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Speaker 1: Guys, I want to show you something. Yes, good cure

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Speaker 1: for the common cold. I found them on eBay and

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Speaker 1: I bought them so that I had them. I felt

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Speaker 1: very bad about the fact that I didn't have any

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Speaker 1: and so, like I said, I would, I found them

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Speaker 1: and now I own them. So this is the original

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Speaker 1: and this is the super cool one. Have you given

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Speaker 1: them names yet? No, let's name them now. Who's this

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Speaker 1: one with the no skates? Hmm, no skates, boots socks

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Speaker 1: um boots. They're like boots, boots and socks, boots and

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Speaker 1: striped socks. Yeah, okay, I don't know what we can

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Speaker 1: come on, I'm sure that's like. My brother had a

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Speaker 1: lizard lizard and the lizard's name was Bob, and then

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Speaker 1: Bob died and we got another collared lizard. We asked

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Speaker 1: him what he wanted to name him, and he said

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Speaker 1: Bob Too're like, wow, okay, super clever. All right, so

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Speaker 1: Jeff and Mandy, I want writer to name this one.

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Speaker 1: You name Jeff and Mandy. Jeff, Yeah, all right, Well

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Speaker 1: there you go, got I got my couchlings. Awesome writer.

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Speaker 1: I just noticed you kind of scratching your armpit a

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Speaker 1: little bit, which leads to my pre show chatter. Okay, okay,

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Speaker 1: do you shave your armpits or do any kind of time? Yeah,

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Speaker 1: I'm gonna recommend you start. I know, I can't believe

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Speaker 1: you shave your armpits. It's just extra work for no,

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Speaker 1: like if if if it's it's culturally acceptable for you

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Speaker 1: to have armpit here, just have armpit because but it's, dude,

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Speaker 1: you sweat a lot less, there's less of a smell.

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Speaker 1: You need a way less yodorant. It's but you have

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Speaker 1: to shave your armpits all the time. It takes two

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Speaker 1: seconds you're in the shower, two seconds you're done. Listen,

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Speaker 1: takes me two seconds. You're a pretty hairy guy, aren't you. No, No, no, hay, okay,

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Speaker 1: I'd recommend it. I'm just throwing that out there. It's

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Speaker 1: pretty wonderful. Also, it is probably not very likely that

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Speaker 1: for Will, anybody ever sees your armpits anyway, You don't

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Speaker 1: not like a tank top guy. No. So as far

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Speaker 1: as like anyone knowing that you shave your armpits, nobody

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Speaker 1: really knows. So when you say, writer, well it's culturally

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Speaker 1: acceptable for Will to have hairy armpits, no one even

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Speaker 1: knows me in a tank top, it looks like somebody

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Speaker 1: weirdly pressed a thing of toothpaste, Like it's just this

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Speaker 1: weird shaped thing with the head on the top, and like, oh,

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Speaker 1: that doesn't work. So yeah, so do you just get

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Speaker 1: in the shower and like nare from the neck down? No,

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Speaker 1: I don't nare, but I shave and it's not the

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Speaker 1: neck down. It's like, really, I don't have to worry

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Speaker 1: about the chest area, the man chest. I've never had

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Speaker 1: the vpube, so I've never had to worry about this,

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Speaker 1: but the armpits I started so bodybuilders do it, which

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Speaker 1: clearly I am. Yeah, and I was like, I'm gonna

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Speaker 1: give this a shot and I and it's life changing.

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Speaker 1: It's like you don't yeah, there's like no smell. It's amazing. Writer.

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Speaker 1: I think what you're thinking of is is the first

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Speaker 1: time weird, because yeah, there's a lot of hair there

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Speaker 1: the first time, so you may want to do like

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Speaker 1: a trimming down and then a shave with a razor,

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Speaker 1: so like you would use a beard trimmer or a

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Speaker 1: hair trimmer to like get the length gone. Yeah yeah,

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Speaker 1: and then but then after that as far as like

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Speaker 1: stubble and what regrows if you do it every day

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Speaker 1: or every other day. Yeah, it's it's you don't need

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Speaker 1: more work in my life. I don't, you know, I don't.

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Speaker 1: It's very hard enough for the guas shaw it is. Daniel.

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Speaker 1: I was like, what do you call it the quashawa? Yeah? No,

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Speaker 1: I just like you know, And I also don't mind

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Speaker 1: if women don't shave their armpits or shave their legs,

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Speaker 1: Like that's a thing for me too. Yeah, Like I

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Speaker 1: remember girls like shaving their legs at the age of thirteen.

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Speaker 1: I remember being like why because if anything, then it's

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Speaker 1: like stubbly or like rough, and like it's weird. Um.

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Speaker 1: So yeah, it's never like hair. Body hair is not

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Speaker 1: a problem for me. It's never been one of those things.

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Speaker 1: You're also not a stinky man. No, that's good. That's good. Thanks. No,

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Speaker 1: Daniel's right there. The first time is weird, especially since

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Speaker 1: I did it on video for only fans, But the

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Speaker 1: rest of it was totally normal after that. Keeping it

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Speaker 1: up after that was fine. I do wish I had

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Speaker 1: trimmed my armpit hair a little bit before a key

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Speaker 1: scene in the movie Cabin Fever about this has been

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Speaker 1: this photograph it's like screenshot of me. It's like how

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Speaker 1: a scene opens with me with my armpits like up,

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Speaker 1: and like at that time, I just didn't care, Like

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Speaker 1: I never cared about my body. I never cared about

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Speaker 1: my body hair. I just didn't. I was just like whatever.

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Speaker 1: And in retrospect, like when you're an actor, you kind

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Speaker 1: of gotta care a little bit about your Your appearance

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Speaker 1: actually kind of matters, you know, like that's part of

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Speaker 1: your job. And like, clearly I just didn't give a

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Speaker 1: crap about you do any nanscaping? Do you do any manscaping? Yeah, yeah,

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Speaker 1: a little bit, but like one it's a month or

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Speaker 1: you know, like every once in a while. It's not

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Speaker 1: like a daily routine. Yeah, well, I sent writer. I

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Speaker 1: know this answer because I sent write a writer and

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Speaker 1: I wear natural deodorant. We don't wear anything that has

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Speaker 1: like a luminium in it and whatever, and so writer

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Speaker 1: or no, no don't work. No, it doesn't wear. Some

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Speaker 1: stuff out there. I don't want to like bash brands,

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Speaker 1: but there's some stuff out there that definitely does not work, yes,

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Speaker 1: that I've used. Well, so what do you wear? Then?

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Speaker 1: What can I get? Because of course i'd love to

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Speaker 1: have a deodorant that doesn't have a luminium or something,

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Speaker 1: and it's so, what can I wear? Well, I'll actually

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Speaker 1: send it to you because I sent it to Writer

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Speaker 1: because Writer and I had talked about our natural deodorant

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Speaker 1: wearing and the one we were using, which in my opinion,

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Speaker 1: only works for a short period of time, and then

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Speaker 1: I feel like I need to reapply it, and then

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Speaker 1: I don't really want to have to do that. And

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Speaker 1: then I found one that is a cream that I

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Speaker 1: love and it comes in a glass jar and it

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Speaker 1: has a wood a little wood spoon that you scoop

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Speaker 1: it out and put it on, and it is it's

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Speaker 1: with there's charcoal in it. It is in rereadible. You

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Speaker 1: can go all day, you don't smell, you don't sweat.

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Speaker 1: I really really like it, and so I sent it

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Speaker 1: to Writer and Writer was like, a cream not for

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Speaker 1: me in my armpit hair, not for me? And I

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Speaker 1: was like, okay, never mind, So I'll send it to

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Speaker 1: you well, because thank you for you will get caught

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Speaker 1: my armpit hair. I'm smooth as glass. All right, Well,

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Speaker 1: welcome to pod Mee's world. I'm Danielle Fishel. I'm Harry

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Speaker 1: Rider Strong and I'm smooth as glass for Dill. So

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Speaker 1: welcome to this episode, which is season two episode thirteen, Cyrano,

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Speaker 1: which originally aired January sixth, nineteen ninety five. The synopsis

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Speaker 1: is that Sean and Corey are strong armed into helping

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Speaker 1: Frankie charm Gloria, the girl of his dreams. The problem

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Speaker 1: is Gloria just happens to be Harley Kiner's current girlfriend.

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Speaker 1: Also Alan buys Amy a bad gift. It was directed

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Speaker 1: by David Traynor. It was written by Susan Astell Jansen.

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Speaker 1: It is guest starring Danny McNulty as Harvey Harley kin

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Speaker 1: Blake Soaper is Joseph Joey, the rat Epstein Ethan Supple

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Speaker 1: is Frankie Stacchino, and Mathea Webb as Gloria. And uh,

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Speaker 1: we can jump right into our recap unless either of

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Speaker 1: you have any specific memories you want to talk about

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Speaker 1: off the bat. I don't, I know. No. I did

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Speaker 1: want to say for our for our fans out there

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Speaker 1: who follow our Instagram account, to show that I do

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Speaker 1: hold on to everything. I'm in the exact same Whalers Jersey.

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Speaker 1: There you go. That was just posted, So now here

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Speaker 1: you are and I wanted you to know I remember

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Speaker 1: that jersey so well. It was a favorite of yours

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Speaker 1: back then. I probably still a favorite of yours, Still

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Speaker 1: still love it. Yeah. So um. We are in mister

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Speaker 1: Turner's classroom. Mister Turner is teaching Cyrano de Bergerac, a

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Speaker 1: story of an unattractive yet well spoken man who, added

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Speaker 1: to the Boy Meets World book clubs the literary reference YEMM.

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Speaker 1: He uses his better looking friend as a vessel to

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Speaker 1: profess love to the woman of his dreams. To Anga

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Speaker 1: thinks that is sweet and noble, but the rest of

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Speaker 1: the cast calls Cyrano a loser, or rather a dip,

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Speaker 1: which we said so much. I am so uncomfortable with

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Speaker 1: this word. Were you guys weird to help by it?

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Speaker 1: I was, what does it? What does it mean? I

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Speaker 1: don't know, I've never heard it. I just it's like

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Speaker 1: the second came out of my mouth. I was like,

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Speaker 1: did I just say dick? Like I was right? And

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Speaker 1: then we kept saying it, and I was like, wait,

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Speaker 1: I've heard people being called like a drip, like you

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Speaker 1: call somebody a drip in like nineteen forties insults speak,

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Speaker 1: But I've never heard dip before except this content dippy,

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Speaker 1: like you're like, you're a dip. I guess it's more

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Speaker 1: an amount of poetic than anything else where. It's like,

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Speaker 1: you're just so awkward. In the scene, I kept being like,

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Speaker 1: I'm weirded out by the use of this word. I'm

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Speaker 1: not comfortable with it. I feel like where you're swearing

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Speaker 1: without swearing. I know. I didn't like it either. I

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Speaker 1: didn't like it. It just made my skin crawl. I

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Speaker 1: was like, this was a big mistake, like because they

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Speaker 1: could have gone with any you know what were we

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Speaker 1: calling him? We were calling him a I don't know what,

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Speaker 1: a loser basically, right, there's there's a whole variety of

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Speaker 1: words we could have been using, but we kept going

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Speaker 1: on dip and it's repeated like five times. I was like, ooh,

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Speaker 1: I don't like it. I know. I I felt the

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Speaker 1: same way. And it was like somebody said moist seventy

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Speaker 1: five times in a scene. I was like, wow, that word.

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Speaker 1: But you know about when we were when we were

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Speaker 1: filming this, I know how I I don't remember, but

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Speaker 1: I know invariably what I felt like was that this

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Speaker 1: must be a word that adults use all the time.

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Speaker 1: Because I always felt that way, like everything that we

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Speaker 1: were told to say or that was in the script,

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Speaker 1: you know, we were I always felt disempowered. I was

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Speaker 1: always sort of like, well, smarter people than me, with

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Speaker 1: a lot more knowledge than me, wrote these things, so

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Speaker 1: they know what they're talking about, and so I would

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Speaker 1: take that as sort of truth. So, like, I guarantee

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Speaker 1: you in my mind, saying he's a big dip and

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Speaker 1: they're a dip or whatever over and over was like, Oh,

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Speaker 1: that must be slang that you know, forty year olds

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Speaker 1: use all the time, And now I can look at

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Speaker 1: it and be like, no, no, it's not. I never

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Speaker 1: heard anybody else say that, no ever, not once. Before

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Speaker 1: we move on, I'd just like to say, very quickly, Danielle,

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Speaker 1: I am now to the point of the show or

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Speaker 1: two things. One I don't remember the episodes at all,

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Speaker 1: and two, I'm far more comforted when Tapanga is in

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Speaker 1: the scene. Yeah, so when we open up and there's

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Speaker 1: two there's that three shot and it's Tapanga and then

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Speaker 1: Corey and then Sean, it's like that's the that's a

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Speaker 1: comfort feeling for me. It's like, Okay, we're back. So

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Speaker 1: it was very nice to see you in this episode again,

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Speaker 1: and thank you when we get into it more because

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Speaker 1: it's it's very nice and comforting. Thank you. I agree

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Speaker 1: that three shot. When that happens, there's a there's a

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Speaker 1: like a cool I know where we are, like, I know,

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Speaker 1: I know what's going to I know what's going on.

