:33:03.920 --> 2:33:09.080
<v Speaker 1>that was they did, like uh not and prior not

2:33:09.680 --> 2:33:12.200
<v Speaker 1>and prior yeah they said he was, but do you

2:33:12.240 --> 2:33:15.800
<v Speaker 1>talk about when he fought a lection he didn't die

2:33:15.840 --> 2:33:20.560
<v Speaker 1>though he didn't die of him. Yeah, he stood out

2:33:21.040 --> 2:33:24.080
<v Speaker 1>and he had he had the ship on this. They

2:33:24.160 --> 2:33:26.040
<v Speaker 1>was accusing them and taking something. They were saying it

2:33:26.120 --> 2:33:30.120
<v Speaker 1>was something they caught. They caught some audio from the

2:33:30.160 --> 2:33:34.880
<v Speaker 1>actual audio says, give the take this bottle, the other bottle,

2:33:34.920 --> 2:33:36.879
<v Speaker 1>give me the other bottle is a real box of Yeah,

2:33:36.879 --> 2:33:38.520
<v Speaker 1>they gave him, They gave him that bottle. He drank

2:33:38.560 --> 2:33:40.440
<v Speaker 1>out of that bottom because he just came out the

2:33:40.520 --> 2:33:41.879
<v Speaker 1>round and he was tired. But then when he gave

2:33:41.959 --> 2:33:45.600
<v Speaker 1>him a special bottle, he came out smack into energy

2:33:45.640 --> 2:33:47.480
<v Speaker 1>and he just came out and just so what that

2:33:47.560 --> 2:33:51.879
<v Speaker 1>bottle have we don't know, We don't know to It's

2:33:51.920 --> 2:34:00.720
<v Speaker 1>like the olive you time to really also minds the

2:34:00.840 --> 2:34:06.560
<v Speaker 1>muscle cells and muscle proteins ands, which is why I

2:34:06.600 --> 2:34:15.000
<v Speaker 1>also sounds like a great energy drink. Not to be confused,

2:34:15.640 --> 2:34:27.240
<v Speaker 1>of course, it sounds fantastically horrible. So the boxing generation,

2:34:28.000 --> 2:34:32.240
<v Speaker 1>what do you see it going from there? Um, First

2:34:32.240 --> 2:34:34.280
<v Speaker 1>of all, I think boxing is in a great place

2:34:34.400 --> 2:34:37.320
<v Speaker 1>right now. First off, I just want you to cut

2:34:37.400 --> 2:34:40.160
<v Speaker 1>you off. And we have a podcast called a Drink

2:34:40.240 --> 2:34:43.600
<v Speaker 1>Champions Network, and we would like you to be our

2:34:43.720 --> 2:34:47.960
<v Speaker 1>boxing podcasts like for real we want you to be,

2:34:48.600 --> 2:34:52.240
<v Speaker 1>you know, the guy that files the fights cap so,

2:34:52.560 --> 2:34:55.480
<v Speaker 1>but I'm just saying, like I just watch all of them,

2:34:55.640 --> 2:34:58.040
<v Speaker 1>watch all and that's that's so dope because the thing

2:34:58.080 --> 2:35:01.360
<v Speaker 1>about it is your legend. So you're a legend hip hop.

2:35:01.959 --> 2:35:04.840
<v Speaker 1>So everybody can like actually sit back and say, you

2:35:04.920 --> 2:35:07.760
<v Speaker 1>know what I mean, that's what I did because I

2:35:07.840 --> 2:35:10.840
<v Speaker 1>looked and my father is a boxer. So that's the

2:35:10.920 --> 2:35:13.360
<v Speaker 1>reason why I'm so much into it. And the way

2:35:13.440 --> 2:35:17.080
<v Speaker 1>you're talking, you're talking like me, I'm like, I think

2:35:17.120 --> 2:35:19.520
<v Speaker 1>I know more than everybody. It's just me. It's just

2:35:19.600 --> 2:35:22.200
<v Speaker 1>who I am. You know. And when when he I

2:35:22.400 --> 2:35:24.720
<v Speaker 1>think I told more than everybody or I know more

2:35:24.760 --> 2:35:26.720
<v Speaker 1>than everybody, and then this thing is talking like me,

2:35:26.840 --> 2:35:35.160
<v Speaker 1>I'm like, he's dangerous. I'm seeing somebody who's me, Like,

2:35:35.240 --> 2:35:39.120
<v Speaker 1>who's me? It's not me. So instead up, instead of

2:35:39.200 --> 2:35:41.520
<v Speaker 1>trying to compete with you, I immediately want to get

2:35:41.560 --> 2:35:44.240
<v Speaker 1>down with you because that's something that hip hop. That's

2:35:44.280 --> 2:35:45.920
<v Speaker 1>what we have to do. The thing is we have

2:35:46.080 --> 2:35:49.280
<v Speaker 1>to start doing other hustles. And right there, right right there,

2:35:49.400 --> 2:35:53.000
<v Speaker 1>I can see you go into ah and every boxing match,

2:35:53.600 --> 2:35:56.520
<v Speaker 1>regardless of it's in Barclay's it's just such a such

2:35:56.720 --> 2:35:58.640
<v Speaker 1>and you're just covering the boxing match or some hip

2:35:58.680 --> 2:36:01.240
<v Speaker 1>hop ship. You don't gotta be in a world. You

2:36:01.280 --> 2:36:03.200
<v Speaker 1>don't gonna be in the world and doing like you

2:36:03.480 --> 2:36:10.200
<v Speaker 1>being unifor listen, nigga ship win damn you. We don't

2:36:10.240 --> 2:36:12.240
<v Speaker 1>even gotta We weren't gonna funk with them like we

2:36:12.400 --> 2:36:15.520
<v Speaker 1>just you'd be behind the scenes the boxing nigga of

2:36:15.840 --> 2:36:19.400
<v Speaker 1>our fucking generation point to us, they don't even gotta

2:36:19.400 --> 2:36:22.360
<v Speaker 1>funk with us, like the boxing generation. This hip hop

2:36:22.440 --> 2:36:25.360
<v Speaker 1>funk with us. That's it. Like like I watched Bill Moore,

2:36:25.440 --> 2:36:28.560
<v Speaker 1>I don't funk with news, but I watched Bill Moore.

2:36:29.200 --> 2:36:31.160
<v Speaker 1>I don't funk with news. I don't turn him off

2:36:31.200 --> 2:36:37.240
<v Speaker 1>and go to c CBS or CNN, Fox, you know,

2:36:37.560 --> 2:36:39.280
<v Speaker 1>or Fox and see him what he just said was

2:36:39.400 --> 2:36:43.160
<v Speaker 1>the truth. No, I just funk with his facts, whatever

2:36:43.240 --> 2:36:48.280
<v Speaker 1>his facts is. I'm working with that. I'm sorry, that's

2:36:48.400 --> 2:36:54.320
<v Speaker 1>part of the problems. Definitely create the solution. Let's create

2:36:54.360 --> 2:37:02.560
<v Speaker 1>the solution. This watch right in the bathroom where I

2:37:05.200 --> 2:37:18.879
<v Speaker 1>think no talk. Sorry, sorry, sadist, such thing I talk

2:37:18.959 --> 2:37:25.200
<v Speaker 1>about this mop shadow box of the check he said

2:37:27.120 --> 2:37:31.080
<v Speaker 1>was probably want to know. I'm just trying to get

2:37:31.080 --> 2:37:33.000
<v Speaker 1>off the dockroom. But this looks like Poppy on the

2:37:33.040 --> 2:37:36.880
<v Speaker 1>shop side, like I'm just scared again, I tell you,

2:37:37.000 --> 2:37:39.360
<v Speaker 1>and coming like that. This thing is fucking but on

2:37:39.520 --> 2:37:42.320
<v Speaker 1>you from the door. He's sucking throwing puncheon. So when

2:37:42.360 --> 2:37:45.240
<v Speaker 1>I go I go to my dad, I'm like throwing

2:37:45.320 --> 2:37:47.600
<v Speaker 1>out punches and ships. Yea the bun until you could

2:37:47.600 --> 2:37:51.800
<v Speaker 1>be mad weird, that's like that'sch I'm like, what who

2:37:51.879 --> 2:37:54.480
<v Speaker 1>fuses that? And that was a porter ricking box. And

2:37:54.560 --> 2:37:56.320
<v Speaker 1>then he went up to him and he's a pictures

2:37:56.360 --> 2:37:59.920
<v Speaker 1>and he came sat with us my psssts from not

2:38:00.520 --> 2:38:03.200
<v Speaker 1>just so you know that. You know, that's what all

2:38:03.440 --> 2:38:06.600
<v Speaker 1>real boxes do. At some point, they'll be hanging out

2:38:06.680 --> 2:38:08.560
<v Speaker 1>with you. They'll be chilling and they'll just get up

2:38:08.600 --> 2:38:13.520
<v Speaker 1>and shadow even like what the fucking role with this bicker,

2:38:13.959 --> 2:38:17.640
<v Speaker 1>I'll kick you, don't listen. I'm a real boxing fan.

2:38:18.040 --> 2:38:20.600
<v Speaker 1>I hung out with everybody from the niggas test here,

2:38:21.080 --> 2:38:23.440
<v Speaker 1>so the niggas just there and they all just at

2:38:23.520 --> 2:38:29.160
<v Speaker 1>one point it was like throw the combinations just be

2:38:29.280 --> 2:38:32.600
<v Speaker 1>walking somewhere, the walking to the bathroom. You're like, yo, nigger,

2:38:36.560 --> 2:38:40.920
<v Speaker 1>I swear to God this is that's not abnormal at all.

