WEBVTT - Listener Mail: Crab Faces, Anus Myths and More

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuffworks

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<v Speaker 1>dot com. Hey, you welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back with listener mail. That's right, we received a

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<v Speaker 1>great deal of cool listener feedback, and in order to

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<v Speaker 1>harvest it all this time, our mail bot Carney has

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<v Speaker 1>essentially become an aquatic humanoid, right, an aquatic humanoid robot. Now,

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<v Speaker 1>Carney has been our mailbot for a long time now,

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<v Speaker 1>and uh, we noticed that he has apparently some webbed

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<v Speaker 1>feet now and uh, some gills, and we're not quite

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<v Speaker 1>sure what that's all about, since he's a robot anyway,

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<v Speaker 1>but he seems to be trying. He's really trying to

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<v Speaker 1>get in there, become the aquatic ape that may never

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<v Speaker 1>have been. I assume that the gills are part of

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<v Speaker 1>a like a cooling system for for all of his hardware,

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<v Speaker 1>you know, Oh right, that's where he chills his CPU. Yeah.

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<v Speaker 1>I think that's this probably what's going on, because he

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<v Speaker 1>doesn't really need to breathe. But I'll tell you what

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<v Speaker 1>does need to breathe. All of these cool listener mails

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<v Speaker 1>that we've received, well, without any further ado, I say,

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<v Speaker 1>we jump right in the waters warm all right. This

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<v Speaker 1>one comes to us from Maria. Maria says, hi, guys,

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<v Speaker 1>I am from Columbia and I was just listening to

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<v Speaker 1>the Aquatic Humanoids podcast and I just couldn't stop thinking

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<v Speaker 1>about one of the various native cultures in my country

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<v Speaker 1>that had a sort of aquatic humanoid in its mythology.

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<v Speaker 1>The Musica culture had the belief that they're shamans were

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<v Speaker 1>going to become a mix of sacred animals. They became

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<v Speaker 1>a humanoid with the tail of a fish. Uh. Some

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<v Speaker 1>theories say that the penis was the body part that

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<v Speaker 1>will become a fish tail, the head of a jaguar,

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<v Speaker 1>and some other changes in some sacred parts of the

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<v Speaker 1>body making them gods when they pray and make and

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<v Speaker 1>made rituals. I don't know the complete story, but you

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<v Speaker 1>may want to take a look at the researchers of

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<v Speaker 1>this culture and others with a similar myth And if

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<v Speaker 1>you ever go to Columbia, you can visit the Museo

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<v Speaker 1>del Oro or Golden Museum, where you can learn about

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<v Speaker 1>a lot of cultures and native objects. To sustain the

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<v Speaker 1>myths with humanoids that were believed to be not inferiors,

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<v Speaker 1>but superiors to ordinary humans. I mean, it's kind of

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<v Speaker 1>hard not to imagine an aquatic humanoid as superior to humans, right,

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<v Speaker 1>I guess they did it with Creature from the Black Lagoon.

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<v Speaker 1>But I don't know. When you think of the abyss,

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<v Speaker 1>somehow like being under under all the water seems to

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<v Speaker 1>breed a kind of serenity. Yeah. Well, I would say

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<v Speaker 1>again with with Creature from the Black Lagoon, there seems

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<v Speaker 1>to be a lot of a lot of effort goes

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<v Speaker 1>into making the creature look weak when we have at

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<v Speaker 1>least one or two scenes that depict just how effective

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<v Speaker 1>the creature is in its natural habitat under the water.

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<v Speaker 1>I will say, in the Creature movies, the creature is

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<v Speaker 1>certainly morally superior to the humans come in and start

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<v Speaker 1>harassing it. But that's really interesting. I tried to look

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<v Speaker 1>up some stuff about this, uh this moisca idea of

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<v Speaker 1>the humanoid with the penis or the fish tail coming

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<v Speaker 1>from the penis or something. I couldn't find anything about this,

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<v Speaker 1>but I'm going to keep looking. I want to know more.

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<v Speaker 1>This sounds very interesting. It looks like Carney has another

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<v Speaker 1>bit of of Aquatic Humanoid listener mail here that he's

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<v Speaker 1>brought up from the depth right. This is from our

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<v Speaker 1>listener Jared. Jared says, Hello, Robert and Joe. I just

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<v Speaker 1>listen to the second part of the Aquatic Humanoid episode,

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<v Speaker 1>which I enjoyed, but it did not address one of

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<v Speaker 1>my primary curiosities on the matter, which is why has

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<v Speaker 1>an aquatic creature not evolved that disappear in intelligence to humans.

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<v Speaker 1>This is more of a question of evolutionary intelligence, but

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<v Speaker 1>the simple question is, if humans are the dominant land animal,

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<v Speaker 1>why is there not a hyper smart crab that dominates

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<v Speaker 1>the oceans. Coming from the viewpoint of an intelligent land animal,

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<v Speaker 1>it would seem like intelligence is one of the most

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<v Speaker 1>valuable adaptations, so I find it surprising that the trait

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<v Speaker 1>is not more commonly. Especial is not more common, especially

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<v Speaker 1>in animals like turtles that have existed for hundreds of

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<v Speaker 1>millions of years. It would also surmise that if an

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<v Speaker 1>animal was physically well adapted to its environment like a turtle,

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<v Speaker 1>then mental adaptations would be the next priority trait. If

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<v Speaker 1>you have any thoughts on the matter, I would be

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<v Speaker 1>curious to hear them. Long story, short, how did intelligence evolve?

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<v Speaker 1>And why are humans seemingly unique along? Yeah, that's that's

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<v Speaker 1>that's the simple question will tackle me. Uh well, I

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<v Speaker 1>think one of those obvious answers that comes to mind

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<v Speaker 1>is like, how much more perfect does say a sea

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<v Speaker 1>turtle need to be? Right? You know? Is it is

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<v Speaker 1>arguably as smart as it needs to be. Evolution is

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<v Speaker 1>a cheap skate, and brains, big powerful brains are incredibly expensive.

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<v Speaker 1>They are. They come with so many downsides. Your brain

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<v Speaker 1>is so energy hungry it's ridiculous. You need eat tons

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<v Speaker 1>of calories to sustain it. It also requires a lot

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<v Speaker 1>of development time through which you are You're very vulnerable

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<v Speaker 1>in your youth because you you require such a long

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<v Speaker 1>development period to have the powerful adult brain that you

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<v Speaker 1>have today. So developing a smart brain is a difficult

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<v Speaker 1>thing to do, and you've got to really justify it.

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<v Speaker 1>Another thing I would say is you bring up the

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<v Speaker 1>idea of physical adaptations. I would say, actually, the more

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<v Speaker 1>physically adapted a creature is, the less intelligent it needs

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<v Speaker 1>to be. Exactly. I mean that's what we see with

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<v Speaker 1>with humans. Do we have great clause? Now? Do we

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<v Speaker 1>have the natural body armor? No, we're not very strong

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<v Speaker 1>for our body size. The one thing we have is

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<v Speaker 1>that enormous brain. Yeah, everything else is done more efficiently

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<v Speaker 1>by some other species. I mean, we've talked before about

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<v Speaker 1>how if you see a hairless great ape like a

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<v Speaker 1>chimpanzee or gorilla, it is the muscles are hilarious. It

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<v Speaker 1>is jacked. These things are so much stronger than we are,

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<v Speaker 1>and that they need to be because they're not as

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<v Speaker 1>intelligent as we are. We can get around with less

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<v Speaker 1>physical strength because we've got these smart workarounds. But to

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<v Speaker 1>more directly address your question, obviously, neither of us knows

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<v Speaker 1>exactly what is the cause of advance human intelligence. But

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<v Speaker 1>I'd point to a couple of things I would suspect,

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<v Speaker 1>and those things are tool use and social dynamics. I

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<v Speaker 1>think those are probably two of the main things that

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<v Speaker 1>shape to the modern human brain. I'm totally welcomed. I

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<v Speaker 1>would love to hear opposing viewpoints, but I think those

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<v Speaker 1>are things that seem pretty practical to me. Now. I

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<v Speaker 1>think there's tons of evidence that the human brain, the

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<v Speaker 1>smart human brain, is a social brain that evolved primarily

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<v Speaker 1>to manage and maintain social relationships, to understand relationships with

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<v Speaker 1>other members of the group to understand facial expressions and

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<v Speaker 1>and nuanced social relationships and reciprocity and status and all

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<v Speaker 1>these kind of things that we think about in highly advanced,

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<v Speaker 1>very complicated social animals. Are there other animals underneath the

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<v Speaker 1>sea that are that have complicated social relationships in that way?

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<v Speaker 1>Maybe some marine mammals, right, maybe dolphins, Yes, certainly, the

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<v Speaker 1>marine mammals are the ones that come to mind, and

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<v Speaker 1>uh memory, serious, there is an example of of of

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<v Speaker 1>a dolphin engaging in some form of tools. Yeah, yeah,

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<v Speaker 1>I've read about dolphins, like bottlenose dolphins using marine sponges

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<v Speaker 1>to assist them in foraging for food. But then again,

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<v Speaker 1>the dynamics of tool use. I think we pointed this

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<v Speaker 1>out actually in part two of the Aquati Humanoids episode.

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<v Speaker 1>The dynamics of tool use underwater are gonna be a

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<v Speaker 1>little different than they are above water, right Like, if

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<v Speaker 1>you think about so many of the most primitive early

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<v Speaker 1>human tools, they appear to be things that were for

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<v Speaker 1>hitting and throwing, right like these hand axes. We don't

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<v Speaker 1>know exactly what they're for, but these sort of sharpened

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<v Speaker 1>stones that appear to be able to be held in

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<v Speaker 1>the hand look like you could use them to hit

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<v Speaker 1>something or cut it something, maybe for processing animal carcasses.

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<v Speaker 1>And then of course there are also like, uh, like

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<v Speaker 1>spear tips and things like that. I don't know, I mean,

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<v Speaker 1>is throwing as easy underwater maybe, I don't know. It

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<v Speaker 1>seems a little bit harder. But I wonder, I wonder

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<v Speaker 1>if some of just the different physics of resistance and

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<v Speaker 1>buoyancy and things like that in underwater environments would not

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<v Speaker 1>allow the same types of tool developing regimes that you

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<v Speaker 1>could have above water. Yeah. Yeah, And of course I

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<v Speaker 1>think we reference this as well, uh in that episode

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<v Speaker 1>we have the past episodes about the about technology and fire,

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<v Speaker 1>in which we we wonder, like, to what extent could

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<v Speaker 1>an underwater intelligence, even if they got to the point

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<v Speaker 1>where they had tools, could they ever have any kind

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<v Speaker 1>of technology based on fire with being an aquatic organism.

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<v Speaker 1>That's a very good point. Now, I would say that

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<v Speaker 1>I think the evolutionary record indicates that, or the paleo

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<v Speaker 1>anthropology record would indicate that human tool use and pretty

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<v Speaker 1>extreme levels of intelligence were already present before we mastered fire.

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<v Speaker 1>But but I don't know. I mean, you can definitely

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<v Speaker 1>say that fire was instrumental in creating human technological society,

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<v Speaker 1>and you couldn't create something like that underwater where there

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<v Speaker 1>is no fire. But I do think that's a really

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<v Speaker 1>interesting question, Jared and I would like to come back

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<v Speaker 1>to that in the future. Alright, Arnie is signaling us

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<v Speaker 1>now and letting us know that it is time to

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<v Speaker 1>cover some of the listener mail we received following our

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<v Speaker 1>evolution of the anus episode. We've got a lot of

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<v Speaker 1>anacy feedback, that's right. Uh, Yeah, that was I felt

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<v Speaker 1>like a really great episode. Uh, and a lot of

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<v Speaker 1>people really took it to heart. Uh. They were able

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<v Speaker 1>to sort of re see the anus or see the

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<v Speaker 1>anus for the first time. I think it may have

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<v Speaker 1>been our most popular episode ever on social media, though.

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<v Speaker 1>I wonder if that just has to do with it

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<v Speaker 1>having a picture of an anus next to it. Yeah,

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<v Speaker 1>well it was. It was abstract picture, but that was

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<v Speaker 1>a tough one to pick out art for, I tell you,

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<v Speaker 1>and you started going on on Getty images and start

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<v Speaker 1>trying to find the perfect anus picture. Like, nobody's taking

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<v Speaker 1>a photograph of an anus without some sort of an agenda, Right,

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<v Speaker 1>you've got alterior motives. Yeah, A lot of like clinical

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<v Speaker 1>photographs came up having to do the various uh uh,

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<v Speaker 1>sexually transmitted diseases or not, so it was not a

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<v Speaker 1>it was or oh in birth effects too, so it

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<v Speaker 1>was not a pleasant image quest. Sometimes it's a lot

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<v Speaker 1>of fun, this one was more frustrating and occasionally revolting. Well, Robert,

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<v Speaker 1>I give you credit for finding the most pleasant stock

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<v Speaker 1>ardanus out there. Yeah, well, thank you. So we we

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<v Speaker 1>received a number of listener mails. This one comes to

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<v Speaker 1>us from Nis in Copenhagen. Hi, guys, just found your

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<v Speaker 1>podcast a few days ago, and it's really great. There

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<v Speaker 1>is one fun fact regarding the evolution of the anus

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<v Speaker 1>episode I would like to share and which is interesting

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<v Speaker 1>to both the humorous and the serious spectator's mind. There

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<v Speaker 1>is an old Chinese curse you'd wish on your most

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<v Speaker 1>hated antagonists which goes quote, I curse your descendants to

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<v Speaker 1>be born without a toll for ten generation. Sounds funny,

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<v Speaker 1>but in the light of the facts so you laid

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<v Speaker 1>out in the episode, it seems to be a very

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<v Speaker 1>nasty thing to wish for. That is a deeply nasty thing.

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<v Speaker 1>Best and thanks for the good work. Yeah. Indeed, uh

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<v Speaker 1>to to to have the fate of say, certain species

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<v Speaker 1>of scorpions that we mentioned that loses its anus if

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<v Speaker 1>it ends up jettison and its tail because the anus

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<v Speaker 1>is on one of the the outer tail segments, it

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<v Speaker 1>ends up just swelling with the poop until it eventually dies. However,

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<v Speaker 1>I did do some additional research on that scenario, and

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<v Speaker 1>it turns out that it kind of it's not as

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<v Speaker 1>terrible as it sounds, because, on one hand, without its stinger,

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<v Speaker 1>the scorpion is not able to get larger prey, so

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<v Speaker 1>it's having to depend on smaller prey anyway, it's not

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<v Speaker 1>eating as much, and it can still breed. So so

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<v Speaker 1>the idea is, once you lose your tail, you can't poop,

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<v Speaker 1>you can't eat as much, so you're really just kind

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<v Speaker 1>of a breeding missile, like you're trying to spread some

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<v Speaker 1>genetic material before you die. Yeah, but that's what it

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<v Speaker 1>was anyway, basically, So it doesn't it ultimately doesn't interfere

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<v Speaker 1>with the pure functionality of the adult a scorpion. Aren't

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<v Speaker 1>we all just an unpooping breeding missile sometimes? Yeah, when

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<v Speaker 1>you when you get right down to the heart of

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<v Speaker 1>the matter, that's all we are. Okay. This one is

0:12:09.320 --> 0:12:12.640
<v Speaker 1>also about the anus episode from our listener, Jason Jason writes, Hi,

0:12:13.280 --> 0:12:15.360
<v Speaker 1>as I was listening to this episode, I was reminded

0:12:15.360 --> 0:12:17.920
<v Speaker 1>of a poster I remember from the late nineteen sixties,

0:12:18.400 --> 0:12:20.679
<v Speaker 1>to the best of my memory. It reads the parts

0:12:20.679 --> 0:12:23.360
<v Speaker 1>of the body were arguing about who should be in charge.

0:12:23.800 --> 0:12:25.839
<v Speaker 1>The legs said they should be in charge because they

0:12:25.880 --> 0:12:28.640
<v Speaker 1>moved the body. The eyes said they should be in

0:12:28.720 --> 0:12:31.200
<v Speaker 1>charge because they see where the body is going. The

0:12:31.280 --> 0:12:33.920
<v Speaker 1>brain said it thinks that it thinks for the body,

0:12:34.080 --> 0:12:37.120
<v Speaker 1>and it should be in charge. The anus said it

0:12:37.160 --> 0:12:39.320
<v Speaker 1>should be in charge. The rest of the body parts

0:12:39.360 --> 0:12:42.840
<v Speaker 1>just laughed. Then the anus stopped working, The legs grew wobbly,

0:12:43.000 --> 0:12:45.200
<v Speaker 1>the eyes grew dam and the brain got foggy, and

0:12:45.240 --> 0:12:47.600
<v Speaker 1>they all agreed to let the anus be in charge.

