WEBVTT - Bonus: In Case You Missed It

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte? Thanks for coming back, everybody. This is

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<v Speaker 1>going to be part two of our favorite moments from

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<v Speaker 1>the first six months of.

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<v Speaker 2>Are You a Charlotte. I hope you enjoy.

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<v Speaker 1>And I'm honored to have you for many reasons. Number One,

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<v Speaker 1>I'd just like to see you. I love to see

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<v Speaker 1>Number two Lena, in case you guys don't know, is

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<v Speaker 1>a multi hyphen it. I'm going to tell you your whole

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<v Speaker 1>resume later and you're not in front of me. But

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<v Speaker 1>the thing that's important is that her knowledge a film

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<v Speaker 1>and television is so expansive and deep, and this is

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<v Speaker 1>partly why I love her. Like when we first started,

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<v Speaker 1>and just like that, you left me the sweetest, sweetest voicemail.

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<v Speaker 1>I don't know what panicky thing I had sent to

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<v Speaker 1>you or whatever, but you know, you're just very grounding.

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<v Speaker 1>Your knowledge is very grounding in terms of you know

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<v Speaker 1>what has happened before, you know how things develop in

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<v Speaker 1>our culture on television, in film, what it means, and

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<v Speaker 1>as you just said to me when you sat down

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<v Speaker 1>we were talking about this episode, you said, I think

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<v Speaker 1>television has a time stamp.

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<v Speaker 2>But tell me more, what do you mean exactly?

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<v Speaker 3>Well, I think sometimes when people look at TV from

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<v Speaker 3>say ten years ago or even twenty, it can feel

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<v Speaker 3>in moments uncomfortable or icky, even because you're thinking, oh, well,

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<v Speaker 3>no Onah would make that joke today, or you couldn't

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<v Speaker 3>do that now. And what's interesting about that is what

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<v Speaker 3>I believe art is it's time capsule, really, and it's

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<v Speaker 3>a time stamp of where we were at that time

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<v Speaker 3>and what was happening in the world then. And so

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<v Speaker 3>I think of even though yes, He's are fictitious characters,

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<v Speaker 3>in a way, this is sort of giving us a

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<v Speaker 3>sense of what New York was at that time, what

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<v Speaker 3>it was for women at that time, what the limits

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<v Speaker 3>were at that moment, and what could and couldn't be

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<v Speaker 3>talked about, and what barriers you guys were pushing up against.

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<v Speaker 3>And so I'm really grateful that I got to grow

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<v Speaker 3>up with it. I was, like am I I was

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<v Speaker 3>a teenager when it first came, and so I was

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<v Speaker 3>learning so much about what it meant to be an

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<v Speaker 3>adult friend by watching you all. And I think I

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<v Speaker 3>was more interest than that than the love stories per se.

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<v Speaker 3>But the love stories were there as well sold you

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<v Speaker 3>about self love and how you see yourself. But watching

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<v Speaker 3>it now as a forty year old person revisiting the episode,

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<v Speaker 3>for a lot of us who are my age, we

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<v Speaker 3>feel a little confronted by now Sex and the City

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<v Speaker 3>because we are now the ages that you guys were

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<v Speaker 3>then at that time, and we're seeing ourselves play out

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<v Speaker 3>some of these storylines, and that I think is saying

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<v Speaker 3>that the show. You may point certain things out and say, oh,

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<v Speaker 3>you can't make that joke now, but I do think

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<v Speaker 3>the show is aging well, thank you, because the fact

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<v Speaker 3>that I can see myself in it as I get

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<v Speaker 3>older and understand things better. It's work that I've gotten

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<v Speaker 3>to grow up with and I still get to sit

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<v Speaker 3>with now. But now it's not a lot of us

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<v Speaker 3>are saying, it's not just fun on the background. Now

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<v Speaker 3>now it's okay, I'm in this stage right now, or

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<v Speaker 3>I'm going through a divorce, or I'm about to get married,

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<v Speaker 3>or I'm about to have my first baby, and so

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<v Speaker 3>now it's as if you guys are still there. I

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<v Speaker 3>think of art as an inheritance, and so we have

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<v Speaker 3>inherited this, this work, and that's why I think within

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<v Speaker 3>just like that is the continuation of the life of

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<v Speaker 3>the work. And so when I go back and revisit

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<v Speaker 3>and just like that, I will be as I get older,

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<v Speaker 3>I will then start to understand these stories even more.

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<v Speaker 4>He always got my eighties is the eighties. I was

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<v Speaker 4>doing an off Broadway show at the time. It was

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<v Speaker 4>it was the end of nineteen ninety nine, I think,

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<v Speaker 4>or two thousand, okay, I think it was early two

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<v Speaker 4>thousand and I he said, I wrote you something.

