WEBVTT - In the Pink

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your

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<v Speaker 1>my My My name is Robert Lamb and I'm Julie Douglas. Julie.

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<v Speaker 1>Valentine's a day fast approaching, so of course we have

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<v Speaker 1>decided here to devote a few different episodes too, you

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<v Speaker 1>could say Valentine's Day content or maybe anti Valentine's Day content. Yeah,

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<v Speaker 1>Usually Valentine's Day comes around and we sort of begrudgingly

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<v Speaker 1>do an anti Valentine'sday just to be like, yeah, it's

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<v Speaker 1>coming up terrible. But I've noticed this time we have

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<v Speaker 1>like five or six topics that we have planned to

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<v Speaker 1>really plumb the depths of different aspects of Valentine's Day

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<v Speaker 1>and to really attack it from four different fronts and

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<v Speaker 1>just take it out. Ye, take it out, take it out.

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<v Speaker 1>You know what we're talking about here. We're really going

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<v Speaker 1>to get into Valentine's Day. We're going to dust it

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<v Speaker 1>and put it away, and we're gonna start by exploring

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<v Speaker 1>the color pink. Yes, because pink and red are the

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<v Speaker 1>predominant color scheme for Valentine's Day. It's the colors that

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<v Speaker 1>just assault you come pretty much the end of January,

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<v Speaker 1>maybe even right after Christmas. These days, you start seeing

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<v Speaker 1>it popping up everywhere, trying to sell you that candy,

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<v Speaker 1>try to sell you those flowers, try to sell you

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<v Speaker 1>god knows what else, all in the name of this

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<v Speaker 1>big commercial holiday. Yeah, I call it the pink menace.

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<v Speaker 1>And I call it that for a couple of different reasons.

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<v Speaker 1>Some you know, the associations with Valentine's Day, which is

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<v Speaker 1>the sort of treacle that we we cling to, these

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<v Speaker 1>notions of idealized love and so on and so forth.

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<v Speaker 1>But also because I just don't enjoy the color pink,

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<v Speaker 1>and I never have. So you don't like looking at it,

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<v Speaker 1>you don't like wearing it. It makes me feel unsettled. Okay,

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<v Speaker 1>And this is something I'm going to point out. I

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<v Speaker 1>think some of our female listeners will understand what I'm

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<v Speaker 1>talking about here. There is a certain hue of pink

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<v Speaker 1>that you will find in a gynecologist office, and it's

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<v Speaker 1>usually this kind of mauve pink hue that you find

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<v Speaker 1>in literature about the reproductive system, or you even see

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<v Speaker 1>in the models of the reproductive system. Okay, I know

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<v Speaker 1>what you're talking about. That that that shade of pink.

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<v Speaker 1>You also see on the translucent pages that go over

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<v Speaker 1>anatomical illustrations. You see it like nice and shiny there. Yeah,

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<v Speaker 1>but you particularly will see it in a gynecologiest office.

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<v Speaker 1>And I call it vegonna pink. And it's just it's

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<v Speaker 1>just that kind of shade of pink. That's just it

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<v Speaker 1>doesn't have a lot of verve to it. It's a

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<v Speaker 1>bit of a depressing pink. And also I feel like

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<v Speaker 1>I'm in the ganna coologist office. I don't necessarily need

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<v Speaker 1>to be um, you know, walloped over the head with

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<v Speaker 1>this color. I know what I'm there for, you know

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<v Speaker 1>what I'm saying. Yeah, I mean in our culture, pink

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<v Speaker 1>has become this huge gender thing. It's become the color

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<v Speaker 1>for females, right, It's become fetishized, I think. I mean,

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<v Speaker 1>think about out pink diamonds, pink firearms, pink legos, which

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<v Speaker 1>we'll talk about a little bit. Pink salt Does that count? Uh?

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<v Speaker 1>I feel like that is the natural colored salt, right,

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<v Speaker 1>hillily and salt, And it's very tasty. So I will

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<v Speaker 1>put that to the side. Beautiful cracked over a freshly

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<v Speaker 1>baked pizza. Okay, So in this episode we're going to

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<v Speaker 1>We're going to discuss pink. We're gonna talk about pink

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<v Speaker 1>from a cultural and historic standpoint. We're gonna break down

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<v Speaker 1>some of the science of pink and uh, you know,

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<v Speaker 1>and at the end of it, we're gonna reach out

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<v Speaker 1>to the rest of you and get your input on

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<v Speaker 1>pink as a color, as a color that appears in

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<v Speaker 1>her surroundings, is the color that we we take on

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<v Speaker 1>on for ourselves. How do we feel about it and

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<v Speaker 1>how does it make others feel? Yeah, I'd like to

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<v Speaker 1>read this quote from Elizabeth Camp. She's writing for a

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<v Speaker 1>on magazine, and she says, pink matters because it is

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<v Speaker 1>bound up with ways of being in the world that

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<v Speaker 1>are partially aesthetic but also personal and political colors and

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<v Speaker 1>code aesthetic norms that run straight through to style, personality, culture,

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<v Speaker 1>and class. You know. Growing up, I feel that pink

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<v Speaker 1>was never like a huge deal. Like I wasn't one

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<v Speaker 1>of those kids that was raised with this idea like

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<v Speaker 1>just beaten into you do not wear pink because pink

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<v Speaker 1>is a girl's color. But on the other hand, I

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<v Speaker 1>don't remember having a lot of paint clothes, except perhaps

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<v Speaker 1>around Easter, you know, where you would have to have

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<v Speaker 1>dressed and sort of pastor pastel colors and go everybody

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<v Speaker 1>goes to church, and you get this horrible picture made

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<v Speaker 1>and it's you know, and your your your kid, it's

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<v Speaker 1>it's kind of sunny out. You just all you want

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<v Speaker 1>to do is get out of those church clothes, and

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<v Speaker 1>then instead you have to stand around and stay in

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<v Speaker 1>them and and wait for everybody to get together. Yeah. So,

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<v Speaker 1>so I have kind of those connotations with with pink

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<v Speaker 1>and some of its pastel colors, not so much that

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<v Speaker 1>it's I guess a little bit that it would that

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<v Speaker 1>it is feminine as well, because you end up going

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<v Speaker 1>to you know, two junior high and then it's it's

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<v Speaker 1>the issue of gender is huge, to the point where

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<v Speaker 1>I remember being made fun of because my legs weren't

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<v Speaker 1>hairy enough and therefore it was a sign of femininity

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<v Speaker 1>and man was there, and I remember feeling bad about it, like, oh,

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<v Speaker 1>I guess like I have to wear long pants all

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<v Speaker 1>the time. So I was gonna talk to you about that. Um,

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<v Speaker 1>but let me ask you this, does the color pink

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<v Speaker 1>ever evoke associations with calmness or peacefulness? Well, I will

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<v Speaker 1>say when it comes to pepto bismol. There is the

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<v Speaker 1>there is the promise of possible peace with the color.

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<v Speaker 1>But with that I also have a strong memory of

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<v Speaker 1>it was either me or one of my sisters taking

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<v Speaker 1>pepto bismol for an unsettled stomach as a kid, and

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<v Speaker 1>then vomiting it up against the wall and onto the floor.

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<v Speaker 1>And the floor was white carpet, so he had a

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<v Speaker 1>nice pink stain there from where someone had had vomited. Okay,

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<v Speaker 1>well that ties in lovely to a color called drunk

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<v Speaker 1>tank pink. And why does a tie in so well, Well,

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<v Speaker 1>it is a color that was used and actually I

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<v Speaker 1>believe it's still used in some holding cells in jails.

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<v Speaker 1>It's a bubblegum pink color. And think about a sort

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<v Speaker 1>of maybe an unruly intoxicated person they're locked up, the

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<v Speaker 1>cell they're put in, is that's drunk pink pink. What

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<v Speaker 1>are the effects? Well, the idea here is that the

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<v Speaker 1>pink is going to have a calming effect, a soothing effect,

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<v Speaker 1>because you have not a you know, necessarily a delightful

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<v Speaker 1>TV drunk like otis on the Andy Griffith's Show, but

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<v Speaker 1>rather somebody who might be a little a little violent,

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<v Speaker 1>a little a little out of it and a little perturbed.

