WEBVTT - TGI - Episode 213 “Cyrano”

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<v Speaker 1>Guys, I want to show you something. Yes, good cure

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<v Speaker 1>for the common cold. I found them on eBay and

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<v Speaker 1>I bought them so that I had them. I felt

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<v Speaker 1>very bad about the fact that I didn't have any

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<v Speaker 1>and so, like I said, I would, I found them

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<v Speaker 1>and now I own them. So this is the original

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<v Speaker 1>and this is the super cool one. Have you given

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<v Speaker 1>them names yet? No, let's name them now. Who's this

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<v Speaker 1>one with the no skates? Hmm, no skates, boots socks

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<v Speaker 1>um boots. They're like boots, boots and socks, boots and

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<v Speaker 1>striped socks. Yeah, okay, I don't know what we can

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<v Speaker 1>come on, I'm sure that's like. My brother had a

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<v Speaker 1>lizard lizard and the lizard's name was Bob, and then

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<v Speaker 1>Bob died and we got another collared lizard. We asked

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<v Speaker 1>him what he wanted to name him, and he said

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<v Speaker 1>Bob Too're like, wow, okay, super clever. All right, so

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<v Speaker 1>Jeff and Mandy, I want writer to name this one.

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<v Speaker 1>You name Jeff and Mandy. Jeff, Yeah, all right, Well

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<v Speaker 1>there you go, got I got my couchlings. Awesome writer.

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<v Speaker 1>I just noticed you kind of scratching your armpit a

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<v Speaker 1>little bit, which leads to my pre show chatter. Okay, okay,

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<v Speaker 1>do you shave your armpits or do any kind of time? Yeah,

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<v Speaker 1>I'm gonna recommend you start. I know, I can't believe

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<v Speaker 1>you shave your armpits. It's just extra work for no,

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<v Speaker 1>like if if if it's it's culturally acceptable for you

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<v Speaker 1>to have armpit here, just have armpit because but it's, dude,

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<v Speaker 1>you sweat a lot less, there's less of a smell.

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<v Speaker 1>You need a way less yodorant. It's but you have

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<v Speaker 1>to shave your armpits all the time. It takes two

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<v Speaker 1>seconds you're in the shower, two seconds you're done. Listen,

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<v Speaker 1>takes me two seconds. You're a pretty hairy guy, aren't you. No, No, no, hay, okay,

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<v Speaker 1>I'd recommend it. I'm just throwing that out there. It's

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<v Speaker 1>pretty wonderful. Also, it is probably not very likely that

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<v Speaker 1>for Will, anybody ever sees your armpits anyway, You don't

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<v Speaker 1>not like a tank top guy. No. So as far

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<v Speaker 1>as like anyone knowing that you shave your armpits, nobody

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<v Speaker 1>really knows. So when you say, writer, well it's culturally

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<v Speaker 1>acceptable for Will to have hairy armpits, no one even

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<v Speaker 1>knows me in a tank top, it looks like somebody

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<v Speaker 1>weirdly pressed a thing of toothpaste, Like it's just this

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<v Speaker 1>weird shaped thing with the head on the top, and like, oh,

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<v Speaker 1>that doesn't work. So yeah, so do you just get

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<v Speaker 1>in the shower and like nare from the neck down? No,

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<v Speaker 1>I don't nare, but I shave and it's not the

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<v Speaker 1>neck down. It's like, really, I don't have to worry

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<v Speaker 1>about the chest area, the man chest. I've never had

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<v Speaker 1>the vpube, so I've never had to worry about this,

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<v Speaker 1>but the armpits I started so bodybuilders do it, which

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<v Speaker 1>clearly I am. Yeah, and I was like, I'm gonna

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<v Speaker 1>give this a shot and I and it's life changing.

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<v Speaker 1>It's like you don't yeah, there's like no smell. It's amazing. Writer.

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<v Speaker 1>I think what you're thinking of is is the first

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<v Speaker 1>time weird, because yeah, there's a lot of hair there

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<v Speaker 1>the first time, so you may want to do like

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<v Speaker 1>a trimming down and then a shave with a razor,

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<v Speaker 1>so like you would use a beard trimmer or a

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<v Speaker 1>hair trimmer to like get the length gone. Yeah yeah,

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<v Speaker 1>and then but then after that as far as like

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<v Speaker 1>stubble and what regrows if you do it every day

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<v Speaker 1>or every other day. Yeah, it's it's you don't need

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<v Speaker 1>more work in my life. I don't, you know, I don't.

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<v Speaker 1>It's very hard enough for the guas shaw it is. Daniel.

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<v Speaker 1>I was like, what do you call it the quashawa? Yeah? No,

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<v Speaker 1>I just like you know, And I also don't mind

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<v Speaker 1>if women don't shave their armpits or shave their legs,

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<v Speaker 1>Like that's a thing for me too. Yeah, Like I

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<v Speaker 1>remember girls like shaving their legs at the age of thirteen.

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<v Speaker 1>I remember being like why because if anything, then it's

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<v Speaker 1>like stubbly or like rough, and like it's weird. Um.

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<v Speaker 1>So yeah, it's never like hair. Body hair is not

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<v Speaker 1>a problem for me. It's never been one of those things.

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<v Speaker 1>You're also not a stinky man. No, that's good. That's good. Thanks. No,

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<v Speaker 1>Daniel's right there. The first time is weird, especially since

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<v Speaker 1>I did it on video for only fans, But the

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<v Speaker 1>rest of it was totally normal after that. Keeping it

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<v Speaker 1>up after that was fine. I do wish I had

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<v Speaker 1>trimmed my armpit hair a little bit before a key

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<v Speaker 1>scene in the movie Cabin Fever about this has been

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<v Speaker 1>this photograph it's like screenshot of me. It's like how

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<v Speaker 1>a scene opens with me with my armpits like up,

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<v Speaker 1>and like at that time, I just didn't care, Like

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<v Speaker 1>I never cared about my body. I never cared about

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<v Speaker 1>my body hair. I just didn't. I was just like whatever.

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<v Speaker 1>And in retrospect, like when you're an actor, you kind

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<v Speaker 1>of gotta care a little bit about your Your appearance

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<v Speaker 1>actually kind of matters, you know, like that's part of

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<v Speaker 1>your job. And like, clearly I just didn't give a

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<v Speaker 1>crap about you do any nanscaping? Do you do any manscaping? Yeah, yeah,

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<v Speaker 1>a little bit, but like one it's a month or

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<v Speaker 1>you know, like every once in a while. It's not

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<v Speaker 1>like a daily routine. Yeah, well, I sent writer. I

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<v Speaker 1>know this answer because I sent write a writer and

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<v Speaker 1>I wear natural deodorant. We don't wear anything that has

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<v Speaker 1>like a luminium in it and whatever, and so writer

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<v Speaker 1>or no, no don't work. No, it doesn't wear. Some

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<v Speaker 1>stuff out there. I don't want to like bash brands,

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<v Speaker 1>but there's some stuff out there that definitely does not work, yes,

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<v Speaker 1>that I've used. Well, so what do you wear? Then?

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<v Speaker 1>What can I get? Because of course i'd love to

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<v Speaker 1>have a deodorant that doesn't have a luminium or something,

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<v Speaker 1>and it's so, what can I wear? Well, I'll actually

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<v Speaker 1>send it to you because I sent it to Writer

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<v Speaker 1>because Writer and I had talked about our natural deodorant

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<v Speaker 1>wearing and the one we were using, which in my opinion,

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<v Speaker 1>only works for a short period of time, and then

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<v Speaker 1>I feel like I need to reapply it, and then

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<v Speaker 1>I don't really want to have to do that. And

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<v Speaker 1>then I found one that is a cream that I

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<v Speaker 1>love and it comes in a glass jar and it

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<v Speaker 1>has a wood a little wood spoon that you scoop

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<v Speaker 1>it out and put it on, and it is it's

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<v Speaker 1>with there's charcoal in it. It is in rereadible. You

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<v Speaker 1>can go all day, you don't smell, you don't sweat.

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<v Speaker 1>I really really like it, and so I sent it

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<v Speaker 1>to Writer and Writer was like, a cream not for

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<v Speaker 1>me in my armpit hair, not for me? And I

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<v Speaker 1>was like, okay, never mind, So I'll send it to

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<v Speaker 1>you well, because thank you for you will get caught

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<v Speaker 1>my armpit hair. I'm smooth as glass. All right, Well,

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<v Speaker 1>welcome to pod Mee's world. I'm Danielle Fishel. I'm Harry

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<v Speaker 1>Rider Strong and I'm smooth as glass for Dill. So

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<v Speaker 1>welcome to this episode, which is season two episode thirteen, Cyrano,

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<v Speaker 1>which originally aired January sixth, nineteen ninety five. The synopsis

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<v Speaker 1>is that Sean and Corey are strong armed into helping

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<v Speaker 1>Frankie charm Gloria, the girl of his dreams. The problem

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<v Speaker 1>is Gloria just happens to be Harley Kiner's current girlfriend.

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<v Speaker 1>Also Alan buys Amy a bad gift. It was directed

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<v Speaker 1>by David Traynor. It was written by Susan Astell Jansen.

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<v Speaker 1>It is guest starring Danny McNulty as Harvey Harley kin

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<v Speaker 1>Blake Soaper is Joseph Joey, the rat Epstein Ethan Supple

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<v Speaker 1>is Frankie Stacchino, and Mathea Webb as Gloria. And uh,

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<v Speaker 1>we can jump right into our recap unless either of

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<v Speaker 1>you have any specific memories you want to talk about

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<v Speaker 1>off the bat. I don't, I know. No. I did

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<v Speaker 1>want to say for our for our fans out there

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<v Speaker 1>who follow our Instagram account, to show that I do

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<v Speaker 1>hold on to everything. I'm in the exact same Whalers Jersey.

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<v Speaker 1>There you go. That was just posted, So now here

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<v Speaker 1>you are and I wanted you to know I remember

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<v Speaker 1>that jersey so well. It was a favorite of yours

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<v Speaker 1>back then. I probably still a favorite of yours, Still

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<v Speaker 1>still love it. Yeah. So um. We are in mister

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<v Speaker 1>Turner's classroom. Mister Turner is teaching Cyrano de Bergerac, a

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<v Speaker 1>story of an unattractive yet well spoken man who, added

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<v Speaker 1>to the Boy Meets World book clubs the literary reference YEMM.

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<v Speaker 1>He uses his better looking friend as a vessel to

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<v Speaker 1>profess love to the woman of his dreams. To Anga

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<v Speaker 1>thinks that is sweet and noble, but the rest of

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<v Speaker 1>the cast calls Cyrano a loser, or rather a dip,

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<v Speaker 1>which we said so much. I am so uncomfortable with

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<v Speaker 1>this word. Were you guys weird to help by it?

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<v Speaker 1>I was, what does it? What does it mean? I

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<v Speaker 1>don't know, I've never heard it. I just it's like

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<v Speaker 1>the second came out of my mouth. I was like,

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<v Speaker 1>did I just say dick? Like I was right? And

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<v Speaker 1>then we kept saying it, and I was like, wait,

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<v Speaker 1>I've heard people being called like a drip, like you

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<v Speaker 1>call somebody a drip in like nineteen forties insults speak,

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<v Speaker 1>But I've never heard dip before except this content dippy,

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<v Speaker 1>like you're like, you're a dip. I guess it's more

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<v Speaker 1>an amount of poetic than anything else where. It's like,

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<v Speaker 1>you're just so awkward. In the scene, I kept being like,

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<v Speaker 1>I'm weirded out by the use of this word. I'm

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<v Speaker 1>not comfortable with it. I feel like where you're swearing

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<v Speaker 1>without swearing. I know. I didn't like it either. I

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<v Speaker 1>didn't like it. It just made my skin crawl. I

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<v Speaker 1>was like, this was a big mistake, like because they

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<v Speaker 1>could have gone with any you know what were we

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<v Speaker 1>calling him? We were calling him a I don't know what,

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<v Speaker 1>a loser basically, right, there's there's a whole variety of

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<v Speaker 1>words we could have been using, but we kept going

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<v Speaker 1>on dip and it's repeated like five times. I was like, ooh,

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<v Speaker 1>I don't like it. I know. I I felt the

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<v Speaker 1>same way. And it was like somebody said moist seventy

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<v Speaker 1>five times in a scene. I was like, wow, that word.

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<v Speaker 1>But you know about when we were when we were

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<v Speaker 1>filming this, I know how I I don't remember, but

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<v Speaker 1>I know invariably what I felt like was that this

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<v Speaker 1>must be a word that adults use all the time.

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<v Speaker 1>Because I always felt that way, like everything that we

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<v Speaker 1>were told to say or that was in the script,

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<v Speaker 1>you know, we were I always felt disempowered. I was

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<v Speaker 1>always sort of like, well, smarter people than me, with

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<v Speaker 1>a lot more knowledge than me, wrote these things, so

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<v Speaker 1>they know what they're talking about, and so I would

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<v Speaker 1>take that as sort of truth. So, like, I guarantee

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<v Speaker 1>you in my mind, saying he's a big dip and

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<v Speaker 1>they're a dip or whatever over and over was like, Oh,

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<v Speaker 1>that must be slang that you know, forty year olds

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<v Speaker 1>use all the time, And now I can look at

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<v Speaker 1>it and be like, no, no, it's not. I never

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<v Speaker 1>heard anybody else say that, no ever, not once. Before

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<v Speaker 1>we move on, I'd just like to say, very quickly, Danielle,

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<v Speaker 1>I am now to the point of the show or

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<v Speaker 1>two things. One I don't remember the episodes at all,

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<v Speaker 1>and two, I'm far more comforted when Tapanga is in

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<v Speaker 1>the scene. Yeah, so when we open up and there's

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<v Speaker 1>two there's that three shot and it's Tapanga and then

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<v Speaker 1>Corey and then Sean, it's like that's the that's a

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<v Speaker 1>comfort feeling for me. It's like, Okay, we're back. So

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<v Speaker 1>it was very nice to see you in this episode again,

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<v Speaker 1>and thank you when we get into it more because

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<v Speaker 1>it's it's very nice and comforting. Thank you. I agree

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<v Speaker 1>that three shot. When that happens, there's a there's a

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<v Speaker 1>like a cool I know where we are, like, I know,

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<v Speaker 1>I know what's going to I know what's going on.