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<v Speaker 2>So he wrote it for you. Yeah, that's amazing.

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<v Speaker 4>But I was doing an off Broadway show at the time.

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<v Speaker 4>But I went in to read just make it official,

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<v Speaker 4>and you know. So I was doing a show called

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<v Speaker 4>The Crumple Zone, which did very well, ran for six

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<v Speaker 4>months off Broadway, and I.

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<v Speaker 5>I remember our night. The day we filmed. It was

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<v Speaker 5>a tech day and the director, who I.

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<v Speaker 6>Loved very much, not please no, he didn't want to

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<v Speaker 6>let me out.

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<v Speaker 5>I'm like, it's a tech day. People stand there and

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<v Speaker 5>you light it right.

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<v Speaker 4>And I went like this, I'm going to do this

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<v Speaker 4>episode because there was an.

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<v Speaker 6>Issue of maybe.

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<v Speaker 5>Oh no, I was like, I'm going to do.

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<v Speaker 2>This episode and I went, oh no. It wasn't desperation episode,

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<v Speaker 2>like what was.

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<v Speaker 3>There was one?

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<v Speaker 4>It was one episode that was wedding as your wedding

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<v Speaker 4>wedding player, and do you remember we had two scenes?

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<v Speaker 2>We had a SCE scene.

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<v Speaker 4>I remember, Okay, see I love I love so you

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<v Speaker 4>do every episode I don't.

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<v Speaker 5>I was recurring.

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<v Speaker 4>I did people go how many episodes.

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<v Speaker 5>Did I do?

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<v Speaker 2>I did twelve?

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<v Speaker 6>Only twelve?

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<v Speaker 5>I did one? Season three? Yeah to season four?

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<v Speaker 4>Are three, Season five and six season six, and.

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<v Speaker 5>Then both movies.

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<v Speaker 4>Regular the movies really kind of solidified it, which was nice,

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<v Speaker 4>you know. So uh, there were two scenes in that

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<v Speaker 4>first episode. There was the one hates it, the very

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<v Speaker 4>famous hates it.

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<v Speaker 2>With the wedding dress.

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<v Speaker 4>Yeah, don't use Yeah, all that's okay. You're you're dragging

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<v Speaker 4>and I'm yelling at the girl. And then there was

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<v Speaker 4>another scene in the back of the vera Wang in

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<v Speaker 4>this kind of little area yep, and I was fitting

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<v Speaker 4>you and you were getting very anxious as Charlotte, and

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<v Speaker 4>I had his scissors and it ripped the dress and

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<v Speaker 4>you were furious and we just kind of looked at

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<v Speaker 4>each other. That scene got cut because it was at

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<v Speaker 4>three in the morning, four in the morning. There wasn't

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<v Speaker 4>enough coverage, and they cut it. Luckily they cut it

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<v Speaker 4>because it was almost like an argument between us.

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<v Speaker 1>I dressed, so it might not have gone well. So well,

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<v Speaker 1>they probably wanted to keep you. They probably knew already.

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<v Speaker 2>I don't know. No.

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<v Speaker 4>I remember running into Michael and he said, do you

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<v Speaker 4>know how much great feedback we got on you?

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<v Speaker 5>I said, I don't know.

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<v Speaker 6>I said, and I don't care.

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<v Speaker 5>I just want to know him. I coming back and

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<v Speaker 5>I said, yes.

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<v Speaker 1>I need some clarity though, because sometimes people say things

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<v Speaker 1>that I'm not quite sure if I'm hearing correctly, Like

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<v Speaker 1>basically sam is saying. Samantha saying that you don't want

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<v Speaker 1>to be the guest star in the Three Cents.

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<v Speaker 6>So you do want to be the guest.

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<v Speaker 2>You don't want to be the guest star because you

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<v Speaker 2>don't want connections.

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<v Speaker 7>You don't want connections. You don't want to do it

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<v Speaker 7>with like a good friend. You want to be like

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<v Speaker 7>you want to come in and out, enjoy it and

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<v Speaker 7>get the hell out right.

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<v Speaker 1>It's so crazy that Charlotte's like, no, maybe I would

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<v Speaker 1>want one of my friends, but.

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<v Speaker 6>That's so Charlotte.

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<v Speaker 7>She's like she would feel safe that way. It was terrible.

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<v Speaker 6>If she tried to converse.

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<v Speaker 8>Terrible, okay, just terrible in so many ways, Like, oh

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<v Speaker 8>my god.

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<v Speaker 1>Anyway, I had a moment of fear then too, because

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<v Speaker 1>I was like, I don't remember any of this.

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<v Speaker 6>She's like, wait, oh didn't I have a try to talk.

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<v Speaker 2>Her into it? Oh my god. I was mortified. Thank god,

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<v Speaker 2>I do not. But then poor Miranda.