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<v Speaker 1>They've been apprehended and placed inside of a cell. So

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<v Speaker 1>if there is a promise of potential calming from this color,

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<v Speaker 1>in fact, if you have some studies that back this

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<v Speaker 1>up as well, all the more reason to just throw

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<v Speaker 1>a bunch of pink paint at the problem. And I

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<v Speaker 1>hope that it's kind of a magic bullet, right, Yeah. Yeah,

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<v Speaker 1>And this was discovered in n by psychologists who figure

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<v Speaker 1>it out that this hue of pink could really calm

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<v Speaker 1>people down, and they used it on buses, school buses.

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<v Speaker 1>They painted the seats pink, and they discovered that vandalism

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<v Speaker 1>rates declined. Uh. Door to do door to door charity

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<v Speaker 1>workers wore pink shirts in their donations rose threefold and

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<v Speaker 1>um some some very clever football coaches even introduced the

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<v Speaker 1>color into locker rooms. Yeah, in particular, the visitors locker

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<v Speaker 1>room at the University of Iowa was painted pink back

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<v Speaker 1>in seventy nine, and it was it was heavily criticized

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<v Speaker 1>for for being you know this this means of demoralizing

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<v Speaker 1>and also trying to to to use colors to manipulate

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<v Speaker 1>the effectiveness of your opponents. Um. One of the key

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<v Speaker 1>individuals that pops up in these studies is Alexander Schauss,

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<v Speaker 1>and that's why you sometimes see the pink. This particular

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<v Speaker 1>mode of pink referred to as shause pink, also known

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<v Speaker 1>as Baker Miller pink, also known as passive pink, also

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<v Speaker 1>known as p s which I like that because it

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<v Speaker 1>sounds even more nefarious, like you're gonna use p six

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<v Speaker 1>one eighteen against your enemies. Well, and that has sort

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<v Speaker 1>of incarcerated sound to it as well. Right bring up

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<v Speaker 1>the shouts is quoted as saying, even if a person

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<v Speaker 1>tries to be angry or aggressive in the presence of pink,

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<v Speaker 1>he can't. The heart muscles can't race fast enough. It's

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<v Speaker 1>a tranquilizing color that SAPs your energy. Even the color

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<v Speaker 1>bind are tranquilized by pink rooms. UM very much playing

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<v Speaker 1>into this idea that it's it's it's like a vampire

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<v Speaker 1>of colors. It's just SAPs your soul out of you. Um.

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<v Speaker 1>He He conducted a couple of different studies. The most

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<v Speaker 1>notable one was posted in the final issue of Ortho

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<v Speaker 1>Molecular Psychiatry in nineteen this when he took a hundred

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<v Speaker 1>and fifty three healthy men exposed them to cardboard squares

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<v Speaker 1>one of them blew one of them pink, And after

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<v Speaker 1>a full minute of staring at these, they were asked

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<v Speaker 1>to hold their arms out in front of their bodies,

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<v Speaker 1>you know, like a like a like a horror movie

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<v Speaker 1>zombie or mummy or something, and you know, and see

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<v Speaker 1>how long they could hold them out. And then their

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<v Speaker 1>arms were put down. They were given a few seconds

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<v Speaker 1>to recover, and then they did a second test, same thing,

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<v Speaker 1>and he found all but two men were dramatically weaker

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<v Speaker 1>after staring at the pink, while blue left the strength

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<v Speaker 1>in the test intact in both the first and the

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<v Speaker 1>second strength test. He ended up following this up in

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<v Speaker 1>another study thirty eight men squeezing a measuring device, and

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<v Speaker 1>again found found that they were weaker after exposure to

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<v Speaker 1>the pink. Now, the amount of time that you're exposed

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<v Speaker 1>to the pink is really key here, because Adam Altar,

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<v Speaker 1>who wrote the book Drunk Tank Pink, has said that

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<v Speaker 1>there's pretty good evidence that over a nine month period,

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<v Speaker 1>the very aggressive prisoners at a naval prison in Seattle

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<v Speaker 1>were much better behaved when they emerged fifteen minutes after

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<v Speaker 1>being put in the pink drunk tank. After that fifteen

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<v Speaker 1>minute exposure, if you go up to thirty minutes, you

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<v Speaker 1>have the reverse effects of that calming suit and color.

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<v Speaker 1>All of a sudden, that color becomes distracting, it becomes angering. Yeah,

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<v Speaker 1>there's also the o this idea that you're you're tamping

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<v Speaker 1>everything down, You're you're kind of repressing stuff, and it's

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<v Speaker 1>going to eventually explode, Like paint cannot constrain the beastly

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<v Speaker 1>heart for too long, it cannot. The mary Kay of

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<v Speaker 1>it all will just fall apart, and the beast within

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<v Speaker 1>all of us, even mary Kay, will emerge. So we

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<v Speaker 1>were talking about this after we we looked at some

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<v Speaker 1>of these studies, instantly thinking about the use of pink

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<v Speaker 1>in sport and in physical combat, Like you would think

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<v Speaker 1>you would see more usage of pink on the playing

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<v Speaker 1>field um and and even on the battlefield UM in

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<v Speaker 1>lieu with some of these colors, that it wouldn't just

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<v Speaker 1>be a matter of all, let's paint the visitor locker

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<v Speaker 1>room pink and hopes that will will mess with their head,

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<v Speaker 1>Like why not? Why not just full on pink uniforms

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<v Speaker 1>and let your opponents try and play against that. You

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<v Speaker 1>get a thirty minute advantage, right, and then they're gonna

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<v Speaker 1>start to become aggressive. But maybe they'll be a little

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<v Speaker 1>over aggressive. I don't know much about sports, but maybe

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<v Speaker 1>it's like a judo thing where you know they're they're

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<v Speaker 1>they're only ramping it up. Then you can adjust accordingly

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<v Speaker 1>and use their aggression against it. Well, we were also

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<v Speaker 1>talking about Dennis Rodman, who were saying seems to have

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<v Speaker 1>co opted a lot of the more uh, the more

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<v Speaker 1>feminine aspects of of his dress and his portrayal of himself.

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<v Speaker 1>I mean, just think about this guy. He's a big guy.

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<v Speaker 1>He is um. You know, if I were to be

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<v Speaker 1>a basketball player and met him on the court, I

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<v Speaker 1>might be like, wow, okay, this guy is formidable. But

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<v Speaker 1>now think of Dennis Rodman wearing lipstick, or his hair

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<v Speaker 1>is a very feminine color, or he's wearing makeup, and

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<v Speaker 1>all of a sudden, it's like you're playing against a

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<v Speaker 1>ground queen. And this becomes an entirely different proposition because

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<v Speaker 1>now Dennis Rodman is playing with coda, with gender and

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<v Speaker 1>with hetero norms. And we know, and we'll talk about

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<v Speaker 1>this more, that nothing could be more unsettling in a

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<v Speaker 1>society that really ascribes to gender norms than someone crossing

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<v Speaker 1>those boundaries and playing with it, and it becomes a

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<v Speaker 1>bit of a threat. You're turning our established symbols and

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<v Speaker 1>motifs on their head, and it's essentially playing mind games

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<v Speaker 1>with me. Like, suddenly I have to do a whole

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<v Speaker 1>lot of extra computing to make sense of you on

0:12:28.760 --> 0:12:31.440
<v Speaker 1>the basketball court, whereas before you were just just a

0:12:31.440 --> 0:12:33.760
<v Speaker 1>big dude. And there I'm surrounded by big dudes. I'm

0:12:33.760 --> 0:12:36.720
<v Speaker 1>a basketball player out there, I'm probably a big dude myself.

0:12:37.280 --> 0:12:39.760
<v Speaker 1>But then this, this just throws everything in its head. Yeah.