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<v Speaker 1>Even though Topanga disappears very early on whatever, I don't

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<v Speaker 1>even need to stick around through the episode. But there

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<v Speaker 1>is something like, ah, the show is when ye, well,

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<v Speaker 1>the three characters in a line are perfectly descriptive. You know,

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<v Speaker 1>It's like Sean's in the back, yep, Corey's somewhere in

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<v Speaker 1>the middle, and Topanga's right right everything, and it's like

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<v Speaker 1>so it's like it describes the entire story and and

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<v Speaker 1>and this the spectrum of the characters are laid out

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<v Speaker 1>perfickly and whenever you turn back around to explain something

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<v Speaker 1>to us, this is a great dynamic. Yeah. Yeah, I

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<v Speaker 1>still want the classroom to be the other way. I know,

0:11:07.360 --> 0:11:11.480
<v Speaker 1>still uncomfortable, but you know, but this helps, this helps. Yeah, yeah,

0:11:11.520 --> 0:11:14.560
<v Speaker 1>I agree. So Tapanga and Sean banter back and forth,

0:11:14.600 --> 0:11:18.840
<v Speaker 1>and Topanga eventually says boys will never understand passion romance

0:11:18.840 --> 0:11:21.520
<v Speaker 1>and women men will spend half their life confused and

0:11:21.559 --> 0:11:27.120
<v Speaker 1>the other half paying alimony and b versus girl episode. Yeah,

0:11:27.400 --> 0:11:29.720
<v Speaker 1>a lot of a lot of men just don't get

0:11:29.800 --> 0:11:31.840
<v Speaker 1>these ways. That's all this episode is, and we'll get

0:11:31.880 --> 0:11:33.800
<v Speaker 1>into that later. I hate what they're doing with Alan

0:11:33.880 --> 0:11:38.679
<v Speaker 1>in this episode is so just men will never understand women.

0:11:38.720 --> 0:11:41.480
<v Speaker 1>Women understand everything, and men are just stupid eyes. Do

0:11:41.559 --> 0:11:44.040
<v Speaker 1>they still be this on sitcoms? I don't know, but

0:11:44.080 --> 0:11:46.400
<v Speaker 1>it was such a sitcom thing in such a sitcom thing,

0:11:46.440 --> 0:11:48.560
<v Speaker 1>and it was such a nineties sitcom thing. Yeah, I'm

0:11:48.600 --> 0:11:50.800
<v Speaker 1>just curious, I mean because I know that it continued

0:11:50.880 --> 0:11:53.160
<v Speaker 1>into other shows, but I feel like, I mean, Kevin

0:11:53.240 --> 0:11:57.959
<v Speaker 1>James's entire career exactly based on that premise. It was

0:11:57.960 --> 0:11:59.520
<v Speaker 1>so funny. I was watching this was Sue last night.

0:11:59.520 --> 0:12:02.000
<v Speaker 1>She's like, of course, I mean, she goes Everybody Loves

0:12:02.080 --> 0:12:04.520
<v Speaker 1>Raymond should have been called Everybody Loves Raymond except his

0:12:04.559 --> 0:12:08.360
<v Speaker 1>wife because she's like, he's just I hate this guy

0:12:08.400 --> 0:12:10.440
<v Speaker 1>I'm with and he's lucky to be with. It was

0:12:10.520 --> 0:12:12.640
<v Speaker 1>just it's such a like and it we'll get into

0:12:12.679 --> 0:12:15.320
<v Speaker 1>it later, but it's so not Alan and Amy. It

0:12:15.440 --> 0:12:18.720
<v Speaker 1>just wasn't what they were. They were the awesome hip parents,

0:12:19.000 --> 0:12:21.160
<v Speaker 1>and they just reduced it and and they loved each other

0:12:21.200 --> 0:12:23.880
<v Speaker 1>and they respected one another with I don't understand my

0:12:23.920 --> 0:12:29.960
<v Speaker 1>wife of seventeen, You're like, oh yeah, sorry, but Tony's

0:12:29.960 --> 0:12:34.000
<v Speaker 1>tie in this scene was marvelous. It was marvelous, and

0:12:34.080 --> 0:12:37.960
<v Speaker 1>they're actually teaching, like the episode is. We've talked about

0:12:37.960 --> 0:12:41.440
<v Speaker 1>this in a couple of episodes recently, yes, where the

0:12:41.480 --> 0:12:44.000
<v Speaker 1>story is not integrated at all. They just teach something

0:12:44.000 --> 0:12:45.679
<v Speaker 1>and then it moves on, whereas this one is like

0:12:45.720 --> 0:12:48.679
<v Speaker 1>the book is perfect with Cyrano and what the storyline

0:12:48.679 --> 0:12:50.520
<v Speaker 1>it really well. I do think I think that this

0:12:50.600 --> 0:12:55.719
<v Speaker 1>is an episode that was clearly created because right like

0:12:55.800 --> 0:12:59.160
<v Speaker 1>this is this is them seeing a guest cast, seeing

0:12:59.200 --> 0:13:04.040
<v Speaker 1>a character characters Danny too, and recognizing, oh, we can

0:13:04.080 --> 0:13:08.040
<v Speaker 1>write something for these people. And while I think it's

0:13:08.040 --> 0:13:11.120
<v Speaker 1>a great episode and are not a great episode, I

0:13:11.360 --> 0:13:13.880
<v Speaker 1>do like the episode. It's a little bizarre how much

0:13:14.360 --> 0:13:16.920
<v Speaker 1>it's focused on the bullies, Like it's you know, it

0:13:16.920 --> 0:13:20.520
<v Speaker 1>becomes like Harley's character arc is more important than anybody else's,

0:13:20.960 --> 0:13:22.880
<v Speaker 1>which is just a It just felt a little bizarre.

0:13:22.920 --> 0:13:25.760
<v Speaker 1>I was like, oh, this feels like a different show suddenly,

0:13:25.800 --> 0:13:30.559
<v Speaker 1>so here's the question, is it bizarre or god bless

0:13:30.600 --> 0:13:32.800
<v Speaker 1>my dad? Was he right? And they were going to

0:13:32.880 --> 0:13:35.839
<v Speaker 1>make the bullies a much bigger part of the show.

0:13:36.600 --> 0:13:39.600
<v Speaker 1>And I mean, now they're getting girlfriends, they're getting storylines,

0:13:39.640 --> 0:13:42.000
<v Speaker 1>they're getting backstories. I think they wanted to write to

0:13:42.120 --> 0:13:44.839
<v Speaker 1>older characters. I think they definitely wanted to write to

0:13:45.559 --> 0:13:48.439
<v Speaker 1>you know. And I think they saw these actors being amazing,

0:13:48.840 --> 0:13:51.040
<v Speaker 1>and they were like, how can we give them an

0:13:51.040 --> 0:13:54.520
<v Speaker 1>episode at least, you know? And I think I don't know.

0:13:54.559 --> 0:13:56.080
<v Speaker 1>I mean, I think that this is one of the

0:13:56.080 --> 0:13:59.000
<v Speaker 1>episodes is why so many people love their characters, you know,

0:13:59.040 --> 0:14:02.160
<v Speaker 1>because they weren't in that many more like and yet

0:14:02.400 --> 0:14:05.240
<v Speaker 1>developed such a part of the show for people. So

0:14:05.280 --> 0:14:07.720
<v Speaker 1>I think it's because of this episode. But I definitely

0:14:07.760 --> 0:14:10.000
<v Speaker 1>felt a little weird, Like I definitely was like, well,

0:14:10.040 --> 0:14:12.520
<v Speaker 1>now I don't know what what whirld I'm in like,

0:14:13.000 --> 0:14:14.960
<v Speaker 1>And I wonder if they felt that too, and they

0:14:14.960 --> 0:14:16.440
<v Speaker 1>were like, all right, well we did that. Now let's

0:14:16.440 --> 0:14:19.040
<v Speaker 1>go back to the sort of safer ground of you know.

0:14:19.040 --> 0:14:21.160
<v Speaker 1>But whatever a show can grow, show can change, So

0:14:21.240 --> 0:14:23.120
<v Speaker 1>it should have kept going in that direction. And maybe

0:14:23.120 --> 0:14:25.160
<v Speaker 1>your dad was right, Maybe it should have maybe ye

0:14:25.320 --> 0:14:27.160
<v Speaker 1>who knows, maybe I shouldn't be here at his name,

0:14:27.200 --> 0:14:29.960
<v Speaker 1>cunninghamed you out of there? Yeah they did. Chucky cunningham

0:14:30.040 --> 0:14:31.880
<v Speaker 1>me out of there upstairs in my basketball and you

0:14:31.920 --> 0:14:46.800
<v Speaker 1>never saw me again? Or oh man, Well, mister Turner

0:14:46.840 --> 0:14:49.320
<v Speaker 1>says men and women see romance differently, and that men

0:14:49.400 --> 0:14:52.680
<v Speaker 1>have trouble figuring out what women find romantic. And then

0:14:52.760 --> 0:14:55.960
<v Speaker 1>we're in the Matthew's backyard. Alan is hiding a giant

0:14:56.000 --> 0:14:58.920
<v Speaker 1>wrap gift for Amy at mister Phoenie's house. Alan, who

0:14:58.960 --> 0:15:00.760
<v Speaker 1>was wheeling it out of Phoenie these reveals it's a

0:15:00.800 --> 0:15:05.360
<v Speaker 1>trash compactor for their anniversary. Phoenie, who was slightly disturbed,

0:15:05.360 --> 0:15:07.560
<v Speaker 1>says diamonds might have been a better way to go

0:15:07.760 --> 0:15:10.520
<v Speaker 1>for a gift. Alan says Amy has been wanting the

0:15:10.560 --> 0:15:13.920
<v Speaker 1>compactor for years, so Phoenie wishes him a happy anniversary

0:15:13.920 --> 0:15:19.440
<v Speaker 1>and hopes they have others. Are either of your wives

0:15:20.520 --> 0:15:26.520
<v Speaker 1>women who want some kind of romantic, extra thoughtful gift

0:15:26.680 --> 0:15:29.640
<v Speaker 1>over like, would they find a practical gift fine and happy?

0:15:29.640 --> 0:15:31.360
<v Speaker 1>Would they be happy with it? Or would your wife

0:15:31.360 --> 0:15:33.720
<v Speaker 1>want something else? Again? Watching this with my wife last night,

0:15:33.800 --> 0:15:35.600
<v Speaker 1>she churned me. She's like one of the best gifts

0:15:35.600 --> 0:15:37.280
<v Speaker 1>you ever got me was that vacuum cleaner I asked

0:15:37.280 --> 0:15:40.520
<v Speaker 1>you for. Yeah, yeah, she loves it. So she's like

0:15:40.760 --> 0:15:46.880
<v Speaker 1>very non romantic that said, she does. You know I've

0:15:46.960 --> 0:15:49.760
<v Speaker 1>given sometimes with both of us, it's like whenever we've

0:15:49.760 --> 0:15:52.800
<v Speaker 1>given each other, like a very transactional gift, like that

0:15:52.920 --> 0:15:55.480
<v Speaker 1>thing that you ask for that helps you do whatever,

0:15:56.000 --> 0:15:58.840
<v Speaker 1>there is something a little like yeah about it. Yeah,

0:15:58.880 --> 0:16:00.960
<v Speaker 1>we prefer experiences. The most of what we do is

0:16:01.000 --> 0:16:04.200
<v Speaker 1>like getting rite each other something on our birthdays, like

0:16:04.240 --> 0:16:06.560
<v Speaker 1>we rte each other a note, you know, a nice card,

0:16:07.320 --> 0:16:10.040
<v Speaker 1>and that's always more important than whatever we buy. But yeah,

0:16:10.080 --> 0:16:13.800
<v Speaker 1>Christmas time there's always like a super practical gift of course,

0:16:13.800 --> 0:16:16.800
<v Speaker 1>and another one. But yeah, no, Sue is very romantic.

0:16:16.840 --> 0:16:19.720
<v Speaker 1>I mean she likes the regular stuff, you know, she

0:16:19.800 --> 0:16:22.480
<v Speaker 1>likes jewelry, she likes perfume, she likes shoes, she's but

0:16:22.680 --> 0:16:25.160
<v Speaker 1>she's also very practical. So it's like we need this

0:16:25.240 --> 0:16:27.120
<v Speaker 1>and I want it. Oh great, awesome, we got a

0:16:27.120 --> 0:16:30.320
<v Speaker 1>new washing machine. Huge gift. That's that's amazing. Yeah. Have

0:16:30.400 --> 0:16:33.680
<v Speaker 1>you guys ever had a trash compactor? Though? Yes? Really

0:16:33.720 --> 0:16:36.040
<v Speaker 1>growing up? See I had one growing up and it's

0:16:36.160 --> 0:16:38.160
<v Speaker 1>my parents still have it, and no one can figure

0:16:38.160 --> 0:16:40.200
<v Speaker 1>out where the garbage goes in their house. It's always

0:16:40.200 --> 0:16:43.040
<v Speaker 1>a big fact because because the door locks shut when

0:16:43.040 --> 0:16:45.600
<v Speaker 1>it's compacting, and then it likes so like people can't

0:16:45.640 --> 0:16:49.840
<v Speaker 1>access it's like this weird cabinet drawer. It's I mean,

0:16:50.040 --> 0:16:52.080
<v Speaker 1>I always thought it was kind of normal growing up,

0:16:52.080 --> 0:16:53.840
<v Speaker 1>and now I like, go back to my parents house

0:16:53.840 --> 0:16:56.680
<v Speaker 1>and I have to explain if anybody's there visiting. I'm like, yeah, yeah,

0:16:56.720 --> 0:16:58.240
<v Speaker 1>just give me your garbage. I'll figure it out for

0:16:58.280 --> 0:17:00.800
<v Speaker 1>you because it's so weird. Well, we'll get into a

0:17:00.840 --> 0:17:02.600
<v Speaker 1>weird garbage thing a little later in the episode that

0:17:02.640 --> 0:17:06.320
<v Speaker 1>also makes no sense whatsoever. Oh, okay, I love the garbage.

0:17:07.080 --> 0:17:10.080
<v Speaker 1>Good garbage conversation. We do love a good garbage conversation.

0:17:10.080 --> 0:17:12.879
<v Speaker 1>It's so Then we are in the Matthew's kitchen and

0:17:12.920 --> 0:17:15.399
<v Speaker 1>Alan calls up to Amy for their dinner reservations, and

0:17:15.600 --> 0:17:17.680
<v Speaker 1>Eric and Corey are sitting in a kitchen when they

0:17:17.720 --> 0:17:20.679
<v Speaker 1>realize it's their parents' anniversary. They hand Alan money to

0:17:20.720 --> 0:17:24.000
<v Speaker 1>put their names on the card for Amy's gift. Amy

0:17:24.040 --> 0:17:28.600
<v Speaker 1>comes down wearing a very cool pantsuit. She looks like

0:17:28.600 --> 0:17:31.439
<v Speaker 1>a magician's assist. Love it. I thought this was so

0:17:31.480 --> 0:17:36.439
<v Speaker 1>ahead of its time. I was like, oh, yes, for like,

0:17:36.640 --> 0:17:39.879
<v Speaker 1>this would be like a great like red carpet outfit

0:17:39.960 --> 0:17:42.720
<v Speaker 1>for someone. It look like she was at a circus.

0:17:42.760 --> 0:17:45.719
<v Speaker 1>To me, I thought it was keeping a lying it

0:17:45.760 --> 0:17:48.320
<v Speaker 1>was Sarah Margot. It's killing it. I was just like, yes,

0:17:48.400 --> 0:17:52.120
<v Speaker 1>she's making even more interesting. Yeah, like she's taking bold

0:17:52.200 --> 0:17:56.440
<v Speaker 1>choices and yeah, and I literally wrote, that's a magician's assistant.

