WEBVTT - Celebrating Sir Charles

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<v Speaker 1>Charles Barkley in bronze A mighty good look now on

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<v Speaker 1>Legends Walk at the seventy six Ers Training Complex. I

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<v Speaker 1>hope y'all appreciate my love of Philadelphia. My heart will

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<v Speaker 1>always be here in Philadelphia. We'll talk with Barkley and

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<v Speaker 1>the sculptors behind the design of his new statue with Charles,

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<v Speaker 1>you know, he has to come through with thunder. This

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<v Speaker 1>sculpture has to have his presence, It has to show him.

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<v Speaker 1>This man was a little bit different in the sense

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<v Speaker 1>of how he approached the game. Celebrating Sir Charles. On

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<v Speaker 1>this episode of the broadcast, What's Good out There, seventy

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<v Speaker 1>six Ers pod people, I'm Brian Seltzer. Grates you with

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<v Speaker 1>you on the podcast. As always on this episode of

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<v Speaker 1>the podcast, Yes, we are going to dive in to

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<v Speaker 1>the Legends Walk sculpture unveiling for a one Sir Charles

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<v Speaker 1>Round Bound of Rebound Barkley A great event held at

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<v Speaker 1>the seventy Sixers Training Complex on Friday the thirteenth. Charles

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<v Speaker 1>was in the house his family, former coaches, teammates, seventy

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<v Speaker 1>Sixers executives and staffers who all touched Charles in some

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<v Speaker 1>way shape or form during his time with the seventy

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<v Speaker 1>Sixers in the mid nineteen eighties to early nineteen nineties,

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<v Speaker 1>a great tenure that laid the foundation for a Hall

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<v Speaker 1>of Fame career for Charles Barkley. So we're gonna talk

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<v Speaker 1>with Barkley. We're also going to speak with the artists

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<v Speaker 1>who designed and sculpted the new statue of Charles Barkley

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<v Speaker 1>on Legend's Walk. But first, our customary reminder that if

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<v Speaker 1>you are not yet a subscriber or a follower of

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<v Speaker 1>the podcast, we encourage you to become one right away.

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<v Speaker 1>Where just about everywhere you can find pods these days,

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<v Speaker 1>Apple podcasts, Google podcasts, Spotify, Stitcher, SoundCloud, tune in overcast, pocketcasts, Deezer.

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<v Speaker 1>Just type in Sixers podcast Network and that will take

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<v Speaker 1>you to our feed. So yes, we've got interviews with

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<v Speaker 1>Charles himself and the design and sculpting team behind the

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<v Speaker 1>new statue of Charles Barkley on the way. But first

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<v Speaker 1>I wanted to play some highlights from the ceremony for

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<v Speaker 1>Charles held at the seventy Sixers training complex last week

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<v Speaker 1>before his sculpture was formally unveiled on Legend's Walk. I

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<v Speaker 1>don't know if I haven't been that skinny. We're gonna

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<v Speaker 1>hear from managing partner Josh Harris, co managing partner David Blitzer,

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<v Speaker 1>general manager Elton Brand, and the head coach of the

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<v Speaker 1>seventy sixers Brett Brown, putting the significance of Charles Barkley

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<v Speaker 1>in their own words, I'm really very, very excited to

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<v Speaker 1>be able to honor Charles Barkley, or Sir Charles, or

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<v Speaker 1>Street Beef or the round Mound rebound. For you old

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<v Speaker 1>timers that are in the in the audience, Charles, You've

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<v Speaker 1>stood for excellence your entire career versus an NBA player

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<v Speaker 1>and now is a leading voice in our sport. Whether

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<v Speaker 1>you like it or not, today you are a role model.

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<v Speaker 1>I grew up really worshiping him because he was different.

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<v Speaker 1>He was different as a player, he was different as

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<v Speaker 1>a person. He was always real. You talk me to

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<v Speaker 1>three bees when it comes to speeches, be brief, brother,

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<v Speaker 1>So I'm gonna work on it. It's truly a tremendous

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<v Speaker 1>honor to celebrate someone that I looked up to and

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<v Speaker 1>emulate it in my game every day. Simply, we are

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<v Speaker 1>privileged to have you a part of our past. You

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<v Speaker 1>are referenced often. Your statue is not taken for granted.

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<v Speaker 1>It's not something that just sticks it. We referenced that,

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<v Speaker 1>and for me personally to be able to sit here

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<v Speaker 1>and say that in front of you is a tijuana

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<v Speaker 1>a montage about the man, the round Man, Charles Barkley,

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<v Speaker 1>And following the unveiling of a sculpture on Legend's Walk,

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<v Speaker 1>we had the opportunity to chant with Charles about what

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<v Speaker 1>the honor means to him, his time with the seventy

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<v Speaker 1>Sixers and the legacy he hopes to leave behind. Why

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<v Speaker 1>don't we start with you just walking us through what

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<v Speaker 1>your day has been like so far. Tell us about

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<v Speaker 1>that here's been a fine day. It's amazing. I really

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<v Speaker 1>appreciate the Sixers honoring me. You know, Philadelphia means a

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<v Speaker 1>great deal, you know, to come here as a twenty

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<v Speaker 1>one year old kid had never been out of the

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<v Speaker 1>South before, and the city welcomed me with open arms.

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<v Speaker 1>And then for the opportunity to play with a doctor

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<v Speaker 1>j and msim Alone and Bobby Jones, Maurice Cheeks, Andrew, Tony,

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<v Speaker 1>Clint Richardson, Clement Johnson. Guys like that, Bobby Jones, who's

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<v Speaker 1>one of the most amazing man I ever been around.