2:38:42.240 --> 2:38:48.200
<v Speaker 1>Sometimes you don't no, no, but but people, let me

2:38:48.280 --> 2:38:51.760
<v Speaker 1>just say you something. People who write rhymes and they

2:38:51.920 --> 2:38:55.880
<v Speaker 1>had they are a little bit more crazier than the

2:38:56.120 --> 2:39:00.520
<v Speaker 1>most And I don't mean crazier like what I mean

2:39:00.640 --> 2:39:06.520
<v Speaker 1>is you're talking about yeah big jay, like they're a

2:39:06.560 --> 2:39:10.040
<v Speaker 1>little bit more like for elmetric, for lack of a

2:39:10.120 --> 2:39:14.640
<v Speaker 1>better word, I want to say weirder because right around

2:39:15.160 --> 2:39:17.680
<v Speaker 1>usually you're supposed to say pulling it on, remember that

2:39:17.840 --> 2:39:21.119
<v Speaker 1>line and put it jotted down. But when you're you're

2:39:21.240 --> 2:39:28.000
<v Speaker 1>superseded that smartness, you also supersede that weirdness where it's

2:39:28.160 --> 2:39:31.240
<v Speaker 1>like kind of because just think about it, even when

2:39:31.240 --> 2:39:35.360
<v Speaker 1>you write the rhynd, you're looking weird as fuck because

2:39:35.400 --> 2:39:37.800
<v Speaker 1>you can't even communicate with somebody while you're doing it.

2:39:39.200 --> 2:39:45.920
<v Speaker 1>Like somebody said, with something up to it yeah yeah,

2:39:46.280 --> 2:39:49.879
<v Speaker 1>and you and they know you want to rolling talking

2:39:49.920 --> 2:39:53.200
<v Speaker 1>to yourself. You're actually talking to yourself, so you're just

2:39:53.480 --> 2:39:56.440
<v Speaker 1>weird as opposed to when you fit it on paper,

2:39:56.560 --> 2:39:58.920
<v Speaker 1>you put it on your phone. I go right on

2:39:59.000 --> 2:40:03.520
<v Speaker 1>line and like yeah cheese that yes you know I

2:40:03.640 --> 2:40:09.120
<v Speaker 1>want yes, I would like like blue cheese, okay, cool,

2:40:09.280 --> 2:40:11.200
<v Speaker 1>and you keep it going. But when you write in

2:40:11.280 --> 2:40:16.960
<v Speaker 1>your head, you gotta block out everything. You gotta block

2:40:17.040 --> 2:40:21.440
<v Speaker 1>out because if anybody say anything, you're gonna forget that.

2:40:21.520 --> 2:40:26.560
<v Speaker 1>You said the Dutch Master Blue right Ryan section two.

2:40:27.080 --> 2:40:30.720
<v Speaker 1>What you're gonna do a body with who you're gonna

2:40:30.840 --> 2:40:33.440
<v Speaker 1>You're gonna forget all that. So you have to just

2:40:33.560 --> 2:40:36.320
<v Speaker 1>stay there and you just stay focused. But then you're

2:40:36.360 --> 2:40:38.720
<v Speaker 1>not writing it down, so you have to stay focused.

2:40:38.800 --> 2:40:43.280
<v Speaker 1>To you, it's a weird thing. The weird. I salute

2:40:43.280 --> 2:40:46.400
<v Speaker 1>to everybody. Gon do it, salute everybody who does. I

2:40:46.440 --> 2:40:47.840
<v Speaker 1>had to do that. I had to do that ship

2:40:47.879 --> 2:40:50.000
<v Speaker 1>when you have to start learning how to write your

2:40:50.000 --> 2:40:52.360
<v Speaker 1>wrong when I first got sober, when I first started

2:40:52.400 --> 2:40:55.039
<v Speaker 1>writing again sober because there had been so many years

2:40:55.840 --> 2:41:04.160
<v Speaker 1>I couldn't write. I want to hear the sober. Yeah,

2:41:04.200 --> 2:41:06.320
<v Speaker 1>that ship was almost six years ago. And it was like,

2:41:06.959 --> 2:41:10.160
<v Speaker 1>what about you have a muslimoia right now? Right? You

2:41:10.280 --> 2:41:15.600
<v Speaker 1>have oils Muslim oiers, brother, Like that's like, that's that's

2:41:15.640 --> 2:41:21.520
<v Speaker 1>like Agyptian, It's like something like that. You know my

2:41:21.560 --> 2:41:24.800
<v Speaker 1>old school Muslim oil niggers? Is that? Am I correct

2:41:24.879 --> 2:41:27.879
<v Speaker 1>on a But it's something similar, something similar. All right,

2:41:27.959 --> 2:41:30.240
<v Speaker 1>keep you going. I mean when I got when I

2:41:30.320 --> 2:41:33.039
<v Speaker 1>got sober, it was like I had to teach myself,

2:41:33.400 --> 2:41:36.440
<v Speaker 1>not teach myself, but get myself back accustomed to writing

2:41:36.520 --> 2:41:39.480
<v Speaker 1>and doing ship without drinking. But can you tell us

2:41:39.560 --> 2:41:41.800
<v Speaker 1>what this? What you how you got to the place

2:41:41.920 --> 2:41:45.280
<v Speaker 1>to become sober? Oh ship? I mean, I just was

2:41:45.360 --> 2:41:48.480
<v Speaker 1>making you know, everything that was wrong, every single thing

2:41:48.600 --> 2:41:54.080
<v Speaker 1>that was wrong in my life, the path from that lead,

2:41:54.160 --> 2:41:58.199
<v Speaker 1>the liquor, everything. It just affected my decision making across

2:41:58.240 --> 2:42:00.840
<v Speaker 1>the board, you know what I'm saying, like all my decisions,

2:42:00.920 --> 2:42:03.480
<v Speaker 1>like the people I chose to be around. I think

2:42:03.480 --> 2:42:07.960
<v Speaker 1>it pointed at me that was sucked up because I know,

2:42:09.080 --> 2:42:12.800
<v Speaker 1>because he knows you're a chance you can afford you.

2:42:13.560 --> 2:42:16.680
<v Speaker 1>I know you can attest to that. I didn't have

2:42:16.800 --> 2:42:25.119
<v Speaker 1>nobody to say, you know, so the people. I chose

2:42:25.200 --> 2:42:29.040
<v Speaker 1>this around myself with the chicks, I chose this around myself.

2:42:29.080 --> 2:42:30.240
<v Speaker 1>You know what I'm saying. It was just it was

2:42:30.360 --> 2:42:33.120
<v Speaker 1>just everything was bad. Like the last thing, did you

2:42:33.160 --> 2:42:35.120
<v Speaker 1>see the media takeout? Ship from the Chick exposed me

2:42:35.200 --> 2:42:38.360
<v Speaker 1>on media take out? Damn, You're gonna remind me to

2:42:38.440 --> 2:42:41.039
<v Speaker 1>remember this because I know I saw it. Yeah, yes,

2:42:41.600 --> 2:42:44.920
<v Speaker 1>so that ship happened. It was just too much happen happening. Yeah,

2:42:46.080 --> 2:42:55.960
<v Speaker 1>I was having the three some of chess girls the

2:42:56.000 --> 2:42:59.120
<v Speaker 1>worst living is like let me, let's not get so

2:42:59.720 --> 2:43:04.360
<v Speaker 1>if something, I'm sorry, Yeah, so, um, I'm I'm drunk

2:43:04.400 --> 2:43:06.160
<v Speaker 1>and fuck you know what I'm saying. So it's like

2:43:06.240 --> 2:43:08.880
<v Speaker 1>I'm I'm I'm sucking the one girl and then the

2:43:09.000 --> 2:43:11.720
<v Speaker 1>um the other girls recording me but I don't, I

2:43:11.800 --> 2:43:15.200
<v Speaker 1>don't know. And then like I'm sleep, I'm passed out

2:43:15.200 --> 2:43:17.039
<v Speaker 1>on the couch and she's taking pictures of me while

2:43:17.080 --> 2:43:21.720
<v Speaker 1>I'm sleep, you know what I'm saying. So time went by.

2:43:22.000 --> 2:43:23.760
<v Speaker 1>I think she was mad at me because I wasn't

2:43:23.760 --> 2:43:25.280
<v Speaker 1>like answering the phone and some ship, you know what

2:43:25.320 --> 2:43:28.000
<v Speaker 1>I'm saying. But um, she ended up. I don't know

2:43:28.040 --> 2:43:30.360
<v Speaker 1>if she sold him or whatever. She gave the pictures

2:43:30.400 --> 2:43:33.320
<v Speaker 1>and ship the media take out. So I get a

2:43:33.400 --> 2:43:39.800
<v Speaker 1>call from my side, chick mad cursing me out because

2:43:39.800 --> 2:43:42.360
<v Speaker 1>I'm on media takeout. My wife don't even know, you know,

2:43:42.400 --> 2:43:44.240
<v Speaker 1>I was saying, like, so now I got my side

2:43:44.360 --> 2:43:46.800
<v Speaker 1>chick mad at me for some ship that I did.

2:43:47.040 --> 2:43:48.880
<v Speaker 1>And then I got to be the one to tell

2:43:48.959 --> 2:43:51.560
<v Speaker 1>my wife. And then I got into so much ship,

2:43:51.680 --> 2:43:53.600
<v Speaker 1>got caught doing so much ship for my wife. My

2:43:53.680 --> 2:43:56.800
<v Speaker 1>wife wasn't even as mad as my side chick. Like

2:43:56.920 --> 2:43:58.960
<v Speaker 1>everything was just off, you know what I'm saying. It

2:43:59.040 --> 2:44:01.640
<v Speaker 1>was just like I was like, I gotta make some changes, man,

2:44:02.160 --> 2:44:04.840
<v Speaker 1>And then it was just like my marriage was ruined,

2:44:05.200 --> 2:44:08.920
<v Speaker 1>was getting ruined. I was at a financial high in life,

2:44:09.640 --> 2:44:13.200
<v Speaker 1>but I was just at a time more morally, I

2:44:13.320 --> 2:44:15.960
<v Speaker 1>was underground. I was buried. You know what I'm saying,

2:44:16.160 --> 2:44:18.600
<v Speaker 1>No more morals, no more integrity is a man, you

2:44:18.680 --> 2:44:20.240
<v Speaker 1>know what I'm saying. Like you look at the word

2:44:20.320 --> 2:44:23.320
<v Speaker 1>loyalty and it's like people break that word down and

2:44:23.440 --> 2:44:27.560
<v Speaker 1>they they put they turn it into so many different parts,

2:44:27.640 --> 2:44:29.720
<v Speaker 1>Like it ain't just one word, Like would you ever

2:44:29.840 --> 2:44:32.680
<v Speaker 1>fuck your man's girl? No, you wouldn't think about it.

