WEBVTT - Episode 2 – Missing

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<v Speaker 1>Is that.

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<v Speaker 2>Okay, do you have enough friends?

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<v Speaker 3>Yeah?

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<v Speaker 4>Okay, me too, but you.

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<v Speaker 3>Can move back four more interesting.

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<v Speaker 5>Beth Carris and I are in Gaithersburg, Maryland, stuffing ourselves

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<v Speaker 5>into this car and about to go on a ride

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<v Speaker 5>along of sorts. We've asked Troy to help us recreate

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<v Speaker 5>what must have been one of the most frightening, chaotic,

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<v Speaker 5>and terrifying days of his life.

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<v Speaker 6>So I went up into here and then came back

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<v Speaker 6>down this way.

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<v Speaker 5>Beth is in the back, and I'm upfront with Troy,

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<v Speaker 5>who's driving. He's our tour guide today and has agreed

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<v Speaker 5>to bring us back to September eighth, twenty fourteen, the

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<v Speaker 5>day everything changed.

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<v Speaker 1>Probably the first place we could hit would be where

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<v Speaker 1>Jacob went missing from on the way back, and then

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<v Speaker 1>from there we'll go to Clarksburg and start from there.

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<v Speaker 5>I'm Sarah Trelevin and this is Unrestorable, an original podcast

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<v Speaker 5>from Anonymous content and iHeartRadio.

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<v Speaker 2>Where are we?

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<v Speaker 1>We are entering what they call Darnstown or North Potomac,

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<v Speaker 1>which is actually still Gaithersburg.

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<v Speaker 5>We just drove through what looks like a pretty nice neighborhood.

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<v Speaker 1>Yeah, this is Lakeland's here, and then We're going to

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<v Speaker 1>come out on twenty eight up here, and that'll take

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<v Speaker 1>us right out to where Lindsay used to live.

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<v Speaker 5>It's been about nine years since Troy has seen or

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<v Speaker 5>heard from his two youngest kids, Sarah three and Jacob two.

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<v Speaker 5>They were last seen with their mother, Catherine Hogle, and

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<v Speaker 5>despite her insistence that no harm has ever come to them,

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<v Speaker 5>police charged her with the children's murders, but she has

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<v Speaker 5>yet to face those charges in court. Years of mental

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<v Speaker 5>health problems led to Catherine being deemed incompetent, in other words,

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<v Speaker 5>unable to assist in her own defense. So for the

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<v Speaker 5>past nine years, Catherine has called the Clifton T. Perkins

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<v Speaker 5>Hospital Center, a psychiatric institution home. At the time that

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<v Speaker 5>his kids went missing, Troy and Catherine were still together

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<v Speaker 5>trying to raise their three kids, but Catherine's mental health

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<v Speaker 5>had been deteriorating and she'd been in and out of

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<v Speaker 5>mental health facilities. Her parents, especially her mother Lindsay, had

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<v Speaker 5>been helping with the kids, but even with his mother

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<v Speaker 5>in law's help, Troy was basically a single parent. He

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<v Speaker 5>was the one who did all the cooking and cleaning.

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<v Speaker 5>He made sure that the kids got to school and

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<v Speaker 5>gave them baths when they got home.

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<v Speaker 6>Two o'clock is when I picked her up from the

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<v Speaker 6>day program.

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<v Speaker 5>Troy spent the night of September seventh, twenty fourteen, at

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<v Speaker 5>work and the next day, September eighth, running errants that

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<v Speaker 5>included picking Catherine up from the psychiatric hospital, where she

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<v Speaker 5>attended a day program from morning through early afternoon.

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<v Speaker 6>I fell up, she's not out there.

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<v Speaker 1>Finally she comes walking out a little bit after two thirty,

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<v Speaker 1>so I'm like, what the heck is going on? You know,

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<v Speaker 1>She's like, oh, I got, you know, hung up talking

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<v Speaker 1>with this counselor and this and whatever all eyes Later on,

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<v Speaker 1>I find out because when I look at her phone records,

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<v Speaker 1>she actually was trying to call CAPS.

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<v Speaker 5>Troy was irritated because he didn't want to be late

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<v Speaker 5>to pick up his oldest son, who would soon be

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<v Speaker 5>dropped off by the school bus. But Catherine was normal,

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<v Speaker 5>fine to Troy. She was acting like it was any

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<v Speaker 5>other day.

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<v Speaker 6>I said, my little man can't be waiting.

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<v Speaker 5>The plan was to pick up their oldest son and

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<v Speaker 5>then get Sarah and Jacob from daycare.

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<v Speaker 2>And where did she tell you?

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<v Speaker 6>Like?

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<v Speaker 5>Was she like, oh, they're in this neighborhood. They're near

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<v Speaker 5>this complex much as they.

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<v Speaker 1>Were in daycare, So there was nothing really said at

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<v Speaker 1>this point because I thought I knew which one we

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<v Speaker 1>were going to.

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<v Speaker 5>Troy and Catherine had been discussing sending the two youngest

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<v Speaker 5>kids to daycare. They had talked about different options, but

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<v Speaker 5>that morning, when Troy woke up after working a late shift,

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<v Speaker 5>the kids weren't there. Catherine had made a decision to

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<v Speaker 5>take them to daycare, she told him. Not being consulted

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<v Speaker 5>about that decision definitely bothered Troy. But also Catherine wasn't

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<v Speaker 5>supposed to be driving because of the medication she was on,

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<v Speaker 5>and apparently she had driven both kids that morning. And

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<v Speaker 5>at this point, are you thinking anything's wrong other than like,

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<v Speaker 5>maybe this is a bit annoying.