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<v Speaker 1>It was a great situation, you know, because a lot

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<v Speaker 1>of times and Billy Cunningham was a great coach also,

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<v Speaker 1>but they taught me more about life than about basketball.

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<v Speaker 1>And I was so lucky that a guy like Moses Malone,

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<v Speaker 1>who's the most influential person in my basketball career, you know,

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<v Speaker 1>he you know, I asked him one day, it wasn't

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<v Speaker 1>wasn't not it wasn't getting to play, and he said

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<v Speaker 1>I was fat and I was lazy, and it's strong obviously,

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<v Speaker 1>but I said, what do you mean. He says, you

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<v Speaker 1>can't play basketball out of shape and at three hundred pounds,

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<v Speaker 1>And for a guy that greeted basketball to take the

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<v Speaker 1>time to get me in shape, it meant the world

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<v Speaker 1>to me. And he made me lose fifty pounds and

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<v Speaker 1>the rest is history, obviously. But if if a guy

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<v Speaker 1>liked that didn't care, I wouldn't be sitting here today.

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<v Speaker 1>So I was just lucky to come to a great situation.

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<v Speaker 1>This is nothing away from the Nie Smith Hall of

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<v Speaker 1>Fame because that is one of the ultimate individual liners

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<v Speaker 1>in the sport. You get a jacket there nowadays here

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<v Speaker 1>you have a sculpture and artistic embodiment of your likeness

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<v Speaker 1>while you were playing, when you were walking up to

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<v Speaker 1>take the cover off the statue, where you're feeling anxious,

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<v Speaker 1>where you're curious, and then when you saw the sculpture,

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<v Speaker 1>when I think of it, well, it's interesting you ask

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<v Speaker 1>me that question, because the guy did a fantastic job.

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<v Speaker 1>The guy did a fantastic job it. I said, it

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<v Speaker 1>looks like me, but you know, so I got a

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<v Speaker 1>statue at my college and the first time I saw

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<v Speaker 1>it was awful. Look nothing like me, and it's not

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<v Speaker 1>You're not putting that thing up anywhere. So I say,

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<v Speaker 1>the first time I saw this this thing was when

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<v Speaker 1>they asked the unveiled it, and I thought the artists

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<v Speaker 1>did a fantastic job. It looks like me. But I

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<v Speaker 1>think the main thing is just the honor the Sixers

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<v Speaker 1>did not have to do it. I sincerely thank them

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<v Speaker 1>from the bottom of my heart. But it's just a

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<v Speaker 1>really cool thing, you know. So every time these guys come,

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<v Speaker 1>they get to see it, but they also get to

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<v Speaker 1>see dog Moses and all those other guys. So it's special.

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<v Speaker 1>And like I said, Philadelphia means a great deal to

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<v Speaker 1>me and I will always be thankful for this city.

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<v Speaker 1>It's awesome. What was it like being able to mingle

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<v Speaker 1>and interact with so many people from your life and

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<v Speaker 1>your time here in Philadelphia throughout the day, former teammates,

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<v Speaker 1>former coaches, staff members. What was that like? Well, it

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<v Speaker 1>was special because they could have been doing something else.

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<v Speaker 1>You know, we don't see each other that much anymore.

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<v Speaker 1>We all live with scout it all over the world.

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<v Speaker 1>You know, sports aren't like people think it is, like

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<v Speaker 1>you might play with guys, but once a season over,

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<v Speaker 1>you don't see them in again until the next season.

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<v Speaker 1>You know, a lot of guys go back to their

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<v Speaker 1>hometown and things like that. So when you see these guys,

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<v Speaker 1>you know, Johnny Dawkins, I'm watching his success as a

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<v Speaker 1>college coach now is British special. One of my old teammates,

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<v Speaker 1>Joe Henderson, was great to him. See my old coaches,

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<v Speaker 1>the old actually the old owner of the seventy sixers.

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<v Speaker 1>But also you know there's three or four guys who

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<v Speaker 1>worked for the Sixers, and actually Scott Rigo and Adda

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<v Speaker 1>Lumpkin are still there. And I saw Running Robina today

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<v Speaker 1>who I hadn't seen in a minute. But you know,

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<v Speaker 1>the one thing that I said in my speech, nobody's

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<v Speaker 1>successful by themselves. And I want to repeat that. Nobody

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<v Speaker 1>is successful by themselves. So, as I said, everybody who

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<v Speaker 1>went to college with me, who coached me my first

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<v Speaker 1>excuse me. I want to go back to high school.

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<v Speaker 1>Every player who played with me in high school, every

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<v Speaker 1>player who played with me in college, eight years in Philly,

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<v Speaker 1>four years in Phoenix, four years in Houston, every coach

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<v Speaker 1>I ever played for, they get a little piece of

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<v Speaker 1>the statue. And because, like I said it, life is

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<v Speaker 1>a journey, and there's so many people who've been on

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<v Speaker 1>this journey with me. It's amazing. One of the themes

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<v Speaker 1>of the speeches that were given before you got up

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<v Speaker 1>to the podium and spoke was just the generosity of

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<v Speaker 1>your spirit. What's the origin of that? Where does that

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<v Speaker 1>come from? Man? I just be nice. You know, you

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<v Speaker 1>know you do something stupid like dribble of basketball. You know,

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<v Speaker 1>like I say, there's like three real jobs in the world. Teacher, firing, policeman, doctor.