0:17:56.880 --> 0:17:58.600
<v Speaker 1>I think it looks great. So I thought it looked

0:17:58.680 --> 0:18:04.360
<v Speaker 1>really cool. Um so uh ame. Allan is very excited.

0:18:04.400 --> 0:18:06.639
<v Speaker 1>He's got a cute little jump about him, but Amy

0:18:06.720 --> 0:18:10.320
<v Speaker 1>seems disappointed. Eric reads the card and says the gift

0:18:10.440 --> 0:18:14.359
<v Speaker 1>is just from Alan, just Allen, nobody else, and Alan

0:18:14.400 --> 0:18:17.000
<v Speaker 1>asks if she likes it, and she says. She says

0:18:17.040 --> 0:18:19.720
<v Speaker 1>a trash compactor would be a lovely gift for say

0:18:20.320 --> 0:18:24.800
<v Speaker 1>a Tuesday. Alan goes into like Tim Allen home improvement

0:18:24.960 --> 0:18:29.560
<v Speaker 1>camp by caveman bit why wrong, oog no sleep in

0:18:29.680 --> 0:18:33.240
<v Speaker 1>cave tonight. He knows he messed up, Phoene was right.

0:18:33.520 --> 0:18:37.720
<v Speaker 1>Amy walks off disappointed. Also, is she getting him a gift?

0:18:38.160 --> 0:18:43.560
<v Speaker 1>Apparently not? Yeah, Also, everybody else knows. Even Eric at

0:18:43.600 --> 0:18:47.520
<v Speaker 1>seventeen knows it's a bad gift. Only Allen, yeah, doesn't

0:18:47.520 --> 0:18:50.160
<v Speaker 1>get that this is a bad gift. Like really, the

0:18:50.200 --> 0:18:52.520
<v Speaker 1>only only guy there who doesn't get it is the

0:18:52.520 --> 0:18:55.040
<v Speaker 1>one who's been married to her for seventeen years on.

0:18:55.320 --> 0:18:59.359
<v Speaker 1>It's just so lame and lazy. Yeah, it's just it

0:18:59.440 --> 0:19:01.840
<v Speaker 1>just goes right back into that same sitcom trope. And

0:19:01.840 --> 0:19:04.000
<v Speaker 1>that was the cool thing about them is they weren't

0:19:04.040 --> 0:19:07.359
<v Speaker 1>that at all. It's just the easy I mean, this

0:19:07.440 --> 0:19:09.800
<v Speaker 1>is like we are two stages over from Home Improvement,

0:19:09.800 --> 0:19:13.280
<v Speaker 1>which is killing the number one show. Everyone loves it.

0:19:13.920 --> 0:19:15.960
<v Speaker 1>So I just think they just, you know, they're they're

0:19:16.280 --> 0:19:20.160
<v Speaker 1>they're caving to the lowest common denomena with the caveman voice.

0:19:20.200 --> 0:19:22.399
<v Speaker 1>It's so bad. It's so I was just like a

0:19:23.080 --> 0:19:24.920
<v Speaker 1>such a waste of rusty. It's such a waste of

0:19:25.000 --> 0:19:28.679
<v Speaker 1>rusty to take to take that character that way. You know,

0:19:29.760 --> 0:19:33.560
<v Speaker 1>Tell you guys a funny story. My parents met when

0:19:33.560 --> 0:19:35.800
<v Speaker 1>they were fifteen. They are now divorced, but they were

0:19:35.840 --> 0:19:38.200
<v Speaker 1>married for thirty years. They met when they were fifteen,

0:19:38.720 --> 0:19:41.800
<v Speaker 1>after they had been dating for like a year maybe

0:19:41.840 --> 0:19:45.280
<v Speaker 1>two years. For some holiday promise rings were very big

0:19:45.320 --> 0:19:47.520
<v Speaker 1>back then, which is like the ring you get somebody

0:19:47.560 --> 0:19:50.720
<v Speaker 1>before an engagement ring. It's like I promise that we're getting.

0:19:50.720 --> 0:19:54.000
<v Speaker 1>We're going in that direction. And my mom all of

0:19:54.000 --> 0:19:55.920
<v Speaker 1>her friends had promised rings. They were all in long

0:19:56.000 --> 0:20:00.560
<v Speaker 1>term relationships. My mom was convinced for whatever the upcoming

0:20:00.560 --> 0:20:02.479
<v Speaker 1>event was, if it was an anniversary or a Christmas

0:20:02.560 --> 0:20:04.960
<v Speaker 1>I don't know that she was getting a promise ring.

0:20:05.080 --> 0:20:07.800
<v Speaker 1>And she was like, I know it, it's coming. And

0:20:08.000 --> 0:20:12.560
<v Speaker 1>my dad brings her a big box and her thought was,

0:20:12.960 --> 0:20:15.720
<v Speaker 1>oh my gosh, how cute. He put my ring in

0:20:15.760 --> 0:20:19.040
<v Speaker 1>a big heavy box. It was a big heavy box

0:20:19.080 --> 0:20:21.959
<v Speaker 1>and she opened it up and it was a bowling

0:20:21.960 --> 0:20:28.960
<v Speaker 1>ball because they used to go bowling, and really cute,

0:20:29.119 --> 0:20:31.760
<v Speaker 1>really sweet gift. And she was absolutely devastated and she

0:20:31.800 --> 0:20:33.760
<v Speaker 1>burst into tears and he had no idea why. He

0:20:33.800 --> 0:20:36.560
<v Speaker 1>was like, I don't understand, like you like bowling. Right,

0:20:36.680 --> 0:20:40.520
<v Speaker 1>So yeah, I think that's a maybe a better storyline

0:20:40.640 --> 0:20:45.040
<v Speaker 1>for a sixteen year old. Yeah, maybe better than for

0:20:45.480 --> 0:20:51.440
<v Speaker 1>Alan Matthews married for seventeen years, you know exactly as

0:20:51.640 --> 0:20:54.119
<v Speaker 1>I also think there's ways to do this same storyline,

0:20:54.119 --> 0:20:56.399
<v Speaker 1>but just make it more clever, right, I agree, there

0:20:56.400 --> 0:20:57.760
<v Speaker 1>could have I mean, and I feel like our show

0:20:57.800 --> 0:20:59.560
<v Speaker 1>has done that before, where it has this sort of

0:20:59.560 --> 0:21:03.800
<v Speaker 1>oblivion gatory storyline, but the characters are slightly elevated above it.

0:21:04.080 --> 0:21:06.560
<v Speaker 1>You know, they could have been like her reaction is

0:21:06.600 --> 0:21:08.720
<v Speaker 1>just to shut down, and then his reaction is to

0:21:08.720 --> 0:21:11.600
<v Speaker 1>fall into caveman boys. What if they end up laughing

0:21:11.640 --> 0:21:14.159
<v Speaker 1>about this or finding a way to like, you know,

0:21:14.880 --> 0:21:17.280
<v Speaker 1>create the take the same situation, like you bought a

0:21:17.320 --> 0:21:19.800
<v Speaker 1>dumb gift that didn't isn't what I really wanted and

0:21:19.840 --> 0:21:22.520
<v Speaker 1>then make it funny or add layers to it instead

0:21:22.560 --> 0:21:25.800
<v Speaker 1>of just making that the entire thing a lesson. Yeah right,

0:21:26.080 --> 0:21:28.399
<v Speaker 1>Or every year Amy gets him the perfect gift and

0:21:28.440 --> 0:21:30.440
<v Speaker 1>he keeps trying to strive to do it, and it's like, well,

0:21:30.480 --> 0:21:32.080
<v Speaker 1>how can you get the how can you one upper?

0:21:32.160 --> 0:21:34.399
<v Speaker 1>That's what it's about, as opposed to this was just

0:21:34.480 --> 0:21:38.640
<v Speaker 1>so I wo got wrong gifts, like oh god, really,

0:21:38.920 --> 0:21:42.800
<v Speaker 1>I know. Yikes. Well, we're in the school hallway. Gloria

0:21:43.200 --> 0:21:46.560
<v Speaker 1>new character Alert is trying to kiss Harley, but he

0:21:46.680 --> 0:21:50.000
<v Speaker 1>said he's not in the mood and asked why she

0:21:50.200 --> 0:21:53.280
<v Speaker 1>kept him waiting outside her house last night, And they

0:21:53.280 --> 0:21:57.320
<v Speaker 1>are written like West Side Story Kid is so New

0:21:57.400 --> 0:22:02.080
<v Speaker 1>York fiftiest kind of like, where is this? Where is

0:22:02.119 --> 0:22:04.480
<v Speaker 1>this coming from? Where is this coming from? So what

0:22:04.640 --> 0:22:07.119
<v Speaker 1>is happening here? So I know Michael Jacobs and the

0:22:07.160 --> 0:22:10.760
<v Speaker 1>fellow writer's minds like, this is what adolescence is, which

0:22:11.440 --> 0:22:15.320
<v Speaker 1>which is because I guess there watching those shows right,

0:22:15.680 --> 0:22:18.879
<v Speaker 1>Happy Days kind of, I guess, But it's it is Greece,

0:22:19.080 --> 0:22:22.280
<v Speaker 1>it is Bye Bye Birdie and West Side Story it's

0:22:22.920 --> 0:22:25.720
<v Speaker 1>it's uh, it's frankly, just to me, that's just the

0:22:25.760 --> 0:22:33.760
<v Speaker 1>hookiest thing I've ever seen. The great She's awesome, He's awesome. No,

0:22:33.880 --> 0:22:36.879
<v Speaker 1>as far as the performances and the commitment, you know,

0:22:37.000 --> 0:22:40.760
<v Speaker 1>Danny is just so good. But he and he, he

0:22:41.000 --> 0:22:44.119
<v Speaker 1>is able to inhabit this character in I mean, all

0:22:44.160 --> 0:22:46.720
<v Speaker 1>of them are able to inhabit these characters in such

0:22:46.760 --> 0:22:51.320
<v Speaker 1>ways that really they shouldn't like Why why these characters

0:22:51.359 --> 0:22:54.520
<v Speaker 1>are written this way in this tone is just kind

0:22:54.520 --> 0:22:57.080
<v Speaker 1>of ridiculous to me, Like it's so, I don't know,

0:22:57.119 --> 0:22:59.280
<v Speaker 1>I don't disagree, it was so it was there's a

0:22:59.359 --> 0:23:01.920
<v Speaker 1>lot about this episode that just took you out of

0:23:02.880 --> 0:23:05.440
<v Speaker 1>the kind of the normal show. And I didn't dislike you.

0:23:05.520 --> 0:23:07.280
<v Speaker 1>I wasn't like this is the worst episode ever, but

0:23:07.320 --> 0:23:11.679
<v Speaker 1>it was like, oh, that's jarring. Oh that's jarring. The

0:23:12.720 --> 0:23:15.560
<v Speaker 1>big part of it is just how Harley is clearly

0:23:15.960 --> 0:23:19.720
<v Speaker 1>twenty five. I mean he just comes across as such

0:23:19.760 --> 0:23:22.440
<v Speaker 1>a grown up. Yeah, and you know, and then all

0:23:22.440 --> 0:23:25.320
<v Speaker 1>the other sort of like, oh, they're gonna go beat

0:23:25.400 --> 0:23:28.119
<v Speaker 1>us up, Like what does it look away? Really like

0:23:28.200 --> 0:23:31.360
<v Speaker 1>this big guy is walking around the hallways and beating

0:23:31.440 --> 0:23:34.240
<v Speaker 1>people up, Like, I just want a little more clarity.

0:23:34.240 --> 0:23:37.639
<v Speaker 1>I want them a little bit more reality, some sense

0:23:37.680 --> 0:23:41.160
<v Speaker 1>sense that like this actually exists in the world. Instead

0:23:41.200 --> 0:23:45.840
<v Speaker 1>it's it's so cartoony. Yeah, but you know, yeah, we

0:23:45.920 --> 0:23:47.359
<v Speaker 1>know it's a sit I mean we keep saying it's

0:23:47.359 --> 0:23:48.920
<v Speaker 1>a sitcom. We know it's a sitcom. We know it's

0:23:48.920 --> 0:23:51.040
<v Speaker 1>a sitcom for younger people. But that does not stop

0:23:51.080 --> 0:23:54.280
<v Speaker 1>you from eventually looking and going, maybe this is a

0:23:54.280 --> 0:23:56.840
<v Speaker 1>little far with the kind of voices and the way

0:23:56.880 --> 0:23:59.320
<v Speaker 1>even they're dressed, and I mean they're literally the only

0:23:59.359 --> 0:24:02.680
<v Speaker 1>thing they're not doing snapping and breaking into song, which

0:24:02.680 --> 0:24:04.080
<v Speaker 1>they should have. That would have been great. Yeah, I

0:24:04.080 --> 0:24:05.840
<v Speaker 1>think we're literally I mean, I think part of what

0:24:05.880 --> 0:24:08.560
<v Speaker 1>we're reacting to is just them being centered to you know,

0:24:08.560 --> 0:24:10.760
<v Speaker 1>it's like it's fine when they are like, oh, the

0:24:10.800 --> 0:24:12.560
<v Speaker 1>camera catches them on the side of the hallway and

0:24:12.600 --> 0:24:15.920
<v Speaker 1>they have there. They're like half a page run, right,

0:24:16.320 --> 0:24:19.639
<v Speaker 1>But now that we're doing a whole episode around these characters,

0:24:19.680 --> 0:24:23.040
<v Speaker 1>I find it tonally jarring, Like their lack of reality,

0:24:23.240 --> 0:24:26.639
<v Speaker 1>their lack of groundedness. Besides Danny's performance when he's with

0:24:27.280 --> 0:24:29.760
<v Speaker 1>Betsy later, which is great, yeah, I mean, but the

0:24:29.880 --> 0:24:34.280
<v Speaker 1>character itself, the activities of these characters is just absurd,

0:24:34.920 --> 0:24:36.600
<v Speaker 1>and so it's hard. It's hard to have that be

0:24:36.640 --> 0:24:41.000
<v Speaker 1>the center of the entire episode. It was so Gloria

0:24:41.080 --> 0:24:43.600
<v Speaker 1>says he honked last night and didn't even come to

0:24:43.640 --> 0:24:45.800
<v Speaker 1>the door, which was rude, and Harley says he didn't

0:24:45.800 --> 0:24:47.720
<v Speaker 1>go in because her father was hanging by the door.

0:24:47.880 --> 0:24:50.560
<v Speaker 1>She says that was her mother. Harley says, well, then

0:24:50.600 --> 0:24:55.159
<v Speaker 1>he definitely doesn't want to meet her father. Joey jumps

0:24:55.160 --> 0:24:57.160
<v Speaker 1>in to try to stop their fighting, but they brush

0:24:57.240 --> 0:24:59.840
<v Speaker 1>him off. Harley asks why Frankie's been so quiet and

0:24:59.840 --> 0:25:01.960
<v Speaker 1>he he says he's just trying to have some quiet time.