0:12:39.800 --> 0:12:43.200
<v Speaker 1>So what we're saying is make sports more interesting. Put

0:12:43.240 --> 0:12:47.120
<v Speaker 1>the drag element in there. Yeah, RuPaul coaches, this is

0:12:47.400 --> 0:12:50.800
<v Speaker 1>this is going to really amp up the psychological aspect

0:12:50.800 --> 0:12:52.480
<v Speaker 1>of it. I would I mean, I say this a

0:12:52.520 --> 0:12:55.280
<v Speaker 1>lot that I would be pretty much into any sport

0:12:55.360 --> 0:12:58.040
<v Speaker 1>if it could itself be more like pro wrestling. So

0:12:58.080 --> 0:13:00.680
<v Speaker 1>in pro wrestling you see lots of craze, the outfits

0:13:00.679 --> 0:13:03.920
<v Speaker 1>and face paint. If if you saw more crazy outfits

0:13:03.960 --> 0:13:06.880
<v Speaker 1>and face paint and say professional basketball, I would be

0:13:06.880 --> 0:13:09.840
<v Speaker 1>more tempted to watch. I would be there with you

0:13:10.000 --> 0:13:12.520
<v Speaker 1>I gotta tell you now, one of the things that

0:13:12.559 --> 0:13:15.360
<v Speaker 1>we talked about these archetypes, uh, that that you could

0:13:15.440 --> 0:13:19.079
<v Speaker 1>turn your head, is this idea that women like pink.

0:13:19.200 --> 0:13:22.920
<v Speaker 1>It's completely ingrained, it's hardwired. And this, of course is

0:13:22.960 --> 0:13:28.280
<v Speaker 1>an erroneous idea out there that women are inherently gravitating

0:13:28.360 --> 0:13:31.040
<v Speaker 1>towards pink. And we start touched on this a bit,

0:13:32.040 --> 0:13:34.440
<v Speaker 1>albeit indirectly, and when we did our episode on the

0:13:34.440 --> 0:13:38.800
<v Speaker 1>color blue, because it turns out that most people prefer

0:13:38.920 --> 0:13:42.440
<v Speaker 1>blue overall than any other color. That's right. I remember

0:13:42.440 --> 0:13:45.400
<v Speaker 1>in that episode I mentioned that, UM that my son, uh,

0:13:45.600 --> 0:13:48.679
<v Speaker 1>my wife and I we UM. We didn't say, all right,

0:13:48.720 --> 0:13:50.520
<v Speaker 1>here's blue, this is the boy's color, this is the

0:13:50.559 --> 0:13:53.880
<v Speaker 1>one you should like, stay away from pink. But he

0:13:54.000 --> 0:13:57.480
<v Speaker 1>ends up gravitating towards blue. Yeah. And I believe that study.

0:13:57.559 --> 0:14:02.040
<v Speaker 1>I know it was a paint company that funded it, UM,

0:14:02.040 --> 0:14:04.200
<v Speaker 1>but I want to say it was the thirty countries

0:14:04.520 --> 0:14:08.400
<v Speaker 1>that they surveyed, and it was blue first, and then

0:14:08.440 --> 0:14:12.360
<v Speaker 1>I believe it was green, and then yellow was maybe

0:14:12.400 --> 0:14:15.400
<v Speaker 1>the last color that that people preferred or didn't prefer

0:14:15.520 --> 0:14:18.240
<v Speaker 1>very much. Pink didn't even make it onto that list,

0:14:18.559 --> 0:14:21.400
<v Speaker 1>is my point. Um, So if you delve into this

0:14:21.440 --> 0:14:23.320
<v Speaker 1>a little bit more, you'll see that there's a two

0:14:23.360 --> 0:14:28.040
<v Speaker 1>thousand eleven study published in the British Journal of Developmental Psychology,

0:14:28.280 --> 0:14:31.040
<v Speaker 1>and they had one year old girls and boys that

0:14:31.120 --> 0:14:34.960
<v Speaker 1>were shown pairs of identical objects like bracelets, pill boxes,

0:14:35.000 --> 0:14:38.040
<v Speaker 1>and picture frames, but with one of those objects being

0:14:38.080 --> 0:14:41.040
<v Speaker 1>pink and the other being a second color. Now, they

0:14:41.040 --> 0:14:44.520
<v Speaker 1>were no more likely to choose pink than any other color.

0:14:45.040 --> 0:14:48.960
<v Speaker 1>But after the age of two, the girls started to

0:14:49.040 --> 0:14:52.440
<v Speaker 1>like pink and buy four boys were determined in their

0:14:52.440 --> 0:14:55.640
<v Speaker 1>rejection of pink. And the point of this is that

0:14:55.760 --> 0:14:58.840
<v Speaker 1>it is not hardwired. It is a cultural script that

0:14:58.960 --> 0:15:02.800
<v Speaker 1>kids began to sworb via all of the media around them,

0:15:03.200 --> 0:15:05.960
<v Speaker 1>via the ways in which their parents may address them

0:15:06.120 --> 0:15:09.200
<v Speaker 1>or direct them toward things. Plus, you're growing up in

0:15:09.400 --> 0:15:13.240
<v Speaker 1>an age of TV abundance. You're just constantly marketed to

0:15:13.840 --> 0:15:16.520
<v Speaker 1>with products the pink for the girls, the blue or

0:15:16.520 --> 0:15:18.400
<v Speaker 1>some of the color for the boys, and it's just

0:15:18.400 --> 0:15:22.080
<v Speaker 1>just beaten down into your head. Um. That being said,

0:15:22.080 --> 0:15:24.920
<v Speaker 1>it's weird to look back in my own childhood and

0:15:24.920 --> 0:15:27.280
<v Speaker 1>having been raised very much in this age of just

0:15:27.600 --> 0:15:30.600
<v Speaker 1>all the television you can stand uh and and then

0:15:30.640 --> 0:15:33.000
<v Speaker 1>all the messages that are that they're on those airwaves.

0:15:33.200 --> 0:15:36.240
<v Speaker 1>I distinctly remember Kinkishi muscle figures. I don't know if

0:15:36.280 --> 0:15:39.600
<v Speaker 1>you remember these at all. Um, they're like little a

0:15:39.680 --> 0:15:43.160
<v Speaker 1>Japanese product. I remember correctly. Uh, And it was Knkisi

0:15:43.240 --> 0:15:46.720
<v Speaker 1>in Japan and in the US it was muscle men um.

0:15:46.800 --> 0:15:49.000
<v Speaker 1>And they were all these kind of wild, sort of

0:15:49.000 --> 0:15:51.760
<v Speaker 1>pro wrestler characters, but they had like, you know, crazy

0:15:51.800 --> 0:15:55.000
<v Speaker 1>animal heads or extra limbs. They were just elaborate comic

0:15:55.000 --> 0:15:58.040
<v Speaker 1>book type characters. But they were all this They are

0:15:58.040 --> 0:16:01.960
<v Speaker 1>all made out of this pink binda bowl material and

0:16:01.960 --> 0:16:04.440
<v Speaker 1>there was nothing, you know, you just completely accepted that

0:16:04.480 --> 0:16:06.800
<v Speaker 1>they're pink. I guess they're kind of fleshy. I don't know.

0:16:06.880 --> 0:16:10.480
<v Speaker 1>They were called muscle men. Yeah, the muscles and muscles

0:16:10.520 --> 0:16:14.480
<v Speaker 1>are pink. We weren't called squishy non musli women. I

0:16:14.520 --> 0:16:17.280
<v Speaker 1>guess maybe maybe that's the thing. Maybe there was a

0:16:17.320 --> 0:16:20.520
<v Speaker 1>discussion where someone said, all right, uh, these these Knkichi

0:16:20.600 --> 0:16:22.440
<v Speaker 1>guys are pretty cool, but if we're going to market

0:16:22.480 --> 0:16:24.720
<v Speaker 1>him in the US, we need to name him something

0:16:24.800 --> 0:16:26.720
<v Speaker 1>really mask go in to make up for the pink color.