2:44:32.760 --> 2:44:34.960
<v Speaker 1>Not that you're drunk is but you're cheating on your

2:44:35.000 --> 2:44:36.560
<v Speaker 1>wife in a minute, you know what I'm saying. And

2:44:36.600 --> 2:44:39.360
<v Speaker 1>it's like this is horrible, which is fucking horrible. I

2:44:39.760 --> 2:44:49.440
<v Speaker 1>just don't get married. You just nigga. Literally my karma,

2:44:49.560 --> 2:44:51.600
<v Speaker 1>My karma is, it's it's instant with you know what

2:44:51.640 --> 2:44:53.760
<v Speaker 1>I'm saying like it's instant. Were you ever the salvage

2:44:53.800 --> 2:44:58.199
<v Speaker 1>the marriage? Yeah, okay, Coradulus, Yeah, so I mean should

2:44:58.200 --> 2:44:59.640
<v Speaker 1>I woke up one day in the hotel room and

2:44:59.680 --> 2:45:01.280
<v Speaker 1>I was like, it's time to stop, you know what

2:45:01.280 --> 2:45:03.880
<v Speaker 1>I'm saying. And I felt like and this is after

2:45:04.000 --> 2:45:07.160
<v Speaker 1>Marshall had already became so he was years in because

2:45:07.200 --> 2:45:09.760
<v Speaker 1>you and him used to get drunk together. Correct, Yeah,

2:45:09.840 --> 2:45:13.920
<v Speaker 1>he he didn't. He was never really a drinker like that,

2:45:14.000 --> 2:45:18.920
<v Speaker 1>but he was popping pills and we got drunk together,

2:45:19.080 --> 2:45:20.640
<v Speaker 1>you know, plenty of times. You know what I'm saying.

2:45:21.120 --> 2:45:23.200
<v Speaker 1>I mean, ship all my friends was pretty much my

2:45:23.320 --> 2:45:26.600
<v Speaker 1>drinking buddy. He doesn't say, It's like, that's pretty much

2:45:26.640 --> 2:45:28.880
<v Speaker 1>what my life was. But the only difference is I'm

2:45:28.879 --> 2:45:31.320
<v Speaker 1>an addict, Like I'm wired like an addict. So you know,

2:45:31.400 --> 2:45:33.640
<v Speaker 1>when we're sitting around having fun, y'all is just drinking

2:45:33.680 --> 2:45:35.640
<v Speaker 1>and having fun. When the drink Champs interview is over

2:45:35.720 --> 2:45:38.200
<v Speaker 1>and you go home and chill, I'm still love drinking.

2:45:38.200 --> 2:45:41.080
<v Speaker 1>I can't stop. Damn. That's me right now. I think

2:45:41.160 --> 2:45:46.840
<v Speaker 1>that not we already have to go there, Hey, b no,

2:45:47.000 --> 2:45:49.200
<v Speaker 1>but we balanced it. We do work out. We do

2:45:49.440 --> 2:45:52.360
<v Speaker 1>know we we take, we take days out of drinking,

2:45:52.440 --> 2:45:55.400
<v Speaker 1>and we take saying we cannot because we're fucked up.

2:45:55.440 --> 2:45:57.760
<v Speaker 1>I kid you not and your baby show. You got

2:45:57.760 --> 2:46:00.280
<v Speaker 1>a baby shop, put my baby shop. I want to

2:46:00.320 --> 2:46:02.640
<v Speaker 1>put your business on the street. I want to put

2:46:02.680 --> 2:46:05.160
<v Speaker 1>your business on the streets. I finally found out that

2:46:05.240 --> 2:46:13.240
<v Speaker 1>my partner, Dick worked sound I know, even royal and

2:46:13.360 --> 2:46:15.720
<v Speaker 1>business for twenty years, he said. And he said, and

2:46:16.120 --> 2:46:19.640
<v Speaker 1>I was like, this nigga ship ain't working because I

2:46:19.760 --> 2:46:24.759
<v Speaker 1>got len pregnancies. He said, this is a pause friendly shows.

2:46:25.720 --> 2:46:29.560
<v Speaker 1>So I said, well, I'm glad to know that she

2:46:29.760 --> 2:46:32.280
<v Speaker 1>is ship is working. Glad to know you gotta you

2:46:32.360 --> 2:46:33.960
<v Speaker 1>got you got a baby on the way. About this

2:46:34.200 --> 2:46:36.680
<v Speaker 1>reveal to agenda, I won't do that. And the baby

2:46:36.680 --> 2:46:38.920
<v Speaker 1>shop was private too, and the baby was private too.

2:46:38.920 --> 2:46:52.720
<v Speaker 1>I won't say where it is, but voice so hip hop, man,

2:46:54.080 --> 2:46:56.360
<v Speaker 1>did you think that hip hop would be where it's at?

2:46:57.000 --> 2:47:03.280
<v Speaker 1>And what I'm saying is because listening to you, I

2:47:03.280 --> 2:47:05.680
<v Speaker 1>imagine you come from the same place that hip hop

2:47:06.160 --> 2:47:08.200
<v Speaker 1>where we are. When you had to have lyrics, that

2:47:08.360 --> 2:47:11.200
<v Speaker 1>was the first thing of your outfit, Like before you

2:47:11.320 --> 2:47:14.879
<v Speaker 1>care about having an Adidas, before you care about how

2:47:14.959 --> 2:47:18.160
<v Speaker 1>the likes. At least you had your lyrics straight. Yeah,

2:47:18.720 --> 2:47:22.119
<v Speaker 1>then you were worried about your outfit. Right now, people

2:47:22.200 --> 2:47:25.120
<v Speaker 1>worry about the outfit, They worry about the rember, about

2:47:25.160 --> 2:47:29.000
<v Speaker 1>everything else but the lyrics. The lyrics last. Right now,

2:47:29.080 --> 2:47:32.840
<v Speaker 1>I think, unfortunately, can you stand this arrow hip hop?

2:47:33.000 --> 2:47:35.640
<v Speaker 1>I choose to deal with it. It's me. Yeah, I

2:47:35.760 --> 2:47:37.360
<v Speaker 1>choose to deal with it too. I don't think all

2:47:37.440 --> 2:47:41.160
<v Speaker 1>of it is for me, right you know what I mean? So, Dog,

2:47:41.240 --> 2:47:45.920
<v Speaker 1>I'm real Like I'm I'm good at being okay with ship.

2:47:46.320 --> 2:47:48.520
<v Speaker 1>You know what I'm saying. Like, I realized if it's

2:47:48.560 --> 2:47:50.960
<v Speaker 1>not for me, it ain't up to me to get

2:47:51.000 --> 2:47:52.880
<v Speaker 1>all upset. It's up to me to just find a

2:47:52.920 --> 2:47:54.440
<v Speaker 1>ship that I like to listen to, and just to

2:47:54.560 --> 2:47:57.000
<v Speaker 1>listen to that ship, you know what I'm saying. Like,

2:47:57.760 --> 2:48:00.240
<v Speaker 1>that's the luxury we're at today, though, we could find

2:48:00.280 --> 2:48:04.520
<v Speaker 1>whatever we want everything every he's a DJ, he should

2:48:04.520 --> 2:48:06.840
<v Speaker 1>be DJ in every party. I think he's that stubborn

2:48:07.000 --> 2:48:09.400
<v Speaker 1>that he don't want a DJ because you don't want to.

2:48:10.200 --> 2:48:13.400
<v Speaker 1>This is my opinion. Remember, remember going back to what

2:48:13.480 --> 2:48:16.920
<v Speaker 1>we were talking to, Listen, we have one of the

2:48:17.000 --> 2:48:19.920
<v Speaker 1>most hottest shows in the world. They wanted to DJ everywhere.

2:48:20.120 --> 2:48:22.160
<v Speaker 1>You know, you want to say, I don't want to

2:48:22.160 --> 2:48:25.480
<v Speaker 1>play this ship. I want to play old school ship.

2:48:25.600 --> 2:48:37.160
<v Speaker 1>He's too busy making babies. Man. I want to say,

2:48:37.440 --> 2:48:44.160
<v Speaker 1>we keep doing so we were talking about earlier, but

2:48:44.360 --> 2:48:46.440
<v Speaker 1>motherfucker's get they get used to ship, you know what

2:48:46.480 --> 2:48:50.160
<v Speaker 1>I'm saying, Like, lyricism was so important for so long,

2:48:50.480 --> 2:48:52.720
<v Speaker 1>we just got used to it. In order for hip

2:48:52.760 --> 2:48:55.600
<v Speaker 1>hop to evolve, people had to open up new doors,

2:48:56.000 --> 2:48:57.560
<v Speaker 1>you know. So it's a little hard for us to

2:48:57.640 --> 2:49:00.680
<v Speaker 1>accept that lyricism is in the fourth front in terms

2:49:00.720 --> 2:49:02.920
<v Speaker 1>of like and music, but it's also you know, it's

2:49:02.959 --> 2:49:06.000
<v Speaker 1>making us mature as listeners to but it's still it's

2:49:06.040 --> 2:49:08.960
<v Speaker 1>still there because the difference between now and before is

2:49:09.040 --> 2:49:10.880
<v Speaker 1>that it's not like you said, it's not on the forefront,

2:49:11.680 --> 2:49:14.040
<v Speaker 1>but there's still lyricists. There's young cats that are still

2:49:14.120 --> 2:49:19.039
<v Speaker 1>pushing lyrical ability. They're still like we got Denzel Curry,

2:49:19.680 --> 2:49:22.160
<v Speaker 1>we got Kendrick. He might be not the youngest cat,

2:49:22.280 --> 2:49:25.640
<v Speaker 1>but he's in that young and to me, he's like

2:49:25.720 --> 2:49:27.600
<v Speaker 1>one of the us I've ever seen in my lifetime.