0:25:02.320 --> 0:25:04.360
<v Speaker 1>And then Corey and Sean are making their way down

0:25:04.359 --> 0:25:08.359
<v Speaker 1>the hall. Is so good in this episode. That moment

0:25:08.520 --> 0:25:12.440
<v Speaker 1>is just like just yeah, just he's so committed and yeah,

0:25:12.520 --> 0:25:15.840
<v Speaker 1>he's so believable as exactly this guy. Yeah, yeah, it's

0:25:15.920 --> 0:25:19.280
<v Speaker 1>really a great moment. And uh, Corey and Sean are

0:25:19.280 --> 0:25:22.160
<v Speaker 1>walking down the hall and they say that the mac

0:25:22.200 --> 0:25:25.280
<v Speaker 1>and cheese has more grease than Harley's hair, and then

0:25:25.520 --> 0:25:28.320
<v Speaker 1>they run into Harley and then we get that big

0:25:28.440 --> 0:25:31.160
<v Speaker 1>cute gasp from the two of you, that kind of

0:25:31.600 --> 0:25:33.800
<v Speaker 1>what do you call this? The screech the gap? I

0:25:33.920 --> 0:25:35.720
<v Speaker 1>trying to remember how it was written in the script.

0:25:35.760 --> 0:25:37.600
<v Speaker 1>I don't remember. I think it's I would call it

0:25:37.600 --> 0:25:41.760
<v Speaker 1>a gasp. Yeah. I also love how you're shocked to

0:25:41.920 --> 0:25:47.679
<v Speaker 1>run into Harley where the place he always is, Like,

0:25:47.760 --> 0:25:52.640
<v Speaker 1>what are you doing here? Harley tells Corey to touch

0:25:52.640 --> 0:25:55.119
<v Speaker 1>his hair, and though Corey says it's dry as a bone,

0:25:55.200 --> 0:25:57.880
<v Speaker 1>he slips and falls trying to lean against the lockers.

0:25:58.359 --> 0:26:01.240
<v Speaker 1>Harley gives him a quarter to call parents and say goodbye.

0:26:01.440 --> 0:26:05.520
<v Speaker 1>Corey tries to avoid beating a beating with some jokes,

0:26:05.520 --> 0:26:08.600
<v Speaker 1>So you guys try to fly out of the hallway

0:26:08.640 --> 0:26:12.160
<v Speaker 1>like angels. Gloria asks Harley if he's sure he wants

0:26:12.160 --> 0:26:15.119
<v Speaker 1>to beat Cory up. She thinks he's funny. Sean sweet

0:26:15.119 --> 0:26:17.760
<v Speaker 1>talks Gloria, and then Glory convinces Harley to go easy

0:26:17.800 --> 0:26:20.439
<v Speaker 1>on the boys, and then Harley instead just gives Frankie

0:26:20.480 --> 0:26:23.040
<v Speaker 1>the okay to beat up Corey and Sean like a pinata,

0:26:24.520 --> 0:26:26.280
<v Speaker 1>and then we are You. Guys are pushed into the

0:26:26.280 --> 0:26:28.879
<v Speaker 1>school cafeteria. Frankie has moved them into the lunchroom, and

0:26:28.960 --> 0:26:30.919
<v Speaker 1>Corey and Sean are trying to get out of a beating.

0:26:31.119 --> 0:26:34.000
<v Speaker 1>Frankie gives them two options. First is that they die,

0:26:34.480 --> 0:26:37.960
<v Speaker 1>and the second is that they do him a favor. Obviously,

0:26:37.960 --> 0:26:41.960
<v Speaker 1>the boys pick number two, and Frankie says, I Frankie Stacchino,

0:26:42.280 --> 0:26:46.480
<v Speaker 1>am in love. Oh, Frankie wants Corey and Sean to

0:26:46.520 --> 0:26:49.600
<v Speaker 1>help him woo her. She's the most beautiful woman he's

0:26:49.600 --> 0:26:59.239
<v Speaker 1>ever seen. You are great, So Funny's a great bit. Yes,

0:27:00.320 --> 0:27:03.879
<v Speaker 1>it was awesome. I love it. I felt like we

0:27:03.920 --> 0:27:05.919
<v Speaker 1>could have had that same bit that was me in

0:27:05.960 --> 0:27:10.480
<v Speaker 1>the opening when talking about dip what what what what

0:27:10.960 --> 0:27:14.080
<v Speaker 1>is this word? Yeah, but loved that with the with

0:27:14.119 --> 0:27:18.040
<v Speaker 1>the wooing so cute. By the way, I don't know

0:27:18.040 --> 0:27:21.120
<v Speaker 1>if you see the posters behind but there seems at

0:27:21.160 --> 0:27:26.040
<v Speaker 1>this school to always be a PEP rally. Oh it's

0:27:26.080 --> 0:27:28.760
<v Speaker 1>almost every episode. There's a PEP rally on Thursday. Har

0:27:28.840 --> 0:27:31.080
<v Speaker 1>admit something. I don't know what a PEP rally. I

0:27:31.080 --> 0:27:33.800
<v Speaker 1>don't need you've never been to Danielle with all your

0:27:33.880 --> 0:27:38.879
<v Speaker 1>high school pep rallies. I mean, there were things that

0:27:38.920 --> 0:27:41.800
<v Speaker 1>we did in the school auditorium that were like, um,

0:27:41.840 --> 0:27:45.120
<v Speaker 1>you know, I don't know what is pep. Yeah, you don't.

0:27:45.280 --> 0:27:47.159
<v Speaker 1>Like it was you'd go to the gym and the

0:27:47.200 --> 0:27:49.720
<v Speaker 1>different classes would be there and the cheerleaders would come

0:27:49.720 --> 0:27:52.639
<v Speaker 1>out and they would rally the school spirit for the

0:27:52.680 --> 0:27:54.600
<v Speaker 1>big game or the big whatever. But you'd have a

0:27:54.600 --> 0:27:57.760
<v Speaker 1>couple of year. It wasn't like a PEP rally every week, right,

0:27:58.040 --> 0:27:59.720
<v Speaker 1>So it was I mean you'd sit there and you'd,

0:28:00.040 --> 0:28:01.639
<v Speaker 1>you know, the freshman you would yell stuff at the

0:28:01.640 --> 0:28:03.000
<v Speaker 1>sophomore is a softig and then you do like a

0:28:03.040 --> 0:28:05.720
<v Speaker 1>school kind of whatever. And now I think you also

0:28:06.160 --> 0:28:09.119
<v Speaker 1>grew up in West Side story. I did not. I

0:28:09.160 --> 0:28:14.440
<v Speaker 1>wish that would have been cool. I do remember there

0:28:14.480 --> 0:28:16.800
<v Speaker 1>being like assemblies, that's what we called them. There would

0:28:16.800 --> 0:28:20.000
<v Speaker 1>be a school assembly and everyone like a fun get

0:28:20.080 --> 0:28:23.080
<v Speaker 1>together everybody yelling, and maybe I missed school. I only

0:28:23.119 --> 0:28:25.040
<v Speaker 1>was in school, you know, on our hiatus weeks and

0:28:25.080 --> 0:28:27.159
<v Speaker 1>then from March until June. So it's possible they had

0:28:27.160 --> 0:28:30.320
<v Speaker 1>them and I just wasn't around for its. Yeah, Or

0:28:30.359 --> 0:28:31.760
<v Speaker 1>maybe I did go to a bunch of them all.

0:28:31.920 --> 0:28:33.520
<v Speaker 1>Maybe people from high school reach out to me. Have

0:28:33.600 --> 0:28:35.439
<v Speaker 1>you just seen me at a PEP rally? Maybe I

0:28:35.480 --> 0:28:37.639
<v Speaker 1>was there and I just don't remember. They were a

0:28:37.640 --> 0:28:39.160
<v Speaker 1>lot of fun. But when I show up to him now,

0:28:39.840 --> 0:28:42.120
<v Speaker 1>people look at you weird. Yeah, they're like you in

0:28:42.120 --> 0:28:47.320
<v Speaker 1>the trench coat. Yeah, exactly. So Frankie knows that Corey

0:28:47.400 --> 0:28:49.440
<v Speaker 1>is a good talker, and girls seem to dig Sean,

0:28:49.800 --> 0:28:52.640
<v Speaker 1>who is having trouble understanding what the word WU means.

0:28:53.120 --> 0:28:55.680
<v Speaker 1>Corey says Harley might be able to help him more

0:28:56.240 --> 0:28:59.040
<v Speaker 1>with this, more than they can do. So Frankie says, okay,

0:28:59.120 --> 0:29:01.920
<v Speaker 1>no problem, I'll go ahead and kill you. Sean says

0:29:01.960 --> 0:29:06.240
<v Speaker 1>he doesn't want to die before he knows what woo means.

0:29:06.280 --> 0:29:10.760
<v Speaker 1>So cute, I'm telling you the dumb Sean thing. This

0:29:10.760 --> 0:29:15.000
<v Speaker 1>this episode has this weird dynamic. It's like Corey and

0:29:15.360 --> 0:29:18.720
<v Speaker 1>Sean in a voice I was I was always confused

0:29:18.720 --> 0:29:21.400
<v Speaker 1>as to like, why we're treated as one character when

0:29:21.440 --> 0:29:24.080
<v Speaker 1>we're not really different and we have different skill sets,

0:29:24.320 --> 0:29:26.840
<v Speaker 1>and it's I thought it was obvious that, like, I

0:29:26.920 --> 0:29:29.479
<v Speaker 1>can flirt with Gloria in that last scene, and so

0:29:29.560 --> 0:29:32.000
<v Speaker 1>I'm going to be the one to flirt and like,

0:29:32.160 --> 0:29:34.280
<v Speaker 1>but then Corey's the one who has the whole serrano

0:29:34.520 --> 0:29:37.320
<v Speaker 1>lesson at the end. I was just confused. I think

0:29:37.320 --> 0:29:39.360
<v Speaker 1>I'm just handling you as a unit. It's like, Corey

0:29:39.360 --> 0:29:41.480
<v Speaker 1>and Sean do this. Now, Corey and Sean do that. Now,

0:29:41.480 --> 0:29:43.840
<v Speaker 1>You're just I think the truth is they wanted it

0:29:43.880 --> 0:29:46.719
<v Speaker 1>to just be Ben because it's Corey show and it

0:29:46.720 --> 0:29:49.000
<v Speaker 1>has to be boy. But it doesn't make any sense

0:29:49.040 --> 0:29:51.280
<v Speaker 1>that Corey is good at talking to girls. It doesn't

0:29:51.280 --> 0:29:54.560
<v Speaker 1>make any sense. He's super awkward. He doesn't know how

0:29:54.600 --> 0:29:56.760
<v Speaker 1>to do this. Yeah, he can't have him be it.

0:29:56.880 --> 0:29:59.880
<v Speaker 1>He doesn't have a super big purpose in getting Fran

0:30:00.480 --> 0:30:04.160
<v Speaker 1>together with Gloria, but he is. He is part of

0:30:04.160 --> 0:30:09.720
<v Speaker 1>the resolution for Harley about his parents. So it's almost like, Sean,

0:30:10.200 --> 0:30:12.440
<v Speaker 1>help me fall help this girl fall in love with me.

0:30:12.520 --> 0:30:15.120
<v Speaker 1>Sean and Corey get me out of the problem it's

0:30:15.120 --> 0:30:17.959
<v Speaker 1>going to cause with Harley, Oh, they're a good talker.

0:30:18.080 --> 0:30:20.200
<v Speaker 1>So because that is the way it ends up working out,

0:30:20.520 --> 0:30:22.120
<v Speaker 1>and that's what he says. You're a good talker, and

0:30:22.120 --> 0:30:25.080
<v Speaker 1>you're you're a good talker and you're really good with girls. Yeah,

0:30:25.080 --> 0:30:27.560
<v Speaker 1>so maybe that's what it is. It's like, okay, yeah,

0:30:27.600 --> 0:30:32.680
<v Speaker 1>so he got Cyrano and Syrano's lawyer, right, which is

0:30:32.720 --> 0:30:35.600
<v Speaker 1>a way better way of phrasing yeah, that would have

0:30:35.640 --> 0:30:39.360
<v Speaker 1>been you. Yeah, because it's the idea that he because

0:30:39.400 --> 0:30:41.480
<v Speaker 1>he's not a good talker in the sense that it's

0:30:41.520 --> 0:30:44.479
<v Speaker 1>it's that he's a good thinker, arguer or yeah, debater

0:30:44.680 --> 0:30:47.280
<v Speaker 1>maybe yeah, yeah, a good lawyer. That's it is. It's

0:30:47.320 --> 0:30:49.360
<v Speaker 1>a good lawyer. Yeah. And I think part of the

0:30:49.360 --> 0:30:51.280
<v Speaker 1>reason they couldn't set it up better is because they

0:30:51.320 --> 0:30:53.360
<v Speaker 1>wanted it to be a reveal who the girl was,

0:30:53.800 --> 0:30:56.120
<v Speaker 1>because they could if he came right out and said, listen,

0:30:56.280 --> 0:30:58.040
<v Speaker 1>I need your help to keep this under wraps, or

0:30:58.240 --> 0:31:00.800
<v Speaker 1>exactly if he came right out and said, I've got

0:31:00.800 --> 0:31:04.000
<v Speaker 1>a crush on Harley's girlfriend, I'm going to need your

0:31:04.040 --> 0:31:05.520
<v Speaker 1>help having her fall in love with me, and I'm

0:31:05.520 --> 0:31:07.680
<v Speaker 1>going to need your help when Harley finds out, Like

0:31:08.320 --> 0:31:10.239
<v Speaker 1>that's a great setup for what your each of your

0:31:10.320 --> 0:31:12.120
<v Speaker 1>roles are, but it isn't as good of a reveal

0:31:12.280 --> 0:31:26.200
<v Speaker 1>that the girl he's in love with is Gloria. So

0:31:26.560 --> 0:31:28.800
<v Speaker 1>we're in the matthews living room. Alan peeks down the

0:31:28.840 --> 0:31:31.040
<v Speaker 1>stairs to see if Amy is in the kitchen. She is.

0:31:31.240 --> 0:31:33.760
<v Speaker 1>He nervously says he helped Morgan clean her room and

0:31:33.840 --> 0:31:36.640
<v Speaker 1>he cleaned out the gutters. He's obviously very much trying

0:31:36.640 --> 0:31:39.880
<v Speaker 1>to save face. Alan asks Amy how she's doing, and

0:31:39.960 --> 0:31:43.440
<v Speaker 1>she chops the lettuce with a sharp knife. She's not happy,

0:31:43.960 --> 0:31:47.840
<v Speaker 1>won't even talk about what's bothering her. Apparently didn't talk

0:31:47.840 --> 0:31:51.880
<v Speaker 1>about it all night. Yeah, I mean that's it's like you. Yeah,

0:31:51.920 --> 0:31:53.600
<v Speaker 1>there's now all of a sudden between Alan and Amy.