0:12:47.679 --> 0:12:49.760
<v Speaker 1>The moral of the story is if you want to

0:12:49.760 --> 0:12:53.920
<v Speaker 1>be in charge just to be an goal. Well, it

0:12:54.000 --> 0:12:56.839
<v Speaker 1>certainly drives home. The fact that we touched on quite

0:12:56.840 --> 0:12:59.200
<v Speaker 1>a bit in that episode is that, uh, for the

0:12:59.240 --> 0:13:02.320
<v Speaker 1>most part, if the anus is working, fine, we don't

0:13:02.360 --> 0:13:04.480
<v Speaker 1>really think about it. But if it's if it's not

0:13:04.600 --> 0:13:07.200
<v Speaker 1>working fine, it's hard to think about anything else. That,

0:13:07.240 --> 0:13:10.280
<v Speaker 1>of course, isn't you know, counting any kind of fetishization

0:13:10.760 --> 0:13:14.000
<v Speaker 1>or or or sexual context, which we we basically just

0:13:14.200 --> 0:13:17.600
<v Speaker 1>didn't have room to discuss. We We did get one

0:13:17.640 --> 0:13:20.480
<v Speaker 1>mail we're not going to read here asking us why

0:13:20.520 --> 0:13:23.920
<v Speaker 1>we didn't mention sexual pleasure. Uh, not for any particular reason.

0:13:23.960 --> 0:13:26.719
<v Speaker 1>It just that was in the purview of that episode, right.

0:13:27.120 --> 0:13:29.800
<v Speaker 1>It was challenging enough just to fit all of the

0:13:29.960 --> 0:13:32.720
<v Speaker 1>or or as much of the evolution and functionality of

0:13:32.720 --> 0:13:36.440
<v Speaker 1>the anus as possible into the episode without getting into

0:13:36.440 --> 0:13:40.200
<v Speaker 1>additional um dimensions on the topic. But I mean, but

0:13:40.240 --> 0:13:44.440
<v Speaker 1>certainly the dimension of pleasure and uh in the human anus.

0:13:44.880 --> 0:13:46.880
<v Speaker 1>There is a lot of content out there. I've run

0:13:46.880 --> 0:13:49.840
<v Speaker 1>across the research before, so I would not be opposed

0:13:49.880 --> 0:13:52.880
<v Speaker 1>to exploring that or other dimensions of the anus in

0:13:52.880 --> 0:13:57.320
<v Speaker 1>the future. But but this, this bit of listener mail continues.

0:13:57.400 --> 0:13:59.679
<v Speaker 1>Oh right, So yeah, Jason says, I hope that made

0:13:59.720 --> 0:14:03.520
<v Speaker 1>it us your content filters. It did. On a side note,

0:14:03.559 --> 0:14:06.000
<v Speaker 1>I have a book recommendation. It is Lord of Light

0:14:06.080 --> 0:14:09.080
<v Speaker 1>by Rogers A. Lasnie. I've heard of this one. I um,

0:14:10.120 --> 0:14:13.080
<v Speaker 1>it's actually on my sort of short list because of it. Yeah,

0:14:13.120 --> 0:14:16.800
<v Speaker 1>because it's it it has sort of Eastern elements. Oh okay,

0:14:16.920 --> 0:14:19.880
<v Speaker 1>I had not heard of it, but Jason says it

0:14:19.920 --> 0:14:22.840
<v Speaker 1>won the nineteen six Hugo Award. It contains subjects you've

0:14:22.880 --> 0:14:25.600
<v Speaker 1>touched on in the podcast, from palamp cys to various

0:14:25.640 --> 0:14:29.360
<v Speaker 1>ways of obtaining immortality said in a Hindu esque world,

0:14:29.440 --> 0:14:32.560
<v Speaker 1>plus there are a few truly grown worthy puns. And

0:14:32.600 --> 0:14:35.560
<v Speaker 1>then he gives a quote from the book Jacket. Earth

0:14:35.680 --> 0:14:38.600
<v Speaker 1>is long since dead on a colony planet. A band

0:14:38.640 --> 0:14:42.360
<v Speaker 1>of men has gained control of technology, made themselves immortal,

0:14:42.440 --> 0:14:44.760
<v Speaker 1>and now rules the world as the gods of the

0:14:44.840 --> 0:14:48.680
<v Speaker 1>Hindu pantheon. Only one dares oppose them, he who was

0:14:48.720 --> 0:14:53.480
<v Speaker 1>once said Artha and is now Mahassa Matman, binder of demons,

0:14:53.760 --> 0:14:56.920
<v Speaker 1>Lord of Light. That sounds great. I'm I'm all in,

0:14:57.800 --> 0:15:00.800
<v Speaker 1>where how's my future in doing movie trail? It's pretty

0:15:00.920 --> 0:15:03.960
<v Speaker 1>I think it's pretty good. Joe, that's pretty good. Um yeah,

0:15:04.080 --> 0:15:06.320
<v Speaker 1>well this is this is this book made its way

0:15:06.360 --> 0:15:11.280
<v Speaker 1>into my lengthy to read list because he does end

0:15:11.360 --> 0:15:15.440
<v Speaker 1>up invoking the Hindu pantheon here and and there's just

0:15:15.520 --> 0:15:19.560
<v Speaker 1>so much in our in our science fiction and our

0:15:19.600 --> 0:15:22.560
<v Speaker 1>our fantasy that is that is so based on Western

0:15:22.600 --> 0:15:26.360
<v Speaker 1>motifs and uh and Western myth cycles that it's it's

0:15:26.440 --> 0:15:30.120
<v Speaker 1>pleasant to find even uh like, even if it's not

0:15:30.600 --> 0:15:34.479
<v Speaker 1>perfectly executed, to find an example that that actually utilizes

0:15:34.600 --> 0:15:39.480
<v Speaker 1>other mythologies. I've mentioned an author on here before, m A. R.

0:15:39.760 --> 0:15:42.840
<v Speaker 1>Baker Baker. I'm not sure how this particular author pronounces

0:15:42.840 --> 0:15:46.760
<v Speaker 1>it that these are interesting books because he creates this

0:15:46.880 --> 0:15:51.920
<v Speaker 1>kind of far future fantasy scenario that has sci fi elements,

0:15:51.920 --> 0:15:56.120
<v Speaker 1>but it's but it's based more on on on Eastern

0:15:56.200 --> 0:16:00.080
<v Speaker 1>models of of of government and mythology. It's really the

0:16:00.080 --> 0:16:02.960
<v Speaker 1>interesting world. He's well worth looking up if if if

0:16:03.000 --> 0:16:05.840
<v Speaker 1>this at all interests you. His first book is The

0:16:05.880 --> 0:16:08.280
<v Speaker 1>Man of Gold, and you can find it. I think

0:16:08.320 --> 0:16:10.280
<v Speaker 1>it's some of it may be available that that one

0:16:10.320 --> 0:16:13.040
<v Speaker 1>I think is available on kindall now. But also it

0:16:13.040 --> 0:16:16.000
<v Speaker 1>has a fabulous paper bit of paperback art that I

0:16:16.040 --> 0:16:19.280
<v Speaker 1>think was Michael Wheeling if I'm not mistaken. Oh, I

0:16:19.400 --> 0:16:21.560
<v Speaker 1>just looked it up. It's fantastic. It's got a guy

0:16:21.560 --> 0:16:23.320
<v Speaker 1>in the foreground who looks like he's wearing sort of

0:16:23.360 --> 0:16:26.720
<v Speaker 1>a yellow bathrobe holding your crystal ball, and then there's

0:16:26.760 --> 0:16:29.320
<v Speaker 1>a guy in the background who looks exactly like the

0:16:29.360 --> 0:16:33.080
<v Speaker 1>suit the main character wears in Dead Space. Yeah, it's

0:16:33.320 --> 0:16:35.360
<v Speaker 1>and if you look closely enough, I think you'll find

0:16:35.400 --> 0:16:37.760
<v Speaker 1>that the protagonist on the cover looks like Jermin and

0:16:37.760 --> 0:16:42.160
<v Speaker 1>Clement if you like. Far. This is decades before the

0:16:42.280 --> 0:16:45.360
<v Speaker 1>Fly of the Concords. But and yet there he is. Oh,

0:16:45.400 --> 0:16:48.560
<v Speaker 1>you know, I'm on another literary note, and entirely the

0:16:48.600 --> 0:16:52.400
<v Speaker 1>story about the the anus vying for control of the body.

0:16:52.440 --> 0:16:55.000
<v Speaker 1>That of course reminds me of a segment in Williams

0:16:55.000 --> 0:16:57.640
<v Speaker 1>Burrows Naked Lunch, and if anyone remembers that, I think

0:16:57.680 --> 0:16:59.840
<v Speaker 1>it made its way into the Cronenberg film as well.

0:17:00.320 --> 0:17:02.280
<v Speaker 1>It's been a long time since I've seen that where

0:17:03.200 --> 0:17:07.560
<v Speaker 1>similar scenario the anus is vying for control of the body.

0:17:07.960 --> 0:17:10.639
<v Speaker 1>You know, I should mention briefly that one other listener

0:17:10.680 --> 0:17:14.040
<v Speaker 1>got in touch with us about a ho Chunk legend

0:17:14.400 --> 0:17:18.359
<v Speaker 1>that is about why the anus is wrinkly, and it

0:17:18.400 --> 0:17:21.480
<v Speaker 1>goes back to this story involving the trickster figure in

0:17:21.560 --> 0:17:25.080
<v Speaker 1>the in the ho Chunk legends, uh, and he basically

0:17:25.160 --> 0:17:28.840
<v Speaker 1>he gets a burned anus and somehow this leads him

0:17:28.880 --> 0:17:34.040
<v Speaker 1>to create the wrinkles that are now in everybody's anus. Well,

0:17:34.080 --> 0:17:36.680
<v Speaker 1>every every great great work of literature has to have

0:17:36.720 --> 0:17:39.480
<v Speaker 1>a burned anus in it at some point. Uh, like

0:17:40.080 --> 0:17:42.840
<v Speaker 1>the Miller's tale. Ye, yeah, in the Cannabury Tales. Yeah,

0:17:43.000 --> 0:17:46.840
<v Speaker 1>that that store spoiler for the tales, but that ends

0:17:47.040 --> 0:17:49.879
<v Speaker 1>in a burned anus as well. Okay, one more we

0:17:49.880 --> 0:17:53.480
<v Speaker 1>should look at real quick about about anuses and especially

0:17:53.520 --> 0:17:56.560
<v Speaker 1>machines that poop. I guess we don't have to read

0:17:56.560 --> 0:17:58.040
<v Speaker 1>this whole one, but we got an email from our

0:17:58.080 --> 0:18:02.240
<v Speaker 1>listener Steve who mentioned an art slash science exhibit at

0:18:02.240 --> 0:18:05.199
<v Speaker 1>the Mona or Museum of Old and New Art. I

0:18:05.240 --> 0:18:09.919
<v Speaker 1>was assuming that meant Museum of Nasty Art in Tasmania, Australia.

0:18:10.080 --> 0:18:13.080
<v Speaker 1>And uh. He says that there is this exhibit called

0:18:13.440 --> 0:18:18.920
<v Speaker 1>Cloaca by a Belgian artist named whim or Vim Delvoy.

0:18:19.040 --> 0:18:21.240
<v Speaker 1>And he says quote it was originally unveiled at a

0:18:21.320 --> 0:18:25.120
<v Speaker 1>museum in Antwerp, but it was later commissioned for specific

0:18:25.160 --> 0:18:28.920
<v Speaker 1>installation at Mona. The machine is fed twice a day

0:18:29.000 --> 0:18:30.960
<v Speaker 1>and over the course of a number of hours you

0:18:31.000 --> 0:18:33.639
<v Speaker 1>can witness the food progressing through a series of seven

0:18:33.680 --> 0:18:37.639
<v Speaker 1>glass containers that contain the appropriate enzymes and chemicals to

0:18:37.680 --> 0:18:41.080
<v Speaker 1>simulate the human digestive process. And if you time your

0:18:41.160 --> 0:18:43.120
<v Speaker 1>visit to the room at about two PM, you can

0:18:43.119 --> 0:18:46.639
<v Speaker 1>witness the smelly climax as the machine defecates through an

0:18:46.720 --> 0:18:50.560
<v Speaker 1>artificial anus. He sent a video. It's gross. Yes, So

0:18:50.720 --> 0:18:53.280
<v Speaker 1>you know, Cloaca is actually an old favorite of the

0:18:53.280 --> 0:18:54.800
<v Speaker 1>show if you go back and listen to some of

0:18:54.800 --> 0:18:59.600
<v Speaker 1>the older episodes. Uh, we definitely, uh, we definitely referenced it,

0:19:00.040 --> 0:19:04.000
<v Speaker 1>and it is if memory serves uh. He created several

0:19:04.000 --> 0:19:07.720
<v Speaker 1>different versions of the cloaca, So there was I don't

0:19:07.720 --> 0:19:09.919
<v Speaker 1>know if he had a numbered or lettered or what

0:19:10.040 --> 0:19:12.159
<v Speaker 1>have you, but I do seem to remember there were

0:19:12.160 --> 0:19:16.320
<v Speaker 1>different incarnations of this this art installation and uh. And

0:19:16.400 --> 0:19:19.000
<v Speaker 1>you know he wasn't the first to tackle this this

0:19:19.040 --> 0:19:22.640
<v Speaker 1>type of scenario, because there was the the fabulous case

0:19:22.720 --> 0:19:26.479
<v Speaker 1>of the digesting duck, created in the eighteenth century by

0:19:26.600 --> 0:19:30.000
<v Speaker 1>Jaques Deva Kansin. Uh. There was labeled at the time

0:19:30.040 --> 0:19:33.359
<v Speaker 1>as a philosophical toy. It was it was a duck,

0:19:33.520 --> 0:19:35.840
<v Speaker 1>mechanical duck that you fed and then it would poop.

0:19:36.320 --> 0:19:41.560
<v Speaker 1>But in this case, however, it didn't actually process the food. Essentially,

0:19:41.560 --> 0:19:43.520
<v Speaker 1>you put grain in one end and then the other

0:19:43.680 --> 0:19:47.920
<v Speaker 1>end would push out excrement that he had been pre placed.

0:19:48.800 --> 0:19:52.040
<v Speaker 1>But still there was the dream of Cloaco was present

0:19:52.400 --> 0:19:56.200
<v Speaker 1>even back then. If it eats like a duck, if

0:19:56.240 --> 0:19:58.439
<v Speaker 1>it defecates like a duck, it's got to be a

0:19:58.440 --> 0:20:01.640
<v Speaker 1>philosophical toy. Yeah. I also seem to recall there's a

0:20:01.680 --> 0:20:05.199
<v Speaker 1>theory that the creator to get back to where nobody

0:20:05.280 --> 0:20:08.520
<v Speaker 1>thinks about the anus unless a you're you know, um

0:20:08.600 --> 0:20:11.960
<v Speaker 1>obsessed with it or be if it's if it's failing

0:20:12.000 --> 0:20:14.679
<v Speaker 1>you in some way. There is a theory that the

0:20:14.800 --> 0:20:19.880
<v Speaker 1>artist here or the the the machine maker here, uh,

0:20:19.920 --> 0:20:24.080
<v Speaker 1>that he experienced some sort of digestive discomfort and that

0:20:24.160 --> 0:20:26.880
<v Speaker 1>might have made him fixate on the creation of this device,

0:20:27.240 --> 0:20:29.560
<v Speaker 1>the digesting duck. Look it up. In the meantime, we're

0:20:29.560 --> 0:20:31.320
<v Speaker 1>gonna take a quick break and when we come back,

0:20:31.640 --> 0:20:38.000
<v Speaker 1>more listener mail. Alright, we're back. So it looks like

0:20:39.320 --> 0:20:41.959
<v Speaker 1>our mail body is bringing us another listener mail. This

0:20:42.000 --> 0:20:45.400
<v Speaker 1>one is seems to be drenched in honey and surrounded

0:20:45.400 --> 0:20:48.919
<v Speaker 1>by swarming bees. Oh boy, this is from our listener Amy.

