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Speaker 1: Hi will Hi Christie. Oh no, are you sick? Yes,

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Speaker 1: I am sick right now. Don't tell me. Is it COVID?

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Speaker 1: It is? I have COVID right now. But you know

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Speaker 1: it's gonna make me feel a whole lot better. I

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Speaker 1: don't know today's guest. Yeah, a conversation with a legend

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Speaker 1: that will always make me feel better. Who is it

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Speaker 1: Tara Strong? Is it Tara or Terror? Can we at

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Speaker 1: least figure that out? Well, let's go see. I hear voice.

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Speaker 1: I'm kind of fan girling right now. You are we

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Speaker 1: just start are you talking about? I know we are

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Speaker 1: our friends and we get to hang out on social media,

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Speaker 1: but it's it's it's a bummer because I'm kind of

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Speaker 1: obsessed with you. So there's that. You Look how excited

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Speaker 1: you got just when she mentioned that you were friends.

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Speaker 1: I've never seen you that excited. You have children, unbelievable.

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Speaker 1: She has adorable, adorable children too. Well, yeah, the the

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Speaker 1: kids are cute. Thankfully they take after her because her husband.

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Speaker 1: You guys are just a bunch of people, thank you.

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Speaker 1: I mean, so we just started here, by the way,

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Speaker 1: we just we just get into this really official wrong,

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Speaker 1: Although I say I can say Tara Lisa Shaffer. I

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Speaker 1: remember when we talked about you being on Kim Possible

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Speaker 1: as one of our our cheerleaders. Um. I remember being

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Speaker 1: like so excited about you being one on Kim Possible

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Speaker 1: and she was like, oh, yeah, Tara. Tara comes in

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Speaker 1: records and I was like, oh no, I feel like

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Speaker 1: I've been saying it wrong this whole time. You know

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Speaker 1: what actually like, technically, it probably is Tara because I

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Speaker 1: am named for my grandmother on my mother's side, who

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Speaker 1: was Russian Jewish and her name was Tamara, and my

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Speaker 1: maiden name is chair and Off. So my parents thought

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Speaker 1: it would be cruel to have a kindergartener spell out Tamara,

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Speaker 1: chair and Off, so they took the first two in

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Speaker 1: the last two. So technically, I think we've just discovered

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Speaker 1: on your program that my name is Tara. Exclo. Okay,

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Speaker 1: we're going to wrap it up right there. Thank you,

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Speaker 1: great show, you guys, and I hear voices that's amazing. Yes, Um,

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Speaker 1: I first off have to apologize everybody out there who's like,

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Speaker 1: why does Will sound sick? It's because Will sick. There's

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Speaker 1: weather out there and I'm under it. People, Um, that

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Speaker 1: is the problem. So yes, I got the vid. I apologize.

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Speaker 1: I can't give it to anybody through the podcast, though,

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Speaker 1: I'm almost sure is this the first time you've had it?

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Speaker 1: This is the first, that's the question nowadays, isn't it Like,

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Speaker 1: is this the first time? I just had it like

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Speaker 1: a month ago, and it was the first time, which,

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Speaker 1: of course we're lucky because now it's quite mild. Yeah,

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Speaker 1: which is great. I went to a convention in Iowa

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Speaker 1: and apparently that's what did it. Oh yeah, I've been

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Speaker 1: doing those a lot lately. But me too. But I mean,

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Speaker 1: halfway through, I was like, maybe I shouldn't be licking

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Speaker 1: all these people, but that will thank you. But you're

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Speaker 1: at a convention, fun, so I apologize. Well, first of all,

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Speaker 1: I love you, and I am sad that you have COVID,

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Speaker 1: and I'm glad that you're here and you're well enough

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Speaker 1: to be hosting this with us, because the thought of

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Speaker 1: you being sick has actually made me quite upset the

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Speaker 1: last couple of days, texting him very like familial you know, yeah, yeah, yeah, anyway,

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Speaker 1: it's not all I'm just saying you and I through

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Speaker 1: this entire process and through through Kim possible, I definitely

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Speaker 1: consider you to be like a slide acquaintance, and that's

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Speaker 1: really awesome to me. You've made it. Yep, yep. Good.

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Speaker 1: We need to talk about on my show. Then we're

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Speaker 1: going to really get into what you guys really feel

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Speaker 1: about each other. We're going to do that. We're on

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Speaker 1: show right now. We're totally doing that. But you are

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Speaker 1: here on our show now. And what I was going

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Speaker 1: to do, to be totally honest me when we started,

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Speaker 1: was to list your credits. But the problem is, the

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Speaker 1: show's only an hour. In everything, I like, I win,

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Speaker 1: I am dB like, if it's a race on how

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Speaker 1: many I think I win, I think I would not disagree.

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Speaker 1: I mean it's it's can we just list? Can we

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Speaker 1: list some of them? I mean we'll start with you know,

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Speaker 1: teen Titans, Teen Titans, go, um My Little Pony, Powerpuff Girls, Benten,

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Speaker 1: rug Rats. I mean, it's like you could just keep

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Speaker 1: going and going and going and going. Uh. It's really crazy.

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Speaker 1: And that's not that's just animation. We're not even talking

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Speaker 1: about video games and everything else at that point. Again,

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Speaker 1: very and I wasn't even talking about this is I

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Speaker 1: hear voices, not I see faces, everything seeing. But it's

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Speaker 1: it's incredible. So let's get into this. I guess we'll

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Speaker 1: be here. How how did you start in the voiceover industry?

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Speaker 1: I bet, I bet we all had similar starts. Like

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Speaker 1: I knew when I was four or five, I was

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Speaker 1: here to be a performer. I'm sure you guys knew that,

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Speaker 1: Like it feels to me like you guys knew that. Yeah, um,

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Speaker 1: we came we came here right with those gifts. It's

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Speaker 1: like you see people that can sit down and play

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Speaker 1: Mozart without hearing at first, or can paint so beautiful thing.

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Speaker 1: It's like, that's what they came here to do. That's

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Speaker 1: what we came here to do. And I didn't know

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Speaker 1: that it was going to be primarily voice over. I

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Speaker 1: just knew that I wanted to seeing Dan's act at

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Speaker 1: a very very young age. And I grew up in

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Speaker 1: Toronto where there's a lot of American production. There's a

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Speaker 1: lot of runaway production as well a lot of Canadian production,

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Speaker 1: so you really get a good resume um before you

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Speaker 1: come out right, Like there's so many Canadian performers out

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Speaker 1: in l A because there's a lot of work and

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Speaker 1: people get a lot of experience. However, the paycheck is

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Speaker 1: not typically the same, and there's not really a star

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Speaker 1: system or like a lot of the times it gets

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Speaker 1: frustrating for the Canadians that if they're casting a movie,

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Speaker 1: they'll give the leads to the American actors and then

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Speaker 1: the Canadians get the little token parts and it starts

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Speaker 1: to feel like what's what else is there? But when

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Speaker 1: I was starting out and I knew that too, like

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Speaker 1: very young, I remember, like six seven years old saying

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Speaker 1: I want to be like on a movie of the week,

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Speaker 1: Like I remember thinking that. And actually when I first

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Speaker 1: moved to l A and I booked Sabrina, I was like, Okay,

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Speaker 1: I'm so I just did a movie the week in Italy,

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Speaker 1: Like great, but that with the Sabrina with Melissa Y. Yeah.

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Speaker 1: But I really had to like beg my parents to

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Speaker 1: get me an agent because they didn't really know anything

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Speaker 1: about the business when I was a kid. The closest

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Speaker 1: thing was I had a grandfather who was a cantor,

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Speaker 1: and um, they finally got me an agent when I

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Speaker 1: was thirteen, and literally I have the same agent that

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Speaker 1: I work with today. That's my story, though you just

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Speaker 1: said my story, like begging my parents would get me

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Speaker 1: an agent and yeah, that's same, same exact thing. Yeah,

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Speaker 1: so I will mention that in Canada, you're right because

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Speaker 1: the taxes there are very different. So like I did

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Speaker 1: last time I worked in Canada was I did The

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Speaker 1: Little Cameo and The Impossible Live Action and literally like

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Speaker 1: like more than like six is gone because of the taxes.

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Speaker 1: And you know in that movie and you owed eighty

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Speaker 1: seven dollars by the time. Did you shoot it in Vancouver?

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Speaker 1: I believe So I believe the worst because there's no residuals.

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Speaker 1: There's no Vancouver. They're just undercutting themselves in the entertainment

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Speaker 1: industry in Vancouver. It's really sad because the actors have

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Speaker 1: no way to negotiate. If we're like, okay, we'll do that,

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Speaker 1: but we want residuals, are like, bye, we'll find someone else.

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Speaker 1: My little pony made the network a billion dollars and

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Speaker 1: most of that cast is in Vancouver. Net residualsz crazy

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Speaker 1: because that became a phenomenon. I mean that was by

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Speaker 1: the way we jump around. I hear, yeah, I hear

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Speaker 1: voices might as well just be called something shine um

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Speaker 1: so so so yeah, well we'll get into all that stuff.

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Speaker 1: So okay, so you're I'm trying, we try to stay

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Speaker 1: on track. So you're thirteen, you finally get to the

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Speaker 1: agent that you're still with you and you start in Canada, right.

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Speaker 1: I do my first cartoon series, which is Hello Kitty.

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Speaker 1: I was Hello Kitty. She had a mouth, and that's

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Speaker 1: where I met Cree summer. She was the bad cat.

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Speaker 1: She was cat hit and UM. I also book my

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Speaker 1: first on camera show, which was a show with Miss

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Speaker 1: Sarti called T and T. And I also got to

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Speaker 1: do theater. I had a very well rounded career in Toronto.

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Speaker 1: I had a sitcom and I had UM all kinds

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Speaker 1: of episodic work in theater and a ton of animation

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Speaker 1: care Bears, Beetlejuice, my Pet Monster, all that stuff records

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Speaker 1: up in Toronto. So the nice thing, too is when

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Speaker 1: I came up like I had UM, some people who

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Speaker 1: knew who I was or new my work. And as

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Speaker 1: we know, UM, animation is a pretty small world, and

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Speaker 1: they like to stick to people that they know because

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Speaker 1: studio times expensive and if they know you could give

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Speaker 1: three characters, they can only they don't have to spend

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Speaker 1: one sag scale fee, so they're going to stick to people.

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Speaker 1: They know that then that can be versatile and get

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Speaker 1: the job done. So it's like a hard word world

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Speaker 1: to break into. Even when I first moved here, I

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Speaker 1: was like two years eviction notice broken. Actually the woman

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Speaker 1: who gave me my first job in l A was

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Speaker 1: the woman who gave me Hello Kitty when I was thirteen. Really,

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Speaker 1: notice broke. I'm saying two notices on my door and

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Speaker 1: Marcia Goodman called and said, you want to come be

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Speaker 1: in the new Gadget Boy, and how they're seriously, Oh,

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Speaker 1: got to be kidding. So this is what late nineties,

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Speaker 1: mid nineties. Yeah, I moved here in ninety four, and

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Speaker 1: it took a couple of years to really kind of

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Speaker 1: get my footing, and I think I was like, yeah,

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Speaker 1: I booked Um Bubbles from the Powerpuff Girls and bat

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Speaker 1: Girl and a hundred episodes of a hundred one Dalmatians

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Speaker 1: all around the same time. And I think that's when

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Speaker 1: Hollywood's like, who's this girl? Yeah, yeah, you know, and

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Speaker 1: the rest of history. Like I'm just because I think

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Speaker 1: the time I met you for the first time, I

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Speaker 1: think on Batman Beyond, I think he did an episode

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Speaker 1: of Batman Beyond in the late nineties, and it was

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Speaker 1: already like you were like a legend by the time

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Speaker 1: I had met you. Yeah, because that was the first

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Speaker 1: show I ever did. Yeah, but it was it was

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Speaker 1: just that like, oh TARSI were like, okay, I from

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Speaker 1: But like you said, you went from two evictions on

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Speaker 1: the door to a legend in the industry in less

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Speaker 1: than five years. That's so inspirational to our listening. Amazing

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Speaker 1: when you think about it. I mean that's nuts. No,

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Speaker 1: I think it's amazing. All the time, you had already

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Speaker 1: worked in Toronto. You've had a career, and so when

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Speaker 1: you sort of red restarted yourself in California, it wasn't

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Speaker 1: a matter of your talent. Your talent was always there.

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Speaker 1: It was just a matter of time or like what

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Speaker 1: was that like, Well, I um say this a lot

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Speaker 1: to kids at cons because you know there's always people,

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Speaker 1: let say, how do you get in? And I caution

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Speaker 1: people because there are a lot of nefarious people who

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Speaker 1: like to take money from hopeful And I say, which

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Speaker 1: is true. The truth is the entertainment industry is the

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Speaker 1: only industry that doesn't care how much you've trained, how

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Speaker 1: good you are, how beautiful you are, how much you

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Speaker 1: want to work. If you want to work as a dentist,

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Speaker 1: and you go to school and you study, you're going

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Speaker 1: to be a dentist. But you could study, take a

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Speaker 1: million acting classes, do whatever you can to get your

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Speaker 1: you know, do you look at how you want to

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Speaker 1: look or whatever you want to portray. You could be

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Speaker 1: ready to go and you could be a brilliant actor

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Speaker 1: and you might never get that break that puts you

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Speaker 1: on the map. There has to be a serendipitous moment

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Speaker 1: that happens that puts you in a job that a

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Speaker 1: people really like and then be people really like you

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Speaker 1: in And that's how a ball starts rolling for a

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Speaker 1: successful career. And we all have like that one or

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Speaker 1: a couple of jobs that are like yeah, because you

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Speaker 1: know what, I know, amazing talented uh kind, beautiful souls

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Speaker 1: that are so talented and don't work. It's like it's crazy,

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Speaker 1: it's crazy. So we also know the opposite of that,

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Speaker 1: we know untalented people who are not right. But you know,

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Speaker 1: but you know what, those guys don't last in voiceover,

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Speaker 1: there's really and that's why I love voice acting. Yes,

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Speaker 1: the community, it doesn't matter. Everything like everyone's so nice.

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Speaker 1: We all watch out for each other, all happy when

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Speaker 1: we book work because it just means I'm on your show,

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Speaker 1: you're on my show. You know, you get some catty bullshit,

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Speaker 1: let's be honest. But for the most part, it's a

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Speaker 1: tremendous all about yes. But it's a huge difference from

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Speaker 1: on camera it is well yeah, oh no, it's yeah,

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Speaker 1: it's night and day between the two. But you're right,

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Speaker 1: it's I think it's growing a little bit now, which

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Speaker 1: is not necessarily a bad thing. I think that's actually

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Speaker 1: a good thing, especially when it comes to more opportunity

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Speaker 1: for people of color and things like that. But it

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Speaker 1: was a very very small world voice over, and it's

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Speaker 1: starting to expand a little bit. But it's still a

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Speaker 1: pretty closed off a section of the entertainment energy, is it?

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Speaker 1: Because Tara can only do so many voices at one

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Speaker 1: particular time, And that almost know that I'm in dreaming

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Speaker 1: video right now, and I actually have to audition for

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Speaker 1: things every day every day. I'm like, I don't know,

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Speaker 1: go watch any one of my gabillion videos. Like my

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Speaker 1: friend that was casting at Disney for a little while

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Speaker 1: and he said, you know what, we had to start

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Speaker 1: doing and like what he said. He told me that

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Speaker 1: he started putting a different name on my audition clips

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Speaker 1: and playing it for them because there's always there's always

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Speaker 1: a suit that goes oh Towers on everything. Let's bring

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Speaker 1: in some new blood and they audition and Evin be like, oh,

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Speaker 1: we want that chick, and he'd like, that's Tara, that's Sarah.

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Speaker 1: Have that job anymore? So yeah, you Jane Smith, this

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Speaker 1: Jane Smith. And you know, it's up and down. Sometimes

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Speaker 1: you're working like crazy and sometimes you're like, I'm ever

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Speaker 1: going to work again? And that's all like, you know,

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Speaker 1: the best way to make money during those lulls is

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Speaker 1: to take money from hopeful Uh no, I'm kidding. Um,

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Speaker 1: So it's why I don't teach. I'd hate to take

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Speaker 1: someone's money. And you know, all these people promising work

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Speaker 1: and charging people to audition, there is no one in

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Speaker 1: our world that got there because they paid to audition.

