1 00:00:00,440 --> 00:00:03,680 Speaker 1: Hi, How are you hi? Friends happening? First of all, 2 00:00:03,840 --> 00:00:06,720 Speaker 1: Daniel came by the house yesterday to get him to 3 00:00:06,760 --> 00:00:09,520 Speaker 1: sign the Funko Pop. Yeah, he came by my house too. 4 00:00:09,560 --> 00:00:11,760 Speaker 1: I'm gonna be honest with you. He's a lot stockier 5 00:00:11,800 --> 00:00:14,680 Speaker 1: than I thought he was. I thought Daniel was like, yeah, 6 00:00:14,680 --> 00:00:17,720 Speaker 1: I thought he was gonna be like this little scrawny guy. 7 00:00:18,200 --> 00:00:20,239 Speaker 1: He came up. I was like, first of all, I 8 00:00:20,280 --> 00:00:25,400 Speaker 1: didn't I didn't get the text or anything. And and uh, 9 00:00:26,120 --> 00:00:28,520 Speaker 1: I thought he was wearing full ppe. He looked like 10 00:00:28,800 --> 00:00:31,000 Speaker 1: he was straight up dude. But I'm yelling at my 11 00:00:31,080 --> 00:00:33,200 Speaker 1: kid when he knocks on the door, like, I'm like, yo, 12 00:00:35,840 --> 00:00:39,919 Speaker 1: shot the fuck up, Like I'm like deep in all 13 00:00:40,000 --> 00:00:44,360 Speaker 1: my kid, No, but me and my kid are going 14 00:00:44,440 --> 00:00:46,479 Speaker 1: at it. And he knocks on the door and I 15 00:00:46,520 --> 00:00:48,680 Speaker 1: opened the door and I have no idea who it is. 16 00:00:48,680 --> 00:00:50,400 Speaker 1: And in my mind, I'm like, what the fuck? And 17 00:00:50,440 --> 00:00:54,160 Speaker 1: I look and I go, I know those eyes. It 18 00:00:54,280 --> 00:00:56,560 Speaker 1: was hard. You know, you remember in ET when the 19 00:00:56,640 --> 00:01:00,320 Speaker 1: guys were in full suits dealing with sick et. That's Dan. Look. 20 00:01:00,760 --> 00:01:04,520 Speaker 1: He was fully when he keered up, which I appreciate. 21 00:01:04,520 --> 00:01:06,120 Speaker 1: If you're gonna come to my house during COVID in 22 00:01:06,160 --> 00:01:09,240 Speaker 1: Los Angeles. You better be pepeat up, dude. He had 23 00:01:09,280 --> 00:01:12,680 Speaker 1: the gloves on. Man, Yeah he had everything. I'm sure. Yeah, 24 00:01:12,720 --> 00:01:15,240 Speaker 1: I'm sure he took the gloves off and disinfected his 25 00:01:15,319 --> 00:01:18,640 Speaker 1: hands right away. To listen. He probably, like most people 26 00:01:18,680 --> 00:01:22,920 Speaker 1: in Los Angeles right now, he probably has the hand 27 00:01:22,959 --> 00:01:26,720 Speaker 1: sanitizer that smells like tequila. Am I right? No? I have. 28 00:01:27,480 --> 00:01:30,720 Speaker 1: I like this one. It's called this one makes you 29 00:01:30,760 --> 00:01:35,440 Speaker 1: smell delicious? What are you drinking? This is a little 30 00:01:35,480 --> 00:01:39,040 Speaker 1: thing early for whiskey, bro, so early. I'm living at 31 00:01:39,040 --> 00:01:43,640 Speaker 1: COVID life. I'm gonna blow your mind. What this isn't whiskey? 32 00:01:43,720 --> 00:01:53,400 Speaker 1: What is it delicious? What is it whiskey? No, it's not. 33 00:01:54,000 --> 00:01:59,480 Speaker 1: It's actually as it's a bourbon. Oh it's I have 34 00:01:59,560 --> 00:02:02,440 Speaker 1: so much talking about I got spit dripping in my mouth. 35 00:02:02,440 --> 00:02:04,760 Speaker 1: I'm sorry. I have so much to talk to you about. 36 00:02:04,760 --> 00:02:06,960 Speaker 1: I wrote down notes because we have so much to 37 00:02:06,960 --> 00:02:09,200 Speaker 1: talk about. And ladies and gentlemen, we have the legendary 38 00:02:09,280 --> 00:02:11,760 Speaker 1: Johnny c McGinley on the show today. Did you know that, Donald? 39 00:02:11,840 --> 00:02:13,520 Speaker 1: I did not know John was on the show today. 40 00:02:13,560 --> 00:02:15,160 Speaker 1: I love it. You don't even know who Joelle and 41 00:02:15,160 --> 00:02:18,840 Speaker 1: I are booking on the show. It's I handle the 42 00:02:18,880 --> 00:02:23,080 Speaker 1: bookings and Joel and Daniel make contact with them, and 43 00:02:23,120 --> 00:02:26,239 Speaker 1: it's a surprise to you. It looks like it's a 44 00:02:26,280 --> 00:02:31,280 Speaker 1: surprise to Daniel too. Yeah. I had to get an email, Joel. 45 00:02:31,360 --> 00:02:34,000 Speaker 1: Do you not know that I did not have Johnny 46 00:02:34,000 --> 00:02:36,959 Speaker 1: c on our list for today? Oh my god? That 47 00:02:37,160 --> 00:02:41,400 Speaker 1: is okay, So go on, Zach. What were you saying? 48 00:02:41,800 --> 00:02:44,040 Speaker 1: You shall get that? To get that intro email? It's 49 00:02:44,040 --> 00:02:48,040 Speaker 1: like Dan John's on the podcast. Oh shit, Um, well 50 00:02:48,080 --> 00:02:50,839 Speaker 1: now I'm now I'm embarrassed. Let me call him. Did 51 00:02:50,840 --> 00:02:54,160 Speaker 1: we talk to Johnny already? Well? I I worked out 52 00:02:54,280 --> 00:02:56,040 Speaker 1: a long time ago, saying when do you want to 53 00:02:56,080 --> 00:03:00,200 Speaker 1: come on? And I guess I assume you guys we're 54 00:03:00,200 --> 00:03:03,800 Speaker 1: shooting the ship with him. I apologize about that. Well, no, 55 00:03:03,919 --> 00:03:07,080 Speaker 1: maybe it was a communication breakdown. Donald You can you 56 00:03:07,120 --> 00:03:11,160 Speaker 1: can laugh at me if you want, But I I 57 00:03:11,200 --> 00:03:13,720 Speaker 1: don't know what's funny right now. Let's call him and 58 00:03:13,760 --> 00:03:20,160 Speaker 1: see if he am. I mean, I'm sure he's ready. Hey, Johnny, 59 00:03:20,200 --> 00:03:22,239 Speaker 1: see it's Zach Braff. Where you are you coming on 60 00:03:22,280 --> 00:03:29,360 Speaker 1: the show today? Right? Today? Yeah? Oh? The twenty ninth okay, okay, 61 00:03:29,720 --> 00:03:32,840 Speaker 1: I I had a miscommunication and now I wasn't sure 62 00:03:32,840 --> 00:03:34,400 Speaker 1: if it was today at the twenty nine and Donald's 63 00:03:34,440 --> 00:03:39,000 Speaker 1: laughing at me. Yeah twenty nine, Hey, Zachie, Yeah, when 64 00:03:39,160 --> 00:03:43,920 Speaker 1: when you started screaming why, yeah, well, well the man 65 00:03:44,080 --> 00:03:57,640 Speaker 1: was having trouble pooping. Yeah, swallowed my gump? Why why 66 00:03:57,840 --> 00:03:59,960 Speaker 1: you know your poop is bad when someone yells walk 67 00:04:00,360 --> 00:04:01,800 Speaker 1: all right, I love you. I gotta go. We're doing 68 00:04:01,840 --> 00:04:06,280 Speaker 1: the podcast. Okay, Well, I I look like an idiot 69 00:04:06,360 --> 00:04:08,119 Speaker 1: right now. I'm okay with it, And you don't look 70 00:04:08,160 --> 00:04:10,200 Speaker 1: like an idiot. Hold on, you were about to go 71 00:04:10,280 --> 00:04:12,520 Speaker 1: in on me though you were about to go. I 72 00:04:12,920 --> 00:04:15,760 Speaker 1: just think it's funny that you don't always know who's 73 00:04:15,760 --> 00:04:17,840 Speaker 1: on the show. Yes, do I look like an idiot 74 00:04:17,920 --> 00:04:21,159 Speaker 1: right now? Sure? And I think it's always important when 75 00:04:21,240 --> 00:04:24,560 Speaker 1: one uh looks like an idiot that they acknowledge that 76 00:04:24,600 --> 00:04:26,919 Speaker 1: they do and that they love you. You know, I 77 00:04:27,000 --> 00:04:28,960 Speaker 1: love you more. But here's the thing. You didn't have 78 00:04:29,000 --> 00:04:31,360 Speaker 1: to apologize for that, because it makes for good pod. 79 00:04:32,160 --> 00:04:34,880 Speaker 1: Good pod or your shortening it? Now you give good pod? Yeah, 80 00:04:35,320 --> 00:04:40,920 Speaker 1: that you give great pod. Your pod skills are like 81 00:04:41,320 --> 00:04:45,960 Speaker 1: top notch. When you give pod I just want to scream, dude, 82 00:04:46,279 --> 00:04:49,679 Speaker 1: I freaking make I make audible noises when you're giving pod. 83 00:04:50,000 --> 00:04:52,360 Speaker 1: I just when I pod with you, I just want 84 00:04:52,360 --> 00:04:59,480 Speaker 1: to shoot my never mind, you ruined it myself. We 85 00:04:59,480 --> 00:05:03,320 Speaker 1: were on the right track, but then starting to get 86 00:05:03,400 --> 00:05:08,200 Speaker 1: r rated to night I listen, don't like our rated content. 87 00:05:08,279 --> 00:05:10,479 Speaker 1: We could have kept it that way and when somebody 88 00:05:10,600 --> 00:05:14,880 Speaker 1: was like, yo, you guys are being too uh graphic 89 00:05:15,279 --> 00:05:16,960 Speaker 1: or racy, we could be like, get your mind out 90 00:05:16,960 --> 00:05:20,760 Speaker 1: of the gather. We're talking about podcasting. You automatically went 91 00:05:20,839 --> 00:05:23,640 Speaker 1: to your pod is so good. I want to shoot 92 00:05:23,800 --> 00:05:26,280 Speaker 1: and then there was no returning. There was no returning 93 00:05:26,320 --> 00:05:29,119 Speaker 1: from that. I fucked up. I sucked up again. Donald. 94 00:05:29,440 --> 00:05:34,760 Speaker 1: I feel maybe we can have dan'l bleep some stuff 95 00:05:34,960 --> 00:05:37,600 Speaker 1: because you and I, rather than try and censor things 96 00:05:37,600 --> 00:05:40,039 Speaker 1: when they get pornographic, it would just be better to 97 00:05:40,120 --> 00:05:42,760 Speaker 1: be ourselves. And then when we listen to the edit, 98 00:05:42,800 --> 00:05:45,080 Speaker 1: we can say, Dan, just beat that out beat it 99 00:05:45,160 --> 00:05:49,400 Speaker 1: beat beat beat beat that out beat beat beat that 100 00:05:49,960 --> 00:05:59,000 Speaker 1: beat beat beat. Here we go, everybody gather around CBS 101 00:05:59,040 --> 00:06:03,880 Speaker 1: getting down. What's the TP Someone's calling me my agent? 102 00:06:03,920 --> 00:06:07,880 Speaker 1: Should I answer it? What if? What if they have 103 00:06:08,360 --> 00:06:10,320 Speaker 1: what if they had amazing news. What if they were 104 00:06:10,320 --> 00:06:14,880 Speaker 1: like you got that fucking ball? No, no, no, I 105 00:06:15,480 --> 00:06:18,040 Speaker 1: never I never liked to whatever your agent calls. It's 106 00:06:18,080 --> 00:06:21,559 Speaker 1: either I mean, obviously it can be medium medium news, 107 00:06:21,600 --> 00:06:23,680 Speaker 1: but it's either good news or bad news. I don't 108 00:06:23,680 --> 00:06:26,200 Speaker 1: want to talk to them right now. I'm really I'm 109 00:06:26,240 --> 00:06:30,279 Speaker 1: waiting for this giant megastar to say that he might 110 00:06:30,360 --> 00:06:33,200 Speaker 1: want to be in my movie. When you say giant 111 00:06:33,320 --> 00:06:36,120 Speaker 1: mega star, yeah, I'm saying I'm not. I'm not. I 112 00:06:36,160 --> 00:06:42,479 Speaker 1: don't try and guess, please, but I am. It's that level, 113 00:06:42,520 --> 00:06:45,600 Speaker 1: but not that age. It's a it's a it's an 114 00:06:45,600 --> 00:06:48,000 Speaker 1: older fellow. But I'm not gonna listen. Please don't guess 115 00:06:48,160 --> 00:06:52,000 Speaker 1: because I I don't. I I just I'm nervous, And 116 00:06:52,200 --> 00:06:56,719 Speaker 1: let me ask you a question. These are sincere questions. Yeah, like, 117 00:06:56,920 --> 00:06:58,520 Speaker 1: I know you've had like half a bottle of bourbon 118 00:06:58,560 --> 00:07:01,359 Speaker 1: at once. This is this is all I'm again. Um, 119 00:07:03,080 --> 00:07:06,400 Speaker 1: do you think you could beat Brad Pitt in the footrace? No? 120 00:07:06,520 --> 00:07:09,080 Speaker 1: I can't beat Brad Pitt at anything except maybe singing 121 00:07:09,080 --> 00:07:11,000 Speaker 1: show tunes. Do you think you could beat Brad Pitt 122 00:07:11,000 --> 00:07:15,800 Speaker 1: at tennis? Unless he's never played probably not. I feel 123 00:07:15,800 --> 00:07:18,840 Speaker 1: like he's probably athletic. I've seen his abs. Just because 124 00:07:18,840 --> 00:07:20,600 Speaker 1: you've got abs doesn't mean don't mean you're a If 125 00:07:20,640 --> 00:07:23,920 Speaker 1: you have abs, you're probably a smidgeon athletic. No. No, 126 00:07:24,000 --> 00:07:27,000 Speaker 1: that's like, that's like that's that's judging a book by 127 00:07:27,000 --> 00:07:28,960 Speaker 1: its cover. All Right, you're right, you're right. Why do 128 00:07:29,000 --> 00:07:31,600 Speaker 1: you bring up Brad Pitt? I'm just wondering because every 129 00:07:31,640 --> 00:07:36,280 Speaker 1: time somebody says anything about anything, you bring up Brad Pitt. 130 00:07:36,320 --> 00:07:37,960 Speaker 1: Do you want to dock with Brad Pitt? No? I 131 00:07:38,000 --> 00:07:41,120 Speaker 1: don't want to dock Brad Pitt. I God, how many 132 00:07:41,280 --> 00:07:44,360 Speaker 1: we're five minutes into the show. You'm a docking already, dude. No, 133 00:07:44,480 --> 00:07:48,080 Speaker 1: because I'm a little upset, I'm not. I'm not. I 134 00:07:48,200 --> 00:07:50,880 Speaker 1: take that back. I'm not upset. I'm a little uh 135 00:07:50,880 --> 00:07:55,200 Speaker 1: disturbed because this docking with Leo thing has gone on. 136 00:07:55,280 --> 00:07:58,120 Speaker 1: It's it's it's it's fire. It's a lot of things 137 00:07:58,160 --> 00:07:59,840 Speaker 1: are catching fire on the podcast. You know what else 138 00:07:59,920 --> 00:08:02,360 Speaker 1: is called fire? What everyone's telling me their favorite new 139 00:08:02,400 --> 00:08:05,320 Speaker 1: song is what you're trying to get into a day 140 00:08:05,320 --> 00:08:08,520 Speaker 1: of shoon. You're trying to I love the fact that 141 00:08:08,560 --> 00:08:11,200 Speaker 1: everybody's spelling it correctly too. Yeah, I bet they google 142 00:08:11,280 --> 00:08:12,960 Speaker 1: that shit. They didn't want to be disrespectful to you. 143 00:08:14,200 --> 00:08:16,040 Speaker 1: By the way. You know what, um, not only is 144 00:08:16,080 --> 00:08:18,400 Speaker 1: that song fire, let's be honest, but um, a lot 145 00:08:18,440 --> 00:08:20,480 Speaker 1: of people don't know there's I've I've written a second 146 00:08:20,560 --> 00:08:22,680 Speaker 1: I had not just recently, but back in the day 147 00:08:22,680 --> 00:08:24,080 Speaker 1: when I came up with this song, there was a 148 00:08:24,080 --> 00:08:25,480 Speaker 1: second line to it. Do you know what it is? 149 00:08:26,440 --> 00:08:29,560 Speaker 1: The thing you're trying to get into one day of shoon? 150 00:08:30,120 --> 00:08:37,520 Speaker 1: What is ant? It was better to aldway? No, No, 151 00:08:37,559 --> 00:08:39,600 Speaker 1: that's the second fucking line of the song. Don't tell 152 00:08:39,640 --> 00:08:45,599 Speaker 1: me whine lyrics, just trying to get into trying to 153 00:08:46,000 --> 00:08:49,839 Speaker 1: do two three four the thing you're trying to get 154 00:08:49,960 --> 00:08:56,680 Speaker 1: into day shoon? Comma what is it? So people know 155 00:08:56,679 --> 00:09:00,679 Speaker 1: when they're writing it down? Oh man, we gotta get 156 00:09:00,720 --> 00:09:02,960 Speaker 1: someone to fucking remix this song for us. I just 157 00:09:03,000 --> 00:09:04,760 Speaker 1: think I should be a ring tone. I would I 158 00:09:04,800 --> 00:09:07,000 Speaker 1: would not mind that being a ring tone. Come up. 159 00:09:07,000 --> 00:09:09,920 Speaker 1: In fact, somebody named their kitten a Dao shoon. I 160 00:09:10,080 --> 00:09:15,319 Speaker 1: know they could sing what you're trying to get into, 161 00:09:16,920 --> 00:09:20,920 Speaker 1: trying to joell. Can you tell the ring tone folks 162 00:09:21,200 --> 00:09:23,840 Speaker 1: that we would like to make um the dao shoot 163 00:09:23,920 --> 00:09:27,400 Speaker 1: song and ring tone, I can. I think there may 164 00:09:27,440 --> 00:09:30,560 Speaker 1: be a limitation to only one ring tone up at 165 00:09:30,559 --> 00:09:33,680 Speaker 1: a time. Or wasn't a naming thing. No, we have 166 00:09:33,760 --> 00:09:36,760 Speaker 1: like four up. We've got the theme song, We've got 167 00:09:37,400 --> 00:09:39,640 Speaker 1: um No, sorry, we've got the theme song. We've got 168 00:09:39,720 --> 00:09:45,200 Speaker 1: Donald's just for notification. Why would there be a limit 169 00:09:45,280 --> 00:09:47,040 Speaker 1: to ring tone? No, it was a you're right, it 170 00:09:47,080 --> 00:09:50,960 Speaker 1: was a naming problem because we had the they were liking. 171 00:09:51,120 --> 00:09:55,079 Speaker 1: Oh yeah, so my bad. I think you're trying to 172 00:09:55,360 --> 00:09:57,199 Speaker 1: ring tone twice. All right, let me let me lay 173 00:09:57,200 --> 00:10:00,280 Speaker 1: it down clean everybody for the ring Everybody, keep it down, everybody, everybody, 174 00:10:00,360 --> 00:10:06,840 Speaker 1: keep it down. I'm gonna eat this clean. Here I go, me, me, me, me, me, me, me, 175 00:10:07,080 --> 00:10:08,520 Speaker 1: Just do the first first. You don't need to do 176 00:10:08,559 --> 00:10:11,839 Speaker 1: the second verse. Let me fucking warm up, please. Mommy 177 00:10:11,840 --> 00:10:13,480 Speaker 1: made me mash my m and m's. Mommy made me 178 00:10:13,480 --> 00:10:14,760 Speaker 1: mash my m and ms. The lips, the tip of 179 00:10:14,800 --> 00:10:16,080 Speaker 1: the teen, the tongue, the lips, the tip of the teeth, 180 00:10:16,120 --> 00:10:18,000 Speaker 1: the tongue. Whether want to be cold, weather would be hot. 181 00:10:18,040 --> 00:10:19,320 Speaker 1: We'll be together whatever the weather, whether we like it 182 00:10:19,360 --> 00:10:21,559 Speaker 1: or not. Okay, i'mra that's really fast. Whether the weather 183 00:10:21,640 --> 00:10:23,200 Speaker 1: is cold, whether the weather is hot, will be together 184 00:10:23,200 --> 00:10:24,640 Speaker 1: the weather. But the weather, whether you like it or not. 185 00:10:24,760 --> 00:10:26,160 Speaker 1: What are whether it be cold weather, whether it be hot, 186 00:10:26,200 --> 00:10:27,360 Speaker 1: We'll be to get the whatever the weather, whether we 187 00:10:27,400 --> 00:10:29,080 Speaker 1: like it or not. Peter Pipers the pick a pecker. 188 00:10:29,120 --> 00:10:30,800 Speaker 1: Picker picked the peck of pickup peppers, peck a pickup 189 00:10:30,800 --> 00:10:32,400 Speaker 1: peppers and Peter Piper the pickle peper pickup. What you 190 00:10:32,440 --> 00:10:33,559 Speaker 1: trying to get into a dation? What you're trying to 191 00:10:33,600 --> 00:10:37,800 Speaker 1: get intu a dation? What's trying to get indutuation? Am 192 00:10:37,800 --> 00:10:41,559 Speaker 1: I gonna see me there? It is perfect pitch what 193 00:10:41,760 --> 00:10:45,040 Speaker 1: you're trying to get into a damn shoon or what 194 00:10:45,200 --> 00:10:51,640 Speaker 1: you're trying to do? I like it to put some growl, 195 00:10:51,720 --> 00:10:53,280 Speaker 1: and I did. I put a little growl on it. 196 00:10:53,280 --> 00:10:54,880 Speaker 1: If it's gonna be a ring tone, people deserve a 197 00:10:54,920 --> 00:10:59,400 Speaker 1: little growl. That's fire, okay, Dan, make me sound good. 198 00:11:00,120 --> 00:11:02,120 Speaker 1: But I don't want reaver, but maybe a little bit 199 00:11:02,160 --> 00:11:03,720 Speaker 1: of audits. No, no, no, I don't need Autit two 200 00:11:03,720 --> 00:11:05,880 Speaker 1: and it was perfect. It's perfect. So many things I 201 00:11:05,960 --> 00:11:08,000 Speaker 1: wanted to talk to you about. It actually took notes. 