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<v Speaker 1>No, I'm thinking I'm going to go get my kids

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<v Speaker 1>from the daycare and I'll determine, you know, if I

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<v Speaker 1>want them to go back to that daycare. But I'm thinking,

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<v Speaker 1>also what I need to do to make sure that

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<v Speaker 1>she's not even awake when I'm not around them, if

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<v Speaker 1>I need to have her not there at all, because

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<v Speaker 1>she's gonna, you know, full of craft like this.

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<v Speaker 5>Over the past few months, it had become clear to

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<v Speaker 5>Troy that Catherine could not be trusted to be alone

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<v Speaker 5>with her kids. The family questioned her ability to make

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<v Speaker 5>decisions and worried about the impact of the medication she

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<v Speaker 5>was taking. Lindsay says that Catherine would sometimes be so

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<v Speaker 5>drugged that she would fall into a deep sleep, impossible

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<v Speaker 5>to wake. Other times, Catherine seemed paranoid or confused or angry,

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<v Speaker 5>making the other adults around her uncomfortable and worried about

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<v Speaker 5>the children's safety. So as a family, they had decided

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<v Speaker 5>that Catherine could not be alone with the children. Troy

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<v Speaker 5>or her mother Lindsay or her father Randy had to

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<v Speaker 5>be around. Troy's life for the year leading up to

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<v Speaker 5>this event had been characterized by hypervigilants, the fear that

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<v Speaker 5>Catherine might in some way endanger the kids, even if

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<v Speaker 5>she didn't mean to hurt them. A unilateral move like this,

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<v Speaker 5>the loss of control to someone with a history of

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<v Speaker 5>making irrational decisions, was exactly what Troy had been afraid of.

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<v Speaker 2>But up until this day.

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<v Speaker 5>This car ride, no one imagined that Catherine would actively

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<v Speaker 5>hurt the kids. The day of September eighth begins with

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<v Speaker 5>Troy being woken up by his oldest son before the

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<v Speaker 5>alarm clock even goes off. Troy needs to start their day,

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<v Speaker 5>make breakfast for all three kids, and it's so early

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<v Speaker 5>that Troy just assumes that his two youngest kids, Sarah

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<v Speaker 5>and Jacob, are still asleep.

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<v Speaker 1>I notice Jacob is not in his crib, which is

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<v Speaker 1>actually in my room still, but it was normal for

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<v Speaker 1>him to climb out and go to my oldest bed.

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<v Speaker 5>Looking back, Troy now sees that there were hints that

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<v Speaker 5>things were off, but things have been off for so

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<v Speaker 5>long that the unusual had begun to feel somewhat normal.

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<v Speaker 1>What was also not as normal, but fairly normals for

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<v Speaker 1>all three of them to be in the same bed

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<v Speaker 1>by the morning.

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<v Speaker 6>So I look at in Sarah's She's not there. Something.

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<v Speaker 5>Next, Troy goes into his eldest son's bedroom, expecting to

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<v Speaker 5>see the youngest kids asleep together.

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<v Speaker 2>Instead, the room is empty.

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<v Speaker 6>So then I'm like, you know, okay, so they're not here.

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<v Speaker 5>Troy looks out the window and sees that his car

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<v Speaker 5>is gone too. When he calls Catherine's cell phone, he

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<v Speaker 5>sees it vibrating on the coffee table. He calls Lindsay

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<v Speaker 5>Catherine's mother, but she has no idea where Catherine, Sarah

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<v Speaker 5>or Jacob are.

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<v Speaker 1>I said, okay, and I get my oldest ready, get

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<v Speaker 1>him on the bus.

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<v Speaker 6>I didn't want to free came out. It seems. I

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<v Speaker 6>got him on a bus. I called nine one one.

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<v Speaker 5>That might seem extreme, I know, but things had become

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<v Speaker 5>so chaotic that Troy didn't want to take any chances.

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<v Speaker 5>But just as Troy's connecting with a nine to one

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<v Speaker 5>to one dispatcher, Troy sees Catherine pull up in their car.

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<v Speaker 6>I go to the car, What the hell is going

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<v Speaker 6>on based you know?

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<v Speaker 1>And she's like, oh, well, I took them to daycare.

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<v Speaker 4>I said, hold on, I said, you're not, and where

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<v Speaker 4>are we heading now?

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<v Speaker 6>So right now we're heading to Clarksburg.

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<v Speaker 4>And what's in Clarksburg.

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<v Speaker 6>That's the apartment we lived in with.

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<v Speaker 5>Troy believing his two youngest kids are in daycare and

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<v Speaker 5>his oldest safely at school. His day is relatively stress free,

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<v Speaker 5>but that irritated feeling he gets around Catherine settles in

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<v Speaker 5>as soon as he picks her up from her day

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<v Speaker 5>program at the hospital. She's running late, and Troy is

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<v Speaker 5>worried they will be late. Picking up their eldest son.

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<v Speaker 6>I was like, yeah, so let's go.

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<v Speaker 2>They make it on time to meet the school bus.

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<v Speaker 5>Next it's off to get the two babies off to

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<v Speaker 5>a daycare that Troy has never been to but thinks

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<v Speaker 5>he knows.

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<v Speaker 1>I got ready to turn, but she said go, you know, continue,

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<v Speaker 1>She was like, no, not that one. She was like,

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<v Speaker 1>it's down farther. I said, oh, I thought. She was like, no,

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<v Speaker 1>there's the one right behind me. So I keep going right.

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<v Speaker 1>So if we're driving here and I'm going, okay, well,

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<v Speaker 1>I'm like, there's no daycares right over here? Is there?

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<v Speaker 6>And she was like, not that I know of.

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<v Speaker 5>Catherine tells Troy to keep driving, but things are getting

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<v Speaker 5>very confusing, and.

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<v Speaker 1>I was like, so you're positive it's in Germantown and

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<v Speaker 1>she said yeah. I said, well, we're in Gaithersburg now,

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<v Speaker 1>so I need to make a U turn.