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Speaker 1: It's like so gross. There is a big difference though,

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Speaker 1: in Joe Blow and I'm making up that name that

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Speaker 1: is not an actual name. It might be uh it

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Speaker 1: might be charging money to teach you voice over and

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Speaker 1: taking money from Tara Strong. Are giving money to Tara

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Speaker 1: Strong because she teaches you. I mean it's again, it

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Speaker 1: was it's like, hey, I directed one animated series, or

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Speaker 1: Andre Romano is teaching your class. It's like you pay

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Speaker 1: for and that okay, fair enough? You know, Yeah, you'd

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Speaker 1: be you'd be a pretty good teacher to have. I

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Speaker 1: would definitely be a good teacher. I mean I've coached people,

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Speaker 1: but yeah, oh my gosh, you need a master class.

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Speaker 1: She needs a masterclass. You know how they have those online.

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Speaker 1: I would absolutely take your masterclass. And I'd love to

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Speaker 1: be on masterclass. That'd be fun. I think you should

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Speaker 1: do a ted talk about your master class. I think

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Speaker 1: that why don't we just do it at all? We should.

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Speaker 1: Now I have a question for you, the question you've

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Speaker 1: heard a thousand times. We've all heard a thousand times,

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Speaker 1: and you're gonna be forced to answer yet again, on

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Speaker 1: camera or voice over? Which one do you prefer? You

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Speaker 1: know what? They're both so great? Are you allowed to

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Speaker 1: swear on this show? You? You know what, Let's be honest.

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Speaker 1: On camera is so much fun you are on a set,

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Speaker 1: especially when it's your show and you're on set all

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Speaker 1: day and you have this camaraderie with people. It's it's exciting.

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Speaker 1: It's fun, and anyone who said as it isn't as

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Speaker 1: full of crap or they're jaded and they shouldn't be

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Speaker 1: in this business. Because I don't know about you guys.

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Speaker 1: I actually do know about you guys. You guys are

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Speaker 1: excited about everything you book. You don't phone anything in right.

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Speaker 1: You guys love what you do, and that translates. And

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Speaker 1: so there are things that are really lovable about on camera,

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Speaker 1: and then there are things that are really love lovable

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Speaker 1: about voiceover. I work here every day in my pajamas,

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Speaker 1: doesn't matter. I get to be super mom to my

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Speaker 1: kids and my dogs, and I get to go do

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Speaker 1: a yoga class in between a job on my computer,

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Speaker 1: and like it's like, you know, you don't have to

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Speaker 1: worry about hair and makeup and lighting, and you get

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Speaker 1: to play with extraordinary, amazing humans. So they're both really great.

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Speaker 1: And if I had only had an on camera career,

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Speaker 1: I might be really hurting for cash right now. So

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Speaker 1: a lot of women my age are really hurting. Hollywood

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Speaker 1: is not kind to aging women. Even in voice over

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Speaker 1: you see a little bit of it, but it's challenging.

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Speaker 1: So I feel really grateful that I've had the opportunity

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Speaker 1: to do to do both, um, and I'm excited to

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Speaker 1: see what else is coming. I mean, always open to

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Speaker 1: new adventures for sure, but they're both great, don't you think, Like,

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Speaker 1: what do you guys? I do? I also I this

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Speaker 1: is I think it's just because I'm I'm normally a

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Speaker 1: very positive person, but I've also been in this industry

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Speaker 1: for thirty five years. So I just assume every job

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Speaker 1: by book is the last job I'm ever going to have.

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Speaker 1: It's imposter syndrome. Man, it's like a killer. It's a killer.

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Speaker 1: It is. It's like, I see it's not really I mean,

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Speaker 1: I know that I deserve to be here after this

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Speaker 1: amount of time, I just assume that eventually the well

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Speaker 1: is going to dry up. And it's like, you've been Okay,

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Speaker 1: you've been doing this for thirty five years. Thanks, You've

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Speaker 1: had an awesome career. And if I turned around and

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Speaker 1: had to retire tomorrow and never worked again, I get

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Speaker 1: to look back and go, you know what, really proud

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Speaker 1: of what I did and got to the heights that

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Speaker 1: I wanted to get to, and nobody can take that

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Speaker 1: from me. But I always just assume I'm never gonna

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Speaker 1: work again. Yeah, and I think that in in in

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Speaker 1: knowing you will knowing that we both kind of deal

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Speaker 1: with different levels of anxiety and impostor syndrome. Like she

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Speaker 1: was saying, people have misconceptions about working voice actors and

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Speaker 1: working actors on the whole. They think like, we're always working,

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Speaker 1: We're always you know, getting paid all the time, checks

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Speaker 1: just coming in the mail every single day for all

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Speaker 1: the jobs that we used to do, and we're turning

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Speaker 1: down all the time. Really really want to do that part, right,

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Speaker 1: Like like if you told me, look, I had to

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Speaker 1: turn something down, I'd be like, that's that's a nice

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Speaker 1: problem to have. But like we're talking about all of

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Speaker 1: us here are hard working people that are very grateful

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Speaker 1: for the work that we get to have. So I

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Speaker 1: think we just love what we did. It's also not

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Speaker 1: Brad Pitt or Angelina Jolie were not. These people that

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Speaker 1: are that are superstars, were journey people actors. That's what

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Speaker 1: we do. We we act. It's that's like, can I

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Speaker 1: make you feel better? I've spoken to those A list

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Speaker 1: level celebrities and they also have imposters and of course okay,

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Speaker 1: in acting it really actually made me feel better. Um

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Speaker 1: that were the most insecure group of beings on the planet.

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Speaker 1: But it's true. This that's like that insecure voice that

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Speaker 1: is an asshole. It is trying to kai bosh you.

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Speaker 1: It is saying you're not good enough, you're not good

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Speaker 1: looking enough, you're not interesting enough. And you, as the

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Speaker 1: act That's why we're such good actors were good at

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Speaker 1: shutting that voice up and saying, hey, I got this.

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Speaker 1: You know, it's part of present job. It's part of

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Speaker 1: the job to shut that voice out when you're doing

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Speaker 1: a new show. I mean, you know, recently, I was

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Speaker 1: shooting Pretty Hard Cases in Toronto, which is now on

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Speaker 1: Amazon and IMDbTV, and I was third on the call

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Speaker 1: sheet for a for the first time in a really

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Speaker 1: long time, and had to memorize pages and pages of dialogue, which,

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Speaker 1: as you know, we don't have to do so it's

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Speaker 1: not really in my wheelhouse anymore. And so I should

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Speaker 1: be like, Yeah, the only way I could memorize my

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Speaker 1: lines is I would go on the treadmill and put

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Speaker 1: the script on the treadmill, because I at least I

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Speaker 1: had to look at it, and I couldn't look at

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Speaker 1: a pretty animal or whatever, and I would like focus

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Speaker 1: over and over and then I would work with a

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Speaker 1: coach and I just wanted to make sure, like, oh,

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Speaker 1: I've never played this person in this world, and I

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Speaker 1: want to get it right, you know. So it's like

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Speaker 1: every time you're you book something new, you're sort of

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Speaker 1: back to one improving yourself in this business, unless, like

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Speaker 1: you said, you're an A list and they just call you.

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Speaker 1: But that's very rare, you know. And I was just

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Speaker 1: at a con with some superstars from Star Trek who

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Speaker 1: are like, can you believe I still have to add dish?

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Speaker 1: I'm like, no, Like, you know, Hollywood should know what

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Speaker 1: you can do. They should and you don't have to

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Speaker 1: stand there with a card that says your name, Like

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Speaker 1: that's humiliating. There's no for you are You are a

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Speaker 1: goddess and Hollywood shouldn't know that by now. But it's

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Speaker 1: a problem. It's it's so strange. It's so funny what

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Speaker 1: you said about the memorizing the lines though. I just

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Speaker 1: did a a small thing for for Dietrich bader U

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Speaker 1: and it was myself, Johnny DiMaggio, and Tom Kenny all

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Speaker 1: on camera for just the thing. We shot for him

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Speaker 1: for a day, and it was three voiceover actors who

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Speaker 1: kept looking at each other going, I don't remember how

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Speaker 1: to memorize lines, right, Like just if you don't, if

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Speaker 1: you don't use that muscle, it goes So it was

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Speaker 1: one of those things where I was like, I can't

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Speaker 1: believe that I'm having trouble. I used to be able

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Speaker 1: to read a script and I knew everybody's part. It

399
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Speaker 1: was that simple, right and goes away. Yeah, it goes away.

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Speaker 1: It's so strange. I finally found my new groove back

401
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Speaker 1: into it. Like every time I have an on camera audition,

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Speaker 1: now I'm like, I got this. I got this, but

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Speaker 1: it had I had to go through that series first

404
00:20:05,200 --> 00:20:07,040
Speaker 1: to get those training wheels back on and now I

405
00:20:07,040 --> 00:20:09,080
Speaker 1: can take them off again. But it's like when you

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Speaker 1: see people say, oh, um, you know, I really want

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Speaker 1: to try voice over if they're doing on camera, and

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Speaker 1: I'm like, it's a different animal. It is like asking

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Speaker 1: a tap dance er if they do ballet. Not everybody

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Speaker 1: can do both. So it's we're really lucky that we

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Speaker 1: get to do both. You I what I love U,

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Speaker 1: Taras is that your confidence is only like making me

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Speaker 1: so inspired, But at the same time, it's so wonderful

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Speaker 1: to see that, like your work is sort of inspired

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Speaker 1: by your confidence. And so something that I am interested

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Speaker 1: in is when you're approaching all of these different opportunities

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Speaker 1: that you do get through this this like daily auditioning.

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Speaker 1: I feel like you're not just like phoning in your auditions,

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Speaker 1: otherwise you wouldn't take your time out of your day

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Speaker 1: to do them. So I'm curious, how does a nicon

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Speaker 1: like your self, which we should be like, that's the truth,

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Speaker 1: You're an icon. I've been looking forward to this episode

423
00:21:06,119 --> 00:21:09,960
Speaker 1: for a very long time, so cute. I have to

424
00:21:09,960 --> 00:21:12,800
Speaker 1: stop first of all to let me just say too,

425
00:21:12,840 --> 00:21:16,560
Speaker 1: because I find very often lately it's been such a

426
00:21:16,560 --> 00:21:18,400
Speaker 1: hard time in a negative time, and how many times

427
00:21:18,440 --> 00:21:20,600
Speaker 1: do you really say to that person like, Wow, you

428
00:21:20,640 --> 00:21:22,280
Speaker 1: know what, you have a really good marriage, you're a

429
00:21:22,280 --> 00:21:24,160
Speaker 1: really good dad, or you know what, you're a really

430
00:21:24,200 --> 00:21:26,359
Speaker 1: good teacher. Because we were very quick to bring up oh,

431
00:21:26,400 --> 00:21:29,760
Speaker 1: I didn't like that anything like that. You should know

432
00:21:29,840 --> 00:21:34,320
Speaker 1: you're like an extraordinary looking, supermodel level gorgeous you are,

433
00:21:34,920 --> 00:21:38,280
Speaker 1: and you're so talented and you share your life with

434
00:21:38,280 --> 00:21:41,000
Speaker 1: the world in a joyful way that makes people feel good,

435
00:21:41,280 --> 00:21:43,520
Speaker 1: and you're putting out a ton of light energy and

436
00:21:43,600 --> 00:21:46,560
Speaker 1: you are your own superstar and legend, and will I

437
00:21:46,640 --> 00:21:48,159
Speaker 1: thought the same thing when I met you. I'm like,

438
00:21:48,200 --> 00:21:52,080
Speaker 1: that's the cute guy from Boymad's world. Like you're your

439
00:21:52,119 --> 00:21:55,199
Speaker 1: own legend and adorable and from everything I it's a

440
00:21:55,200 --> 00:21:57,479
Speaker 1: great guy too. So let's just all like share this

441
00:21:57,560 --> 00:22:03,000
Speaker 1: world me should be, we should just bring people on

442
00:22:03,160 --> 00:22:06,560
Speaker 1: to tell us we're awesome. I was lying, by the way,

443
00:22:06,560 --> 00:22:08,440
Speaker 1: I'm just speaking truth. I'm not no one. He says,

444
00:22:08,560 --> 00:22:10,600
Speaker 1: I'm the nicest person in the world. I'm just speaking true.

445
00:22:10,680 --> 00:22:14,560
Speaker 1: I mean I'm pretty. I really needed that. I honestly,

446
00:22:14,600 --> 00:22:16,680
Speaker 1: I really needed that. In case you don't know that,

447
00:22:16,760 --> 00:22:19,560
Speaker 1: like you're a goddess. You're like ridiculous, and I think

448
00:22:19,720 --> 00:22:21,719
Speaker 1: I think I'm like cute and sexy, but you're like

449
00:22:21,800 --> 00:22:24,679
Speaker 1: super You're so hot. Okay, you don't need to be here,

450
00:22:24,680 --> 00:22:27,000
Speaker 1: will you? Just? I don't even know. I'm just keep like,

451
00:22:27,200 --> 00:22:30,000
Speaker 1: I don't even I got nothing. I got nothing. So

452
00:22:30,040 --> 00:22:33,440
Speaker 1: the second part of that whole comment was, so, when

453
00:22:33,480 --> 00:22:36,240
Speaker 1: you're approaching all these awesome opportunities here, how are you

454
00:22:36,320 --> 00:22:39,199
Speaker 1: putting yourself like fully in? Okay, so here's where I

455
00:22:39,240 --> 00:22:41,080
Speaker 1: do my voice of auditions Actually I do some one

456
00:22:41,160 --> 00:22:43,119
Speaker 1: camera here too. I have a black screen that I

457
00:22:43,160 --> 00:22:45,239
Speaker 1: put up there, or I knew it in my other

458
00:22:45,320 --> 00:22:48,600
Speaker 1: room because I'm in Malibu now and I have ocean

459
00:22:48,720 --> 00:22:50,680
Speaker 1: view and it's like the first time I've lived on water,

460
00:22:50,760 --> 00:22:53,040
Speaker 1: and it's so healing and beautiful and the lights amazing.

461
00:22:53,080 --> 00:22:55,280
Speaker 1: So sometimes I do it in there, But voice over

462
00:22:55,320 --> 00:22:59,400
Speaker 1: auditions are all right here in my amazing. Um, well,

463
00:22:59,480 --> 00:23:01,719
Speaker 1: padded to you George W when A'm maide of who

464
00:23:01,760 --> 00:23:02,800
Speaker 1: I don't know if you know him, but he's like

465
00:23:02,840 --> 00:23:04,840
Speaker 1: the best in the bus. He's like the booth whisper.

466
00:23:04,960 --> 00:23:06,640
Speaker 1: He'll come in and go, oh, this plug is no good.

467
00:23:06,640 --> 00:23:08,040
Speaker 1: You gotta get a different plug in here or else

468
00:23:08,040 --> 00:23:11,399
Speaker 1: you're gonna hear the planes like what's his name? George

469
00:23:11,400 --> 00:23:15,439
Speaker 1: Wham Okay, Yeah, he's amazing. I'll give you his info.

470
00:23:16,600 --> 00:23:18,760
Speaker 1: He traveled, he travels too, he said. He's set up

471
00:23:18,760 --> 00:23:23,440
Speaker 1: like Don Lafontaine's booth, like he's everybody's guy. Um yeah,

472
00:23:23,520 --> 00:23:26,320
Speaker 1: and uh, as you know you When you have an audition,

473
00:23:26,359 --> 00:23:28,159
Speaker 1: you get sides, which is a portion of the script

474
00:23:28,240 --> 00:23:31,239
Speaker 1: which will contain dialogue and stage directions which you have

475
00:23:31,359 --> 00:23:33,800
Speaker 1: to read because in voice over if the line is

476
00:23:33,840 --> 00:23:35,840
Speaker 1: woe and you see a hot guy or girl, or

477
00:23:35,880 --> 00:23:37,679
Speaker 1: you're falling off a cliff, it's two different lines. So

478
00:23:37,680 --> 00:23:39,720
Speaker 1: you gotta know what you're saying. So you read the

479
00:23:39,720 --> 00:23:41,720
Speaker 1: stage directions, you read the script, and then sometimes we

480
00:23:41,800 --> 00:23:44,600
Speaker 1: get a show bible. We'll often get a drawing, which

481
00:23:44,600 --> 00:23:46,400
Speaker 1: I love. I love when you see what they sort

482
00:23:46,400 --> 00:23:48,359
Speaker 1: of picture. If I have a drawing, I'll put it,

483
00:23:48,400 --> 00:23:50,159
Speaker 1: like I'm talking to on my computer right now, so

484
00:23:50,160 --> 00:23:52,600
Speaker 1: I'll put the drawing and the script side by side

485
00:23:52,600 --> 00:23:55,680
Speaker 1: after I've read everything, and then i'll read what they

486
00:23:55,720 --> 00:23:58,359
Speaker 1: want what they want, and you know, the more specific

487
00:23:58,440 --> 00:24:02,280
Speaker 1: the better. If they're like, she's to of, she has braces,

488
00:24:02,280 --> 00:24:05,560
Speaker 1: she's from England. You know, like you start going down

489
00:24:05,600 --> 00:24:07,120
Speaker 1: the list of things you're gonna pack in your tool

490
00:24:07,200 --> 00:24:09,000
Speaker 1: kit and say, these are the sounds that I want

491
00:24:09,000 --> 00:24:11,280
Speaker 1: to come out portraying this character. So they buy it,

492
00:24:11,800 --> 00:24:14,640
Speaker 1: and I will do auditions in my studio for ten

493
00:24:14,680 --> 00:24:18,600
Speaker 1: minutes or I'll take three hours, like and sometimes something

494
00:24:18,680 --> 00:24:20,399
Speaker 1: that seems simple, I'll be like, oh, I'll do that,

495
00:24:20,440 --> 00:24:21,680
Speaker 1: and I'm like, oh, I kind of have this idea.