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<v Speaker 6>I know, I know, it's so adorable.

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<v Speaker 2>I remember this at.

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<v Speaker 7>All, I know, and I love I really I love

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<v Speaker 7>how Cynthia played it through the episode so brilliant, like

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<v Speaker 7>I'm going to get to the bottom of this, and

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<v Speaker 7>I'm upset and I'm sorry I wasn't chosen.

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<v Speaker 6>I am not upsetting, I know.

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<v Speaker 1>And she's got this therapist, which like, do you ever

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<v Speaker 1>see this person again?

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<v Speaker 6>I don't think we did. Oh my god.

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<v Speaker 2>He's an older man and he basically is like, are

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<v Speaker 2>you asking to have a THREESOMEE?

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<v Speaker 3>Right?

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<v Speaker 1>It's so weird and funny, and it's such a traditional

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<v Speaker 1>looking therapy office where I'm just like, is this what.

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<v Speaker 2>A therapy would look like in nineteen ninety eight?

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<v Speaker 7>And Manattan knows it was probably whatever set we had

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<v Speaker 7>said that we could put up two flats, some books

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<v Speaker 7>and some books.

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<v Speaker 9>The first time we met Sarah Jessica was at Pat's apartment,

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<v Speaker 9>which is above the store on Eighth Street. It had

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<v Speaker 9>rubber floors that after parties she would like kind of

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<v Speaker 9>hose and that was sticky liquor or whatever.

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<v Speaker 2>I'm sure, I don't want to know more.

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<v Speaker 9>Let's show s j just a few little ideas. So

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<v Speaker 9>we had won Rebecca.

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<v Speaker 10>And Pat and I Rebecca was Pat's girlfriend at the time,

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<v Speaker 10>as you remember, went to Aina, who had a consignment

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<v Speaker 10>store in Soho. Yeah, and pulled a few things, which

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<v Speaker 10>we still do for you. We still go there, all

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<v Speaker 10>of it so much.

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<v Speaker 9>And we showed Sarah Jessica the fur coat, Oh.

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<v Speaker 8>You had it right then, Yeah, the clutch purse which

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<v Speaker 8>I believe she paired on the show with the fur coat,

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<v Speaker 8>and some little mules that were plastic. And I remember, uh,

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<v Speaker 8>you know, I always I've kept a diary all my life,

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<v Speaker 8>and I remember writing in my diary that Pat and

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<v Speaker 8>Sarah Jessica were so excited because they were going to

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<v Speaker 8>not wear pantyhose.

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<v Speaker 2>Aha. That was a major major point.

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<v Speaker 9>I don't think people understand that.

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<v Speaker 1>No, I don't think people remember that number one. You

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<v Speaker 1>always had to wear them previous, like for me in

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<v Speaker 1>melrose Land and just Los Angeles in general, like that

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<v Speaker 1>was a normal thing. And obviously in South Carolina where

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<v Speaker 1>I grew up, I mean, of course, you wore panty hose, right,

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<v Speaker 1>which is what we called them back then.

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<v Speaker 2>And then I remember Pat just like no, and she's

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<v Speaker 2>being like, oh my god.

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<v Speaker 1>And in the beginning when I'm rewatching, obviously I hadn't

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<v Speaker 1>remembered a lot of this, but I've got hose on

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<v Speaker 1>a couple times, and I'm like, Pat must have been so.

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<v Speaker 7>Mad at me.

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<v Speaker 10>So funny. I'm glad that you understand where that's coming from,

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<v Speaker 10>because it was kind of like not a requirement, but

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<v Speaker 10>women just wore it. And yeah, Pat, and they were

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<v Speaker 10>just we're talking about bare legs, bare legs, yep.

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<v Speaker 2>Even Oh, I know, I remember those days. I remember

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<v Speaker 2>those cold days.

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<v Speaker 1>At one point, you know how at a baby shower,

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<v Speaker 1>there's a tradition, I don't know if you did this

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<v Speaker 1>where you take all the bows from all the packages and.

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<v Speaker 11>You make something in your head, yes, did you do this? No,

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<v Speaker 11>my baby, my water broke it my baby shower.

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<v Speaker 1>Oh yeah, that's like a TV show, No, I know,

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<v Speaker 1>what did you do?

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<v Speaker 6>I went to the hospital. Did everyone panic? Everybody panicked?

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<v Speaker 11>And they called my husband, who was with some of

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<v Speaker 11>the other guy thing like coming a beer on the corner.

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<v Speaker 11>And we were here in New York on the I

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<v Speaker 11>mean we lived here on the rooftop somewhere nearby. It

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<v Speaker 11>was like April, so it was beautiful twelve years ago

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<v Speaker 11>and like two weeks my daughters.

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<v Speaker 6>About to have her birthday.