0:20:49.040 --> 0:20:52.080
<v Speaker 1>Amy says, Dear Robert and Joe, I usually skip the

0:20:52.119 --> 0:20:54.080
<v Speaker 1>Vault episodes because I tend to keep up with the

0:20:54.119 --> 0:20:56.280
<v Speaker 1>podcast as it comes out. But I'm so glad I

0:20:56.280 --> 0:20:59.280
<v Speaker 1>didn't skip this one, so obviously it's about the Tears

0:20:59.280 --> 0:21:02.879
<v Speaker 1>of Ray episode. I'm an active Ray worshiper, with my

0:21:03.000 --> 0:21:06.639
<v Speaker 1>major annual holiday being the Egyptian New Year or web Rumpet,

0:21:06.920 --> 0:21:09.160
<v Speaker 1>the first day of the new year when the sun

0:21:09.359 --> 0:21:13.480
<v Speaker 1>rises before the star serious usually somewhere between July and August,

0:21:13.520 --> 0:21:17.040
<v Speaker 1>depending on your location. There is a whole beautiful mythology

0:21:17.119 --> 0:21:20.000
<v Speaker 1>surrounding web Rumpet, which I encourage you both to look

0:21:20.040 --> 0:21:22.720
<v Speaker 1>into because it's a wild ride. But I like to

0:21:22.760 --> 0:21:25.080
<v Speaker 1>take the day and throw a pot luck and share

0:21:25.080 --> 0:21:27.280
<v Speaker 1>the story of the new year with my friends. As

0:21:27.320 --> 0:21:29.480
<v Speaker 1>you can imagine, one of the foods we keep on

0:21:29.480 --> 0:21:33.240
<v Speaker 1>the table is honey, honey, lemon cakes, sliced apples with

0:21:33.320 --> 0:21:36.760
<v Speaker 1>honey and cinnamon, fresh bread with butter, and honey, spiced

0:21:36.800 --> 0:21:40.040
<v Speaker 1>tea with honey, anything we can think of, along with

0:21:40.080 --> 0:21:42.760
<v Speaker 1>everything you mentioned in the podcast. Part of the importance

0:21:42.840 --> 0:21:46.439
<v Speaker 1>is in the color kmetics. Modern day practitioners of the

0:21:46.440 --> 0:21:49.840
<v Speaker 1>ancient Egyptian religion focus a lot on the symbolism surrounding

0:21:49.880 --> 0:21:52.680
<v Speaker 1>color and for Ray, the color and element gold is

0:21:52.760 --> 0:21:55.840
<v Speaker 1>highly prized and extremely important since most of us cannot

0:21:55.840 --> 0:21:59.520
<v Speaker 1>afford to offer gold, honey, incense, and fire become offerings

0:21:59.560 --> 0:22:02.199
<v Speaker 1>we can call infinitely present to Ray, thank you for

0:22:02.240 --> 0:22:05.120
<v Speaker 1>always being respectful to people of different beliefs while also

0:22:05.200 --> 0:22:08.679
<v Speaker 1>discussing facts and science. It's very refreshing and I appreciate

0:22:08.680 --> 0:22:12.160
<v Speaker 1>you both for it. Best Amy Oh. She also thanks

0:22:12.200 --> 0:22:15.400
<v Speaker 1>us for pronouncing Ray's name correctly, says it was wonderful

0:22:15.440 --> 0:22:18.600
<v Speaker 1>to hear. Well. I can't promise will pronounce everything else

0:22:18.640 --> 0:22:20.960
<v Speaker 1>in this email correctly. I hope I said web rom

0:22:21.040 --> 0:22:24.879
<v Speaker 1>pet right. But this is a fascinating listener email. I

0:22:24.880 --> 0:22:28.560
<v Speaker 1>really wasn't wasn't expecting to hear from modern Ray Worshiper,

0:22:29.119 --> 0:22:31.480
<v Speaker 1>never heard. I don't think we've ever heard from a

0:22:31.520 --> 0:22:35.760
<v Speaker 1>commeticist before. Maybe, but I don't recall I don't recall

0:22:35.800 --> 0:22:38.120
<v Speaker 1>it coming up before now so but anyway, I looked

0:22:38.200 --> 0:22:41.240
<v Speaker 1>up what she said the web rom pet ceremony. I

0:22:41.280 --> 0:22:44.160
<v Speaker 1>have no idea if this practice is traditional or established

0:22:44.160 --> 0:22:45.640
<v Speaker 1>in NACI in Egypt, but I just want to share

0:22:45.640 --> 0:22:48.359
<v Speaker 1>what I found on a blog post by a modern

0:22:48.400 --> 0:22:51.119
<v Speaker 1>commeticist describing what at least that person does for web

0:22:51.280 --> 0:22:54.080
<v Speaker 1>ron pet, which involves the practice of writing all your

0:22:54.080 --> 0:22:56.439
<v Speaker 1>frustrations and things you want to get rid of on

0:22:56.480 --> 0:22:59.040
<v Speaker 1>a clay pot. Then you paint the pot red I

0:22:59.080 --> 0:23:01.320
<v Speaker 1>guess for the color, some bullism that aim you mentioned.

0:23:01.600 --> 0:23:03.960
<v Speaker 1>And then you spit on the pot and you defile

0:23:04.080 --> 0:23:06.679
<v Speaker 1>it and smash it to pieces. So this is like

0:23:06.800 --> 0:23:11.719
<v Speaker 1>a fictional version of the subduing I believe of apophis.

0:23:11.880 --> 0:23:13.640
<v Speaker 1>I'm sorry if I'm getting that wrong, but I think

0:23:13.680 --> 0:23:16.840
<v Speaker 1>you you subdue this evil deity and sort of get

0:23:16.880 --> 0:23:19.960
<v Speaker 1>it out. You defile it, you punish it and destroy it. Wow,

0:23:20.000 --> 0:23:21.840
<v Speaker 1>you know you think, and maybe this is the case.

0:23:22.000 --> 0:23:25.239
<v Speaker 1>This would be a holiday that these paint your own

0:23:25.280 --> 0:23:28.600
<v Speaker 1>pottery places would embrace market. You know, hey, it's it's

0:23:28.640 --> 0:23:32.160
<v Speaker 1>time come in. Paint the paint the paint these these

0:23:32.160 --> 0:23:35.000
<v Speaker 1>bits of pottery with your with with sort of your

0:23:35.040 --> 0:23:38.600
<v Speaker 1>your emotional antagonists. And then you can spit on that.

0:23:38.680 --> 0:23:41.679
<v Speaker 1>Well I don't know, at least defile them there in

0:23:41.680 --> 0:23:43.239
<v Speaker 1>the shop or take them home and to file them.

0:23:43.240 --> 0:23:44.680
<v Speaker 1>I don't know. I'm not gonna tell anybody how to

0:23:44.760 --> 0:23:47.520
<v Speaker 1>run their pottery business, but it sounds like a great

0:23:47.520 --> 0:23:49.919
<v Speaker 1>idea to me. Well, again, I don't know how widespread

0:23:49.920 --> 0:23:52.200
<v Speaker 1>this practices. It might just be this, you know, this

0:23:52.280 --> 0:23:56.560
<v Speaker 1>one blog post author and their friends. But that's where

0:23:56.560 --> 0:23:59.080
<v Speaker 1>it begins. Right a year from now, I want to

0:23:59.119 --> 0:24:02.639
<v Speaker 1>see it popping in pottery establishments. And hey, if anybody

0:24:02.680 --> 0:24:06.360
<v Speaker 1>out there runs the pottery establishment, paint your own pottery, etcetera,

0:24:06.480 --> 0:24:08.680
<v Speaker 1>or just a pottery studio, I would I would love

0:24:08.720 --> 0:24:14.080
<v Speaker 1>to hear your thoughts on this sacred right. And speaking

0:24:14.080 --> 0:24:17.560
<v Speaker 1>of honey, here comes a rare piece of physical mail, right,

0:24:17.640 --> 0:24:20.480
<v Speaker 1>not even from Carney. Carney is sitting here crying because

0:24:20.520 --> 0:24:22.919
<v Speaker 1>we got this through the snail mail. Right. And and

0:24:22.960 --> 0:24:24.720
<v Speaker 1>by the way, if you're wondering how can I send

0:24:24.720 --> 0:24:26.440
<v Speaker 1>them snail mail, well, if you go to stuff to

0:24:26.480 --> 0:24:29.239
<v Speaker 1>Blow your Mind dot com, there's an about section and

0:24:29.320 --> 0:24:32.879
<v Speaker 1>that will include a physical address to send a mail to.

0:24:33.520 --> 0:24:35.760
<v Speaker 1>But yeah, we we received a physical piece of mail

0:24:35.960 --> 0:24:38.800
<v Speaker 1>along with some artwork. Yeah, so I'm gonna read it

0:24:38.840 --> 0:24:43.440
<v Speaker 1>to you now. This comes to us from Gin love

0:24:43.520 --> 0:24:46.320
<v Speaker 1>the show. I listened to all the stuffs. Thank you

0:24:46.400 --> 0:24:48.840
<v Speaker 1>for helping my mind not turn too much during my

0:24:48.960 --> 0:24:53.000
<v Speaker 1>years of raising small children. Keep it up, please, you're

0:24:52.840 --> 0:24:55.360
<v Speaker 1>a recent from the Vault. Episode of Tears of Ray

0:24:55.480 --> 0:24:58.600
<v Speaker 1>was so fascinating. I love gardening and bees. One if

0:24:58.600 --> 0:25:01.400
<v Speaker 1>you pointed out that honey is in fact, be barf.

0:25:01.440 --> 0:25:04.720
<v Speaker 1>That's I think this was you. It is It's true,

0:25:05.560 --> 0:25:08.199
<v Speaker 1>which which made me stop in my tracks and crack up.

0:25:08.320 --> 0:25:11.800
<v Speaker 1>It is be Barf. I painted a watercolor last year

0:25:11.880 --> 0:25:15.120
<v Speaker 1>with a honey jar with more honest and funny labeling.

0:25:15.480 --> 0:25:18.359
<v Speaker 1>I also made a modified honey label version for my

0:25:18.440 --> 0:25:20.960
<v Speaker 1>friends and family who don't like to be reminded of

0:25:21.000 --> 0:25:23.639
<v Speaker 1>the truth. Ha ha. There are two types of people

0:25:23.640 --> 0:25:26.679
<v Speaker 1>in the world. Here are copies for you both. I

0:25:26.760 --> 0:25:29.800
<v Speaker 1>pegged you as be bar if people too, God bless

0:25:29.880 --> 0:25:32.440
<v Speaker 1>and thanks for all you do. So she sent us

0:25:32.440 --> 0:25:34.919
<v Speaker 1>a copy of this watercolor she did, and it is

0:25:34.960 --> 0:25:36.679
<v Speaker 1>a jar of honey with one of those little what

0:25:36.680 --> 0:25:38.800
<v Speaker 1>do you call the thing that's a wooden thing with

0:25:38.840 --> 0:25:41.359
<v Speaker 1>the honey comb shape on the end that you drizzle

0:25:41.440 --> 0:25:43.440
<v Speaker 1>the honey off of. I don't know if that even

0:25:43.480 --> 0:25:46.520
<v Speaker 1>has a name. Oh yeah, it's a honey dipper, which

0:25:46.680 --> 0:25:49.159
<v Speaker 1>I have to say, I love the appearance of a

0:25:49.160 --> 0:25:52.280
<v Speaker 1>honey dipper, but I just find it super messy when

0:25:52.280 --> 0:25:54.240
<v Speaker 1>I try and use one. Maybe I'm using it incorrectly,

0:25:54.440 --> 0:25:57.159
<v Speaker 1>but I just find the squeezy bear to be the

0:25:57.160 --> 0:26:00.440
<v Speaker 1>best method. I thought that the honey dipper only existed

0:26:00.480 --> 0:26:02.960
<v Speaker 1>in honey nut cheerios commercials. I thought it was a

0:26:03.000 --> 0:26:06.600
<v Speaker 1>magical wand used by cartoon B's just the cartoon B

0:26:06.800 --> 0:26:09.280
<v Speaker 1>that was the only person who had access. But anyway,

0:26:09.320 --> 0:26:11.439
<v Speaker 1>it's leaning against a jar of honey with like a

0:26:11.440 --> 0:26:13.960
<v Speaker 1>wooden stopper cork and a bee buzzing around it, and

0:26:14.000 --> 0:26:17.200
<v Speaker 1>the jar of honey is labeled. I'm interested on the

0:26:17.720 --> 0:26:20.359
<v Speaker 1>history of the honey dipper because it is it is

0:26:20.400 --> 0:26:23.080
<v Speaker 1>a highly specialized device. It is a unitask and it's

0:26:23.119 --> 0:26:25.840
<v Speaker 1>not good for anything else, unlike to say a spoon.

0:26:25.960 --> 0:26:29.280
<v Speaker 1>A spoon can be used for anything, including your honey.

0:26:29.520 --> 0:26:32.879
<v Speaker 1>So where did this particular gadget come from. It's also

0:26:32.960 --> 0:26:35.879
<v Speaker 1>not you know, it's it's if you're looking at it

0:26:35.920 --> 0:26:39.600
<v Speaker 1>from like a manufacturing standpoint or a wood maker, a

0:26:39.640 --> 0:26:42.639
<v Speaker 1>woodcraftsman's standpoint, Like it's not a I mean, it's a

0:26:42.640 --> 0:26:45.399
<v Speaker 1>simple device. I don't have any moving parts, but it's

0:26:45.400 --> 0:26:49.399
<v Speaker 1>it's also fairly ornate. You have to you know, it

0:26:49.680 --> 0:26:52.520
<v Speaker 1>has these grooves that collect the honey, kind of like

0:26:52.680 --> 0:26:54.960
<v Speaker 1>stripes on a bee, well, stripes on a cartoon B.

0:26:55.119 --> 0:26:57.680
<v Speaker 1>I don't know if real b is look exactly like that. No,

0:26:57.760 --> 0:27:02.639
<v Speaker 1>not exactly. Their eyes are a little bit different. Well, anyway,

0:27:02.680 --> 0:27:05.360
<v Speaker 1>thank you so much, Jen for sharing your art with us.

0:27:05.400 --> 0:27:07.840
<v Speaker 1>It's very nice. I actually I took mine home as

0:27:07.880 --> 0:27:11.080
<v Speaker 1>in a little frame. Very nice. All right, we have

0:27:11.160 --> 0:27:15.520
<v Speaker 1>another listener email. Lise comes to us from Jeru quote.

0:27:15.520 --> 0:27:18.880
<v Speaker 1>I'm an ordained priest in training in the Soto tradition

0:27:18.920 --> 0:27:21.280
<v Speaker 1>of Zen Buddhism, and I wanted to comment on the

0:27:21.280 --> 0:27:25.320
<v Speaker 1>recent episode Meditation Lab, Empathy and Energy in regards to

0:27:25.320 --> 0:27:28.800
<v Speaker 1>your comments about Walmart Buddhism. I can't speak for all

0:27:28.840 --> 0:27:31.520
<v Speaker 1>my Dharma brothers and sisters, but my personal opinion is

0:27:31.520 --> 0:27:35.399
<v Speaker 1>that pop culture forms of meditation like iPhone apps and

0:27:35.560 --> 0:27:39.200
<v Speaker 1>secular meditation practices in general are fine if all you're

0:27:39.240 --> 0:27:42.160
<v Speaker 1>after is a kind of surface level self help practice.

0:27:42.480 --> 0:27:45.600
<v Speaker 1>But it is essential to know that, at least in Buddhism,

0:27:45.640 --> 0:27:49.199
<v Speaker 1>meditation is only one part of an integrated system, a

0:27:49.240 --> 0:27:52.399
<v Speaker 1>whole life practice known as the eight fold Noble Path,

0:27:52.720 --> 0:27:56.159
<v Speaker 1>which is designed to eliminate suffering and lead to spiritual awakening.

0:27:56.440 --> 0:27:59.359
<v Speaker 1>When you remove the engine from an automobile, the engine

0:27:59.400 --> 0:28:01.960
<v Speaker 1>still were, but without the rest of the car, you

0:28:01.960 --> 0:28:04.800
<v Speaker 1>will not be going anywhere. And so I wonder if

0:28:04.840 --> 0:28:08.720
<v Speaker 1>those who dabble in pop culture. Meditative practice will eventually

0:28:08.760 --> 0:28:10.919
<v Speaker 1>grow bored when they find that when there is no

0:28:11.000 --> 0:28:14.240
<v Speaker 1>context for their experience and either move on to serious

0:28:14.240 --> 0:28:17.639
<v Speaker 1>practice or ultimately stop practicing. I love your show. It

0:28:17.680 --> 0:28:20.480
<v Speaker 1>never fails to entertain and sometimes even educate me. Keep

0:28:20.520 --> 0:28:23.000
<v Speaker 1>up the good work. I really appreciate this email. That's

0:28:23.080 --> 0:28:25.360
<v Speaker 1>I think like there's a valid point about the UH.