0:16:26.800 --> 0:16:30.080
<v Speaker 1>I don't know, Yeah, that's some gender performance terms. They're

0:16:30.160 --> 0:16:33.800
<v Speaker 1>like musclemen. Yeah, alright, we're gonna take a quick break,

0:16:33.840 --> 0:16:36.240
<v Speaker 1>and when we get back, we're going to talk about

0:16:36.400 --> 0:16:39.320
<v Speaker 1>the color pink and how it actually hung with the

0:16:39.360 --> 0:16:50.200
<v Speaker 1>guys for a long time. All Right, we're back. We're

0:16:50.200 --> 0:16:52.720
<v Speaker 1>talking about pink. We've already talked about some of the

0:16:52.800 --> 0:16:55.760
<v Speaker 1>psychology of pink in the Science of pink. Uh. Now

0:16:55.960 --> 0:17:00.200
<v Speaker 1>we're talking about ginger and pink and then specifically how

0:17:00.200 --> 0:17:04.760
<v Speaker 1>it's become coded into our culture, especially here in the West. Yeah,

0:17:04.760 --> 0:17:07.439
<v Speaker 1>because we think about pink is just being squarely for

0:17:07.680 --> 0:17:11.080
<v Speaker 1>girls and women, but in fact, um up until the

0:17:11.119 --> 0:17:15.040
<v Speaker 1>nineteen hundreds, it was just as equally worn among men

0:17:15.119 --> 0:17:17.719
<v Speaker 1>and women. In the seventeen hundreds too, you can you

0:17:17.760 --> 0:17:21.040
<v Speaker 1>look back at old plates and you will see that

0:17:21.160 --> 0:17:24.440
<v Speaker 1>men were just as likely to wear shades of lilac

0:17:24.480 --> 0:17:29.320
<v Speaker 1>and pink as a woman. So what's interesting is you

0:17:29.359 --> 0:17:33.719
<v Speaker 1>get to the nineteen hundreds and you get to children, right,

0:17:33.760 --> 0:17:37.639
<v Speaker 1>and this is where the coding begins. And largely in

0:17:37.920 --> 0:17:41.280
<v Speaker 1>the early nineteen hundreds, you have white clothing for children,

0:17:41.280 --> 0:17:43.640
<v Speaker 1>and the reason for that is because when they're very young,

0:17:43.720 --> 0:17:47.000
<v Speaker 1>what do they do? They spill things all over themselves,

0:17:47.119 --> 0:17:50.600
<v Speaker 1>the urinate on themselves. There's a lot of washing of clothes,

0:17:50.680 --> 0:17:53.840
<v Speaker 1>and so you don't want dyes in there. But as

0:17:53.880 --> 0:17:58.200
<v Speaker 1>the chemical process gets um a little bit easier for

0:17:58.200 --> 0:18:00.680
<v Speaker 1>for clothes to retain die than you begin to see

0:18:00.720 --> 0:18:03.399
<v Speaker 1>more colors bring up in children's clothing. Okay, so we

0:18:03.480 --> 0:18:06.880
<v Speaker 1>go from basically not having colors for the children and

0:18:06.920 --> 0:18:09.520
<v Speaker 1>now we have them. So yeah, suddenly colors are in

0:18:09.600 --> 0:18:12.160
<v Speaker 1>play for the the young children. And uh, it's left

0:18:12.200 --> 0:18:15.200
<v Speaker 1>to the fashion authorities to tell you what colors you

0:18:15.200 --> 0:18:19.080
<v Speaker 1>should dress. Here are your children in? And uh, interestingly enough,

0:18:19.600 --> 0:18:22.960
<v Speaker 1>since there's not an established culture of pink for girls

0:18:23.119 --> 0:18:26.920
<v Speaker 1>blue for boys, and in fact, pink is historically had

0:18:26.960 --> 0:18:29.480
<v Speaker 1>been used by men and it had been a masculine color.

0:18:29.600 --> 0:18:33.360
<v Speaker 1>In many instances you saw advice such as the following

0:18:33.440 --> 0:18:38.080
<v Speaker 1>from a June article in the trade publication Earnshaw's Infants

0:18:38.119 --> 0:18:41.600
<v Speaker 1>department said, the generally accepted rule is pink for boys

0:18:41.640 --> 0:18:43.600
<v Speaker 1>and blue for the girls. The reason is that pink,

0:18:43.920 --> 0:18:47.240
<v Speaker 1>being a more decided and stronger color, is more suitable

0:18:47.240 --> 0:18:50.400
<v Speaker 1>for the boy, while blue, which is more delicate and dainty,

0:18:50.640 --> 0:18:54.719
<v Speaker 1>is prettier for the girl. The complete reversal of of

0:18:54.760 --> 0:18:58.800
<v Speaker 1>what ends up becoming the gender color standard, right, because

0:18:58.840 --> 0:19:02.760
<v Speaker 1>pink is associated with red, and red is a more virile,

0:19:02.880 --> 0:19:06.080
<v Speaker 1>sanguine color, like the color of blood. It's robust. Indeed,

0:19:06.080 --> 0:19:08.000
<v Speaker 1>I mean you're familiar with the Game of Thrones, Yes

0:19:08.040 --> 0:19:11.720
<v Speaker 1>I am. You know House Bolton, of course, yes, vicious,

0:19:12.040 --> 0:19:16.080
<v Speaker 1>vicious House. Their their sickle is the flayed man. And

0:19:16.119 --> 0:19:19.639
<v Speaker 1>the colors of that signal red and pink. That's the

0:19:19.640 --> 0:19:22.280
<v Speaker 1>colors of taking a person's skin off. I was just

0:19:22.320 --> 0:19:24.800
<v Speaker 1>about to say that's what you would find, right, little pink,

0:19:24.840 --> 0:19:30.119
<v Speaker 1>little red. Now it didn't. The color of pink didn't

0:19:30.160 --> 0:19:36.280
<v Speaker 1>become co opted for women until after World War Two.

0:19:36.680 --> 0:19:40.320
<v Speaker 1>Now think about this, this is important. During World War Two,

0:19:40.400 --> 0:19:44.320
<v Speaker 1>you have Rosie the Riveter. You have a pretty stark

0:19:44.359 --> 0:19:47.440
<v Speaker 1>reversal of gender roles, right because you have now women

0:19:47.440 --> 0:19:49.199
<v Speaker 1>that are in factories and they are working and they

0:19:49.240 --> 0:19:51.359
<v Speaker 1>are making income because the men are having to go

0:19:51.400 --> 0:19:55.080
<v Speaker 1>overseas and fight in the war exactly. So what happens

0:19:55.080 --> 0:19:58.800
<v Speaker 1>after that is men return, and then there's this really

0:19:58.840 --> 0:20:04.280
<v Speaker 1>intense movement for heteronormatizing the gender roles, for essentially putting

0:20:04.280 --> 0:20:06.560
<v Speaker 1>women back in their place and You see that in

0:20:06.600 --> 0:20:09.560
<v Speaker 1>the fashion the day, right, because you see post World

0:20:09.560 --> 0:20:14.399
<v Speaker 1>War two, Um, no longer is Rosie wearing her dungarees, right,

0:20:14.440 --> 0:20:17.760
<v Speaker 1>her blue dungarees. You see women in ads with nipped

0:20:17.760 --> 0:20:20.159
<v Speaker 1>in waiste and they're wearing a lot of pink and

0:20:20.200 --> 0:20:23.560
<v Speaker 1>a lot of product plays coming in. You see a

0:20:23.560 --> 0:20:25.199
<v Speaker 1>lot of shades of pink and the products that are

0:20:25.280 --> 0:20:29.800
<v Speaker 1>being offered, and the message is that the woman's house

0:20:29.880 --> 0:20:33.240
<v Speaker 1>is her demain. So it's no longer like Rosie the riveter.