202 00:11:08,080 --> 00:11:09,800 Speaker 1: I took Now the Johnny's not in here. We don't 203 00:11:09,800 --> 00:11:12,960 Speaker 1: have to fucking Um, I got my Xbox set up. 204 00:11:13,440 --> 00:11:15,959 Speaker 1: That's great. A lot of people wing in on the 205 00:11:16,120 --> 00:11:20,439 Speaker 1: games I should play, um, and please continue to suggest games. 206 00:11:20,480 --> 00:11:22,120 Speaker 1: So just to be clear, I have a brand new 207 00:11:22,280 --> 00:11:25,360 Speaker 1: Xbox one. I like. Um, I learned it's called a 208 00:11:26,040 --> 00:11:29,240 Speaker 1: third person right, that's what it's third person shooter. Third 209 00:11:29,360 --> 00:11:33,400 Speaker 1: person shooter. I don't I like over the shoulder. Um. 210 00:11:33,760 --> 00:11:37,920 Speaker 1: I don't like spells and fantasy stuff like I don't 211 00:11:37,960 --> 00:11:40,880 Speaker 1: want to know about spells. So an example is hit Man. 212 00:11:41,480 --> 00:11:45,040 Speaker 1: You guys have said Red Dead Redemption, right, that's how 213 00:11:45,080 --> 00:11:50,520 Speaker 1: I caught and yeah, and Joel, you had suggested the 214 00:11:50,679 --> 00:11:53,920 Speaker 1: one where you're it travels through time and you're a killer. 215 00:11:54,520 --> 00:11:59,280 Speaker 1: What's it called Assassin's Creed? Assassin's Creed? So if anybody 216 00:11:59,360 --> 00:12:01,760 Speaker 1: has any more games like that? Now, what if I 217 00:12:01,840 --> 00:12:05,120 Speaker 1: want to play versus a friend of mine in my house? 218 00:12:05,320 --> 00:12:08,319 Speaker 1: What's games like Red Dead Redemption are good for that? 219 00:12:08,440 --> 00:12:11,160 Speaker 1: They have an online that's really awesome where you can 220 00:12:11,240 --> 00:12:13,360 Speaker 1: go on missions and still do really, but if there's 221 00:12:13,360 --> 00:12:15,599 Speaker 1: a friend who's in my pod, who's sitting in my 222 00:12:15,679 --> 00:12:17,960 Speaker 1: living room, can I can I can I play him? 223 00:12:18,040 --> 00:12:20,199 Speaker 1: What's a good game to play him? But then you'd 224 00:12:20,240 --> 00:12:22,720 Speaker 1: have to play go ahead? Oh you know. I don't 225 00:12:22,720 --> 00:12:26,080 Speaker 1: want to interrupt, but they're games called overcooked. Overcooked as 226 00:12:26,120 --> 00:12:29,040 Speaker 1: a team cooking game. One of the games that Donald mentioned, 227 00:12:29,120 --> 00:12:31,600 Speaker 1: Castle Crashers is a fun you know sport or fun 228 00:12:31,720 --> 00:12:34,280 Speaker 1: you know team game. And then my favorite game is 229 00:12:34,320 --> 00:12:36,599 Speaker 1: called Rocket League. And Rocket League is called as a 230 00:12:36,760 --> 00:12:40,640 Speaker 1: soccer in cars with rockets on the back. That's you 231 00:12:40,720 --> 00:12:43,200 Speaker 1: might want to get into some sports games like FIFA. 232 00:12:43,840 --> 00:12:47,480 Speaker 1: I was gonna get a tennis that's cool too, That's 233 00:12:47,520 --> 00:12:50,240 Speaker 1: really cool. Yeah, hey pa play you? Can I play 234 00:12:50,320 --> 00:12:54,200 Speaker 1: you tennis over the internet. Yes, let's do that, because 235 00:12:54,240 --> 00:12:59,800 Speaker 1: I'll fucking crush you. Look at his face. This is 236 00:13:00,120 --> 00:13:03,559 Speaker 1: is Joel. Look, I'll fist is. If I can't beat 237 00:13:03,600 --> 00:13:06,360 Speaker 1: you in sports in real life, I'm gonna breaking crush 238 00:13:06,440 --> 00:13:08,840 Speaker 1: you on. You can probably beat me in tennis right now, man, 239 00:13:08,960 --> 00:13:12,600 Speaker 1: in real life? Yep, I probably could. Okay, that's one thing. 240 00:13:12,640 --> 00:13:14,600 Speaker 1: Once I got and then and then I took notes 241 00:13:14,600 --> 00:13:17,400 Speaker 1: because I had so much to say today. Um, Joel, 242 00:13:17,600 --> 00:13:20,360 Speaker 1: the game you had said that you loved On the switch, 243 00:13:20,480 --> 00:13:22,480 Speaker 1: A lot of people said it's like the prettiest game 244 00:13:22,520 --> 00:13:24,480 Speaker 1: they've ever seen, and I need to buy a switch 245 00:13:24,640 --> 00:13:29,920 Speaker 1: just to play that Zelda game. Yeah, yeah, yeah, everyone, Well, 246 00:13:30,520 --> 00:13:33,400 Speaker 1: Joel and Daniel waited in heavily. They agree with you. 247 00:13:33,559 --> 00:13:35,840 Speaker 1: We agree with you. One now. I tried to get 248 00:13:35,880 --> 00:13:37,959 Speaker 1: a switch, by the way, and they're they're sold out 249 00:13:38,080 --> 00:13:40,480 Speaker 1: or marked up. Like I said to Donald, these are 250 00:13:40,559 --> 00:13:42,520 Speaker 1: things really six hundred bucks and he said, no, that's 251 00:13:42,559 --> 00:13:44,760 Speaker 1: like a mark up. Now you can't even get them. 252 00:13:44,800 --> 00:13:47,120 Speaker 1: You can't even get him on the interwebs. You can, 253 00:13:48,679 --> 00:13:51,000 Speaker 1: you could get a Don't do it, Daniel, don't do it, 254 00:13:51,440 --> 00:13:54,160 Speaker 1: you say in a ziplock bag. Absolutely, you don't play 255 00:13:54,200 --> 00:13:57,960 Speaker 1: yours anymore. It's I mean I I play a lot 256 00:13:58,000 --> 00:13:59,599 Speaker 1: of games, and so it's you know, kind of just 257 00:13:59,679 --> 00:14:03,000 Speaker 1: sitting here for the time being. Okay, Well that you 258 00:14:03,040 --> 00:14:04,719 Speaker 1: bring it over in your full ppe again and just 259 00:14:06,120 --> 00:14:10,320 Speaker 1: be happy to dud. You'll love Zelda, you'll really love 260 00:14:10,360 --> 00:14:12,600 Speaker 1: Breath of the While. And if he has just gonna 261 00:14:12,640 --> 00:14:15,480 Speaker 1: get a switch, because I I they're like nine hundred 262 00:14:15,480 --> 00:14:17,000 Speaker 1: dollars right now. You need to switch. And then you 263 00:14:17,080 --> 00:14:18,800 Speaker 1: go back and be like I didn't. I said, no, 264 00:14:18,880 --> 00:14:21,200 Speaker 1: wizardy stuff Zelda's got a little bit of magic it. 265 00:14:22,480 --> 00:14:24,560 Speaker 1: It's a lot of magic in it. It's a lot 266 00:14:24,640 --> 00:14:28,400 Speaker 1: They're gonna be like, would you like to cast a spell? No? Okay, 267 00:14:29,400 --> 00:14:32,480 Speaker 1: all I'm saying is with Red Dead Redemption too. I 268 00:14:32,640 --> 00:14:35,640 Speaker 1: think there's something about the cinematic quality of that. Yeah, yeah, 269 00:14:35,680 --> 00:14:37,920 Speaker 1: I like you know some of the some of the 270 00:14:38,000 --> 00:14:40,360 Speaker 1: people on my love it. You can go hunt, you 271 00:14:40,440 --> 00:14:42,920 Speaker 1: can hunt. Some of the people on my socials were 272 00:14:43,000 --> 00:14:46,560 Speaker 1: saying that I would like this game or that game 273 00:14:46,600 --> 00:14:48,640 Speaker 1: because they had a cinematic quality, And that's true. I 274 00:14:48,720 --> 00:14:51,400 Speaker 1: would like that Red Dead. You would love Red Dead. 275 00:14:51,440 --> 00:14:53,360 Speaker 1: You're right about that, Daniel, because then you could play 276 00:14:53,480 --> 00:14:56,520 Speaker 1: the actual You don't even have to play online to start. 277 00:14:56,600 --> 00:15:00,120 Speaker 1: You could play the actual story mode. And that's I'm 278 00:15:00,160 --> 00:15:02,800 Speaker 1: gonna play online. What's the difference of playing online, Well, 279 00:15:02,800 --> 00:15:04,960 Speaker 1: you play with other people and then there's different missions 280 00:15:05,200 --> 00:15:07,120 Speaker 1: and you could create your own character. Do you want 281 00:15:07,120 --> 00:15:09,880 Speaker 1: to do that with me this weekend? Do you want 282 00:15:09,880 --> 00:15:12,680 Speaker 1: to go on a mission with me? Absolutely, Let's do 283 00:15:12,760 --> 00:15:18,160 Speaker 1: a mission. Let's kill a bear, a virtual bear, everybody. 284 00:15:18,240 --> 00:15:20,400 Speaker 1: I do not believe in killing real bears unless they're 285 00:15:20,440 --> 00:15:26,080 Speaker 1: chasing you. Um. Michelle Branch followed me on Twitters swear 286 00:15:26,200 --> 00:15:30,480 Speaker 1: to gee, and I was thinking I'm gonna follow her back, 287 00:15:30,600 --> 00:15:33,280 Speaker 1: and I was thinking about dming her and saying, will 288 00:15:33,360 --> 00:15:36,640 Speaker 1: you come play everywhere on the podcast? That would be 289 00:15:36,680 --> 00:15:39,520 Speaker 1: the best day ever. Turn me inside out so I 290 00:15:39,720 --> 00:15:47,720 Speaker 1: can say, well, is fanning herself? Everybody, shit, this is 291 00:15:47,800 --> 00:15:50,960 Speaker 1: the power of this podcast, this podcast always. I saw 292 00:15:51,040 --> 00:15:52,880 Speaker 1: Michelle Branch followed me, and I was like, oh my god. 293 00:15:53,200 --> 00:15:55,640 Speaker 1: And I didn't fall back immediately because I was nervous. 294 00:15:55,920 --> 00:15:57,880 Speaker 1: And then I thought I would present to you guys 295 00:15:57,960 --> 00:16:02,320 Speaker 1: the idea of dmming her. Hey, since we're fans, would 296 00:16:02,360 --> 00:16:05,480 Speaker 1: you consider coming on and playing everywhere on the show. Donald, 297 00:16:05,920 --> 00:16:08,360 Speaker 1: That would be that would be amazing if we could 298 00:16:08,360 --> 00:16:13,200 Speaker 1: start a little concert series on Yeah, that's such a 299 00:16:13,240 --> 00:16:15,720 Speaker 1: good idea. We are on, we are with heart, we 300 00:16:15,800 --> 00:16:18,400 Speaker 1: are waking of which speaking by the way we should 301 00:16:18,680 --> 00:16:21,040 Speaker 1: we should, And speaking of that, Um, I want to 302 00:16:21,160 --> 00:16:23,280 Speaker 1: end the show today with this amazing song. I sent 303 00:16:23,360 --> 00:16:27,800 Speaker 1: it to you, Donald. Um it's by my girlfriend's brother. 304 00:16:27,960 --> 00:16:30,680 Speaker 1: Now you might think Ozach, you're bias it's your girlfriend's brother, 305 00:16:31,240 --> 00:16:35,680 Speaker 1: but Toby Sebastian is so talented and I genuinely love 306 00:16:35,720 --> 00:16:37,960 Speaker 1: his music and I was like on the treadmill today 307 00:16:38,040 --> 00:16:40,800 Speaker 1: working out to this song called Number one Lover. It's 308 00:16:40,840 --> 00:16:43,760 Speaker 1: gonna be one of my big summer jams. And if 309 00:16:43,760 --> 00:16:45,400 Speaker 1: it's all right with you, Donald, I thought we could 310 00:16:45,440 --> 00:16:47,000 Speaker 1: five six seven eight at the end of the show 311 00:16:47,080 --> 00:16:50,640 Speaker 1: into it. Yeah, that's fine, let's start dis concience. It's fire. 312 00:16:50,760 --> 00:16:54,200 Speaker 1: It's a fake, doctor's real friends. You guys are gonna 313 00:16:54,240 --> 00:16:56,480 Speaker 1: want to add it to your playlist for for just 314 00:16:56,640 --> 00:16:59,000 Speaker 1: summer bops. I think that's what the kids call it, 315 00:16:59,440 --> 00:17:02,200 Speaker 1: or your workout play this because I was rocking out 316 00:17:02,240 --> 00:17:04,240 Speaker 1: to it on the treadmill today. So this is what 317 00:17:04,320 --> 00:17:06,800 Speaker 1: we're gonna do, guys. We're gonna start a little concert series. 318 00:17:06,800 --> 00:17:10,320 Speaker 1: We're gonna come up with a name of rading. Absolutely, 319 00:17:10,359 --> 00:17:12,359 Speaker 1: we could have a bunch of people on this is 320 00:17:12,440 --> 00:17:14,879 Speaker 1: something that we're gonna do. We are with iHeart I 321 00:17:15,119 --> 00:17:18,640 Speaker 1: heeart freaking handles all music. Yeah, maybe figure it out 322 00:17:18,760 --> 00:17:21,320 Speaker 1: legally and they will make this happen for you guys. 323 00:17:21,600 --> 00:17:23,920 Speaker 1: So I think if we just ask people obviously that 324 00:17:24,040 --> 00:17:27,560 Speaker 1: handles the legal or if they're not a giant, you know, 325 00:17:27,760 --> 00:17:30,920 Speaker 1: artist and there are, friend, I'm sure that we're allowed 326 00:17:30,960 --> 00:17:33,159 Speaker 1: to play them. Um, yeah, I think if we just 327 00:17:33,200 --> 00:17:35,879 Speaker 1: ask permission, I think that's it's just about permission. I assume, right, 328 00:17:36,040 --> 00:17:39,520 Speaker 1: my my knowledge and this isn't isn't that well, you know, 329 00:17:39,600 --> 00:17:42,199 Speaker 1: we can't just play, you know, a song, But if 330 00:17:42,240 --> 00:17:44,399 Speaker 1: we know the person or we ask permission, I think 331 00:17:44,440 --> 00:17:47,320 Speaker 1: we can play the song. There it is. And my 332 00:17:48,119 --> 00:17:50,760 Speaker 1: my friend, I think he'll be fine with I think 333 00:17:50,800 --> 00:17:53,160 Speaker 1: he'll be thrilled because, by the way, this podcast is huge. 334 00:17:53,160 --> 00:17:55,639 Speaker 1: I don't know if you guys realize this, right. I 335 00:17:55,720 --> 00:17:58,159 Speaker 1: got another foul and I got another love letter from 336 00:17:58,200 --> 00:18:01,480 Speaker 1: Will saying, holy shit, you guys are on fuego. So 337 00:18:02,040 --> 00:18:04,560 Speaker 1: there's people all over the world listening to this thing, 338 00:18:04,880 --> 00:18:07,359 Speaker 1: and we appreciate them. Thank you guys, so Mike you 339 00:18:07,480 --> 00:18:09,800 Speaker 1: so much. We thought it would be like our moms 340 00:18:09,880 --> 00:18:11,879 Speaker 1: and maybe eleven people, but this well, I knew it 341 00:18:11,880 --> 00:18:14,080 Speaker 1: wouldn't be my mom. I knew it wouldn't be my mom, 342 00:18:14,560 --> 00:18:16,840 Speaker 1: my mom, or my wife. I think my mom may 343 00:18:16,840 --> 00:18:19,760 Speaker 1: have given up. I think she started and and but 344 00:18:19,920 --> 00:18:22,520 Speaker 1: I gotta tell you no, it's just a great feeling. 345 00:18:22,640 --> 00:18:24,600 Speaker 1: It's a great feeling. How many of you are listening 346 00:18:24,680 --> 00:18:28,639 Speaker 1: to this and whenever will from my heart sends Donald 347 00:18:28,680 --> 00:18:31,280 Speaker 1: and I an email with with with holy shit, somewhere 348 00:18:31,400 --> 00:18:33,920 Speaker 1: in the paragraph it's a good feeling. I love it. 349 00:18:34,440 --> 00:18:37,240 Speaker 1: You know what we should do? Five six, seven, eight 350 00:18:37,320 --> 00:18:42,879 Speaker 1: Stories about show we made about a bunch of docs 351 00:18:42,880 --> 00:18:55,000 Speaker 1: and nurses said stories. So yet around here, yea, around here? 352 00:19:00,680 --> 00:19:03,720 Speaker 1: Did you get that new T Swift album? T Swift? 353 00:19:04,040 --> 00:19:07,360 Speaker 1: That first jam is fire? That first jam is fire. 354 00:19:07,440 --> 00:19:09,360 Speaker 1: She's got a song with Bonnie Vair which I really 355 00:19:09,440 --> 00:19:10,960 Speaker 1: liked a lot of them. If you heard that one yet, 356 00:19:11,359 --> 00:19:13,520 Speaker 1: I've listened to a little bit of it. I listened 357 00:19:13,520 --> 00:19:17,480 Speaker 1: to the first song about what's the first song? I 358 00:19:17,560 --> 00:19:20,240 Speaker 1: think it's called like the first one or something like that. Yeah, 359 00:19:20,240 --> 00:19:25,480 Speaker 1: where it's like, you know, uh yo, I knew you'd 360 00:19:25,520 --> 00:19:27,679 Speaker 1: come back all of that stuff. I knew you'd come 361 00:19:27,760 --> 00:19:30,400 Speaker 1: back that. Like, that's the end of it, dude. She's 362 00:19:30,560 --> 00:19:33,640 Speaker 1: on some writing. She's got some writing in her right now. Dude. 363 00:19:33,920 --> 00:19:36,240 Speaker 1: She's not goodsting around. She's good and you know what 364 00:19:36,359 --> 00:19:37,720 Speaker 1: she she made it sort of a I mean, I 365 00:19:37,720 --> 00:19:39,400 Speaker 1: didn't listen a whole thing, but it's sort of acoustic 366 00:19:39,480 --> 00:19:43,160 Speaker 1: ee and piano ee and spoke man's can't you can't 367 00:19:43,200 --> 00:19:45,919 Speaker 1: say that that girl is not talented. If you're out there, 368 00:19:46,000 --> 00:19:47,679 Speaker 1: if there's a person out there, you might not love 369 00:19:47,800 --> 00:19:51,200 Speaker 1: her style, but you cannot be a human being and 370 00:19:51,400 --> 00:19:53,560 Speaker 1: not say that that girl has talent. This is the 371 00:19:53,640 --> 00:19:55,680 Speaker 1: conversation I was having, because me and my wife have 372 00:19:55,840 --> 00:19:58,360 Speaker 1: this conversation all the time because I kind of flip 373 00:19:58,520 --> 00:20:01,120 Speaker 1: flop when it comes to Taylor. Like I remember when 374 00:20:01,640 --> 00:20:03,440 Speaker 1: it when she first came out, I was like, that's 375 00:20:03,520 --> 00:20:05,960 Speaker 1: like my little I want my daughter to be Taylor Swift. 376 00:20:06,200 --> 00:20:09,359 Speaker 1: And then she started tattletaling on you know, who she's 377 00:20:09,440 --> 00:20:11,280 Speaker 1: dating and everything and songs. I was like, I'm not 378 00:20:11,359 --> 00:20:13,880 Speaker 1: really into that. Yeah, but let me tell you something 379 00:20:13,960 --> 00:20:20,120 Speaker 1: right now. The songs that she sings, the way she writes, now, 380 00:20:21,000 --> 00:20:23,639 Speaker 1: she's a she's a modern day She's a modern day poet. Man. 381 00:20:23,720 --> 00:20:28,320 Speaker 1: She she is a modern day especially knowing that she 382 00:20:28,520 --> 00:20:32,080 Speaker 1: writes her own stuff too. I mean, the young lady 383 00:20:32,200 --> 00:20:37,080 Speaker 1: has got some tremendous songwriting skills. I'm understand that she's 384 00:20:37,119 --> 00:20:39,080 Speaker 1: writing the lyrics on her own. I think she's got 385 00:20:39,280 --> 00:20:41,520 Speaker 1: she's got lots of collaborators with the music. If I'm 386 00:20:41,560 --> 00:20:44,760 Speaker 1: not mistaken, it does. I don't care how the instruments. Yeah, 387 00:20:45,119 --> 00:20:47,200 Speaker 1: think she does like a lot of guitar and piano stuff. 388 00:20:47,200 --> 00:20:49,440 Speaker 1: I mean her parents are in the recording industry, which 389 00:20:49,480 --> 00:20:51,560 Speaker 1: is how she sort of got involved. And like to 390 00:20:51,640 --> 00:20:53,760 Speaker 1: your guys, this credit her nineteen eighty nine album, which 391 00:20:53,760 --> 00:20:56,160 Speaker 1: I think is the album right, No, there's a album 392 00:20:56,760 --> 00:20:58,640 Speaker 1: that one in this one. But the Night Night album 393 00:20:58,680 --> 00:21:01,840 Speaker 1: sold so well and did so like banger numbers like 394 00:21:01,880 --> 00:21:04,840 Speaker 1: other artists, like did an entire rendition of the nineteen 395 00:21:04,880 --> 00:21:07,720 Speaker 1: eighty nine album, like just copied it front to back, 396 00:21:07,760 --> 00:21:10,000 Speaker 1: and like like, so she's been on that pop scene. 