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Speaker 1: Even though Topanga disappears very early on whatever, I don't

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Speaker 1: even need to stick around through the episode. But there

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Speaker 1: is something like, ah, the show is when ye, well,

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Speaker 1: the three characters in a line are perfectly descriptive. You know,

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Speaker 1: It's like Sean's in the back, yep, Corey's somewhere in

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Speaker 1: the middle, and Topanga's right right everything, and it's like

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Speaker 1: so it's like it describes the entire story and and

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Speaker 1: and this the spectrum of the characters are laid out

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Speaker 1: perfickly and whenever you turn back around to explain something

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Speaker 1: to us, this is a great dynamic. Yeah. Yeah, I

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Speaker 1: still want the classroom to be the other way. I know,

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Speaker 1: still uncomfortable, but you know, but this helps, this helps. Yeah, yeah,

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Speaker 1: I agree. So Tapanga and Sean banter back and forth,

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Speaker 1: and Topanga eventually says boys will never understand passion romance

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Speaker 1: and women men will spend half their life confused and

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Speaker 1: the other half paying alimony and b versus girl episode. Yeah,

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Speaker 1: a lot of a lot of men just don't get

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Speaker 1: these ways. That's all this episode is, and we'll get

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Speaker 1: into that later. I hate what they're doing with Alan

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Speaker 1: in this episode is so just men will never understand women.

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Speaker 1: Women understand everything, and men are just stupid eyes. Do

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Speaker 1: they still be this on sitcoms? I don't know, but

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Speaker 1: it was such a sitcom thing in such a sitcom thing,

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Speaker 1: and it was such a nineties sitcom thing. Yeah, I'm

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Speaker 1: just curious, I mean because I know that it continued

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Speaker 1: into other shows, but I feel like, I mean, Kevin

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Speaker 1: James's entire career exactly based on that premise. It was

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Speaker 1: so funny. I was watching this was Sue last night.

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Speaker 1: She's like, of course, I mean, she goes Everybody Loves

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Speaker 1: Raymond should have been called Everybody Loves Raymond except his

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Speaker 1: wife because she's like, he's just I hate this guy

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Speaker 1: I'm with and he's lucky to be with. It was

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Speaker 1: just it's such a like and it we'll get into

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Speaker 1: it later, but it's so not Alan and Amy. It

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Speaker 1: just wasn't what they were. They were the awesome hip parents,

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Speaker 1: and they just reduced it and and they loved each other

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Speaker 1: and they respected one another with I don't understand my

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Speaker 1: wife of seventeen, You're like, oh yeah, sorry, but Tony's

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Speaker 1: tie in this scene was marvelous. It was marvelous, and

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Speaker 1: they're actually teaching, like the episode is. We've talked about

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Speaker 1: this in a couple of episodes recently, yes, where the

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Speaker 1: story is not integrated at all. They just teach something

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Speaker 1: and then it moves on, whereas this one is like

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Speaker 1: the book is perfect with Cyrano and what the storyline

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Speaker 1: it really well. I do think I think that this

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Speaker 1: is an episode that was clearly created because right like

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Speaker 1: this is this is them seeing a guest cast, seeing

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Speaker 1: a character characters Danny too, and recognizing, oh, we can

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Speaker 1: write something for these people. And while I think it's

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Speaker 1: a great episode and are not a great episode, I

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Speaker 1: do like the episode. It's a little bizarre how much

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Speaker 1: it's focused on the bullies, Like it's you know, it

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Speaker 1: becomes like Harley's character arc is more important than anybody else's,

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Speaker 1: which is just a It just felt a little bizarre.

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Speaker 1: I was like, oh, this feels like a different show suddenly,

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Speaker 1: so here's the question, is it bizarre or god bless

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Speaker 1: my dad? Was he right? And they were going to

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Speaker 1: make the bullies a much bigger part of the show.

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Speaker 1: And I mean, now they're getting girlfriends, they're getting storylines,

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Speaker 1: they're getting backstories. I think they wanted to write to

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Speaker 1: older characters. I think they definitely wanted to write to

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Speaker 1: you know. And I think they saw these actors being amazing,

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Speaker 1: and they were like, how can we give them an

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Speaker 1: episode at least, you know? And I think I don't know.

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Speaker 1: I mean, I think that this is one of the

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Speaker 1: episodes is why so many people love their characters, you know,

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Speaker 1: because they weren't in that many more like and yet

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Speaker 1: developed such a part of the show for people. So

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Speaker 1: I think it's because of this episode. But I definitely

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Speaker 1: felt a little weird, Like I definitely was like, well,

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Speaker 1: now I don't know what what whirld I'm in like,

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Speaker 1: And I wonder if they felt that too, and they

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Speaker 1: were like, all right, well we did that. Now let's

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Speaker 1: go back to the sort of safer ground of you know.

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Speaker 1: But whatever a show can grow, show can change, So

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Speaker 1: it should have kept going in that direction. And maybe

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Speaker 1: your dad was right, Maybe it should have maybe ye

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Speaker 1: who knows, maybe I shouldn't be here at his name,

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Speaker 1: cunninghamed you out of there? Yeah they did. Chucky cunningham

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Speaker 1: me out of there upstairs in my basketball and you

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Speaker 1: never saw me again? Or oh man, Well, mister Turner

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Speaker 1: says men and women see romance differently, and that men

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Speaker 1: have trouble figuring out what women find romantic. And then

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Speaker 1: we're in the Matthew's backyard. Alan is hiding a giant

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Speaker 1: wrap gift for Amy at mister Phoenie's house. Alan, who

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Speaker 1: was wheeling it out of Phoenie these reveals it's a

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Speaker 1: trash compactor for their anniversary. Phoenie, who was slightly disturbed,

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Speaker 1: says diamonds might have been a better way to go

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Speaker 1: for a gift. Alan says Amy has been wanting the

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Speaker 1: compactor for years, so Phoenie wishes him a happy anniversary

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Speaker 1: and hopes they have others. Are either of your wives

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Speaker 1: women who want some kind of romantic, extra thoughtful gift

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Speaker 1: over like, would they find a practical gift fine and happy?

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Speaker 1: Would they be happy with it? Or would your wife

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Speaker 1: want something else? Again? Watching this with my wife last night,

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Speaker 1: she churned me. She's like one of the best gifts

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Speaker 1: you ever got me was that vacuum cleaner I asked

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Speaker 1: you for. Yeah, yeah, she loves it. So she's like

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Speaker 1: very non romantic that said, she does. You know I've

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Speaker 1: given sometimes with both of us, it's like whenever we've

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Speaker 1: given each other, like a very transactional gift, like that

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Speaker 1: thing that you ask for that helps you do whatever,

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Speaker 1: there is something a little like yeah about it. Yeah,

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Speaker 1: we prefer experiences. The most of what we do is

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Speaker 1: like getting rite each other something on our birthdays, like

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Speaker 1: we rte each other a note, you know, a nice card,

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Speaker 1: and that's always more important than whatever we buy. But yeah,

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Speaker 1: Christmas time there's always like a super practical gift of course,

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Speaker 1: and another one. But yeah, no, Sue is very romantic.

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Speaker 1: I mean she likes the regular stuff, you know, she

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Speaker 1: likes jewelry, she likes perfume, she likes shoes, she's but

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Speaker 1: she's also very practical. So it's like we need this

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Speaker 1: and I want it. Oh great, awesome, we got a

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Speaker 1: new washing machine. Huge gift. That's that's amazing. Yeah. Have

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Speaker 1: you guys ever had a trash compactor? Though? Yes? Really

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Speaker 1: growing up? See I had one growing up and it's

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Speaker 1: my parents still have it, and no one can figure

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Speaker 1: out where the garbage goes in their house. It's always

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Speaker 1: a big fact because because the door locks shut when

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Speaker 1: it's compacting, and then it likes so like people can't

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Speaker 1: access it's like this weird cabinet drawer. It's I mean,

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Speaker 1: I always thought it was kind of normal growing up,

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Speaker 1: and now I like, go back to my parents house

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Speaker 1: and I have to explain if anybody's there visiting. I'm like, yeah, yeah,

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Speaker 1: just give me your garbage. I'll figure it out for

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Speaker 1: you because it's so weird. Well, we'll get into a

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Speaker 1: weird garbage thing a little later in the episode that

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Speaker 1: also makes no sense whatsoever. Oh, okay, I love the garbage.

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Speaker 1: Good garbage conversation. We do love a good garbage conversation.

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Speaker 1: It's so Then we are in the Matthew's kitchen and

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Speaker 1: Alan calls up to Amy for their dinner reservations, and

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Speaker 1: Eric and Corey are sitting in a kitchen when they

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Speaker 1: realize it's their parents' anniversary. They hand Alan money to

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Speaker 1: put their names on the card for Amy's gift. Amy

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Speaker 1: comes down wearing a very cool pantsuit. She looks like

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Speaker 1: a magician's assist. Love it. I thought this was so

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Speaker 1: ahead of its time. I was like, oh, yes, for like,

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Speaker 1: this would be like a great like red carpet outfit

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Speaker 1: for someone. It look like she was at a circus.

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Speaker 1: To me, I thought it was keeping a lying it

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Speaker 1: was Sarah Margot. It's killing it. I was just like, yes,

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Speaker 1: she's making even more interesting. Yeah, like she's taking bold

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Speaker 1: choices and yeah, and I literally wrote, that's a magician's assistant.

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Speaker 1: I think it looks great. So I thought it looked

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Speaker 1: really cool. Um so uh ame. Allan is very excited.

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Speaker 1: He's got a cute little jump about him, but Amy

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Speaker 1: seems disappointed. Eric reads the card and says the gift

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Speaker 1: is just from Alan, just Allen, nobody else, and Alan

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Speaker 1: asks if she likes it, and she says. She says

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Speaker 1: a trash compactor would be a lovely gift for say

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Speaker 1: a Tuesday. Alan goes into like Tim Allen home improvement

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Speaker 1: camp by caveman bit why wrong, oog no sleep in

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Speaker 1: cave tonight. He knows he messed up, Phoene was right.

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Speaker 1: Amy walks off disappointed. Also, is she getting him a gift?

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Speaker 1: Apparently not? Yeah, Also, everybody else knows. Even Eric at

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Speaker 1: seventeen knows it's a bad gift. Only Allen, yeah, doesn't

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Speaker 1: get that this is a bad gift. Like really, the

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Speaker 1: only only guy there who doesn't get it is the

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Speaker 1: one who's been married to her for seventeen years on.

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Speaker 1: It's just so lame and lazy. Yeah, it's just it

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Speaker 1: just goes right back into that same sitcom trope. And

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Speaker 1: that was the cool thing about them is they weren't

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Speaker 1: that at all. It's just the easy I mean, this

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Speaker 1: is like we are two stages over from Home Improvement,

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Speaker 1: which is killing the number one show. Everyone loves it.

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Speaker 1: So I just think they just, you know, they're they're

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Speaker 1: they're caving to the lowest common denomena with the caveman voice.

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Speaker 1: It's so bad. It's so I was just like a

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Speaker 1: such a waste of rusty. It's such a waste of

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Speaker 1: rusty to take to take that character that way. You know,

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Speaker 1: Tell you guys a funny story. My parents met when

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Speaker 1: they were fifteen. They are now divorced, but they were

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Speaker 1: married for thirty years. They met when they were fifteen,

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Speaker 1: after they had been dating for like a year maybe

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Speaker 1: two years. For some holiday promise rings were very big

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Speaker 1: back then, which is like the ring you get somebody

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Speaker 1: before an engagement ring. It's like I promise that we're getting.

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Speaker 1: We're going in that direction. And my mom all of

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Speaker 1: her friends had promised rings. They were all in long

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Speaker 1: term relationships. My mom was convinced for whatever the upcoming

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Speaker 1: event was, if it was an anniversary or a Christmas

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Speaker 1: I don't know that she was getting a promise ring.

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Speaker 1: And she was like, I know it, it's coming. And

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Speaker 1: my dad brings her a big box and her thought was,

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Speaker 1: oh my gosh, how cute. He put my ring in

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Speaker 1: a big heavy box. It was a big heavy box

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Speaker 1: and she opened it up and it was a bowling

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Speaker 1: ball because they used to go bowling, and really cute,

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Speaker 1: really sweet gift. And she was absolutely devastated and she

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Speaker 1: burst into tears and he had no idea why. He

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Speaker 1: was like, I don't understand, like you like bowling. Right,

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Speaker 1: So yeah, I think that's a maybe a better storyline

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Speaker 1: for a sixteen year old. Yeah, maybe better than for

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Speaker 1: Alan Matthews married for seventeen years, you know exactly as

401
00:20:51,640 --> 00:20:54,119
Speaker 1: I also think there's ways to do this same storyline,

402
00:20:54,119 --> 00:20:56,399
Speaker 1: but just make it more clever, right, I agree, there

403
00:20:56,400 --> 00:20:57,760
Speaker 1: could have I mean, and I feel like our show

404
00:20:57,800 --> 00:20:59,560
Speaker 1: has done that before, where it has this sort of

405
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Speaker 1: oblivion gatory storyline, but the characters are slightly elevated above it.

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Speaker 1: You know, they could have been like her reaction is

407
00:21:06,600 --> 00:21:08,720
Speaker 1: just to shut down, and then his reaction is to

408
00:21:08,720 --> 00:21:11,600
Speaker 1: fall into caveman boys. What if they end up laughing

409
00:21:11,640 --> 00:21:14,159
Speaker 1: about this or finding a way to like, you know,

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Speaker 1: create the take the same situation, like you bought a

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Speaker 1: dumb gift that didn't isn't what I really wanted and

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Speaker 1: then make it funny or add layers to it instead

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Speaker 1: of just making that the entire thing a lesson. Yeah right,

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00:21:26,080 --> 00:21:28,399
Speaker 1: Or every year Amy gets him the perfect gift and

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Speaker 1: he keeps trying to strive to do it, and it's like, well,

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Speaker 1: how can you get the how can you one upper?