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<v Speaker 5>And the farther they go, the more it's clear that

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<v Speaker 5>Catherine is fuzzy on where she left their two youngest kids.

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<v Speaker 5>And Catherine is just sort of almost treating this like

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<v Speaker 5>you're having kind of a trivial argument, like it's not

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<v Speaker 5>a big deal. What are you getting So upset about

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<v Speaker 5>right exactly.

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<v Speaker 6>Her tone is kind of like, I don't understand why

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<v Speaker 6>you're so.

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<v Speaker 2>Angry For Troy.

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<v Speaker 5>It was infuriating Catherine, seeming nonchalance about picking up Sarah

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<v Speaker 5>and Jacob.

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<v Speaker 6>I said, so, what's the play is called? I don't know? Okay,

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<v Speaker 6>Well what road is it on?

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<v Speaker 1>I don't remember the name of the street, Troy, I said,

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<v Speaker 1>you don't remember what's called.

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<v Speaker 6>No, well, give me their phone number. I'll call them

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<v Speaker 6>right now.

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<v Speaker 1>I'm literally in this lane in this conversation sapen And

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<v Speaker 1>that's when she said, I don't have their phone though.

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<v Speaker 1>And then I looked at her. This light was red.

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<v Speaker 1>I stopped and I looked at her. I said, let

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<v Speaker 1>me get this straight. You took my kids and dropped

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<v Speaker 1>them off at a daycare. You don't know the name

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<v Speaker 1>of it, you don't have an address, you don't know

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<v Speaker 1>what street it's on, you have no idea where it is,

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<v Speaker 1>and you don't have a phone number. And she looked

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<v Speaker 1>at me, and that's when she said, well, they have

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<v Speaker 1>my number. And that's whenever I felt like I was

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<v Speaker 1>going to explode.

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<v Speaker 5>But out of the corner of his eye, Troy sees

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<v Speaker 5>his son, his eldest who's there in the backseat and

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<v Speaker 5>he's hearing.

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<v Speaker 6>All of this, and I said, okay, I can't do that.

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<v Speaker 5>Before Troy can go any further, he needs someone to

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<v Speaker 5>take his eldest son. So Troy calls Catherine's mother, Lindsey.

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<v Speaker 1>I said, I want you to take my son. And

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<v Speaker 1>Catherine was like, what are you doing? And I said,

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<v Speaker 1>what do you mean? What am I doing? I'm having

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<v Speaker 1>your mom meet us. He's going to go with her

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<v Speaker 1>and she was like, he's not going with her. I said, yes,

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<v Speaker 1>see it, And so she's going we'll go pick up

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<v Speaker 1>you know, Sarah and Jacob. And I said, I said, no,

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<v Speaker 1>we're going to go pick him up. I said, but first,

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<v Speaker 1>we're going to meet your mom here.

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<v Speaker 5>Troy pulls over to the side of the road to

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<v Speaker 5>wait for Lindsay, who shows up ten minutes later, but

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<v Speaker 5>Catherine is shaken out of complacency when Lindsay shows up

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<v Speaker 5>and separates Catherine from her eldest son. She was adamant

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<v Speaker 5>that Lindsay not take him. It seemed to trigger something

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<v Speaker 5>desperate furious in Catherine.

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<v Speaker 1>She starts going, well, he's not going through I'm like, yes, yes, yes,

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<v Speaker 1>and She's.

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<v Speaker 6>Telling her mom, Mom, just leave, just leaving. Let's going now.

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<v Speaker 1>I'm not leaving without him at this point, and Troy

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<v Speaker 1>wants me to take him.

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<v Speaker 2>You know, all of this behavior is clearly troubling.

0:11:44.720 --> 0:11:48.439
<v Speaker 5>Catherine had been struggling for years, but today this is

0:11:48.480 --> 0:11:51.320
<v Speaker 5>all new. In the months leading up to this, Catherine

0:11:51.400 --> 0:11:54.720
<v Speaker 5>was fine with her mother's involvement in their lives. Lindsay

0:11:54.720 --> 0:11:57.200
<v Speaker 5>had been a safe harbor for the family. She'd picked

0:11:57.280 --> 0:11:59.760
<v Speaker 5>up huge amounts of slack as a mother and grandmother.

0:12:00.600 --> 0:12:03.920
<v Speaker 5>But here and now, Catherine seems determined not to be

0:12:03.960 --> 0:12:07.560
<v Speaker 5>separated from her oldest son. Troy ignores her and picks

0:12:07.640 --> 0:12:10.200
<v Speaker 5>up their son, putting him in the back of Lindsay's car,

0:12:11.240 --> 0:12:11.920
<v Speaker 5>and I tell.

0:12:11.760 --> 0:12:14.319
<v Speaker 6>Her go she pulls off.

0:12:14.960 --> 0:12:17.200
<v Speaker 1>Catherine starts banging on the back of her car while

0:12:17.240 --> 0:12:20.760
<v Speaker 1>she's pulling off and springing obscenities at her. I said,

0:12:20.760 --> 0:12:22.880
<v Speaker 1>what the hell's wrong with you? She said, I don't

0:12:22.920 --> 0:12:26.640
<v Speaker 1>trust her with him. I said that's not true. She's

0:12:27.200 --> 0:12:32.080
<v Speaker 1>watched him a million times. So I said, so, where

0:12:32.080 --> 0:12:33.840
<v Speaker 1>are we going to get him? And she goes, well,

0:12:33.840 --> 0:12:36.000
<v Speaker 1>they're up here. She said, fine, let's go get him

0:12:36.160 --> 0:12:37.760
<v Speaker 1>because I want to go get him as soon as

0:12:37.840 --> 0:12:38.640
<v Speaker 1>possible from her.