397 00:21:10,320 --> 00:21:13,320 Speaker 1: That that that that that record's got so many dope 398 00:21:13,359 --> 00:21:16,840 Speaker 1: songs from Shake It Off to h got a long 399 00:21:16,960 --> 00:21:20,119 Speaker 1: list of ex lovers. Dude, I got one of songs 400 00:21:20,160 --> 00:21:22,920 Speaker 1: on my current workout playlists. I want to tell you 401 00:21:22,960 --> 00:21:24,879 Speaker 1: which one it is, because this, by the way, my 402 00:21:24,960 --> 00:21:27,200 Speaker 1: workout playlist. I really I'm gonna come through and make 403 00:21:27,720 --> 00:21:31,119 Speaker 1: a workout mix for for for the people, because I mean, 404 00:21:31,200 --> 00:21:34,760 Speaker 1: there's Avril Levine complicated on here. By the way, here's 405 00:21:34,760 --> 00:21:36,320 Speaker 1: a really good song that you guys probably don't know 406 00:21:36,400 --> 00:21:40,879 Speaker 1: by Wheezer called Feels Like Summer and uh, I highly 407 00:21:40,960 --> 00:21:43,920 Speaker 1: recommend that song because it is a great summer bop. 408 00:21:44,080 --> 00:21:46,600 Speaker 1: As the kids say, wait, what's my Taylor Swift song 409 00:21:46,640 --> 00:21:48,320 Speaker 1: on this? Oh, you need to calm down. I like 410 00:21:48,440 --> 00:21:50,920 Speaker 1: that us somebody that way don't know, but you've taken 411 00:21:51,000 --> 00:21:53,520 Speaker 1: chots at me like it's patch and I'm just like, damn, 412 00:21:54,240 --> 00:21:59,080 Speaker 1: it's seven a yam. You know I'm gonna be honest 413 00:21:59,119 --> 00:22:02,480 Speaker 1: with you. Your gym playlist and my gym playlist are 414 00:22:02,600 --> 00:22:05,119 Speaker 1: completely different. I know that we've established that, but I 415 00:22:05,200 --> 00:22:07,240 Speaker 1: have a feeling because you like a lot of this 416 00:22:07,359 --> 00:22:09,240 Speaker 1: girl pop shit too. Do you just want to hide 417 00:22:09,280 --> 00:22:11,520 Speaker 1: it in front of our listeners. I'm not hiding anything 418 00:22:11,560 --> 00:22:13,480 Speaker 1: in front of our listens. I feel like if you 419 00:22:13,800 --> 00:22:16,200 Speaker 1: you might turn off DMX from one of your workouts 420 00:22:16,240 --> 00:22:19,800 Speaker 1: and put on Avril Levine, Avril Labrine. Don't get me 421 00:22:19,920 --> 00:22:21,960 Speaker 1: hype like DMX get me high. Just wait till you 422 00:22:22,040 --> 00:22:26,560 Speaker 1: hear complicated with some bass. That shit is so slow. 423 00:22:26,640 --> 00:22:29,520 Speaker 1: Listen you watch did you watch them that I sent you? 424 00:22:29,600 --> 00:22:34,480 Speaker 1: The I hate it when you don't reply to it 425 00:22:34,520 --> 00:22:37,320 Speaker 1: really hurts my feeling. I thought our listeners couldn't believe 426 00:22:37,440 --> 00:22:41,600 Speaker 1: that how many times you don't reply to me? Dude? Listen, man, 427 00:22:41,880 --> 00:22:44,960 Speaker 1: here's the thing. I said. It's always nice stuff. It's 428 00:22:44,960 --> 00:22:46,960 Speaker 1: always It's not like, hey man, here's a request to 429 00:22:47,000 --> 00:22:49,919 Speaker 1: do something. It's like, hey man, there's this DMX Snoop 430 00:22:50,000 --> 00:22:52,359 Speaker 1: thing that's on. I think you're gonna like it. No reply, 431 00:22:53,760 --> 00:22:56,520 Speaker 1: no reply, It was dope, I don't So you didn't 432 00:22:56,520 --> 00:22:58,560 Speaker 1: watch it. You did watch it interesting and you didn't 433 00:22:58,560 --> 00:23:00,520 Speaker 1: even say I'm already watching love you thanks for to 434 00:23:00,560 --> 00:23:07,520 Speaker 1: recommend that was you know, those two got so many hits, 435 00:23:07,520 --> 00:23:12,040 Speaker 1: it's ridiculous. Uh. I love DMX, I love Snoop Dogg. 436 00:23:12,320 --> 00:23:14,960 Speaker 1: Shout out to the mouth. Should we get into the show. 437 00:23:15,200 --> 00:23:16,680 Speaker 1: Let's get into the show. Do you want to do 438 00:23:16,760 --> 00:23:20,720 Speaker 1: the breakdown? Oh yeah, Tip, I'm a little woozy, as 439 00:23:20,800 --> 00:23:24,600 Speaker 1: the kids say nowadays, you're you're woozy. No woozy's when 440 00:23:24,600 --> 00:23:27,400 Speaker 1: you've gone hard and then you get tired. No Woozy's 441 00:23:27,440 --> 00:23:30,639 Speaker 1: when I'm a little drunk a little bit, and then 442 00:23:30,680 --> 00:23:32,879 Speaker 1: you take a little nap. And it's not that I 443 00:23:33,040 --> 00:23:37,480 Speaker 1: take a little nap. The booze forces me to nap. Well, 444 00:23:37,680 --> 00:23:40,440 Speaker 1: what my puppy does is she sprints around the yard. 445 00:23:40,600 --> 00:23:42,680 Speaker 1: Sprince sprince, sprince, sprince s prince, and then it's like 446 00:23:42,760 --> 00:23:45,479 Speaker 1: her batteries are dead and she collapses and she's woozy 447 00:23:45,920 --> 00:23:48,120 Speaker 1: and now and then when you when you're woozy, you're 448 00:23:48,119 --> 00:23:50,600 Speaker 1: also kind of like disoriented, like your body's like I 449 00:23:50,760 --> 00:23:53,600 Speaker 1: should be standing but I can't, right, And then you 450 00:23:53,720 --> 00:23:57,440 Speaker 1: yell at your friend, I'm woozy. You're ready? Yeah, get 451 00:23:57,480 --> 00:24:02,119 Speaker 1: the stopwatchanys stand by, Donald, Get am I stop watch? Okay, 452 00:24:02,240 --> 00:24:06,080 Speaker 1: I'm not not world clock stop watch? Okay, and go. 453 00:24:06,640 --> 00:24:09,520 Speaker 1: This episode is about being humbled. JD and Carl are 454 00:24:09,640 --> 00:24:12,959 Speaker 1: both very high on their horses and mess with the alpha. 455 00:24:13,119 --> 00:24:16,040 Speaker 1: In the hospital, Elliot has not only been cut off 456 00:24:16,119 --> 00:24:19,480 Speaker 1: financially from her father, but also as Mix diagnosed the patient. 457 00:24:20,560 --> 00:24:23,800 Speaker 1: The three of them experienced the rise and falls of reality, 458 00:24:23,920 --> 00:24:26,920 Speaker 1: meaning there will be days in life where luck is 459 00:24:26,920 --> 00:24:29,800 Speaker 1: on your side and days when it's not. The question 460 00:24:29,960 --> 00:24:34,359 Speaker 1: is can you adjust and keep it moving forward? Beautiful, 461 00:24:34,520 --> 00:24:39,040 Speaker 1: beautiful twenty seven seconds. Nicely done, nicely done. This is 462 00:24:39,040 --> 00:24:41,640 Speaker 1: a very good, very good episode. You liked this episode, 463 00:24:42,000 --> 00:24:46,240 Speaker 1: Yeah I did? You didn't? I laughed, okay, because you 464 00:24:46,400 --> 00:24:48,560 Speaker 1: you got your phase on a little bit. But I 465 00:24:48,720 --> 00:24:51,720 Speaker 1: was all right to get phase OneD in this episode. Okay, Now, 466 00:24:52,200 --> 00:24:55,560 Speaker 1: I thought the scene at the end with Johnny C 467 00:24:55,720 --> 00:24:57,960 Speaker 1: and I is one of the better scenes of the 468 00:24:58,040 --> 00:25:00,800 Speaker 1: show thus far. Yeah. You know, my wife, she got 469 00:25:00,920 --> 00:25:02,960 Speaker 1: she watched the show with me. This is her first time. 470 00:25:03,600 --> 00:25:06,320 Speaker 1: She doesn't She's never really watched Scrubs before, so this 471 00:25:06,480 --> 00:25:09,400 Speaker 1: is maybe her third episode that she's actually seen. Yeah, 472 00:25:09,400 --> 00:25:11,840 Speaker 1: my girlfriend totals and watched it either, so I can relate. Yeah, 473 00:25:12,320 --> 00:25:14,320 Speaker 1: and she was like, oh my god, I just teared up. 474 00:25:14,960 --> 00:25:18,359 Speaker 1: It's like, okay, yeah, I can tell you. I got 475 00:25:18,480 --> 00:25:21,840 Speaker 1: to be honest with you listeners and you my compatriots. 476 00:25:22,240 --> 00:25:24,280 Speaker 1: I think that that scene at the end of this 477 00:25:24,400 --> 00:25:27,359 Speaker 1: episode where doctor Cox comes in and has an honest 478 00:25:27,440 --> 00:25:29,600 Speaker 1: moment with me. It's not a very long scene. It's 479 00:25:29,640 --> 00:25:33,480 Speaker 1: probably forty five seconds if that is really moving, and 480 00:25:33,960 --> 00:25:36,280 Speaker 1: Johnny C is really good in it, and I think 481 00:25:36,359 --> 00:25:38,080 Speaker 1: I'm proud of the way I am in it too, 482 00:25:38,359 --> 00:25:42,120 Speaker 1: And it's Scrubs at its best, which was just dropping 483 00:25:42,240 --> 00:25:45,800 Speaker 1: in and having a really frank, emotional, but honest conversation. 484 00:25:46,600 --> 00:25:48,600 Speaker 1: And I got goose bumps and it was very moving 485 00:25:48,640 --> 00:25:50,560 Speaker 1: to me. Yeah, it was to me too. You know, 486 00:25:50,960 --> 00:25:54,680 Speaker 1: you were lucky. JD was very lucky this this this 487 00:25:54,880 --> 00:25:59,240 Speaker 1: episode in the beginning, and then he was unlucky, and 488 00:25:59,320 --> 00:26:02,200 Speaker 1: it was really it was really interesting to see the 489 00:26:02,400 --> 00:26:09,520 Speaker 1: dynamic of of how he takes things. Uh, he saved 490 00:26:09,520 --> 00:26:13,080 Speaker 1: a patient's life in the beginning, and he's overjoyed. He 491 00:26:13,240 --> 00:26:15,600 Speaker 1: loses a patient and JD's such a good doctor. Now 492 00:26:15,680 --> 00:26:18,720 Speaker 1: granted there's there's stuff behind it, Like you know, he's 493 00:26:19,640 --> 00:26:21,600 Speaker 1: he wants to be. He still wants to be the 494 00:26:21,680 --> 00:26:23,879 Speaker 1: best he possibly can be. But he goes to the 495 00:26:24,000 --> 00:26:26,240 Speaker 1: morgue to check out, Okay, what did I do wrong? 496 00:26:26,320 --> 00:26:29,720 Speaker 1: How did I mess up? What went wrong here? And 497 00:26:29,880 --> 00:26:33,840 Speaker 1: just turns out it wasn't his day. And I thought, 498 00:26:34,800 --> 00:26:37,520 Speaker 1: even though it's subtle and he doesn't respond in tears 499 00:26:37,640 --> 00:26:40,440 Speaker 1: and he's not breaking, he's not all broken up about 500 00:26:40,440 --> 00:26:42,680 Speaker 1: the passing of the patient, the fact that he cared 501 00:26:42,800 --> 00:26:45,879 Speaker 1: enough to wonder, Okay, why did I make a mistake? 502 00:26:45,960 --> 00:26:48,000 Speaker 1: So where did I make a mistakes? So I don't 503 00:26:48,040 --> 00:26:51,879 Speaker 1: make it the next time? Really really important. That's one 504 00:26:51,880 --> 00:26:53,639 Speaker 1: of the things I can get lost in all the 505 00:26:54,280 --> 00:26:57,080 Speaker 1: la zaniness that's happening, is that JD's a really good 506 00:26:57,200 --> 00:27:02,480 Speaker 1: doctor and also strives to be an extraordinary doctor. Right, 507 00:27:02,680 --> 00:27:04,240 Speaker 1: and so when he when he feels he may have 508 00:27:04,320 --> 00:27:07,159 Speaker 1: fucked up. He's just obsessing about it and wants to 509 00:27:07,240 --> 00:27:09,359 Speaker 1: learn and wants to wants to be better and wants 510 00:27:09,400 --> 00:27:13,240 Speaker 1: to be great. So I don't know, I just really 511 00:27:13,320 --> 00:27:16,639 Speaker 1: like that. I love it when the show um just 512 00:27:16,840 --> 00:27:19,320 Speaker 1: drops in and has just just a scene where people 513 00:27:19,320 --> 00:27:21,600 Speaker 1: are really honest and straight. And I thought that scene 514 00:27:21,640 --> 00:27:23,760 Speaker 1: at the end, Actually it's funny. When I when I 515 00:27:23,880 --> 00:27:27,240 Speaker 1: thought Johnny c was coming on this episode today, I 516 00:27:27,440 --> 00:27:29,600 Speaker 1: thought it was like, oh, I bet he because I 517 00:27:29,640 --> 00:27:31,200 Speaker 1: asked him, I said, hey, man, we want to have 518 00:27:31,280 --> 00:27:32,800 Speaker 1: you back, you know, pick pick which one you want 519 00:27:32,800 --> 00:27:34,440 Speaker 1: to come on for. And when I saw that scene, 520 00:27:34,480 --> 00:27:35,639 Speaker 1: I go, oh, I bet he wanted to come on 521 00:27:35,760 --> 00:27:38,000 Speaker 1: for this one because he's really good in that scene. 522 00:27:38,000 --> 00:27:41,359 Speaker 1: He's really good in the whole episode. And it turns 523 00:27:41,400 --> 00:27:45,320 Speaker 1: out I was wrong, you were You know, the whole 524 00:27:45,359 --> 00:27:47,680 Speaker 1: thing is really about you know, what JD goes through. 525 00:27:48,080 --> 00:27:50,800 Speaker 1: But it's not because even in stories where he seems 526 00:27:50,840 --> 00:27:54,680 Speaker 1: to be the main character in the whole episode, where 527 00:27:54,720 --> 00:27:58,600 Speaker 1: it seems like it's based on him, the story really 528 00:27:58,680 --> 00:28:00,720 Speaker 1: is and it's about who he's connect to, you know 529 00:28:00,760 --> 00:28:03,159 Speaker 1: what I mean, It's about who's connected to him. So 530 00:28:03,440 --> 00:28:07,400 Speaker 1: like We had Tom Kavanaugh on just recently, great episode 531 00:28:07,480 --> 00:28:11,720 Speaker 1: by the way, and uh, you really believe that it's 532 00:28:11,960 --> 00:28:14,600 Speaker 1: the show? Like when watching it at first, I was like, oh, 533 00:28:14,640 --> 00:28:17,800 Speaker 1: this is a show. This episode's about how JD reacts 534 00:28:17,840 --> 00:28:21,000 Speaker 1: to his brother. No, this episode really is about Tom Kavanaugh, 535 00:28:21,359 --> 00:28:23,440 Speaker 1: you know what I mean, It's not about what. It's 536 00:28:23,480 --> 00:28:26,400 Speaker 1: not about I don't know, it's it's it's it's I'm 537 00:28:26,480 --> 00:28:29,200 Speaker 1: having a hard time explaining it right now. But I 538 00:28:29,320 --> 00:28:33,840 Speaker 1: just feel like JD is, even though he's the leader, 539 00:28:34,680 --> 00:28:38,120 Speaker 1: he's the lead on the show, the show is never 540 00:28:38,280 --> 00:28:40,320 Speaker 1: really about him, and this is one of those episodes 541 00:28:40,400 --> 00:28:43,160 Speaker 1: where it was about him and was about you know, 542 00:28:43,400 --> 00:28:49,120 Speaker 1: how how how serious he takes every how it's serious 543 00:28:49,160 --> 00:28:55,520 Speaker 1: he takes his job in the hospital, Yeah said whatever, whatever. 544 00:28:56,800 --> 00:28:59,560 Speaker 1: You can hate on me all you want. It's just 545 00:29:00,040 --> 00:29:03,160 Speaker 1: it's just it's just, you know, now I'm watching it 546 00:29:03,280 --> 00:29:05,280 Speaker 1: from a different point of view. Before I was watching 547 00:29:05,360 --> 00:29:07,960 Speaker 1: it or not watching it because I was on it. 548 00:29:08,080 --> 00:29:11,560 Speaker 1: And now that we've started this whole podcast thing, it's like, well, 549 00:29:12,120 --> 00:29:13,840 Speaker 1: you know, what is Bill trying to say? What are 550 00:29:13,880 --> 00:29:16,120 Speaker 1: the writers trying to say when they're making this. I 551 00:29:16,240 --> 00:29:18,520 Speaker 1: get that this has a long run, and it's going 552 00:29:18,600 --> 00:29:20,360 Speaker 1: to be on for a really long time. But I 553 00:29:20,440 --> 00:29:25,960 Speaker 1: feel like every episode, some somebody's trying to say something, 554 00:29:26,120 --> 00:29:28,920 Speaker 1: trying to some messages, trying to come here and also 555 00:29:29,000 --> 00:29:32,120 Speaker 1: make it universal, because obviously this is an extreme work environment. 556 00:29:32,200 --> 00:29:34,760 Speaker 1: This is they're literally dealing with life and death. But 557 00:29:34,960 --> 00:29:37,640 Speaker 1: make it universal for people who no matter what your 558 00:29:37,720 --> 00:29:39,960 Speaker 1: job is, no matter what your relationship status is, that 559 00:29:40,520 --> 00:29:43,480 Speaker 1: no matter what would country live in that there's certain 560 00:29:43,800 --> 00:29:47,080 Speaker 1: just truths about being a human and being in love 561 00:29:47,160 --> 00:29:50,920 Speaker 1: and having best friends, and and and striving to do 562 00:29:51,480 --> 00:29:53,680 Speaker 1: great both in life and in your job that are 563 00:29:53,760 --> 00:29:56,880 Speaker 1: that are universal and and and the show really attempts 564 00:29:56,880 --> 00:29:59,160 Speaker 1: to tease all that out so we can all share 565 00:29:59,320 --> 00:30:03,360 Speaker 1: a common story. But this episode, you know, it almost 566 00:30:03,400 --> 00:30:05,840 Speaker 1: felt subliminal, you know what I mean. It's like if 567 00:30:05,880 --> 00:30:07,920 Speaker 1: you're not really paying attention, you don't pick up on that. 568 00:30:08,040 --> 00:30:10,320 Speaker 1: You just pick up on the jokes and the fact 569 00:30:10,400 --> 00:30:12,760 Speaker 1: that Cox is, you know, back with Jordan, and you 570 00:30:12,800 --> 00:30:15,440 Speaker 1: don't really dig that deep into it. That's what really, 571 00:30:15,480 --> 00:30:18,440 Speaker 1: to be honest with you, this whole uh having to 572 00:30:18,560 --> 00:30:22,000 Speaker 1: summarize the story in thirty seconds, that's what that's doing 573 00:30:22,080 --> 00:30:23,800 Speaker 1: for me now, because now it's like, all right, what 574 00:30:24,000 --> 00:30:26,160 Speaker 1: is this about? What is what is the writer trying 575 00:30:26,240 --> 00:30:29,600 Speaker 1: to say in this story? It's not just about there's 576 00:30:29,640 --> 00:30:32,440 Speaker 1: a funny joke at two minutes into the it's it's 577 00:30:32,520 --> 00:30:36,440 Speaker 1: more than that. It's about, you know, overall, there's a 578 00:30:36,920 --> 00:30:40,320 Speaker 1: message that I'm trying to make clear for all of 579 00:30:40,400 --> 00:30:43,800 Speaker 1: the viewers. And this is one of those episodes like 580 00:30:43,920 --> 00:30:45,640 Speaker 1: ever since the last episode, I'm like, all right, what 581 00:30:45,960 --> 00:30:48,240 Speaker 1: are we trying to Yeah, that's true, that's true, but 582 00:30:48,280 --> 00:30:51,320 Speaker 1: they all have some underlying message. But but I think 583 00:30:51,320 --> 00:30:53,080 Speaker 1: you've been good. You've been good at teasing out what 584 00:30:53,160 --> 00:30:55,800 Speaker 1: it is, even more than more than the voiceovers do. 585 00:30:56,680 --> 00:30:58,600 Speaker 1: This is the episode that Neil Flynn is not in. 586 00:30:58,760 --> 00:31:01,800 Speaker 1: I forgot We we figured out what the reason was. 587 00:31:01,880 --> 00:31:04,160 Speaker 1: Do you remember what it was? So they didn't have 588 00:31:04,240 --> 00:31:07,960 Speaker 1: to pay him? But why there was it? Something they're 589 00:31:07,960 --> 00:31:12,040 Speaker 1: not trying to see just Neil's salary because he's not 590 00:31:12,160 --> 00:31:14,520 Speaker 1: a regular at this point. Oh, I think if he 591 00:31:14,600 --> 00:31:17,000 Speaker 1: had done X amount of episodes, they would have had 592 00:31:17,040 --> 00:31:19,600 Speaker 1: to bump him up to a higher salary. Right, he 593 00:31:19,680 --> 00:31:23,240 Speaker 1: didn't become an official regular, I guess until season three. 594 00:31:24,240 --> 00:31:25,840 Speaker 1: That can't be true because they put him in the 595 00:31:26,000 --> 00:31:28,400 Speaker 1: in the in the rejected new title sequence, I don't 596 00:31:28,480 --> 00:31:31,640 Speaker 1: I don't know, dude, And the credit on this episode too, 597 00:31:31,880 --> 00:31:34,960 Speaker 1: I think. But didn't Neil say wait, didn't Neil say something? 