0:31:53.640 --> 0:31:57.400
<v Speaker 1>There's no communication, right, He's like a little child and

0:31:58.560 --> 0:32:02.840
<v Speaker 1>out exactly, which is so not them. So yeah, I

0:32:02.880 --> 0:32:04.480
<v Speaker 1>won't harp on it, but it really bothered me the

0:32:04.480 --> 0:32:06.760
<v Speaker 1>whole episode. It just was a complete change for me. Yep,

0:32:06.880 --> 0:32:09.760
<v Speaker 1>it's cheap. Alan says he will take the trash out,

0:32:09.760 --> 0:32:12.240
<v Speaker 1>and he then bolts, and then we're in the Matthew's

0:32:12.280 --> 0:32:15.240
<v Speaker 1>backyard mister Finnie's gardening and says the trash bag Alan

0:32:15.360 --> 0:32:18.200
<v Speaker 1>is holding sure looks like a fluffy, non compacted bag

0:32:18.200 --> 0:32:21.280
<v Speaker 1>of garbage. Alan says he won't be installing the compactor

0:32:21.280 --> 0:32:24.360
<v Speaker 1>in this lifetime, admitting she did not like it. He says,

0:32:24.640 --> 0:32:27.520
<v Speaker 1>the garbage conversation I wanted to have, Oh, okay, who

0:32:27.560 --> 0:32:30.160
<v Speaker 1>just sits down and takes the bag of garbage that

0:32:30.160 --> 0:32:33.800
<v Speaker 1>they're holding and puts it on their lap? Who does that?

0:32:34.280 --> 0:32:37.760
<v Speaker 1>Who just holds a big bag of garbage on their conversation.

0:32:37.880 --> 0:32:40.680
<v Speaker 1>It's a very tiny bag of garbage. It's enough to

0:32:40.760 --> 0:32:42.520
<v Speaker 1>where most people would be like, you know what, I'm

0:32:42.560 --> 0:32:45.719
<v Speaker 1>not gonna do, take the nasty garbage from the kitchen,

0:32:45.800 --> 0:32:47.840
<v Speaker 1>mind you, with all the slimy stuff, right, and hold

0:32:47.880 --> 0:32:49.520
<v Speaker 1>it on my lap while I have a conversation. It

0:32:49.640 --> 0:32:51.200
<v Speaker 1>just it was it was like, what is he doing?

0:32:51.720 --> 0:32:56.760
<v Speaker 1>It was very strange. Oh, I mean true. Maybe they

0:32:56.800 --> 0:33:01.040
<v Speaker 1>had a composter, so maybe he didn't have slimy stuff

0:33:01.040 --> 0:33:03.960
<v Speaker 1>in his trash. Maybe it's just maybe he was composting

0:33:03.960 --> 0:33:06.360
<v Speaker 1>his food. I don't know, I have no I have

0:33:06.400 --> 0:33:12.680
<v Speaker 1>no backup for that. Alan says he doesn't understand the

0:33:13.240 --> 0:33:16.120
<v Speaker 1>trash compactor cost more than her engagement ring, and she

0:33:16.200 --> 0:33:18.680
<v Speaker 1>asked for it. Phoene says that's not an argument he

0:33:18.720 --> 0:33:22.200
<v Speaker 1>would recommend using, and mister Phoenie sarcastically says the gift

0:33:22.240 --> 0:33:24.440
<v Speaker 1>was a no brainer because Amy asked for it and

0:33:24.520 --> 0:33:26.760
<v Speaker 1>Alan went out and got it. He explains to Alan

0:33:26.800 --> 0:33:28.400
<v Speaker 1>that it was the easy way out because he didn't

0:33:28.400 --> 0:33:30.200
<v Speaker 1>have to sit around and think about Amy or the

0:33:30.200 --> 0:33:33.320
<v Speaker 1>things that he loves about her. Alan says, yeah, he

0:33:33.400 --> 0:33:36.200
<v Speaker 1>missed that exit for sure. Alan asks if there's a

0:33:36.240 --> 0:33:38.760
<v Speaker 1>way he can back up, and then Phoenie says, on

0:33:38.880 --> 0:33:42.920
<v Speaker 1>the husband Highway, there's very little forward traffic, just millions

0:33:42.960 --> 0:33:47.240
<v Speaker 1>of well intentioned men backing up frantically. I did like

0:33:47.440 --> 0:33:51.360
<v Speaker 1>having Phoenie given us Oh, I love it. Felt this

0:33:51.400 --> 0:33:54.320
<v Speaker 1>felt this felt very like one of the better Phoenie

0:33:54.400 --> 0:33:58.640
<v Speaker 1>moments from season two. Yeah, the set was cheap, but

0:33:58.880 --> 0:34:05.280
<v Speaker 1>having Bill dispense advice, it's just it's so good. But

0:34:05.320 --> 0:34:07.320
<v Speaker 1>the next thing he says is pretty amazing, and I'm

0:34:07.320 --> 0:34:08.919
<v Speaker 1>not sure that I ever heard it, and I don't

0:34:08.920 --> 0:34:11.799
<v Speaker 1>know if we ever get into it anymore. Yeah, but

0:34:12.120 --> 0:34:15.399
<v Speaker 1>he alludes to the fact that he was married. Yes,

0:34:15.840 --> 0:34:17.399
<v Speaker 1>I think we do get into it because I think

0:34:17.440 --> 0:34:20.560
<v Speaker 1>people have mentioned that he had a wife, Like we

0:34:20.640 --> 0:34:23.840
<v Speaker 1>developed that later, but this time, well, I think they

0:34:24.200 --> 0:34:27.360
<v Speaker 1>must come up. It must come up when Phoenie starts

0:34:27.440 --> 0:34:31.200
<v Speaker 1>dating the Dean. I'm sure there's some sort of history

0:34:31.360 --> 0:34:34.960
<v Speaker 1>about why he's never been in you know, yeah, why

0:34:35.000 --> 0:34:37.080
<v Speaker 1>it's been why we've never seen him in a relationship,

0:34:37.239 --> 0:34:40.360
<v Speaker 1>or you know those kinds of things. Um. Yeah, So

0:34:40.440 --> 0:34:42.839
<v Speaker 1>Phoene admits he's been on that highway before, and he

0:34:42.880 --> 0:34:45.959
<v Speaker 1>closes out a really nice scene between Rusty and Belle

0:34:46.040 --> 0:34:49.600
<v Speaker 1>that felt really good. Yeah. Well, then we're in the

0:34:49.640 --> 0:34:54.399
<v Speaker 1>Matthews showing with the garbage. That's right. Then we're in

0:34:54.440 --> 0:34:57.479
<v Speaker 1>the Matthews living room. Eric says high to an entering

0:34:57.520 --> 0:34:59.800
<v Speaker 1>Corey and Sean, who walk into the house with Frankie.

0:35:00.080 --> 0:35:03.080
<v Speaker 1>When Eric sees the enforcer in his house, he is terrified.

0:35:03.360 --> 0:35:05.680
<v Speaker 1>Frankie used to steal his lunch money at school. Actually

0:35:05.719 --> 0:35:08.600
<v Speaker 1>not as lunch money, as lunch lunch. Yes, so yeah,

0:35:09.440 --> 0:35:15.080
<v Speaker 1>I actually love this little finding little background out about Eric.

0:35:15.520 --> 0:35:18.680
<v Speaker 1>That and I love my Charlie Brown sweater. I loved

0:35:18.800 --> 0:35:22.680
<v Speaker 1>that Charlie Brown sweater. Oh, I wore that forever. Interesting

0:35:22.880 --> 0:35:26.480
<v Speaker 1>that Ben and I are in like hunting jackets, like

0:35:26.600 --> 0:35:32.359
<v Speaker 1>we both are wearing like thirties Pennsylvania hunting jackets. It's

0:35:32.680 --> 0:35:36.239
<v Speaker 1>very bizarre. But you also noticed that the entire episode,

0:35:36.480 --> 0:35:39.759
<v Speaker 1>my leather Jacket is on Hartley. Yeah, Oh my god,

0:35:39.960 --> 0:35:42.799
<v Speaker 1>isn't it crazy. It's they're trying to find They're trying

0:35:42.800 --> 0:35:45.480
<v Speaker 1>to find this jacket at home at this point. Yeah,

0:35:45.520 --> 0:35:48.239
<v Speaker 1>but I didn't realize it was on him the whole time. Like,

0:35:48.640 --> 0:35:51.360
<v Speaker 1>and the fact that I inherited it is so bizarre.

0:35:51.760 --> 0:35:53.960
<v Speaker 1>I mean, it's kind of tells a story of its own.

0:35:54.520 --> 0:35:57.160
<v Speaker 1>The jacket and I've got a pinky ring on the

0:35:57.200 --> 0:36:00.920
<v Speaker 1>man jewelry has officially started for me. Yeah, I was

0:36:00.960 --> 0:36:03.680
<v Speaker 1>gonna say, you said, you've said that many episodes ago.

0:36:03.840 --> 0:36:06.680
<v Speaker 1>We are deep in man jewelry. Yeah, we're getting there.

0:36:07.040 --> 0:36:12.840
<v Speaker 1>I would give just about anything to find your leather jacket.

0:36:12.880 --> 0:36:17.880
<v Speaker 1>To find this leather jacket, the the Eric Harley, whoever Sean,

0:36:18.360 --> 0:36:21.080
<v Speaker 1>whoever stole it. I mean, I wonder. I wish so

0:36:21.120 --> 0:36:23.600
<v Speaker 1>badly that we had a picture of the inside of it,

0:36:23.640 --> 0:36:26.200
<v Speaker 1>that there could be like listen. So the truth is

0:36:27.080 --> 0:36:29.400
<v Speaker 1>not any version of it because I ended up I

0:36:29.440 --> 0:36:31.560
<v Speaker 1>had I went out and bought my own version of

0:36:31.600 --> 0:36:34.320
<v Speaker 1>the jacket, was the same brand from the same store,

0:36:34.680 --> 0:36:37.279
<v Speaker 1>and it had, but mine was greener because it was

0:36:37.320 --> 0:36:42.120
<v Speaker 1>more war Stop stop, stop, stopped. Are you telling me

0:36:42.239 --> 0:36:44.719
<v Speaker 1>right now that the one that was stolen is not

0:36:44.760 --> 0:36:48.440
<v Speaker 1>the one we see on TV. No, one that was

0:36:48.480 --> 0:36:50.919
<v Speaker 1>stolen is the one we see on TV because I

0:36:50.960 --> 0:36:54.279
<v Speaker 1>treated mine. Remember, we had to give them something, right,

0:36:55.760 --> 0:36:59.799
<v Speaker 1>So in the Disney vault somewhere is the jacket that

0:36:59.880 --> 0:37:02.560
<v Speaker 1>was mine, which is basically the same. It had laces

0:37:02.560 --> 0:37:04.400
<v Speaker 1>on the side, had lace up sides. It was kind

0:37:04.400 --> 0:37:08.400
<v Speaker 1>of cooler in that way, but otherwise it was virtually

0:37:08.440 --> 0:37:11.480
<v Speaker 1>the same jacket. Was the same brand brand, Yes, because

0:37:11.480 --> 0:37:13.440
<v Speaker 1>what I did is I went to Sarah or at

0:37:13.480 --> 0:37:15.360
<v Speaker 1>that point it would have been Julie, I guess, and said,

0:37:15.520 --> 0:37:17.200
<v Speaker 1>where I know? How do they know? I knew where

0:37:17.200 --> 0:37:19.920
<v Speaker 1>to get it, at what store in LA that they

0:37:19.920 --> 0:37:23.000
<v Speaker 1>had this brand of vintage leather jackets. I bought the

0:37:23.000 --> 0:37:25.640
<v Speaker 1>exact same jacket I had in my personal life for

0:37:25.719 --> 0:37:28.240
<v Speaker 1>like years, and then when the show ended, I wanted

0:37:28.239 --> 0:37:30.239
<v Speaker 1>the one from the show, so I traded it in.

0:37:30.560 --> 0:37:33.080
<v Speaker 1>So it's still sitting in a vault somewhere, that version,

0:37:33.080 --> 0:37:35.200
<v Speaker 1>which would be the same brand. But no, I was

0:37:35.239 --> 0:37:38.640
<v Speaker 1>on a plane the other day and I saw somebody

0:37:38.680 --> 0:37:42.640
<v Speaker 1>wearing a woman wearing a jacket that from behind was

0:37:42.680 --> 0:37:45.399
<v Speaker 1>this leather jacket. I almost was like, oh my god,

0:37:45.440 --> 0:37:46.880
<v Speaker 1>I have to ask her what brand it is, But

0:37:46.880 --> 0:37:49.120
<v Speaker 1>then she turned around and it had like the more

0:37:49.160 --> 0:37:53.480
<v Speaker 1>traditional biker callers, like the biker jacket callers. And that's

0:37:53.360 --> 0:37:55.040
<v Speaker 1>what so great about it as a jacket is that

0:37:55.040 --> 0:37:57.560
<v Speaker 1>it's a biker jacket that doesn't have those weird zipper

0:37:57.800 --> 0:38:01.479
<v Speaker 1>open collar things. It's more just a regular like, yeah,

0:38:01.640 --> 0:38:04.000
<v Speaker 1>leather jacket on the front. Sarah might still has a

0:38:04.000 --> 0:38:08.080
<v Speaker 1>biker jacket quality. Well. We also did have a conversation

0:38:08.120 --> 0:38:10.840
<v Speaker 1>about going to the vault. We may need to revisit

0:38:11.000 --> 0:38:13.600
<v Speaker 1>that Disney Vault conversation. We're going to be able to

0:38:13.600 --> 0:38:16.080
<v Speaker 1>find it. We'll figure it out, okay. And if you

0:38:16.160 --> 0:38:17.880
<v Speaker 1>if somebody does have it, if they're if they're like,

0:38:17.920 --> 0:38:19.480
<v Speaker 1>oh my god, I can't believe I stole this thing,

0:38:19.640 --> 0:38:21.680
<v Speaker 1>just let's just send a picture of it and let

0:38:21.760 --> 0:38:23.839
<v Speaker 1>us know it's okay with today. By the way, even

0:38:23.840 --> 0:38:25.320
<v Speaker 1>if you didn't steal it, if it was in a

0:38:25.360 --> 0:38:27.200
<v Speaker 1>pawn shop, you bought it, you bought in a vintage

0:38:27.200 --> 0:38:29.360
<v Speaker 1>clothing store, I found it, you know, whatever, We're not

0:38:29.360 --> 0:38:32.160
<v Speaker 1>gonna We're not gonna accuse you of stealing it, even

0:38:32.200 --> 0:38:36.279
<v Speaker 1>if you are the thief um. Corey and Sean reassure

0:38:36.400 --> 0:38:39.120
<v Speaker 1>Eric everything is fine, but Eric quickly goes upstairs after

0:38:39.160 --> 0:38:42.760
<v Speaker 1>being called tuna, which is so cute, Tuna on wheat. Also,

0:38:42.880 --> 0:38:47.040
<v Speaker 1>tuna was what he ed Helm's character calls Jim in

0:38:47.080 --> 0:38:50.160
<v Speaker 1>the office, So even years before that became famous, Eric

0:38:50.280 --> 0:38:53.040
<v Speaker 1>was tuna. First love it and know that that's huge.