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<v Speaker 2>Oh that's nice.

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<v Speaker 11>And they called and they said, and everybody was laughing

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<v Speaker 11>because it was it was shocking.

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<v Speaker 6>And there was only one man in the.

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<v Speaker 11>Room, and it was the cater and he threw paper

0:11:14.559 --> 0:11:16.600
<v Speaker 11>towels at us and then walked out of the door.

0:11:17.520 --> 0:11:20.480
<v Speaker 6>He was just like, I cannot deal with this, Oh

0:11:20.520 --> 0:11:20.960
<v Speaker 6>my god.

0:11:21.080 --> 0:11:24.080
<v Speaker 11>And it was what was even more comedic about it

0:11:24.160 --> 0:11:27.079
<v Speaker 11>is we were in a circle. I was opening present

0:11:27.280 --> 0:11:30.760
<v Speaker 11>right and my friend goes, oh my gosh, she's about

0:11:30.760 --> 0:11:32.880
<v Speaker 11>to have that baby right here. My stomach made a

0:11:32.920 --> 0:11:35.800
<v Speaker 11>weird movement, Oh my god, which I guess is what happened.

0:11:35.840 --> 0:11:36.520
<v Speaker 2>I have no idea.

0:11:36.640 --> 0:11:39.720
<v Speaker 11>I have no idea, okay, and it only this has

0:11:39.760 --> 0:11:42.199
<v Speaker 11>only happened with my first child and my water broke

0:11:42.360 --> 0:11:45.720
<v Speaker 11>in front of every single person sitting, and everybody's reaction

0:11:46.440 --> 0:11:49.440
<v Speaker 11>was so different, Like somebody cried because they were pregnant,

0:11:49.480 --> 0:11:50.080
<v Speaker 11>and they were like.

0:11:50.880 --> 0:11:53.720
<v Speaker 2>They just had and had so much feeling, so much feeling.

0:11:54.240 --> 0:11:55.920
<v Speaker 6>Other people were dying laughing.

0:11:55.960 --> 0:11:59.360
<v Speaker 11>So when they called laughing, well, it was like kind

0:11:59.360 --> 0:12:00.160
<v Speaker 11>of funny.

0:12:00.200 --> 0:12:03.400
<v Speaker 6>Because also I was like, what is that happening?

0:12:03.640 --> 0:12:03.880
<v Speaker 12>You know?

0:12:04.480 --> 0:12:07.240
<v Speaker 11>But they called my husband and Barbara and my sister

0:12:07.280 --> 0:12:09.480
<v Speaker 11>and I have a twin sister, right, We've played so

0:12:09.559 --> 0:12:11.920
<v Speaker 11>many pranks on him over the years. Oh no, he

0:12:12.040 --> 0:12:15.440
<v Speaker 11>did not believe, like he thought this was like a

0:12:15.480 --> 0:12:17.920
<v Speaker 11>funny thing girls were doing. And also he'd been to

0:12:17.960 --> 0:12:20.319
<v Speaker 11>the doctor like with me the day before where they

0:12:20.320 --> 0:12:22.880
<v Speaker 11>were like, you have six more weeks, So he just

0:12:23.000 --> 0:12:26.000
<v Speaker 11>was the thought. And then there is a producer that

0:12:26.040 --> 0:12:28.319
<v Speaker 11>works on our show, still now works on our show,

0:12:29.160 --> 0:12:31.760
<v Speaker 11>who I've known all these years, twelve years later, who

0:12:31.840 --> 0:12:36.040
<v Speaker 11>was so lovely and earnest and kind, and her husband

0:12:36.080 --> 0:12:39.400
<v Speaker 11>call was with her, Henry my husband, and she called

0:12:39.440 --> 0:12:42.520
<v Speaker 11>and she's like, real, this is real, and he was

0:12:42.559 --> 0:12:44.959
<v Speaker 11>like listen. Her husband was like, I know, Barbara and

0:12:45.040 --> 0:12:47.840
<v Speaker 11>Jenna can lie, but Carrie cannot.

0:12:48.040 --> 0:12:49.360
<v Speaker 6>So you need to go to the hospital.

0:12:49.440 --> 0:12:49.680
<v Speaker 12>Woaw.

0:12:49.840 --> 0:12:50.080
<v Speaker 13>Yeah.

0:12:50.120 --> 0:12:53.240
<v Speaker 6>Anyway, so I we put the bow on her, you.

0:12:53.200 --> 0:12:57.120
<v Speaker 2>Didn't get to Also, I'm not sure people still know.

0:12:57.320 --> 0:12:59.720
<v Speaker 6>I feel like it was more no a kind of

0:13:00.520 --> 0:13:01.920
<v Speaker 6>like it wasn't.