496
00:24:21,720 --> 00:24:23,119
Speaker 1: Oh now, I kind of have this idea. And then

497
00:24:23,160 --> 00:24:27,119
Speaker 1: I'll sit back and listen to like ten different versions

498
00:24:27,160 --> 00:24:29,320
Speaker 1: of this character. And the other thing is I like

499
00:24:29,480 --> 00:24:33,240
Speaker 1: to give them something they never thought of, because everybody's

500
00:24:33,240 --> 00:24:35,640
Speaker 1: going to be doing exactly what's in the stage directions

501
00:24:35,680 --> 00:24:38,000
Speaker 1: and hundreds, maybe thousands of people are trying out, So

502
00:24:38,040 --> 00:24:40,320
Speaker 1: what sets you apart? And if you do something that

503
00:24:40,400 --> 00:24:43,320
Speaker 1: they may not have thought of before but actually suits

504
00:24:43,359 --> 00:24:45,600
Speaker 1: the drawing in a fun way, Like if you've got

505
00:24:45,640 --> 00:24:49,840
Speaker 1: like a really strange, unattractive shellfish creature, but you make

506
00:24:49,840 --> 00:24:52,760
Speaker 1: her Jessica Rabbit, Like what a fun choice. You know,

507
00:24:53,240 --> 00:24:56,359
Speaker 1: she's really ugly, but you know, ugly, but she talks

508
00:24:56,359 --> 00:24:59,280
Speaker 1: really hot and maybe in Squidland she's super hot. Like

509
00:24:59,320 --> 00:25:02,600
Speaker 1: it's just fun that And I will sit here. And

510
00:25:02,680 --> 00:25:05,880
Speaker 1: I also really like doing my own auditions. I've liked

511
00:25:05,880 --> 00:25:09,000
Speaker 1: it long before COVID. And that's also personal. E g.

512
00:25:09,160 --> 00:25:11,359
Speaker 1: Daily loves to go in and be told what to do.

513
00:25:11,480 --> 00:25:13,760
Speaker 1: I don't be told what to do. Don't you tell

514
00:25:13,800 --> 00:25:16,920
Speaker 1: me what to do. I don't like making I don't

515
00:25:16,920 --> 00:25:18,960
Speaker 1: like making people wait, and I like being able to

516
00:25:19,040 --> 00:25:21,080
Speaker 1: make it perfect. I also love this about on camera

517
00:25:21,080 --> 00:25:23,600
Speaker 1: auditions right now, because as you know, those rooms can

518
00:25:23,640 --> 00:25:25,920
Speaker 1: be unkind. They can be sitting there like this going

519
00:25:25,960 --> 00:25:28,000
Speaker 1: impress me, and then you forget your lying and you're like,

520
00:25:28,000 --> 00:25:29,840
Speaker 1: holy sh it, I could have done such a better job.

521
00:25:30,160 --> 00:25:32,919
Speaker 1: And being able to do auditions from home is like

522
00:25:32,960 --> 00:25:35,040
Speaker 1: a really great gift to put your best foot forward.

523
00:25:36,440 --> 00:25:39,360
Speaker 1: I think that's true, and it is. It becomes such

524
00:25:39,400 --> 00:25:42,879
Speaker 1: a different vibe when there is the relaxed sense of

525
00:25:42,920 --> 00:25:44,639
Speaker 1: being in your own home while you're doing something. It

526
00:25:44,640 --> 00:25:47,040
Speaker 1: really does tends. It tends to bring out the best

527
00:25:47,040 --> 00:25:48,560
Speaker 1: in you, or can bring out the best of you. Again,

528
00:25:48,560 --> 00:25:50,840
Speaker 1: if that's something you like. Because there are those actors

529
00:25:50,840 --> 00:25:54,000
Speaker 1: that I even during COVID, I always went in and

530
00:25:54,000 --> 00:25:57,080
Speaker 1: recorded at the studio because oh yeah, and again I

531
00:25:57,160 --> 00:25:58,800
Speaker 1: knew I was gonna be the only one there. It's

532
00:25:58,840 --> 00:26:00,760
Speaker 1: not like there was going to be other other people there.

533
00:26:00,760 --> 00:26:02,840
Speaker 1: But there's something about the energy of standing behind no

534
00:26:03,040 --> 00:26:05,800
Speaker 1: that's wonderful too. And and when you're with a full cast,

535
00:26:05,840 --> 00:26:08,159
Speaker 1: there's nothing like that. You know, if someone on the

536
00:26:08,160 --> 00:26:10,600
Speaker 1: show goes let's go, he might go okay, and maybe

537
00:26:10,600 --> 00:26:11,720
Speaker 1: you didn't know that they were going to say it

538
00:26:11,760 --> 00:26:13,920
Speaker 1: like that, and acting is listening, so you're going to

539
00:26:14,000 --> 00:26:17,040
Speaker 1: respond different. There's an element missing for sure when you're

540
00:26:17,040 --> 00:26:19,399
Speaker 1: doing series work, But when you're doing auditions, do you

541
00:26:19,440 --> 00:26:23,000
Speaker 1: like to auditions from home? Yeah, I'll audition from home.

542
00:26:23,040 --> 00:26:25,240
Speaker 1: But it was I also like being directed. I like

543
00:26:25,320 --> 00:26:29,080
Speaker 1: being told you're like you and the same I know

544
00:26:29,240 --> 00:26:31,720
Speaker 1: we are. It was one of our first guests. We

545
00:26:31,800 --> 00:26:34,200
Speaker 1: love us amig over here. Yeah. No, it's so personal,

546
00:26:34,240 --> 00:26:35,520
Speaker 1: like when people say how do you do this? How

547
00:26:35,560 --> 00:26:38,480
Speaker 1: do you do that? Some people like to stand. Tom Kenny.

548
00:26:38,480 --> 00:26:40,520
Speaker 1: I've never seen Tom Kenny sit in a studio ever,

549
00:26:40,560 --> 00:26:44,880
Speaker 1: and he's a hard work. Never never seen Kevin Michael

550
00:26:44,960 --> 00:26:47,000
Speaker 1: Richards and stand. I like to sit. I like to

551
00:26:47,880 --> 00:26:50,359
Speaker 1: like but sometimes I'll be here doing like a character

552
00:26:50,400 --> 00:26:52,080
Speaker 1: that needs to sing, and sometimes I'll get up and

553
00:26:52,080 --> 00:26:53,800
Speaker 1: just start rocking out, Like you have to do what

554
00:26:53,880 --> 00:26:57,040
Speaker 1: organically feels good to you performance wise, without letting anyone

555
00:26:57,119 --> 00:26:59,320
Speaker 1: bully you and say, oh, you should be standing for this,

556
00:26:59,480 --> 00:27:01,119
Speaker 1: or you should be like you have to do what

557
00:27:01,200 --> 00:27:06,400
Speaker 1: makes you feel most authentic in that moment when you're yeah,

558
00:27:06,480 --> 00:27:09,720
Speaker 1: and I'll sound like three different versions of pretty much

559
00:27:09,720 --> 00:27:13,040
Speaker 1: every audition. That's really cool. Actually, that's a really great tip.

560
00:27:13,080 --> 00:27:16,119
Speaker 1: And speaking of singing, well, she's met Griffin's singing voice.

561
00:27:16,400 --> 00:27:19,200
Speaker 1: I know, family guy. I was fine. I only got

562
00:27:19,200 --> 00:27:20,639
Speaker 1: to do it like once or twice or something. It

563
00:27:20,720 --> 00:27:22,960
Speaker 1: was really fun. I love singing on shows, don't you,

564
00:27:23,040 --> 00:27:26,520
Speaker 1: don't you, Christie, It's so fun. I'm sure, absolutely, I

565
00:27:26,520 --> 00:27:30,480
Speaker 1: don't love singing on shows. Well, okay, so as characters

566
00:27:31,119 --> 00:27:33,199
Speaker 1: that is fun. So with Kim possible, she did end

567
00:27:33,280 --> 00:27:35,520
Speaker 1: up singing two different songs, not the theme song, which

568
00:27:35,600 --> 00:27:37,679
Speaker 1: sometimes people think I did, but I did not. It

569
00:27:37,720 --> 00:27:41,439
Speaker 1: was Christina Milian. But that was fun to give that

570
00:27:41,520 --> 00:27:44,000
Speaker 1: to the character and then to see that animated. That

571
00:27:44,080 --> 00:27:47,159
Speaker 1: was very cool. But you know, yeah, I think that

572
00:27:47,240 --> 00:27:50,320
Speaker 1: it's tough because it As a recording artist, you like reverb,

573
00:27:50,440 --> 00:27:52,560
Speaker 1: you like the production quality to be certain. Yeah, you

574
00:27:52,600 --> 00:27:55,080
Speaker 1: have some does not care about sounding pretty. You guys

575
00:27:55,080 --> 00:27:56,720
Speaker 1: sound like that, as I was saying, yeah, so that

576
00:27:56,800 --> 00:27:59,640
Speaker 1: was the That's my only concern when it comes. Could

577
00:27:59,640 --> 00:28:02,720
Speaker 1: suddenly you sing like Britney Spears, it would be a problem. Yeah.

578
00:28:04,359 --> 00:28:06,919
Speaker 1: But I love singing in character. I find it like

579
00:28:07,000 --> 00:28:11,080
Speaker 1: it's like a fun challenge, you know, singing too. I'm

580
00:28:11,119 --> 00:28:13,520
Speaker 1: doing a few musical shows right now and it's really

581
00:28:13,560 --> 00:28:19,520
Speaker 1: really fun and my favorite job. That's there's more musical. Sorry, yeah,

582
00:28:19,520 --> 00:28:21,479
Speaker 1: there is no No. I just wanted to hear you say,

583
00:28:21,560 --> 00:28:23,399
Speaker 1: because I was just about to ask what is the

584
00:28:23,440 --> 00:28:25,920
Speaker 1: best what's your favorite character or favorite show of all time?

585
00:28:25,920 --> 00:28:28,320
Speaker 1: And it seems like you were just about to say, well, listen.

586
00:28:28,320 --> 00:28:30,600
Speaker 1: When it comes to like choosing favorite character, it's super

587
00:28:30,680 --> 00:28:35,400
Speaker 1: challenging because I have absolutely come symbiotic with Raven Harley,

588
00:28:35,600 --> 00:28:37,920
Speaker 1: you know, bubbles, These people live in me all the time,

589
00:28:38,160 --> 00:28:40,400
Speaker 1: so it would be really hard to choose. But in

590
00:28:40,520 --> 00:28:42,239
Speaker 1: terms of what was your favorite job you ever did,

591
00:28:42,280 --> 00:28:44,960
Speaker 1: and also even that's hard, like being backgirl beside Mark

592
00:28:45,040 --> 00:28:48,960
Speaker 1: Hamill and Kevin Conroy, like it's crazy, like wow, what

593
00:28:49,120 --> 00:28:52,160
Speaker 1: a magical? Like pinch myself every moment time. But I

594
00:28:52,280 --> 00:28:54,360
Speaker 1: was such a big fan of The Little Mermaid growing up,

595
00:28:54,400 --> 00:28:56,280
Speaker 1: like my my dad just passed two years ago and

596
00:28:56,280 --> 00:28:58,000
Speaker 1: we sold the house and there was a poster still

597
00:28:58,040 --> 00:29:01,080
Speaker 1: in my bedroom wall of Ariel and I used to

598
00:29:01,240 --> 00:29:05,520
Speaker 1: run around impersonating her. And um actually that same director

599
00:29:05,560 --> 00:29:08,280
Speaker 1: that used to change names on my script brought me

600
00:29:08,320 --> 00:29:11,760
Speaker 1: in to do the guide tracking. We can all tell

601
00:29:11,800 --> 00:29:13,480
Speaker 1: people what guide tracking is and when they bring in

602
00:29:13,520 --> 00:29:16,000
Speaker 1: someone like us and then they say, hey, Angelina Jolie.

603
00:29:16,000 --> 00:29:17,680
Speaker 1: Do you want to do this part? We've laid down

604
00:29:17,680 --> 00:29:20,440
Speaker 1: the scratch for you, right and you say yes because

605
00:29:20,480 --> 00:29:22,560
Speaker 1: sometimes you get to keep it, which happened in Mermaid.

606
00:29:22,960 --> 00:29:25,760
Speaker 1: So I'm recording, you know, some tracks for The Little

607
00:29:25,760 --> 00:29:28,080
Speaker 1: Mamade two and they're filming me, so like there's a

608
00:29:28,080 --> 00:29:30,400
Speaker 1: lot of this was before stop motions, so there's like

609
00:29:30,440 --> 00:29:32,600
Speaker 1: a lot of my expressions on this Mermaid character. And

610
00:29:32,600 --> 00:29:35,120
Speaker 1: to play her daughter, and also to go in the

611
00:29:35,120 --> 00:29:38,080
Speaker 1: studio and look at her and sing a duet with

612
00:29:38,080 --> 00:29:40,120
Speaker 1: her like I could have died the next day. And

613
00:29:40,120 --> 00:29:42,280
Speaker 1: she was so nice she shook my hand. I bursted

614
00:29:42,280 --> 00:29:47,200
Speaker 1: into tears like I've just isn't that amazing When you

615
00:29:47,240 --> 00:29:48,800
Speaker 1: get to do that, you get something is so important

616
00:29:48,800 --> 00:29:50,240
Speaker 1: to you when you're growing up. And that's how I

617
00:29:50,320 --> 00:29:52,120
Speaker 1: was the first time I met Kevin. Kevin Conroy was

618
00:29:52,120 --> 00:29:54,000
Speaker 1: that same way because Batman the end minute series like

619
00:29:54,160 --> 00:29:57,960
Speaker 1: mattered to me. So first day of Batman Batman Beyond

620
00:29:58,080 --> 00:29:59,600
Speaker 1: was just as like, all I'm gonna play cool, I'm

621
00:29:59,600 --> 00:30:01,720
Speaker 1: gonna play I did not do what Christie did today

622
00:30:01,760 --> 00:30:11,200
Speaker 1: when she sat down with you. If if all. I

623
00:30:11,240 --> 00:30:13,160
Speaker 1: always tell people the only place in the world. I'm

624
00:30:13,160 --> 00:30:17,200
Speaker 1: ever cool is when I'm animated. Um. That's also one

625
00:30:17,200 --> 00:30:19,160
Speaker 1: of the cool things about our industry, though, is you

626
00:30:19,240 --> 00:30:21,760
Speaker 1: do so many jobs and or if you're lucky, you

627
00:30:21,800 --> 00:30:23,080
Speaker 1: get to do a lot of jobs and you don't

628
00:30:23,720 --> 00:30:27,680
Speaker 1: necessarily you might run into people occasionally record together, but

629
00:30:27,760 --> 00:30:30,120
Speaker 1: sometimes you don't. So I'm reading through your resume and

630
00:30:30,120 --> 00:30:31,600
Speaker 1: I'm realizing you and I have done a bunch of

631
00:30:31,640 --> 00:30:33,480
Speaker 1: stuff together and I had no idea where in the

632
00:30:33,520 --> 00:30:36,440
Speaker 1: same thing. So it's very do you do that all

633
00:30:36,440 --> 00:30:38,360
Speaker 1: the time where it's like, oh, I was in that

634
00:30:38,400 --> 00:30:40,320
Speaker 1: movie too, and you had no idea, Like I didn't

635
00:30:40,360 --> 00:30:41,800
Speaker 1: know you were in Kingdom Hearts two, which I was

636
00:30:41,800 --> 00:30:46,880
Speaker 1: in as well. Who are you Cipher? Okay? Yeah, so

637
00:30:46,960 --> 00:30:50,400
Speaker 1: it's like we were you know, there's My Little Pony

638
00:30:50,440 --> 00:30:52,080
Speaker 1: and were you just in the My Little Pony movie

639
00:30:52,120 --> 00:30:55,800
Speaker 1: that just came out? So I am in this series obviously,

640
00:30:55,880 --> 00:30:57,960
Speaker 1: and then we had a feature and then there's a

641
00:30:57,960 --> 00:31:00,000
Speaker 1: new feature that came out that really is to introduce

642
00:31:00,080 --> 00:31:02,120
Speaker 1: the new gen but there's a little flashback scene with me.