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Speaker 1: That's what it's about, as opposed to this was just

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Speaker 1: so I wo got wrong gifts, like oh god, really,

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Speaker 1: I know. Yikes. Well, we're in the school hallway. Gloria

420
00:21:43,200 --> 00:21:46,560
Speaker 1: new character Alert is trying to kiss Harley, but he

421
00:21:46,680 --> 00:21:50,000
Speaker 1: said he's not in the mood and asked why she

422
00:21:50,200 --> 00:21:53,280
Speaker 1: kept him waiting outside her house last night, And they

423
00:21:53,280 --> 00:21:57,320
Speaker 1: are written like West Side Story Kid is so New

424
00:21:57,400 --> 00:22:02,080
Speaker 1: York fiftiest kind of like, where is this? Where is

425
00:22:02,119 --> 00:22:04,480
Speaker 1: this coming from? Where is this coming from? So what

426
00:22:04,640 --> 00:22:07,119
Speaker 1: is happening here? So I know Michael Jacobs and the

427
00:22:07,160 --> 00:22:10,760
Speaker 1: fellow writer's minds like, this is what adolescence is, which

428
00:22:11,440 --> 00:22:15,320
Speaker 1: which is because I guess there watching those shows right,

429
00:22:15,680 --> 00:22:18,879
Speaker 1: Happy Days kind of, I guess, But it's it is Greece,

430
00:22:19,080 --> 00:22:22,280
Speaker 1: it is Bye Bye Birdie and West Side Story it's

431
00:22:22,920 --> 00:22:25,720
Speaker 1: it's uh, it's frankly, just to me, that's just the

432
00:22:25,760 --> 00:22:33,760
Speaker 1: hookiest thing I've ever seen. The great She's awesome, He's awesome. No,

433
00:22:33,880 --> 00:22:36,879
Speaker 1: as far as the performances and the commitment, you know,

434
00:22:37,000 --> 00:22:40,760
Speaker 1: Danny is just so good. But he and he, he

435
00:22:41,000 --> 00:22:44,119
Speaker 1: is able to inhabit this character in I mean, all

436
00:22:44,160 --> 00:22:46,720
Speaker 1: of them are able to inhabit these characters in such

437
00:22:46,760 --> 00:22:51,320
Speaker 1: ways that really they shouldn't like Why why these characters

438
00:22:51,359 --> 00:22:54,520
Speaker 1: are written this way in this tone is just kind

439
00:22:54,520 --> 00:22:57,080
Speaker 1: of ridiculous to me, Like it's so, I don't know,

440
00:22:57,119 --> 00:22:59,280
Speaker 1: I don't disagree, it was so it was there's a

441
00:22:59,359 --> 00:23:01,920
Speaker 1: lot about this episode that just took you out of

442
00:23:02,880 --> 00:23:05,440
Speaker 1: the kind of the normal show. And I didn't dislike you.

443
00:23:05,520 --> 00:23:07,280
Speaker 1: I wasn't like this is the worst episode ever, but

444
00:23:07,320 --> 00:23:11,679
Speaker 1: it was like, oh, that's jarring. Oh that's jarring. The

445
00:23:12,720 --> 00:23:15,560
Speaker 1: big part of it is just how Harley is clearly

446
00:23:15,960 --> 00:23:19,720
Speaker 1: twenty five. I mean he just comes across as such

447
00:23:19,760 --> 00:23:22,440
Speaker 1: a grown up. Yeah, and you know, and then all

448
00:23:22,440 --> 00:23:25,320
Speaker 1: the other sort of like, oh, they're gonna go beat

449
00:23:25,400 --> 00:23:28,119
Speaker 1: us up, Like what does it look away? Really like

450
00:23:28,200 --> 00:23:31,360
Speaker 1: this big guy is walking around the hallways and beating

451
00:23:31,440 --> 00:23:34,240
Speaker 1: people up, Like, I just want a little more clarity.

452
00:23:34,240 --> 00:23:37,639
Speaker 1: I want them a little bit more reality, some sense

453
00:23:37,680 --> 00:23:41,160
Speaker 1: sense that like this actually exists in the world. Instead

454
00:23:41,200 --> 00:23:45,840
Speaker 1: it's it's so cartoony. Yeah, but you know, yeah, we

455
00:23:45,920 --> 00:23:47,359
Speaker 1: know it's a sit I mean we keep saying it's

456
00:23:47,359 --> 00:23:48,920
Speaker 1: a sitcom. We know it's a sitcom. We know it's

457
00:23:48,920 --> 00:23:51,040
Speaker 1: a sitcom for younger people. But that does not stop

458
00:23:51,080 --> 00:23:54,280
Speaker 1: you from eventually looking and going, maybe this is a

459
00:23:54,280 --> 00:23:56,840
Speaker 1: little far with the kind of voices and the way

460
00:23:56,880 --> 00:23:59,320
Speaker 1: even they're dressed, and I mean they're literally the only

461
00:23:59,359 --> 00:24:02,680
Speaker 1: thing they're not doing snapping and breaking into song, which

462
00:24:02,680 --> 00:24:04,080
Speaker 1: they should have. That would have been great. Yeah, I

463
00:24:04,080 --> 00:24:05,840
Speaker 1: think we're literally I mean, I think part of what

464
00:24:05,880 --> 00:24:08,560
Speaker 1: we're reacting to is just them being centered to you know,

465
00:24:08,560 --> 00:24:10,760
Speaker 1: it's like it's fine when they are like, oh, the

466
00:24:10,800 --> 00:24:12,560
Speaker 1: camera catches them on the side of the hallway and

467
00:24:12,600 --> 00:24:15,920
Speaker 1: they have there. They're like half a page run, right,

468
00:24:16,320 --> 00:24:19,639
Speaker 1: But now that we're doing a whole episode around these characters,

469
00:24:19,680 --> 00:24:23,040
Speaker 1: I find it tonally jarring, Like their lack of reality,

470
00:24:23,240 --> 00:24:26,639
Speaker 1: their lack of groundedness. Besides Danny's performance when he's with

471
00:24:27,280 --> 00:24:29,760
Speaker 1: Betsy later, which is great, yeah, I mean, but the

472
00:24:29,880 --> 00:24:34,280
Speaker 1: character itself, the activities of these characters is just absurd,

473
00:24:34,920 --> 00:24:36,600
Speaker 1: and so it's hard. It's hard to have that be

474
00:24:36,640 --> 00:24:41,000
Speaker 1: the center of the entire episode. It was so Gloria

475
00:24:41,080 --> 00:24:43,600
Speaker 1: says he honked last night and didn't even come to

476
00:24:43,640 --> 00:24:45,800
Speaker 1: the door, which was rude, and Harley says he didn't

477
00:24:45,800 --> 00:24:47,720
Speaker 1: go in because her father was hanging by the door.

478
00:24:47,880 --> 00:24:50,560
Speaker 1: She says that was her mother. Harley says, well, then

479
00:24:50,600 --> 00:24:55,159
Speaker 1: he definitely doesn't want to meet her father. Joey jumps

480
00:24:55,160 --> 00:24:57,160
Speaker 1: in to try to stop their fighting, but they brush

481
00:24:57,240 --> 00:24:59,840
Speaker 1: him off. Harley asks why Frankie's been so quiet and

482
00:24:59,840 --> 00:25:01,960
Speaker 1: he he says he's just trying to have some quiet time.

483
00:25:02,320 --> 00:25:04,360
Speaker 1: And then Corey and Sean are making their way down

484
00:25:04,359 --> 00:25:08,359
Speaker 1: the hall. Is so good in this episode. That moment

485
00:25:08,520 --> 00:25:12,440
Speaker 1: is just like just yeah, just he's so committed and yeah,

486
00:25:12,520 --> 00:25:15,840
Speaker 1: he's so believable as exactly this guy. Yeah, yeah, it's

487
00:25:15,920 --> 00:25:19,280
Speaker 1: really a great moment. And uh, Corey and Sean are

488
00:25:19,280 --> 00:25:22,160
Speaker 1: walking down the hall and they say that the mac

489
00:25:22,200 --> 00:25:25,280
Speaker 1: and cheese has more grease than Harley's hair, and then

490
00:25:25,520 --> 00:25:28,320
Speaker 1: they run into Harley and then we get that big

491
00:25:28,440 --> 00:25:31,160
Speaker 1: cute gasp from the two of you, that kind of

492
00:25:31,600 --> 00:25:33,800
Speaker 1: what do you call this? The screech the gap? I

493
00:25:33,920 --> 00:25:35,720
Speaker 1: trying to remember how it was written in the script.

494
00:25:35,760 --> 00:25:37,600
Speaker 1: I don't remember. I think it's I would call it

495
00:25:37,600 --> 00:25:41,760
Speaker 1: a gasp. Yeah. I also love how you're shocked to

496
00:25:41,920 --> 00:25:47,679
Speaker 1: run into Harley where the place he always is, Like,

497
00:25:47,760 --> 00:25:52,640
Speaker 1: what are you doing here? Harley tells Corey to touch

498
00:25:52,640 --> 00:25:55,119
Speaker 1: his hair, and though Corey says it's dry as a bone,

499
00:25:55,200 --> 00:25:57,880
Speaker 1: he slips and falls trying to lean against the lockers.

500
00:25:58,359 --> 00:26:01,240
Speaker 1: Harley gives him a quarter to call parents and say goodbye.

501
00:26:01,440 --> 00:26:05,520
Speaker 1: Corey tries to avoid beating a beating with some jokes,

502
00:26:05,520 --> 00:26:08,600
Speaker 1: So you guys try to fly out of the hallway

503
00:26:08,640 --> 00:26:12,160
Speaker 1: like angels. Gloria asks Harley if he's sure he wants

504
00:26:12,160 --> 00:26:15,119
Speaker 1: to beat Cory up. She thinks he's funny. Sean sweet

505
00:26:15,119 --> 00:26:17,760
Speaker 1: talks Gloria, and then Glory convinces Harley to go easy

506
00:26:17,800 --> 00:26:20,439
Speaker 1: on the boys, and then Harley instead just gives Frankie

507
00:26:20,480 --> 00:26:23,040
Speaker 1: the okay to beat up Corey and Sean like a pinata,

508
00:26:24,520 --> 00:26:26,280
Speaker 1: and then we are You. Guys are pushed into the

509
00:26:26,280 --> 00:26:28,879
Speaker 1: school cafeteria. Frankie has moved them into the lunchroom, and

510
00:26:28,960 --> 00:26:30,919
Speaker 1: Corey and Sean are trying to get out of a beating.

511
00:26:31,119 --> 00:26:34,000
Speaker 1: Frankie gives them two options. First is that they die,

512
00:26:34,480 --> 00:26:37,960
Speaker 1: and the second is that they do him a favor. Obviously,

513
00:26:37,960 --> 00:26:41,960
Speaker 1: the boys pick number two, and Frankie says, I Frankie Stacchino,

514
00:26:42,280 --> 00:26:46,480
Speaker 1: am in love. Oh, Frankie wants Corey and Sean to

515
00:26:46,520 --> 00:26:49,600
Speaker 1: help him woo her. She's the most beautiful woman he's

516
00:26:49,600 --> 00:26:59,239
Speaker 1: ever seen. You are great, So Funny's a great bit. Yes,

517
00:27:00,320 --> 00:27:03,879
Speaker 1: it was awesome. I love it. I felt like we

518
00:27:03,920 --> 00:27:05,919
Speaker 1: could have had that same bit that was me in

519
00:27:05,960 --> 00:27:10,480
Speaker 1: the opening when talking about dip what what what what

520
00:27:10,960 --> 00:27:14,080
Speaker 1: is this word? Yeah, but loved that with the with

521
00:27:14,119 --> 00:27:18,040
Speaker 1: the wooing so cute. By the way, I don't know

522
00:27:18,040 --> 00:27:21,120
Speaker 1: if you see the posters behind but there seems at

523
00:27:21,160 --> 00:27:26,040
Speaker 1: this school to always be a PEP rally. Oh it's

524
00:27:26,080 --> 00:27:28,760
Speaker 1: almost every episode. There's a PEP rally on Thursday. Har

525
00:27:28,840 --> 00:27:31,080
Speaker 1: admit something. I don't know what a PEP rally. I

526
00:27:31,080 --> 00:27:33,800
Speaker 1: don't need you've never been to Danielle with all your

527
00:27:33,880 --> 00:27:38,879
Speaker 1: high school pep rallies. I mean, there were things that

528
00:27:38,920 --> 00:27:41,800
Speaker 1: we did in the school auditorium that were like, um,

529
00:27:41,840 --> 00:27:45,120
Speaker 1: you know, I don't know what is pep. Yeah, you don't.

530
00:27:45,280 --> 00:27:47,159
Speaker 1: Like it was you'd go to the gym and the

531
00:27:47,200 --> 00:27:49,720
Speaker 1: different classes would be there and the cheerleaders would come

532
00:27:49,720 --> 00:27:52,639
Speaker 1: out and they would rally the school spirit for the

533
00:27:52,680 --> 00:27:54,600
Speaker 1: big game or the big whatever. But you'd have a

534
00:27:54,600 --> 00:27:57,760
Speaker 1: couple of year. It wasn't like a PEP rally every week, right,

535
00:27:58,040 --> 00:27:59,720
Speaker 1: So it was I mean you'd sit there and you'd,

536
00:28:00,040 --> 00:28:01,639
Speaker 1: you know, the freshman you would yell stuff at the

537
00:28:01,640 --> 00:28:03,000
Speaker 1: sophomore is a softig and then you do like a

538
00:28:03,040 --> 00:28:05,720
Speaker 1: school kind of whatever. And now I think you also

539
00:28:06,160 --> 00:28:09,119
Speaker 1: grew up in West Side story. I did not. I

540
00:28:09,160 --> 00:28:14,440
Speaker 1: wish that would have been cool. I do remember there

541
00:28:14,480 --> 00:28:16,800
Speaker 1: being like assemblies, that's what we called them. There would

542
00:28:16,800 --> 00:28:20,000
Speaker 1: be a school assembly and everyone like a fun get

543
00:28:20,080 --> 00:28:23,080
Speaker 1: together everybody yelling, and maybe I missed school. I only

544
00:28:23,119 --> 00:28:25,040
Speaker 1: was in school, you know, on our hiatus weeks and

545
00:28:25,080 --> 00:28:27,159
Speaker 1: then from March until June. So it's possible they had

546
00:28:27,160 --> 00:28:30,320
Speaker 1: them and I just wasn't around for its. Yeah, Or

547
00:28:30,359 --> 00:28:31,760
Speaker 1: maybe I did go to a bunch of them all.