0:13:01.920 --> 0:13:04.120
<v Speaker 2>Saying, but I just don't know if it still happens.

0:13:04.760 --> 0:13:07.880
<v Speaker 1>So for some reason, Charlotte also manages to get a

0:13:07.880 --> 0:13:10.480
<v Speaker 1>bow on her head, which I really think I probably

0:13:10.520 --> 0:13:12.680
<v Speaker 1>had something to do with because it is one of

0:13:12.720 --> 0:13:13.720
<v Speaker 1>my favorite pictures.

0:13:13.800 --> 0:13:14.800
<v Speaker 2>It's very funny.

0:13:15.080 --> 0:13:17.400
<v Speaker 1>I mean, I also think because Charlotte just really would

0:13:17.440 --> 0:13:19.080
<v Speaker 1>like to be part of this club, you know what

0:13:19.080 --> 0:13:21.839
<v Speaker 1>I'm saying. So then Laney has a huge amount of

0:13:21.880 --> 0:13:24.520
<v Speaker 1>bows on her head, at which point one of her

0:13:24.559 --> 0:13:28.920
<v Speaker 1>friends says, oh, little Sheila is gonna love blah blah blah,

0:13:28.920 --> 0:13:29.800
<v Speaker 1>whatever gift it was.

0:13:29.840 --> 0:13:30.360
<v Speaker 2>And I'm like.

0:13:31.040 --> 0:13:34.000
<v Speaker 1>What and like, you know, kind of a big reaction

0:13:34.160 --> 0:13:38.440
<v Speaker 1>for young Charlotte. I stand up, like that is my

0:13:38.559 --> 0:13:41.319
<v Speaker 1>secret baby name that I told you. She's like, well,

0:13:41.320 --> 0:13:44.200
<v Speaker 1>I'm just really sorry, I don't remember, and this is

0:13:44.240 --> 0:13:45.960
<v Speaker 1>such an unfair thing that I'm about to say.

0:13:46.000 --> 0:13:46.680
<v Speaker 2>But like I.

0:13:48.320 --> 0:13:50.599
<v Speaker 1>Back then would have a lot of trouble separating the

0:13:50.679 --> 0:13:53.480
<v Speaker 1>actor from the part, right, So, like later on, when

0:13:53.640 --> 0:13:56.599
<v Speaker 1>Big has Natasha like I've said this to Britend, like,

0:13:56.640 --> 0:14:00.000
<v Speaker 1>I'm really sorry, I just really couldn't look at you.

0:14:00.200 --> 0:14:02.719
<v Speaker 2>Yeah, I just couldn't. I just couldn't like you.

0:14:04.520 --> 0:14:06.200
<v Speaker 6>I know, it's terrible.

0:14:07.160 --> 0:14:08.840
<v Speaker 1>One of the things I want to ask you about

0:14:08.960 --> 0:14:12.240
<v Speaker 1>is a male perspective of Big here because in this episode,

0:14:12.679 --> 0:14:15.480
<v Speaker 1>which is super interesting to look back on, because Charlotte

0:14:15.480 --> 0:14:17.720
<v Speaker 1>was always pro Big, but I'm looking back on this

0:14:17.760 --> 0:14:21.800
<v Speaker 1>early season and being like ew ew because Carrie is

0:14:21.920 --> 0:14:24.000
<v Speaker 1>very connected and very open. We start the beginning of

0:14:24.080 --> 0:14:26.800
<v Speaker 1>the episode and she's saying, like, you know, we're in

0:14:26.800 --> 0:14:29.040
<v Speaker 1>the middle of New York, seven million people, and it's

0:14:29.080 --> 0:14:31.920
<v Speaker 1>that great shot where you know, real New Yorkers are

0:14:31.960 --> 0:14:34.400
<v Speaker 1>walking acard the camera. It's so cool and it looks

0:14:34.400 --> 0:14:37.720
<v Speaker 1>so seventies now to our eyes now and twenty five

0:14:37.840 --> 0:14:39.480
<v Speaker 1>right close right, all of.

0:14:39.520 --> 0:14:40.640
<v Speaker 2>The cars everything.