0:12:39.559 --> 0:12:42.280
<v Speaker 5>At this point, Troy is wondering if this is some

0:12:42.360 --> 0:12:46.160
<v Speaker 5>kind of game, a control thing, maybe punishment for the

0:12:46.200 --> 0:12:50.520
<v Speaker 5>last year, for the rules, the hospitalizations, for telling Catherine

0:12:50.520 --> 0:12:53.480
<v Speaker 5>how she could be a mom. Maybe Catherine feels like

0:12:53.520 --> 0:12:56.720
<v Speaker 5>she's in trouble again, yet again letting down her family.

0:12:57.520 --> 0:12:59.960
<v Speaker 1>At this point, I'm not really scared because I can

0:13:00.080 --> 0:13:01.480
<v Speaker 1>my kids are in the daycare and we're going to

0:13:01.480 --> 0:13:01.960
<v Speaker 1>pick them up.

0:13:02.080 --> 0:13:03.040
<v Speaker 6>But I'm fearing.

0:13:10.360 --> 0:13:12.800
<v Speaker 5>Right before the kids went missing, Catherine had been getting

0:13:12.800 --> 0:13:17.199
<v Speaker 5>regular treatment. She was being medicated. Troy wondered if maybe

0:13:17.200 --> 0:13:22.080
<v Speaker 5>they could start enjoying life's mundane moments again. But now

0:13:22.200 --> 0:13:25.120
<v Speaker 5>Troy is wondering if maybe he'd been in denial that

0:13:25.200 --> 0:13:28.880
<v Speaker 5>in reality they could never really be a family, And

0:13:28.920 --> 0:13:32.360
<v Speaker 5>maybe he has no idea what Catherine is actually capable of.

0:13:33.080 --> 0:13:34.640
<v Speaker 6>We drive up here.

0:13:35.840 --> 0:13:40.079
<v Speaker 1>And I'm asking her, you know where there are things

0:13:40.160 --> 0:13:44.760
<v Speaker 1>like that, and she says, well, you know where it is?

0:13:44.760 --> 0:13:47.400
<v Speaker 2>This right here here was the daycare.

0:13:47.440 --> 0:13:49.680
<v Speaker 5>He knew it was close to the one where his

0:13:49.720 --> 0:13:51.560
<v Speaker 5>oldest had gone before he started school.

0:13:52.120 --> 0:13:55.880
<v Speaker 1>So are you telling me that they're at the daycare

0:13:57.040 --> 0:13:59.760
<v Speaker 1>where we put the oldest, and she said no. I said,

0:13:59.800 --> 0:14:01.599
<v Speaker 1>so some one right behind it. That's what you're telling me.

0:14:01.640 --> 0:14:03.840
<v Speaker 1>We're gonna go there and pick him up now. And

0:14:03.880 --> 0:14:05.440
<v Speaker 1>she said, well, no, not that one. I said, well,

0:14:05.440 --> 0:14:07.560
<v Speaker 1>it was the only two over here. So at that

0:14:07.559 --> 0:14:09.400
<v Speaker 1>point I got the car. I opened up that door

0:14:09.559 --> 0:14:11.480
<v Speaker 1>and I'm saying above her, I'm gonna where are my kids?

0:14:13.040 --> 0:14:16.280
<v Speaker 5>And say sorry, you get out, walk around and open

0:14:16.320 --> 0:14:16.880
<v Speaker 5>her door.

0:14:17.000 --> 0:14:19.800
<v Speaker 1>Right and I'm gonna where are my kids? And she goes,

0:14:20.560 --> 0:14:24.680
<v Speaker 1>they're in daycare, Troy, you know? And I said, tell

0:14:24.720 --> 0:14:28.800
<v Speaker 1>me where my kids are? And whatever it is inside

0:14:28.800 --> 0:14:30.280
<v Speaker 1>of me, I can't put my hands on woman. I

0:14:30.280 --> 0:14:32.280
<v Speaker 1>wanted to yank her out and grab her and like

0:14:32.400 --> 0:14:34.680
<v Speaker 1>force her to talk, but I just can't put my

0:14:34.720 --> 0:14:36.600
<v Speaker 1>hands on a woman out of anger, and I didn't.

0:14:38.240 --> 0:14:40.000
<v Speaker 1>It may sound terrible, say I wish I could at

0:14:40.000 --> 0:14:41.480
<v Speaker 1>this point. I wish I was one of those dudes

0:14:41.520 --> 0:14:44.400
<v Speaker 1>like it in that moment only, but just not. I

0:14:44.400 --> 0:14:48.480
<v Speaker 1>couldn't do it. So there's all kinds of things going

0:14:48.480 --> 0:14:51.080
<v Speaker 1>in my mind. I could make her talk, but nothing's happening.

0:14:52.400 --> 0:14:55.520
<v Speaker 5>Troy is losing control, but he knows he needs to

0:14:55.520 --> 0:14:59.080
<v Speaker 5>stay calm. He's picturing Sarah and Jacobs sitting at some

0:14:59.160 --> 0:15:03.400
<v Speaker 5>daycare god knows where, feeling forgotten, the only kids whose

0:15:03.440 --> 0:15:06.040
<v Speaker 5>parents haven't come to pick them up. But he's also

0:15:06.120 --> 0:15:08.840
<v Speaker 5>desperately hanging onto the hope that he'll see their faces

0:15:09.160 --> 0:15:12.640
<v Speaker 5>looking up at him when he finally gets there. Are

0:15:12.680 --> 0:15:15.360
<v Speaker 5>you thinking at this point that maybe she doesn't know

0:15:15.400 --> 0:15:17.680
<v Speaker 5>where the kids are, or maybe she's forgotten or anything.

0:15:17.800 --> 0:15:19.600
<v Speaker 2>No, she's nothing with it.