598 00:31:35,080 --> 00:31:36,920 Speaker 1: You guys? When he was on that there was a 599 00:31:37,040 --> 00:31:40,400 Speaker 1: quick scooter joke that he he wrote in he and 600 00:31:40,440 --> 00:31:43,640 Speaker 1: he wiped out and then um and I was an 601 00:31:43,640 --> 00:31:45,920 Speaker 1: electric scooter and then they ended up cutting that out. 602 00:31:46,000 --> 00:31:47,920 Speaker 1: That's why he's credited, but he's not in the episode 603 00:31:47,920 --> 00:31:50,000 Speaker 1: because it was just one quick pop but they edited 604 00:31:50,000 --> 00:31:52,400 Speaker 1: it out. That makes sense. I'm trying to remember it. 605 00:31:52,400 --> 00:31:54,200 Speaker 1: We've done so many of these, trying to call all 606 00:31:54,280 --> 00:32:00,440 Speaker 1: of Oh, by the way, speaking of of of trivia, 607 00:32:00,960 --> 00:32:03,320 Speaker 1: I went on Scrubs Wiki today as I normally do 608 00:32:03,480 --> 00:32:09,240 Speaker 1: before the episode, and I scroll down to trivia, which 609 00:32:09,320 --> 00:32:12,240 Speaker 1: is the section I enjoy the most, and the top 610 00:32:12,360 --> 00:32:16,680 Speaker 1: the top bullet point is loving the podcast, Zach, exclamation point, 611 00:32:17,120 --> 00:32:19,160 Speaker 1: all the love in the world to you, and Donald 612 00:32:19,440 --> 00:32:23,200 Speaker 1: happy to keep answering trivia and hell no, I'd never 613 00:32:23,360 --> 00:32:30,000 Speaker 1: sell those Funco pops. So there you go. I think 614 00:32:30,040 --> 00:32:33,000 Speaker 1: we have a clear answer from from Trevor Wiki that 615 00:32:33,080 --> 00:32:35,920 Speaker 1: he's down okay TV. But I think you know he wasn't. 616 00:32:35,960 --> 00:32:39,120 Speaker 1: He wasn't hiding messages in the Scrubs wiki until now. 617 00:32:39,200 --> 00:32:40,960 Speaker 1: So I think it's all this talk of the sign 618 00:32:41,040 --> 00:32:43,840 Speaker 1: Funko Pops that's really made him, made him tickled. I'm 619 00:32:43,880 --> 00:32:45,560 Speaker 1: just gonna keep it one hundred. We had to bribe 620 00:32:45,640 --> 00:32:48,360 Speaker 1: him to get him. Well, we don't know that, Donald, 621 00:32:48,440 --> 00:32:49,760 Speaker 1: we don't know that. You don't have to keep it 622 00:32:49,840 --> 00:32:53,680 Speaker 1: one hundred. You could keep it a dollar fifty. That's 623 00:32:53,760 --> 00:32:56,600 Speaker 1: more than a hundred. No, one hundred dollars is keep 624 00:32:56,600 --> 00:32:58,080 Speaker 1: it one hundred is one hundred dollars. I said you 625 00:32:58,080 --> 00:33:01,680 Speaker 1: could keep it a dollar fifty. One pennies is a dollar, 626 00:33:02,040 --> 00:33:04,040 Speaker 1: keep it one hundred. But I thought what people were 627 00:33:04,040 --> 00:33:06,160 Speaker 1: saying one hundred, they meant one hundred dollars, not one 628 00:33:06,240 --> 00:33:08,640 Speaker 1: hundred nineties. It's not keeping one hundred dollars, it's keep 629 00:33:08,680 --> 00:33:10,800 Speaker 1: it one hundred percent with me. Oh, keeping one hundred 630 00:33:10,800 --> 00:33:20,120 Speaker 1: percent with you, dog got it? Okay, So I'm gonna 631 00:33:20,200 --> 00:33:22,840 Speaker 1: keep it one hundred with you. Trevor Wicky is down 632 00:33:23,120 --> 00:33:27,360 Speaker 1: af to participate as long as he gets the funkos. Yeah, 633 00:33:27,520 --> 00:33:34,000 Speaker 1: well the funkos have been signed. Dan is gonna take you. No, no, no, no, 634 00:33:34,960 --> 00:33:38,080 Speaker 1: Where does Trevor Wicky live? Don't know? I mean, what 635 00:33:38,200 --> 00:33:40,240 Speaker 1: state do we know? Ad a double check? He's gonna 636 00:33:40,240 --> 00:33:42,840 Speaker 1: send me his address, lady. Okay, well, Trevor Wicki, you've 637 00:33:42,880 --> 00:33:45,080 Speaker 1: got some signed Funco pops headed towards is the first 638 00:33:45,120 --> 00:33:46,840 Speaker 1: one I've ever signed. I didn't know whether to sign 639 00:33:46,880 --> 00:33:49,800 Speaker 1: on the box or on the actual figuring? Donald, did 640 00:33:49,840 --> 00:33:51,760 Speaker 1: you sign the box the figure? I signed the box. 641 00:33:51,840 --> 00:33:55,160 Speaker 1: I didn't sign the figuring. Okay, I signed the box too. Yeah? 642 00:33:55,320 --> 00:33:57,960 Speaker 1: You know, you know you just made Trevor Wicky a 643 00:33:58,000 --> 00:34:00,520 Speaker 1: lot of money. He could no, but he just promised 644 00:34:00,800 --> 00:34:02,920 Speaker 1: in the secret message on the Scrubs wiki that he 645 00:34:02,960 --> 00:34:06,360 Speaker 1: wasn't gonna sell them. I believe scrub. I believe Trevor 646 00:34:06,360 --> 00:34:09,600 Speaker 1: Wicki is a man of his word. Zack, you don't 647 00:34:09,600 --> 00:34:11,719 Speaker 1: believe Trevor Wicki is a man of his word. Trevor Wicki, 648 00:34:12,160 --> 00:34:14,400 Speaker 1: I need you to hide me and the next week's episode, 649 00:34:14,400 --> 00:34:16,400 Speaker 1: I need you to hide me another message in Scrubs 650 00:34:16,440 --> 00:34:18,920 Speaker 1: WICKI that you got that you pinky swear that you 651 00:34:18,960 --> 00:34:22,040 Speaker 1: won't sell them. You're saying that's how much could be worth? Really? 652 00:34:22,080 --> 00:34:26,799 Speaker 1: Come on, you've never signed one, so that's one in one. 653 00:34:27,120 --> 00:34:28,960 Speaker 1: There's only one of the one of one. Yeah, and 654 00:34:29,120 --> 00:34:31,400 Speaker 1: I won't be signing anymore because in COVID, who the 655 00:34:31,440 --> 00:34:32,600 Speaker 1: hell is going to come up to me and ask 656 00:34:32,640 --> 00:34:35,040 Speaker 1: me to sign them? So it's he's got an exclusive. 657 00:34:36,040 --> 00:34:38,279 Speaker 1: Do you know what that means? That it's worth what 658 00:34:38,880 --> 00:34:43,040 Speaker 1: fifty bucks? It's priceless. He's not gonna sell it. The 659 00:34:43,120 --> 00:34:45,480 Speaker 1: man loves Scrubs and he's got the only signed j 660 00:34:45,640 --> 00:34:47,759 Speaker 1: D Scrubs Funko Pop. Come on, that's a treasure. And 661 00:34:47,840 --> 00:34:50,720 Speaker 1: if you don't sign it and you die, it's price. 662 00:34:51,200 --> 00:34:53,160 Speaker 1: By the way, Trevor Wicky, make sure that you Oh, 663 00:34:53,239 --> 00:34:57,319 Speaker 1: if I die, then it's worth some money. If I die, 664 00:34:57,680 --> 00:35:01,200 Speaker 1: it's like it's like a bos No. That's like twenty 665 00:35:01,200 --> 00:35:03,799 Speaker 1: million dollars. I think it might even if I die, 666 00:35:04,800 --> 00:35:07,120 Speaker 1: the only signed j D Scrubs Bob could be worth 667 00:35:07,200 --> 00:35:11,120 Speaker 1: like a thousand bucks. And and everybody knows Trevor has 668 00:35:11,160 --> 00:35:14,799 Speaker 1: it too. Trevor, are you good with the martial arts? Well, 669 00:35:15,000 --> 00:35:16,680 Speaker 1: we're not gonna say where the guy lives. We're not 670 00:35:16,719 --> 00:35:18,640 Speaker 1: gonna be people aren't gonna be coming into his house 671 00:35:18,719 --> 00:35:22,759 Speaker 1: for seventeen twenty six Ridge row Way, No, I don't know, dude. 672 00:35:24,160 --> 00:35:26,279 Speaker 1: Let's take a break. We'll be right back after these 673 00:35:26,680 --> 00:35:35,960 Speaker 1: fine words, Yo, John Michelle, and to be getting up 674 00:35:36,000 --> 00:35:38,839 Speaker 1: the show, dude. Yes. So the first face you see, 675 00:35:38,960 --> 00:35:42,239 Speaker 1: the angry neighbor is John Michelle. He is one of 676 00:35:42,320 --> 00:35:45,560 Speaker 1: our editors. He won the uh he won the Emmy 677 00:35:45,640 --> 00:35:48,359 Speaker 1: for editing Scrubs? Is he the only person to ever 678 00:35:48,400 --> 00:35:51,399 Speaker 1: win an Emmy four scrubs? Good question? Did casting win? 679 00:35:52,080 --> 00:35:54,239 Speaker 1: It's a good question. That's find out we were we were, 680 00:35:54,440 --> 00:35:56,640 Speaker 1: we were, We were nominated a bunch but we always 681 00:35:56,680 --> 00:35:59,440 Speaker 1: lost to other other more popular shows. Do you want 682 00:35:59,480 --> 00:36:03,080 Speaker 1: to answer as a bride's always a bride'smaid, never a bride? 683 00:36:03,560 --> 00:36:04,920 Speaker 1: Do you want to ask Bill this one? This is 684 00:36:04,960 --> 00:36:08,360 Speaker 1: something he might enjoy or should we ask Trevor Wicki? No, 685 00:36:08,600 --> 00:36:11,200 Speaker 1: Trevor Wicki isn't This is something he just said that 686 00:36:11,320 --> 00:36:15,000 Speaker 1: he wants to participate. You let's ask him like some 687 00:36:15,200 --> 00:36:17,919 Speaker 1: like real trivia stuff. This is something that Bill would 688 00:36:17,960 --> 00:36:20,360 Speaker 1: like to talk about. You know that olides for creating 689 00:36:20,440 --> 00:36:23,000 Speaker 1: such a wonderful show. I remember one year we got 690 00:36:23,040 --> 00:36:26,440 Speaker 1: like nominated for like a bunch of categories, but not 691 00:36:27,000 --> 00:36:28,560 Speaker 1: I don't know, I don't we never want anything, I 692 00:36:28,560 --> 00:36:30,840 Speaker 1: don't think. Well, dude, I remember the one time we 693 00:36:30,880 --> 00:36:33,799 Speaker 1: wouldson Bateman and beat me on one year and then 694 00:36:34,040 --> 00:36:36,600 Speaker 1: um Tony Shaleu beat me like every year every year. 695 00:36:36,880 --> 00:36:40,640 Speaker 1: I remember when fucking Shaloub you want every he beat everybody. 696 00:36:41,400 --> 00:36:43,239 Speaker 1: I've never seen an episode of Monk. I'm sure it's 697 00:36:43,239 --> 00:36:44,960 Speaker 1: a wonderful show. But have you ever seen episode of 698 00:36:44,960 --> 00:36:46,680 Speaker 1: a Monk? I've never watched a Monk in my life. 699 00:36:46,920 --> 00:36:49,520 Speaker 1: I've never seen episode a Monk. Okay, well, there you go. 700 00:36:49,680 --> 00:36:53,040 Speaker 1: Joel's the one who loves Monk. I think seniors love 701 00:36:53,160 --> 00:36:57,360 Speaker 1: Monk and Joel. Seniors and joiors and Joel. It's like 702 00:36:57,560 --> 00:37:02,400 Speaker 1: Matt Locke. Yeah, Daniel, have you ever seen an episode 703 00:37:02,400 --> 00:37:05,160 Speaker 1: of Monk? Yeah, yeah, I've seen a few episodes. It 704 00:37:05,280 --> 00:37:07,200 Speaker 1: must be great. I mean, the man's a wonderful actor 705 00:37:07,280 --> 00:37:09,319 Speaker 1: and yeah, but he just he's one of the best. 706 00:37:09,440 --> 00:37:11,640 Speaker 1: Man come on, No, I'm not. You know who my 707 00:37:11,719 --> 00:37:15,680 Speaker 1: favorite is, though, Like listen, you know I love Leo, 708 00:37:16,120 --> 00:37:21,319 Speaker 1: you know I love Denzel Stanley Tucci. Oh my, oh yeah, 709 00:37:23,160 --> 00:37:26,399 Speaker 1: he's great. I love me so much so that Zach 710 00:37:26,520 --> 00:37:28,279 Speaker 1: was doing a play in New York City and he 711 00:37:28,400 --> 00:37:33,239 Speaker 1: was doing it with uh who was it Sutton Foster plot? Oh, no, 712 00:37:33,480 --> 00:37:35,120 Speaker 1: which one it was? Well, you're talking about the play 713 00:37:35,120 --> 00:37:36,920 Speaker 1: I did with Sutton Foster, Bobby kind of Vali and 714 00:37:37,000 --> 00:37:41,319 Speaker 1: Ri a Greener. Yes, that was called Trust. And at 715 00:37:41,360 --> 00:37:44,759 Speaker 1: the time, you guys were, you know, would go to 716 00:37:44,880 --> 00:37:47,960 Speaker 1: that little diner or bar or whatever it is you 717 00:37:48,000 --> 00:37:50,160 Speaker 1: guys called a diner. My girlfriend calls it a diner too. 718 00:37:50,239 --> 00:37:52,800 Speaker 1: It's not a diner, it's a speakeasy. Okay, well it 719 00:37:52,880 --> 00:37:54,840 Speaker 1: looks like a diner. I'm gonna just keep it one hundred. 720 00:37:54,840 --> 00:37:57,440 Speaker 1: And because she's called it, I didn't. She called it 721 00:37:57,520 --> 00:37:59,759 Speaker 1: a speakeasy diner, and I was like, why do you 722 00:38:00,080 --> 00:38:03,400 Speaker 1: a diner? It's a speakeasy. Anyway, So we're there and 723 00:38:04,960 --> 00:38:10,040 Speaker 1: Tucci and Shalub we're doing a play together with Justin 724 00:38:11,000 --> 00:38:16,120 Speaker 1: National Treasure. What's his name, Bartha Bartha. Yeah. I love 725 00:38:16,160 --> 00:38:18,920 Speaker 1: that you call them justin National Treasure, Justin because I 726 00:38:19,080 --> 00:38:21,040 Speaker 1: couldn't think of Bartha, who later went to star in 727 00:38:21,120 --> 00:38:25,520 Speaker 1: my first play, All New People, which we performed off Broadway. 728 00:38:25,560 --> 00:38:29,839 Speaker 1: And you're going anyway. My point is I made an 729 00:38:29,920 --> 00:38:32,480 Speaker 1: ass of myself that night to Tony Shalub. I met, 730 00:38:32,560 --> 00:38:35,320 Speaker 1: I meet, I meet not Tony Shalub to Stanley Tucci. 731 00:38:35,400 --> 00:38:37,640 Speaker 1: You know I have good celebrity encounters. They're always in 732 00:38:37,680 --> 00:38:41,000 Speaker 1: batter because when I meet people who I have get nervous. 733 00:38:41,200 --> 00:38:43,200 Speaker 1: I get. So it's not that I get nervous, And 734 00:38:43,320 --> 00:38:46,719 Speaker 1: if you were to speak easy, you probably had a few, absolutely, 735 00:38:46,800 --> 00:38:49,359 Speaker 1: but I get like I get when I see people 736 00:38:49,400 --> 00:38:53,319 Speaker 1: who I appreciate and whose work moves me, I want 737 00:38:53,360 --> 00:38:56,759 Speaker 1: them to know that that happened for some reason, and 738 00:38:56,880 --> 00:38:59,560 Speaker 1: I cannot keep it to myself. And I know how 739 00:38:59,640 --> 00:39:02,160 Speaker 1: I I react to people when they are that way 740 00:39:02,200 --> 00:39:04,600 Speaker 1: towards me, and how I'm like it. You are just 741 00:39:04,719 --> 00:39:08,239 Speaker 1: a little too extra right now. That's me. I can't 742 00:39:08,280 --> 00:39:12,640 Speaker 1: help it. Um And I damn near hit on the dude, 743 00:39:12,680 --> 00:39:15,040 Speaker 1: like I'm sure he was like this guy wants to 744 00:39:15,160 --> 00:39:18,440 Speaker 1: freaking make out with me right now, Like I was. 745 00:39:19,040 --> 00:39:22,800 Speaker 1: I was like, I love you so much. Everything you 746 00:39:22,960 --> 00:39:26,960 Speaker 1: do is been the best. I can't get over it 747 00:39:27,800 --> 00:39:30,280 Speaker 1: you have, Like I was, like, your range is ridiculous. 748 00:39:30,320 --> 00:39:33,240 Speaker 1: I've seen you play gangster. I've seen you play every 749 00:39:33,440 --> 00:39:37,480 Speaker 1: you know, every every spectrum of you know, whatever it 750 00:39:37,800 --> 00:39:41,120 Speaker 1: is that is human out there, I've seen you. Like 751 00:39:41,320 --> 00:39:47,560 Speaker 1: I was like, over over myself over him, and oh 752 00:39:47,680 --> 00:39:49,040 Speaker 1: my god, I could see in his face he was like, 753 00:39:49,080 --> 00:39:51,279 Speaker 1: oh God, please get this guy away from me. Right, 754 00:39:51,480 --> 00:39:53,680 Speaker 1: And then somebody hinted him the way the reason made 755 00:39:53,680 --> 00:39:55,399 Speaker 1: people go to this place is so they don't get 756 00:39:55,440 --> 00:39:58,719 Speaker 1: bothered by people like you. Yeah, no doubt. And uh, 757 00:39:59,160 --> 00:40:01,799 Speaker 1: then I think some he spilled to him, like, yo, 758 00:40:01,920 --> 00:40:05,280 Speaker 1: that's Donald Fazon. He was on scrubs. He was in clueless. 759 00:40:05,320 --> 00:40:09,480 Speaker 1: He's he's an actor, he's done some work, he's successful. 760 00:40:09,800 --> 00:40:11,360 Speaker 1: And so he comes over to me and tries to 761 00:40:11,440 --> 00:40:14,520 Speaker 1: make amends because at first he was like, yo, dude, 762 00:40:14,600 --> 00:40:16,880 Speaker 1: back the fuck up. Oh he thought he was dismissive 763 00:40:16,960 --> 00:40:20,000 Speaker 1: of you, very dismissive. He would look for Stanley Tucci. 764 00:40:20,080 --> 00:40:21,600 Speaker 1: Then you were saying he was dismissive of you until 765 00:40:21,640 --> 00:40:23,839 Speaker 1: he knew you were famous. We were at a bar 766 00:40:24,239 --> 00:40:26,920 Speaker 1: drunk and some stranger comes up to you and does that, 767 00:40:27,000 --> 00:40:28,440 Speaker 1: I don't care who you are, you're gonna be like, 768 00:40:28,560 --> 00:40:31,279 Speaker 1: dude back. I'm not trying to say we We also 769 00:40:31,320 --> 00:40:32,680 Speaker 1: don't know what you were like. I mean, you might 770 00:40:32,719 --> 00:40:37,040 Speaker 1: be you might have been like I'm saying, I'm right, 771 00:40:37,120 --> 00:40:39,800 Speaker 1: and I'm just saying you saw me with Tom Kavanaugh 772 00:40:40,760 --> 00:40:45,960 Speaker 1: amplify that with alcohol, right, it's another story, like I'm 773 00:40:46,000 --> 00:40:50,399 Speaker 1: probably spitting on the man, like apes of my breath 774 00:40:50,560 --> 00:40:52,160 Speaker 1: was well, it might not have been bad, but it 775 00:40:52,239 --> 00:40:54,279 Speaker 1: was definitely hot and in his face, you know what 776 00:40:54,320 --> 00:40:56,960 Speaker 1: I mean. So he probably needed a napkin after you 777 00:40:57,000 --> 00:41:00,319 Speaker 1: spoke to him. Just wipe right. If Corona is, If 778 00:41:00,400 --> 00:41:03,879 Speaker 1: Corona was back, then he would probably attack. It would 779 00:41:03,920 --> 00:41:06,320 Speaker 1: be like one of those Karen moments where you know, 780 00:41:06,400 --> 00:41:09,640 Speaker 1: you attack. Oh my god, did any of the Karen 781 00:41:09,680 --> 00:41:11,920 Speaker 1: and the pizzeria getting Oh my god, there's so many Karen's. 782 00:41:12,040 --> 00:41:14,200 Speaker 1: There's a lot of Karen's now, there are a lot. 783 00:41:14,600 --> 00:41:17,080 Speaker 1: There are so many Karens that there's so many Karens 784 00:41:17,120 --> 00:41:19,160 Speaker 1: that people named Karen are like, please stop with the 785 00:41:19,600 --> 00:41:22,240 Speaker 1: turning our name into a derogatory statement. You know what's funny. 786 00:41:22,239 --> 00:41:24,319 Speaker 1: I watched the Karen video of this crazy woman out, 787 00:41:24,400 --> 00:41:26,000 Speaker 1: you know, and they're always about I might have a 788 00:41:26,200 --> 00:41:28,440 Speaker 1: right the Constitution says I don't have to wear a mask. 789 00:41:28,480 --> 00:41:31,120 Speaker 1: They're always just fucking batch it. And the one I 790 00:41:31,160 --> 00:41:33,520 Speaker 1: watched is the pizzeria and this guy started calling or 791 00:41:33,600 --> 00:41:36,920 Speaker 1: like he was screaming at it. Don't come anywhere near me. Karen, Like, 792 00:41:37,040 --> 00:41:40,200 Speaker 1: if people are starting to Karen in the videos, he 793 00:41:40,440 --> 00:41:43,000 Speaker 1: was like, you back up, Karen, all right, should we 794 00:41:43,000 --> 00:41:45,000 Speaker 1: get into the show down. We're barely talking about the show. 795 00:41:45,640 --> 00:41:49,560 Speaker 1: You're reading them in the opening scene, a skin Diver magazine. Now, 796 00:41:49,600 --> 00:41:52,600 Speaker 1: I don't know why you're reading skin Diver magazine, do you. 797 00:41:53,880 --> 00:41:56,520 Speaker 1: I think you know he's looking at a little bit 798 00:41:56,560 --> 00:42:01,040 Speaker 1: of you know, it's like Maxim. It's not Maxim. It's 799 00:42:01,080 --> 00:42:03,880 Speaker 1: like a magazine for people that go like free diving. 