0:14:41.080 --> 0:14:44.880
<v Speaker 1>So they're they're like so united and within this crowd,

0:14:45.160 --> 0:14:48.400
<v Speaker 1>and she's obviously, you know, over the moon into it,

0:14:48.800 --> 0:14:51.480
<v Speaker 1>and we assume he is too, and they're spending all

0:14:51.520 --> 0:14:53.320
<v Speaker 1>their time together to the point where she hasn't seen

0:14:53.320 --> 0:14:55.440
<v Speaker 1>the girlfriends at all, and we think she's you know,

0:14:56.120 --> 0:14:59.640
<v Speaker 1>fallen off the cliff. Or whatever, and then cut to

0:15:00.640 --> 0:15:04.040
<v Speaker 1>he says he has a work dinner, and yes, and

0:15:04.080 --> 0:15:05.880
<v Speaker 1>we go out to dinner with her because she said,

0:15:05.880 --> 0:15:07.760
<v Speaker 1>oh yeah, Big has a work dinner tonight, a work

0:15:07.800 --> 0:15:09.600
<v Speaker 1>thing tonight, you know, let's go out to dinner. We

0:15:09.640 --> 0:15:10.880
<v Speaker 1>go out to dinner, and we see him in the

0:15:10.880 --> 0:15:13.680
<v Speaker 1>corner having dinner with another woman, which I'm just like

0:15:13.760 --> 0:15:16.280
<v Speaker 1>he should have been out then, like, oh, what the

0:15:16.360 --> 0:15:21.240
<v Speaker 1>heck like just because to me, I would feel that

0:15:21.840 --> 0:15:23.640
<v Speaker 1>they were not in sync. That if I was in

0:15:23.680 --> 0:15:25.640
<v Speaker 1>that relationship and I thought we were over the moon,

0:15:26.040 --> 0:15:28.840
<v Speaker 1>not even talking to our friend's level of connected and

0:15:28.840 --> 0:15:29.640
<v Speaker 1>then he's gone out.

0:15:29.520 --> 0:15:30.240
<v Speaker 2>With another woman.

0:15:31.080 --> 0:15:31.880
<v Speaker 6>What the heck?

0:15:32.280 --> 0:15:33.640
<v Speaker 2>Boo out the door?

0:15:33.760 --> 0:15:34.800
<v Speaker 6>I guess, what do you think?

0:15:34.840 --> 0:15:40.600
<v Speaker 13>Well, so here's the show specifically, Yes, he said he

0:15:40.640 --> 0:15:42.440
<v Speaker 13>had a work dinner, so right, a.

0:15:42.440 --> 0:15:44.360
<v Speaker 2>Working I think dinner.

0:15:44.440 --> 0:15:51.000
<v Speaker 13>Yeah, there's a lie, a white lie there. Okay, take

0:15:51.040 --> 0:15:53.640
<v Speaker 13>that away just for a second, Okay, later on in

0:15:53.640 --> 0:15:56.880
<v Speaker 13>the not later on. But I love the way that

0:15:56.920 --> 0:15:59.400
<v Speaker 13>that scene was handled. And it's funny you're asking me

0:15:59.400 --> 0:16:01.960
<v Speaker 13>about this because I took note of it where he

0:16:02.080 --> 0:16:02.960
<v Speaker 13>wasn't caught.

0:16:02.760 --> 0:16:04.120
<v Speaker 6>He didn't play it like he was caught.

0:16:04.200 --> 0:16:07.120
<v Speaker 13>That's true, which is that was an actor, by the way,

0:16:07.440 --> 0:16:09.040
<v Speaker 13>but he didn't play like he was.

0:16:09.120 --> 0:16:10.160
<v Speaker 2>That's a good point. He didn't.

0:16:10.200 --> 0:16:12.720
<v Speaker 13>He's like, oh, hey, maybe a little uncomfortable, but hey,

0:16:12.760 --> 0:16:15.160
<v Speaker 13>this is Bonnie or whatever her name is ew But

0:16:16.080 --> 0:16:18.040
<v Speaker 13>and I just had this conversation with a friend in

0:16:18.080 --> 0:16:23.880
<v Speaker 13>real life. Was there an established there was no situation,

0:16:23.960 --> 0:16:26.440
<v Speaker 13>and there wasn't here was it where it's like, are

0:16:26.440 --> 0:16:31.840
<v Speaker 13>we boyfriend girlfriend? Are we committed? And so you can't

0:16:31.920 --> 0:16:35.480
<v Speaker 13>just assume that one is committed and the other isn't.

0:16:35.640 --> 0:16:39.160
<v Speaker 13>Even if you're getting the committed vibes, you still have

0:16:39.280 --> 0:16:42.320
<v Speaker 13>to have the conversation for sure, but you.

0:16:42.600 --> 0:16:43.720
<v Speaker 2>Just talk emotionally.

0:16:43.800 --> 0:16:47.440
<v Speaker 1>Yes, I agree with you, but emotionally it would really

0:16:47.600 --> 0:16:50.320
<v Speaker 1>hurt me to think that we were not on the

0:16:50.400 --> 0:16:53.600
<v Speaker 1>same level, like when she goes, oh, I didn't realize

0:16:53.640 --> 0:16:55.400
<v Speaker 1>I was in these feelings by myself.

0:16:55.920 --> 0:16:56.960
<v Speaker 2>That's the upsetting feeling.