0:20:33.280 --> 0:20:37.199
<v Speaker 1>It's more like tend to your roses. Yea. And instead

0:20:37.240 --> 0:20:40.480
<v Speaker 1>of and instead of working on the machinery, suddenly you

0:20:40.520 --> 0:20:43.360
<v Speaker 1>have the benefit all of all this new futuristic machinery

0:20:43.400 --> 0:20:46.439
<v Speaker 1>that's coming into your kitchen and into your household for

0:20:46.520 --> 0:20:51.440
<v Speaker 1>you to utilize in your traditional feminine role in the house. Yeah,

0:20:51.440 --> 0:20:53.159
<v Speaker 1>and hey, why not get some of that stuff in

0:20:53.200 --> 0:20:56.640
<v Speaker 1>the shade of pink, especially new beauty products too. Right,

0:20:56.800 --> 0:20:59.360
<v Speaker 1>you've got a pink brush to come on your hair

0:20:59.480 --> 0:21:03.359
<v Speaker 1>on times a day. Um. Now, in the seventies, you

0:21:03.480 --> 0:21:07.280
<v Speaker 1>do see pink taking a backseat, and some of that

0:21:07.359 --> 0:21:10.360
<v Speaker 1>is because of the more feminist oriented ideas that colors

0:21:10.359 --> 0:21:15.040
<v Speaker 1>should be unisex um. But then the big eighties return,

0:21:15.119 --> 0:21:19.160
<v Speaker 1>and with the eighties neon colors fuchia, and you see

0:21:19.760 --> 0:21:23.959
<v Speaker 1>pink kind of trickling in again as a hyper gender

0:21:24.000 --> 0:21:26.720
<v Speaker 1>performing color. Yeah, because on one hand, you get the

0:21:26.760 --> 0:21:28.840
<v Speaker 1>idea that you know what, well, you know, women can

0:21:28.920 --> 0:21:31.520
<v Speaker 1>be scientists. Of course, women can have all these different

0:21:31.640 --> 0:21:34.640
<v Speaker 1>roles in society. But not only are they strong enough

0:21:34.640 --> 0:21:35.960
<v Speaker 1>to do that, they're strong enough to wear pink if

0:21:35.960 --> 0:21:39.320
<v Speaker 1>they want to. Yeah. Yes, But I think I feel

0:21:39.359 --> 0:21:42.320
<v Speaker 1>like some of this was really just a marketing juggernaut.

0:21:42.640 --> 0:21:47.000
<v Speaker 1>And we've seen those you know of late and say legos,

0:21:47.080 --> 0:21:49.680
<v Speaker 1>because no longer is that just you know, here's these

0:21:49.720 --> 0:21:54.080
<v Speaker 1>primary colored legos. Now you have more girly hues of

0:21:54.200 --> 0:21:57.840
<v Speaker 1>legos and pink and purple and other pastels that are

0:21:57.880 --> 0:22:01.200
<v Speaker 1>being marketed. It's pretty brilliant, is now. If you have

0:22:01.480 --> 0:22:05.639
<v Speaker 1>a two child family, two different genders, you don't have

0:22:05.720 --> 0:22:08.399
<v Speaker 1>just one set of legos, you have to Yeah, and

0:22:08.560 --> 0:22:11.040
<v Speaker 1>the same thing with like an easy bake oven type devices.

0:22:11.080 --> 0:22:13.160
<v Speaker 1>I've seen those where you have the existing one, which

0:22:13.200 --> 0:22:16.240
<v Speaker 1>is generally some sort of a pink kind of color scheme,

0:22:16.280 --> 0:22:18.040
<v Speaker 1>and you just change it to black or blue or

0:22:18.080 --> 0:22:20.960
<v Speaker 1>something or black and green and get a boy to

0:22:21.000 --> 0:22:23.320
<v Speaker 1>cook a little gross things in it, right, and then

0:22:23.320 --> 0:22:28.000
<v Speaker 1>it's uh, it's marketed to to those those gender stereotypes.

0:22:29.800 --> 0:22:31.800
<v Speaker 1>Side note, my daughter got an easy bake oven for

0:22:31.880 --> 0:22:37.040
<v Speaker 1>Christmas purple and pink, I gotta tell you, although they

0:22:37.080 --> 0:22:41.120
<v Speaker 1>come in different colors, and uh, the pizza is disgusting,

0:22:42.080 --> 0:22:44.320
<v Speaker 1>I've not like. I didn't think I'd ever met a

0:22:44.320 --> 0:22:47.040
<v Speaker 1>pizza I didn't like, and I really I had to

0:22:47.080 --> 0:22:49.320
<v Speaker 1>spit it out into the trash can. I don't know

0:22:49.359 --> 0:22:53.359
<v Speaker 1>what they're using in that mix. Also worth noting in

0:22:53.400 --> 0:22:58.280
<v Speaker 1>this whole uh nineteen eighties reconfusion of pink is that

0:22:58.320 --> 0:23:01.119
<v Speaker 1>you also see paint being lives as a as in

0:23:01.200 --> 0:23:04.520
<v Speaker 1>fashions for men, but it's oftentimes kind of wrapped in

0:23:04.520 --> 0:23:07.480
<v Speaker 1>this this way of thinking, like he is so masculine,

0:23:07.760 --> 0:23:11.240
<v Speaker 1>he's wearing pink. He doesn't even care. That's how masculine

0:23:11.240 --> 0:23:13.560
<v Speaker 1>he is. I feel like that's what happened with purple.

0:23:13.600 --> 0:23:17.479
<v Speaker 1>Remember the purple tie craze and purple shirt craze happening

0:23:17.480 --> 0:23:21.040
<v Speaker 1>in the minnow sphere. Yeah, that was like the I

0:23:21.080 --> 0:23:23.240
<v Speaker 1>don't I want to say, like, for some reason, why

0:23:23.320 --> 0:23:25.040
<v Speaker 1>is this in my head? We just felled and like

0:23:25.160 --> 0:23:29.080
<v Speaker 1>ussered this and anyway, like over the past five years,

0:23:29.080 --> 0:23:31.639
<v Speaker 1>it was like, yes, we're in purple. We're doing it

0:23:31.640 --> 0:23:34.520
<v Speaker 1>with style and masculinity, which is totally fine with me.

0:23:34.560 --> 0:23:39.080
<v Speaker 1>I just think it's interesting to see colors genderized like that.

0:23:39.320 --> 0:23:41.160
<v Speaker 1>But then I feel like a lot of that kind

0:23:41.160 --> 0:23:44.199
<v Speaker 1>of gets back to this whole idea of again what

0:23:44.359 --> 0:23:48.840
<v Speaker 1>the color represents, and this idea of children and pink

0:23:48.960 --> 0:23:52.920
<v Speaker 1>and little girls or sugar and spice and everything nice,

0:23:53.840 --> 0:23:58.240
<v Speaker 1>you know, and and boys or was it puppy tails,

0:23:58.560 --> 0:24:03.480
<v Speaker 1>dogtails and yes, snail tails gross thinks slimy things. Yeah,

0:24:03.560 --> 0:24:07.400
<v Speaker 1>and then pink it becomes this sort of confectionery color, right,

0:24:07.480 --> 0:24:10.520
<v Speaker 1>and girls are like cupcakes. And not to take this

0:24:10.720 --> 0:24:14.639
<v Speaker 1>too far afield, but what happens when you transform a

0:24:14.640 --> 0:24:17.960
<v Speaker 1>girl into everything nice and she's all delicious spice, and

0:24:18.000 --> 0:24:20.880
<v Speaker 1>she's a cupcake. It's a lot easier to walk that

0:24:20.960 --> 0:24:24.960
<v Speaker 1>kid into objectification. The older she gets. She's something to

0:24:25.040 --> 0:24:29.800
<v Speaker 1>be consumed or to be you know, looked at. Yeah,

0:24:29.840 --> 0:24:35.639
<v Speaker 1>she's something unnatural, something manufactured for consumption. And it's really

0:24:35.680 --> 0:24:39.120
<v Speaker 1>weird place to wind up as a culture. Uh. If

0:24:39.119 --> 0:24:40.960
<v Speaker 1>I can return to pro wrestling for just one second,

0:24:40.960 --> 0:24:43.080
<v Speaker 1>of course, it can always For the last time in

0:24:43.119 --> 0:24:46.080
<v Speaker 1>this episode, I do want to point out Breadth the hitman. Heart,

0:24:46.640 --> 0:24:50.600
<v Speaker 1>one of the the icons of pro wrestling, always wore

0:24:50.800 --> 0:24:54.200
<v Speaker 1>pink like. Sometimes it was very pink like, predominantly pink

0:24:54.280 --> 0:24:56.960
<v Speaker 1>his outfit. Other times it would be like a pink

0:24:57.000 --> 0:24:59.560
<v Speaker 1>and black type of setting. And a lot of times

0:24:59.600 --> 0:25:01.360
<v Speaker 1>he was a guy. Sometimes he was a bad guy.