0:15:19.680 --> 0:15:24.480
<v Speaker 1>Or even since showing any signs of having this psychotic

0:15:24.520 --> 0:15:27.880
<v Speaker 1>break with no memory or any nothing like that. She's

0:15:27.920 --> 0:15:31.960
<v Speaker 1>not even acting like in terms of what I've seen

0:15:32.040 --> 0:15:35.000
<v Speaker 1>is in her mental illness when it's acting up or

0:15:35.040 --> 0:15:36.240
<v Speaker 1>bad or whatever you want to call it.

0:15:36.960 --> 0:15:39.720
<v Speaker 5>Are the two of you talking about anything as this

0:15:39.840 --> 0:15:40.240
<v Speaker 5>goes on.

0:15:40.440 --> 0:15:41.720
<v Speaker 6>I have nothing to say to her.

0:15:42.000 --> 0:15:44.880
<v Speaker 1>I just want to get my kids, get them home,

0:15:45.040 --> 0:15:46.720
<v Speaker 1>get them in bed, and then put her ass out.

0:15:47.480 --> 0:15:49.040
<v Speaker 6>That's all I'm thinking. At this point.

0:15:49.680 --> 0:15:52.160
<v Speaker 5>She's thinking like I'm sending her to her parents or whatever,

0:15:52.600 --> 0:15:53.280
<v Speaker 5>or the street.

0:15:53.320 --> 0:15:55.040
<v Speaker 6>I don't care. At this point. She's a danger to

0:15:55.080 --> 0:15:56.440
<v Speaker 6>my kids, So I'm just done.

0:16:01.240 --> 0:16:05.000
<v Speaker 5>Driving from place to place. Troy's desperation grows. It's now

0:16:05.040 --> 0:16:08.280
<v Speaker 5>after six pm. The traffic is thinning as other people

0:16:08.320 --> 0:16:10.440
<v Speaker 5>make at home to spend the evening with their families

0:16:11.000 --> 0:16:13.880
<v Speaker 5>to make dinner for their kids. When they pull up

0:16:13.920 --> 0:16:16.720
<v Speaker 5>to a church that Catherine has directed Troy to, he

0:16:16.760 --> 0:16:18.600
<v Speaker 5>feels a slight pang of relief when he sees a

0:16:18.640 --> 0:16:23.000
<v Speaker 5>playground and some toys. At this point, any sign of

0:16:23.080 --> 0:16:24.080
<v Speaker 5>children is a good thing.

0:16:24.840 --> 0:16:25.440
<v Speaker 6>So we go there.

0:16:26.160 --> 0:16:28.280
<v Speaker 1>There's a young lady there who runs the daycare, but

0:16:28.400 --> 0:16:30.000
<v Speaker 1>all the kids are gone.

0:16:30.320 --> 0:16:32.760
<v Speaker 5>The woman who runs the daycare confirms that Sarah and

0:16:32.840 --> 0:16:35.880
<v Speaker 5>Jacob were never there, that she's never seen Catherine before.

0:16:36.720 --> 0:16:39.240
<v Speaker 5>Catherine asked to use the bathroom, then comes back out

0:16:39.240 --> 0:16:40.560
<v Speaker 5>and joins Troy in the car.

0:16:41.240 --> 0:16:43.000
<v Speaker 6>So what she did inside What turns out is she

0:16:43.040 --> 0:16:43.800
<v Speaker 6>asked to use phone.

0:16:43.880 --> 0:16:47.960
<v Speaker 1>She called her mom repeatedly and tried to get her

0:16:48.080 --> 0:16:49.080
<v Speaker 1>to bring the oldest back.

0:16:49.560 --> 0:16:50.880
<v Speaker 6>Well, it turns out her mom.

0:16:50.720 --> 0:16:52.520
<v Speaker 1>Told her was that you know, as soon as you

0:16:52.560 --> 0:16:54.080
<v Speaker 1>produced the other two, then you'll see him.

0:16:54.800 --> 0:16:57.600
<v Speaker 5>Troy knows this is serious, but what are his options.

0:16:58.080 --> 0:17:00.480
<v Speaker 5>Catherine is the only one who knows where Sarah and

0:17:00.560 --> 0:17:03.360
<v Speaker 5>Jacob are, and if he doesn't play her game or

0:17:03.440 --> 0:17:06.480
<v Speaker 5>whatever this is, then maybe she'll just decide not to

0:17:06.520 --> 0:17:09.560
<v Speaker 5>tell him. They start driving again.

0:17:10.000 --> 0:17:11.320
<v Speaker 1>I was like, is it this one? She was like, nah,

0:17:11.440 --> 0:17:13.959
<v Speaker 1>not that one. I pointed out, like pretty much every

0:17:14.000 --> 0:17:14.920
<v Speaker 1>church on was it this one?

0:17:15.000 --> 0:17:17.280
<v Speaker 6>Is it? This one? Is this one? The whole way

0:17:17.359 --> 0:17:17.720
<v Speaker 6>up there?

0:17:17.840 --> 0:17:20.119
<v Speaker 3>You know, at this point Catherine was not supposed to

0:17:20.160 --> 0:17:22.600
<v Speaker 3>be alone, unsupervised with the children.

0:17:23.040 --> 0:17:25.160
<v Speaker 5>Just a reminder that Beth Carris is in the car

0:17:25.200 --> 0:17:25.880
<v Speaker 5>with us as well.

0:17:26.359 --> 0:17:28.399
<v Speaker 3>I mean, maybe you didn't want to go there in

0:17:28.440 --> 0:17:30.800
<v Speaker 3>your mind that she had done something with the children,

0:17:30.840 --> 0:17:32.520
<v Speaker 3>but there was a reason why she wasn't supposed to

0:17:32.520 --> 0:17:33.240
<v Speaker 3>be alone.

0:17:32.920 --> 0:17:36.760
<v Speaker 1>With them, right right, And it wasn't that anyone actually

0:17:36.800 --> 0:17:40.080
<v Speaker 1>at that point believed that she would physically purposely hurt them.