548
00:28:31,920 --> 00:28:33,520
Speaker 1: Maybe people from high school reach out to me. Have

549
00:28:33,600 --> 00:28:35,439
Speaker 1: you just seen me at a PEP rally? Maybe I

550
00:28:35,480 --> 00:28:37,639
Speaker 1: was there and I just don't remember. They were a

551
00:28:37,640 --> 00:28:39,160
Speaker 1: lot of fun. But when I show up to him now,

552
00:28:39,840 --> 00:28:42,120
Speaker 1: people look at you weird. Yeah, they're like you in

553
00:28:42,120 --> 00:28:47,320
Speaker 1: the trench coat. Yeah, exactly. So Frankie knows that Corey

554
00:28:47,400 --> 00:28:49,440
Speaker 1: is a good talker, and girls seem to dig Sean,

555
00:28:49,800 --> 00:28:52,640
Speaker 1: who is having trouble understanding what the word WU means.

556
00:28:53,120 --> 00:28:55,680
Speaker 1: Corey says Harley might be able to help him more

557
00:28:56,240 --> 00:28:59,040
Speaker 1: with this, more than they can do. So Frankie says, okay,

558
00:28:59,120 --> 00:29:01,920
Speaker 1: no problem, I'll go ahead and kill you. Sean says

559
00:29:01,960 --> 00:29:06,240
Speaker 1: he doesn't want to die before he knows what woo means.

560
00:29:06,280 --> 00:29:10,760
Speaker 1: So cute, I'm telling you the dumb Sean thing. This

561
00:29:10,760 --> 00:29:15,000
Speaker 1: this episode has this weird dynamic. It's like Corey and

562
00:29:15,360 --> 00:29:18,720
Speaker 1: Sean in a voice I was I was always confused

563
00:29:18,720 --> 00:29:21,400
Speaker 1: as to like, why we're treated as one character when

564
00:29:21,440 --> 00:29:24,080
Speaker 1: we're not really different and we have different skill sets,

565
00:29:24,320 --> 00:29:26,840
Speaker 1: and it's I thought it was obvious that, like, I

566
00:29:26,920 --> 00:29:29,479
Speaker 1: can flirt with Gloria in that last scene, and so

567
00:29:29,560 --> 00:29:32,000
Speaker 1: I'm going to be the one to flirt and like,

568
00:29:32,160 --> 00:29:34,280
Speaker 1: but then Corey's the one who has the whole serrano

569
00:29:34,520 --> 00:29:37,320
Speaker 1: lesson at the end. I was just confused. I think

570
00:29:37,320 --> 00:29:39,360
Speaker 1: I'm just handling you as a unit. It's like, Corey

571
00:29:39,360 --> 00:29:41,480
Speaker 1: and Sean do this. Now, Corey and Sean do that. Now,

572
00:29:41,480 --> 00:29:43,840
Speaker 1: You're just I think the truth is they wanted it

573
00:29:43,880 --> 00:29:46,719
Speaker 1: to just be Ben because it's Corey show and it

574
00:29:46,720 --> 00:29:49,000
Speaker 1: has to be boy. But it doesn't make any sense

575
00:29:49,040 --> 00:29:51,280
Speaker 1: that Corey is good at talking to girls. It doesn't

576
00:29:51,280 --> 00:29:54,560
Speaker 1: make any sense. He's super awkward. He doesn't know how

577
00:29:54,600 --> 00:29:56,760
Speaker 1: to do this. Yeah, he can't have him be it.

578
00:29:56,880 --> 00:29:59,880
Speaker 1: He doesn't have a super big purpose in getting Fran

579
00:30:00,480 --> 00:30:04,160
Speaker 1: together with Gloria, but he is. He is part of

580
00:30:04,160 --> 00:30:09,720
Speaker 1: the resolution for Harley about his parents. So it's almost like, Sean,

581
00:30:10,200 --> 00:30:12,440
Speaker 1: help me fall help this girl fall in love with me.

582
00:30:12,520 --> 00:30:15,120
Speaker 1: Sean and Corey get me out of the problem it's

583
00:30:15,120 --> 00:30:17,959
Speaker 1: going to cause with Harley, Oh, they're a good talker.

584
00:30:18,080 --> 00:30:20,200
Speaker 1: So because that is the way it ends up working out,

585
00:30:20,520 --> 00:30:22,120
Speaker 1: and that's what he says. You're a good talker, and

586
00:30:22,120 --> 00:30:25,080
Speaker 1: you're you're a good talker and you're really good with girls. Yeah,

587
00:30:25,080 --> 00:30:27,560
Speaker 1: so maybe that's what it is. It's like, okay, yeah,

588
00:30:27,600 --> 00:30:32,680
Speaker 1: so he got Cyrano and Syrano's lawyer, right, which is

589
00:30:32,720 --> 00:30:35,600
Speaker 1: a way better way of phrasing yeah, that would have

590
00:30:35,640 --> 00:30:39,360
Speaker 1: been you. Yeah, because it's the idea that he because

591
00:30:39,400 --> 00:30:41,480
Speaker 1: he's not a good talker in the sense that it's

592
00:30:41,520 --> 00:30:44,479
Speaker 1: it's that he's a good thinker, arguer or yeah, debater

593
00:30:44,680 --> 00:30:47,280
Speaker 1: maybe yeah, yeah, a good lawyer. That's it is. It's

594
00:30:47,320 --> 00:30:49,360
Speaker 1: a good lawyer. Yeah. And I think part of the

595
00:30:49,360 --> 00:30:51,280
Speaker 1: reason they couldn't set it up better is because they

596
00:30:51,320 --> 00:30:53,360
Speaker 1: wanted it to be a reveal who the girl was,

597
00:30:53,800 --> 00:30:56,120
Speaker 1: because they could if he came right out and said, listen,

598
00:30:56,280 --> 00:30:58,040
Speaker 1: I need your help to keep this under wraps, or

599
00:30:58,240 --> 00:31:00,800
Speaker 1: exactly if he came right out and said, I've got

600
00:31:00,800 --> 00:31:04,000
Speaker 1: a crush on Harley's girlfriend, I'm going to need your

601
00:31:04,040 --> 00:31:05,520
Speaker 1: help having her fall in love with me, and I'm

602
00:31:05,520 --> 00:31:07,680
Speaker 1: going to need your help when Harley finds out, Like

603
00:31:08,320 --> 00:31:10,239
Speaker 1: that's a great setup for what your each of your

604
00:31:10,320 --> 00:31:12,120
Speaker 1: roles are, but it isn't as good of a reveal

605
00:31:12,280 --> 00:31:26,200
Speaker 1: that the girl he's in love with is Gloria. So

606
00:31:26,560 --> 00:31:28,800
Speaker 1: we're in the matthews living room. Alan peeks down the

607
00:31:28,840 --> 00:31:31,040
Speaker 1: stairs to see if Amy is in the kitchen. She is.

608
00:31:31,240 --> 00:31:33,760
Speaker 1: He nervously says he helped Morgan clean her room and

609
00:31:33,840 --> 00:31:36,640
Speaker 1: he cleaned out the gutters. He's obviously very much trying

610
00:31:36,640 --> 00:31:39,880
Speaker 1: to save face. Alan asks Amy how she's doing, and

611
00:31:39,960 --> 00:31:43,440
Speaker 1: she chops the lettuce with a sharp knife. She's not happy,

612
00:31:43,960 --> 00:31:47,840
Speaker 1: won't even talk about what's bothering her. Apparently didn't talk

613
00:31:47,840 --> 00:31:51,880
Speaker 1: about it all night. Yeah, I mean that's it's like you. Yeah,

614
00:31:51,920 --> 00:31:53,600
Speaker 1: there's now all of a sudden between Alan and Amy.

615
00:31:53,640 --> 00:31:57,400
Speaker 1: There's no communication, right, He's like a little child and

616
00:31:58,560 --> 00:32:02,840
Speaker 1: out exactly, which is so not them. So yeah, I

617
00:32:02,880 --> 00:32:04,480
Speaker 1: won't harp on it, but it really bothered me the

618
00:32:04,480 --> 00:32:06,760
Speaker 1: whole episode. It just was a complete change for me. Yep,

619
00:32:06,880 --> 00:32:09,760
Speaker 1: it's cheap. Alan says he will take the trash out,

620
00:32:09,760 --> 00:32:12,240
Speaker 1: and he then bolts, and then we're in the Matthew's

621
00:32:12,280 --> 00:32:15,240
Speaker 1: backyard mister Finnie's gardening and says the trash bag Alan

622
00:32:15,360 --> 00:32:18,200
Speaker 1: is holding sure looks like a fluffy, non compacted bag

623
00:32:18,200 --> 00:32:21,280
Speaker 1: of garbage. Alan says he won't be installing the compactor

624
00:32:21,280 --> 00:32:24,360
Speaker 1: in this lifetime, admitting she did not like it. He says,

625
00:32:24,640 --> 00:32:27,520
Speaker 1: the garbage conversation I wanted to have, Oh, okay, who

626
00:32:27,560 --> 00:32:30,160
Speaker 1: just sits down and takes the bag of garbage that

627
00:32:30,160 --> 00:32:33,800
Speaker 1: they're holding and puts it on their lap? Who does that?

628
00:32:34,280 --> 00:32:37,760
Speaker 1: Who just holds a big bag of garbage on their conversation.

629
00:32:37,880 --> 00:32:40,680
Speaker 1: It's a very tiny bag of garbage. It's enough to

630
00:32:40,760 --> 00:32:42,520
Speaker 1: where most people would be like, you know what, I'm

631
00:32:42,560 --> 00:32:45,719
Speaker 1: not gonna do, take the nasty garbage from the kitchen,

632
00:32:45,800 --> 00:32:47,840
Speaker 1: mind you, with all the slimy stuff, right, and hold

633
00:32:47,880 --> 00:32:49,520
Speaker 1: it on my lap while I have a conversation. It

634
00:32:49,640 --> 00:32:51,200
Speaker 1: just it was it was like, what is he doing?

635
00:32:51,720 --> 00:32:56,760
Speaker 1: It was very strange. Oh, I mean true. Maybe they

636
00:32:56,800 --> 00:33:01,040
Speaker 1: had a composter, so maybe he didn't have slimy stuff

637
00:33:01,040 --> 00:33:03,960
Speaker 1: in his trash. Maybe it's just maybe he was composting

638
00:33:03,960 --> 00:33:06,360
Speaker 1: his food. I don't know, I have no I have

639
00:33:06,400 --> 00:33:12,680
Speaker 1: no backup for that. Alan says he doesn't understand the

640
00:33:13,240 --> 00:33:16,120
Speaker 1: trash compactor cost more than her engagement ring, and she

641
00:33:16,200 --> 00:33:18,680
Speaker 1: asked for it. Phoene says that's not an argument he

642
00:33:18,720 --> 00:33:22,200
Speaker 1: would recommend using, and mister Phoenie sarcastically says the gift

643
00:33:22,240 --> 00:33:24,440
Speaker 1: was a no brainer because Amy asked for it and

644
00:33:24,520 --> 00:33:26,760
Speaker 1: Alan went out and got it. He explains to Alan

645
00:33:26,800 --> 00:33:28,400
Speaker 1: that it was the easy way out because he didn't

646
00:33:28,400 --> 00:33:30,200
Speaker 1: have to sit around and think about Amy or the

647
00:33:30,200 --> 00:33:33,320
Speaker 1: things that he loves about her. Alan says, yeah, he

648
00:33:33,400 --> 00:33:36,200
Speaker 1: missed that exit for sure. Alan asks if there's a

649
00:33:36,240 --> 00:33:38,760
Speaker 1: way he can back up, and then Phoenie says, on

650
00:33:38,880 --> 00:33:42,920
Speaker 1: the husband Highway, there's very little forward traffic, just millions

651
00:33:42,960 --> 00:33:47,240
Speaker 1: of well intentioned men backing up frantically. I did like

652
00:33:47,440 --> 00:33:51,360
Speaker 1: having Phoenie given us Oh, I love it. Felt this

653
00:33:51,400 --> 00:33:54,320
Speaker 1: felt this felt very like one of the better Phoenie

654
00:33:54,400 --> 00:33:58,640
Speaker 1: moments from season two. Yeah, the set was cheap, but

655
00:33:58,880 --> 00:34:05,280
Speaker 1: having Bill dispense advice, it's just it's so good. But

656
00:34:05,320 --> 00:34:07,320
Speaker 1: the next thing he says is pretty amazing, and I'm

657
00:34:07,320 --> 00:34:08,919
Speaker 1: not sure that I ever heard it, and I don't

658
00:34:08,920 --> 00:34:11,799
Speaker 1: know if we ever get into it anymore. Yeah, but

659
00:34:12,120 --> 00:34:15,399
Speaker 1: he alludes to the fact that he was married. Yes,

660
00:34:15,840 --> 00:34:17,399
Speaker 1: I think we do get into it because I think

661
00:34:17,440 --> 00:34:20,560
Speaker 1: people have mentioned that he had a wife, Like we

662
00:34:20,640 --> 00:34:23,840
Speaker 1: developed that later, but this time, well, I think they

663
00:34:24,200 --> 00:34:27,360
Speaker 1: must come up. It must come up when Phoenie starts

664
00:34:27,440 --> 00:34:31,200
Speaker 1: dating the Dean. I'm sure there's some sort of history

665
00:34:31,360 --> 00:34:34,960
Speaker 1: about why he's never been in you know, yeah, why

666
00:34:35,000 --> 00:34:37,080
Speaker 1: it's been why we've never seen him in a relationship,

667
00:34:37,239 --> 00:34:40,360
Speaker 1: or you know those kinds of things. Um. Yeah, So

668
00:34:40,440 --> 00:34:42,839
Speaker 1: Phoene admits he's been on that highway before, and he

669
00:34:42,880 --> 00:34:45,959
Speaker 1: closes out a really nice scene between Rusty and Belle

670
00:34:46,040 --> 00:34:49,600
Speaker 1: that felt really good. Yeah. Well, then we're in the

671
00:34:49,640 --> 00:34:54,399
Speaker 1: Matthews showing with the garbage. That's right. Then we're in

672
00:34:54,440 --> 00:34:57,479
Speaker 1: the Matthews living room. Eric says high to an entering

673
00:34:57,520 --> 00:34:59,800
Speaker 1: Corey and Sean, who walk into the house with Frankie.