0:25:01.520 --> 0:25:03.720
<v Speaker 1>But it never played into any kind like. He never

0:25:03.760 --> 0:25:06.200
<v Speaker 1>did any kind of effeminine character like. It was never

0:25:06.240 --> 0:25:09.040
<v Speaker 1>playing into feminine pink. It was just his last name

0:25:09.119 --> 0:25:12.720
<v Speaker 1>is Heart and Valentine's days pink, So he just wore

0:25:12.760 --> 0:25:16.560
<v Speaker 1>pink so well. And if we've learned anything from David Eagelman,

0:25:16.640 --> 0:25:19.840
<v Speaker 1>we know that the unconscious is really at or care right,

0:25:19.920 --> 0:25:23.600
<v Speaker 1>So if you're named Heart, maybe you would say, ah, yes,

0:25:23.720 --> 0:25:27.040
<v Speaker 1>hearts are pink and red. And I assume that role

0:25:27.080 --> 0:25:30.439
<v Speaker 1>for myself. Yeah, I don't know. Um, I'm gonna go

0:25:30.480 --> 0:25:32.680
<v Speaker 1>back to camp Um. In her article and and On

0:25:32.840 --> 0:25:36.040
<v Speaker 1>real quick and UM, I'm gonna read this quote, she

0:25:36.040 --> 0:25:38.919
<v Speaker 1>says the exclusion of boys from a wide range of

0:25:38.960 --> 0:25:42.240
<v Speaker 1>perfectly viable, even important forms of dress and play because

0:25:42.240 --> 0:25:45.679
<v Speaker 1>of their association with femininity is bad enough, but in

0:25:45.720 --> 0:25:49.000
<v Speaker 1>a patriarchal society, the confinement of girls to a limited

0:25:49.040 --> 0:25:53.200
<v Speaker 1>set of permissible ways of being is considerably worse. In particular,

0:25:53.720 --> 0:25:58.040
<v Speaker 1>there is empirical evidence, such as the research from the

0:25:58.119 --> 0:26:02.399
<v Speaker 1>University of Michigan, to suggest that highly gendered clothing can

0:26:02.440 --> 0:26:06.480
<v Speaker 1>serve as a trigger for something called stereotype threat, meaning

0:26:06.520 --> 0:26:09.760
<v Speaker 1>that girls and women end up performing worse than they

0:26:09.760 --> 0:26:15.040
<v Speaker 1>could on test of stereotypically male abilities such as mathematics

0:26:15.040 --> 0:26:18.720
<v Speaker 1>and engineering. Now, um, I know that stuff Mom never

0:26:18.800 --> 0:26:21.760
<v Speaker 1>told you has talked about stereotype threat quite a bit

0:26:21.840 --> 0:26:25.320
<v Speaker 1>in particularly in the fields of stem science, technology, engineering,

0:26:25.320 --> 0:26:28.439
<v Speaker 1>and math. But this is all part and parcel, this

0:26:28.600 --> 0:26:33.160
<v Speaker 1>idea that you're performing gender, you're doing via color, via

0:26:33.280 --> 0:26:35.880
<v Speaker 1>the things that you wear. And if girls are bad

0:26:35.960 --> 0:26:38.800
<v Speaker 1>at math, as Barbie once said, when you pulled a

0:26:38.880 --> 0:26:42.960
<v Speaker 1>chord on her um, then they're primed to be bad

0:26:43.000 --> 0:26:45.480
<v Speaker 1>at math. And that's why all of this matters, All

0:26:45.520 --> 0:26:47.560
<v Speaker 1>this sort of symbolism. Yeah, yeah, I mean, it really

0:26:47.560 --> 0:26:49.840
<v Speaker 1>gets down to symbolism. And I'll make sure to link

0:26:49.920 --> 0:26:53.040
<v Speaker 1>to our previous episode on the power of symbols on

0:26:53.119 --> 0:26:55.400
<v Speaker 1>the landing page for this episode at Stuff to Blow

0:26:55.400 --> 0:26:57.520
<v Speaker 1>your Mind dot Com because a lot of the same

0:26:57.600 --> 0:26:59.879
<v Speaker 1>energy as at work. We establish all these meanings for

0:26:59.880 --> 0:27:03.560
<v Speaker 1>these symbols and then also just the colors of themselves,

0:27:04.040 --> 0:27:06.760
<v Speaker 1>and then our brain is interacting with those symbols at

0:27:06.840 --> 0:27:11.240
<v Speaker 1>at a subconscious level. I mean, they're really controlling, especially

0:27:11.240 --> 0:27:14.919
<v Speaker 1>when you look at Victoria's Secret Okay, which we're going

0:27:15.000 --> 0:27:19.360
<v Speaker 1>to talk about in the next episode too. Um, if

0:27:19.400 --> 0:27:23.879
<v Speaker 1>you look at something called Pink Nation, which is a

0:27:24.040 --> 0:27:28.920
<v Speaker 1>range of underwear for tweens, and it's like this crazy

0:27:29.040 --> 0:27:31.200
<v Speaker 1>you know, Futia Pink Feller thing, and it's like these

0:27:31.240 --> 0:27:33.440
<v Speaker 1>thongs and stuff like that, you know, it's like it's

0:27:33.720 --> 0:27:36.640
<v Speaker 1>it's unsettling because you do see that you see all

0:27:36.680 --> 0:27:40.960
<v Speaker 1>of this stuff being uh codified and put out there

0:27:41.080 --> 0:27:46.359
<v Speaker 1>and consumed by the general public. And so you know,

0:27:46.440 --> 0:27:48.720
<v Speaker 1>again going back to David Eagleman, so much of this

0:27:48.840 --> 0:27:51.800
<v Speaker 1>is working on an unconscious level. You know. There's an

0:27:51.840 --> 0:27:53.960
<v Speaker 1>article in The Atlantic definitely worth checking out titled will

0:27:54.000 --> 0:27:57.440
<v Speaker 1>a major sports team everwhere pink? That I found pretty interesting.

0:27:57.600 --> 0:28:00.719
<v Speaker 1>It does point that in the nineteenth century, uh, you

0:28:00.760 --> 0:28:04.280
<v Speaker 1>did see uh pin State uh deciding on pink and

0:28:04.320 --> 0:28:07.360
<v Speaker 1>black for the schools and therefore the football team's colors,

0:28:07.520 --> 0:28:09.280
<v Speaker 1>and they later changed it to blue and white. But

0:28:09.359 --> 0:28:11.560
<v Speaker 1>for the most part, you do not see pink in

0:28:11.600 --> 0:28:14.600
<v Speaker 1>any kind of major usage with a with a major

0:28:14.640 --> 0:28:19.960
<v Speaker 1>sports team, except during October or Pink Cober as it's

0:28:19.960 --> 0:28:22.639
<v Speaker 1>become branded. Where pink, of course, is the color that

0:28:22.680 --> 0:28:26.080
<v Speaker 1>has been taken on by the breast cancer awareness groups,

0:28:26.320 --> 0:28:28.639
<v Speaker 1>and to help promote that cause, you'll see sports teams

0:28:29.440 --> 0:28:33.679
<v Speaker 1>adding some pink to their to their outfits, wearing pink bands. Uh.

0:28:33.840 --> 0:28:36.080
<v Speaker 1>In wrestling, sorry, I came back to one more time,

0:28:36.160 --> 0:28:38.280
<v Speaker 1>they'll add like a pink rope, you know, and then

0:28:38.640 --> 0:28:42.520
<v Speaker 1>wrestlers will have like pink have have pink outfits that

0:28:42.640 --> 0:28:45.800
<v Speaker 1>normally they wouldn't have the pink color scheme, and all

0:28:45.840 --> 0:28:48.200
<v Speaker 1>that actually just serves to cement the idea that pink

0:28:48.240 --> 0:28:50.840
<v Speaker 1>is a feminine color and if a male is to

0:28:51.120 --> 0:28:54.280
<v Speaker 1>wear it, then he's just doing it out of a

0:28:54.440 --> 0:28:57.480
<v Speaker 1>show of strength and bravery, uh, you know, for his

0:28:57.480 --> 0:29:00.760
<v Speaker 1>his female counterparts, although breast cancer does effect men too,

0:29:01.120 --> 0:29:04.520
<v Speaker 1>albeit none at the same rates. Um. Yeah, it's interesting

0:29:04.560 --> 0:29:08.000
<v Speaker 1>that that it is then used so effectively in that

0:29:08.040 --> 0:29:12.360
<v Speaker 1>campaign because it's not a color that's uh, that's sort