0:38:53.360 --> 0:38:56.239
<v Speaker 1>I love it. Sean asks if Frankie has ever tried

0:38:56.280 --> 0:38:58.440
<v Speaker 1>to talk to the girl he likes, and Frankie just stutters,

0:38:58.440 --> 0:39:01.480
<v Speaker 1>finding this idea very scary. Corey holds up a pillow

0:39:01.480 --> 0:39:04.200
<v Speaker 1>to his face to pretend he's the girl, and Sean

0:39:04.360 --> 0:39:07.160
<v Speaker 1>feeds lines to Frankie to say like, I can't take

0:39:07.200 --> 0:39:09.560
<v Speaker 1>my eyes off you, and Corey responds in a high

0:39:09.600 --> 0:39:13.840
<v Speaker 1>pitched voice behind the pillow, thank you. That's very nice.

0:39:13.400 --> 0:39:16.160
<v Speaker 1>He's so funny in the scene. Ethan is so funny

0:39:16.160 --> 0:39:18.520
<v Speaker 1>in the scene, just how nervous he is and all

0:39:18.560 --> 0:39:20.160
<v Speaker 1>the when they first say you know, you've got to

0:39:20.160 --> 0:39:22.480
<v Speaker 1>You've got to talk to me, He's like, nah, I

0:39:22.520 --> 0:39:25.880
<v Speaker 1>don't have it too much shirts because I tried to

0:39:25.920 --> 0:39:28.080
<v Speaker 1>record a little bit, but Indy was not into it.

0:39:28.120 --> 0:39:31.440
<v Speaker 1>But when we watched this episode together and the only

0:39:31.560 --> 0:39:35.399
<v Speaker 1>real laughs for Andy were Ethan. Everything out of Ethan's mouth,

0:39:35.840 --> 0:39:40.280
<v Speaker 1>Indy loved. Not only that, he also said out loud, oh,

0:39:40.320 --> 0:39:41.959
<v Speaker 1>so this is like the book that they were talking

0:39:42.000 --> 0:39:46.160
<v Speaker 1>about at the beginning. He like, you will it was

0:39:46.440 --> 0:39:49.799
<v Speaker 1>very good, like very clear, he understood, like this is

0:39:49.840 --> 0:39:52.080
<v Speaker 1>what that's what you know, that dynamic. The story is

0:39:52.120 --> 0:39:54.200
<v Speaker 1>reflecting the book that the teacher was talking about. So

0:39:54.400 --> 0:39:58.080
<v Speaker 1>really did its job. But no, Ethan was Indy's favorite

0:39:58.080 --> 0:39:59.960
<v Speaker 1>by far. Everything out of his mouth got a law

0:40:00.440 --> 0:40:03.560
<v Speaker 1>Yeah he is, He's wonderful. So good. Well. Sean says

0:40:03.560 --> 0:40:05.800
<v Speaker 1>that Frankie is doing great, and Frankie says the guys

0:40:05.840 --> 0:40:07.560
<v Speaker 1>need to come help him, and Corey jokes, what are

0:40:07.600 --> 0:40:12.760
<v Speaker 1>you gonna do? Hide us in your locker? Optic optical flip.

0:40:12.760 --> 0:40:15.640
<v Speaker 1>It was so nice to see. I know, I loved it.

0:40:16.080 --> 0:40:19.080
<v Speaker 1>Corey and Sean are smushed into Frankie's locker, which is

0:40:19.120 --> 0:40:27.000
<v Speaker 1>now apparently Frankie's locker. It's been every originally it's been Yeah,

0:40:27.040 --> 0:40:30.840
<v Speaker 1>it's it's basically the it's the best blocking Let's be honest,

0:40:30.920 --> 0:40:33.600
<v Speaker 1>it's the best locker location for blocking. It's the locker

0:40:33.680 --> 0:40:38.600
<v Speaker 1>room of requirement. Yes, exactly, so um it is a

0:40:38.719 --> 0:40:43.160
<v Speaker 1>rotating locker. Gloria comes up to Frankie and they start talking. Corey,

0:40:43.320 --> 0:40:45.920
<v Speaker 1>in the darkness of the clothes locker, asks if asks

0:40:45.960 --> 0:40:48.759
<v Speaker 1>if that voice sounds familiar, without fully knowing who the

0:40:48.800 --> 0:40:51.560
<v Speaker 1>girl is. Sean starts feeding great lines to Frankie, but

0:40:51.640 --> 0:40:54.560
<v Speaker 1>Frankie is doing terribly because he can't quite hear them,

0:40:54.760 --> 0:40:57.919
<v Speaker 1>which is a very funny bit. Yeah, and then Sean

0:40:58.080 --> 0:41:00.880
<v Speaker 1>yells out I love you, and Frankie's says it, only

0:41:00.880 --> 0:41:03.240
<v Speaker 1>to then go off script from what Shaun is saying

0:41:03.320 --> 0:41:10.040
<v Speaker 1>and he woos her perfectly what Yeah, he knows. Frankie

0:41:10.080 --> 0:41:13.359
<v Speaker 1>and Gloria decide to go get a burger together, and

0:41:13.440 --> 0:41:16.920
<v Speaker 1>Corey realizes that they just set Frankie up with Harley's

0:41:16.960 --> 0:41:20.759
<v Speaker 1>girlfriend and that is bad news. And then there's like

0:41:20.800 --> 0:41:25.720
<v Speaker 1>a great suspenseful music cue just starts with like What's

0:41:25.719 --> 0:41:29.560
<v Speaker 1>gonna happen music, and then we're in the school hallway.

0:41:29.640 --> 0:41:32.080
<v Speaker 1>Corey and Shaun are panicking thinking about what Harley will

0:41:32.120 --> 0:41:33.799
<v Speaker 1>do to them after he finds out what they did.

0:41:34.200 --> 0:41:36.560
<v Speaker 1>Sean says, no one saw them, there were no witnesses,

0:41:36.840 --> 0:41:40.840
<v Speaker 1>and without that, it's all just circumcised evidence. Wow, I

0:41:41.040 --> 0:41:45.800
<v Speaker 1>know this joke felt very right adult. Yeah, I'm glad

0:41:45.840 --> 0:41:48.640
<v Speaker 1>they slipped it in there. Yeah, it was a good joke.

0:41:48.880 --> 0:41:52.640
<v Speaker 1>It was a good joke. Sean thinks about getting plastic

0:41:52.680 --> 0:41:55.480
<v Speaker 1>surgery or dressing up as their female cousins to hide

0:41:55.640 --> 0:41:59.279
<v Speaker 1>like his uncle Mary does, which is a great joke too.

0:42:01.680 --> 0:42:05.120
<v Speaker 1>All the richness of Sean's life, We're just starting to

0:42:05.360 --> 0:42:08.840
<v Speaker 1>really get every end of the uncles. I love the uncles.

0:42:09.920 --> 0:42:12.279
<v Speaker 1>Harley comes down the hallway and asks, didn't I tell

0:42:12.320 --> 0:42:15.720
<v Speaker 1>Frankie to kill you? And then asks if they've seen Gloria.

0:42:15.760 --> 0:42:17.919
<v Speaker 1>Sean says no, they were in the locker the whole time,

0:42:18.040 --> 0:42:21.520
<v Speaker 1>and Harley asks the whole time of what. This leads

0:42:21.520 --> 0:42:23.759
<v Speaker 1>them to run away, but Harley grabs them as they

0:42:23.880 --> 0:42:28.319
<v Speaker 1>enter the boy's bathroom, and then we're in Chubbies, which

0:42:28.400 --> 0:42:31.200
<v Speaker 1>is the only place anyone who wants to grab a

0:42:31.239 --> 0:42:36.359
<v Speaker 1>burger would possibly go. Yeah, of course, of course there

0:42:36.440 --> 0:42:39.560
<v Speaker 1>was no vis in this world. You're right, exactly, There's

0:42:39.600 --> 0:42:43.640
<v Speaker 1>only Chubbies. So Gloria and Frankie are sitting down and

0:42:43.680 --> 0:42:46.960
<v Speaker 1>Frankie's reciting lines of poetry to her, and Gloria is

0:42:47.080 --> 0:42:50.080
<v Speaker 1>loving it. Harley is standing with Corey and Seawan now

0:42:50.160 --> 0:42:52.760
<v Speaker 1>at the entrance and says he feels betrayed by Gloria

0:42:52.760 --> 0:42:55.600
<v Speaker 1>and Frankie. He feels vulnerable, so he feels like he

0:42:55.640 --> 0:42:58.680
<v Speaker 1>may have to kill someone. Harley kicks everyone out of

0:42:58.760 --> 0:43:02.080
<v Speaker 1>Chubbies except for Frankie, La, Sean and Corey, and Frankie

0:43:02.120 --> 0:43:04.920
<v Speaker 1>says he can explain, and he then just says exactly

0:43:04.920 --> 0:43:07.040
<v Speaker 1>what he did. He stole his girl, but he is

0:43:07.200 --> 0:43:11.880
<v Speaker 1>but a pawn of love Glorias as Frankie made her

0:43:11.880 --> 0:43:14.560
<v Speaker 1>feel special for a change and said nice things to her.

0:43:14.960 --> 0:43:18.360
<v Speaker 1>Harley argues that he buys stuff for her three tires

0:43:18.400 --> 0:43:21.120
<v Speaker 1>because the guy came back, which that was funny. I

0:43:21.200 --> 0:43:24.880
<v Speaker 1>thought that a funny. There's more, I'm wondering about why

0:43:24.880 --> 0:43:27.239
<v Speaker 1>and Sean are in the scene. Yeah, yeah, what are

0:43:27.239 --> 0:43:33.200
<v Speaker 1>we doing here? It's like, what am I here for? Well?

0:43:33.200 --> 0:43:35.040
<v Speaker 1>But then the worst part about this is we go

0:43:35.160 --> 0:43:37.880
<v Speaker 1>from here to the Matthews kitchen and Corey shows up

0:43:37.920 --> 0:43:40.920
<v Speaker 1>like twenty minutes later, and you're like, what, but there

0:43:40.960 --> 0:43:45.480
<v Speaker 1>were they together? It's now it's bizarre. Yeah, yeah, it's

0:43:45.480 --> 0:43:50.160
<v Speaker 1>a reach. And I do love Chubby set so much

0:43:50.200 --> 0:43:53.040
<v Speaker 1>though I know it's interesting because what I think part

0:43:53.040 --> 0:43:55.800
<v Speaker 1>of my love for it is that I loved acting

0:43:55.840 --> 0:43:58.799
<v Speaker 1>in Chubbies more than I like watching it. Does that

0:43:58.840 --> 0:44:01.799
<v Speaker 1>make sense, Like yeah, but I think it's because you

0:44:01.920 --> 0:44:04.600
<v Speaker 1>always had a place to be, Like we have those boots,

0:44:05.080 --> 0:44:08.719
<v Speaker 1>the counter, you had like the high set high tables. Yeah,

0:44:09.160 --> 0:44:11.520
<v Speaker 1>flood in front of you, so there's always kind of

0:44:11.640 --> 0:44:14.319
<v Speaker 1>raising the beast. The hallway is the hardest thing to

0:44:14.360 --> 0:44:16.640
<v Speaker 1>act in, right, The hallway was like that's why they

0:44:16.680 --> 0:44:19.880
<v Speaker 1>had to create lockers and like empty space. It's empty

0:44:19.960 --> 0:44:21.520
<v Speaker 1>space you got to fill with your whole body and

0:44:21.520 --> 0:44:23.279
<v Speaker 1>you got to stand there and you know. Yeah, And

0:44:23.520 --> 0:44:26.399
<v Speaker 1>it's funny because now I think my favorite set as

0:44:26.400 --> 0:44:29.480
<v Speaker 1>far as watching is the kitchen. I love scenes in

0:44:29.480 --> 0:44:32.840
<v Speaker 1>the kitchen. Um just it's clean, it's open, like Chubbies

0:44:32.880 --> 0:44:34.799
<v Speaker 1>is a little too crowded and a little too like

0:44:35.080 --> 0:44:37.239
<v Speaker 1>too many of the same colors on top of one another,

0:44:37.239 --> 0:44:39.239
<v Speaker 1>so you don't feel the depth that you actually had

0:44:39.280 --> 0:44:42.200
<v Speaker 1>in that place. It is very brown. It's very brown

0:44:42.239 --> 0:44:45.279
<v Speaker 1>and red and red, and yeah, it doesn't feel deep.

0:44:45.600 --> 0:44:48.640
<v Speaker 1>It's I want the set to be deeper looking at it,

0:44:48.680 --> 0:44:50.400
<v Speaker 1>but when I was in it, I loved it. I

0:44:50.480 --> 0:44:53.600
<v Speaker 1>loved food in Chubbies. And we haven't even ever seen

0:44:54.040 --> 0:44:57.080
<v Speaker 1>the extension of Chubbies where the pool tables, like, we

0:44:57.080 --> 0:44:59.040
<v Speaker 1>haven't even gotten there yet. But remember there was that

0:44:59.040 --> 0:45:03.760
<v Speaker 1>whole other room. I didn't remember that until you just said.

0:45:03.760 --> 0:45:05.400
<v Speaker 1>The other thing that was great about it is there

0:45:05.400 --> 0:45:08.120
<v Speaker 1>were plenty of places to cross to you could there

0:45:08.160 --> 0:45:10.440
<v Speaker 1>were there were ways in places for you to go

0:45:10.520 --> 0:45:12.880
<v Speaker 1>when you needed to leave and then come back. That

0:45:13.000 --> 0:45:16.439
<v Speaker 1>made sense. That felt good, like you had options as

0:45:16.440 --> 0:45:18.640
<v Speaker 1>an actor and with what you could be doing there.

0:45:20.560 --> 0:45:23.640
<v Speaker 1>So yeah, I agree with you. So this was the

0:45:23.680 --> 0:45:29.360
<v Speaker 1>first time that Indy really understood what multi camera is.