643
00:31:02,560 --> 00:31:05,480
Speaker 1: That's what it is. Okay, So it's like, and that's

644
00:31:05,480 --> 00:31:07,760
Speaker 1: what you were talking about. I did I scratched for

645
00:31:07,840 --> 00:31:09,760
Speaker 1: like the two lead characters, and then they go that's

646
00:31:09,760 --> 00:31:11,360
Speaker 1: the other thing about doing scratch. People like, I can't

647
00:31:11,360 --> 00:31:13,360
Speaker 1: believe you do scratch and you go, well, first of all,

648
00:31:13,560 --> 00:31:16,920
Speaker 1: it's a great exercise, you're still acting, you're getting to

649
00:31:17,000 --> 00:31:19,600
Speaker 1: meet and then at the end of the day they

650
00:31:19,600 --> 00:31:21,400
Speaker 1: gave me like five different roles in the film, so

651
00:31:21,440 --> 00:31:24,320
Speaker 1: it was like, why why would I not? Well, you

652
00:31:24,320 --> 00:31:26,520
Speaker 1: know the clip side is it can be heartbreaking if

653
00:31:26,520 --> 00:31:28,880
Speaker 1: you work really hard and then they give it to

654
00:31:28,880 --> 00:31:32,280
Speaker 1: Britney Spears. That can be really heartbreaking. But the most

655
00:31:32,320 --> 00:31:35,560
Speaker 1: part it is a smart move because A, yes, networking

656
00:31:35,560 --> 00:31:37,239
Speaker 1: and b you could keep it. It's always worth it.

657
00:31:37,320 --> 00:31:39,840
Speaker 1: I always say, yeah, do it, and like we're not

658
00:31:39,880 --> 00:31:41,920
Speaker 1: going to like pay you if it's like a non union,

659
00:31:41,960 --> 00:31:44,280
Speaker 1: Hey just do this for fun. But at our level

660
00:31:44,320 --> 00:31:46,360
Speaker 1: we're not having those kind of offers. It's like, okay,

661
00:31:46,400 --> 00:31:49,120
Speaker 1: I'll do that. Scratch it Disney. Yeah, that was still

662
00:31:49,160 --> 00:31:51,360
Speaker 1: the coolest day I ever had in the booth in

663
00:31:51,440 --> 00:31:54,000
Speaker 1: my entire life was I did this. I scratched three

664
00:31:54,040 --> 00:31:58,440
Speaker 1: scenes of Gary for Team America World Police, and it

665
00:31:58,520 --> 00:32:00,400
Speaker 1: was just it was just Trey Park in the booth

666
00:32:00,440 --> 00:32:02,160
Speaker 1: of me and all he was doing was he just

667
00:32:02,200 --> 00:32:03,880
Speaker 1: directed me for like three hours. It was the coolest

668
00:32:03,880 --> 00:32:06,600
Speaker 1: thing in the world. I got no credit, I got

669
00:32:06,600 --> 00:32:08,440
Speaker 1: no anything, I had no roles in the film, but

670
00:32:08,520 --> 00:32:10,360
Speaker 1: it was so much fun that it was like, why

671
00:32:10,360 --> 00:32:13,880
Speaker 1: would I not do that? I scratched. I scratched for

672
00:32:13,960 --> 00:32:17,360
Speaker 1: Mila Kunas actually for that movie better Off It was

673
00:32:17,360 --> 00:32:19,120
Speaker 1: a Better Off Dead? Or what was that? Was that

674
00:32:19,280 --> 00:32:21,200
Speaker 1: movie that she did where it was very graphic and

675
00:32:21,320 --> 00:32:24,360
Speaker 1: very violent and it was about hell or something and

676
00:32:24,560 --> 00:32:26,520
Speaker 1: they went to hell. I don't know, but I scratched

677
00:32:28,080 --> 00:32:30,000
Speaker 1: certainly not better Off Dead. Better Off Dead was John

678
00:32:30,040 --> 00:32:33,120
Speaker 1: Cusack in the Yeah let me now, I gotta google

679
00:32:33,160 --> 00:32:37,840
Speaker 1: this can google Mila Kunas is animated um animated movie.

680
00:32:39,480 --> 00:32:42,560
Speaker 1: But I did scratch. Voice matching is also kind of

681
00:32:42,560 --> 00:32:45,040
Speaker 1: an interesting thing that we've talked about on the show.

682
00:32:45,080 --> 00:32:47,960
Speaker 1: And I'm sure that as unique as tars voice is,

683
00:32:48,000 --> 00:32:50,080
Speaker 1: I do I do wonder is it, like, is voice

684
00:32:50,080 --> 00:32:52,240
Speaker 1: matching a different set of skills as a voice actor

685
00:32:52,480 --> 00:32:55,920
Speaker 1: when you when you approached there are people that just

686
00:32:56,040 --> 00:32:58,640
Speaker 1: do impressions like really really well or not just but

687
00:32:58,680 --> 00:33:01,640
Speaker 1: there are people that are known for their impressions, like

688
00:33:01,640 --> 00:33:03,160
Speaker 1: there are actually people that have met them, like, oh,

689
00:33:03,200 --> 00:33:05,160
Speaker 1: I do Drew Barmore's voice all the time, and she

690
00:33:05,240 --> 00:33:08,040
Speaker 1: doesn't really play in the animated world, so don't know her.

691
00:33:08,360 --> 00:33:10,960
Speaker 1: It can be a totally different subset of human or

692
00:33:11,000 --> 00:33:12,400
Speaker 1: it can be the same. Like if you look like

693
00:33:12,400 --> 00:33:14,440
Speaker 1: a Ross mark uand he do you guys know him.

694
00:33:14,480 --> 00:33:16,600
Speaker 1: He's pretty damn genius. I don't know if you've ever

695
00:33:16,640 --> 00:33:20,440
Speaker 1: watched he's crazy to watch. He does this thing called

696
00:33:20,520 --> 00:33:24,800
Speaker 1: Minute Impressions where he does like fifty celebrities and he

697
00:33:24,840 --> 00:33:28,160
Speaker 1: does one line and they're all dead on like it's crazy.

698
00:33:28,200 --> 00:33:30,600
Speaker 1: And so someone like that who does on camera as

699
00:33:30,600 --> 00:33:33,320
Speaker 1: well as animation, that's like, so some of us do both.

700
00:33:33,360 --> 00:33:36,120
Speaker 1: But but there are also a bunch of actors that

701
00:33:36,120 --> 00:33:39,240
Speaker 1: we never meet that do you know they brought Ross

702
00:33:39,280 --> 00:33:41,600
Speaker 1: and Rosta took over for Red Skull in the Mark

703
00:33:41,680 --> 00:33:43,880
Speaker 1: in the Marvel Universe because he's so good at all

704
00:33:43,880 --> 00:33:47,000
Speaker 1: that stuff that they're just gets on the movie. So, yeah,

705
00:33:48,200 --> 00:33:50,640
Speaker 1: just get Ross to do it'll be fine. So now

706
00:33:50,880 --> 00:33:53,960
Speaker 1: question then to to because you've done so many video

707
00:33:53,960 --> 00:33:57,480
Speaker 1: games as well, is there one you prefer doing animation

708
00:33:57,560 --> 00:34:01,080
Speaker 1: or doing video games? Animation is always more fun, especially

709
00:34:01,120 --> 00:34:05,200
Speaker 1: if there's a a full cast because like I said,

710
00:34:05,280 --> 00:34:07,880
Speaker 1: you're playing off each other. There's an energy. Teen titans

711
00:34:07,920 --> 00:34:10,200
Speaker 1: we like have loved each other for twenty years, like

712
00:34:10,520 --> 00:34:13,360
Speaker 1: been through so much life together, marriages, divorces, deaths of

713
00:34:13,440 --> 00:34:18,239
Speaker 1: parents like Joy's sadness were family twenty years, right, And

714
00:34:18,320 --> 00:34:22,080
Speaker 1: so you can't really compare that to uh, you being

715
00:34:22,120 --> 00:34:24,279
Speaker 1: alone in a studio for four hours. And also it

716
00:34:24,320 --> 00:34:26,359
Speaker 1: can be a lot more vocally taxing. Even if you're

717
00:34:26,360 --> 00:34:29,040
Speaker 1: not doing a hundred death sounds, you just talking for

718
00:34:29,040 --> 00:34:33,080
Speaker 1: four hours can be really taxing. So yeah, I always

719
00:34:33,160 --> 00:34:35,239
Speaker 1: have three drinks, by the way, I have like a

720
00:34:35,360 --> 00:34:40,319
Speaker 1: vegan latte and a ZV should get sponsored because it's

721
00:34:40,360 --> 00:34:43,520
Speaker 1: like a soda without aspartame. And cold water. Most people

722
00:34:43,520 --> 00:34:46,160
Speaker 1: don't like cold water. And voice over like water you

723
00:34:46,239 --> 00:34:51,319
Speaker 1: go cold interesting, I will say, though, there's one characterity

724
00:34:51,360 --> 00:34:53,160
Speaker 1: if you can guess that if I know I'm doing

725
00:34:53,200 --> 00:34:55,759
Speaker 1: that video game for four hours, I'm not even a

726
00:34:55,800 --> 00:34:59,160
Speaker 1: little cranky. It would it be Harley Quinn and the

727
00:34:59,280 --> 00:35:04,640
Speaker 1: Arkham Knights. Any Harley game I did win yesterday. It's

728
00:35:04,680 --> 00:35:07,120
Speaker 1: like my therapy, Like I get in and I get

729
00:35:07,239 --> 00:35:10,879
Speaker 1: crazy and I get to say anything and like you

730
00:35:10,920 --> 00:35:12,960
Speaker 1: know how it is. You know, it's kim possible, Like

731
00:35:13,000 --> 00:35:14,799
Speaker 1: if someone else was doing the voice right now, you'd

732
00:35:14,800 --> 00:35:18,120
Speaker 1: be hurt. You would, And it's like you, we're not

733
00:35:18,200 --> 00:35:20,600
Speaker 1: even gonna go there. We're not even to go there.

734
00:35:20,920 --> 00:35:26,520
Speaker 1: We'll see there's your answer right there, christaking of right now.

735
00:35:27,080 --> 00:35:29,640
Speaker 1: And we can pretend to be well behaved actors. But

736
00:35:29,680 --> 00:35:32,120
Speaker 1: at the end of the day, if you've helped launch

737
00:35:32,160 --> 00:35:35,040
Speaker 1: a character into the atmosphere where people around the world

738
00:35:35,280 --> 00:35:38,319
Speaker 1: identify and you know how to breede, sneeze, laugh, who

739
00:35:38,400 --> 00:35:41,800
Speaker 1: you like, you become this character, it's devastating when it

740
00:35:41,840 --> 00:35:45,439
Speaker 1: goes to someone else. Devastating. You had mentioned you said

741
00:35:45,520 --> 00:35:48,560
Speaker 1: these characters Bubbles and Raven and a couple hours that

742
00:35:48,600 --> 00:35:52,040
Speaker 1: you mentioned I'm sure Harley too, that they live within you. Um,

743
00:35:52,080 --> 00:35:54,120
Speaker 1: and I'm kind of curious, what's that relationship? Like you

744
00:35:54,160 --> 00:35:57,160
Speaker 1: mentioned that. First of all, I have a really noisy head,

745
00:35:58,719 --> 00:36:01,520
Speaker 1: Like you know, everybody talks to himself. But I got

746
00:36:01,520 --> 00:36:05,840
Speaker 1: a lot of people weighing in, will you can relate

747
00:36:05,880 --> 00:36:08,839
Speaker 1: to that? I can. I think tar is a little

748
00:36:08,880 --> 00:36:11,080
Speaker 1: different than you know because all of her characters are

749
00:36:11,120 --> 00:36:14,200
Speaker 1: so well thought out and perfect. I think she's different

750
00:36:14,239 --> 00:36:17,120
Speaker 1: incredible symphony in her head, whereas mine is just people

751
00:36:17,160 --> 00:36:20,399
Speaker 1: banging against walls and stuff like that. Well, I'm sure

752
00:36:20,440 --> 00:36:22,680
Speaker 1: you're like this too. Once you create a character, they

753
00:36:22,719 --> 00:36:24,879
Speaker 1: live in your head and when it's their turn, they

754
00:36:24,920 --> 00:36:27,600
Speaker 1: come out and play, and you know how to alter

755
00:36:27,719 --> 00:36:30,080
Speaker 1: that character. For example, like the d C we were

756
00:36:30,120 --> 00:36:33,120
Speaker 1: just talking about the Multiverse movie. Harley in the DC

757
00:36:33,200 --> 00:36:37,600
Speaker 1: Girls is a completely different um performance than a video game.

758
00:36:37,680 --> 00:36:39,479
Speaker 1: And I know how to bring her into that world

759
00:36:39,520 --> 00:36:42,640
Speaker 1: because I am her, and I know how to deal

760
00:36:42,680 --> 00:36:46,279
Speaker 1: with that um social situation or the severity of the

761
00:36:46,320 --> 00:36:49,279
Speaker 1: situation or whatever it is. And those characters just come

762
00:36:49,320 --> 00:36:53,400
Speaker 1: out and play when it's their turn. Um. But I

763
00:36:53,480 --> 00:36:55,480
Speaker 1: do do silly voices all the time. I'm sure you

764
00:36:55,480 --> 00:36:58,640
Speaker 1: guys do too, Like I'm sure your friends know. And

765
00:36:58,680 --> 00:37:02,640
Speaker 1: also this is not only awesome, but I'm such a sponge.

766
00:37:02,680 --> 00:37:05,520
Speaker 1: So if I'm around my British friends, I'm British. When

767
00:37:05,560 --> 00:37:09,320
Speaker 1: I went to Ireland like I was, some people are like,

768
00:37:09,360 --> 00:37:11,920
Speaker 1: can you stop like copying me? I'm like, oh god,

769
00:37:12,000 --> 00:37:13,960
Speaker 1: I love that. I think you get you get a

770
00:37:14,000 --> 00:37:16,239
Speaker 1: free pass on that, Tara. This is what I do

771
00:37:16,360 --> 00:37:19,120
Speaker 1: for a living. I can't stop. Well, I mean, can

772
00:37:19,160 --> 00:37:21,680
Speaker 1: you remember the last time you spoke to one of

773
00:37:21,719 --> 00:37:23,879
Speaker 1: your animals that wasn't in a funny voice. I don't

774
00:37:23,920 --> 00:37:25,680
Speaker 1: think I've ever spoken to my dog wasn't in some

775
00:37:25,760 --> 00:37:27,879
Speaker 1: sort of a voice. Of course, I hate my cat,

776
00:37:28,000 --> 00:37:30,319
Speaker 1: so generally I do. I love dogs. I'm a big

777
00:37:30,400 --> 00:37:35,000
Speaker 1: dog person. Dog like cats. I like my cats. But

778
00:37:35,160 --> 00:37:37,640
Speaker 1: like the scirt, Yeah, I mean he's a Bengal, so

779
00:37:37,680 --> 00:37:40,120
Speaker 1: he thinks he's cooler than me kind of thing. So

780
00:37:40,280 --> 00:37:42,200
Speaker 1: you know, he knows, he knows he's better bread than

781
00:37:42,239 --> 00:37:46,040
Speaker 1: I am. So that's the problem. But I'm still nice

782
00:37:46,080 --> 00:37:47,400
Speaker 1: to him. But if he's sick or something. Oh and

783
00:37:47,440 --> 00:37:55,279
Speaker 1: speaking of the sick, the dan cat eats things and

784
00:37:55,320 --> 00:37:57,760
Speaker 1: then you know he's got to do open stomach surgery.