800 00:42:06,760 --> 00:42:08,440 Speaker 1: I think it was just a prop on the on 801 00:42:08,520 --> 00:42:10,720 Speaker 1: the on the on the coffee table, and you probably 802 00:42:10,760 --> 00:42:12,840 Speaker 1: picked it up and decided your character was reading a 803 00:42:12,920 --> 00:42:15,840 Speaker 1: magazine skin Diver. Didn't sound like that to me for 804 00:42:15,960 --> 00:42:19,120 Speaker 1: some reason, some reason, when you said skin diver just now, 805 00:42:19,200 --> 00:42:22,879 Speaker 1: it sounded like turk I was looking at, you know, oh, 806 00:42:23,000 --> 00:42:24,880 Speaker 1: like a Playboy Maxim kind of thing. No, it wasn't that. 807 00:42:24,960 --> 00:42:26,560 Speaker 1: If you look at the cover, it's like it looks 808 00:42:26,560 --> 00:42:32,720 Speaker 1: like a diving thing. Okay, you know, hey, props or props. 809 00:42:33,040 --> 00:42:35,120 Speaker 1: I think you know, we're not allowed to just hold 810 00:42:35,160 --> 00:42:38,200 Speaker 1: up any real magazines, so there's often like bullshit magazines 811 00:42:38,320 --> 00:42:41,200 Speaker 1: lying around, and I imagine you were like, maybe Turk's 812 00:42:41,200 --> 00:42:46,360 Speaker 1: reading a magazine. Yeah, maybe. I don't read any magazines anymore. 813 00:42:47,040 --> 00:42:49,080 Speaker 1: I don't when's the last time you read a magazine. 814 00:42:49,840 --> 00:42:55,960 Speaker 1: I subscribe to Architectural Digests because I love architecture and design. 815 00:42:56,239 --> 00:43:02,880 Speaker 1: I subscribe to UM American Cinematographer because I love cinematography 816 00:43:03,040 --> 00:43:07,640 Speaker 1: and geek out on camera toys. But you can get 817 00:43:07,680 --> 00:43:09,920 Speaker 1: all of these online, I know, But I like a 818 00:43:10,040 --> 00:43:12,680 Speaker 1: physical thing to hold still. And then what do you 819 00:43:12,719 --> 00:43:14,520 Speaker 1: do after I get this? I get the Sunday New 820 00:43:14,600 --> 00:43:16,640 Speaker 1: York Times and read that on Sundays. And what do 821 00:43:16,680 --> 00:43:18,600 Speaker 1: you do after when you what do you do with 822 00:43:18,680 --> 00:43:22,160 Speaker 1: it after you're done reading it? Um? What do you 823 00:43:22,239 --> 00:43:24,319 Speaker 1: do after you're done reading it? I throw them out? 824 00:43:24,360 --> 00:43:28,440 Speaker 1: I mean I recycled them like a good citizen. I 825 00:43:28,600 --> 00:43:30,360 Speaker 1: like a physical magazine. I used to buy them in 826 00:43:30,360 --> 00:43:31,840 Speaker 1: the airport when I was flying. I don't really do 827 00:43:31,960 --> 00:43:35,120 Speaker 1: that anymore. You got your phone. You used to read, Um, 828 00:43:37,160 --> 00:43:40,040 Speaker 1: what did you say the What was the magazine that 829 00:43:40,080 --> 00:43:43,640 Speaker 1: you said was Black Maxim King? I used to read King. 830 00:43:48,560 --> 00:43:51,919 Speaker 1: You used to love King. I still love King. Wasn't 831 00:43:52,800 --> 00:43:55,439 Speaker 1: your co star Stacy Dash wasn't she on the cover 832 00:43:55,520 --> 00:43:57,600 Speaker 1: of King. She was on the cover of King. I 833 00:43:57,680 --> 00:44:00,480 Speaker 1: remember it was very people owned that issue. Yeah, I 834 00:44:00,520 --> 00:44:04,360 Speaker 1: think it was a very naughty photograph if I recall. Listen, 835 00:44:04,560 --> 00:44:08,640 Speaker 1: you know when Stacy Dash does anything that is naughty, 836 00:44:08,800 --> 00:44:13,240 Speaker 1: people pay attention. Yeah, she's um, she she she, She's 837 00:44:13,719 --> 00:44:18,280 Speaker 1: a unique gal. That's Stacy Dash. We have a picture 838 00:44:18,400 --> 00:44:22,480 Speaker 1: we ran into her, right, she was wearing a cowboy hat. Yeah, dude, no, 839 00:44:22,600 --> 00:44:26,640 Speaker 1: yeah yeah yeah yeah yeah yeah like the cowboy hat. Yes, 840 00:44:26,760 --> 00:44:30,080 Speaker 1: all right, let's let's go off Stacy Dash and um 841 00:44:30,440 --> 00:44:34,239 Speaker 1: talk about David Copperfield. I remember it when he did 842 00:44:34,320 --> 00:44:37,000 Speaker 1: that was pretty cool. That was very cool. Yeah. And 843 00:44:37,840 --> 00:44:40,320 Speaker 1: John Ritter also back on this. I didn't even know 844 00:44:40,480 --> 00:44:42,359 Speaker 1: I would have gotten it wrong that John Ritter did 845 00:44:42,400 --> 00:44:45,960 Speaker 1: another cameo. This one was was a quick little fantasy 846 00:44:46,040 --> 00:44:49,040 Speaker 1: pop that I that I learned from Scrubs Wiki was 847 00:44:49,120 --> 00:44:51,760 Speaker 1: done on the set of his show Eight Simple Rules. 848 00:44:52,360 --> 00:44:54,439 Speaker 1: So I imagine they just went to his sitcom set 849 00:44:54,520 --> 00:44:57,000 Speaker 1: and shot that quick little pop. But I had no 850 00:44:57,160 --> 00:44:59,000 Speaker 1: idea I would have totally gotten the tribute wrong that 851 00:44:59,440 --> 00:45:02,160 Speaker 1: the John ended up being in more than one episode. 852 00:45:02,360 --> 00:45:05,160 Speaker 1: I love the fact that that JD's dad never bought 853 00:45:05,239 --> 00:45:07,200 Speaker 1: him a whole bike. He just brought him parts of 854 00:45:07,280 --> 00:45:10,080 Speaker 1: the bike and he never had any money, right, and eventually, 855 00:45:10,600 --> 00:45:12,840 Speaker 1: you know, JD would have the full bike. He was like, 856 00:45:13,200 --> 00:45:16,680 Speaker 1: maybe later we could take the bike bicycle bell around 857 00:45:16,719 --> 00:45:18,880 Speaker 1: the block for spin. Yeah, And then I come back 858 00:45:18,920 --> 00:45:21,560 Speaker 1: and I go, I never did get that kickstand. But 859 00:45:21,640 --> 00:45:23,640 Speaker 1: I want to talk about Coffield because I remember Copperfield 860 00:45:23,719 --> 00:45:26,239 Speaker 1: rolled up in like a tour bus, and I thought 861 00:45:26,280 --> 00:45:29,960 Speaker 1: that was so baller that, like, you know, the guy. 862 00:45:30,400 --> 00:45:34,200 Speaker 1: I don't know why he maybe he doesn't fly. I 863 00:45:34,280 --> 00:45:36,400 Speaker 1: assume he's based in Vegas, as a lot of famous 864 00:45:36,480 --> 00:45:38,800 Speaker 1: magicians are, and maybe he doesn't fly, or maybe he 865 00:45:38,880 --> 00:45:41,719 Speaker 1: did his show and said let's hop on the tour 866 00:45:41,800 --> 00:45:43,400 Speaker 1: bus and I'll go to sleep and take me to 867 00:45:43,719 --> 00:45:46,719 Speaker 1: take me to Hollywood to do my cameo. But I 868 00:45:46,840 --> 00:45:48,560 Speaker 1: just remember that I thought it was cool at the 869 00:45:48,640 --> 00:45:50,799 Speaker 1: time that Copperfield rolled up in a big old ball 870 00:45:50,880 --> 00:45:54,600 Speaker 1: or tour bus. That's crazy. You risk so much, especially 871 00:45:54,640 --> 00:45:56,520 Speaker 1: if you got to be back in Vegas in a 872 00:45:56,600 --> 00:45:58,640 Speaker 1: certain amount of time, you know what I mean. It's 873 00:45:58,680 --> 00:46:00,520 Speaker 1: pretty cool, man, if you had that, if you had 874 00:46:00,719 --> 00:46:03,120 Speaker 1: the kind of money I imagine he has, and you're 875 00:46:03,200 --> 00:46:04,880 Speaker 1: and you got to do your show, and you're like, oh, 876 00:46:04,960 --> 00:46:07,680 Speaker 1: we gotta go to do that cameo on Scrubs. All right, Jammy, 877 00:46:07,840 --> 00:46:10,560 Speaker 1: let's take the bus. I'm gonna go to sleep. We'll 878 00:46:10,600 --> 00:46:14,960 Speaker 1: wake up there. Yeah, sure, pretty baller it is. That's 879 00:46:14,960 --> 00:46:17,160 Speaker 1: gonna be like you and I and Daniel and Joel 880 00:46:17,200 --> 00:46:19,800 Speaker 1: when we're doing our our our tour of fake a 881 00:46:19,920 --> 00:46:22,759 Speaker 1: European tour. Are European tour? Yeah? Well a European tour. 882 00:46:22,800 --> 00:46:25,279 Speaker 1: I think it's more more realistically gonna happens before the 883 00:46:26,000 --> 00:46:30,160 Speaker 1: North American tour because you know, um, on account of 884 00:46:30,200 --> 00:46:34,200 Speaker 1: the we're fuckedness. But dude, holy cow, JD gets it right. 885 00:46:34,880 --> 00:46:38,239 Speaker 1: JD gets it right in this episode. Yeah, in the 886 00:46:38,360 --> 00:46:42,880 Speaker 1: beginning of the episode, JD, it's a big swing and 887 00:46:43,080 --> 00:46:48,920 Speaker 1: gets it right and gets lucky necrotizing fasciitis. Have you 888 00:46:48,960 --> 00:46:51,040 Speaker 1: ever done that before? Have you ever taken Have you 889 00:46:51,120 --> 00:46:52,799 Speaker 1: ever been like, all right, look, I have no idea 890 00:46:52,840 --> 00:46:55,080 Speaker 1: what I'm gonna do. I'm just gonna go for broke. 891 00:46:55,719 --> 00:46:57,880 Speaker 1: See what happens. Like have you ever swung for the 892 00:46:57,960 --> 00:47:01,520 Speaker 1: fences with no clue? Yeah? The ball defenses all the time, 893 00:47:02,320 --> 00:47:06,560 Speaker 1: but with no clue, with no preparation. He had an inkling. 894 00:47:06,640 --> 00:47:08,600 Speaker 1: He had an inkling. He had a gut reaction because 895 00:47:08,640 --> 00:47:10,880 Speaker 1: he had seen this on a TV show about necizing 896 00:47:11,080 --> 00:47:14,600 Speaker 1: neckortizing fasciitis, and doctor Cox says, that's fucking the rarest 897 00:47:14,640 --> 00:47:17,000 Speaker 1: thing that never happens. Shut up, and he happens to 898 00:47:17,120 --> 00:47:20,720 Speaker 1: be right, and so he had an inkling of a clue. 899 00:47:21,400 --> 00:47:24,200 Speaker 1: I feel like in life, there's times that I've taken 900 00:47:24,280 --> 00:47:26,160 Speaker 1: some big swings and they and they've worked out. I 901 00:47:26,200 --> 00:47:28,439 Speaker 1: think that's what Jade's doing. He's taken a big ass swing. 902 00:47:28,600 --> 00:47:32,000 Speaker 1: What if it's an ecortizing fasciitis And he guessed, right, 903 00:47:34,200 --> 00:47:38,640 Speaker 1: that's ballsy, man. It's a it's an amazing Uh, it's 904 00:47:38,640 --> 00:47:40,960 Speaker 1: a you know, I you know, it's a It's not 905 00:47:41,040 --> 00:47:45,399 Speaker 1: even a gut feeling. It's just Tim saying it could 906 00:47:45,520 --> 00:47:49,719 Speaker 1: be this, and I if I'm right because of the similarities. 907 00:47:49,800 --> 00:47:52,120 Speaker 1: Holy shit. And he just happened to be watching that 908 00:47:52,239 --> 00:47:54,120 Speaker 1: TV show. I mean, think about it. He saved that 909 00:47:54,160 --> 00:47:59,800 Speaker 1: guy's life because he just happened to be watching that show. Yeah, amazing. 910 00:48:00,960 --> 00:48:05,600 Speaker 1: Dete Gordon has the line finally in The Sexes, his 911 00:48:05,719 --> 00:48:09,640 Speaker 1: pooka shells are intact, are they on his neck. Yeah, 912 00:48:09,680 --> 00:48:12,640 Speaker 1: it's a choker like Joel Joel, you know, like Joelle said, 913 00:48:12,640 --> 00:48:15,400 Speaker 1: the chokers are fire. He's got like a choker, pooka 914 00:48:15,440 --> 00:48:16,920 Speaker 1: shell choker, which I didn't even know was a thing. 915 00:48:18,600 --> 00:48:19,920 Speaker 1: Do you want to do you want to ask him 916 00:48:19,960 --> 00:48:21,640 Speaker 1: about it? I'm sure we can get Yeah, why don't 917 00:48:21,640 --> 00:48:23,960 Speaker 1: we ask Deonte? That's a nice the new segment. Here's 918 00:48:24,080 --> 00:48:27,040 Speaker 1: here's a here's a new segment we're gonna try out today, guys, 919 00:48:27,480 --> 00:48:31,960 Speaker 1: it's ask Deonte Gordon. Dude, what the heck was up 920 00:48:32,000 --> 00:48:34,359 Speaker 1: with the pooka shells? Were they in style back then? 921 00:48:34,680 --> 00:48:37,360 Speaker 1: And if so, why did you opt for the choker? 922 00:48:37,760 --> 00:48:42,120 Speaker 1: Why not the uh like the the the the twenty 923 00:48:42,200 --> 00:48:47,239 Speaker 1: four inch? Yeah, Deonte, we'd like to know. Um, we 924 00:48:47,400 --> 00:48:50,360 Speaker 1: don't believe in two thousand and two that puka shells 925 00:48:50,360 --> 00:48:52,600 Speaker 1: were in style. Maybe we're wrong? And why are you 926 00:48:52,719 --> 00:48:56,440 Speaker 1: wearing them as a choker? We're puka shells in fashion? 927 00:48:57,520 --> 00:48:59,160 Speaker 1: You know, in my heart I want to say yes, 928 00:49:00,239 --> 00:49:04,120 Speaker 1: but I'm pretty sure two thousand and two would be like, no, dude, 929 00:49:05,000 --> 00:49:09,279 Speaker 1: it's not, it's not. Yeah, it was a choker. It 930 00:49:09,280 --> 00:49:10,600 Speaker 1: was a little tight, a little tight on the neck. 931 00:49:10,680 --> 00:49:13,400 Speaker 1: Can't lie. But it was because I got it as 932 00:49:13,440 --> 00:49:17,239 Speaker 1: a kid in Hawaii and I had found it in 933 00:49:17,440 --> 00:49:20,279 Speaker 1: an old drawer years later, and I put it on 934 00:49:20,440 --> 00:49:24,359 Speaker 1: one day and the class got stuck and I had 935 00:49:24,400 --> 00:49:27,320 Speaker 1: to go to set, and I decided, you know what, 936 00:49:27,520 --> 00:49:30,680 Speaker 1: I'm just gonna rock it because I couldn't think of 937 00:49:30,800 --> 00:49:34,480 Speaker 1: anything friendlier than a guy wearing a puka shell necklace. 938 00:49:34,880 --> 00:49:37,320 Speaker 1: And Scrubs was coming a big show, so you know, 939 00:49:37,480 --> 00:49:39,400 Speaker 1: I want to stand out a little bit. And you 940 00:49:39,440 --> 00:49:41,800 Speaker 1: know what's friendlier than the guy in a puka shell necklace. 941 00:49:41,800 --> 00:49:45,279 Speaker 1: I couldn't think of anything nothing friendlier. All right, guys, 942 00:49:45,280 --> 00:49:48,400 Speaker 1: I love you even when you're clowning. Thank you, Deonte, 943 00:49:48,440 --> 00:49:51,520 Speaker 1: Thank you Deonte. That's our new segment, asked Deonte, who 944 00:49:52,080 --> 00:49:55,120 Speaker 1: to refresh your memory? Was Donald stand In and also 945 00:49:55,239 --> 00:49:58,960 Speaker 1: our friend and cohort on the Scrub set and in 946 00:49:59,080 --> 00:50:01,560 Speaker 1: this episode has two lines as and he has a 947 00:50:01,680 --> 00:50:05,040 Speaker 1: name we learned Frank Mark. No, I think it's Mark, 948 00:50:05,080 --> 00:50:07,640 Speaker 1: and that's why he's pissed at me. His name is Frank. 949 00:50:08,040 --> 00:50:11,280 Speaker 1: Got it hey, and that we never knew that Deante 950 00:50:11,440 --> 00:50:15,120 Speaker 1: the Orderly's character had a name Frank. I think this 951 00:50:15,160 --> 00:50:17,840 Speaker 1: would probably be the last time Deonta's on the show. No, 952 00:50:18,080 --> 00:50:20,080 Speaker 1: that's not true. You think we'll have him back again 953 00:50:20,520 --> 00:50:27,600 Speaker 1: on the podcast, as as Frank Oh on Scrubs. I'm sure, 954 00:50:28,360 --> 00:50:38,640 Speaker 1: I'm sure of it. Um, Alan Ruck is on the show. 955 00:50:39,600 --> 00:50:42,359 Speaker 1: Most of you might remember him from Ferris Bueller's Day Off. Yes, 956 00:50:42,520 --> 00:50:51,719 Speaker 1: when Cameron was in Egypt's land, Let my Cameron, God 957 00:50:51,880 --> 00:50:55,040 Speaker 1: says these things. Let my Cameron go. I know that 958 00:50:55,160 --> 00:50:57,160 Speaker 1: Cameron's so uptight that if you shove a piece of 959 00:50:57,200 --> 00:50:59,840 Speaker 1: coal up his ass in a month, you'd have a diamond. 960 00:51:00,440 --> 00:51:02,160 Speaker 1: Is it a month or two weeks? I don't know. 961 00:51:02,320 --> 00:51:04,520 Speaker 1: I don't remember. It's on something like that. In two 962 00:51:04,560 --> 00:51:07,839 Speaker 1: weeks you have a diamond. That's a very woody joke. Um, 963 00:51:07,960 --> 00:51:10,120 Speaker 1: he's a very funny man. He was on Spin City 964 00:51:11,000 --> 00:51:15,480 Speaker 1: and this continues the Bill Lawrence tradition of asking cast 965 00:51:15,560 --> 00:51:19,760 Speaker 1: members from his old show Spin City to come to cameos. 966 00:51:19,840 --> 00:51:23,000 Speaker 1: He had, Heather, we had. We eventually have them all, 967 00:51:23,440 --> 00:51:30,560 Speaker 1: most of them, I believe. Um, Richard Kind, I have Yabba, 968 00:51:31,040 --> 00:51:33,839 Speaker 1: I have Yeah, Yes, i'd been to the zoo go on. Yes. 969 00:51:34,280 --> 00:51:36,600 Speaker 1: He said like this is only you would only get 970 00:51:36,640 --> 00:51:39,719 Speaker 1: this disease if you had spent time in some rare 971 00:51:39,840 --> 00:51:43,239 Speaker 1: part of Africa amongst amongst these animals, I have been 972 00:51:43,280 --> 00:51:45,600 Speaker 1: to the zoo. Go on, I have been to the zoo. 973 00:51:45,880 --> 00:51:51,960 Speaker 1: Go on. Richard Kind is very good gopher. I'll bet 974 00:51:52,040 --> 00:51:56,000 Speaker 1: you didn't know this trivia George Clooney's best friend. I didn't. 975 00:51:56,040 --> 00:51:57,680 Speaker 1: I wonder if he got some of that money for that. 976 00:51:58,200 --> 00:52:00,719 Speaker 1: I think he did. Oh no, no, that. But the 977 00:52:01,040 --> 00:52:03,440 Speaker 1: you know the famous anecdote where George Clooney gave all 978 00:52:03,480 --> 00:52:07,839 Speaker 1: his friends a million bucks. That wasn't after the tequila well, 979 00:52:07,920 --> 00:52:09,680 Speaker 1: I think I think. I think it was after he 980 00:52:09,840 --> 00:52:13,239 Speaker 1: accidentally stumbled into a billion dollars tequila business. It was 981 00:52:13,320 --> 00:52:15,959 Speaker 1: before it was. Imagine you're sitting around with your friends 982 00:52:16,000 --> 00:52:19,280 Speaker 1: and you're like, basically, as I understand the Cossa Migos 983 00:52:19,360 --> 00:52:21,680 Speaker 1: story is that George and Randy Gerber and a bunch 984 00:52:21,680 --> 00:52:23,400 Speaker 1: of I think it was just George and Randy Geber. 985 00:52:23,640 --> 00:52:25,320 Speaker 1: They love tequila, and they were like, you know what 986 00:52:25,880 --> 00:52:28,280 Speaker 1: we have the means like, no one's making the tequila 987 00:52:28,320 --> 00:52:30,960 Speaker 1: exactly like we like it, so let's just make it ourselves. 988 00:52:31,280 --> 00:52:33,479 Speaker 1: So they did their research and they contacted the right people, 989 00:52:33,680 --> 00:52:35,200 Speaker 1: and they made this tequila that was supposed to be 990 00:52:35,239 --> 00:52:37,120 Speaker 1: just for like them and their friends, just like super 991 00:52:37,200 --> 00:52:39,759 Speaker 1: bespoke tequila, just with them, and then all of a 992 00:52:39,800 --> 00:52:42,480 Speaker 1: sudden it catches on and becomes so big that they 993 00:52:42,560 --> 00:52:46,440 Speaker 1: make a billion dollars off Cosa Migos. That's George Clooney 994 00:52:46,440 --> 00:52:50,160 Speaker 1: accidentally made a billion dollars. It's my favorite story ever 995 00:52:50,600 --> 00:52:52,520 Speaker 1: in the history of you and I. You know, a 996 00:52:52,640 --> 00:52:57,600 Speaker 1: lot of famous duos release their own line of booze. 