674
00:35:00,080 --> 00:35:03,080
Speaker 1: When Eric sees the enforcer in his house, he is terrified.

675
00:35:03,360 --> 00:35:05,680
Speaker 1: Frankie used to steal his lunch money at school. Actually

676
00:35:05,719 --> 00:35:08,600
Speaker 1: not as lunch money, as lunch lunch. Yes, so yeah,

677
00:35:09,440 --> 00:35:15,080
Speaker 1: I actually love this little finding little background out about Eric.

678
00:35:15,520 --> 00:35:18,680
Speaker 1: That and I love my Charlie Brown sweater. I loved

679
00:35:18,800 --> 00:35:22,680
Speaker 1: that Charlie Brown sweater. Oh, I wore that forever. Interesting

680
00:35:22,880 --> 00:35:26,480
Speaker 1: that Ben and I are in like hunting jackets, like

681
00:35:26,600 --> 00:35:32,359
Speaker 1: we both are wearing like thirties Pennsylvania hunting jackets. It's

682
00:35:32,680 --> 00:35:36,239
Speaker 1: very bizarre. But you also noticed that the entire episode,

683
00:35:36,480 --> 00:35:39,759
Speaker 1: my leather Jacket is on Hartley. Yeah, Oh my god,

684
00:35:39,960 --> 00:35:42,799
Speaker 1: isn't it crazy. It's they're trying to find They're trying

685
00:35:42,800 --> 00:35:45,480
Speaker 1: to find this jacket at home at this point. Yeah,

686
00:35:45,520 --> 00:35:48,239
Speaker 1: but I didn't realize it was on him the whole time. Like,

687
00:35:48,640 --> 00:35:51,360
Speaker 1: and the fact that I inherited it is so bizarre.

688
00:35:51,760 --> 00:35:53,960
Speaker 1: I mean, it's kind of tells a story of its own.

689
00:35:54,520 --> 00:35:57,160
Speaker 1: The jacket and I've got a pinky ring on the

690
00:35:57,200 --> 00:36:00,920
Speaker 1: man jewelry has officially started for me. Yeah, I was

691
00:36:00,960 --> 00:36:03,680
Speaker 1: gonna say, you said, you've said that many episodes ago.

692
00:36:03,840 --> 00:36:06,680
Speaker 1: We are deep in man jewelry. Yeah, we're getting there.

693
00:36:07,040 --> 00:36:12,840
Speaker 1: I would give just about anything to find your leather jacket.

694
00:36:12,880 --> 00:36:17,880
Speaker 1: To find this leather jacket, the the Eric Harley, whoever Sean,

695
00:36:18,360 --> 00:36:21,080
Speaker 1: whoever stole it. I mean, I wonder. I wish so

696
00:36:21,120 --> 00:36:23,600
Speaker 1: badly that we had a picture of the inside of it,

697
00:36:23,640 --> 00:36:26,200
Speaker 1: that there could be like listen. So the truth is

698
00:36:27,080 --> 00:36:29,400
Speaker 1: not any version of it because I ended up I

699
00:36:29,440 --> 00:36:31,560
Speaker 1: had I went out and bought my own version of

700
00:36:31,600 --> 00:36:34,320
Speaker 1: the jacket, was the same brand from the same store,

701
00:36:34,680 --> 00:36:37,279
Speaker 1: and it had, but mine was greener because it was

702
00:36:37,320 --> 00:36:42,120
Speaker 1: more war Stop stop, stop, stopped. Are you telling me

703
00:36:42,239 --> 00:36:44,719
Speaker 1: right now that the one that was stolen is not

704
00:36:44,760 --> 00:36:48,440
Speaker 1: the one we see on TV. No, one that was

705
00:36:48,480 --> 00:36:50,919
Speaker 1: stolen is the one we see on TV because I

706
00:36:50,960 --> 00:36:54,279
Speaker 1: treated mine. Remember, we had to give them something, right,

707
00:36:55,760 --> 00:36:59,799
Speaker 1: So in the Disney vault somewhere is the jacket that

708
00:36:59,880 --> 00:37:02,560
Speaker 1: was mine, which is basically the same. It had laces

709
00:37:02,560 --> 00:37:04,400
Speaker 1: on the side, had lace up sides. It was kind

710
00:37:04,400 --> 00:37:08,400
Speaker 1: of cooler in that way, but otherwise it was virtually

711
00:37:08,440 --> 00:37:11,480
Speaker 1: the same jacket. Was the same brand brand, Yes, because

712
00:37:11,480 --> 00:37:13,440
Speaker 1: what I did is I went to Sarah or at

713
00:37:13,480 --> 00:37:15,360
Speaker 1: that point it would have been Julie, I guess, and said,

714
00:37:15,520 --> 00:37:17,200
Speaker 1: where I know? How do they know? I knew where

715
00:37:17,200 --> 00:37:19,920
Speaker 1: to get it, at what store in LA that they

716
00:37:19,920 --> 00:37:23,000
Speaker 1: had this brand of vintage leather jackets. I bought the

717
00:37:23,000 --> 00:37:25,640
Speaker 1: exact same jacket I had in my personal life for

718
00:37:25,719 --> 00:37:28,240
Speaker 1: like years, and then when the show ended, I wanted

719
00:37:28,239 --> 00:37:30,239
Speaker 1: the one from the show, so I traded it in.

720
00:37:30,560 --> 00:37:33,080
Speaker 1: So it's still sitting in a vault somewhere, that version,

721
00:37:33,080 --> 00:37:35,200
Speaker 1: which would be the same brand. But no, I was

722
00:37:35,239 --> 00:37:38,640
Speaker 1: on a plane the other day and I saw somebody

723
00:37:38,680 --> 00:37:42,640
Speaker 1: wearing a woman wearing a jacket that from behind was

724
00:37:42,680 --> 00:37:45,399
Speaker 1: this leather jacket. I almost was like, oh my god,

725
00:37:45,440 --> 00:37:46,880
Speaker 1: I have to ask her what brand it is, But

726
00:37:46,880 --> 00:37:49,120
Speaker 1: then she turned around and it had like the more

727
00:37:49,160 --> 00:37:53,480
Speaker 1: traditional biker callers, like the biker jacket callers. And that's

728
00:37:53,360 --> 00:37:55,040
Speaker 1: what so great about it as a jacket is that

729
00:37:55,040 --> 00:37:57,560
Speaker 1: it's a biker jacket that doesn't have those weird zipper

730
00:37:57,800 --> 00:38:01,479
Speaker 1: open collar things. It's more just a regular like, yeah,

731
00:38:01,640 --> 00:38:04,000
Speaker 1: leather jacket on the front. Sarah might still has a

732
00:38:04,000 --> 00:38:08,080
Speaker 1: biker jacket quality. Well. We also did have a conversation

733
00:38:08,120 --> 00:38:10,840
Speaker 1: about going to the vault. We may need to revisit

734
00:38:11,000 --> 00:38:13,600
Speaker 1: that Disney Vault conversation. We're going to be able to

735
00:38:13,600 --> 00:38:16,080
Speaker 1: find it. We'll figure it out, okay. And if you

736
00:38:16,160 --> 00:38:17,880
Speaker 1: if somebody does have it, if they're if they're like,

737
00:38:17,920 --> 00:38:19,480
Speaker 1: oh my god, I can't believe I stole this thing,

738
00:38:19,640 --> 00:38:21,680
Speaker 1: just let's just send a picture of it and let

739
00:38:21,760 --> 00:38:23,839
Speaker 1: us know it's okay with today. By the way, even

740
00:38:23,840 --> 00:38:25,320
Speaker 1: if you didn't steal it, if it was in a

741
00:38:25,360 --> 00:38:27,200
Speaker 1: pawn shop, you bought it, you bought in a vintage

742
00:38:27,200 --> 00:38:29,360
Speaker 1: clothing store, I found it, you know, whatever, We're not

743
00:38:29,360 --> 00:38:32,160
Speaker 1: gonna We're not gonna accuse you of stealing it, even

744
00:38:32,200 --> 00:38:36,279
Speaker 1: if you are the thief um. Corey and Sean reassure

745
00:38:36,400 --> 00:38:39,120
Speaker 1: Eric everything is fine, but Eric quickly goes upstairs after

746
00:38:39,160 --> 00:38:42,760
Speaker 1: being called tuna, which is so cute, Tuna on wheat. Also,

747
00:38:42,880 --> 00:38:47,040
Speaker 1: tuna was what he ed Helm's character calls Jim in

748
00:38:47,080 --> 00:38:50,160
Speaker 1: the office, So even years before that became famous, Eric

749
00:38:50,280 --> 00:38:53,040
Speaker 1: was tuna. First love it and know that that's huge.

750
00:38:53,360 --> 00:38:56,239
Speaker 1: I love it. Sean asks if Frankie has ever tried

751
00:38:56,280 --> 00:38:58,440
Speaker 1: to talk to the girl he likes, and Frankie just stutters,

752
00:38:58,440 --> 00:39:01,480
Speaker 1: finding this idea very scary. Corey holds up a pillow

753
00:39:01,480 --> 00:39:04,200
Speaker 1: to his face to pretend he's the girl, and Sean

754
00:39:04,360 --> 00:39:07,160
Speaker 1: feeds lines to Frankie to say like, I can't take

755
00:39:07,200 --> 00:39:09,560
Speaker 1: my eyes off you, and Corey responds in a high

756
00:39:09,600 --> 00:39:13,840
Speaker 1: pitched voice behind the pillow, thank you. That's very nice.

757
00:39:13,400 --> 00:39:16,160
Speaker 1: He's so funny in the scene. Ethan is so funny

758
00:39:16,160 --> 00:39:18,520
Speaker 1: in the scene, just how nervous he is and all

759
00:39:18,560 --> 00:39:20,160
Speaker 1: the when they first say you know, you've got to

760
00:39:20,160 --> 00:39:22,480
Speaker 1: You've got to talk to me, He's like, nah, I

761
00:39:22,520 --> 00:39:25,880
Speaker 1: don't have it too much shirts because I tried to

762
00:39:25,920 --> 00:39:28,080
Speaker 1: record a little bit, but Indy was not into it.

763
00:39:28,120 --> 00:39:31,440
Speaker 1: But when we watched this episode together and the only

764
00:39:31,560 --> 00:39:35,399
Speaker 1: real laughs for Andy were Ethan. Everything out of Ethan's mouth,

765
00:39:35,840 --> 00:39:40,280
Speaker 1: Indy loved. Not only that, he also said out loud, oh,

766
00:39:40,320 --> 00:39:41,959
Speaker 1: so this is like the book that they were talking

767
00:39:42,000 --> 00:39:46,160
Speaker 1: about at the beginning. He like, you will it was

768
00:39:46,440 --> 00:39:49,799
Speaker 1: very good, like very clear, he understood, like this is

769
00:39:49,840 --> 00:39:52,080
Speaker 1: what that's what you know, that dynamic. The story is

770
00:39:52,120 --> 00:39:54,200
Speaker 1: reflecting the book that the teacher was talking about. So

771
00:39:54,400 --> 00:39:58,080
Speaker 1: really did its job. But no, Ethan was Indy's favorite

772
00:39:58,080 --> 00:39:59,960
Speaker 1: by far. Everything out of his mouth got a law

773
00:40:00,440 --> 00:40:03,560
Speaker 1: Yeah he is, He's wonderful. So good. Well. Sean says

774
00:40:03,560 --> 00:40:05,800
Speaker 1: that Frankie is doing great, and Frankie says the guys

775
00:40:05,840 --> 00:40:07,560
Speaker 1: need to come help him, and Corey jokes, what are

776
00:40:07,600 --> 00:40:12,760
Speaker 1: you gonna do? Hide us in your locker? Optic optical flip.

777
00:40:12,760 --> 00:40:15,640
Speaker 1: It was so nice to see. I know, I loved it.