0:29:12.400 --> 0:29:16.080
<v Speaker 1>of a boring color. It's really captures your attention, and

0:29:16.120 --> 0:29:18.720
<v Speaker 1>so it is put to good use in that campaign,

0:29:18.760 --> 0:29:21.280
<v Speaker 1>and as you say, it's some further cements the idea

0:29:21.400 --> 0:29:24.840
<v Speaker 1>that it's genderized. And then there's this additional idea that

0:29:24.920 --> 0:29:27.960
<v Speaker 1>maybe there's a pink pride going on, you know, via

0:29:28.040 --> 0:29:31.600
<v Speaker 1>the pink lego set, Like maybe it's a hey, well,

0:29:31.640 --> 0:29:34.080
<v Speaker 1>girls can be engineers too, and they you know, we'll

0:29:34.120 --> 0:29:36.480
<v Speaker 1>just put some pink on it and encourage them to

0:29:36.560 --> 0:29:40.120
<v Speaker 1>do it. But in my mind, I don't know why

0:29:40.200 --> 0:29:44.040
<v Speaker 1>you would have to associate pride with it. Uh, Why

0:29:44.080 --> 0:29:47.600
<v Speaker 1>wouldn't you just encourage the child to play with whatever

0:29:47.720 --> 0:29:51.920
<v Speaker 1>the engineering building block set in the first place in

0:29:51.960 --> 0:29:55.560
<v Speaker 1>a very non gendered way. Yeah. Yeah, I mean unless

0:29:55.560 --> 0:29:59.960
<v Speaker 1>it's you know, the point where they're already completely control

0:30:00.320 --> 0:30:03.360
<v Speaker 1>by the symbols in place. Yeah, and then you know,

0:30:03.440 --> 0:30:07.600
<v Speaker 1>my daughter certainly went through a brief pink phase, and

0:30:07.600 --> 0:30:10.600
<v Speaker 1>I would say that she's pretty well balanced in whatever.

0:30:10.720 --> 0:30:13.880
<v Speaker 1>You would say that the colors of that symbolize being

0:30:14.440 --> 0:30:16.920
<v Speaker 1>a girl and a boy. And she was j from

0:30:17.040 --> 0:30:20.320
<v Speaker 1>Ninjago for Halloween. She she was so excited to be

0:30:20.400 --> 0:30:23.520
<v Speaker 1>the blue ninja. UM, So I have hopes there because

0:30:23.680 --> 0:30:25.840
<v Speaker 1>you know, we've tried to tell her that this is

0:30:26.560 --> 0:30:28.960
<v Speaker 1>these sorts of things are available to you no matter

0:30:29.080 --> 0:30:34.080
<v Speaker 1>what your gender is. Is there a pink ninjago. There

0:30:34.160 --> 0:30:38.120
<v Speaker 1>is not a pink ninjaga. There is uh Nia who

0:30:38.360 --> 0:30:43.440
<v Speaker 1>is um. She's not a ninja, she's a samurai. Um.

0:30:43.520 --> 0:30:45.320
<v Speaker 1>And so she's a bit apart from the rest of

0:30:45.320 --> 0:30:47.720
<v Speaker 1>the ninja. But you know she's a character on there.

0:30:47.720 --> 0:30:49.760
<v Speaker 1>But that my daughter is not interested in her. She's

0:30:49.800 --> 0:30:53.760
<v Speaker 1>interested in Jay. No. She was red the question that

0:30:53.840 --> 0:30:56.880
<v Speaker 1>we have about pink, and we're not trying to um

0:30:57.160 --> 0:30:59.760
<v Speaker 1>blow your mind. No, I was gonna say, we're not

0:31:00.000 --> 0:31:03.240
<v Speaker 1>trying to whittle pink down to nothing. But the question

0:31:03.280 --> 0:31:06.880
<v Speaker 1>that comes up is does pink even exist? Which is

0:31:06.960 --> 0:31:08.920
<v Speaker 1>kind of not a fair question, but we'll go ahead

0:31:08.920 --> 0:31:11.160
<v Speaker 1>and ask you right it. I mean it definitely made

0:31:11.200 --> 0:31:16.640
<v Speaker 1>the rounds. Uh, this particular headline because at surface level

0:31:16.920 --> 0:31:19.920
<v Speaker 1>it's just nice and mind blowing and makes you really

0:31:19.920 --> 0:31:22.600
<v Speaker 1>love science. Uh. If you're the type of person who

0:31:22.680 --> 0:31:26.640
<v Speaker 1>loves science without reading beyond the headline, um, then then yeah,

0:31:26.640 --> 0:31:28.360
<v Speaker 1>you just think, whoa pink doesn't exist? I see it,

0:31:28.360 --> 0:31:30.800
<v Speaker 1>but it doesn't exist. That's blowing my mind. That's like,

0:31:31.000 --> 0:31:33.160
<v Speaker 1>you know, but but when you actually get into it,

0:31:33.160 --> 0:31:35.400
<v Speaker 1>it's a bit more complex than that. And but it's

0:31:35.400 --> 0:31:37.760
<v Speaker 1>also a bit more mind blowing than that when you

0:31:37.800 --> 0:31:41.040
<v Speaker 1>start talking about how we perceive colors and ultimately how

0:31:41.040 --> 0:31:45.480
<v Speaker 1>we perceive the details of what we take to be reality. Yeah,

0:31:45.640 --> 0:31:50.200
<v Speaker 1>I mean, here's the simplest way to say this is that, um,

0:31:50.760 --> 0:31:54.600
<v Speaker 1>there is no single wavelength of visible light that appears pink.

0:31:54.720 --> 0:31:59.160
<v Speaker 1>So think of Roy jeep it right, your red, your orange, yellow, green, blue,

0:31:59.200 --> 0:32:02.160
<v Speaker 1>and to go and buy it. That is all the

0:32:02.240 --> 0:32:07.280
<v Speaker 1>visible spectrum of light. There is no pink within it. Yeah,

0:32:07.280 --> 0:32:11.160
<v Speaker 1>we don't see pink wavelengths of light. Something looks pink

0:32:11.240 --> 0:32:14.400
<v Speaker 1>because certain wavelengths of light are reflected and others are

0:32:14.440 --> 0:32:18.200
<v Speaker 1>absorbed by the pigments. Pink is a reflective color, not

0:32:18.280 --> 0:32:21.760
<v Speaker 1>a transmissive color. You perceive it because your brain translates

0:32:22.000 --> 0:32:26.240
<v Speaker 1>light bouncing off of the pink object. And moreover, it's

0:32:26.280 --> 0:32:30.520
<v Speaker 1>a bit of color mixing by your brain. So consider this.

0:32:30.800 --> 0:32:33.920
<v Speaker 1>At the back of your eyeball, specifically on your retina,

0:32:34.000 --> 0:32:36.720
<v Speaker 1>you have a bunch of rod and cones. Now, rods

0:32:36.760 --> 0:32:39.280
<v Speaker 1>are just all interested in the amount of light that's

0:32:39.280 --> 0:32:43.360
<v Speaker 1>coming in, right, they're light sensitive, and colins, on the

0:32:43.440 --> 0:32:47.040
<v Speaker 1>other hand, are all interested in color. But the cones

0:32:47.120 --> 0:32:51.320
<v Speaker 1>come in only three types, red, green, and blue sensitive.