0:28:25.560 --> 0:28:28.639
<v Speaker 1>I like the analogy of removing the the engine from

0:28:28.640 --> 0:28:31.200
<v Speaker 1>the auto automobile and the engine still works, but it's

0:28:31.200 --> 0:28:34.800
<v Speaker 1>not moving the vehicle. Yeah, I definitely appreciate you. Are

0:28:34.880 --> 0:28:39.080
<v Speaker 1>you putting it in the context of the the experience

0:28:39.160 --> 0:28:42.320
<v Speaker 1>of pursuing the entire ratefold noble path, I would say,

0:28:42.360 --> 0:28:45.040
<v Speaker 1>On the other hand, I don't know. He might be

0:28:45.120 --> 0:28:49.720
<v Speaker 1>under selling a little bit the way that experiences and

0:28:49.800 --> 0:28:55.480
<v Speaker 1>practices can be ultimately fulfilling, even decoupled from their original

0:28:55.960 --> 0:28:59.200
<v Speaker 1>spiritual or cultural context. I mean, I think about what

0:28:59.280 --> 0:29:02.800
<v Speaker 1>if a person and was trying to achieve some kind

0:29:02.840 --> 0:29:06.600
<v Speaker 1>of spiritual significance from fasting, and it was inspired by

0:29:06.640 --> 0:29:10.040
<v Speaker 1>the fasting during Ramadan or something, and then you might

0:29:10.080 --> 0:29:12.440
<v Speaker 1>be able to say, well, if you're not going through

0:29:12.480 --> 0:29:15.560
<v Speaker 1>the entire spiritual practice of Islam, you're not really getting

0:29:15.640 --> 0:29:19.680
<v Speaker 1>the full experience of the Ramadan fasting, and that's probably true.

0:29:19.720 --> 0:29:22.320
<v Speaker 1>You you're not getting the full spiritual experience that a

0:29:22.360 --> 0:29:24.880
<v Speaker 1>Muslim would experience while they're doing that, But at the

0:29:24.880 --> 0:29:28.400
<v Speaker 1>same time you might be getting some other truly worthwhile experience.

0:29:28.680 --> 0:29:30.800
<v Speaker 1>I agree. And then, of course, on the topic of

0:29:31.160 --> 0:29:34.880
<v Speaker 1>one is dabbling in and sort of pop culture meditative practices,

0:29:35.720 --> 0:29:39.120
<v Speaker 1>about how they'll they might eventually grow bored or that

0:29:39.200 --> 0:29:42.520
<v Speaker 1>they'll keep going and explore something deeper. I mean, I

0:29:42.520 --> 0:29:46.240
<v Speaker 1>feel like that's that's going to be the case, right,

0:29:46.280 --> 0:29:48.400
<v Speaker 1>I mean, it's I think there's a value in something

0:29:48.480 --> 0:29:52.760
<v Speaker 1>being uh, sort of the introductory level of of a practice,

0:29:52.880 --> 0:29:55.040
<v Speaker 1>you know. I mean, then they can keep moving if

0:29:55.040 --> 0:29:57.680
<v Speaker 1>they want, or if they if they grow bored with it.

0:29:57.720 --> 0:30:01.360
<v Speaker 1>I mean, who's to say that a more are spiritual

0:30:01.560 --> 0:30:04.360
<v Speaker 1>and more even authentic version of the practice would have

0:30:04.440 --> 0:30:07.400
<v Speaker 1>resonated with them if this shard of it does not.

0:30:09.400 --> 0:30:11.840
<v Speaker 1>But maybe that's just me. Like I said, everyone's minleage

0:30:11.840 --> 0:30:14.520
<v Speaker 1>may may differ on this, but but I think that's

0:30:14.640 --> 0:30:19.280
<v Speaker 1>that's ultimately one of the cool things about meditative practices,

0:30:19.400 --> 0:30:24.680
<v Speaker 1>yoga practices is that you will find uh, various versions

0:30:24.720 --> 0:30:27.560
<v Speaker 1>of it. You will find incredibly secular versions of it,

0:30:27.600 --> 0:30:31.360
<v Speaker 1>incredibly stripped down. You will find um spiritual versions that

0:30:31.400 --> 0:30:36.840
<v Speaker 1>are either you know, fairly authentic or are sort of

0:30:36.880 --> 0:30:38.640
<v Speaker 1>spiritual in a new way that have gone in a

0:30:38.640 --> 0:30:41.200
<v Speaker 1>new direction that or maybe not as authentic, but present

0:30:41.240 --> 0:30:46.040
<v Speaker 1>a sort of spiritual model for practitioners to involve themselves in. Yeah,

0:30:46.080 --> 0:30:48.680
<v Speaker 1>that's totally worth pointing out. Is that things that are

0:30:48.800 --> 0:30:54.160
<v Speaker 1>essentially meditation practices exist in multiple religions and outside religion. Yeah,

0:30:54.200 --> 0:30:57.560
<v Speaker 1>even in hyper real religions. Right, Yeah, totally Okay. We've

0:30:57.560 --> 0:31:00.280
<v Speaker 1>got a couple of messages coming in about our Don't

0:31:00.360 --> 0:31:03.360
<v Speaker 1>Drink the Salt Water episode. One was a really great

0:31:03.360 --> 0:31:07.040
<v Speaker 1>email from our listener Jess, and she says, Hey, guys,

0:31:07.520 --> 0:31:09.720
<v Speaker 1>I've been listening to Stuffed Bill your Mind for only

0:31:09.760 --> 0:31:11.720
<v Speaker 1>a couple of months now, but I really dig it

0:31:11.800 --> 0:31:14.080
<v Speaker 1>so far. I have an m f A and creative

0:31:14.080 --> 0:31:16.640
<v Speaker 1>writing and write poetry in my spare time. The topics

0:31:16.640 --> 0:31:19.480
<v Speaker 1>of your show are rife with inspiration for me. First off,

0:31:19.520 --> 0:31:21.760
<v Speaker 1>I wanted to share with you a bit of synchronicity.

0:31:21.800 --> 0:31:24.000
<v Speaker 1>Just a couple of days ago, I was rereading Good

0:31:24.000 --> 0:31:27.680
<v Speaker 1>Old Sammy T. Coleridge's rhyme of the ancient Mariner, I

0:31:27.720 --> 0:31:30.160
<v Speaker 1>would say cole Ridge. I think it's more sort of Coleridge,

0:31:30.760 --> 0:31:33.720
<v Speaker 1>But Sammy T. Colly Ridge is rhyme of the ancient Mariner.

0:31:34.040 --> 0:31:37.200
<v Speaker 1>So imagine my delight when I listened to this morning's episode.

0:31:37.440 --> 0:31:39.800
<v Speaker 1>Just wanted to give you my take on why the poem,

0:31:39.840 --> 0:31:43.200
<v Speaker 1>though very very dark, is still considered a romantic poem.

0:31:43.280 --> 0:31:46.120
<v Speaker 1>Besides the fact of the time period and movement in

0:31:46.120 --> 0:31:48.240
<v Speaker 1>which it was written, which of course is the Romantic

0:31:48.280 --> 0:31:51.000
<v Speaker 1>period in English poetry, one of the main themes the

0:31:51.040 --> 0:31:54.280
<v Speaker 1>poem conveys is finding love of the self and humanity

0:31:54.360 --> 0:31:57.600
<v Speaker 1>by way of nature. The capital in nature, with its

0:31:57.600 --> 0:32:01.400
<v Speaker 1>glory and beauty near superseding or even standing in as

0:32:01.440 --> 0:32:05.320
<v Speaker 1>the concept of God is a very romantic notion, so

0:32:05.480 --> 0:32:07.880
<v Speaker 1>if you care to get into it. Although the Mariner

0:32:07.960 --> 0:32:11.080
<v Speaker 1>and his crew go through some very grim ordeals, and yes,

0:32:11.120 --> 0:32:14.840
<v Speaker 1>everyone except the Graybeard Loon dies, the Mariner grows as

0:32:14.840 --> 0:32:17.320
<v Speaker 1>a character through an act of deep affection for the

0:32:17.360 --> 0:32:21.320
<v Speaker 1>remaining natural life around him that he had previously scorned.

0:32:21.680 --> 0:32:25.560
<v Speaker 1>Right after the entire crew dies, the mariner moans alone alone,

0:32:25.840 --> 0:32:29.520
<v Speaker 1>all all alone, alone, on a wide wide sea, and

0:32:29.600 --> 0:32:32.960
<v Speaker 1>never a saint took pity on my soul in agony.

0:32:33.000 --> 0:32:36.440
<v Speaker 1>The many men so beautiful, and they all dead did lie,

0:32:36.680 --> 0:32:40.640
<v Speaker 1>and a thousand thousand slimy things lived on, and so

0:32:40.800 --> 0:32:44.080
<v Speaker 1>did I. He is very disturbed that the only remaining

0:32:44.080 --> 0:32:47.280
<v Speaker 1>living things are himself and all the gross little sea creatures.

0:32:47.320 --> 0:32:50.480
<v Speaker 1>He reviles these slimy things and himself for bringing this

0:32:50.600 --> 0:32:54.120
<v Speaker 1>misfortune on the ship, feeling utterly alone with no kinship

0:32:54.160 --> 0:32:58.840
<v Speaker 1>for the slimy other living things nearby, However, several stands is. Later,

0:32:58.960 --> 0:33:02.680
<v Speaker 1>something really great happens. He starts watching these water snakes

0:33:02.680 --> 0:33:04.960
<v Speaker 1>swimming on the surface of the water in the moonlight.

0:33:05.360 --> 0:33:09.920
<v Speaker 1>He observes that they are in fact beautiful. He declares, Oh,

0:33:09.960 --> 0:33:13.920
<v Speaker 1>happy living things, no tongue. Their beauty might declare A

0:33:14.000 --> 0:33:16.880
<v Speaker 1>spring of love gushed from my heart, and I blessed

0:33:16.920 --> 0:33:20.560
<v Speaker 1>them unaware. Sure my kind state took pity on me,

0:33:20.640 --> 0:33:23.760
<v Speaker 1>and I blessed them unaware the self same moment I

0:33:23.800 --> 0:33:27.280
<v Speaker 1>could pray, and from my neck so free, the albatross

0:33:27.440 --> 0:33:31.240
<v Speaker 1>fell off and sank like lead into the sea, and

0:33:31.320 --> 0:33:35.320
<v Speaker 1>Jen writes, ah ha. He blesses these shining, previously slimy

0:33:35.360 --> 0:33:39.360
<v Speaker 1>creatures unaware in a bursting moment of kinship and love.

0:33:39.680 --> 0:33:42.160
<v Speaker 1>And of course this is the moment the albatross, the

0:33:42.200 --> 0:33:45.800
<v Speaker 1>symbol of guilt, sin and self loathing, finally falls from

0:33:45.800 --> 0:33:48.760
<v Speaker 1>his neck and he is free. If that isn't romantic,

0:33:48.840 --> 0:33:51.480
<v Speaker 1>I don't know what is. Of course, there's quite a

0:33:51.480 --> 0:33:53.280
<v Speaker 1>bit more to the poem, but he is freed from

0:33:53.280 --> 0:33:56.800
<v Speaker 1>his spiritual burden from that point on, Jess, I think

0:33:56.840 --> 0:33:59.280
<v Speaker 1>that's a great insight. And it is true that there

0:33:59.360 --> 0:34:01.960
<v Speaker 1>there is no love greater than the love for sea snakes.

0:34:02.920 --> 0:34:05.720
<v Speaker 1>You know, I just returned from Kauai, uh and I

0:34:05.960 --> 0:34:08.800
<v Speaker 1>got to see a sea snake. Yeah. This is the

0:34:09.200 --> 0:34:11.239
<v Speaker 1>second time I've gotten to see a sea snake while

0:34:11.520 --> 0:34:14.160
<v Speaker 1>while snorkeling, and uh, it's always kind of a magical

0:34:14.200 --> 0:34:17.800
<v Speaker 1>experience to watch them move amongst the rocks or the coral.

0:34:18.239 --> 0:34:21.120
<v Speaker 1>Did you feel love and kinship? I did? Yeah, the

0:34:21.120 --> 0:34:23.200
<v Speaker 1>like the season, it was cool. I got to see

0:34:23.200 --> 0:34:25.600
<v Speaker 1>this one with my son and so he was we

0:34:25.600 --> 0:34:27.800
<v Speaker 1>were in fairly shallow water, so I was able to

0:34:27.880 --> 0:34:31.319
<v Speaker 1>like hold him and we're looking down this time without

0:34:31.360 --> 0:34:34.759
<v Speaker 1>our snorkels and watching the sea snake move around. It's

0:34:34.800 --> 0:34:37.400
<v Speaker 1>kind of it's kind of magical. Wow. Now. Jess also

0:34:37.640 --> 0:34:40.800
<v Speaker 1>later in the email shares a story about a sodium

0:34:40.800 --> 0:34:43.520
<v Speaker 1>deficiency and her family, kind of mirroring the story we

0:34:43.520 --> 0:34:46.279
<v Speaker 1>talked about in the episode with my friend about sodium deficiency.

0:34:46.320 --> 0:34:49.719
<v Speaker 1>But yeah, I really appreciate the insights on the poem, Jess.

0:34:49.800 --> 0:34:52.919
<v Speaker 1>I I feel that too. The love of the slimy things,

0:34:53.120 --> 0:34:56.080
<v Speaker 1>it matters, and yes it is romantic. I agree, this

0:34:56.160 --> 0:34:59.640
<v Speaker 1>is Slimy things are great. That's why we cover them

0:34:59.680 --> 0:35:02.040
<v Speaker 1>all the time time on this podcast. Totally all right.

0:35:02.080 --> 0:35:04.440
<v Speaker 1>We have another bit of listener male related to the

0:35:04.600 --> 0:35:10.080
<v Speaker 1>Saltwater episode. This comes from Omere. Omere writes, Hi, Robert

0:35:10.120 --> 0:35:12.279
<v Speaker 1>and Joe, I'm a longtime listener to the show, and

0:35:12.320 --> 0:35:14.839
<v Speaker 1>I'm writing to you about your newest episode, Don't Drink

0:35:14.880 --> 0:35:17.759
<v Speaker 1>the Saltwater. I really enjoyed the episode, as I usually do,

0:35:17.840 --> 0:35:19.719
<v Speaker 1>and it made me think about different animals that have

0:35:19.800 --> 0:35:23.120
<v Speaker 1>developed mechanisms to excrete salt from their bodies. I live

0:35:23.120 --> 0:35:26.279
<v Speaker 1>in Israel, and in the Israeli desert, you can find

0:35:26.280 --> 0:35:30.000
<v Speaker 1>two species of rodents that can excrete urine with high

0:35:30.080 --> 0:35:35.560
<v Speaker 1>concentrations of salt, the fat sand rat or fat jeered

0:35:36.000 --> 0:35:40.239
<v Speaker 1>uh eats mostly the leaves of salty plants, like plants

0:35:40.239 --> 0:35:43.600
<v Speaker 1>from the Atriplex genus. Plants from that genus contain a

0:35:43.640 --> 0:35:45.960
<v Speaker 1>lot of salt in them. They have a strong salty

0:35:46.000 --> 0:35:50.279
<v Speaker 1>taste uh and the Hebrew name for the atroplex can

0:35:50.320 --> 0:35:54.960
<v Speaker 1>only be translated as salty plant or just salty. The

0:35:55.040 --> 0:35:58.239
<v Speaker 1>sand rats have two mechanisms to survive such diet. The

0:35:58.280 --> 0:36:00.880
<v Speaker 1>first is to rub their paws and of teeth against

0:36:00.880 --> 0:36:05.160
<v Speaker 1>the salty leaves to excrete some salt crystals from them.