785
00:37:57,880 --> 00:38:00,040
Speaker 1: And then I'm gonna take anyway the one time. And

786
00:38:00,120 --> 00:38:03,279
Speaker 1: I will say that I don't forget a lot of

787
00:38:03,280 --> 00:38:06,880
Speaker 1: opportunities to do a bunch of different voices, and um,

788
00:38:06,920 --> 00:38:09,560
Speaker 1: I love doing different dialects, different voices, and so a

789
00:38:09,600 --> 00:38:12,440
Speaker 1: lot of that Catharsis is coming through with reading books

790
00:38:12,440 --> 00:38:15,680
Speaker 1: to my kids. And I really have enjoyed, you know

791
00:38:15,719 --> 00:38:18,640
Speaker 1: what I mean, like keeping not necessarily my skills like

792
00:38:18,719 --> 00:38:21,400
Speaker 1: sharp but it's that cathartic thing of like, look, I

793
00:38:21,440 --> 00:38:23,520
Speaker 1: get to play, and I do it in a way

794
00:38:23,560 --> 00:38:26,400
Speaker 1: that's touched touching. My kids totally did that. I totally

795
00:38:26,440 --> 00:38:29,319
Speaker 1: did in a million. When my kid was ten, he's like,

796
00:38:29,360 --> 00:38:31,680
Speaker 1: you know, mom, some kids never know if their moms

797
00:38:31,719 --> 00:38:33,760
Speaker 1: love them, and I'll never know my mom's real voice.

798
00:38:34,280 --> 00:38:39,439
Speaker 1: Oh oh man. We said this to Eric Bowser too, though,

799
00:38:39,480 --> 00:38:43,120
Speaker 1: I mean, imagine story time at taras songs. I mean,

800
00:38:43,280 --> 00:38:46,600
Speaker 1: come on, insane. Now. I have a question for you,

801
00:38:47,360 --> 00:38:49,960
Speaker 1: and I like to ask this. When you're watching stuff

802
00:38:49,960 --> 00:38:52,640
Speaker 1: that you've done, especially characters that you're close to, even

803
00:38:52,640 --> 00:38:54,480
Speaker 1: though they're animated, do you still see yourself when you

804
00:38:54,480 --> 00:38:57,960
Speaker 1: look at the character? You know, that's a funny question.

805
00:38:58,160 --> 00:39:00,719
Speaker 1: I'm not sure if I can accurately answer it because

806
00:39:00,719 --> 00:39:03,400
Speaker 1: it probably changes. But I watched The Multiverse this morning

807
00:39:03,440 --> 00:39:05,480
Speaker 1: before I had to do press this morning for it.

808
00:39:05,960 --> 00:39:08,640
Speaker 1: I laughed so hard. I was like, I'm three different

809
00:39:08,719 --> 00:39:11,040
Speaker 1: characters and in almost every scene, and I'm laughing, like

810
00:39:11,320 --> 00:39:14,520
Speaker 1: it must be a very well written, good timing everything.

811
00:39:14,560 --> 00:39:16,719
Speaker 1: Like I'm like I was in it. I was into it,

812
00:39:16,760 --> 00:39:19,280
Speaker 1: I was watching it. I was laughing. And also, sometimes

813
00:39:19,320 --> 00:39:21,279
Speaker 1: it's so fun to see something you've voice like come

814
00:39:21,320 --> 00:39:24,400
Speaker 1: to life and see how they did it. Um, and

815
00:39:24,480 --> 00:39:26,600
Speaker 1: like I know it's me, but I can also still

816
00:39:26,640 --> 00:39:28,919
Speaker 1: appreciate it. I'm not someone that's like, oh, I can't

817
00:39:28,960 --> 00:39:31,279
Speaker 1: watch myself, no judgment. I get that I have a

818
00:39:31,280 --> 00:39:33,560
Speaker 1: lot of friends that cannot watch themselves. But I liked

819
00:39:33,680 --> 00:39:37,359
Speaker 1: even an animation. Really, I don't people that can't listen

820
00:39:37,400 --> 00:39:40,800
Speaker 1: to their own voice, can't watch their own stuff. Oh interesting.

821
00:39:41,040 --> 00:39:43,400
Speaker 1: Multiverse is good. By the way, we're we're we're pumping

822
00:39:43,640 --> 00:39:45,560
Speaker 1: DC Multiverse because it just came out today, thank you.

823
00:39:45,760 --> 00:39:51,240
Speaker 1: It is so which it's it's like this perfect mix

824
00:39:51,320 --> 00:39:54,040
Speaker 1: of like very silly, but there's also like a strong

825
00:39:55,040 --> 00:39:58,799
Speaker 1: um spiritual element and clever element. Like it's like I

826
00:39:58,800 --> 00:40:00,560
Speaker 1: don't know, and also anyone and they can write a

827
00:40:00,640 --> 00:40:03,000
Speaker 1: Multiverse movie has to be a brilliant soul. So it's

828
00:40:03,040 --> 00:40:06,640
Speaker 1: like it's a seamless really good film. Well, it's also

829
00:40:06,680 --> 00:40:12,520
Speaker 1: interesting because the it goes from Titans Go, which has

830
00:40:14,520 --> 00:40:17,920
Speaker 1: very little heart, and it's just irreverent and crazy. I mean,

831
00:40:18,000 --> 00:40:20,120
Speaker 1: it's so much hard, you know what I mean. It's

832
00:40:20,160 --> 00:40:24,200
Speaker 1: not like it's not like the same same way. But

833
00:40:24,680 --> 00:40:27,560
Speaker 1: excuse me, I wrote Teen Titans Go. If you want

834
00:40:27,560 --> 00:40:29,399
Speaker 1: to say there's not a lot of brains, you can

835
00:40:29,440 --> 00:40:34,720
Speaker 1: say that. I mean, it's more like it's the interpersonal

836
00:40:34,800 --> 00:40:37,479
Speaker 1: moments are played more real. I guess I would say

837
00:40:37,680 --> 00:40:40,160
Speaker 1: in DC Superhero of course. But you know what that

838
00:40:40,480 --> 00:40:43,480
Speaker 1: beauty of this movie is, like they totally break the

839
00:40:43,520 --> 00:40:46,680
Speaker 1: fourth wall Christie, and they're like, when's our crossover part?

840
00:40:46,960 --> 00:40:50,080
Speaker 1: And anytime they flash to Go, it's so funny. I

841
00:40:50,120 --> 00:40:52,279
Speaker 1: think Go is like now when I watch movies, I'm like,

842
00:40:52,320 --> 00:40:54,319
Speaker 1: where's the Teen Titans go? In between? And make everybody laugh,

843
00:40:54,360 --> 00:40:58,319
Speaker 1: like it's so funny. And when they do actually crossover,

844
00:40:58,400 --> 00:41:01,640
Speaker 1: there's some really a hilarious and be special moments like

845
00:41:01,760 --> 00:41:06,720
Speaker 1: Ravens Zatana what like amazing, like really beautiful cool moments

846
00:41:06,880 --> 00:41:09,560
Speaker 1: there is. I'm going to watch this tonight. You should.

847
00:41:09,719 --> 00:41:12,080
Speaker 1: It's fun watching with your girls, watching with your girl.

848
00:41:14,520 --> 00:41:20,920
Speaker 1: Is it streaming? It might not be streaming, Yeah, I

849
00:41:21,000 --> 00:41:23,719
Speaker 1: know it is. I still collect blue rays. I have

850
00:41:23,800 --> 00:41:25,239
Speaker 1: a bunch of them. I didn't know they were a thing.

851
00:41:25,360 --> 00:41:34,200
Speaker 1: Still I love that. Of course they are cool. No, yeah, no,

852
00:41:34,280 --> 00:41:36,440
Speaker 1: this was this was fun because they actually let me

853
00:41:36,480 --> 00:41:38,520
Speaker 1: do multiple voices, which is which is nice. I don't

854
00:41:38,560 --> 00:41:40,359
Speaker 1: get to do multiple voices, and what I do. See,

855
00:41:40,360 --> 00:41:42,120
Speaker 1: That's the thing is Tara will come in and she'll

856
00:41:42,120 --> 00:41:45,680
Speaker 1: do multiple leads, which is rare because a lot of

857
00:41:45,680 --> 00:41:47,799
Speaker 1: times where it's like I'll do multiple voices, but it's

858
00:41:47,840 --> 00:41:50,000
Speaker 1: like I'm one lead and then I'm guard number one

859
00:41:50,040 --> 00:41:53,520
Speaker 1: and Guard number six. It's not like you know of

860
00:41:53,600 --> 00:41:56,160
Speaker 1: the leads out there. I mean, Tara will do. You know,

861
00:41:56,760 --> 00:41:58,239
Speaker 1: there's times when you're in the room with her and

862
00:41:58,239 --> 00:42:02,279
Speaker 1: you'll sit back because she's all three characters on the page.

863
00:42:02,440 --> 00:42:06,359
Speaker 1: Well in this movie in particular, Raven and Um, Back

864
00:42:06,400 --> 00:42:09,719
Speaker 1: Girl and Harley all have very big roles. So it's

865
00:42:09,760 --> 00:42:12,279
Speaker 1: really fun. And also like while I'm doing it, and

866
00:42:12,320 --> 00:42:15,720
Speaker 1: while I'm watching it, I'm like, how am I so lucky?

867
00:42:16,120 --> 00:42:18,319
Speaker 1: Like it's a very few people that can say I

868
00:42:18,400 --> 00:42:22,320
Speaker 1: was back Girl and Harley and Raven, Anton and Bubbles

869
00:42:22,360 --> 00:42:26,839
Speaker 1: and Twilight, Like they're all like really beautiful, iconic roles

870
00:42:26,880 --> 00:42:28,719
Speaker 1: that have touched people around the world. Like you know

871
00:42:28,800 --> 00:42:30,520
Speaker 1: this when we meet people at cons and say, oh

872
00:42:30,520 --> 00:42:32,680
Speaker 1: my god, I thought my life was over till him

873
00:42:32,719 --> 00:42:35,080
Speaker 1: that Raven or barely odd parents got me through my

874
00:42:35,080 --> 00:42:37,840
Speaker 1: parents divorced, So you don't realize how much impact some

875
00:42:37,920 --> 00:42:40,120
Speaker 1: of these shows have on people, and it's really beautiful.

876
00:42:40,280 --> 00:42:42,400
Speaker 1: It's one of the reasons I love doing cons just

877
00:42:42,440 --> 00:42:45,080
Speaker 1: being able to get back because truthfully, Hollywood doesn't cherish

878
00:42:45,320 --> 00:42:47,960
Speaker 1: their voice over stars anywhere near what fans do. That's

879
00:42:47,960 --> 00:42:51,520
Speaker 1: the whole reason for podcasts like this too. Yeah, I agree,

880
00:42:51,560 --> 00:42:55,480
Speaker 1: but it's also I think, hopefully slowly getting better. And

881
00:42:55,520 --> 00:42:57,200
Speaker 1: it's one of the reasons I think is because of

882
00:42:57,239 --> 00:42:59,359
Speaker 1: the cons, because you'll go to a place like I've said,

883
00:42:59,520 --> 00:43:01,200
Speaker 1: you know, Ken and Conroy and I were at a

884
00:43:01,200 --> 00:43:04,880
Speaker 1: con in Wales and we were next to live action

885
00:43:04,960 --> 00:43:08,320
Speaker 1: Marvel actors. Uh and then Kevin who's next to me

886
00:43:08,360 --> 00:43:10,120
Speaker 1: on other side. Kevin had like a six hour line.

887
00:43:10,440 --> 00:43:12,200
Speaker 1: Oh yeah, I mean it was I can save that.

888
00:43:12,239 --> 00:43:15,480
Speaker 1: I kind of love when the person from like that

889
00:43:15,600 --> 00:43:17,919
Speaker 1: movie is going to be Gangbusters and then you're lined

890
00:43:17,960 --> 00:43:20,920
Speaker 1: up like the entire corn like, who is that exactly

891
00:43:21,600 --> 00:43:25,480
Speaker 1: greatest thing in the world. Speaking of fans and why

892
00:43:25,560 --> 00:43:27,440
Speaker 1: we love doing this, We're going to come to a

893
00:43:27,520 --> 00:43:29,640
Speaker 1: very fun section of our show right now. It's better

894
00:43:29,680 --> 00:43:34,759
Speaker 1: be very fun because you've just like I hyped up,

895
00:43:34,800 --> 00:43:38,799
Speaker 1: this is the greatest thing you'll ever do, know, it's

896
00:43:38,840 --> 00:43:42,640
Speaker 1: just um. So what we do is we get to

897
00:43:42,680 --> 00:43:47,840
Speaker 1: bring on a fan and they are either an aspiring

898
00:43:47,920 --> 00:43:51,919
Speaker 1: artist that brings on a original character that they've drawn,

899
00:43:51,960 --> 00:43:54,040
Speaker 1: and our voice over actor gets to put a voice

900
00:43:54,080 --> 00:43:56,840
Speaker 1: to the character they've done. Sometimes they're little kids, sometimes

901
00:43:56,840 --> 00:44:00,400
Speaker 1: they're older, or it is an aspiring voice over artists.

902
00:44:00,440 --> 00:44:02,919
Speaker 1: And we have come up with a little segment called

903
00:44:02,960 --> 00:44:05,960
Speaker 1: Across the Garden. So what we're going to do is

904
00:44:06,239 --> 00:44:08,319
Speaker 1: Christie and I are two little mice trying to get

905
00:44:08,360 --> 00:44:12,319
Speaker 1: across the garden, and we get to meet all of

906
00:44:12,320 --> 00:44:15,440
Speaker 1: our Woodland creature friends along the way, and whoever we

907
00:44:15,640 --> 00:44:18,160
Speaker 1: pick up here, hopefully if you would like to join us,

908
00:44:18,320 --> 00:44:20,759
Speaker 1: you get to create a character of your own. And

909
00:44:20,880 --> 00:44:22,480
Speaker 1: we bring the fan in who gets to create a

910
00:44:22,560 --> 00:44:24,200
Speaker 1: character of their own, and they add live for a

911
00:44:24,200 --> 00:44:25,879
Speaker 1: little while. Then we have the fan record a couple

912
00:44:25,880 --> 00:44:27,719
Speaker 1: of lines like they're doing regular video. And then we're

913
00:44:27,719 --> 00:44:29,719
Speaker 1: gonna take all this stuff and give it to our

914
00:44:29,719 --> 00:44:33,040
Speaker 1: animator friends, and they're gonna actually animated cartoon, and these

915
00:44:34,120 --> 00:44:37,279
Speaker 1: vo actors who are aspiring video actors will actually get

916
00:44:37,280 --> 00:44:39,800
Speaker 1: to see themselves in their own cartoon. Tera doesn't like

917
00:44:41,960 --> 00:44:44,720
Speaker 1: she's already gone. Okay, well we lost her. She didn't

918
00:44:44,719 --> 00:44:54,319
Speaker 1: find it fun or funny. It's okay. Yeah, she says,

919
00:44:54,360 --> 00:44:58,319
Speaker 1: I want to be on this shower today and got

920
00:44:58,320 --> 00:45:02,400
Speaker 1: little bows on my hair and wow, see now I

921
00:45:02,440 --> 00:45:04,480
Speaker 1: would play I would play against type and I would say,

922
00:45:04,520 --> 00:45:10,560
Speaker 1: she sounds like this, Hey, how's everybody doing? I'm very furry.

923
00:45:10,680 --> 00:45:16,480
Speaker 1: Don't hold it again. Today My boyfriend was a joke.

924
00:45:18,880 --> 00:45:22,080
Speaker 1: I went to the salon. We talked to him about it.

925
00:45:23,800 --> 00:45:25,879
Speaker 1: I also have a hundred twenty pound Bernese mountain doog,

926
00:45:25,920 --> 00:45:30,880
Speaker 1: but she can't. I can't pick her up. No, oh

927
00:45:30,920 --> 00:45:35,520
Speaker 1: my god, studios like coming apart. That's okay, call raymid old,

928
00:45:35,560 --> 00:45:39,000
Speaker 1: George what was his name? George, George, raymccorkle, and George

929
00:45:39,080 --> 00:45:41,239
Speaker 1: very close. That's what I thought. So we are going

930
00:45:41,280 --> 00:45:45,239
Speaker 1: to be talking to Julissa today and Jolisa is I

931
00:45:45,280 --> 00:45:51,480
Speaker 1: believe a amateur voiceover artist inspired voice over actor. Does

932
00:45:51,560 --> 00:45:54,080
Speaker 1: j Lisa also have? We didn't mention this minutes or anything,

933
00:45:54,120 --> 00:45:56,520
Speaker 1: by the way, which like she's it's right there, she's

934
00:45:56,560 --> 00:46:00,480
Speaker 1: a right there. She's just making sure you stay on

935
00:46:00,520 --> 00:46:02,640
Speaker 1: your sacred time. Again, Like I said, we can't talk

936
00:46:02,640 --> 00:46:05,239
Speaker 1: about stuff that Tara has done. It's a very se

937
00:46:06,520 --> 00:46:09,120
Speaker 1: We'll be here forever, like forever. I mean, it was

938
00:46:09,160 --> 00:46:11,160
Speaker 1: like when we interviewed Andre Romano, we did an hour

939
00:46:11,200 --> 00:46:12,680
Speaker 1: and a half and by the time we finished with

940
00:46:12,760 --> 00:46:16,960
Speaker 1: we were on of her career. Um so it was

941
00:46:17,160 --> 00:46:20,440
Speaker 1: I was like, we've got to do several um uh episodes,

942
00:46:20,440 --> 00:46:23,560
Speaker 1: so we're just gonna have to bring you back studio.