0:16:57.120 --> 0:16:59.120
<v Speaker 13>Sure, but then you have to take into account the

0:16:59.200 --> 0:17:03.240
<v Speaker 13>reasons why he might not be right, I might not

0:17:03.280 --> 0:17:05.560
<v Speaker 13>be well. There could be a psychological thing. There could

0:17:05.600 --> 0:17:08.159
<v Speaker 13>be something like he's been burned before, he's been hurt before,

0:17:08.359 --> 0:17:12.560
<v Speaker 13>his parents have divorced, he's a noncommittal person, he's feeling love,

0:17:13.119 --> 0:17:15.160
<v Speaker 13>he's feeling women.

0:17:15.320 --> 0:17:18.600
<v Speaker 1>Okay, Okay, okay, but let's say that those Okay, He's

0:17:18.640 --> 0:17:21.680
<v Speaker 1>a grown up, right, He's not twenty five, he's not thirty,

0:17:21.720 --> 0:17:22.560
<v Speaker 1>he's a grown up.

0:17:22.600 --> 0:17:29.159
<v Speaker 2>Okay. So she is obviously open to this in a

0:17:29.160 --> 0:17:32.960
<v Speaker 2>way that he seems like he might not be. John

0:17:33.160 --> 0:17:34.879
<v Speaker 2>is in.

0:17:34.160 --> 0:17:37.200
<v Speaker 1>The first season, which really surprised both of us. Yeah, exactly,

0:17:37.359 --> 0:17:39.760
<v Speaker 1>we thought it was like later on in the run.

0:17:39.880 --> 0:17:42.960
<v Speaker 12>Absolutely, I would have probably said end of the second

0:17:43.080 --> 0:17:44.160
<v Speaker 12>maybe even their.

0:17:44.119 --> 0:17:47.560
<v Speaker 1>Third, which I think of as our best season.

0:17:47.640 --> 0:17:49.480
<v Speaker 2>If we have to pick an overall season.

0:17:49.760 --> 0:17:51.480
<v Speaker 6>Episode for your episode, that's why.

0:17:51.400 --> 0:17:53.080
<v Speaker 1>I'm saying I would put it in the best because

0:17:53.080 --> 0:17:55.640
<v Speaker 1>it's such a good episode. It was written by Michael

0:17:55.680 --> 0:17:57.880
<v Speaker 1>Patrick King, which you can completely tell.

0:17:57.960 --> 0:18:00.399
<v Speaker 2>Oh God, yes, John plays guy.

0:18:00.600 --> 0:18:03.440
<v Speaker 1>He has a real name, is called Thomas John Anderson,

0:18:03.640 --> 0:18:04.800
<v Speaker 1>which is kind of funny.

0:18:04.520 --> 0:18:07.440
<v Speaker 2>Because John three names for three das he's.

0:18:07.200 --> 0:18:11.280
<v Speaker 1>Playing Michael Patrick Kings basically and his own episode, and

0:18:11.320 --> 0:18:13.960
<v Speaker 1>he is called the Catholic guy. That's what we call

0:18:14.040 --> 0:18:16.600
<v Speaker 1>him in the shorthand to the friends, and he's opposite

0:18:16.600 --> 0:18:18.400
<v Speaker 1>Cynthia and they are incredible.

0:18:18.440 --> 0:18:21.359
<v Speaker 2>This episode was directed by Matthew Harrison. We don't have

0:18:21.400 --> 0:18:23.159
<v Speaker 2>a ton of memories about him. We're really sorry, I

0:18:23.200 --> 0:18:24.520
<v Speaker 2>who it's apologize if I.

0:18:24.440 --> 0:18:27.199
<v Speaker 12>Do never remember the fact vivid memories of MPK not

0:18:27.359 --> 0:18:31.880
<v Speaker 12>directing me, but just he's such a brilliant, extraordinary presence

0:18:31.920 --> 0:18:34.159
<v Speaker 12>on set and his writing was so great that I

0:18:34.200 --> 0:18:36.440
<v Speaker 12>remember him and of course have known him all these

0:18:36.560 --> 0:18:37.120
<v Speaker 12>years after.

0:18:37.800 --> 0:18:39.960
<v Speaker 5>But yeah, I don't remember the directors. I know, but

0:18:40.000 --> 0:18:41.800
<v Speaker 5>that's not because he didn't direct a great episode.

0:18:41.800 --> 0:18:43.480
<v Speaker 6>Absolutely, because that's an episode.

0:18:43.200 --> 0:18:44.920
<v Speaker 5>Good director disappears a little bit.

0:18:45.000 --> 0:18:46.840
<v Speaker 2>This is a good point. And you also direct, so

0:18:46.880 --> 0:18:49.240
<v Speaker 2>you know very well. You know very well. So tell

0:18:49.320 --> 0:18:51.000
<v Speaker 2>us your memories.