0:36:05.280 --> 0:36:08.799
<v Speaker 1>The second mechanism is the rats ability to excrete urine

0:36:08.800 --> 0:36:12.840
<v Speaker 1>with nine salt. The sand rats never drink water in

0:36:12.880 --> 0:36:16.680
<v Speaker 1>the wild. Less information is available to me about the

0:36:16.840 --> 0:36:20.359
<v Speaker 1>spiny golden mouse, but from what I know, it eats

0:36:20.400 --> 0:36:22.640
<v Speaker 1>mostly the same plants as the sand rat. But the

0:36:22.680 --> 0:36:27.960
<v Speaker 1>golden mouse adds on that diet with stylo metaphora snails,

0:36:28.120 --> 0:36:31.120
<v Speaker 1>which are mostly made out of fresh water. Thanks for

0:36:31.160 --> 0:36:34.719
<v Speaker 1>the great podcast, Looking forward for the next episodes. Well

0:36:34.719 --> 0:36:38.080
<v Speaker 1>thanks Omer, Yeah, yeah, I you know, I didn't even

0:36:38.080 --> 0:36:42.360
<v Speaker 1>think about the possibility of there being a particular species

0:36:42.560 --> 0:36:44.640
<v Speaker 1>uh in the area of Israel, but it but it

0:36:44.640 --> 0:36:47.480
<v Speaker 1>makes sense, uh, you know, get when we're talking about

0:36:47.760 --> 0:36:50.560
<v Speaker 1>um high salt concentrated diets. So that's cool. And I

0:36:50.600 --> 0:36:52.719
<v Speaker 1>just love the idea of of of a fat sand rat.

0:36:52.800 --> 0:36:55.440
<v Speaker 1>It's just such a great name for an organism. Yeah. Oh,

0:36:55.560 --> 0:36:59.200
<v Speaker 1>the scientific name of the fat sand ride is Samamas Obesus.

0:37:00.520 --> 0:37:04.440
<v Speaker 1>I like that, you know, speaking of the desert. It

0:37:04.520 --> 0:37:07.080
<v Speaker 1>looks like we have another bit of listener mail, and

0:37:07.239 --> 0:37:10.279
<v Speaker 1>this one is related to another Vault episode that's come

0:37:10.320 --> 0:37:15.759
<v Speaker 1>out recently about the science of done. Yeah. This one

0:37:15.800 --> 0:37:19.239
<v Speaker 1>comes to us from Lisa, Hi, Joe, and Robert. Thank

0:37:19.280 --> 0:37:21.920
<v Speaker 1>you for your recent from the Vault episodes on the

0:37:21.960 --> 0:37:25.960
<v Speaker 1>technology and biology of Frank Herbert's Dune. Uh. Recent from

0:37:26.000 --> 0:37:28.279
<v Speaker 1>the Vault sounds contradictory, but you know what I mean.

0:37:28.880 --> 0:37:31.360
<v Speaker 1>I enjoyed them so much. I read the Dune series

0:37:31.400 --> 0:37:33.360
<v Speaker 1>a long time ago. I think I was around fourteen

0:37:33.440 --> 0:37:36.200
<v Speaker 1>or fifteen years old, and it truly did blow my mind.

0:37:36.280 --> 0:37:39.040
<v Speaker 1>It'll do that. Yeah, the thrill and wonder of discovering

0:37:39.080 --> 0:37:42.080
<v Speaker 1>the complex world of Dune and all those fabulous concepts

0:37:42.080 --> 0:37:45.320
<v Speaker 1>that Frank Herbert stuffed into it. It's still a vivid memory,

0:37:45.320 --> 0:37:48.120
<v Speaker 1>and your excellent exposition and expansion of those concepts really

0:37:48.120 --> 0:37:51.080
<v Speaker 1>brought it all back. I'm fifty one now, although sometimes

0:37:51.120 --> 0:37:53.719
<v Speaker 1>I think I'm still fourteen inside and I'm inspired to

0:37:53.760 --> 0:37:55.879
<v Speaker 1>go read them again, well, at least the first few.

0:37:56.800 --> 0:37:58.640
<v Speaker 1>I was known to be a bit of a bookworm

0:37:58.680 --> 0:38:01.600
<v Speaker 1>when at school and always had a book on the go,

0:38:02.480 --> 0:38:06.480
<v Speaker 1>always a good idea. I advised that even today, reading

0:38:06.480 --> 0:38:09.760
<v Speaker 1>it every opportunity. I recall reading God Emperor of Doom

0:38:10.120 --> 0:38:13.120
<v Speaker 1>while waiting for a year ten geography class to start.

0:38:13.320 --> 0:38:15.520
<v Speaker 1>The teacher noticed and asked me how I found it,

0:38:15.719 --> 0:38:19.440
<v Speaker 1>to which I replied quite tersely tedious, which made everyone

0:38:19.440 --> 0:38:22.120
<v Speaker 1>around me laugh. I don't know why I wasn't joking,

0:38:22.320 --> 0:38:24.880
<v Speaker 1>but maybe I need to try it again. Thanks for

0:38:24.920 --> 0:38:26.960
<v Speaker 1>the hard work you guys put into your podcast. I

0:38:27.000 --> 0:38:30.279
<v Speaker 1>love them and we'll keep listening. Well, thanks so much, Lisa. Yeah.

0:38:30.600 --> 0:38:34.399
<v Speaker 1>God Emperor of Doom can be a bit tedious. Tedious, Yeah,

0:38:34.480 --> 0:38:36.480
<v Speaker 1>but but it was rewarded like I. When I think

0:38:36.520 --> 0:38:40.239
<v Speaker 1>back on my reading of it, uh I I look

0:38:40.280 --> 0:38:42.640
<v Speaker 1>back on it fondly. I don't. I don't think, oh,

0:38:42.680 --> 0:38:44.799
<v Speaker 1>that was a tedious book. I I tend to think

0:38:44.960 --> 0:38:47.440
<v Speaker 1>I finally read that book with the cool sand worm

0:38:47.960 --> 0:38:51.360
<v Speaker 1>human illustration on the front that that I remembered seeing

0:38:51.400 --> 0:38:54.200
<v Speaker 1>on the bookshelves as a child. Uh, and it has

0:38:54.239 --> 0:38:59.560
<v Speaker 1>a it's it's an entertaining sort of philosophical sci fi work.

0:38:59.600 --> 0:39:03.279
<v Speaker 1>I would a lot of being preached at by by

0:39:03.320 --> 0:39:07.960
<v Speaker 1>the God Emperor himself. Less of an adventure though, I

0:39:07.960 --> 0:39:10.960
<v Speaker 1>mean nothing like a five hundred page space sermon. Right, Hey,

0:39:11.000 --> 0:39:12.600
<v Speaker 1>if you're in the mood for it, and nothing else

0:39:12.640 --> 0:39:14.400
<v Speaker 1>will suit, Okay, I think we should look at a

0:39:14.440 --> 0:39:18.400
<v Speaker 1>couple of emails from our Miasma Theory Episode one is

0:39:18.440 --> 0:39:22.000
<v Speaker 1>just a quick correction that I really appreciate. Michael writes

0:39:22.040 --> 0:39:25.560
<v Speaker 1>in saying, in the opening minutes of the Miasma Theory

0:39:25.600 --> 0:39:27.480
<v Speaker 1>and the Evil Era episode, one of the host said

0:39:27.520 --> 0:39:29.719
<v Speaker 1>that the first outbreak of the Black Death occurred in

0:39:29.760 --> 0:39:33.480
<v Speaker 1>Europe in the thirteen forties. That is factually incorrect. The

0:39:33.560 --> 0:39:36.720
<v Speaker 1>Justinian plagues of the five hundreds were the first strain

0:39:36.760 --> 0:39:40.000
<v Speaker 1>of bacteria your sine epestis that caused the Black Death

0:39:40.280 --> 0:39:44.239
<v Speaker 1>nearly a century later. I think meant maybe a millennium later.

0:39:45.480 --> 0:39:48.600
<v Speaker 1>But yeah, Michael is correct about that. If that is

0:39:48.640 --> 0:39:51.239
<v Speaker 1>indeed how we put it, that their forties outbreak was

0:39:51.280 --> 0:39:54.400
<v Speaker 1>the first you're sending epestis outbreak in Europe, that is

0:39:54.440 --> 0:39:57.680
<v Speaker 1>not actually true. Michael is right. The plague of Justinian

0:39:57.800 --> 0:40:00.560
<v Speaker 1>is definitely believed to have been caused by your sending pestus,

0:40:00.560 --> 0:40:03.480
<v Speaker 1>and that is backed up by solid DNA evidence from

0:40:03.520 --> 0:40:06.920
<v Speaker 1>contemporaneous early medieval grave sites. So Michael's right, there was

0:40:06.960 --> 0:40:10.360
<v Speaker 1>a plague in Europe before the forties. A second email

0:40:10.400 --> 0:40:13.440
<v Speaker 1>about the miasma theory episode, Rick writes in with an

0:40:13.480 --> 0:40:17.760
<v Speaker 1>interesting idea. Rick writes, Hey, guys, longtime listener of the show,

0:40:17.840 --> 0:40:20.440
<v Speaker 1>and I really enjoy it. I recently listened to the

0:40:20.480 --> 0:40:24.040
<v Speaker 1>miasma theory episode and kept waiting for radon gas to

0:40:24.120 --> 0:40:28.280
<v Speaker 1>be discussed. It's interesting how the obsolete bad air theory

0:40:28.360 --> 0:40:31.279
<v Speaker 1>actually has some sense of validity when radon gas is

0:40:31.320 --> 0:40:35.040
<v Speaker 1>considered as it literally is bad air that emanates from

0:40:35.080 --> 0:40:39.200
<v Speaker 1>the ground. This poisonous area is actually naturally occurring radioactive

0:40:39.239 --> 0:40:41.520
<v Speaker 1>gas that seeps up from the ground from the decay

0:40:41.600 --> 0:40:44.920
<v Speaker 1>of uranium that is hazardous to one's health, i e.

0:40:45.280 --> 0:40:48.040
<v Speaker 1>Bad air from within the earth. Of course, people in

0:40:48.080 --> 0:40:50.400
<v Speaker 1>the Middle Ages had no concept of rate on gas,

0:40:50.400 --> 0:40:52.600
<v Speaker 1>but if you take the simple into our modern sense

0:40:52.680 --> 0:40:54.920
<v Speaker 1>is laughable. Notion of bad air that comes in the

0:40:55.040 --> 0:40:57.319
<v Speaker 1>night to make you sick and put it against rate

0:40:57.400 --> 0:41:00.640
<v Speaker 1>on gas. Well, it's actually accurate in the plain meaning

0:41:00.680 --> 0:41:04.760
<v Speaker 1>of this antiquated theory. It is fascinating when people create superstitious,

0:41:04.800 --> 0:41:08.040
<v Speaker 1>spooky causes for real world effects and end up accidentally

0:41:08.160 --> 0:41:12.919
<v Speaker 1>kind of sort of getting close to real scientific explanations. Thanks, Rick,

0:41:13.120 --> 0:41:14.960
<v Speaker 1>and I think that's sort of what that episode was

0:41:15.000 --> 0:41:18.240
<v Speaker 1>all about. I mean, they were very wrong about the causes,

0:41:18.600 --> 0:41:22.279
<v Speaker 1>but sort of onto something. All right. Here's one that

0:41:22.280 --> 0:41:24.480
<v Speaker 1>comes to us from Sarah regarding the tomb of the

0:41:24.480 --> 0:41:27.280
<v Speaker 1>first Chinese Emperor. Hey, Rob, Hey Joe. I've been listening

0:41:27.280 --> 0:41:28.880
<v Speaker 1>to the podcast for a couple of years now, and

0:41:28.920 --> 0:41:31.279
<v Speaker 1>I love hearing what new and exciting things you talk

0:41:31.360 --> 0:41:35.040
<v Speaker 1>about each week. This past week's episode on the mausoleum

0:41:35.320 --> 0:41:38.239
<v Speaker 1>for she Huong d how I've always been told to

0:41:38.239 --> 0:41:41.680
<v Speaker 1>write to write his name, reminded me of a conversation

0:41:41.760 --> 0:41:43.600
<v Speaker 1>I had with the history teacher I had back in

0:41:43.680 --> 0:41:46.480
<v Speaker 1>high school. Now, he generally taught U S History, but

0:41:46.520 --> 0:41:49.279
<v Speaker 1>our class was the only World history class. Yeah, he

0:41:49.320 --> 0:41:52.080
<v Speaker 1>had that year. He was one of those spectacular teachers

0:41:52.160 --> 0:41:54.880
<v Speaker 1>who could just lecture and students actually paid attention and learned.

0:41:55.120 --> 0:41:57.440
<v Speaker 1>He was actually the first person to point me in

0:41:57.480 --> 0:42:01.640
<v Speaker 1>the direction of anthropology rather than teaching. We were actually

0:42:01.640 --> 0:42:04.320
<v Speaker 1>discussing World War two at the time, the massacre of

0:42:04.440 --> 0:42:07.520
<v Speaker 1>Nan King. Actually after class, I was asking him about

0:42:07.600 --> 0:42:10.640
<v Speaker 1>other tragedies in China for a research paper for English

0:42:10.840 --> 0:42:12.839
<v Speaker 1>and he kind of joked about how no one had

0:42:12.880 --> 0:42:16.640
<v Speaker 1>gone down into the tomb of she Wong D. Now

0:42:16.719 --> 0:42:18.839
<v Speaker 1>I didn't know what he was talking about at the time,

0:42:18.920 --> 0:42:22.840
<v Speaker 1>but he reminded me of the Terracotta warriors. Ultimately renewed

0:42:22.840 --> 0:42:25.680
<v Speaker 1>my interest in why the warriors were there. I remember

0:42:25.719 --> 0:42:27.719
<v Speaker 1>that I couldn't find much at the time. It was

0:42:27.760 --> 0:42:30.720
<v Speaker 1>two thousand seven and I didn't know about Google scholar,

0:42:31.040 --> 0:42:35.320
<v Speaker 1>but I did present a rather interesting theory. My general

0:42:35.360 --> 0:42:38.480
<v Speaker 1>idea was that she hongd was someone to not give

0:42:38.600 --> 0:42:41.839
<v Speaker 1>up on trying to live forever, even after death. Yeah,

0:42:42.239 --> 0:42:45.680
<v Speaker 1>that's that's accurate. Uh. He might have had some shamans

0:42:45.719 --> 0:42:48.640
<v Speaker 1>or wizards or necromancers bring him back, and he would

0:42:48.719 --> 0:42:52.360
<v Speaker 1>need a deathless army. Hence the terra Cotta warriors. Terracotta

0:42:52.520 --> 0:42:54.759
<v Speaker 1>is surprisingly more durable than a lot of people tend

0:42:54.800 --> 0:42:58.440
<v Speaker 1>to think. It made sense to my seventeen year old mind,

0:42:58.480 --> 0:43:00.879
<v Speaker 1>and it makes sense to my twenty seven year old mine,

0:43:01.000 --> 0:43:03.320
<v Speaker 1>and I hope it makes sense to other people too.

0:43:03.640 --> 0:43:05.759
<v Speaker 1>I was very excited to see this episode pop into

0:43:05.760 --> 0:43:07.680
<v Speaker 1>my cue, and it gave me a reason to finally

0:43:07.719 --> 0:43:10.040
<v Speaker 1>write to you guys. This subject has always interested me,

0:43:10.080 --> 0:43:12.520
<v Speaker 1>and I always love to babble about it whenever it's

0:43:12.560 --> 0:43:16.000
<v Speaker 1>brought up, not very often, if you were curious, Well,

0:43:16.080 --> 0:43:18.760
<v Speaker 1>it won't be my area of study when I finally

0:43:18.760 --> 0:43:21.160
<v Speaker 1>go back to college. I will always love hearing more

0:43:21.239 --> 0:43:23.600
<v Speaker 1>about it. Thank you for doing another awesome episode. I

0:43:23.640 --> 0:43:25.960
<v Speaker 1>can't wait to hear what you guys present to us

0:43:26.160 --> 0:43:30.520
<v Speaker 1>next week from a possible future anthropologist. Sarah. Well, that's

0:43:30.520 --> 0:43:33.560
<v Speaker 1>great to hear, Sarah. I love that. I don't know.