2:49:27.720 --> 2:49:31.520
<v Speaker 1>The people, the people who are truly on top and

2:49:31.640 --> 2:49:35.080
<v Speaker 1>have had the best careers from this generation, you know,

2:49:35.200 --> 2:49:39.720
<v Speaker 1>like Kendrick Cole. Guys like that. They're to dare the lyricists, right,

2:49:39.800 --> 2:49:43.119
<v Speaker 1>but listen, lys, but you you you when you're get

2:49:43.160 --> 2:49:45.879
<v Speaker 1>in the gym and you're good in it because well

2:49:45.920 --> 2:49:48.480
<v Speaker 1>all overweight, all of us right at one point and

2:49:48.520 --> 2:49:50.400
<v Speaker 1>then we got in the gym. We got our ship together.

2:49:50.760 --> 2:49:54.480
<v Speaker 1>But we're in the gym. You can't front. You do

2:49:54.680 --> 2:49:59.560
<v Speaker 1>not turn off? He says, you do not, or you

2:49:59.680 --> 2:50:02.680
<v Speaker 1>do I do not. I leave it on when it

2:50:02.760 --> 2:50:06.320
<v Speaker 1>comes on, my off turn on. I'll leave it on.

2:50:06.800 --> 2:50:13.360
<v Speaker 1>Google's actually in the Kanye in the studio. Yeah, studio,

2:50:13.840 --> 2:50:15.960
<v Speaker 1>the gym, I mean the gym. I'm sorry, sorry, I

2:50:16.080 --> 2:50:18.680
<v Speaker 1>think you turn on. Gucci Gang want to come on car? No, No,

2:50:18.920 --> 2:50:20.800
<v Speaker 1>I don't. I see you got a porch pran to marrow.

2:50:20.879 --> 2:50:34.680
<v Speaker 1>It's very nice white. He's gonna give y'all listen when

2:50:34.720 --> 2:50:38.400
<v Speaker 1>you wear it in the car and good game come

2:50:38.480 --> 2:50:41.080
<v Speaker 1>up and you got on GOOCHI because I also watched.

2:50:41.200 --> 2:50:45.280
<v Speaker 1>You're tired. You're very Gooccie Gang too, You're very and

2:50:45.360 --> 2:50:48.520
<v Speaker 1>then let's come on good and you're as I think

2:50:48.560 --> 2:50:52.199
<v Speaker 1>it's cool. It's a cool song song you. I don't

2:50:52.280 --> 2:50:54.760
<v Speaker 1>turn it off even when I'm in like Googi Gang,

2:50:55.400 --> 2:50:57.960
<v Speaker 1>even even like it happen and like the club and

2:50:58.000 --> 2:51:01.520
<v Speaker 1>ship like that, and you don't really want to hear

2:51:01.600 --> 2:51:04.640
<v Speaker 1>like no super super lyrical shop wants in the club

2:51:05.640 --> 2:51:09.200
<v Speaker 1>responsible ignorance music. That's what you're an adult. Music should

2:51:09.200 --> 2:51:16.880
<v Speaker 1>be like that, though, that's a good one. Music should

2:51:16.879 --> 2:51:18.920
<v Speaker 1>be like that though. Music should be like a soundtrack

2:51:19.000 --> 2:51:21.360
<v Speaker 1>to every single thing that could possibly go onto your life.

2:51:21.600 --> 2:51:23.640
<v Speaker 1>It should be music for everything. It should be music

2:51:23.720 --> 2:51:26.800
<v Speaker 1>for every movie, just like watching movie, you know what,

2:51:27.240 --> 2:51:29.840
<v Speaker 1>Like I prefer lyrics, you know what I mean? But

2:51:30.000 --> 2:51:32.800
<v Speaker 1>also you know, like I like tons of different styles

2:51:32.879 --> 2:51:36.120
<v Speaker 1>of music, different kinds of different genres, you know what

2:51:36.200 --> 2:51:38.560
<v Speaker 1>I'm saying. So you can pick something out of any

2:51:38.879 --> 2:51:41.080
<v Speaker 1>anything that these young dudes are doing. Some of it

2:51:41.280 --> 2:51:43.320
<v Speaker 1>is just like not not tolerable. You can't listen to it.

2:51:43.400 --> 2:51:45.400
<v Speaker 1>But should I just turn it off? I think there's

2:51:45.440 --> 2:51:47.720
<v Speaker 1>different conversations when you're talking about like if you want

2:51:47.720 --> 2:51:50.640
<v Speaker 1>to talk about the upliftment of hip hop culture. Yeah,

2:51:51.000 --> 2:51:54.560
<v Speaker 1>I mean I think those are different conversations. Good you

2:51:54.640 --> 2:51:57.640
<v Speaker 1>goddamn it. And this is drink chap, motherfucker podcast. We

2:51:57.800 --> 2:52:03.520
<v Speaker 1>did we had to do the wrong before we get

2:52:03.560 --> 2:52:08.320
<v Speaker 1>about it here, before we get about it. So is

2:52:08.400 --> 2:52:11.280
<v Speaker 1>it difficult for you to be around environments as a

2:52:11.360 --> 2:52:14.520
<v Speaker 1>person that's sober, because we want our fans to know

2:52:14.720 --> 2:52:18.400
<v Speaker 1>that you can listen to us sober as well, just

2:52:18.520 --> 2:52:21.200
<v Speaker 1>because we're getting inviriated that we're doing all this. This

2:52:21.360 --> 2:52:24.480
<v Speaker 1>is about hip hop history. You're saying about us getting

2:52:24.600 --> 2:52:28.960
<v Speaker 1>drunk or whatever. And we had Joe on there and

2:52:29.080 --> 2:52:30.600
<v Speaker 1>now we have you on You and y'all both have

2:52:30.720 --> 2:52:36.680
<v Speaker 1>similar stories being you know, recovering. Um, how hard is

2:52:36.720 --> 2:52:40.600
<v Speaker 1>it to maintain an everyday society after you make that switch.

2:52:41.320 --> 2:52:43.520
<v Speaker 1>It's not difficult for me, now, you know when I

2:52:43.600 --> 2:52:47.600
<v Speaker 1>first when I first got sober, I didn't I didn't trust.

2:52:49.120 --> 2:52:51.120
<v Speaker 1>I didn't trust being in a certain environment. So I

2:52:51.200 --> 2:52:53.360
<v Speaker 1>just didn't allow myself to be in those environments. Like

2:52:53.400 --> 2:52:55.280
<v Speaker 1>I was about to We're just about to do a

2:52:55.280 --> 2:52:57.800
<v Speaker 1>slaughterhouse store. When I got sober, I had to call

2:52:58.000 --> 2:52:59.879
<v Speaker 1>all the guys in the group individually and just tell

2:53:00.080 --> 2:53:03.600
<v Speaker 1>that I couldn't go, because, yeah, we weren't able to

2:53:03.640 --> 2:53:06.520
<v Speaker 1>do because I didn't know. I didn't know what sobriety was.

2:53:07.000 --> 2:53:08.600
<v Speaker 1>I didn't know if it was a situation where if

2:53:09.080 --> 2:53:10.640
<v Speaker 1>some liquor what I want something? You know what I'm saying,

2:53:10.680 --> 2:53:12.520
<v Speaker 1>like the should be like dangling and stake in front

2:53:12.560 --> 2:53:15.080
<v Speaker 1>of my face and steps. Is that what you did? Yeah,

2:53:15.160 --> 2:53:20.080
<v Speaker 1>you automatically do with steps And he was a patron guy. Yeah,

2:53:20.120 --> 2:53:23.320
<v Speaker 1>my last went through different I went through. I went

2:53:23.360 --> 2:53:26.320
<v Speaker 1>through different phases in my in my drunkardness. But I

2:53:26.400 --> 2:53:29.600
<v Speaker 1>had a legendary drunkard that means he drank. Give us

2:53:29.640 --> 2:53:31.920
<v Speaker 1>the legendary drink of this story. I mean I started

2:53:31.920 --> 2:53:34.840
<v Speaker 1>out with the first drink I ever drink was Jack

2:53:34.920 --> 2:53:40.240
<v Speaker 1>Daniels with Dre with Dr Dre Jack Daniels, Dr Dre,

2:53:40.640 --> 2:53:44.760
<v Speaker 1>Dr Doctor Drake. That sounds to the studio I was saying.

2:53:45.120 --> 2:53:51.240
<v Speaker 1>I was what you're saying that Dr Dre out together.

2:53:51.400 --> 2:53:55.440
<v Speaker 1>I didn't realize the way I worded it. What's you're

2:53:55.440 --> 2:54:04.480
<v Speaker 1>gonna name this episode? Name? You had to cause friendly good? Yeah.