778
00:40:16,080 --> 00:40:19,080
Speaker 1: Corey and Sean are smushed into Frankie's locker, which is

779
00:40:19,120 --> 00:40:27,000
Speaker 1: now apparently Frankie's locker. It's been every originally it's been Yeah,

780
00:40:27,040 --> 00:40:30,840
Speaker 1: it's it's basically the it's the best blocking Let's be honest,

781
00:40:30,920 --> 00:40:33,600
Speaker 1: it's the best locker location for blocking. It's the locker

782
00:40:33,680 --> 00:40:38,600
Speaker 1: room of requirement. Yes, exactly, so um it is a

783
00:40:38,719 --> 00:40:43,160
Speaker 1: rotating locker. Gloria comes up to Frankie and they start talking. Corey,

784
00:40:43,320 --> 00:40:45,920
Speaker 1: in the darkness of the clothes locker, asks if asks

785
00:40:45,960 --> 00:40:48,759
Speaker 1: if that voice sounds familiar, without fully knowing who the

786
00:40:48,800 --> 00:40:51,560
Speaker 1: girl is. Sean starts feeding great lines to Frankie, but

787
00:40:51,640 --> 00:40:54,560
Speaker 1: Frankie is doing terribly because he can't quite hear them,

788
00:40:54,760 --> 00:40:57,919
Speaker 1: which is a very funny bit. Yeah, and then Sean

789
00:40:58,080 --> 00:41:00,880
Speaker 1: yells out I love you, and Frankie's says it, only

790
00:41:00,880 --> 00:41:03,240
Speaker 1: to then go off script from what Shaun is saying

791
00:41:03,320 --> 00:41:10,040
Speaker 1: and he woos her perfectly what Yeah, he knows. Frankie

792
00:41:10,080 --> 00:41:13,359
Speaker 1: and Gloria decide to go get a burger together, and

793
00:41:13,440 --> 00:41:16,920
Speaker 1: Corey realizes that they just set Frankie up with Harley's

794
00:41:16,960 --> 00:41:20,759
Speaker 1: girlfriend and that is bad news. And then there's like

795
00:41:20,800 --> 00:41:25,720
Speaker 1: a great suspenseful music cue just starts with like What's

796
00:41:25,719 --> 00:41:29,560
Speaker 1: gonna happen music, and then we're in the school hallway.

797
00:41:29,640 --> 00:41:32,080
Speaker 1: Corey and Shaun are panicking thinking about what Harley will

798
00:41:32,120 --> 00:41:33,799
Speaker 1: do to them after he finds out what they did.

799
00:41:34,200 --> 00:41:36,560
Speaker 1: Sean says, no one saw them, there were no witnesses,

800
00:41:36,840 --> 00:41:40,840
Speaker 1: and without that, it's all just circumcised evidence. Wow, I

801
00:41:41,040 --> 00:41:45,800
Speaker 1: know this joke felt very right adult. Yeah, I'm glad

802
00:41:45,840 --> 00:41:48,640
Speaker 1: they slipped it in there. Yeah, it was a good joke.

803
00:41:48,880 --> 00:41:52,640
Speaker 1: It was a good joke. Sean thinks about getting plastic

804
00:41:52,680 --> 00:41:55,480
Speaker 1: surgery or dressing up as their female cousins to hide

805
00:41:55,640 --> 00:41:59,279
Speaker 1: like his uncle Mary does, which is a great joke too.

806
00:42:01,680 --> 00:42:05,120
Speaker 1: All the richness of Sean's life, We're just starting to

807
00:42:05,360 --> 00:42:08,840
Speaker 1: really get every end of the uncles. I love the uncles.

808
00:42:09,920 --> 00:42:12,279
Speaker 1: Harley comes down the hallway and asks, didn't I tell

809
00:42:12,320 --> 00:42:15,720
Speaker 1: Frankie to kill you? And then asks if they've seen Gloria.

810
00:42:15,760 --> 00:42:17,919
Speaker 1: Sean says no, they were in the locker the whole time,

811
00:42:18,040 --> 00:42:21,520
Speaker 1: and Harley asks the whole time of what. This leads

812
00:42:21,520 --> 00:42:23,759
Speaker 1: them to run away, but Harley grabs them as they

813
00:42:23,880 --> 00:42:28,319
Speaker 1: enter the boy's bathroom, and then we're in Chubbies, which

814
00:42:28,400 --> 00:42:31,200
Speaker 1: is the only place anyone who wants to grab a

815
00:42:31,239 --> 00:42:36,359
Speaker 1: burger would possibly go. Yeah, of course, of course there

816
00:42:36,440 --> 00:42:39,560
Speaker 1: was no vis in this world. You're right, exactly, There's

817
00:42:39,600 --> 00:42:43,640
Speaker 1: only Chubbies. So Gloria and Frankie are sitting down and

818
00:42:43,680 --> 00:42:46,960
Speaker 1: Frankie's reciting lines of poetry to her, and Gloria is

819
00:42:47,080 --> 00:42:50,080
Speaker 1: loving it. Harley is standing with Corey and Seawan now

820
00:42:50,160 --> 00:42:52,760
Speaker 1: at the entrance and says he feels betrayed by Gloria

821
00:42:52,760 --> 00:42:55,600
Speaker 1: and Frankie. He feels vulnerable, so he feels like he

822
00:42:55,640 --> 00:42:58,680
Speaker 1: may have to kill someone. Harley kicks everyone out of

823
00:42:58,760 --> 00:43:02,080
Speaker 1: Chubbies except for Frankie, La, Sean and Corey, and Frankie

824
00:43:02,120 --> 00:43:04,920
Speaker 1: says he can explain, and he then just says exactly

825
00:43:04,920 --> 00:43:07,040
Speaker 1: what he did. He stole his girl, but he is

826
00:43:07,200 --> 00:43:11,880
Speaker 1: but a pawn of love Glorias as Frankie made her

827
00:43:11,880 --> 00:43:14,560
Speaker 1: feel special for a change and said nice things to her.

828
00:43:14,960 --> 00:43:18,360
Speaker 1: Harley argues that he buys stuff for her three tires

829
00:43:18,400 --> 00:43:21,120
Speaker 1: because the guy came back, which that was funny. I

830
00:43:21,200 --> 00:43:24,880
Speaker 1: thought that a funny. There's more, I'm wondering about why

831
00:43:24,880 --> 00:43:27,239
Speaker 1: and Sean are in the scene. Yeah, yeah, what are

832
00:43:27,239 --> 00:43:33,200
Speaker 1: we doing here? It's like, what am I here for? Well?

833
00:43:33,200 --> 00:43:35,040
Speaker 1: But then the worst part about this is we go

834
00:43:35,160 --> 00:43:37,880
Speaker 1: from here to the Matthews kitchen and Corey shows up

835
00:43:37,920 --> 00:43:40,920
Speaker 1: like twenty minutes later, and you're like, what, but there

836
00:43:40,960 --> 00:43:45,480
Speaker 1: were they together? It's now it's bizarre. Yeah, yeah, it's

837
00:43:45,480 --> 00:43:50,160
Speaker 1: a reach. And I do love Chubby set so much

838
00:43:50,200 --> 00:43:53,040
Speaker 1: though I know it's interesting because what I think part

839
00:43:53,040 --> 00:43:55,800
Speaker 1: of my love for it is that I loved acting

840
00:43:55,840 --> 00:43:58,799
Speaker 1: in Chubbies more than I like watching it. Does that

841
00:43:58,840 --> 00:44:01,799
Speaker 1: make sense, Like yeah, but I think it's because you

842
00:44:01,920 --> 00:44:04,600
Speaker 1: always had a place to be, Like we have those boots,

843
00:44:05,080 --> 00:44:08,719
Speaker 1: the counter, you had like the high set high tables. Yeah,

844
00:44:09,160 --> 00:44:11,520
Speaker 1: flood in front of you, so there's always kind of

845
00:44:11,640 --> 00:44:14,319
Speaker 1: raising the beast. The hallway is the hardest thing to

846
00:44:14,360 --> 00:44:16,640
Speaker 1: act in, right, The hallway was like that's why they

847
00:44:16,680 --> 00:44:19,880
Speaker 1: had to create lockers and like empty space. It's empty

848
00:44:19,960 --> 00:44:21,520
Speaker 1: space you got to fill with your whole body and

849
00:44:21,520 --> 00:44:23,279
Speaker 1: you got to stand there and you know. Yeah, And

850
00:44:23,520 --> 00:44:26,399
Speaker 1: it's funny because now I think my favorite set as

851
00:44:26,400 --> 00:44:29,480
Speaker 1: far as watching is the kitchen. I love scenes in

852
00:44:29,480 --> 00:44:32,840
Speaker 1: the kitchen. Um just it's clean, it's open, like Chubbies

853
00:44:32,880 --> 00:44:34,799
Speaker 1: is a little too crowded and a little too like

854
00:44:35,080 --> 00:44:37,239
Speaker 1: too many of the same colors on top of one another,

855
00:44:37,239 --> 00:44:39,239
Speaker 1: so you don't feel the depth that you actually had

856
00:44:39,280 --> 00:44:42,200
Speaker 1: in that place. It is very brown. It's very brown

857
00:44:42,239 --> 00:44:45,279
Speaker 1: and red and red, and yeah, it doesn't feel deep.

858
00:44:45,600 --> 00:44:48,640
Speaker 1: It's I want the set to be deeper looking at it,

859
00:44:48,680 --> 00:44:50,400
Speaker 1: but when I was in it, I loved it. I

860
00:44:50,480 --> 00:44:53,600
Speaker 1: loved food in Chubbies. And we haven't even ever seen

861
00:44:54,040 --> 00:44:57,080
Speaker 1: the extension of Chubbies where the pool tables, like, we

862
00:44:57,080 --> 00:44:59,040
Speaker 1: haven't even gotten there yet. But remember there was that

863
00:44:59,040 --> 00:45:03,760
Speaker 1: whole other room. I didn't remember that until you just said.

864
00:45:03,760 --> 00:45:05,400
Speaker 1: The other thing that was great about it is there

865
00:45:05,400 --> 00:45:08,120
Speaker 1: were plenty of places to cross to you could there

866
00:45:08,160 --> 00:45:10,440
Speaker 1: were there were ways in places for you to go

867
00:45:10,520 --> 00:45:12,880
Speaker 1: when you needed to leave and then come back. That

868
00:45:13,000 --> 00:45:16,439
Speaker 1: made sense. That felt good, like you had options as

869
00:45:16,440 --> 00:45:18,640
Speaker 1: an actor and with what you could be doing there.

870
00:45:20,560 --> 00:45:23,640
Speaker 1: So yeah, I agree with you. So this was the

871
00:45:23,680 --> 00:45:29,360
Speaker 1: first time that Indy really understood what multi camera is.

872
00:45:29,520 --> 00:45:32,400
Speaker 1: He was like, he's like, he's like, Dad, it's just

873
00:45:32,480 --> 00:45:34,600
Speaker 1: kind of bad. And I said, what do you mean

874
00:45:34,719 --> 00:45:37,719
Speaker 1: and he said, well, the camera never moves. He's like,

875
00:45:37,719 --> 00:45:39,840
Speaker 1: it's always like He's like, you know, never, He's like,

876
00:45:39,920 --> 00:45:42,880
Speaker 1: when somebody looks over here, it doesn't the camera. It

877
00:45:42,880 --> 00:45:45,640
Speaker 1: couldn't explain it exactly. And I was like, well, this

878
00:45:45,719 --> 00:45:48,120
Speaker 1: is multi caam versus single cam and he was like,

879
00:45:48,320 --> 00:45:50,279
Speaker 1: I think I And I was like, okay, So I

880
00:45:50,400 --> 00:45:54,080
Speaker 1: drew a diagram after this episode and I drew it

881
00:45:54,200 --> 00:45:55,400
Speaker 1: and didn't tell him what it was. I was like,

882
00:45:55,480 --> 00:45:57,600
Speaker 1: what is that. He's like, that's the kitchen. I was like, right,

883
00:45:57,640 --> 00:45:59,520
Speaker 1: I was like, this is where the cameras are. There

884
00:45:59,600 --> 00:46:02,880
Speaker 1: was an he sitting in bleachers behind, you know, behind

885
00:46:02,960 --> 00:46:05,120
Speaker 1: the cameras here, and he was like oh. And I

886
00:46:05,160 --> 00:46:07,480
Speaker 1: think he finally got it because he's never been on

887
00:46:07,520 --> 00:46:10,640
Speaker 1: a set or he was too young when he was so, yeah,

888
00:46:10,719 --> 00:46:13,680
Speaker 1: he's never seen like the fact that there's no fourth wall,

889
00:46:13,760 --> 00:46:16,680
Speaker 1: so his brain still I thought he got this based

890
00:46:16,719 --> 00:46:20,400
Speaker 1: on our earlier conversations, but he really didn't. Didn't quite

891
00:46:20,440 --> 00:46:23,399
Speaker 1: get wrap his head around it. It's hard, it's it's different. Yeah,

892
00:46:23,400 --> 00:46:25,399
Speaker 1: it's a whole different thing. So it makes perfect sense

893
00:46:25,440 --> 00:46:28,879
Speaker 1: to us, right, Like has he ever had a play? Yeah,

894
00:46:28,920 --> 00:46:31,200
Speaker 1: he's been to plays, right, So that's basically I should

895
00:46:31,239 --> 00:46:32,839
Speaker 1: have just been able to say, like, it's like when

896
00:46:32,840 --> 00:46:35,520
Speaker 1: you're watching a play, right, right, Yeah, Like the camera

897
00:46:35,640 --> 00:46:41,120
Speaker 1: is where you are when you're watching a play, right right. Okay,

898
00:46:41,120 --> 00:46:44,360
Speaker 1: So Corey compares their argument the argument between Glory and

899
00:46:44,400 --> 00:46:48,120
Speaker 1: Harley with his parents current trash compactor fight, and Harley

900
00:46:48,160 --> 00:46:52,600
Speaker 1: asks how his parents m Harley asks if his parents

901
00:46:52,600 --> 00:46:54,560
Speaker 1: are going to split up, and Corey says no, they

902
00:46:54,600 --> 00:46:56,719
Speaker 1: always work it out, even though he doesn't know how.

903
00:46:57,800 --> 00:47:00,560
Speaker 1: And here's a piece that I'll say. Now, I'm not sure.

904
00:47:00,760 --> 00:47:02,960
Speaker 1: Maybe I just didn't give it enough thought, but I

905
00:47:03,080 --> 00:47:06,840
Speaker 1: do not understand what the conclusion is that Harley comes

906
00:47:06,880 --> 00:47:10,359
Speaker 1: to about his own relationship in this situation. And I

907
00:47:10,440 --> 00:47:12,600
Speaker 1: wasn't sure whether or not that meant he was Did

908
00:47:12,600 --> 00:47:14,400
Speaker 1: he feel like he always he has to stick it

909
00:47:14,440 --> 00:47:16,520
Speaker 1: out with Gloria He obviously doesn't because at the end

910
00:47:16,560 --> 00:47:19,200
Speaker 1: of the episode she's with Frankie. I do not understand

911
00:47:19,239 --> 00:47:23,000
Speaker 1: what Harley ends up taking from them from this scene

912
00:47:23,080 --> 00:47:25,239
Speaker 1: or the whole of it, the horrible episode, the whole thing.