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<v Speaker 1>You know, I'm not a teacher, I'm not a filming

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<v Speaker 1>and all the police. When those jobs are really important

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<v Speaker 1>and significant, we make a lot of money to dribble

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<v Speaker 1>stupid basketball around, get to travel the country in the world,

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<v Speaker 1>you know, work for seven months a year, get three

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<v Speaker 1>or four months vacation with the luckiest people in the world.

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<v Speaker 1>And I think you should always sign autographs. I think

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<v Speaker 1>you should always take pictures. Is it a pain sometimes?

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<v Speaker 1>Of course it is. But you have to look at

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<v Speaker 1>the big picture to be able to dribble a basketball

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<v Speaker 1>and have the things that have happened to me in

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<v Speaker 1>my life. Man, I'm just a lucky dude. So I

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<v Speaker 1>try to always be cordial to everybody and don't take

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<v Speaker 1>myself too serious, and then to build off that. I

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<v Speaker 1>know that when guys are playing, it's probably not something

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<v Speaker 1>that's on the forefront of their mind. But as you're

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<v Speaker 1>working your way through your life post plane crew, do

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<v Speaker 1>you think much about, like what you want the legacy

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<v Speaker 1>of Charles Barkley to be? You know, if someone had

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<v Speaker 1>to write up what your legacy was, well, I don't

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<v Speaker 1>think about that too much. What I think about is

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<v Speaker 1>when you die, people say, oh, sorry, he's gone. He

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<v Speaker 1>was a good dude. I mean, because you don't want

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<v Speaker 1>to be one of those people says glad he gone.

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<v Speaker 1>I mean, and I don't mean that to be more

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<v Speaker 1>better whatever. I don't want people to cry for a

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<v Speaker 1>week when I kill over. I'm not afraid of death.

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<v Speaker 1>I know it's coming, but I mean, let's be realistic.

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<v Speaker 1>When some people die, we're glad they're gone. That's just

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<v Speaker 1>I want people to say, oh, good dude, and that's it.

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<v Speaker 1>But like I said, I don't want to my legacy

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<v Speaker 1>is when I kill over. I don't want people to

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<v Speaker 1>be able to say I don't want them having part

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<v Speaker 1>said I'm glad he's gone. Charles Barkley hard to find

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<v Speaker 1>too many people like Chuck and just really a lot

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<v Speaker 1>of fun and awesome to have the opportunity to sit

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<v Speaker 1>down with him and talk the day of his sculpture

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<v Speaker 1>unveiling on Legend's Walk here at the seventy six ers

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<v Speaker 1>Training Complex, And it really was amazing that the recurring

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<v Speaker 1>theme for virtually everyone who spoke in tribute to Charles

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<v Speaker 1>up on the podium during the ceremony last week, the

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<v Speaker 1>recurring theme was one of Charles just always giving back,

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<v Speaker 1>never being too big. Despite all of his fame and success,

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<v Speaker 1>he has this genuine, good natured wanting to make others

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<v Speaker 1>feel good. Aspect of his personality that he's carried with

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<v Speaker 1>him really for the majority of his life. Just a

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<v Speaker 1>really excellent guy. Hey, some really exciting news from seventy

0:12:52.760 --> 0:12:55.400
<v Speaker 1>six Ers land In recent days. The team has announced

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<v Speaker 1>the details for its annual Blue and White Scrimmage. It's

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<v Speaker 1>gonna be held Saturday, October fifth at one o'clock at

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<v Speaker 1>seventy Sixers Field House in Delaware in Wilmington. It's the

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<v Speaker 1>home of the Sixers ge League affiliate, the Delaware Bluecoats.

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<v Speaker 1>Tickets are free, but to secure them, you've got to

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<v Speaker 1>sign up for the sixth Man fan newsletter that's going

0:13:14.080 --> 0:13:16.440
<v Speaker 1>to have all the information about how to sign up

0:13:16.440 --> 0:13:19.120
<v Speaker 1>for free tickets to the Sixers Blue and White Scrimmage

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<v Speaker 1>at seventy Sixers Fieldhouse in Wilmington, Saturday, October fifth at

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<v Speaker 1>one o'clock. To sign up for the Sixers sixth Man

0:13:26.080 --> 0:13:30.440
<v Speaker 1>Fan Newsletter, go to Sixers dot com slash sixth Man.

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<v Speaker 1>The other interview we have for you on this episode

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<v Speaker 1>of the podcast is a conversation with three guys who

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<v Speaker 1>really formed the brain trust behind the design, execution, installation

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<v Speaker 1>of the Charles Barclay sculpture on Legends Walk from Fisher Sculpture.

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<v Speaker 1>It's Chad Fisher, co founder and lead sculptor on the project.

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<v Speaker 1>His father Fran another one of the co founders of

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<v Speaker 1>Fisher Sculpture, and Doug crew Girl, who was the assistant

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<v Speaker 1>of Chad Fisher on this project. Official Sculpture has created

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<v Speaker 1>each of the now eight statues on seventy six Ers

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<v Speaker 1>Legends Walk. And we started the conversation with Chad and

0:14:13.720 --> 0:14:16.480
<v Speaker 1>I asked him how was it that his family's company

0:14:16.520 --> 0:14:19.400
<v Speaker 1>got to be involved in this initiative in the first place.