2:54:04.560 --> 2:54:06.959
<v Speaker 1>So I started out with Jack Daniels and then um,

2:54:08.000 --> 2:54:11.039
<v Speaker 1>I started drinking Riccardi with Marshall. Just Riccardi straight, that's

2:54:11.080 --> 2:54:13.560
<v Speaker 1>all we're drinking and Riccarti straight. I always I'm a

2:54:13.640 --> 2:54:16.600
<v Speaker 1>Cardi Lemon, just a Cardi Cardy Lemon was next, No,

2:54:16.720 --> 2:54:18.600
<v Speaker 1>don't do it, don't do it, don't go there, And

2:54:18.680 --> 2:54:20.840
<v Speaker 1>I was about to say I'd never ever in my

2:54:21.040 --> 2:54:23.959
<v Speaker 1>drinking career drink mixed drinks. The moon is the worst.

2:54:25.360 --> 2:54:28.880
<v Speaker 1>You never drink. You're a real rock ship, isn't in

2:54:28.920 --> 2:54:31.440
<v Speaker 1>the way. I'm sorry, I don't. I don't mean to

2:54:31.520 --> 2:54:33.640
<v Speaker 1>sounds like an alcoholic that's trying to bring you back.

2:54:34.000 --> 2:54:36.200
<v Speaker 1>But you do it because I love me. This sound

2:54:36.320 --> 2:54:38.920
<v Speaker 1>like that guy you understanding that m ain't have been

2:54:38.959 --> 2:54:42.800
<v Speaker 1>the problem. Is you just gonna way too hard man.

2:54:42.959 --> 2:54:48.880
<v Speaker 1>You might have had needed some self of water. Like yeah,

2:54:56.000 --> 2:54:58.440
<v Speaker 1>I love saying I'm suggesting that right now. I'm not

2:54:58.640 --> 2:55:01.520
<v Speaker 1>suggested that I love you, Grace, and I really respect you.

2:55:01.560 --> 2:55:04.160
<v Speaker 1>I should have gone really really do. But I'm just saying,

2:55:04.400 --> 2:55:10.600
<v Speaker 1>I'm just yeah, maybe another light not in this one.

2:55:11.160 --> 2:55:14.840
<v Speaker 1>You know, there's two things I didn't understand with drinking.

2:55:15.879 --> 2:55:18.960
<v Speaker 1>Why people wanted their liquor to taste good. No, it

2:55:19.040 --> 2:55:21.640
<v Speaker 1>never tastes good. But that's what the mixing, that's what

2:55:21.760 --> 2:55:25.160
<v Speaker 1>the mixed drinks is for. You go to you go

2:55:25.280 --> 2:55:27.080
<v Speaker 1>to a bar and they put he's right, they put

2:55:27.160 --> 2:55:28.880
<v Speaker 1>this much right. But I never then they put a

2:55:28.920 --> 2:55:30.640
<v Speaker 1>bunch of ship in to try and make it taste better.

2:55:30.640 --> 2:55:32.920
<v Speaker 1>I always tell people it never tastes good. It feels

2:55:33.000 --> 2:55:35.680
<v Speaker 1>good the first one. Yeah, it's like it's like you

2:55:35.760 --> 2:55:43.120
<v Speaker 1>can't right. So I'm on my six years about to

2:55:43.120 --> 2:55:49.800
<v Speaker 1>be so why didn't I didn't understand why people wanted

2:55:49.840 --> 2:55:51.760
<v Speaker 1>it to taste good. And I didn't understand why people

2:55:51.800 --> 2:55:54.320
<v Speaker 1>would just go have a couple of drinks. If you're

2:55:54.320 --> 2:55:56.200
<v Speaker 1>not gonna get sucked up what you're drinking for, I'm

2:55:56.240 --> 2:55:57.760
<v Speaker 1>not I'm not gonna lie. That's what I do know.

2:55:57.879 --> 2:56:01.520
<v Speaker 1>You drink to get sucked up. That's all right. What's

2:56:02.200 --> 2:56:05.840
<v Speaker 1>what's do you? So? It's I see you cut it

2:56:05.920 --> 2:56:08.920
<v Speaker 1>off at one point, I see you feel yourself. But

2:56:09.000 --> 2:56:12.760
<v Speaker 1>then I see yeah, I see like getting enough an

2:56:12.760 --> 2:56:15.120
<v Speaker 1>you way. But then I also see you tell people

2:56:15.480 --> 2:56:26.040
<v Speaker 1>you want to him also ready to people just walks

2:56:26.080 --> 2:56:30.160
<v Speaker 1>through and you said people fuck you. I'm like, yeah,

2:56:30.520 --> 2:56:36.800
<v Speaker 1>what's going on? You're like, fuck you, Pitt bouck you.

2:56:38.480 --> 2:56:42.960
<v Speaker 1>I'm like, why am I here? Why did you invite

2:56:43.000 --> 2:56:45.920
<v Speaker 1>me out to the ton of the Sun. And everyone

2:56:46.040 --> 2:56:50.800
<v Speaker 1>knows I'm not lying, just saying you understand that you

2:56:50.959 --> 2:56:55.960
<v Speaker 1>gotta be very under the water. I know that that's

2:56:56.000 --> 2:56:59.640
<v Speaker 1>a sun. Let me you haven't tell you. Let me

2:56:59.680 --> 2:57:02.920
<v Speaker 1>just say went out on something. That is right, guys

2:57:02.920 --> 2:57:08.600
<v Speaker 1>of asshole man when you lock thing though, right, there's

2:57:08.640 --> 2:57:13.480
<v Speaker 1>like different levels of clubs. They got the clubs where

2:57:14.000 --> 2:57:17.720
<v Speaker 1>it's like everybody go to, like then there's the clubs

2:57:17.760 --> 2:57:23.160
<v Speaker 1>where everybody can go to. Okay, So I mean on

2:57:23.360 --> 2:57:36.320
<v Speaker 1>the age over age midle a, no age. So you

2:57:36.440 --> 2:57:39.760
<v Speaker 1>go and you go to the joint and I walk

2:57:39.879 --> 2:57:47.200
<v Speaker 1>in it like the context that tell us thing that

2:57:47.440 --> 2:57:53.160
<v Speaker 1>the DJ said, get what I'm saying, What did that mean?

2:57:53.520 --> 2:58:02.640
<v Speaker 1>Take off your story. I'm from New York City, wants

2:58:02.640 --> 2:58:07.200
<v Speaker 1>to find where am I. I don't know that he

2:58:07.360 --> 2:58:09.560
<v Speaker 1>was in the Miami for a couple of years already. No,

2:58:09.720 --> 2:58:11.960
<v Speaker 1>this is this is kind of like my first night.

2:58:14.840 --> 2:58:17.520
<v Speaker 1>Get that a lot. I remember that ship for the

2:58:17.600 --> 2:58:21.160
<v Speaker 1>rest of my lady. Get down that lot said that

2:58:21.240 --> 2:58:26.680
<v Speaker 1>in the said Spanish is this I did learn that's

2:58:26.720 --> 2:58:31.720
<v Speaker 1>man and then people who just walked through. But you

2:58:31.760 --> 2:58:34.160
<v Speaker 1>know there's backstory to that. I don't know the backstory.

2:58:36.959 --> 2:58:39.720
<v Speaker 1>This is my story. This is my story. He pleas

2:58:39.800 --> 2:58:44.240
<v Speaker 1>letting me my story or so I don't know the backstory.

2:58:44.360 --> 2:58:48.200
<v Speaker 1>I listen to a little backstory. All I know is

2:58:48.280 --> 2:58:56.720
<v Speaker 1>he walked through and he did not say hot, yeah yeah,

2:58:56.840 --> 2:59:03.040
<v Speaker 1>and took a couple of more get and the thing

2:59:03.360 --> 2:59:07.320
<v Speaker 1>walked over and saying I'm gonna fuck you up right

2:59:07.560 --> 2:59:12.640
<v Speaker 1>now that the security is teach the chef, he's a chef.

2:59:14.080 --> 2:59:21.080
<v Speaker 1>It was purple no, but teas like, yeah, what are

2:59:21.120 --> 2:59:24.360
<v Speaker 1>you doing the family bro? No, Beca's hound drunk you

2:59:24.480 --> 2:59:30.560
<v Speaker 1>word teachers like please, here's no one did not see

2:59:31.480 --> 2:59:38.720
<v Speaker 1>the fucking what would you drinking? But that's not happened,

2:59:43.480 --> 2:59:48.680
<v Speaker 1>not so it's not exactly what happened. Like if you're

2:59:48.879 --> 2:59:56.000
<v Speaker 1>supressionally making true this my story. What was saying a

2:59:56.080 --> 3:00:03.600
<v Speaker 1>lot of people like put it in here. You know what,

3:00:03.720 --> 3:00:06.240
<v Speaker 1>I'm gonna agree with that. I got a friend of

3:00:06.320 --> 3:00:12.360
<v Speaker 1>your version of its funny. That's funny. But but he

3:00:13.360 --> 3:00:16.680
<v Speaker 1>but did you does your virgen contain I'm gonna fuck you?

3:00:16.920 --> 3:00:30.880
<v Speaker 1>Want I don't know what. Let's let's change whatever the

3:00:30.959 --> 3:00:33.680
<v Speaker 1>reason why I don't know you. That's not what this is.

3:00:34.200 --> 3:00:37.480
<v Speaker 1>This is a supportive movie. When you see Royce Ords

3:00:37.560 --> 3:00:40.240
<v Speaker 1>moving this interview, Rys like, man, I love drink chat

3:00:40.560 --> 3:00:43.840
<v Speaker 1>drink chats me up. They do whatever, But there's a

3:00:43.920 --> 3:00:48.600
<v Speaker 1>couple of clips where we we weren't funny, and that's

3:00:48.640 --> 3:00:52.400
<v Speaker 1>what the the fucking whole audience looks at. So people

3:00:52.640 --> 3:00:55.320
<v Speaker 1>think they're like yo. But the thing about it is,

3:00:55.440 --> 3:00:57.480
<v Speaker 1>it's something that I just told somebody the other day

3:00:58.320 --> 3:01:02.959
<v Speaker 1>is don't this for the two percent of what's wrong?