0:43:33.760 --> 0:43:36.160
<v Speaker 1>I don't know about your theory. That's interesting and so

0:43:36.520 --> 0:43:39.840
<v Speaker 1>he definitely did want to live forever if he could,

0:43:40.239 --> 0:43:43.799
<v Speaker 1>and he definitely was envisioning some kind of afterlife. I

0:43:43.880 --> 0:43:46.320
<v Speaker 1>don't know about the idea of whether he thought maybe

0:43:46.320 --> 0:43:48.520
<v Speaker 1>he could be brought back from the dead and would

0:43:48.560 --> 0:43:52.480
<v Speaker 1>need a deathless army to accompany him. But that's fascinating. Yeah,

0:43:52.520 --> 0:43:55.560
<v Speaker 1>I mean it. I certainly encourage anyone who listened to

0:43:55.560 --> 0:43:58.960
<v Speaker 1>that episode and had similar thoughts to listen to The

0:43:59.080 --> 0:44:02.880
<v Speaker 1>Jade Immortal, the episode that I did with Christian, because

0:44:02.880 --> 0:44:07.160
<v Speaker 1>we talk about a Chinese funeral custom that existed for

0:44:07.200 --> 0:44:11.920
<v Speaker 1>a while where the dead kings and various other important

0:44:12.280 --> 0:44:16.200
<v Speaker 1>royal figures would be entombed in armor of jade essentially

0:44:16.320 --> 0:44:20.879
<v Speaker 1>stone armor um and it gets into we get into

0:44:20.960 --> 0:44:27.840
<v Speaker 1>the various religious and superstistious ideas about the protective powers

0:44:27.840 --> 0:44:30.879
<v Speaker 1>of the stone. I don't I don't know of any

0:44:31.400 --> 0:44:34.000
<v Speaker 1>qualities like that that would have been associated with terra

0:44:34.040 --> 0:44:37.480
<v Speaker 1>cotta offhand. I guess I tend to I tend to

0:44:37.520 --> 0:44:40.640
<v Speaker 1>buy more of that idea that this was presented as

0:44:40.640 --> 0:44:44.680
<v Speaker 1>an alternative to human sacrifice, because it makes sense that, Okay,

0:44:44.680 --> 0:44:48.440
<v Speaker 1>if I'm dying and going somewhere else or becoming some

0:44:48.560 --> 0:44:52.200
<v Speaker 1>other form after death, and warriors, yeah, and I need

0:44:52.320 --> 0:44:54.640
<v Speaker 1>I need warriors. These warriors are great. I want to

0:44:54.680 --> 0:44:57.400
<v Speaker 1>take them with me. And then it would fall to

0:44:57.600 --> 0:45:02.840
<v Speaker 1>perhaps a very clever adviser to say, well, your lordship,

0:45:03.560 --> 0:45:06.000
<v Speaker 1>this is a fine plan, but I know of a

0:45:06.120 --> 0:45:10.080
<v Speaker 1>way that we can do this without totally destabilizing the

0:45:10.120 --> 0:45:13.799
<v Speaker 1>empire after you have passed over, right, yeah, all right,

0:45:13.840 --> 0:45:15.279
<v Speaker 1>well I think it's time to take one more quick

0:45:15.320 --> 0:45:17.200
<v Speaker 1>break and when we come back we will read a

0:45:17.200 --> 0:45:22.640
<v Speaker 1>few more listener mails. Thank thank alright, we're back. What

0:45:22.680 --> 0:45:24.200
<v Speaker 1>have we got? What have we got? Now? What is

0:45:24.239 --> 0:45:27.520
<v Speaker 1>Carney bringing forth? Well, Carney is handing out a mail

0:45:27.600 --> 0:45:31.920
<v Speaker 1>that is waving claws about wildly with scuttling legs up

0:45:31.920 --> 0:45:35.680
<v Speaker 1>in the air. Crab mail. Crab male strikes again. So

0:45:35.719 --> 0:45:39.840
<v Speaker 1>we've got several messages all expressing a similar idea about

0:45:39.880 --> 0:45:42.480
<v Speaker 1>Carl Sagan and the Samurai crabs. This is something that

0:45:42.640 --> 0:45:45.960
<v Speaker 1>there was convergence of thoughts from many of our listeners.

0:45:45.960 --> 0:45:51.240
<v Speaker 1>For example, just one of these expressing this idea, Michelle writes, Hello,

0:45:51.360 --> 0:45:54.520
<v Speaker 1>Mr McCormick and Mr lab No need to be so formal, Michelle,

0:45:54.560 --> 0:45:57.600
<v Speaker 1>But yes, uh glad to hear from you, she says,

0:45:57.960 --> 0:46:00.239
<v Speaker 1>I just listen to your podcast Carl Sagan in the

0:46:00.280 --> 0:46:04.239
<v Speaker 1>Samurai Crabs. Being of an artistic mind more so than scientific,

0:46:04.280 --> 0:46:06.920
<v Speaker 1>I kept thinking of a completely backward sort of theory

0:46:07.160 --> 0:46:09.920
<v Speaker 1>as an explanation for the stunning appearance of the samurai

0:46:09.960 --> 0:46:12.600
<v Speaker 1>warrior's face on the back of the crab. It's probably

0:46:12.680 --> 0:46:16.440
<v Speaker 1>ridiculously stupid, but I'm sharing it anyway. It's not ridiculously stupid.

0:46:16.480 --> 0:46:19.040
<v Speaker 1>Don't feel bad, I'm glad you sent it. So here's

0:46:19.040 --> 0:46:22.920
<v Speaker 1>her idea. The samurai mask is an extremely stylized depiction

0:46:22.960 --> 0:46:26.000
<v Speaker 1>of the human face. Is it possible that the artisans

0:46:26.080 --> 0:46:29.240
<v Speaker 1>designing the mask were familiar with these crabs and based

0:46:29.239 --> 0:46:32.359
<v Speaker 1>the masks on the patterns of the crabs rather than

0:46:32.360 --> 0:46:34.919
<v Speaker 1>the other way around. Artists do this all the time,

0:46:35.000 --> 0:46:38.840
<v Speaker 1>taking designs and inspiration from nature. People see faces anywhere

0:46:38.840 --> 0:46:42.480
<v Speaker 1>there is symmetry, and these crabs look like very stylized faces.

0:46:42.760 --> 0:46:44.560
<v Speaker 1>As an artist, it makes more sense to me that

0:46:44.640 --> 0:46:47.360
<v Speaker 1>some ancient Japanese dude saw one of these crabs and

0:46:47.400 --> 0:46:49.880
<v Speaker 1>thought that would make a dope mask for a samurai

0:46:50.000 --> 0:46:53.480
<v Speaker 1>totally fierce. Well there you have. It makes sense to me,

0:46:53.840 --> 0:46:58.279
<v Speaker 1>but I am fairly dim. Thanks for listening. Love your podcast. Hey,

0:46:58.440 --> 0:47:01.279
<v Speaker 1>no need to neg yourself on that. Lots of people

0:47:01.320 --> 0:47:03.560
<v Speaker 1>got in contact with this idea that what if it

0:47:03.600 --> 0:47:06.319
<v Speaker 1>went the other way around, what if people saw Of course,

0:47:06.320 --> 0:47:08.239
<v Speaker 1>it wouldn't just be the masks. The mask were just

0:47:08.360 --> 0:47:12.800
<v Speaker 1>one realization of this type of depiction of the samurai face.

0:47:13.239 --> 0:47:16.080
<v Speaker 1>So there's the samurai face as depicted in medieval Japanese

0:47:16.200 --> 0:47:19.880
<v Speaker 1>artwork and painting and also on the samurai armor masks

0:47:19.880 --> 0:47:22.680
<v Speaker 1>and wherever you'd see a samurai's face, And quite a

0:47:22.680 --> 0:47:26.080
<v Speaker 1>few people echoed that same kind of idea. What if

0:47:26.080 --> 0:47:28.880
<v Speaker 1>somebody saw the crab and that's what created the faces

0:47:28.920 --> 0:47:32.960
<v Speaker 1>that looked like that in the various artworks and craftworks. Um,

0:47:33.000 --> 0:47:36.439
<v Speaker 1>I mean, I think that's possible. But then again, we're

0:47:36.560 --> 0:47:38.719
<v Speaker 1>we're sort of seeing a similar thing, which is that

0:47:39.239 --> 0:47:43.960
<v Speaker 1>both of them are stylized depictions of what essentially cues

0:47:44.160 --> 0:47:49.279
<v Speaker 1>from this very easy to signal face structure. Right, You've

0:47:49.280 --> 0:47:51.959
<v Speaker 1>got these lobes at the top, two of them side

0:47:51.960 --> 0:47:54.480
<v Speaker 1>by side, which looked like eyes, and then that comes

0:47:54.520 --> 0:47:57.919
<v Speaker 1>down into some kind of central structure below which looks

0:47:57.960 --> 0:48:00.759
<v Speaker 1>like a nose and a mouth. Uh uh. And so

0:48:01.239 --> 0:48:04.799
<v Speaker 1>maybe it really does look like Samurai warriors. But if

0:48:04.800 --> 0:48:06.839
<v Speaker 1>it didn't look like the mask, and if it didn't

0:48:06.920 --> 0:48:08.759
<v Speaker 1>look like the art, it would still look a lot

0:48:08.840 --> 0:48:13.399
<v Speaker 1>like a face of some kind. I also tend to think,

0:48:13.400 --> 0:48:17.480
<v Speaker 1>and I'm I'm certainly no expert on Japanese armor or

0:48:17.600 --> 0:48:20.640
<v Speaker 1>or Japanese medieval art, but I would tend to think,

0:48:20.640 --> 0:48:24.640
<v Speaker 1>if one we're going to adopt the crab motif for

0:48:24.840 --> 0:48:28.440
<v Speaker 1>decorative purposes. You would you would you would invoke the

0:48:28.480 --> 0:48:31.680
<v Speaker 1>full crab. You wouldn't invoke just the the the what

0:48:31.840 --> 0:48:33.600
<v Speaker 1>may look like a face on the back, but there

0:48:33.600 --> 0:48:37.719
<v Speaker 1>would be uh, you know, fancy uh you know there

0:48:37.800 --> 0:48:41.919
<v Speaker 1>there would be there would be claws and legs as well. Yeah, yeah, yeah, yeah,

0:48:41.920 --> 0:48:44.279
<v Speaker 1>I see what you're saying. They're also the fact that

0:48:44.360 --> 0:48:47.560
<v Speaker 1>these crabs are not particularly fearsome creatures, right, They're tiny.

0:48:48.200 --> 0:48:50.359
<v Speaker 1>So I wouldn't necessarily think that somebody would look at

0:48:50.360 --> 0:48:52.960
<v Speaker 1>a crab like this and think, oh, that's what I've

0:48:53.000 --> 0:48:55.160
<v Speaker 1>got to make all the samurai and my art and

0:48:55.239 --> 0:48:58.040
<v Speaker 1>my in my armor and everything look like I would

0:48:58.080 --> 0:49:02.040
<v Speaker 1>think more that there is an artistic tradition established that

0:49:02.120 --> 0:49:06.000
<v Speaker 1>has certain types of ways of exaggerating the facial features

0:49:06.040 --> 0:49:11.040
<v Speaker 1>of a human being, and that this artistic tradition, by coincidence,

0:49:11.320 --> 0:49:14.360
<v Speaker 1>resembles what's on the backs of the crabs. And I

0:49:14.400 --> 0:49:16.680
<v Speaker 1>would write that is more likely, given the stuff we

0:49:16.719 --> 0:49:19.719
<v Speaker 1>talked about in the episode, than the there being a

0:49:19.760 --> 0:49:23.359
<v Speaker 1>causative factor going either way, that either the crabs established

0:49:23.760 --> 0:49:27.440
<v Speaker 1>the faces as depicted in these traditions, or the faces

0:49:27.560 --> 0:49:31.000
<v Speaker 1>shaped the crabs through artificial selection. But that's my take now.

0:49:31.239 --> 0:49:35.160
<v Speaker 1>I'm I'm, I'm I am reminded, however, that there there

0:49:35.320 --> 0:49:38.279
<v Speaker 1>was a Japanese pro wrestler who wrestled under the name

0:49:38.360 --> 0:49:42.680
<v Speaker 1>Grand Naniwa, and he had a mask. It was kind

0:49:42.680 --> 0:49:44.520
<v Speaker 1>of a comedic gimmick that he had, but he hit

0:49:44.640 --> 0:49:49.160
<v Speaker 1>his his lucha libre style mask looked like a crab,

0:49:49.600 --> 0:49:53.040
<v Speaker 1>and he would perform moves with the mannerisms of a crab.

0:49:53.880 --> 0:49:56.520
<v Speaker 1>So he had this move where he would stand would

0:49:56.520 --> 0:49:58.279
<v Speaker 1>be inside the ring and he'd stand on the middle

0:49:58.360 --> 0:50:01.520
<v Speaker 1>rope and then he'd hold his his arms up and

0:50:01.520 --> 0:50:03.680
<v Speaker 1>he did like a crab walk back and forth from

0:50:03.719 --> 0:50:06.200
<v Speaker 1>the road, and then he would jump with like a

0:50:06.280 --> 0:50:11.960
<v Speaker 1>diving elbow. Oh that's good, but definitely invoked the full crab. Robert,

0:50:11.960 --> 0:50:14.800
<v Speaker 1>I've got a problem because I cannot finish doing this episode.

0:50:14.880 --> 0:50:17.480
<v Speaker 1>I just want to go watch videos of that. It's

0:50:17.480 --> 0:50:20.160
<v Speaker 1>pretty great. You you could you could do far worse

0:50:20.200 --> 0:50:23.440
<v Speaker 1>than than spending a few minutes looking at at a

0:50:23.560 --> 0:50:27.879
<v Speaker 1>comedic Japanese pro wrestling. Yeah, but to clarify, I don't

0:50:27.920 --> 0:50:29.919
<v Speaker 1>think that's a stupid idea. I mean, I think it's

0:50:30.000 --> 0:50:32.440
<v Speaker 1>good to think in that direction. So all the people

0:50:32.440 --> 0:50:35.600
<v Speaker 1>who contacted us with that idea. I think maybe that

0:50:36.200 --> 0:50:40.040
<v Speaker 1>something like that could be just as likely as the

0:50:40.120 --> 0:50:43.279
<v Speaker 1>idea of the artificial selection happening the other way. It's

0:50:43.320 --> 0:50:45.839
<v Speaker 1>just that I think it's a coincidence and that's more

0:50:45.920 --> 0:50:48.640
<v Speaker 1>likely than either one. Yeah, either way, it's it's very

0:50:48.640 --> 0:50:51.279
<v Speaker 1>scientific thinking to say, well, why that way or not

0:50:51.400 --> 0:50:54.160
<v Speaker 1>this way? Then to explore that. That's always a really

0:50:54.200 --> 0:50:57.480
<v Speaker 1>good exercise to try out. When you're seeing a correlation

0:50:57.560 --> 0:51:01.360
<v Speaker 1>between things and you're assuming the cause and goes one way,

0:51:01.760 --> 0:51:04.880
<v Speaker 1>entertain the opposite. What if it's going the other way. Yeah,

0:51:05.040 --> 0:51:08.080
<v Speaker 1>for instance, Grand naniwa, Uh, did he do the crab

0:51:08.120 --> 0:51:10.200
<v Speaker 1>walk because he had the crab mask? Or did he

0:51:10.280 --> 0:51:12.359
<v Speaker 1>have the crab mask because he did the crab walk?

0:51:12.440 --> 0:51:14.560
<v Speaker 1>That's a great question. Yeah, we may never know the

0:51:14.560 --> 0:51:16.839
<v Speaker 1>full answer on that one though, So Michelle and all

0:51:16.880 --> 0:51:19.440
<v Speaker 1>the others who contacted us with that idea good thinking.

0:51:19.480 --> 0:51:22.400
<v Speaker 1>I think that's an interesting possibility to consider. Before we

0:51:22.480 --> 0:51:24.920
<v Speaker 1>leave the topic of Karl Sagan and the Samurai crabs,

0:51:25.160 --> 0:51:28.399
<v Speaker 1>I have to mention that our listener, Kevin wants us

0:51:28.440 --> 0:51:31.800
<v Speaker 1>to make giant mutant crabs. Oh, this is a solution

0:51:31.840 --> 0:51:34.560
<v Speaker 1>to the green crab scenario was talking about the invasive

0:51:34.600 --> 0:51:37.399
<v Speaker 1>green crabs and how we have to go to all

0:51:37.400 --> 0:51:40.680
<v Speaker 1>of these various kind of technological extremes, or at least

0:51:40.680 --> 0:51:44.719
<v Speaker 1>we have to contemplate advanced technology to properly process them

0:51:44.800 --> 0:51:48.840
<v Speaker 1>for culinary purposes. Yeah, so, Kevin writes, still in the

0:51:48.840 --> 0:51:52.200
<v Speaker 1>middle of your podcast about the green crab, considering much

0:51:52.200 --> 0:51:54.680
<v Speaker 1>of the discussion had to do with possible selective breeding

0:51:54.680 --> 0:51:57.360
<v Speaker 1>of the samurai crab, I was positive you would suggest

0:51:57.440 --> 0:52:00.439
<v Speaker 1>that one solution to the invasive green crab problem would

0:52:00.480 --> 0:52:03.920
<v Speaker 1>be to selectively breed them to be much larger and

0:52:03.960 --> 0:52:07.640
<v Speaker 1>therefore becoming a better food source. Then continue to release

0:52:07.680 --> 0:52:10.359
<v Speaker 1>these larger crab into the ocean. Over time, as they

0:52:10.400 --> 0:52:13.520
<v Speaker 1>breed with the smaller green crab, the entire population will

0:52:13.560 --> 0:52:18.680
<v Speaker 1>grow in size as a more practical source of food. Well, there,

0:52:18.800 --> 0:52:22.600
<v Speaker 1>I can see various complications arising with that plan, and

0:52:22.760 --> 0:52:25.200
<v Speaker 1>also it would be a very it would be a

0:52:25.280 --> 0:52:30.640
<v Speaker 1>very long form scheme generally would take a while. Yeah, well,

0:52:30.680 --> 0:52:36.320
<v Speaker 1>I mean, changing wild populations for foods for food reasons

0:52:37.000 --> 0:52:40.239
<v Speaker 1>is not always a great idea, and also is so

0:52:40.320 --> 0:52:42.960
<v Speaker 1>that's gonna be something somebody would be paying to do.