997 00:52:57,760 --> 00:53:01,680 Speaker 1: Um Brian Cranston and and Aaron Paul put out one. 998 00:53:02,080 --> 00:53:05,400 Speaker 1: What is it? I don't know? Okay, what is it? 999 00:53:05,520 --> 00:53:08,319 Speaker 1: Joel Gin or something? I don't know, But why don't 1000 00:53:08,320 --> 00:53:12,080 Speaker 1: you and I release our own booze? Maybe we could 1001 00:53:12,120 --> 00:53:16,480 Speaker 1: make some of that cluney billion dollars. Dude, what if 1002 00:53:16,520 --> 00:53:20,880 Speaker 1: we put out booze? Yeah, that would make me one 1003 00:53:20,920 --> 00:53:23,160 Speaker 1: of the happiest people on the planet. Let's do it. 1004 00:53:23,320 --> 00:53:25,839 Speaker 1: What kind of booze should we put out? You can't 1005 00:53:25,880 --> 00:53:29,440 Speaker 1: do something obvious that's been crushed already, like vodka and tequila. 1006 00:53:29,520 --> 00:53:31,640 Speaker 1: We can't go near that, I know, because everybody got 1007 00:53:31,680 --> 00:53:34,600 Speaker 1: a vodka. Everybody's got a vodka. We're not gonna try 1008 00:53:34,600 --> 00:53:37,440 Speaker 1: and compete with imagine we're like, yeah, it's up there 1009 00:53:37,520 --> 00:53:40,960 Speaker 1: with sarak O. Sarak is killing it too. That's like, 1010 00:53:41,120 --> 00:53:43,320 Speaker 1: I think Puffy's made more money off sarok than anything. 1011 00:53:44,840 --> 00:53:46,800 Speaker 1: I don't. I don't know that he. I don't know 1012 00:53:46,920 --> 00:53:50,399 Speaker 1: how much of Saraki owns oh. I thought I thought 1013 00:53:50,440 --> 00:53:53,440 Speaker 1: sarak was his. I don't know. I don't know it. 1014 00:53:53,560 --> 00:53:56,640 Speaker 1: All right, Well, listen, you guys are hearing it first here, 1015 00:53:57,239 --> 00:53:59,160 Speaker 1: Donald and I are going to develop our own booze. 1016 00:54:00,120 --> 00:54:03,000 Speaker 1: We all mind because because Aaron Paul and Bran Hanson 1017 00:54:03,120 --> 00:54:07,359 Speaker 1: they did a mescal Pubsombres do sambres mesical. Okay, we're 1018 00:54:07,400 --> 00:54:10,040 Speaker 1: gonna Donald, We're gonna do research. What kind of booze? 1019 00:54:10,400 --> 00:54:12,640 Speaker 1: It have to be something we both like, Well, what 1020 00:54:12,719 --> 00:54:16,560 Speaker 1: do you like? Wow? I like to kill it? Like vodka? 1021 00:54:17,560 --> 00:54:19,200 Speaker 1: Do you like like a Moscow mule? Do you like 1022 00:54:19,360 --> 00:54:22,200 Speaker 1: moscow mules? Yeah? But that's not a liquor, that's I know. 1023 00:54:22,320 --> 00:54:25,680 Speaker 1: But what if we did like a canned, a pre made, 1024 00:54:26,000 --> 00:54:30,800 Speaker 1: badass moscow mule called the a Dayo Shoon. I like 1025 00:54:30,960 --> 00:54:36,920 Speaker 1: the name, and we have the jingle ready to go. 1026 00:54:37,320 --> 00:54:43,400 Speaker 1: What you're trying to get it into? What you're trying 1027 00:54:43,440 --> 00:54:46,480 Speaker 1: to get into a day o shoon. Yeah, and then 1028 00:54:46,520 --> 00:54:48,920 Speaker 1: the commercial it's you taking a big sip of it, 1029 00:54:51,680 --> 00:54:55,600 Speaker 1: a day oshoon something that's the name of the booze 1030 00:54:55,800 --> 00:55:01,239 Speaker 1: what you try trying to get into and another person goes, oh, 1031 00:55:01,280 --> 00:55:04,520 Speaker 1: that's the commercial. No, it's you and I walking up 1032 00:55:04,520 --> 00:55:06,239 Speaker 1: to people and they're drinking it what you're trying to 1033 00:55:06,239 --> 00:55:09,359 Speaker 1: get into it, and they go, day oh my god, 1034 00:55:10,840 --> 00:55:14,080 Speaker 1: I love it. The problem that we spelled it correctly. People, um, 1035 00:55:14,560 --> 00:55:17,200 Speaker 1: they might not pronounce it. Other people with my name 1036 00:55:17,239 --> 00:55:19,279 Speaker 1: would be like, it's named after me. I'd you ever 1037 00:55:19,400 --> 00:55:21,520 Speaker 1: run into another A day of show? So it's it's 1038 00:55:21,520 --> 00:55:26,479 Speaker 1: a Nigerian name, I know. So is it popular in Nigeria? Yeah, 1039 00:55:27,800 --> 00:55:29,799 Speaker 1: I'm sure there are people. I think it's a last name, 1040 00:55:29,880 --> 00:55:32,480 Speaker 1: though I know I'm suddenly going to be confusing when 1041 00:55:32,520 --> 00:55:35,160 Speaker 1: it's when it's so popular that it's eventually sold in Nigeria. 1042 00:55:35,239 --> 00:55:39,919 Speaker 1: But let's start small. What you're trying to get into show. 1043 00:55:40,280 --> 00:55:46,080 Speaker 1: Don't forget to pull a little ruckiss on it. If 1044 00:55:46,080 --> 00:55:47,960 Speaker 1: you're singing this at home and you don't pull a 1045 00:55:48,000 --> 00:55:51,440 Speaker 1: little spice on it, you're doing it wrong. Throw some 1046 00:55:51,640 --> 00:55:55,200 Speaker 1: strowsy on it, as they you're trying to get into 1047 00:55:55,719 --> 00:56:00,800 Speaker 1: and show. Put a little nasty on it. Sprinkle some 1048 00:56:01,000 --> 00:56:04,040 Speaker 1: nasty on it. Yeah. The fact that these guys put 1049 00:56:04,200 --> 00:56:07,239 Speaker 1: rowdy in front of this dude's house fourteen times. Yeah, 1050 00:56:07,280 --> 00:56:09,840 Speaker 1: what a dick. What dicks? We are a kind of neighbor. 1051 00:56:09,920 --> 00:56:13,520 Speaker 1: You hate that. But I mean John Michelle his acting 1052 00:56:13,680 --> 00:56:17,520 Speaker 1: was okay, but when he eventually had to laugh, he 1053 00:56:17,600 --> 00:56:22,000 Speaker 1: was a little stiff. You know. John Michelle not only 1054 00:56:22,960 --> 00:56:25,800 Speaker 1: edited the show, he also directed the show. This not 1055 00:56:25,960 --> 00:56:29,040 Speaker 1: this episode, no eventually direct, but he would eventually direct. 1056 00:56:29,520 --> 00:56:33,520 Speaker 1: And I remember I remember as an editor, I guess 1057 00:56:33,560 --> 00:56:36,359 Speaker 1: you want every I guess you want everything you could 1058 00:56:36,440 --> 00:56:39,480 Speaker 1: possibly get to put it together, because not only would 1059 00:56:39,520 --> 00:56:41,680 Speaker 1: he direct the episodes, but he would edit them. And 1060 00:56:41,800 --> 00:56:45,560 Speaker 1: I remember we would do a bunch of takes for 1061 00:56:45,760 --> 00:56:48,200 Speaker 1: him because he was like, I just wanted if I 1062 00:56:48,280 --> 00:56:50,920 Speaker 1: could have it this way, great, if I could have 1063 00:56:51,000 --> 00:56:52,719 Speaker 1: it this way, it's just more things for me to 1064 00:56:52,800 --> 00:56:56,040 Speaker 1: look at. Its classic editor turn director. And I think 1065 00:56:56,080 --> 00:56:59,239 Speaker 1: it was his first shot at directing. So yeah, if 1066 00:56:59,280 --> 00:57:03,160 Speaker 1: you're gonna if you were to build a stereotypical problem 1067 00:57:03,320 --> 00:57:06,000 Speaker 1: that an editor turning director might have in the beginning 1068 00:57:06,040 --> 00:57:08,359 Speaker 1: of their career, it would be I need every single angle, 1069 00:57:08,400 --> 00:57:11,279 Speaker 1: I need every single take I need. But then you 1070 00:57:11,320 --> 00:57:14,280 Speaker 1: know I'm sure that. But his episode always they always 1071 00:57:14,320 --> 00:57:16,880 Speaker 1: turned out great, though he always had good episodes. Well, 1072 00:57:17,080 --> 00:57:18,560 Speaker 1: we were there at all four in the morning getting 1073 00:57:18,600 --> 00:57:22,760 Speaker 1: every angle. So why is it the pathologists in TV 1074 00:57:22,920 --> 00:57:27,360 Speaker 1: shows are always eating I don't know pologist. So the 1075 00:57:27,400 --> 00:57:29,800 Speaker 1: guys who did the autopsies are they always eating a sandwich? 1076 00:57:29,840 --> 00:57:31,880 Speaker 1: It's a thing, It's a it's a trope. I think. 1077 00:57:31,960 --> 00:57:34,840 Speaker 1: I think it's because they they're around death so much 1078 00:57:35,400 --> 00:57:39,720 Speaker 1: that even the smell of it can't interrupt their day. 1079 00:57:39,880 --> 00:57:43,720 Speaker 1: So like, if it's lunchtime, I could eat lunch around 1080 00:57:44,120 --> 00:57:47,440 Speaker 1: a dead body because I'm around it all the time. Right. 1081 00:57:47,520 --> 00:57:50,440 Speaker 1: The point is is that the writer is trying to 1082 00:57:50,560 --> 00:57:54,720 Speaker 1: show how how used to death and corpses this person is. 1083 00:57:54,960 --> 00:57:58,320 Speaker 1: They're so used to it, and so it's so they 1084 00:57:58,400 --> 00:58:00,600 Speaker 1: so don't care about it that they'll eat their sandwich 1085 00:58:00,720 --> 00:58:05,120 Speaker 1: over the guy's head. But I'm saying it's been done 1086 00:58:05,160 --> 00:58:07,600 Speaker 1: to death. Yeah, I love Fleebag. There's a scene in 1087 00:58:07,640 --> 00:58:10,080 Speaker 1: there where they talk about this, right, like they're going 1088 00:58:10,160 --> 00:58:12,840 Speaker 1: to see the pathologist and she's like, it's I can't remember. 1089 00:58:12,880 --> 00:58:15,320 Speaker 1: It's the smell of chemicals or something that makes them 1090 00:58:15,400 --> 00:58:19,360 Speaker 1: like crave meat. There's like a whole scene in Fleabag 1091 00:58:19,520 --> 00:58:21,360 Speaker 1: about this, and I'm trying to let me try to 1092 00:58:21,400 --> 00:58:24,200 Speaker 1: find the science on it, because it was the craziest thing. Okay, 1093 00:58:24,240 --> 00:58:26,600 Speaker 1: but that's interesting, But that's something else. What I'm saying 1094 00:58:26,760 --> 00:58:31,360 Speaker 1: is that that that the it's as common and ridiculous 1095 00:58:31,480 --> 00:58:34,000 Speaker 1: in films and TV as like they remove the rear 1096 00:58:34,080 --> 00:58:36,200 Speaker 1: view mirror in the car so you can have a 1097 00:58:36,280 --> 00:58:38,680 Speaker 1: better angle and not have a break up the frame, 1098 00:58:39,120 --> 00:58:41,240 Speaker 1: which is like just a convention that people get used 1099 00:58:41,240 --> 00:58:45,920 Speaker 1: to but is stupid. Or that all the streets are 1100 00:58:45,960 --> 00:58:48,400 Speaker 1: always wet at night because it makes the lights look pretty, 1101 00:58:48,440 --> 00:58:50,200 Speaker 1: But the cars aren't wet and the buildings aren't wet, 1102 00:58:50,240 --> 00:58:53,680 Speaker 1: just the streets wet. And in line with that, a 1103 00:58:53,840 --> 00:58:57,360 Speaker 1: pathologist doing an autopsy will usually have a bite of 1104 00:58:57,440 --> 00:59:01,920 Speaker 1: some food, right, that's you know. And speaking of speaking 1105 00:59:01,960 --> 00:59:04,320 Speaker 1: of go to jokes, I started to realize a pattern. 1106 00:59:04,960 --> 00:59:09,080 Speaker 1: Laverne always talk about Jesus, always talking about Jesus. But 1107 00:59:09,200 --> 00:59:11,600 Speaker 1: it's funny every time. It's funny every time, but it's 1108 00:59:11,640 --> 00:59:14,960 Speaker 1: always the same setup. Oh don't worry about what I think. 1109 00:59:15,400 --> 00:59:17,800 Speaker 1: What you're gonna have to worry about what Jesus thinks? 1110 00:59:17,960 --> 00:59:19,600 Speaker 1: I know, but it's her. What you're talking about, willis. 1111 00:59:19,640 --> 00:59:21,360 Speaker 1: It's funn it is what. You don't have to explain 1112 00:59:21,400 --> 00:59:24,000 Speaker 1: yourself to me. But you better get your story straight 1113 00:59:24,400 --> 00:59:27,400 Speaker 1: when you come. When you come face goes, when you 1114 00:59:27,480 --> 00:59:30,160 Speaker 1: come face to face with Jesus. Yeah, that's why I 1115 00:59:30,240 --> 00:59:34,760 Speaker 1: laughed out out of that. Yeah, Kes, she's great, She's great. 1116 00:59:35,120 --> 00:59:38,320 Speaker 1: Has he that's her, that's her thing. She talks about Jesus. 1117 00:59:39,000 --> 00:59:41,680 Speaker 1: Ted's office, he has the Plumox mug, which I liked, 1118 00:59:41,800 --> 00:59:45,760 Speaker 1: just continuing the Plumox runner. I was very happy to 1119 00:59:45,800 --> 00:59:48,400 Speaker 1: see Sam Lloyd in this episode. When he popped up. 1120 00:59:48,440 --> 00:59:51,320 Speaker 1: I got very excited about that. I know. All those 1121 00:59:51,360 --> 00:59:54,280 Speaker 1: scenes in Ted's office were always so funny. And the 1122 00:59:54,400 --> 00:59:56,400 Speaker 1: one the one with him and Sarah where he's like, 1123 00:59:56,840 --> 01:00:00,160 Speaker 1: oh my god, you're getting sued. Have you confronted? Have 1124 01:00:00,280 --> 01:00:02,600 Speaker 1: you gone back and spoke to and she goes, well, 1125 01:00:02,840 --> 01:00:05,520 Speaker 1: and he goes, oh did you did you threaten him? 1126 01:00:08,920 --> 01:00:11,440 Speaker 1: Even and she goes He goes, oh, man, even a 1127 01:00:11,560 --> 01:00:16,800 Speaker 1: good lawyer couldn't win this case. He every scene in 1128 01:00:16,880 --> 01:00:19,200 Speaker 1: that office Uh is so funny. I think we learned 1129 01:00:19,200 --> 01:00:21,080 Speaker 1: for the first time that his last name is Buckland. 1130 01:00:21,880 --> 01:00:26,040 Speaker 1: I'm assuming that's for one of our favorite directors at 1131 01:00:26,080 --> 01:00:30,200 Speaker 1: the time, Mark Buckland. And well, where else would you 1132 01:00:30,200 --> 01:00:33,000 Speaker 1: get Buckland from? It's not a common name. No, it's 1133 01:00:33,040 --> 01:00:35,720 Speaker 1: not Buckland is not a cun it seems like a 1134 01:00:35,800 --> 01:00:38,440 Speaker 1: common name. You know, Dan, what's your last name? Do 1135 01:00:38,480 --> 01:00:42,560 Speaker 1: you want to ask Dan? What's your last name? Good Man? 1136 01:00:42,800 --> 01:00:44,800 Speaker 1: Good Man? Do you not know his last name? It's 1137 01:00:44,800 --> 01:00:48,680 Speaker 1: on the zoom call It's good sounds like do you 1138 01:00:48,760 --> 01:00:51,760 Speaker 1: think it was gonna be Buckland? It sounds like that 1139 01:00:53,000 --> 01:00:55,520 Speaker 1: Cox calls me murder? She wrote, which is funny because 1140 01:00:56,120 --> 01:00:59,920 Speaker 1: I accidentally killed a patient. Right, um, Oh, I love 1141 01:01:00,000 --> 01:01:03,400 Speaker 1: It's hard. When Kelso says to Uh to Sarah, he goes, 1142 01:01:04,320 --> 01:01:07,680 Speaker 1: you had four years of college and four years of 1143 01:01:07,800 --> 01:01:10,880 Speaker 1: med school, so I can safely assume that you were 1144 01:01:10,920 --> 01:01:21,920 Speaker 1: at least eight. He was great in this episode. N 1145 01:01:22,080 --> 01:01:25,760 Speaker 1: Jenkins always great. Well, I noticed that you have really 1146 01:01:25,880 --> 01:01:28,160 Speaker 1: baggy cargo pants on. Do you remember when that was 1147 01:01:28,200 --> 01:01:30,680 Speaker 1: the style? And we both used to wear those a lot. Okay, 1148 01:01:30,680 --> 01:01:32,560 Speaker 1: I'm gonna tell you something. This is when I started 1149 01:01:32,800 --> 01:01:36,320 Speaker 1: you know, gaining weight on the show, so were hiding 1150 01:01:36,440 --> 01:01:39,560 Speaker 1: your stomach. Well, I'm not necessarily hiding my stomach, but 1151 01:01:39,600 --> 01:01:43,560 Speaker 1: I'm hiding. You know. The clothes started to change for me. 1152 01:01:43,720 --> 01:01:46,840 Speaker 1: So now I'm no longer wearing the jeans that they 1153 01:01:46,920 --> 01:01:49,040 Speaker 1: had for me because my waist had grown so much. 1154 01:01:49,360 --> 01:01:51,840 Speaker 1: I'm now wearing baggy clothes. So this is one episode 1155 01:01:51,880 --> 01:01:54,480 Speaker 1: where they hadn't gone shop at least that's what I think. 1156 01:01:54,760 --> 01:01:57,120 Speaker 1: They hadn't gone shopping for me yesterday, because I remember 1157 01:01:58,840 --> 01:02:01,960 Speaker 1: Carrie asking me about wearing the pants he was. She 1158 01:02:02,120 --> 01:02:05,720 Speaker 1: was like, you know, will you wear these instead today 1159 01:02:05,920 --> 01:02:08,040 Speaker 1: or something like that, And it was because my ass 1160 01:02:08,160 --> 01:02:12,840 Speaker 1: was getting bigger, your ass or your belly, my booty. 1161 01:02:13,400 --> 01:02:16,880 Speaker 1: So they they had to go shopping to get bigger 1162 01:02:16,960 --> 01:02:19,480 Speaker 1: clothes for you, but they hadn't gone yet, so they say, here, 1163 01:02:19,520 --> 01:02:21,960 Speaker 1: how about these baggy sweatpants. Yes, this is around the 1164 01:02:22,000 --> 01:02:26,840 Speaker 1: time where I heard Sarah talking about a fan asking 1165 01:02:26,880 --> 01:02:34,000 Speaker 1: if I was on the Crispy Creme diet. It's funny 1166 01:02:34,040 --> 01:02:35,959 Speaker 1: to you, it's not to me. I'm sorry, it didn't 1167 01:02:35,960 --> 01:02:40,840 Speaker 1: really hurt your feelings. Yeah, it hurt my feelings, Okay, 1168 01:02:41,000 --> 01:02:43,240 Speaker 1: it did it hurt your feelings enough that you took 1169 01:02:43,320 --> 01:02:48,200 Speaker 1: action and changed your habits. Yeah. Actually the next season. 1170 01:02:48,400 --> 01:02:50,320 Speaker 1: If you notice the next season when we come back, 1171 01:02:50,360 --> 01:02:53,480 Speaker 1: I'm a lot skinnier in season three. Now, are you 1172 01:02:53,520 --> 01:02:57,280 Speaker 1: going to progressively get larger throughout this season? Because something 1173 01:02:57,600 --> 01:02:59,680 Speaker 1: I'll keep an eye out for. I think your lisp 1174 01:02:59,800 --> 01:03:01,439 Speaker 1: is on. By the way, I think the brand it's gone. 1175 01:03:01,440 --> 01:03:03,840 Speaker 1: In this episode we cut them off finally. Um, you 1176 01:03:03,920 --> 01:03:05,720 Speaker 1: know what I believe. So I believe we're gonna go 1177 01:03:06,160 --> 01:03:08,760 Speaker 1: through this season and I will get heavier. This is 1178 01:03:08,880 --> 01:03:11,640 Speaker 1: also around the time where I am about to get 1179 01:03:11,680 --> 01:03:14,800 Speaker 1: a divorce from So maybe that was tied the late 1180 01:03:14,840 --> 01:03:16,920 Speaker 1: game might have been tied to the stress of your divorce. 1181 01:03:17,000 --> 01:03:21,040 Speaker 1: Perhaps maybe you know it's it's it's brewing at this point. 1182 01:03:21,120 --> 01:03:25,120 Speaker 1: At this point, I remember being like, oh man, you know, uh, 1183 01:03:25,280 --> 01:03:28,040 Speaker 1: this isn't I'm going. Well, there's something you know you 1184 01:03:28,080 --> 01:03:30,160 Speaker 1: can always meet You always can tell when you meet 1185 01:03:30,240 --> 01:03:32,920 Speaker 1: somebody who's never been divorced or never you know what 1186 01:03:32,960 --> 01:03:34,800 Speaker 1: I mean, because the first thing they say is, oh, 1187 01:03:34,840 --> 01:03:39,200 Speaker 1: I'm so sorry. You meet somebody who's been divorced, they're 1188 01:03:39,200 --> 01:03:41,480 Speaker 1: always gonna say you. You'll be like, I'm so sorry 1189 01:03:41,480 --> 01:03:42,640 Speaker 1: and they're be like, no, no, no, I got out 1190 01:03:42,680 --> 01:03:44,640 Speaker 1: of that. It's all good. Don't trip, Well, not always do. 1191 01:03:44,840 --> 01:03:48,000 Speaker 1: I think that's that's that's not true for very few times. 