0:14:19.880 --> 0:14:25.760
<v Speaker 1>We got involved when Moses Malone passed. We have friends

0:14:25.760 --> 0:14:30.320
<v Speaker 1>over at NFL Films and they suggested that we should

0:14:30.320 --> 0:14:33.800
<v Speaker 1>reach out to the seventy six Ers because they will

0:14:33.840 --> 0:14:38.200
<v Speaker 1>probably do a statue for Moses. And so we reached

0:14:38.240 --> 0:14:42.240
<v Speaker 1>out and said, you know, if there's any interest in

0:14:42.240 --> 0:14:46.160
<v Speaker 1>doing a statue of Moses, we would like to participate somehow,

0:14:46.280 --> 0:14:49.480
<v Speaker 1>some way of honoring him. My dad. You know, we're

0:14:49.520 --> 0:14:53.560
<v Speaker 1>from the Philadelphia area. My dad porn in Philly, so

0:14:54.280 --> 0:14:57.320
<v Speaker 1>you know, we're pretty we have an emotional connection to

0:14:57.840 --> 0:15:01.560
<v Speaker 1>the Sixers and you know, four or five or five teams,

0:15:01.640 --> 0:15:06.120
<v Speaker 1>you know, and uh, it was it was important not

0:15:06.120 --> 0:15:10.200
<v Speaker 1>only to my father and to myself to honor Moses

0:15:10.520 --> 0:15:14.560
<v Speaker 1>if possible, UM bringing the championship, and you know, my

0:15:14.640 --> 0:15:19.600
<v Speaker 1>dad always talked about him and Julius, and so when

0:15:19.600 --> 0:15:22.640
<v Speaker 1>we reached out UM, we then had a meeting with

0:15:22.960 --> 0:15:28.240
<v Speaker 1>Chris and Chris Heck and Katie O'Reilly and they proposed

0:15:29.120 --> 0:15:34.280
<v Speaker 1>doing a walk outside of their new facility which was

0:15:34.320 --> 0:15:38.600
<v Speaker 1>being built, which would honor all other retired numbers and

0:15:38.680 --> 0:15:42.680
<v Speaker 1>it would be called their Legends Walk. And at first like,

0:15:42.800 --> 0:15:46.880
<v Speaker 1>it's great, you know, um that that's that's going to

0:15:46.960 --> 0:15:50.880
<v Speaker 1>be incredible. Why don't we do well, are we going

0:15:50.960 --> 0:15:52.840
<v Speaker 1>to do portraits of them? Like how do you want

0:15:52.840 --> 0:15:55.400
<v Speaker 1>to organize this? And they said no, we would actually

0:15:55.440 --> 0:16:00.320
<v Speaker 1>like to have the full figure in this space, just

0:16:00.400 --> 0:16:03.880
<v Speaker 1>outside of one of the buildings. And it's like, oh wow,

0:16:03.920 --> 0:16:08.680
<v Speaker 1>we get an opportunity to actually make the figure in motion,

0:16:08.760 --> 0:16:10.680
<v Speaker 1>so it's not just doing a portrait. We get to

0:16:10.720 --> 0:16:22.880
<v Speaker 1>compose these little harmonized I guess designs of basketball players

0:16:22.880 --> 0:16:26.360
<v Speaker 1>that hasn't been done before. So because really, you know,

0:16:26.400 --> 0:16:29.000
<v Speaker 1>there may be a basketball player here or there at

0:16:29.040 --> 0:16:31.680
<v Speaker 1>a stadium or you know, at a facility, but to

0:16:31.760 --> 0:16:36.000
<v Speaker 1>have this what Christ has described as an outside gallery

0:16:36.160 --> 0:16:41.200
<v Speaker 1>for the seventy six ers was phenomenal. So as soon

0:16:41.240 --> 0:16:44.840
<v Speaker 1>as that conversation took place, we got started and it's like,

0:16:45.000 --> 0:16:49.480
<v Speaker 1>how can we You know, we're all about harmony, so

0:16:49.520 --> 0:16:53.480
<v Speaker 1>we wanted to have each figure in harmony. But then

0:16:53.560 --> 0:16:56.440
<v Speaker 1>we also wanted them to be unique in their own way,

0:16:56.520 --> 0:17:00.240
<v Speaker 1>so they'd have their own anatomy, their own personality, and

0:17:01.080 --> 0:17:05.200
<v Speaker 1>each one would be a piece of art in itself,

0:17:05.320 --> 0:17:11.919
<v Speaker 1>but also they would be one unit of legends that

0:17:12.160 --> 0:17:16.440
<v Speaker 1>any viewer could observe and see differences and similarities within them.

0:17:16.480 --> 0:17:21.480
<v Speaker 1>So it has I have grown so much through this

0:17:21.520 --> 0:17:26.280
<v Speaker 1>project because it's been challenging on one end and it's

0:17:26.320 --> 0:17:28.919
<v Speaker 1>just been so satisfying on another end, and it's just

0:17:28.960 --> 0:17:32.600
<v Speaker 1>been wonderful. It is a really awesome point of pride

0:17:32.600 --> 0:17:35.280
<v Speaker 1>just speaking to someone who comes into the building day end,

0:17:35.359 --> 0:17:37.920
<v Speaker 1>day out, like you look forward to making that walk

0:17:37.960 --> 0:17:40.199
<v Speaker 1>at least I do, from the business office, which is

0:17:40.200 --> 0:17:43.000
<v Speaker 1>where I work, to the Basketball Operations building because you

0:17:43.040 --> 0:17:46.240
<v Speaker 1>get to have a glimpse of these statues and figurines

0:17:46.280 --> 0:17:49.280
<v Speaker 1>on a regular basis. And now, as you said, I mean,

0:17:49.280 --> 0:17:51.280
<v Speaker 1>this isn't the first one. We're starting to get up

0:17:51.320 --> 0:17:53.560
<v Speaker 1>there where I won't give away any spoilers, but after