0:17:40.119 --> 0:17:42.080
<v Speaker 6>It was more of the decision making stuff.

0:17:53.200 --> 0:17:56.439
<v Speaker 5>But it's at this point, close to seven pm, the

0:17:56.520 --> 0:17:59.400
<v Speaker 5>sun starting to dip, that the worst case scenario must

0:17:59.440 --> 0:18:07.600
<v Speaker 5>be starting to creep into Troy's mind. Troy and Catherine

0:18:07.600 --> 0:18:09.760
<v Speaker 5>had been in the car for more than four hours

0:18:09.880 --> 0:18:12.880
<v Speaker 5>when they arrived at one more daycare, and this one

0:18:12.960 --> 0:18:18.199
<v Speaker 5>is still open. Troy is sure that this is the

0:18:18.200 --> 0:18:20.879
<v Speaker 5>one that he's going to walk through those doors and

0:18:20.960 --> 0:18:25.440
<v Speaker 5>see his children. As he pulls up, he can feel

0:18:25.440 --> 0:18:27.000
<v Speaker 5>his heart pounding in his chest.

0:18:28.840 --> 0:18:33.840
<v Speaker 1>I pulled into it was actually this middle spot here.

0:18:35.640 --> 0:18:39.000
<v Speaker 1>There was nothing here. There was like one car parked

0:18:39.080 --> 0:18:42.320
<v Speaker 1>in the back there. So I'm going, so this is way,

0:18:42.560 --> 0:18:46.159
<v Speaker 1>she says, yes. So I get out, walk quickly to

0:18:46.240 --> 0:18:49.840
<v Speaker 1>the door. Here, go inside, and I'm so sorry I'm late.

0:18:49.880 --> 0:18:51.960
<v Speaker 1>You know, I came to get my kids and the

0:18:52.040 --> 0:18:55.280
<v Speaker 1>ladies looking at me, going, ain't no kids here. I'm going, uh,

0:18:56.760 --> 0:18:58.680
<v Speaker 1>you know, I give their names, like Sarah and Jacob.

0:18:58.960 --> 0:19:01.040
<v Speaker 1>She was like, no, bought my phone. I showed her

0:19:01.040 --> 0:19:04.920
<v Speaker 1>a picture on like these two and she's like they

0:19:04.920 --> 0:19:14.280
<v Speaker 1>were never here. She was like, we've never seen them.

0:19:16.080 --> 0:19:17.280
<v Speaker 2>Troy changes his mind.

0:19:17.440 --> 0:19:22.119
<v Speaker 5>At this moment, whatever Catherine is doing, whatever game she's playing,

0:19:22.520 --> 0:19:23.879
<v Speaker 5>he's done.

0:19:24.320 --> 0:19:28.440
<v Speaker 1>I'm thinking I'm going to the police station to basically

0:19:28.560 --> 0:19:30.640
<v Speaker 1>have them do whatever they need to do to find

0:19:30.640 --> 0:19:34.199
<v Speaker 1>out where my kids are. And I'm thinking that I

0:19:34.240 --> 0:19:36.720
<v Speaker 1>need to get there before I lose control over my emotions.

0:19:36.720 --> 0:19:40.560
<v Speaker 1>At this point, you know, this is it's just too much.

0:19:40.600 --> 0:19:43.119
<v Speaker 1>At this point, I'm like this, it's crazy.

0:19:44.200 --> 0:19:47.200
<v Speaker 2>So you're like really feeling on the edge here, Yes.

0:19:48.040 --> 0:19:50.320
<v Speaker 1>And it's at this point I still don't think in

0:19:50.320 --> 0:19:50.800
<v Speaker 1>my mind.

0:19:50.840 --> 0:19:52.080
<v Speaker 6>She physically hurt my kids.

0:19:52.080 --> 0:19:54.080
<v Speaker 1>But I'm thinking she has left my kids somewhere where

0:19:54.320 --> 0:19:57.239
<v Speaker 1>no one is except maybe one person sitting there, you know,

0:19:57.680 --> 0:20:00.359
<v Speaker 1>because there's two kids stuck there, who's probably gonna call

0:20:00.400 --> 0:20:05.880
<v Speaker 1>the police or CPS, thinking that they've been abandoned. She owes,

0:20:05.920 --> 0:20:08.080
<v Speaker 1>why are we pulling down here? And I said to

0:20:08.200 --> 0:20:10.240
<v Speaker 1>the police station is here? We're going to the police station.

0:20:10.320 --> 0:20:12.840
<v Speaker 1>When I said that to her about right here, and

0:20:12.880 --> 0:20:14.640
<v Speaker 1>she was like, we don't need to involve, We don't

0:20:14.640 --> 0:20:17.000
<v Speaker 1>need to do that. I said, yes we do. I said,

0:20:17.040 --> 0:20:19.320
<v Speaker 1>my kids aren't here. I don't know where you put them,

0:20:19.359 --> 0:20:21.760
<v Speaker 1>so I need to have the police help me find them, apparently,

0:20:23.280 --> 0:20:25.880
<v Speaker 1>and then she owes they're on beatheta church road.

0:20:33.640 --> 0:20:36.560
<v Speaker 5>Catherine plays this like she's folding, giving up the game,

0:20:37.080 --> 0:20:39.000
<v Speaker 5>like Troy has won and now she is going to

0:20:39.080 --> 0:20:42.440
<v Speaker 5>really actually tell him where he can find Sarah and Jacob.