913
00:47:25,239 --> 00:47:28,360
Speaker 1: I mean, Amy's Yeah, isn't it Isn't it supposed to

914
00:47:28,360 --> 00:47:31,640
Speaker 1: be like it's about making your partner happy and what

915
00:47:32,400 --> 00:47:34,919
Speaker 1: makes your partner happy, and this case was her being

916
00:47:34,920 --> 00:47:39,160
Speaker 1: with someone else, so he let her go knowing that

917
00:47:39,200 --> 00:47:41,800
Speaker 1: she was going to be happier with Frankie. Yeah. I

918
00:47:41,840 --> 00:47:44,919
Speaker 1: think the charitable reading is that he needed to have

919
00:47:45,000 --> 00:47:49,240
Speaker 1: empathy and understanding of her mentality. The less charitable reading

920
00:47:49,560 --> 00:47:52,320
Speaker 1: is men just don't understand women and they got to

921
00:47:52,360 --> 00:47:54,960
Speaker 1: put their heads. Whole episode Woman's Mind, and how weird

922
00:47:55,000 --> 00:47:57,880
Speaker 1: it is that women think differently than me. Yeah, and

923
00:47:57,920 --> 00:48:00,880
Speaker 1: women always get women always get men. It's just the

924
00:48:00,920 --> 00:48:13,680
Speaker 1: other way around. Okay, So we're in the Matthews kitchen.

925
00:48:13,719 --> 00:48:15,400
Speaker 1: Harley knocks on the back door of the house and

926
00:48:15,480 --> 00:48:18,319
Speaker 1: Amy answers. He says he's a school chum of her

927
00:48:18,360 --> 00:48:22,560
Speaker 1: little squirmy or squirrelly son. And it's really here where

928
00:48:22,600 --> 00:48:26,320
Speaker 1: you realize Danny is a contemporary of Amy and Allen

929
00:48:26,719 --> 00:48:30,319
Speaker 1: and not a contemporary of Koran. I mean, I think

930
00:48:30,320 --> 00:48:34,719
Speaker 1: you're like getting Phoenie in play makeup and costume jewelry.

931
00:48:34,880 --> 00:48:36,799
Speaker 1: This was like a big pitch for the episode, right,

932
00:48:36,800 --> 00:48:38,959
Speaker 1: He's like, how can we get the bullis to the house?

933
00:48:39,000 --> 00:48:40,839
Speaker 1: And we have right Frankie at the house, and now

934
00:48:40,840 --> 00:48:44,279
Speaker 1: we have Danny, and I think it's I think it's

935
00:48:44,320 --> 00:48:48,160
Speaker 1: a noble idea. It's super awkward because he is so

936
00:48:48,239 --> 00:48:52,800
Speaker 1: clearly Betsy's like contemporary, and they just he just reads

937
00:48:53,160 --> 00:48:55,600
Speaker 1: because I think he was only twenty five twenty six,

938
00:48:55,640 --> 00:48:58,440
Speaker 1: but he looks even older than that. Yeah, he feels

939
00:48:58,760 --> 00:49:02,600
Speaker 1: his stage presence is so much confident. He just feels

940
00:49:02,600 --> 00:49:04,719
Speaker 1: like a thirty to thirty five year old, and she

941
00:49:05,120 --> 00:49:08,320
Speaker 1: you know, it's it's super awkward. Yeah, and it plays

942
00:49:08,320 --> 00:49:11,560
Speaker 1: as a joke when he's with you and Ben, it

943
00:49:11,719 --> 00:49:14,759
Speaker 1: plays is weird when he's with other adults because it's like, well,

944
00:49:14,840 --> 00:49:17,640
Speaker 1: that's where you belong. Yeah, so it's yeah, it was

945
00:49:17,719 --> 00:49:22,720
Speaker 1: very strange. Hell, he kills He's so he's wonderful. Harley

946
00:49:22,760 --> 00:49:25,400
Speaker 1: asks Amy for advice about his relationship because he has

947
00:49:25,440 --> 00:49:27,360
Speaker 1: no one else to turn to. It's four o'clock in

948
00:49:27,400 --> 00:49:30,720
Speaker 1: the afternoon, which means his mom is out cold. Corey

949
00:49:30,800 --> 00:49:32,799
Speaker 1: told him they have a similar fight going on right

950
00:49:32,840 --> 00:49:36,440
Speaker 1: now and Harley needs some help. And then Eric, in

951
00:49:36,520 --> 00:49:44,080
Speaker 1: a killer turtleneck yeah it was a white turtleneck, comes

952
00:49:44,080 --> 00:49:47,080
Speaker 1: around the bat from the backyard and sees Harley in

953
00:49:47,080 --> 00:49:50,120
Speaker 1: the kitchen from the backyard and runs into same save Amy. No.

954
00:49:51,680 --> 00:49:54,520
Speaker 1: Amy says everything is under control and offers Harley more

955
00:49:54,520 --> 00:49:57,960
Speaker 1: tea just to smidge. He responds, which is so cute.

956
00:49:59,000 --> 00:50:01,560
Speaker 1: Amy sends Eric up Dares so she can continue privately

957
00:50:01,640 --> 00:50:04,600
Speaker 1: chatting with Harley. Harley asks Amy what women want, and

958
00:50:04,640 --> 00:50:07,799
Speaker 1: Amy says just to feel appreciated. He says, well, he's

959
00:50:07,800 --> 00:50:10,040
Speaker 1: not good with feelings and emotions. And all that Ricky

960
00:50:10,120 --> 00:50:13,279
Speaker 1: Lake stuff. Harley asks, if she's my girlfriend, then why

961
00:50:13,280 --> 00:50:15,919
Speaker 1: does Gloria need to feel appreciated all the time? And then,

962
00:50:16,120 --> 00:50:19,640
Speaker 1: perfectly timed, Alan comes in and says, that's how you

963
00:50:19,680 --> 00:50:23,520
Speaker 1: show people you care about them, and Harley explains, well,

964
00:50:23,600 --> 00:50:26,280
Speaker 1: if he needs to find out what she wants, well,

965
00:50:26,400 --> 00:50:31,040
Speaker 1: Gloria wants Frankie now. So Corey frantically comes in and

966
00:50:31,080 --> 00:50:34,200
Speaker 1: tells Harley to take him and spare his parents. Harley says,

967
00:50:34,239 --> 00:50:38,799
Speaker 1: don't worry. Death takes a holiday and he leaves. He

968
00:50:38,880 --> 00:50:41,440
Speaker 1: almost steals the teacup, which I didn't know if that

969
00:50:41,560 --> 00:50:44,520
Speaker 1: was a purposeful thing, like I'm going to steal this

970
00:50:44,600 --> 00:50:47,520
Speaker 1: cup or if he just okay, yeah, because then he

971
00:50:47,560 --> 00:50:49,839
Speaker 1: turns around and he says, good eyes, eye, good eyes,

972
00:50:49,920 --> 00:50:56,640
Speaker 1: Yeah you caught me. Yeah, so yeah, okay, I didn't

973
00:50:56,719 --> 00:51:00,640
Speaker 1: yeah okay. Amy explains to a confused core that Harley

974
00:51:00,719 --> 00:51:03,000
Speaker 1: just needed to get needed to get a little love advice,

975
00:51:03,280 --> 00:51:05,719
Speaker 1: and then Alan pulls it out, a pearl necklace with

976
00:51:05,840 --> 00:51:09,680
Speaker 1: eighteen pearls, one pearl for every year they've been married,

977
00:51:10,120 --> 00:51:13,120
Speaker 1: and Amy says, that's very sweet, but they've only been

978
00:51:13,160 --> 00:51:17,920
Speaker 1: married seventeen years and Alan says that it's an X

979
00:51:18,040 --> 00:51:20,319
Speaker 1: one for the extra year that they weren't married, and

980
00:51:20,360 --> 00:51:23,040
Speaker 1: she says, yeah, that was a good year. And then

981
00:51:23,080 --> 00:51:25,440
Speaker 1: they get into a hot and heavy makeout kiss as

982
00:51:25,760 --> 00:51:29,040
Speaker 1: Corey tries to figure out what that means. And no,

983
00:51:29,400 --> 00:51:31,680
Speaker 1: she doesn't get him a gift. There's no gift for Alan.

984
00:51:35,760 --> 00:51:37,560
Speaker 1: This is a scene that could have used a rewrite.

985
00:51:37,840 --> 00:51:41,560
Speaker 1: Yeah really, I mean yeah, I mean, I feel like

986
00:51:41,600 --> 00:51:44,960
Speaker 1: this scene reveals all the sort of weaknesses of the episode.

987
00:51:45,560 --> 00:51:47,880
Speaker 1: But I think they were just too stoked on the

988
00:51:47,920 --> 00:51:50,520
Speaker 1: idea of having Harley in the kitchen. They just thought

989
00:51:50,520 --> 00:51:53,360
Speaker 1: that was so funny and there was so but it

990
00:51:53,440 --> 00:51:57,480
Speaker 1: just doesn't work. It's just awkward. And sometimes the big

991
00:51:57,520 --> 00:51:59,920
Speaker 1: aspirations of Boy Meats World, which are some of the

992
00:52:00,040 --> 00:52:02,319
Speaker 1: things that have given us some of our best episodes,

993
00:52:02,960 --> 00:52:05,640
Speaker 1: are also the things that then give us some of

994
00:52:05,680 --> 00:52:09,040
Speaker 1: our worst episodes because we have we take on more

995
00:52:09,080 --> 00:52:11,520
Speaker 1: than we can chow. We have a fantastic idea, like

996
00:52:11,560 --> 00:52:13,480
Speaker 1: getting the bullies in the house, Well, how are we

997
00:52:13,480 --> 00:52:15,200
Speaker 1: going to do that? Well, what's the story to that?

998
00:52:15,400 --> 00:52:19,720
Speaker 1: And then we try to shoehorn stories into the script

999
00:52:19,760 --> 00:52:21,840
Speaker 1: and we're like, but we still only have twenty two minutes,

1000
00:52:22,320 --> 00:52:26,560
Speaker 1: and so you know, I'm I'm happy that that we

1001
00:52:26,640 --> 00:52:30,360
Speaker 1: have big aspirations for our recombo. Yeah, we're super ambitious.

1002
00:52:30,360 --> 00:52:34,440
Speaker 1: Sometimes sometimes there we end up walking away going like

1003
00:52:34,680 --> 00:52:37,560
Speaker 1: huh hmm, I'm not really sure that made a whole

1004
00:52:37,600 --> 00:52:39,920
Speaker 1: lot of sense. But there are there are still aspects

1005
00:52:39,920 --> 00:52:43,279
Speaker 1: of this episode that are, you know, incredible. Danny's performances, unbelievable,

1006
00:52:43,400 --> 00:52:47,200
Speaker 1: story is awesome. The idea that Frankie comes to Corey

1007
00:52:47,239 --> 00:52:50,920
Speaker 1: and Sean and they have to act, that's a great idea.

1008
00:52:51,800 --> 00:52:55,040
Speaker 1: And then I think the next idea that that Harley

1009
00:52:55,400 --> 00:52:59,080
Speaker 1: needs love advice, yes, and goes to the God. That's

1010
00:52:59,120 --> 00:53:01,719
Speaker 1: a that's like a hat on a hat for me.

1011
00:53:01,960 --> 00:53:04,120
Speaker 1: Maybe maybe that's the problem. It's like they just shouldn't

1012
00:53:04,120 --> 00:53:05,799
Speaker 1: have had that aspect, and I probably would have been

1013
00:53:05,880 --> 00:53:08,880
Speaker 1: like if it had been more about Frankie and Gloria

1014
00:53:09,120 --> 00:53:11,399
Speaker 1: staying together and Hart, I don't know, but something about

1015
00:53:11,440 --> 00:53:13,279
Speaker 1: like I want to throw something weird at you, because

1016
00:53:13,280 --> 00:53:16,200
Speaker 1: it would have been a great scene if essentially the

1017
00:53:16,280 --> 00:53:21,760
Speaker 1: scene between Alan and Bill was between Bill and Harley. Yeah,

1018
00:53:21,800 --> 00:53:25,120
Speaker 1: if it was Phoenie and Harley and somehow Phoenie who's

1019
00:53:25,400 --> 00:53:27,680
Speaker 1: who teaches everybody. Then you would have taken something away

1020
00:53:27,680 --> 00:53:32,000
Speaker 1: from Betsy, who finally did a moment. But it's you

1021
00:53:32,000 --> 00:53:33,680
Speaker 1: know what I mean, it's there would have been something

1022
00:53:33,760 --> 00:53:37,200
Speaker 1: kind of interesting about Hard Phoenie together. Or had this

1023
00:53:37,280 --> 00:53:39,560
Speaker 1: been a spinoff show, we could those could have been

1024
00:53:39,600 --> 00:53:42,160
Speaker 1: two episodes. Frankie's in love with a girl and needs

1025
00:53:42,200 --> 00:53:44,560
Speaker 1: Corey and Sean to help him fall in love with

1026
00:53:44,600 --> 00:53:48,359
Speaker 1: a girl, not Harley's girlfriend, just a girl, and there's

1027
00:53:48,640 --> 00:53:51,160
Speaker 1: there's another conflict about who the girlfriend is. And then

1028
00:53:51,160 --> 00:53:54,160
Speaker 1: in a separate episode, Harley's having relationship problems and he

1029
00:53:54,239 --> 00:53:57,040
Speaker 1: ends up needing to go to Phoenie or the Matthews

1030
00:53:57,120 --> 00:53:58,920
Speaker 1: to get that kind of advice. If these were two

1031
00:53:58,960 --> 00:54:01,839
Speaker 1: totally different episodes, yeah, it would have been amazing. But

1032
00:54:02,120 --> 00:54:05,240
Speaker 1: what what show is this? What is this nineteen fifties

1033
00:54:05,239 --> 00:54:07,360
Speaker 1: meets World? I was just about to say, if that

1034
00:54:07,480 --> 00:54:10,600
Speaker 1: second episode, the b storyline is he's got to figure

1035
00:54:10,640 --> 00:54:12,840
Speaker 1: out how to love his girlfriend before the Big Rumble,

1036
00:54:14,080 --> 00:54:15,959
Speaker 1: then I think it'd be great. It's like, we gotta

1037
00:54:16,000 --> 00:54:17,880
Speaker 1: go down the mills for the Big Rumble and I

1038
00:54:17,880 --> 00:54:21,560
Speaker 1: got to fall in love with my girlfriend. Yeah exactly. Yeah,

1039
00:54:21,600 --> 00:54:25,680
Speaker 1: so's we're talking about the grease in his hair. Yeah, yeah, man.