0:17:53.600 --> 0:17:57.199
<v Speaker 1>the installation of Charles Barkley, there's two left in the series,

0:17:57.200 --> 0:17:58.680
<v Speaker 1>so we're kind of getting there and you can see

0:17:58.680 --> 0:18:00.320
<v Speaker 1>it all come together and fan I gotta because it

0:18:00.359 --> 0:18:02.639
<v Speaker 1>almost like, I don't know if bitter sweet is the

0:18:02.720 --> 0:18:05.000
<v Speaker 1>right word, but it really is. Now the whole vision

0:18:05.040 --> 0:18:08.879
<v Speaker 1>coming together with this project. It's both. It's interesting that

0:18:09.480 --> 0:18:12.840
<v Speaker 1>seeing the lineup and talking to the points of harmony

0:18:12.880 --> 0:18:15.639
<v Speaker 1>and how they all work together with the ball moving

0:18:15.720 --> 0:18:19.080
<v Speaker 1>up and down as you go through the lineup, it

0:18:19.240 --> 0:18:21.400
<v Speaker 1>is bitter sweet to see just the last two, which

0:18:21.440 --> 0:18:26.800
<v Speaker 1>we won't talk about yet to be installed shortly. But

0:18:26.920 --> 0:18:31.080
<v Speaker 1>it's been a wonderful journey with the Sixers. We're probably

0:18:32.440 --> 0:18:35.840
<v Speaker 1>four years into this from first discussion to today, and

0:18:36.160 --> 0:18:45.720
<v Speaker 1>it's been a wonderful experience. We have helped make the players,

0:18:46.119 --> 0:18:50.919
<v Speaker 1>the staff, and I think the fans see a different

0:18:50.960 --> 0:18:54.359
<v Speaker 1>aspect and Chad and our team has had the opportunity

0:18:54.359 --> 0:18:59.119
<v Speaker 1>to create true fine arts sculpture and bridge the gap

0:18:59.400 --> 0:19:04.360
<v Speaker 1>between worts and fine art sculpture and portray harmony excellent portraiture,

0:19:05.119 --> 0:19:08.560
<v Speaker 1>and it helps the fan base actually become fans of

0:19:08.640 --> 0:19:13.280
<v Speaker 1>good fine art no question, Chad. It starts with hal

0:19:13.359 --> 0:19:16.919
<v Speaker 1>Greer and then it goes through different eras and periods

0:19:17.200 --> 0:19:19.480
<v Speaker 1>of the seventy six ers in their history. Talking about

0:19:19.480 --> 0:19:24.520
<v Speaker 1>the sculptures on the Legends Walk, what distinguishes this specific

0:19:24.720 --> 0:19:28.560
<v Speaker 1>sculpture of Charles Barkley from the other installments in the series.

0:19:29.200 --> 0:19:32.800
<v Speaker 1>So with this one, yeah, and it does with Charles

0:19:32.800 --> 0:19:35.359
<v Speaker 1>that you know, he has to come through with thunder.

0:19:35.680 --> 0:19:39.639
<v Speaker 1>You know, like this sculpture has to have his presence.

0:19:40.560 --> 0:19:42.560
<v Speaker 1>Not only you know, it has to look like him,

0:19:42.800 --> 0:19:46.440
<v Speaker 1>but it also has to be you know, his movements,

0:19:46.680 --> 0:19:49.119
<v Speaker 1>So it has to have some personality, it has to

0:19:49.520 --> 0:19:52.119
<v Speaker 1>it had. The idea of the sculptures is to present

0:19:52.200 --> 0:19:55.000
<v Speaker 1>the souls of the figure, so they're just not mannequins.

0:19:55.040 --> 0:20:01.280
<v Speaker 1>And that's where that's what differentiates fine art from other stuff,

0:20:01.720 --> 0:20:04.879
<v Speaker 1>which is it's not factory work. It's fine arts. So

0:20:05.440 --> 0:20:09.840
<v Speaker 1>they breathe and they have a soul. And with Charles,

0:20:09.880 --> 0:20:11.800
<v Speaker 1>it's like, you know, he has to come through with thunder,

0:20:11.840 --> 0:20:14.600
<v Speaker 1>he has to come through with power. You know, his anatomy.

0:20:14.640 --> 0:20:17.600
<v Speaker 1>I mean, he was just a very well built man.

0:20:17.680 --> 0:20:21.040
<v Speaker 1>I mean his his calves are huge, uh, you know,

0:20:21.080 --> 0:20:24.480
<v Speaker 1>and just like so I've analyzed Will and I've analyzed

0:20:24.520 --> 0:20:28.199
<v Speaker 1>how Greer, and I've analyzed like Bobby Jones, and then

0:20:28.240 --> 0:20:33.640
<v Speaker 1>you analyze Charles anatomy and his his caves are enormous.