0:45:29.520 --> 0:45:32.400
<v Speaker 1>He was like, he's like, he's like, Dad, it's just

0:45:32.480 --> 0:45:34.600
<v Speaker 1>kind of bad. And I said, what do you mean

0:45:34.719 --> 0:45:37.719
<v Speaker 1>and he said, well, the camera never moves. He's like,

0:45:37.719 --> 0:45:39.840
<v Speaker 1>it's always like He's like, you know, never, He's like,

0:45:39.920 --> 0:45:42.880
<v Speaker 1>when somebody looks over here, it doesn't the camera. It

0:45:42.880 --> 0:45:45.640
<v Speaker 1>couldn't explain it exactly. And I was like, well, this

0:45:45.719 --> 0:45:48.120
<v Speaker 1>is multi caam versus single cam and he was like,

0:45:48.320 --> 0:45:50.279
<v Speaker 1>I think I And I was like, okay, So I

0:45:50.400 --> 0:45:54.080
<v Speaker 1>drew a diagram after this episode and I drew it

0:45:54.200 --> 0:45:55.400
<v Speaker 1>and didn't tell him what it was. I was like,

0:45:55.480 --> 0:45:57.600
<v Speaker 1>what is that. He's like, that's the kitchen. I was like, right,

0:45:57.640 --> 0:45:59.520
<v Speaker 1>I was like, this is where the cameras are. There

0:45:59.600 --> 0:46:02.880
<v Speaker 1>was an he sitting in bleachers behind, you know, behind

0:46:02.960 --> 0:46:05.120
<v Speaker 1>the cameras here, and he was like oh. And I

0:46:05.160 --> 0:46:07.480
<v Speaker 1>think he finally got it because he's never been on

0:46:07.520 --> 0:46:10.640
<v Speaker 1>a set or he was too young when he was so, yeah,

0:46:10.719 --> 0:46:13.680
<v Speaker 1>he's never seen like the fact that there's no fourth wall,

0:46:13.760 --> 0:46:16.680
<v Speaker 1>so his brain still I thought he got this based

0:46:16.719 --> 0:46:20.400
<v Speaker 1>on our earlier conversations, but he really didn't. Didn't quite

0:46:20.440 --> 0:46:23.399
<v Speaker 1>get wrap his head around it. It's hard, it's it's different. Yeah,

0:46:23.400 --> 0:46:25.399
<v Speaker 1>it's a whole different thing. So it makes perfect sense

0:46:25.440 --> 0:46:28.879
<v Speaker 1>to us, right, Like has he ever had a play? Yeah,

0:46:28.920 --> 0:46:31.200
<v Speaker 1>he's been to plays, right, So that's basically I should

0:46:31.239 --> 0:46:32.839
<v Speaker 1>have just been able to say, like, it's like when

0:46:32.840 --> 0:46:35.520
<v Speaker 1>you're watching a play, right, right, Yeah, Like the camera

0:46:35.640 --> 0:46:41.120
<v Speaker 1>is where you are when you're watching a play, right right. Okay,

0:46:41.120 --> 0:46:44.360
<v Speaker 1>So Corey compares their argument the argument between Glory and

0:46:44.400 --> 0:46:48.120
<v Speaker 1>Harley with his parents current trash compactor fight, and Harley

0:46:48.160 --> 0:46:52.600
<v Speaker 1>asks how his parents m Harley asks if his parents

0:46:52.600 --> 0:46:54.560
<v Speaker 1>are going to split up, and Corey says no, they

0:46:54.600 --> 0:46:56.719
<v Speaker 1>always work it out, even though he doesn't know how.

0:46:57.800 --> 0:47:00.560
<v Speaker 1>And here's a piece that I'll say. Now, I'm not sure.

0:47:00.760 --> 0:47:02.960
<v Speaker 1>Maybe I just didn't give it enough thought, but I

0:47:03.080 --> 0:47:06.840
<v Speaker 1>do not understand what the conclusion is that Harley comes

0:47:06.880 --> 0:47:10.359
<v Speaker 1>to about his own relationship in this situation. And I

0:47:10.440 --> 0:47:12.600
<v Speaker 1>wasn't sure whether or not that meant he was Did

0:47:12.600 --> 0:47:14.400
<v Speaker 1>he feel like he always he has to stick it

0:47:14.440 --> 0:47:16.520
<v Speaker 1>out with Gloria He obviously doesn't because at the end

0:47:16.560 --> 0:47:19.200
<v Speaker 1>of the episode she's with Frankie. I do not understand

0:47:19.239 --> 0:47:23.000
<v Speaker 1>what Harley ends up taking from them from this scene

0:47:23.080 --> 0:47:25.239
<v Speaker 1>or the whole of it, the horrible episode, the whole thing.

0:47:25.239 --> 0:47:28.360
<v Speaker 1>I mean, Amy's Yeah, isn't it Isn't it supposed to

0:47:28.360 --> 0:47:31.640
<v Speaker 1>be like it's about making your partner happy and what

0:47:32.400 --> 0:47:34.919
<v Speaker 1>makes your partner happy, and this case was her being

0:47:34.920 --> 0:47:39.160
<v Speaker 1>with someone else, so he let her go knowing that

0:47:39.200 --> 0:47:41.800
<v Speaker 1>she was going to be happier with Frankie. Yeah. I

0:47:41.840 --> 0:47:44.919
<v Speaker 1>think the charitable reading is that he needed to have

0:47:45.000 --> 0:47:49.240
<v Speaker 1>empathy and understanding of her mentality. The less charitable reading

0:47:49.560 --> 0:47:52.320
<v Speaker 1>is men just don't understand women and they got to

0:47:52.360 --> 0:47:54.960
<v Speaker 1>put their heads. Whole episode Woman's Mind, and how weird

0:47:55.000 --> 0:47:57.880
<v Speaker 1>it is that women think differently than me. Yeah, and

0:47:57.920 --> 0:48:00.880
<v Speaker 1>women always get women always get men. It's just the

0:48:00.920 --> 0:48:13.680
<v Speaker 1>other way around. Okay, So we're in the Matthews kitchen.

0:48:13.719 --> 0:48:15.400
<v Speaker 1>Harley knocks on the back door of the house and

0:48:15.480 --> 0:48:18.319
<v Speaker 1>Amy answers. He says he's a school chum of her

0:48:18.360 --> 0:48:22.560
<v Speaker 1>little squirmy or squirrelly son. And it's really here where

0:48:22.600 --> 0:48:26.320
<v Speaker 1>you realize Danny is a contemporary of Amy and Allen

0:48:26.719 --> 0:48:30.319
<v Speaker 1>and not a contemporary of Koran. I mean, I think

0:48:30.320 --> 0:48:34.719
<v Speaker 1>you're like getting Phoenie in play makeup and costume jewelry.

0:48:34.880 --> 0:48:36.799
<v Speaker 1>This was like a big pitch for the episode, right,

0:48:36.800 --> 0:48:38.959
<v Speaker 1>He's like, how can we get the bullis to the house?

0:48:39.000 --> 0:48:40.839
<v Speaker 1>And we have right Frankie at the house, and now

0:48:40.840 --> 0:48:44.279
<v Speaker 1>we have Danny, and I think it's I think it's

0:48:44.320 --> 0:48:48.160
<v Speaker 1>a noble idea. It's super awkward because he is so

0:48:48.239 --> 0:48:52.800
<v Speaker 1>clearly Betsy's like contemporary, and they just he just reads

0:48:53.160 --> 0:48:55.600
<v Speaker 1>because I think he was only twenty five twenty six,

0:48:55.640 --> 0:48:58.440
<v Speaker 1>but he looks even older than that. Yeah, he feels

0:48:58.760 --> 0:49:02.600
<v Speaker 1>his stage presence is so much confident. He just feels

0:49:02.600 --> 0:49:04.719
<v Speaker 1>like a thirty to thirty five year old, and she

0:49:05.120 --> 0:49:08.320
<v Speaker 1>you know, it's it's super awkward. Yeah, and it plays

0:49:08.320 --> 0:49:11.560
<v Speaker 1>as a joke when he's with you and Ben, it

0:49:11.719 --> 0:49:14.759
<v Speaker 1>plays is weird when he's with other adults because it's like, well,

0:49:14.840 --> 0:49:17.640
<v Speaker 1>that's where you belong. Yeah, so it's yeah, it was

0:49:17.719 --> 0:49:22.720
<v Speaker 1>very strange. Hell, he kills He's so he's wonderful. Harley

0:49:22.760 --> 0:49:25.400
<v Speaker 1>asks Amy for advice about his relationship because he has

0:49:25.440 --> 0:49:27.360
<v Speaker 1>no one else to turn to. It's four o'clock in

0:49:27.400 --> 0:49:30.720
<v Speaker 1>the afternoon, which means his mom is out cold. Corey

0:49:30.800 --> 0:49:32.799
<v Speaker 1>told him they have a similar fight going on right

0:49:32.840 --> 0:49:36.440
<v Speaker 1>now and Harley needs some help. And then Eric, in

0:49:36.520 --> 0:49:44.080
<v Speaker 1>a killer turtleneck yeah it was a white turtleneck, comes

0:49:44.080 --> 0:49:47.080
<v Speaker 1>around the bat from the backyard and sees Harley in

0:49:47.080 --> 0:49:50.120
<v Speaker 1>the kitchen from the backyard and runs into same save Amy. No.

0:49:51.680 --> 0:49:54.520
<v Speaker 1>Amy says everything is under control and offers Harley more

0:49:54.520 --> 0:49:57.960
<v Speaker 1>tea just to smidge. He responds, which is so cute.

0:49:59.000 --> 0:50:01.560
<v Speaker 1>Amy sends Eric up Dares so she can continue privately

0:50:01.640 --> 0:50:04.600
<v Speaker 1>chatting with Harley. Harley asks Amy what women want, and

0:50:04.640 --> 0:50:07.799
<v Speaker 1>Amy says just to feel appreciated. He says, well, he's

0:50:07.800 --> 0:50:10.040
<v Speaker 1>not good with feelings and emotions. And all that Ricky

0:50:10.120 --> 0:50:13.279
<v Speaker 1>Lake stuff. Harley asks, if she's my girlfriend, then why

0:50:13.280 --> 0:50:15.919
<v Speaker 1>does Gloria need to feel appreciated all the time? And then,

0:50:16.120 --> 0:50:19.640
<v Speaker 1>perfectly timed, Alan comes in and says, that's how you

0:50:19.680 --> 0:50:23.520
<v Speaker 1>show people you care about them, and Harley explains, well,

0:50:23.600 --> 0:50:26.280
<v Speaker 1>if he needs to find out what she wants, well,

0:50:26.400 --> 0:50:31.040
<v Speaker 1>Gloria wants Frankie now. So Corey frantically comes in and

0:50:31.080 --> 0:50:34.200
<v Speaker 1>tells Harley to take him and spare his parents. Harley says,

0:50:34.239 --> 0:50:38.799
<v Speaker 1>don't worry. Death takes a holiday and he leaves. He

0:50:38.880 --> 0:50:41.440
<v Speaker 1>almost steals the teacup, which I didn't know if that

0:50:41.560 --> 0:50:44.520
<v Speaker 1>was a purposeful thing, like I'm going to steal this

0:50:44.600 --> 0:50:47.520
<v Speaker 1>cup or if he just okay, yeah, because then he

0:50:47.560 --> 0:50:49.839
<v Speaker 1>turns around and he says, good eyes, eye, good eyes,

0:50:49.920 --> 0:50:56.640
<v Speaker 1>Yeah you caught me. Yeah, so yeah, okay, I didn't

0:50:56.719 --> 0:51:00.640
<v Speaker 1>yeah okay. Amy explains to a confused core that Harley

0:51:00.719 --> 0:51:03.000
<v Speaker 1>just needed to get needed to get a little love advice,

0:51:03.280 --> 0:51:05.719
<v Speaker 1>and then Alan pulls it out, a pearl necklace with

0:51:05.840 --> 0:51:09.680
<v Speaker 1>eighteen pearls, one pearl for every year they've been married,

0:51:10.120 --> 0:51:13.120
<v Speaker 1>and Amy says, that's very sweet, but they've only been

0:51:13.160 --> 0:51:17.920
<v Speaker 1>married seventeen years and Alan says that it's an X

0:51:18.040 --> 0:51:20.319
<v Speaker 1>one for the extra year that they weren't married, and

0:51:20.360 --> 0:51:23.040
<v Speaker 1>she says, yeah, that was a good year. And then

0:51:23.080 --> 0:51:25.440
<v Speaker 1>they get into a hot and heavy makeout kiss as

0:51:25.760 --> 0:51:29.040
<v Speaker 1>Corey tries to figure out what that means. And no,

0:51:29.400 --> 0:51:31.680
<v Speaker 1>she doesn't get him a gift. There's no gift for Alan.

0:51:35.760 --> 0:51:37.560
<v Speaker 1>This is a scene that could have used a rewrite.

0:51:37.840 --> 0:51:41.560
<v Speaker 1>Yeah really, I mean yeah, I mean, I feel like

0:51:41.600 --> 0:51:44.960
<v Speaker 1>this scene reveals all the sort of weaknesses of the episode.

0:51:45.560 --> 0:51:47.880
<v Speaker 1>But I think they were just too stoked on the

0:51:47.920 --> 0:51:50.520
<v Speaker 1>idea of having Harley in the kitchen. They just thought

0:51:50.520 --> 0:51:53.360
<v Speaker 1>that was so funny and there was so but it

0:51:53.440 --> 0:51:57.480
<v Speaker 1>just doesn't work. It's just awkward. And sometimes the big

0:51:57.520 --> 0:51:59.920
<v Speaker 1>aspirations of Boy Meats World, which are some of the

0:52:00.040 --> 0:52:02.319
<v Speaker 1>things that have given us some of our best episodes,

0:52:02.960 --> 0:52:05.640
<v Speaker 1>are also the things that then give us some of

0:52:05.680 --> 0:52:09.040
<v Speaker 1>our worst episodes because we have we take on more

0:52:09.080 --> 0:52:11.520
<v Speaker 1>than we can chow. We have a fantastic idea, like

0:52:11.560 --> 0:52:13.480
<v Speaker 1>getting the bullies in the house, Well, how are we

0:52:13.480 --> 0:52:15.200
<v Speaker 1>going to do that? Well, what's the story to that?

0:52:15.400 --> 0:52:19.720
<v Speaker 1>And then we try to shoehorn stories into the script

0:52:19.760 --> 0:52:21.840
<v Speaker 1>and we're like, but we still only have twenty two minutes,

0:52:22.320 --> 0:52:26.560
<v Speaker 1>and so you know, I'm I'm happy that that we

0:52:26.640 --> 0:52:30.360
<v Speaker 1>have big aspirations for our recombo. Yeah, we're super ambitious.

0:52:30.360 --> 0:52:34.440
<v Speaker 1>Sometimes sometimes there we end up walking away going like

0:52:34.680 --> 0:52:37.560
<v Speaker 1>huh hmm, I'm not really sure that made a whole

0:52:37.600 --> 0:52:39.920
<v Speaker 1>lot of sense. But there are there are still aspects

0:52:39.920 --> 0:52:43.279
<v Speaker 1>of this episode that are, you know, incredible. Danny's performances, unbelievable,

0:52:43.400 --> 0:52:47.200
<v Speaker 1>story is awesome. The idea that Frankie comes to Corey

0:52:47.239 --> 0:52:50.920
<v Speaker 1>and Sean and they have to act, that's a great idea.