0:32:51.680 --> 0:32:54.320
<v Speaker 1>So what's a pink to do? Well? There has to

0:32:54.360 --> 0:32:58.720
<v Speaker 1>be some color mixing by those cones. So if you

0:32:58.760 --> 0:33:02.440
<v Speaker 1>think about it, you have blue cones working with green

0:33:02.520 --> 0:33:06.280
<v Speaker 1>cones to produce scion, and then they work with red

0:33:06.320 --> 0:33:09.720
<v Speaker 1>cones to produce the color magenta. Now, if you want

0:33:09.720 --> 0:33:12.840
<v Speaker 1>a true pink, then you have to have, um, those

0:33:12.880 --> 0:33:16.240
<v Speaker 1>cones firing just partially, those um, those blue and green

0:33:16.280 --> 0:33:21.360
<v Speaker 1>ones firing partially, but the red ones fully firing. And

0:33:21.480 --> 0:33:23.960
<v Speaker 1>that's when you get a bit of you know, messaging

0:33:24.000 --> 0:33:26.600
<v Speaker 1>to your brain. Hey, we've mixed this together, and that's

0:33:26.680 --> 0:33:29.080
<v Speaker 1>pink that you're looking at right now, which is kind

0:33:29.120 --> 0:33:30.920
<v Speaker 1>of mind blowing. Yeah. Yeah, I mean to throw a

0:33:31.000 --> 0:33:34.560
<v Speaker 1>little more context to um. When you see white, that

0:33:34.600 --> 0:33:37.000
<v Speaker 1>means all the cones are activated. Black, none of the

0:33:37.000 --> 0:33:39.200
<v Speaker 1>cones are activated. And if you want to see gray,

0:33:39.280 --> 0:33:42.840
<v Speaker 1>that's all three cones activated, but only partially. So similar

0:33:42.840 --> 0:33:45.320
<v Speaker 1>in a way to pink. So you think of gray

0:33:45.360 --> 0:33:48.600
<v Speaker 1>and pink in similar terms. Yeah, I mean same if

0:33:48.640 --> 0:33:51.840
<v Speaker 1>you look at a yellow banana, right, Um, your eyelax

0:33:51.920 --> 0:33:55.640
<v Speaker 1>yellow sensitive cones. So then the yellow of that banana

0:33:55.680 --> 0:33:58.320
<v Speaker 1>activates your red and green cones and they fire together

0:33:58.360 --> 0:34:00.720
<v Speaker 1>and then they send a message to your brain. So

0:34:00.920 --> 0:34:02.760
<v Speaker 1>it really is like having a little artist in your

0:34:02.760 --> 0:34:06.200
<v Speaker 1>brain there, But ultimately it's it's all kind of like

0:34:06.240 --> 0:34:08.760
<v Speaker 1>having a little artist in your brain in a sense.

0:34:08.800 --> 0:34:10.840
<v Speaker 1>Something I don't want to feed into the idea that

0:34:10.880 --> 0:34:13.480
<v Speaker 1>we're just brains, uh in a body or a ride

0:34:13.520 --> 0:34:15.720
<v Speaker 1>around a horse. We've talked about the mind body connection

0:34:15.719 --> 0:34:20.279
<v Speaker 1>plenty of times, but essentially blind brain depending on these uh,

0:34:20.360 --> 0:34:23.440
<v Speaker 1>these feeble side organs to relay information to it and

0:34:23.520 --> 0:34:27.879
<v Speaker 1>convince it what the outside world consists of. Yeah and uh.

0:34:27.960 --> 0:34:32.880
<v Speaker 1>In a Scientific American blog entitled stop this absurd Warm Pink,

0:34:33.600 --> 0:34:37.160
<v Speaker 1>the author explains that photons and neurons interplanning with cones

0:34:37.200 --> 0:34:39.640
<v Speaker 1>in the eye and the perception of the brain area

0:34:39.760 --> 0:34:42.640
<v Speaker 1>is pretty much a magic trick. That any color is

0:34:42.719 --> 0:34:45.879
<v Speaker 1>on her head. And this is from the article. It says,

0:34:45.960 --> 0:34:49.839
<v Speaker 1>pink is real or it is not, but it's just

0:34:50.040 --> 0:34:53.920
<v Speaker 1>as real or not real as red, orange, yellow, green, blue, indigo,

0:34:53.920 --> 0:34:56.880
<v Speaker 1>and violet. So, in other words, probably shouldn't, you know,

0:34:57.800 --> 0:35:00.680
<v Speaker 1>quibble about whether or not pink exists. But a lot

0:35:00.719 --> 0:35:03.680
<v Speaker 1>of people were really quick to dismiss it and uh

0:35:03.800 --> 0:35:07.480
<v Speaker 1>and gast it aside and use this against pink. They are,

0:35:07.680 --> 0:35:10.279
<v Speaker 1>And you know, I'm tempted to I'm not a fan

0:35:10.320 --> 0:35:13.279
<v Speaker 1>of pink, but hey, it's there, it's around, it's it's

0:35:13.320 --> 0:35:16.759
<v Speaker 1>peppt alebismal right, it's it's in the color code. Do

0:35:16.760 --> 0:35:18.839
<v Speaker 1>you think some people might have leaped to this as

0:35:18.880 --> 0:35:21.799
<v Speaker 1>well because they identify pink as a feminine color and

0:35:21.920 --> 0:35:26.000
<v Speaker 1>would therefore see this as an attack on on the

0:35:26.040 --> 0:35:28.879
<v Speaker 1>female gender. And I mean, I suppose you could choose

0:35:28.920 --> 0:35:31.239
<v Speaker 1>a subtext like that out of it and say it's

0:35:31.320 --> 0:35:34.759
<v Speaker 1>so weak it doesn't even exist pink. Yeah, or maybe

0:35:34.760 --> 0:35:36.720
<v Speaker 1>they have, maybe they have some sort of agenda against

0:35:36.760 --> 0:35:40.280
<v Speaker 1>other um groups out there, or maybe against just Bret

0:35:40.280 --> 0:35:42.920
<v Speaker 1>Hart in general. I don't know. I think it is

0:35:42.960 --> 0:35:46.560
<v Speaker 1>the Bret Hart conspiracy. Yeah, all right, So there you go.

0:35:46.960 --> 0:35:50.360
<v Speaker 1>There's our exploration of pink, and hopefully this episode itself

0:35:50.560 --> 0:35:53.960
<v Speaker 1>was what was in the pink was pink in the

0:35:54.000 --> 0:35:57.000
<v Speaker 1>sense that just exactly the way we we meant to

0:35:57.280 --> 0:35:59.759
<v Speaker 1>h do it. That's right, because the at them all

0:35:59.800 --> 0:36:02.040
<v Speaker 1>and you have in the pink. Originally in that like

0:36:02.120 --> 0:36:04.520
<v Speaker 1>the top of something like you know, it's in the

0:36:04.560 --> 0:36:08.640
<v Speaker 1>pink at the top of its class, but then later

0:36:08.680 --> 0:36:12.239
<v Speaker 1>on it began to take on associations with good health. Yeah,

0:36:12.239 --> 0:36:14.200
<v Speaker 1>I was reading that it's possible that it had. It

0:36:14.239 --> 0:36:17.919
<v Speaker 1>also ties into fox hunting jackets as well, which were

0:36:18.200 --> 0:36:21.879
<v Speaker 1>more red. Right, but again the associations between red and pink.

0:36:21.920 --> 0:36:28.160
<v Speaker 1>There's Bolton territory where it's the colors of tearing something apart,

0:36:28.200 --> 0:36:31.360
<v Speaker 1>so it would be you know, in keeping with Wow.

0:36:31.400 --> 0:36:35.200
<v Speaker 1>That was nice that that brought it full circle. Hey,

0:36:35.360 --> 0:36:37.680
<v Speaker 1>in the meantime, if you want to catch up on

0:36:38.080 --> 0:36:40.000
<v Speaker 1>other episodes we've recorded, if you want to check out

0:36:40.040 --> 0:36:41.800
<v Speaker 1>the landing page for this episode and check out the

0:36:41.840 --> 0:36:44.200
<v Speaker 1>links also include some links to some of these outside

0:36:44.239 --> 0:36:46.879
<v Speaker 1>sources we've been talking about. Go to stuff to Blow

0:36:46.920 --> 0:36:49.520
<v Speaker 1>your Mind dot com. That is our mothership. You'll find

0:36:49.520 --> 0:36:51.400
<v Speaker 1>all the podcast, all the blog post, all the videos,

0:36:51.440 --> 0:36:53.840
<v Speaker 1>links oide to our social media accounts, anything you could desire.

0:36:54.520 --> 0:36:57.919
<v Speaker 1>And if you have pink hued thoughts that you would

0:36:57.920 --> 0:36:59.719
<v Speaker 1>like to share with us, we would love to hear them.

0:36:59.719 --> 0:37:02.160
<v Speaker 1>You can send them to Blow the Mind at how

0:37:02.239 --> 0:37:08.160
<v Speaker 1>stuff works dot com. For more on Thiss and thousands

0:37:08.160 --> 0:37:16.440
<v Speaker 1>of other topics, visit how stuff works dot com.