0:18:50.560 --> 0:18:53.560
<v Speaker 1>And your thoughts about the new it was relatively new show.

0:18:53.680 --> 0:18:55.560
<v Speaker 5>Yeah, is this a G rated program?

0:18:55.720 --> 0:18:55.760
<v Speaker 11>No?

0:18:57.160 --> 0:19:00.680
<v Speaker 12>Well, what I vividly remember is being on top of Cynthia,

0:19:00.840 --> 0:19:03.520
<v Speaker 12>having being in the throes.

0:19:03.240 --> 0:19:05.800
<v Speaker 5>Of passion and having orgasm.

0:19:05.320 --> 0:19:09.639
<v Speaker 12>After or fake orgasm after orgasm, and getting up and sharing.

0:19:09.680 --> 0:19:12.119
<v Speaker 12>And you know, a lot of people have seen it

0:19:12.160 --> 0:19:15.280
<v Speaker 12>in syndication and all that stuff's out, but in the

0:19:15.760 --> 0:19:18.679
<v Speaker 12>I guess the DVD or box set or whatever you

0:19:18.720 --> 0:19:20.040
<v Speaker 12>call it these days, you.

0:19:20.000 --> 0:19:21.639
<v Speaker 5>See all of those sex scenes.

0:19:22.000 --> 0:19:26.879
<v Speaker 12>So what I remember most vividly is being in bed

0:19:27.240 --> 0:19:29.840
<v Speaker 12>in flagrante with Cynthia Nixon.

0:19:30.080 --> 0:19:32.920
<v Speaker 5>Thank goodness. I had known her. We had done a play.

0:19:32.720 --> 0:19:36.200
<v Speaker 12>Together, which is the way you get very into it

0:19:36.400 --> 0:19:38.840
<v Speaker 12>very quickly, is by being on stage together. And we

0:19:38.880 --> 0:19:41.840
<v Speaker 12>had such a great time doing this play and such

0:19:41.840 --> 0:19:45.119
<v Speaker 12>a great rapport and such great trust that we immediately

0:19:45.119 --> 0:19:48.320
<v Speaker 12>threw ourselves into it. And you know, this was before

0:19:48.359 --> 0:19:50.320
<v Speaker 12>Sex and the City was Sex and the City, So

0:19:51.119 --> 0:19:53.560
<v Speaker 12>going to that set and having to do such a

0:19:54.760 --> 0:19:58.160
<v Speaker 12>huge sex scene was really nerve racking.

0:19:58.760 --> 0:19:59.399
<v Speaker 5>Nerve racking.

0:19:59.600 --> 0:20:03.840
<v Speaker 12>So that's my biggest memory is just being on top

0:20:03.880 --> 0:20:08.080
<v Speaker 12>of Cynthia and you know, and then the casual after

0:20:08.160 --> 0:20:10.840
<v Speaker 12>an hour or two, it becomes so casual, like what

0:20:10.840 --> 0:20:12.320
<v Speaker 12>are you gonna have for lunch? I think I'm gonna

0:20:12.320 --> 0:20:15.280
<v Speaker 12>have that, you know, totally both yeah, naked. I mean

0:20:15.320 --> 0:20:18.640
<v Speaker 12>we all had. We've talked about cook socks and all

0:20:18.680 --> 0:20:21.320
<v Speaker 12>that stuff. Yeah, right, right right, And I guess I

0:20:21.359 --> 0:20:22.720
<v Speaker 12>remember the sock as well.

0:20:22.800 --> 0:20:24.160
<v Speaker 2>There you go. Very memorable.

0:20:24.320 --> 0:20:26.000
<v Speaker 1>I mean the thing about Cynthia too, which is a

0:20:26.040 --> 0:20:28.920
<v Speaker 1>theme in every guy that I've ever spoken to who

0:20:28.960 --> 0:20:34.040
<v Speaker 1>was opposite hers, that she has no real fear or self.

0:20:33.760 --> 0:20:34.840
<v Speaker 2>Consciousness about it.

0:20:34.960 --> 0:20:35.800
<v Speaker 5>Yeah. No, she doesn't.

0:20:36.800 --> 0:20:39.359
<v Speaker 1>Thank you so much for joining me to recap all

0:20:39.400 --> 0:20:42.879
<v Speaker 1>these little moments. Everyone, If you haven't heard those episodes,

0:20:43.080 --> 0:20:45.000
<v Speaker 1>they are there. You can go back and re listen

0:20:45.040 --> 0:20:46.880
<v Speaker 1>if you would like, or listen for the first time.

0:20:47.280 --> 0:20:49.159
<v Speaker 1>And I hope you all have a wonderful fourth of

0:20:49.240 --> 0:20:51.359
<v Speaker 1>July and I'll see you back here soon