1192 01:03:48,200 --> 01:03:50,680 Speaker 1: There are very few times. Well, while going through it, yes, 1193 01:03:50,960 --> 01:03:55,080 Speaker 1: while going through it, it's very sad because you're remembering 1194 01:03:55,160 --> 01:03:57,160 Speaker 1: all the things that you used to do, and you're 1195 01:03:57,200 --> 01:04:02,120 Speaker 1: remembering you know, and and and and you're moving forward. 1196 01:04:02,160 --> 01:04:05,400 Speaker 1: And whenever you're moving forward and things aren't you know, 1197 01:04:05,560 --> 01:04:08,960 Speaker 1: like uh they were in the past, it's there's change. 1198 01:04:09,360 --> 01:04:11,840 Speaker 1: You know, it's a little uncomfortable for you. But when 1199 01:04:11,880 --> 01:04:13,440 Speaker 1: you're out of it, just so happy to be out 1200 01:04:13,480 --> 01:04:17,960 Speaker 1: of There's a great line in Um in Annie Hall 1201 01:04:18,080 --> 01:04:21,160 Speaker 1: where where Woody Allen says to Diane Keaton, you know, 1202 01:04:22,000 --> 01:04:26,440 Speaker 1: I think relationships um are like sharks. Um. If you 1203 01:04:26,520 --> 01:04:30,880 Speaker 1: stop moving forward, you die. And I think what we 1204 01:04:31,040 --> 01:04:36,880 Speaker 1: have here is a dead shark. So you had a 1205 01:04:36,920 --> 01:04:39,680 Speaker 1: dead shark. It didn't work out. It didn't work out, 1206 01:04:39,800 --> 01:04:42,520 Speaker 1: but guess what. And if you're listening and going through 1207 01:04:42,560 --> 01:04:46,160 Speaker 1: a divorce now Donald ended up with the love of 1208 01:04:46,320 --> 01:04:49,800 Speaker 1: his life. The man has never been happier, never been 1209 01:04:49,880 --> 01:04:53,920 Speaker 1: more in love, and talk about a blessing in disguise. 1210 01:04:54,080 --> 01:04:57,520 Speaker 1: It worked out well. You know it's when you're not 1211 01:04:57,680 --> 01:05:01,040 Speaker 1: looking for it that it works out that way. You know, well, 1212 01:05:01,080 --> 01:05:02,640 Speaker 1: you were looking for it, that's you hit on her 1213 01:05:02,680 --> 01:05:03,920 Speaker 1: in the club. And she said, then he had like 1214 01:05:04,080 --> 01:05:06,080 Speaker 1: nine keys. Yeah, but I was just trying to beat. 1215 01:05:06,160 --> 01:05:08,760 Speaker 1: I wasn't trying to day You're just trying to beat? 1216 01:05:08,840 --> 01:05:11,680 Speaker 1: What does that mean? You were trying to You were 1217 01:05:11,720 --> 01:05:16,160 Speaker 1: just trying to have intercourse? Do you remember rum? Do 1218 01:05:16,200 --> 01:05:19,040 Speaker 1: you remember the fact that's trying right now? In fact? 1219 01:05:19,240 --> 01:05:21,360 Speaker 1: Because come on, man, you knew exactly what the funk 1220 01:05:21,400 --> 01:05:23,800 Speaker 1: I meant. It just was something. It was I said 1221 01:05:23,800 --> 01:05:26,760 Speaker 1: it different and you were like, wait, hold on, all right, 1222 01:05:26,800 --> 01:05:28,640 Speaker 1: we have a guest, right, Joel, we never took a break. 1223 01:05:28,680 --> 01:05:30,720 Speaker 1: I'm sorry, Daniel, You're gonna have to put in fake breaks. 1224 01:05:31,160 --> 01:05:40,960 Speaker 1: He does it all the time. Let's go to break, guys, Rob. 1225 01:05:42,160 --> 01:05:44,920 Speaker 1: I got a new intro. Rob. I'm no longer doing Oprah. 1226 01:05:44,960 --> 01:05:48,200 Speaker 1: I'm now doing I'm now doing Kerma. Give it up 1227 01:05:48,240 --> 01:05:54,440 Speaker 1: for robbing. Bye, Bob bye, it's nice to meet you. 1228 01:05:54,600 --> 01:05:58,640 Speaker 1: I'm Zach. That's Donald, that's Daniel, that's Joel. Hello, everyone, 1229 01:05:58,720 --> 01:06:02,439 Speaker 1: this is why, thank you? How are welcome? Welcome. I'm 1230 01:06:02,480 --> 01:06:06,160 Speaker 1: doing great. How's that, Boddy? We're great? Where are you 1231 01:06:06,240 --> 01:06:12,080 Speaker 1: calling from, Bubble? I am in northern Virginia outside of Yes, 1232 01:06:12,480 --> 01:06:18,520 Speaker 1: when when Titans Virginia? That's right? Circle back to of course, 1233 01:06:20,440 --> 01:06:23,040 Speaker 1: well everyone everyone who has everyone who has a Bingo 1234 01:06:23,120 --> 01:06:25,200 Speaker 1: card was like, I can't believe Titans doesn't come up 1235 01:06:25,360 --> 01:06:29,760 Speaker 1: there from card. Well, I want to mention Gardens State too. 1236 01:06:29,880 --> 01:06:32,720 Speaker 1: My wife is from New Jersey. I like when we 1237 01:06:33,080 --> 01:06:35,760 Speaker 1: when we met, she told me she was from Jersey, 1238 01:06:35,760 --> 01:06:38,720 Speaker 1: and she said, do not say Jersey Shore. I'm from 1239 01:06:38,800 --> 01:06:42,440 Speaker 1: near Gardens State. That's what it looked like, right. Well, 1240 01:06:42,480 --> 01:06:43,880 Speaker 1: I agree with your wife. A lot of you know, 1241 01:06:43,960 --> 01:06:45,720 Speaker 1: when the Jersey short came out, a lot of US 1242 01:06:45,800 --> 01:06:48,240 Speaker 1: Jersey ins were like, um, first of all, none of 1243 01:06:48,280 --> 01:06:50,160 Speaker 1: those people are from New Jersey. They were from like 1244 01:06:50,280 --> 01:06:54,160 Speaker 1: Staten Island and other places. And and of course there 1245 01:06:54,320 --> 01:06:57,520 Speaker 1: is a sections of the beach in New Jersey where 1246 01:06:57,600 --> 01:07:02,000 Speaker 1: a lot of Jersey Shore type folks congregate, but that 1247 01:07:02,240 --> 01:07:04,680 Speaker 1: is only one section of the beach. And I just 1248 01:07:04,760 --> 01:07:09,600 Speaker 1: thought it was like the worst of press for Jersey. 1249 01:07:09,680 --> 01:07:12,080 Speaker 1: And so when I made Garden State, I didn't do 1250 01:07:12,120 --> 01:07:14,240 Speaker 1: it with this intention in mind, but I like your wife. 1251 01:07:14,280 --> 01:07:17,000 Speaker 1: I wanted to say to people like, hey, Jersey's actually 1252 01:07:17,080 --> 01:07:21,200 Speaker 1: really beautiful. It's literally called the Garden State. So the 1253 01:07:21,320 --> 01:07:23,480 Speaker 1: other thing that happens is people fly in a Newark airport. 1254 01:07:23,520 --> 01:07:26,640 Speaker 1: It's a very big international airport that's in our industrial area. 1255 01:07:26,920 --> 01:07:28,840 Speaker 1: So people fly in Newark and they look at all 1256 01:07:28,840 --> 01:07:32,280 Speaker 1: the industry and they're like, oh, fucking Jersey's grows. Meanwhile, 1257 01:07:32,280 --> 01:07:34,800 Speaker 1: it's like every fucking state has at in big industrial area. 1258 01:07:34,880 --> 01:07:36,640 Speaker 1: How do you think if you put your airport there. 1259 01:07:37,200 --> 01:07:39,720 Speaker 1: When I was shooting Emergence, we shot on the shore 1260 01:07:39,960 --> 01:07:42,000 Speaker 1: where you know, all of those things happened, and we 1261 01:07:42,080 --> 01:07:44,400 Speaker 1: shot in the off season. In the winter. That town 1262 01:07:44,560 --> 01:07:48,040 Speaker 1: is dead in the winter. It's not until summer that 1263 01:07:48,600 --> 01:07:52,320 Speaker 1: it goes off. Yeah, it's really interesting actually when it's 1264 01:07:52,360 --> 01:07:56,480 Speaker 1: actually it's the I set my play only people there 1265 01:07:56,520 --> 01:07:58,560 Speaker 1: because I went when you when you go to choose 1266 01:07:58,560 --> 01:07:59,960 Speaker 1: a show, if you're gonna rent a house for the 1267 01:08:00,080 --> 01:08:03,640 Speaker 1: summer in Jersey at the beach. Nowadays, I'm sure it's 1268 01:08:03,640 --> 01:08:04,880 Speaker 1: all online, but back in the day when I was 1269 01:08:04,880 --> 01:08:06,800 Speaker 1: a kid, used to go down there and then the 1270 01:08:06,840 --> 01:08:08,720 Speaker 1: beach would be covered in snow and it's a ghost town. 1271 01:08:08,760 --> 01:08:10,960 Speaker 1: I mean nobody there. But that's when you'd go, like, 1272 01:08:11,080 --> 01:08:12,800 Speaker 1: look at the house that you might rent for the summer, 1273 01:08:12,800 --> 01:08:15,120 Speaker 1: and always thought it was really eerie and spooky because 1274 01:08:15,440 --> 01:08:17,240 Speaker 1: there were onely like a handful of people that lived 1275 01:08:17,280 --> 01:08:19,120 Speaker 1: down there, and but it was the beach, and it 1276 01:08:19,240 --> 01:08:20,439 Speaker 1: was just like a ghost town. It looked like a 1277 01:08:20,479 --> 01:08:22,120 Speaker 1: bomb and gone off and there was just no one there. 1278 01:08:22,720 --> 01:08:26,160 Speaker 1: And uh and um, so I sat this play that 1279 01:08:26,200 --> 01:08:28,360 Speaker 1: I wrote, I sat like down there in the winter. 1280 01:08:28,640 --> 01:08:31,760 Speaker 1: But anyway, sorry, Bob, we digress again. What's your question 1281 01:08:31,880 --> 01:08:37,719 Speaker 1: for us? Sir h I love Scrubs, but both Zach 1282 01:08:37,760 --> 01:08:41,320 Speaker 1: and Donald, you guys have been on the best television 1283 01:08:41,360 --> 01:08:47,800 Speaker 1: show of all time, Sesame Street. Oh yeah, about being 1284 01:08:47,920 --> 01:08:50,519 Speaker 1: on Sesame Street. I got a four year old and 1285 01:08:50,600 --> 01:08:54,240 Speaker 1: a seven year old. Yeah, I loved it. I cut 1286 01:08:54,360 --> 01:08:57,600 Speaker 1: my teeth on Sesame Street. Go ahead. Yeah, you were on. 1287 01:08:57,720 --> 01:08:59,720 Speaker 1: You were on when you were a child. I was on, 1288 01:09:00,240 --> 01:09:06,599 Speaker 1: not as a child, but so before clueless, before all 1289 01:09:06,680 --> 01:09:09,000 Speaker 1: of those things. I was a New York actor, and 1290 01:09:09,080 --> 01:09:12,840 Speaker 1: in New York, you know, it was for actors at 1291 01:09:12,920 --> 01:09:15,680 Speaker 1: the time. If you weren't living in Los Angeles and 1292 01:09:15,760 --> 01:09:18,040 Speaker 1: you were living in any city that you know, did 1293 01:09:18,120 --> 01:09:24,880 Speaker 1: commercials or had a production in town. It was like 1294 01:09:24,920 --> 01:09:26,519 Speaker 1: it felt like the trenches, you know what I mean. 1295 01:09:26,560 --> 01:09:28,320 Speaker 1: So if you're not doing play in New York City, 1296 01:09:28,360 --> 01:09:32,639 Speaker 1: if you're not doing plays, you know, you're most likely 1297 01:09:32,680 --> 01:09:37,080 Speaker 1: auditioning for auditioning for commercials. And it felt like at 1298 01:09:37,120 --> 01:09:39,120 Speaker 1: the time, every commercial came out of New York City, 1299 01:09:39,520 --> 01:09:42,599 Speaker 1: and you know, there were only you know, there were 1300 01:09:42,720 --> 01:09:46,280 Speaker 1: shows there, like The Cosby Show, was there, NYPD Blue, 1301 01:09:46,400 --> 01:09:48,640 Speaker 1: New York Undercover, but there weren't a lot of them, 1302 01:09:48,720 --> 01:09:51,880 Speaker 1: and so you would be going up for these local 1303 01:09:52,040 --> 01:09:55,400 Speaker 1: shows against all your friends, people you knew, and it 1304 01:09:55,520 --> 01:09:57,479 Speaker 1: just really felt like you were in the trenches, like 1305 01:09:57,560 --> 01:10:03,679 Speaker 1: you were fighting for one job with thousands and thousands 1306 01:10:03,720 --> 01:10:06,040 Speaker 1: and thousands of people, where As when you come to LA, 1307 01:10:06,160 --> 01:10:08,800 Speaker 1: it seems it seems like there was a job. You know, 1308 01:10:09,040 --> 01:10:11,760 Speaker 1: the way they talked about LA when you lived in 1309 01:10:11,840 --> 01:10:15,759 Speaker 1: New York was there's a job they grow on trees 1310 01:10:16,000 --> 01:10:20,120 Speaker 1: out in LA. And so Sesame Street was one of 1311 01:10:20,200 --> 01:10:24,120 Speaker 1: those shows that it was like, you know, they're looking 1312 01:10:24,240 --> 01:10:27,559 Speaker 1: for a new character, looking for new characters on Sesame Street, 1313 01:10:28,040 --> 01:10:32,120 Speaker 1: and everybody in their mama went out for Sesame Street. 1314 01:10:32,120 --> 01:10:35,080 Speaker 1: I wound up getting it, uh with Eugene Byrd, who's 1315 01:10:35,320 --> 01:10:38,640 Speaker 1: on He's He's in a bunch of movie. He was 1316 01:10:38,720 --> 01:10:43,640 Speaker 1: in what was then eminem movie eight Mile. He's in 1317 01:10:44,040 --> 01:10:47,000 Speaker 1: He's in eight Mile. He's the one that steals Brittany 1318 01:10:47,080 --> 01:10:53,320 Speaker 1: Murphy from Marshall Mathers in the movie. Anyway, we got, 1319 01:10:53,520 --> 01:10:56,639 Speaker 1: we got Sesame Street, and it was he was already 1320 01:10:56,760 --> 01:10:58,960 Speaker 1: on it, and then he had a group of friends 1321 01:10:59,560 --> 01:11:02,800 Speaker 1: that he would bring on to help him, like he 1322 01:11:02,920 --> 01:11:08,160 Speaker 1: was a handyman. And something happened where the other guys 1323 01:11:08,320 --> 01:11:11,960 Speaker 1: Eugene left and the other guys I guess Sesame Street 1324 01:11:12,000 --> 01:11:14,880 Speaker 1: didn't like or you know, did something that I don't 1325 01:11:14,880 --> 01:11:16,760 Speaker 1: know what it was, but they kept me around for 1326 01:11:16,880 --> 01:11:18,960 Speaker 1: a bit and I got to, you know, hang out 1327 01:11:19,000 --> 01:11:21,360 Speaker 1: and do I did like something like six or seven 1328 01:11:21,439 --> 01:11:26,400 Speaker 1: episodes of Sesame Street. I grew up with Savion Glover. 1329 01:11:26,520 --> 01:11:28,720 Speaker 1: I known him since I was a kid, and he 1330 01:11:28,840 --> 01:11:30,439 Speaker 1: was on Sesame Street at the time. So it was 1331 01:11:30,479 --> 01:11:33,280 Speaker 1: just kind of cool to see somebody who was very 1332 01:11:33,360 --> 01:11:38,080 Speaker 1: successful in life was a famous tap dancer. He was 1333 01:11:38,200 --> 01:11:41,599 Speaker 1: already a he was he was already famous. He hadn't 1334 01:11:41,600 --> 01:11:43,320 Speaker 1: done bring the noise, bringing the funk yet, but he 1335 01:11:43,400 --> 01:11:45,920 Speaker 1: had already done like the movie Tap. He had already 1336 01:11:45,960 --> 01:11:49,240 Speaker 1: been huge, and so it was like, holy cow, I'm 1337 01:11:49,320 --> 01:11:53,160 Speaker 1: doing scenes with Savion and it felt, you know, I'm legit. 1338 01:11:53,479 --> 01:11:55,960 Speaker 1: You know. I remember when I came out to LA 1339 01:11:56,040 --> 01:11:57,840 Speaker 1: and I had this like big audition and I walked 1340 01:11:57,840 --> 01:12:01,200 Speaker 1: in and it was all of these famous actors like 1341 01:12:01,400 --> 01:12:05,000 Speaker 1: Dante Bosco who was in Hook he played Rufio and Hook, 1342 01:12:05,439 --> 01:12:08,920 Speaker 1: and you know, like a ship ton of the cast 1343 01:12:09,040 --> 01:12:12,599 Speaker 1: from Saved by the Bell, you know, and other things. 1344 01:12:13,320 --> 01:12:15,799 Speaker 1: And I hadn't I didn't have anything on my resume 1345 01:12:15,920 --> 01:12:18,559 Speaker 1: at the time, like you know, Clueless hadn't come out, 1346 01:12:18,720 --> 01:12:23,360 Speaker 1: and they were all talking about what they had worked on, 1347 01:12:24,040 --> 01:12:26,360 Speaker 1: and I was off in the corner and I wanted 1348 01:12:26,400 --> 01:12:28,639 Speaker 1: to be a part of it so bad. I walked 1349 01:12:28,680 --> 01:12:30,280 Speaker 1: in between them all and I was like, yo, well, 1350 01:12:30,280 --> 01:12:33,120 Speaker 1: you know, I was on Sesame Street and stuff. And 1351 01:12:33,280 --> 01:12:36,479 Speaker 1: I could see in their faces they were like Sesme Street. 1352 01:12:37,560 --> 01:12:39,800 Speaker 1: But I was so confident because of you know what 1353 01:12:39,960 --> 01:12:42,720 Speaker 1: Sesame Street meant to me growing up, as as it 1354 01:12:42,760 --> 01:12:46,840 Speaker 1: probably will to your four year old. Um. I did 1355 01:12:46,920 --> 01:12:51,840 Speaker 1: it relatively recently. I was on with Telly, I believe, 1356 01:12:52,720 --> 01:12:56,559 Speaker 1: and Um, I did a thing about explaining the word 1357 01:12:56,640 --> 01:13:01,880 Speaker 1: anxious to two children, and it's really funny. If you 1358 01:13:02,000 --> 01:13:04,040 Speaker 1: get a chance, go look on YouTube and just put 1359 01:13:04,120 --> 01:13:07,120 Speaker 1: in my name Sesame Street anxious. It comes up. But 1360 01:13:07,240 --> 01:13:09,200 Speaker 1: it's funny. There was a whole bit where we were 1361 01:13:09,280 --> 01:13:11,040 Speaker 1: both worried. Telling and I were both worried about what 1362 01:13:11,200 --> 01:13:13,559 Speaker 1: was in this box, and we were using that as 1363 01:13:13,640 --> 01:13:16,320 Speaker 1: a as a means of trying to describe to kids 1364 01:13:16,360 --> 01:13:19,759 Speaker 1: the word anxious. And I'm like, oh, now I'm anxious, 1365 01:13:19,760 --> 01:13:21,960 Speaker 1: and Tell He's like, I'm anxious too, and I and 1366 01:13:22,040 --> 01:13:23,479 Speaker 1: then I all of a sudden, I go, what's in 1367 01:13:23,560 --> 01:13:27,000 Speaker 1: the box. What's in the bar? That's what's in the box. 1368 01:13:27,080 --> 01:13:29,240 Speaker 1: I got like a whole seven reference into you and 1369 01:13:29,360 --> 01:13:32,920 Speaker 1: Brad Pitt. You and Brad Pitt. I went Brad Pitt seven. 1370 01:13:33,080 --> 01:13:35,880 Speaker 1: So now let's talk about this again. I like his work. 1371 01:13:35,920 --> 01:13:38,240 Speaker 1: I'm not trying to dock him. Dude, You're totally trying 1372 01:13:38,280 --> 01:13:41,080 Speaker 1: to dock Brad Pitt because I like seven. I'm not 1373 01:13:41,160 --> 01:13:43,599 Speaker 1: trying to dock Brad. You see, this is what I'm 1374 01:13:43,600 --> 01:13:45,439 Speaker 1: talking about. I said, I like Leo, and I'm trying 1375 01:13:45,479 --> 01:13:49,280 Speaker 1: to dock Leo. You like brad if I like Leo 1376 01:13:49,360 --> 01:13:51,640 Speaker 1: and I'm trying to dock, if that's what that's all right, 1377 01:13:51,760 --> 01:13:53,840 Speaker 1: neither one of us, neither one of us are trying 1378 01:13:53,880 --> 01:13:56,920 Speaker 1: to dock. Okay, clear to love. I do love the 1379 01:13:57,000 --> 01:13:59,600 Speaker 1: movie seven a lot. That's not all you love? You 1380 01:13:59,640 --> 01:14:03,040 Speaker 1: love five Club. Yeah, well Bride's a great actor. Yeah, 1381 01:14:03,160 --> 01:14:06,920 Speaker 1: so's Leo. Oh my god, Bob, thank you. Do you 1382 01:14:06,960 --> 01:14:11,120 Speaker 1: have another question? Yeah, I'm a I'm a seventh grade 1383 01:14:11,160 --> 01:14:14,640 Speaker 1: teacher here in Virginia. Cool, and I just wanted to 1384 01:14:14,720 --> 01:14:18,920 Speaker 1: know if you guys had a story about your favorite teacher. 