0:52:51.800 --> 0:52:55.040
<v Speaker 1>And then I think the next idea that that Harley

0:52:55.400 --> 0:52:59.080
<v Speaker 1>needs love advice, yes, and goes to the God. That's

0:52:59.120 --> 0:53:01.719
<v Speaker 1>a that's like a hat on a hat for me.

0:53:01.960 --> 0:53:04.120
<v Speaker 1>Maybe maybe that's the problem. It's like they just shouldn't

0:53:04.120 --> 0:53:05.799
<v Speaker 1>have had that aspect, and I probably would have been

0:53:05.880 --> 0:53:08.880
<v Speaker 1>like if it had been more about Frankie and Gloria

0:53:09.120 --> 0:53:11.399
<v Speaker 1>staying together and Hart, I don't know, but something about

0:53:11.440 --> 0:53:13.279
<v Speaker 1>like I want to throw something weird at you, because

0:53:13.280 --> 0:53:16.200
<v Speaker 1>it would have been a great scene if essentially the

0:53:16.280 --> 0:53:21.760
<v Speaker 1>scene between Alan and Bill was between Bill and Harley. Yeah,

0:53:21.800 --> 0:53:25.120
<v Speaker 1>if it was Phoenie and Harley and somehow Phoenie who's

0:53:25.400 --> 0:53:27.680
<v Speaker 1>who teaches everybody. Then you would have taken something away

0:53:27.680 --> 0:53:32.000
<v Speaker 1>from Betsy, who finally did a moment. But it's you

0:53:32.000 --> 0:53:33.680
<v Speaker 1>know what I mean, it's there would have been something

0:53:33.760 --> 0:53:37.200
<v Speaker 1>kind of interesting about Hard Phoenie together. Or had this

0:53:37.280 --> 0:53:39.560
<v Speaker 1>been a spinoff show, we could those could have been

0:53:39.600 --> 0:53:42.160
<v Speaker 1>two episodes. Frankie's in love with a girl and needs

0:53:42.200 --> 0:53:44.560
<v Speaker 1>Corey and Sean to help him fall in love with

0:53:44.600 --> 0:53:48.359
<v Speaker 1>a girl, not Harley's girlfriend, just a girl, and there's

0:53:48.640 --> 0:53:51.160
<v Speaker 1>there's another conflict about who the girlfriend is. And then

0:53:51.160 --> 0:53:54.160
<v Speaker 1>in a separate episode, Harley's having relationship problems and he

0:53:54.239 --> 0:53:57.040
<v Speaker 1>ends up needing to go to Phoenie or the Matthews

0:53:57.120 --> 0:53:58.920
<v Speaker 1>to get that kind of advice. If these were two

0:53:58.960 --> 0:54:01.839
<v Speaker 1>totally different episodes, yeah, it would have been amazing. But

0:54:02.120 --> 0:54:05.240
<v Speaker 1>what what show is this? What is this nineteen fifties

0:54:05.239 --> 0:54:07.360
<v Speaker 1>meets World? I was just about to say, if that

0:54:07.480 --> 0:54:10.600
<v Speaker 1>second episode, the b storyline is he's got to figure

0:54:10.640 --> 0:54:12.840
<v Speaker 1>out how to love his girlfriend before the Big Rumble,

0:54:14.080 --> 0:54:15.959
<v Speaker 1>then I think it'd be great. It's like, we gotta

0:54:16.000 --> 0:54:17.880
<v Speaker 1>go down the mills for the Big Rumble and I

0:54:17.880 --> 0:54:21.560
<v Speaker 1>got to fall in love with my girlfriend. Yeah exactly. Yeah,

0:54:21.600 --> 0:54:25.680
<v Speaker 1>so's we're talking about the grease in his hair. Yeah, yeah, man.

0:54:26.320 --> 0:54:33.000
<v Speaker 1>So then then we're in the tag in the school cafeteria.

0:54:33.080 --> 0:54:35.920
<v Speaker 1>Mister Turner tells Corey he liked his paper on Syrra No,

0:54:36.239 --> 0:54:38.600
<v Speaker 1>and Corey says he is syran No and points to

0:54:38.600 --> 0:54:41.520
<v Speaker 1>Frankie and Gloria, saying he put them together. Corey explains

0:54:41.560 --> 0:54:44.479
<v Speaker 1>he helped Frankie woo Gloria, then asks if there's any

0:54:44.480 --> 0:54:47.040
<v Speaker 1>extra credit for his work. Turner says no, but he

0:54:47.080 --> 0:54:49.640
<v Speaker 1>wants to know what Corey learned, and Corey tells mister

0:54:49.760 --> 0:54:52.279
<v Speaker 1>Turner love is something you can't take for granted and

0:54:52.360 --> 0:54:55.880
<v Speaker 1>don't buy them tires or major appliances, and mister Turner

0:54:55.920 --> 0:54:58.799
<v Speaker 1>says he's wise beyond his years with the subject of love.

0:54:59.320 --> 0:55:02.160
<v Speaker 1>Sean then runs into Cory and exclaims that the girls

0:55:02.239 --> 0:55:05.040
<v Speaker 1>volleyball team is running laps and they run off together

0:55:05.120 --> 0:55:10.400
<v Speaker 1>to go watch oh maybe well boys will be Boys.

0:55:11.360 --> 0:55:17.640
<v Speaker 1>So yeah, not my not my favorite episode, not my

0:55:17.719 --> 0:55:21.360
<v Speaker 1>least favorite episode certainly, no, um, but I think because

0:55:21.440 --> 0:55:24.640
<v Speaker 1>the concept was so good, yeah, it fell a little

0:55:24.640 --> 0:55:28.399
<v Speaker 1>flat for me. Yeah. Also, I think of the three

0:55:28.400 --> 0:55:32.799
<v Speaker 1>of us, will you are definitely the most offended by

0:55:32.800 --> 0:55:35.680
<v Speaker 1>a dumb man storyline. I don't know, you don't. I

0:55:35.719 --> 0:55:38.200
<v Speaker 1>don't like it, don't like it. I don't like it.

0:55:38.400 --> 0:55:41.600
<v Speaker 1>I don't. It's just it's so I did you like

0:55:41.680 --> 0:55:43.560
<v Speaker 1>Home did you hate Home Improvement when it was on?

0:55:43.920 --> 0:55:46.919
<v Speaker 1>Or did you like it back then? No? I get

0:55:46.960 --> 0:55:49.080
<v Speaker 1>I mean I got what it was going for. It's

0:55:49.160 --> 0:55:53.080
<v Speaker 1>just such a one sided look at men right that.

0:55:53.239 --> 0:55:55.480
<v Speaker 1>I don't know, It's just it's just the and again

0:55:55.520 --> 0:55:57.880
<v Speaker 1>being such a fan of sitcom, just always doing the

0:55:57.920 --> 0:56:00.839
<v Speaker 1>trope of like the big schlubs key to have or

0:56:02.560 --> 0:56:05.080
<v Speaker 1>they were both horribly flawed. That's the thing that was

0:56:05.120 --> 0:56:08.239
<v Speaker 1>so great is you were both horribly flawed, and it

0:56:08.280 --> 0:56:11.919
<v Speaker 1>was it was brilliant. Um, but after a while where

0:56:11.920 --> 0:56:15.000
<v Speaker 1>it's just like, you know, my dumb husband and it's

0:56:15.040 --> 0:56:18.160
<v Speaker 1>like I'll never get my wife. It's like, seriously, this

0:56:18.200 --> 0:56:21.000
<v Speaker 1>is again, we're doing this. Yeah, And if they started

0:56:21.000 --> 0:56:22.640
<v Speaker 1>the show that way, that would be one thing. But

0:56:22.719 --> 0:56:25.520
<v Speaker 1>we've talked about how Alan Niemi's relationship was. They were

0:56:25.560 --> 0:56:27.879
<v Speaker 1>the different parents, they were the cool parents. They were

0:56:27.880 --> 0:56:30.560
<v Speaker 1>figuring out how to parent together. And now this couple

0:56:30.600 --> 0:56:32.680
<v Speaker 1>that was figuring out how to parent together, don't even

0:56:32.719 --> 0:56:35.120
<v Speaker 1>talk about their own relationship like it, right, he was

0:56:35.160 --> 0:56:37.520
<v Speaker 1>just weird. I don't know it was me, but you're right.

0:56:37.560 --> 0:56:41.520
<v Speaker 1>I don't like the dumb man storyline. Yeah it does.

0:56:41.680 --> 0:56:43.759
<v Speaker 1>It does because I don't consider myself a dumb man,

0:56:43.800 --> 0:56:45.960
<v Speaker 1>and my mom and dad were never like that. And

0:56:46.600 --> 0:56:48.560
<v Speaker 1>you know, doing it once or twice on a sitcom

0:56:48.640 --> 0:56:50.959
<v Speaker 1>where it's like, that's that's what you're doing. You're doing okay, great,

0:56:51.000 --> 0:56:53.360
<v Speaker 1>when it's then every show is starting to get like that,

0:56:53.400 --> 0:56:55.920
<v Speaker 1>it's like, really, this is what we're doing. And according

0:56:55.920 --> 0:56:59.719
<v Speaker 1>to Jim and Kevin, Jane and everybody loves Rayman, it

0:56:59.760 --> 0:57:02.080
<v Speaker 1>was all that like these women were these men are

0:57:02.120 --> 0:57:04.760
<v Speaker 1>just lucky to have these women who they didn't understand

0:57:04.760 --> 0:57:07.719
<v Speaker 1>it all and it's like, oh, okay, I've just seen it. Yeah,

0:57:07.760 --> 0:57:13.319
<v Speaker 1>you know. We talked about how like, uh, like Seinfeld

0:57:13.440 --> 0:57:16.400
<v Speaker 1>or at any great sitcom right, so often is built

0:57:16.440 --> 0:57:19.360
<v Speaker 1>around this idea of like stating a thesis within the

0:57:19.400 --> 0:57:22.240
<v Speaker 1>first scene, right like this is the way you do

0:57:22.480 --> 0:57:25.080
<v Speaker 1>X y Z or this always happens when this happens.

0:57:25.360 --> 0:57:27.840
<v Speaker 1>And I feel like gender roles are the easiest thing

0:57:27.840 --> 0:57:30.320
<v Speaker 1>to fall back on, right, like men always do this

0:57:30.440 --> 0:57:32.520
<v Speaker 1>and women always do that, and then you play out

0:57:32.520 --> 0:57:35.560
<v Speaker 1>in a scene a situation that either illustrates that or

0:57:35.640 --> 0:57:38.600
<v Speaker 1>defies that, only to not defy it at all and

0:57:38.680 --> 0:57:41.960
<v Speaker 1>to recapitulate the values that you started with. Um, I

0:57:42.000 --> 0:57:44.760
<v Speaker 1>think it's lazy. I think it's true. It's such an

0:57:44.760 --> 0:57:48.080
<v Speaker 1>easy sitcom thing. I mean, the reason why Seinfeld is

0:57:48.120 --> 0:57:52.080
<v Speaker 1>so elevated is that their their thesis. Their theses were

0:57:52.200 --> 0:57:55.720
<v Speaker 1>so bizarre. They're like and that was the point. It's like, yes,

0:57:55.840 --> 0:57:58.360
<v Speaker 1>George or somebody would have a theory that we'd be

0:57:58.400 --> 0:58:01.280
<v Speaker 1>like what you think, man hands is a thing or

0:58:01.440 --> 0:58:04.120
<v Speaker 1>you know, so whatever, random thing, and that would become

0:58:04.160 --> 0:58:07.440
<v Speaker 1>a storyline to you know, to their own detriment. And

0:58:07.480 --> 0:58:09.840
<v Speaker 1>I think that, Um yeah, Like I think a lot

0:58:09.880 --> 0:58:12.800
<v Speaker 1>of sitcoms just stay on that easy territory, like the

0:58:12.880 --> 0:58:15.240
<v Speaker 1>gender role than is so easy. Well that's the thing

0:58:15.240 --> 0:58:18.040
<v Speaker 1>we've talked about it being music and Seinfeld and great shows.

0:58:18.080 --> 0:58:20.520
<v Speaker 1>They always played offbeat, they played you didn't you didn't

0:58:20.560 --> 0:58:22.200
<v Speaker 1>know where it was going to go, and this when

0:58:22.200 --> 0:58:24.120
<v Speaker 1>you get these it's kind of like, well, I bet

0:58:24.160 --> 0:58:26.800
<v Speaker 1>you Alan's going to learn that how to listen to

0:58:26.840 --> 0:58:28.560
<v Speaker 1>his wife and he's gonna buy or something nice at

0:58:28.560 --> 0:58:30.960
<v Speaker 1>the end it was just like, yeah, it's it's going

0:58:31.000 --> 0:58:36.920
<v Speaker 1>to be a creative. Yeah, yeah, it's it's And I

0:58:36.960 --> 0:58:39.280
<v Speaker 1>know we have a ton to do when we invent

0:58:39.320 --> 0:58:43.120
<v Speaker 1>the time machine, starting with inventing the time machine, right exactly. Um,

0:58:43.160 --> 0:58:45.680
<v Speaker 1>but yeah, there's some stuff I'd like to switch about

0:58:45.680 --> 0:58:48.600
<v Speaker 1>this and give Rusty more to do because I mean,

0:58:48.640 --> 0:58:50.520
<v Speaker 1>that's just a waste of rusty in my opinion too,

0:58:50.680 --> 0:58:54.800
<v Speaker 1>is you know? So Yeah, and Betsy for that matter, Well,

0:58:54.880 --> 0:58:56.840
<v Speaker 1>thank you for joining us for this episode of pod

0:58:56.840 --> 0:59:00.000
<v Speaker 1>Meat's World. You can join us for our next recap episode,

0:59:00.000 --> 0:59:02.680
<v Speaker 1>which will be season two episode fourteen, I Am Not

0:59:02.760 --> 0:59:07.520
<v Speaker 1>a Crook, which aired January thirteenth, nineteen ninety five. And

0:59:07.840 --> 0:59:10.200
<v Speaker 1>you can follow us on Instagram pod Meets World Show.

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0:59:23.560 --> 0:59:26.240
<v Speaker 1>Oh boy, I am dying to know what that is?

0:59:26.320 --> 0:59:30.160
<v Speaker 1>What is that? It's it's merch backwards Tram Trams trim

0:59:30.200 --> 0:59:34.040
<v Speaker 1>trim Tram Tram Tram c h R EM Tram play

0:59:34.080 --> 0:59:38.280
<v Speaker 1>backwards people. Oh boy boy, I love you so much.

0:59:38.320 --> 0:59:42.120
<v Speaker 1>Will send us out we Love You All, pod dismissed.

0:59:44.120 --> 0:59:46.840
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

0:59:46.840 --> 0:59:50.920
<v Speaker 1>by Danielle Fischel, Wilfordelle and Ryder Strong Executive producers, Jensencarp

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