1040
00:54:26,320 --> 00:54:33,000
Speaker 1: So then then we're in the tag in the school cafeteria.

1041
00:54:33,080 --> 00:54:35,920
Speaker 1: Mister Turner tells Corey he liked his paper on Syrra No,

1042
00:54:36,239 --> 00:54:38,600
Speaker 1: and Corey says he is syran No and points to

1043
00:54:38,600 --> 00:54:41,520
Speaker 1: Frankie and Gloria, saying he put them together. Corey explains

1044
00:54:41,560 --> 00:54:44,479
Speaker 1: he helped Frankie woo Gloria, then asks if there's any

1045
00:54:44,480 --> 00:54:47,040
Speaker 1: extra credit for his work. Turner says no, but he

1046
00:54:47,080 --> 00:54:49,640
Speaker 1: wants to know what Corey learned, and Corey tells mister

1047
00:54:49,760 --> 00:54:52,279
Speaker 1: Turner love is something you can't take for granted and

1048
00:54:52,360 --> 00:54:55,880
Speaker 1: don't buy them tires or major appliances, and mister Turner

1049
00:54:55,920 --> 00:54:58,799
Speaker 1: says he's wise beyond his years with the subject of love.

1050
00:54:59,320 --> 00:55:02,160
Speaker 1: Sean then runs into Cory and exclaims that the girls

1051
00:55:02,239 --> 00:55:05,040
Speaker 1: volleyball team is running laps and they run off together

1052
00:55:05,120 --> 00:55:10,400
Speaker 1: to go watch oh maybe well boys will be Boys.

1053
00:55:11,360 --> 00:55:17,640
Speaker 1: So yeah, not my not my favorite episode, not my

1054
00:55:17,719 --> 00:55:21,360
Speaker 1: least favorite episode certainly, no, um, but I think because

1055
00:55:21,440 --> 00:55:24,640
Speaker 1: the concept was so good, yeah, it fell a little

1056
00:55:24,640 --> 00:55:28,399
Speaker 1: flat for me. Yeah. Also, I think of the three

1057
00:55:28,400 --> 00:55:32,799
Speaker 1: of us, will you are definitely the most offended by

1058
00:55:32,800 --> 00:55:35,680
Speaker 1: a dumb man storyline. I don't know, you don't. I

1059
00:55:35,719 --> 00:55:38,200
Speaker 1: don't like it, don't like it. I don't like it.

1060
00:55:38,400 --> 00:55:41,600
Speaker 1: I don't. It's just it's so I did you like

1061
00:55:41,680 --> 00:55:43,560
Speaker 1: Home did you hate Home Improvement when it was on?

1062
00:55:43,920 --> 00:55:46,919
Speaker 1: Or did you like it back then? No? I get

1063
00:55:46,960 --> 00:55:49,080
Speaker 1: I mean I got what it was going for. It's

1064
00:55:49,160 --> 00:55:53,080
Speaker 1: just such a one sided look at men right that.

1065
00:55:53,239 --> 00:55:55,480
Speaker 1: I don't know, It's just it's just the and again

1066
00:55:55,520 --> 00:55:57,880
Speaker 1: being such a fan of sitcom, just always doing the

1067
00:55:57,920 --> 00:56:00,839
Speaker 1: trope of like the big schlubs key to have or

1068
00:56:02,560 --> 00:56:05,080
Speaker 1: they were both horribly flawed. That's the thing that was

1069
00:56:05,120 --> 00:56:08,239
Speaker 1: so great is you were both horribly flawed, and it

1070
00:56:08,280 --> 00:56:11,919
Speaker 1: was it was brilliant. Um, but after a while where

1071
00:56:11,920 --> 00:56:15,000
Speaker 1: it's just like, you know, my dumb husband and it's

1072
00:56:15,040 --> 00:56:18,160
Speaker 1: like I'll never get my wife. It's like, seriously, this

1073
00:56:18,200 --> 00:56:21,000
Speaker 1: is again, we're doing this. Yeah, And if they started

1074
00:56:21,000 --> 00:56:22,640
Speaker 1: the show that way, that would be one thing. But

1075
00:56:22,719 --> 00:56:25,520
Speaker 1: we've talked about how Alan Niemi's relationship was. They were

1076
00:56:25,560 --> 00:56:27,879
Speaker 1: the different parents, they were the cool parents. They were

1077
00:56:27,880 --> 00:56:30,560
Speaker 1: figuring out how to parent together. And now this couple

1078
00:56:30,600 --> 00:56:32,680
Speaker 1: that was figuring out how to parent together, don't even

1079
00:56:32,719 --> 00:56:35,120
Speaker 1: talk about their own relationship like it, right, he was

1080
00:56:35,160 --> 00:56:37,520
Speaker 1: just weird. I don't know it was me, but you're right.

1081
00:56:37,560 --> 00:56:41,520
Speaker 1: I don't like the dumb man storyline. Yeah it does.

1082
00:56:41,680 --> 00:56:43,759
Speaker 1: It does because I don't consider myself a dumb man,

1083
00:56:43,800 --> 00:56:45,960
Speaker 1: and my mom and dad were never like that. And

1084
00:56:46,600 --> 00:56:48,560
Speaker 1: you know, doing it once or twice on a sitcom

1085
00:56:48,640 --> 00:56:50,959
Speaker 1: where it's like, that's that's what you're doing. You're doing okay, great,

1086
00:56:51,000 --> 00:56:53,360
Speaker 1: when it's then every show is starting to get like that,

1087
00:56:53,400 --> 00:56:55,920
Speaker 1: it's like, really, this is what we're doing. And according

1088
00:56:55,920 --> 00:56:59,719
Speaker 1: to Jim and Kevin, Jane and everybody loves Rayman, it

1089
00:56:59,760 --> 00:57:02,080
Speaker 1: was all that like these women were these men are

1090
00:57:02,120 --> 00:57:04,760
Speaker 1: just lucky to have these women who they didn't understand

1091
00:57:04,760 --> 00:57:07,719
Speaker 1: it all and it's like, oh, okay, I've just seen it. Yeah,

1092
00:57:07,760 --> 00:57:13,319
Speaker 1: you know. We talked about how like, uh, like Seinfeld

1093
00:57:13,440 --> 00:57:16,400
Speaker 1: or at any great sitcom right, so often is built

1094
00:57:16,440 --> 00:57:19,360
Speaker 1: around this idea of like stating a thesis within the

1095
00:57:19,400 --> 00:57:22,240
Speaker 1: first scene, right like this is the way you do

1096
00:57:22,480 --> 00:57:25,080
Speaker 1: X y Z or this always happens when this happens.

1097
00:57:25,360 --> 00:57:27,840
Speaker 1: And I feel like gender roles are the easiest thing

1098
00:57:27,840 --> 00:57:30,320
Speaker 1: to fall back on, right, like men always do this

1099
00:57:30,440 --> 00:57:32,520
Speaker 1: and women always do that, and then you play out

1100
00:57:32,520 --> 00:57:35,560
Speaker 1: in a scene a situation that either illustrates that or

1101
00:57:35,640 --> 00:57:38,600
Speaker 1: defies that, only to not defy it at all and

1102
00:57:38,680 --> 00:57:41,960
Speaker 1: to recapitulate the values that you started with. Um, I

1103
00:57:42,000 --> 00:57:44,760
Speaker 1: think it's lazy. I think it's true. It's such an

1104
00:57:44,760 --> 00:57:48,080
Speaker 1: easy sitcom thing. I mean, the reason why Seinfeld is

1105
00:57:48,120 --> 00:57:52,080
Speaker 1: so elevated is that their their thesis. Their theses were

1106
00:57:52,200 --> 00:57:55,720
Speaker 1: so bizarre. They're like and that was the point. It's like, yes,

1107
00:57:55,840 --> 00:57:58,360
Speaker 1: George or somebody would have a theory that we'd be

1108
00:57:58,400 --> 00:58:01,280
Speaker 1: like what you think, man hands is a thing or

1109
00:58:01,440 --> 00:58:04,120
Speaker 1: you know, so whatever, random thing, and that would become

1110
00:58:04,160 --> 00:58:07,440
Speaker 1: a storyline to you know, to their own detriment. And

1111
00:58:07,480 --> 00:58:09,840
Speaker 1: I think that, Um yeah, Like I think a lot

1112
00:58:09,880 --> 00:58:12,800
Speaker 1: of sitcoms just stay on that easy territory, like the

1113
00:58:12,880 --> 00:58:15,240
Speaker 1: gender role than is so easy. Well that's the thing

1114
00:58:15,240 --> 00:58:18,040
Speaker 1: we've talked about it being music and Seinfeld and great shows.

1115
00:58:18,080 --> 00:58:20,520
Speaker 1: They always played offbeat, they played you didn't you didn't

1116
00:58:20,560 --> 00:58:22,200
Speaker 1: know where it was going to go, and this when

1117
00:58:22,200 --> 00:58:24,120
Speaker 1: you get these it's kind of like, well, I bet

1118
00:58:24,160 --> 00:58:26,800
Speaker 1: you Alan's going to learn that how to listen to

1119
00:58:26,840 --> 00:58:28,560
Speaker 1: his wife and he's gonna buy or something nice at

1120
00:58:28,560 --> 00:58:30,960
Speaker 1: the end it was just like, yeah, it's it's going

1121
00:58:31,000 --> 00:58:36,920
Speaker 1: to be a creative. Yeah, yeah, it's it's And I

1122
00:58:36,960 --> 00:58:39,280
Speaker 1: know we have a ton to do when we invent

1123
00:58:39,320 --> 00:58:43,120
Speaker 1: the time machine, starting with inventing the time machine, right exactly. Um,

1124
00:58:43,160 --> 00:58:45,680
Speaker 1: but yeah, there's some stuff I'd like to switch about

1125
00:58:45,680 --> 00:58:48,600
Speaker 1: this and give Rusty more to do because I mean,

1126
00:58:48,640 --> 00:58:50,520
Speaker 1: that's just a waste of rusty in my opinion too,

1127
00:58:50,680 --> 00:58:54,800
Speaker 1: is you know? So Yeah, and Betsy for that matter, Well,

1128
00:58:54,880 --> 00:58:56,840
Speaker 1: thank you for joining us for this episode of pod

1129
00:58:56,840 --> 00:59:00,000
Speaker 1: Meat's World. You can join us for our next recap episode,

1130
00:59:00,000 --> 00:59:02,680
Speaker 1: which will be season two episode fourteen, I Am Not

1131
00:59:02,760 --> 00:59:07,520
Speaker 1: a Crook, which aired January thirteenth, nineteen ninety five. And

1132
00:59:07,840 --> 00:59:10,200
Speaker 1: you can follow us on Instagram pod Meets World Show.

1133
00:59:10,280 --> 00:59:12,680
Speaker 1: You can send us your emails pod Meets World Show

1134
00:59:12,720 --> 00:59:16,200
Speaker 1: at gmail dot com. And as always, we have merch

1135
00:59:16,920 --> 00:59:22,840
Speaker 1: Trim play it backwards pod meets World Show dot com.

1136
00:59:23,560 --> 00:59:26,240
Speaker 1: Oh boy, I am dying to know what that is?

1137
00:59:26,320 --> 00:59:30,160
Speaker 1: What is that? It's it's merch backwards Tram Trams trim

1138
00:59:30,200 --> 00:59:34,040
Speaker 1: trim Tram Tram Tram c h R EM Tram play

1139
00:59:34,080 --> 00:59:38,280
Speaker 1: backwards people. Oh boy boy, I love you so much.

1140
00:59:38,320 --> 00:59:42,120
Speaker 1: Will send us out we Love You All, pod dismissed.

1141
00:59:44,120 --> 00:59:46,840
Speaker 1: Pod Meets World is an iHeart podcast produced and hosted

1142
00:59:46,840 --> 00:59:50,920
Speaker 1: by Danielle Fischel, Wilfordelle and Ryder Strong Executive producers, Jensencarp

1143
00:59:50,960 --> 00:59:54,000
Speaker 1: and Amy Sugarman Executive in charge of production, Danielle Romo,

1144
00:59:54,120 --> 00:59:58,040
Speaker 1: producer and editor, Tara Supboch producer, Jackie Rodriguez, engineer and

1145
00:59:58,080 --> 01:00:00,720
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1146
01:00:00,760 --> 01:00:03,000
Speaker 1: by Kyle Morton of Typhoon and you can follow us

1147
01:00:03,040 --> 01:00:06,080
Speaker 1: on Instagram at Pod meets World Show or email us

1148
01:00:06,080 --> 01:00:08,880
Speaker 1: at pod Meets World Show at gmail dot com