943
00:46:25,200 --> 00:46:27,640
Speaker 1: We're going to be back in studio soon, which will

944
00:46:27,680 --> 00:46:31,320
Speaker 1: be great. So it's to sit around our table again

945
00:46:31,560 --> 00:46:35,719
Speaker 1: and be lit by our wonderful uh halogen lights and

946
00:46:36,520 --> 00:46:39,279
Speaker 1: hold every thirty seconds for cars outside. We actually have

947
00:46:39,280 --> 00:46:42,200
Speaker 1: a really exciting thing that's cooking. Do you wanna do

948
00:46:42,239 --> 00:46:44,440
Speaker 1: you want to mention it? Go ahead, tease away. This

949
00:46:44,520 --> 00:46:48,000
Speaker 1: is your distribute your tease. So the twenty anniversary of

950
00:46:48,080 --> 00:46:51,640
Speaker 1: Compossible is about to happen. It's actually June seven where

951
00:46:52,120 --> 00:46:53,960
Speaker 1: me and Will were invited to go to g M

952
00:46:53,960 --> 00:46:57,440
Speaker 1: A and then but prior to that, on the Thirty

953
00:46:57,440 --> 00:46:59,759
Speaker 1: Feet it looks like we're getting everyone coordinated to do

954
00:46:59,800 --> 00:47:04,600
Speaker 1: a reunion special. I hear voices episode, so I wish

955
00:47:04,600 --> 00:47:06,200
Speaker 1: we did a part where Tara was in it because

956
00:47:06,200 --> 00:47:08,800
Speaker 1: I would love to have her well, she could just

957
00:47:08,840 --> 00:47:11,920
Speaker 1: come on and play everybody else. So hopefully we're going

958
00:47:11,960 --> 00:47:14,800
Speaker 1: to be having it'll be a cast reunion. We're getting

959
00:47:14,800 --> 00:47:16,480
Speaker 1: most of the cast back together, getting the band back

960
00:47:16,520 --> 00:47:19,400
Speaker 1: together and and interviewing everybody and then doing a read

961
00:47:19,760 --> 00:47:21,719
Speaker 1: UH for the twentie anniversary. So we are doing a

962
00:47:21,760 --> 00:47:25,440
Speaker 1: k impossible reunion, which is very very cool. We're excited

963
00:47:25,480 --> 00:47:29,480
Speaker 1: about that. But right now, we got j Lisa and

964
00:47:29,600 --> 00:47:31,359
Speaker 1: if we want to bring Jalisa in to say Hi,

965
00:47:31,600 --> 00:47:37,680
Speaker 1: Ta Tara, that would be awesome. Hire you. I'm doing

966
00:47:37,719 --> 00:47:40,920
Speaker 1: good in you guys doing well? Thank you? Where are

967
00:47:40,960 --> 00:47:46,600
Speaker 1: you in Orlando? In my house, my closet, very exactly

968
00:47:47,360 --> 00:47:51,080
Speaker 1: in your booth. Yes, that's a great looking booth, Jolisa,

969
00:47:51,160 --> 00:47:53,879
Speaker 1: did you like did you create that? And thank you?

970
00:47:53,920 --> 00:47:56,759
Speaker 1: Actually this side is the pretty side, as like one

971
00:47:56,760 --> 00:48:00,480
Speaker 1: of my first agents said, um this like he had

972
00:48:00,520 --> 00:48:02,200
Speaker 1: like made me grab the camera. He's like, oh, show

973
00:48:02,280 --> 00:48:04,400
Speaker 1: us how you because I was like the only UH

974
00:48:04,760 --> 00:48:07,200
Speaker 1: actor at the time that had a studio when the

975
00:48:07,200 --> 00:48:10,560
Speaker 1: pandemic started, and so they're like, oh, shows you're working

976
00:48:10,600 --> 00:48:12,760
Speaker 1: booth and I was like, Okay, this is the pretty side.

977
00:48:13,760 --> 00:48:15,920
Speaker 1: Like the rest of it is just like the ugly side.

978
00:48:17,080 --> 00:48:19,560
Speaker 1: This is like, yeah, well you gotta get Ray mccorcador

979
00:48:19,600 --> 00:48:25,480
Speaker 1: goal to help you. Whatever. George or George George has

980
00:48:25,520 --> 00:48:30,080
Speaker 1: a lot of like a acoustic panels and has uh,

981
00:48:30,400 --> 00:48:33,600
Speaker 1: what's what's it called the blankets, has a lot of blankets.

982
00:48:34,160 --> 00:48:37,640
Speaker 1: Well that'll work. Whatever works again. Jason Marriston book spirited

983
00:48:37,640 --> 00:48:39,560
Speaker 1: away from his closet with no booth at all, so

984
00:48:39,600 --> 00:48:42,080
Speaker 1: you never know what. That's how I booked Loki in

985
00:48:42,160 --> 00:48:45,440
Speaker 1: my rented house in Toronto. I was filming with spats

986
00:48:45,480 --> 00:48:49,759
Speaker 1: in a closet. Yeah, that's yeah. What matters is the heart.

987
00:48:49,880 --> 00:48:52,120
Speaker 1: So Ju, Lisa, we were hoping you would join us

988
00:48:52,120 --> 00:48:54,360
Speaker 1: in a little game we're playing that is called Across

989
00:48:54,400 --> 00:48:57,319
Speaker 1: the Garden. And what we would love to do is

990
00:48:57,760 --> 00:49:00,200
Speaker 1: Christine and I are two little mice trying to get

991
00:49:00,200 --> 00:49:02,400
Speaker 1: across the garden from one side to the other, and

992
00:49:02,440 --> 00:49:06,480
Speaker 1: we were meeting strange and crazy Woodland friends along the way. Uh,

993
00:49:06,480 --> 00:49:09,239
Speaker 1: and we would love to have you. So the scene,

994
00:49:09,280 --> 00:49:12,160
Speaker 1: the very quick scene is we are coming around a

995
00:49:12,160 --> 00:49:15,080
Speaker 1: corner and we come to let's call it a magical

996
00:49:15,200 --> 00:49:19,560
Speaker 1: mushroom patch. And in said magical mushroom patch, we come

997
00:49:19,600 --> 00:49:22,160
Speaker 1: across a what would you like to play? I will

998
00:49:22,239 --> 00:49:27,560
Speaker 1: be a ladybug named Dot, a ladybug who who has

999
00:49:27,680 --> 00:49:33,799
Speaker 1: been munching on said mushrooms along the way. So as

1000
00:49:33,880 --> 00:49:39,760
Speaker 1: we meet up. Um, you're you're you're enjoying the mushroom

1001
00:49:39,800 --> 00:49:43,040
Speaker 1: patch as it were, Tara, would you would you join

1002
00:49:43,120 --> 00:49:46,479
Speaker 1: us in the in the garden? Okay? Is there any

1003
00:49:46,640 --> 00:49:49,239
Speaker 1: character you'd like, any type of woodland creature you'd like

1004
00:49:49,280 --> 00:49:50,840
Speaker 1: to play? By the way, you also don't have to

1005
00:49:50,920 --> 00:49:54,520
Speaker 1: join us. If you'd like to help Julissa find her

1006
00:49:54,600 --> 00:49:56,839
Speaker 1: voice and work with her a little bit on that,

1007
00:49:56,960 --> 00:49:58,880
Speaker 1: you could do that as well. I want to be

1008
00:49:58,960 --> 00:50:01,840
Speaker 1: like a stoner mush him guy that like you know,

1009
00:50:01,920 --> 00:50:05,320
Speaker 1: he's like really mystical and guides people through like mushroom

1010
00:50:05,400 --> 00:50:09,040
Speaker 1: journey land in the in the woods. That's perfect. We

1011
00:50:09,160 --> 00:50:13,839
Speaker 1: love mystical mushroom journey guy in the woods. Frankly, we've

1012
00:50:13,880 --> 00:50:22,400
Speaker 1: all known that guy. A man. Don't don't say that

1013
00:50:22,440 --> 00:50:27,680
Speaker 1: about me. Um, So that is uh, that is incredible.

1014
00:50:28,040 --> 00:50:30,399
Speaker 1: It's it's that simple. We're going to just do Wait,

1015
00:50:30,400 --> 00:50:37,000
Speaker 1: who are you guys? We are brother and sister and ourselves. No,

1016
00:50:37,560 --> 00:50:41,279
Speaker 1: I don't think we ever kind. We very much didn't

1017
00:50:41,320 --> 00:50:43,160
Speaker 1: have a show bible for this when we started doing

1018
00:50:43,160 --> 00:50:46,640
Speaker 1: this improv did that's right? It was Mocha and Ricky,

1019
00:50:47,320 --> 00:50:51,320
Speaker 1: Oh that's right. Why why? Because I think it was

1020
00:50:51,360 --> 00:50:53,719
Speaker 1: the first thing we came up with as we were

1021
00:50:53,760 --> 00:51:01,000
Speaker 1: talking on on our random Okay, Simon to Mice, I'm

1022
00:51:01,080 --> 00:51:04,759
Speaker 1: his big sister who's a gen Z disaffected bratt and

1023
00:51:04,880 --> 00:51:08,400
Speaker 1: he is kind of a very skittish, anxiety written little boy.

1024
00:51:08,480 --> 00:51:10,719
Speaker 1: And we are going to the mall to see my boyfriend,

1025
00:51:10,760 --> 00:51:13,560
Speaker 1: the rat, and so we're trying to get we're lost

1026
00:51:13,600 --> 00:51:15,439
Speaker 1: in the woods, and so we're asking all these people

1027
00:51:15,480 --> 00:51:17,120
Speaker 1: along the way how to get to the mall. And

1028
00:51:17,160 --> 00:51:20,560
Speaker 1: we've met what, we've met dogs, we've met uh Phil

1029
00:51:20,640 --> 00:51:23,919
Speaker 1: Lamar was a very funny hummingbird. We've met people all

1030
00:51:23,960 --> 00:51:25,840
Speaker 1: along the way, Jason mars and I don't even remember

1031
00:51:25,840 --> 00:51:29,200
Speaker 1: what Marsden was. Uh, he was something really high strung.

1032
00:51:29,360 --> 00:51:32,239
Speaker 1: But yes, we've met people all along the way. But

1033
00:51:32,360 --> 00:51:34,759
Speaker 1: now we are turning the corner into the patch. And

1034
00:51:34,800 --> 00:51:38,120
Speaker 1: again we won't be adding a whole lot to the conversation.

1035
00:51:38,160 --> 00:51:41,279
Speaker 1: It's really going to be about Julisa adding her take

1036
00:51:41,440 --> 00:51:44,600
Speaker 1: and Tara coming in and just kind of throwing her

1037
00:51:44,640 --> 00:51:46,279
Speaker 1: little voice in there as well. But Christie, if you

1038
00:51:46,320 --> 00:51:49,239
Speaker 1: want to take it away, uh and give give it

1039
00:51:49,280 --> 00:51:51,120
Speaker 1: a start. Yeah, that'd be great, go ahead and take

1040
00:51:51,160 --> 00:51:53,920
Speaker 1: it away. And it started. How all my lines work?

1041
00:51:53,960 --> 00:51:56,399
Speaker 1: I only think I have mine? No, So so here's

1042
00:51:56,400 --> 00:51:58,640
Speaker 1: the thing we're gonna We're we're gonna add lib for

1043
00:51:58,760 --> 00:52:01,839
Speaker 1: maybe thirty second just to get some stuff, and then

1044
00:52:01,840 --> 00:52:03,839
Speaker 1: when that's done, we're gonna run you through just doing.

1045
00:52:03,840 --> 00:52:05,560
Speaker 1: We're gonna pick two or three of these lines that

1046
00:52:05,600 --> 00:52:07,880
Speaker 1: we sent you, and we're just gonna have you do

1047
00:52:08,320 --> 00:52:10,839
Speaker 1: uh maybe you know, and maybe in a c take

1048
00:52:10,920 --> 00:52:12,360
Speaker 1: of of one or two lines, and then we'll go

1049
00:52:12,400 --> 00:52:19,200
Speaker 1: from there. Okay, okay, we call those okay's getting all

1050
00:52:19,320 --> 00:52:24,839
Speaker 1: fancy on with Can we just talk about one thing?

1051
00:52:24,960 --> 00:52:27,720
Speaker 1: We just talk about one thing while I have your attention. Yeah,

1052
00:52:27,840 --> 00:52:33,600
Speaker 1: we talk about jargon. Can we talk about the word safety? Sure? Sure.

1053
00:52:34,680 --> 00:52:37,320
Speaker 1: Let me just say that if you're someone at our level,

1054
00:52:37,440 --> 00:52:40,200
Speaker 1: you're gonna get it right between one and three unless

1055
00:52:40,200 --> 00:52:42,680
Speaker 1: there's an action you don't know, correct or not not

1056
00:52:42,760 --> 00:52:44,759
Speaker 1: to toot our own horns. We've been doing it long enough.

1057
00:52:45,080 --> 00:52:47,200
Speaker 1: It's gonna be right between one and three unless or

1058
00:52:47,239 --> 00:52:49,560
Speaker 1: something we don't know, and you three in a row,

1059
00:52:49,760 --> 00:52:52,799
Speaker 1: and then you go, okay, let's do it for safety.

1060
00:52:52,920 --> 00:52:56,560
Speaker 1: So they're recording and you're recording, so it's on their

1061
00:52:56,560 --> 00:52:58,759
Speaker 1: recording and your recording. Be like, Okay, I'll give them

1062
00:52:58,800 --> 00:53:01,120
Speaker 1: three more just for choice, and then like, oh, let's

1063
00:53:01,120 --> 00:53:03,320
Speaker 1: just give us two more for safety. Okay, how safe

1064
00:53:03,360 --> 00:53:07,759
Speaker 1: do you have to be? I have eight lines in

1065
00:53:07,800 --> 00:53:10,520
Speaker 1: this show. I'm not gonna have any energy left if

1066
00:53:10,600 --> 00:53:14,520
Speaker 1: each line has to be twenty for safety. Check out

1067
00:53:17,360 --> 00:53:21,840
Speaker 1: just getting better a direction. That is also another reason

1068
00:53:21,960 --> 00:53:24,760
Speaker 1: why working with an entire cast is better than working alone,

1069
00:53:24,800 --> 00:53:26,960
Speaker 1: because they don't beat you up nearly as much when

1070
00:53:27,000 --> 00:53:31,800
Speaker 1: you're with people can't give twenty five lines for safety. Yeah, exactly,

1071
00:53:32,520 --> 00:53:36,120
Speaker 1: safety is important, but I mean we don't need that

1072
00:53:36,160 --> 00:53:38,319
Speaker 1: in any life jackets, and then they're always going to

1073
00:53:38,440 --> 00:53:40,440
Speaker 1: use the A, B or C take. And I have

1074
00:53:40,600 --> 00:53:43,279
Speaker 1: a really famous freend tatter shore story. Sorry, Julie, so

1075
00:53:43,320 --> 00:53:45,760
Speaker 1: I'm taking at the time, I watched into a video

1076
00:53:45,760 --> 00:53:48,160
Speaker 1: game and he was doing like it was a it

1077
00:53:48,280 --> 00:53:51,279
Speaker 1: was a monster video game, and he was doing a pterodactyl,

1078
00:53:51,320 --> 00:53:54,200
Speaker 1: and the line was like flies in swoops and steals.

1079
00:53:54,200 --> 00:53:56,440
Speaker 1: This guy grabs him and screams and tatter shows like

1080
00:53:58,280 --> 00:54:00,279
Speaker 1: this is a huge scream and like, you know these

1081
00:54:00,280 --> 00:54:03,320
Speaker 1: guys that just do monsters stuff that they're so amazing,

1082
00:54:03,360 --> 00:54:05,799
Speaker 1: and like you could see the vocal cords papping out

1083
00:54:05,840 --> 00:54:08,160
Speaker 1: and he gives three in a row and I was like, wow,

1084
00:54:08,160 --> 00:54:10,960
Speaker 1: that happen. We're gonna own for safety. So he does

1085
00:54:11,080 --> 00:54:15,480
Speaker 1: three more and I see his eyes starting and then

1086
00:54:16,480 --> 00:54:18,320
Speaker 1: I'm at the back of the student. I'm like, hey, guys,

1087
00:54:18,400 --> 00:54:22,439
Speaker 1: and they turn around. I'm like, you got it on one,

1088
00:54:23,080 --> 00:54:27,319
Speaker 1: and they're like, play back one and and fred could

1089
00:54:27,360 --> 00:54:31,239
Speaker 1: hear right? And they play back when they're like, she's right.