0:20:43.480 --> 0:20:47.400
<v Speaker 5>Or maybe she's bargaining against something that terrifies her. Lindsey

0:20:47.440 --> 0:20:50.199
<v Speaker 5>told me that when Catherine was involuntarily committed, she was

0:20:50.200 --> 0:20:53.440
<v Speaker 5>handcuffed by police and taken away in front of her children,

0:20:54.200 --> 0:20:56.760
<v Speaker 5>and that she'd had a paralyzing fear of police. There

0:20:56.760 --> 0:20:58.920
<v Speaker 5>are red and blue lights and the loud sirens in

0:20:58.960 --> 0:20:59.439
<v Speaker 5>the distance.

0:21:00.200 --> 0:21:03.120
<v Speaker 1>Since I was like, what are you talking about? She said,

0:21:03.119 --> 0:21:05.840
<v Speaker 1>there's a daycom Beth's Church Road. That's where I put them.

0:21:06.280 --> 0:21:07.960
<v Speaker 1>And I said, so, why wouldn't you have just said

0:21:07.960 --> 0:21:09.399
<v Speaker 1>that before so we could have went and picked up

0:21:09.400 --> 0:21:11.920
<v Speaker 1>She said, because they actually have extended to stay there

0:21:11.960 --> 0:21:12.840
<v Speaker 1>till like eight o'clock.

0:21:13.080 --> 0:21:15.280
<v Speaker 6>And I was like, no one does that, that's not real.

0:21:15.400 --> 0:21:17.320
<v Speaker 1>She was like, well, she's like out there, they do,

0:21:17.400 --> 0:21:19.800
<v Speaker 1>she said, because parents get home much later because traffic

0:21:19.960 --> 0:21:20.560
<v Speaker 1>is farther out.

0:21:20.600 --> 0:21:25.960
<v Speaker 5>Now. At this point, it's near dark and Troy is done,

0:21:26.560 --> 0:21:30.280
<v Speaker 5>done with Catherine, done with the wild goose chase. Plus

0:21:30.280 --> 0:21:33.120
<v Speaker 5>he can't dismiss his creeping sense of alarm. He feels

0:21:33.160 --> 0:21:36.640
<v Speaker 5>a tug towards the police station. But he also can't

0:21:36.680 --> 0:21:38.200
<v Speaker 5>let go of the hope that the kids will be

0:21:38.240 --> 0:21:41.600
<v Speaker 5>at the next daycare, that after a long and frustrating day,

0:21:41.720 --> 0:21:44.800
<v Speaker 5>his life will return to what looks like normal. So

0:21:44.840 --> 0:21:48.439
<v Speaker 5>he agrees to drive to Bethesda Church Road, but first

0:21:48.560 --> 0:21:51.199
<v Speaker 5>Catherine pleads with him to stop for a soda. Her

0:21:51.240 --> 0:21:55.120
<v Speaker 5>medication is kicking in, she says, and she's feeling tired, all.

0:21:55.080 --> 0:21:58.120
<v Speaker 6>Right, I said, we'll go right here. Hit it up.

0:21:58.760 --> 0:22:01.040
<v Speaker 5>Troy and Catherine pull in the parking lot of a

0:22:01.080 --> 0:22:04.159
<v Speaker 5>fast food chicken sandwich place. There's a drive through, but

0:22:04.240 --> 0:22:05.240
<v Speaker 5>Troy parks the car.

0:22:05.720 --> 0:22:10.040
<v Speaker 1>I park right here, literally right here, in this spot,

0:22:11.560 --> 0:22:12.879
<v Speaker 1>and we got out, walked in.

0:22:14.600 --> 0:22:16.600
<v Speaker 5>Catherine gets a soda, and the two of them head

0:22:16.600 --> 0:22:19.440
<v Speaker 5>back to the car. Troy is hopeful that the next

0:22:19.560 --> 0:22:22.600
<v Speaker 5>daycare is the right one, that Sarah and Jacob will

0:22:22.600 --> 0:22:24.160
<v Speaker 5>be back in his arms as soon as he can

0:22:24.160 --> 0:22:28.240
<v Speaker 5>get there. But Catherine stops. She says her cup is

0:22:28.240 --> 0:22:31.080
<v Speaker 5>already empty. She wants to get a refill, so she's

0:22:31.160 --> 0:22:32.760
<v Speaker 5>nice and alert when they go pick.

0:22:32.680 --> 0:22:33.280
<v Speaker 2>Up the kids.

0:22:34.080 --> 0:22:36.400
<v Speaker 1>So I said, well, hurry up, I said, I want

0:22:36.400 --> 0:22:37.280
<v Speaker 1>to go get my babies.

0:22:37.760 --> 0:22:38.840
<v Speaker 2>Troy gets in the car.

0:22:39.200 --> 0:22:41.399
<v Speaker 5>He's antsy and he starts it up in anticipation of

0:22:41.480 --> 0:22:44.639
<v Speaker 5>Catherine returning any second.

0:22:46.080 --> 0:22:49.960
<v Speaker 1>Then approximately three minutes past, and that's when it hit me.

0:22:52.000 --> 0:22:53.800
<v Speaker 6>You don't stand in line for refills here.

0:22:56.000 --> 0:22:58.080
<v Speaker 2>Desperate, Troy runs back into the store.

0:22:58.640 --> 0:22:59.879
<v Speaker 6>So don't see her anywhere.

0:22:59.880 --> 0:23:03.440
<v Speaker 1>So she's not in line, she's not off to the

0:23:03.480 --> 0:23:07.639
<v Speaker 1>side getting a refill, she's nowhere inside. Walk into the

0:23:07.680 --> 0:23:10.160
<v Speaker 1>men's bathroom, walking into the women's bathroom.

0:23:10.560 --> 0:23:12.040
<v Speaker 6>Nothing, she's just.

0:23:12.000 --> 0:23:16.040
<v Speaker 2>Gone, and now it's going through your mind.

0:23:16.160 --> 0:23:20.200
<v Speaker 6>What's going through my mind now? Is just panic.

0:23:22.359 --> 0:23:24.440
<v Speaker 5>Troy and knows where his next stop has to be.