3:01:03.760 --> 3:01:09.000
<v Speaker 1>Pick me up for the ninety eight percent for what's right. Like,

3:01:09.120 --> 3:01:12.800
<v Speaker 1>if I'm doing something ninety eight percent that's right and

3:01:12.879 --> 3:01:15.520
<v Speaker 1>it's only two percent that's wrong. How dare you call

3:01:15.600 --> 3:01:19.040
<v Speaker 1>me about the two percent? Why not call me and

3:01:19.160 --> 3:01:23.920
<v Speaker 1>say that nine percent you're kicking out its greg. They

3:01:24.000 --> 3:01:28.080
<v Speaker 1>got the whole hood happy, you know. But the person

3:01:28.200 --> 3:01:32.240
<v Speaker 1>called me about the two percent and they made me

3:01:32.520 --> 3:01:35.480
<v Speaker 1>just think of that made me just express that. So

3:01:35.800 --> 3:01:38.200
<v Speaker 1>the thing about hip hop is hip hop. We don't

3:01:38.240 --> 3:01:41.560
<v Speaker 1>give our people they flowers while they can smell them,

3:01:42.200 --> 3:01:45.400
<v Speaker 1>They trees while they can hell them, They thoughts what

3:01:45.560 --> 3:01:48.640
<v Speaker 1>they can think of them, and they drinks while they

3:01:48.720 --> 3:01:53.120
<v Speaker 1>can drink them. And the thing is, you know, God

3:01:53.200 --> 3:01:57.920
<v Speaker 1>bless the dead, Craig mac A, love Buck, Stark Sky,

3:01:58.080 --> 3:02:00.680
<v Speaker 1>all these people. These people passed away, and now people

3:02:00.720 --> 3:02:03.120
<v Speaker 1>want to post pictures of the that's not what we

3:02:03.200 --> 3:02:05.480
<v Speaker 1>want to do and drink chance. We want to post

3:02:05.560 --> 3:02:09.240
<v Speaker 1>pictures of you. Why are you fucking alive? We want

3:02:09.280 --> 3:02:11.280
<v Speaker 1>to pick you up? Why are you fucking a lie?

3:02:12.920 --> 3:02:15.600
<v Speaker 1>And most of the people that we interview don't even

3:02:15.720 --> 3:02:19.720
<v Speaker 1>really have something going on but to us, and it's you,

3:02:20.160 --> 3:02:26.680
<v Speaker 1>what you did, it's bigger. You're on And so it

3:02:26.840 --> 3:02:30.000
<v Speaker 1>hurts me sometimes when I see people and I tell them,

3:02:30.040 --> 3:02:31.960
<v Speaker 1>I said, Yo, listen, I see you about to drop

3:02:32.040 --> 3:02:36.880
<v Speaker 1>the album. Come funk with us, come see us. They're

3:02:36.920 --> 3:02:39.480
<v Speaker 1>listen to their record label and they'll go see such

3:02:39.560 --> 3:02:42.720
<v Speaker 1>and such or such and such. And it doesn't matter

3:02:42.840 --> 3:02:45.360
<v Speaker 1>because I think about this. We don't need you first,

3:02:46.240 --> 3:02:49.200
<v Speaker 1>We need you when you're right. You know what I'm saying.

3:02:49.600 --> 3:02:51.959
<v Speaker 1>But the thing is, it makes me know what level

3:02:52.160 --> 3:02:56.039
<v Speaker 1>the artist is on, what we're gonna do, what's what's

3:02:56.040 --> 3:03:05.440
<v Speaker 1>your be a beast? Future future future legend, future legend

3:03:06.800 --> 3:03:09.000
<v Speaker 1>always say when I when I when when people bring

3:03:09.080 --> 3:03:11.720
<v Speaker 1>tank up, I always say that nigger, he punches with conviction.

3:03:12.600 --> 3:03:14.760
<v Speaker 1>He throws every punch like you're trying to kill you.

3:03:16.120 --> 3:03:17.960
<v Speaker 1>I love those kind of fighters. That's that fire I'm

3:03:18.000 --> 3:03:19.840
<v Speaker 1>talking about. They can't be taught I take out that

3:03:19.959 --> 3:03:24.760
<v Speaker 1>fire Wilder. Yeah, so one of the same hands down

3:03:24.840 --> 3:03:28.320
<v Speaker 1>Deonte Wilder is taking out Anthony Joshua and that is there. Well,

3:03:28.320 --> 3:03:30.360
<v Speaker 1>you can never say a hundred percent hands down in

3:03:30.400 --> 3:03:32.840
<v Speaker 1>the heavyweight division, and the heavyweight division is you know,

3:03:33.000 --> 3:03:36.840
<v Speaker 1>it's taking your back, but taking your back voice. I

3:03:36.879 --> 3:03:39.959
<v Speaker 1>would say, put your money on Deonte okay, but now

3:03:40.280 --> 3:03:42.520
<v Speaker 1>your money what would you what would you bet? I'm

3:03:42.520 --> 3:03:44.800
<v Speaker 1>putting my money on Deontae. If I'm betting, all right,

3:03:45.080 --> 3:03:47.640
<v Speaker 1>I'm talking about one to ten, how much money would

3:03:47.640 --> 3:03:50.480
<v Speaker 1>you put one in ten on the I put I'll

3:03:50.480 --> 3:03:54.320
<v Speaker 1>say ten. I'm confident. I'm confident that he was. He

3:03:54.440 --> 3:03:57.000
<v Speaker 1>just got he got more fire, man, he got more fire.

3:03:58.160 --> 3:04:00.360
<v Speaker 1>What is this fight is supposed to take place June job?

3:04:00.560 --> 3:04:04.000
<v Speaker 1>They still haven't they have enough. They ain't signed on

3:04:04.080 --> 3:04:13.480
<v Speaker 1>the fight each other yet. Huh. Well, listen, man, Royce,

3:04:14.080 --> 3:04:16.360
<v Speaker 1>I want to thank you for coming down, sit down,

3:04:17.000 --> 3:04:19.360
<v Speaker 1>and you know, you know, for for me, I want

3:04:19.360 --> 3:04:25.080
<v Speaker 1>to salute you because um, I forget who are your

3:04:25.120 --> 3:04:27.720
<v Speaker 1>people's but I wanted to ask them and say, yo,

3:04:27.800 --> 3:04:32.080
<v Speaker 1>you know, should we stop drinking or should we stop smoking?

3:04:33.080 --> 3:04:35.240
<v Speaker 1>Or some type of ship and there was like, race

3:04:35.360 --> 3:04:38.160
<v Speaker 1>is good. They can sit right to fucking there and

3:04:38.240 --> 3:04:41.000
<v Speaker 1>y'all can do whatever. So before we get up out

3:04:41.040 --> 3:04:44.560
<v Speaker 1>of here, how did you develop that type of tolerance

3:04:44.640 --> 3:04:48.440
<v Speaker 1>where you could actually, you know, sit around people that's

3:04:48.480 --> 3:04:52.320
<v Speaker 1>indulging and you're not indulged. Yeah, you just it's it's sobriety.

3:04:52.360 --> 3:04:54.680
<v Speaker 1>One of the things with sobriety is just about learning yourself,

3:04:55.520 --> 3:04:58.320
<v Speaker 1>you know what I'm saying, Like learning exactly what you

3:04:58.440 --> 3:05:00.480
<v Speaker 1>can can't stand. Like when I first got sober, I

3:05:00.520 --> 3:05:02.120
<v Speaker 1>thought I was gonna have to be exactly like how

3:05:02.240 --> 3:05:05.119
<v Speaker 1>him do his ship, Like it ain't nobody around him

3:05:05.200 --> 3:05:08.200
<v Speaker 1>drinking and smoking. Like yeah, you kind of not saying

3:05:08.240 --> 3:05:12.640
<v Speaker 1>that he's isolating himself, but we don't go around him drinking,

3:05:12.760 --> 3:05:13.920
<v Speaker 1>you know what I'm saying, Like I try. I was

3:05:14.000 --> 3:05:16.160
<v Speaker 1>traveling with him while I was still drinking, and I

3:05:16.320 --> 3:05:19.480
<v Speaker 1>never drink around him, you know. So like when I

3:05:19.720 --> 3:05:22.040
<v Speaker 1>got sober and I went around Slaughterhouse, they did the

3:05:22.120 --> 3:05:25.200
<v Speaker 1>same thing. But I'm sober, my nigga, so I could

3:05:25.240 --> 3:05:27.880
<v Speaker 1>tell when you're hiding drinks, hiding the bottle, and you

3:05:27.920 --> 3:05:29.520
<v Speaker 1>know what I'm saying, when y'all got drinks, But y'all

3:05:29.560 --> 3:05:31.600
<v Speaker 1>just don't want me to see it. If anything, that

3:05:31.600 --> 3:05:33.400
<v Speaker 1>ship makes me feel more weird about it. You know

3:05:33.440 --> 3:05:35.440
<v Speaker 1>what I'm saying, because you reminded me that I'm the

3:05:35.480 --> 3:05:37.720
<v Speaker 1>motherfucker who's different from everybody. You know what I'm saying,

3:05:37.800 --> 3:05:40.600
<v Speaker 1>Like it makes me feel better when everybody is just themselves.