0:20:34.280 --> 0:20:36.760
<v Speaker 1>I don't believe how big his arms are, Like, I mean,

0:20:37.080 --> 0:20:41.359
<v Speaker 1>he's very well built. And then the fact that he

0:20:41.440 --> 0:20:46.680
<v Speaker 1>had this athleticism and finesse. It's it was. It was

0:20:46.720 --> 0:20:49.880
<v Speaker 1>a delight going back through highlights and going back through

0:20:51.320 --> 0:20:56.360
<v Speaker 1>all of his different you know, uh, poster material photographs

0:20:56.440 --> 0:20:59.640
<v Speaker 1>with Chris and Katie and we worked with des Ron

0:20:59.680 --> 0:21:02.719
<v Speaker 1>and my going it's just and Jacqueline. It's just like

0:21:02.800 --> 0:21:06.479
<v Speaker 1>going through everything with the Sixers team of saying like

0:21:06.840 --> 0:21:11.920
<v Speaker 1>does this represent Charles's best and we it's really been

0:21:11.960 --> 0:21:15.760
<v Speaker 1>like a collaboration with the Sixers. It's like because it's

0:21:15.800 --> 0:21:18.200
<v Speaker 1>not like this is what we're doing. It's more of

0:21:18.280 --> 0:21:22.040
<v Speaker 1>been like, all right, let's do this, but like can

0:21:22.080 --> 0:21:25.000
<v Speaker 1>we push it a little bit? You know, how how

0:21:25.119 --> 0:21:27.159
<v Speaker 1>much can we take this to the edge of the

0:21:27.200 --> 0:21:30.440
<v Speaker 1>engineering and the anatomy to make this the best work

0:21:30.480 --> 0:21:34.480
<v Speaker 1>of art possible? And so Charles, Yeah, he's coming through

0:21:34.600 --> 0:21:37.760
<v Speaker 1>with some power. That's the idea is to his differential

0:21:37.920 --> 0:21:43.560
<v Speaker 1>is just it has to be. It has to show him,

0:21:44.600 --> 0:21:47.600
<v Speaker 1>you know, as he stepped on the court that this

0:21:47.640 --> 0:21:50.120
<v Speaker 1>man was a little bit different in the sense of

0:21:50.119 --> 0:21:54.360
<v Speaker 1>how he approached the game. These probably aren't the finest

0:21:54.400 --> 0:21:56.679
<v Speaker 1>details of the piece, but Doug, something that jumped out

0:21:56.720 --> 0:21:59.040
<v Speaker 1>to me was even down to like the seventy Sixers

0:21:59.119 --> 0:22:02.560
<v Speaker 1>logo on the warm up shorts for Charles that in

0:22:02.600 --> 0:22:04.560
<v Speaker 1>the pose on this sculpture when he's going up for

0:22:04.600 --> 0:22:06.720
<v Speaker 1>the tomahawk dunk, like the shorts are raised and you

0:22:06.720 --> 0:22:10.119
<v Speaker 1>can see the Sixers logo. The detail on the sneakers

0:22:10.520 --> 0:22:12.840
<v Speaker 1>give us some insight. Dug on more of what Chad

0:22:12.960 --> 0:22:15.240
<v Speaker 1>was talking about, the depths that you guys go to

0:22:15.440 --> 0:22:19.040
<v Speaker 1>and researching the subjects that you're sculpting, the lengths do

0:22:19.080 --> 0:22:21.320
<v Speaker 1>you go to to make sure that all the details

0:22:21.359 --> 0:22:23.760
<v Speaker 1>are there in the piece. Well, I've only been working

0:22:23.760 --> 0:22:28.000
<v Speaker 1>with Chad for a few projects now, but I've already witnessed, yeah,

0:22:28.119 --> 0:22:33.480
<v Speaker 1>just how intensely he researches things, and he goes as

0:22:33.520 --> 0:22:35.920
<v Speaker 1>far as to order, you know, pairs of shoes off

0:22:35.920 --> 0:22:38.920
<v Speaker 1>at eBay that he finds that are the exact match

0:22:38.960 --> 0:22:41.600
<v Speaker 1>of the shoes he's looking for. And really I've seen

0:22:41.720 --> 0:22:45.560
<v Speaker 1>stacks and stacks of photocopies of every angle he can

0:22:45.600 --> 0:22:48.080
<v Speaker 1>find of, you know, the subject matter to make sure

0:22:48.119 --> 0:22:52.240
<v Speaker 1>the portraits right on, and the whole stance and position

0:22:52.320 --> 0:22:55.840
<v Speaker 1>of everything. So yeah, the details are what early makes

0:22:55.840 --> 0:22:59.560
<v Speaker 1>it true to that person and the whole era and

0:22:59.720 --> 0:23:03.879
<v Speaker 1>the sport itself. So that's amazing, Like that something that

0:23:03.960 --> 0:23:06.119
<v Speaker 1>just the layman and myself would never think of. Of course,

0:23:06.160 --> 0:23:08.680
<v Speaker 1>like yeah, you order the shoes, it's just going to

0:23:08.720 --> 0:23:11.240
<v Speaker 1>give you that much a better sense of what these

0:23:11.280 --> 0:23:15.239
<v Speaker 1>guys are wearing. What is it like for you? And

0:23:15.280 --> 0:23:17.159
<v Speaker 1>I can ask guys, since since you guys have been

0:23:17.200 --> 0:23:19.359
<v Speaker 1>with it from the start, Chad and France, what's it

0:23:19.400 --> 0:23:22.480
<v Speaker 1>like for you the day of the sculpture unveiling when

0:23:22.520 --> 0:23:24.720
<v Speaker 1>you're here. I know you've brought family in the past,

0:23:24.760 --> 0:23:27.600
<v Speaker 1>you obviously are a family, but to be here to

0:23:27.720 --> 0:23:30.480
<v Speaker 1>see I would presume some of your heroes having this

0:23:30.680 --> 0:23:34.119
<v Speaker 1>moment and being honored in this way. What is that

0:23:34.240 --> 0:23:39.760
<v Speaker 1>day like for you? Guys? It's very specials and the

0:23:39.840 --> 0:23:44.399
<v Speaker 1>Sixers make it special, you know, um, you know we