0:52:43.200 --> 0:52:46.080
<v Speaker 1>But then everybody who fishes these crabs would benefit from

0:52:46.120 --> 0:52:49.799
<v Speaker 1>them instead of just the person who did the investment initially.

0:52:50.480 --> 0:52:52.880
<v Speaker 1>And then also it seems like it might not work

0:52:53.040 --> 0:52:55.480
<v Speaker 1>because you're dealing with wild conditions and can you keep

0:52:55.520 --> 0:53:00.040
<v Speaker 1>these populations contained and control them properly? And I don't know.

0:53:00.120 --> 0:53:02.120
<v Speaker 1>I can see a lot of reasons that people probably

0:53:02.120 --> 0:53:05.920
<v Speaker 1>aren't going to do that, right, Uh yeah, yeah, but

0:53:06.120 --> 0:53:08.600
<v Speaker 1>I anytime you want to write in to or just

0:53:08.680 --> 0:53:11.479
<v Speaker 1>to create giant mutant crabs, you can do that. That's

0:53:11.520 --> 0:53:15.000
<v Speaker 1>okay to use our email address that way. Yeah, Joe

0:53:15.120 --> 0:53:17.520
<v Speaker 1>is definitely going to notice your email if it includes

0:53:17.800 --> 0:53:21.759
<v Speaker 1>some discussion of mutant crabs, be they telepathic or not.

0:53:22.120 --> 0:53:24.920
<v Speaker 1>So thanks, Kevin. Al Right, here's here's one of our

0:53:24.920 --> 0:53:30.600
<v Speaker 1>emails that received regarding the Proteus Effect episode. Sky writes in, Hey,

0:53:30.680 --> 0:53:33.359
<v Speaker 1>Robert and Joe, kudos for another great episode. This one

0:53:33.400 --> 0:53:36.240
<v Speaker 1>felt like it had mini strings connecting to other topics

0:53:36.239 --> 0:53:39.000
<v Speaker 1>that I've looked into, including your episode on the Tetris effect.

0:53:39.440 --> 0:53:41.240
<v Speaker 1>I can't seem to find a source at the moment,

0:53:41.280 --> 0:53:44.040
<v Speaker 1>but I've also read an interesting point that notes the

0:53:44.080 --> 0:53:47.360
<v Speaker 1>difference in perspective while playing role playing games. There's a

0:53:47.400 --> 0:53:50.879
<v Speaker 1>subtle difference between I attacked the goblin or I tried

0:53:50.920 --> 0:53:54.520
<v Speaker 1>to jump over the gumba and Rodner attacks the goblin

0:53:54.640 --> 0:53:57.400
<v Speaker 1>or I tried to make Mario jump over the gumba.

0:53:57.880 --> 0:54:03.440
<v Speaker 1>You know, this reminds me of playing video games as

0:54:03.480 --> 0:54:06.680
<v Speaker 1>like a young rude child. Uh. And some of you

0:54:06.760 --> 0:54:08.479
<v Speaker 1>may say, say, is there any other kind of child

0:54:08.520 --> 0:54:11.239
<v Speaker 1>that plays the video game but a rude one? But

0:54:11.360 --> 0:54:15.719
<v Speaker 1>I remember like being interrupted and charging people with you.

0:54:15.719 --> 0:54:18.560
<v Speaker 1>You made you made me die? You killed me, you

0:54:18.640 --> 0:54:21.000
<v Speaker 1>killed me? And I do wonder like why did I

0:54:21.040 --> 0:54:22.680
<v Speaker 1>put it that? Why Why didn't I say you made

0:54:22.719 --> 0:54:26.040
<v Speaker 1>my guy die? Like you know, what, is it one

0:54:26.040 --> 0:54:28.680
<v Speaker 1>more syllable to to go that far? And and or

0:54:28.800 --> 0:54:31.799
<v Speaker 1>is I just so connected to the character that I

0:54:31.880 --> 0:54:37.280
<v Speaker 1>thought of Mario as myself. It's weird. It is very weird. Anyway,

0:54:37.320 --> 0:54:42.320
<v Speaker 1>Sky continues to your open question about the proteus effect

0:54:42.320 --> 0:54:45.120
<v Speaker 1>and Werewolf. Oh yeah, and just to revisit, I think

0:54:45.160 --> 0:54:47.640
<v Speaker 1>what we said was, does playing a game like Werewolf

0:54:47.680 --> 0:54:50.400
<v Speaker 1>also change you? Like if you are trying to pretend

0:54:50.400 --> 0:54:52.440
<v Speaker 1>you're not a werewolf and lying in the game, does

0:54:52.480 --> 0:54:56.120
<v Speaker 1>that make you more deceptive after the game's over? So

0:54:56.160 --> 0:54:58.920
<v Speaker 1>Sky says, I have a recent anecdote that fits right

0:54:58.920 --> 0:55:03.160
<v Speaker 1>in some friends and I. We're playing Insider recently, which

0:55:03.320 --> 0:55:06.680
<v Speaker 1>plays similar to Mafia Werewolf, but with a focus on

0:55:06.760 --> 0:55:10.239
<v Speaker 1>figuring out a secret word all our twenty questions. If

0:55:10.280 --> 0:55:13.720
<v Speaker 1>you were assigned the Insider role, you know the word

0:55:13.880 --> 0:55:17.280
<v Speaker 1>the whole time and have to guide the comments towards

0:55:17.320 --> 0:55:19.560
<v Speaker 1>the right answer without making it obvious you know the

0:55:19.600 --> 0:55:22.799
<v Speaker 1>word already by some bizarre string of chance, I ended

0:55:22.880 --> 0:55:25.120
<v Speaker 1>up playing the Insider for seven out of the nine

0:55:25.200 --> 0:55:28.759
<v Speaker 1>rounds we played out of eight players. By the end

0:55:28.800 --> 0:55:31.040
<v Speaker 1>of the sounds like you were cheating. The odds on

0:55:31.080 --> 0:55:33.160
<v Speaker 1>that are not good. I mean, it happens, though, and

0:55:33.160 --> 0:55:34.839
<v Speaker 1>where will if you see like the person who ends

0:55:34.880 --> 0:55:37.480
<v Speaker 1>up being a werewolf all night, and it it ends

0:55:37.520 --> 0:55:39.640
<v Speaker 1>up you know, it ends up working to their favor,

0:55:39.680 --> 0:55:43.719
<v Speaker 1>because what are the odds? Right After a while, by

0:55:43.760 --> 0:55:45.719
<v Speaker 1>the end of the night, it became a running joke

0:55:45.800 --> 0:55:47.920
<v Speaker 1>to just assume I was the Insider if no one

0:55:48.000 --> 0:55:50.480
<v Speaker 1>had any good ideas for anyone else, which ended up

0:55:50.520 --> 0:55:53.920
<v Speaker 1>working for the rest of the night. After the game, however,

0:55:53.960 --> 0:55:56.600
<v Speaker 1>I felt hyper aware of everything I said and double

0:55:56.680 --> 0:55:59.000
<v Speaker 1>checked my words before I said anything to think about

0:55:59.040 --> 0:56:01.319
<v Speaker 1>how they might be interpret did. I couldn't help but

0:56:01.400 --> 0:56:05.520
<v Speaker 1>analyze the complexity of my and others communications even when

0:56:05.560 --> 0:56:08.600
<v Speaker 1>we had returned to normal conversation after the game, and

0:56:08.640 --> 0:56:11.160
<v Speaker 1>this didn't really fade until I went to sleep a

0:56:11.160 --> 0:56:14.520
<v Speaker 1>few hours later. It was truly exhausting. Thanks again for

0:56:14.560 --> 0:56:18.280
<v Speaker 1>all you do. Looking forward to the next episode. Well, Sky,

0:56:18.440 --> 0:56:21.719
<v Speaker 1>that is really interesting. So that's one more example of

0:56:21.760 --> 0:56:24.680
<v Speaker 1>the way that gameplay mechanics and the type of character

0:56:24.800 --> 0:56:28.040
<v Speaker 1>you have to be inside a game doesn't just affect

0:56:28.480 --> 0:56:31.600
<v Speaker 1>you in the moment, but really does follow you home. Uh,

0:56:31.719 --> 0:56:34.480
<v Speaker 1>it's a question of how long it always lasts and

0:56:34.520 --> 0:56:36.759
<v Speaker 1>how intense it is. But now that you mentioned it,

0:56:36.800 --> 0:56:39.440
<v Speaker 1>I think I have noticed that after playing as a werewolf,

0:56:40.080 --> 0:56:44.520
<v Speaker 1>I mainly retain a feeling of mischievousness that follows me

0:56:44.600 --> 0:56:46.960
<v Speaker 1>around after the game's over. That's if I've been one

0:56:47.000 --> 0:56:50.120
<v Speaker 1>of the werewolves, not so much if I've been a townsperson.

0:56:50.200 --> 0:56:53.200
<v Speaker 1>But in my experience, this feeling is retained. Robert, what

0:56:53.239 --> 0:56:55.560
<v Speaker 1>do you think about this? You retain the feeling of

0:56:55.640 --> 0:56:59.839
<v Speaker 1>mischievousness if you were a werewolf, and if the were

0:57:00.000 --> 0:57:05.400
<v Speaker 1>wolves one like the winning and determines the extent to

0:57:05.520 --> 0:57:08.600
<v Speaker 1>which that feeling carries over after the game, And I

0:57:08.640 --> 0:57:13.400
<v Speaker 1>wonder how proteus like effects are modulated by win lost dynamics, Like,

0:57:13.480 --> 0:57:17.680
<v Speaker 1>for example, I know personality manifestation can be controlled by hormones,

0:57:18.160 --> 0:57:21.640
<v Speaker 1>and hormone levels can apparently be affected by winning and losing,

0:57:21.680 --> 0:57:25.040
<v Speaker 1>Like I remember, I've read studies about how like winning

0:57:25.040 --> 0:57:29.680
<v Speaker 1>tennis players have elevated testosterone levels compared to losing players.

0:57:30.840 --> 0:57:33.600
<v Speaker 1>You know, it's it's interesting the idea of retaining the

0:57:33.680 --> 0:57:38.080
<v Speaker 1>sense of mischievousness after you've played, because it I wondered

0:57:38.080 --> 0:57:42.560
<v Speaker 1>to what extent the framing mechanism works, because obviously we're

0:57:42.600 --> 0:57:44.440
<v Speaker 1>humans playing the world wolf games, so we tend to

0:57:44.520 --> 0:57:49.680
<v Speaker 1>frame it as a struggle between humanity and bloodthirsty monsters, right,

0:57:49.720 --> 0:57:52.200
<v Speaker 1>but what if you played it the other way? You like,

0:57:52.280 --> 0:57:55.120
<v Speaker 1>open your eyes where wolves, you were the last two

0:57:55.200 --> 0:57:58.920
<v Speaker 1>members of your species just trying to survive, fighting against

0:57:58.920 --> 0:58:02.360
<v Speaker 1>these bloodthirsty human And look how bloodthirsty they are. They're

0:58:02.400 --> 0:58:05.480
<v Speaker 1>murdering each other just on the suspicion that one of

0:58:05.520 --> 0:58:09.080
<v Speaker 1>their their their their fellow villagers might be awarewold they

0:58:09.120 --> 0:58:11.360
<v Speaker 1>deserve to be eaten? Yeah, So, like if you frame

0:58:11.400 --> 0:58:12.880
<v Speaker 1>it like that. I wonder how that would frame the

0:58:12.920 --> 0:58:15.320
<v Speaker 1>way people feel at the end, would you Maybe you'd

0:58:15.360 --> 0:58:18.680
<v Speaker 1>still feel mischievous, but you might feel more like I

0:58:18.680 --> 0:58:22.080
<v Speaker 1>don't know if like truly victorious that you've it's not

0:58:22.120 --> 0:58:26.680
<v Speaker 1>that you've You've you've overcome the odds against a righteous opponent.

0:58:26.720 --> 0:58:29.600
<v Speaker 1>You've overcome the odds against the monsters. You are. You

0:58:29.640 --> 0:58:34.400
<v Speaker 1>are the winning uh noble player here and not not

0:58:34.520 --> 0:58:37.440
<v Speaker 1>the others. Now, I probably sound like a werewolf sympathizer. Now,

0:58:37.480 --> 0:58:41.560
<v Speaker 1>so anyone playing werewolf of the uh will likely suspect

0:58:41.640 --> 0:58:44.280
<v Speaker 1>me right off the bat. Okay, I think we got

0:58:44.280 --> 0:58:47.440
<v Speaker 1>time for two more short ones, all right, uh. First

0:58:47.520 --> 0:58:50.800
<v Speaker 1>one this comes from Tricia on our Animal Lies episode.

0:58:51.120 --> 0:58:54.040
<v Speaker 1>Tricia Rights, Hey, guys, loved your most recent episode on

0:58:54.080 --> 0:58:57.120
<v Speaker 1>animal lies. I work in dog training and behavior, and

0:58:57.160 --> 0:58:59.880
<v Speaker 1>this episode reminded me of a study on dog deception

0:59:00.040 --> 0:59:03.480
<v Speaker 1>published in the journal called Animal Cognition. It proves that

0:59:03.600 --> 0:59:07.880
<v Speaker 1>dogs are definitely capable of deception for personal gain, sneaky

0:59:07.920 --> 0:59:11.439
<v Speaker 1>little things. Uh. Here's an article she shares, and she says,

0:59:11.680 --> 0:59:13.880
<v Speaker 1>for the record, I definitely think you should make animal

0:59:13.920 --> 0:59:17.760
<v Speaker 1>lies a regular feature like Dangerous Food. All the best Trish,

0:59:17.840 --> 0:59:19.560
<v Speaker 1>I just wanted to share this because I looked up

0:59:19.600 --> 0:59:21.040
<v Speaker 1>the study to see what it was. So yeah, it

0:59:21.080 --> 0:59:25.040
<v Speaker 1>was published an Animal Cognition in March. The lead author

0:59:25.120 --> 0:59:29.520
<v Speaker 1>was Marian Haberline of the University of Zurich. And here's

0:59:29.520 --> 0:59:32.280
<v Speaker 1>the short version. So you've got a bunch of dogs

0:59:32.640 --> 0:59:35.760
<v Speaker 1>and you train the dogs to lead human partners to

0:59:35.840 --> 0:59:38.520
<v Speaker 1>a container of food on command. So you say take

0:59:38.560 --> 0:59:40.960
<v Speaker 1>me to food, and the dog takes you there. There

0:59:40.960 --> 0:59:44.520
<v Speaker 1>were multiple containers. There'd be one container that's empty, no food,

0:59:44.560 --> 0:59:46.920
<v Speaker 1>another one has a dry biscuit, and another one has

0:59:46.920 --> 0:59:52.040
<v Speaker 1>an awesome sausage. And some human partners of the dogs

0:59:52.280 --> 0:59:55.600
<v Speaker 1>were the dogs learned were cooperative, meaning when the dog

0:59:55.680 --> 0:59:58.360
<v Speaker 1>takes them to food, the human partner would get the

0:59:58.360 --> 1:00:00.600
<v Speaker 1>food and then give it to the dog, and other

1:00:00.680 --> 1:00:03.640
<v Speaker 1>human partners were competitive, meaning when the dogs showed them

1:00:03.640 --> 1:00:06.160
<v Speaker 1>where the food was, the human partner would keep the

1:00:06.200 --> 1:00:09.360
<v Speaker 1>food for themselves. And after the task was done, the

1:00:09.400 --> 1:00:11.439
<v Speaker 1>dogs learned that they would get a chance to eat

1:00:11.480 --> 1:00:15.760
<v Speaker 1>whatever treats were left over in the unopened containers. So eventually,

1:00:15.800 --> 1:00:18.600
<v Speaker 1>can you guess what happened When the humans would give

1:00:18.600 --> 1:00:21.280
<v Speaker 1>the command to lead them to food, The dogs would

1:00:21.280 --> 1:00:24.840
<v Speaker 1>act differently depending on whether you were cooperative or competitive,

1:00:25.400 --> 1:00:27.560
<v Speaker 1>And if you were one of these competitive humans who

1:00:27.600 --> 1:00:30.120
<v Speaker 1>did not share the food with the dogs, the dog

1:00:30.200 --> 1:00:32.880
<v Speaker 1>would answer the take me to food command by leading

1:00:32.880 --> 1:00:35.200
<v Speaker 1>you to an empty container that had no food in it.