0:23:25.160 --> 0:23:28.240
<v Speaker 5>The police station is right across the street. He parks

0:23:28.280 --> 0:23:30.920
<v Speaker 5>in front and runs inside, so like, I.

0:23:30.920 --> 0:23:32.639
<v Speaker 1>Go in, there's like the window where you tell them

0:23:32.640 --> 0:23:33.880
<v Speaker 1>you know why you're there or whatever.

0:23:34.560 --> 0:23:38.720
<v Speaker 5>Troy frantically calls Lindsay, his own mother, Catherine's dad, Randy.

0:23:39.440 --> 0:23:41.919
<v Speaker 5>Full panic has set in as he tells the cops

0:23:42.000 --> 0:23:42.639
<v Speaker 5>what he's been.

0:23:42.520 --> 0:23:45.440
<v Speaker 1>Through that day, Like, go do whatever you gotta do.

0:23:45.520 --> 0:23:47.520
<v Speaker 1>I'm sure you have to question me. Let's get that

0:23:47.560 --> 0:23:48.040
<v Speaker 1>out of the way.

0:23:48.080 --> 0:23:48.280
<v Speaker 6>You know.

0:23:48.400 --> 0:23:50.040
<v Speaker 1>It was like whatever you got to do to get

0:23:50.040 --> 0:23:51.639
<v Speaker 1>to actually finding my kids, just do it.

0:23:51.880 --> 0:23:53.600
<v Speaker 2>Lindsay arrives at the police station.

0:23:54.200 --> 0:23:57.520
<v Speaker 1>So Lindsay goes, I've been searching daycare for nowhere any

0:23:57.560 --> 0:23:58.440
<v Speaker 1>of them in Germantown.

0:23:58.480 --> 0:24:01.000
<v Speaker 6>I've driven to all with like what, like how long

0:24:01.040 --> 0:24:02.720
<v Speaker 6>have you been doing it? And what is going on here?

0:24:03.520 --> 0:24:05.359
<v Speaker 1>And she said, I've been worried kind of you know,

0:24:06.080 --> 0:24:08.919
<v Speaker 1>says she didn't come back with Jacob last night. And

0:24:08.960 --> 0:24:13.720
<v Speaker 1>I said what, and she goes, yeah, she came back

0:24:13.760 --> 0:24:15.000
<v Speaker 1>without Jacob last night.

0:24:18.520 --> 0:24:22.159
<v Speaker 5>Catherine had come home without Jacob the night before.

0:24:22.880 --> 0:24:24.399
<v Speaker 1>I said, what the hell are you talking about, Lindsay,

0:24:24.440 --> 0:24:26.720
<v Speaker 1>she goes, you didn't know Jacob wasn't there last night?

0:24:28.760 --> 0:24:32.800
<v Speaker 6>I said no, I said no. One told me that.

0:24:42.200 --> 0:24:42.640
<v Speaker 4>With this.

0:24:43.080 --> 0:24:46.560
<v Speaker 5>It all comes crashing down that morning when Troy came

0:24:46.560 --> 0:24:48.520
<v Speaker 5>home from working the night shift and he couldn't find

0:24:48.560 --> 0:24:51.840
<v Speaker 5>his two youngest kids when Catherine was gone, and so

0:24:52.080 --> 0:24:55.160
<v Speaker 5>was the car. Remember, Troy had started to call nine

0:24:55.240 --> 0:24:58.280
<v Speaker 5>one one, but Catherine came home then and told him

0:24:58.280 --> 0:25:01.679
<v Speaker 5>she'd taken the kids to daycare. It never occurred to

0:25:01.720 --> 0:25:04.760
<v Speaker 5>Troy that she'd been lying. It never occurred to him

0:25:04.880 --> 0:25:07.000
<v Speaker 5>that the kids hadn't spent the night in their beds,

0:25:07.880 --> 0:25:10.479
<v Speaker 5>that the kids had been missing since the night before.

0:25:11.080 --> 0:25:13.680
<v Speaker 1>I'm thinking, you know, like what's going on? Like this

0:25:13.720 --> 0:25:17.359
<v Speaker 1>is insane, like where are my kids? And that's kind

0:25:17.400 --> 0:25:18.840
<v Speaker 1>of all I'm real I think it's just where are

0:25:18.840 --> 0:25:21.840
<v Speaker 1>my kids? What's going on here? Like I have to find.

0:25:21.560 --> 0:25:28.320
<v Speaker 2>Them next time? On Unrestorable.

0:25:29.359 --> 0:25:33.359
<v Speaker 1>The next morning, I get a call and they're asking

0:25:33.400 --> 0:25:35.520
<v Speaker 1>myself and Randy to come in and saying, look, she

0:25:35.560 --> 0:25:37.879
<v Speaker 1>won't tell us where the kids are. Maybe she'll tell you, guys,

0:25:37.920 --> 0:25:39.600
<v Speaker 1>come ask her.

0:25:45.200 --> 0:25:49.160
<v Speaker 5>Unrestorable is executive produced and hosted by Me, Sarah Trulevin,

0:25:49.320 --> 0:25:53.040
<v Speaker 5>and Beth Carris. Our story editor is Kathleen Goldhar. Mixing

0:25:53.080 --> 0:25:56.959
<v Speaker 5>and sound designed by Reza Dyah for anonymous content. Jessica

0:25:57.000 --> 0:26:00.480
<v Speaker 5>Grimshaw is our executive producer, Jennifer Sears is our executive

0:26:00.520 --> 0:26:03.600
<v Speaker 5>in charge of production, and Nick Yanas is our legal council.

0:26:04.000 --> 0:26:08.320
<v Speaker 5>For iHeart executive producer Christina Everett and supervising producer Abu

0:26:08.440 --> 0:26:08.800
<v Speaker 5>Zafar