0:23:45.160 --> 0:23:48.000
<v Speaker 1>they're open to inviting my kids and it becomes this

0:23:48.080 --> 0:23:52.199
<v Speaker 1>whole thing of teaching. It's a teaching point for me

0:23:52.240 --> 0:23:56.840
<v Speaker 1>as a father and and the history of the game,

0:23:57.880 --> 0:24:05.399
<v Speaker 1>what basketball represent and what um human achievement represents, and

0:24:05.960 --> 0:24:11.160
<v Speaker 1>why these players are being revered with a bronze statue,

0:24:11.200 --> 0:24:15.440
<v Speaker 1>Like what did they do? Um and so um? When

0:24:15.480 --> 0:24:17.679
<v Speaker 1>I was when it was Julius Irving, I was showing

0:24:17.760 --> 0:24:23.399
<v Speaker 1>my kids um different YouTube videos and different images and

0:24:23.920 --> 0:24:26.119
<v Speaker 1>him dunking from the foul line, and you know, just

0:24:26.359 --> 0:24:29.960
<v Speaker 1>showing them as much as possible who this man was

0:24:30.160 --> 0:24:32.720
<v Speaker 1>to the history of the game with the ABA, how

0:24:32.760 --> 0:24:37.560
<v Speaker 1>he changed. My daughters are now playing basketball within their

0:24:37.600 --> 0:24:42.159
<v Speaker 1>school be just it really has an effect. And you know,

0:24:42.160 --> 0:24:45.000
<v Speaker 1>the cities are great because they're they're just so warm

0:24:45.240 --> 0:24:49.560
<v Speaker 1>to my family and so that's been wonderful. But I

0:24:49.600 --> 0:24:51.920
<v Speaker 1>remember my daughter when I said, you know, mister Irving,

0:24:51.960 --> 0:24:53.560
<v Speaker 1>do you mind taking a picture with my family? My

0:24:53.640 --> 0:24:59.159
<v Speaker 1>daughter's like he touched me. So they they've learned to

0:25:01.320 --> 0:25:04.679
<v Speaker 1>look at them with admiration as I did because of

0:25:04.680 --> 0:25:07.760
<v Speaker 1>the way my father spoke with them. And whether it's

0:25:07.760 --> 0:25:13.480
<v Speaker 1>the earlier figures like Hal Greer, who has unfortunately passed

0:25:13.600 --> 0:25:17.280
<v Speaker 1>since his statue, but he was able to see himself

0:25:18.680 --> 0:25:22.360
<v Speaker 1>immortalized in bronze and I think that's a really special

0:25:22.359 --> 0:25:25.879
<v Speaker 1>moment for you know, you see your when you question

0:25:25.920 --> 0:25:28.919
<v Speaker 1>your mortality, I think it's a good thing and to

0:25:29.040 --> 0:25:31.840
<v Speaker 1>question your achievements and to question what are you doing

0:25:31.880 --> 0:25:35.600
<v Speaker 1>with your time? And how they used their time, how

0:25:35.640 --> 0:25:41.240
<v Speaker 1>they persevered, and so it's been a really great element

0:25:41.320 --> 0:25:44.240
<v Speaker 1>as a father and as a person too. I've grown

0:25:44.320 --> 0:25:46.639
<v Speaker 1>quite a bit. I learned from them, you know, reading

0:25:46.800 --> 0:25:49.239
<v Speaker 1>how much how hard they practiced, what they had to do.

0:25:49.400 --> 0:25:53.160
<v Speaker 1>How Julius would stand underneath the basketball hoop practicing over

0:25:53.240 --> 0:25:55.120
<v Speaker 1>and over with his left hand and over and over

0:25:55.160 --> 0:25:57.040
<v Speaker 1>with his right hand, and it's just like wow, you

0:25:57.080 --> 0:26:01.280
<v Speaker 1>know there is no ceiling, like you can go further

0:26:01.560 --> 0:26:05.960
<v Speaker 1>and um. So it's each statue then on that day

0:26:05.960 --> 0:26:09.159
<v Speaker 1>of the unveiling is a chance for us to be

0:26:09.240 --> 0:26:12.399
<v Speaker 1>together in the education, but also a moment for us

0:26:12.560 --> 0:26:17.800
<v Speaker 1>to to watch everyone react to the statues and and

0:26:17.840 --> 0:26:20.560
<v Speaker 1>then that that's that's the fulfilling end the mind and

0:26:20.920 --> 0:26:24.640
<v Speaker 1>is to see the reaction and saying oh, it looks

0:26:24.680 --> 0:26:27.160
<v Speaker 1>like him, or that you know it actually looks like him,

0:26:27.280 --> 0:26:32.920
<v Speaker 1>or this is the portrait. The portrait is right, or oh,

0:26:33.000 --> 0:26:35.399
<v Speaker 1>look at Bobby Jones, you know, diving for the ball

0:26:35.560 --> 0:26:40.560
<v Speaker 1>or that's the way Billy shot, you know, his jumper.