1:00:35.520 --> 1:00:38.640
<v Speaker 1>I don't know where the food went. So basically the

1:00:38.720 --> 1:00:41.280
<v Speaker 1>dogs began to behave like, Hey, if you're not gonna share,

1:00:41.320 --> 1:00:44.720
<v Speaker 1>I'm not gonna show you where the sausage is. Interesting, huh.

1:00:45.200 --> 1:00:47.880
<v Speaker 1>I wonder if if there any I wonder how this

1:00:47.960 --> 1:00:51.080
<v Speaker 1>impacts any use of of of the you know, the

1:00:51.120 --> 1:00:56.640
<v Speaker 1>various uses of dogs for say, detection of illicit substances

1:00:56.720 --> 1:01:01.040
<v Speaker 1>or explosives or even some of these areas we're figuring

1:01:01.080 --> 1:01:04.120
<v Speaker 1>out how to use dogs to just detect illnesses. Like,

1:01:04.200 --> 1:01:06.280
<v Speaker 1>it does kind of change things to know that if

1:01:06.320 --> 1:01:12.720
<v Speaker 1>you don't have the the parameters uh laid out correctly,

1:01:12.920 --> 1:01:16.000
<v Speaker 1>that you're gonna have to deal with dog deception right

1:01:16.440 --> 1:01:18.919
<v Speaker 1>as part of the the ordeal. Yeah, if the dog,

1:01:19.000 --> 1:01:21.120
<v Speaker 1>if the dog figures out this isn't working out in

1:01:21.160 --> 1:01:24.440
<v Speaker 1>its favor, it's gonna lie to you. Interesting, all right.

1:01:24.480 --> 1:01:27.000
<v Speaker 1>We have one last bit of listener mail. This comes

1:01:27.000 --> 1:01:29.920
<v Speaker 1>to us from Kennedy Kennedy says, first off, I'd like

1:01:29.960 --> 1:01:31.520
<v Speaker 1>to say that I love the podcast. I've learned a

1:01:31.560 --> 1:01:34.120
<v Speaker 1>lot from listening to it, and I really appreciate what

1:01:34.200 --> 1:01:36.200
<v Speaker 1>you guys are doing. It helps me get through long,

1:01:36.240 --> 1:01:38.760
<v Speaker 1>boring nights at work. A lot of the time. It

1:01:38.800 --> 1:01:41.280
<v Speaker 1>makes me uncomfortable though. That sounds like a bad thing,

1:01:41.360 --> 1:01:44.000
<v Speaker 1>but it's not. There's been a lot of things I've

1:01:44.080 --> 1:01:46.880
<v Speaker 1>learned on the show that directly contradict the things I

1:01:46.960 --> 1:01:50.120
<v Speaker 1>was taught when I was younger. Growing up in religious household,

1:01:50.160 --> 1:01:52.520
<v Speaker 1>my parents put a lot more stock into religion than

1:01:52.560 --> 1:01:55.200
<v Speaker 1>they did science. I'm not religious, and I know that

1:01:55.240 --> 1:01:57.440
<v Speaker 1>a lot of the stuff they told me was wrong,

1:01:57.760 --> 1:02:01.200
<v Speaker 1>not because they intentionally misled me, but because as they themselves,

1:02:01.200 --> 1:02:04.160
<v Speaker 1>believed what they said. But even when you know things

1:02:04.200 --> 1:02:07.600
<v Speaker 1>are wrong, it's hard to hear that something you've believed

1:02:08.120 --> 1:02:10.560
<v Speaker 1>for a large part of your life was wrong. Thank

1:02:10.600 --> 1:02:13.360
<v Speaker 1>you for bringing all of this information out, and thank

1:02:13.400 --> 1:02:16.040
<v Speaker 1>you for making me uncomfortable. I hope that as time

1:02:16.080 --> 1:02:18.080
<v Speaker 1>goes by, I can learn to have a better grasp

1:02:18.160 --> 1:02:20.720
<v Speaker 1>on how the world really is and outgrow what I

1:02:20.800 --> 1:02:22.720
<v Speaker 1>was taught when I was younger. Love the show, Thanks

1:02:22.800 --> 1:02:26.120
<v Speaker 1>for all the fantastic episodes. Kennedy, Well, Kennedy, thanks so

1:02:26.200 --> 1:02:28.280
<v Speaker 1>much for getting touched on. I'm glad we could play

1:02:28.320 --> 1:02:29.840
<v Speaker 1>that role for you. I mean, it's one of the

1:02:29.880 --> 1:02:34.640
<v Speaker 1>hardest things to seek out things that make us uncomfortable,

1:02:34.640 --> 1:02:38.320
<v Speaker 1>but it's something we should all try to do more, right, Yeah, Yeah,

1:02:38.360 --> 1:02:40.800
<v Speaker 1>I mean, we we cover topics on the show that

1:02:40.840 --> 1:02:44.480
<v Speaker 1>make me uncomfortable. Sometimes you know it, and it is

1:02:44.680 --> 1:02:48.160
<v Speaker 1>part of kind of putting yourself in that uncomfortable state

1:02:48.200 --> 1:02:51.800
<v Speaker 1>where you're willing to have your preconceived notions, your preconceived

1:02:51.840 --> 1:02:55.520
<v Speaker 1>beliefs challenged or or even toppled. I mean, and it's

1:02:55.560 --> 1:02:57.800
<v Speaker 1>really easy for us to say that, it's a harder

1:02:57.840 --> 1:03:00.520
<v Speaker 1>thing to actually make yourself do it. You know, like

1:03:00.600 --> 1:03:04.640
<v Speaker 1>everybody acknowledges it's good to think critically about your ideas.

1:03:04.680 --> 1:03:07.920
<v Speaker 1>Everybody acknowledges it's good to try to seek out disconfirmation

1:03:07.960 --> 1:03:10.400
<v Speaker 1>of your biases. But you you sit there and you

1:03:10.440 --> 1:03:12.400
<v Speaker 1>say that, and then what do you really do? I mean,

1:03:12.440 --> 1:03:14.680
<v Speaker 1>most of the time you seek confirmation of what you

1:03:14.720 --> 1:03:18.360
<v Speaker 1>already thought. Uh, And it's just really hard to make

1:03:18.440 --> 1:03:20.960
<v Speaker 1>yourself do that in the moment. But it's also a

1:03:21.080 --> 1:03:24.440
<v Speaker 1>very rewarding thing to do that pays off in the

1:03:24.480 --> 1:03:26.640
<v Speaker 1>long run when you can make yourself do it. I

1:03:26.680 --> 1:03:29.880
<v Speaker 1>also have to say in this email, Kennedy talks about

1:03:29.920 --> 1:03:32.720
<v Speaker 1>things that they were taught that they now see as

1:03:33.040 --> 1:03:36.200
<v Speaker 1>as wrong. I have to say that, like, certainly they're

1:03:36.200 --> 1:03:38.040
<v Speaker 1>gonna be things where you reach your point in life

1:03:38.040 --> 1:03:39.520
<v Speaker 1>and you look back on something you used to believe

1:03:39.560 --> 1:03:41.640
<v Speaker 1>and you think, well, that that was incorrect or that

1:03:41.720 --> 1:03:44.959
<v Speaker 1>was maybe wrong and more of a like a moral

1:03:45.080 --> 1:03:49.920
<v Speaker 1>or ethical way. But I think also in my experience,

1:03:50.320 --> 1:03:52.280
<v Speaker 1>there are times when I can look back on something

1:03:52.440 --> 1:03:56.200
<v Speaker 1>that I used to believe and maybe I can still

1:03:56.360 --> 1:03:59.320
<v Speaker 1>value it, but now I see it from an additional

1:03:59.360 --> 1:04:03.520
<v Speaker 1>per inspective, or maybe like two additional perspectives, and sometimes

1:04:03.520 --> 1:04:06.439
<v Speaker 1>it can actually make that that thing more valuable. Yeah,

1:04:06.480 --> 1:04:09.000
<v Speaker 1>you know, totally. I mean, well, is so the example

1:04:09.160 --> 1:04:12.840
<v Speaker 1>that Kennedy uses in this email is religious beliefs, and

1:04:12.920 --> 1:04:15.840
<v Speaker 1>I think, obviously this being a science podcast, they're going

1:04:15.920 --> 1:04:19.760
<v Speaker 1>to be a lot of religious like literal interpretations of

1:04:19.800 --> 1:04:22.640
<v Speaker 1>a lot of religious beliefs that are just gonna kind

1:04:22.640 --> 1:04:24.920
<v Speaker 1>of come into conflict with science. Right if you believe

1:04:24.960 --> 1:04:28.320
<v Speaker 1>in like a literal six day creation, like sorry, science

1:04:28.360 --> 1:04:30.760
<v Speaker 1>isn't gonna help you there, that's going to come into conflict.

1:04:31.040 --> 1:04:35.040
<v Speaker 1>But also I don't think inherently that the nature of

1:04:35.080 --> 1:04:39.120
<v Speaker 1>our show is necessarily hostile to religion, or certainly not

1:04:39.200 --> 1:04:42.560
<v Speaker 1>hostile to it in all of its interpreted forms. Right. Uh,

1:04:42.640 --> 1:04:46.200
<v Speaker 1>it's if if you believe in like literal historical facts

1:04:46.200 --> 1:04:48.720
<v Speaker 1>through your religion, a lot of times, yeah, the scientific

1:04:48.720 --> 1:04:51.520
<v Speaker 1>approach is gonna come into collision with that. But there

1:04:51.520 --> 1:04:54.000
<v Speaker 1>are also just a lot of ways of being a

1:04:54.040 --> 1:04:57.560
<v Speaker 1>religious person, of having religious beliefs that tend to not

1:04:57.640 --> 1:05:01.120
<v Speaker 1>really overlap with the territory of science. Yeah. I always

1:05:01.120 --> 1:05:05.160
<v Speaker 1>come back to the idea of the tele teleological and

1:05:05.240 --> 1:05:09.640
<v Speaker 1>the causative why you know, one answering like a very

1:05:09.680 --> 1:05:12.880
<v Speaker 1>like fact based why am I here? And one dealing

1:05:12.960 --> 1:05:16.200
<v Speaker 1>with the more like the reason for being, you know,

1:05:16.840 --> 1:05:19.960
<v Speaker 1>a more existential idea of of of who I am

1:05:20.000 --> 1:05:24.080
<v Speaker 1>and why I am here? And in science can answer

1:05:24.120 --> 1:05:26.200
<v Speaker 1>a lot of those questions, but but not necessarily all

1:05:26.240 --> 1:05:28.200
<v Speaker 1>of them, not in a way that maybe as satisfying

1:05:28.240 --> 1:05:31.440
<v Speaker 1>to an individual. And uh, I think it's it can

1:05:31.480 --> 1:05:35.360
<v Speaker 1>be valuable to have a religion and or spirituality or

1:05:35.480 --> 1:05:38.640
<v Speaker 1>or even mythology too to fall back on that. That's

1:05:38.680 --> 1:05:41.320
<v Speaker 1>one thing I always try and stress too with discussions

1:05:41.360 --> 1:05:44.400
<v Speaker 1>of mythology and legend and folklore is that these are

1:05:44.480 --> 1:05:47.760
<v Speaker 1>stories that did not happen, but they are still stories

1:05:47.920 --> 1:05:51.600
<v Speaker 1>that have importance, uh certainly to the to the cultures

1:05:51.640 --> 1:05:53.960
<v Speaker 1>from which they emerged, and to other cultures as well

1:05:54.160 --> 1:05:58.120
<v Speaker 1>that have adopted them. Different did not literally happen is

1:05:58.200 --> 1:06:00.880
<v Speaker 1>sort of a different question than is it true or

1:06:00.960 --> 1:06:04.320
<v Speaker 1>not right? I mean, it's one way of interpreting the

1:06:04.360 --> 1:06:07.040
<v Speaker 1>word true. Yeah, But I mean my bottom line is

1:06:07.120 --> 1:06:09.880
<v Speaker 1>just to say again, I hope that you don't ever

1:06:09.960 --> 1:06:12.880
<v Speaker 1>walk away from our show with the idea that you know,

1:06:13.040 --> 1:06:16.320
<v Speaker 1>adopting scientific skepticism and all that means that you need

1:06:16.400 --> 1:06:19.600
<v Speaker 1>to to throw out all of your beliefs and meaning

1:06:19.680 --> 1:06:22.240
<v Speaker 1>structures and everything like that. I mean, that's not a

1:06:22.320 --> 1:06:24.840
<v Speaker 1>message I want to promote at all. It is, uh,

1:06:24.920 --> 1:06:27.640
<v Speaker 1>the idea that you should critically examine it, and when

1:06:27.640 --> 1:06:31.240
<v Speaker 1>the facts are in obvious contradiction with beliefs, well then yeah,

1:06:31.360 --> 1:06:33.520
<v Speaker 1>you should pay attention to the facts. But I hope

1:06:33.560 --> 1:06:35.640
<v Speaker 1>we never create the false impression that we're trying to

1:06:35.680 --> 1:06:40.560
<v Speaker 1>create an environment where beliefs mythology that gives meaning and

1:06:40.640 --> 1:06:42.640
<v Speaker 1>structure and all that that, all that, all that needs

1:06:42.680 --> 1:06:45.160
<v Speaker 1>to get chucked down the drain. That's not what I feel. Yeah,

1:06:45.680 --> 1:06:48.480
<v Speaker 1>I mean neither. But that being said, if something doesn't

1:06:48.520 --> 1:06:51.840
<v Speaker 1>bring you peace and happiness, then junk it out. What's

1:06:51.880 --> 1:06:55.560
<v Speaker 1>it there for? Yeah, that's my take alright. Well, on

1:06:55.720 --> 1:06:58.960
<v Speaker 1>that note, we've reached the end of our listener mail episode.

1:06:59.160 --> 1:07:02.400
<v Speaker 1>If you would lie to send us listener mail, well,

1:07:02.440 --> 1:07:04.640
<v Speaker 1>we have a few suggestions of how to go about it.

1:07:04.880 --> 1:07:07.880
<v Speaker 1>First of all, we're on social media pretty much all

1:07:07.960 --> 1:07:10.840
<v Speaker 1>the social media's I think we're on the Facebook, the Twitter,

1:07:11.360 --> 1:07:14.560
<v Speaker 1>the Instagram, we're still on the tumbler. And you can

1:07:14.640 --> 1:07:17.160
<v Speaker 1>get in touch with this via all of those websites,

1:07:17.240 --> 1:07:19.520
<v Speaker 1>as well as our home page, the mothership stuff to

1:07:19.560 --> 1:07:22.120
<v Speaker 1>Blow your Mind dot com. You'll find links out to

1:07:22.160 --> 1:07:25.200
<v Speaker 1>all of those different websites, as well as all of

1:07:25.240 --> 1:07:29.160
<v Speaker 1>the podcast episodes and various blog posts. Thanks as always

1:07:29.200 --> 1:07:32.320
<v Speaker 1>to our excellent audio producers Alex Williams and Tory Harrison.

1:07:32.480 --> 1:07:34.080
<v Speaker 1>And if you'd like to get in touch with us

1:07:34.160 --> 1:07:36.439
<v Speaker 1>and send us some listener mail that might get read

1:07:36.480 --> 1:07:38.200
<v Speaker 1>on the show in the future, you can email us

1:07:38.280 --> 1:07:41.400
<v Speaker 1>at Blow the Mind at how stuff Works dot Com

1:07:50.840 --> 1:07:53.280
<v Speaker 1>for more on this and bathands of other topics. Does

1:07:53.320 --> 1:08:10.480
<v Speaker 1>it how stuff works dot Com, The two four four

1:08:10.720 --> 1:08:10.840
<v Speaker 1>four