1090
00:54:31,320 --> 00:54:39,040
Speaker 1: And I love st He's pretty great. He's pretty great

1091
00:54:39,040 --> 00:54:41,120
Speaker 1: and pretty good at what he does. You just got

1092
00:54:41,160 --> 00:54:44,600
Speaker 1: ju Lisa, You just got a great Freda story. You

1093
00:54:44,600 --> 00:54:48,399
Speaker 1: don't know he signed up right there. There you go.

1094
00:54:48,640 --> 00:54:53,520
Speaker 1: I love that. Christie. Yeah, walk us through the garden. Okay,

1095
00:54:56,000 --> 00:55:00,680
Speaker 1: oh god, Ricky, there's like all these like hear, fungus

1096
00:55:00,760 --> 00:55:03,200
Speaker 1: is over here. Just watch out that you don't step

1097
00:55:03,239 --> 00:55:05,239
Speaker 1: on one. It's a fun guy. If there's more than

1098
00:55:05,239 --> 00:55:07,880
Speaker 1: one fungus, it becomes you're not a fun guy. I

1099
00:55:07,920 --> 00:55:11,839
Speaker 1: know that much. You know who is a fun guy,

1100
00:55:12,040 --> 00:55:14,399
Speaker 1: my rat boyfriend, and I'm trying to make my way

1101
00:55:14,440 --> 00:55:20,040
Speaker 1: to him. Who's this talk about him anymore? Look, ladybug there, Hi, Hi,

1102
00:55:20,560 --> 00:55:25,359
Speaker 1: how are you? I'm doing greeting you. You're cute? Thank you. Um,

1103
00:55:25,640 --> 00:55:28,040
Speaker 1: we're going to the mall. Um, we would like to

1104
00:55:28,080 --> 00:55:31,759
Speaker 1: get through. Take me with you? What? Well? Sure, I

1105
00:55:31,800 --> 00:55:33,440
Speaker 1: don't know. I just see strangers and I want to

1106
00:55:33,440 --> 00:55:36,080
Speaker 1: go with you. You want to fly? Can you fly?

1107
00:55:36,200 --> 00:55:39,280
Speaker 1: You look a little I don't know. I've been eating

1108
00:55:39,320 --> 00:55:41,520
Speaker 1: this thing for a while and I don't know, make

1109
00:55:41,560 --> 00:55:46,560
Speaker 1: me hyper, I don't know. Oh yeah, you're kind of strange.

1110
00:55:46,560 --> 00:55:49,920
Speaker 1: You know, they're just kind of sitting there? Is that too?

1111
00:55:49,760 --> 00:55:53,319
Speaker 1: Oh okay, well that's really interesting. Charles tells me not

1112
00:55:53,400 --> 00:55:56,400
Speaker 1: to talk to strangers, but here I am so high

1113
00:55:56,800 --> 00:55:59,200
Speaker 1: strangers just a friend that you don't know. Wait, that's

1114
00:55:59,200 --> 00:56:05,799
Speaker 1: not it. Yeah, what I said exactly. Wait, how are

1115
00:56:05,800 --> 00:56:07,520
Speaker 1: you even supposed to get out of this little patch?

1116
00:56:07,520 --> 00:56:09,360
Speaker 1: It's if only there was some sort of guide to

1117
00:56:09,400 --> 00:56:13,600
Speaker 1: come and help us. I'm just so tired of walking around, Ricky.

1118
00:56:13,680 --> 00:56:17,040
Speaker 1: I think I just need to eat this mushroom too. Yeah, gireful,

1119
00:56:17,120 --> 00:56:20,640
Speaker 1: it's funny. Dalla's friends of mine, and some of them

1120
00:56:20,760 --> 00:56:26,040
Speaker 1: tastes really good, but you might not like you feel after. Yeah,

1121
00:56:26,080 --> 00:56:29,920
Speaker 1: he's right, he told me that earlier. It's pommit. Wait, okay,

1122
00:56:31,160 --> 00:56:34,360
Speaker 1: I'm Shrewmy and I hang out here with audio shrooms

1123
00:56:34,440 --> 00:56:37,160
Speaker 1: and when he's chilling and hanging out and so abolutely

1124
00:56:37,200 --> 00:56:39,680
Speaker 1: a really good time. That lady bug over there, she's

1125
00:56:39,680 --> 00:56:43,520
Speaker 1: having a really good time, great time. Wait a second,

1126
00:56:43,760 --> 00:56:46,520
Speaker 1: I want to have a really good time, Ricky, you

1127
00:56:46,640 --> 00:56:48,520
Speaker 1: just keep going on without me. I'm gonna stay here

1128
00:56:48,560 --> 00:56:52,880
Speaker 1: and I'm gonna have a really good time. So no, no, no,

1129
00:56:52,920 --> 00:56:57,319
Speaker 1: really good time with Shrewmy too. No, no, Ricky, you

1130
00:56:57,400 --> 00:57:00,120
Speaker 1: go on. I think it's it's your big sister's time

1131
00:57:00,200 --> 00:57:02,160
Speaker 1: to have a good time. Listen, it's her time to

1132
00:57:02,160 --> 00:57:04,719
Speaker 1: see all the colors in the rain that she's never

1133
00:57:04,760 --> 00:57:08,400
Speaker 1: seen before are the best. I really enjoy them. I

1134
00:57:08,400 --> 00:57:10,480
Speaker 1: don't think you're ready. You're not ready. We're going to

1135
00:57:10,600 --> 00:57:12,799
Speaker 1: get lost though. If we separate, we can't split it.

1136
00:57:13,200 --> 00:57:15,880
Speaker 1: Just calm down, go ahead, give mom law shroom, go ahead,

1137
00:57:17,400 --> 00:57:21,960
Speaker 1: here you go. Take a body this one m O.

1138
00:57:22,760 --> 00:57:32,880
Speaker 1: See that tastes really good. I like it? Oh oh okay, wow, okay, okay,

1139
00:57:33,120 --> 00:57:35,600
Speaker 1: now you get to meet mad friends like the fairies.

1140
00:57:35,720 --> 00:57:39,480
Speaker 1: Look at that very over there that looks like you

1141
00:57:39,560 --> 00:57:44,680
Speaker 1: should voice one of the faeries. Hello, they're fairies are

1142
00:57:44,720 --> 00:57:47,240
Speaker 1: talking to me. The fairies are here to guide you

1143
00:57:47,800 --> 00:57:52,320
Speaker 1: to find the boyfriend I really want to, but he's

1144
00:57:52,480 --> 00:57:56,040
Speaker 1: the moss in the sky. You just have to learn

1145
00:57:56,160 --> 00:57:59,720
Speaker 1: that trees aren't nice. They're not all into the river,

1146
00:58:00,360 --> 00:58:03,320
Speaker 1: some of them having the fairies envious. Are you a

1147
00:58:03,360 --> 00:58:07,600
Speaker 1: bad fairy or a good fairy, whichever you choose, Ricky,

1148
00:58:07,720 --> 00:58:12,360
Speaker 1: don't talk to that. She makes me, Ricky, I can

1149
00:58:12,440 --> 00:58:21,480
Speaker 1: hear my ear. Oh, Ricky, is this how your show

1150
00:58:21,560 --> 00:58:26,760
Speaker 1: normally goes? Yeah, pretty much. I think we're gonna cut

1151
00:58:26,880 --> 00:58:29,680
Speaker 1: right there with the weird, bad acid trip that all

1152
00:58:29,720 --> 00:58:33,880
Speaker 1: of a sudden started on a journey together, and I

1153
00:58:34,080 --> 00:58:39,960
Speaker 1: for one feel very satisfy. Awesome age Lisa, so first

1154
00:58:39,960 --> 00:58:44,320
Speaker 1: of all awesome, And I like one line, maybe because

1155
00:58:44,320 --> 00:58:46,040
Speaker 1: you just did two different characters, so I think that

1156
00:58:46,080 --> 00:58:48,160
Speaker 1: was the greatest thing she could handle it. I knew

1157
00:58:48,200 --> 00:58:52,800
Speaker 1: she did perfectly. I think the one how about do

1158
00:58:52,840 --> 00:58:56,040
Speaker 1: you do have you ever tasted the color yellow? It's divine?

1159
00:58:56,640 --> 00:58:59,440
Speaker 1: Is that really a line there? Okay? Yeah, yeah, you

1160
00:58:59,640 --> 00:59:01,479
Speaker 1: just didn't I was going to play a mushroom head.

1161
00:59:02,480 --> 00:59:04,200
Speaker 1: Oh no, but I didn't know you were going to

1162
00:59:04,240 --> 00:59:06,320
Speaker 1: play a mushroom head. But we knew ju Lisa was

1163
00:59:06,320 --> 00:59:09,800
Speaker 1: going to be tripping balls when we met her. I'm

1164
00:59:09,800 --> 00:59:12,600
Speaker 1: glad I didn't introduce the idea of tripping balls as good.

1165
00:59:12,760 --> 00:59:14,960
Speaker 1: So how do you want me to like? What's scene?

1166
00:59:15,120 --> 00:59:18,520
Speaker 1: Was this? And no? We have? Uh? Yeah? So I

1167
00:59:18,520 --> 00:59:21,600
Speaker 1: mean again, I think you, like you said, you're a

1168
00:59:23,040 --> 00:59:26,160
Speaker 1: you're a ladybug. You've been eating some mushrooms. They've hit hard,

1169
00:59:26,320 --> 00:59:30,160
Speaker 1: and you are enjoying yourself. So can you give us

1170
00:59:30,200 --> 00:59:32,160
Speaker 1: three or three of those ABC right in a row

1171
00:59:32,160 --> 00:59:33,560
Speaker 1: and give us a break in between all three and

1172
00:59:33,560 --> 00:59:40,640
Speaker 1: would be great? Have you tasted the color yellow? Devine?

1173
00:59:41,760 --> 00:59:50,240
Speaker 1: Have you tasted the color yellow? It's devine? Oh yeah,

1174
00:59:50,400 --> 00:59:55,160
Speaker 1: have you tasted the color yellow? Oh it's divine? Perfect?

1175
00:59:55,240 --> 00:59:57,360
Speaker 1: I like Ce frankly, I thought she was a great

1176
00:59:57,400 --> 01:00:01,040
Speaker 1: taken that well that we're gonna have to fight about

1177
01:00:01,040 --> 01:00:05,200
Speaker 1: that later. Do dang talent? Right? We just do three

1178
01:00:05,200 --> 01:00:09,600
Speaker 1: more for safe now the actor was picking you up

1179
01:00:09,880 --> 01:00:12,920
Speaker 1: and dropping you. You know what, I want to hear her?

1180
01:00:12,960 --> 01:00:17,000
Speaker 1: Do one more? Okay, you got it? More. I want

1181
01:00:17,000 --> 01:00:20,920
Speaker 1: to hear in the beginning that you're like, whoa like

1182
01:00:21,120 --> 01:00:24,320
Speaker 1: seeing that color for the first time, and then it's

1183
01:00:24,320 --> 01:00:28,919
Speaker 1: so divine, But like first be like kind of like, oh,

1184
01:00:29,320 --> 01:00:41,720
Speaker 1: legs don't okay? Who have you tasted the color yellow?

1185
01:00:43,680 --> 01:00:48,280
Speaker 1: It's divine? Like the weird word is taste, right, have

1186
01:00:48,440 --> 01:00:56,000
Speaker 1: you tasted like yellow? Like hit that you tasted the

1187
01:00:56,120 --> 01:01:01,800
Speaker 1: color yellow? It's divine. I like the first part of

1188
01:01:01,840 --> 01:01:03,520
Speaker 1: that lot. And then you can pick whatever it's divine

1189
01:01:03,520 --> 01:01:05,520
Speaker 1: you think. I like that to do a little put

1190
01:01:05,560 --> 01:01:09,320
Speaker 1: him together. That's what we're gonna do all the time.

1191
01:01:11,080 --> 01:01:18,360
Speaker 1: Take Yeah, that's so cool. We didn't we haven't really

1192
01:01:18,400 --> 01:01:21,040
Speaker 1: talked about the mixing and matching part of it. That

1193
01:01:21,040 --> 01:01:24,160
Speaker 1: that does happen all the time, every day, all the time.

1194
01:01:24,320 --> 01:01:28,240
Speaker 1: Lisa realized that thank you so much for joining us

1195
01:01:28,240 --> 01:01:31,880
Speaker 1: today and across the garden. Yeah, you're already on your way.

1196
01:01:32,000 --> 01:01:34,680
Speaker 1: She looks exactly like Gray. To think she does look

1197
01:01:34,720 --> 01:01:39,320
Speaker 1: like stop. I also get told by sound like her,

1198
01:01:39,400 --> 01:01:46,840
Speaker 1: like my normal days, I would love her exactly like, oh,

1199
01:01:46,880 --> 01:01:49,080
Speaker 1: it's so nice to meet you. That would be right.

1200
01:01:50,240 --> 01:01:55,880
Speaker 1: She looks at me Gray. Gray is one of the

1201
01:01:56,280 --> 01:01:58,960
Speaker 1: another one of the legends of the industry. We'll have

1202
01:01:59,000 --> 01:02:01,160
Speaker 1: Gray on at some point, as I think she kind

1203
01:02:01,160 --> 01:02:04,560
Speaker 1: of hit it right after Kim Possible. But okay, when

1204
01:02:04,600 --> 01:02:06,800
Speaker 1: she wasn't on the show, but she's She's like, I know,

1205
01:02:07,240 --> 01:02:09,440
Speaker 1: I know a lot of names, but great, Yeah Grey didn't.

1206
01:02:09,520 --> 01:02:11,760
Speaker 1: I didn't know Greg. You'll know Grey when you see her,

1207
01:02:11,800 --> 01:02:20,680
Speaker 1: I'm sure. Lisa, thank you so much for joining us

1208
01:02:21,480 --> 01:02:24,520
Speaker 1: and helping us get across the garden. And when you

1209
01:02:24,520 --> 01:02:25,920
Speaker 1: get you know, this comes out, you're gonna get to

1210
01:02:25,920 --> 01:02:27,439
Speaker 1: be in your own cartoon and that's a ton of fun.

1211
01:02:27,520 --> 01:02:34,840
Speaker 1: So thank you so much. Have fun. Yeah, that's right,

1212
01:02:35,560 --> 01:02:37,960
Speaker 1: So a great job. She's already on her way. She

1213
01:02:38,040 --> 01:02:43,520
Speaker 1: sounded great. Ada. Well yeah, yeah, there's a lot of

1214
01:02:43,560 --> 01:02:47,120
Speaker 1: production in Florida. Yeah. A lot of boy bands too.

1215
01:02:47,160 --> 01:02:49,360
Speaker 1: While there were anyway, maybe not as much anymore now

1216
01:02:49,400 --> 01:02:51,760
Speaker 1: they're they're K pop. A lot of K pop boy bands.

1217
01:02:51,760 --> 01:02:53,480
Speaker 1: Are your kids? Are you you? You have a son

1218
01:02:53,600 --> 01:02:55,880
Speaker 1: and a daughter, I have two boys. You have two

1219
01:02:55,960 --> 01:03:00,120
Speaker 1: boys seventeen, so they're not necessarily into K pop. Your

1220
01:03:00,200 --> 01:03:04,040
Speaker 1: kids are twenty and seventeen. Now that's they're lying. Look

1221
01:03:04,080 --> 01:03:08,360
Speaker 1: at me, Um, I know, I know. I love being

1222
01:03:08,360 --> 01:03:10,720
Speaker 1: a mom so much. It's so much fun. I'm so

1223
01:03:10,760 --> 01:03:14,760
Speaker 1: obsessed with them. That's awesome. I'm a stepdad. That's that's enough.