3:05:41.640 --> 3:05:44.400
<v Speaker 1>Do what works. You're mentally strong to be a yeah,

3:05:44.400 --> 3:05:45.960
<v Speaker 1>because if you if we're working with each other and

3:05:46.040 --> 3:05:47.920
<v Speaker 1>we're doing some ship, I want you to be in

3:05:48.080 --> 3:05:50.280
<v Speaker 1>your element. You let me get my element, and I

3:05:50.360 --> 3:05:52.360
<v Speaker 1>want you to be a young man saying with the

3:05:52.400 --> 3:05:54.760
<v Speaker 1>interviews and ship, man, if this is what y'all doing here,

3:05:54.840 --> 3:05:56.440
<v Speaker 1>you know what I mean? Like I talk to people

3:05:56.480 --> 3:05:58.200
<v Speaker 1>and tell them I'm coming, I'm excited. I'm like, yo,

3:05:58.240 --> 3:06:00.320
<v Speaker 1>I'm about to go funk with Nori. You know, how

3:06:00.360 --> 3:06:02.440
<v Speaker 1>can you do that? But you don't drink? Don't mean

3:06:02.480 --> 3:06:06.600
<v Speaker 1>I gotta drink. I think I personally text you and

3:06:06.680 --> 3:06:09.200
<v Speaker 1>told you that, like it please, that's not what we do,

3:06:09.440 --> 3:06:11.720
<v Speaker 1>like you know, like the thing is, the thing is,

3:06:12.200 --> 3:06:15.160
<v Speaker 1>I'm sorry. We want to praise our artist, you know

3:06:15.200 --> 3:06:19.880
<v Speaker 1>what I'm saying. Or so many people they want to

3:06:19.959 --> 3:06:22.680
<v Speaker 1>wait for you to die. You'd be hurt or you

3:06:22.840 --> 3:06:25.840
<v Speaker 1>to go through something tragic for people to actually be like,

3:06:25.920 --> 3:06:29.320
<v Speaker 1>your voice is dope. Yeah, and that's why I was

3:06:29.400 --> 3:06:33.680
<v Speaker 1>so I was so happy when you, um he said

3:06:33.720 --> 3:06:36.080
<v Speaker 1>something about Fat Joe recently. He was like, how long

3:06:36.160 --> 3:06:39.640
<v Speaker 1>we're gonna keep continuing to ignore that Fat Joe was

3:06:39.760 --> 3:06:42.520
<v Speaker 1>just out here relevant? And then Fat Joe came and

3:06:43.000 --> 3:06:46.440
<v Speaker 1>he and he said, yo, yo, this is a lyrical giant.

3:06:46.760 --> 3:06:49.199
<v Speaker 1>I forget what he said. You know, I'm paraphrasing, of course,

3:06:49.600 --> 3:06:51.840
<v Speaker 1>but he backed you up back, and I was just like,

3:06:52.360 --> 3:06:54.480
<v Speaker 1>this is what hip hop is supposed to be. This

3:06:54.640 --> 3:06:56.680
<v Speaker 1>is exactly what it's supposed to be. The thing is,

3:06:57.080 --> 3:06:59.760
<v Speaker 1>we're so competitive with each other, and we forgot to

3:06:59.800 --> 3:07:02.240
<v Speaker 1>beg the people that were actually fans up. Yeah, you

3:07:02.280 --> 3:07:05.640
<v Speaker 1>say something good about somebody, you automatically we don't want that.

3:07:05.800 --> 3:07:09.640
<v Speaker 1>That's that's what drink chances. That's what drink chance is established.

3:07:09.680 --> 3:07:12.920
<v Speaker 1>It's taking away that dick right up. Like, I have

3:07:13.160 --> 3:07:16.840
<v Speaker 1>no problem with telling you boys, I think you're a

3:07:16.920 --> 3:07:22.040
<v Speaker 1>lyrical giant. I think that you know, aside from from

3:07:22.280 --> 3:07:26.160
<v Speaker 1>from from from you know, like the actual success and

3:07:26.240 --> 3:07:29.039
<v Speaker 1>the money and there's no dispects all up. But you're

3:07:29.160 --> 3:07:32.720
<v Speaker 1>up there with M and Jay and you're lyrically you

3:07:33.240 --> 3:07:35.200
<v Speaker 1>know what I'm saying, You're up there with them. And

3:07:35.320 --> 3:07:38.040
<v Speaker 1>the thing about it is that takes nothing away from

3:07:38.080 --> 3:07:43.000
<v Speaker 1>me from begging you up. So fucking what, Yeah, you

3:07:43.360 --> 3:07:46.200
<v Speaker 1>you deserve it, you know what I'm saying. You deserve it.

3:07:46.320 --> 3:07:49.000
<v Speaker 1>And the thing about hip hop is so many people

3:07:49.040 --> 3:07:51.680
<v Speaker 1>they don't give a funk about saying people people in

3:07:51.760 --> 3:07:55.040
<v Speaker 1>hipop aren't comfortable enough in their skin, you know what

3:07:55.080 --> 3:07:58.080
<v Speaker 1>I'm saying. And it's like everything is contingent upon other

3:07:58.120 --> 3:08:01.400
<v Speaker 1>people's opinion of you. So you put that being worried

3:08:01.400 --> 3:08:04.280
<v Speaker 1>about them and seeking validation from those people. You put

3:08:04.360 --> 3:08:08.160
<v Speaker 1>that ahead of just being a good, genuine person, you

3:08:08.200 --> 3:08:10.200
<v Speaker 1>know what I'm saying. And it takes the people with respect,

3:08:10.280 --> 3:08:12.480
<v Speaker 1>like how you got you? You can take the steps

3:08:12.920 --> 3:08:15.800
<v Speaker 1>forward and big people up because they're not gonna come

3:08:15.840 --> 3:08:18.240
<v Speaker 1>at you a certain way. You already developed a certain respect,

3:08:18.720 --> 3:08:20.040
<v Speaker 1>you know what I'm saying. And it's the same here

3:08:20.120 --> 3:08:21.960
<v Speaker 1>when it comes to lyricism. I feel like I can

3:08:22.480 --> 3:08:26.920
<v Speaker 1>compliment anybody because I've already established myself as respected as

3:08:26.959 --> 3:08:29.680
<v Speaker 1>a lyricist. So when they hear it coming from somebody

3:08:29.760 --> 3:08:32.160
<v Speaker 1>like me, they look at it different. That's why I

3:08:32.200 --> 3:08:34.600
<v Speaker 1>said what I said about Fat Rio, you know what

3:08:34.600 --> 3:08:39.840
<v Speaker 1>I mean, Like his longevity is inspiring to me. Man,

3:08:40.240 --> 3:08:43.000
<v Speaker 1>he's like one of my He's like one of my idols.

3:08:43.200 --> 3:08:47.280
<v Speaker 1>I had conversations. I had conversations on the phone with people.

3:08:47.600 --> 3:08:50.119
<v Speaker 1>I had conversations on the phone with Keeno about industry

3:08:50.160 --> 3:08:52.880
<v Speaker 1>ship and there's certain things that I'm not supposed to

3:08:52.920 --> 3:08:56.160
<v Speaker 1>be able to accomplish in my age statistically and this

3:08:56.320 --> 3:08:58.760
<v Speaker 1>music ship, and then you turn around and you see

3:08:58.800 --> 3:09:02.840
<v Speaker 1>Fat Joe do it. There's always an exception to the rule. Always.

3:09:02.959 --> 3:09:06.200
<v Speaker 1>I think Dream Champs is that examples. No, he's right though,

3:09:06.280 --> 3:09:10.040
<v Speaker 1>but yeah, it's all your boat, right right, yeah, proposed

3:09:10.080 --> 3:09:12.160
<v Speaker 1>to the same thing. So seeing this show, to seeing

3:09:12.160 --> 3:09:13.760
<v Speaker 1>this show pop off of you and ship like that,

3:09:13.879 --> 3:09:16.920
<v Speaker 1>that's equivalent to Fatrow coming with lean back, right. It's

3:09:16.959 --> 3:09:19.560
<v Speaker 1>like it's incredible because it's not. It's not supposed to

3:09:19.640 --> 3:09:23.240
<v Speaker 1>happen if you ask the critics and the thing about

3:09:23.280 --> 3:09:26.960
<v Speaker 1>our our shows. So sorry, um think about our show.

3:09:27.080 --> 3:09:29.920
<v Speaker 1>It should be a cheat cold for the people whose season,

3:09:30.480 --> 3:09:34.200
<v Speaker 1>meaning the people that like everybody yeah yeah yeah, yeah, yeah,

3:09:34.240 --> 3:09:40.440
<v Speaker 1>yeah yeah yeah yah I don't I don't relax, I

3:09:40.480 --> 3:09:44.440
<v Speaker 1>don't listen. I don't want to make excuses like we're

3:09:44.600 --> 3:09:46.800
<v Speaker 1>here for the people who have been here ten years

3:09:46.840 --> 3:09:49.480
<v Speaker 1>and more, who put their grind in. So now, if

3:09:49.480 --> 3:09:51.920
<v Speaker 1>you want to promote your little sisters, you know what

3:09:51.959 --> 3:09:54.400
<v Speaker 1>I'm saying, uh single, and you want to come on

3:09:54.560 --> 3:09:57.600
<v Speaker 1>here and you want to you open up if you

3:09:57.640 --> 3:10:05.800
<v Speaker 1>want to promote your gator. They just started rapping. Yeah

3:10:05.840 --> 3:10:10.520
<v Speaker 1>it's alligator. Got alligator. I'm just saying, I'm just making

3:10:10.560 --> 3:10:13.280
<v Speaker 1>it up right now. You gotta alligator and you want

3:10:13.320 --> 3:10:16.160
<v Speaker 1>to because this this shouldn't be the cheat cold for

3:10:16.320 --> 3:10:20.400
<v Speaker 1>niggas that got ten and twelve and fifteen years and

3:10:20.480 --> 3:10:23.040
<v Speaker 1>more in this game, because you know what, you have

3:10:23.240 --> 3:10:25.760
<v Speaker 1>the regular radio station when you're a new guy. You

3:10:25.840 --> 3:10:28.480
<v Speaker 1>have the regular SoundCloud when you're a new guy. But

3:10:28.600 --> 3:10:31.880
<v Speaker 1>this should be a platform when you seasoned. You know

3:10:31.959 --> 3:10:35.200
<v Speaker 1>what season me? Season me? These motherfucker's seizes you and

3:10:35.240 --> 3:10:37.680
<v Speaker 1>then put you in the frigerator. Nigga, now lets you

3:10:37.879 --> 3:10:42.640
<v Speaker 1>back overnight. I got that. And then they take your

3:10:42.720 --> 3:10:47.480
<v Speaker 1>monkey ass out and then they fry you that season

3:10:47.800 --> 3:10:51.360
<v Speaker 1>that means you have to stay in the frigerator. Colds

3:10:53.120 --> 3:10:54.920
<v Speaker 1>for a certain amount of time. I just want to sit.