0:26:41.080 --> 0:26:43.439
<v Speaker 1>So it's like it's it's nice to see that people

0:26:43.480 --> 0:26:45.720
<v Speaker 1>look at all the little nuances in the details and

0:26:46.040 --> 0:26:48.880
<v Speaker 1>they're happy. You know, you actually get when as soon

0:26:48.920 --> 0:26:51.640
<v Speaker 1>as the veil goes off. I tried to look at

0:26:51.640 --> 0:26:54.480
<v Speaker 1>whoever's being represented and the family members that are with

0:26:54.520 --> 0:26:57.520
<v Speaker 1>them to see if they're happy, because if they're happy,

0:26:58.359 --> 0:27:01.239
<v Speaker 1>then it's like, Okay, we did our job, and uh,

0:27:01.560 --> 0:27:04.400
<v Speaker 1>you know, we don't want any anyone looking at like, oh,

0:27:04.440 --> 0:27:08.840
<v Speaker 1>I don't know, you know, because um there there as

0:27:08.840 --> 0:27:11.920
<v Speaker 1>statues like that, and we're trying to do our best

0:27:12.280 --> 0:27:17.280
<v Speaker 1>and honoring them because it's their legacy. This is this

0:27:17.359 --> 0:27:21.320
<v Speaker 1>is their representation at the six Ers, so you have

0:27:21.560 --> 0:27:23.560
<v Speaker 1>there's a responsibility on our end to do it right.

0:27:24.640 --> 0:27:27.640
<v Speaker 1>The sense of pride is very high with the reveal,

0:27:28.240 --> 0:27:32.320
<v Speaker 1>and I always reflect on the first sketch that I

0:27:32.359 --> 0:27:37.520
<v Speaker 1>saw Chad do and all of the effort, the hundreds

0:27:37.560 --> 0:27:39.960
<v Speaker 1>of steps behind the scenes that it takes to get

0:27:40.000 --> 0:27:45.439
<v Speaker 1>a and a thought into final bronze. It's great for

0:27:45.480 --> 0:27:49.000
<v Speaker 1>our family. There's a lot of pride in the family

0:27:49.080 --> 0:27:52.120
<v Speaker 1>for what Chad has achieved and what we've achieved as

0:27:52.119 --> 0:27:56.199
<v Speaker 1>a small family company. I also see something interesting, and

0:27:56.240 --> 0:27:59.320
<v Speaker 1>it was Chris had mentioned this. Chris, I could mention this.

0:28:00.040 --> 0:28:05.120
<v Speaker 1>The players always glance down the line, and I know

0:28:07.040 --> 0:28:10.800
<v Speaker 1>some of them, if not all of them, imagine themselves

0:28:10.840 --> 0:28:13.560
<v Speaker 1>on one of those pedestals at some point in time

0:28:13.560 --> 0:28:17.160
<v Speaker 1>in the future. And I think that was part of

0:28:17.240 --> 0:28:21.440
<v Speaker 1>their intention. And it's brilliant. You know, you capture the city,

0:28:21.560 --> 0:28:24.840
<v Speaker 1>you teach people step by step how art is made.

0:28:25.119 --> 0:28:29.440
<v Speaker 1>Number Two, you inspire the players. You create a transformation

0:28:29.680 --> 0:28:32.040
<v Speaker 1>as you and other people come to work. You know

0:28:32.160 --> 0:28:35.200
<v Speaker 1>you're in a special place. When you see a company

0:28:35.680 --> 0:28:41.160
<v Speaker 1>like the seventy six ers provide the funding for this

0:28:41.280 --> 0:28:44.840
<v Speaker 1>Walk of Fame, it is tremendous. It's got to light

0:28:44.880 --> 0:28:46.959
<v Speaker 1>people up at work here. It's got to light up

0:28:46.960 --> 0:28:49.640
<v Speaker 1>to players. And then, of course those that are honored

0:28:50.800 --> 0:28:53.720
<v Speaker 1>can't be anything but proud of their achievements to see

0:28:53.760 --> 0:28:56.840
<v Speaker 1>their image there permanently in bronze. I know I said

0:28:56.840 --> 0:29:00.000
<v Speaker 1>earlier that there are two more sculptures remaining in the series,

0:29:00.160 --> 0:29:01.440
<v Speaker 1>but I think we should put a date on the

0:29:01.480 --> 0:29:04.200
<v Speaker 1>calendar twenty to twenty five years from now, maybe get

0:29:04.240 --> 0:29:07.440
<v Speaker 1>a couple more Larry O'Brien trophies in the building, and

0:29:07.560 --> 0:29:10.080
<v Speaker 1>some guys in the current roster we might need some

0:29:10.120 --> 0:29:13.080
<v Speaker 1>statues as well. Well. This has been terrific guys. Congratulations

0:29:13.160 --> 0:29:16.280
<v Speaker 1>on a project, well done, awesome stuff. Appreciate at the

0:29:16.280 --> 0:29:22.000
<v Speaker 1>time and congrats thank you. Yeah, I mean it is

0:29:22.200 --> 0:29:25.400
<v Speaker 1>not far fetched in the least to think about guys

0:29:25.640 --> 0:29:29.880
<v Speaker 1>on the current seventy sixers roster who who knows, someday

0:29:30.560 --> 0:29:35.800
<v Speaker 1>may like Charles Barkley, be immortalized with some bronze and treatment. Hey,

0:29:35.800 --> 0:29:37.680
<v Speaker 1>coming up next time on the broadcast, we're going to

0:29:37.760 --> 0:29:41.880
<v Speaker 1>dive into how the seventy sixers starting five stacks up

0:29:42.000 --> 0:29:45.120
<v Speaker 1>against its competition, not just in the Eastern Conference, but

0:29:45.160 --> 0:29:47.400
<v Speaker 1>around the rest of the league. That episode will be

0:29:47.440 --> 0:29:50.240
<v Speaker 1>coming away, most likely early next week, so be on

0:29:50.240 --> 0:29:52.840
<v Speaker 1>the lookout. Talk to you them here on the broadcast.

0:29:52.920 --> 0:30:04.880
<v Speaker 1>See it that that