1385 01:14:19,040 --> 01:14:23,960 Speaker 1: We love, we love hearing from my students, and you know, 1386 01:14:24,080 --> 01:14:25,439 Speaker 1: we love when they reach out to us. I don't 1387 01:14:25,439 --> 01:14:27,240 Speaker 1: always remember him. I got a lot of students come 1388 01:14:27,280 --> 01:14:29,519 Speaker 1: through my classroom, but I love it when they when 1389 01:14:29,560 --> 01:14:31,439 Speaker 1: they contact us. So I wonder if you guys had 1390 01:14:31,479 --> 01:14:35,719 Speaker 1: a how do they impact you? What? What? So many? 1391 01:14:36,720 --> 01:14:38,840 Speaker 1: So many? I have so many too. But there's one 1392 01:14:38,880 --> 01:14:42,080 Speaker 1: teacher that I had that was so awesome and his 1393 01:14:42,200 --> 01:14:46,000 Speaker 1: name was mister Hurton. He was a history teacher, as 1394 01:14:46,000 --> 01:14:50,599 Speaker 1: am I and uh and you know I had him 1395 01:14:50,640 --> 01:14:54,120 Speaker 1: in high school my senior year, and I thought we 1396 01:14:54,240 --> 01:14:57,479 Speaker 1: had like a vibe like because I was a good student. 1397 01:14:57,960 --> 01:15:01,240 Speaker 1: I you know, history was a lot of fun for me. 1398 01:15:01,320 --> 01:15:07,760 Speaker 1: I'd liked to study history, and you know, he was 1399 01:15:07,840 --> 01:15:10,080 Speaker 1: one of those cats that you know, when Black History 1400 01:15:10,160 --> 01:15:13,280 Speaker 1: Month came around, we could talk about we would talk 1401 01:15:13,280 --> 01:15:15,960 Speaker 1: about black history for the whole month, you know what 1402 01:15:16,040 --> 01:15:22,840 Speaker 1: I mean. And he was an awesome history teacher. I 1403 01:15:23,000 --> 01:15:27,439 Speaker 1: never did homework in the class though, you know what 1404 01:15:27,479 --> 01:15:30,200 Speaker 1: I mean, Like I would always do I would always 1405 01:15:30,280 --> 01:15:35,360 Speaker 1: ace my tests, like literally get nineties on tests, a 1406 01:15:35,560 --> 01:15:40,720 Speaker 1: hundreds on tests. But I never did homework. It's my 1407 01:15:40,880 --> 01:15:45,880 Speaker 1: senior year, and I'm thinking, well, I'm gonna definitely I'm 1408 01:15:45,880 --> 01:15:48,519 Speaker 1: gonna I don't need to worry about history because that's 1409 01:15:48,600 --> 01:15:51,519 Speaker 1: my favorite subject and I'm crushing it in history. I 1410 01:15:51,600 --> 01:15:53,600 Speaker 1: remember having to go to other teachers and be like 1411 01:15:53,840 --> 01:15:58,040 Speaker 1: and beg for just a sixty so I could graduate. Right, 1412 01:15:59,360 --> 01:16:02,960 Speaker 1: I didn't worry about history. I passed every class in 1413 01:16:03,040 --> 01:16:06,639 Speaker 1: my senior year. Now, granted, I had messed around throughout 1414 01:16:06,720 --> 01:16:09,120 Speaker 1: high school. I had gotten left back, I went to 1415 01:16:09,200 --> 01:16:14,599 Speaker 1: summer school, and then you know, in my junior year, 1416 01:16:14,640 --> 01:16:16,800 Speaker 1: I went to summer school so I could graduate on time. 1417 01:16:17,120 --> 01:16:19,160 Speaker 1: I had done all of these things to make it 1418 01:16:19,240 --> 01:16:21,240 Speaker 1: so that I graduated when I was supposed to graduate, 1419 01:16:22,680 --> 01:16:26,840 Speaker 1: and begged all my teachers to give me. Look, I 1420 01:16:26,920 --> 01:16:28,920 Speaker 1: know I'm not passing. I know I got like a 1421 01:16:29,000 --> 01:16:30,800 Speaker 1: fifty nine right now, But if you could just figure 1422 01:16:30,840 --> 01:16:32,800 Speaker 1: out a way to just turn my fifty nine into 1423 01:16:32,840 --> 01:16:37,200 Speaker 1: a sixty, help a brother out the one class that 1424 01:16:37,280 --> 01:16:40,519 Speaker 1: I didn't worry about. Mister Hurt gives me a fifty 1425 01:16:40,920 --> 01:16:44,280 Speaker 1: nine instead of a sixty, and I had to go 1426 01:16:44,320 --> 01:16:46,280 Speaker 1: to summer school to get my diploma. He taught you 1427 01:16:46,360 --> 01:16:48,640 Speaker 1: a lesson, though he did teach me a lesson. And 1428 01:16:48,720 --> 01:16:51,559 Speaker 1: then so one day he hits me up on Facebook like, Donald, 1429 01:16:51,600 --> 01:16:53,400 Speaker 1: I'm so proud of you. I want to be honest 1430 01:16:53,439 --> 01:16:57,639 Speaker 1: with you. I always knew you'd you'd you'd be where 1431 01:16:57,720 --> 01:17:00,000 Speaker 1: you are today. You had such charisma in high school 1432 01:17:00,640 --> 01:17:02,080 Speaker 1: whatever it is now. I went to a high school 1433 01:17:02,080 --> 01:17:04,040 Speaker 1: with a bunch of actors and entertainers and other everything, 1434 01:17:04,120 --> 01:17:05,439 Speaker 1: and so it meant a lot for me to hear that. 1435 01:17:05,760 --> 01:17:10,519 Speaker 1: But then I remembered, motherfucker, you're the one that gave 1436 01:17:10,600 --> 01:17:13,840 Speaker 1: me a fifty nine instead of a sexty and I 1437 01:17:13,960 --> 01:17:15,960 Speaker 1: had to go to summer school. And I remember telling 1438 01:17:16,080 --> 01:17:19,040 Speaker 1: him that he was like I did that. He was like, ah, whatever, man, 1439 01:17:19,160 --> 01:17:21,559 Speaker 1: but I'm so proud of you. So missen to hurt 1440 01:17:22,160 --> 01:17:25,200 Speaker 1: my favorite teacher all time. Well, I just want to 1441 01:17:25,240 --> 01:17:29,080 Speaker 1: say there's a lot, Bob. I have a lot of 1442 01:17:29,160 --> 01:17:32,120 Speaker 1: fond memories of certain teachers. And there was a TV 1443 01:17:32,320 --> 01:17:35,799 Speaker 1: teacher at my high school that really got me into 1444 01:17:36,320 --> 01:17:38,880 Speaker 1: like working, and we had like a little TV station 1445 01:17:38,960 --> 01:17:41,840 Speaker 1: and I love that. And mister Mullen, he was so 1446 01:17:42,000 --> 01:17:44,320 Speaker 1: supportive of my I'd make these little short films and 1447 01:17:45,080 --> 01:17:47,120 Speaker 1: I think he could really tell that I was passionate 1448 01:17:47,160 --> 01:17:50,400 Speaker 1: about it. And I remember earlier there was an English teacher, 1449 01:17:50,720 --> 01:17:54,040 Speaker 1: Miss Petrolia, who for the first time, was introducing us 1450 01:17:54,120 --> 01:17:58,360 Speaker 1: to poetry and I really really responded to. At the time, 1451 01:17:58,400 --> 01:18:00,599 Speaker 1: we thought, oh, we have to memorize these Robert Frost 1452 01:18:00,720 --> 01:18:02,640 Speaker 1: poems and stuff, and I remember thinking like, this is 1453 01:18:02,720 --> 01:18:06,720 Speaker 1: so stupid. But I grew to really love poetry and 1454 01:18:07,080 --> 01:18:12,200 Speaker 1: ultimately in college got into Shakespeare and so um. I 1455 01:18:12,280 --> 01:18:15,120 Speaker 1: have a lot of fond memories of teachers. And so 1456 01:18:15,360 --> 01:18:18,280 Speaker 1: I'm sure other students have told you this before, but 1457 01:18:19,520 --> 01:18:22,839 Speaker 1: you guys make such a difference in people's lives, particularly 1458 01:18:22,880 --> 01:18:25,600 Speaker 1: if you're a good teacher, because you know, some of 1459 01:18:25,720 --> 01:18:29,599 Speaker 1: us have memories of teachers that weren't weren't weren't effective, 1460 01:18:29,760 --> 01:18:32,560 Speaker 1: or or we felt were condescending. But the ones I 1461 01:18:32,680 --> 01:18:36,280 Speaker 1: really remember are ones that that were just so pure 1462 01:18:36,320 --> 01:18:38,600 Speaker 1: and honest about it. They really were excited about what 1463 01:18:38,680 --> 01:18:41,680 Speaker 1: they were teaching and that and that landed in us. 1464 01:18:41,800 --> 01:18:44,479 Speaker 1: That was transferred because we I mean this, this woman, 1465 01:18:44,520 --> 01:18:46,840 Speaker 1: Miss Petrolea, got me excited about poetry. She got me 1466 01:18:46,880 --> 01:18:52,800 Speaker 1: excited about reading literature, and her passion came through. You know, dude, 1467 01:18:52,840 --> 01:18:55,280 Speaker 1: I totally understand what you're saying when you say stuff 1468 01:18:55,360 --> 01:18:58,320 Speaker 1: like that. Like I had one teacher and he was 1469 01:18:58,360 --> 01:19:02,120 Speaker 1: just my guidance counselor you know, I knew in high 1470 01:19:02,160 --> 01:19:03,800 Speaker 1: school that I didn't want to go to college and 1471 01:19:03,840 --> 01:19:06,640 Speaker 1: I wanted to go to I wanted to move to 1472 01:19:06,720 --> 01:19:10,200 Speaker 1: Los Angeles immediately after high school and become an actor. 1473 01:19:11,240 --> 01:19:12,800 Speaker 1: And he was like, dude, you got to apply for 1474 01:19:12,880 --> 01:19:14,519 Speaker 1: colleges and stuff. And I was like, I'm not gonna 1475 01:19:14,560 --> 01:19:17,080 Speaker 1: do it. He was like, all right, fine, whatever, and 1476 01:19:17,560 --> 01:19:21,799 Speaker 1: I got in. I went in. I auditioned for Rutgers University. 1477 01:19:21,880 --> 01:19:24,920 Speaker 1: My mom went to Rutgers University, and I got in 1478 01:19:25,120 --> 01:19:27,320 Speaker 1: and he was so excited for me, and he sat 1479 01:19:27,400 --> 01:19:29,680 Speaker 1: me down. He was like, dude, I don't know how 1480 01:19:29,760 --> 01:19:31,200 Speaker 1: you like literally, this is what he said to me. 1481 01:19:31,240 --> 01:19:33,400 Speaker 1: I don't know how you did it. But he got 1482 01:19:33,520 --> 01:19:36,400 Speaker 1: into Rutgers. Man, you did it. You got into Rutgers. 1483 01:19:37,200 --> 01:19:39,800 Speaker 1: And I remember looking at him and saying, yeah, you know, 1484 01:19:40,080 --> 01:19:42,040 Speaker 1: I'm in colleges. Isn't for me. I'm not going to 1485 01:19:42,120 --> 01:19:44,439 Speaker 1: go to college. I'm I'm gonna give this acting thing 1486 01:19:44,479 --> 01:19:48,240 Speaker 1: a shot. And I could see the disappointment in his face, 1487 01:19:49,520 --> 01:19:53,360 Speaker 1: like you're thrown away your future, kid, And it always 1488 01:19:53,600 --> 01:19:56,320 Speaker 1: it always sticks with me. That always sticks with me 1489 01:19:57,200 --> 01:20:00,599 Speaker 1: that he cared so much about what was gonna happen 1490 01:20:00,640 --> 01:20:04,639 Speaker 1: to me after I left that school. He wasn't like, listen, 1491 01:20:04,720 --> 01:20:07,400 Speaker 1: I get that you I get that you want he was. 1492 01:20:07,520 --> 01:20:08,960 Speaker 1: He was like, I get that you want to be famous. 1493 01:20:09,000 --> 01:20:11,320 Speaker 1: I get all of that, But dude, you have a 1494 01:20:11,640 --> 01:20:14,719 Speaker 1: you have a shot that Rutgers is a very good school. 1495 01:20:14,760 --> 01:20:16,720 Speaker 1: You know what I mean? This is something that a 1496 01:20:16,840 --> 01:20:21,200 Speaker 1: lot of people would kill for, and somehow you convinced 1497 01:20:21,240 --> 01:20:24,040 Speaker 1: them that you're Rutgers material. I can't believe you're not 1498 01:20:24,120 --> 01:20:26,840 Speaker 1: going to do it. And that's always stuck with me, 1499 01:20:26,960 --> 01:20:30,040 Speaker 1: like he cared so much about my future that he 1500 01:20:30,160 --> 01:20:33,920 Speaker 1: was willing to protest pretty much. You know, I think 1501 01:20:33,920 --> 01:20:36,559 Speaker 1: you're doing the wrong thing. This isn't you're You're making 1502 01:20:36,600 --> 01:20:39,799 Speaker 1: a mistake. Regardless of where I'm at now and regardless 1503 01:20:39,800 --> 01:20:42,120 Speaker 1: of my belief in myself, I'd still look back at 1504 01:20:42,200 --> 01:20:44,720 Speaker 1: him and like and think, I think very highly of 1505 01:20:44,800 --> 01:20:47,120 Speaker 1: mister Napp as well. We'll also can think about it. 1506 01:20:47,120 --> 01:20:50,120 Speaker 1: The odds of someone making it is so slim that 1507 01:20:50,360 --> 01:20:53,639 Speaker 1: he you know, he is an actor. It's the it's 1508 01:20:54,439 --> 01:20:56,240 Speaker 1: it's it is a bit of a lottery. And so 1509 01:20:56,400 --> 01:20:57,880 Speaker 1: he was just looking out for you and being like, 1510 01:20:58,040 --> 01:20:59,720 Speaker 1: oh I like this kid. I don't know if he's 1511 01:20:59,720 --> 01:21:04,200 Speaker 1: gonna as an actor. Yeah, yeah, Well, Bob, thank you 1512 01:21:04,320 --> 01:21:06,080 Speaker 1: so much. Thank you for coming on, thank you for 1513 01:21:06,200 --> 01:21:08,519 Speaker 1: being a teacher, and thank you for making a difference 1514 01:21:08,560 --> 01:21:12,519 Speaker 1: in in young people's lives. Uh, stay safe, all right, 1515 01:21:12,600 --> 01:21:17,200 Speaker 1: safe bye bye bye. Thank you. All right, Donald, Um, 1516 01:21:17,360 --> 01:21:19,080 Speaker 1: we went along today, but you know what, we had 1517 01:21:19,080 --> 01:21:21,280 Speaker 1: a lot to say and we had a really cool 1518 01:21:21,360 --> 01:21:23,320 Speaker 1: guest on a day. Also, Man, I like Bomb, but 1519 01:21:23,400 --> 01:21:26,560 Speaker 1: I like you, I like Daniel, I like Joelle. You 1520 01:21:26,680 --> 01:21:31,120 Speaker 1: just like me. I fucking love you? What did you 1521 01:21:31,280 --> 01:21:33,639 Speaker 1: What was the term you used before? Um? You were trying? 1522 01:21:33,680 --> 01:21:37,599 Speaker 1: And what with Casey smash? What was it? Beat? Yeah? 1523 01:21:37,600 --> 01:21:39,280 Speaker 1: I'm not trying to beat, but I love you. Oh 1524 01:21:39,479 --> 01:21:43,720 Speaker 1: my god, Hey everybody. Oh, we're gonna go in to wait. 1525 01:21:43,760 --> 01:21:46,680 Speaker 1: First of our final announcements follow Joelle. Joelle, what's your 1526 01:21:47,080 --> 01:21:50,600 Speaker 1: Twitter handle? Yeah? Actually, before we do this, guys, we 1527 01:21:50,840 --> 01:21:54,680 Speaker 1: have to give out a gt S kombucha. So I 1528 01:21:54,840 --> 01:21:58,960 Speaker 1: was thinking I could. There's I bookmark the first person 1529 01:21:59,479 --> 01:22:01,120 Speaker 1: who got it because I thought maybe that would be 1530 01:22:01,280 --> 01:22:03,880 Speaker 1: the fairest way. Are you guys okay with doing that? Yeah? 1531 01:22:03,920 --> 01:22:09,360 Speaker 1: Sure cool? Then congratulations to Melanie w I will hit 1532 01:22:09,439 --> 01:22:11,720 Speaker 1: you up on the Twitter d MS. Looks like you're 1533 01:22:11,760 --> 01:22:14,080 Speaker 1: in Washington, so that should be good. Are you gonna 1534 01:22:14,080 --> 01:22:16,520 Speaker 1: f g TS kimbucha? Thank you for making a beautiful 1535 01:22:17,080 --> 01:22:22,400 Speaker 1: um bingo card for us, and show out some more 1536 01:22:22,479 --> 01:22:25,160 Speaker 1: bingo people soon, just as a thank you guys for 1537 01:22:25,240 --> 01:22:27,120 Speaker 1: doing that. A lot of you contributed bingo cards and 1538 01:22:27,200 --> 01:22:29,720 Speaker 1: they look beautiful and we appreciate that. We will put 1539 01:22:29,840 --> 01:22:31,840 Speaker 1: those up when we get them and you guys could 1540 01:22:31,840 --> 01:22:35,679 Speaker 1: play along. Yes, yeah yeah yeah yeah yeah yeah yeah 1541 01:22:35,720 --> 01:22:39,840 Speaker 1: yeah yeah. Um So yes. To wrap up, I'm joel Nie. 1542 01:22:39,920 --> 01:22:42,040 Speaker 1: You can find me all over the internet at Joe Monique. 1543 01:22:42,080 --> 01:22:44,000 Speaker 1: That's Joe L L E M O N I q 1544 01:22:44,280 --> 01:22:47,760 Speaker 1: U E and Dale. What's your handle? My handle is 1545 01:22:48,439 --> 01:22:52,960 Speaker 1: on Twitter Daniel. Oh jesus, imagine your fucking engineer mutes himself. 1546 01:22:53,439 --> 01:22:55,439 Speaker 1: That's funny. I'm muted, but I was recording myself on 1547 01:22:55,479 --> 01:23:02,760 Speaker 1: my mic. Ses is DJ Underscore Daniel d A n 1548 01:23:03,040 --> 01:23:05,920 Speaker 1: L on the Twitter and follow me there, Oh, follow him. 1549 01:23:05,960 --> 01:23:10,479 Speaker 1: He's delightful. I do, and I think you're You're both great. 1550 01:23:10,520 --> 01:23:13,839 Speaker 1: I'm learning a lot about your secret lives by following 1551 01:23:13,880 --> 01:23:17,599 Speaker 1: you both. Follow Donald Phazon. Please keep his Instagram numbers 1552 01:23:17,640 --> 01:23:22,760 Speaker 1: going Please for the listen. Thank you that I love 1553 01:23:22,840 --> 01:23:26,040 Speaker 1: that to put thank you, yes for the love of yahweh. 1554 01:23:26,400 --> 01:23:30,439 Speaker 1: Please keep those Instagram numbers going up. And hey, tell 1555 01:23:30,479 --> 01:23:32,760 Speaker 1: your friends about this show, guys, because we have a lot. 1556 01:23:32,880 --> 01:23:35,120 Speaker 1: We have this amazing group here, but let's keep it going. 1557 01:23:35,680 --> 01:23:38,920 Speaker 1: You might text your friend dear so and so, now 1558 01:23:38,960 --> 01:23:41,120 Speaker 1: you're gonna put their name in unless their name happens 1559 01:23:41,160 --> 01:23:45,960 Speaker 1: to be so and so. Um you should You should 1560 01:23:46,000 --> 01:23:48,960 Speaker 1: listen to fake doctor's real friends. The Scrubs rewatch podcasts. 1561 01:23:49,000 --> 01:23:54,200 Speaker 1: It's delightful. Due love it. We're gonna end the show 1562 01:23:54,280 --> 01:23:59,080 Speaker 1: today with Toby Sebastian uh singing the my summer jam 1563 01:23:59,360 --> 01:24:01,680 Speaker 1: number one lover This is a really good tune. You 1564 01:24:01,760 --> 01:24:04,880 Speaker 1: can find it anywhere in everywhere you get your music. 1565 01:24:05,720 --> 01:24:07,599 Speaker 1: I love you guys, We'll see you soon. I'm now 1566 01:24:07,640 --> 01:24:09,600 Speaker 1: gonna talk it up Titan Tanele. Don't wait, Tom, do 1567 01:24:09,640 --> 01:24:10,840 Speaker 1: you want to don't five six seven eight? Are you? 1568 01:24:10,920 --> 01:24:12,360 Speaker 1: I'm not gonna five six seven eight? You go ahead, 1569 01:24:12,360 --> 01:24:13,960 Speaker 1: talk it up. I'm gonna talk up the song because 1570 01:24:14,040 --> 01:24:17,000 Speaker 1: last time I was a big hit. Ready, I got nervous. 1571 01:24:17,920 --> 01:24:20,240 Speaker 1: All right, everybody, you're looking for a new song in 1572 01:24:20,280 --> 01:24:22,599 Speaker 1: the summer, Well I got one coming to you. He's 1573 01:24:22,680 --> 01:24:26,599 Speaker 1: a British heartthrob sensation. His name is Toby Sebastian. Here 1574 01:24:26,640 --> 01:24:32,120 Speaker 1: he is with this new hit number one lover you. Yeah, 1575 01:24:36,080 --> 01:25:20,920 Speaker 1: oh you here and then night yeah yeah to this 1576 01:25:22,080 --> 01:25:32,280 Speaker 1: year to be you know, y'all a little one liver, 1577 01:25:34,479 --> 01:25:42,759 Speaker 1: yeah my soul. I wouldn't read you another. Oh in time, 1578 01:25:43,120 --> 01:26:15,160 Speaker 1: my love, y'all. Liver to what this Sunday? Yeah? Because 1579 01:26:15,360 --> 01:26:24,240 Speaker 1: I want to oh dance a day? Yeah, I want 1580 01:26:24,680 --> 01:26:33,200 Speaker 1: to dance on my air. I want to. I want 1581 01:26:33,240 --> 01:26:40,080 Speaker 1: to dance on Live Yeah, I want to. I want 1582 01:26:40,080 --> 01:26:52,600 Speaker 1: to dance someday word I love, got it out, I 1583 01:26:53,000 --> 01:27:05,599 Speaker 1: love one. Want to this anight and I don't want 1584 01:27:06,120 --> 01:27:09,120 Speaker 1: to at this annight. A