3:10:55.160 --> 3:11:00.040
<v Speaker 1>This is the movie. Sorry, movie, but this is what

3:11:00.080 --> 3:11:02.160
<v Speaker 1>do you mean when you say season in the hip hop?

3:11:02.480 --> 3:11:06.480
<v Speaker 1>You had to go through a certain freezer with the

3:11:06.600 --> 3:11:09.879
<v Speaker 1>season and knowing you and you can't even get frozen,

3:11:10.400 --> 3:11:16.920
<v Speaker 1>You're not season. This is real. You gotta go through

3:11:17.000 --> 3:11:19.680
<v Speaker 1>this in the hip hop and then after you come

3:11:19.720 --> 3:11:22.560
<v Speaker 1>through that. This is the reason why I always pushed

3:11:22.560 --> 3:11:25.960
<v Speaker 1>the hip hop union. It's because after you go through

3:11:26.040 --> 3:11:29.680
<v Speaker 1>that freezing and after you wake up that next day

3:11:29.720 --> 3:11:32.560
<v Speaker 1>and they put you in the oven hip hop to

3:11:32.680 --> 3:11:34.320
<v Speaker 1>take care of you for the rest of your life.

3:11:35.120 --> 3:11:37.600
<v Speaker 1>And that's the thing about it. The thing about it,

3:11:37.720 --> 3:11:40.640
<v Speaker 1>there's so many people who gave a blood, sweat and tears.

3:11:40.920 --> 3:11:44.320
<v Speaker 1>They did it, They went platinum, and they fucking homeless

3:11:44.440 --> 3:11:47.800
<v Speaker 1>right now. They're working in McQuary's and mccary's doesn't even

3:11:47.920 --> 3:11:51.840
<v Speaker 1>exist no more. So that lets you know where they're working.

3:11:53.959 --> 3:11:57.640
<v Speaker 1>They're working in wal Mark. This is real. Ship. If

3:11:57.720 --> 3:12:00.520
<v Speaker 1>you gave ten years and your your life to hip

3:12:00.560 --> 3:12:05.160
<v Speaker 1>hop and you really came out there, you you really worked.

3:12:05.959 --> 3:12:09.959
<v Speaker 1>Our union should it should be a union in places

3:12:10.520 --> 3:12:14.480
<v Speaker 1>that at least that at least helps the only other

3:12:14.760 --> 3:12:19.440
<v Speaker 1>corporation in the world that doesn't have a union is boxing,

3:12:20.000 --> 3:12:22.560
<v Speaker 1>and boxing is the most brutal sport in the world.

3:12:22.760 --> 3:12:27.920
<v Speaker 1>Is this what we're saying about an entertainment company? This

3:12:28.360 --> 3:12:31.320
<v Speaker 1>entertainment we ain't beating each other up. I mean, we

3:12:31.400 --> 3:12:33.000
<v Speaker 1>beat each other up because that's what we choose to.

3:12:33.400 --> 3:12:36.040
<v Speaker 1>But this should be a hip hop So I am

3:12:36.160 --> 3:12:40.160
<v Speaker 1>gonna keep continuing doing this podcast and keep it there

3:12:40.320 --> 3:12:43.560
<v Speaker 1>until we find because U t A and forget who

3:12:43.640 --> 3:12:45.640
<v Speaker 1>else who reached out to us to help us with

3:12:45.760 --> 3:12:48.959
<v Speaker 1>this hip hop union, A couple of people, but until

3:12:49.040 --> 3:12:51.600
<v Speaker 1>we actually get this because I'm God bless you. I

3:12:51.600 --> 3:12:55.119
<v Speaker 1>don't ever wanna you know, you know, I'm not gonna

3:12:55.120 --> 3:12:57.400
<v Speaker 1>work blessing to day. But that's all something happens to

3:12:57.400 --> 3:13:03.000
<v Speaker 1>you tomorrow. Royce. You went to your level where you

3:13:03.040 --> 3:13:04.879
<v Speaker 1>had to get sober and you had to do something

3:13:05.520 --> 3:13:08.400
<v Speaker 1>why And then you know what happens is the whole

3:13:08.440 --> 3:13:12.520
<v Speaker 1>world says, well, M should have stepped up, a right nigga.

3:13:12.600 --> 3:13:15.200
<v Speaker 1>Let me, let me let me just say something. Let

3:13:15.240 --> 3:13:18.640
<v Speaker 1>me be fair about this. Yeah, M should step up,

3:13:19.440 --> 3:13:21.640
<v Speaker 1>but you know who should step up first? Hip hop?

3:13:22.800 --> 3:13:28.080
<v Speaker 1>The community. You gave your blood sweating tears to us.

3:13:29.120 --> 3:13:31.120
<v Speaker 1>It should be like a gil like. It should be

3:13:31.200 --> 3:13:34.400
<v Speaker 1>like any time any nigger in our community he get

3:13:34.520 --> 3:13:38.680
<v Speaker 1>locked up, and it ain't right. It ain't murder, it ain't,

3:13:39.080 --> 3:13:42.640
<v Speaker 1>it ain't, it ain't something. It's all a crime that

3:13:42.760 --> 3:13:45.480
<v Speaker 1>we can respect. He was selling. We get that, nigga.

3:13:47.080 --> 3:13:49.280
<v Speaker 1>It's a crime that we can respect. Let's get him.

3:13:50.480 --> 3:13:53.119
<v Speaker 1>But if you was to get sick right now, poplex

3:13:53.280 --> 3:13:57.560
<v Speaker 1>so sorry, there wouldn't be nothing to come to you

3:13:57.800 --> 3:14:02.040
<v Speaker 1>but them but a Paul hos of But your own people,

3:14:03.000 --> 3:14:05.760
<v Speaker 1>and that's kind of not their responsibility. After you give

3:14:05.879 --> 3:14:09.280
<v Speaker 1>us seventeen years of your life. Yeah, I'll see what

3:14:09.320 --> 3:14:12.160
<v Speaker 1>you're saying. You understand what I'm saying. I think you

3:14:12.520 --> 3:14:15.360
<v Speaker 1>give us seventeen years of your life. It should be

3:14:15.560 --> 3:14:18.960
<v Speaker 1>a union that just says, oh Royce is sick, or

3:14:19.040 --> 3:14:21.440
<v Speaker 1>shut the funk up, everybody, move the fun back, my nigga.

3:14:21.440 --> 3:14:25.600
<v Speaker 1>When I got sober, I didn't even have health insurance insurance.

3:14:27.040 --> 3:14:30.240
<v Speaker 1>It's something new to people. I didn't even I didn't

3:14:30.240 --> 3:14:32.760
<v Speaker 1>even have health insurance. I had a ton of money

3:14:33.160 --> 3:14:35.879
<v Speaker 1>or no health insurance. That's just that's the nice thing

3:14:35.959 --> 3:14:38.640
<v Speaker 1>we think about. It's like, but it's the first thing

3:14:38.680 --> 3:14:42.560
<v Speaker 1>that poplishes is like it's a big business and it's

3:14:42.600 --> 3:14:44.280
<v Speaker 1>like a lot of money to be made, but it's

3:14:44.360 --> 3:14:46.840
<v Speaker 1>like you get no information when you come into this ship.

3:14:47.480 --> 3:14:50.199
<v Speaker 1>Everything you learn is based off of making mistakes. Unless

3:14:50.240 --> 3:14:53.000
<v Speaker 1>you blessed enough to be around somebody you can kind

3:14:53.040 --> 3:14:54.520
<v Speaker 1>of like point you in the right direction. But you

3:14:54.680 --> 3:14:58.640
<v Speaker 1>learn everything off of error, and statistically most people don't

3:14:58.640 --> 3:15:03.840
<v Speaker 1>survive those errors. Damn. So it's not hip hop is

3:15:03.879 --> 3:15:05.440
<v Speaker 1>not set up for you to succeed, to set up

3:15:05.480 --> 3:15:09.640
<v Speaker 1>for you to fail, for sure. Absolutely well, please don't

3:15:09.640 --> 3:15:13.240
<v Speaker 1>say hip hop, say the business, the business entertainment, because

3:15:13.600 --> 3:15:15.840
<v Speaker 1>hip hop it's made for you to be whoever the

3:15:15.920 --> 3:15:17.280
<v Speaker 1>funk you want to be. You just gotta be who

3:15:17.320 --> 3:15:19.840
<v Speaker 1>the fun you want to be there. But the business

3:15:20.440 --> 3:15:28.360
<v Speaker 1>is definitely yeah, yeah, goddamn listen, I'm gonna stop up.

3:15:28.959 --> 3:15:30.880
<v Speaker 1>We did the artists do they drop? So their own

3:15:31.080 --> 3:15:34.000
<v Speaker 1>shout out to looks now that's right now and um

3:15:34.200 --> 3:15:36.200
<v Speaker 1>yeah yeah I loves now. And then we'll do the

3:15:36.280 --> 3:15:38.720
<v Speaker 1>picture together. Yeah, and the drop, let's do it. No, no,

3:15:38.920 --> 3:15:40.960
<v Speaker 1>the drop, I want real start doing the artist by

3:15:41.000 --> 3:16:05.680
<v Speaker 1>the s