1224
01:03:16,880 --> 01:03:20,800
Speaker 1: How old is your kid? Oh wow? Yeah, she's getting

1225
01:03:20,800 --> 01:03:25,360
Speaker 1: married this year. Oh wow, so that's a ton of fun. Yeah,

1226
01:03:25,400 --> 01:03:27,280
Speaker 1: I'm noticing she was a lot. Soon you're gonna be

1227
01:03:27,280 --> 01:03:29,400
Speaker 1: a grandpa. That's we're already picking our names of like

1228
01:03:29,440 --> 01:03:33,840
Speaker 1: what we want. Will you're going to be that's a possibility,

1229
01:03:34,640 --> 01:03:42,800
Speaker 1: that's a posible. Just Mr. Will pretty great. I like that. No,

1230
01:03:42,920 --> 01:03:44,480
Speaker 1: I just I just want to be my lord. That's

1231
01:03:44,520 --> 01:03:48,040
Speaker 1: all I've ever wanted to be. Is. Yes, we could

1232
01:03:48,080 --> 01:03:51,520
Speaker 1: go with that. You could go with that. So I

1233
01:03:51,560 --> 01:03:53,880
Speaker 1: mean again, we could sit here and talk forever and

1234
01:03:53,920 --> 01:03:56,840
Speaker 1: ever and ever about thousands of things. But you have

1235
01:03:56,960 --> 01:03:59,360
Speaker 1: to promise, and I'm making you promise to come and

1236
01:03:59,400 --> 01:04:02,600
Speaker 1: join us in this video because it's a ton of

1237
01:04:02,640 --> 01:04:05,280
Speaker 1: fun and we can talk more about your amazing career

1238
01:04:05,360 --> 01:04:07,680
Speaker 1: because it's it seems to be taking off more and

1239
01:04:07,720 --> 01:04:10,680
Speaker 1: more every year. It's crazy. But you guys have to

1240
01:04:10,720 --> 01:04:14,000
Speaker 1: promise to come on my show because you're you're actually

1241
01:04:14,040 --> 01:04:16,520
Speaker 1: part of a real ship. You're actually a cannon ship,

1242
01:04:16,560 --> 01:04:18,760
Speaker 1: you guys. Is that what your show is about is

1243
01:04:18,800 --> 01:04:20,920
Speaker 1: about a ship. It's about shipping. It's about love and

1244
01:04:20,960 --> 01:04:29,120
Speaker 1: pop culture. I think Kim and Ron pop culture, you guys, right,

1245
01:04:29,280 --> 01:04:31,640
Speaker 1: So when when a ship becomes big, that's when they

1246
01:04:31,640 --> 01:04:33,880
Speaker 1: say it's a cannon ship. And I do believe you

1247
01:04:33,920 --> 01:04:35,920
Speaker 1: guys are a cannon ship. So I think we are

1248
01:04:35,920 --> 01:04:40,920
Speaker 1: a cannon show. Last, So let's do that quick. We

1249
01:04:40,960 --> 01:04:44,560
Speaker 1: will do right now ever you would like it. By

1250
01:04:44,600 --> 01:04:47,040
Speaker 1: the way, for for the record and for our viewing audience,

1251
01:04:47,040 --> 01:04:48,600
Speaker 1: what is the name of your show? And where can

1252
01:04:48,600 --> 01:04:51,600
Speaker 1: they find it? The ship at show? Okay, and it's

1253
01:04:51,640 --> 01:04:54,520
Speaker 1: myself and Greg SIPs and it's on YouTube and there's

1254
01:04:54,520 --> 01:04:56,360
Speaker 1: a ship at show website and we also take it

1255
01:04:56,360 --> 01:04:59,400
Speaker 1: live to cons. It's pretty fun. That is amazing. And

1256
01:04:59,480 --> 01:05:01,880
Speaker 1: what about your socials? Where can people find you at?

1257
01:05:01,880 --> 01:05:06,400
Speaker 1: Tara Strong everywhere everywhere because she is everywhere. Thank you

1258
01:05:06,480 --> 01:05:12,240
Speaker 1: so much, I mean kind of reals. We're so blessed

1259
01:05:12,280 --> 01:05:14,920
Speaker 1: to have you in our life. So thank you. And

1260
01:05:14,920 --> 01:05:16,640
Speaker 1: then find us on the ship at show because we're

1261
01:05:16,600 --> 01:05:18,800
Speaker 1: going to go there. Yeah, we're going to film that

1262
01:05:18,920 --> 01:05:20,760
Speaker 1: right now. Actually, are we not at a con together

1263
01:05:20,800 --> 01:05:24,800
Speaker 1: anytime soon? I can't know where you going, We're gonna

1264
01:05:24,840 --> 01:05:28,200
Speaker 1: go to where's the next one? Dallas? Boston? Challas is next?

1265
01:05:28,480 --> 01:05:31,480
Speaker 1: Do you guys go together all the time? Mostly Dallas?

1266
01:05:31,480 --> 01:05:35,960
Speaker 1: But we also have Denver and San Francisco, and I

1267
01:05:36,040 --> 01:05:40,000
Speaker 1: have Rally Neck, Salt Lake and Columbus. Okay, no, no,

1268
01:05:40,040 --> 01:05:42,160
Speaker 1: I have one more in between, but I can't remember

1269
01:05:42,160 --> 01:05:43,880
Speaker 1: where I'm going. We're gonna have to figure out a

1270
01:05:43,920 --> 01:05:45,160
Speaker 1: time to get us all again. Are you going to

1271
01:05:45,240 --> 01:05:48,240
Speaker 1: big San Diego comic con comic con? Of course? Are

1272
01:05:48,240 --> 01:05:51,280
Speaker 1: you going to be there on Sunday too? I think so?

1273
01:05:52,000 --> 01:05:54,680
Speaker 1: I know for sure. I have three things to do,

1274
01:05:54,760 --> 01:05:57,320
Speaker 1: which of course won't be on the same day, one

1275
01:05:57,360 --> 01:06:03,520
Speaker 1: of those being has pretty cool yeah yeah, and one

1276
01:06:03,600 --> 01:06:08,760
Speaker 1: for her yeah yeah, and some other fund stuff. Yeah.

1277
01:06:08,800 --> 01:06:10,560
Speaker 1: So I'll be there. Are you guys gonna go down there?

1278
01:06:10,560 --> 01:06:11,880
Speaker 1: I think we're going to be. We might be there

1279
01:06:11,880 --> 01:06:13,760
Speaker 1: on Sunday as well, so maybe we'll have a chance

1280
01:06:13,800 --> 01:06:16,360
Speaker 1: to to hook. I've never been to a San Diego

1281
01:06:16,400 --> 01:06:19,720
Speaker 1: comic con, so this is gonna be what it's like

1282
01:06:19,760 --> 01:06:23,920
Speaker 1: a regular comic except you can't move anywhere. Wait, you

1283
01:06:24,000 --> 01:06:26,840
Speaker 1: never did a comic con with Possible, so they didn't

1284
01:06:26,880 --> 01:06:30,200
Speaker 1: lost do comic CON's Initially when comic cons were still niche.

1285
01:06:30,640 --> 01:06:35,560
Speaker 1: Now they're everywhere in every state, in every city, and um, yeah, unfortunately,

1286
01:06:35,760 --> 01:06:38,280
Speaker 1: like Disney was actually withholding us from doing comic cons

1287
01:06:38,280 --> 01:06:40,760
Speaker 1: for a while, but now they're fine. I'm sure obviously

1288
01:06:40,920 --> 01:06:43,160
Speaker 1: super strange that they didn't have a presence at San

1289
01:06:43,160 --> 01:06:46,840
Speaker 1: Diego Comic Con because it really is its own animal. Yeah,

1290
01:06:47,120 --> 01:06:49,560
Speaker 1: the icons you go and you saw an autographs for money,

1291
01:06:50,040 --> 01:06:52,240
Speaker 1: Comic con you go for the network. It's not really

1292
01:06:52,280 --> 01:06:54,320
Speaker 1: a money maker. It's a way to emotion the shows.

1293
01:06:54,560 --> 01:06:56,680
Speaker 1: So it's surprising that they never took advantage of how

1294
01:06:56,720 --> 01:06:59,320
Speaker 1: to Yeah, I think they just didn't get it. Like

1295
01:06:59,360 --> 01:07:02,000
Speaker 1: at the Heid show, they should have had a kimpossible panic.

1296
01:07:02,080 --> 01:07:03,840
Speaker 1: You guys would have filled the room. Some of my

1297
01:07:03,880 --> 01:07:06,800
Speaker 1: coolest nerd moments ever were in San Diego, Like San

1298
01:07:06,800 --> 01:07:09,720
Speaker 1: Diego lends itself to just I mean when Batman Beyond

1299
01:07:09,720 --> 01:07:12,880
Speaker 1: It its twentieth anniversary and the box that came out

1300
01:07:13,000 --> 01:07:15,720
Speaker 1: we had hall h which is like the coolest thing

1301
01:07:15,840 --> 01:07:18,040
Speaker 1: in the world. We've had that a few times. The

1302
01:07:18,160 --> 01:07:20,400
Speaker 1: killing the killing joke came out by the way, at

1303
01:07:20,440 --> 01:07:23,280
Speaker 1: New York Comic com which is similar to Comic Con.

1304
01:07:23,320 --> 01:07:26,360
Speaker 1: They had me conroy An Hamil for the killing joke,

1305
01:07:26,440 --> 01:07:29,520
Speaker 1: which was insane. Yeah, it's really fun when they're like

1306
01:07:29,560 --> 01:07:31,560
Speaker 1: a really big room like that and you're like seeing

1307
01:07:31,560 --> 01:07:34,000
Speaker 1: all this love my um. One of my favorite stories

1308
01:07:34,040 --> 01:07:35,800
Speaker 1: is my dad was he was quite sick when he

1309
01:07:35,840 --> 01:07:37,360
Speaker 1: was getting older and he was a wheelchair and he

1310
01:07:37,360 --> 01:07:38,960
Speaker 1: didn't want to go out and I was like, you

1311
01:07:39,040 --> 01:07:41,280
Speaker 1: gotta come. This is Toronto Comic Con' like you gotta come.

1312
01:07:41,360 --> 01:07:44,080
Speaker 1: He's like oh, And I like really dragged him and

1313
01:07:44,280 --> 01:07:45,880
Speaker 1: he had the I P of course, so he came

1314
01:07:45,920 --> 01:07:48,240
Speaker 1: in first and he sat in the front and then

1315
01:07:48,280 --> 01:07:51,600
Speaker 1: the room filled up behind him and then um, they

1316
01:07:51,640 --> 01:07:54,520
Speaker 1: bring me out on stage. I swear to god, this

1317
01:07:54,560 --> 01:07:57,040
Speaker 1: is my dad. So you're me looking at my dad

1318
01:07:57,440 --> 01:07:59,480
Speaker 1: and like Tara Strong and you're what when my dad

1319
01:07:59,600 --> 01:08:08,560
Speaker 1: just goes, oh my god, can you realize, like what

1320
01:08:08,760 --> 01:08:12,120
Speaker 1: it really happened to his baby girls? Who Yeah, when

1321
01:08:12,120 --> 01:08:14,200
Speaker 1: you get a big room, it's fun. And they're big

1322
01:08:14,280 --> 01:08:15,840
Speaker 1: room that are just the greatest fans in the world

1323
01:08:15,880 --> 01:08:18,080
Speaker 1: and they're fans and fans of the project and they

1324
01:08:18,280 --> 01:08:20,439
Speaker 1: just want to support you and it's the coolest and

1325
01:08:20,439 --> 01:08:24,280
Speaker 1: they know everything that you forget everything, like, can you

1326
01:08:24,320 --> 01:08:26,200
Speaker 1: do that scene from scene one episode Twell, I'm like,

1327
01:08:26,200 --> 01:08:28,760
Speaker 1: you do it first and then I'll copy you. Please

1328
01:08:28,800 --> 01:08:31,040
Speaker 1: do that. That'll be awesome. So then hopefully we'll be

1329
01:08:31,080 --> 01:08:32,519
Speaker 1: able to hook up at a con too, which would

1330
01:08:32,520 --> 01:08:36,439
Speaker 1: be that. Okay, well, thank you so much for joining

1331
01:08:36,479 --> 01:08:40,040
Speaker 1: us today. Thanks guys, and we'll see you on your

1332
01:08:40,040 --> 01:08:42,519
Speaker 1: show and on all your socials and on every other

1333
01:08:42,680 --> 01:08:46,400
Speaker 1: animated series, video game, and live action show on every

1334
01:08:46,400 --> 01:08:51,360
Speaker 1: streaming service ever. Yeah, do you ever want to see

1335
01:08:51,360 --> 01:08:53,519
Speaker 1: Tara turn on the TV? But I discovered today doing

1336
01:08:53,520 --> 01:08:57,840
Speaker 1: my multiverse interviews. It's the first time I've ever kind

1337
01:08:57,840 --> 01:09:00,519
Speaker 1: of acknowledged this. So I'll do it today because I'm

1338
01:09:00,520 --> 01:09:02,400
Speaker 1: with you guys today on the same day. So they're

1339
01:09:02,400 --> 01:09:04,960
Speaker 1: asking me, like, what's it like to do Raven in

1340
01:09:05,000 --> 01:09:07,440
Speaker 1: this world and then Raven in this world and Harley

1341
01:09:07,560 --> 01:09:09,160
Speaker 1: and back Girl in this world and then in this

1342
01:09:09,200 --> 01:09:11,840
Speaker 1: world like and they're talking about the don't go, I'm

1343
01:09:11,840 --> 01:09:16,200
Speaker 1: really like my own multiverse. You are you are, That's

1344
01:09:16,320 --> 01:09:19,880
Speaker 1: that's it. You are your your own multiverse. O. Man,

1345
01:09:20,080 --> 01:09:22,640
Speaker 1: I have to know me in all these different places,

1346
01:09:23,360 --> 01:09:26,880
Speaker 1: have all these different and your miss Minute but and

1347
01:09:27,040 --> 01:09:31,880
Speaker 1: you're miss minutes. Who can't control everything? That's this is

1348
01:09:31,960 --> 01:09:36,639
Speaker 1: crazy crazy. I have my own multiverse. Hey, y'all, don't

1349
01:09:36,640 --> 01:09:39,400
Speaker 1: hesitate to let us know how we're doing. You do

1350
01:09:39,560 --> 01:09:44,679
Speaker 1: you are? You are your own multi multiverse, my own horn.

1351
01:09:45,040 --> 01:09:49,800
Speaker 1: You can't it's true. How do you not end on

1352
01:09:49,920 --> 01:09:52,759
Speaker 1: that note? We figured out? Okay, so just for the record,

1353
01:09:52,800 --> 01:09:56,040
Speaker 1: we figured out your name today, which is important. Uh,

1354
01:09:56,080 --> 01:09:58,439
Speaker 1: and we've also figured out that you are in fact,

1355
01:09:58,479 --> 01:10:01,080
Speaker 1: not only your own multiverse, but in charge of your

1356
01:10:01,080 --> 01:10:08,160
Speaker 1: own multiverse and multi that's pretty outstanding. I love that.

1357
01:10:08,560 --> 01:10:10,160
Speaker 1: Thank you, And then we're gonna wrap it up on

1358
01:10:10,200 --> 01:10:14,360
Speaker 1: that because you can't. It'sar strong. Thank you so much

1359
01:10:14,400 --> 01:10:17,280
Speaker 1: for joining us. We love you. You're amazing and uh,

1360
01:10:17,400 --> 01:10:23,800
Speaker 1: we can't wait to come on your show. Yea by everybody.

1361
01:10:24,920 --> 01:10:27,240
Speaker 1: I hear voices assosted by Wilfred L and Risti Garls

1362
01:10:27,240 --> 01:10:30,040
Speaker 1: and Romano, produced by Elizabeth Joy Windham and executive produced

1363
01:10:30,080 --> 01:10:32,960
Speaker 1: by Brendan Rooney and Wilfred L. Our sound engineer and

1364
01:10:33,040 --> 01:10:35,400
Speaker 1: editor is Elizabe Joy Windham and our video editor is

1365
01:10:35,400 --> 01:10:39,360
Speaker 1: at Guardo Gamba. And that was my announcer voice. Some

1366
01:10:39,400 --> 01:10:42,040
Speaker 1: side effects of listening to I hear voices are sore

1367
01:10:42,120 --> 01:10:45,080
Speaker 1: abs from larity, falling down the Coco Melon rabbit hole,

1368
01:10:45,240 --> 01:10:48,320
Speaker 1: sneezing due to mass nostalgia, and hugs. Follow I Hear

1369
01:10:48,400 --> 01:10:50,720
Speaker 1: Voices where every listen to podcasts you don't miss any

1370
01:10:50,760 --> 01:10:53,200
Speaker 1: of the amazing voices. Be sure to follow us on

1371
01:10:53,240 --> 01:10:56,479
Speaker 1: Instagram and TikTok at I Hear Voices podcast. To see

1372
01:10:56,479 --> 01:10:58,760
Speaker 1: the video stream, subscribe to my YouTube channel. You can

1373
01:10:58,800 --> 01:11:02,000
Speaker 1: also check us out on my based o'meagel Vine, lime wire,

1374
01:11:02,080 --> 01:11:05,160
Speaker 1: am and Napster. Okay, well, let's teach you about the Internet.

1375
01:11:05,320 --> 01:11:10,599
Speaker 1: The what m hm hm